1
00:00:00,560 --> 00:00:03,400
Speaker 1: From Hollywood to you, thank you for listening to us.

2
00:00:05,880 --> 00:00:07,640
Speaker 2: On air with a Ryan Seacrest.

3
00:00:09,840 --> 00:00:14,320
Speaker 1: Oh it is kiss FM. So by definition a situationship

4
00:00:14,560 --> 00:00:19,279
Speaker 1: is what? What is a situationship? Because got some situationships

5
00:00:19,320 --> 00:00:22,480
Speaker 1: circulating here around the show. What is it?

6
00:00:23,520 --> 00:00:26,120
Speaker 2: I would say, it's kind of the situation that Sophia

7
00:00:26,239 --> 00:00:27,960
Speaker 2: is in a little bit. You're in a situationship.

8
00:00:28,040 --> 00:00:30,520
Speaker 1: You're hanging out with somebody, but you put rules on it.

9
00:00:30,520 --> 00:00:34,000
Speaker 3: Right, Yeah, exactly, it's a what what is it?

10
00:00:34,000 --> 00:00:36,240
Speaker 1: It's what? What is it? What are we? It's also

11
00:00:36,360 --> 00:00:38,519
Speaker 1: it's like, hey, nobody's asking any questions, so let's just

12
00:00:38,600 --> 00:00:39,720
Speaker 1: keep situation shipping.

13
00:00:40,520 --> 00:00:40,640
Speaker 4: Now.

14
00:00:40,720 --> 00:00:42,599
Speaker 1: Jordan in the back room, who comes to us from

15
00:00:42,600 --> 00:00:46,080
Speaker 1: Burbank High, Jordan, what's the issue with your friend?

16
00:00:46,680 --> 00:00:51,000
Speaker 5: My friend's in the situationship and she is wondering about

17
00:00:51,040 --> 00:00:55,320
Speaker 5: location sharing and whether she should share her location with

18
00:00:55,520 --> 00:00:56,920
Speaker 5: the guy that she's been talking to.

19
00:00:56,960 --> 00:00:59,080
Speaker 1: For a few months and then would both share each

20
00:00:59,080 --> 00:01:03,120
Speaker 1: other's locations in theory, yes, and yeah, bad news.

21
00:01:03,640 --> 00:01:07,040
Speaker 5: The It's confusing because as for me personally, I'm okay

22
00:01:07,080 --> 00:01:10,959
Speaker 5: with dropping my location for any friend if they're asking

23
00:01:11,000 --> 00:01:14,479
Speaker 5: for it. But when you're in a situationship. Is it

24
00:01:14,520 --> 00:01:17,520
Speaker 5: weird to ask for that person's location because now you

25
00:01:17,560 --> 00:01:19,440
Speaker 5: guys have a thing going on, even though you're just

26
00:01:19,480 --> 00:01:21,120
Speaker 5: asking for their safety.

27
00:01:21,240 --> 00:01:22,880
Speaker 1: Yeah, but are you asking for their safety or you're

28
00:01:22,880 --> 00:01:26,240
Speaker 1: also asking to know where they are? Because the situationship

29
00:01:26,280 --> 00:01:30,280
Speaker 1: can be anxiety ridden. I think that is dangerous to

30
00:01:30,319 --> 00:01:34,039
Speaker 1: have locations in a situationship because technically that person can

31
00:01:34,080 --> 00:01:36,280
Speaker 1: be at someone else's place, but if you see them there,

32
00:01:36,319 --> 00:01:39,520
Speaker 1: that's gonna make you crazy. It's gonna make you crazy.

33
00:01:39,959 --> 00:01:42,800
Speaker 1: And this is the problem with situationships. They're as good

34
00:01:42,840 --> 00:01:47,520
Speaker 1: as they are bad. It's you're actually in a situationship.

35
00:01:47,800 --> 00:01:48,920
Speaker 1: Did you ask for a location?

36
00:01:49,320 --> 00:01:51,320
Speaker 3: Well, I kind of was in the same situation as

37
00:01:51,400 --> 00:01:55,040
Speaker 3: Jordan's friend where the night that skeletor came to pick

38
00:01:55,200 --> 00:01:56,640
Speaker 3: me and my friends up from that party when my

39
00:01:56,680 --> 00:01:59,000
Speaker 3: friend threw up in his car, I sent him my

40
00:01:59,120 --> 00:02:02,200
Speaker 3: location and I kind of did it indefinitely as like

41
00:02:02,240 --> 00:02:05,200
Speaker 3: an insinuation, like hey, like send me years back, like

42
00:02:05,240 --> 00:02:09,080
Speaker 3: this is us, Like you're not saying it and he

43
00:02:09,200 --> 00:02:09,920
Speaker 3: never sent it to me.

44
00:02:10,320 --> 00:02:11,160
Speaker 2: He never sent it to me.

45
00:02:11,400 --> 00:02:13,760
Speaker 1: Yeah, this is the this is the gray area. Gray

46
00:02:13,840 --> 00:02:16,880
Speaker 1: is not good. So I think it look the safety

47
00:02:16,880 --> 00:02:20,000
Speaker 1: component is a great thing, but when you're in a situationship,

48
00:02:20,120 --> 00:02:23,040
Speaker 1: all of these can be very, very confusing and frustrating.

49
00:02:24,000 --> 00:02:26,960
Speaker 5: But now, do we just not care about their safety

50
00:02:27,000 --> 00:02:29,680
Speaker 5: even though we have everyone else's location.

51
00:02:30,080 --> 00:02:32,240
Speaker 1: No, you care, But they need to step up and

52
00:02:32,280 --> 00:02:34,800
Speaker 1: make a decision about their relationship. I think, say, with

53
00:02:34,880 --> 00:02:37,640
Speaker 1: you and skeletor so. I don't mean to dovetail this

54
00:02:37,680 --> 00:02:39,400
Speaker 1: back into your situation, but I'm going to keep hearing

55
00:02:39,400 --> 00:02:43,520
Speaker 1: about this drama in your life if you don't make it,

56
00:02:43,560 --> 00:02:45,399
Speaker 1: I think you've got to be decisive to say, dude,

57
00:02:45,400 --> 00:02:47,600
Speaker 1: it's been a long time, either we in or out,

58
00:02:47,760 --> 00:02:52,200
Speaker 1: and happy birthday. She's not going out with him tonight

59
00:02:52,280 --> 00:02:54,600
Speaker 1: on her birthday? FYI?

60
00:02:54,800 --> 00:02:56,639
Speaker 2: She did last night into the midnight hour.

61
00:02:56,840 --> 00:03:02,040
Speaker 1: Yeah, but that that was exactly exactly my point. Because

62
00:03:02,040 --> 00:03:04,640
Speaker 1: he's in a situation. He doesn't get the prime time show.

63
00:03:04,880 --> 00:03:07,679
Speaker 1: No he doesn't. He gets he gets prime access. He

64
00:03:07,720 --> 00:03:11,240
Speaker 1: gets like this seven o'clock version, you get prime time tonight.

65
00:03:15,200 --> 00:03:16,920
Speaker 1: All right, So Ruby, let's take it to the streets

66
00:03:16,960 --> 00:03:18,800
Speaker 1: right now, Let's go to the back room. Let's go

67
00:03:18,880 --> 00:03:21,640
Speaker 1: there is what is the issue? You saw a post

68
00:03:21,720 --> 00:03:25,560
Speaker 1: I put up on Instagram you know my chuldery chip idea.

69
00:03:25,600 --> 00:03:27,560
Speaker 1: It's not my idea to trend. He cut open a

70
00:03:27,560 --> 00:03:30,640
Speaker 1: bag of chips. I wanted plain kettle chips so that

71
00:03:30,680 --> 00:03:33,480
Speaker 1: you consult them sort of unsulted, and plane not all

72
00:03:33,480 --> 00:03:35,960
Speaker 1: the seasoning on them, right, so you can add things,

73
00:03:36,160 --> 00:03:39,160
Speaker 1: add me things to the top of your bed of chips.

74
00:03:39,400 --> 00:03:41,360
Speaker 1: What's the controversial issue, Ruby.

75
00:03:41,280 --> 00:03:43,880
Speaker 2: It's not controversial. It's a little bit of like a proposal.

76
00:03:44,000 --> 00:03:47,640
Speaker 1: I would say, I run from proposals.

77
00:03:47,880 --> 00:03:50,440
Speaker 6: I saw a lot of people were like, no, don't

78
00:03:50,440 --> 00:03:53,520
Speaker 6: do the fish, like, don't do sardines, like they're grossed out.

79
00:03:53,840 --> 00:03:55,440
Speaker 6: So I have a tip for people who are not

80
00:03:55,520 --> 00:03:58,240
Speaker 6: into tin fish. I feel like you could do potato

81
00:03:58,320 --> 00:04:00,200
Speaker 6: chips and preshudo and pepper chips.

