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Speaker 1: Look mad, oh, I see you? Why why? And look

2
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Speaker 1: over there? How is that culture? Yes? Goodness, what's been

3
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Speaker 1: in extravaganza. We've learned a lot of lessons absolutely, such

4
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Speaker 1: as we can't we even though these songs all deserve

5
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Speaker 1: their due, we can't just be like so slow. I

6
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Speaker 1: mean it's not that we're being slow, it's that we're indulging. Yeah,

7
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Speaker 1: indulging because the songs are indulgent, and the songs demand indulgence,

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Speaker 1: and the songs demand that you sing them out loud.

9
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Speaker 1: It's like when you get to a song called no

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Speaker 1: More Baby, I'm gonna do right by three l you

11
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Speaker 1: have to go, I'm getting a little time. Promise, this promises.

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Speaker 1: And we didn't even do that. We wanted straight to

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Speaker 1: the second verse, actually treaming like a lady when you

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Speaker 1: open doors and doors that you want to when you

15
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Speaker 1: put your boys and boys, how you gonna and we

16
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Speaker 1: already have it? But sort of like there we are again, Um,

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Speaker 1: how are you feeling so far about the list? Canon?

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Speaker 1: I think for this to be the lower third, I shudder,

19
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Speaker 1: or think about what's waiting for us? Shall we just

20
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Speaker 1: dive right in? Let's dive right in number one you

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Speaker 1: want to be on top theme to America's Next Top

22
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Speaker 1: Model Hira Banks talk about a time and a place,

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Speaker 1: talk about a time in a place. But like if

24
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Speaker 1: a theme song was supposed to be like a portal

25
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Speaker 1: into the show, this is the perfect thing that gets

26
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Speaker 1: you in the world. You want to talk about like

27
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Speaker 1: asking the central question of the show. It is you

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Speaker 1: want to be on top? No no, no, no no

29
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Speaker 1: no none. Okay, we're gonna we gotta move on. But iconic, no,

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Speaker 1: don't cry out LOUDSSA Manchester, I mean iconic ballad. Talk

31
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Speaker 1: about a tear jerker. The circus came to town. Baby

32
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Speaker 1: cried that day. We cried that day and never forget that.

33
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Speaker 1: It gave us that scene and dropped out gorgeous There's

34
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Speaker 1: and droptic or just might keep might pop up again

35
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Speaker 1: on this list Stay tuned. Sued number one hundred and

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Speaker 1: nine seven Cherry Runways. This is this is a primal song.

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Speaker 1: You know what I love about this? Like she said

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Speaker 1: hello Daddy, Hello Mom, And she knew that people were

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Speaker 1: gonna be saying like daddy and like mom, you know

40
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Speaker 1: what I mean, Like oh that she's mom, like we

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Speaker 1: love her and Daddy is obviously like we in the

42
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Speaker 1: cultural canon, we know we call people what daddy is

43
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Speaker 1: now you know what I mean? But just the wind

44
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Speaker 1: up on cherry bomb. No, get a knock at the door.

45
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Speaker 1: Did we get a knock of the door? That enough? No? Okay,

46
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Speaker 1: oh my god, all right, so we're just started hearing things. Um, no,

47
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Speaker 1: cherry bomb. It's it's it's very sort of like syncopated.

48
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Speaker 1: You know what I mean. It's percussive. Yes, we don't

49
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Speaker 1: have enough of that. We don't have enough percussive. Did

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Speaker 1: you did something happen to you when you heard me

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Speaker 1: say the word percussive? No? I just I was just like,

52
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Speaker 1: he's correct. Yeah, you saw the music theory and me

53
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Speaker 1: cheers to we're drinking a little bit of mimosa. There

54
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Speaker 1: it is, hey, I'll drink to that, right, cheers cheers

55
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Speaker 1: to everybody. It's our three all right, dancing crazy Miranda

56
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Speaker 1: cosgrow You know, I don't know that everybody is duncon

57
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Speaker 1: does crazy and we never stop. We never stop. Everybody

58
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Speaker 1: is donecon dunc and crazy body or hands up, putting

59
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Speaker 1: your hands up. It feels like Miranda Cosgrove is like

60
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Speaker 1: frozen in time, like she's frozen in like two ten

61
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Speaker 1: a little bit everybody does and does and crazy. I

62
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Speaker 1: love that, she says, Donson Dnson, anyway, listen to this?

63
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Speaker 1: Can wait? Can I just can I just see you

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Speaker 1: feel she's frozen in time? Well, I just want to

65
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Speaker 1: see like this the song. No, this is iconic, keep

66
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Speaker 1: it going. Then we can not out to the end. Yes, dancing, dancing,

67
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Speaker 1: and then she goes, I like you and you like me.

68
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Speaker 1: We get together and we're happy. Did you hear me

69
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Speaker 1: say that? Did you hear me say that? And I

70
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Speaker 1: like the way that we kiss you and meet together

71
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Speaker 1: like this? Did you hear me say that? Did? Did

72
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Speaker 1: did you hear me say that? Well? It has everything.

73
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Speaker 1: It's Patty Harrison. She wishes we texted her to come

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Speaker 1: in and drop in and have you have to hear

75
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Speaker 1: bad to hear back bad text her bad texter, Okay.

76
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Speaker 1: Number love is a battlefield that to say that I

77
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Speaker 1: just loved How truthful this is. Title is no one

78
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Speaker 1: can tell us we're wrong, searching for love that's so strong,

79
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Speaker 1: the just the lyric, No one can tell us we're wrong.

80
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Speaker 1: No one can tell us swear um heart ache to

81
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Speaker 1: heart snow. Love is it battle Feld number never too

82
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Speaker 1: Much by Luther Vandross I mean just canonized by willow

83
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Speaker 1: Hill by willow Hill Race Winner. A sexy song, never Do,

84
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Speaker 1: Never Do Much. Not many sexier songs than that, Absolutely not.

85
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Speaker 1: There are sluttier songs, but this is a sexy, sensual,

86
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Speaker 1: sensual song. It was of a time. It was of

87
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Speaker 1: a time when people cared about sensuality. Yes, they don't

88
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Speaker 1: care about about sensuality anymore. They get right to the

89
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Speaker 1: fucking insertion. Well, everyone's sensuality has gotten mixed up with

90
00:05:43,320 --> 00:05:47,200
Speaker 1: like vibe culture. Everyone's like, oh, let's vibe, and it's

91
00:05:47,240 --> 00:05:52,400
Speaker 1: like no, Sometimes you want to dedicated sensual aspect to

92
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Speaker 1: a courtship, like ah, sensual sensuality is a missing culture.

93
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Speaker 1: Number forty one. Sensuality is missing Number one. Bubba Bapa

94
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Speaker 1: electric Fani. Come on, Johnny, when you can pick me.

95
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Speaker 1: What did she say in this You just pick a place,

96
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Speaker 1: You just pick a place, um, Johnny. Yeah, Gwenny, Gwenn

97
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Speaker 1: and Gwynn. You might want to because tonight is the night. Gwen.

98
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Speaker 1: She really gave it to us, Johnny, get out of

99
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Speaker 1: here alright. Number one. Unfortunately, and it wasn't up to

100
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Speaker 1: us fancy this one wasn't up to us, wasn't up

101
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Speaker 1: to us, but it really did captivate the culture for

102
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Speaker 1: a moment there. You never forget when we had ray

103
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Speaker 1: Sanni on this show and she she she was talking

104
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Speaker 1: about Nicky Asalia and she goes, why is she out

105
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Speaker 1: here saying who did? Who did? Why? She's from Fall, Australia,

106
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Speaker 1: who she really is doing the most. But it's on

107
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Speaker 1: the list, on the list, this one. I'm so happy

108
00:07:04,839 --> 00:07:11,840
Speaker 1: that it's here. Number one, lady. I will always associate

109
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Speaker 1: it with that trip we took to l A where

110
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Speaker 1: we stayed in Airbnb in the attic. Oh my god,

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Speaker 1: that was a different time. We were poor. Yes, still

112
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Speaker 1: kind of her relative to like, you know, Elon, you're

113
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Speaker 1: relative to Elon. Honey, we're in the doldrooms, never getting out,

114
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Speaker 1: never getting out the cure. Oh my god. She said,

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Speaker 1: I don't want this to be Ali made No, I

116
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Speaker 1: want this to be I need this. And to know

117
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Speaker 1: that that they were doing that soundtrack at that time,

118
00:07:39,640 --> 00:07:48,280
Speaker 1: that is so long ago, I know, surrealev uh oh,

119
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Speaker 1: that was a crazy week of our life. Papa Roulette,

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Speaker 1: Bring it back, Bring it back. Number on boys iconic, iconic.

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Speaker 1: I love that little Nintendo sound. Yeah, it feels like

122
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Speaker 1: I'm jumping a hit a block with my head and

123
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Speaker 1: I'm Luigi or something. When I think about boys, I replenish,

124
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Speaker 1: would you rather fuck Mario or Luigi? And think about

125
00:08:15,520 --> 00:08:22,520
Speaker 1: it Luigi, because I think he wants it more. Luigi

126
00:08:22,760 --> 00:08:27,000
Speaker 1: would like get stressed out, and I would feel like

127
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Speaker 1: I had the upper hand. Yeah, I feel like it's

128
00:08:29,800 --> 00:08:33,079
Speaker 1: like it's like, you know, Mario, like he's probably getting

129
00:08:33,160 --> 00:08:36,280
Speaker 1: laid all the time, like and also laying the pipe

130
00:08:36,400 --> 00:08:39,839
Speaker 1: literally as it were, honey, honey, and a hit in

131
00:08:39,880 --> 00:08:42,800
Speaker 1: that block, literally as it were. Luigi has the little

132
00:08:42,840 --> 00:08:45,880
Speaker 1: and Luigi's mansion, he has that little ghost sucking machine

133
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Speaker 1: right right right right right was buster and it's like

134
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Speaker 1: he just sticks his thick in that for sure. Well

135
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Speaker 1: he can handle equipment, Yes, you can handle mine. You

136
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Speaker 1: know what I'm saying. Yeah, Number one nine Sweet Dreams.

137
00:08:59,600 --> 00:09:02,840
Speaker 1: You're mix But honestly, an X, what is your rhythmics?

138
00:09:03,840 --> 00:09:09,000
Speaker 1: I will never know? It's a great song. Dolzl that

139
00:09:09,120 --> 00:09:15,520
Speaker 1: all that all that number one Vogue, Mydonna, Greta, Garbo, Moro,

140
00:09:15,920 --> 00:09:20,559
Speaker 1: Dietrich and Marlon Brando, Dimmy Dean on the cover of

141
00:09:20,640 --> 00:09:26,079
Speaker 1: a magazine, Grace Kelly Picture of a beauty Dream, Gene Kelly,

142
00:09:27,280 --> 00:09:30,679
Speaker 1: Ginger Rogers dance. There they had that style. They had

143
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Speaker 1: Grace Rita Hayward, she gave good face. Lauren Catherine Leanna

144
00:09:34,480 --> 00:09:38,319
Speaker 1: to Betty Davis, we love you. I don't know the

145
00:09:38,360 --> 00:09:42,320
Speaker 1: rest m ladies with attitude that we're in the mood.

146
00:09:42,640 --> 00:09:45,160
Speaker 1: Don't just stand there. Let's get to it. Strike posed,

147
00:09:45,160 --> 00:09:49,600
Speaker 1: there's nothing to it. And that really did create a culture. Well,

148
00:09:49,640 --> 00:09:52,920
Speaker 1: it took from one culture, and you know, you know, um,

149
00:09:55,200 --> 00:09:58,640
Speaker 1: I'm really grateful. I'm grateful. I'm grateful that she appropriated.

150
00:10:00,000 --> 00:10:01,120
Speaker 1: How do you feel about, like a pair of not

151
00:10:01,200 --> 00:10:07,000
Speaker 1: being on the list. It's fine, it's fine. Number Mombo

152
00:10:07,200 --> 00:10:12,120
Speaker 1: number five, little Bega a stud. Actually, Mombo number five

153
00:10:12,240 --> 00:10:15,800
Speaker 1: is kind of like the Boys by Charlie XCX of

154
00:10:15,880 --> 00:10:18,319
Speaker 1: its time, Yeah, and also sort of spiritually it was

155
00:10:18,400 --> 00:10:21,360
Speaker 1: the promiscuous boy. Yeah, he had a little bit of

156
00:10:21,400 --> 00:10:24,200
Speaker 1: all those women in his life. So many things kind

157
00:10:24,240 --> 00:10:26,680
Speaker 1: of you can trace back to lineage. Just MoMA number

158
00:10:26,760 --> 00:10:29,640
Speaker 1: five Boys by Charlie x X. She's listing off boys.

159
00:10:30,520 --> 00:10:32,679
Speaker 1: She's just obsessed with boys. Yes, yes, yes, this is

160
00:10:32,760 --> 00:10:35,240
Speaker 1: so true. Well, in the video, she was might as

161
00:10:35,240 --> 00:10:37,560
Speaker 1: well have been listing him off. There were so many yeah, yeah, yeah.

162
00:10:39,320 --> 00:10:41,400
Speaker 1: A little bit of you makes me your man. A

163
00:10:41,480 --> 00:10:45,079
Speaker 1: little bit of you makes me your man? Does make sense? No, no, no, Syntactically,

164
00:10:45,120 --> 00:10:47,360
Speaker 1: it's all over the place. A little bit of you

165
00:10:47,800 --> 00:10:50,800
Speaker 1: makes me your man. Also, I wonder if like Erica

166
00:10:50,960 --> 00:10:55,640
Speaker 1: knows about like Trina, you know what I mean? And

167
00:10:55,679 --> 00:10:57,760
Speaker 1: the sun Yeah, because she she had to keep her

168
00:10:57,800 --> 00:11:00,280
Speaker 1: there because she doesn't know about a little little bit

169
00:11:00,280 --> 00:11:06,160
Speaker 1: of Jessica. Here I am, I'm I'm Monica. Like imagine,

170
00:11:06,160 --> 00:11:09,120
Speaker 1: like all those women meet like a little sketch. Why

171
00:11:09,160 --> 00:11:11,520
Speaker 1: don't you say sketch where they all meet each other?

172
00:11:11,800 --> 00:11:15,120
Speaker 1: You should write that like it's mambo number five. Women

173
00:11:15,200 --> 00:11:17,200
Speaker 1: all to get all meetings together for the first time,

174
00:11:17,320 --> 00:11:20,920
Speaker 1: and they decided that they need to goodbye Earl loue Bega.

175
00:11:21,160 --> 00:11:23,400
Speaker 1: They need they need to good bye Earl Luebeka, who's

176
00:11:23,480 --> 00:11:25,959
Speaker 1: so famous and huge? Did he die recently? Did he?

177
00:11:26,200 --> 00:11:28,840
Speaker 1: I don't know. I don't want to find out anyway, Okay,

178
00:11:28,920 --> 00:11:33,199
Speaker 1: number one eight six Malambo number one by Ema. This

179
00:11:33,400 --> 00:11:36,160
Speaker 1: is most famous from jink Sponsons lip sync on Calls

180
00:11:36,240 --> 00:11:47,079
Speaker 1: drag race. Oh you know what it is? That was

181
00:11:47,120 --> 00:11:50,280
Speaker 1: when you knew Jinks deserved to win. I absolutely thought

182
00:11:50,280 --> 00:11:53,400
Speaker 1: you should win. After that, Yeah, like that was and

183
00:11:53,480 --> 00:11:56,920
Speaker 1: Detox was amazing. And can we say problem, We're a

184
00:11:57,000 --> 00:11:59,559
Speaker 1: Jinks house. We're a Jinks house. We loved you, talx

185
00:11:59,640 --> 00:12:03,000
Speaker 1: we Alaska, we love Roxy. I'm sort of saying for

186
00:12:03,120 --> 00:12:09,760
Speaker 1: this winter season, yeah, We're sorry. Sorry, I will survive.

187
00:12:09,960 --> 00:12:14,120
Speaker 1: Gloria Gaynor talk about you know, talk about rising above,

188
00:12:14,920 --> 00:12:20,440
Speaker 1: talk about going, I'm gonna hire locksmith. I should change

189
00:12:20,480 --> 00:12:22,760
Speaker 1: those stupid locks. I should have made you leave your

190
00:12:22,840 --> 00:12:24,559
Speaker 1: key if I had known for just one second you

191
00:12:24,640 --> 00:12:30,360
Speaker 1: come back to bother me. Rhyme down a legend. And

192
00:12:30,480 --> 00:12:36,160
Speaker 1: she has gay in her last name. Nor her last

193
00:12:36,280 --> 00:12:40,679
Speaker 1: name is like if if Nicole Kidman found out that

194
00:12:40,760 --> 00:12:46,319
Speaker 1: Sunday Rose was a lesbian, she'd say gay Nor four

195
00:12:47,160 --> 00:12:52,280
Speaker 1: Barbie girl, I mean, Hia Barbie. Hi can hello to

196
00:12:52,440 --> 00:12:55,160
Speaker 1: the cannon. You know what I mean? When they introduced

197
00:12:55,160 --> 00:12:57,920
Speaker 1: themselves to each other, they introduced themselves to the world.

198
00:12:58,640 --> 00:13:03,720
Speaker 1: This this really was world wide smash hit. I remember

199
00:13:03,800 --> 00:13:08,800
Speaker 1: that going to China and all my relatives going, oh

200
00:13:09,000 --> 00:13:11,439
Speaker 1: my god, we need to put on that song. The

201
00:13:12,040 --> 00:13:15,480
Speaker 1: Barbie Girls song. Holy shit, They're like, that song is incredible.

202
00:13:15,559 --> 00:13:18,640
Speaker 1: Put on the music video. Why don't you my grandparents

203
00:13:18,679 --> 00:13:21,160
Speaker 1: all watching my grandparents watching the Barbie Girl video. My

204
00:13:21,200 --> 00:13:23,640
Speaker 1: uncle's watching the Barbie Girl video. So some one of

205
00:13:23,679 --> 00:13:25,839
Speaker 1: those moments where like, as a little gay kid, you

206
00:13:25,920 --> 00:13:28,079
Speaker 1: get to be like really excited because that was a

207
00:13:28,120 --> 00:13:30,840
Speaker 1: part of mainstream popular culture and everyone was like Bobby

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Speaker 1: Girl and you were like a gay can You're like,

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Speaker 1: thank god, you know. And Aqua actually had I mean

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Speaker 1: Dr Jones is great, my oh my. And then they

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Speaker 1: had where where are you making? I'm seeing that next one?

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Speaker 1: Oh my god. Um Aqua they have it. They had

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Speaker 1: a second album called Aquarius Really good, really good. We

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Speaker 1: have to check that up. We need a number three.

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Speaker 1: This Land is Our Land, the beautiful slash, Let's get loud.

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Speaker 1: Jennifer Lopez ak, this was American. I was so proud

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Speaker 1: to be an American. I was proud to be an

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Speaker 1: American and this is weeks and two weeks after the insurrection.

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Speaker 1: I was so happy to be an American because j

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Speaker 1: Lo did this, and to know that just off screen,

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Speaker 1: like Lady Gaga was looking for evidence of the insurrection

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Speaker 1: was really heard part about it. Like while Jennifer Lopez

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Speaker 1: was roaring belting this soon, I'm making America proud, Lady

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Speaker 1: Gaga was was getting down to doing the hard work

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Speaker 1: because she remembered that in another life she would have

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Speaker 1: been an investigative War Award Award journalist Combat journalist number

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Speaker 1: one two. Holiday Madonna, I mean, it just reminds you

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Speaker 1: of vacation, that little, that little but do you do

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Speaker 1: you're you're there. I'm gonna send under the sun. You

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Speaker 1: can take holiday, yeah, her that her, that was that

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Speaker 1: was the time in her singing where it was like, oh,

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Speaker 1: that's the choice, you can take holiday number one, hot

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Speaker 1: stuff dot summer. I mean, she told you exactly what

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Speaker 1: she was looking for and when she was looking for it.

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Speaker 1: This evening, this evening. I love the word evening instead

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Speaker 1: of night. Is this evening? This evening? What hey? What

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Speaker 1: do you know? It's never what are you doing tonight?

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Speaker 1: What are you doing this evening? Can we make evening

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Speaker 1: part of the part of our vibe again? Evening has

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Speaker 1: the same comic potential as that. The word that because

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Speaker 1: one time Matt and I were at a hunted house

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Speaker 1: and sleepy hollow and he was we were all pretty drunk,

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Speaker 1: and then Matt inhabited this character who would come up

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Speaker 1: to us and go, how are you doing? Hey? Hi,

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Speaker 1: how are you doing this evening? Nor would you say

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Speaker 1: are we doing a good evening? Hi? Are we having

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Speaker 1: a good even Hi? How are you doing this evening?

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Speaker 1: It was something like that, how are you having a

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Speaker 1: nice evening? Hi? How are you having a nice evening? Evening?

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Speaker 1: Being the to the place where you land even so good?

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Speaker 1: Like just it's it's the new word for night, and

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Speaker 1: it's it's a rut of culture. It's really culture number

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Speaker 1: evening word for night, Saturday evening Live. Thank you, Donna

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Speaker 1: number one, hard for the money, Thank you again, thank

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Speaker 1: you again, Thanks for the telling a story home and

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Speaker 1: who was a whore in the coach Check? But there

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Speaker 1: weren't that many songs about horrors until then, until this

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Speaker 1: is broken ground. This is broken ground. One Bad Girls

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Speaker 1: Donna Summer, another song about horrors. I'm obsessed this, this

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Speaker 1: woman who ended up going full Christian, hard left homophobic

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Speaker 1: almost no, she was a little homofog before she died.

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Speaker 1: To to be beep on that. Let's stop traffic in

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Speaker 1: the homophobia lane. HLV We're like homophobia over over the

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Speaker 1: icon h feeling like homophobia like h h O m

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Speaker 1: O P h O B I A is that it is?

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Speaker 1: That it? Yeah, that's it. Number Manic Monday, the Bengals.

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Speaker 1: This is iconic culture because everyone, I think knows what

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Speaker 1: it's like when Monday rolls around. Oh my god, Garfield

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Speaker 1: found dead. We don't need them anymore. We haven't had

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Speaker 1: any use for Garfield in years. I'm going to say it. Yeah,

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Speaker 1: fucking give me a break. Garfield needs to have like

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Speaker 1: a fashion moment in order to be back in our consciousness.

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Speaker 1: It's like, you know how like the Simpsons and now

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Speaker 1: like Oliver fashion Blindciaga is doing Simpson stuff and everyone's

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Speaker 1: doing Simpsons. Garfield needs that. Otherwise Garfield's gone for good.

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Speaker 1: Garfield needs to get his team to contact Tom Brown

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Speaker 1: and they do like a false bread you know what

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Speaker 1: I mean? Garfield in a suit, yeah, with three stripes,

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Speaker 1: like the three stripes. Yeah, yeah, that's the only way

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Speaker 1: forward our Field. Tom Brown collab now number one seven locomotion.

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Speaker 1: All right, she's called Kylie min Kylie mind early Kylie

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Speaker 1: when she was she was just just starting out. You

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Speaker 1: gotta swing your hips now come on, baby, unbelievable. She

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Speaker 1: she's one of our best. You forget it was even her.

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Speaker 1: Let's do one s cold Hearted Snake Paula Abdul cock

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Speaker 1: cold Hearts Snake off key on the record stamp. She

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Speaker 1: couldn't say no, not a lick, not ale you can dance.

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Speaker 1: Remember when they tried to prove the paul Abdul could

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Speaker 1: sing with the song Rush Rush. You ever heard the

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Speaker 1: song Rush Rush. They gave her a ballad and the

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Speaker 1: bridge ends in her belting a note. She goes so deep,

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Speaker 1: so deep, so deep and sick. But she don't sound

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Speaker 1: like that. You're supposed to imagine that Paula Abdul is

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Speaker 1: doing it. Maybe I should just play that part. Play

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Speaker 1: it just Paula Abdul belting. And it was this was

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Speaker 1: a hit song. Um, let's say Rush Rush, Okay, I'm

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Speaker 1: gonna go to that part of the song. Here we go.

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Speaker 1: And then they faded out because she could promisely put

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Speaker 1: so difference. But cold Hearted Sneak is on the list

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Speaker 1: number one hundred seventy five New Attitude Patti Labell. This

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Speaker 1: was this was such a shift. This must have been

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Speaker 1: like when Bob Dylan went electric. Yeah, when Patty said

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Speaker 1: I'm solo now and I'm gonna tell you what my

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Speaker 1: new deal is FDR when Nellie for Tado collad with

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Speaker 1: Timberland vibe shift, Um, I'm feeling good from my head

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Speaker 1: to my shoes. Know what I'm doing and I know

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Speaker 1: what to do? Patty was is it? Patty? Is it?

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Speaker 1: Did you know that? When we were shooting? I love

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Speaker 1: that for you? Um. They were shooting in Hancock Park

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Speaker 1: and Jennifer was there shooting and Patty Labille Patty Label

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Speaker 1: came out of a house across the street and crossed

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Speaker 1: over and it's like, what do you guys? Do it?

