WEBVTT - Breakup Song Writers

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<v Speaker 1>Welcome back to Artists on Artists on Artists on Artists.

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<v Speaker 2>This week on the show, musicians who have written songs

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<v Speaker 2>and albums about their exes.

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<v Speaker 3>Taylor Swift, Adele Fleetwood Mac. These are just some of

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<v Speaker 3>the artists who go through public breakups and dare big

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<v Speaker 3>enough to write about them.

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<v Speaker 4>An ex is a kind of artistic well, a one

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<v Speaker 4>for people to tap in and have been doing so

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<v Speaker 4>for generations. So we sit down to hear those songs

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<v Speaker 4>and the story behind them.

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<v Speaker 5>So get that tissue box out, get that pill you're

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<v Speaker 5>ready to punch in, and let's listen up.

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<v Speaker 1>This fucking rocks. This fucking rocks. I'm fucking happy that

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<v Speaker 1>we're here.

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<v Speaker 4>Love, This is amazing, This is amazing. This is amazing

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<v Speaker 4>to be in a room with such wonderful musicians. This

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<v Speaker 4>is really so so good.

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<v Speaker 1>How's every feeling right now in their heart? How's every feeling?

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<v Speaker 2>I you're about to cry, You're about to bust a

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<v Speaker 2>tear out of that face.

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<v Speaker 6>It's okay, let it out.

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<v Speaker 1>You can let that shit out. Girlfriend.

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<v Speaker 6>You are allowed to let.

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<v Speaker 1>It out, You're allowed to pour.

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<v Speaker 7>I just can't.

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<v Speaker 3>I cannot believe we're being recognized this way. Because it's

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<v Speaker 3>a weird way of like, what was our trauma is

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<v Speaker 3>now our celebration. Yeah, and we're walking in here as

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<v Speaker 3>a band of brothers and sisters right coming together as

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<v Speaker 3>we put our dirty laundry. It's almost like we put

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<v Speaker 3>our dirty underwear out for the whole world to see.

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<v Speaker 1>I don't give a shit. Yeah it's on my panties

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<v Speaker 1>any day.

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<v Speaker 3>But now it's Gucci clothing and we're being asked about it,

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<v Speaker 3>and we're being brought together for that leap we did.

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<v Speaker 1>I hear you.

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<v Speaker 5>You know, writing music about your ex is just always

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<v Speaker 5>so interesting and it's always so hard, but it's really

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<v Speaker 5>funny to do. Yeah, So I don't know, it's just

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<v Speaker 5>really interesting to also look back at the album, go

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<v Speaker 5>how much I've changed and how.

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<v Speaker 7>Much I made off of your dirty ass?

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<v Speaker 5>Really, it's really so much.

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<v Speaker 4>You know. It's like these albums come out, you know,

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<v Speaker 4>some months, sometimes years after the pain. It's almost like

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<v Speaker 4>seeing a star. The light from the star is not

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<v Speaker 4>the light that's shining currently. It's the light that was

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<v Speaker 4>there millions of years ago, and it's only just now

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<v Speaker 4>reaching us.

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<v Speaker 6>So the pain is just as real. It's only just

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<v Speaker 6>now getting.

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<v Speaker 5>To the people. You've got to write a song about that.

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<v Speaker 5>You really have to write a song just about that.

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<v Speaker 1>I'll apologize.

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<v Speaker 2>I realized I came in with kind of a different

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<v Speaker 2>tone than everybody else.

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<v Speaker 1>I love you care.

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<v Speaker 2>I don't want to apologize for being me, But do

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<v Speaker 2>you apologize for being me in this juncture?

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<v Speaker 1>And I'll let you guys know. I'm fucking here for you.

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<v Speaker 6>Guys.

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<v Speaker 7>They are filming us in the height of our rebellion.

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<v Speaker 3>Rebellions look different and different cultures, different people and different hearts.

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<v Speaker 5>Breakups are just so interesting because everybody feels so different

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<v Speaker 5>things totally, you feel totally. Some people process with anger,

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<v Speaker 5>some people process with power up the fuck you energy,

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<v Speaker 5>some people process with pain and tears.

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<v Speaker 3>I also think the nature of the music industry kind

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<v Speaker 3>of lends itself to healing in a way where we

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<v Speaker 3>all dealt with heartbreak. I'm guessing a couple years ago,

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<v Speaker 3>because these albums just came out recently ish Maybe I

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<v Speaker 3>don't know, but like, once you write an album, I'm

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<v Speaker 3>in the heartbreak there, and I'm in the seven stages

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<v Speaker 3>of grief. I'm in all of that then, and then

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<v Speaker 3>you go into mastering the album, and then it becomes

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<v Speaker 3>its own thing, and then you go into like like

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<v Speaker 3>releasing the album, and then I go, WHOA, that was

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<v Speaker 3>a little girl.

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<v Speaker 7>That was a little girl back then.

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<v Speaker 3>I believe, And I can talk about this breakup now

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<v Speaker 3>in like such a bold way because I'm so done

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<v Speaker 3>and over it.

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<v Speaker 1>Yeah, And I listened to.

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<v Speaker 7>Them, Yeah, I thank you, thank you.

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<v Speaker 2>Well, we gotta talk about ourselves. That's what we're here for.

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<v Speaker 2>Our ex'es are talking about us left and right. They're

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<v Speaker 2>trying to claim plausible deniability for what we said they did.

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<v Speaker 2>But guess what, Cedric, you fucking did that ship, dirty

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<v Speaker 2>ass loser. You gave me scavies on my wedding night.

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<v Speaker 2>Fuck you, fuck you go to fucking hell, you dirty

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<v Speaker 2>piece of dick.

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<v Speaker 7>I hear the word scavs, and I want to go

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<v Speaker 7>scar on.

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<v Speaker 5>My wedding scale on my wedding day.

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<v Speaker 1>Oh my god, Oh my god. Games, Games.

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<v Speaker 5>I love it because it's less of a breakup song

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<v Speaker 5>and more of a realization the musical medical drama.

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<v Speaker 2>Well, it's a fucking story I'm telling on my album.

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<v Speaker 3>I'm telling that, I would say, And I thought it

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<v Speaker 3>was funny that Cedric hit Twitter.

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<v Speaker 7>Of course he hit Twitter.

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<v Speaker 1>That piece of fucking ship.

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<v Speaker 2>I don't write a board for the X Games, you

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<v Speaker 2>fucking loser.

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<v Speaker 1>You're not even in the games. You wear it.

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<v Speaker 2>You'd write a skateboard that's mop on it to clean

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<v Speaker 2>up after other people when.

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<v Speaker 7>They go Jesus Christ fucking Dorric.

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<v Speaker 2>You fucking loser couldn't even handle this fucking shit when

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<v Speaker 2>you had it, you wasted it.

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<v Speaker 1>Waste that opportunity.

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<v Speaker 5>Well, that's my favorite act song for Act four is

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<v Speaker 5>Waste Opportunity. Scamy's on My Wedding Day, the reprise.

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<v Speaker 3>I love the fact that you ended the album with

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<v Speaker 3>Scamies Are Divorced Day.

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<v Speaker 1>Absolutely, you gave me that.

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<v Speaker 4>I really loved Pain at the Urgent Care. It really

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<v Speaker 4>when you got this to Kab's diagnosis. You really made

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<v Speaker 4>it a central fixture of the album where we got

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<v Speaker 4>to check in with your diagnosis every three songs.

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<v Speaker 1>Doctor Doctor, until you where it hurts. It doesn't hurt

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<v Speaker 1>upon my rash, it hurts in my heart.

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<v Speaker 6>Gabies and the Urgent Care, Scamies Lesion Care.

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<v Speaker 3>It's amazing you've become the face of scabies as well.

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<v Speaker 2>I mean it's awesome And to all y'all, to my

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<v Speaker 2>scabies warriors. I want you all to stay strong. I remember,

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<v Speaker 2>mind you, when you come to my concerts, wear long

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<v Speaker 2>sleeve shirts.

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<v Speaker 7>I'm there.

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<v Speaker 3>But we have to acknowledge that you said Cedric's name

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<v Speaker 3>before yours.

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<v Speaker 1>Just like a fucking we need.

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<v Speaker 4>We need.

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<v Speaker 7>That's okay because that's the album.

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<v Speaker 5>Everybody knows your face already. They don't know Cedric.

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<v Speaker 1>My name is Cindy Elizabeth Wright, but you might know

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<v Speaker 1>me as Green.

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<v Speaker 5>Jesus not green.

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<v Speaker 1>I'm green, ry g r y why n green?

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<v Speaker 3>Exclamation point question mark you.

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<v Speaker 2>Yeah, we call that in a terror bang and I

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<v Speaker 2>have a terran banging every single fucking dude.

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<v Speaker 1>I see when I go.

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<v Speaker 2>Out right now, because I'm going fucking wild, I black

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<v Speaker 2>out and I go crazy, and I make sure I

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<v Speaker 2>call my exathy into the night.

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<v Speaker 8>The new face of Buzzball, Baby, I'm the new face

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<v Speaker 8>of Buzzball.

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<v Speaker 2>Chunk out the new diet mud slide, Buzzball mud slide,

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<v Speaker 2>mud slide. You've been asking, We're delivering the diet mud slide.

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<v Speaker 1>Buzzball is back.

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<v Speaker 7>I love that these buzzballs.

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<v Speaker 3>If you get the Collector's edition ones, it comes with

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<v Speaker 3>ropes so you can have it swing.

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<v Speaker 1>From concerts were Yeah.

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<v Speaker 4>Absolutely love swinging those buzzballs around at the park.

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<v Speaker 6>Those ads with you and your daughter just bonding. It's

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<v Speaker 6>so nice.

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<v Speaker 2>Tired, I'm tired of being fucking sad. My daughter loves buzzballs.

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<v Speaker 2>I get her the non alcoholic buzzballs.

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<v Speaker 1>She just likes the taste.

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<v Speaker 6>Just loves to drink buzzballs for the taste.

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<v Speaker 2>A lot of people drink buzzballs for the juice themselves.

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<v Speaker 2>And that's like my daughter, my sweet little fucking daughter,

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<v Speaker 2>who has been my fucking rock.

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<v Speaker 1>And I want to say to you, a little giggy,

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<v Speaker 1>I love you.

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<v Speaker 3>By Gabby Giggy, my gig gigs Gaby, it's not my

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<v Speaker 3>little Giggy.

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<v Speaker 2>I fucking love my little Giggy. I love you, my girl,

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<v Speaker 2>my girl, you gotta come to my concerts.

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<v Speaker 5>Come.

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<v Speaker 2>She comes out on on on all my concerts. We

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<v Speaker 2>have a blast at the concerts. She comes out, we

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<v Speaker 2>play a full game of shuffle board, and then she leaves.

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<v Speaker 4>Your concerts sound like weddings between older people.

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<v Speaker 1>They're a celebration. They're a celebration.

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<v Speaker 6>They are so fun.

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<v Speaker 1>Guess what I do A vow renewal for seventy enough

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<v Speaker 1>vowel noules. I do them. I do them at five

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<v Speaker 1>forty five before my concerts begin. At six.

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<v Speaker 6>You do a mass vow renewal, so like a baptism.

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<v Speaker 7>That's fucking punk rock.

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<v Speaker 5>That was one of your first hit songs before this

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<v Speaker 5>whole breakup album came out. It was Marry Me again.

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<v Speaker 1>Yeah, it was married me again.

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<v Speaker 2>You're gonna want to kiss me in the morning, Marry

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<v Speaker 2>me again.

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<v Speaker 1>You don't want to miss me? Do you marry me again?

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<v Speaker 7>That's good.

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<v Speaker 5>Yours are something we all talk about.

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<v Speaker 2>And I work hard. Yeah, I don't you guys, I

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<v Speaker 2>as you guys know. I train underwater with the people

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<v Speaker 2>that build Avatar the movie.

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<v Speaker 3>Yeah, God, the history behind you, your album.

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<v Speaker 2>I've never been in an interview with other people green

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<v Speaker 2>yescreen me Green, But y'all, I gotta shut the funk off.

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<v Speaker 5>You're so much.

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<v Speaker 2>Y'all can throw tostitos chips at me if I get

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<v Speaker 2>too crazy. I let my people at my concert.

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<v Speaker 7>Do that too, and let the buzz ball fall right

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<v Speaker 7>off your back.

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<v Speaker 1>You know what I mean?

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<v Speaker 4>By the way, I tried your buzzball collaboration at I

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<v Speaker 4>hop it was delicious.

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<v Speaker 1>Thank you.

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<v Speaker 6>The buzzballs are up.

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<v Speaker 9>Really works.

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<v Speaker 1>Works.

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<v Speaker 7>Pancakes, it works, it works.

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<v Speaker 5>I tried your your hash brown and bacon Buzzball, and

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<v Speaker 5>I gotta say they're right. It is just the taste

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<v Speaker 5>that's good.

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<v Speaker 1>Yeah.

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<v Speaker 5>Yeah, well, well that I cannot believe I'm getting drunk off.

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<v Speaker 1>We use brain Marnier in that accident, But that's not

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<v Speaker 1>on me. I love the people at Buzzball, and I

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<v Speaker 1>love what we got going on, and.

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<v Speaker 2>We got and and they've been there for me, my

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<v Speaker 2>Buzzball people, they've been there for me.

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<v Speaker 1>I have to stop talking.

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<v Speaker 5>You all have to. You'll have to say we cannot

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<v Speaker 5>we actually can't get enough.

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<v Speaker 6>Actually it's okay. It all takes as long as it takes.

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<v Speaker 6>You know, it's all about the process.

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<v Speaker 7>That's the universe speaking.

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<v Speaker 6>It's that's universe.

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<v Speaker 2>I mean, I gotta say you also come from I mean,

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<v Speaker 2>we have to talk about you. You come from a long

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<v Speaker 2>line of badass ladies that seeing country music about the

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<v Speaker 2>people that break hearts.

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<v Speaker 1>That is the American tradition. It's the American tradition.

