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Speaker 1: So I look out my window and the first thing

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Speaker 1: I noticed is it's autumn. It's autumn, you know, it's

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Speaker 1: it's it's it's PSL season, right, I got those big PSLs.

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Speaker 1: So I go, I go, hey, look, you know, let

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Speaker 1: me surprise Kevin. Kevin does so much for us, and

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Speaker 1: I think we don't always appreciate it.

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Speaker 2: Can Can we just say? What like when you said

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Speaker 2: you have the big PSOs, you're talking about penis second lips,

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Speaker 2: got it?

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Speaker 1: So so I'm like, yo, let me, let me do

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Speaker 1: something nice for Kevin. Because it's it's it's autumn, it's fun.

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Speaker 1: And he's got this fucked up house. Shi it's been

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Speaker 1: a So I go, I'm gonna drive over there before

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Speaker 1: he wakes up and rake all his leaves. I'm so

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Speaker 1: excited to do this. And I get in there and

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Speaker 1: I push and pull the rake and I make a

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Speaker 1: big pile. I mean, this thing is built for jumping,

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Speaker 1: but I won't. I won't do it because it's gonna

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Speaker 1: make a mess. Again. The whole point is that he's

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Speaker 1: gonna get up and I'm peeking in his windows and stuff,

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Speaker 1: and I don't see anybody moving around, you know, So

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Speaker 1: I'm like I see, I see Clippy trying to end himself.

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Speaker 2: How is he from like jumping from a big height or.

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Speaker 1: He seems to be weaving. He's weaving alfalfa franz together.

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Speaker 2: Wow, Oh, it did a news to create a news.

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Speaker 2: But his neck is so he doesn't even really have

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Speaker 2: a neck.

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Speaker 1: Well, yeah, and so he's it actually looks cool like

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Speaker 1: he's got kind of like a sick like i'll foul

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Speaker 1: fit chain on and he kind of fastened it to

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Speaker 1: the top of his wheel, his little wonder wheel. He

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Speaker 1: calls it a wonder wheel in honor of his favorite movie. Yeah,

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Speaker 1: but anyway, he's got it like he's got it hooked

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Speaker 1: up there and then he like spins it. I guess,

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Speaker 1: hoping that it'll like choke him, but it just keeps

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Speaker 1: coming apart. But that's the only movement I see in there.

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Speaker 1: And I'm going, oh, good, Kevin must still be sleeping.

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Speaker 1: And so I finish it. I'm driving away, and who

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Speaker 1: do I see pulling the opposite way up his street? Kevin?

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Speaker 1: Kevin with all of his raking gear. He drove to

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Speaker 1: my house to rake mind.

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Speaker 2: He raked all your leaves.

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Speaker 1: And I thought, wow, this bitch stole my fucking idea,

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Speaker 1: and now I'm pissed.

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Speaker 2: And also you're paying like you're paying him, I'm.

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Speaker 1: Paying him to be available for like like this is

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Speaker 1: time he could have spent making making a podcast clip

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Speaker 1: video that gets no traction.

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Speaker 2: This response time he.

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Speaker 1: Could have spent texting you and not hearing back, Like

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Speaker 1: this is all. These are all moments in the day

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Speaker 1: where it's like, I don't need you to rake my

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Speaker 1: fucking leaves. I got a wife for that.

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Speaker 2: Wow.

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Speaker 1: So anyway, you know, I pulled over right away. I

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Speaker 1: screamed at him. Then I went kicked his leaves all

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Speaker 1: over his yard. It just said, like, never mind, man,

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Speaker 1: you try to do something nice and you find out

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Speaker 1: what who your real producers are. So that was my morning.

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Speaker 1: Happy BSL season.

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Speaker 2: All the leaves piled up on top of each other,

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Speaker 2: all the red and yellow and orange leaves. It it

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Speaker 2: looks it looks like the fire has it looks like hers. Yeah,

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Speaker 2: the fire has returned to get to get revenge. I

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Speaker 2: almost wonder if that's actually just what happened the first time,

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Speaker 2: because he just saw a big pile of leaves. Yeah,

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Speaker 2: freaked out, called the fire department and then moved into

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Speaker 2: a hotel for like a year.

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Speaker 1: Yeah, I mean it makes more sense than what he

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Speaker 1: told me, which is like his his BA batteries, his

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Speaker 1: batteries got mad at his backpack or something while he

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Speaker 1: was asleep. It's like that doesn't really happened.

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Speaker 2: Dog, It's my show is Hollywood Handbook Insiders, guy to

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Speaker 2: kicking button, dropping names in the red carpet lineback always

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Speaker 2: this industry we call showbiz exciting to have for drop

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Speaker 2: back exciting, you have Jeremy back.

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Speaker 1: We have two of the tunes who did tune out

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Speaker 1: the news. It was fake news for a cartoon world,

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Speaker 1: and that that is where we live. And and two

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Speaker 1: of the main tunes are here and go ahead and

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Speaker 1: say what up? What up to everybody, and give us

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Speaker 1: a little bit of some of the car.

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Speaker 3: Yeah, we're gonna do it in character.

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Speaker 2: Yeah, we're gonna describe your character.

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Speaker 4: And this is me, but we're gonna slip in.

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Speaker 3: Let's do our characters into the Yeah.

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Speaker 2: Yeah, hey, good to be here.

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Speaker 4: Hi, nice to be here.

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Speaker 2: And can you describe a little bit of those characters?

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Speaker 1: Yeah, talk about what anyone the funny stuff doesn't want

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Speaker 1: sixth teen dollars of freaking every week. It is kind

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Speaker 1: of just like watching Showtime cartoon.

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Speaker 2: It's on First of all.

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Speaker 4: It's on Comedy Central.

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Speaker 2: Yeah, it's Central costs sixteen dollars a week now, insane.

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Speaker 5: Well, it's because quality.

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Speaker 3: To achieve that kind of quality animation, you need to

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Speaker 3: be generating a lot of money.

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Speaker 5: I don't know if you have seen like the stuff

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Speaker 5: the show. Have you guys seen the stuff that they're

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Speaker 5: like just visually the kind of grounds they're breaking.

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Speaker 2: I'm realizing that what I saw was our cartoon President,

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Speaker 2: And there's your problem that I'm looking under the hood

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Speaker 2: on this. I see your problem right here back.

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Speaker 5: They're completely different. They're completely different visually.

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Speaker 1: I confuse them because they're you know, I don't watch

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Speaker 1: them on Comedy Central, wor Showtime. I don't have anything.

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Speaker 1: Watch all of it on Paramount Puss. Yeah, oozing with

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Speaker 1: comedy content.

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Speaker 4: Right, Puss Puss Mountain.

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Speaker 2: That's why we promote people. Think in the mountain busts out.

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Speaker 1: That's a big ass like Snowcountain. Man. Yeah, it's a

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Speaker 1: fucking white head. And and and the ship bursts with content,

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Speaker 1: so so yeah, I watch it all on Paramount Puss.

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Speaker 1: And and the way my algorithm is set up is

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Speaker 1: they just you know, they play the episodes at the

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Speaker 1: same time, basically because what I like is the world's crazy.

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Speaker 4: They play the episodes at the same time.

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Speaker 2: I can.

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Speaker 1: It's like Red Zone or whatever, where it's like the

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Speaker 1: different boxes with like two like exciting football games going on,

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Speaker 1: but it's just two funny political cartoons and it gives you.

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Speaker 2: It gives you an alert like where you can check

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Speaker 2: in and like Yellowstone's about to fucking bust. Somebody's ass

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Speaker 2: wide open.

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Speaker 1: Yep, yeah, yeah, there's a little that's cool.

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Speaker 2: Uh.

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Speaker 1: David Nevins is like sort of in a suit, and

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Speaker 1: he'll go like, we're gonna bring you live now over

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Speaker 1: to eighteen eighty three where this just happened, and then

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Speaker 1: Sam Elliott goes like, get the fuck off my property,

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Speaker 1: and then they just like drop you back into cartoon present.

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Speaker 1: He goes like, oh mummy, uh, can I please have

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Speaker 1: another orange juice? All right now, you're not gonna believe

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Speaker 1: this big piece of news just happened on the Real

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Speaker 1: World reunion and David is playing the piano again, and

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Speaker 1: so it's it's actually really fun. It's a better way

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Speaker 1: to watch TV. They've cracked it.

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Speaker 2: But you guys, you've stayed busy. It's been a little

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Speaker 2: while since we've had you on the show. I know

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Speaker 2: that you have other projects that are not tuning out

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Speaker 2: the news, and we we discussed one on this program.

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Speaker 3: That's so great to hear. Yeah, wow, thank you guys.

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Speaker 2: We played that. We played the teaser it was for.

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Speaker 2: I don't remember what it was called, Kevin, can you

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Speaker 2: share with me the name of the show?

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Speaker 6: White Horse Tavern?

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Speaker 2: White Horse Wow.

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Speaker 5: You guys saw what you guys saw who.

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Speaker 2: We looked at the trailer for White Horse Tavern. We

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Speaker 2: had a great time chopping it up about it, and

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Speaker 2: I know we're watching it. You had a good time

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Speaker 2: working on the show.

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Speaker 4: Yeah, you can say that.

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Speaker 1: You can say that you can tell when the cast

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Speaker 1: is enjoying themselves on a production. It's really always exciting

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Speaker 1: for me because sometimes somebody goes to make a comedy

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Speaker 1: show and the way they run it is so sort of,

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Speaker 1: you know, regimented and rigid and strict that guys like

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Speaker 1: you can't express your own personalities and it doesn't feel

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Speaker 1: fun to watch it. And maybe the jokes are written well,

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Speaker 1: and maybe some of the physical comedy is done well,

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Speaker 1: but it doesn't feel fun and it doesn't crawd feel

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Speaker 1: this well.

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Speaker 3: This is the cool combination of where it has all

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Speaker 3: three things. The writing is fucking.