82
00:04:00,680 --> 00:04:03,280
Speaker 1: Of course, anything with salt. Look, I just decided to

83
00:04:03,320 --> 00:04:05,960
Speaker 1: put canned fish on my potato chips because you needed

84
00:04:06,000 --> 00:04:09,480
Speaker 1: a salty item. The idea is that you take the

85
00:04:09,680 --> 00:04:12,880
Speaker 1: canvas of potato chips, you slice open the bag.

86
00:04:13,000 --> 00:04:17,600
Speaker 2: Yeah, that was intense. I slice like that.

87
00:04:17,800 --> 00:04:21,520
Speaker 1: You open it up like a cadaver. If you're dissecting

88
00:04:21,520 --> 00:04:26,200
Speaker 1: a frog right out of my mouth. Look, and you

89
00:04:26,320 --> 00:04:28,880
Speaker 1: dissect it and you put all whatever you want on

90
00:04:28,960 --> 00:04:31,480
Speaker 1: the top, and I think photo would work great. Yes,

91
00:04:31,640 --> 00:04:35,080
Speaker 1: I am a If there were a convention or a

92
00:04:35,120 --> 00:04:39,920
Speaker 1: summit for enthusiasts of canned fish, I would go. I

93
00:04:39,920 --> 00:04:43,920
Speaker 1: loved canned oysters, I liked canned sardines, I liked can

94
00:04:44,040 --> 00:04:46,760
Speaker 1: I like canfish, So that's what I put on there.

95
00:04:46,760 --> 00:04:49,720
Speaker 1: And pimentos pimentos for some color. I grew up in

96
00:04:49,800 --> 00:04:52,400
Speaker 1: the South where we had pimento cheese, but pimentos, you know,

97
00:04:52,480 --> 00:04:55,120
Speaker 1: from inside the olive. But thank you for me for

98
00:04:55,160 --> 00:04:58,919
Speaker 1: following me on Instagram. So nice would you put on

99
00:04:58,960 --> 00:04:59,320
Speaker 1: your chip?

100
00:04:59,400 --> 00:05:03,279
Speaker 2: Siciny, I wouldn't be that creative.

101
00:05:04,320 --> 00:05:06,160
Speaker 1: You get cool ranch already ranched and cool.

102
00:05:06,480 --> 00:05:08,040
Speaker 2: No, yeah, you know what I mean. Like maybe I

103
00:05:08,040 --> 00:05:10,000
Speaker 2: would try to purshiot a thing. So I'm not a

104
00:05:10,040 --> 00:05:12,560
Speaker 2: sardine girl. I don't even know if I would try

105
00:05:12,560 --> 00:05:14,080
Speaker 2: it at it like being like polite.

106
00:05:14,600 --> 00:05:18,200
Speaker 1: Now coming up here these scams. This is scam alert.

107
00:05:18,600 --> 00:05:22,200
Speaker 1: When you put your phone down in a restaurant, be careful.

108
00:05:22,640 --> 00:05:25,520
Speaker 1: I always usually I have one eye on the phone

109
00:05:25,640 --> 00:05:27,679
Speaker 1: or I'm thinking about the phone when I put it down.

110
00:05:28,040 --> 00:05:31,039
Speaker 1: But this is a scam that's going around. Don't get

111
00:05:31,080 --> 00:05:32,400
Speaker 1: caught up in it. I'll tell you what it is

112
00:05:32,440 --> 00:05:34,640
Speaker 1: in just a secondary It's kiss if em ron kiss

113
00:05:34,720 --> 00:05:37,720
Speaker 1: good morning. I forgot to tell you guys that last night,

114
00:05:37,720 --> 00:05:38,839
Speaker 1: I don't know what I was thinking. I last I

115
00:05:38,880 --> 00:05:40,760
Speaker 1: had a man I was hungry before I went to sleep.

116
00:05:40,760 --> 00:05:44,919
Speaker 1: I made a sillium husk a cow chocolate protein shake,

117
00:05:45,240 --> 00:05:49,040
Speaker 1: and then I took my magnesium on top of it. Oh, yes,

118
00:05:49,200 --> 00:05:52,960
Speaker 1: exactly what you mean. Exactly that was the only thing

119
00:05:53,040 --> 00:05:55,520
Speaker 1: worse than having sardines on your breath is silium husk

120
00:05:56,240 --> 00:06:00,360
Speaker 1: and magnesium inside of you. Now, when we get to

121
00:06:00,440 --> 00:06:05,880
Speaker 1: this scam alert, You've brought these up before a syste

122
00:06:05,960 --> 00:06:07,600
Speaker 1: Every now and then you see something and I feel

123
00:06:07,600 --> 00:06:09,359
Speaker 1: guilty not telling you because yeah, I saw this.

124
00:06:09,600 --> 00:06:10,640
Speaker 2: I saw this one too.

125
00:06:11,480 --> 00:06:15,560
Speaker 1: If you at a restaurant, here's the scam. People who

126
00:06:15,600 --> 00:06:17,279
Speaker 1: are eating alone or not eating alone. That's cont happen

127
00:06:17,320 --> 00:06:19,560
Speaker 1: to you. It could happen at a coffee shop, at

128
00:06:19,600 --> 00:06:23,960
Speaker 1: a restaurant outdoors, especially so someone basically walks by your

129
00:06:24,000 --> 00:06:27,520
Speaker 1: table and drops some money on the ground. Think about this.

130
00:06:27,560 --> 00:06:30,120
Speaker 1: Your phone's on the table, They drop some money on

131
00:06:30,160 --> 00:06:33,960
Speaker 1: the ground as if it were an accident. You are

132
00:06:34,000 --> 00:06:36,800
Speaker 1: a good person, You're a good human. You do good

133
00:06:36,800 --> 00:06:39,560
Speaker 1: things for people and you pay it forward. So you

134
00:06:39,600 --> 00:06:42,560
Speaker 1: reach over and you pick up the money, and someone

135
00:06:42,600 --> 00:06:46,159
Speaker 1: else in the restaurant it's organized crime to other person

136
00:06:46,160 --> 00:06:47,800
Speaker 1: in the restaurant while you're picking up the money for

137
00:06:47,880 --> 00:06:51,119
Speaker 1: what you think is you know, Tubbs's girlfriend is running

138
00:06:51,120 --> 00:06:51,880
Speaker 1: off with your phone.

139
00:06:52,040 --> 00:06:53,720
Speaker 2: Yeah, Like, you pick up the money and you're like, hey,

140
00:06:53,800 --> 00:06:55,640
Speaker 2: excuse me, you drop this, And as you're doing and

141
00:06:55,680 --> 00:06:58,440
Speaker 2: their phone's gone, someone else behind you comes and grabs

142
00:06:58,440 --> 00:06:58,960
Speaker 2: the phone.

143
00:06:59,000 --> 00:07:03,520
Speaker 1: It's the art of distress. I'm always weary, weary or weary?

144
00:07:03,600 --> 00:07:06,960
Speaker 1: Am I weird? Here wary? Where? Am I very weary? Weary?

145
00:07:07,080 --> 00:07:07,440
Speaker 7: Weary?

146
00:07:07,960 --> 00:07:09,840
Speaker 1: But I weary about being wary?

147
00:07:09,880 --> 00:07:11,680
Speaker 2: Sometimes you worry about weary?

148
00:07:12,680 --> 00:07:15,880
Speaker 1: Am I leary or larry? I'm leary about weary and wary?

149
00:07:15,960 --> 00:07:18,760
Speaker 1: But anyway, and I'm wearing a tank top tomorrow because

150
00:07:18,800 --> 00:07:23,680
Speaker 1: it's gonna be hot. But be aware when someone takes

151
00:07:23,680 --> 00:07:26,160
Speaker 1: your attention and distracts you. I hate to be cynical,

152
00:07:26,440 --> 00:07:29,560
Speaker 1: but it could be the art of distraction. Somebody's doing

153
00:07:29,560 --> 00:07:32,120
Speaker 1: something behind your back, grabbing your watch, grabbing your phone,

154
00:07:32,160 --> 00:07:34,800
Speaker 1: grabbing your purse. I don't want to think like that,

155
00:07:35,560 --> 00:07:39,840
Speaker 1: but you gotta have to. Yeah, two point seven Kiss FM.

156
00:07:41,080 --> 00:07:44,200
Speaker 1: All right, guys, let's go you into it? Are you

157
00:07:44,240 --> 00:07:47,960
Speaker 1: into today? How can we help, like Thursday, get into

158
00:07:48,040 --> 00:07:51,280
Speaker 1: today into it? Kiss FM. We're here to try to

159
00:07:51,320 --> 00:07:53,640
Speaker 1: help motivate you to get going and get I don't

160
00:07:53,680 --> 00:07:55,560
Speaker 1: say get through it, but Conna, yeah, I get through it.

161
00:07:55,880 --> 00:08:00,120
Speaker 1: So here's the thing. People say to me, what's your hobby?