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<v Speaker 3>We put down our girl boss swords and bow at

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<v Speaker 3>the throne of you.

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<v Speaker 4>I'm you guys are all way too kind, way way

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<v Speaker 4>too kind.

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<v Speaker 7>It hurts.

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<v Speaker 6>It hurts.

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<v Speaker 4>It hurts to hear you be so kind because it's

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<v Speaker 4>nice to hear it hurts because it's nice. And that

0:11:16.280 --> 0:11:19.600
<v Speaker 4>is a pain I'm working through. I am, of course

0:11:20.080 --> 0:11:24.040
<v Speaker 4>de Lila ge Tara.

0:11:24.000 --> 0:11:25.760
<v Speaker 6>And I am.

0:11:27.600 --> 0:11:37.199
<v Speaker 10>Like Guitara and my mother Likeara Delilah Guitar. I fucking

0:11:37.280 --> 0:11:40.520
<v Speaker 10>love Guitara.

0:11:39.679 --> 0:11:43.920
<v Speaker 4>And my mother Lee Lara Guitara was of course a

0:11:44.080 --> 0:11:49.360
<v Speaker 4>famous country singer with my father, Papa Guitara until they're

0:11:49.480 --> 0:11:51.760
<v Speaker 4>famous split in seventy three.

0:11:51.880 --> 0:11:54.200
<v Speaker 7>I think like one of the first biggest breakups I

0:11:54.200 --> 0:11:54.640
<v Speaker 7>ever saw.

0:11:54.960 --> 0:11:58.360
<v Speaker 4>It was a big breakup and they and they released

0:11:58.360 --> 0:12:04.679
<v Speaker 4>it with a thought I heard a ghost, But I

0:12:04.679 --> 0:12:05.880
<v Speaker 4>guess it's just our story.

0:12:06.160 --> 0:12:11.079
<v Speaker 1>Girl, No, don't doubt yourself. That might have been a ghost.

0:12:11.320 --> 0:12:16.360
<v Speaker 10>Wait, tell us about yourself story.

0:12:16.360 --> 0:12:18.559
<v Speaker 5>Well, your new album I think is wonderful.

0:12:19.120 --> 0:12:21.959
<v Speaker 4>Thank you so much, thank you. I really appreciate that

0:12:22.040 --> 0:12:25.120
<v Speaker 4>my new album. You know, it's just like it's just

0:12:25.160 --> 0:12:27.720
<v Speaker 4>a painful story that felt really true to me at

0:12:27.720 --> 0:12:29.920
<v Speaker 4>the time because it was. But then I realized he

0:12:30.080 --> 0:12:33.600
<v Speaker 4>wasn't the only part of my story. And the song

0:12:33.640 --> 0:12:38.880
<v Speaker 4>that really took off was Stanky wanky yucky ikey dick,

0:12:40.720 --> 0:12:43.679
<v Speaker 4>And that was, of course a story about.

0:12:43.400 --> 0:12:45.200
<v Speaker 5>It's not the song I thought you were getting.

0:12:45.240 --> 0:12:49.440
<v Speaker 3>Thanks, that's a song I love. I've been line dancing

0:12:49.480 --> 0:12:53.880
<v Speaker 3>to it non stop. Lucky dick, A little bit of it.

0:12:55.200 --> 0:12:59.679
<v Speaker 4>Well you got us Thanky wenky yankee yankee stanky ikey

0:12:59.679 --> 0:13:04.160
<v Speaker 4>wicky dick. Yes, thanky yanky yankey yankey icky wicky wicky dick.

0:13:04.679 --> 0:13:07.240
<v Speaker 11>You're sticking in mud, You're digging in juice. You're sticking

0:13:07.280 --> 0:13:24.600
<v Speaker 11>in muddy juice.

0:13:21.040 --> 0:13:30.360
<v Speaker 5>Juice that really grows on you every time.

0:13:31.280 --> 0:13:37.360
<v Speaker 2>Against the bravery. I love the bravey. We found, we

0:13:37.400 --> 0:13:40.280
<v Speaker 2>found juice. Let's do it again. I love the bravery

0:13:40.320 --> 0:13:41.160
<v Speaker 2>of that bravery.

0:13:41.240 --> 0:13:44.960
<v Speaker 6>It's brave to repeat yourself because I think break.

0:13:44.800 --> 0:13:48.000
<v Speaker 4>Ups feel as though you're repeating yourself.

0:13:48.000 --> 0:13:51.040
<v Speaker 6>You just keep hammering this horse. Hon I'm I'm hard broken.

0:13:53.160 --> 0:13:53.559
<v Speaker 1>Juice.

0:13:54.960 --> 0:13:57.640
<v Speaker 2>Well, I want to ask, I mean this feels to me.

0:13:58.720 --> 0:14:00.400
<v Speaker 2>I feel a little bit of hurt. I feel I

0:14:00.400 --> 0:14:05.040
<v Speaker 2>feel reality here. What does jews represent?

0:14:05.160 --> 0:14:07.920
<v Speaker 5>What I guess?

0:14:08.320 --> 0:14:08.920
<v Speaker 7>Is it juice?

0:14:09.679 --> 0:14:10.320
<v Speaker 1>Is it juice?

0:14:10.520 --> 0:14:14.000
<v Speaker 6>Well, of course this happened to me.

0:14:16.360 --> 0:14:17.680
<v Speaker 7>It can't be just juice.

0:14:19.240 --> 0:14:20.880
<v Speaker 6>And that's what hurts so much.

0:14:20.960 --> 0:14:21.720
<v Speaker 1>It was juice.

0:14:21.840 --> 0:14:23.840
<v Speaker 6>You know, he went out one nott and he.

0:14:25.160 --> 0:14:27.280
<v Speaker 5>He just being mean to him. It was real. It's

0:14:27.280 --> 0:14:28.040
<v Speaker 5>a real story.

0:14:28.800 --> 0:14:29.520
<v Speaker 1>He stuck his.

0:14:31.560 --> 0:14:33.320
<v Speaker 9>And then he's taking a juice and then he's tuk

0:14:33.360 --> 0:14:33.800
<v Speaker 9>it back up.

0:14:35.440 --> 0:14:37.080
<v Speaker 1>The repetition is a repetition.

0:14:37.400 --> 0:14:39.560
<v Speaker 6>It's just chronologically what happened.

0:14:39.920 --> 0:14:40.600
<v Speaker 1>I tell you.

0:14:40.680 --> 0:14:44.640
<v Speaker 6>It is a factual account. It is something real and

0:14:44.760 --> 0:14:47.240
<v Speaker 6>true and heartbreaking, and it happened to me.

0:14:47.960 --> 0:14:49.480
<v Speaker 5>Why did you want to break up with him after?

0:14:51.440 --> 0:14:52.760
<v Speaker 5>Why did that cause your divorce?

0:14:52.840 --> 0:14:56.400
<v Speaker 1>Let her tell her story.

0:14:56.560 --> 0:15:01.400
<v Speaker 8>You do understand, Yes, my husband, he's stuck it in

0:15:01.480 --> 0:15:02.280
<v Speaker 8>my and juice.

0:15:05.400 --> 0:15:07.480
<v Speaker 1>No, there's a thing these fucking men out here.

0:15:07.440 --> 0:15:12.400
<v Speaker 4>These men are they They have no regard for the

0:15:12.440 --> 0:15:15.120
<v Speaker 4>way that they will hurt you, these fucking men out here.

0:15:15.200 --> 0:15:19.400
<v Speaker 2>And if he sucks something, even if it's mud, even

0:15:19.440 --> 0:15:21.720
<v Speaker 2>if it's juice, if his hard dick is in mud

0:15:21.760 --> 0:15:32.480
<v Speaker 2>and juice, that's cheating.

0:15:23.920 --> 0:15:35.680
<v Speaker 12>It's hard, it's adulter.

0:15:36.520 --> 0:15:38.880
<v Speaker 6>It was hard. It was cheating.

0:15:38.920 --> 0:15:41.160
<v Speaker 4>And this is what I tried to tell him. And

0:15:41.240 --> 0:15:43.120
<v Speaker 4>I don't want to say his name. I don't want

0:15:43.120 --> 0:15:43.720
<v Speaker 4>to give him away.

0:15:44.720 --> 0:15:47.320
<v Speaker 5>We've known you guys been married for a very long time.

0:15:47.440 --> 0:15:50.480
<v Speaker 4>I know, I know, well, I don't like to say

0:15:50.800 --> 0:15:54.280
<v Speaker 4>Eddie's name. I don't like to say Eddie Johnson's name

0:15:54.360 --> 0:15:58.280
<v Speaker 4>because I don't think it's and I really mud juice.

0:15:59.000 --> 0:15:59.640
<v Speaker 7>Juice, dick.

0:16:00.000 --> 0:16:01.160
<v Speaker 5>How'd you catch him doing this?

0:16:03.640 --> 0:16:07.280
<v Speaker 4>Well, you know it hurts to talk about because all

0:16:07.320 --> 0:16:08.280
<v Speaker 4>these feelings are.

0:16:08.160 --> 0:16:09.600
<v Speaker 1>Just rushing raw.

0:16:10.040 --> 0:16:11.400
<v Speaker 6>It hurts so much.

0:16:11.440 --> 0:16:15.280
<v Speaker 4>And I'm just right back where it was two years ago,

0:16:16.120 --> 0:16:19.040
<v Speaker 4>in twenty twenty three. You know, I was sitting there

0:16:19.160 --> 0:16:22.240
<v Speaker 4>and I had just come home. I was go go dancing,

0:16:22.480 --> 0:16:26.320
<v Speaker 4>and then my I was waiting for a text from

0:16:26.440 --> 0:16:28.080
<v Speaker 4>Eddie and I won't say his name. I was waiting

0:16:28.080 --> 0:16:30.840
<v Speaker 4>for a text from Eddie saying that he was going

0:16:30.880 --> 0:16:33.680
<v Speaker 4>to come home. And then the text never came. But

0:16:33.800 --> 0:16:38.680
<v Speaker 4>what I heard instead of a text noise was well

0:16:38.720 --> 0:16:44.680
<v Speaker 4>it was a lot. It was our porch line, and.

0:16:43.760 --> 0:16:47.520
<v Speaker 1>This is so keep going, this is side, keep going.

0:16:49.200 --> 0:16:51.200
<v Speaker 6>I heard the door swaying open.

0:16:51.760 --> 0:16:58.120
<v Speaker 4>Girl, and I walk outside to see maybe there's a

0:16:58.200 --> 0:17:03.160
<v Speaker 4>raccoon or something, and I see Eddie to keep in

0:17:03.160 --> 0:17:08.600
<v Speaker 4>a pile of mud, just go into town, and a

0:17:09.520 --> 0:17:10.760
<v Speaker 4>dropped my plate.

0:17:11.320 --> 0:17:12.280
<v Speaker 1>It shattered.

0:17:12.440 --> 0:17:17.119
<v Speaker 4>I fell to the floor and I sobbed because I

0:17:17.240 --> 0:17:18.040
<v Speaker 4>knew rat.

0:17:18.080 --> 0:17:20.880
<v Speaker 6>Then in there he did not find me beautiful.

0:17:21.720 --> 0:17:23.480
<v Speaker 4>He was.

0:17:26.160 --> 0:17:30.159
<v Speaker 7>That racked rat is fucking a pile of mud. He

0:17:30.200 --> 0:17:30.880
<v Speaker 7>doesn't find you.

0:17:30.840 --> 0:17:40.160
<v Speaker 8>Beautiful at all, because well, and I hurts. This part hurts, girl.

0:17:40.359 --> 0:17:41.560
<v Speaker 8>I can see what's coming.

0:17:42.600 --> 0:17:46.520
<v Speaker 6>So he goes, oh, baby, it's not what it looks like.

0:17:46.640 --> 0:17:50.520
<v Speaker 6>I was just testing, you know, this bottle, to see,

0:17:50.560 --> 0:17:53.199
<v Speaker 6>like to see if we could build a treehouse on it.

0:17:53.240 --> 0:17:54.960
<v Speaker 6>You always wanted a treehouse.

0:17:54.520 --> 0:17:56.320
<v Speaker 1>Didn't you always bring up the treehouse.

0:17:56.440 --> 0:17:57.480
<v Speaker 6>They always do.

0:17:58.080 --> 0:18:00.600
<v Speaker 3>Test your mud. That's what I see my girls all night.

0:18:01.000 --> 0:18:04.560
<v Speaker 3>Test your fatanyl, test your mud, Test your coke, yeah.

0:18:04.480 --> 0:18:10.119
<v Speaker 5>Test your feyl if your fentanyl may have phenol in it.

0:18:11.920 --> 0:18:15.040
<v Speaker 6>And so he says, you know what, baby, I'm.

0:18:14.920 --> 0:18:16.680
<v Speaker 4>Just gonna go wash off. It's not what it looks like.

0:18:16.760 --> 0:18:18.679
<v Speaker 4>Let's talk about this in a moment. But I'm just

0:18:18.680 --> 0:18:19.600
<v Speaker 4>gonna go wash off.

0:18:20.080 --> 0:18:22.359
<v Speaker 6>And then I think I hear the water running.

0:18:22.440 --> 0:18:24.919
<v Speaker 4>I hear I hear jingling and jangling, and I assume,

0:18:24.960 --> 0:18:27.080
<v Speaker 4>you know, he's in the kitchen bathroom, the bathroom that's

0:18:27.280 --> 0:18:34.879
<v Speaker 4>a joined to the kitchen. So then I open, I

0:18:35.000 --> 0:18:37.000
<v Speaker 4>sweep up the plate I dropped, you know, and I

0:18:37.560 --> 0:18:43.720
<v Speaker 4>opened the door and then I hear a noise, not

0:18:44.200 --> 0:18:45.000
<v Speaker 4>in the.

0:18:45.040 --> 0:18:47.680
<v Speaker 6>Kitchen bathroom, but the kitchen pantry.