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Speaker 1: It's amazing incredible.

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Speaker 5: Yeah, so good, and like just like I mean me

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Speaker 5: and like the whole cast was just vibing, like we

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Speaker 5: were like really like the group chat still pops off.

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Speaker 2: Let's talk. Let's up a frame. Let's pull up a frame. Uh.

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Speaker 2: And I think in the trailer Rigatta is in as

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Speaker 2: many as four frames.

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Speaker 3: And I think it's first of all, I just want

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Speaker 3: to say, how cool is it? Just this technology of

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Speaker 3: like the first show that's on a screen that's being

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Speaker 3: recorded at comic at Comic Con in a video at

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Speaker 3: Comic Con stadium, a video of a screen in a stadium.

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Speaker 2: I mean, this is cool. Oh yeah, there he is,

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Speaker 2: and so this is a show.

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Speaker 1: But look at how much fun he's having where we

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Speaker 1: should be what I'm talking about.

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Speaker 4: I remember this.

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Speaker 2: Seth Green's show where Riga and some other humans are

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Speaker 2: partying with the NFTs keys are at the bar. They

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Speaker 2: work in the bar, the bar. One of them is.

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Speaker 3: Sorry, that is what we were looking at as a

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Speaker 3: doodle that is not an n FT.

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Speaker 4: But that's not.

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Speaker 2: That's a doodle, I believe.

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Speaker 3: So say more, Well, there are n f T s

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Speaker 3: and there doodles, and it's.

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Speaker 5: Kind of a hybrid. It's kind of that's kind of

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Speaker 5: one of the ways that breaks.

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Speaker 1: Doodle inspired by an n f T.

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Speaker 4: You know, that's a good question. I don't think it.

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Speaker 1: Was a doodle's friends at the n.

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Speaker 2: F T and what says this is a hybrid And

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Speaker 2: I guess my question is a hybrid of an n

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Speaker 2: f T and what doodle? The doodle is a hybrid

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Speaker 2: of an NFT show.

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Speaker 3: The show has both ns and doodle.

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Speaker 1: Doodles are in the show with the n f T

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Speaker 1: s and their friends. Is there any friction between them?

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Speaker 1: I could see that generating a lot of story.

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Speaker 3: I will say there is, But at the end of

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Speaker 3: the day, it is a family.

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Speaker 2: And like we all.

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Speaker 5: Work for the White Horse Tavern and it's it's a

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Speaker 5: watering pole every it's all kinds of people.

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Speaker 4: You got your norm, you got your Cliff.

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Speaker 1: Well, you know, Jim and Dwight didn't always get along,

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Speaker 1: but they love They did love each other, you know,

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Speaker 1: And I think if really Dwight ever needed him Jim

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Speaker 1: would be there and this is sort of like this

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Speaker 1: is you know it's.

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Speaker 3: And that was just like the most fun part of

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Speaker 3: the show is those final two seasons where it's just

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Speaker 3: mainly the love they have for each.

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Speaker 1: Other where their friends.

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Speaker 3: It doesn't need to be necessarily jokes and frictional conflict.

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Speaker 2: It's just like.

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Speaker 1: Tavern starts in the place that they finally got to

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Speaker 1: with those finals exactly.

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Speaker 5: It's kind of a spiritual sequel in some senses.

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Speaker 2: Yeah. Yeah, So we talked about it a little on

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Speaker 2: the show of some of the snags that that production hit.

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Speaker 2: Many of the NFTs were stolen and renditioned, uh, and

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Speaker 2: because of their extreme value. And we also understand that

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Speaker 2: you were being so funny on set that you were

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Speaker 2: confused for an NFT and you were kidnapped.

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Speaker 1: That we're not you were taken to a to a

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Speaker 1: black site, to a CIA black site, and.

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Speaker 2: I know and let me just say, uh, when when

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Speaker 2: Richard's hand is on his hip like it is this frame,

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Speaker 2: then yes that I know he is being very funny

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Speaker 2: basically like an NFT.

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Speaker 1: He's a or a doodle. I guess, yeah, I'm I'm

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Speaker 1: I'm new to all this. Like this is what's cool

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Speaker 1: is I'm learning a lot about this world through.

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Speaker 2: Do you remember what you were saying here or do

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Speaker 2: you have this script?

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Speaker 5: Well, actually, I'm happy you brought up my hand on

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Speaker 5: my hip because I actually could tell that I was

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Speaker 5: being really funny and that was a that was kind

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Speaker 5: of like a call for help a little bit.

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Speaker 4: In a sense, but.

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Speaker 1: Or something like.

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Speaker 4: It was a signal.

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Speaker 5: It was a signal that I was trying to maybe

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Speaker 5: an n f T one of my one of my

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Speaker 5: brothers in arms, one of my NFT friends could have

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Speaker 5: done something or helped me.

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Speaker 2: But stop you fun?

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Speaker 4: Yeah, maybe maybe maybe.

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Speaker 3: Unfortunate Unfortunately, if you watch the show, I it sucks

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Speaker 3: that I got cut out of the trailer. It seems

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Speaker 3: like it was such a fun time for the shot

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Speaker 3: obviously when the trailer came out, but I actually voiced

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Speaker 3: the robot that is doodle.

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Speaker 2: That we're looking at is feature there?

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Speaker 1: Okay, so that's you, that is me. You're on the

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Speaker 1: screen right now.

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Speaker 5: You know, And I'm I'm really happy you guys brought

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Speaker 5: up the script because I actually do have it.

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Speaker 4: I'm gonna go get it real quick.

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Speaker 1: I just grab that right, ye, grab that we could

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Speaker 1: read a little bit of it.

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Speaker 3: We are looking at Sudsy and Alonso right now.

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Speaker 2: Those are the carry Sudsy is the robot who's a

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Speaker 2: duodal and he's assume well, he's just because he's doing dishes.

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Speaker 1: Now I know.

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Speaker 2: There is white Horse Tavern. The name of the first

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Speaker 2: episode is Valentine's Deck. You can see all the Valentine's

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Speaker 2: around in the frame set deck went off.

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Speaker 1: Yeah, yeah, the snap on us.

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Speaker 4: These are the pages.

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Speaker 2: Okay, and are you a highlighter?

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Speaker 1: Uh?

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Speaker 4: These are highlighted for not my character.

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Speaker 1: Now we all know the way this works, right is

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Speaker 1: there's a big room.

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Speaker 5: Wow.

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Speaker 7: Okay, so there's so here's the picture of this is

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Speaker 7: pre dude, there's bts where Jeremy is sitting down in

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Speaker 7: uh Sudsy's position.

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Speaker 2: He is pretending to watch a dash.

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Speaker 5: Yeah, and now this scene sons, you see it, Okay,

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Speaker 5: Jeremy should be do you have the scripture?

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Speaker 1: Oh that's a live photo. Huh? So that move yeah,

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Speaker 1: I think it's just the angle.

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Speaker 2: But I'm always going back to the monitor when I

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Speaker 2: get an opportunity like that, and I like, I'm always

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Speaker 2: walking over to video village and I'm like sorry, Can

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Speaker 2: I just snap it just a just a.

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Speaker 3: Quick why of course?

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Speaker 1: Can I see playback? Do we have playback on that?

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Speaker 1: Can I just see what I was doing? Just a position?

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Speaker 1: Hand position? Can I look at playback? Uh? Huh? Okay,

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Speaker 1: so my right hands on the Yeah. He was like,

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Speaker 1: I'll tell you where it was. And I'm like, can

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Speaker 1: you hang on a second. I'm watching playback, but then

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Speaker 1: I am filming it too, and then I'll keep my

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Speaker 1: phone and frame it. I'll check it and I refuse

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Speaker 1: to put it in airport mode.

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Speaker 2: Okay, I have the science here.

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Speaker 4: Just what if you guys want to read Fred?

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Speaker 2: I don't have the script. I wasn't involved in the project.

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Speaker 1: Yeah, I want to read Fred. I don't have the

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Speaker 1: script either.

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Speaker 4: But I'll send it to you.

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Speaker 1: How does Fred sound? Can I know a little bit

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Speaker 1: about fred story?

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Speaker 3: Fred is a ape?

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Speaker 2: He is?

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Speaker 1: Okay. I would say I'm gonna have a tough time

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Speaker 1: playing board in this show because there's so much funny happening.

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Speaker 2: Right.

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Speaker 1: The sound design, by the way, was fucking amazing. Like

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Speaker 1: when I watch it, there's this cool like I actually

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Speaker 1: it's immersive, like I feel like I'm in the show

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Speaker 1: and there are multiple conversations going on, and I can't

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Speaker 1: like hear what I'm supposed to be paying.

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Speaker 4: Attention intentional, that's intentional.

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Speaker 1: No, of course, it's like Altman or something, right, like

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Speaker 1: is it? Did they talk about Robert Altman a lot?

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Speaker 3: We were talking about Alan a lot on we were, Yeah,

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Speaker 3: we were talking about the Long Goodbye and just Likeence.

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Speaker 1: Well, Nashville is really where he unleashed that, you know

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Speaker 1: that those sort of separate threads bleeding. I mean he

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Speaker 1: experimented with it on California Split. But you guys must

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Speaker 1: have talked about this.

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Speaker 3: We were, Yeah, this brings me back.

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Speaker 5: Yeah, yeah, we still talk about just like Altman in

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Speaker 5: the group text just firing.

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Speaker 1: Well, it's all coins, right, is like part of the

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Speaker 1: NFT world.

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Speaker 2: It's a combination of all comedy and all coins.

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Speaker 1: I'm Robert Coins, That's right, Yeah, tells Seth if he wants,

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Speaker 1: I'll play Robert a coins. You know, when this goes

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Speaker 1: to series or whatever. Yeah, you could draw me as

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Speaker 1: like a stack coins. I'm a doodle and I'm like

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Speaker 1: spilling on the counter or whatever. But I'm also directing

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Speaker 1: it you. I mean, he'll figure it out. He knows

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Speaker 1: this thing is he sole credit on the script or

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Speaker 1: what's the is the room going?