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Speaker 1: And then Jennifer and her know each other from way back,

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Speaker 1: so they had a home moment on the street. God

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Speaker 1: Um number one seventy four, Turn the beat around, Gloria

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Speaker 1: Stephan because when the guitar player starts playing with the

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Speaker 1: stick a pit rhythm with a scratch scratch scratch makes

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Speaker 1: me want to move my body. Yeah yeah, yeah, Gloria

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Speaker 1: really did it right. She represented a whole movement, movement.

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Speaker 1: And then she was like, you know what, I'm good?

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Speaker 1: She said, I know what I'm good. Now you know

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Speaker 1: what she's doing table Talk. Really, she has her She

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Speaker 1: and her family have like a spinoff of Red Table

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Speaker 1: Talk called like Red Table Talk the Estafans. Oh my god, wait,

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Speaker 1: so she is out there. I thought she kind of

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Speaker 1: just like was like, I'm not I don't want to

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Speaker 1: be in this phrase. She's got a Facebook Watch show

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Speaker 1: on Facebook. Watch is huge. It's like HBO Max. Oh

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Speaker 1: my god, facebook Watch is major. Zuck is paying the check.

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Speaker 1: Better be Zuck. Zuck so hot. Number one. Remember when

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Speaker 1: we had Josh and Aaron on and we sing this song.

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Speaker 1: It really reminded us. How what what a part? What

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Speaker 1: an important part of the culture. This it's so important.

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Speaker 1: Make it happen, honey, get on your This is a

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Speaker 1: This is a rallying cry for anybody and any endeavor, persuasion, persuasion,

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Speaker 1: any persuasion. If you are making, if you're sitting down,

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Speaker 1: you better get on your feet and make it happens.

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Speaker 1: It doesn't matter your orientation, your religion, read, your create color,

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Speaker 1: your your nationality, height. Wait, you know, status doesn't matter.

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Speaker 1: You can get up, get on your feet and make

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Speaker 1: it happen. It doesn't matter. Why are you laughing? Because

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Speaker 1: not everyone can get up. Number two conga Gloria step

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Speaker 1: comes like your boy, maybe do that conga conga conga

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Speaker 1: conga piano on that, the piano, the horns like that

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Speaker 1: is this is music at its best. This is music

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Speaker 1: at its best doing it? Know something fun about this song?

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Speaker 1: It is used in the new Guardians of the Galaxy

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Speaker 1: roller coaster at Epcot called cosmic Rewind and if you're

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Speaker 1: lucky enough, you can have the song play in full

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Speaker 1: while you're on the ride. Is this like that roller

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Speaker 1: coaster at Universal that plays the songs? It's not like

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Speaker 1: it's it's it's similar to that and that the songs

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Speaker 1: are playing, But it's more like, have you been to

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Speaker 1: California Adventure and done Mission Breakout the Guardians ride? Now

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Speaker 1: you haven't? I don't think so. I don't think the

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Speaker 1: last time is that California Adventure was like two thousand

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Speaker 1: nine when you up with me and we didn't do Guardians.

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Speaker 1: We didn't do Guardians. That sucks damn well, I mean

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Speaker 1: I'll do it soon. Um table that. Oh, this is

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Speaker 1: a great moment. Number seventy one believe share this was huge, huge,

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Speaker 1: This is a huge talk about cultural impact. I mean

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Speaker 1: it brought auto tune to the forefront. It brought share back.

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Speaker 1: Share is back, I mean and very thankful for that.

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Speaker 1: I don't think you have the share of today without

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Speaker 1: the share of belief, no share of belief was It

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Speaker 1: was giving people hope. It was giving the gaze something

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Speaker 1: to live for at a time when you know, we

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Speaker 1: didn't have that visibility. And Share said, I'm here speaking

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Speaker 1: to I think speaking to queers with this one. She's

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Speaker 1: speaking to queers. She needed this in orders to release

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Speaker 1: song for the lonely. You know what I love about

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Speaker 1: this song? The delivery on and maybe I'm so good

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Speaker 1: for you? It is iconic. Do you believe love love that?

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Speaker 1: Come on? That's the hook? You are really loving this one,

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Speaker 1: I really do. I just I'm just, I'm I am

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Speaker 1: a child, I'm it's it's on ninety It all over again.

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Speaker 1: Simpler time. It was a much simpler time. Um, but

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Speaker 1: we can continue. And I'm gonna say, well, the share

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Speaker 1: I believe. I mean, look, it's enough said. Everyone has

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Speaker 1: their own iconic relationship to that song. That is a

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Speaker 1: moment of culture. I remember I was on vacation. I

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Speaker 1: went to this place called Wildock Pines. It was like,

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Speaker 1: um in upstate New York or Pennsylvania. Maybe it was Pennsylvania,

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Speaker 1: but um I went there and at the end of

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Speaker 1: the week we were going to see there was like

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Speaker 1: a bunch of people that like were like working at

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Speaker 1: the camp. They were like counselors slash like activity around activities.

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Speaker 1: And at the end of the week they all did

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Speaker 1: a sketch show slash musical show, and everyone that was

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Speaker 1: there at the vacation at the resort, this lake resort

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Speaker 1: went to the show and I remember all week they said,

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Speaker 1: oh my god, Nicole who like it was like one

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Speaker 1: of the girls that worked there, like one of the

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Speaker 1: one of the cast members. She was like. They were

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Speaker 1: like Nicole was like hot, and they were like, at

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Speaker 1: the end of the week, she's gonna sing. She sings

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Speaker 1: at the show and absolutely unelievable. You're gonna gag and

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Speaker 1: she's saying believe and it was not good. It was

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Speaker 1: not good. And everyone was like, Nicole azing, wait to

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Speaker 1: hear Nicole sing day at the end of the week,

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Speaker 1: it's gonna inspire you. You're not You're not gonna want

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Speaker 1: to leave. And it was just this like full fire.

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Speaker 1: That's not Nicole's fault, it's it's people's fault for like

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Speaker 1: hyping her up too much. I think it was people's fault.

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Speaker 1: Number Birth of a Legend, a perfect pop song, a

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Speaker 1: perfect pop song. What are you doing? We just got

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Speaker 1: confirmation that we're getting a new guest where someone else

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Speaker 1: is going to drop in. Okay, and it's iconic. It's

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Speaker 1: an iconic guest. All right, Stables show in Hot Night

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00:26:37,560 --> 00:26:41,320
Speaker 1: when was blowing great lyric great couplet. Before you came

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Speaker 1: into my life. I missed you so bad. It doesn't

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Speaker 1: make sense, but it makes sense. It's like it's like

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Speaker 1: a paradix. It's it's kind of like linguistically, like I

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Speaker 1: know what it's trying to do. I didn't know how

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Speaker 1: much I missed you like I missed you like I

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Speaker 1: like I wanted you in my life before I before

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Speaker 1: you came into my life. You know. Okay, we're eating

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Speaker 1: m hmm. Well this place was really good, great, so

419
00:27:07,680 --> 00:27:16,040
Speaker 1: good okay. Number one st nine, Happy Birthday, World, I mean,

420
00:27:17,080 --> 00:27:21,320
Speaker 1: despite having what I think is sort of a challenging

421
00:27:21,440 --> 00:27:27,560
Speaker 1: note interval. Yeah, we've talked about this birth Happy Birthday.

422
00:27:28,160 --> 00:27:30,680
Speaker 1: That's sort of sneaky, really sneaky that really it makes

423
00:27:30,720 --> 00:27:35,920
Speaker 1: it challenging I mean, don't look up a fifth or

424
00:27:35,960 --> 00:27:41,920
Speaker 1: a six like that interval is tough. Happy Birthday and

425
00:27:42,040 --> 00:27:44,119
Speaker 1: you have to really watch what key you started with

426
00:27:44,240 --> 00:27:48,240
Speaker 1: the song. That's true of all songs, but it's especially

427
00:27:48,280 --> 00:27:50,480
Speaker 1: Happy Birthday or just because of the sneaky note, the

428
00:27:50,480 --> 00:27:53,960
Speaker 1: sneaky interval, as you said, I mean, if I'm excited

429
00:27:54,000 --> 00:27:59,280
Speaker 1: and I'm like, happy birthday to and I'm like already panicking,

430
00:27:59,320 --> 00:28:04,280
Speaker 1: I'm like, my, I know, happy birthday too, and already

431
00:28:04,320 --> 00:28:07,800
Speaker 1: it's already the two is already tough to you, and

432
00:28:07,840 --> 00:28:10,600
Speaker 1: I'm panicking. I'm sweating everyone I can. I feel like

433
00:28:10,640 --> 00:28:21,480
Speaker 1: everyone's looking at me happy. But you did it, Oh hi,

434
00:28:21,560 --> 00:28:31,720
Speaker 1: happy bird do? Yeah? I I think you were. That's

435
00:28:31,880 --> 00:28:34,520
Speaker 1: that's not fair because you were. You were setting up

436
00:28:34,520 --> 00:28:36,880
Speaker 1: a narrative that you would fail and you didn't. It's

437
00:28:36,920 --> 00:28:43,280
Speaker 1: called subversion. Bitch Bitch number one as Alaska the thunder

438
00:28:43,320 --> 00:28:49,520
Speaker 1: Fuck Off her amazing first album, Anus Alaska's music career

439
00:28:50,160 --> 00:28:52,800
Speaker 1: very very enviable in the DRG space and in the

440
00:28:52,880 --> 00:29:00,239
Speaker 1: general music space. A great first album. Alaska has been

441
00:29:00,240 --> 00:29:04,240
Speaker 1: a guest on this podcast, which I often forget because

442
00:29:04,280 --> 00:29:10,400
Speaker 1: it was the other era. Yeah number onety seven, the

443
00:29:10,520 --> 00:29:17,280
Speaker 1: Christmas shoes, new song, Christmas tear Jerker, a little bit

444
00:29:17,280 --> 00:29:19,080
Speaker 1: of a little bit of Christian, a little bit of Christian.

445
00:29:19,320 --> 00:29:21,440
Speaker 1: You know, morals are not morals. But there's just there's

446
00:29:21,480 --> 00:29:24,800
Speaker 1: to come, you know. God is in the room, Sir.

447
00:29:24,880 --> 00:29:31,120
Speaker 1: I want about these shoes for my mom. It's Christmas,

448
00:29:31,320 --> 00:29:38,080
Speaker 1: even the shoes a j side. Oh my God, could

449
00:29:38,120 --> 00:29:44,200
Speaker 1: you worry? Sir? Daddy says this not not much time.

450
00:29:45,960 --> 00:29:51,240
Speaker 1: You see, she's been sick for quiet awhile. I know

451
00:29:51,440 --> 00:29:57,600
Speaker 1: these shoes will make Chris smile. I wanted to look beautiful.

452
00:30:02,040 --> 00:30:12,760
Speaker 1: My God, I'm emotional. Myma means Jesus number one sixty six.

453
00:30:13,000 --> 00:30:18,800
Speaker 1: Family Affair, Mary J. Blige don't need no hate ration

454
00:30:19,280 --> 00:30:25,280
Speaker 1: holeration in this dance period. We can move on. Get

455
00:30:25,360 --> 00:30:28,840
Speaker 1: me bodied, Extended Mix. Beyonce do an old school dance,

456
00:30:28,920 --> 00:30:34,280
Speaker 1: an old school dance, Snap for the kids, Snap for

457
00:30:34,360 --> 00:30:37,040
Speaker 1: the kids, Snap for the kiss that Naomi Campbell walk,

458
00:30:37,160 --> 00:30:40,120
Speaker 1: Naomi Campbell walk, walk across the room like Naomi Campbell

459
00:30:41,960 --> 00:30:48,240
Speaker 1: beautiful liar Ba Beyonce. The day era gets overlooked, it

460
00:30:48,360 --> 00:30:50,520
Speaker 1: certainly does. And can I tell you what, I'm pissed

461
00:30:50,600 --> 00:30:52,760
Speaker 1: up that that was overlooked by the blue ribbon panel.

462
00:30:52,800 --> 00:30:57,040
Speaker 1: Bring the alarm. I'm pissed and fucking pissed at our producers,

463
00:30:58,120 --> 00:31:04,480
Speaker 1: I think Megan. I'm I'm quick to blame Megan, like Megan.

464
00:31:04,600 --> 00:31:06,960
Speaker 1: It's probably Megan's idea that it's like a two person panel,

465
00:31:07,000 --> 00:31:10,040
Speaker 1: like Megan. No, this is not how the world's gotta go. Megan,

466
00:31:10,120 --> 00:31:14,200
Speaker 1: You're fired. Sorry, start to lose that you're losing two

467
00:31:14,320 --> 00:31:17,960
Speaker 1: jobs in one year? Has it been a year? Okay,

468
00:31:18,240 --> 00:31:24,920
Speaker 1: best year of my life? Number one sixty three. Here's

469
00:31:24,960 --> 00:31:26,840
Speaker 1: the question I don't think we've ever answered. This is

470
00:31:26,880 --> 00:31:29,360
Speaker 1: the rain on me of that job? Well maybe not who.

471
00:31:29,920 --> 00:31:31,480
Speaker 1: I think that rain on me was more talking to

472
00:31:31,720 --> 00:31:35,040
Speaker 1: like enough is enough, no more tears. Yes, but it's

473
00:31:35,080 --> 00:31:40,160
Speaker 1: two legends, just slightly little micro generate, a couple of

474
00:31:40,200 --> 00:31:43,080
Speaker 1: micro generations apart. And and this is what I want

475
00:31:43,120 --> 00:31:45,200
Speaker 1: to know, who, out of you and I is the barber,

476
00:31:45,200 --> 00:31:47,000
Speaker 1: and who is the Selene, Who's the one that saying

477
00:31:47,280 --> 00:31:50,800
Speaker 1: I'm scared? And who's saying I've been there? I think

478
00:31:50,920 --> 00:31:53,640
Speaker 1: you've been there more than I have. I'm the one

479
00:31:53,680 --> 00:31:57,120
Speaker 1: who's a little bit more scared when it comes to love. Okay,

480
00:31:57,160 --> 00:32:00,360
Speaker 1: I'm comfortable with that. But but the thing is that, um,

481
00:32:00,520 --> 00:32:02,360
Speaker 1: you're telling me you're You're the one who's always telling me,

482
00:32:02,640 --> 00:32:06,760
Speaker 1: oh dmn close to you. Well, I'm literally always saying

483
00:32:06,840 --> 00:32:12,560
Speaker 1: to you the f with oh the passion can show

484
00:32:13,880 --> 00:32:16,960
Speaker 1: you're Barbara. I think you just you. You need to

485
00:32:17,000 --> 00:32:19,600
Speaker 1: be more comfortable. Can I give you a note? Sure?

486
00:32:19,800 --> 00:32:23,840
Speaker 1: You need to be more comfortable being Barbara? In general?

487
00:32:24,720 --> 00:32:28,760
Speaker 1: You are Barbara. Do you think you're Fanny your Dolly?

488
00:32:30,360 --> 00:32:35,560
Speaker 1: You are Miss Fokker. She's gonna meet the Focker's right,

489
00:32:36,360 --> 00:32:40,800
Speaker 1: for sure, she's miss Foker. She's Miss Foker. You forgot that,

490
00:32:41,800 --> 00:32:43,280
Speaker 1: and you forgot that. She was in the Guilt Trip

491
00:32:43,320 --> 00:32:45,240
Speaker 1: with South Rogan and she only looking because she wanted

492
00:32:45,280 --> 00:32:48,280
Speaker 1: to be comfortable. She's sitting down the whole movie, you know,

493
00:32:48,360 --> 00:32:50,720
Speaker 1: around the script, and I was gonna be sitting down.

494
00:32:51,360 --> 00:32:52,960
Speaker 1: And I liked that about it because I want to

495
00:32:53,000 --> 00:32:56,200
Speaker 1: be comfortable. I don't want to be uncomfortable. I was

496
00:32:56,240 --> 00:33:01,000
Speaker 1: could be sitting down. I don't care. I want you.

497
00:33:02,680 --> 00:33:06,640
Speaker 1: I don't care. Hobble, hobble, and I don't care. I

498
00:33:06,760 --> 00:33:12,840
Speaker 1: want you. Wow, Okay, where are we? I got lost?

499
00:33:13,000 --> 00:33:18,080
Speaker 1: Number Son of a Preacher Man Dusty Springfield Billy Ray

500
00:33:18,160 --> 00:33:20,480
Speaker 1: was a preacher son and I wanted to fuck. That

501
00:33:20,680 --> 00:33:26,240
Speaker 1: is a sexy song, how well I remember the look

502
00:33:26,280 --> 00:33:28,840
Speaker 1: that was in his eyes, stealing kisses from me on

503
00:33:29,040 --> 00:33:34,680
Speaker 1: the sly, taking times to make time, aline, learning from

504
00:33:34,760 --> 00:33:40,560
Speaker 1: each other's knowing, learning from each other's wow, looking to

505
00:33:40,680 --> 00:33:43,880
Speaker 1: see how much we grow. The only one who could

506
00:33:43,920 --> 00:33:46,600
Speaker 1: ever reach me was the son of a preacher man.

507
00:33:47,320 --> 00:33:49,640
Speaker 1: Was the preacher man's son who could dick down. The

508
00:33:49,720 --> 00:33:53,240
Speaker 1: preacher boy had a boy son. Oh, I love that

509
00:33:53,480 --> 00:33:55,640
Speaker 1: And it's like that forbidden thing that makes it so

510
00:33:55,720 --> 00:33:59,000
Speaker 1: much hotter. We talk about that sometimes religion can make

511
00:33:59,040 --> 00:34:04,080
Speaker 1: things feel more forbidden, and religion is so sexy sexy, Okay,

512
00:34:04,320 --> 00:34:09,240
Speaker 1: Number one Leis, this was actually a moment in culture

513
00:34:10,520 --> 00:34:12,920
Speaker 1: and then it just I mean, Leona Lewis is huge,

514
00:34:13,600 --> 00:34:19,840
Speaker 1: has a huge career, and I think this was what

515
00:34:19,960 --> 00:34:24,440
Speaker 1: started at all. Well, now, this like so many other hits,

516
00:34:24,920 --> 00:34:29,440
Speaker 1: it's like Whitney Mariah Leona she's the Kelly Clarkson of

517
00:34:29,520 --> 00:34:33,520
Speaker 1: the UK in a real way. But also I wonder

518
00:34:33,560 --> 00:34:35,920
Speaker 1: how famous she is over there. Wasn't she a judge

519
00:34:35,960 --> 00:34:44,080
Speaker 1: on the Drag Singing Show? She was roll the Queens

520
00:34:44,120 --> 00:34:48,640
Speaker 1: of the universe thing she did watch that still same number,

521
00:34:48,680 --> 00:34:53,239
Speaker 1: one hundred sixty Squidward Nose, Cupcake go off about this one.

522
00:34:54,560 --> 00:34:59,120
Speaker 1: She's rapping about a guy's dick looking the squidward nos.

523
00:35:00,000 --> 00:35:03,040
Speaker 1: She doesn't want to fuck listen. There's so many great

524
00:35:03,040 --> 00:35:06,200
Speaker 1: cup pick songlets go. I just think like dix could

525
00:35:06,239 --> 00:35:10,359
Speaker 1: look like worse things than Squidward's nose. At least it's there.

526
00:35:10,560 --> 00:35:13,080
Speaker 1: I don't know. It's a tear drop though. It's a

527
00:35:13,120 --> 00:35:15,799
Speaker 1: tear drop shape, and I don't like it when it's

528
00:35:15,880 --> 00:35:20,279
Speaker 1: grothy at the top, but like, like, I like, the

529
00:35:20,360 --> 00:35:22,640
Speaker 1: top can be whatever. But sometimes that dick can be

530
00:35:23,719 --> 00:35:26,320
Speaker 1: too too wide in the entry. Yeah, I have a

531
00:35:26,360 --> 00:35:29,239
Speaker 1: mushroom head and it's a problem. It's not the it's

532
00:35:29,280 --> 00:35:33,440
Speaker 1: not the head, it's the shape of the shaft. I

533
00:35:33,480 --> 00:35:36,800
Speaker 1: don't know. It's not a problem. Well, how did you know?

534
00:35:37,320 --> 00:35:40,040
Speaker 1: I Well, I'm telling you you can't think of it

535
00:35:40,080 --> 00:35:44,359
Speaker 1: as that. You're right, And and sometimes I don't mean

536
00:35:44,400 --> 00:35:47,200
Speaker 1: to shame the people who have the squirdword nose. Penis.

537
00:35:48,680 --> 00:35:50,759
Speaker 1: You made me feel bad, no, and I didn't mean to,

538
00:35:50,880 --> 00:35:53,399
Speaker 1: and I know I did. You made me feel bad

539
00:35:53,400 --> 00:35:57,320
Speaker 1: because of the shape of my penis. Number one and

540
00:35:58,440 --> 00:36:02,200
Speaker 1: sack Rico nas this is one of the angry songs

541
00:36:02,239 --> 00:36:10,759
Speaker 1: ever recorded. She goes, fucking have you heard this song? No? Um,

542
00:36:10,920 --> 00:36:12,640
Speaker 1: she just she just talks about wanting to smack a

543
00:36:12,680 --> 00:36:14,440
Speaker 1: bitch and then and then and then and then she goes,

544
00:36:14,880 --> 00:36:19,640
Speaker 1: oh my fucking god, amazing. She really went off. She

545
00:36:19,719 --> 00:36:24,279
Speaker 1: went off BBC Dance Anthems Radio interrupted by announcement of

546
00:36:24,320 --> 00:36:27,919
Speaker 1: Prince Philip's death BBC Dance Anthems Radio. I'm just gonna

547
00:36:27,920 --> 00:36:29,840
Speaker 1: play it. Yeah, I would love to hear it. I

548
00:36:29,920 --> 00:36:38,120
Speaker 1: want to hear this one out loud, actualized. Imagine you're

549
00:36:38,200 --> 00:36:50,120
Speaker 1: vibing working in palace has announced the death Royal High incredible,

550
00:36:50,440 --> 00:36:56,160
Speaker 1: Rest in peace, Prince Philip, Number big old freakan Stallion.

551
00:36:56,320 --> 00:36:58,080
Speaker 1: This was I think the first song that you brought

552
00:36:58,120 --> 00:37:01,200
Speaker 1: to my Yes, this is first Megan song I've ever heard.

553
00:37:01,760 --> 00:37:03,360
Speaker 1: And I was Sam J at work was like, you

554
00:37:03,440 --> 00:37:04,560
Speaker 1: need to listen to me in this stall and I

555
00:37:04,640 --> 00:37:06,640
Speaker 1: was like, Okay. She played this for me and I

556
00:37:06,719 --> 00:37:11,040
Speaker 1: was like, oh my god, let's keep going. Number one

557
00:37:11,680 --> 00:37:16,680
Speaker 1: six Summer Girl him seeing them, seeing them. I love

558
00:37:16,760 --> 00:37:19,600
Speaker 1: this song so much. The Bridge. They have so many

559
00:37:19,680 --> 00:37:22,040
Speaker 1: songs that could have really made the and and they

560
00:37:22,080 --> 00:37:24,320
Speaker 1: have made a global impact. They have. But you know,

561
00:37:24,400 --> 00:37:27,480
Speaker 1: we can only pick a couple walk beside me, not

562
00:37:27,680 --> 00:37:33,040
Speaker 1: behind me. Love that and take that suggestion. Bernie Brown

563
00:37:33,120 --> 00:37:38,520
Speaker 1: found dead absolutely number one. Now I'm in it, Now

564
00:37:38,680 --> 00:37:41,399
Speaker 1: I'm in it, and now I've been trying to find

565
00:37:41,480 --> 00:37:45,440
Speaker 1: my way back for a minute, my arm. But that

566
00:37:45,600 --> 00:37:51,000
Speaker 1: that driving like, No, it's classic them, classic time, classic,

567
00:37:51,360 --> 00:37:55,920
Speaker 1: the sisters, the three, the iconic three l A Girls.

568
00:37:56,200 --> 00:37:59,479
Speaker 1: There's nothing more iconic than three women singing in a band.

569
00:38:00,120 --> 00:38:02,719
Speaker 1: And there's a lot of that in this list. They're

570
00:38:02,760 --> 00:38:07,520
Speaker 1: incredible performers, They're amazing performers. Love them, Love those girls.

571
00:38:07,800 --> 00:38:12,280
Speaker 1: Number one, Speaking of girls, number Oh my god, you guys,

572
00:38:14,400 --> 00:38:16,280
Speaker 1: when the girls got together and all sing this together,

573
00:38:16,800 --> 00:38:19,839
Speaker 1: the girls were growing, the girls were growling. Dear al

574
00:38:19,960 --> 00:38:23,200
Speaker 1: He's a lucky guy. I'm gonna cry. I got tears

575
00:38:23,280 --> 00:38:27,359
Speaker 1: got out on my nose. Mad Annalie Ashford really became

576
00:38:27,360 --> 00:38:32,440
Speaker 1: a star in that moment. The career she's had since

577
00:38:33,120 --> 00:38:40,880
Speaker 1: Brava mm hmmm, love her. What else is there to say? You?

