1 00:00:01,720 --> 00:00:04,640 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,120 --> 00:00:06,560 Speaker 1: just to touch to get you through. 3 00:00:07,360 --> 00:00:08,000 Speaker 2: Yeah, me too. 4 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 5 00:00:11,960 --> 00:00:31,200 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 6 00:00:31,240 --> 00:00:33,800 Speaker 1: a little thing we like to call the after party. 7 00:00:34,000 --> 00:00:36,200 Speaker 1: This is the show after the show, the party after 8 00:00:36,240 --> 00:00:37,960 Speaker 1: the party, the bridge to get you for one full 9 00:00:38,000 --> 00:00:41,480 Speaker 1: episode of Disgraceland to the other the backyard to dig 10 00:00:41,520 --> 00:00:44,920 Speaker 1: into the dirt. On this episode, we're talking about Leonard Skinner, 11 00:00:45,040 --> 00:00:48,680 Speaker 1: Judas Priest, Chris Rock and of course your voicemails, text, 12 00:00:48,840 --> 00:00:52,279 Speaker 1: dms and more and as always, a whole lot of rosie. 13 00:00:52,360 --> 00:00:55,680 Speaker 2: All right, Discos, let's get into it. 14 00:01:06,880 --> 00:01:09,240 Speaker 1: Happy, Happy, Joy Joy, and I hope Neil Young will 15 00:01:09,280 --> 00:01:12,920 Speaker 1: remember that it's Leonard Skinnered week here in Disgraceland Discos. 16 00:01:13,120 --> 00:01:14,760 Speaker 3: What a week this is. 17 00:01:15,360 --> 00:01:17,960 Speaker 1: The Leonard Skinnered episode was the last new full episode 18 00:01:18,000 --> 00:01:21,039 Speaker 1: released in your Disgraceland feed, and so you know, this 19 00:01:21,360 --> 00:01:24,480 Speaker 1: was one of the most requested episode subjects we've received 20 00:01:24,480 --> 00:01:27,160 Speaker 1: from you guys over the years. I hope we didn't disappoint. 21 00:01:27,200 --> 00:01:29,240 Speaker 1: I hope you guys dug it the thing with this 22 00:01:29,319 --> 00:01:32,000 Speaker 1: story is that it was one of those where it 23 00:01:32,040 --> 00:01:34,560 Speaker 1: really could have been a two parter easily, or perhaps 24 00:01:34,720 --> 00:01:38,280 Speaker 1: even a full season. There's that much going on with 25 00:01:38,520 --> 00:01:42,240 Speaker 1: Leonard skinnered and just the crash alone. I mean, there's 26 00:01:42,319 --> 00:01:45,040 Speaker 1: so much to dive into. I've run into this problem 27 00:01:45,120 --> 00:01:47,560 Speaker 1: numerous times over the years at this show, and it's 28 00:01:47,600 --> 00:01:50,480 Speaker 1: an awesome problem to have. When a subject that we 29 00:01:50,560 --> 00:01:53,800 Speaker 1: cover has so many batshit crazy incidents in their careers 30 00:01:53,840 --> 00:01:58,400 Speaker 1: and so many crimes, so many transgressions, it's hard to 31 00:01:58,480 --> 00:02:00,360 Speaker 1: know you know when to pull the lever or when 32 00:02:00,360 --> 00:02:02,200 Speaker 1: to pull the roof cord. When do you just go, oh, man, 33 00:02:02,240 --> 00:02:06,120 Speaker 1: I can't do this in thirty minutes. I need two episodes, 34 00:02:06,480 --> 00:02:11,200 Speaker 1: or perhaps this is better suited for a different series altogether. 35 00:02:13,600 --> 00:02:15,560 Speaker 1: A weird thing to try and calibrate. In the beginning 36 00:02:15,560 --> 00:02:19,360 Speaker 1: of the show, I was hell bent on repetition, on 37 00:02:19,760 --> 00:02:23,640 Speaker 1: producing the same exact type of content every time so 38 00:02:23,639 --> 00:02:25,680 Speaker 1: that I could develop an audience. And one of the 39 00:02:25,720 --> 00:02:29,560 Speaker 1: tenets they say of developing an audience is establishing a reliable, 40 00:02:29,600 --> 00:02:32,680 Speaker 1: repeatable type of content. So we did that with season 41 00:02:32,680 --> 00:02:35,640 Speaker 1: one of Disgraceland, and then I started writing season two 42 00:02:36,320 --> 00:02:38,919 Speaker 1: and the John Lennon episode was supposed to kick off 43 00:02:38,960 --> 00:02:42,800 Speaker 1: season two, the story of his assassination, and when I 44 00:02:42,840 --> 00:02:45,760 Speaker 1: poked my head up after writing that episode, I had 45 00:02:45,800 --> 00:02:48,640 Speaker 1: what was essentially a ten thousand word episode, which is 46 00:02:48,800 --> 00:02:51,640 Speaker 1: twice as many words as what was needed. 