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Speaker 3: Or uh, you know he is not credited on the script?

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Speaker 1: Who wrote him? Who wrote this Bad Bird?

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Speaker 3: You know, I'm almost just out of respect for the

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Speaker 3: person that I want to just damn.

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Speaker 5: Yeah, I tried to keep it out of frame when

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Speaker 5: I held up that.

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Speaker 2: I did the thing.

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Speaker 3: You know, he's just a he's a nice guy, and

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Speaker 3: I just know that he would want the script to

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Speaker 3: speak for itself to the thing.

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Speaker 4: It's just like it should just come on.

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Speaker 2: It's yeah, it's like no, but it's also important.

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Speaker 1: No, Like these words don't fall out of the sky

360
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Speaker 1: like somebody sits down, you know, at like an old

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Speaker 1: timey typewriter and click box out this bad Bird. Look

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Speaker 1: it looks type written to me, which makes me suspect

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Speaker 1: it may have been at rejected jokes because I know

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Speaker 1: he's got I know he's got a typewriter, and I

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Speaker 1: know that, and I know from the perspective of cartoons

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00:21:14,960 --> 00:21:19,240
Speaker 1: a lot he's right, and he's Scooby dude whoever.

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Speaker 3: He's actually like faxed in a ton of sudsy launch.

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Speaker 1: Machine.

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Speaker 3: Yeah, and Letterman didn't bite on him for whatever reason,

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Speaker 3: and he went to update updated, it ended up becoming

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Speaker 3: just this awesome.

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Speaker 2: Yeah sort of, Sean, do you have the sides?

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Speaker 4: I just emailed you the side?

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Speaker 1: Sean, Okay, let me open up my email. I have

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Speaker 1: it on do not disturb while we do this, just

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Speaker 1: out of respect for the podcast. But I'm uh, I'm

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Speaker 1: looking at my email and it's checking for mail now,

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Speaker 1: so the system's kind of trying to find, like, had

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Speaker 1: I did I get an email?

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Speaker 4: For sure?

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Speaker 1: Here it is and I've got an email and it's

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Speaker 1: from you.

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Speaker 4: Yeah, that's what I was. Yeah.

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Speaker 6: This week on the Patreon Carl and Nissan discussed the

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00:22:11,880 --> 00:22:14,560
Speaker 6: Draymond Green Punch, the Boys do a teaser freezer for

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00:22:14,600 --> 00:22:17,359
Speaker 6: the new Super Mario Bros. Movie, and the flager Ones

387
00:22:17,359 --> 00:22:22,480
Speaker 6: are mostly talking all things basketball. Also, this Saturday, October fifteenth,

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00:22:22,520 --> 00:22:25,320
Speaker 6: at twelve pm Pacific time, Carl and Nissan will be

389
00:22:25,359 --> 00:22:28,920
Speaker 6: doing a video game live stream of Madden NFL twenty two,

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00:22:29,240 --> 00:22:31,440
Speaker 6: so make sure to check that out on the Bundle

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00:22:31,480 --> 00:22:34,840
Speaker 6: Plus video tier. Also, you can check out the video

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Speaker 6: for this episode with Jeremy and Rajatt at patreon dot com.

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Speaker 6: Slash the Flagrant Ones.

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Speaker 2: Fred works at the Tavern.

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Speaker 4: Fred is Seth Green's character.

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Speaker 1: I'm looking at it.

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Speaker 4: That's the main that's the main ape. That's bored, that's

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Speaker 4: the main board ape.

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Speaker 1: So let me see if I can get into Seth

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Speaker 1: Green a little bit.

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Speaker 2: Yeah, he's got.

402
00:23:03,160 --> 00:23:05,200
Speaker 3: Well, I mean it's me.

403
00:23:04,680 --> 00:23:11,479
Speaker 1: Hey, A'm Seth, but he's not. He's spread exactly exactly.

404
00:23:11,880 --> 00:23:13,800
Speaker 4: Yeah, so that kind of you kind of didn't do a.

405
00:23:13,760 --> 00:23:16,159
Speaker 1: Good job there. Hey, I'm Fred.

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Speaker 4: That's better.

407
00:23:18,520 --> 00:23:20,399
Speaker 3: I mean, Hayes, do you have any notes for him,

408
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Speaker 3: because I know you've worked with Seth before.

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Speaker 2: I did work with Seth in the form of Chris

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Speaker 2: in the form of Chris. I only know Chris. If

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Speaker 2: you work with Seth on that show, all you know

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Speaker 2: is is Chris.

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Speaker 1: I'll tell you a true story from the studio days

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Speaker 1: and once you're finished, Hayes, but I just want to

415
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Speaker 1: flag it to remember about Seth Green. Tell the Chris story,

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Speaker 1: and then there is.

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Speaker 2: He's the voice of Chris on Family Guys. Tell your

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00:23:46,400 --> 00:23:49,960
Speaker 2: Chris story and there is no story about Chris story.

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Speaker 2: And then I'll tell character story. The character that he

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Speaker 2: plays is Chris, Chris Griffin. He's the son He's he

421
00:23:59,760 --> 00:24:02,200
Speaker 2: does really have that many to stay tell your.

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Speaker 1: Story about Chris, you know, working with Chris and what

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00:24:06,119 --> 00:24:09,320
Speaker 1: was I know what happened like what you know, some

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00:24:09,640 --> 00:24:11,000
Speaker 1: funny stuff that was the.

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Speaker 2: One uh voice. I wasn't really very good at pitching

426
00:24:14,880 --> 00:24:20,000
Speaker 2: in and so I was more of a Peter uh

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00:24:20,600 --> 00:24:23,679
Speaker 2: pitching guy, and so Chris and I didn't have much

428
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Speaker 2: contact of the course of the show. There is no story,

429
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Speaker 2: uh And I don't know Seth never interact.

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Speaker 1: Tell almost story about me, Hayes, that's my Chris there

431
00:24:33,520 --> 00:24:39,640
Speaker 1: he is. Yeah, jeez, Hayes, tell him about me, Chris,

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Speaker 1: all our crazy times together.

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Speaker 2: That's pretty good.

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00:24:44,840 --> 00:24:47,399
Speaker 1: That's him, and he's asking you to tell the story.

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00:24:47,119 --> 00:24:49,640
Speaker 2: About I don't have any story about Chris.

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00:24:49,840 --> 00:24:56,200
Speaker 1: So while Hayes kind of irons out some of the

437
00:24:56,359 --> 00:24:59,640
Speaker 1: kinks in the Chris story that he's gonna tell, I'll

438
00:24:59,680 --> 00:25:01,760
Speaker 1: talk out a time that I came to the studio.

439
00:25:01,800 --> 00:25:04,160
Speaker 1: And you may remember this too, but when we were back,

440
00:25:04,200 --> 00:25:06,440
Speaker 1: when we were at Irwolf, we're still on good terms

441
00:25:06,480 --> 00:25:10,639
Speaker 1: with them. There was a studio and they they tended

442
00:25:10,680 --> 00:25:14,800
Speaker 1: to feature a memorabilia from a lot of their shows,

443
00:25:16,480 --> 00:25:20,000
Speaker 1: and outside the studio there was a photo and it

444
00:25:20,160 --> 00:25:25,960
Speaker 1: had a collage of all the different guest photos Hayes

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00:25:26,000 --> 00:25:28,680
Speaker 1: and I had taken in the early days of Hollywood Handbook.

446
00:25:29,880 --> 00:25:36,560
Speaker 1: And one day I came in and Kevin said, Seth

447
00:25:36,640 --> 00:25:40,720
Speaker 1: Green was here to record Hollywood Handbook earlier, and he

448
00:25:40,880 --> 00:25:45,840
Speaker 1: took like a hundred pictures of this collage of you guys.

449
00:25:45,880 --> 00:25:46,919
Speaker 1: Do you remember this, Kevin?

450
00:25:47,640 --> 00:25:50,080
Speaker 2: But he wasn't there to record Hollywood Handbook. He was there,

451
00:25:50,160 --> 00:25:50,600
Speaker 2: he was here.

452
00:25:50,640 --> 00:25:52,199
Speaker 1: Oh he was there. Yeah, sorry, he was here to

453
00:25:52,200 --> 00:25:55,480
Speaker 1: record Comedy Bang Bang. But it took like a hundred

454
00:25:55,520 --> 00:25:59,639
Speaker 1: pictures of this poster of the Hollywood Handbook thing and

455
00:26:00,160 --> 00:26:03,520
Speaker 1: taking pictures of it, and and I and he was like,

456
00:26:03,560 --> 00:26:05,399
Speaker 1: do you mind if I take pictures of this? And

457
00:26:05,440 --> 00:26:07,480
Speaker 1: he took a lot, and he was like, Wow, this

458
00:26:07,640 --> 00:26:12,000
Speaker 1: is really cool. And it's always disturbed me on a

459
00:26:12,040 --> 00:26:16,520
Speaker 1: few levels. One why did he take any pictures of it?

460
00:26:17,280 --> 00:26:17,960
Speaker 2: Two?

461
00:26:18,160 --> 00:26:20,160
Speaker 1: Why did he take multiple pictures of it?

462
00:26:21,080 --> 00:26:22,399
Speaker 2: Three?

463
00:26:22,680 --> 00:26:25,440
Speaker 1: Why was Kevin so excited about it?

464
00:26:27,359 --> 00:26:29,240
Speaker 2: And also it didn't as far as I know, it

465
00:26:29,240 --> 00:26:31,119
Speaker 2: didn't translate into anything or.

466
00:26:31,240 --> 00:26:33,240
Speaker 1: Why didn't anything come from that?