578
00:38:41,120 --> 00:38:43,440
Speaker 1: You know this musical, well, this is like one of

579
00:38:43,520 --> 00:38:48,359
Speaker 1: my favorite musicals. And Joe Kim podcast about it one

580
00:38:48,440 --> 00:38:52,319
Speaker 1: of the savior during the pandemic, one of America's most

581
00:38:52,640 --> 00:38:56,320
Speaker 1: um slept on podcast. It's so true. It was a

582
00:38:56,360 --> 00:39:00,719
Speaker 1: patron exclusive truly. Yeah, but you guys were you guys

583
00:39:00,760 --> 00:39:03,879
Speaker 1: are joining the money. We should have made more sure.

584
00:39:04,640 --> 00:39:06,879
Speaker 1: I'm shaming everyone that they didn't listen to Joe, Kim

585
00:39:06,920 --> 00:39:11,719
Speaker 1: and I's eight episode um Legally Blonde, the search for

586
00:39:11,760 --> 00:39:14,440
Speaker 1: the next Elwoods Deep Dive podcast when we needed it

587
00:39:14,560 --> 00:39:18,200
Speaker 1: most the year of Our Lord. But now when the

588
00:39:18,280 --> 00:39:21,480
Speaker 1: readers and publicists talk about Cousin of the Week, I

589
00:39:21,840 --> 00:39:25,319
Speaker 1: know they're a real fan. They're they're not a fake fan.

590
00:39:25,400 --> 00:39:28,800
Speaker 1: They're not a fake fair weather fuck number one D

591
00:39:28,960 --> 00:39:35,680
Speaker 1: fifty three. Moving on up the Jefferson's theme song, amazing song.

592
00:39:35,920 --> 00:39:39,880
Speaker 1: I mean, we all remember where we were not born,

593
00:39:40,320 --> 00:39:43,879
Speaker 1: but that didn't matter, It didn't matter. Fish don't fry

594
00:39:43,920 --> 00:39:47,600
Speaker 1: in the kitchen. That's that That that says everything, says

595
00:39:47,600 --> 00:39:50,960
Speaker 1: it all says it, all says it all. Number one

596
00:39:51,080 --> 00:39:54,680
Speaker 1: hundred fifty two You in your hand pink again. We

597
00:39:54,760 --> 00:39:57,120
Speaker 1: sort of like Liquid Dreams, returned to this theme of

598
00:39:57,560 --> 00:40:03,120
Speaker 1: sort of suggested masturbation, this time from a woman's perspective. Empowered.

599
00:40:03,480 --> 00:40:05,120
Speaker 1: I'm not gonna suck you. It's gonna be you in

600
00:40:05,200 --> 00:40:09,239
Speaker 1: your hand tonight. You don't really want to mess with

601
00:40:09,320 --> 00:40:13,479
Speaker 1: me tonight, not tonight or any night. To be honest,

602
00:40:13,680 --> 00:40:17,680
Speaker 1: Pink is not pain. You cannot if you're gonna annoy

603
00:40:17,800 --> 00:40:19,440
Speaker 1: If you're going to run a foul of Pink on

604
00:40:19,480 --> 00:40:22,960
Speaker 1: any given night, good luck. She's a tough broad. You

605
00:40:23,040 --> 00:40:26,320
Speaker 1: have a death wish. If you're gonna piss off Pink,

606
00:40:27,440 --> 00:40:30,760
Speaker 1: don't do it. Don't do it for your own safety.

607
00:40:31,520 --> 00:40:36,839
Speaker 1: You're gonna get your ass beat number one. Don't let

608
00:40:36,880 --> 00:40:40,640
Speaker 1: me get me Pink. Sometimes sometimes the person who's annoying

609
00:40:40,680 --> 00:40:45,960
Speaker 1: Pink the most is Pink herself. Never went first kicking

610
00:40:46,000 --> 00:40:50,239
Speaker 1: her own ass. Remember, misunderstood the album was that? What

611
00:40:50,440 --> 00:40:53,160
Speaker 1: was that was what this album was. Don't support that.

612
00:40:53,840 --> 00:40:56,480
Speaker 1: The crazy the craziest, most scandals thing about this song

613
00:40:56,560 --> 00:41:00,719
Speaker 1: to me at the time was um tad be compared

614
00:41:01,160 --> 00:41:06,680
Speaker 1: damn Brittany Spears. She's so pretty. That's just I was

615
00:41:06,719 --> 00:41:09,160
Speaker 1: a little sad, you know what's funny? Like at the time,

616
00:41:09,480 --> 00:41:12,200
Speaker 1: not being like Britney Spears was enough of a brand

617
00:41:12,360 --> 00:41:14,480
Speaker 1: for a lot of these girls. It was like there

618
00:41:14,560 --> 00:41:16,640
Speaker 1: was like Brittany and then a lot of other people

619
00:41:17,000 --> 00:41:20,439
Speaker 1: just britty, I'm not Brittany and that was like enough

620
00:41:21,520 --> 00:41:24,759
Speaker 1: for a lot of record labels. Was it even? Was

621
00:41:24,840 --> 00:41:27,759
Speaker 1: it even like that with Madonna? Like like they would

622
00:41:27,760 --> 00:41:30,000
Speaker 1: be these girls that like weren't like Cindy Lapper, like

623
00:41:30,400 --> 00:41:33,040
Speaker 1: wasn't Madonna like but she wasn't like a Madonna altern

624
00:41:33,360 --> 00:41:37,719
Speaker 1: alternative well sort of, I mean she was wacky right

625
00:41:37,920 --> 00:41:40,920
Speaker 1: right right, but yeah, they were just it was Jessica,

626
00:41:40,960 --> 00:41:45,520
Speaker 1: it was Christina was paink. It was like a lot

627
00:41:45,680 --> 00:41:48,239
Speaker 1: of girls. Well I think the person who was like

628
00:41:48,320 --> 00:41:52,800
Speaker 1: probably closest spiritually to Brittany was probably, like, honestly, probably

629
00:41:52,920 --> 00:41:55,719
Speaker 1: Jessica because she had the same like she didn't really

630
00:41:55,760 --> 00:42:00,920
Speaker 1: deviate from the Christianity thing, but she went like hard Christianity.

631
00:42:01,080 --> 00:42:03,560
Speaker 1: She was. She was just like, no, I'm for real

632
00:42:03,640 --> 00:42:06,000
Speaker 1: a virgin and I'll say it the loudest. Yeah yeah, yeah,

633
00:42:06,120 --> 00:42:09,120
Speaker 1: Oh that's so funny. Like that was the time and

634
00:42:09,200 --> 00:42:12,320
Speaker 1: Mandy Moore said, I'm pivoting to acting queen. More on

635
00:42:12,400 --> 00:42:15,720
Speaker 1: that in a second. More on that in a second. Okay,

636
00:42:16,320 --> 00:42:20,960
Speaker 1: hell on, where are we We're at? Number Pomp and

637
00:42:21,080 --> 00:42:25,840
Speaker 1: Circumstance Underclassmate and Band Program, The seniors aren't playing that,

638
00:42:26,160 --> 00:42:30,000
Speaker 1: not their own graduation. No, it's the underclassman and band

639
00:42:30,040 --> 00:42:35,000
Speaker 1: who are playing plog. They're the ones tasked because they're

640
00:42:35,400 --> 00:42:38,160
Speaker 1: they're not being celebrated and honored. Wait another year or

641
00:42:38,200 --> 00:42:40,440
Speaker 1: two or three. No, no, no, and it would be

642
00:42:40,520 --> 00:42:43,680
Speaker 1: inappropriate for them to rise at that point. They're sitting

643
00:42:44,000 --> 00:42:49,320
Speaker 1: on the side in the field, in the stadium. Whatever.

644
00:42:49,760 --> 00:42:58,280
Speaker 1: But I do love pomp and circumstances. Yeah, no, no, dude,

645
00:42:58,719 --> 00:43:03,839
Speaker 1: do do dude? All right, right right? What was I doing?

646
00:43:08,239 --> 00:43:11,200
Speaker 1: I don't know? Is that Mario Kart It's it's like

647
00:43:11,280 --> 00:43:13,560
Speaker 1: a British thing. It's a royal British thing that I

648
00:43:13,600 --> 00:43:18,680
Speaker 1: think has been on the Beatles albums um Anyway, speaking

649
00:43:18,760 --> 00:43:23,560
Speaker 1: of really amazing songs, number one can't Fight the Moonlight

650
00:43:23,719 --> 00:43:27,480
Speaker 1: Leanne rhymes iconically from the Coyote Ugly soundtrack. You can

651
00:43:27,640 --> 00:43:31,840
Speaker 1: try to resist, try to hide from my kiss, but

652
00:43:33,000 --> 00:43:38,080
Speaker 1: but you know that chill can't the more like Leanne

653
00:43:38,160 --> 00:43:42,600
Speaker 1: rhymes interesting life interesting. Oh I don't know that much. Well.

654
00:43:43,160 --> 00:43:47,080
Speaker 1: She and Eddie Cibrian had an affair on the set

655
00:43:47,120 --> 00:43:49,480
Speaker 1: of a Lifetime movie they were doing together, and then

656
00:43:49,520 --> 00:43:51,759
Speaker 1: he left Brandy Glanville, who then became one of the

657
00:43:51,800 --> 00:43:56,720
Speaker 1: real houses of Hills, that's the drama. And then Leanne

658
00:43:56,960 --> 00:43:58,600
Speaker 1: a couple of years ago was on the Mass singer.

659
00:43:58,880 --> 00:44:01,160
Speaker 1: Did you with Marion talk about this about Leanne? I

660
00:44:01,200 --> 00:44:03,280
Speaker 1: don't think so. I don't think Leanne came up, although

661
00:44:03,320 --> 00:44:06,440
Speaker 1: I'm sure that Marin has a relationship at least as

662
00:44:06,480 --> 00:44:09,399
Speaker 1: a fan with Leon. Rot has a concept of Leon

663
00:44:09,600 --> 00:44:11,880
Speaker 1: and Leon Nimes was like a country version of Jojo

664
00:44:11,960 --> 00:44:17,120
Speaker 1: where at she was singing in that song blue so awesome,

665
00:44:17,360 --> 00:44:21,640
Speaker 1: Oh you that song, These prodigies, these prodigies, Okay, son,

666
00:44:21,719 --> 00:44:28,040
Speaker 1: that's better than that. Speaking of prodigies shower Becky, Well,

667
00:44:28,120 --> 00:44:30,960
Speaker 1: she's right. I mean who who who among us can

668
00:44:31,000 --> 00:44:33,400
Speaker 1: say that they haven't danced in the shower, singing in

669
00:44:33,480 --> 00:44:36,239
Speaker 1: the singing in the shower, dance she's dancing, Oh well,

670
00:44:36,280 --> 00:44:38,240
Speaker 1: that would be dangerous. She's dancing in the mirror, singing

671
00:44:38,280 --> 00:44:45,239
Speaker 1: in the shower, dancing in the mirror, sing great hook

672
00:44:45,400 --> 00:44:47,400
Speaker 1: so good. And we should also really say, because now

673
00:44:47,440 --> 00:44:49,800
Speaker 1: I'm feel nervous because I didn't want to be on

674
00:44:49,920 --> 00:44:51,600
Speaker 1: this podcast to be I'm like, yeah, we all dance

675
00:44:51,640 --> 00:44:53,640
Speaker 1: in the shower, because famously that could that could you

676
00:44:53,680 --> 00:44:57,800
Speaker 1: could break your damn really scary. Don't do that. No no, no, no, no, no,

677
00:44:57,880 --> 00:45:01,680
Speaker 1: no no. We'll try off your feet, you know, show shoes,

678
00:45:01,760 --> 00:45:05,920
Speaker 1: shower shoes. Becky g though not at the kind of

679
00:45:05,960 --> 00:45:08,960
Speaker 1: a Mandy Moore of her time, pivoted to acting well.

680
00:45:09,000 --> 00:45:11,880
Speaker 1: She was stunning as the lesbian power Rangers. Remember that?

681
00:45:11,960 --> 00:45:14,680
Speaker 1: Do we see that together? That together? I wanted the

682
00:45:14,719 --> 00:45:18,520
Speaker 1: second one me too, with thanks, so read a repulsa

683
00:45:19,600 --> 00:45:28,880
Speaker 1: no number. Raise your glass, pink and that raise your

684
00:45:28,920 --> 00:45:31,040
Speaker 1: glass if you are wrong in all the right ways?

685
00:45:31,200 --> 00:45:32,919
Speaker 1: Who do we want? Let let's invite one of the people.

686
00:45:33,640 --> 00:45:37,520
Speaker 1: All right, Um, Hans, Hans, it's time to come in.

687
00:45:39,760 --> 00:45:43,000
Speaker 1: Come on, Hans, Come on Hans. Oh good, and I'm

688
00:45:43,000 --> 00:45:44,719
Speaker 1: really happy because this next one I think he'll have

689
00:45:44,800 --> 00:45:47,920
Speaker 1: a relationship with Um. Let's go. We don't have all

690
00:45:47,920 --> 00:45:50,960
Speaker 1: the time in the world. It's only a couple of doors.

691
00:45:51,320 --> 00:45:54,160
Speaker 1: It's what is it? One's it's a it's a it's

692
00:45:54,160 --> 00:45:56,600
Speaker 1: a podcast. It's not a visual medium. All right, Come

693
00:45:56,640 --> 00:45:59,600
Speaker 1: on in, Hans, Come on in, Hans. It's head of content.

694
00:45:59,640 --> 00:46:01,880
Speaker 1: I don't they've heard from you ever on the podcast?

695
00:46:01,960 --> 00:46:07,919
Speaker 1: Have they chats? Never? Oh? Yeah? Sometimes chime in from chats. Well,

696
00:46:08,360 --> 00:46:10,640
Speaker 1: welcome to the podcast. That's the mike. Are you. Are

697
00:46:10,680 --> 00:46:13,240
Speaker 1: you comfortable because you know, here's the thing you produced

698
00:46:13,280 --> 00:46:14,960
Speaker 1: and you you you sort of you know, run the

699
00:46:15,000 --> 00:46:16,960
Speaker 1: table in terms of podcast, but in terms of you know,

700
00:46:17,160 --> 00:46:20,320
Speaker 1: really sort of getting into the medium and really actively,

701
00:46:20,719 --> 00:46:23,719
Speaker 1: you know, participating. How comfortable? Are you? Very uncomfortable? I

702
00:46:24,120 --> 00:46:26,680
Speaker 1: prefer to be behind the glass? Well talk about this?

703
00:46:27,320 --> 00:46:31,520
Speaker 1: Why why do it? Then? And then why ever see it?

704
00:46:31,600 --> 00:46:33,719
Speaker 1: If you if you can't be on the other side

705
00:46:33,760 --> 00:46:35,880
Speaker 1: of it? Is it those who can't do produce? I

706
00:46:35,960 --> 00:46:37,960
Speaker 1: think it's those who can't do produce and those who

707
00:46:38,040 --> 00:46:42,839
Speaker 1: can't produce teach Jim my god, you know, if you're

708
00:46:42,840 --> 00:46:45,800
Speaker 1: a Jim teacher, then good luck. There's nowhere else to go.

709
00:46:46,080 --> 00:46:48,640
Speaker 1: Richard Rogers found dead. Wow, I didn't know it's coming

710
00:46:48,640 --> 00:46:51,520
Speaker 1: into the hard hitting interview. Yeah, this is what we've

711
00:46:51,560 --> 00:46:53,320
Speaker 1: been called the gay, Mark Marin, We've been called the

712
00:46:53,360 --> 00:46:56,319
Speaker 1: gay w TF, my gosh, you know that. I've never

713
00:46:56,400 --> 00:46:59,240
Speaker 1: heard that. Are you proud of us? I'm so proud

714
00:46:59,280 --> 00:47:02,880
Speaker 1: of you. You don't have to do that. How do

715
00:47:02,920 --> 00:47:09,560
Speaker 1: you feel? How do you feel? Honestly? I think it's amazing.

716
00:47:09,640 --> 00:47:11,520
Speaker 1: I am so proud of you. You guys came in.

717
00:47:12,239 --> 00:47:19,680
Speaker 1: You were this beautiful, blossoming rose that has now become

718
00:47:19,840 --> 00:47:24,359
Speaker 1: this incredible bouquet. And that's so rare for a rose

719
00:47:24,440 --> 00:47:28,280
Speaker 1: to become a bouquet because usually roses just Wilson stays

720
00:47:28,360 --> 00:47:31,920
Speaker 1: one rose. Now this one multiply. Yeah, that's so beautiful.

721
00:47:32,560 --> 00:47:35,520
Speaker 1: Hans Um, thank you for giving us a home here

722
00:47:36,600 --> 00:47:38,880
Speaker 1: at I heard radio big money players. We actually we

723
00:47:38,960 --> 00:47:42,759
Speaker 1: absolutely are. We We feel it very indebted and very free,

724
00:47:43,280 --> 00:47:45,080
Speaker 1: and you let us kind of do whatever we think

725
00:47:45,120 --> 00:47:46,520
Speaker 1: our little hearts are gonna want to do. And we

726
00:47:46,560 --> 00:47:49,480
Speaker 1: appreciate you. You've never gotten in her in her way, Yeah,

727
00:47:49,560 --> 00:47:53,439
Speaker 1: you've never You've never said no that is that's good. Really,

728
00:47:53,680 --> 00:47:57,000
Speaker 1: that's good content contenting. It's just don't get in the

729
00:47:57,080 --> 00:48:00,239
Speaker 1: creative way. Speaking of content, we're gonna say something, No,

730
00:48:01,360 --> 00:48:02,680
Speaker 1: what are you some of your what do you think

731
00:48:02,719 --> 00:48:06,520
Speaker 1: belongs on this list? You know, there's one musician that

732
00:48:06,640 --> 00:48:09,440
Speaker 1: I think is so important to the culture that I

733
00:48:09,520 --> 00:48:13,080
Speaker 1: have never heard the culture is to talk about what

734
00:48:13,480 --> 00:48:19,319
Speaker 1: it's a little sticky, Okay, Michael Jackson. Michael Jackson. Let's

735
00:48:19,320 --> 00:48:21,440
Speaker 1: talk about Michael Jackson. Let's try about Michael Jackson for

736
00:48:21,480 --> 00:48:24,800
Speaker 1: a second. Right, there is this thing where you can't

737
00:48:24,960 --> 00:48:28,200
Speaker 1: really cancel Michael Jackson because it's like everyone has been

738
00:48:28,800 --> 00:48:31,440
Speaker 1: influenced by him, Like every part of the pop culture

739
00:48:31,880 --> 00:48:35,640
Speaker 1: has been informed by Michael. Yeah, and the omission it

740
00:48:35,760 --> 00:48:38,560
Speaker 1: feels deliberate. It's like, how can you go this long

741
00:48:38,880 --> 00:48:41,919
Speaker 1: without talking about Michael. We never talked about Michael Jackson,

742
00:48:41,960 --> 00:48:43,440
Speaker 1: Like even in the old days, I've never heard the

743
00:48:43,520 --> 00:48:46,319
Speaker 1: names come out of it. Really well, here's what I'll say.

744
00:48:46,440 --> 00:48:49,920
Speaker 1: That said. It is very long. It's so long, and

745
00:48:51,360 --> 00:48:55,200
Speaker 1: how every minute of it? How many how many episodes

746
00:48:55,239 --> 00:48:57,200
Speaker 1: of this did you listen to prior us coming onto

747
00:48:57,239 --> 00:49:02,040
Speaker 1: this little label? Um a handful? Do we count the

748
00:49:02,200 --> 00:49:08,200
Speaker 1: week before you came onto the label? There was like

749
00:49:08,320 --> 00:49:11,719
Speaker 1: six or seven? Well then well then good, Sure, But

750
00:49:11,800 --> 00:49:14,000
Speaker 1: he wants to talk about Michael draft Michael to say

751
00:49:14,000 --> 00:49:18,279
Speaker 1: about him. I will say this for all the nonsense.

752
00:49:19,400 --> 00:49:20,880
Speaker 1: I did hear a man in the mirror the other

753
00:49:20,960 --> 00:49:23,279
Speaker 1: day at the Clark Street digner, and I was like, God,

754
00:49:23,400 --> 00:49:28,440
Speaker 1: damn it, this song is I mean, Mike Michael is

755
00:49:28,560 --> 00:49:32,319
Speaker 1: like it just invented so many things. It's people talking

756
00:49:32,320 --> 00:49:34,279
Speaker 1: about like Madonna inventing all these things that like pop

757
00:49:34,400 --> 00:49:37,920
Speaker 1: stars do, which is true, but like Michael invented like

758
00:49:38,520 --> 00:49:41,400
Speaker 1: pop culture. Yeah, he really did. Like it's it's you

759
00:49:41,520 --> 00:49:44,919
Speaker 1: can't really do we think. Do you think he was gay?

760
00:49:46,320 --> 00:49:48,880
Speaker 1: I don't think he was broken. Yeah, I think I

761
00:49:48,960 --> 00:49:51,719
Speaker 1: think he was so deeply broken by his father and

762
00:49:51,840 --> 00:49:55,200
Speaker 1: by the industry and by like the situation that he

763
00:49:55,320 --> 00:49:57,600
Speaker 1: was in that I think it almost as like tough

764
00:49:57,719 --> 00:50:01,800
Speaker 1: to even like wage or what his sexuality was because

765
00:50:01,920 --> 00:50:03,759
Speaker 1: there's just there was a lot going on. Yeah, I

766
00:50:03,840 --> 00:50:07,800
Speaker 1: think he was a like disturbed person from a a

767
00:50:07,920 --> 00:50:11,200
Speaker 1: probably very young age, and I honestly feel like he

768
00:50:11,360 --> 00:50:13,840
Speaker 1: was one of those pop stars where I mean this

769
00:50:14,000 --> 00:50:18,200
Speaker 1: is obvious, but like things happened to him rather than

770
00:50:18,320 --> 00:50:21,600
Speaker 1: him making things happen. The most part, well, he was abused.

771
00:50:21,719 --> 00:50:25,000
Speaker 1: It was abused, and the middle Eligo kind of like

772
00:50:25,560 --> 00:50:28,520
Speaker 1: putting him on that journey, like just there was just

773
00:50:28,640 --> 00:50:31,759
Speaker 1: a lot of stuff like you can't. I think we'll

774
00:50:31,800 --> 00:50:34,480
Speaker 1: spend the rest of our own individual lines like parsing

775
00:50:34,600 --> 00:50:38,000
Speaker 1: that out unless they make like a seven part documentary

776
00:50:38,000 --> 00:50:40,920
Speaker 1: about him, which they've tried. Well, they made like the

777
00:50:41,040 --> 00:50:44,160
Speaker 1: four part documentary about him, but that's not seven seven.

778
00:50:44,760 --> 00:50:46,680
Speaker 1: I think what Bowen saying is he needs three more

779
00:50:46,800 --> 00:50:48,840
Speaker 1: part I need a documentary about his career or not

780
00:50:48,960 --> 00:50:52,160
Speaker 1: about Neverland? Do you know what I mean? Neverland as

781
00:50:52,200 --> 00:50:57,799
Speaker 1: a concept is really scary crazy. Yeah, this feels incredibly

782
00:50:57,920 --> 00:51:00,600
Speaker 1: cathartic to have to finally have the moment where the

783
00:51:00,680 --> 00:51:05,759
Speaker 1: culture because you because because you love him, if you

784
00:51:05,800 --> 00:51:08,960
Speaker 1: find him important, influential, well he that for sure. But

785
00:51:09,160 --> 00:51:12,759
Speaker 1: also it feels like you guys are expressing something. It

786
00:51:12,880 --> 00:51:16,239
Speaker 1: feels like you have been holding back talking about Do

787
00:51:16,320 --> 00:51:18,160
Speaker 1: you ever feel like you hold back on talking about

788
00:51:18,239 --> 00:51:21,520
Speaker 1: him sometimes that maybe maybe that's true, and I do.

789
00:51:21,800 --> 00:51:24,279
Speaker 1: It's so interesting because I think he's I think Hans

790
00:51:24,400 --> 00:51:26,799
Speaker 1: is right for some reason. It's not I don't think

791
00:51:26,840 --> 00:51:29,600
Speaker 1: it's deliberate. I don't think it is that we haven't

792
00:51:29,640 --> 00:51:31,600
Speaker 1: talked about him, and yet it is weird that we

793
00:51:31,680 --> 00:51:34,160
Speaker 1: haven't talked about him. I actually I have to say

794
00:51:34,320 --> 00:51:36,439
Speaker 1: there must have been a time, like in the old

795
00:51:36,520 --> 00:51:40,040
Speaker 1: days where we did, because I'm thinking now like if

796
00:51:40,120 --> 00:51:42,440
Speaker 1: we never talked about him, that really is crazy. But

797
00:51:42,520 --> 00:51:44,920
Speaker 1: also you have to remember, like that man has been

798
00:51:44,960 --> 00:51:49,560
Speaker 1: dead for a long time, longer than we think and realize.