0:18:50.320 --> 0:18:52.520
<v Speaker 13>Not gonna work for me, And I opened the kitchen

0:18:52.560 --> 0:18:58.240
<v Speaker 13>pantry door, and he has poured three curtains of orange

0:18:58.320 --> 0:19:02.480
<v Speaker 13>juice into a bucket and he is going to town

0:19:02.680 --> 0:19:02.960
<v Speaker 13>on it.

0:19:03.200 --> 0:19:04.360
<v Speaker 7>So he's sucking the bucket.

0:19:05.160 --> 0:19:09.760
<v Speaker 5>Gotta be honest, that's gonna burn that after MUD's that's.

0:19:09.600 --> 0:19:11.879
<v Speaker 2>Why they do the mud, because it cakes it and

0:19:11.920 --> 0:19:14.600
<v Speaker 2>then you can do That's why they do it. It

0:19:14.640 --> 0:19:16.440
<v Speaker 2>is going to write it and read it. That's why

0:19:16.480 --> 0:19:17.159
<v Speaker 2>they do it.

0:19:17.160 --> 0:19:19.360
<v Speaker 6>It's a process called mud juicing.

0:19:19.560 --> 0:19:23.200
<v Speaker 4>And apparently men say it gives you this before a

0:19:23.440 --> 0:19:25.639
<v Speaker 4>orgasm that no one's ever had before.

0:19:25.760 --> 0:19:28.439
<v Speaker 6>And I don't know. I just wish he'd tried it

0:19:28.480 --> 0:19:30.560
<v Speaker 6>with me. Thank you, money, thank you.

0:19:31.640 --> 0:19:32.840
<v Speaker 5>Oh. Such a rich story.

0:19:32.840 --> 0:19:35.639
<v Speaker 4>I guess it's so raw still, but my god, I

0:19:35.760 --> 0:19:37.159
<v Speaker 4>have to stop talking about it.

0:19:37.320 --> 0:19:39.359
<v Speaker 5>Such a rich story and beautiful story to end up

0:19:39.359 --> 0:19:41.240
<v Speaker 5>on the lyrics sticky icky wiki wiki.

0:19:42.760 --> 0:19:46.320
<v Speaker 3>The way the awful story goes to a beautiful song

0:19:46.400 --> 0:19:49.840
<v Speaker 3>that people line dance to, people remix, people sing this

0:19:49.920 --> 0:19:50.880
<v Speaker 3>song on the streets.

0:19:51.160 --> 0:19:53.760
<v Speaker 7>This is the sound of just like Texas.

0:19:53.800 --> 0:19:57.080
<v Speaker 3>It's also like it's such a big like just like

0:19:57.240 --> 0:19:57.960
<v Speaker 3>battle cry.

0:19:59.480 --> 0:20:02.360
<v Speaker 2>And honestly, and this is unfortunately, there's not a better

0:20:02.440 --> 0:20:05.160
<v Speaker 2>choice of words for this. You made lemonade with this, right,

0:20:05.359 --> 0:20:07.480
<v Speaker 2>and I know that's the Jews, and I am sorry,

0:20:07.760 --> 0:20:09.960
<v Speaker 2>but you literally took these lemons and you turned it

0:20:10.040 --> 0:20:12.399
<v Speaker 2>into something that now we can all listen to.

0:20:12.560 --> 0:20:13.280
<v Speaker 1>I listened to this with.

0:20:13.280 --> 0:20:15.440
<v Speaker 2>My little Gigie all the time in the car when

0:20:15.440 --> 0:20:16.880
<v Speaker 2>we drive to six Flags. We go to six Flags

0:20:16.880 --> 0:20:19.920
<v Speaker 2>four times a week. We love listening to this song.

0:20:20.320 --> 0:20:21.840
<v Speaker 6>Spend so much time at six.

0:20:21.720 --> 0:20:24.000
<v Speaker 1>She's my best friend. But that's my happy player.

0:20:24.080 --> 0:20:24.960
<v Speaker 7>Can I ask you a question?

0:20:25.160 --> 0:20:27.679
<v Speaker 3>And I don't want to be invasive, of course, but

0:20:27.720 --> 0:20:29.760
<v Speaker 3>the second I saw your Tropic Cana deal, I went,

0:20:29.840 --> 0:20:32.840
<v Speaker 3>I hope she's getting paid handsomely because it feels a

0:20:32.920 --> 0:20:34.800
<v Speaker 3>little like they're messing.

0:20:34.560 --> 0:20:35.600
<v Speaker 5>With her like a trigger.

0:20:35.640 --> 0:20:37.760
<v Speaker 3>But I went, if I know her and I know

0:20:37.840 --> 0:20:40.200
<v Speaker 3>her family, she got paid very well.

0:20:40.520 --> 0:20:44.920
<v Speaker 4>I mean, obviously I can't speak to a business deal

0:20:44.960 --> 0:20:48.400
<v Speaker 4>currently in progress, but the Tropic Cana people have been

0:20:48.520 --> 0:20:51.040
<v Speaker 4>very kind and they have an onset therapist to make

0:20:51.080 --> 0:20:52.400
<v Speaker 4>sure that I am okay.

0:20:52.560 --> 0:20:55.440
<v Speaker 1>The what's going on at the Tropicana place.

0:20:56.960 --> 0:20:59.359
<v Speaker 5>Well it's a therapist. They even need a lot. But

0:20:59.760 --> 0:21:03.160
<v Speaker 5>I when I say you're you're not the only viral song.

0:21:03.280 --> 0:21:07.480
<v Speaker 5>Right now. We've got everybody's doing the dance, everybody's talking

0:21:07.480 --> 0:21:09.480
<v Speaker 5>about the drama of your latest album.

0:21:09.800 --> 0:21:11.720
<v Speaker 6>Oh there she goes.

0:21:11.840 --> 0:21:14.480
<v Speaker 1>You are hot like fucking fire girl.

0:21:15.080 --> 0:21:18.040
<v Speaker 6>You are everywhere you are.

0:21:18.119 --> 0:21:21.159
<v Speaker 1>You are Catinus and the woman on fire. That's what

0:21:21.280 --> 0:21:21.880
<v Speaker 1>you are right now.

0:21:21.960 --> 0:21:22.639
<v Speaker 5>You're so brave.

0:21:22.960 --> 0:21:23.960
<v Speaker 1>Yes, thank you.

0:21:24.119 --> 0:21:25.159
<v Speaker 7>I appreciate you, guys.

0:21:26.720 --> 0:21:28.040
<v Speaker 5>And how long ago was the breakup?

0:21:28.520 --> 0:21:29.280
<v Speaker 7>Five years ago?

0:21:31.040 --> 0:21:33.159
<v Speaker 3>The album just came out, and I think it's like

0:21:33.320 --> 0:21:36.119
<v Speaker 3>it's like kind of reliving. Like they say that a

0:21:36.119 --> 0:21:40.600
<v Speaker 3>lot of women who give birth re experienced trauma and

0:21:40.640 --> 0:21:42.879
<v Speaker 3>the body, and I think that's what happened when I

0:21:42.920 --> 0:21:45.000
<v Speaker 3>gave birth to this album, like I was working on

0:21:45.040 --> 0:21:49.359
<v Speaker 3>it and then I think it's I think I'll just

0:21:49.359 --> 0:21:54.520
<v Speaker 3>start from the beginning. My album is called Sorry.

0:21:54.640 --> 0:21:56.600
<v Speaker 7>I don't know. I'm getting so flicking.

0:21:56.640 --> 0:21:57.960
<v Speaker 1>Because you're being yourself.

0:21:58.080 --> 0:21:59.840
<v Speaker 6>It's beautiful because you you're good.

0:22:00.480 --> 0:22:04.880
<v Speaker 1>That's true, and that's you're here. Be you girl.

0:22:05.160 --> 0:22:07.760
<v Speaker 7>You do it like in an aggressive way. You're trying

0:22:07.800 --> 0:22:08.200
<v Speaker 7>to make me.

0:22:08.160 --> 0:22:11.000
<v Speaker 1>More welcome here in this house. We give you a

0:22:11.040 --> 0:22:14.120
<v Speaker 1>fucking hog if you need it. Girl, Thank you so much.

0:22:14.280 --> 0:22:19.040
<v Speaker 6>Yeah the girl, Yeah, yeah, thank.

0:22:18.800 --> 0:22:19.400
<v Speaker 7>You so much.

0:22:19.440 --> 0:22:21.640
<v Speaker 1>Talk about yourself for once in your life.

0:22:21.680 --> 0:22:23.560
<v Speaker 7>The album is called fuck You. I Found You.

0:22:24.000 --> 0:22:29.400
<v Speaker 3>Yeah, my very public relationship, my ex husband, Michael Phelps.

0:22:29.480 --> 0:22:32.880
<v Speaker 3>I found him fucking five womens.

0:22:33.119 --> 0:22:37.639
<v Speaker 6>O my god. Oh that hurts.

0:22:37.880 --> 0:22:41.919
<v Speaker 7>I found him fucking five women.

0:22:42.080 --> 0:22:42.760
<v Speaker 1>Think about that.

0:22:43.080 --> 0:22:47.040
<v Speaker 7>Think about that, About that and the texts I found.

0:22:47.680 --> 0:22:50.800
<v Speaker 3>Who would have thought after I found him fucking those

0:22:50.800 --> 0:22:53.760
<v Speaker 3>five women at that wee spa, when I went home,

0:22:54.400 --> 0:22:57.800
<v Speaker 3>opened his phone on his Apple ID on my laptop.

0:22:57.960 --> 0:22:59.760
<v Speaker 7>Who would have thought that I was looking at my

0:22:59.800 --> 0:23:01.000
<v Speaker 7>next hit album.

0:23:02.240 --> 0:23:06.000
<v Speaker 3>Who would have thought reading those texts was going to

0:23:06.480 --> 0:23:08.159
<v Speaker 3>melodically open something up for me?

0:23:08.320 --> 0:23:13.720
<v Speaker 4>I mean, those texts are so poetically interesting because it

0:23:13.920 --> 0:23:17.440
<v Speaker 4>is a group chat with him and five women. They

0:23:17.640 --> 0:23:21.159
<v Speaker 4>are all planning, They have all these inside jokes, and

0:23:21.200 --> 0:23:25.000
<v Speaker 4>you work all the inside jokes into the stars so seamlessly,

0:23:25.240 --> 0:23:27.840
<v Speaker 4>and you take something that's funny for them and it's

0:23:27.840 --> 0:23:29.040
<v Speaker 4>a source of pain for you.

0:23:29.600 --> 0:23:33.480
<v Speaker 1>This song, Loose Thread, it is a fucking bop girl.

0:23:33.960 --> 0:23:38.040
<v Speaker 3>I mean, besides just the group thread being a loose thread,

0:23:38.520 --> 0:23:42.280
<v Speaker 3>my heart's a loose thread. Yeah, your fucking dick is

0:23:42.320 --> 0:23:48.399
<v Speaker 3>a loose, dirty thread. The lies are loose threads. And

0:23:48.440 --> 0:23:50.479
<v Speaker 3>then each album comes with You Can Go.

0:23:50.600 --> 0:23:53.120
<v Speaker 5>So it's four four album five albums.

0:23:52.800 --> 0:23:54.120
<v Speaker 7>For each for each woman.

0:23:54.240 --> 0:23:54.480
<v Speaker 5>Yeah.

0:23:54.520 --> 0:23:59.879
<v Speaker 3>So there's there's the Miranda version, there is the Latte version.

0:24:00.160 --> 0:24:02.760
<v Speaker 7>That bitch Latte.

0:24:02.920 --> 0:24:05.160
<v Speaker 6>Latte seems the worst of the bunch.

0:24:05.240 --> 0:24:09.000
<v Speaker 2>Honestly, And I'm trying to watch her rebuttal videos. She's

0:24:09.040 --> 0:24:10.240
<v Speaker 2>posting so many of them, and.

0:24:10.200 --> 0:24:13.080
<v Speaker 3>I'm like, Babe, get your bag, yeah, as long as

0:24:13.080 --> 0:24:14.720
<v Speaker 3>you can, because none of them are fucking him anymore.

0:24:15.280 --> 0:24:16.560
<v Speaker 7>None of them are fucking him anymore.

0:24:17.960 --> 0:24:18.680
<v Speaker 1>Let's hear them all.

0:24:18.840 --> 0:24:27.240
<v Speaker 3>Randa, Latte, Quinn, Melanie, and the worst of all, Junior.

0:24:27.400 --> 0:24:28.600
<v Speaker 7>And she's above twenty one.

0:24:28.640 --> 0:24:31.280
<v Speaker 9>Her name is Just goes By.

0:24:31.359 --> 0:24:32.480
<v Speaker 7>She's above twenty one.

0:24:32.400 --> 0:24:35.040
<v Speaker 6>A seductive home record named Junior.

0:24:35.840 --> 0:24:38.760
<v Speaker 2>I've never ever heard something more true than a woman

0:24:38.880 --> 0:24:43.280
<v Speaker 2>named Junior that goes to Wiesebaw and fucks a demon.

0:24:43.840 --> 0:24:46.960
<v Speaker 3>Because I'll say it sometimes I think what I'm coming

0:24:47.040 --> 0:24:48.840
<v Speaker 3>to terms with when I think the album's showing two

0:24:49.080 --> 0:24:52.399
<v Speaker 3>is I fell in love with a demon, because who lies?

0:24:52.720 --> 0:24:53.280
<v Speaker 7>Demons?

0:24:53.280 --> 0:24:54.879
<v Speaker 1>Demons lie demons.

0:24:54.960 --> 0:24:58.359
<v Speaker 2>Lie, girl, you cannot trust a demon you can't like

0:24:58.440 --> 0:24:58.960
<v Speaker 2>for once.

0:24:59.400 --> 0:25:04.320
<v Speaker 3>Sometimes demons come in a beautiful man and you and

0:25:04.400 --> 0:25:06.959
<v Speaker 3>you trust it and you love it and you nurture

0:25:07.000 --> 0:25:09.320
<v Speaker 3>it and you take care of him, and it is

0:25:09.359 --> 0:25:11.840
<v Speaker 3>a bundle of lies, y'all. It's a bundle of lies.