467
00:26:33,720 --> 00:26:41,800
Speaker 2: Was no conversion? Have a good day, sir. And is

468
00:26:41,840 --> 00:26:44,640
Speaker 2: that the story as you remember it, Kevin? Yes?

469
00:26:44,720 --> 00:26:47,840
Speaker 8: And I also remember LeVar Burton coming up to Seth

470
00:26:47,880 --> 00:26:50,000
Speaker 8: Green and saying, what are you doing?

471
00:26:50,320 --> 00:26:50,600
Speaker 1: Uh?

472
00:26:50,640 --> 00:26:53,919
Speaker 8: And he said, I'm recording comedy Bang Bang, and LeVar went, huh,

473
00:26:54,000 --> 00:26:56,160
Speaker 8: you will be perfect for that show.

474
00:26:56,400 --> 00:26:56,840
Speaker 1: And then he.

475
00:26:56,840 --> 00:27:08,160
Speaker 2: Laughed, Okay, that's that's good story. Okay, can we right now?

476
00:27:08,280 --> 00:27:10,960
Speaker 1: Yeah, let's just tell your Chris story.

477
00:27:11,119 --> 00:27:14,480
Speaker 2: I don't have a story. I really don't want to

478
00:27:14,520 --> 00:27:20,520
Speaker 2: tell any story about it. Hey. Hey, that's that's really

479
00:27:20,560 --> 00:27:22,960
Speaker 2: Oh wow, that's a lot better.

480
00:27:23,040 --> 00:27:24,879
Speaker 1: And now even Chris is asking me.

481
00:27:25,000 --> 00:27:29,520
Speaker 2: Hear in my door in his door?

482
00:27:30,359 --> 00:27:35,280
Speaker 3: Yeah, there's a monkey in my door.

483
00:27:35,960 --> 00:27:37,520
Speaker 4: There's a monkey in your door?

484
00:27:40,480 --> 00:27:44,520
Speaker 1: Meg, Meg, Meg?

485
00:27:46,240 --> 00:27:49,080
Speaker 2: Yeah. I really was a good Stewie.

486
00:27:49,760 --> 00:27:53,440
Speaker 1: Hey, Stewie, Dad.

487
00:27:53,960 --> 00:27:56,160
Speaker 2: He didn't really talk to Stewie that much.

488
00:27:57,880 --> 00:28:02,760
Speaker 1: Hey, Stewie, and Brian, can I one of your crazy stories?

489
00:28:04,119 --> 00:28:08,240
Speaker 4: That's Bryan. Bryan's here, mm hmmm mmm.

490
00:28:09,440 --> 00:28:12,200
Speaker 2: I never really saw him in the office. One time,

491
00:28:14,040 --> 00:28:17,520
Speaker 2: I was introduced to Joe Buck when he came in

492
00:28:17,640 --> 00:28:22,119
Speaker 2: to record something and he was interested at the time

493
00:28:22,880 --> 00:28:29,640
Speaker 2: and adapting a sitcom about his own life. Uh, and

494
00:28:30,240 --> 00:28:36,040
Speaker 2: I believe something related to his divorce. And we we

495
00:28:36,119 --> 00:28:37,760
Speaker 2: talked a little bit where he was like sort of

496
00:28:37,840 --> 00:28:39,960
Speaker 2: soft pitching me on like maybe I was gonna be

497
00:28:40,000 --> 00:28:43,920
Speaker 2: able to get involved with writing the show about Joe

498
00:28:43,960 --> 00:28:52,040
Speaker 2: bucks divorce. So that's can that can that? Can that be?

499
00:28:52,520 --> 00:28:54,280
Speaker 2: I would really love for that to just kind of

500
00:28:54,320 --> 00:28:57,040
Speaker 2: suffice suffice As the Chris story, we could hear the

501
00:28:57,080 --> 00:28:59,800
Speaker 2: seed from white Horse Tavern. I didn't even want to

502
00:28:59,800 --> 00:29:03,280
Speaker 2: tell that story at all, but that's it's it's it's

503
00:29:03,320 --> 00:29:05,080
Speaker 2: just one of the only ones that I have.

504
00:29:05,600 --> 00:29:07,560
Speaker 4: No for sure, we will wait on the Chris story.

505
00:29:07,600 --> 00:29:09,760
Speaker 4: Probably we'll get We'll get the Chris story.

506
00:29:09,720 --> 00:29:14,480
Speaker 1: Okayer, Yeah, and I yeah, I guess I can. I

507
00:29:14,480 --> 00:29:17,320
Speaker 1: mean I can talk a little bit about you told

508
00:29:17,360 --> 00:29:21,240
Speaker 1: your Joe Buck story obviously, and I can talk about

509
00:29:22,200 --> 00:29:25,040
Speaker 1: Seth Green and a development opportunity similar to your Joe

510
00:29:25,040 --> 00:29:28,640
Speaker 1: Buck one that I was presented with at one point.

511
00:29:29,280 --> 00:29:32,320
Speaker 1: It was a show he was really passionate about. Uh

512
00:29:33,320 --> 00:29:36,520
Speaker 1: for him to start in actually that I Seth Green

513
00:29:36,640 --> 00:29:40,840
Speaker 1: or Joe Bock Seth Green. Okay, Uh, you know I

514
00:29:40,880 --> 00:29:43,920
Speaker 1: didn't end up landing. I wasn't as fortunate as you

515
00:29:43,920 --> 00:29:47,080
Speaker 1: guys actually be involved. Like you know, you made it

516
00:29:47,120 --> 00:29:51,240
Speaker 1: all the way to uh to to the set for

517
00:29:51,320 --> 00:29:53,640
Speaker 1: white Horse Tavern and and you you know, I can

518
00:29:53,720 --> 00:29:57,680
Speaker 1: see one of you in the in the show this

519
00:29:57,760 --> 00:30:01,000
Speaker 1: Is this Is. I guess somewhat we're related because horses

520
00:30:01,000 --> 00:30:02,600
Speaker 1: would be a part of the world. But there was

521
00:30:03,040 --> 00:30:06,440
Speaker 1: a show called Shorties about jockeys that he really wanted

522
00:30:06,480 --> 00:30:13,080
Speaker 1: to make, and I kind of said, you know, could

523
00:30:13,160 --> 00:30:19,040
Speaker 1: this be something else? You said that wow, yeah, yeah,

524
00:30:19,360 --> 00:30:21,560
Speaker 1: And the answer wasn't.

525
00:30:21,600 --> 00:30:21,640
Speaker 4: No.

526
00:30:22,320 --> 00:30:26,320
Speaker 2: Yeah, that's that is not that to me is not surprising.

527
00:30:26,600 --> 00:30:28,240
Speaker 4: Did you want them to be taller?

528
00:30:30,240 --> 00:30:34,640
Speaker 1: Looking back, I guess I didn't really have a super

529
00:30:34,680 --> 00:30:39,000
Speaker 1: specific change. I think I wanted to start over all together,

530
00:30:40,880 --> 00:30:46,120
Speaker 1: just go, hey, we're all smart guys, you know, like,

531
00:30:46,280 --> 00:30:49,720
Speaker 1: let's it's just blue sky, this bad bird.

532
00:30:51,280 --> 00:30:53,920
Speaker 2: If we can beat the area.

533
00:30:54,400 --> 00:30:55,400
Speaker 4: I think you fucked up.

534
00:30:56,440 --> 00:31:00,160
Speaker 1: I know I did, yeah, because ultimately that became they

535
00:31:00,400 --> 00:31:02,960
Speaker 1: they did kind of move on from jockeys to horses.

536
00:31:03,040 --> 00:31:05,320
Speaker 1: That the horse became a tavern, then it became white

537
00:31:05,320 --> 00:31:10,480
Speaker 1: Horse Tavern, then it became NFTs. So you know you

538
00:31:10,560 --> 00:31:15,240
Speaker 1: figured it out. Uh, but uh, you know, I'm ready

539
00:31:15,240 --> 00:31:17,640
Speaker 1: to play Fred. Do you want to read this scene?

540
00:31:18,960 --> 00:31:22,480
Speaker 2: I'm so glad. I'm really ready to hear the scene.

541
00:31:22,960 --> 00:31:28,000
Speaker 1: And we'll do Chris after Chris story, right, kind of

542
00:31:28,000 --> 00:31:32,520
Speaker 1: what it was like hanging with Chris. Chris ever jack

543
00:31:32,640 --> 00:31:34,280
Speaker 1: off on any of the episodes.

544
00:31:34,400 --> 00:31:36,120
Speaker 4: Oh, you're gonna have to wait to find out.

545
00:31:36,440 --> 00:31:40,480
Speaker 3: Yeah, did he jack off on the episode?

546
00:31:41,320 --> 00:31:51,200
Speaker 2: Yeah? Okay, so I forget fine, I'll tell the one story.

547
00:31:51,280 --> 00:31:56,720
Speaker 2: Chris did jack off on one episode right when it

548
00:31:56,840 --> 00:32:02,560
Speaker 2: was ready to go on TV. Oh, we go into

549
00:32:02,640 --> 00:32:07,160
Speaker 2: Chris's room and he's got the episode there. He just

550
00:32:07,240 --> 00:32:08,800
Speaker 2: he just jacked off all over it.

551
00:32:11,160 --> 00:32:12,040
Speaker 4: What did you guys do?

552
00:32:12,560 --> 00:32:16,520
Speaker 2: No, it was it was the evil Markey lives it

553
00:32:16,600 --> 00:32:20,760
Speaker 2: my door. They were like okay, Chris like yeah, right,

554
00:32:21,040 --> 00:32:23,280
Speaker 2: and then he looks over at the evil Buckey.

555
00:32:24,720 --> 00:32:27,320
Speaker 3: He was the evil.

556
00:32:26,280 --> 00:32:33,160
Speaker 2: He did the point that like crazy plant that Chris,

557
00:32:33,680 --> 00:32:35,640
Speaker 2: He's clearly just jacked off.

558
00:32:37,000 --> 00:32:37,400
Speaker 5: To him.