799
00:51:49,560 --> 00:51:52,400
Speaker 1: I remember because I remember it was the summer that

800
00:51:52,520 --> 00:51:55,319
Speaker 1: I was coming out of the closet and it was like, yeah,

801
00:51:55,520 --> 00:51:57,680
Speaker 1: I don't know, I imprinted on that. Where were you

802
00:51:57,719 --> 00:52:01,920
Speaker 1: when he died? I think I was on vacation, and

803
00:52:02,000 --> 00:52:05,200
Speaker 1: I remember it was the first celebrity death that affected

804
00:52:05,280 --> 00:52:07,880
Speaker 1: me that I actually got it was old enough to

805
00:52:07,880 --> 00:52:11,239
Speaker 1: actually care about the person who died. Yeah, yeah, what's

806
00:52:11,239 --> 00:52:15,839
Speaker 1: your favorite Michael Jackson the video for Remember the Time,

807
00:52:17,960 --> 00:52:22,560
Speaker 1: you know what? I really like you along? I mean

808
00:52:23,040 --> 00:52:27,560
Speaker 1: you that song, I don't I might be not as

809
00:52:27,719 --> 00:52:30,200
Speaker 1: literate as I and then and listen whatever, but the

810
00:52:30,320 --> 00:52:33,080
Speaker 1: thing is like he definitely is this thing like I remember,

811
00:52:33,120 --> 00:52:34,880
Speaker 1: like I Want Again. I'm gonna bring up the Guardians

812
00:52:34,880 --> 00:52:37,400
Speaker 1: of the Galaxy Ryan to calipoint of again because they

813
00:52:37,440 --> 00:52:40,719
Speaker 1: also play I Want You Back sometimes in that song

814
00:52:41,000 --> 00:52:44,799
Speaker 1: the Jackson Five, which also again this culture. But they

815
00:52:44,920 --> 00:52:47,000
Speaker 1: started the song and we were like yeah, and then

816
00:52:47,040 --> 00:52:48,759
Speaker 1: like we all at the same time in the car,

817
00:52:49,239 --> 00:52:52,320
Speaker 1: Everyone in the car was like, and it is this

818
00:52:52,480 --> 00:52:55,120
Speaker 1: thing of like, it's this it's this weird thing about

819
00:52:55,160 --> 00:52:59,840
Speaker 1: consumption of Michael Jackson that I think like people that

820
00:53:00,040 --> 00:53:04,000
Speaker 1: are you know, you know, aware of everything that went down,

821
00:53:04,120 --> 00:53:06,440
Speaker 1: like really does think about like consuming his stuff. Like

822
00:53:06,480 --> 00:53:08,320
Speaker 1: when that Man in the Mirror came on, I remember

823
00:53:08,360 --> 00:53:10,640
Speaker 1: being like, oh, this is such a good song and

824
00:53:11,000 --> 00:53:13,080
Speaker 1: the was coming from a place stuffing, but I ain't

825
00:53:13,120 --> 00:53:16,160
Speaker 1: streaming it. I'm not like supporting that a state. I

826
00:53:16,280 --> 00:53:19,200
Speaker 1: think the whole thing is fucked up. Yeah yeah, and

827
00:53:19,320 --> 00:53:23,120
Speaker 1: were danced around it. But I believe he molested. Oh

828
00:53:23,200 --> 00:53:25,279
Speaker 1: he did, he did. I mean, like all these kids

829
00:53:25,280 --> 00:53:28,759
Speaker 1: wouldn't be saying And it's also like all that was

830
00:53:28,800 --> 00:53:32,320
Speaker 1: coming out in a time pre like believe victims, you

831
00:53:32,360 --> 00:53:33,839
Speaker 1: know what I mean, Like it was really a time

832
00:53:33,880 --> 00:53:37,040
Speaker 1: when like the media was just like shuffling these kids

833
00:53:37,080 --> 00:53:39,800
Speaker 1: out and then like they went away and like nothing happened.

834
00:53:39,920 --> 00:53:42,200
Speaker 1: And because what happened because the person you would believe

835
00:53:42,280 --> 00:53:45,160
Speaker 1: the least in any situation as a child or not

836
00:53:45,239 --> 00:53:46,920
Speaker 1: that they were like children when they you know, they

837
00:53:47,000 --> 00:53:49,080
Speaker 1: came forward, but it was just like, well you were

838
00:53:49,160 --> 00:53:51,960
Speaker 1: kids back then, and maybe remember it differently. Like that

839
00:53:52,200 --> 00:53:54,799
Speaker 1: is like the perfect storm of like all these things

840
00:53:54,840 --> 00:53:57,760
Speaker 1: that people can like love against you and the trauma

841
00:53:57,880 --> 00:54:01,160
Speaker 1: of like like apparent Like like I remember the whole

842
00:54:01,200 --> 00:54:03,200
Speaker 1: thing was like, well their parents are looking for money,

843
00:54:03,480 --> 00:54:06,279
Speaker 1: and it's like like all these parents are trotting out

844
00:54:06,320 --> 00:54:09,640
Speaker 1: their kids for money, like the trauma that that would do,

845
00:54:10,200 --> 00:54:12,640
Speaker 1: like just the levels of trauma on trauma on trauma

846
00:54:12,719 --> 00:54:14,520
Speaker 1: that those kids had to deal with and probably are

847
00:54:14,560 --> 00:54:19,759
Speaker 1: still dealing with. But it is it is interesting that

848
00:54:19,800 --> 00:54:22,359
Speaker 1: we haven't talked about and only Hans is someone who

849
00:54:22,480 --> 00:54:25,719
Speaker 1: has this bird's eye view the overseers, the overseers, we

850
00:54:25,840 --> 00:54:28,040
Speaker 1: want you to help us UM with this, with this

851
00:54:28,239 --> 00:54:35,200
Speaker 1: with one UM announcement and it's never one six version.

852
00:54:36,600 --> 00:54:38,200
Speaker 1: Do you know? Do you know one in a million

853
00:54:38,280 --> 00:54:41,399
Speaker 1: from his congeniality. I am sad to say I've never

854
00:54:41,480 --> 00:54:44,640
Speaker 1: seen miss congeniality put it on. You love the lists

855
00:54:44,680 --> 00:54:46,440
Speaker 1: of shame. I know you'll love it. No, don't, don't know.

856
00:54:46,520 --> 00:54:50,120
Speaker 1: We're not shaping you can't shame. Don't tell Sandy. I'm not.

857
00:54:50,160 --> 00:54:52,239
Speaker 1: I won't tell Sandy. No, he's gonna tell Sandy. I

858
00:54:52,280 --> 00:54:58,960
Speaker 1: won't tell Sandy. He's gonna tell Sandy and he can text.

859
00:54:59,120 --> 00:55:01,560
Speaker 1: What should I tell Sandy? Don't tell her I haven't

860
00:55:01,560 --> 00:55:04,200
Speaker 1: seen miss tell her. Our head of content has not seen.

861
00:55:04,480 --> 00:55:07,440
Speaker 1: Do not text her that I won't. I won't. She

862
00:55:07,760 --> 00:55:09,799
Speaker 1: She would be like, Oh that's okay, Yeah, I think

863
00:55:09,840 --> 00:55:11,120
Speaker 1: she'd be okay with it, because you want to know

864
00:55:11,160 --> 00:55:14,799
Speaker 1: what so many millions saw it. What does she care?

865
00:55:14,880 --> 00:55:17,400
Speaker 1: I think she's doing. I think she's doing fabulous. Do

866
00:55:17,520 --> 00:55:20,960
Speaker 1: you call her Sandy? You're she kind of like demands

867
00:55:21,040 --> 00:55:23,040
Speaker 1: you call her Sandy. She goes by that, He goes

868
00:55:23,080 --> 00:55:26,520
Speaker 1: by that, So it's Sandy. And we could all if

869
00:55:26,760 --> 00:55:30,239
Speaker 1: anybody in this building called her Sandy, she would want that. Fine,

870
00:55:30,480 --> 00:55:34,120
Speaker 1: So you have some homework Before the next episode of

871
00:55:34,200 --> 00:55:37,319
Speaker 1: Last Coach, we'll be record. You are to watch miss congeniality,

872
00:55:37,840 --> 00:55:40,480
Speaker 1: and I would like to hear a report can do

873
00:55:41,600 --> 00:55:45,840
Speaker 1: thank you ahead of content? It was fabulous and before

874
00:55:45,920 --> 00:55:49,440
Speaker 1: you go, um, just we really do. Thank you and

875
00:55:50,480 --> 00:55:53,880
Speaker 1: we love being a part of and you are in

876
00:55:53,920 --> 00:55:57,320
Speaker 1: the l congratulations, thank you both for being part of

877
00:55:57,480 --> 00:56:03,480
Speaker 1: the b MPU. He's been goodbye, goodbye Hans see and

878
00:56:03,600 --> 00:56:07,239
Speaker 1: this is like, this is exposing to the readers the

879
00:56:07,320 --> 00:56:10,880
Speaker 1: fabric of our life. Everyone's everyone. People are curious about

880
00:56:10,920 --> 00:56:13,560
Speaker 1: Hans though they are always going because we always refer

881
00:56:13,600 --> 00:56:16,480
Speaker 1: to him as hot out of content. Hans, Well, everybody

882
00:56:16,520 --> 00:56:19,239
Speaker 1: get are there pictures of Hans or their pictures of

883
00:56:19,280 --> 00:56:23,360
Speaker 1: an or their pictures of Doug are their pictures freaks

884
00:56:23,640 --> 00:56:26,799
Speaker 1: fucking google it, bitch, google it, bitch. Okay, let's keep going.

885
00:56:26,920 --> 00:56:29,359
Speaker 1: Number one hut. But the way you should just say

886
00:56:29,360 --> 00:56:32,560
Speaker 1: one in a million from his conginality one in a

887
00:56:32,800 --> 00:56:37,120
Speaker 1: million congeality version where there's the dance break, yes, when

888
00:56:37,160 --> 00:56:57,640
Speaker 1: they're all the statue, iconic number bedding Field the iconic

889
00:56:57,719 --> 00:57:02,800
Speaker 1: theme song to the Hills, a song about life and

890
00:57:02,920 --> 00:57:05,799
Speaker 1: then a song about experiencing things. A song that Josh

891
00:57:05,840 --> 00:57:09,360
Speaker 1: Sharp played at his Horns meet to disco sort of

892
00:57:09,520 --> 00:57:12,640
Speaker 1: parody party at three dollar Bill a month ago his

893
00:57:12,760 --> 00:57:15,080
Speaker 1: DJs that was just playing and written by Natasha Beddingfield,

894
00:57:15,120 --> 00:57:17,840
Speaker 1: over and over and over again. Natasha Beddingfield said, Chapters

895
00:57:18,120 --> 00:57:24,880
Speaker 1: Chapters Era's Eons of Life. Natasha Beddingfield said, standing outside

896
00:57:24,920 --> 00:57:28,800
Speaker 1: in the rain, I need to clean my damn windows.

897
00:57:28,840 --> 00:57:32,240
Speaker 1: Their dirty. And you know what I I just when

898
00:57:32,320 --> 00:57:36,040
Speaker 1: she said the this, the that was a good vocal.

899
00:57:36,880 --> 00:57:42,280
Speaker 1: Oh yeah, Number battlefield Jordan sparks, Why does why does

900
00:57:42,440 --> 00:57:46,560
Speaker 1: love always feel like a battlefield? Guess you'd better go

901
00:57:46,680 --> 00:57:54,640
Speaker 1: get your armor, Come on, come on, aims status But

902
00:57:54,760 --> 00:57:58,120
Speaker 1: this is after am so true, king, Oh my god,

903
00:57:58,280 --> 00:58:01,680
Speaker 1: but I'm saying it gives a bat. Why does it

904
00:58:02,040 --> 00:58:05,320
Speaker 1: like like like two asterisks and like in like uppercase

905
00:58:05,360 --> 00:58:08,120
Speaker 1: on lower case spot Why does love always feel like that?

906
00:58:08,320 --> 00:58:11,280
Speaker 1: And then like and then like spaces between spaces in

907
00:58:11,360 --> 00:58:15,040
Speaker 1: between each B, A T T, and then like at

908
00:58:15,080 --> 00:58:17,800
Speaker 1: the bottom bottom bottom, you have to scroll down to

909
00:58:17,880 --> 00:58:20,120
Speaker 1: get to the bottom of the aime profile and then

910
00:58:20,160 --> 00:58:23,080
Speaker 1: it would go dot dot dot better get your armor

911
00:58:23,800 --> 00:58:28,640
Speaker 1: period x O. I never meant this, and it would

912
00:58:28,640 --> 00:58:35,440
Speaker 1: say dinner later one break the ice Britney spears from

913
00:58:35,480 --> 00:58:39,440
Speaker 1: the Blackout album. This is like culture culture, You're in

914
00:58:39,480 --> 00:58:43,720
Speaker 1: the club. That's all there is to say. Baby, It's you,

915
00:58:45,320 --> 00:58:49,440
Speaker 1: Joe Joe, Baby It's You is truly a great pop song.

916
00:58:49,440 --> 00:58:50,960
Speaker 1: Remember when you came to l A and we went

917
00:58:51,000 --> 00:58:53,400
Speaker 1: to the Academy. We were listening to it. Yeah, but

918
00:58:53,440 --> 00:58:56,400
Speaker 1: I put on the version, which I kind of think

919
00:58:56,400 --> 00:58:58,280
Speaker 1: it is better than the two tho. I would agree, Well,

920
00:58:58,280 --> 00:59:01,000
Speaker 1: she's a better singer now, It's yeah, like that doesn't

921
00:59:01,040 --> 00:59:04,240
Speaker 1: always happen with these young these young things, these young girls.

922
00:59:04,440 --> 00:59:06,400
Speaker 1: Do you know? The music video was shot at six

923
00:59:06,440 --> 00:59:08,600
Speaker 1: Flags Magic Mountain. You told me this, and then there's

924
00:59:08,800 --> 00:59:10,960
Speaker 1: there's just some it'll cut away from her and just

925
00:59:11,040 --> 00:59:12,840
Speaker 1: be a shot of like a roller coaster doing a loop.

926
00:59:14,880 --> 00:59:17,920
Speaker 1: I mean, there was something so beautiful about that time

927
00:59:18,000 --> 00:59:20,640
Speaker 1: in our lines and we were teenagers, like all you

928
00:59:20,720 --> 00:59:22,120
Speaker 1: have to do is just go to six Flags with

929
00:59:22,200 --> 00:59:24,560
Speaker 1: friends over the summer. That was it, and that that's

930
00:59:24,560 --> 00:59:26,320
Speaker 1: all you need to do over is now you got

931
00:59:26,400 --> 00:59:29,040
Speaker 1: a TikTok and you gotta so much, so much. There's

932
00:59:29,080 --> 00:59:31,640
Speaker 1: just so much business, so much on the plate. And

933
00:59:31,720 --> 00:59:35,560
Speaker 1: I really I hope, I hope there's um back to basics.

934
00:59:36,240 --> 00:59:42,360
Speaker 1: We need to go back to basics. Numb foolish. See

935
00:59:42,400 --> 00:59:47,520
Speaker 1: my days are cool with you alow and then a

936
00:59:47,640 --> 00:59:50,439
Speaker 1: hug and taking no more, I keep on running back

937
00:59:50,520 --> 00:59:52,880
Speaker 1: to you. I was really, I was like, can we

938
00:59:52,960 --> 00:59:55,080
Speaker 1: see her not be with jaw Rule for a second?

939
00:59:55,640 --> 00:59:58,480
Speaker 1: And then she did and I loved it, and we

940
00:59:58,560 --> 01:00:00,640
Speaker 1: didn't really get that much more of it. No and

941
01:00:01,000 --> 01:00:03,760
Speaker 1: jaw Rule. It's like you always hear Ashanti's angelic voice

942
01:00:03,760 --> 01:00:07,280
Speaker 1: and then you have to hear no and jaw Rule.

943
01:00:07,360 --> 01:00:11,200
Speaker 1: We're giving him too many passes. Still flop. Post Firefest,

944
01:00:11,240 --> 01:00:13,480
Speaker 1: I think people were still like jaw Rule. Yeah, the

945
01:00:13,520 --> 01:00:18,960
Speaker 1: Firefest thing should have been revealing, um you know, you know, Okay,

946
01:00:19,400 --> 01:00:24,520
Speaker 1: one fact pals. Matt Rogers, how does it feel to

947
01:00:24,560 --> 01:00:28,720
Speaker 1: be on the list post? He's a little obsest to

948
01:00:28,760 --> 01:00:35,600
Speaker 1: be justified. Should I perform it? Mhmm, Me and you.

949
01:00:36,240 --> 01:00:39,600
Speaker 1: We used to fight like boom boom. Now it's together

950
01:00:41,560 --> 01:00:46,200
Speaker 1: with the fagots. Yeah, we have fagats. I think I

951
01:00:46,280 --> 01:00:48,720
Speaker 1: didn't really hit my one of my notes that was,

952
01:00:50,160 --> 01:00:54,680
Speaker 1: don't don't do that, don't go there. Okay, you must

953
01:00:54,800 --> 01:00:59,440
Speaker 1: just revel in the fact that Maren Morris herself that

954
01:00:59,520 --> 01:01:03,800
Speaker 1: was unbelie of a ball has has had that memory

955
01:01:03,880 --> 01:01:06,160
Speaker 1: in her for years at this point, and she said

956
01:01:06,200 --> 01:01:08,840
Speaker 1: fag pals on the show, which I felt was transcendent.

957
01:01:10,240 --> 01:01:14,240
Speaker 1: Have we gotten any note from any She probably shouldn't

958
01:01:14,240 --> 01:01:15,680
Speaker 1: have said. No, no, no, no no. And I'm not

959
01:01:15,800 --> 01:01:18,360
Speaker 1: interested in that. I'm not saying I'm I'm not, but

960
01:01:18,400 --> 01:01:20,120
Speaker 1: I'm saying, isn't it kind of remarkable? I would I

961
01:01:20,160 --> 01:01:21,720
Speaker 1: would not be remarking on that if it weren't for

962
01:01:21,720 --> 01:01:23,560
Speaker 1: the fact that everyone is okay with no everyone was

963
01:01:23,640 --> 01:01:25,760
Speaker 1: on board. Also, I have to say something the fact

964
01:01:25,800 --> 01:01:27,480
Speaker 1: that she was able to get the Real Housewives of

965
01:01:27,560 --> 01:01:29,320
Speaker 1: Beverly Hills in the video saying that they want to

966
01:01:29,960 --> 01:01:33,720
Speaker 1: see us when can we come, can we come see you?

967
01:01:34,480 --> 01:01:37,560
Speaker 1: They have no idea who we are or what we do.

968
01:01:37,840 --> 01:01:39,320
Speaker 1: I kind of want to ask her my marry and

969
01:01:39,360 --> 01:01:42,120
Speaker 1: I'm like what Because she said they love you as

970
01:01:42,200 --> 01:01:44,320
Speaker 1: much as you love them. I'm like, that's not true,

971
01:01:44,480 --> 01:01:47,720
Speaker 1: that cannot be true. Kyle Richards doesn't know who I am.

972
01:01:48,400 --> 01:01:53,800
Speaker 1: Sutton's like, I don't know her from Adam. I don't

973
01:01:53,800 --> 01:01:57,520
Speaker 1: know these two and Yang and Yang. I think I

974
01:01:57,720 --> 01:02:03,880
Speaker 1: know her. I know Crystal Kung mink all okay, okay,

975
01:02:04,800 --> 01:02:12,960
Speaker 1: Number Angel, Sarah McLaughlin in the arms of the End,

976
01:02:13,520 --> 01:02:17,280
Speaker 1: I know now. It's like you know rife. It's it's

977
01:02:17,360 --> 01:02:19,840
Speaker 1: it's very easy to parody it or just kind of it.

978
01:02:20,640 --> 01:02:24,520
Speaker 1: It's it's manipulative in the way that it is that

979
01:02:24,640 --> 01:02:26,480
Speaker 1: we know it to be. But you don't get there

980
01:02:26,520 --> 01:02:30,480
Speaker 1: without being a great song. First and foremost. The fact

981
01:02:30,640 --> 01:02:35,680
Speaker 1: is like a spc A did that by enlisting Sarah.

982
01:02:36,920 --> 01:02:38,760
Speaker 1: They said, this is the way we're going to tug

983
01:02:38,800 --> 01:02:41,560
Speaker 1: the heartstrings of America. And it worked, and it worked.

984
01:02:41,640 --> 01:02:44,200
Speaker 1: So many more dogs have homes because a young girl

985
01:02:44,320 --> 01:02:52,960
Speaker 1: put pen to paper. That's art. That's connections that you fear.

986
01:02:54,240 --> 01:03:04,240
Speaker 1: We are pulled from the Wreckage of Roy in the

987
01:03:13,560 --> 01:03:22,680
Speaker 1: some comf hunting voice, not unlike fucking run Liz Fair

988
01:03:23,320 --> 01:03:27,920
Speaker 1: Old Liz Old, Liz O g Lizz, which is just

989
01:03:28,200 --> 01:03:32,920
Speaker 1: as good as why Can't I list Fair? I put

990
01:03:32,960 --> 01:03:34,080
Speaker 1: this on today on the way here, I was like,

991
01:03:34,160 --> 01:03:36,480
Speaker 1: I gotta listen to White, can't I? It's giving thirteen

992
01:03:36,560 --> 01:03:42,480
Speaker 1: going on thirty montage a perfect song now pop music

993
01:03:43,720 --> 01:03:46,560
Speaker 1: quick quaking when Liz Fair said, I'm getting in on it.

994
01:03:47,360 --> 01:03:54,440
Speaker 1: That bridge, that bridge, okay, speaking of um marin vocals

995
01:03:56,080 --> 01:04:00,680
Speaker 1: six the middle Z. But really, Marion Morris, take a

996
01:04:00,800 --> 01:04:08,320
Speaker 1: see right on the stave. I mean the little places

997
01:04:08,400 --> 01:04:11,640
Speaker 1: she finds, the choices she makes it. Why don't you

998
01:04:11,880 --> 01:04:15,640
Speaker 1: just gives me me and the middle? Baby? Have you seen?

999
01:04:15,680 --> 01:04:17,240
Speaker 1: You've seen that New York Times video? Right, We've talked

1000
01:04:17,240 --> 01:04:20,040
Speaker 1: about it on this podcast. There's that New York Times

1001
01:04:20,080 --> 01:04:23,720
Speaker 1: video about like songwriting. Um, let's let's pause real fast.

1002
01:04:25,280 --> 01:04:30,800
Speaker 1: Oh my god, someone is arriving. Okay, someone is arriving.

1003
01:04:32,280 --> 01:04:37,440
Speaker 1: Um alright, ready? No, the middle thing about like how

1004
01:04:37,520 --> 01:04:39,480
Speaker 1: everyone in town wanted to sing that but you but

1005
01:04:39,600 --> 01:04:41,280
Speaker 1: you haven't seen this New York Times video about something

1006
01:04:41,360 --> 01:04:43,920
Speaker 1: like the songwrit like making a song yeah, oh my god,

1007
01:04:43,920 --> 01:04:46,360
Speaker 1: it's amazing. Yeah, and there's like there's like a larger piece.

1008
01:04:46,400 --> 01:04:47,960
Speaker 1: Maybe it's the same thing, but it talks about how

1009
01:04:48,040 --> 01:04:50,960
Speaker 1: like singers were sending in their demos for it, and

1010
01:04:51,000 --> 01:04:54,720
Speaker 1: they picked Miss Marion and they and they and they

1011
01:04:54,840 --> 01:04:58,240
Speaker 1: nailed it, nailed it, massive class on it. That is

1012
01:04:58,280 --> 01:05:01,720
Speaker 1: how you sing pop music. I just can'mple. I'm gabbed

1013
01:05:02,640 --> 01:05:06,120
Speaker 1: that she. I mean, she did the show. She did

1014
01:05:06,160 --> 01:05:08,040
Speaker 1: the show. Sorry not to make that about us, but

1015
01:05:08,200 --> 01:05:10,920
Speaker 1: like episode, but she was such a natural. She was

1016
01:05:11,040 --> 01:05:13,080
Speaker 1: just like so like, she was great, so great to

1017
01:05:13,120 --> 01:05:14,760
Speaker 1: talk to. You gotta listen to the married and episode.

1018
01:05:14,760 --> 01:05:19,640
Speaker 1: If you haven't speaking of someone, we'd need to get

1019
01:05:19,640 --> 01:05:24,800
Speaker 1: one on the show everywhere, Michelle Branch. This is a

1020
01:05:24,920 --> 01:05:27,800
Speaker 1: song not unlike the Middle where in the last chorus,

1021
01:05:29,400 --> 01:05:31,840
Speaker 1: oh my god, we have another guy. Have another guest.

1022
01:05:32,080 --> 01:05:37,600
Speaker 1: Get into the we're we're live, We're tell everyone who's here.

1023
01:05:38,120 --> 01:05:40,240
Speaker 1: We have another guest. We have another guest, and who

1024
01:05:40,280 --> 01:05:46,800
Speaker 1: are you tell them? She is? She's here to celebrate

1025
01:05:46,840 --> 01:05:49,720
Speaker 1: our big three? Wow? What the fun is going on?

1026
01:05:51,040 --> 01:05:55,800
Speaker 1: Do you want a little mimosa? Yeah, I'll get a cup. No,

1027
01:05:56,080 --> 01:05:57,360
Speaker 1: we'll get Wait, can we get a cup in here.