0:25:11.880 --> 0:25:13.960
<v Speaker 5>Well, that's one of my favorite songs off her album's

0:25:13.960 --> 0:25:17.040
<v Speaker 5>Bundle of Lies. That's TikTok dances.

0:25:16.680 --> 0:25:18.400
<v Speaker 7>To thank you so much? You know it's yeah, it's

0:25:18.400 --> 0:25:19.359
<v Speaker 7>I mean, could.

0:25:19.240 --> 0:25:20.520
<v Speaker 5>You give us a little bit of it?

0:25:21.119 --> 0:25:21.359
<v Speaker 1>Yeah?

0:25:28.800 --> 0:25:32.480
<v Speaker 14>You lied about anal, you lied about house, you lied

0:25:32.680 --> 0:25:35.639
<v Speaker 14>about cars, and you lied about my mouse. Yes, you

0:25:35.800 --> 0:25:39.639
<v Speaker 14>killed it and you murdered it. And you killed my

0:25:39.680 --> 0:25:41.040
<v Speaker 14>mouse along with my heart.

0:25:41.240 --> 0:25:50.600
<v Speaker 7>Bundle of lies, y'all. Bundle of lies, y'all. Pile lies, bundle.

0:25:53.000 --> 0:25:59.200
<v Speaker 1>Y'all, pile of lies, y'all, the use of y'all. I mean,

0:25:59.240 --> 0:26:01.159
<v Speaker 1>if you're killing my you're a psychopath.

0:26:01.200 --> 0:26:04.119
<v Speaker 3>I'm sorry, you're a demon, dickhead your pet mouse?

0:26:04.320 --> 0:26:05.280
<v Speaker 6>Kill a mouse?

0:26:05.680 --> 0:26:17.280
<v Speaker 4>It is so unforgivable, Are you okay?

0:26:18.720 --> 0:26:21.359
<v Speaker 6>My song that I'm sorry.

0:26:21.400 --> 0:26:29.240
<v Speaker 4>I heard those lyrics, and I heard those lyrics and

0:26:29.000 --> 0:26:31.959
<v Speaker 4>it made me want to be a different woman and

0:26:32.040 --> 0:26:34.879
<v Speaker 4>I think that that you know what songs do because

0:26:34.960 --> 0:26:36.320
<v Speaker 4>lies are contagious.

0:26:37.160 --> 0:26:39.560
<v Speaker 5>Gosh, you've still got so much to work through.

0:26:39.960 --> 0:26:41.480
<v Speaker 7>No, I do, And I think, like.

0:26:41.600 --> 0:26:42.840
<v Speaker 5>What were the lies about the car?

0:26:43.880 --> 0:26:44.000
<v Speaker 4>Oh?

0:26:44.240 --> 0:26:47.600
<v Speaker 7>He lied that it worked? He lied that it worked,

0:26:47.920 --> 0:26:49.200
<v Speaker 7>and it is.

0:26:49.040 --> 0:26:51.840
<v Speaker 4>Do you think and you don't not to play devil's advocate?

0:26:51.880 --> 0:26:55.200
<v Speaker 4>You don't think it was a mistake that he said

0:26:55.760 --> 0:26:57.800
<v Speaker 4>that the car, that he said that the car worked

0:26:57.800 --> 0:26:59.320
<v Speaker 4>and the car just happened to break down that day

0:26:59.400 --> 0:27:00.600
<v Speaker 4>or you so I think he was.

0:27:00.640 --> 0:27:02.960
<v Speaker 7>Lying to me because he thinks I'm ugly and unlovable.

0:27:03.119 --> 0:27:06.600
<v Speaker 2>Well, and you answered this in her song Fred Flinstone,

0:27:06.600 --> 0:27:07.840
<v Speaker 2>she answers this because she goes.

0:27:07.960 --> 0:27:10.840
<v Speaker 1>She goes. You caught on work. You caught on work.

0:27:10.880 --> 0:27:13.000
<v Speaker 1>I can see your feet running. You caught out work.

0:27:13.040 --> 0:27:15.480
<v Speaker 1>I can see I can see you running, caught a work.

0:27:15.600 --> 0:27:17.400
<v Speaker 7>I could see your feet running cat on work.

0:27:17.640 --> 0:27:18.280
<v Speaker 1>I could see you.

0:27:18.359 --> 0:27:20.000
<v Speaker 7>And you know what, I's just catchy.

0:27:20.200 --> 0:27:21.879
<v Speaker 5>Can we talk about some of the Easter eggs that

0:27:21.920 --> 0:27:24.440
<v Speaker 5>you leave in all of your work? I mean, it's amazing.

0:27:24.560 --> 0:27:26.800
<v Speaker 5>I just love the Easter eggs of because you're not

0:27:27.160 --> 0:27:29.640
<v Speaker 5>using names, but the Easter eggs let us know who

0:27:29.640 --> 0:27:30.320
<v Speaker 5>they really are.

0:27:30.440 --> 0:27:32.880
<v Speaker 1>Oh yeah, I am guessing. I am on, I am

0:27:32.920 --> 0:27:33.760
<v Speaker 1>on guest top.

0:27:33.840 --> 0:27:35.320
<v Speaker 7>I go at twelve thirty four.

0:27:35.640 --> 0:27:38.520
<v Speaker 3>You texted in green text and you said you wanted

0:27:38.520 --> 0:27:41.679
<v Speaker 3>to have fucking sex with all these other women. And

0:27:41.760 --> 0:27:45.400
<v Speaker 3>that's Miranda because she has an Android. So that's a mickey,

0:27:45.440 --> 0:27:46.160
<v Speaker 3>a hidden mickey.

0:27:46.240 --> 0:27:48.200
<v Speaker 5>It's a hidden mickey that's in your album.

0:27:48.320 --> 0:27:49.560
<v Speaker 6>That is a hidden meg.

0:27:49.680 --> 0:27:52.720
<v Speaker 3>You got pissed off that I did that deal with Poppy,

0:27:53.160 --> 0:27:57.040
<v Speaker 3>and then someone got a little insecure, and then you

0:27:57.080 --> 0:28:00.200
<v Speaker 3>started fucking people outside our marriage. I'm sorry, I'm sorry, sorry,

0:28:00.240 --> 0:28:02.400
<v Speaker 3>I just need I need to speak about you.

0:28:02.359 --> 0:28:05.600
<v Speaker 4>Know now that whole run about junior Mints makes sense.

0:28:05.800 --> 0:28:09.240
<v Speaker 6>That's junior Oh wow, you.

0:28:09.280 --> 0:28:12.800
<v Speaker 7>Stuck on a junior mint. Your condom too small because

0:28:12.840 --> 0:28:17.840
<v Speaker 7>your ego too big? Bitch? What the hell?

0:28:18.119 --> 0:28:20.440
<v Speaker 5>And those so work together so well?

0:28:21.359 --> 0:28:22.000
<v Speaker 4>Really nice?

0:28:22.160 --> 0:28:24.359
<v Speaker 1>Okay, Okay, we have to hear about thirty minutes in?

0:28:24.400 --> 0:28:27.320
<v Speaker 5>Are you sure the longer?

0:28:27.440 --> 0:28:29.680
<v Speaker 1>I love to talk about a lot to talk about.

0:28:29.720 --> 0:28:32.240
<v Speaker 1>We have a lot. I really love to hear from you.

0:28:32.800 --> 0:28:33.280
<v Speaker 1>It's time.

0:28:33.400 --> 0:28:36.280
<v Speaker 5>Well, I don't mind waiting. I'm a pretty patient guy.

0:28:36.760 --> 0:28:42.000
<v Speaker 5>My name is Jean viver Vi Nation vib I do

0:28:42.120 --> 0:28:45.719
<v Speaker 5>kind of like the more mellow Indie. I went through

0:28:45.720 --> 0:28:49.400
<v Speaker 5>a breakup and locked myself inside a cabin, yeah, for

0:28:49.480 --> 0:28:50.240
<v Speaker 5>two months, and.

0:28:50.480 --> 0:28:53.680
<v Speaker 6>Came up, you little thing.

0:28:53.680 --> 0:28:57.840
<v Speaker 5>Thank you, your little little sweet You're precious as fuck.

0:28:58.040 --> 0:28:58.640
<v Speaker 5>Thank you.

0:28:58.640 --> 0:28:59.960
<v Speaker 6>You are freaking a door.

0:29:00.360 --> 0:29:02.720
<v Speaker 5>No please, I'm not adorable now, thank you. I'm I'm

0:29:02.880 --> 0:29:05.360
<v Speaker 5>very you know, I feel a lot. I have to go.

0:29:06.440 --> 0:29:08.719
<v Speaker 2>I literally, I literally want to eat you like a

0:29:08.840 --> 0:29:10.840
<v Speaker 2>fucking witmen's sampler.

0:29:11.000 --> 0:29:13.720
<v Speaker 5>Thank you. Literally, there's a lot of the same things

0:29:13.760 --> 0:29:15.720
<v Speaker 5>that my ex would say. She would say, you're just

0:29:15.720 --> 0:29:17.520
<v Speaker 5>not much of a man. You see more of like

0:29:17.560 --> 0:29:19.400
<v Speaker 5>a boy, Like I just want you in a box.

0:29:19.160 --> 0:29:20.400
<v Speaker 7>Like that's wrong, that's wrong.

0:29:20.600 --> 0:29:21.960
<v Speaker 1>Women are women are pigs.

0:29:22.120 --> 0:29:24.200
<v Speaker 3>Women women, I don't trust them as far as I

0:29:24.200 --> 0:29:27.560
<v Speaker 3>can throw, I would never trust.

0:29:27.920 --> 0:29:30.440
<v Speaker 7>Men are lies and women are pigs.

0:29:34.840 --> 0:29:35.280
<v Speaker 5>Thank you.

0:29:35.600 --> 0:29:36.440
<v Speaker 7>Cars don't work?

0:29:36.800 --> 0:29:37.840
<v Speaker 1>Yeah yours?

0:29:38.000 --> 0:29:45.560
<v Speaker 5>No. So. My songs are heartbreaking, devastating, confusing. Some people

0:29:45.560 --> 0:29:49.240
<v Speaker 5>have said ambiguous, but a lot of people love to

0:29:49.280 --> 0:29:51.320
<v Speaker 5>listen to it the moment they get broken up with.

0:29:51.680 --> 0:29:53.600
<v Speaker 5>This is the album to cry to you.

0:29:53.600 --> 0:29:54.720
<v Speaker 7>Can you sing one of your songs?

0:29:54.880 --> 0:29:57.680
<v Speaker 5>Oh thank you so much? Is there one that you

0:29:57.720 --> 0:29:58.840
<v Speaker 5>were interested in earth.

0:29:58.840 --> 0:29:59.280
<v Speaker 1>I mean.

0:30:00.720 --> 0:30:03.240
<v Speaker 7>That they're all named numbers, which I find so fast.

0:30:03.720 --> 0:30:07.520
<v Speaker 6>I mean, forty seven really got to aze. I personally

0:30:07.640 --> 0:30:08.400
<v Speaker 6>love forty seven.

0:30:08.480 --> 0:30:11.240
<v Speaker 4>I know that's probably a pretty basic answer a lot

0:30:11.240 --> 0:30:11.960
<v Speaker 4>of people.

0:30:11.680 --> 0:30:14.120
<v Speaker 3>Are, but I want to know because you don't sing

0:30:14.160 --> 0:30:15.680
<v Speaker 3>forty it's just titled that.

0:30:15.800 --> 0:30:18.200
<v Speaker 6>So it's just it's just, yeah, I'm dying to know

0:30:18.280 --> 0:30:18.760
<v Speaker 6>the code.

0:30:18.920 --> 0:30:19.880
<v Speaker 1>What's in your head?

0:30:20.160 --> 0:30:22.480
<v Speaker 5>Sorry? Thank you. I kind of leave it up to

0:30:22.520 --> 0:30:25.080
<v Speaker 5>you guys, like what you guys interpret it as.

0:30:25.680 --> 0:30:27.680
<v Speaker 2>I mean, the basic interpretation is you wrote these in

0:30:27.760 --> 0:30:29.040
<v Speaker 2>the order they were released.

0:30:29.280 --> 0:30:31.600
<v Speaker 5>That's one way to interpret it, and maybe it's true.

0:30:33.200 --> 0:30:35.480
<v Speaker 5>But the other way to interpret it is whatever you're thinking.

0:30:36.760 --> 0:30:38.200
<v Speaker 6>Well, I think whatever I'm thinking.

0:30:38.400 --> 0:30:42.640
<v Speaker 7>I think, like you process so much in this cabin, right.

0:30:42.640 --> 0:30:44.520
<v Speaker 5>Yeah, I went through a lot in this proud so

0:30:44.520 --> 0:30:46.480
<v Speaker 5>it is this cabin by the way, So this cabin

0:30:46.600 --> 0:30:48.240
<v Speaker 5>was in Culver City.

0:30:49.680 --> 0:30:50.800
<v Speaker 6>Where do you live normally?

0:30:50.800 --> 0:30:52.440
<v Speaker 7>I have a friend that goes camping there all the time.

0:30:52.520 --> 0:30:55.400
<v Speaker 5>Yeah, so I live in Pomps Okay, Okay, it's really

0:30:55.400 --> 0:30:57.960
<v Speaker 5>closet kind of yeah.

0:30:58.040 --> 0:30:59.920
<v Speaker 1>So where do you guys live, by the way.

0:31:00.040 --> 0:31:00.840
<v Speaker 5>Yeah, where do you guys live?

0:31:01.840 --> 0:31:02.000
<v Speaker 1>Oh?

0:31:02.040 --> 0:31:02.920
<v Speaker 6>I live in Burbank.

0:31:03.760 --> 0:31:09.680
<v Speaker 3>We used to live on Pico Robertson and now I

0:31:09.720 --> 0:31:11.160
<v Speaker 3>live in North Hollywood.