559
00:32:37,400 --> 00:32:39,360
Speaker 4: That makes me, I mean, I feel bad for Chris

560
00:32:39,440 --> 00:32:41,960
Speaker 4: at the end of the day. Yeah, no one believes him.

561
00:32:42,000 --> 00:32:43,600
Speaker 2: But it was a really sad story.

562
00:32:45,440 --> 00:32:48,200
Speaker 1: Yeah, Ship, I'm sorry I made you tell that man. Yeah,

563
00:32:48,520 --> 00:32:51,400
Speaker 1: I guess you kind of insistently really sad story.

564
00:32:52,360 --> 00:32:55,200
Speaker 3: I mean, yeah, we'll hear the real Chris story later.

565
00:32:55,560 --> 00:32:57,000
Speaker 4: Yeah, you got something.

566
00:32:56,680 --> 00:33:00,640
Speaker 1: Else, but I'm ready to be friends. Hang on, let

567
00:33:00,680 --> 00:33:04,800
Speaker 1: me get back into it. I'm Seth Green. I'm Seth Green.

568
00:33:05,240 --> 00:33:06,920
Speaker 4: No you're not Fred.

569
00:33:07,200 --> 00:33:09,680
Speaker 1: Yeah, there you go, I'm Fred.

570
00:33:10,040 --> 00:33:10,520
Speaker 4: There you go.

571
00:33:10,640 --> 00:33:13,440
Speaker 3: A Fred is sort of an everyman, even though he

572
00:33:13,600 --> 00:33:16,080
Speaker 3: is a board ape. We never acknowledged that he's a

573
00:33:16,120 --> 00:33:16,640
Speaker 3: board ape.

574
00:33:17,840 --> 00:33:19,800
Speaker 2: They never talked about being n f T S.

575
00:33:20,080 --> 00:33:21,560
Speaker 1: He's looking in.

576
00:33:21,480 --> 00:33:26,120
Speaker 3: Fact not that sort of also extended to the free

577
00:33:26,120 --> 00:33:36,160
Speaker 3: production and to process kind of just like, uh, where.

578
00:33:35,960 --> 00:33:37,080
Speaker 2: Would you know that?

579
00:33:37,520 --> 00:33:40,880
Speaker 1: Did you know you were going to get animated at all?

580
00:33:40,960 --> 00:33:43,480
Speaker 3: I knew I was going to get animated. I did

581
00:33:43,520 --> 00:33:47,400
Speaker 3: not know that I would be digital currency.

582
00:33:47,040 --> 00:33:49,320
Speaker 1: Because the way you're sitting and everything, like you're not

583
00:33:49,440 --> 00:33:55,040
Speaker 1: camera ready in the frame that you showed, like, ok.

584
00:33:55,240 --> 00:33:58,520
Speaker 3: Right, no, no, I I knew they were going to

585
00:33:58,520 --> 00:33:59,240
Speaker 3: animate over me.

586
00:33:59,280 --> 00:34:00,080
Speaker 2: We shot ever.

587
00:34:01,760 --> 00:34:02,760
Speaker 1: Been through HM?

588
00:34:02,840 --> 00:34:05,440
Speaker 4: You hit me up?

589
00:34:07,760 --> 00:34:08,000
Speaker 2: Yes?

590
00:34:08,120 --> 00:34:09,560
Speaker 3: That is correct?

591
00:34:09,560 --> 00:34:10,360
Speaker 2: Do HM?

592
00:34:10,440 --> 00:34:14,719
Speaker 1: You but you're but but your beer's too long in it?

593
00:34:15,840 --> 00:34:18,799
Speaker 4: I think you also got HM. You didn't you?

594
00:34:19,719 --> 00:34:22,080
Speaker 3: They said I. They were like, do you want to get it?

595
00:34:22,080 --> 00:34:25,920
Speaker 3: It's just this is boring, but yeah, they asked it.

596
00:34:26,160 --> 00:34:29,080
Speaker 3: They said do you want to and they were one

597
00:34:29,080 --> 00:34:33,520
Speaker 3: of nice I'm one of the animated characters, and they said, oh, okay,

598
00:34:33,560 --> 00:34:34,040
Speaker 3: no worries.

599
00:34:34,080 --> 00:34:35,600
Speaker 2: You don't have to do hair and making.

600
00:34:35,640 --> 00:34:37,719
Speaker 1: You don't have to do you. I also don't have

601
00:34:37,760 --> 00:34:40,880
Speaker 1: to trim this big long beard. You guys were tracked

602
00:34:40,960 --> 00:34:44,080
Speaker 1: so well, you've got like a Scottie and from Anthrax

603
00:34:44,200 --> 00:34:49,000
Speaker 1: beard it's it comes straight down from his chin just

604
00:34:49,040 --> 00:34:51,400
Speaker 1: when you were filming. I've never seen you wear it

605
00:34:51,480 --> 00:34:54,600
Speaker 1: like that in real life, but I assume that, Hm,

606
00:34:54,680 --> 00:34:56,400
Speaker 1: you would say, hey, don't do this.

607
00:34:56,320 --> 00:35:04,920
Speaker 3: Man, right, Yeah, like I said, I didn't need hair

608
00:35:04,920 --> 00:35:07,919
Speaker 3: and makeup because I also you.

609
00:35:07,840 --> 00:35:11,799
Speaker 5: Were saying that this is boring, It's not because at all.

610
00:35:11,880 --> 00:35:17,600
Speaker 5: It is like the project is so this is behind.

611
00:35:17,280 --> 00:35:19,120
Speaker 2: The scenes, And I just asked, like you say that

612
00:35:19,200 --> 00:35:23,920
Speaker 2: you weren't told that your character was an n f

613
00:35:24,000 --> 00:35:28,600
Speaker 2: T was digital currency. Would that have affected your performance

614
00:35:28,680 --> 00:35:30,960
Speaker 2: in some way? Why do you think that's the right? Well,

615
00:35:31,080 --> 00:35:32,280
Speaker 2: that was the issue.

616
00:35:32,640 --> 00:35:34,880
Speaker 3: That was the issue is we had known it, I

617
00:35:34,920 --> 00:35:36,880
Speaker 3: would have we still would have been so excited to

618
00:35:36,920 --> 00:35:37,480
Speaker 3: do the product.

619
00:35:37,520 --> 00:35:40,040
Speaker 4: We would have probably been like star struck.

620
00:35:40,239 --> 00:35:43,200
Speaker 5: Yeah, it just would have It probably would have gotten

621
00:35:43,200 --> 00:35:43,680
Speaker 5: in the way.

622
00:35:43,560 --> 00:35:45,000
Speaker 4: Of our performances a little bit.

623
00:35:45,120 --> 00:35:47,000
Speaker 2: I would say, Yeah, that's what I'm thinking.

624
00:35:47,080 --> 00:35:50,120
Speaker 3: It would have to relax, yeah I know.

625
00:35:50,360 --> 00:35:52,920
Speaker 1: Yeah, and that you were just going to be a

626
00:35:52,960 --> 00:35:56,640
Speaker 1: cartoon is like, well whatever, But knowing that you're going

627
00:35:56,719 --> 00:35:58,960
Speaker 1: to be an n f T, that's like I think

628
00:35:58,960 --> 00:36:00,560
Speaker 1: you would have been a little tense.

629
00:36:01,000 --> 00:36:01,440
Speaker 4: Yeah.

630
00:36:01,560 --> 00:36:01,840
Speaker 3: Yeah.

631
00:36:01,880 --> 00:36:05,800
Speaker 2: And also like clearly the issue was that somebody found

632
00:36:05,800 --> 00:36:12,400
Speaker 2: out at some point word got out, and look what happened.

633
00:36:12,840 --> 00:36:13,560
Speaker 4: That's what I'm saying.

634
00:36:13,600 --> 00:36:17,320
Speaker 2: So all these characters were renditioned and some of them died.

635
00:36:17,640 --> 00:36:20,200
Speaker 1: Yeah, some of them got their asses kicked, and they

636
00:36:20,560 --> 00:36:21,960
Speaker 1: they've never been the same again.

637
00:36:22,239 --> 00:36:25,360
Speaker 2: Yes, that was a pow.

638
00:36:26,800 --> 00:36:29,200
Speaker 4: I didn't want to Yeah, I didn't want to break. Yeah,

639
00:36:29,239 --> 00:36:32,680
Speaker 4: but it was rough in there. I mean.

640
00:36:35,360 --> 00:36:39,160
Speaker 5: In the digital wallet where they digitally water they do

641
00:36:39,200 --> 00:36:41,960
Speaker 5: all this ship. You know, there's you know that picture

642
00:36:42,080 --> 00:36:43,200
Speaker 5: of Abu grab.

643
00:36:44,600 --> 00:36:47,920
Speaker 1: Which one right, the one like that?

644
00:36:48,239 --> 00:36:49,840
Speaker 2: Okay, yeah that imagine that.

645
00:36:50,680 --> 00:36:55,400
Speaker 4: Imagine that with the with an ape is not so

646
00:36:55,480 --> 00:36:56,160
Speaker 4: funny anymore.

647
00:36:57,480 --> 00:37:00,439
Speaker 2: Wait, okay, we thought it was funny before, but.

648
00:37:00,360 --> 00:37:03,480
Speaker 4: I thought it was funny before. Not so funny anymore

649
00:37:03,520 --> 00:37:08,120
Speaker 4: now with the board ape. Yeah right, not so funny.

650
00:37:10,320 --> 00:37:10,799
Speaker 4: What's up?

651
00:37:11,640 --> 00:37:15,160
Speaker 2: I was trying to you know, who's got it? Oh?

652
00:37:17,360 --> 00:37:17,440
Speaker 1: No?

653
00:37:18,920 --> 00:37:22,680
Speaker 2: Yeah? Move is the monkey from Aladdin.