162
00:08:00,440 --> 00:08:02,720
Speaker 1: And I gotta be honest. I make stuff up sometimes

163
00:08:02,760 --> 00:08:06,360
Speaker 1: because I don't know that I really have hobbies. Did

164
00:08:06,440 --> 00:08:09,080
Speaker 1: That's the point I try something that I it's like

165
00:08:09,120 --> 00:08:11,680
Speaker 1: I watched two episodes and then I move on. It's

166
00:08:11,720 --> 00:08:13,600
Speaker 1: like I try stuff, I'm not good at it. I'm

167
00:08:13,640 --> 00:08:17,520
Speaker 1: done with it. So this thing here, I feel like

168
00:08:17,520 --> 00:08:22,720
Speaker 1: I tried this with an X of mine some dance

169
00:08:22,760 --> 00:08:25,000
Speaker 1: classes or something. So here's the thing. They say that

170
00:08:25,040 --> 00:08:25,800
Speaker 1: this hobby.

171
00:08:29,120 --> 00:08:32,240
Speaker 8: Here, it was more dancy.

172
00:08:32,400 --> 00:08:33,839
Speaker 2: You were more dancy when you were with.

173
00:08:33,800 --> 00:08:38,400
Speaker 1: Her, because she said, no, it wasn't even the dancer.

174
00:08:38,520 --> 00:08:40,880
Speaker 1: That's not who it was. Yeah, anyway, can I please

175
00:08:40,920 --> 00:08:45,280
Speaker 1: get to sure hobbies can be good for your brain.

176
00:08:45,920 --> 00:08:48,360
Speaker 1: This one is great for your brain to stay younger

177
00:08:48,360 --> 00:08:50,199
Speaker 1: than your actual age. And that is doing the tango

178
00:08:50,760 --> 00:08:52,280
Speaker 1: is anybody here know how to do the tank?

179
00:08:52,480 --> 00:08:56,400
Speaker 2: I do not. I feel like I could fake it. Well,

180
00:08:56,480 --> 00:08:57,000
Speaker 2: I could try.

181
00:08:58,000 --> 00:09:01,560
Speaker 1: People who took tango as a hobby have brains that

182
00:09:01,600 --> 00:09:04,080
Speaker 1: are seven years younger than their biological age.

183
00:09:04,320 --> 00:09:06,640
Speaker 2: Right up, my alley, do that good for you?

184
00:09:06,840 --> 00:09:08,880
Speaker 1: And would you please dancing with the stars cast this

185
00:09:08,960 --> 00:09:12,600
Speaker 1: need some point. I'm so ready, She's been ready for

186
00:09:12,679 --> 00:09:15,600
Speaker 1: ten years. All right, Now here's the quote today. We

187
00:09:15,600 --> 00:09:17,400
Speaker 1: do quote every day. This is the point where we

188
00:09:17,400 --> 00:09:20,160
Speaker 1: do it. Do not wait for the perfect time in

189
00:09:20,280 --> 00:09:25,640
Speaker 1: place to enter. You are already on stage. Do you

190
00:09:25,640 --> 00:09:26,400
Speaker 1: even know what it means?

191
00:09:26,679 --> 00:09:29,880
Speaker 2: Yeah? Okay, tell me there's no perfect time. You just

192
00:09:29,920 --> 00:09:30,760
Speaker 2: have to do it now.

193
00:09:31,480 --> 00:09:37,640
Speaker 1: Yeah, girl, all right, thank you. Kiss FM gets to

194
00:09:37,679 --> 00:09:41,040
Speaker 1: the headline sicany Thursday morning here on Kiss FM. What's happening?

195
00:09:41,360 --> 00:09:43,680
Speaker 1: Kiss FM headlines with Sissy Well.

196
00:09:43,679 --> 00:09:46,760
Speaker 2: An old pedestrian tunnel in Boyle Heights has become a

197
00:09:46,800 --> 00:09:51,600
Speaker 2: hotspot for trespassing, trash, and illegal activity, and neighbors are

198
00:09:51,640 --> 00:09:54,760
Speaker 2: just asking the city to clean it up. Dangerous high

199
00:09:54,720 --> 00:09:58,640
Speaker 2: surface creating hazard each conditions across southern California and coving

200
00:09:59,080 --> 00:10:02,240
Speaker 2: train delays through San Clemente as officials urge people to

201
00:10:02,440 --> 00:10:06,040
Speaker 2: stay out of the water it has met. Incident at

202
00:10:06,080 --> 00:10:10,360
Speaker 2: a Huntington Beach business led to brief evacuations after a

203
00:10:10,600 --> 00:10:14,640
Speaker 2: chemical reaction inside a fifty five gallon drum, but no

204
00:10:14,760 --> 00:10:18,640
Speaker 2: injuries were reported, and Long Beach is launching its first

205
00:10:18,760 --> 00:10:23,600
Speaker 2: independent Film Festival this August, featuring movies, filmmakers, and special

206
00:10:23,679 --> 00:10:24,720
Speaker 2: industry events.

207
00:10:25,320 --> 00:10:28,000
Speaker 1: Vin imagine going to get your bagel, Imagine going to

208
00:10:28,000 --> 00:10:31,520
Speaker 1: get your pastry. Imagine going to the farmer's market. Why

209
00:10:31,559 --> 00:10:33,720
Speaker 1: can't the DJ be playing there to make it festive

210
00:10:33,880 --> 00:10:40,000
Speaker 1: and fun? I mean, honestly, I almost always associate DJs

211
00:10:40,120 --> 00:10:44,400
Speaker 1: and a DJ with nighttime club party, like after hours.

212
00:10:44,480 --> 00:10:45,600
Speaker 2: Right, that's changing.

213
00:10:46,840 --> 00:10:51,560
Speaker 1: So laundromats, bakeries, coffee shops are going Why do we

214
00:10:51,600 --> 00:10:54,240
Speaker 1: have to have such a hard, rigid rule. Let's start

215
00:10:54,280 --> 00:10:57,000
Speaker 1: spinning and playing music and creating this atmosphere. And that's

216
00:10:57,040 --> 00:10:59,440
Speaker 1: what's going on. This is they're called what bakery raves?

217
00:10:59,600 --> 00:11:02,320
Speaker 2: Yeah, bakery raise the one that's at the bakery instead

218
00:11:02,320 --> 00:11:05,079
Speaker 2: of cocktails. Everyone's just kind of like holding a pastry juice,

219
00:11:05,080 --> 00:11:08,520
Speaker 2: Like you're not drinking, you're sober, you just enjoying a

220
00:11:08,679 --> 00:11:13,880
Speaker 2: cool DJ vibes all of that. There's one in Sherman Oaks,

221
00:11:14,080 --> 00:11:17,760
Speaker 2: the Red Window. They do this all the time, amazing

222
00:11:17,800 --> 00:11:21,000
Speaker 2: coffee and they have a full DJ setup and just

223
00:11:21,040 --> 00:11:23,640
Speaker 2: it'll be a random Tuesday afternoon and they'll just be

224
00:11:23,720 --> 00:11:26,560
Speaker 2: bumping music. I'm like driving down in term Pool hard.

225
00:11:26,960 --> 00:11:27,720
Speaker 2: It's amazing.

226
00:11:28,240 --> 00:11:32,240
Speaker 1: I don't know that I've ever had coffee to a

227
00:11:32,320 --> 00:11:33,120
Speaker 1: DJ never.

228
00:11:33,360 --> 00:11:34,280
Speaker 2: It's really fun.

229
00:11:35,559 --> 00:11:40,040
Speaker 1: I've never done laundry to blasting DJ music either, but

230
00:11:40,120 --> 00:11:41,679
Speaker 1: how much more fun would that be? They'd go to

231
00:11:41,720 --> 00:11:44,959
Speaker 1: the laundry mat and then be entertained the entire time.

232
00:11:45,520 --> 00:11:48,360
Speaker 1: But it's like this unwritten rule that you never would

233
00:11:48,400 --> 00:11:51,640
Speaker 1: have somebody spinning in the daylight or not I mean

234
00:11:51,760 --> 00:11:53,839
Speaker 1: pool party, but like, yeah, while you're getting your chores

235
00:11:53,880 --> 00:11:56,440
Speaker 1: done exactly, or why are you having your breakfast and your.

236
00:11:56,280 --> 00:11:58,239
Speaker 2: Coffee exactly exactly?

237
00:11:58,679 --> 00:12:03,960
Speaker 1: All for a bakery rave, let's go, let's go, all right,

238
00:12:04,720 --> 00:12:06,520
Speaker 1: I could be DJ, could be guys, I could tide

239
00:12:06,559 --> 00:12:07,000
Speaker 1: hustle this.

240
00:12:07,040 --> 00:12:09,680
Speaker 2: I have not learned your DJ sets collected.

241
00:12:09,679 --> 00:12:11,360
Speaker 1: I mean it could be for a bakery rave. It

242
00:12:11,400 --> 00:12:15,080
Speaker 1: could be where I start. I'm not going to start

243
00:12:15,080 --> 00:12:22,719
Speaker 1: at tow Noma. Should we just talk about what you

244
00:12:22,880 --> 00:12:25,240
Speaker 1: want to get rid of in your life now before

245
00:12:25,240 --> 00:12:26,760
Speaker 1: you go to bed. I mean, it's not the mass tape,

246
00:12:26,800 --> 00:12:28,560
Speaker 1: it's not the duct tape. It's not all the tapes.