47 00:02:52,040 --> 00:02:53,160 Speaker 2: So I decided I'd try. 48 00:02:53,040 --> 00:02:56,840 Speaker 1: To lightly edit it into my existing one episode structure 49 00:02:57,280 --> 00:03:01,000 Speaker 1: and presented as two episodes, which is what I did 50 00:03:01,600 --> 00:03:05,400 Speaker 1: the John Lennon story. The first John Lennon content that 51 00:03:05,440 --> 00:03:08,359 Speaker 1: we released was a two episode, a two parter, our 52 00:03:08,520 --> 00:03:11,560 Speaker 1: first two parter, and I would say that it worked, 53 00:03:12,680 --> 00:03:16,520 Speaker 1: and frankly, it's kind of kept on working as I've experimented. 54 00:03:16,680 --> 00:03:18,200 Speaker 2: We've done now four. 55 00:03:17,960 --> 00:03:20,040 Speaker 1: Episodes on John Lennon, and I bet if I wanted to, 56 00:03:20,080 --> 00:03:22,720 Speaker 1: I could just produce an entire ongoing podcast on that 57 00:03:22,760 --> 00:03:27,280 Speaker 1: one artist. So with SKINNERD we found ourselves in this 58 00:03:27,400 --> 00:03:30,640 Speaker 1: situation where we'd already aligned our production for the one 59 00:03:30,639 --> 00:03:32,959 Speaker 1: episode to produce one episode, and we didn't want to 60 00:03:32,960 --> 00:03:36,280 Speaker 1: be two disruptive to everyone who works on the show nowadays, 61 00:03:36,360 --> 00:03:38,160 Speaker 1: and we didn't want to totally blow up their schedule, 62 00:03:38,200 --> 00:03:39,880 Speaker 1: so we just went forward with the one episode, even 63 00:03:39,920 --> 00:03:42,320 Speaker 1: though in the back of my mind I was like 64 00:03:42,400 --> 00:03:45,160 Speaker 1: this could be more than one, but I'm committed to 65 00:03:45,160 --> 00:03:48,200 Speaker 1: finding ways to do more long form storytelling and Disgraceland, 66 00:03:48,200 --> 00:03:49,280 Speaker 1: and We're currently working on. 67 00:03:49,240 --> 00:03:51,680 Speaker 3: A ten episode series. 68 00:03:51,280 --> 00:03:54,360 Speaker 1: On one group, a group that I've never covered before 69 00:03:54,720 --> 00:03:57,960 Speaker 1: and that has the type of insanely dramatic and crime 70 00:03:58,080 --> 00:04:03,120 Speaker 1: soaked past that canst staying ten episodes. I'm super excited 71 00:04:03,160 --> 00:04:05,200 Speaker 1: for this. This is coming later next year. I'm excited 72 00:04:05,200 --> 00:04:07,960 Speaker 1: to stretch the format and see how you guys react 73 00:04:07,960 --> 00:04:11,000 Speaker 1: to it, and hopefully occasionally do more of this long 74 00:04:11,080 --> 00:04:15,080 Speaker 1: form Disgraceland storytelling, not at the expense of the current 75 00:04:15,120 --> 00:04:18,039 Speaker 1: short form storytelling that we're doing something similar to the 76 00:04:18,080 --> 00:04:20,760 Speaker 1: twenty seven Club podcast that I host, but I guess 77 00:04:20,880 --> 00:04:25,200 Speaker 1: more disgrace landy, which is to say, wilder, more dramatic. 78 00:04:24,720 --> 00:04:25,640 Speaker 2: And more intense. 79 00:04:26,360 --> 00:04:30,040 Speaker 1: But before we can do that, we still have this issue, guys, 80 00:04:30,120 --> 00:04:33,200 Speaker 1: of getting our full Disgraceland archive out from its previously 81 00:04:33,279 --> 00:04:36,559 Speaker 1: exclusive state and into our feed And over the past 82 00:04:36,560 --> 00:04:40,119 Speaker 1: two months, in February and previously in January, we dumped 83 00:04:40,120 --> 00:04:44,000 Speaker 1: into your feeds two full seasons per month. Two seasons 84 00:04:44,080 --> 00:04:47,960 Speaker 1: in January were released, and then another two seasons in February. 