654
00:37:24,320 --> 00:37:26,600
Speaker 1: Oh so we don't have to do anything to it.

655
00:37:26,920 --> 00:37:31,320
Speaker 3: No, No, it's all good as is. Yeah, still works.

656
00:37:31,800 --> 00:37:33,279
Speaker 1: Abu grape ape.

657
00:37:33,800 --> 00:37:34,760
Speaker 2: Aboo, grape ape.

658
00:37:34,840 --> 00:37:35,399
Speaker 4: There we go.

659
00:37:35,719 --> 00:37:38,640
Speaker 1: Okay, every one.

660
00:37:42,080 --> 00:37:43,719
Speaker 2: This motherfucker had it all the way.

661
00:37:44,280 --> 00:37:46,520
Speaker 1: But I I have sort of lost track of my

662
00:37:46,600 --> 00:37:48,760
Speaker 1: Fred boys. So if I could get back into character

663
00:37:48,800 --> 00:37:52,799
Speaker 1: a while and tells his Chris story, that's gonna help me.

664
00:37:52,840 --> 00:37:54,960
Speaker 2: I told the Chris story he jacked off all over

665
00:37:55,000 --> 00:37:59,480
Speaker 2: the episode we had just finished it. Do you feel

666
00:37:59,520 --> 00:38:00,960
Speaker 2: like you're good with Fred?

667
00:38:01,160 --> 00:38:02,320
Speaker 5: You have got it?

668
00:38:02,600 --> 00:38:06,240
Speaker 1: Yeah, it's only one line, so uh, I'm just gonna

669
00:38:06,280 --> 00:38:11,080
Speaker 1: give you three in a row when it's my turn.

670
00:38:11,320 --> 00:38:15,200
Speaker 4: Okay, great, great, that's perfect for just like audio and just.

671
00:38:15,160 --> 00:38:19,080
Speaker 1: So you can pick from it. Yeah, yeah, yep.

672
00:38:20,400 --> 00:38:22,240
Speaker 4: Does someone want to do stage?

673
00:38:24,560 --> 00:38:25,439
Speaker 2: Does anyone happen?

674
00:38:25,800 --> 00:38:27,440
Speaker 4: Do you know you.

675
00:38:27,680 --> 00:38:34,160
Speaker 2: Email me the size as well? Okay, hang, okay, that'd

676
00:38:34,200 --> 00:38:34,600
Speaker 2: be great.

677
00:38:36,280 --> 00:38:38,120
Speaker 4: How are you doing, Jeremy? You ready for this? You're

678
00:38:38,120 --> 00:38:39,800
Speaker 4: ready to you slip back into Sudsy?

679
00:38:41,360 --> 00:38:51,160
Speaker 2: Yeah, Sudsy's a dishwashing robot. Yes. Uh, talk about Alonso

680
00:38:51,239 --> 00:38:51,759
Speaker 2: a little bit.

681
00:38:52,800 --> 00:39:02,000
Speaker 3: I've always been curious what ethnicity Alonso is.

682
00:39:02,560 --> 00:39:06,640
Speaker 2: Let well, let Alonso Phil. I mean obviously talk a

683
00:39:06,680 --> 00:39:08,240
Speaker 2: little bit about your family.

684
00:39:08,600 --> 00:39:13,480
Speaker 5: Yeah, well, he's kind of a mix you know. I

685
00:39:13,520 --> 00:39:17,080
Speaker 5: would say he's kind of a mixed race. And I

686
00:39:17,120 --> 00:39:20,080
Speaker 5: think I think he's gay.

687
00:39:21,400 --> 00:39:24,840
Speaker 4: Okay, I think he's gay too. I've been when I

688
00:39:24,920 --> 00:39:26,120
Speaker 4: played him, I didn't.

689
00:39:26,480 --> 00:39:29,839
Speaker 5: I mean, obviously I talked to Seth a lot, like yeah,

690
00:39:30,560 --> 00:39:32,920
Speaker 5: a lot of conversations just us to just kind of

691
00:39:33,080 --> 00:39:35,600
Speaker 5: shooting the ship and just like who is this guy,

692
00:39:35,800 --> 00:39:39,640
Speaker 5: like the backstory, and I think we came we came

693
00:39:39,719 --> 00:39:42,360
Speaker 5: to the conclusion that he's a gay, mixed race.

694
00:39:46,120 --> 00:39:46,440
Speaker 1: Man.

695
00:39:46,600 --> 00:39:47,360
Speaker 4: Yeah.

696
00:39:47,600 --> 00:39:52,239
Speaker 1: Yeah, so what Sudsy? What what's going on for Sudsy sexually?

697
00:39:52,320 --> 00:39:55,360
Speaker 1: As long as we're getting into all this stuff.

698
00:39:57,400 --> 00:39:59,440
Speaker 3: I think I think he is a sexual.

699
00:39:59,480 --> 00:40:00,120
Speaker 2: He's a rope.

700
00:40:01,640 --> 00:40:05,279
Speaker 1: Okay, Yeah, but there's got to be in this world,

701
00:40:05,400 --> 00:40:08,680
Speaker 1: especially with doodles and NFTs interacting with people normally there

702
00:40:09,080 --> 00:40:12,600
Speaker 1: I would assume there is some romantic component to some

703
00:40:12,680 --> 00:40:15,200
Speaker 1: of their lives. I know Fred is trying to smash

704
00:40:15,280 --> 00:40:22,160
Speaker 1: with the bartender, so like what you know, I he

705
00:40:22,239 --> 00:40:25,680
Speaker 1: could be asexual, just as anyone could. But I don't

706
00:40:25,680 --> 00:40:29,000
Speaker 1: know why you would limit yourself just because you are

707
00:40:29,040 --> 00:40:33,760
Speaker 1: a robot duodle dishwash. Maybe there's specific kind of robotic

708
00:40:34,120 --> 00:40:36,840
Speaker 1: pornography that Sudsy enjoys. This is just a way that

709
00:40:36,880 --> 00:40:40,160
Speaker 1: you build because rasas done the work like he's built

710
00:40:40,200 --> 00:40:44,680
Speaker 1: the real character around Alonso, the mixed race gay man.

711
00:40:45,120 --> 00:40:45,680
Speaker 2: Uh.

712
00:40:45,719 --> 00:40:49,880
Speaker 1: And it feels like and this is maybe why you

713
00:40:49,960 --> 00:40:53,960
Speaker 1: got it out. You haven't found it yet.

714
00:40:54,239 --> 00:40:57,000
Speaker 3: Right, And that might be why my line was cut

715
00:40:57,040 --> 00:40:57,760
Speaker 3: from the trailer.

716
00:40:59,640 --> 00:41:02,719
Speaker 1: Can I It is on camera when they're filming is

717
00:41:02,760 --> 00:41:07,240
Speaker 1: not a place to learn mm hmm. That's not where.

718
00:41:09,920 --> 00:41:12,640
Speaker 4: Jeremy, you'll use it, I know you all.

719
00:41:13,120 --> 00:41:16,640
Speaker 1: Yeah, and even if we're getting animated, maybe let's hit hair,

720
00:41:17,080 --> 00:41:17,800
Speaker 1: hair and makeup.

721
00:41:19,719 --> 00:41:22,920
Speaker 2: They were coming to you if they offered to you, yea,

722
00:41:23,239 --> 00:41:27,040
Speaker 2: they know that you're going to be digitally concealed by

723
00:41:27,200 --> 00:41:30,680
Speaker 2: a dishwashing robot. Like they know that they understand that

724
00:41:30,719 --> 00:41:37,520
Speaker 2: they're trying to help you. Got it. The beard is

725
00:41:37,560 --> 00:41:40,920
Speaker 2: also very dangerous. That that shape of beard is very dangerous.

726
00:41:40,920 --> 00:41:46,400
Speaker 1: On set, you should be, you should point yeah, you

727
00:41:46,480 --> 00:41:50,880
Speaker 1: should be the same way that the crew members, the

728
00:41:51,000 --> 00:41:53,239
Speaker 1: grips who are like holding a big ladder have to

729
00:41:53,280 --> 00:41:56,560
Speaker 1: say or a light stand, yeah you.

730
00:41:56,640 --> 00:42:02,399
Speaker 2: Have I'm getting ready, I don't have much battery. It's

731
00:42:02,440 --> 00:42:04,760
Speaker 2: just this one page.

732
00:42:04,480 --> 00:42:06,080
Speaker 4: Just this one. That's our scene.

733
00:42:07,360 --> 00:42:09,440
Speaker 3: We have another scene, but oh we do.

734
00:42:09,600 --> 00:42:12,279
Speaker 4: It's very that's not really our scene. This is kind

735
00:42:12,280 --> 00:42:12,680
Speaker 4: of like.

736
00:42:12,680 --> 00:42:18,080
Speaker 1: Our's line, Fred and Fred's got okay.

737
00:42:18,080 --> 00:42:20,360
Speaker 3: It's not just one line though. I mean there's like

738
00:42:20,680 --> 00:42:21,640
Speaker 3: action as well.

739
00:42:22,520 --> 00:42:25,719
Speaker 2: Yeah, okay, so I'm going to read that all right?

740
00:42:25,880 --> 00:42:28,399
Speaker 3: Yeah, yeah, but I would like I think Sean.

741
00:42:28,520 --> 00:42:32,880
Speaker 2: Should do something. I think so, yeah. Interior tavern kitchen

742
00:42:33,040 --> 00:42:38,239
Speaker 2: rear entrance. Moments later, Fred enters through the kitchen door

743
00:42:38,320 --> 00:42:44,600
Speaker 2: and crosses by Alonso, Lion Cook and Sudsey dishwashing robot. Fred.

744
00:42:50,480 --> 00:43:01,080
Speaker 1: Mm hmmm, Sunday. Sorry sorry?

745
00:43:01,080 --> 00:43:05,320
Speaker 2: Can we start over absolutely sure from the top or

746
00:43:05,360 --> 00:43:07,759
Speaker 2: you just want your you want thes or you just

747
00:43:07,800 --> 00:43:08,760
Speaker 2: want your the.