247
00:12:29,400 --> 00:12:32,319
Speaker 1: You think you're watching too much TV before bedtime.

248
00:12:32,440 --> 00:12:35,040
Speaker 8: No, it's not even then watching too much. I'm addicted

249
00:12:35,080 --> 00:12:38,160
Speaker 8: to television. I think I I like went to the

250
00:12:38,280 --> 00:12:40,080
Speaker 8: end of television in the last month.

251
00:12:40,360 --> 00:12:43,360
Speaker 1: What's the problem with being addicted is a big word,

252
00:12:43,559 --> 00:12:45,840
Speaker 1: But what's the problem with being an enthusiast of TV?

253
00:12:46,320 --> 00:12:48,920
Speaker 8: I don't like the control it has over me, Like

254
00:12:48,960 --> 00:12:51,120
Speaker 8: I'm constantly I need to have shows in the queue,

255
00:12:51,160 --> 00:12:54,040
Speaker 8: Like I'm watching three shows currently, and I have shows

256
00:12:54,040 --> 00:12:56,080
Speaker 8: in the queue that I'm like waiting to get to.

257
00:12:56,600 --> 00:12:59,280
Speaker 2: And this is normal. It's like everyone watches TV like

258
00:12:59,320 --> 00:13:01,720
Speaker 2: this exactly. This is not normal for me.

259
00:13:01,880 --> 00:13:03,880
Speaker 8: I used to just watch something a little bit light

260
00:13:03,920 --> 00:13:15,640
Speaker 8: to get myself sleep, but now it's like all I

261
00:13:15,679 --> 00:13:17,120
Speaker 8: want to do when I get home, I just want

262
00:13:17,120 --> 00:13:18,760
Speaker 8: to like I want to get in bed. I want

263
00:13:18,760 --> 00:13:20,120
Speaker 8: to like get dinner in bed.

264
00:13:21,400 --> 00:13:24,240
Speaker 2: Problem.

265
00:13:23,880 --> 00:13:26,560
Speaker 1: Problem. Actually, after a long day of work, I can't

266
00:13:26,600 --> 00:13:29,559
Speaker 1: wait to eat in my living room. Whatever going to

267
00:13:29,640 --> 00:13:32,600
Speaker 1: eat out of a container, put my feet on the

268
00:13:32,640 --> 00:13:36,360
Speaker 1: coffee table and watch what Now my problem, Tanya is

269
00:13:36,400 --> 00:13:39,319
Speaker 1: not care if I'm watching a bunch of stuff. I

270
00:13:39,440 --> 00:13:42,000
Speaker 1: just have a real hard time when I look at

271
00:13:42,000 --> 00:13:44,800
Speaker 1: the clock and know I've gotta stop the I don't

272
00:13:44,840 --> 00:13:48,440
Speaker 1: know what it is. I cannot stop an episode to

273
00:13:48,520 --> 00:13:51,600
Speaker 1: shut it down, to start my procedure to get ready

274
00:13:51,600 --> 00:13:54,240
Speaker 1: for bed so hard. So I have that.

275
00:13:54,280 --> 00:13:55,280
Speaker 2: Down like I can.

276
00:13:55,360 --> 00:13:57,480
Speaker 8: I can lights out, clock it out like I can

277
00:13:57,520 --> 00:13:58,120
Speaker 8: put it down.

278
00:13:58,200 --> 00:13:58,960
Speaker 2: What's the problem.

279
00:13:59,240 --> 00:14:02,480
Speaker 1: It's a pro If you have the ability to lights out,

280
00:14:02,600 --> 00:14:06,160
Speaker 1: you certainly have the ability certainly stop watching.

281
00:14:06,800 --> 00:14:08,440
Speaker 2: You need some sort of hobby.

282
00:14:08,559 --> 00:14:11,520
Speaker 1: I need something. Oh my gosh, kind have a hobby

283
00:14:11,559 --> 00:14:14,720
Speaker 1: at eight thirty at night. Nobody has hobbies at that

284
00:14:14,840 --> 00:14:15,760
Speaker 1: time on a Tuesday.

285
00:14:16,080 --> 00:14:18,880
Speaker 2: No, that's what I organize your medicine cabinet and call

286
00:14:18,960 --> 00:14:19,320
Speaker 2: her a night.

287
00:14:19,640 --> 00:14:23,160
Speaker 1: Yeah, I think this is not an issue. I think

288
00:14:23,200 --> 00:14:24,960
Speaker 1: it's a blessing. There's so much good programming.

289
00:14:25,400 --> 00:14:28,120
Speaker 8: Really, I'm so happy to hear this because I really

290
00:14:28,120 --> 00:14:28,920
Speaker 8: felt like I.

291
00:14:28,920 --> 00:14:31,240
Speaker 1: Had Oh yeah, I mean, and you know, I'm in

292
00:14:31,280 --> 00:14:38,320
Speaker 1: the not torture you, not torture me mode, don't torture

293
00:14:38,360 --> 00:14:40,120
Speaker 1: yourself mode. You don't try to say like, you know,

294
00:14:40,880 --> 00:14:44,080
Speaker 1: like be nicer to you one or two point seven

295
00:14:44,160 --> 00:14:49,440
Speaker 1: Kiss FM, It's time for Ryan's roses. Now, Samantha is

296
00:14:49,480 --> 00:14:53,080
Speaker 1: on the line in Pasadena and she's reached out for

297
00:14:53,120 --> 00:14:55,960
Speaker 1: some help from us. She found some flirty emails between

298
00:14:56,000 --> 00:14:59,880
Speaker 1: her husband and one of his coworkers, and she addressed these. Samantha,

299
00:15:00,000 --> 00:15:02,160
Speaker 1: what happened when you addressed these flirty emails?

300
00:15:03,440 --> 00:15:06,360
Speaker 4: So I never go through my husband's phone or email,

301
00:15:06,520 --> 00:15:10,960
Speaker 4: but I needed our Southwest confirmation number. So while I

302
00:15:11,040 --> 00:15:14,840
Speaker 4: was in there, I noticed this long email chain with

303
00:15:15,000 --> 00:15:18,800
Speaker 4: a woman that he works with named Taylor, and the

304
00:15:18,840 --> 00:15:24,000
Speaker 4: tone just immediately felt off. It was super flirty, super personal,

305
00:15:24,480 --> 00:15:29,240
Speaker 4: and that was the big red flag. At one point

306
00:15:29,480 --> 00:15:33,000
Speaker 4: she mentioned getting a Brazilian wax, and he had a

307
00:15:33,080 --> 00:15:36,480
Speaker 4: million disgusting questions about her Brazilian wax.

308
00:15:38,040 --> 00:15:41,320
Speaker 1: It's inappropriate, I do no matter what right.

309
00:15:41,840 --> 00:15:47,440
Speaker 4: That was super super personal details. And then what really

310
00:15:47,440 --> 00:15:50,280
Speaker 4: bugged me is though about the whole chain, was when

311
00:15:50,320 --> 00:15:55,200
Speaker 4: she referenced last weekend quote unquote, and he replied, remember

312
00:15:55,560 --> 00:15:59,440
Speaker 4: we're not talking about last weekend. That was the exact weekend.

313
00:15:59,480 --> 00:16:02,640
Speaker 4: He told me he had to work NonStop because of

314
00:16:02,680 --> 00:16:08,200
Speaker 4: a crisis at the office, so very well.

315
00:16:08,160 --> 00:16:10,440
Speaker 1: Could not have been a crisis, isn't it still? If

316
00:16:10,520 --> 00:16:12,120
Speaker 1: possible it was a crisis.

317
00:16:13,040 --> 00:16:17,800
Speaker 4: I guess possible, but paired with this Brazilian wax information.

318
00:16:17,440 --> 00:16:19,680
Speaker 1: On it and this is all in email.

319
00:16:20,440 --> 00:16:21,760
Speaker 4: All in an email.

320
00:16:21,920 --> 00:16:24,640
Speaker 1: Yes, And when you addressed it, he downplayed it, and

321
00:16:24,640 --> 00:16:26,000
Speaker 1: then he deleted the emails.

322
00:16:26,920 --> 00:16:30,880
Speaker 4: He deleted the emails. Yeah. So later that night, I

323
00:16:31,320 --> 00:16:34,880
Speaker 4: just brought it up casually, and I asked I brought

324
00:16:34,880 --> 00:16:37,960
Speaker 4: Taylor up casually. I asked if she was married, and

325
00:16:38,000 --> 00:16:40,760
Speaker 4: he said yes, and then he asked me why, and

326
00:16:40,800 --> 00:16:44,080
Speaker 4: I said, no reason, and then I walked away. So

327
00:16:44,680 --> 00:16:46,840
Speaker 4: I'll admit I wanted to see. I wanted to see

328
00:16:46,840 --> 00:16:50,880
Speaker 4: if it rattled him, and it did. So the next day,

329
00:16:50,960 --> 00:16:53,760
Speaker 4: every single email was deleted between them.