85 00:04:48,000 --> 00:04:50,400 Speaker 1: We were released, and we're going to do the same 86 00:04:50,440 --> 00:04:53,039 Speaker 1: thing this month. We're going to release two more full seasons, 87 00:04:53,640 --> 00:04:56,440 Speaker 1: but instead of just dumping them all in one batch 88 00:04:56,680 --> 00:05:00,520 Speaker 1: like we've been doing, we're gonna experiment with release seeing 89 00:05:00,680 --> 00:05:03,680 Speaker 1: two to three episodes per weekday. 90 00:05:04,480 --> 00:05:06,320 Speaker 2: So let's look at what you got this week. 91 00:05:07,080 --> 00:05:10,960 Speaker 1: You got the episode on Lyonard skinnerd on Tuesday, new 92 00:05:10,960 --> 00:05:14,599 Speaker 1: Disgraceland episode on Wednesday. You got two episodes that were 93 00:05:14,600 --> 00:05:18,240 Speaker 1: previously exclusive, the Kurt Cobain and Courtney Love episodes parts 94 00:05:18,279 --> 00:05:21,720 Speaker 1: one and two. You're getting the after Party episode as scheduled. 95 00:05:22,080 --> 00:05:24,839 Speaker 1: Also this week, you're getting Snoop Dogg and I Turner 96 00:05:24,880 --> 00:05:28,000 Speaker 1: from season three. Next week we're gonna do the same thing. 97 00:05:28,360 --> 00:05:33,200 Speaker 1: Tuesday and Thursday, full episode of Disgraceland, bonus episode of Disgraceland. 98 00:05:33,520 --> 00:05:37,320 Speaker 1: On those other weekdays, you're gonna be getting previously exclusive 99 00:05:37,880 --> 00:05:41,520 Speaker 1: episodes from season three. All right, That's how it's gonna 100 00:05:41,600 --> 00:05:44,520 Speaker 1: roll all throughout March until we get season three and 101 00:05:44,600 --> 00:05:48,320 Speaker 1: season four fully released alongside the current season eleven season WHOA, 102 00:05:48,880 --> 00:05:52,080 Speaker 1: I hope I'm not boring you guys enough housekeeping boring myself. 103 00:05:52,200 --> 00:05:55,320 Speaker 1: Jesus Christ. All Right, you got some listening to do, 104 00:05:55,440 --> 00:05:57,240 Speaker 1: and I've got some other stories to tell you about, 105 00:05:57,320 --> 00:06:00,280 Speaker 1: mainly the story or one story I should say about 106 00:06:00,400 --> 00:06:03,200 Speaker 1: Judas Priest rock A Rolla. You know what I'm talking about. 107 00:06:03,360 --> 00:06:05,240 Speaker 1: You know this story, the story about Judas Priest being 108 00:06:05,240 --> 00:06:09,560 Speaker 1: accused of murder or I guess more specifically, of inspiring 109 00:06:09,640 --> 00:06:14,280 Speaker 1: a Satanic inspired double suicide attempt. This story, when I 110 00:06:14,320 --> 00:06:16,839 Speaker 1: was a kid, scared the hell out of me. I 111 00:06:16,880 --> 00:06:18,920 Speaker 1: want to tell you, I want this is like early eighties, 112 00:06:18,960 --> 00:06:22,120 Speaker 1: all right, this is the whole Satanic Panic era, and 113 00:06:22,160 --> 00:06:25,720 Speaker 1: this is my experience, my personal experience with Satanic panic. 114 00:06:26,080 --> 00:06:28,520 Speaker 1: This is a real thing that happened to me, and 115 00:06:28,600 --> 00:06:32,120 Speaker 1: I swear to God, hand on heart, I am not 116 00:06:32,920 --> 00:06:37,839 Speaker 1: exaggerating this. When we moved into our new house when 117 00:06:37,880 --> 00:06:40,240 Speaker 1: I was or I should say apartment, when I was 118 00:06:41,600 --> 00:06:42,840 Speaker 1: either five or six years old. 119 00:06:42,839 --> 00:06:43,719 Speaker 2: I think I was five. 120 00:06:44,320 --> 00:06:48,440 Speaker 1: I was in Lancaster, Massachusetts. I remember I was in 121 00:06:48,520 --> 