1028
01:05:58,760 --> 01:06:01,960
Speaker 1: Thank you. I need the cup first of all iconic

1029
01:06:02,080 --> 01:06:04,840
Speaker 1: jump oh. I actually reminded me of one that you

1030
01:06:05,000 --> 01:06:09,280
Speaker 1: wore almost a year ago today when when we did

1031
01:06:09,480 --> 01:06:13,560
Speaker 1: um in this very room one did we did a

1032
01:06:13,680 --> 01:06:16,240
Speaker 1: really fun episode of this particular podcast. We did an

1033
01:06:16,240 --> 01:06:18,240
Speaker 1: incredible episode. And the reason I was in that is

1034
01:06:18,280 --> 01:06:20,680
Speaker 1: because that was sort of my rhinal plastic where I

1035
01:06:20,760 --> 01:06:22,280
Speaker 1: remember he had a bit of it. He had a

1036
01:06:22,320 --> 01:06:24,040
Speaker 1: bit of a shiny scar on his nose. I had

1037
01:06:24,040 --> 01:06:25,840
Speaker 1: a sort of a scar. You see. It's really gone down,

1038
01:06:26,640 --> 01:06:29,400
Speaker 1: Thank you so much, and so I will make it

1039
01:06:29,920 --> 01:06:32,320
Speaker 1: so we are sort of you know, for everyone out

1040
01:06:32,360 --> 01:06:34,440
Speaker 1: there who's like forgot why they started listening to this,

1041
01:06:34,520 --> 01:06:37,000
Speaker 1: because it's been hours. Um, we have been here since

1042
01:06:37,040 --> 01:06:40,320
Speaker 1: ten am. It's one fifty six. We are recording a

1043
01:06:40,480 --> 01:06:44,520
Speaker 1: three part episode celebration this is the Great Global song Book,

1044
01:06:44,520 --> 01:06:46,800
Speaker 1: and we've got some friends popping in. Greta was on

1045
01:06:46,840 --> 01:06:49,160
Speaker 1: the last episode. Darcy Carton has just come in and

1046
01:06:49,320 --> 01:06:52,960
Speaker 1: isn't it that sorry to do this but on a

1047
01:06:53,040 --> 01:06:55,520
Speaker 1: league of their own. My name is Greta and on

1048
01:06:55,760 --> 01:06:59,840
Speaker 1: your show, can I tell you it felt like kiss

1049
01:07:00,040 --> 01:07:02,560
Speaker 1: it that this be the thing I booked because it

1050
01:07:02,680 --> 01:07:06,240
Speaker 1: really to be kept being called Darcy. It really feels

1051
01:07:06,280 --> 01:07:11,880
Speaker 1: so good for me. Cheers. Oh my god, my god,

1052
01:07:12,120 --> 01:07:15,840
Speaker 1: what an absolute whirlwind through a pleasure. I mean, we

1053
01:07:16,120 --> 01:07:20,320
Speaker 1: just texted people this morning. Everyone's coming in because they

1054
01:07:20,480 --> 01:07:24,840
Speaker 1: want to. I came out of a pilates class and

1055
01:07:25,080 --> 01:07:28,000
Speaker 1: I actually know because it started off that. Oh no,

1056
01:07:28,120 --> 01:07:30,680
Speaker 1: it did. What happened. I came late to my class

1057
01:07:30,800 --> 01:07:33,200
Speaker 1: just a minute, but they had already started and I

1058
01:07:33,320 --> 01:07:35,360
Speaker 1: was in the front of the class. Everybody could see me,

1059
01:07:35,960 --> 01:07:39,560
Speaker 1: and I reached for the strap, and guys, the teacher said,

1060
01:07:39,680 --> 01:07:43,800
Speaker 1: we're not using straps, excuse and I was humiliated. I

1061
01:07:43,880 --> 01:07:50,080
Speaker 1: started off humiliated in that tone. She still she probably started,

1062
01:07:51,560 --> 01:07:54,240
Speaker 1: but it didn't need to say it. She could have

1063
01:07:54,280 --> 01:07:56,000
Speaker 1: whispered it. She could have just kind of given me

1064
01:07:56,120 --> 01:08:00,320
Speaker 1: like a emotion too. So then I started off off

1065
01:08:00,400 --> 01:08:03,200
Speaker 1: and no, I wasn't centered. And is that why I'm hearing? Guys,

1066
01:08:03,480 --> 01:08:06,920
Speaker 1: I'm here to talk about that. But we need to

1067
01:08:07,040 --> 01:08:10,680
Speaker 1: we need to always gauge. And the temperature today was

1068
01:08:10,800 --> 01:08:13,760
Speaker 1: sort of off kilter pilateius and now it's sort of

1069
01:08:13,880 --> 01:08:18,400
Speaker 1: like day Mimosa on a Friday, and Trammell spell. I'm

1070
01:08:18,439 --> 01:08:20,600
Speaker 1: also reminded of the time that you tossed up that

1071
01:08:20,760 --> 01:08:22,920
Speaker 1: what was the thing you tossed up and caught remember,

1072
01:08:23,479 --> 01:08:25,200
Speaker 1: I'm like, it was an orange juice bottle, but it

1073
01:08:25,240 --> 01:08:28,560
Speaker 1: was ange. Yeah, like it was nighttime, so it was

1074
01:08:28,600 --> 01:08:31,640
Speaker 1: a water it was it was a kombucha. It was

1075
01:08:32,360 --> 01:08:35,880
Speaker 1: iced tea. Yeah, something like that. It was something in

1076
01:08:36,000 --> 01:08:41,479
Speaker 1: the air with darcy things moving. It's called it's called

1077
01:08:41,600 --> 01:08:49,200
Speaker 1: Jenna Jaum. Okay, So don't hit your damn head talking

1078
01:08:49,240 --> 01:08:54,400
Speaker 1: about being off kilter. Come on, we're not doing the

1079
01:08:54,479 --> 01:08:59,680
Speaker 1: strap We're not doing straps. I'm so sorry, of course no.

1080
01:08:59,760 --> 01:09:01,320
Speaker 1: And I I could have just looked at the person

1081
01:09:01,400 --> 01:09:08,880
Speaker 1: next to me and hi, everybody, she says, Hans is

1082
01:09:08,920 --> 01:09:10,800
Speaker 1: in there. He just kind of he kind of came in,

1083
01:09:10,880 --> 01:09:12,960
Speaker 1: and you know what was interesting what he told us.

1084
01:09:13,080 --> 01:09:15,559
Speaker 1: We said, well, how did it come up? We were

1085
01:09:15,640 --> 01:09:17,719
Speaker 1: just like, do you what do you think is missing

1086
01:09:17,800 --> 01:09:21,120
Speaker 1: from this list of songs? And he said, it feels

1087
01:09:21,120 --> 01:09:23,880
Speaker 1: like you guys have deliberately avoided talking about this one

1088
01:09:23,920 --> 01:09:27,479
Speaker 1: thing in the culture that is so huge. What do

1089
01:09:27,560 --> 01:09:29,920
Speaker 1: you think he said, like, you guys have never talked

1090
01:09:29,960 --> 01:09:33,120
Speaker 1: about this one person in the culture, even though he's

1091
01:09:33,160 --> 01:09:35,760
Speaker 1: been can you guess even though he's like he is

1092
01:09:35,880 --> 01:09:39,320
Speaker 1: culture and are you like specifically looking at me while yeah?

1093
01:09:39,800 --> 01:09:41,760
Speaker 1: Because I because he said that, and I immediately was like, oh,

1094
01:09:41,800 --> 01:09:43,280
Speaker 1: it's this person. He was a kid I knew too

1095
01:09:43,880 --> 01:09:51,960
Speaker 1: styles Michael Jackson what Yeah, And then we talked interesting surreal,

1096
01:09:52,280 --> 01:09:54,160
Speaker 1: how do we even get? I mean, did you already

1097
01:09:54,200 --> 01:09:57,960
Speaker 1: talk about it? Talked about it? We're not gonna put

1098
01:09:58,000 --> 01:10:02,280
Speaker 1: you but what's fine? So what do you think? Really?

1099
01:10:02,360 --> 01:10:06,759
Speaker 1: I mean, I have, like, I have so many thoughts

1100
01:10:06,800 --> 01:10:09,559
Speaker 1: about it, and we don't have me shouldn't just because

1101
01:10:09,600 --> 01:10:11,479
Speaker 1: it's like so sad and I know it's so sad

1102
01:10:11,600 --> 01:10:14,800
Speaker 1: and it's so hard to talk about stuff like I mean,

1103
01:10:14,800 --> 01:10:19,840
Speaker 1: I think maybe the thesis statement is yeah, it's gonna ruin? Yeah.

1104
01:10:21,080 --> 01:10:23,400
Speaker 1: Should we proceed with the list? Let's okay, So we're

1105
01:10:23,400 --> 01:10:27,760
Speaker 1: at number a hundred and thirty four, then I can

1106
01:10:27,920 --> 01:10:29,639
Speaker 1: tell you that was the one that was the song

1107
01:10:29,720 --> 01:10:31,120
Speaker 1: that I brought up as being like, I wish I

1108
01:10:31,160 --> 01:10:33,280
Speaker 1: could feel like I could stream him responsibly. But this

1109
01:10:33,360 --> 01:10:35,840
Speaker 1: man in the mirror really is the ship. It is amazing.

1110
01:10:37,680 --> 01:10:45,280
Speaker 1: Number one is la La Ashley Simpson The Great. It

1111
01:10:45,520 --> 01:10:48,599
Speaker 1: adds La La to the canon, this was a song

1112
01:10:48,680 --> 01:10:51,719
Speaker 1: about dressing up like a French maid, sort of getting

1113
01:10:51,760 --> 01:10:55,360
Speaker 1: so horny that you wanted to suck everywhere everywhere. Yeah, now, okay,

1114
01:10:55,439 --> 01:10:57,280
Speaker 1: So like I feel like, and I haven't looked at

1115
01:10:57,320 --> 01:10:58,680
Speaker 1: a single song on this list, I feel like I

1116
01:10:58,760 --> 01:11:03,280
Speaker 1: will probably know. Ye what I know from this song

1117
01:11:03,400 --> 01:11:06,200
Speaker 1: is that she goes like you make me feel la la?

1118
01:11:06,600 --> 01:11:10,120
Speaker 1: Is that even close? Okay? That's all I know. La

1119
01:11:10,240 --> 01:11:12,400
Speaker 1: la is a verb. You make me want a la

1120
01:11:12,560 --> 01:11:14,680
Speaker 1: la on the kitchen, on the floor, will be your

1121
01:11:14,720 --> 01:11:17,320
Speaker 1: French maid when I meet you at the door. I'm

1122
01:11:17,360 --> 01:11:20,519
Speaker 1: like an alley cat. Drink the milk up, I want more,

1123
01:11:20,680 --> 01:11:23,280
Speaker 1: which to me has come? Wait, but do alec hats

1124
01:11:23,360 --> 01:11:27,280
Speaker 1: drink come? I bet if they had nothing else, I mean,

1125
01:11:27,320 --> 01:11:34,000
Speaker 1: if you were hungry enough, I drink command milk. I

1126
01:11:34,120 --> 01:11:36,599
Speaker 1: do both honey and cats. They can't tell them part.

1127
01:11:36,760 --> 01:11:39,920
Speaker 1: Oh my god, poor cats, just like putting that on them. Yeah,

1128
01:11:40,000 --> 01:11:42,000
Speaker 1: And here's actually Simpson sort of like acting like a

1129
01:11:42,080 --> 01:11:46,000
Speaker 1: fucking feral cat, Like that's how horny she is. Like

1130
01:11:46,080 --> 01:11:48,519
Speaker 1: her boyfriend at the time, Ryan Cabrera, and you know

1131
01:11:48,640 --> 01:11:52,479
Speaker 1: what walked down the aisle recently. Yeah, I believe two

1132
01:11:52,520 --> 01:11:54,680
Speaker 1: of them. Nope, nope, he walked down the aisle with

1133
01:11:54,720 --> 01:11:56,160
Speaker 1: somebody else. And I want to say that I read

1134
01:11:56,200 --> 01:11:58,800
Speaker 1: that maybe like she one of his songs was being

1135
01:11:58,800 --> 01:12:02,080
Speaker 1: played or something. Oh, I hope, I hope it was.

1136
01:12:02,280 --> 01:12:05,880
Speaker 1: This is true. I actually had that Ryan Cabrera album

1137
01:12:05,920 --> 01:12:08,640
Speaker 1: because I was such a huge Ashley Simpson fan that

1138
01:12:08,760 --> 01:12:10,759
Speaker 1: I was like, well, I have to support her boyfriend,

1139
01:12:12,720 --> 01:12:18,280
Speaker 1: Ashlee Simpson. Ash Lee, and she was lying. When someone

1140
01:12:18,880 --> 01:12:22,400
Speaker 1: someone is a cat, when someone describes themselves as a cat,

1141
01:12:23,080 --> 01:12:27,120
Speaker 1: you better be Selina Kyle, no one else. If anyone

1142
01:12:27,160 --> 01:12:30,280
Speaker 1: else says that there are a cat, you know you're weird. Yeah, yeah, yeah,

1143
01:12:30,520 --> 01:12:32,599
Speaker 1: because maybe that maybe that's too much because the three

1144
01:12:32,640 --> 01:12:36,840
Speaker 1: of us dog people, and so the fact that you

1145
01:12:36,880 --> 01:12:38,960
Speaker 1: answered with the wolf makes me feel like she speaks dog.

1146
01:12:39,400 --> 01:12:43,800
Speaker 1: But you wouldn't be like I'm a dog. Never. People

1147
01:12:43,920 --> 01:12:47,320
Speaker 1: look are literally out here being like I'm a cat's

1148
01:12:47,400 --> 01:12:50,080
Speaker 1: and why Well, I guess I was about to say,

1149
01:12:50,120 --> 01:12:53,200
Speaker 1: like why is cat inherently sexy? But they are pretty

1150
01:12:53,200 --> 01:12:56,760
Speaker 1: sex themselves. They're so in their body they actually need

1151
01:12:56,800 --> 01:12:59,519
Speaker 1: to lick themselves to clean themselves, to actually clean them Yeah,

1152
01:12:59,600 --> 01:13:01,880
Speaker 1: that's how they shower. Yeah, I don't mean to, you know,

1153
01:13:02,080 --> 01:13:05,919
Speaker 1: violently say people who pretend to be cats are foolish.

1154
01:13:06,760 --> 01:13:08,880
Speaker 1: I just think it's I just I find it strange. Yeah,

1155
01:13:09,360 --> 01:13:11,679
Speaker 1: do cats ever get washed by the hands of a human?

1156
01:13:11,720 --> 01:13:13,479
Speaker 1: That's actually a really good question. I think the way

1157
01:13:13,560 --> 01:13:17,240
Speaker 1: they bathe themselves is fully their own doing, right. But

1158
01:13:17,880 --> 01:13:20,679
Speaker 1: because also when you see a wet cat, it's so upset,

1159
01:13:21,600 --> 01:13:24,439
Speaker 1: but something like, what's so cute when the cat likes it?

1160
01:13:25,080 --> 01:13:27,519
Speaker 1: When they like to be wet. There's some cats that

1161
01:13:27,560 --> 01:13:29,439
Speaker 1: are like dogs that just love to go in the water,

1162
01:13:30,000 --> 01:13:32,000
Speaker 1: like you know, like when a cat is a dog.

1163
01:13:32,200 --> 01:13:34,920
Speaker 1: I love it. Oh, for sure, it's so rare, so rare,

1164
01:13:35,040 --> 01:13:36,559
Speaker 1: But that's so cute when a cat is a dog

1165
01:13:36,720 --> 01:13:38,360
Speaker 1: and when they're wet, they're as thin as a piece

1166
01:13:38,400 --> 01:13:46,000
Speaker 1: of paper, like paper, Hollywood, Hollywood goals. Okay, the next

1167
01:13:46,040 --> 01:13:52,000
Speaker 1: song Love Myself Steinfeld. So it's well established on this

1168
01:13:52,120 --> 01:13:56,840
Speaker 1: podcast that Hellie Steinfeld is. Yeah, she's the queen of

1169
01:13:56,920 --> 01:13:59,519
Speaker 1: pop and she has influence over the rest of the girls.

1170
01:13:59,680 --> 01:14:01,559
Speaker 1: First when she comes out with the song, it sort

1171
01:14:01,600 --> 01:14:03,920
Speaker 1: of sets a new tone. When Love Myself came out,

1172
01:14:04,000 --> 01:14:06,800
Speaker 1: God damn it, I love this song. Yeah, oh my god,

1173
01:14:07,200 --> 01:14:10,000
Speaker 1: when she goes in. My favorite part is the at

1174
01:14:10,040 --> 01:14:15,480
Speaker 1: the end of the bridge when she goes scream might screaming,

1175
01:14:20,280 --> 01:14:23,679
Speaker 1: and then it's like the thing goes. Don't don't remember

1176
01:14:23,720 --> 01:14:29,160
Speaker 1: the movie Blockers, Yes, oh yeah. I was like, it's like,

1177
01:14:29,439 --> 01:14:33,120
Speaker 1: it's like their song. We liked the song, and then

1178
01:14:33,200 --> 01:14:37,120
Speaker 1: the lesbians kiss when the final chorus comes in on

1179
01:14:37,240 --> 01:14:46,000
Speaker 1: this nine name rocks. This is I don't really remember

1180
01:14:46,520 --> 01:14:48,640
Speaker 1: Hailey as a pop star before the song. Was she

1181
01:14:48,840 --> 01:14:52,280
Speaker 1: her coming out? This was her? This was her? Yeah,

1182
01:14:52,400 --> 01:14:55,879
Speaker 1: this was her first big single true grit for music exactly.

1183
01:14:56,479 --> 01:14:58,479
Speaker 1: It was her sort of coming out in music. And

1184
01:14:58,560 --> 01:15:00,800
Speaker 1: now it's like, I don't even. I don't know do

1185
01:15:00,880 --> 01:15:03,240
Speaker 1: we primarily consider her an actress or a singer or

1186
01:15:03,320 --> 01:15:05,080
Speaker 1: is she just simply a star? And boy, I think

1187
01:15:05,160 --> 01:15:07,800
Speaker 1: she's a star in Boat. I think she's m who

1188
01:15:07,960 --> 01:15:10,680
Speaker 1: who's like this? Who was like this like twenty years ago?

1189
01:15:11,840 --> 01:15:16,920
Speaker 1: Scar nominated actress? Yeah? Yeah, come on to be an

1190
01:15:17,040 --> 01:15:21,960
Speaker 1: OSCAR nominated actress and then to like dabble and pop

1191
01:15:22,080 --> 01:15:25,320
Speaker 1: and have it hit so hard? Who's done that? There's

1192
01:15:25,320 --> 01:15:27,320
Speaker 1: a lot of songs that are bobs to like, for example,

1193
01:15:29,720 --> 01:15:34,960
Speaker 1: Damna and also most girls strong and small and beautiful,

1194
01:15:35,960 --> 01:15:39,400
Speaker 1: smart and strong, And I said start and strong. That's

1195
01:15:39,439 --> 01:15:44,280
Speaker 1: in a different language. Clock it is amost of the

1196
01:15:44,360 --> 01:15:47,040
Speaker 1: room is not really well. Let the next song on

1197
01:15:47,120 --> 01:15:51,240
Speaker 1: the list on two ours are sealed by Hillary and

1198
01:15:51,360 --> 01:15:53,120
Speaker 1: Haley Duff. And now a lot of people are gonna

1199
01:15:53,120 --> 01:15:57,360
Speaker 1: think we're gonna talk about the original not here the

1200
01:15:57,479 --> 01:16:01,040
Speaker 1: cover how cute. I think it was like a gap

1201
01:16:01,120 --> 01:16:03,559
Speaker 1: commercial where they were singing this song or a commercial

1202
01:16:03,640 --> 01:16:09,599
Speaker 1: for something. Probably let's gap snack, you know, candy candy,

1203
01:16:10,160 --> 01:16:14,360
Speaker 1: it's giving candy Madden. Yeah, yeah, yeah, rave girl. Yeah.

1204
01:16:14,920 --> 01:16:17,240
Speaker 1: My dumbass growing up in high school thought was Steve

1205
01:16:17,280 --> 01:16:20,559
Speaker 1: Madden's sort of the most the nicest shoe. I thought

1206
01:16:20,560 --> 01:16:22,800
Speaker 1: that at the time. And he's right now he just

1207
01:16:22,920 --> 01:16:26,920
Speaker 1: got so hard. Yeah, he's like, oh, he's like Steve,

1208
01:16:27,040 --> 01:16:30,000
Speaker 1: Steve made this nice one. Remember, I think I think

1209
01:16:30,000 --> 01:16:31,880
Speaker 1: it was. My mother actually told me it was the

1210
01:16:31,960 --> 01:16:34,840
Speaker 1: nicest shoe. You remember, she bought me some Steve Maddens

1211
01:16:34,840 --> 01:16:36,320
Speaker 1: and was like, and you know, there's a Steve Madden.

1212
01:16:36,520 --> 01:16:39,600
Speaker 1: I know it was really the shoe because it's the

1213
01:16:39,680 --> 01:16:43,160
Speaker 1: damn anytime anytime anything has a name, like a Steve

1214
01:16:43,280 --> 01:16:45,439
Speaker 1: Madden or like like it's named after someone you're like,

1215
01:16:45,479 --> 01:16:49,080
Speaker 1: oh designer, yeah yeah, yeah, yeah, yeah, hello, hello, look

1216
01:16:49,120 --> 01:16:52,160
Speaker 1: at me. I'm like racking my brain for one name

1217
01:16:52,400 --> 01:16:56,479
Speaker 1: that I could say it now. Smith was the name

1218
01:16:56,640 --> 01:17:00,679
Speaker 1: Rick Perry, Perry, Rick Perry famous. I wish she would

1219
01:17:00,720 --> 01:17:08,120
Speaker 1: start stepping into and away from a garbage you know

1220
01:17:08,200 --> 01:17:11,200
Speaker 1: who actually has a really chic design her name this sucks.

1221
01:17:11,439 --> 01:17:15,680
Speaker 1: Marco Rubio. Yeah, that's a great name, twid that he

1222
01:17:15,760 --> 01:17:21,960
Speaker 1: could Shakespeare. Have you ever done Shakespeare? Yeah? I love it.

1223
01:17:22,040 --> 01:17:32,360
Speaker 1: I live for it. Oh yeah you do? Yeah? Number

1224
01:17:33,640 --> 01:17:39,400
Speaker 1: graduation friends forever Okay, wow, holy sh it. Yeah remember

1225
01:17:39,439 --> 01:17:42,559
Speaker 1: where we were when graduated? Oh yeah, we do high school.

1226
01:17:44,760 --> 01:17:46,400
Speaker 1: Two of my best friends and I put a purple

1227
01:17:46,439 --> 01:17:48,840
Speaker 1: flower in our hair and we got a little drunk.

1228
01:17:49,120 --> 01:17:54,200
Speaker 1: That's so sweet. Ye drunk, not too drunk, just like

1229
01:17:54,800 --> 01:17:56,720
Speaker 1: like like secret drunk where it was kind of like

1230
01:17:57,040 --> 01:18:00,560
Speaker 1: nobody knows. When you were singing this song, there's that

1231
01:18:00,760 --> 01:18:04,240
Speaker 1: lyric where we're gonna be when we turn, and then

1232
01:18:04,280 --> 01:18:05,880
Speaker 1: it just and then you were like that so far

1233
01:18:05,960 --> 01:18:08,720
Speaker 1: away and now look at us. Yeah. The answer is

1234
01:18:08,760 --> 01:18:11,840
Speaker 1: like when you're when you're five, it's like you're where

1235
01:18:11,840 --> 01:18:14,040
Speaker 1: you're going to be. It's probably still like seeing everyone

1236
01:18:14,080 --> 01:18:19,040
Speaker 1: in the pretty much the same show a lot of times, yeah,

1237
01:18:19,040 --> 01:18:22,200
Speaker 1: a lot of times, like really probably attending one or

1238
01:18:22,280 --> 01:18:25,640
Speaker 1: nine weddings. Yeah, but you didn't know that before. You

1239
01:18:26,120 --> 01:18:28,439
Speaker 1: thought when when you were eighteen eighteen, you thought you

1240
01:18:28,479 --> 01:18:32,160
Speaker 1: would be a completely different businesswoman for example, yea working

1241
01:18:32,200 --> 01:18:35,600
Speaker 1: on a magazine. Yeah, oh my god. And it was

1242
01:18:35,680 --> 01:18:38,720
Speaker 1: just a little bit, just a little bit out of

1243
01:18:38,800 --> 01:18:42,880
Speaker 1: high school. Literally as we go, do you guys think

1244
01:18:42,880 --> 01:18:45,000
Speaker 1: of this as high school graduation or college? For sure?

1245
01:18:45,360 --> 01:18:47,639
Speaker 1: High school? Yeah, okay, you guys want to know something.

1246
01:18:48,160 --> 01:18:52,640
Speaker 1: They taught us this song in the fifth grade for

1247
01:18:52,760 --> 01:18:57,520
Speaker 1: fifth grade graduation. Yeah, remember the concept of that grade graduation?