330
00:16:54,120 --> 00:16:57,240
Speaker 1: Got it. There's a there's a lot going wrong already.

331
00:16:57,280 --> 00:17:00,400
Speaker 1: It's like, how deep has it gone to call her

332
00:17:00,480 --> 00:17:04,639
Speaker 1: husband next? We're in the middle of Ryan's roses right now, Samantha.

333
00:17:05,119 --> 00:17:09,080
Speaker 1: I mean, look, her husband is involved in a way

334
00:17:09,080 --> 00:17:13,000
Speaker 1: that's inappropriate with his coworker named Taylor, and she found

335
00:17:13,040 --> 00:17:16,320
Speaker 1: these thirty emails. He was asking or talking about a

336
00:17:16,359 --> 00:17:20,080
Speaker 1: Brazilian bikini wax and then there was a reference to

337
00:17:20,359 --> 00:17:23,040
Speaker 1: last weekend and him saying, don't talk about we don't

338
00:17:23,040 --> 00:17:26,520
Speaker 1: talk about last weekend. This was all via email. Taylor

339
00:17:26,640 --> 00:17:28,840
Speaker 1: is her name? It is a coworker. I mean, Samantha.

340
00:17:29,119 --> 00:17:33,240
Speaker 1: You already know he's acting inappropriately with another woman and

341
00:17:33,480 --> 00:17:36,560
Speaker 1: at work. The question is how far did it go?

342
00:17:36,600 --> 00:17:40,320
Speaker 1: What's he referring to about last weekend? Is Taylor? The

343
00:17:40,400 --> 00:17:42,399
Speaker 1: other woman is coworker married.

344
00:17:44,119 --> 00:17:47,480
Speaker 4: She is married and if this goes the way I

345
00:17:47,560 --> 00:17:49,640
Speaker 4: expect her husband will be my next call.

346
00:17:50,800 --> 00:17:52,520
Speaker 1: That's what you'll do. All right, We are going to

347
00:17:52,520 --> 00:17:54,960
Speaker 1: make the call right now. I need you to say, Ryan,

348
00:17:55,000 --> 00:17:57,480
Speaker 1: you have my permission to call, and then whatever his

349
00:17:57,600 --> 00:17:59,440
Speaker 1: name is on Kiss FM.

350
00:18:00,880 --> 00:18:03,040
Speaker 4: Brian, you have my permission to call.

351
00:18:04,520 --> 00:18:06,960
Speaker 1: On m all right, We're going to do that right

352
00:18:06,960 --> 00:18:09,600
Speaker 1: now and be very quiet. Let's see what we can

353
00:18:09,640 --> 00:18:12,119
Speaker 1: find out. Good luck to you, Samantha.

354
00:18:12,680 --> 00:18:13,119
Speaker 4: Thank you.

355
00:18:24,760 --> 00:18:25,080
Speaker 7: Hello.

356
00:18:25,800 --> 00:18:30,040
Speaker 1: Hi? Is this Brian, yeah speaking Hi.

357
00:18:30,119 --> 00:18:32,840
Speaker 2: My name is Yvonne. I'm calling from Pedals of Pasadena.

358
00:18:32,840 --> 00:18:33,800
Speaker 2: How are you doing this morning?

359
00:18:36,680 --> 00:18:38,800
Speaker 7: Oh? I mean I was really hoping you're someone else.

360
00:18:39,840 --> 00:18:43,280
Speaker 2: Oh, I'm sorry. We are new to the area. We're

361
00:18:43,320 --> 00:18:46,600
Speaker 2: on Colorado and deliver locally and surrounding areas. And the

362
00:18:46,640 --> 00:18:48,840
Speaker 2: reason I am calling is because we're doing a free promotion.

363
00:18:48,880 --> 00:18:51,000
Speaker 2: It's a dozen red roses that you can send anybody

364
00:18:51,040 --> 00:18:51,480
Speaker 2: that you like.

365
00:18:54,080 --> 00:18:56,080
Speaker 7: So, what is this like a free book kid for

366
00:18:56,160 --> 00:18:58,760
Speaker 7: like a month or two and then like the fees

367
00:18:58,840 --> 00:18:59,159
Speaker 7: kick in.

368
00:18:59,560 --> 00:19:03,000
Speaker 2: No, it is a one time free arrangement that you

369
00:19:03,040 --> 00:19:05,280
Speaker 2: can send to anybody that you'd like. I would just

370
00:19:05,320 --> 00:19:07,679
Speaker 2: need the name and we can write a note have

371
00:19:07,760 --> 00:19:10,359
Speaker 2: those out by lunchtime today if that's convenient for you,

372
00:19:10,440 --> 00:19:13,080
Speaker 2: or we can pick a different day after that. That's it.

373
00:19:13,160 --> 00:19:15,280
Speaker 2: If you want to come back and become a customer,

374
00:19:15,440 --> 00:19:17,680
Speaker 2: that would be amazing. We're just doing this to get

375
00:19:17,680 --> 00:19:20,199
Speaker 2: the word out. There's no credit card fee, there's no

376
00:19:20,480 --> 00:19:23,840
Speaker 2: like sign up membership or anything like that. It's just

377
00:19:23,840 --> 00:19:27,400
Speaker 2: a promotion that we do about once a month, all.

378
00:19:27,359 --> 00:19:30,240
Speaker 7: Right, So it's kind of like a word am mouthing.

379
00:19:30,600 --> 00:19:32,160
Speaker 2: Yeah, I don't need any cash from you. I don't

380
00:19:32,480 --> 00:19:34,959
Speaker 2: like I said, they are absolutely free. And whoever you

381
00:19:35,000 --> 00:19:37,840
Speaker 2: send these flowers to, hopefully they like the arrangements. Hopefully

382
00:19:37,880 --> 00:19:39,680
Speaker 2: you like the arrangements and you all come back as

383
00:19:39,680 --> 00:19:44,320
Speaker 2: customers one day.

384
00:19:42,880 --> 00:19:44,640
Speaker 7: And you could just send them in my office. That'd

385
00:19:44,680 --> 00:19:45,200
Speaker 7: be fine.

386
00:19:45,680 --> 00:19:48,679
Speaker 2: Okay, we can start with the note. What's the name

387
00:19:48,720 --> 00:19:49,160
Speaker 2: of the person?

388
00:19:53,359 --> 00:19:55,679
Speaker 7: I might not be there, so maybe just send it

389
00:19:55,720 --> 00:19:57,119
Speaker 7: to the brokeraage because I'm going to be in and

390
00:19:57,119 --> 00:19:59,000
Speaker 7: out all day. But Chelsea should be at the desk

391
00:19:59,040 --> 00:19:59,920
Speaker 7: and shall take delivery.

392
00:20:00,680 --> 00:20:02,520
Speaker 2: Okay, do you want to put anything on the card

393
00:20:02,600 --> 00:20:03,160
Speaker 2: for Chelsea?

394
00:20:05,359 --> 00:20:09,080
Speaker 7: No, it's not going to Chelsea. Chelsea's just the receptionist,

395
00:20:09,720 --> 00:20:11,639
Speaker 7: you know. Just leave it blank. It's good to have

396
00:20:11,680 --> 00:20:13,480
Speaker 7: flexibility in these situations.

397
00:20:13,920 --> 00:20:16,199
Speaker 1: Brian, your voice is being broadcast on the radio, and

398
00:20:16,240 --> 00:20:18,840
Speaker 1: I want to just jump in on that for a second.

399
00:20:19,920 --> 00:20:23,160
Speaker 1: Why do you need flexibility on where to send romantic roses?

400
00:20:23,200 --> 00:20:25,000
Speaker 1: My name is Ryan. Your voice is being broadcast in

401
00:20:25,000 --> 00:20:26,880
Speaker 1: the radio. I have sistanin Tanya, and I have your

402
00:20:26,880 --> 00:20:27,720
Speaker 1: wife on the line.

403
00:20:29,800 --> 00:20:32,520
Speaker 7: Wait, wait, wait, what's going on?

404
00:20:34,280 --> 00:20:38,199
Speaker 1: You tell us what's going on? Your wife informed us

405
00:20:38,200 --> 00:20:41,119
Speaker 1: that you've been flirting with a coworker named Taylor talking

406
00:20:41,119 --> 00:20:45,640
Speaker 1: about a Brazilian wax, and that you referred to something

407
00:20:45,680 --> 00:20:48,280
Speaker 1: that you're not going to quote talk about anymore last weekend.

408
00:20:48,800 --> 00:20:51,199
Speaker 1: So clearly there's something going on with you and Taylor.