00:06:50,480 Speaker 1: my front yard. It was like the day we moved 122 00:06:50,480 --> 00:06:52,960 Speaker 1: in or the day after. That's how my memory serves me. 123 00:06:53,600 --> 00:06:56,679 Speaker 1: And across the street from us, Directly across the street 124 00:06:56,680 --> 00:07:00,320 Speaker 1: from my house was a Seventh Day Adventist church, and 125 00:07:00,960 --> 00:07:04,080 Speaker 1: in there's like this like yard in front of the 126 00:07:04,200 --> 00:07:07,120 Speaker 1: church with a big oak tree, and I'm sitting across 127 00:07:07,160 --> 00:07:11,840 Speaker 1: from that church on my front stoop looking at this church, 128 00:07:12,360 --> 00:07:17,800 Speaker 1: and this blue camaro pulls up blasting what I can 129 00:07:17,880 --> 00:07:21,080 Speaker 1: only assume was heavy metal. Out of the camaro, get 130 00:07:21,120 --> 00:07:26,000 Speaker 1: a bunch of scary high school aged long hairs. I 131 00:07:26,160 --> 00:07:31,840 Speaker 1: swear this happened. They nailed a cross into the tree. 132 00:07:32,200 --> 00:07:34,040 Speaker 1: I don't remember if it was an upside down cross 133 00:07:34,160 --> 00:07:35,880 Speaker 1: or not, but it was a cross. They nailed it 134 00:07:35,920 --> 00:07:39,360 Speaker 1: into the tree, and they just stood around, cracking beers, 135 00:07:39,520 --> 00:07:43,400 Speaker 1: listening to Ozzy Osbourne and hanging out in. 136 00:07:43,360 --> 00:07:44,239 Speaker 2: The front of this church. 137 00:07:45,040 --> 00:07:46,720 Speaker 3: And I knew what was I knew it was scary 138 00:07:46,720 --> 00:07:47,000 Speaker 3: as hell. 139 00:07:47,000 --> 00:07:48,480 Speaker 1: I knew what heavy metal was, even though I was 140 00:07:48,520 --> 00:07:51,360 Speaker 1: five years old, and this was like petrifying. Turns out, 141 00:07:51,400 --> 00:07:52,800 Speaker 1: I went on to become friends with one of these 142 00:07:52,880 --> 00:07:54,760 Speaker 1: kids much later, this guy Bruce. 143 00:07:54,880 --> 00:07:56,280 Speaker 2: Everyone from Clinton knows Bruce. 144 00:07:57,320 --> 00:08:00,720 Speaker 1: That was like my first This is during the Satanic 145 00:08:00,760 --> 00:08:03,480 Speaker 1: Panic era. I didn't know what Satanic Panic was, of course, 146 00:08:03,480 --> 00:08:06,120 Speaker 1: but this is my first intro to heavy metal, and 147 00:08:06,160 --> 00:08:08,920 Speaker 1: it's scared the ever living the Jesus out of me. 148 00:08:09,000 --> 00:08:11,280 Speaker 1: All Right, So this is Judas priest story that I'm 149 00:08:11,280 --> 00:08:13,960 Speaker 1: talking about, this one that we just released on our 150 00:08:14,000 --> 00:08:17,480 Speaker 1: YouTube channel. This is from that era. It's right around 151 00:08:17,520 --> 00:08:20,040 Speaker 1: the same time. Okay, we've just released a version of 152 00:08:20,040 --> 00:08:22,760 Speaker 1: the story on our YouTube channel and all of the 153 00:08:22,800 --> 00:08:26,840 Speaker 1: satanic panic induced hysteria and political and mainstream media stupidity 154 00:08:26,840 --> 00:08:29,640 Speaker 1: that accompanied this tale. This, of course, is the tale 155 00:08:29,680 --> 00:08:32,160 Speaker 1: of these two kids who were listening to priests and 156 00:08:32,160 --> 00:08:34,400 Speaker 1: they decided they were going to kill themselves. Shoot themselves. 157 00:08:34,480 --> 00:08:38,760 Speaker 1: One lives and their parents sue the band nuts story. 