0:31:11.640 --> 0:31:13.040
<v Speaker 7>That's awesome where you live.

0:31:14.440 --> 0:31:20.960
<v Speaker 5>Yeah there you scream else again.

0:31:21.800 --> 0:31:22.080
<v Speaker 1>Bomb.

0:31:23.400 --> 0:31:25.840
<v Speaker 6>It's really hard to pinpoint elsa gundo culture, but.

0:31:25.840 --> 0:31:27.800
<v Speaker 2>You are no, it's bomb. Y'all gotta come down. I'll

0:31:27.800 --> 0:31:29.640
<v Speaker 2>meet you all halfway Long Beach too. You can go there.

0:31:29.920 --> 0:31:32.760
<v Speaker 7>Well, halfway isn't okay? Yeah?

0:31:39.120 --> 0:31:49.960
<v Speaker 15>The river rock, the river rock travels down slowly, river changes,

0:31:50.600 --> 0:31:52.280
<v Speaker 15>river changes.

0:31:52.800 --> 0:31:59.400
<v Speaker 5>Is it ever the same water that you step into? Fire? Fire?

0:32:00.440 --> 0:32:00.840
<v Speaker 16>Fire?

0:32:01.720 --> 0:32:07.120
<v Speaker 5>My heart's wolf, My anger is pain. Have you ever

0:32:07.280 --> 0:32:10.160
<v Speaker 5>thought of a child in the rain.

0:32:11.840 --> 0:32:15.280
<v Speaker 1>We were gonna be on that, we were gonna.

0:32:14.960 --> 0:32:21.600
<v Speaker 5>Be but then you broke my heart. Broke my heart

0:32:23.480 --> 0:32:32.840
<v Speaker 5>like I knew you. Bo bo bo bo bow bow

0:32:32.360 --> 0:32:41.360
<v Speaker 5>bow child. Wow.

0:32:41.480 --> 0:32:43.600
<v Speaker 2>If this were ten years ago, I'll take you down

0:32:43.680 --> 0:32:49.320
<v Speaker 2>right now. Do you mean that was so hot? I

0:32:49.320 --> 0:32:50.960
<v Speaker 2>think I would take you down.

0:32:51.120 --> 0:32:53.800
<v Speaker 3>I will say, I think you are a perfect fit

0:32:53.880 --> 0:32:56.400
<v Speaker 3>for the Sphere, and I'm glad you're doing.

0:32:57.680 --> 0:32:59.720
<v Speaker 5>You are so the.

0:32:59.720 --> 0:33:00.959
<v Speaker 6>Sphere at the Sphere.

0:33:00.960 --> 0:33:01.360
<v Speaker 5>Thank you.

0:33:01.480 --> 0:33:03.160
<v Speaker 7>It's a perfect fit. And I'm really proud of you.

0:33:03.280 --> 0:33:05.000
<v Speaker 1>I love that they're going to drop stress balls out

0:33:05.000 --> 0:33:05.600
<v Speaker 1>of the roof.

0:33:05.680 --> 0:33:07.480
<v Speaker 5>Yes, they're dropping stress balls out of the.

0:33:07.520 --> 0:33:11.200
<v Speaker 1>Roof, and they're gonna do chemical t can.

0:33:11.280 --> 0:33:14.360
<v Speaker 5>So it's gonna be Kim only a tea cannon. We're

0:33:14.400 --> 0:33:17.440
<v Speaker 5>only using one ninetieth of the sphere to do my

0:33:17.600 --> 0:33:20.600
<v Speaker 5>kind of like apartment in Culver City, the.

0:33:20.560 --> 0:33:21.360
<v Speaker 1>Rest to make it.

0:33:21.560 --> 0:33:22.680
<v Speaker 7>Are they bringing the apartment there?

0:33:22.680 --> 0:33:25.840
<v Speaker 5>They're bringing the apartment there, building a practical set antractor

0:33:25.920 --> 0:33:27.280
<v Speaker 5>the second of the sphere.

0:33:28.840 --> 0:33:29.200
<v Speaker 1>Drama.

0:33:29.480 --> 0:33:31.440
<v Speaker 6>The streens are going to be dark why drama?

0:33:31.520 --> 0:33:35.680
<v Speaker 5>Yeah, dark dark screens. I think practical set dark screen could.

0:33:35.440 --> 0:33:36.479
<v Speaker 1>Have done it anywhere. Awesome.

0:33:40.720 --> 0:33:44.120
<v Speaker 3>Hey, hey, hold pause for the episode for one quick second,

0:33:44.120 --> 0:33:45.840
<v Speaker 3>so we can tell you about something special that helps

0:33:45.880 --> 0:33:46.480
<v Speaker 3>us and helps you.

0:33:46.920 --> 0:33:47.320
<v Speaker 5>Angela.

0:33:47.440 --> 0:33:49.000
<v Speaker 4>Did you know there's a place where you can get

0:33:49.000 --> 0:33:52.959
<v Speaker 4>bonus content and extra episodes and never before seen stuff

0:33:53.080 --> 0:33:54.000
<v Speaker 4>And it's for.

0:33:53.920 --> 0:33:56.160
<v Speaker 6>The low low price of three, five or ten dollars

0:33:56.200 --> 0:33:56.520
<v Speaker 6>a month.

0:33:56.520 --> 0:33:57.920
<v Speaker 3>Oh my god, And I could see these people that

0:33:57.960 --> 0:34:00.360
<v Speaker 3>are putting on crazy voices be themselves and have a

0:34:00.360 --> 0:34:01.760
<v Speaker 3>funny conversation.

0:34:01.280 --> 0:34:03.520
<v Speaker 4>And you can find out why Angela got us this

0:34:03.600 --> 0:34:04.840
<v Speaker 4>gift for Christmas.

0:34:04.880 --> 0:34:07.680
<v Speaker 7>For Christmas link in bio, Join our Patreon right now.

0:34:09.080 --> 0:34:13.160
<v Speaker 7>Go there right now.

0:34:13.920 --> 0:34:16.319
<v Speaker 4>I really do love this song, though it is such

0:34:16.320 --> 0:34:19.160
<v Speaker 4>a it's so hard to listen to when I'm not

0:34:19.920 --> 0:34:23.120
<v Speaker 4>actively in the throes of a breakup, because it is

0:34:23.280 --> 0:34:25.520
<v Speaker 4>it takes you to that place, it transports you that place.

0:34:25.560 --> 0:34:27.320
<v Speaker 5>I have heard that about my music, that it's only

0:34:27.320 --> 0:34:29.800
<v Speaker 5>translatable when you're going really, really through something.

0:34:29.880 --> 0:34:33.360
<v Speaker 4>Yeah, and I always wondered what human woman was that about?

0:34:33.680 --> 0:34:36.440
<v Speaker 5>So that was about a human woman, that was about

0:34:36.520 --> 0:34:39.120
<v Speaker 5>this well, I don't like to talk about her, but

0:34:40.000 --> 0:34:41.640
<v Speaker 5>at that point of my life, I was going through

0:34:41.640 --> 0:34:46.320
<v Speaker 5>a breakup with a girl named let's call her b.

0:34:46.320 --> 0:34:49.760
<v Speaker 5>B was my world, my life, my everything.

0:34:50.000 --> 0:34:51.879
<v Speaker 3>See, I'm sorry, but I don't like that. I don't

0:34:51.920 --> 0:34:53.520
<v Speaker 3>like that we're hiding her. I don't like that we're

0:34:53.560 --> 0:34:55.719
<v Speaker 3>putting her on blast. We should all be putting these

0:34:55.760 --> 0:34:58.719
<v Speaker 3>people on blast. I said Michael's address, I said his

0:34:58.760 --> 0:35:01.440
<v Speaker 3>phone number. I did it all, you did all the

0:35:01.440 --> 0:35:02.280
<v Speaker 3>five of those girls.

0:35:02.600 --> 0:35:03.480
<v Speaker 7>You should do that with me.

0:35:03.640 --> 0:35:05.600
<v Speaker 5>I don't know. I don't know. I think my music

0:35:05.680 --> 0:35:08.200
<v Speaker 5>only works if you don't fully understand it, if you

0:35:08.280 --> 0:35:11.080
<v Speaker 5>see the real story, and that I just didn't text

0:35:11.080 --> 0:35:12.560
<v Speaker 5>her back a lot, and she got frustrated.

0:35:12.640 --> 0:35:15.280
<v Speaker 2>I sing my ex husbands. I sing my ex husband's

0:35:15.360 --> 0:35:17.960
<v Speaker 2>dental records. Huh, I sing my ex husbands dental I

0:35:18.000 --> 0:35:18.560
<v Speaker 2>remember that?

0:35:18.680 --> 0:35:19.239
<v Speaker 6>Yeah?

0:35:19.040 --> 0:35:20.799
<v Speaker 5>Oh what song is that?

0:35:21.000 --> 0:35:21.160
<v Speaker 1>Oh?

0:35:21.160 --> 0:35:22.319
<v Speaker 5>That's are you fucking a girl?

0:35:23.040 --> 0:35:23.200
<v Speaker 2>One?

0:35:23.239 --> 0:35:27.160
<v Speaker 6>One?

0:35:28.160 --> 0:35:30.080
<v Speaker 4>You know the little one two three four five scale

0:35:30.200 --> 0:35:31.240
<v Speaker 4>they do when they hate your teeth.

0:35:31.360 --> 0:35:33.200
<v Speaker 1>Sorry, I bounced on something. What did you say earlier?

0:35:33.320 --> 0:35:35.400
<v Speaker 5>Oh? No, no problem. I was just saying, if you

0:35:35.440 --> 0:35:37.920
<v Speaker 5>see the I have to keep my lyrics ambiguous because

0:35:38.080 --> 0:35:39.919
<v Speaker 5>if you know the real story, it's actually pretty boring.

0:35:39.960 --> 0:35:42.880
<v Speaker 5>And I actually I just didn't. She broke up with it.

0:35:43.320 --> 0:35:45.480
<v Speaker 7>I applaud that, honestly, Thank you, Thank you.

0:35:45.600 --> 0:35:46.960
<v Speaker 6>Do you think you'd ever text her back?

0:35:47.000 --> 0:35:53.279
<v Speaker 5>Now? I thought about it. I've really thought about it.

0:35:53.400 --> 0:35:56.400
<v Speaker 5>Texting is tough sometimes though, I cannot figure.

0:35:56.120 --> 0:35:59.200
<v Speaker 7>Out what relationship does that have to the river in the.

0:35:59.160 --> 0:36:03.319
<v Speaker 5>Water for me? For me, so for me, the river

0:36:04.080 --> 0:36:07.040
<v Speaker 5>was kind of the symbol of our love and the rock.

0:36:07.000 --> 0:36:09.320
<v Speaker 7>Was the base of it.

0:36:08.680 --> 0:36:13.000
<v Speaker 5>But sometimes the river changes, and sometimes rocks lie and

0:36:13.360 --> 0:36:16.720
<v Speaker 5>well yeah, okay, yeah.

0:36:16.120 --> 0:36:19.200
<v Speaker 1>Rocks lie in a river literally every day.

0:36:19.719 --> 0:36:20.720
<v Speaker 7>What a group of songwriters.

0:36:21.480 --> 0:36:24.000
<v Speaker 5>So that's what I was kind of going for. Thank you.

0:36:26.239 --> 0:36:27.960
<v Speaker 1>Got ate up by those damn Rocks.

0:36:28.719 --> 0:36:30.960
<v Speaker 7>Let's talk, season desist.

0:36:31.480 --> 0:36:32.320
<v Speaker 9>Let's talk.

0:36:36.760 --> 0:36:38.920
<v Speaker 5>Is very public, Yes, yours is very public.

0:36:39.080 --> 0:36:41.120
<v Speaker 7>I sang the season desisted on the back side of

0:36:41.160 --> 0:36:41.879
<v Speaker 7>the album.

0:36:42.320 --> 0:36:46.120
<v Speaker 4>I Love You are singing every piece of evidence as

0:36:46.160 --> 0:36:46.759
<v Speaker 4>it relates to you.

0:36:46.840 --> 0:36:49.040
<v Speaker 7>Urban has a shower curtain of the season.

0:36:49.040 --> 0:36:50.880
<v Speaker 5>Decess, what can we talk about your hit song? Ceased

0:36:50.920 --> 0:36:51.759
<v Speaker 5>to exist?

0:36:52.440 --> 0:36:56.760
<v Speaker 3>Cease to exist, cease and desisting that.

0:36:56.719 --> 0:36:57.880
<v Speaker 1>Thing now.

0:36:59.200 --> 0:37:10.560
<v Speaker 17>Now you cease to exist? You see send set my

0:37:10.800 --> 0:37:13.000
<v Speaker 17>heart and your heart.

0:37:12.840 --> 0:37:18.520
<v Speaker 14>And those five women's hearts to who it may concerns.

0:37:19.440 --> 0:37:25.759
<v Speaker 14>She's using the words die life rights and she does

0:37:25.960 --> 0:37:30.239
<v Speaker 14>not have control, doesn't have it all.

0:37:31.760 --> 0:37:33.319
<v Speaker 7>Cease You're a.

0:37:33.000 --> 0:37:38.160
<v Speaker 3>Bell lady to speak, belady to speak.

0:37:40.120 --> 0:37:40.480
<v Speaker 1>I can't.

0:37:40.520 --> 0:37:42.719
<v Speaker 3>I can't get into the part where I actually sing

0:37:42.800 --> 0:37:44.640
<v Speaker 3>the legal jargon because it makes me soft girl.

0:37:44.719 --> 0:37:47.640
<v Speaker 1>That's legit good, by the way, makes that was good

0:37:47.640 --> 0:37:47.960
<v Speaker 1>for real.

0:37:48.520 --> 0:37:51.279
<v Speaker 5>Right before Bob enters with his verse, well, he.

0:37:51.239 --> 0:37:53.839
<v Speaker 7>Does the legal jargeon, he does the legal.