1248
01:18:58,120 --> 01:18:59,800
Speaker 1: We did it. It was like we put on little

1249
01:18:59,840 --> 01:19:01,280
Speaker 1: cow some gowns and everything, and I was like, what

1250
01:19:01,400 --> 01:19:05,519
Speaker 1: the fun? Ye too much? There's two graduations. They're called

1251
01:19:05,600 --> 01:19:07,840
Speaker 1: high school and that's what they're called. And if you're

1252
01:19:07,840 --> 01:19:10,240
Speaker 1: a damn doctor, med school, oh yeah, that's true, and

1253
01:19:10,360 --> 01:19:15,320
Speaker 1: a lawyer, lawyer whatever whatever the caps are of little hexagons.

1254
01:19:15,360 --> 01:19:20,160
Speaker 1: I don't I don't care. Such college graduation you did? Yeah,

1255
01:19:20,760 --> 01:19:23,639
Speaker 1: I straight up skipped it, and I kind of pretend

1256
01:19:23,680 --> 01:19:26,240
Speaker 1: to be a Hero because my brother's high school graduation

1257
01:19:26,360 --> 01:19:28,360
Speaker 1: and my college graduation were the same day, and my

1258
01:19:28,439 --> 01:19:31,120
Speaker 1: mom was like what to do, and I was like,

1259
01:19:31,560 --> 01:19:33,680
Speaker 1: I'll take one for the team and skip it. But

1260
01:19:33,760 --> 01:19:35,680
Speaker 1: I really just like didn't want to go. So I

1261
01:19:35,760 --> 01:19:38,000
Speaker 1: kind of I kind of put on like the hero cape,

1262
01:19:38,280 --> 01:19:40,880
Speaker 1: like I'm taking I'm like a really good daughter, and

1263
01:19:40,920 --> 01:19:43,040
Speaker 1: I'm not going to make my parents decide. But instead

1264
01:19:43,080 --> 01:19:45,840
Speaker 1: I just like slept in. Yeah, that's hot, that is

1265
01:19:45,920 --> 01:19:50,800
Speaker 1: so badass. I performed at my well, yeah, I sang

1266
01:19:50,880 --> 01:19:53,000
Speaker 1: a song called learn to Love and Live on the

1267
01:19:53,080 --> 01:19:55,880
Speaker 1: field of Yankee Stadium. You and I had such different

1268
01:19:56,040 --> 01:19:58,560
Speaker 1: fucking I was so depressed that day. You were and

1269
01:19:58,640 --> 01:20:01,759
Speaker 1: you guys were together, were you? Well, we weren't like together.

1270
01:20:02,200 --> 01:20:04,839
Speaker 1: We were not sitting together because we we were different programs.

1271
01:20:04,880 --> 01:20:07,519
Speaker 1: But I sat with the kids. You did that isn't

1272
01:20:07,520 --> 01:20:09,479
Speaker 1: that dark? I sat with the Tische kids, and I

1273
01:20:09,520 --> 01:20:12,559
Speaker 1: looked around and then everyone was so excited. My family

1274
01:20:12,600 --> 01:20:14,320
Speaker 1: didn't come because I was I was going to fly

1275
01:20:14,439 --> 01:20:16,200
Speaker 1: out the next day to visit them and to see

1276
01:20:16,240 --> 01:20:17,960
Speaker 1: them in Europe and then we're gonna do like they

1277
01:20:18,040 --> 01:20:20,600
Speaker 1: didn't come to graduate because back then it was like

1278
01:20:20,720 --> 01:20:22,720
Speaker 1: I get it. They were like we can't afford like

1279
01:20:22,840 --> 01:20:25,160
Speaker 1: the taking in the hotel, and so we're just gonna

1280
01:20:25,200 --> 01:20:27,960
Speaker 1: how you just meet us in Rome, you know, like

1281
01:20:28,040 --> 01:20:29,920
Speaker 1: the day after your graduation. Was like that's fine, But

1282
01:20:29,960 --> 01:20:31,840
Speaker 1: then like I didn't realize that the day on the day,

1283
01:20:31,840 --> 01:20:34,200
Speaker 1: I would feel so sad because I was just by

1284
01:20:34,280 --> 01:20:37,160
Speaker 1: myself and it was just and then I was terrified

1285
01:20:37,280 --> 01:20:39,080
Speaker 1: for like what life was going to be like, and

1286
01:20:39,160 --> 01:20:40,760
Speaker 1: it was it was it was sad. That was This

1287
01:20:40,920 --> 01:20:44,000
Speaker 1: is before Blin and I were like very bad friend

1288
01:20:44,640 --> 01:20:48,360
Speaker 1: so we were close friends. But I actually was with

1289
01:20:48,560 --> 01:20:50,640
Speaker 1: like all those like did you that was? That was

1290
01:20:50,720 --> 01:20:57,320
Speaker 1: Matt's little tische era. I went, yeah, your actor era.

1291
01:20:58,200 --> 01:21:01,200
Speaker 1: I I literally I mean going. We sang a song

1292
01:21:01,280 --> 01:21:03,120
Speaker 1: called do you remember this learned to Love and Live,

1293
01:21:03,479 --> 01:21:07,760
Speaker 1: which was maybe we maybe we can learn to love

1294
01:21:07,920 --> 01:21:11,920
Speaker 1: and live. The world is different? Why should I stay

1295
01:21:12,000 --> 01:21:15,880
Speaker 1: the same? Acceptance can lead the way to change, and

1296
01:21:16,040 --> 01:21:20,720
Speaker 1: it's time. It's time to say that together we can

1297
01:21:20,840 --> 01:21:26,400
Speaker 1: make history. Now is where our lives begin. Stop and

1298
01:21:26,560 --> 01:21:31,839
Speaker 1: take it all in tish as I can like picture

1299
01:21:32,360 --> 01:21:34,920
Speaker 1: the like tent three year old that wrote that that

1300
01:21:35,000 --> 01:21:37,880
Speaker 1: I like just graduated. He was twenty. There were two

1301
01:21:37,920 --> 01:21:42,720
Speaker 1: of them, um, and it became like the sea and

1302
01:21:42,960 --> 01:21:44,760
Speaker 1: I sang it in the show that we did every year,

1303
01:21:44,800 --> 01:21:46,760
Speaker 1: and then on the field the Yankee Stadium in front

1304
01:21:46,800 --> 01:21:51,479
Speaker 1: of Sonya Soto, mayor, our speaker, God and everyone, we

1305
01:21:51,680 --> 01:21:54,519
Speaker 1: sang it. And I remember feeling so emotional that I

1306
01:21:54,640 --> 01:21:57,760
Speaker 1: was performing on the stage of Yankee Stadium. Okay, here's

1307
01:21:57,800 --> 01:22:00,439
Speaker 1: my wait. I just said high school, but what I

1308
01:22:00,520 --> 01:22:04,639
Speaker 1: meant to say is elementary school, green Brook, green Brook.

1309
01:22:05,600 --> 01:22:10,400
Speaker 1: I'm so glad that you're in my school, green Brook,

1310
01:22:11,600 --> 01:22:17,720
Speaker 1: green Brook. Everybody's really cool. Okay, then something like we

1311
01:22:17,920 --> 01:22:24,360
Speaker 1: gotta we got a nice cream social ana, talent show too,

1312
01:22:25,120 --> 01:22:28,920
Speaker 1: something something at home, work to do? Ready, right, green

1313
01:22:29,000 --> 01:22:36,960
Speaker 1: Brook Brook. Everybody, that's really good. It's really catch you.

1314
01:22:37,680 --> 01:22:42,960
Speaker 1: I'm so glad that you're my school readers. I wish

1315
01:22:43,000 --> 01:22:44,679
Speaker 1: you could see. This is myle that match just gave.

1316
01:22:44,920 --> 01:22:48,160
Speaker 1: It's beautiful. It's beautiful. It really just lift your spirit. Really,

1317
01:22:48,280 --> 01:22:49,760
Speaker 1: Did I ever tell you the song that I learned

1318
01:22:49,840 --> 01:22:54,519
Speaker 1: at Boys State? Remember Boys State? Well, that four hour documentary. Yeah,

1319
01:22:54,640 --> 01:22:56,200
Speaker 1: So I went to Boys State to work and we

1320
01:22:56,240 --> 01:22:59,479
Speaker 1: also had to learn a song and that went here

1321
01:23:00,040 --> 01:23:04,840
Speaker 1: in the Cherry Valley Boys State Campus rings with cheer.

1322
01:23:05,479 --> 01:23:12,320
Speaker 1: That's where our Legion Boys State meets this year. We

1323
01:23:13,040 --> 01:23:20,360
Speaker 1: learn to Live Together, Learn Democracy, a meunting part for

1324
01:23:20,800 --> 01:23:28,880
Speaker 1: color cream and the chanality. Everyone was white but less catchy,

1325
01:23:28,960 --> 01:23:33,400
Speaker 1: although maybe yeah, but you sang it beautifully. Yeah, number

1326
01:23:33,439 --> 01:23:37,080
Speaker 1: one hundred. Yeah, I want to contribute one song, which

1327
01:23:37,160 --> 01:23:39,120
Speaker 1: which is another song we learned in the fifth grade.

1328
01:23:39,360 --> 01:23:48,280
Speaker 1: Go ahead, Celebrate Celebrate celebration of you and We celebrate, Celebrate,

1329
01:23:48,600 --> 01:23:56,160
Speaker 1: Celebrate you and me. Hey love rate and Me the

1330
01:23:56,280 --> 01:24:04,720
Speaker 1: song about it Celebrate Celebrate a celebration of Celebrate, Celebrate,

1331
01:24:05,080 --> 01:24:16,800
Speaker 1: Celebrate you and me, se and Me. That rock all

1332
01:24:16,880 --> 01:24:19,160
Speaker 1: three of these songs. Yeah, they're so long on the list.

1333
01:24:19,240 --> 01:24:23,599
Speaker 1: What about this one? The rain forest, the tropical rain forest,

1334
01:24:24,120 --> 01:24:27,639
Speaker 1: as that would have to save the rainfores? Yeah, didn't work,

1335
01:24:28,479 --> 01:24:33,240
Speaker 1: Like readers, I'm waving my hands back all that beauty,

1336
01:24:33,720 --> 01:24:41,400
Speaker 1: the rainforest, that tropical rainforest, all the dealing, all that beauty,

1337
01:24:41,439 --> 01:24:44,400
Speaker 1: and then I think there was a rap a rap.

1338
01:24:45,240 --> 01:24:46,719
Speaker 1: I do believe there was a rap. I don't believe

1339
01:24:46,720 --> 01:24:59,040
Speaker 1: there was a rap. Numb London Bridge Fergy, Yeah, I

1340
01:24:59,120 --> 01:25:03,200
Speaker 1: mean it's real. Started everything for for when I come

1341
01:25:03,280 --> 01:25:08,040
Speaker 1: to the club step beside. What a genius. She was

1342
01:25:08,120 --> 01:25:14,040
Speaker 1: one of the most brilliant minds. She's alive and well,

1343
01:25:14,479 --> 01:25:18,080
Speaker 1: but I feel well good as dead. Her Imperial pays

1344
01:25:18,240 --> 01:25:21,680
Speaker 1: pop star face is over dead. I think she has

1345
01:25:21,720 --> 01:25:24,560
Speaker 1: another another something in her. She's pretty high up on

1346
01:25:24,560 --> 01:25:27,840
Speaker 1: the list. She's she's a few more. She has the

1347
01:25:28,640 --> 01:25:34,760
Speaker 1: which we are alone or but there's more? Alright, we

1348
01:25:35,000 --> 01:25:36,800
Speaker 1: just gotta keep going. Yeah we do, because we're singing

1349
01:25:36,920 --> 01:25:41,560
Speaker 1: high school now. But I don't regret. There's got to

1350
01:25:41,600 --> 01:25:44,479
Speaker 1: be more to life. Stacy Rico, thank you for putting

1351
01:25:44,520 --> 01:25:47,160
Speaker 1: this on the list. You're welcome. I mean Christian legend.

1352
01:25:47,800 --> 01:25:51,400
Speaker 1: She was so Christian. She really could sing though, Yeah

1353
01:25:52,120 --> 01:25:55,320
Speaker 1: yeah Christians. Yeah, Christians can sing culture. I don't want to.

1354
01:25:55,560 --> 01:26:00,800
Speaker 1: It's ruler culture number seven eight. A Christian can sing

1355
01:26:01,240 --> 01:26:03,800
Speaker 1: more than that later, But stuck is a great song.

1356
01:26:04,200 --> 01:26:08,200
Speaker 1: Stuck on you, I hate you, but I love you.

1357
01:26:08,640 --> 01:26:13,400
Speaker 1: I can't think it. Yeah, how Stacy are I don't

1358
01:26:13,520 --> 01:26:19,519
Speaker 1: fucking recognize that? To even Na every said, but let

1359
01:26:19,680 --> 01:26:27,719
Speaker 1: me live, dude, that is signly. I want to be bad.

1360
01:26:29,200 --> 01:26:31,679
Speaker 1: Make bad looks so good. She's so good at being bad.

1361
01:26:32,120 --> 01:26:35,240
Speaker 1: It's one of the baddest bitches. Yeah, she's bad. I

1362
01:26:35,280 --> 01:26:38,479
Speaker 1: always thought she was going to be huge. Yeah, probably

1363
01:26:38,560 --> 01:26:41,200
Speaker 1: did too, got it got really crowded, you know, probably

1364
01:26:41,240 --> 01:26:43,599
Speaker 1: did it? Did? I think she's fair better today? Will

1365
01:26:43,640 --> 01:26:46,759
Speaker 1: I come back? There's a there's a willows a willow

1366
01:26:46,840 --> 01:26:49,120
Speaker 1: shaped space for you. There is there is there's a

1367
01:26:49,160 --> 01:26:52,240
Speaker 1: willow hole. Will we want you to look? We want

1368
01:26:52,320 --> 01:26:57,120
Speaker 1: you guys? Can we keep moving? Yeah? You gotta be

1369
01:26:58,520 --> 01:27:03,400
Speaker 1: you got to be bad. You got any wise, She's

1370
01:27:03,479 --> 01:27:06,479
Speaker 1: so right, she's so right, She really got she had

1371
01:27:06,560 --> 01:27:09,200
Speaker 1: something with that, goddamn. Because women have to be everything.

1372
01:27:09,240 --> 01:27:10,920
Speaker 1: You speak to that as a woman in the industry,

1373
01:27:11,000 --> 01:27:13,160
Speaker 1: woman in the industry, you have to be bad, You

1374
01:27:13,280 --> 01:27:18,679
Speaker 1: have to be bold, you have to be wiser honestly though,

1375
01:27:19,040 --> 01:27:20,439
Speaker 1: you really do. And then he turned forty and they

1376
01:27:20,439 --> 01:27:23,759
Speaker 1: forget about you. Oh my god, we know that's not true.

1377
01:27:25,200 --> 01:27:30,680
Speaker 1: Very season three now streaming. Perfect Day Hoku Christian Ho

1378
01:27:31,680 --> 01:27:35,920
Speaker 1: that's her full name. Yeah, I didn't know that until

1379
01:27:35,960 --> 01:27:38,639
Speaker 1: the second And although is it possible that you've said

1380
01:27:38,680 --> 01:27:41,000
Speaker 1: that on this podcast before we were talking about on

1381
01:27:41,040 --> 01:27:42,640
Speaker 1: the podcasts about I think that I have heard that.

1382
01:27:43,000 --> 01:27:45,639
Speaker 1: So Perfect Day. So she's sort of has two songs

1383
01:27:45,720 --> 01:27:52,320
Speaker 1: of note Perfect Nothing in My Way, which appears here,

1384
01:27:52,560 --> 01:27:55,639
Speaker 1: and then also um Icontly from the film snow Day

1385
01:27:55,880 --> 01:28:02,400
Speaker 1: another dumb blonde, Oh snow Days. All Right, that's okay,

1386
01:28:03,280 --> 01:28:08,880
Speaker 1: you never love me any way, and I think it's time.

1387
01:28:10,040 --> 01:28:13,160
Speaker 1: Oh yeah, just move on. Yeah, Yeah, it's all right,

1388
01:28:13,360 --> 01:28:17,000
Speaker 1: it's all right, it's all right. This memory, God, he's

1389
01:28:17,120 --> 01:28:22,000
Speaker 1: got it. We've got to move on. Yeah, Number Come

1390
01:28:22,080 --> 01:28:26,080
Speaker 1: Clean remix Hillary Duff drug Alert. You're doing You're on

1391
01:28:26,120 --> 01:28:28,200
Speaker 1: a drug when you listen to this, hope so interesting,

1392
01:28:29,920 --> 01:28:33,920
Speaker 1: better be tripping wool oh. He's like, honestly, I don't

1393
01:28:33,960 --> 01:28:37,160
Speaker 1: think there's any better beginning of a song. Then let's

1394
01:28:37,200 --> 01:28:42,720
Speaker 1: go back back to the beginning, and then then back

1395
01:28:42,800 --> 01:28:46,719
Speaker 1: to when the Earth, the Sun, the stars all alive

1396
01:28:47,640 --> 01:28:56,080
Speaker 1: like Hillary Duff, like truly being like select cosmic profess vibe. Absolutely, yes,

1397
01:28:56,360 --> 01:28:58,479
Speaker 1: that's what she is. In this song. You can picture

1398
01:28:58,479 --> 01:29:01,639
Speaker 1: her waving her comes around like she's like the rain

1399
01:29:01,880 --> 01:29:09,679
Speaker 1: for the tropical Rain for okay. Number one overlooked songs,

1400
01:29:09,720 --> 01:29:13,639
Speaker 1: So thank youst listen and a lot of her popular

1401
01:29:13,720 --> 01:29:18,280
Speaker 1: songs don't appear. Sorry but a cool is I think

1402
01:29:18,360 --> 01:29:20,880
Speaker 1: it's trapped. Four on Love Angel music. Baby, It's one

1403
01:29:20,880 --> 01:29:22,400
Speaker 1: of my favorite songs of all time, and it has

1404
01:29:22,439 --> 01:29:25,120
Speaker 1: one of the best music videos. Such a good music video.

1405
01:29:25,280 --> 01:29:27,120
Speaker 1: This is just like, this is one of those songs

1406
01:29:27,160 --> 01:29:28,760
Speaker 1: where it's like if you know you know, if you

1407
01:29:28,920 --> 01:29:32,320
Speaker 1: know you know. And she said blondes can be brunette

1408
01:29:32,320 --> 01:29:35,920
Speaker 1: and still ben Yeah, she did, and she was and

1409
01:29:36,000 --> 01:29:38,720
Speaker 1: she is she did, she was she about anything on

1410
01:29:38,880 --> 01:29:47,439
Speaker 1: cool just then cool? Know what I love in the

1411
01:29:47,479 --> 01:29:51,280
Speaker 1: second verse when she um when she says her last

1412
01:29:51,520 --> 01:29:53,880
Speaker 1: oh no, look cool, and there's like a tear in

1413
01:29:53,920 --> 01:29:55,679
Speaker 1: her eye in the video, you can hear the tier

1414
01:29:57,040 --> 01:29:58,760
Speaker 1: and the tear in her eye in the video. You

1415
01:29:58,840 --> 01:30:00,519
Speaker 1: know that the second they called cut, she was like,

1416
01:30:01,040 --> 01:30:04,519
Speaker 1: she was like, yeah, I got it, I did it.

1417
01:30:04,680 --> 01:30:06,680
Speaker 1: I also wonder if she did that dirt with the

1418
01:30:06,760 --> 01:30:08,719
Speaker 1: track playing, or she did it a bunch of times

1419
01:30:09,080 --> 01:30:11,840
Speaker 1: in the wild. I love I want to know, Yeah,

1420
01:30:11,920 --> 01:30:13,679
Speaker 1: totally give me just give me, give me a moment

1421
01:30:13,920 --> 01:30:17,439
Speaker 1: when directed it, Yeah, hold on, that's giving us the finger.

1422
01:30:17,640 --> 01:30:19,840
Speaker 1: He's being Gwen. He's saying, give me a moment. I'm

1423
01:30:19,880 --> 01:30:21,800
Speaker 1: getting there. You know what I love? I love I

1424
01:30:21,840 --> 01:30:24,320
Speaker 1: love getting to do a series where I got to

1425
01:30:24,439 --> 01:30:27,040
Speaker 1: do that because a couple of times. I do have

1426
01:30:27,160 --> 01:30:29,559
Speaker 1: to spoiler aler I did get to do that thing

1427
01:30:29,600 --> 01:30:32,720
Speaker 1: where I was like, yeah, I can see you doing that,

1428
01:30:32,840 --> 01:30:34,559
Speaker 1: like with with a hand up, just like looking at

1429
01:30:34,560 --> 01:30:36,320
Speaker 1: someone sort of noting like it's not a good time,

1430
01:30:36,800 --> 01:30:39,960
Speaker 1: and then having people be like and you're on camera

1431
01:30:40,040 --> 01:30:41,640
Speaker 1: or you're like getting ready to do your scene. It

1432
01:30:41,800 --> 01:30:43,720
Speaker 1: was like I was like in the dressing room, I'm

1433
01:30:43,720 --> 01:30:47,840
Speaker 1: like listening to your song or whatever, and none of

1434
01:30:47,880 --> 01:30:49,880
Speaker 1: them and none of them were working. And then the

1435
01:30:50,160 --> 01:30:52,240
Speaker 1: reason I ended up being able to cry because I

1436
01:30:52,320 --> 01:30:55,120
Speaker 1: was so frustrated and upset that I wasn't getting there.

1437
01:30:56,680 --> 01:30:59,439
Speaker 1: That's good because that can really throw a wrench in

1438
01:30:59,520 --> 01:31:02,800
Speaker 1: the old wheels when you start getting in your head

1439
01:31:02,800 --> 01:31:06,080
Speaker 1: about yeah and then you're like like, oh, fuck me.

1440
01:31:06,200 --> 01:31:09,600
Speaker 1: It wasn't like an honest, actual emotions like cass as

1441
01:31:09,640 --> 01:31:12,600
Speaker 1: long as it's looking like, yeah, um, I have a

1442
01:31:13,800 --> 01:31:17,160
Speaker 1: playlist on my phone for crying song you do. I

1443
01:31:17,240 --> 01:31:18,800
Speaker 1: want you to share it with me, and I want

1444
01:31:18,840 --> 01:31:20,680
Speaker 1: to see actually one of things. Yeah, I mean we

1445
01:31:20,840 --> 01:31:24,160
Speaker 1: could all use that. It's along. They don't always work

1446
01:31:24,200 --> 01:31:25,640
Speaker 1: every day, you know, so you kind of got to

1447
01:31:25,680 --> 01:31:27,240
Speaker 1: scroll through and you're like, h this one's not working.

1448
01:31:27,600 --> 01:31:29,479
Speaker 1: I kind of want to share the note that that

1449
01:31:30,000 --> 01:31:31,960
Speaker 1: andrew On gave me on on the movie, but that's

1450
01:31:32,000 --> 01:31:33,720
Speaker 1: it's kind of a spoiler. Is there a way you

1451
01:31:33,800 --> 01:31:39,320
Speaker 1: can unspoil it? Okay? A sad I'm I'm going somewhere

1452
01:31:40,320 --> 01:31:43,120
Speaker 1: and he and I'm supposed to cry and he basically

1453
01:31:43,160 --> 01:31:45,680
Speaker 1: tells me, and like I was like producing and it

1454
01:31:45,720 --> 01:31:46,800
Speaker 1: was like it was I was like doing it. I

1455
01:31:46,880 --> 01:31:48,320
Speaker 1: was like, I was like getting it. I was like, okay,

1456
01:31:48,320 --> 01:31:49,760
Speaker 1: I think I'm doing okay, but then he comes over.

1457
01:31:49,800 --> 01:31:57,800
Speaker 1: He goes imagine looking back and leaving behind the person

1458
01:31:57,960 --> 01:32:01,479
Speaker 1: you once were. It was like morning that and then

1459
01:32:01,479 --> 01:32:03,200
Speaker 1: immediately got and I was like yeah, and then I

1460
01:32:03,600 --> 01:32:11,160
Speaker 1: sobbing director that we worked with, um Desert Avon and

1461
01:32:11,280 --> 01:32:15,439
Speaker 1: I love that gave a similar note to a mind,

1462
01:32:16,000 --> 01:32:18,400
Speaker 1: like like the thing of like when when she sees

1463
01:32:18,560 --> 01:32:21,040
Speaker 1: this image of herself, she sees the girls she used

1464
01:32:21,080 --> 01:32:23,920
Speaker 1: to be and like and like and it really worked

1465
01:32:23,920 --> 01:32:25,800
Speaker 1: for her too, And I was just like, oh wow,

1466
01:32:25,920 --> 01:32:29,559
Speaker 1: like that's like she used to be mine of it all. Yeah, totally,

1467
01:32:29,680 --> 01:32:32,800
Speaker 1: you know. Um So moving on from Cool, which really

1468
01:32:32,840 --> 01:32:36,679
Speaker 1: provoked an amazing discussion on acting and thank god thank you, Gwen.