158 00:08:38,840 --> 00:08:41,960 Speaker 1: This is our best YouTube story yet. I'm stoked on it. 159 00:08:41,960 --> 00:08:43,640 Speaker 1: It's about twenty minutes long and it can be seen 160 00:08:43,640 --> 00:08:46,439 Speaker 1: again at YouTube dot com, slash at disgrace, lampod. Please 161 00:08:46,480 --> 00:08:49,680 Speaker 1: go check that out. Subscribe, hit the notification spell. We're 162 00:08:49,720 --> 00:08:52,320 Speaker 1: growing over there fast. We're releasing these longer form videos 163 00:08:52,360 --> 00:08:55,400 Speaker 1: every Sunday in sixty second daily shorts, every day, all 164 00:08:55,480 --> 00:08:58,880 Speaker 1: music storytelling, all music, misadventure, all music, and true crime, 165 00:08:58,960 --> 00:09:02,120 Speaker 1: all the time over YouTube dot com slash at disgracelam 166 00:09:02,200 --> 00:09:05,480 Speaker 1: pod Go subscribe, go ahead, right now. We did this before, 167 00:09:06,400 --> 00:09:08,679 Speaker 1: I'm not afraid to do it again. Go ahead, I'll wait. 168 00:09:08,760 --> 00:09:12,439 Speaker 1: Open your browser, your YouTube ap either search Disgraceland or 169 00:09:12,480 --> 00:09:14,360 Speaker 1: even better, just go to YouTube dot com slash at 170 00:09:14,360 --> 00:09:16,240 Speaker 1: tosgracelam pod and uh. 171 00:09:16,240 --> 00:09:18,200 Speaker 2: Yeah, that's it right there. You got it. 172 00:09:18,240 --> 00:09:20,840 Speaker 1: You got to hit that subscribe button, turn on all notifications. 173 00:09:20,840 --> 00:09:21,240 Speaker 4: There you go. 174 00:09:21,320 --> 00:09:23,560 Speaker 3: You got it all right. I'm gonna take a quick break. 175 00:09:23,559 --> 00:09:25,160 Speaker 1: That's gonna give you more time to find us on 176 00:09:25,240 --> 00:09:28,480 Speaker 1: YouTube again, YouTube dot com slash at to s gracelam pod. Bam, 177 00:09:28,520 --> 00:09:30,280 Speaker 1: you got it. Okay, you are good to go. Set 178 00:09:30,360 --> 00:09:32,280 Speaker 1: up for the next story that's coming this weekend on 179 00:09:32,360 --> 00:09:35,920 Speaker 1: the time that Hell's Angels set out to assassinate Mick Jagger. 180 00:09:36,120 --> 00:09:39,520 Speaker 1: Quick break right back with your voicemails and your texts 181 00:09:39,559 --> 00:10:02,800 Speaker 1: and your dms. All right, six one seven nine zero 182 00:10:02,880 --> 00:10:05,120 Speaker 1: six sixty six three eight. That's how you get in 183 00:10:05,160 --> 00:10:07,360 Speaker 1: touch with me. Call me on the line, call me 184 00:10:07,440 --> 00:10:10,720 Speaker 1: any place, anytime. Call me I am here, send me 185 00:10:10,760 --> 00:10:13,720 Speaker 1: a text, leave me a voicemail like Eric here. 186 00:10:14,360 --> 00:10:19,000 Speaker 5: Hi Jack, this is Eric's coming calling in from Maine. 187 00:10:19,720 --> 00:10:22,840 Speaker 5: I gotta tell you I had a really funny, awesome 188 00:10:22,880 --> 00:10:25,480 Speaker 5: thing happened. I went into the grocery store and I 189 00:10:25,520 --> 00:10:29,719 Speaker 5: found out that Orno Brewing Company was doing a joint 190 00:10:30,000 --> 00:10:34,839 Speaker 5: crossover collaboration with you to do a Gluten produced. 191 00:10:34,480 --> 00:10:36,200 Speaker 6: Logger called rock a ROLLA. 192 00:10:37,320 --> 00:10:39,839 Speaker 4: Absolutely love it. Such a fan obviously. 193 00:10:39,440 --> 00:10:41,360 Speaker 6: Added by it because I'm a fan of the podcast, 194 00:10:42,080 --> 00:10:43,880 Speaker 6: really love what you're doing, really love the way that 195 00:10:43,960 --> 00:10:47,680 Speaker 6: your storytelling and doing everything along those lines. I wanted 196 00:10:47,679 --> 00:10:51,640 Speaker 6: to ask if any previous seasons or if in the 197 00:10:51,679 --> 00:10:55,480 Speaker 6: future you plan to do any kind of storytelling about 198 00:10:55,800 --> 00:10:57,920 Speaker 6: two artists in particular. 199 00:10:57,600 --> 00:11:03,079 Speaker 4: Marilyn Manson and may both of which are very divisive, 200 00:11:03,160 --> 00:11:06,720 Speaker 4: both of which are very kind of dark figures in 201 00:11:06,840 --> 00:11:10,560 Speaker 4: terms of maybe music as well as some questionable things 202 00:11:10,559 --> 00:11:13,880 Speaker 4: that they've done in their kind of careers, Mayhem with 203 00:11:13,960 --> 00:11:17,080 Speaker 4: their whole live album situation. 