0:37:54.120 --> 0:37:58.439
<v Speaker 3>Very quick article one really and Bob has a way

0:37:58.440 --> 0:38:01.160
<v Speaker 3>of rapping things so happy and it was hard to

0:38:01.160 --> 0:38:01.920
<v Speaker 3>get into that place.

0:38:01.960 --> 0:38:03.719
<v Speaker 7>But then when you just read what they were, like

0:38:03.960 --> 0:38:05.400
<v Speaker 7>legally threatening.

0:38:05.280 --> 0:38:07.880
<v Speaker 1>It like glad He's back by the way, Where was he?

0:38:10.440 --> 0:38:11.319
<v Speaker 6>Where did he go?

0:38:11.520 --> 0:38:14.799
<v Speaker 4>Now he's doing side effects for Zoeloft and stuff he's doing.

0:38:14.960 --> 0:38:17.080
<v Speaker 7>He's doing all the side of Boom and he's doing

0:38:17.160 --> 0:38:17.520
<v Speaker 7>all of this.

0:38:17.600 --> 0:38:19.040
<v Speaker 6>He's doing all the side effects.

0:38:19.280 --> 0:38:21.279
<v Speaker 7>Okay, but any season desists for you guys.

0:38:22.080 --> 0:38:24.359
<v Speaker 2>Yeah, I mean you could call it that he keeps

0:38:24.360 --> 0:38:26.040
<v Speaker 2>trying to take my fucking kid away from me.

0:38:26.680 --> 0:38:29.799
<v Speaker 1>That's like, yeah, it's but it's.

0:38:29.719 --> 0:38:31.920
<v Speaker 2>Not season to sayst I mean, look, he's trying to

0:38:31.920 --> 0:38:35.680
<v Speaker 2>get back at me, that freaking loser, trying to get

0:38:35.719 --> 0:38:38.000
<v Speaker 2>out there, trying to make all this stuff, put it

0:38:38.120 --> 0:38:38.799
<v Speaker 2>up online.

0:38:38.840 --> 0:38:40.200
<v Speaker 1>But everyone knows it's a lie.

0:38:40.360 --> 0:38:42.719
<v Speaker 2>Everyone knows it's a lie because I'm screaming it and

0:38:42.760 --> 0:38:43.719
<v Speaker 2>you're typing it.

0:38:44.960 --> 0:38:48.400
<v Speaker 7>You're screaming it, I'm typing it. You're lying that.

0:38:48.280 --> 0:38:50.200
<v Speaker 6>This is a lot. It is a lot.

0:38:50.280 --> 0:38:52.440
<v Speaker 2>But it doesn't matter, dude, it doesn't matter. You're not

0:38:52.480 --> 0:38:54.879
<v Speaker 2>taking a googie away from me, and you're living your

0:38:54.880 --> 0:38:57.040
<v Speaker 2>fucking life as a lie. You're gonna be living in

0:38:57.080 --> 0:38:59.680
<v Speaker 2>Modesto for the rest of your life, opening a vintage

0:38:59.719 --> 0:39:02.440
<v Speaker 2>store and fucking eating your own ass.

0:39:03.560 --> 0:39:05.480
<v Speaker 5>Can I say that? It's just reminding me of your

0:39:05.480 --> 0:39:09.400
<v Speaker 5>beautiful song. What are you fucking? Another girl or a skateboard?

0:39:10.000 --> 0:39:11.520
<v Speaker 1>Yeah, let's talk about that one.

0:39:11.560 --> 0:39:12.680
<v Speaker 5>I love it. I love that.

0:39:13.120 --> 0:39:15.040
<v Speaker 7>Yeah, what are your fucking?

0:39:15.760 --> 0:39:19.280
<v Speaker 1>What are you fucking? Another girl of skateboard? Another girl

0:39:19.320 --> 0:39:23.719
<v Speaker 1>of a skateboard? What are your fucking what are your

0:39:23.719 --> 0:39:28.680
<v Speaker 1>fucking another girl of a skateboard? Another girl of skateboard?

0:39:30.480 --> 0:39:32.040
<v Speaker 7>Mark Ronson did that with you?

0:39:32.280 --> 0:39:37.279
<v Speaker 8>Yeah, Mark Bronson, Mark, Mark, Martin.

0:39:39.719 --> 0:39:40.160
<v Speaker 6>Johnson.

0:39:40.520 --> 0:39:48.280
<v Speaker 10>Yeah, his father, the older one, Martin Johnson.

0:39:48.360 --> 0:39:49.400
<v Speaker 1>There's back in the music.

0:39:49.960 --> 0:39:51.720
<v Speaker 6>He's back.

0:39:51.800 --> 0:39:54.080
<v Speaker 1>You can't get Mark, get Mark. It's like the O

0:39:54.239 --> 0:39:55.560
<v Speaker 1>g Mark.

0:39:57.120 --> 0:40:00.719
<v Speaker 4>Gosh, that's awesome, says Oh yeah, any came after me

0:40:00.800 --> 0:40:02.080
<v Speaker 4>for it.

0:40:02.480 --> 0:40:04.160
<v Speaker 6>Surprisingly wasn't the hit.

0:40:04.320 --> 0:40:06.840
<v Speaker 4>It was sort of a B side, but he really

0:40:06.920 --> 0:40:10.520
<v Speaker 4>didn't like it. It's a song that you know, I

0:40:10.560 --> 0:40:12.879
<v Speaker 4>tried to obscure his identity as much as I could,

0:40:12.960 --> 0:40:15.560
<v Speaker 4>and I tried to like make it more a metaphor.

0:40:15.760 --> 0:40:20.440
<v Speaker 4>But it's a song called Sticky Little Dicky in the

0:40:20.440 --> 0:40:21.560
<v Speaker 4>peanut butter sauce.

0:40:22.080 --> 0:40:26.160
<v Speaker 3>No, no, no, not a ty peanut butter sauce.

0:40:27.320 --> 0:40:27.600
<v Speaker 1>Dick.

0:40:29.960 --> 0:40:32.000
<v Speaker 6>I mean it hurts to talk about.

0:40:32.239 --> 0:40:33.080
<v Speaker 7>This is gonna make me.

0:40:33.680 --> 0:40:36.200
<v Speaker 1>Can you sing it for us? Because I haven't heard

0:40:36.200 --> 0:40:37.279
<v Speaker 1>this one. It was a B side.

0:40:37.400 --> 0:40:39.319
<v Speaker 6>It was a B side, and he the one he

0:40:39.360 --> 0:40:40.080
<v Speaker 6>took issue with.

0:40:40.200 --> 0:40:44.239
<v Speaker 4>I'm I'm literally performing with a guitar in a in

0:40:44.320 --> 0:40:49.160
<v Speaker 4>a little danky little venue. But it's okay, okay, stanky

0:40:49.280 --> 0:40:54.960
<v Speaker 4>little dick and the peanut butter sauce, sanky little thick tonight.

0:40:55.160 --> 0:40:55.919
<v Speaker 7>He turned it up.

0:40:57.960 --> 0:41:03.319
<v Speaker 4>One second, one second, stanky little dick in the peanut.

0:41:03.040 --> 0:41:06.560
<v Speaker 6>Butter styles and you put in there all night.

0:41:08.880 --> 0:41:12.840
<v Speaker 4>In the peanut butter sauce, stinky little dick. Oh no,

0:41:14.560 --> 0:41:18.040
<v Speaker 4>stinky little dick in the peanut butter sauce. And he

0:41:18.200 --> 0:41:21.520
<v Speaker 4>left it there too long. Call the fire department.

0:41:21.719 --> 0:41:24.560
<v Speaker 6>Got a stinky little dick in there. Can't get the

0:41:24.760 --> 0:41:25.399
<v Speaker 6>sauce off.

0:41:25.600 --> 0:41:27.120
<v Speaker 9>Oh no, he gotta do it.

0:41:27.280 --> 0:41:30.759
<v Speaker 4>Fire chief said, we gotta get more people on in here,

0:41:30.880 --> 0:41:32.600
<v Speaker 4>get this lid off of the peanuts.

0:41:32.719 --> 0:41:46.600
<v Speaker 9>Then we go to the hospital, in the hospital, in the.

0:41:46.480 --> 0:41:48.720
<v Speaker 6>Hospital, and that's a whole one. But that's just the chorus.

0:41:48.719 --> 0:41:53.120
<v Speaker 1>You can't imagine, You can't imagine.

0:41:52.640 --> 0:41:55.239
<v Speaker 6>What's going on and what he gets up into in

0:41:55.280 --> 0:41:55.960
<v Speaker 6>the hospital.

0:41:57.239 --> 0:41:58.040
<v Speaker 1>It is nasty.

0:41:58.040 --> 0:41:59.640
<v Speaker 2>I don't know if you're trying to answering this question

0:42:02.200 --> 0:42:04.560
<v Speaker 2>is peanut butter sauce different than peanut butter.

0:42:06.960 --> 0:42:09.279
<v Speaker 7>I'm sure you get this time.

0:42:09.440 --> 0:42:12.560
<v Speaker 1>He's talking about tie peanut sauce you're talking about.

0:42:12.400 --> 0:42:16.080
<v Speaker 6>So that's exactly what it, Eddie.

0:42:16.560 --> 0:42:22.600
<v Speaker 4>Eddie's grandma is actually Tie and she makes this great.

0:42:24.680 --> 0:42:26.040
<v Speaker 1>So that's gonna burn a lot.

0:42:26.160 --> 0:42:29.520
<v Speaker 4>Again, we had some leftover and we keep it in

0:42:29.600 --> 0:42:30.839
<v Speaker 4>jars for safe keeping.

0:42:31.400 --> 0:42:33.480
<v Speaker 7>Anyway, I had a question.

0:42:35.200 --> 0:42:39.399
<v Speaker 5>You mentioned taking off the jar lits. Did he put

0:42:39.400 --> 0:42:42.600
<v Speaker 5>his penis through the jar lit? Because you said take

0:42:42.640 --> 0:42:46.960
<v Speaker 5>the jar lid off the penis. I'm just trying to

0:42:47.360 --> 0:42:49.280
<v Speaker 5>always with your songs, you're painting a story.

0:42:49.360 --> 0:42:52.200
<v Speaker 1>I just simply unbelievable.

0:42:52.360 --> 0:42:56.040
<v Speaker 7>They go to cheese, I believe.

0:42:56.040 --> 0:42:58.640
<v Speaker 3>Because what's crazy is you didn't just teach cheat on

0:42:58.680 --> 0:42:59.640
<v Speaker 3>you with that peanut sauce.

0:42:59.680 --> 0:43:02.239
<v Speaker 7>He all cheated on you with that jar.

0:43:01.880 --> 0:43:03.000
<v Speaker 1>And he wanted to get caught.

0:43:03.200 --> 0:43:06.200
<v Speaker 6>He literally got caught because literally wanted to get caught.

0:43:06.200 --> 0:43:09.480
<v Speaker 6>And to answer your question, we keep the jars hollowed

0:43:09.480 --> 0:43:12.640
<v Speaker 6>out to oxidize them before we put them in the fridge.

0:43:12.680 --> 0:43:13.040
<v Speaker 5>And so.

0:43:18.800 --> 0:43:25.120
<v Speaker 8>Yeah, okay, girl, obviously have never kept a house literally honestly.

0:43:25.000 --> 0:43:27.239
<v Speaker 4>Just changes when you rent to win your own yes,

0:43:27.680 --> 0:43:29.400
<v Speaker 4>you must changes.

0:43:29.520 --> 0:43:31.480
<v Speaker 6>You must not own yet.

0:43:31.160 --> 0:43:31.840
<v Speaker 5>I don't know.

0:43:32.000 --> 0:43:35.359
<v Speaker 6>You must not own yet. And so we do keep

0:43:35.400 --> 0:43:35.800
<v Speaker 6>the lid.

0:43:36.480 --> 0:43:38.760
<v Speaker 4>We keep a little bit of air flow in there,

0:43:39.080 --> 0:43:41.239
<v Speaker 4>because it's sort of like if you've ever decanted a

0:43:41.239 --> 0:43:42.000
<v Speaker 4>glass of wine.

0:43:42.280 --> 0:43:44.640
<v Speaker 6>We do the same with our jars of peanut butter sauce.

0:43:44.640 --> 0:43:45.680
<v Speaker 7>So it was.

0:43:45.640 --> 0:43:47.640
<v Speaker 6>Readily available for him, which is why he thought he

0:43:47.680 --> 0:43:49.400
<v Speaker 6>could sneak it in real quick.

0:43:49.800 --> 0:43:53.920
<v Speaker 3>What's readily available for him sounds like a man, walks

0:43:53.960 --> 0:43:54.359
<v Speaker 3>like a man.

0:43:54.560 --> 0:43:56.360
<v Speaker 6>Men are unbelievable.

0:43:56.400 --> 0:43:58.040
<v Speaker 1>He sounds like a sex addict.

0:43:58.160 --> 0:44:01.000
<v Speaker 7>Honestly, I know a thing are to you about sex addicts?

0:44:01.080 --> 0:44:02.480
<v Speaker 1>Oh my god, I know it.

0:44:02.600 --> 0:44:05.320
<v Speaker 7>And their swimmers, their swimmers.

0:44:05.400 --> 0:44:07.000
<v Speaker 6>Have you dated other swimmers?

0:44:07.400 --> 0:44:07.560
<v Speaker 15>No?

0:44:07.760 --> 0:44:14.160
<v Speaker 3>Just Michael, right, okay, right, no, I'm Done's done.

0:44:14.239 --> 0:44:14.759
<v Speaker 1>I'm done.

0:44:14.840 --> 0:44:18.359
<v Speaker 5>Let's talk about your now very public relationship. Pastor Mike

0:44:18.520 --> 0:44:20.279
<v Speaker 5>with pastor Mike, pastor.

0:44:21.840 --> 0:44:25.040
<v Speaker 7>Back to back for TikTok, Pastor Mike.

0:44:25.560 --> 0:44:29.799
<v Speaker 5>Every everybody is seeing those photos of you in Barbados.