409
00:20:51,280 --> 00:20:52,919
Speaker 1: Clearly you did not want to send the roses to

410
00:20:52,960 --> 00:20:56,160
Speaker 1: your wife and clearly you've been sketchy about getting them

411
00:20:56,160 --> 00:20:58,240
Speaker 1: to your office to be flexible with the cards. So

412
00:20:58,640 --> 00:21:03,040
Speaker 1: I think at this point the question is what's happening

413
00:21:03,080 --> 00:21:04,359
Speaker 1: with you and Taylor at work.

414
00:21:06,080 --> 00:21:07,919
Speaker 7: I don't even know how you know about Taylor, but like,

415
00:21:08,000 --> 00:21:11,200
Speaker 7: I'm a real estate broker and sometimes clients need a

416
00:21:11,720 --> 00:21:14,400
Speaker 7: little extra push. Like when I first got the call,

417
00:21:14,440 --> 00:21:15,920
Speaker 7: I said, I was hoping to someone else. I was

418
00:21:15,960 --> 00:21:17,960
Speaker 7: hoping it was my client that I'm showing today, and

419
00:21:18,000 --> 00:21:20,720
Speaker 7: I thought, like, you know, if my client needs extra push,

420
00:21:20,760 --> 00:21:22,399
Speaker 7: I'm going to give them the flowers. Otherwise I'm going

421
00:21:22,440 --> 00:21:23,160
Speaker 7: to get it to my wife.

422
00:21:23,240 --> 00:21:29,200
Speaker 1: Samantha, Look what's going on with you and Taylor? Forget

423
00:21:29,200 --> 00:21:31,080
Speaker 1: about the flowers for a second. Why are you flirting

424
00:21:31,080 --> 00:21:32,119
Speaker 1: with Taylor through email?

425
00:21:34,840 --> 00:21:37,080
Speaker 7: There's nothing going on between me and Taylor. Yeah, I

426
00:21:37,119 --> 00:21:40,120
Speaker 7: know the emails got a little it looks not good,

427
00:21:40,200 --> 00:21:42,120
Speaker 7: but like nothing going on there.

428
00:21:42,240 --> 00:21:44,560
Speaker 1: It doesn't ever cheating on my wad. It doesn't look

429
00:21:44,600 --> 00:21:48,040
Speaker 1: not good. It's clearly inappropriate. So, Samantha, what would you

430
00:21:48,119 --> 00:21:49,320
Speaker 1: like to know from your husband, Brian.

431
00:21:52,480 --> 00:21:55,840
Speaker 4: I read those emails, Brian, and I saw you deleted them.

432
00:21:56,320 --> 00:21:59,120
Speaker 4: Seems very guilty to me. What's going on.

433
00:22:03,640 --> 00:22:05,920
Speaker 7: I don't know. Like we just had like a conversation.

434
00:22:06,000 --> 00:22:07,919
Speaker 7: It was a little bit fun, but like it was

435
00:22:08,000 --> 00:22:08,440
Speaker 7: too much.

436
00:22:09,320 --> 00:22:12,200
Speaker 1: Don't talk about in an email, Brian.

437
00:22:12,280 --> 00:22:17,360
Speaker 4: No, you're that's just so inappropriate. Why would you ever

438
00:22:17,440 --> 00:22:19,080
Speaker 4: talk about a Brazilian wax.

439
00:22:21,400 --> 00:22:23,679
Speaker 7: I don't know. It was a long day. I just

440
00:22:24,200 --> 00:22:26,440
Speaker 7: had something. I kind of just see you out as

441
00:22:26,440 --> 00:22:28,880
Speaker 7: a moment, Samantha.

442
00:22:28,880 --> 00:22:32,000
Speaker 1: Is just in the interest of time and people's lives

443
00:22:32,040 --> 00:22:34,480
Speaker 1: listening right now, Brian, are you cheating on Samantha?

444
00:22:35,840 --> 00:22:37,679
Speaker 7: No, I've never cheated on you, and I have no

445
00:22:37,720 --> 00:22:40,600
Speaker 7: intention of cheating anything. Do you talk about this in Brivant?

446
00:22:40,680 --> 00:22:43,919
Speaker 4: You a woman about our shaped private is cheating?

447
00:22:44,320 --> 00:22:45,760
Speaker 1: There you go? It is.

448
00:22:47,840 --> 00:22:50,159
Speaker 7: I don't think so. I think it was just a conversation.

449
00:22:50,320 --> 00:22:54,080
Speaker 1: But it's all right. Look, the two of you were

450
00:22:54,080 --> 00:22:56,840
Speaker 1: gonna let you resolve it from this point. I wish

451
00:22:56,840 --> 00:23:00,520
Speaker 1: you the best of luck. But Brian, you have plot

452
00:23:00,560 --> 00:23:03,400
Speaker 1: here like you were not seeing clearly, Samantha. Good luck

453
00:23:03,440 --> 00:23:09,280
Speaker 1: with this. It's Ryan's Roses Kiss FM on air with

454
00:23:09,480 --> 00:23:14,640
Speaker 1: Ryan Seacrest. Lets you point seven Kiss FM. All right,

455
00:23:15,640 --> 00:23:18,440
Speaker 1: listen to this. You're in a relationship. Some people are

456
00:23:18,640 --> 00:23:20,800
Speaker 1: it's great, toubs, you're in one. You might want to

457
00:23:20,880 --> 00:23:21,320
Speaker 1: chime in on this.

458
00:23:21,680 --> 00:23:23,600
Speaker 2: Maybe you're in one too, but you're just not sharing.

459
00:23:23,880 --> 00:23:26,520
Speaker 1: Maybe wouldn't that be nice what I makes surprise reveal

460
00:23:26,600 --> 00:23:27,000
Speaker 1: coming up?

461
00:23:27,280 --> 00:23:28,399
Speaker 2: It would be your style.

462
00:23:29,400 --> 00:23:31,960
Speaker 1: It would be you're right, I'd be so weird, be lope.

463
00:23:32,000 --> 00:23:33,280
Speaker 1: And then in January say, oh, you know what I

464
00:23:33,280 --> 00:23:36,960
Speaker 1: did over the holidays.

465
00:23:35,400 --> 00:23:42,040
Speaker 2: So weird, like Sparkle Meghan over here.

466
00:23:43,160 --> 00:23:45,840
Speaker 1: I don't know who that is. No, I don't know

467
00:23:45,840 --> 00:23:47,120
Speaker 1: who Sparkle Meghan is.

468
00:23:47,680 --> 00:23:48,520
Speaker 2: From Love is Blind.

469
00:23:48,680 --> 00:23:51,080
Speaker 8: And then she was on the and then on the

470
00:23:51,119 --> 00:23:53,200
Speaker 8: reunion she had a baby.

471
00:23:53,480 --> 00:23:54,959
Speaker 2: Yeah, I did see that.

472
00:23:55,320 --> 00:23:58,280
Speaker 1: All right, Well, listen any relationship, listen to these things.

473
00:23:58,440 --> 00:24:02,159
Speaker 1: That's kind of interesting. Rules and are these things toxic?

474
00:24:02,200 --> 00:24:06,640
Speaker 1: Are they healthy? So what about having a new female

475
00:24:06,640 --> 00:24:09,399
Speaker 1: friend you're in a relationship, systeny, Yeah, if he has

476
00:24:09,440 --> 00:24:11,639
Speaker 1: a new female friend, is that a healthy thing?

477
00:24:11,840 --> 00:24:12,000
Speaker 7: Oh?

478
00:24:12,040 --> 00:24:12,520
Speaker 2: I hate it?

479
00:24:12,880 --> 00:24:15,280
Speaker 1: Okay, I understand I would.

480
00:24:15,000 --> 00:24:17,600
Speaker 2: Fake it though, I'd be like, all right, cool, so nice.

481
00:24:17,800 --> 00:24:20,440
Speaker 1: Then you know, anytime a wife or a husband or

482
00:24:20,440 --> 00:24:22,040
Speaker 1: anybody fakes, you know when you're faking.

483
00:24:22,520 --> 00:24:24,600
Speaker 2: Yeah, I mean I don't think it would like laugh

484
00:24:25,240 --> 00:24:26,080
Speaker 2: thrilled because.

485
00:24:25,880 --> 00:24:28,040
Speaker 1: In the transcript you were cool with it, but in

486
00:24:28,080 --> 00:24:33,800
Speaker 1: real life you were saying no, no, uh, okay, checking

487
00:24:33,840 --> 00:24:37,399
Speaker 1: in if you go out solo. Now, Tony, let me

488
00:24:37,400 --> 00:24:39,720
Speaker 1: take this to you. Okay, Robbie goes out solo, you

489
00:24:39,840 --> 00:24:41,800
Speaker 1: check in? Does he have to check in? Is he

490
00:24:41,960 --> 00:24:42,720
Speaker 1: check in with you?

491
00:24:42,760 --> 00:24:42,960
Speaker 7: No?

492
00:24:43,240 --> 00:24:43,880
Speaker 1: Is that true?

493
00:24:44,280 --> 00:24:44,480
Speaker 4: Yeah?