204 00:11:17,120 --> 00:11:20,040 Speaker 5: And Marilyn Manson being kind of like the controversial figure that. 205 00:11:19,960 --> 00:11:20,839 Speaker 4: He always has been. 206 00:11:21,720 --> 00:11:23,959 Speaker 6: But yeah, we'd love to hear you tell those stories 207 00:11:24,040 --> 00:11:27,000 Speaker 6: if you haven't already. And love the podcast, keep doing 208 00:11:27,000 --> 00:11:27,440 Speaker 6: what you're. 209 00:11:27,320 --> 00:11:31,120 Speaker 1: Doing, Eric, Eric from Maine, thank you for the message, 210 00:11:31,120 --> 00:11:33,320 Speaker 1: and thanks for buying our rock and rolla beer up 211 00:11:33,320 --> 00:11:36,360 Speaker 1: there and main producing partnership with the Mighty Orino Brewing. 212 00:11:36,640 --> 00:11:38,360 Speaker 1: For those of you who are like, what the hell 213 00:11:38,400 --> 00:11:40,679 Speaker 1: am I talking about? We made a beer. It's that simple. 214 00:11:40,720 --> 00:11:41,679 Speaker 2: It's called RockA Rolla. 215 00:11:41,720 --> 00:11:45,440 Speaker 1: It's the official Disgrace slam beer because well it's gluten 216 00:11:45,480 --> 00:11:46,800 Speaker 1: free because I don't dig the wheat. 217 00:11:47,040 --> 00:11:47,959 Speaker 2: And you know, we had. 218 00:11:47,880 --> 00:11:49,920 Speaker 1: An opportunity to do something cool like this because of 219 00:11:49,960 --> 00:11:53,199 Speaker 1: the fine folks at Orno, and this tastes really good. 220 00:11:53,320 --> 00:11:56,520 Speaker 1: I highly recommend you get yourself some rock Rolla. Hit 221 00:11:56,600 --> 00:11:59,280 Speaker 1: up Orno Brewing to get your hands on some Eric. 222 00:11:59,480 --> 00:12:02,360 Speaker 1: As for your question on the Marilyn Manson thing, yes, 223 00:12:02,600 --> 00:12:06,320 Speaker 1: I am very interested in telling this story, but it 224 00:12:06,440 --> 00:12:11,320 Speaker 1: seems like this story is still being told. There's still 225 00:12:11,559 --> 00:12:14,080 Speaker 1: it's still developing, and with some more time, we'll have 226 00:12:14,080 --> 00:12:16,920 Speaker 1: more details. I've got a pin in this one, but 227 00:12:17,000 --> 00:12:19,679 Speaker 1: it's gonna be a little bit longer before I get 228 00:12:19,720 --> 00:12:21,400 Speaker 1: into it. And maybe this ends up being one of 229 00:12:21,440 --> 00:12:23,319 Speaker 1: those longer form stories that I reference. 230 00:12:23,040 --> 00:12:24,400 Speaker 2: At the top of the episode. 231 00:12:24,480 --> 00:12:26,840 Speaker 1: And as for Mayhem, well, I got your cover, brother. 232 00:12:26,880 --> 00:12:28,800 Speaker 1: I told this story back in season one. It's in 233 00:12:28,840 --> 00:12:31,280 Speaker 1: your feed now make sure you've downloaded it. I think 234 00:12:31,280 --> 00:12:34,800 Speaker 1: it's titled Norwegian black Metal, not Mayhem because we deal 235 00:12:34,840 --> 00:12:37,520 Speaker 1: with the entire scene, but it's basically a Mayhem episode. 236 00:12:37,720 --> 00:12:39,560 Speaker 1: Check it out now, let me know what you think Eric. 237 00:12:39,679 --> 00:12:41,840 Speaker 1: All right, let's check out this voicemail from the three 238 00:12:41,880 --> 00:12:42,600 Speaker 1: to one seven. 239 00:12:43,200 --> 00:12:47,080 Speaker 7: Hey, Jake Goods Clinton from the three one seven love 240 00:12:47,120 --> 00:12:50,680 Speaker 7: the show. Can't wait to hear the Leonard Skinnard and 241 00:12:51,200 --> 00:12:56,040 Speaker 7: the Otis writing episode. I love Otis Redding. Well, my 242 00:12:56,160 --> 00:13:01,160 Speaker 7: question is who's next on the twenty seventh Club podcast. 