0:44:30.000 --> 0:44:35.080
<v Speaker 7>I'll tell you some men, tiny few listen.

0:44:36.200 --> 0:44:38.000
<v Speaker 5>But I want to say, and I don't mean to

0:44:38.000 --> 0:44:42.120
<v Speaker 5>call you out. Yeah, he had a wife and he

0:44:42.200 --> 0:44:43.640
<v Speaker 5>got a divorce to start dating you.

0:44:43.920 --> 0:44:46.160
<v Speaker 7>He communicated that divorce really clearly.

0:44:47.320 --> 0:45:00.879
<v Speaker 6>Oh okay, there to you, and what was the I'm

0:45:00.880 --> 0:45:03.719
<v Speaker 6>curious about the timeline of when you came into the

0:45:03.760 --> 0:45:05.080
<v Speaker 6>picture and when the divorce came.

0:45:05.960 --> 0:45:09.640
<v Speaker 3>So sick of people asking for the time totally and

0:45:09.880 --> 0:45:15.640
<v Speaker 3>probably endorsed you.

0:45:15.760 --> 0:45:18.400
<v Speaker 7>I'll tell you this isn't music enough. Why do you

0:45:18.440 --> 0:45:19.520
<v Speaker 7>need the timeline?

0:45:20.239 --> 0:45:20.839
<v Speaker 1>You need the time.

0:45:21.200 --> 0:45:21.839
<v Speaker 6>I'm sick of it.

0:45:21.680 --> 0:45:23.120
<v Speaker 1>It happens all the time.

0:45:23.120 --> 0:45:24.839
<v Speaker 7>They're like, when did you date him? And when did

0:45:24.840 --> 0:45:26.720
<v Speaker 7>you date him? It doesn't matter.

0:45:26.840 --> 0:45:28.080
<v Speaker 6>I'm making music for you.

0:45:28.200 --> 0:45:31.560
<v Speaker 8>I'm making music for you.

0:45:31.560 --> 0:45:33.719
<v Speaker 4>You just had us all post those Instagram stories that

0:45:33.760 --> 0:45:35.439
<v Speaker 4>said nothing you've ever done is wrong, and.

0:45:35.360 --> 0:45:37.400
<v Speaker 7>So I'm just curious. I'm sorry, it's my filter. I

0:45:37.400 --> 0:45:38.640
<v Speaker 7>worked on it for a long time.

0:45:38.680 --> 0:45:41.160
<v Speaker 5>It's a good because in twenty three you came out

0:45:41.200 --> 0:45:44.000
<v Speaker 5>with Pastor's Plaything, which is a hit song.

0:45:44.120 --> 0:45:47.120
<v Speaker 3>But I wonder I'll say, that's when I was cheating

0:45:47.120 --> 0:45:49.839
<v Speaker 3>on Joelastein's wife with Jolistine.

0:45:49.960 --> 0:45:50.960
<v Speaker 5>Oh so you were cheating on.

0:45:53.120 --> 0:45:55.400
<v Speaker 6>You were dating a different pastor?

0:45:56.680 --> 0:45:57.160
<v Speaker 5>What was that?

0:45:57.320 --> 0:45:57.400
<v Speaker 2>Like?

0:45:57.560 --> 0:45:58.279
<v Speaker 7>Why does that matter?

0:45:58.360 --> 0:45:58.480
<v Speaker 1>Right?

0:45:58.480 --> 0:45:59.319
<v Speaker 7>I didn't right about that?

0:45:59.400 --> 0:45:59.520
<v Speaker 17>So?

0:46:00.719 --> 0:46:02.120
<v Speaker 5>Well, you did Pastor's play Thing?

0:46:02.400 --> 0:46:04.239
<v Speaker 3>Well, Pastor's play Thing is just an e M hit

0:46:04.280 --> 0:46:05.680
<v Speaker 3>and it just says Pastor's play thing over and over.

0:46:05.800 --> 0:46:16.680
<v Speaker 18>Well, girl, I'd like to hear it.

0:46:24.280 --> 0:46:34.279
<v Speaker 5>I did nothing wrong. Holy song really falls apart when,

0:46:34.440 --> 0:46:37.880
<v Speaker 5>of course I can't tell I this the Father and

0:46:37.880 --> 0:46:39.319
<v Speaker 5>the Holy Ghost of the Caerdactyl.

0:46:42.920 --> 0:46:45.040
<v Speaker 6>I love it. I love all your music.

0:46:45.080 --> 0:46:47.560
<v Speaker 1>That's a bob. I mean, that's what we're talking about,

0:46:47.560 --> 0:46:48.399
<v Speaker 1>the making the art.

0:46:48.880 --> 0:46:52.120
<v Speaker 4>You know, we have made such an incredible something that's

0:46:52.160 --> 0:46:53.240
<v Speaker 4>amazing that's come.

0:46:53.080 --> 0:46:53.879
<v Speaker 7>Out of this art.

0:46:54.000 --> 0:46:56.200
<v Speaker 6>We're all going to the Grammys this year.

0:46:57.600 --> 0:47:01.560
<v Speaker 5>We've all been no. I think it's really cool new artists.

0:47:02.000 --> 0:47:02.480
<v Speaker 5>Thank you.

0:47:02.560 --> 0:47:06.319
<v Speaker 7>We're all kind of should I spoil it?

0:47:06.920 --> 0:47:09.239
<v Speaker 5>You can spoil the Grammy.

0:47:09.400 --> 0:47:11.600
<v Speaker 4>Let a man spoil the Grammys. They're not They're not

0:47:11.640 --> 0:47:12.480
<v Speaker 4>gonna watch anyway.

0:47:12.760 --> 0:47:15.600
<v Speaker 3>We're doing a massive medley each of us come out,

0:47:16.480 --> 0:47:20.120
<v Speaker 3>but the stage are these massive pictures of our exes

0:47:20.440 --> 0:47:22.239
<v Speaker 3>that when we come out and sing our song, that

0:47:22.520 --> 0:47:25.360
<v Speaker 3>whole flag of our ex will burn.

0:47:25.719 --> 0:47:28.560
<v Speaker 1>It lights on fire and burns to the ground.

0:47:28.600 --> 0:47:31.120
<v Speaker 3>And then by the time that one burns, my medley'st done.

0:47:31.120 --> 0:47:33.839
<v Speaker 3>And then it goes onto Wanky Stinky Dick and then

0:47:34.000 --> 0:47:35.399
<v Speaker 3>that picture of him.

0:47:35.680 --> 0:47:39.480
<v Speaker 5>Sorry, it's stinky winky tinky winky dick love the name

0:47:39.480 --> 0:47:39.919
<v Speaker 5>of that song.

0:47:41.880 --> 0:47:45.720
<v Speaker 2>I mean, it's really it's really exciting to be able

0:47:45.760 --> 0:47:46.560
<v Speaker 2>to bring that to.

0:47:46.560 --> 0:47:48.919
<v Speaker 1>The Grammys, to sing this in front of so many

0:47:48.920 --> 0:47:49.480
<v Speaker 1>other people.

0:47:49.920 --> 0:47:51.759
<v Speaker 2>I think my fucking ex is going to be there

0:47:51.800 --> 0:47:54.680
<v Speaker 2>because he's on the janitorial staff, and I hope he

0:47:54.760 --> 0:47:56.400
<v Speaker 2>cleans up his own ashes.

0:47:56.520 --> 0:47:59.120
<v Speaker 6>That kind of sucks clean up his own.

0:48:02.040 --> 0:48:04.719
<v Speaker 5>His own Why take that shift? I wonder why did

0:48:04.719 --> 0:48:07.040
<v Speaker 5>he take that shift? That's really key.

0:48:07.200 --> 0:48:08.400
<v Speaker 1>I guess the Staples Center.

0:48:08.600 --> 0:48:12.120
<v Speaker 3>I really a professional skateboard I feel like that's taking

0:48:12.120 --> 0:48:15.560
<v Speaker 3>it a little far. I'll be honest, Green Why I

0:48:15.640 --> 0:48:19.680
<v Speaker 3>just think like, I think that's a little bit too far.

0:48:19.880 --> 0:48:22.359
<v Speaker 19>Like I didn't tell him to work that night. I'm

0:48:22.360 --> 0:48:24.080
<v Speaker 19>not going to change the way I live my life,

0:48:24.120 --> 0:48:28.080
<v Speaker 19>but I feel bad bad. I represent divorce women all

0:48:28.120 --> 0:48:31.160
<v Speaker 19>over the world. They look to me to be divorced.

0:48:31.360 --> 0:48:33.719
<v Speaker 2>They look to me to treat my ex like shit

0:48:34.000 --> 0:48:37.000
<v Speaker 2>because war has begun and it's not going to end

0:48:37.280 --> 0:48:39.680
<v Speaker 2>until it can't happen anymore.

0:48:40.000 --> 0:48:41.560
<v Speaker 7>I went here, I know where you're at.

0:48:41.840 --> 0:48:44.560
<v Speaker 3>When I did Pastor's play Thing, I saw the devil

0:48:44.600 --> 0:48:46.919
<v Speaker 3>in my eyes and I went I went too far.

0:48:47.320 --> 0:48:50.000
<v Speaker 3>I was an adultery. I was I was doing the

0:48:50.040 --> 0:48:52.600
<v Speaker 3>things that tore me up. And it's because I wanted

0:48:52.600 --> 0:48:55.360
<v Speaker 3>to bring a gun to the knife fight, because Michael

0:48:55.440 --> 0:48:57.839
<v Speaker 3>Phelps did. So what I'm telling you is, I think

0:48:57.840 --> 0:48:59.759
<v Speaker 3>I see myself in you right now, and.

0:48:59.719 --> 0:49:03.760
<v Speaker 1>I Nah, you don't see me. I'm doing good.

0:49:04.239 --> 0:49:06.279
<v Speaker 2>I drink seven buzzballs a night, and I end up

0:49:06.320 --> 0:49:07.920
<v Speaker 2>with anyone who talks to me.

0:49:08.480 --> 0:49:10.520
<v Speaker 1>Don't you see? I'm doing fine.

0:49:10.800 --> 0:49:12.680
<v Speaker 2>And I get up and I write a song about them,

0:49:12.760 --> 0:49:14.200
<v Speaker 2>and I hang out with my googie and then I

0:49:14.280 --> 0:49:15.600
<v Speaker 2>drink more buzzballs.

0:49:15.800 --> 0:49:17.000
<v Speaker 1>That's my fucking life.

0:49:17.400 --> 0:49:19.080
<v Speaker 5>Of It's making sense why the husband wants to take

0:49:19.120 --> 0:49:19.359
<v Speaker 5>the kid?

0:49:19.520 --> 0:49:21.520
<v Speaker 1>Yeah, yeah, what are you talking about?

0:49:21.600 --> 0:49:25.800
<v Speaker 5>Gig was the name of the beginning. It sounded like green.

0:49:26.000 --> 0:49:29.000
<v Speaker 5>Do you have buzzballs? I see three empty buzzballs where

0:49:29.040 --> 0:49:30.960
<v Speaker 5>you're drinking them. You're cut away from.

0:49:30.800 --> 0:49:31.960
<v Speaker 1>Your strawberry jakery.

0:49:32.080 --> 0:49:39.040
<v Speaker 4>But Nana dakery a Lotah, they're good buzz I just

0:49:39.120 --> 0:49:41.680
<v Speaker 4>like I think, Yeah, I don't know.

0:49:42.040 --> 0:49:46.120
<v Speaker 3>Maybe I'm just seeing that we're not always in the right.

0:49:46.640 --> 0:49:49.440
<v Speaker 6>Do you guys ever feel regret?

0:49:50.800 --> 0:49:52.880
<v Speaker 5>That's kind of half my album Misregret.

0:49:53.360 --> 0:49:58.920
<v Speaker 2>Do you miss a ship when it hits the fucking toilet?

0:49:58.920 --> 0:49:59.480
<v Speaker 7>Which party?

0:49:59.560 --> 0:49:59.880
<v Speaker 1>I don't go?

0:50:00.120 --> 0:50:02.600
<v Speaker 7>My body is missing something.

0:50:03.920 --> 0:50:06.160
<v Speaker 5>I don't There has been a couple of ships I've

0:50:06.160 --> 0:50:07.239
<v Speaker 5>taken that I do miss it.

0:50:07.960 --> 0:50:09.040
<v Speaker 1>You miss those ships.

0:50:09.239 --> 0:50:09.799
<v Speaker 7>I'll say this.

0:50:09.920 --> 0:50:11.520
<v Speaker 3>When I take that ship out of the out of

0:50:11.560 --> 0:50:14.760
<v Speaker 3>the toilet and I throw it out and I throw

0:50:14.800 --> 0:50:16.719
<v Speaker 3>it on the wall, then I feel weird.

0:50:16.760 --> 0:50:17.440
<v Speaker 5>Why do you do that?

0:50:18.440 --> 0:50:19.400
<v Speaker 7>I'm being metaphorical.

0:50:19.480 --> 0:50:23.000
<v Speaker 3>I'm saying, if I make a mess of someone else's ship,

0:50:23.640 --> 0:50:26.279
<v Speaker 3>pastor has played it, I made a mess.

0:50:26.840 --> 0:50:29.600
<v Speaker 7>I think. I don't know.

0:50:29.760 --> 0:50:31.640
<v Speaker 3>I just think there's there's a lot to be said

0:50:32.080 --> 0:50:35.480
<v Speaker 3>about this anger and where it takes us.

0:50:34.560 --> 0:50:37.880
<v Speaker 1>I have other songs.

0:50:38.239 --> 0:50:39.600
<v Speaker 5>You do have a beautiful song.

0:50:39.680 --> 0:50:41.760
<v Speaker 7>You have a beautiful it felt.

0:50:41.800 --> 0:50:46.120
<v Speaker 5>It felt almost like uh, an olive branch to your ex.