1469
01:32:37,360 --> 01:32:39,519
Speaker 1: Um did you gave me just listen up? Yeah? She

1470
01:32:40,120 --> 01:32:45,640
Speaker 1: usten upon because number one twenty three is buttons and

1471
01:32:45,760 --> 01:32:49,120
Speaker 1: I have respected Nicole Scherzinger ever since too. That's when

1472
01:32:49,160 --> 01:32:53,599
Speaker 1: you started. No, I started during the pop stars. Oh

1473
01:32:54,400 --> 01:32:58,680
Speaker 1: but I mean like she was formidable, but but but Buttons.

1474
01:32:58,880 --> 01:33:01,080
Speaker 1: I was. I was a little to like Parl Clutchy

1475
01:33:01,160 --> 01:33:03,200
Speaker 1: with Don't Chat, And then Buttons came out and was like, oh,

1476
01:33:03,320 --> 01:33:05,800
Speaker 1: she's here to stay. And then stick when you came out,

1477
01:33:05,840 --> 01:33:08,120
Speaker 1: and it was like I remember I was, I was

1478
01:33:08,160 --> 01:33:10,160
Speaker 1: getting ready for school and I had music videos on

1479
01:33:10,200 --> 01:33:12,360
Speaker 1: because I used to like watch like MTV RVH one

1480
01:33:12,400 --> 01:33:14,600
Speaker 1: in the morning, getting ready eating breakfast, and stick what

1481
01:33:14,760 --> 01:33:17,040
Speaker 1: You came on and it was the Pussycats dolls, and

1482
01:33:17,120 --> 01:33:18,880
Speaker 1: all my mom had ever heard was like buttons and

1483
01:33:19,040 --> 01:33:20,960
Speaker 1: deep and like I don't give a book, keep looking

1484
01:33:21,040 --> 01:33:25,080
Speaker 1: them up with whatever um And the last note of

1485
01:33:25,120 --> 01:33:28,200
Speaker 1: stick with You, which is not this song, it's buttons

1486
01:33:28,680 --> 01:33:32,400
Speaker 1: um when she goes on the sticky and then my

1487
01:33:32,520 --> 01:33:37,000
Speaker 1: mom goes, hey, she has a nice voice. And my

1488
01:33:37,280 --> 01:33:39,640
Speaker 1: mom literally she like like like looked up from like

1489
01:33:39,720 --> 01:33:43,200
Speaker 1: the whatever she was doing. She's like, hey, Hey, she

1490
01:33:43,360 --> 01:33:45,439
Speaker 1: has a nice voice. Why is she pussy cats all

1491
01:33:46,960 --> 01:33:50,080
Speaker 1: like she's making it work? Yeah, that's right. She was like, um,

1492
01:33:50,360 --> 01:33:52,840
Speaker 1: she was teaching us. She was teaching us. Hey, hey,

1493
01:33:53,320 --> 01:33:58,040
Speaker 1: she has a nice voice. Mommy, Christie, Christina, Chrissie, Katrina,

1494
01:33:58,080 --> 01:34:05,240
Speaker 1: kat you close, you got it? Richie and Trina fancy

1495
01:34:07,439 --> 01:34:10,960
Speaker 1: fancy all very well looking back it was a summer

1496
01:34:11,000 --> 01:34:16,080
Speaker 1: return eighteen. I don't either, but this is like one

1497
01:34:16,120 --> 01:34:17,479
Speaker 1: of the one of the best, one of the songs,

1498
01:34:17,520 --> 01:34:19,479
Speaker 1: one of those songs. Great. If you know it's so well,

1499
01:34:19,560 --> 01:34:21,360
Speaker 1: you better be doing it in karaoke. You know what

1500
01:34:21,400 --> 01:34:27,320
Speaker 1: I mean, You better be doing karaoke. Immaterial Sophie, amazing song.

1501
01:34:27,479 --> 01:34:35,360
Speaker 1: I mean, we give it up beyond one my aunt's name,

1502
01:34:35,400 --> 01:34:39,600
Speaker 1: but that's neither here nor they're spelled differently, and I

1503
01:34:39,680 --> 01:34:41,960
Speaker 1: don't think it's the same person. I don't think so either.

1504
01:34:42,479 --> 01:34:46,479
Speaker 1: I think you would know, because you'd be rich. Tina

1505
01:34:46,520 --> 01:34:48,760
Speaker 1: Marie is so famous, so famous, so famous and rich.

1506
01:34:48,960 --> 01:34:53,040
Speaker 1: Number one nineteen. A boy like that, Rita Mreino Okay,

1507
01:34:53,080 --> 01:34:55,360
Speaker 1: Ariana found dead. Oh my god, wait, A boy like

1508
01:34:55,439 --> 01:34:58,439
Speaker 1: that recently said a lot on this podcast when you

1509
01:34:58,520 --> 01:35:04,320
Speaker 1: had those two fucking dollar Oh my god. I think

1510
01:35:04,520 --> 01:35:12,360
Speaker 1: Aaron Ala said a joke like that, that saying it's

1511
01:35:12,439 --> 01:35:16,720
Speaker 1: just that joke, it's it's a perfect opening to a song. Yeah,

1512
01:35:17,439 --> 01:35:22,559
Speaker 1: like that your brother and find another well not your

1513
01:35:22,600 --> 01:35:26,639
Speaker 1: own constick of your own can so we should say

1514
01:35:26,840 --> 01:35:31,120
Speaker 1: great version of that with um Ariana. No, um, yes,

1515
01:35:31,240 --> 01:35:37,639
Speaker 1: but not when I was bringing up it's Carol Burnett. Yes, yes,

1516
01:35:37,680 --> 01:35:40,600
Speaker 1: Oh my god. They used to do like musical like

1517
01:35:41,360 --> 01:35:45,800
Speaker 1: like mash ups, like like the fucking sixties. Oh my god,

1518
01:35:45,960 --> 01:35:48,080
Speaker 1: they used to do very Matt and Bowen stuff. Yes,

1519
01:35:49,640 --> 01:35:53,160
Speaker 1: Caroline Burnett and Julian Andrews sort of got that. Yeah,

1520
01:35:53,200 --> 01:35:55,680
Speaker 1: they did this like Matt and bow They really they

1521
01:35:55,720 --> 01:35:59,559
Speaker 1: were like really, um, they understood it, you know, they

1522
01:35:59,600 --> 01:36:03,720
Speaker 1: were doing doing yeah lost cultures. Yeah, you're Carol, that's

1523
01:36:03,800 --> 01:36:06,479
Speaker 1: so great. That's interesting for me. I love you as

1524
01:36:06,560 --> 01:36:11,160
Speaker 1: Julie maybe, but you're a better vocalist, and Carol wasn't

1525
01:36:11,200 --> 01:36:13,719
Speaker 1: necessarily the better vocal but she Oh you guys, Carol

1526
01:36:13,800 --> 01:36:22,840
Speaker 1: and Annie Carol in any yeah, like formative life changing,

1527
01:36:22,960 --> 01:36:25,599
Speaker 1: truly life changing? Did you? Was that one of your cultures?

1528
01:36:26,520 --> 01:36:29,599
Speaker 1: If my idea, and it's been brought up on this podcast, Yeah,

1529
01:36:29,600 --> 01:36:30,920
Speaker 1: if it wasn't it is? Do you know what I mean?

1530
01:36:31,720 --> 01:36:34,400
Speaker 1: I think now this goes back five plus years ago,

1531
01:36:34,479 --> 01:36:37,000
Speaker 1: my first time or something. But I think it was

1532
01:36:37,120 --> 01:36:41,240
Speaker 1: something like musicals or it would have. Yeah, Carol Burnett

1533
01:36:41,280 --> 01:36:44,559
Speaker 1: really like in Annie, really sort of broken open. Okay,

1534
01:36:44,600 --> 01:36:49,639
Speaker 1: you guys, we need to keep moving. Number one Christina Aguilera,

1535
01:36:50,760 --> 01:36:59,120
Speaker 1: number Christina Aguilera, Number one seventeen Reflection Lea Salonga. Now,

1536
01:36:59,200 --> 01:37:01,679
Speaker 1: these are very some of our songs. The one is English,

1537
01:37:01,720 --> 01:37:06,519
Speaker 1: one is Spanish. One is sang by an Asian person,

1538
01:37:06,920 --> 01:37:16,839
Speaker 1: Kissess the Girl. I like that. I like that English,

1539
01:37:19,160 --> 01:37:29,360
Speaker 1: I like me why guess Yes? Oh my god, I'm

1540
01:37:29,400 --> 01:37:37,240
Speaker 1: so excited. Okay. Number one sixteen, Poor Unfortunate Souls. Carol,

1541
01:37:37,920 --> 01:37:40,840
Speaker 1: this is like a song that I think we take

1542
01:37:40,920 --> 01:37:43,680
Speaker 1: for granted. And I implore you. I mean, We've got

1543
01:37:43,720 --> 01:37:45,280
Speaker 1: a lot of songs here for you guys to listen

1544
01:37:45,320 --> 01:37:47,479
Speaker 1: to readers, but to go back and listen to this.

1545
01:37:47,680 --> 01:37:53,120
Speaker 1: It is. It is perfect, sucking, flawless, hilarious, sounds good.

1546
01:37:53,640 --> 01:37:56,400
Speaker 1: He tells a story. She is I just I just

1547
01:37:56,479 --> 01:37:58,280
Speaker 1: did kind of a deep dive on this song recently,

1548
01:37:58,400 --> 01:38:01,880
Speaker 1: really and and it was and I'm like blown away

1549
01:38:01,920 --> 01:38:04,560
Speaker 1: by right, yeah, think about the fact that, like, and

1550
01:38:04,640 --> 01:38:07,880
Speaker 1: also we should say shout out to Crystal Kungman Gooff's

1551
01:38:07,920 --> 01:38:10,519
Speaker 1: husband Rob who did the original character designed for Ursula,

1552
01:38:10,520 --> 01:38:13,479
Speaker 1: and then they found an amazing performer, Pat Carroll to

1553
01:38:13,880 --> 01:38:16,400
Speaker 1: embody that it's like one of those things where it's

1554
01:38:16,439 --> 01:38:19,360
Speaker 1: like you imagine that Ursula just sort of was it

1555
01:38:19,400 --> 01:38:21,720
Speaker 1: always has been. That's what they had to create her.

1556
01:38:22,280 --> 01:38:24,600
Speaker 1: And Ursula is iconic. And also there is not a

1557
01:38:24,720 --> 01:38:27,040
Speaker 1: better And I know that Robin Williams as the as

1558
01:38:27,040 --> 01:38:29,840
Speaker 1: the Genie looms large as a charm song in Disney

1559
01:38:29,920 --> 01:38:32,280
Speaker 1: or I'm just meaning like vocal performance in a Disney movie.

1560
01:38:32,680 --> 01:38:38,080
Speaker 1: Pat Carol as Ursula is top three. Yeah, yeah, I agree,

1561
01:38:38,200 --> 01:38:40,840
Speaker 1: I agree. Oh my god, this song is part it's

1562
01:38:40,840 --> 01:38:42,760
Speaker 1: one of my favorites. It's one of my favorite songs.

1563
01:38:42,840 --> 01:38:44,960
Speaker 1: It's what it's what made me identify with the villain.

1564
01:38:45,040 --> 01:38:48,599
Speaker 1: Like that's the they're the most fun, They're the most fun.

1565
01:38:48,960 --> 01:38:50,880
Speaker 1: Like James and Jomian has a joke that like, Ursula

1566
01:38:51,080 --> 01:38:53,160
Speaker 1: is like if all the Disney villains are gay, Ursela

1567
01:38:53,280 --> 01:38:56,200
Speaker 1: is like the lesbian bartender who's like you can stay

1568
01:38:56,240 --> 01:39:05,879
Speaker 1: for a drink, wishes the lipstick on just like body

1569
01:39:06,240 --> 01:39:11,559
Speaker 1: and what she said body language. It's so good. It's

1570
01:39:11,640 --> 01:39:15,559
Speaker 1: dr oh her body, her fucking body in that black

1571
01:39:15,760 --> 01:39:19,760
Speaker 1: that they can go who gossip is a ball is

1572
01:39:19,800 --> 01:39:25,560
Speaker 1: not to say I want I'll try to not. She

1573
01:39:25,720 --> 01:39:29,280
Speaker 1: doesn't let a single word go like she just dren't

1574
01:39:29,280 --> 01:39:35,559
Speaker 1: avoided when they can. God, I really like all praise

1575
01:39:35,640 --> 01:39:41,519
Speaker 1: be amazing. Just I think I think we we take

1576
01:39:41,560 --> 01:39:45,040
Speaker 1: it for granted. Especially listeners of this pod are probably

1577
01:39:45,120 --> 01:39:46,920
Speaker 1: probably grew up with it, you know, like it was

1578
01:39:47,000 --> 01:39:50,760
Speaker 1: always in their life. It was never new. Give it,

1579
01:39:51,000 --> 01:39:53,960
Speaker 1: give it a new listen. I know, I know we

1580
01:39:54,080 --> 01:39:55,960
Speaker 1: all know it's great and we all appreciate it, but

1581
01:39:55,960 --> 01:39:59,920
Speaker 1: I think there's even more room for appreciate, appreciate absolutely

1582
01:40:00,080 --> 01:40:04,280
Speaker 1: And speaking of when we're remember Once upon a Dream

1583
01:40:05,960 --> 01:40:09,479
Speaker 1: from Maleficent, this really did make me excited from Lefficent.

1584
01:40:09,560 --> 01:40:14,920
Speaker 1: When I heard this, Uh yeah, I walked with you.

1585
01:40:15,640 --> 01:40:18,120
Speaker 1: I was like, this is a great choice. It was

1586
01:40:18,120 --> 01:40:19,679
Speaker 1: a different Lata back then, and it was a really

1587
01:40:19,720 --> 01:40:21,439
Speaker 1: smart idea for them to go, We're gonna have Lona

1588
01:40:21,520 --> 01:40:27,200
Speaker 1: sing this and have it be like Malefisent. You know, hello,

1589
01:40:29,640 --> 01:40:33,080
Speaker 1: Okay are you still are you still wrong? Okay? We're

1590
01:40:33,080 --> 01:40:35,640
Speaker 1: still wrong. Okay, so we're gonna a little swap. We

1591
01:40:35,760 --> 01:40:37,320
Speaker 1: have a little we have a little swap. So we

1592
01:40:37,439 --> 01:40:40,920
Speaker 1: have been we have been graced by Darcy Cardon. Thank

1593
01:40:40,960 --> 01:40:43,479
Speaker 1: you for coming in. You know how I feel about you.

1594
01:40:43,600 --> 01:40:48,320
Speaker 1: I love you both so much and and I want

1595
01:40:48,360 --> 01:40:50,439
Speaker 1: you to know that if pilates didn't go well, I

1596
01:40:50,520 --> 01:40:52,720
Speaker 1: hope that we can offer we can rekilter. You're off

1597
01:40:52,800 --> 01:40:57,040
Speaker 1: kilter really did good? Yeah? Um so but so hot.

1598
01:40:57,280 --> 01:40:59,400
Speaker 1: So it's so crazy to seem in person because he's

1599
01:40:59,439 --> 01:41:01,240
Speaker 1: so hot. Know you've only seen him in a look

1600
01:41:01,280 --> 01:41:07,920
Speaker 1: hot in the trailer recently, not once, but twenty times over. Well,

1601
01:41:08,120 --> 01:41:10,320
Speaker 1: who is this person that we're even talking about? Um?

1602
01:41:10,520 --> 01:41:12,560
Speaker 1: Are we still rolling? Yes? Can you imagine if this

1603
01:41:12,680 --> 01:41:16,920
Speaker 1: was just are not rolling? We were a little bit.

1604
01:41:17,160 --> 01:41:19,599
Speaker 1: We're in a hundred fourteen on the list of three hundred,

1605
01:41:19,720 --> 01:41:23,760
Speaker 1: and we are welcoming in Jokim Booster everybody. Okay, I'm

1606
01:41:23,760 --> 01:41:31,240
Speaker 1: gonna readers see you soon, readers. Yes, a little hint, Hello,

1607
01:41:31,400 --> 01:41:38,080
Speaker 1: Joe Kim, Welcome to Osode. I'm so honored to be here.

1608
01:41:38,120 --> 01:41:40,920
Speaker 1: And I honestly think like when people heard that Darcy

1609
01:41:41,040 --> 01:41:43,120
Speaker 1: was about to be swapped, I'm sure they were furious,

1610
01:41:43,840 --> 01:41:47,760
Speaker 1: and I'm sure like it's a people being like this

1611
01:41:48,000 --> 01:41:50,439
Speaker 1: is okay, it's me and then fifty people being like

1612
01:41:51,600 --> 01:41:56,439
Speaker 1: that instead. No, oh my gosh, we're We're all right.

1613
01:41:56,479 --> 01:41:59,080
Speaker 1: Everyone at home. So Joe Kim, you're you're joining us

1614
01:41:59,120 --> 01:42:01,600
Speaker 1: in process? We are, we are. We've just revealed that,

1615
01:42:03,560 --> 01:42:12,320
Speaker 1: oh my darth um, we are sort of soaring through

1616
01:42:12,520 --> 01:42:15,280
Speaker 1: the three songs in the Great Global Song Book. We've

1617
01:42:15,320 --> 01:42:17,920
Speaker 1: revealed that it is a countdown. Um, there is going

1618
01:42:17,960 --> 01:42:20,640
Speaker 1: to be a number one song? Would you like to

1619
01:42:20,680 --> 01:42:24,600
Speaker 1: make Joel? I would love them? Okay, great? Can we

1620
01:42:24,680 --> 01:42:26,960
Speaker 1: fly in a cup? We're gonna fly in a cup

1621
01:42:27,080 --> 01:42:30,320
Speaker 1: while we say number We just did number one fifteen.

1622
01:42:30,680 --> 01:42:35,280
Speaker 1: Now we have number one. The worst in London. Angela Landsberry,

1623
01:42:35,760 --> 01:42:40,200
Speaker 1: I mean specifically in her career right now. She needs

1624
01:42:40,240 --> 01:42:44,120
Speaker 1: to be reindigorated. You know what's crazy? She is still kicking. Yeah,

1625
01:42:44,280 --> 01:42:46,760
Speaker 1: Angela Landsbury is still very much around in here, but

1626
01:42:46,880 --> 01:42:48,680
Speaker 1: we don't talk about her and bring her back for

1627
01:42:48,760 --> 01:42:54,559
Speaker 1: all stars. She needs that, she needs that. I heard

1628
01:42:54,640 --> 01:42:58,519
Speaker 1: she does really well. I heard it's her. Well she

1629
01:42:58,600 --> 01:43:02,240
Speaker 1: comes back with the new the fillers and the sort

1630
01:43:02,280 --> 01:43:04,560
Speaker 1: of like you know, the work is really fresh. But

1631
01:43:04,800 --> 01:43:07,080
Speaker 1: the good news is the for there it's going to

1632
01:43:07,160 --> 01:43:09,200
Speaker 1: be a ballad the last top two. Um. So if

1633
01:43:09,240 --> 01:43:11,720
Speaker 1: you can't do any of her tricks a chance, she's

1634
01:43:11,760 --> 01:43:18,799
Speaker 1: a parking parker. That's Joel coming in for our three hundred.

1635
01:43:18,880 --> 01:43:20,640
Speaker 1: Thank you so much. I wouldn't have missed it for

1636
01:43:20,720 --> 01:43:23,800
Speaker 1: the world. We had Greta, we had Darcy, and now

1637
01:43:23,880 --> 01:43:27,200
Speaker 1: we have Joel. It's all stars. It's really all stars.

1638
01:43:27,800 --> 01:43:30,639
Speaker 1: Um okay, So moving on from London. Really my favorite

1639
01:43:30,640 --> 01:43:34,519
Speaker 1: sometimes Sweeney Todd, but now one thirteen Beauty and the

1640
01:43:34,600 --> 01:43:39,320
Speaker 1: Beast Angela Lansberry. Who could have done it better? Um?

1641
01:43:39,840 --> 01:43:45,680
Speaker 1: Who did do it better? I mean ce Indiana? Who

1642
01:43:45,880 --> 01:43:48,959
Speaker 1: who did it in the in the live action? Emma Arianna, Arianna,

1643
01:43:49,800 --> 01:43:55,760
Speaker 1: Emma Thompson, Emma Thompson. She doesn't have the look. We

1644
01:43:55,880 --> 01:43:58,800
Speaker 1: love Emma Thompson. But Angela Landsbury it's sort of like

1645
01:43:59,000 --> 01:44:02,080
Speaker 1: quit the quality, you know, the quality she has? The

1646
01:44:02,160 --> 01:44:05,760
Speaker 1: quality she has the quality when this is the line

1647
01:44:06,360 --> 01:44:09,240
Speaker 1: off to the cupboard with you now, Chip, it's past

1648
01:44:09,320 --> 01:44:12,800
Speaker 1: your bedtime, so like you can't and no one else

1649
01:44:12,840 --> 01:44:14,920
Speaker 1: can say that, pin Angela. There's also something to be

1650
01:44:15,000 --> 01:44:17,439
Speaker 1: said about like a song that sits like exactly in

1651
01:44:17,560 --> 01:44:20,360
Speaker 1: someone's like range, like Angela lands right like whenever she's

1652
01:44:20,360 --> 01:44:22,840
Speaker 1: like ever, just the same. You're like, is she going

1653
01:44:22,880 --> 01:44:25,200
Speaker 1: to get there? But she gets there, gets there? Wait?

1654
01:44:25,280 --> 01:44:27,280
Speaker 1: Who did the pop version though? For the remake? Was

1655
01:44:27,320 --> 01:44:31,880
Speaker 1: it Ariana and John? Mariana and John yea? Like why

1656
01:44:31,960 --> 01:44:35,640
Speaker 1: a man? Why a man? Why a man? Added ver

1657
01:44:36,200 --> 01:44:38,880
Speaker 1: because Petere Bryson and Selena originally did do it, so

1658
01:44:38,920 --> 01:44:40,679
Speaker 1: I think that's what they were calling back to. Oh,

1659
01:44:42,600 --> 01:44:50,000
Speaker 1: just the same, surprised. Remember that like Tebow, John and

1660
01:44:50,040 --> 01:44:54,519
Speaker 1: town Legend people nailed people sounds like people sounds people.

1661
01:44:54,760 --> 01:44:59,240
Speaker 1: What is his name peple a bo peebo, Peepo Bryson

1662
01:44:59,280 --> 01:45:02,800
Speaker 1: sounds like similar? Yeah, lots for lots for we do?

1663
01:45:04,640 --> 01:45:05,960
Speaker 1: Was it was it? Who was it? Which of you?

1664
01:45:06,160 --> 01:45:07,920
Speaker 1: Which of you asked me to sing a song? And sino?

1665
01:45:08,040 --> 01:45:10,160
Speaker 1: I asked you to sing the Wizard and I in

1666
01:45:10,520 --> 01:45:13,360
Speaker 1: in Simlish. It is still recorded on my boyfriend's phone.

1667
01:45:13,439 --> 01:45:17,639
Speaker 1: It is not in Similish at all, fully sung in English,

1668
01:45:17,880 --> 01:45:20,559
Speaker 1: but in the weirdest affect. I will find I will

1669
01:45:20,600 --> 01:45:22,479
Speaker 1: get it and the next time I'm on the podcast,

1670
01:45:22,760 --> 01:45:25,000
Speaker 1: I will we will play over the glasses because it

1671
01:45:25,120 --> 01:45:27,160
Speaker 1: is one of the most bizarre things you've ever done.

1672
01:45:27,200 --> 01:45:29,360
Speaker 1: And that's saying a lot. That's saying a lot. Well,

1673
01:45:29,400 --> 01:45:32,400
Speaker 1: speaking of bizarre, people might not see this one coming.

1674
01:45:32,720 --> 01:45:35,240
Speaker 1: Number one d twelve on the Great Global Song Book

1675
01:45:35,320 --> 01:45:40,200
Speaker 1: is Coraculations Baul. This is a song on the culture.

1676
01:45:40,320 --> 01:45:45,920
Speaker 1: I love this great conragulate, you know, because it makes

1677
01:45:45,920 --> 01:45:49,920
Speaker 1: you feel good. Yeah, what is the um? What is

1678
01:45:50,000 --> 01:45:54,200
Speaker 1: the line that we love so much from Conngragulations? Um?

1679
01:45:56,560 --> 01:46:01,360
Speaker 1: Are you think you bring back my girl? Was already

1680
01:46:01,400 --> 01:46:03,920
Speaker 1: on the list. We spoke about Vaka with cramp very

1681
01:46:04,000 --> 01:46:06,799
Speaker 1: thank you and also she's going to go to the workroom.