243 00:13:01,600 --> 00:13:06,440 Speaker 7: I'm really interested to hear who's going to be next. 244 00:13:07,000 --> 00:13:09,840 Speaker 7: And if you don't want to say anything, if you 245 00:13:09,880 --> 00:13:10,640 Speaker 7: want to make it. 246 00:13:10,840 --> 00:13:18,760 Speaker 8: Classified that you have to come kill me whatever, But anyway, yeah, 247 00:13:18,840 --> 00:13:22,360 Speaker 8: I'm interested to know who's next on the twenty seven Club. 248 00:13:22,679 --> 00:13:24,520 Speaker 7: Thanks man, keep up and good to work. 249 00:13:24,640 --> 00:13:25,800 Speaker 6: Bye. 250 00:13:26,240 --> 00:13:30,000 Speaker 1: Yes, skinnerd Clinton in your feed now, I hope you 251 00:13:30,040 --> 00:13:33,360 Speaker 1: dig it. And yeah, Otis is coming next week. As 252 00:13:33,400 --> 00:13:35,480 Speaker 1: for the twenty seven Club, we have what I think 253 00:13:35,559 --> 00:13:37,520 Speaker 1: is the next season produced and ready to go. But 254 00:13:38,000 --> 00:13:40,040 Speaker 1: I'm focused now, as you can see, on getting the 255 00:13:40,040 --> 00:13:42,640 Speaker 1: Disgracelane content all out into the open, and then we're 256 00:13:42,640 --> 00:13:44,880 Speaker 1: going to figure out twenty seven Club and bad Lands too. 257 00:13:44,880 --> 00:13:46,839 Speaker 1: They've got more bad Lands content coming as well. We're 258 00:13:46,840 --> 00:13:49,080 Speaker 1: not pulling back on that. But Clinton, I know the 259 00:13:49,080 --> 00:13:52,760 Speaker 1: way sucks and I apologize growing pains. We are a 260 00:13:52,800 --> 00:13:55,000 Speaker 1: small group of folks over here trying to figure it out, 261 00:13:55,400 --> 00:13:57,400 Speaker 1: trying to figure out how to juggle and distribute all 262 00:13:57,440 --> 00:13:59,959 Speaker 1: this content that we're making, and how to not overwhelm you, 263 00:14:00,200 --> 00:14:02,520 Speaker 1: guys are. One thing that'll make you happy is that 264 00:14:02,559 --> 00:14:04,160 Speaker 1: I'm considering how I might be able to make a 265 00:14:04,200 --> 00:14:07,400 Speaker 1: deeper investment into the twenty seven Club and create something 266 00:14:07,480 --> 00:14:10,880 Speaker 1: that goes as frequently as Disgraceland. 267 00:14:10,880 --> 00:14:13,680 Speaker 2: But I'm not there yet. I'm close, but I'm not 268 00:14:13,720 --> 00:14:15,679 Speaker 2: there yet. Anyway, not the. 269 00:14:15,640 --> 00:14:17,720 Speaker 1: Answer that you were looking for, I'm sure, but we'll 270 00:14:17,720 --> 00:14:19,480 Speaker 1: have new stuff for you in the twenty seven Club 271 00:14:19,520 --> 00:14:23,360 Speaker 1: feed soon, all right, six one seven nine zero six 272 00:14:23,440 --> 00:14:25,960 Speaker 1: six six three eight. If you'd like to send me 273 00:14:26,000 --> 00:14:28,480 Speaker 1: a voicemail, you can let me know what you're up to, 274 00:14:28,520 --> 00:14:30,280 Speaker 1: what you're listening to, what you want to listen to, 275 00:14:30,480 --> 00:14:32,040 Speaker 1: or you can let me know anything at all and 276 00:14:32,120 --> 00:14:33,840 Speaker 1: we might play your message in this episode. Or you 277 00:14:33,840 --> 00:14:35,760 Speaker 1: can text me at six one seven nine oh six 278 00:14:35,800 --> 00:14:37,760 Speaker 1: six six three eight and we can get into your 279 00:14:37,800 --> 00:14:40,760 Speaker 1: questions here in that format too, Like this text from 280 00:14:41,200 --> 00:14:45,760 Speaker 1: Gerald Gerald from Memphis says, Hi, Jake Gerald from Memphis, 281 00:14:45,920 --> 00:14:49,560 Speaker 1: love the Disgraceland podcast. I fell off when you switch 282 00:14:49,640 --> 00:14:52,440 Speaker 1: to Amazon, and now I'm catching up. I heard episode 283 00:14:52,520 --> 00:14:55,320 Speaker 1: one of the Grateful Dead episodes, but missed the second 284 00:14:55,480 --> 00:14:57,280 Speaker 1: at the time, and would love to see those ones 285 00:14:57,360 --> 00:15:00,280 Speaker 1: re released if possible. Keep up the good word, love 286 00:15:00,320 --> 00:15:03,440 Speaker 1: the stories, dude. Well Gerald, thanks for coming back, man. 287 00:15:03,560 --> 00:15:07,280 Speaker 2: We missed you. Happy to have you here in Disgraceland. 