0:50:46.719 --> 0:50:49.279
<v Speaker 5>I really really appreciate. It's like the whole album is

0:50:49.320 --> 0:50:52.520
<v Speaker 5>about the pain and the anger and the fuck you attitude,

0:50:52.520 --> 0:50:55.120
<v Speaker 5>but it ends in this beautiful, somber note of the

0:50:55.239 --> 0:50:58.080
<v Speaker 5>door is always open in a way for them to

0:50:58.080 --> 0:50:58.680
<v Speaker 5>come back.

0:50:58.520 --> 0:51:01.080
<v Speaker 3>The way you're like relating to you bring it back

0:51:01.080 --> 0:51:02.719
<v Speaker 3>in the bridge. Can you do the bridge.

0:51:02.440 --> 0:51:03.560
<v Speaker 5>About can you just do the whole song?

0:51:03.719 --> 0:51:05.919
<v Speaker 3>Just do the whole song because the Warped Tour part

0:51:05.920 --> 0:51:07.719
<v Speaker 3>when he's and she's like, meet me.

0:51:11.120 --> 0:51:13.840
<v Speaker 1>It's quiet without you in my house.

0:51:14.840 --> 0:51:15.040
<v Speaker 5>Dead.

0:51:16.680 --> 0:51:19.800
<v Speaker 1>I wonder what you're all about now.

0:51:22.280 --> 0:51:28.400
<v Speaker 2>Sitting around on the swan boats dancing for front du.

0:51:30.840 --> 0:51:34.719
<v Speaker 20>I'm never gonna be alone again because the memory of

0:51:34.760 --> 0:51:38.400
<v Speaker 20>you is stay with me. I'm never gonna be alone

0:51:38.880 --> 0:51:44.400
<v Speaker 20>again because the memory remains dumn.

0:51:44.400 --> 0:51:48.160
<v Speaker 5>Here comes the Bridgewarp.

0:51:46.600 --> 0:51:51.400
<v Speaker 2>Tour twenty nineteen. We locked eyes across the TV screen.

0:51:51.680 --> 0:51:54.719
<v Speaker 2>I saw you on the Jumbo Tron, and I think

0:51:54.719 --> 0:51:57.400
<v Speaker 2>about how you were gone. You never missed me, and

0:51:57.440 --> 0:51:59.840
<v Speaker 2>I never miss you. I'm gonna kiss you, but you

0:51:59.880 --> 0:52:01.960
<v Speaker 2>don't have a clue. We're gonna find a way to

0:52:02.000 --> 0:52:04.440
<v Speaker 2>get back to each other, but I can't because I

0:52:04.440 --> 0:52:07.560
<v Speaker 2>got another lover. The timings wrong, the timing ain't right.

0:52:07.760 --> 0:52:09.719
<v Speaker 2>I guess it's time to get in a big fight.

0:52:09.880 --> 0:52:12.600
<v Speaker 2>Because if I'm screaming and I'm all mad, that means

0:52:12.640 --> 0:52:14.440
<v Speaker 2>I can still see your heart in my eyes.

0:52:15.480 --> 0:52:17.680
<v Speaker 5>Done, don't dount dune.

0:52:17.840 --> 0:52:19.840
<v Speaker 1>I'm never gonna be alone again.

0:52:21.280 --> 0:52:24.160
<v Speaker 7>We're gonna be alone again, and I'm with you.

0:52:25.000 --> 0:52:26.320
<v Speaker 1>Memory You're never.

0:52:26.239 --> 0:52:31.600
<v Speaker 5>Gonna be alone with me, beautiful.

0:52:33.400 --> 0:52:37.000
<v Speaker 6>That is just amazing, Absolutely heartbreak.

0:52:38.760 --> 0:52:39.160
<v Speaker 17>I heard that.

0:52:39.520 --> 0:52:42.879
<v Speaker 4>Absolutely when a song is yours, it is just so clear,

0:52:43.400 --> 0:52:44.960
<v Speaker 4>it is just immediately.

0:52:44.560 --> 0:52:48.320
<v Speaker 5>It's a belt it.

0:52:48.960 --> 0:52:50.920
<v Speaker 7>I fell to my knees at a pack son when

0:52:50.960 --> 0:52:52.720
<v Speaker 7>I heard that it's crying.

0:52:53.400 --> 0:52:57.040
<v Speaker 1>Crying has done a lot for me, and I love that.

0:52:57.200 --> 0:52:59.280
<v Speaker 7>No one can say. Nobody can say.

0:52:59.400 --> 0:53:02.879
<v Speaker 1>I love it. Packsun shut up, buzzballs.

0:53:05.480 --> 0:53:08.200
<v Speaker 7>I'm sorry. I'm trying to like find the folly of

0:53:08.239 --> 0:53:08.640
<v Speaker 7>our ways.

0:53:08.800 --> 0:53:10.239
<v Speaker 1>No, it's good, you know what good.

0:53:10.320 --> 0:53:12.880
<v Speaker 6>We've all got stuff going on. I mean, you have

0:53:13.000 --> 0:53:15.480
<v Speaker 6>that album that's all vowels coming out.

0:53:15.480 --> 0:53:18.080
<v Speaker 5>Thank you. It's all vowels, and what's that about? So

0:53:18.200 --> 0:53:22.600
<v Speaker 5>it's about all vowels. Basically what happened is after my

0:53:22.680 --> 0:53:26.279
<v Speaker 5>first love, I met a girl and then we broke up.

0:53:26.520 --> 0:53:29.160
<v Speaker 5>And the second album, after the first album came out,

0:53:29.160 --> 0:53:31.719
<v Speaker 5>I was very exciting, got swept up in another relationship

0:53:31.840 --> 0:53:34.920
<v Speaker 5>and this one is about another, maybe even more tragic

0:53:35.000 --> 0:53:37.719
<v Speaker 5>breakup where the first one I understood. This one ripped

0:53:37.719 --> 0:53:40.560
<v Speaker 5>my heart out. Yeah, it was really hard. It's really

0:53:40.600 --> 0:53:44.160
<v Speaker 5>really hard. It's really let's hear a song, dude, are you.

0:53:44.360 --> 0:53:46.919
<v Speaker 6>Sure, yeah, man, love to do that if you're okay

0:53:47.040 --> 0:53:47.759
<v Speaker 6>to wait are yeah?

0:53:47.840 --> 0:53:48.000
<v Speaker 2>Sure?

0:53:48.280 --> 0:53:50.239
<v Speaker 5>My second song fifty three minutes in, is that good?

0:53:53.400 --> 0:53:55.000
<v Speaker 7>The twenty second TikTok.

0:53:56.520 --> 0:53:57.279
<v Speaker 1>Do the fast one?

0:53:57.360 --> 0:53:59.680
<v Speaker 5>Okay, I'll do the fast one. That so I had

0:53:59.719 --> 0:54:03.239
<v Speaker 5>a released. It was very slow. Some kid online sped

0:54:03.280 --> 0:54:05.120
<v Speaker 5>it up and now they're really doing it over kind

0:54:05.160 --> 0:54:15.399
<v Speaker 5>of pictures of their dead. They completely misunderstood the song.

0:54:18.160 --> 0:54:18.719
<v Speaker 1>Understand it.

0:54:21.920 --> 0:54:24.560
<v Speaker 5>Okay, here, I'll do the original. No, I'll do the

0:54:24.560 --> 0:54:28.759
<v Speaker 5>speed up. But that's that's just twenty no, no, no,

0:54:29.320 --> 0:54:31.839
<v Speaker 5>I'm milking it for sure. This is my moment under

0:54:31.880 --> 0:54:38.239
<v Speaker 5>the son. But You're gone, gone, gone gone gone? Oh you?

0:54:39.560 --> 0:54:46.239
<v Speaker 5>Oh you? Oh you, yeah, You're gone? Thank you. That

0:54:47.440 --> 0:54:49.719
<v Speaker 5>song was called oh you oh?

0:54:49.840 --> 0:54:51.280
<v Speaker 7>So the titles are vowels.

0:54:53.400 --> 0:54:55.959
<v Speaker 5>Do you guys hate me? What's going on? Is because

0:54:56.000 --> 0:54:58.359
<v Speaker 5>I'm a man? Is because you guys project all your

0:54:58.400 --> 0:54:59.920
<v Speaker 5>exes on me, because I'm a man.

0:55:00.120 --> 0:55:01.759
<v Speaker 7>Whoa whoa, whoa whoa.

0:55:01.920 --> 0:55:05.800
<v Speaker 6>That is sings happening, not not what I was trying

0:55:05.840 --> 0:55:06.879
<v Speaker 6>to do at all.

0:55:07.000 --> 0:55:08.879
<v Speaker 1>I'm not thinking my brass knuckles out. If you start

0:55:08.920 --> 0:55:09.560
<v Speaker 1>talking to us like that.

0:55:09.719 --> 0:55:11.759
<v Speaker 7>We're all talking, we're all attacking each other.

0:55:12.200 --> 0:55:13.719
<v Speaker 1>Don't like that, don't you say?

0:55:13.760 --> 0:55:17.880
<v Speaker 6>We've all been hurt. We've been hurt the people we

0:55:18.040 --> 0:55:22.399
<v Speaker 6>have turned into broken people taking it out on each other.

0:55:22.840 --> 0:55:24.839
<v Speaker 6>We are not our pain.

0:55:25.360 --> 0:55:31.759
<v Speaker 5>They were green, crying and covered in mud. Wait can

0:55:31.840 --> 0:55:32.839
<v Speaker 5>I they were pain?

0:55:33.040 --> 0:55:33.600
<v Speaker 7>I'm gonna play.

0:55:34.520 --> 0:55:35.680
<v Speaker 5>Oh you want to go ahead?

0:55:37.239 --> 0:55:37.759
<v Speaker 7>Inspired?

0:55:37.880 --> 0:55:39.520
<v Speaker 5>Yeah, go ahead, go ahead.

0:55:41.000 --> 0:55:43.120
<v Speaker 1>Wow, it's gonna be such an experiment if this gets

0:55:43.120 --> 0:55:43.520
<v Speaker 1>picked up.

0:55:45.160 --> 0:55:46.160
<v Speaker 5>I'm gonna see if it works.

0:55:46.360 --> 0:55:47.440
<v Speaker 4>This is gonna be amazing.

0:55:47.640 --> 0:55:49.279
<v Speaker 1>Mike is nowhere near them at all.

0:55:51.080 --> 0:55:52.319
<v Speaker 5>I think it's gonna work.

0:55:52.840 --> 0:55:54.839
<v Speaker 6>It's gonna work. I think it's gonna work.

0:56:00.120 --> 0:56:09.000
<v Speaker 5>Oh, here we go. They were green, they were crying,

0:56:11.719 --> 0:56:14.240
<v Speaker 5>they were covered in mud.

0:56:18.920 --> 0:56:19.840
<v Speaker 6>They were sticky.

0:56:22.160 --> 0:56:28.520
<v Speaker 4>They were juicy, talking about excuses and why they couldn't

0:56:28.760 --> 0:56:29.359
<v Speaker 4>be enough.

0:56:32.440 --> 0:56:37.000
<v Speaker 20>Only when you see the rainbow do you realize that

0:56:37.360 --> 0:56:38.040
<v Speaker 20>gets rare?

0:56:39.320 --> 0:56:41.640
<v Speaker 1>When you find the pot of gold?

0:56:42.920 --> 0:56:45.160
<v Speaker 7>Do you even remember his name?

0:56:46.840 --> 0:56:51.799
<v Speaker 1>Rock travels in the river? Does it change? Doesn't get

0:56:51.960 --> 0:56:53.320
<v Speaker 1>small with time?

0:56:53.640 --> 0:56:57.560
<v Speaker 5>The water doesn't hurt for a second, but over time

0:56:58.160 --> 0:56:59.400
<v Speaker 5>breaks his salt.

0:57:01.760 --> 0:57:05.960
<v Speaker 7>Stick your dick in the mud, stick.

0:57:08.960 --> 0:57:25.680
<v Speaker 1>Sticky dick in the sticky, pull on the jo like

0:57:26.120 --> 0:57:28.640
<v Speaker 1>red one put in cancer.

0:57:30.520 --> 0:57:33.320
<v Speaker 5>You can be the fastest swimmer but a terrible lover.

0:57:33.880 --> 0:57:34.360
<v Speaker 15>Amen.

0:57:37.800 --> 0:57:41.080
<v Speaker 5>Wow, that was like, we are the world but for breakups.

0:57:44.800 --> 0:57:53.000
<v Speaker 1>Question. Now that's why. Goodnight, beautiful Dynasty typewriter.

0:57:55.720 --> 0:57:59.440
<v Speaker 5>Good night talking about all this on our Grammys, on

0:57:59.560 --> 0:58:00.280
<v Speaker 5>our patre on.

0:58:00.560 --> 0:58:01.880
<v Speaker 7>It's the cheapest three bucks.

0:58:01.960 --> 0:58:02.560
<v Speaker 1>Bye bye.

0:58:02.800 --> 0:58:04.440
<v Speaker 5>Artists on artists on artists on artists.

0:58:04.440 --> 0:58:07.800
<v Speaker 16>This is an improvised Hollywood roundtable podcast created, performed, and

0:58:07.920 --> 0:58:12.760
<v Speaker 16>produced by Kylie Brakman, Jeremy Coldean, Angela Jirtana, and Patrick McDonald.

0:58:13.080 --> 0:58:16.320
<v Speaker 16>Music is by Gabriel Ponton. The opinions expressing this podcast

0:58:16.400 --> 0:58:18.760
<v Speaker 16>do not reflect the opinions of anyone who works on it,

0:58:19.000 --> 0:58:21.480
<v Speaker 16>not even the performers, because this is an improvised podcast

0:58:21.560 --> 0:58:25.520
<v Speaker 16>and we're stupid. Full video versions of AOAOAOA are available

0:58:25.560 --> 0:58:28.440
<v Speaker 16>on YouTube, so please like and subscribe and leave us

0:58:28.440 --> 0:58:30.840
<v Speaker 16>a five star review wherever you get your podcasts.

0:58:31.120 --> 0:58:32.200
<v Speaker 5>Good Night, Hollywood,