494
00:24:44,680 --> 00:24:45,120
Speaker 2: That's true?

495
00:24:45,320 --> 00:24:47,000
Speaker 1: Or do you reach out to him to check on him?

496
00:24:47,240 --> 00:24:50,159
Speaker 8: I don't hold back, Like if if I want to

497
00:24:50,160 --> 00:24:51,600
Speaker 8: text him about something, I'm not like, oh, I'm not

498
00:24:51,600 --> 00:24:53,560
Speaker 8: going to text him because you're with his friends. But

499
00:24:53,600 --> 00:24:55,679
Speaker 8: I'm not like checking in on him.

500
00:24:55,720 --> 00:24:59,080
Speaker 1: But you don't hold back. Correct correct, So it's toxic

501
00:24:59,160 --> 00:25:04,800
Speaker 1: to do that. What that's what psychiatrist saying? Well, independence

502
00:25:04,840 --> 00:25:05,560
Speaker 1: to be encouraged.

503
00:25:07,200 --> 00:25:09,600
Speaker 2: Yeah, I mean we go away for a weekend or something.

504
00:25:09,840 --> 00:25:13,080
Speaker 1: Yeah. Fine, right, Well you guys, you guys are very

505
00:25:13,359 --> 00:25:15,560
Speaker 1: they're new at this. You've been doing this for a minute.

506
00:25:16,119 --> 00:25:17,840
Speaker 2: Yeah, I guess you're right. Like before, I like when

507
00:25:17,840 --> 00:25:19,600
Speaker 2: I would land, I would text him like I landed,

508
00:25:19,640 --> 00:25:22,440
Speaker 2: But now it's like two days. No, by just check

509
00:25:22,480 --> 00:25:23,040
Speaker 2: my location.

510
00:25:24,200 --> 00:25:27,960
Speaker 1: I've seen it in the news when I check the

511
00:25:27,960 --> 00:25:33,879
Speaker 1: news every night. She's away. The headlines all right, sharing

512
00:25:33,960 --> 00:25:36,919
Speaker 1: locations that good toxic tubs. Let me take us to you.

513
00:25:36,920 --> 00:25:39,880
Speaker 1: You share locations with your jiu jitsu partner? Uh No,

514
00:25:40,240 --> 00:25:41,680
Speaker 1: I don't even know how to turn that on. You

515
00:25:42,680 --> 00:25:44,320
Speaker 1: the engineer here, you want to turn that on.

516
00:25:45,240 --> 00:25:47,280
Speaker 2: He's just claiming that because he doesn't want to share

517
00:25:47,280 --> 00:25:48,600
Speaker 2: his location July.

518
00:25:49,119 --> 00:25:51,400
Speaker 1: But you guys all share locations, right, Yes, I share

519
00:25:51,400 --> 00:25:57,200
Speaker 1: applications with Mark. I don't know why, you yourself? Why everybody?

520
00:25:57,280 --> 00:25:59,280
Speaker 2: Yeah, I think I share with everybody, all right.

521
00:25:59,359 --> 00:26:02,800
Speaker 1: I think that that's not necessary. I mean maybe in

522
00:26:02,800 --> 00:26:04,520
Speaker 1: a relationship, I don't care. But with you guys, for sure,

523
00:26:04,520 --> 00:26:04,880
Speaker 1: it's a.

524
00:26:04,840 --> 00:26:07,560
Speaker 2: No why anything for us would be so easy then

525
00:26:07,600 --> 00:26:09,040
Speaker 2: we would know, like if you were getting to an

526
00:26:09,040 --> 00:26:10,680
Speaker 2: event with us at the same time, or like, oh

527
00:26:10,680 --> 00:26:11,080
Speaker 2: he's just.

528
00:26:11,040 --> 00:26:12,680
Speaker 1: On the freeway, not at any event.

529
00:26:12,920 --> 00:26:17,760
Speaker 2: Well, the concerts that we go to. Agry about it,

530
00:26:17,840 --> 00:26:18,920
Speaker 2: I'm not angry about it.

531
00:26:18,960 --> 00:26:19,879
Speaker 1: I'm just talking.

532
00:26:21,560 --> 00:26:22,800
Speaker 2: Up at arms over there.

533
00:26:23,440 --> 00:26:26,560
Speaker 1: Point seven. It's kiss FM love coming together and hanging

534
00:26:26,600 --> 00:26:28,920
Speaker 1: out and doing our thing here. It's not even really work,

535
00:26:29,040 --> 00:26:31,240
Speaker 1: you know, it's worked before we go to work. And

536
00:26:31,400 --> 00:26:33,560
Speaker 1: I appreciate you checking in on your way to work.

537
00:26:33,880 --> 00:26:37,480
Speaker 1: So have you ever had a deconstructed taco or a

538
00:26:37,600 --> 00:26:38,840
Speaker 1: deconstructed burger?

539
00:26:38,960 --> 00:26:40,120
Speaker 2: Yeah, I do with my Britos.

540
00:26:40,119 --> 00:26:42,400
Speaker 1: Sometimes I like a deconstructed meal.

541
00:26:42,640 --> 00:26:43,320
Speaker 2: Yeah, me too.

542
00:26:43,680 --> 00:26:47,360
Speaker 1: So they're taking that concept to weddings and deconstructing weddings.

543
00:26:47,760 --> 00:26:51,480
Speaker 1: This is the reason that I might consider marriage.

544
00:26:52,040 --> 00:26:54,080
Speaker 2: Yeah, apparently we've been doing weddings all wrong.

545
00:26:54,560 --> 00:26:56,560
Speaker 1: Yeah, I don't even need a person. This sounds much

546
00:26:56,600 --> 00:26:57,280
Speaker 1: like so much.

547
00:26:57,560 --> 00:26:59,359
Speaker 2: Fun, good time, you need a person?

548
00:27:00,520 --> 00:27:02,960
Speaker 1: Well, I get you know, you know, traditionally the blah

549
00:27:03,000 --> 00:27:07,359
Speaker 1: blah blah. You know now they're saying, you start right,

550
00:27:07,520 --> 00:27:09,159
Speaker 1: isn't it. You start with the cocktail hour, you have

551
00:27:09,200 --> 00:27:12,600
Speaker 1: a nice meal, then the main event, then this, then

552
00:27:12,640 --> 00:27:13,320
Speaker 1: the show starts.

553
00:27:13,359 --> 00:27:16,240
Speaker 2: So when you win the ceremony, you're already full, you're

554
00:27:16,240 --> 00:27:19,440
Speaker 2: already kind of buzzed, and then after the ceremony is done,

555
00:27:19,480 --> 00:27:20,800
Speaker 2: it boom straight to dancing.

556
00:27:21,200 --> 00:27:25,119
Speaker 1: Yes, and I have a question, where do you people

557
00:27:25,200 --> 00:27:28,840
Speaker 1: that get married go for three hours to take pictures

558
00:27:28,880 --> 00:27:30,960
Speaker 1: while we have to walk around and talk to people.

559
00:27:31,040 --> 00:27:33,200
Speaker 2: Usually it's that one hour because it's called the til.

560
00:27:33,119 --> 00:27:36,680
Speaker 1: Hour, hour of disappearing from your own event, because.

561
00:27:36,520 --> 00:27:40,399
Speaker 2: It's usually the golden hour and it's overrest lighting.

562
00:27:40,240 --> 00:27:45,320
Speaker 1: And excuse me, take the pictures of the night before

563
00:27:45,359 --> 00:27:50,800
Speaker 1: in the golden now and I love this idea.

564
00:27:51,000 --> 00:27:52,240
Speaker 2: Yeah, I'm kind of here for it.

565
00:27:52,840 --> 00:27:55,800
Speaker 1: H So everybody gets together, have the cocktails, have the

566
00:27:55,800 --> 00:27:58,600
Speaker 1: dinner boom. The main event happens right into the DJ

567
00:27:58,720 --> 00:28:01,119
Speaker 1: and the dancing. You're there by nine to twenty.

568
00:28:02,200 --> 00:28:03,159
Speaker 2: You don't have to leave early?

569
00:28:04,040 --> 00:28:05,400
Speaker 1: Why not? Why not?

570
00:28:06,160 --> 00:28:08,640
Speaker 2: I I'm the last one at the party, so don't

571
00:28:08,640 --> 00:28:09,080
Speaker 2: look at me.

572
00:28:09,280 --> 00:28:12,200
Speaker 1: On my wedding night. On my wedding night, I'm doing

573
00:28:12,200 --> 00:28:14,200
Speaker 1: all this. I'm going straight to the honeymoon. So I'm

574
00:28:14,200 --> 00:28:16,080
Speaker 1: actually gonna leave early. You guys can stay.

575
00:28:16,960 --> 00:28:17,640
Speaker 2: I can't wait.