748
00:43:08,719 --> 00:43:10,399
Speaker 1: Your lead in can you read me in?

749
00:43:11,120 --> 00:43:13,239
Speaker 2: Yeah? Yeah? Do you want the stage directions or you

750
00:43:13,320 --> 00:43:17,279
Speaker 2: do you just want the the line that reaches just

751
00:43:17,320 --> 00:43:18,560
Speaker 2: the dialogue.

752
00:43:19,160 --> 00:43:21,120
Speaker 1: Can we go over my line for a little bit,

753
00:43:23,400 --> 00:43:27,240
Speaker 1: just so I'm ready your line?

754
00:43:27,760 --> 00:43:28,360
Speaker 2: Yeah?

755
00:43:28,840 --> 00:43:32,080
Speaker 1: So, because I don't have the whole script, I just

756
00:43:32,120 --> 00:43:35,680
Speaker 1: have this moment. So I know your name?

757
00:43:37,520 --> 00:43:37,840
Speaker 4: Do you know?

758
00:43:38,400 --> 00:43:38,520
Speaker 3: Yes?

759
00:43:39,000 --> 00:43:39,040
Speaker 1: This?

760
00:43:39,640 --> 00:43:39,839
Speaker 2: Yeah?

761
00:43:39,840 --> 00:43:44,319
Speaker 3: You would say in the world basically you.

762
00:43:42,320 --> 00:43:45,800
Speaker 5: Know because the first yeah, you say our names, that's

763
00:43:45,880 --> 00:43:48,120
Speaker 5: like half the line and.

764
00:43:48,040 --> 00:43:52,560
Speaker 1: It is Suzzy mm hmm. Yeah yeah, okay, because I

765
00:43:52,600 --> 00:43:54,560
Speaker 1: was saying Sunday and no one corrected me.

766
00:43:57,120 --> 00:43:58,600
Speaker 2: No, you're right, that's a.

767
00:43:58,680 --> 00:44:00,600
Speaker 4: Bad Yeah, I will correct you next time.

768
00:44:00,840 --> 00:44:04,799
Speaker 3: Corrected you sorry, but yeah it is and you're good

769
00:44:04,800 --> 00:44:05,480
Speaker 3: on Alonso.

770
00:44:05,920 --> 00:44:07,120
Speaker 4: Yeah you got that one down.

771
00:44:08,120 --> 00:44:09,560
Speaker 1: Uh huh cool?

772
00:44:10,880 --> 00:44:13,319
Speaker 2: Cool doesn't Okay, So do you want the you just

773
00:44:13,360 --> 00:44:18,960
Speaker 2: want the dialogue? Yeah, okay, all right, all right, go ahead.

774
00:44:18,800 --> 00:44:25,120
Speaker 1: I'm ready Fred sudz Alan so.

775
00:44:24,200 --> 00:44:29,160
Speaker 5: Yeah, yeah, yeah, just stop world jump in.

776
00:44:29,320 --> 00:44:29,520
Speaker 2: Yeah.

777
00:44:29,920 --> 00:44:35,120
Speaker 4: Yeah, it's a you got that first part was amazing

778
00:44:35,239 --> 00:44:37,759
Speaker 4: first Yeah, really close.

779
00:44:38,480 --> 00:44:40,000
Speaker 2: And all the pieces of it are there.

780
00:44:40,400 --> 00:44:43,280
Speaker 3: Yeah, you know the part where it says Alan, Yeah,

781
00:44:44,239 --> 00:44:47,799
Speaker 3: that's I think we're going to go for different. We're

782
00:44:47,840 --> 00:44:50,920
Speaker 3: gonna go We're going to go for Alan. There was

783
00:44:50,920 --> 00:44:53,239
Speaker 3: a rewrite, but yeah, so we're going for Alonzo.

784
00:44:53,640 --> 00:44:54,960
Speaker 4: Ye not your fault.

785
00:44:55,560 --> 00:44:55,840
Speaker 2: Cool?

786
00:44:55,920 --> 00:44:59,640
Speaker 1: Oh cool, okay, doing kind of a yeah, it's like

787
00:44:59,719 --> 00:45:09,520
Speaker 1: yeah European thing exactly. Okay, all right, I'm again, I'll

788
00:45:09,560 --> 00:45:13,239
Speaker 1: lead you in. Yeah, bread bussy Alonzo.

789
00:45:16,480 --> 00:45:16,960
Speaker 4: Mm hmmm.

790
00:45:17,520 --> 00:45:18,120
Speaker 2: That was great.

791
00:45:18,320 --> 00:45:26,640
Speaker 9: It was Yeah, it's not bussy. Yeah, yeah, all right, cool,

792
00:45:27,800 --> 00:45:32,279
Speaker 9: you feel like you got it this time? Oh, we

793
00:45:32,360 --> 00:45:33,880
Speaker 9: wanted to have our lawyer present.

794
00:45:38,760 --> 00:45:40,719
Speaker 3: Hey can you come here?

795
00:45:42,120 --> 00:45:44,160
Speaker 4: We just yeah, can.

796
00:45:44,080 --> 00:45:47,320
Speaker 2: We talk about the deal making process or Yeah. We

797
00:45:47,840 --> 00:45:49,640
Speaker 2: had a hard line.

798
00:45:49,680 --> 00:45:53,280
Speaker 3: We said we must be paid at least three hundred.

799
00:45:54,920 --> 00:45:59,080
Speaker 4: We have to like it started at three hundred. We're like, no,

800
00:45:59,640 --> 00:46:04,239
Speaker 4: three three, And Grace was like, I'll try to work

801
00:46:04,320 --> 00:46:05,280
Speaker 4: my magic.

802
00:46:05,280 --> 00:46:08,919
Speaker 3: And yeah, of course Grace got a cut of that. Yeah,

803
00:46:09,160 --> 00:46:15,640
Speaker 3: it's probably about three dollars and four cents. Yeah, wow, No,

804
00:46:15,760 --> 00:46:19,400
Speaker 3: and that I mean Sean's living in the house that

805
00:46:19,560 --> 00:46:20,320
Speaker 3: Sudsy built.

806
00:46:21,080 --> 00:46:25,040
Speaker 1: That's right, all right, So I feel like I have

807
00:46:25,120 --> 00:46:27,439
Speaker 1: it now. And so the second half of this line,

808
00:46:29,280 --> 00:46:31,000
Speaker 1: can I hear one of you say it?

809
00:46:32,040 --> 00:46:33,479
Speaker 2: We don't want to give you a line read.

810
00:46:33,800 --> 00:46:36,800
Speaker 4: I think, yeah, just whatever feels.

811
00:46:37,520 --> 00:46:40,000
Speaker 1: What's that attitude on it? Though? Can you give me

812
00:46:40,080 --> 00:46:41,560
Speaker 1: like the general.

813
00:46:41,280 --> 00:46:43,120
Speaker 3: Like normal normal?

814
00:46:43,160 --> 00:46:47,400
Speaker 2: I would say hello, like normal. It's like saying it's.

815
00:46:47,239 --> 00:46:54,320
Speaker 1: More of a hello, like okay, I gotta cool. Fred

816
00:46:54,800 --> 00:46:57,720
Speaker 1: Sudzy Alonzo smells goo, guys.

817
00:47:00,320 --> 00:47:01,759
Speaker 4: We can we'll we'll take it.

818
00:47:01,800 --> 00:47:04,600
Speaker 2: We'll take He did say, well, wait, I just wanted

819
00:47:04,600 --> 00:47:08,600
Speaker 2: to point out he did say smells goo. Yeah, definite,

820
00:47:09,480 --> 00:47:12,600
Speaker 2: and the okay, so you did notice that, and the

821
00:47:12,640 --> 00:47:13,880
Speaker 2: line it smells.

822
00:47:13,520 --> 00:47:16,160
Speaker 1: Good, smells good, that's what I was asking for.

823
00:47:16,280 --> 00:47:19,760
Speaker 5: That's what we'll get that.

824
00:47:20,440 --> 00:47:24,960
Speaker 1: Well, I did say, I was going to give you three.

825
00:47:25,160 --> 00:47:27,600
Speaker 2: We will need to get him smelling something at some

826
00:47:27,640 --> 00:47:30,200
Speaker 2: point so we can get that clean or.

827
00:47:31,160 --> 00:47:33,040
Speaker 4: Get the we'll just get him.

828
00:47:33,680 --> 00:47:37,080
Speaker 3: Are you proposing we get the audio of Sean smelling.

829
00:47:37,239 --> 00:47:53,399
Speaker 1: Yes, okay, subs alone, so smell smells good, guys, bugsy subs,

830
00:47:53,719 --> 00:47:59,880
Speaker 1: I have it, sub subs. Yeah, I don't think you alone,

831
00:48:00,080 --> 00:48:02,040
Speaker 1: So good, guys.

832
00:48:03,239 --> 00:48:06,600
Speaker 3: I think that was pretty good because just as far

833
00:48:06,640 --> 00:48:07,040
Speaker 3: as like.

834
00:48:07,800 --> 00:48:10,319
Speaker 1: Yeah, I think we're gonna assembling from what.

835
00:48:10,400 --> 00:48:12,080
Speaker 5: We have we have to keep.

836
00:48:12,760 --> 00:48:16,160
Speaker 4: Yeah, okay, all right, thanks you too. What is that?

837
00:48:16,280 --> 00:48:16,560
Speaker 2: Thank you?

838
00:48:16,920 --> 00:48:17,680
Speaker 1: Thank for your helping.

839
00:48:17,719 --> 00:48:19,680
Speaker 2: No, you don't know, we're not.

840
00:48:22,920 --> 00:48:26,080
Speaker 1: Oh no yeah no, yeah, thank you for helping me

841
00:48:26,160 --> 00:48:26,600
Speaker 1: with some of that.