1682
01:46:07,360 --> 01:46:13,479
Speaker 1: Think that's the line, but it's the contragulations. Did rank

1683
01:46:13,520 --> 01:46:17,960
Speaker 1: above bring Back My Girls? Yeah? And better than I'm

1684
01:46:18,000 --> 01:46:23,800
Speaker 1: a Winner baby, Like I would rather hear condragulations over

1685
01:46:24,600 --> 01:46:27,800
Speaker 1: your winner. Literally as a sentence. I would rather someone

1686
01:46:27,920 --> 01:46:32,320
Speaker 1: say to me condragulations over your win when the movie

1687
01:46:32,400 --> 01:46:36,200
Speaker 1: comes out, Like if people are like condragulations, I would

1688
01:46:36,200 --> 01:46:43,120
Speaker 1: love that everyone. Please condragulations Coulas number one, number one

1689
01:46:43,560 --> 01:46:48,400
Speaker 1: eleven on the list. Do you know this is the

1690
01:46:48,479 --> 01:46:50,160
Speaker 1: song that I come out to when I do clubs

1691
01:46:53,479 --> 01:46:58,240
Speaker 1: because um, I like so I swep I swapped between

1692
01:46:58,640 --> 01:47:01,720
Speaker 1: Normandy's motivation and this, and it really depends on the

1693
01:47:01,800 --> 01:47:04,040
Speaker 1: mood that I'm in and how homophobic I feel the

1694
01:47:04,080 --> 01:47:07,280
Speaker 1: audience might be. Yea, um, like when I'm in Orange County,

1695
01:47:07,439 --> 01:47:09,400
Speaker 1: it's What's My Age Again? Because I need to let

1696
01:47:09,439 --> 01:47:11,160
Speaker 1: them know that I like I can speak to their

1697
01:47:11,240 --> 01:47:14,760
Speaker 1: culture too. Yeah, They're like, you come in peace? Ye

1698
01:47:15,160 --> 01:47:17,760
Speaker 1: yeah right. I think the thing about What's My Age Again?

1699
01:47:17,800 --> 01:47:20,160
Speaker 1: Two is it is a storytelling song, and that's sort

1700
01:47:20,200 --> 01:47:22,720
Speaker 1: of that that it's a narrative, and that makes me

1701
01:47:22,800 --> 01:47:25,400
Speaker 1: feel like, where's where's the What's My Age Again? Musical?

1702
01:47:25,640 --> 01:47:28,360
Speaker 1: Where's the movie? Oh that'll come? Kids today do not

1703
01:47:28,560 --> 01:47:31,320
Speaker 1: understand the way that they have access to porn and

1704
01:47:31,360 --> 01:47:32,800
Speaker 1: the way I used to have to jerk off to

1705
01:47:32,880 --> 01:47:35,080
Speaker 1: this music video because it was the closest to a

1706
01:47:35,200 --> 01:47:39,519
Speaker 1: naked male body I could access at the time. Yeah yeah,

1707
01:47:39,560 --> 01:47:42,080
Speaker 1: because they were always nude. But I remember at the

1708
01:47:42,200 --> 01:47:45,200
Speaker 1: time like not identifying as being attracted to any of them,

1709
01:47:45,720 --> 01:47:50,439
Speaker 1: of the Blanky two boys. But now I am. I was, yeah,

1710
01:47:50,560 --> 01:47:56,360
Speaker 1: Tom and still am largely just any naked body, yeah right, right,

1711
01:47:56,439 --> 01:47:59,840
Speaker 1: right right right at the time, yes, okay, but for

1712
01:48:00,280 --> 01:48:03,040
Speaker 1: people our age fag it's our age. It was Sean

1713
01:48:03,080 --> 01:48:06,080
Speaker 1: William Scott for sure on that on that comment, what

1714
01:48:06,200 --> 01:48:08,439
Speaker 1: was it like teens? It was like seventeen or something,

1715
01:48:08,560 --> 01:48:13,519
Speaker 1: seventeen teen people or something. I remember my sister used

1716
01:48:13,520 --> 01:48:15,360
Speaker 1: to leave her seventeen magazines on the top of the

1717
01:48:15,520 --> 01:48:19,080
Speaker 1: toilet seat, not the seat, the back of the time.

1718
01:48:19,439 --> 01:48:21,439
Speaker 1: And there was a there was a seventeen magazine where

1719
01:48:21,479 --> 01:48:24,680
Speaker 1: it literally went through the different underwear types for men,

1720
01:48:24,880 --> 01:48:28,000
Speaker 1: and there was a spreads like a like a photo

1721
01:48:28,040 --> 01:48:31,920
Speaker 1: shoot for each one. And I it's ingrained in my brain,

1722
01:48:32,280 --> 01:48:36,040
Speaker 1: like the brief. God. Yeah, I remember when we would

1723
01:48:36,040 --> 01:48:37,400
Speaker 1: go to like J. C. Penney or whatever, like a

1724
01:48:37,439 --> 01:48:39,320
Speaker 1: Lord and Taylor. I'll just go to the just go

1725
01:48:39,439 --> 01:48:41,360
Speaker 1: to the underwear section and look at every all the

1726
01:48:42,080 --> 01:48:44,679
Speaker 1: And I remember, I think I actually fucked a men's

1727
01:48:44,720 --> 01:48:48,640
Speaker 1: health magazine, Like I fucked the magazine itself, like I

1728
01:48:48,800 --> 01:48:54,080
Speaker 1: rubbed my dick one amazing. So anyway, um, the next

1729
01:48:54,680 --> 01:49:00,600
Speaker 1: a hundred ten is Berlin Rodman a perfect song, just

1730
01:49:00,760 --> 01:49:03,679
Speaker 1: talking perfect artists, perfect artists talking to a friend about

1731
01:49:03,800 --> 01:49:07,000
Speaker 1: her time in Berlin. Please give it a listen, Please

1732
01:49:07,000 --> 01:49:08,640
Speaker 1: give it a listen. You know what should it be

1733
01:49:08,760 --> 01:49:12,760
Speaker 1: on this list. Murder on the Stupid Bitch Express. That

1734
01:49:13,000 --> 01:49:15,679
Speaker 1: is not a song, and technically it is a podcast,

1735
01:49:15,760 --> 01:49:18,200
Speaker 1: but it is audio, that's true. I guess for a

1736
01:49:18,320 --> 01:49:20,479
Speaker 1: songbook we'd have to go to the Blue Ribbon panel

1737
01:49:20,520 --> 01:49:23,639
Speaker 1: about that. Can we have Megan and Abby start talking

1738
01:49:23,680 --> 01:49:27,160
Speaker 1: about that? They laughed, Oh yeah, we fired. I guess

1739
01:49:27,200 --> 01:49:33,679
Speaker 1: there's no one now to figure that Outdy nine Deathe Kyle,

1740
01:49:34,560 --> 01:49:39,320
Speaker 1: Wendy Williams amazing kind of dark though. You know what's

1741
01:49:39,439 --> 01:49:42,560
Speaker 1: really crazy how dark it's gotten since we announced the

1742
01:49:42,600 --> 01:49:45,479
Speaker 1: nominations for the conte. I mean literally, this is sort

1743
01:49:45,520 --> 01:49:48,840
Speaker 1: of the reason that they didn't happen well or oh

1744
01:49:49,040 --> 01:49:52,439
Speaker 1: I forgotten now I forgotten forgot their happening there. We'll

1745
01:49:52,479 --> 01:49:54,320
Speaker 1: just have to find sort of a way around that, right,

1746
01:49:54,880 --> 01:49:57,559
Speaker 1: I think Wendy might have to lose all her rewards

1747
01:49:58,040 --> 01:50:02,000
Speaker 1: or maybe maybe when it'll be her first public appearance, Yeah,

1748
01:50:02,040 --> 01:50:05,360
Speaker 1: maybe that maybe she should host. I mean she's missing hosting.

1749
01:50:05,439 --> 01:50:07,600
Speaker 1: Oh my god. She claims an interview she can, but

1750
01:50:07,720 --> 01:50:11,160
Speaker 1: she also refuses to be seen on those interviews. Number

1751
01:50:11,200 --> 01:50:13,840
Speaker 1: one hundred and eight. I don't want it all. Kim

1752
01:50:13,880 --> 01:50:16,600
Speaker 1: Petris sort of the song that introduced us all to

1753
01:50:16,680 --> 01:50:21,120
Speaker 1: Kim Petris, I would say so, and you know I

1754
01:50:21,200 --> 01:50:24,559
Speaker 1: got my straight sister into Kim Petris through this song.

1755
01:50:25,240 --> 01:50:29,599
Speaker 1: My first intro was Hillside Boys, so you you waited

1756
01:50:29,640 --> 01:50:33,840
Speaker 1: around the first It was Jared Frieder introduced me, so

1757
01:50:34,040 --> 01:50:36,720
Speaker 1: blame him for introducing me the Hillside Boys first. But

1758
01:50:37,600 --> 01:50:39,400
Speaker 1: it was the third day I lived in l A.

1759
01:50:42,160 --> 01:50:44,200
Speaker 1: And you were there. You got it. Yeah, that's very

1760
01:50:44,280 --> 01:50:48,400
Speaker 1: Jared to be like you. Side boy Joel has a

1761
01:50:48,439 --> 01:50:51,120
Speaker 1: new home. Have you seen it yet? Now you're coming

1762
01:50:51,160 --> 01:50:57,000
Speaker 1: to mention tonight. Hillside Boys, you call My Name Number

1763
01:50:57,000 --> 01:51:00,160
Speaker 1: one D seven a song that's been performed on this

1764
01:51:00,280 --> 01:51:05,280
Speaker 1: podcast many times, often badly, sometimes well sometimes well let

1765
01:51:05,400 --> 01:51:11,000
Speaker 1: me be your Star by Katherine McFee and Megan Hilthy. Truly,

1766
01:51:11,479 --> 01:51:14,599
Speaker 1: I always literally just at the Acoplex where you sang

1767
01:51:14,680 --> 01:51:17,840
Speaker 1: it live for the l A audience, remember that, did

1768
01:51:17,920 --> 01:51:25,400
Speaker 1: we sing it there the go? It really all matters

1769
01:51:25,520 --> 01:51:28,040
Speaker 1: if you can just start it correct. It is crazy

1770
01:51:28,120 --> 01:51:31,680
Speaker 1: to me because I always, always, always I get that

1771
01:51:31,880 --> 01:51:34,840
Speaker 1: vocally you are singing the parts that are appropriate for you,

1772
01:51:35,479 --> 01:51:38,639
Speaker 1: But in terms of type I always have it swapped

1773
01:51:38,720 --> 01:51:42,920
Speaker 1: in my head. You are Ivy and you are Karen

1774
01:51:43,080 --> 01:51:46,439
Speaker 1: Karen to me, to me, I think at the time,

1775
01:51:47,040 --> 01:51:50,640
Speaker 1: at the time, it was not that way. Yeah, you

1776
01:51:50,760 --> 01:51:56,559
Speaker 1: go big titty. He has Katherine McFee today. Yeah maybe, yeah,

1777
01:51:56,760 --> 01:51:59,519
Speaker 1: I don't know. I really feel like we could switch

1778
01:51:59,600 --> 01:52:02,120
Speaker 1: your but you're but I think Joe's ultimately right. Yeah,

1779
01:52:02,320 --> 01:52:06,040
Speaker 1: I think I think you're the You're like the bombastic.

1780
01:52:06,680 --> 01:52:11,080
Speaker 1: Here's what I think you have more vocal brass you

1781
01:52:11,479 --> 01:52:16,439
Speaker 1: you know, yes, you do? You are. Flashback to a

1782
01:52:16,640 --> 01:52:21,000
Speaker 1: girl that's you. I'm in my mix. You just did it.

1783
01:52:21,560 --> 01:52:23,760
Speaker 1: I'm in my mix. You're both and that is just

1784
01:52:26,160 --> 01:52:32,240
Speaker 1: hung Its awful. I can't I can't here. I'm gonna try. Okay,

1785
01:52:33,560 --> 01:52:39,960
Speaker 1: faity on a girl with a hunger for fame that

1786
01:52:40,439 --> 01:52:45,320
Speaker 1: is Karen in the face you you would love to

1787
01:52:45,400 --> 01:52:51,120
Speaker 1: be Ivy. Flashback to a girl with a song in

1788
01:52:51,240 --> 01:52:58,560
Speaker 1: her heart and she's waiting to start the advengere the

1789
01:52:58,920 --> 01:53:04,360
Speaker 1: fire are and this is huge. Extreams come alive. They

1790
01:53:04,520 --> 01:53:10,719
Speaker 1: fill her, so she's in control. Okay, and I'm Angelica

1791
01:53:10,760 --> 01:53:13,680
Speaker 1: Houston and Joel's angel Jennifer Hudson. This is actually a

1792
01:53:13,760 --> 01:53:16,000
Speaker 1: huge moment that Joel flipped it on us. I mean,

1793
01:53:16,120 --> 01:53:19,960
Speaker 1: I'm interested in exploring I think it calls for another performance.

1794
01:53:20,280 --> 01:53:23,520
Speaker 1: There we go, alright, Number one hundred six, eighties Mercedes,

1795
01:53:23,640 --> 01:53:26,240
Speaker 1: Baron Morris. Congrats, Marion, you've been on the list a

1796
01:53:26,320 --> 01:53:29,560
Speaker 1: second time. Eighties Mercedes. We've we've spoken at length about it.

1797
01:53:29,640 --> 01:53:32,280
Speaker 1: A perfect song, A perfect song, one oh five. Great,

1798
01:53:32,760 --> 01:53:34,400
Speaker 1: by the way, thank you. Sometimes I don't like it

1799
01:53:34,439 --> 01:53:36,360
Speaker 1: when you you have people on that I'm not friends

1800
01:53:36,400 --> 01:53:39,360
Speaker 1: with personally, but this was a great And who knows

1801
01:53:39,400 --> 01:53:43,200
Speaker 1: you might be friends with Marion personally. Hear that already? Five?

1802
01:53:43,560 --> 01:53:47,439
Speaker 1: What dreams are made of? Tricia Patis. Let's move on

1803
01:53:49,880 --> 01:53:54,479
Speaker 1: Natalie's rap. Natalie huge moment in culture, major moment in

1804
01:53:54,600 --> 01:53:58,280
Speaker 1: comedy and music culture. I mean early Lonely Island, early

1805
01:53:58,680 --> 01:54:03,360
Speaker 1: um digital short culture, early starlet being able to laugh

1806
01:54:03,400 --> 01:54:06,600
Speaker 1: at or it was Pixie Cuck culture. It was for

1807
01:54:06,720 --> 01:54:11,320
Speaker 1: Vendetta culture, its tour culture. I never thought I was

1808
01:54:11,360 --> 01:54:13,880
Speaker 1: a role model. Such a good line. I never said

1809
01:54:13,880 --> 01:54:16,120
Speaker 1: I was a role model. All the kids looking up

1810
01:54:16,160 --> 01:54:19,960
Speaker 1: to me can suck my dick it portman, motherfucker, drink

1811
01:54:20,040 --> 01:54:22,799
Speaker 1: until I'm sick. Oh my god. It's such a brilliant

1812
01:54:22,840 --> 01:54:25,120
Speaker 1: line though, Like the like the song, like the Lonely Island.

1813
01:54:25,240 --> 01:54:29,719
Speaker 1: Songwriting was so good, like um uh, slit your throat

1814
01:54:29,800 --> 01:54:32,120
Speaker 1: and pump nitress down the hole. Watch you laugh and

1815
01:54:32,280 --> 01:54:35,280
Speaker 1: cry while I laugh. You die and all my dudes

1816
01:54:35,440 --> 01:54:37,040
Speaker 1: you know, you know what I'm talking to you. We

1817
01:54:37,160 --> 01:54:41,200
Speaker 1: love your Natalie. I want to fuck you too. Pete's Portman, Pete,

1818
01:54:41,240 --> 01:54:44,280
Speaker 1: it's supposed to your dog for fun, so don't push me.

1819
01:54:46,120 --> 01:54:49,560
Speaker 1: Really good one or three Private Girl Natalie Portman has

1820
01:54:49,640 --> 01:54:54,760
Speaker 1: Celeste in box Lux. Really it gets lost, deeply underrated movie.

1821
01:54:54,880 --> 01:54:59,160
Speaker 1: To me personally, I find it's upsetting. Yeah, it is upset.

1822
01:54:59,520 --> 01:55:02,760
Speaker 1: It starts a setting, but I think it gets less upsetting.

1823
01:55:02,880 --> 01:55:06,200
Speaker 1: I mean it really starts the Marquee upsetting scene happens

1824
01:55:06,480 --> 01:55:09,000
Speaker 1: up top, and then from there it's a fun wrong.

1825
01:55:09,320 --> 01:55:14,280
Speaker 1: It really is a trauma linger, does you know? My

1826
01:55:14,520 --> 01:55:17,280
Speaker 1: biggest problem with the movie is that the end concert

1827
01:55:17,440 --> 01:55:20,080
Speaker 1: is so not It should be full Gaga, and they

1828
01:55:20,520 --> 01:55:23,320
Speaker 1: it's not. It's bad. They are on that he does

1829
01:55:23,360 --> 01:55:26,120
Speaker 1: not respect pop music, and but the writing of the

1830
01:55:26,160 --> 01:55:30,000
Speaker 1: pop the actual music is good pop music. Yes, what

1831
01:55:30,160 --> 01:55:33,560
Speaker 1: other movies like that, Oh Stars Born? Yeah, they were

1832
01:55:33,600 --> 01:55:37,080
Speaker 1: compared to each other often, but I do think I

1833
01:55:37,160 --> 01:55:39,680
Speaker 1: would I've listened to the vox Lux soundtrack more than

1834
01:55:39,680 --> 01:55:44,760
Speaker 1: I've listened to with stars. Really yeah, I've listened to

1835
01:55:44,800 --> 01:55:47,320
Speaker 1: the Josey in the Pussycat soundtrack more than any of those. Well,

1836
01:55:47,360 --> 01:55:49,000
Speaker 1: I can tell from what's coming up on the list.

1837
01:55:49,720 --> 01:55:55,440
Speaker 1: Number one ride Clay Aiken. What a what a great singer,

1838
01:55:55,680 --> 01:55:59,280
Speaker 1: an amazing singer and a perfect Christmas voice. Are you

1839
01:55:59,320 --> 01:56:02,200
Speaker 1: guys watching him reckon eye all this season? It's really

1840
01:56:02,240 --> 01:56:04,520
Speaker 1: good this really, I would say it's the best it's

1841
01:56:04,560 --> 01:56:09,360
Speaker 1: been since a while. It is the best of the

1842
01:56:09,600 --> 01:56:13,680
Speaker 1: Katie era, its certainly, And you know, I love the voice.

1843
01:56:14,040 --> 01:56:17,120
Speaker 1: I'm a voice to stand house down boots. But I

1844
01:56:17,240 --> 01:56:19,960
Speaker 1: will say I think that it is sort of flipped.

1845
01:56:20,200 --> 01:56:22,400
Speaker 1: I think the voices sort of run its course. It's

1846
01:56:22,440 --> 01:56:24,960
Speaker 1: not getting the talent, well they only They also only

1847
01:56:25,000 --> 01:56:27,280
Speaker 1: do one cycle a year now, which is a bad

1848
01:56:27,800 --> 01:56:30,320
Speaker 1: bad sign that they're not putting. They're not pumping out

1849
01:56:30,400 --> 01:56:33,120
Speaker 1: three a year. Um, it's a bad side for the voice.

1850
01:56:33,160 --> 01:56:37,080
Speaker 1: But check out, hey, everyone out there, check out American

1851
01:56:37,160 --> 01:56:41,200
Speaker 1: Idol on a on ABC was hosted by Ryan Seacrest,

1852
01:56:41,560 --> 01:56:48,400
Speaker 1: starring Katy Perry, Lionel Richie, and Luke Bryant. I was

1853
01:56:48,440 --> 01:56:50,640
Speaker 1: gonna say Dirk spent like I have not watched in

1854
01:56:51,000 --> 01:56:59,640
Speaker 1: so long. Number one Bitch Brooks iconic song. I mean

1855
01:57:00,120 --> 01:57:03,840
Speaker 1: culture turning. I hate the world today owning the words

1856
01:57:03,920 --> 01:57:07,440
Speaker 1: to me, I know, and I can't change height a

1857
01:57:07,560 --> 01:57:11,880
Speaker 1: VH one like power vhe Yeah, this was this really

1858
01:57:12,080 --> 01:57:18,000
Speaker 1: was like it was. It was. It was giving woman

1859
01:57:18,040 --> 01:57:22,680
Speaker 1: who had enough, woman who had a record deal and enough.

1860
01:57:23,320 --> 01:57:27,400
Speaker 1: But it leads perfectly into the chorus like I'm a

1861
01:57:27,560 --> 01:57:31,160
Speaker 1: bed but I'm a little minute. Everything all roll into

1862
01:57:31,320 --> 01:57:35,920
Speaker 1: one like it. It takes you perfectly into the chorus. Yeah,

1863
01:57:35,920 --> 01:57:40,280
Speaker 1: this is a good karaoke song. Please prowd please them.

1864
01:57:40,560 --> 01:57:48,080
Speaker 1: And now Number one d is just jun A the

1865
01:57:48,200 --> 01:57:51,480
Speaker 1: voice of Pocahonas, the singing voice of Pocahonas. Rather, now

1866
01:57:51,560 --> 01:57:54,240
Speaker 1: did someone do a did Vanessa do a pop version

1867
01:57:54,280 --> 01:57:57,040
Speaker 1: of this too? Or just just color did colors of

1868
01:57:57,080 --> 01:57:58,560
Speaker 1: the wind? I don't think just a on the ribbon

1869
01:57:58,720 --> 01:58:02,360
Speaker 1: got the pop No, because maybe, like there's so many

1870
01:58:02,440 --> 01:58:05,680
Speaker 1: lyrics that are so specifically about coco Um that I

1871
01:58:05,720 --> 01:58:08,000
Speaker 1: don't think it would it would translate on like Z

1872
01:58:08,160 --> 01:58:12,800
Speaker 1: one hundred. Yeah, the whole world knows. Who Oh, he's

1873
01:58:12,800 --> 01:58:15,680
Speaker 1: one of the most famous icons. You know, it's interesting

1874
01:58:15,920 --> 01:58:19,000
Speaker 1: about these Disney musicals that are coming out now versus then,

1875
01:58:19,160 --> 01:58:21,160
Speaker 1: is that the pop versions of those songs were the

1876
01:58:21,200 --> 01:58:24,640
Speaker 1: ones that charted and did well. And now no one

1877
01:58:24,760 --> 01:58:31,840
Speaker 1: remembers the Demilvado version. Nobody remembers who's saying, um, how

1878
01:58:31,920 --> 01:58:35,560
Speaker 1: far all go? Like, I can't even remember. Yeah, nobody

1879
01:58:35,600 --> 01:58:38,880
Speaker 1: remembers that, Yeah know what he gives a ship anymore? Yeah.

1880
01:58:38,880 --> 01:58:42,080
Speaker 1: I think that what people want is truth, and what

1881
01:58:42,200 --> 01:58:44,640
Speaker 1: people want is performance and commitment. And we don't talk

1882
01:58:44,680 --> 01:58:47,320
Speaker 1: about Bruno that there's no pop version of that, is there? No?

1883
01:58:47,920 --> 01:58:49,640
Speaker 1: Because I get what they don't need to be. They

1884
01:58:49,680 --> 01:58:53,160
Speaker 1: threw Megan the Stallion on the on the Little Oscar's remix.

1885
01:58:53,440 --> 01:58:56,040
Speaker 1: We don't talk. We don't talk about oscars. Yeah, we

1886
01:58:56,080 --> 01:58:59,760
Speaker 1: don't like So that is that's going to um and

1887
01:59:00,040 --> 01:59:03,200
Speaker 1: Part two, Part two. Uh, this is our Thursday episode.

1888
01:59:03,280 --> 01:59:06,160
Speaker 1: This is part two of the Top three hundred Songs

1889
01:59:06,240 --> 01:59:11,320
Speaker 1: A The Great Global Song Book, Lost Cultures Presents Songook Songbook.

1890
01:59:11,640 --> 01:59:15,360
Speaker 1: I've had momossa a minute. We're drunk, and we've we've

1891
01:59:15,400 --> 01:59:19,120
Speaker 1: been recording for five hours, five hours, and you've only

1892
01:59:19,160 --> 01:59:22,280
Speaker 1: made it one. We're gonna fly through tomorrow Tomorrow when

1893
01:59:22,320 --> 01:59:23,640
Speaker 1: we see you, guys. We're gonna fly through it. We

1894
01:59:23,680 --> 01:59:26,000
Speaker 1: have ninety nine more and we're gonna make it okay.

1895
01:59:26,120 --> 01:59:30,600
Speaker 1: We'll end every episode with the song I'm a bit,

1896
01:59:31,040 --> 01:59:34,560
Speaker 1: I'm a lover, I'm a child, I'm a mother, I'm

1897
01:59:34,640 --> 01:59:37,880
Speaker 1: a sinner, I'm a say I do not be in

1898
01:59:37,960 --> 01:59:41,920
Speaker 1: a shade. I'm your hell, I'm your dream, I'm nothing

1899
01:59:42,080 --> 01:59:47,720
Speaker 1: in between. You know what? Any other way? Good instinct

1900
01:59:47,800 --> 01:59:50,640
Speaker 1: to end with the ending yeah song, thank you, good

1901
01:59:50,680 --> 01:59:51,240
Speaker 1: bye bye,