576
00:28:18,040 --> 00:28:20,000
Speaker 1: I'm booking a flight at eight thirty. Y'all can have

577
00:28:20,040 --> 00:28:24,000
Speaker 1: the detail ten Yeah, brother, play now they're ninety minutes

578
00:28:24,000 --> 00:28:26,600
Speaker 1: for those guys, we are out. He got this non

579
00:28:26,640 --> 00:28:27,840
Speaker 1: stop flight to the island.

580
00:28:27,840 --> 00:28:29,960
Speaker 2: You literally have done that in real life, I know.

581
00:28:30,119 --> 00:28:31,320
Speaker 1: But without a wife.

582
00:28:31,440 --> 00:28:34,720
Speaker 2: But yeah, I.

583
00:28:34,640 --> 00:28:36,760
Speaker 1: Didn't do it tanyas. I didn't book a flight out

584
00:28:36,800 --> 00:28:37,960
Speaker 1: that night. But you tell it with.

585
00:28:37,960 --> 00:28:41,360
Speaker 2: Us out and like Houdini's still lay, you see it

586
00:28:41,360 --> 00:28:42,480
Speaker 2: a lot later than I thought.

587
00:28:42,520 --> 00:28:43,880
Speaker 1: You are, A friend of mine said the other night,

588
00:28:43,960 --> 00:28:46,160
Speaker 1: I did Houdini at a party, a birthday party, and

589
00:28:46,200 --> 00:28:48,800
Speaker 1: I told my friend Michelle, I go hey, hey, guys,

590
00:28:48,800 --> 00:28:51,880
Speaker 1: can I I'm gonna Houdini And Michelle goes hey, fun fact,

591
00:28:52,240 --> 00:28:57,200
Speaker 1: Houdini didn't tell everybody he was leading four point seven

592
00:28:57,280 --> 00:29:01,719
Speaker 1: kiss FM. Let me grab Lexi in San Pedro one

593
00:29:01,760 --> 00:29:04,920
Speaker 1: eight hundred and five two one O two seven Lexi

594
00:29:05,000 --> 00:29:06,920
Speaker 1: and San Pedro go ahead. You're am with this, Lexi?

595
00:29:07,080 --> 00:29:07,920
Speaker 1: How can we help you?

596
00:29:09,120 --> 00:29:12,920
Speaker 4: So this guy dating refuses to post me, but he

597
00:29:13,040 --> 00:29:15,840
Speaker 4: posted like everything else, and I'm wondering if that's like

598
00:29:15,880 --> 00:29:16,640
Speaker 4: a red flag.

599
00:29:17,440 --> 00:29:20,560
Speaker 1: He he posts everything else about his life, but he

600
00:29:20,600 --> 00:29:23,680
Speaker 1: won't put you up there. Are you guys officially together?

601
00:29:23,800 --> 00:29:24,320
Speaker 2: How long?

602
00:29:25,000 --> 00:29:27,480
Speaker 4: Yeah, we've been dating for like almost three months.

603
00:29:31,280 --> 00:29:33,320
Speaker 1: Maybe he wants to protect the relationship.

604
00:29:33,960 --> 00:29:39,600
Speaker 4: Oh he can't have a meal, he can't watch a show,

605
00:29:39,800 --> 00:29:45,440
Speaker 4: he can't make like a move without him posting on Instagram.

606
00:29:44,000 --> 00:29:46,840
Speaker 1: But no no appearances by you. Do you think that

607
00:29:46,960 --> 00:29:48,200
Speaker 1: maybe he's trying to hide you?

608
00:29:49,320 --> 00:29:52,320
Speaker 4: I mean, I I don't know. It's like that's like

609
00:29:52,400 --> 00:29:54,120
Speaker 4: how we met, Like he popped up on my feet.

610
00:29:54,120 --> 00:29:57,160
Speaker 4: Who's there? So long? So like I DMed him? But

611
00:29:57,320 --> 00:30:00,400
Speaker 4: like I mean, I get it that like being with

612
00:30:00,400 --> 00:30:04,480
Speaker 4: somebody who's kind of like a hard launch on her Instagram, right,

613
00:30:04,760 --> 00:30:08,080
Speaker 4: but we're exclusive, Like we had the talk.

614
00:30:09,560 --> 00:30:12,640
Speaker 1: Okay, you're talking to the wrong dude, because I'd be

615
00:30:12,680 --> 00:30:17,080
Speaker 1: happy for you not to post me in your feed. However,

616
00:30:17,200 --> 00:30:18,880
Speaker 1: I'm looking at Sophia, what do you think you're in

617
00:30:18,880 --> 00:30:21,400
Speaker 1: one of these situations just like this? Would you be upset?

618
00:30:21,520 --> 00:30:23,800
Speaker 1: Should she say this is not right? Is there something

619
00:30:23,840 --> 00:30:24,400
Speaker 1: going on here?

620
00:30:24,680 --> 00:30:26,200
Speaker 2: I think this is a huge red flag.

621
00:30:26,240 --> 00:30:29,400
Speaker 3: Like if you guys have been together, especially for three months,

622
00:30:29,720 --> 00:30:32,360
Speaker 3: why is he posting everything besides you?

623
00:30:34,280 --> 00:30:34,440
Speaker 7: Right?

624
00:30:34,480 --> 00:30:38,200
Speaker 4: And we've like had the conversation, like we're exclusive, so

625
00:30:38,280 --> 00:30:40,200
Speaker 4: we have that talk. So like my fear is that

626
00:30:40,240 --> 00:30:41,640
Speaker 4: he wants people to think he's single.

627
00:30:42,440 --> 00:30:44,680
Speaker 1: And why would he want people to think he's single

628
00:30:44,760 --> 00:30:46,480
Speaker 1: so he can do something about.

629
00:30:46,200 --> 00:30:50,840
Speaker 4: It because he's so popular on Instagram, Like I don't

630
00:30:50,840 --> 00:30:53,040
Speaker 4: think maybe he wants to lose followers if people think

631
00:30:53,080 --> 00:30:55,720
Speaker 4: he's like with somebody. Maybe he has so many girls

632
00:30:55,760 --> 00:30:58,640
Speaker 4: like fawning over him, so he doesn't want people.

633
00:30:58,440 --> 00:30:59,880
Speaker 1: To know he's Are you in love with this dude?

634
00:31:00,920 --> 00:31:01,160
Speaker 4: I do?

635
00:31:01,480 --> 00:31:05,160
Speaker 2: I like him a lot three months. Some feel it's

636
00:31:05,240 --> 00:31:08,680
Speaker 2: kind of fresh. How much do you post on about him?

637
00:31:09,080 --> 00:31:11,000
Speaker 4: I mean, I'd like that one or two pictures of him,

638
00:31:11,000 --> 00:31:13,160
Speaker 4: But I'm not like blown like. I'm not a person

639
00:31:13,160 --> 00:31:15,320
Speaker 4: that's like on Instagram all the time. I don't blow

640
00:31:15,360 --> 00:31:16,120
Speaker 4: it up, you know what I mean.

641
00:31:16,440 --> 00:31:18,560
Speaker 1: I think you can tell him everything that you're saying

642
00:31:18,560 --> 00:31:21,000
Speaker 1: to us, and if you feel you'll be able to

643
00:31:21,040 --> 00:31:23,200
Speaker 1: get a sense with his body language if he's covering

644
00:31:23,240 --> 00:31:25,720
Speaker 1: something up or if he just wants to play the

645
00:31:25,840 --> 00:31:29,280
Speaker 1: field on Instagram, play single on Instagram so he attracts followers,

646
00:31:29,440 --> 00:31:32,280
Speaker 1: you'll be able to tell what's up. Uh, good luck.

647
00:31:32,400 --> 00:31:34,280
Speaker 1: Call us back in six months and let us know

648
00:31:34,320 --> 00:31:38,280
Speaker 1: what the story is. Just keep keep yeah, three from

649
00:31:38,320 --> 00:31:39,760
Speaker 1: now So three plus three is six?

650
00:31:39,840 --> 00:31:39,959
Speaker 7: Right?

651
00:31:40,000 --> 00:31:42,160
Speaker 1: Yes, got it? Okay, Kiss FM, Thank you mix It's

652
00:31:42,360 --> 00:31:45,520
Speaker 1: only two point seven Kiss FM. That's it for us, guys.

653
00:31:45,560 --> 00:31:48,520
Speaker 1: Thank you for listening. Great so everybody, thank you for

654
00:31:48,560 --> 00:31:50,400
Speaker 1: being here this morning. Have a good one but bye

655
00:31:50,720 --> 00:31:51,400
Speaker 1: and bye time.

656
00:31:51,840 --> 00:31:54,840
Speaker 2: Thank you Ryan, thank you, Yes.

657
00:31:54,160 --> 00:31:56,360
Speaker 1: Thank you, gratitude, Yes, thank our cowork.

658
00:31:56,480 --> 00:31:57,280
Speaker 2: Love you guys.

659
00:31:57,800 --> 00:32:00,240
Speaker 1: Kiss FM. Have a great Thursday.

660
00:32:00,320 --> 00:32:02,640
Speaker 2: Come on, who almost Friday