842
00:48:27,320 --> 00:48:31,439
Speaker 2: Mm hmm. So the all right, go ahead. I don't

843
00:48:31,440 --> 00:48:32,919
Speaker 2: know if he was trying to thank you or saying

844
00:48:32,960 --> 00:48:39,040
Speaker 2: the line either. I was trying trying to the line okay, thanks.

845
00:48:38,880 --> 00:48:42,080
Speaker 4: All right, yeah, we'll just keep moving, all right, Thanks

846
00:48:42,120 --> 00:48:44,719
Speaker 4: you too. What is that is that weed.

847
00:48:47,719 --> 00:48:52,160
Speaker 2: Fred Gibbs a sly. It might be shrug as he

848
00:48:52,320 --> 00:48:58,120
Speaker 2: exits past them, might be it might be right se

849
00:48:59,040 --> 00:49:00,279
Speaker 2: you're basically uh.

850
00:49:00,440 --> 00:49:04,520
Speaker 4: Your basic you're you exit, You're about.

851
00:49:04,239 --> 00:49:06,560
Speaker 2: To exit, okay.

852
00:49:07,800 --> 00:49:14,160
Speaker 3: I would say Fred's you would say, yeah, what no, sorry,

853
00:49:14,160 --> 00:49:15,680
Speaker 3: I'm just trying to give you notes right now.

854
00:49:17,480 --> 00:49:19,800
Speaker 1: No, I'm work shopping with you, okay.

855
00:49:20,280 --> 00:49:23,600
Speaker 3: So I would say during that, during Alonzo's line, your

856
00:49:23,680 --> 00:49:31,000
Speaker 3: motivation is like very quiet, like I quiet, reserved, sort

857
00:49:31,080 --> 00:49:33,520
Speaker 3: of just intro. He's like maybe in his own head

858
00:49:33,520 --> 00:49:34,080
Speaker 3: a little bit.

859
00:49:34,320 --> 00:49:37,880
Speaker 1: Oh yeah, this scene's not about Fred. It's sad and

860
00:49:37,920 --> 00:49:42,319
Speaker 1: Alonso totally exactly exactly Okay, all right, read me in again.

861
00:49:43,320 --> 00:49:48,759
Speaker 3: Fred say, he said, sense.

862
00:49:53,680 --> 00:50:01,560
Speaker 1: M sazi awesome, smells good, god mm hmmm.

863
00:50:01,520 --> 00:50:05,640
Speaker 4: Smelling Thanks you too. What is that weed?

864
00:50:06,200 --> 00:50:07,240
Speaker 1: It might be weed.

865
00:50:09,360 --> 00:50:13,600
Speaker 4: Now it's more yeah anyway, Oh it's so cool.

866
00:50:14,000 --> 00:50:14,640
Speaker 2: That's so cool.

867
00:50:15,280 --> 00:50:16,200
Speaker 4: Fred is awesome.

868
00:50:17,160 --> 00:50:19,080
Speaker 2: He's the best. You need a plate?

869
00:50:19,920 --> 00:50:20,920
Speaker 4: Yeah, funk me up?

870
00:50:21,080 --> 00:50:24,400
Speaker 2: G huh were you talking to Fred?

871
00:50:25,640 --> 00:50:25,680
Speaker 1: No?

872
00:50:28,280 --> 00:50:32,360
Speaker 2: That's fine. I like it sounded like Fred thought you

873
00:50:32,480 --> 00:50:33,480
Speaker 2: might have been talking to him.

874
00:50:34,120 --> 00:50:35,440
Speaker 1: That's fine, keep going. I got it.

875
00:50:35,520 --> 00:50:38,800
Speaker 2: I got because he was because Fred's trying to leaven.

876
00:50:39,160 --> 00:50:40,359
Speaker 4: Fred's gone by this point.

877
00:50:40,480 --> 00:50:45,360
Speaker 2: Yeah. Yeah, it's a small but confusing for him. In

878
00:50:45,400 --> 00:50:49,719
Speaker 2: the kitchen, someone might be talking to him. Yeah, I

879
00:50:49,800 --> 00:50:50,680
Speaker 2: see the confusion.

880
00:50:50,920 --> 00:50:52,160
Speaker 4: Yeah, definitely confusing it.

881
00:50:52,320 --> 00:50:54,759
Speaker 1: I didn't know who G was. I don't know we

882
00:50:54,880 --> 00:50:55,560
Speaker 1: needed another.

883
00:50:56,840 --> 00:51:01,080
Speaker 3: No, G is like that's my Jos.

884
00:51:00,840 --> 00:51:02,120
Speaker 2: Culture they use.

885
00:51:03,080 --> 00:51:05,960
Speaker 4: It's like gay. It's like stands for gay again.

886
00:51:07,040 --> 00:51:11,120
Speaker 2: I am Sudsy whips a clean play out of his

887
00:51:11,280 --> 00:51:15,440
Speaker 2: pile of dishwashing, and Alonzo throws some cheese fries onto it.

888
00:51:16,880 --> 00:51:19,440
Speaker 1: Sorry, I thought you guys might have been saying something

889
00:51:19,520 --> 00:51:19,719
Speaker 1: to me.

890
00:51:21,840 --> 00:51:24,319
Speaker 2: No, that's all good, Fred, Thanks all right.

891
00:51:24,600 --> 00:51:27,120
Speaker 1: Seems like bars right near the kitchen, so I could

892
00:51:27,200 --> 00:51:28,040
Speaker 1: just hear everything.

893
00:51:28,719 --> 00:51:30,200
Speaker 4: Hey, Fred, I think someone's calling you.

894
00:51:30,960 --> 00:51:32,840
Speaker 1: I think I thought you were calling me.

895
00:51:33,760 --> 00:51:35,239
Speaker 2: Wait, so what will Fred answer it?

896
00:51:35,320 --> 00:51:35,360
Speaker 4: So?

897
00:51:35,440 --> 00:51:36,080
Speaker 2: What's calling you?

898
00:51:36,719 --> 00:51:39,399
Speaker 4: I think? No, in the other room. In the other room,

899
00:51:41,239 --> 00:51:42,160
Speaker 4: it's not in this room.

900
00:51:42,400 --> 00:51:46,440
Speaker 2: It's not getting all No, No, we didn't do that much.

901
00:51:46,600 --> 00:51:48,880
Speaker 1: What's she I'm with Alonzo?

902
00:51:51,719 --> 00:51:57,960
Speaker 4: Uh uh huh yeah, oh yeah, we've been over.

903
00:52:00,480 --> 00:52:08,040
Speaker 1: She's not yeah. Uh identify how oh just like say

904
00:52:08,120 --> 00:52:17,280
Speaker 1: if it's her or not? Okay? Yeah, sure, yeah, okay?

905
00:52:18,280 --> 00:52:23,560
Speaker 1: Uh And then I get paid or anything for it. No,

906
00:52:23,960 --> 00:52:28,720
Speaker 1: just tell yeah for like the police or m okay,

907
00:52:29,440 --> 00:52:32,359
Speaker 1: all right, uh let me see hang on. I feel

908
00:52:32,360 --> 00:52:36,000
Speaker 1: like I said I'm with Alonzo you know. Oh oh,

909
00:52:36,040 --> 00:52:41,759
Speaker 1: you don't know where that is? Sudsy's here. Okay, So

910
00:52:42,000 --> 00:52:42,560
Speaker 1: I'm so.

911
00:52:43,440 --> 00:52:46,600
Speaker 4: You nailed our names. Then yeah that was you kind

912
00:52:46,640 --> 00:52:48,320
Speaker 4: of knocked that out of the park.

913
00:52:48,560 --> 00:52:52,200
Speaker 2: But yeah, yeah, I'd say he's still on the phone.

914
00:52:53,000 --> 00:52:54,759
Speaker 1: No, I'm just telling you guys, so can you guys

915
00:52:54,840 --> 00:52:55,400
Speaker 1: cover for me?

916
00:52:57,320 --> 00:52:58,560
Speaker 2: He's talking to you now.

917
00:52:59,360 --> 00:53:02,720
Speaker 3: You were already working our we have been.

918
00:53:04,520 --> 00:53:06,640
Speaker 4: And I'm I'm not really a bartender. I'm more of

919
00:53:06,680 --> 00:53:07,279
Speaker 4: a lion cook.

920
00:53:08,200 --> 00:53:10,960
Speaker 1: So this is like a It's like the sheriff is

921
00:53:11,000 --> 00:53:18,399
Speaker 1: at the coroner's office. Oh shit, I guess my mom

922
00:53:18,680 --> 00:53:19,600
Speaker 1: was in war.

923
00:53:21,880 --> 00:53:30,120
Speaker 2: Oh shit, So this might be what happened to this character.

924
00:53:30,360 --> 00:53:36,120
Speaker 2: This might be how he got he got Yeah, no,

925
00:53:36,440 --> 00:53:38,520
Speaker 2: I mean like someone maybe called him and told him

926
00:53:38,560 --> 00:53:42,520
Speaker 2: that his mom was in war. Yeah.

927
00:53:42,880 --> 00:53:50,839
Speaker 1: Also say they can't cover for me? Okay, bye, they

928
00:53:50,920 --> 00:53:51,399
Speaker 1: were mad.

929
00:53:53,480 --> 00:53:56,120
Speaker 4: We've been over this. Plates exist to hold the food.

930
00:53:56,800 --> 00:54:00,840
Speaker 4: They're supposed to get dirty, but then they're not clean.

931
00:54:01,400 --> 00:54:02,360
Speaker 2: What a bad system?

932
00:54:03,360 --> 00:54:03,880
Speaker 4: End scene?

933
00:54:04,880 --> 00:54:07,000
Speaker 1: Damn I'd love to know who wrote this bad bird.

934
00:54:09,600 --> 00:54:13,200
Speaker 2: Bye Hollywood, Hamburg,