288 00:15:08,640 --> 00:15:14,280 Speaker 1: I believe yeah, Grateful Dead is part of season three 289 00:15:14,960 --> 00:15:18,160 Speaker 1: or perhaps season four, the first Grateful Dead episode, so 290 00:15:18,200 --> 00:15:20,680 Speaker 1: that's coming. That's coming this month in March. One way 291 00:15:20,760 --> 00:15:22,880 Speaker 1: or another, you get in that first one. As for 292 00:15:22,920 --> 00:15:26,320 Speaker 1: the pig Pen episode, which is later, and I believe 293 00:15:26,400 --> 00:15:30,680 Speaker 1: season six that's going to be a bit but it's coming, man, 294 00:15:30,760 --> 00:15:34,160 Speaker 1: so stay subscribed. We appreciate you coming back. All right, 295 00:15:34,240 --> 00:15:36,080 Speaker 1: let's do a text from the four to oh one. 296 00:15:36,600 --> 00:15:39,480 Speaker 1: Hello Jake, my name is Alexandra. I've been listening since 297 00:15:39,520 --> 00:15:42,160 Speaker 1: season one. Another season one listener. I love this and 298 00:15:42,240 --> 00:15:43,680 Speaker 1: want you to know. Here she goes again, and I 299 00:15:43,680 --> 00:15:45,880 Speaker 1: want you to know that Disgraceland is by far the 300 00:15:45,920 --> 00:15:49,280 Speaker 1: coolest podcast I listened to. Why Thank you, Alexandra. Alexander 301 00:15:49,280 --> 00:15:51,200 Speaker 1: then goes on to say I am a letter carrier 302 00:15:51,240 --> 00:15:54,239 Speaker 1: for the USPS and have got you in my earbuds 303 00:15:54,360 --> 00:15:58,360 Speaker 1: daily while walking my route. I second the recommendation of 304 00:15:58,400 --> 00:15:59,880 Speaker 1: doing an episode on Nick Cave. 305 00:16:00,120 --> 00:16:01,000 Speaker 3: The Bad Seeds. 306 00:16:01,440 --> 00:16:04,440 Speaker 1: Truly an amazing story, and the man is a phenomenal 307 00:16:04,520 --> 00:16:07,320 Speaker 1: artist musician. Any who, Thanks for all you do and 308 00:16:07,400 --> 00:16:11,200 Speaker 1: keep the great content coming. Rock a rolla, Alexandra, all right, 309 00:16:11,280 --> 00:16:14,200 Speaker 1: I hear you. I'm feeling a consensus swelling around Nick 310 00:16:14,240 --> 00:16:17,800 Speaker 1: Cave and The Bad Seeds, So yeah, I'm gonna have 311 00:16:17,880 --> 00:16:20,720 Speaker 1: to find time to get into that. I'm excited, excited 312 00:16:20,760 --> 00:16:25,800 Speaker 1: to learn more. Nick Cave is obviously a very compelling character, 313 00:16:25,880 --> 00:16:29,840 Speaker 1: an amazing artist, and I appreciate the text. All right, 314 00:16:29,920 --> 00:16:33,360 Speaker 1: let's do a couple more here. Let's see here from 315 00:16:33,400 --> 00:16:34,480 Speaker 1: the seven to one five. 316 00:16:34,840 --> 00:16:35,600 Speaker 2: This one's quick. 317 00:16:35,880 --> 00:16:41,720 Speaker 1: What music do you turn to when you feel miserable? Well, 318 00:16:41,840 --> 00:16:44,040 Speaker 1: I don't. I don't turn to music. I find that 319 00:16:45,120 --> 00:16:47,280 Speaker 1: music doesn't do it for me when I feel miserable. 320 00:16:47,400 --> 00:16:49,000 Speaker 1: I have to do other things these days when I 321 00:16:49,040 --> 00:16:51,920 Speaker 1: feel miserable. Mainly, I need to work out. I need 322 00:16:51,920 --> 00:16:56,720 Speaker 1: to exercise. I need to get my endorphins popping. I 323 00:16:56,760 --> 00:17:04,439 Speaker 1: need to recalibrate and sweat and punish myself physically. Music 324 00:17:05,920 --> 00:17:08,280 Speaker 1: I don't know that it's the great salve for when 325 00:17:08,280 --> 00:17:10,400 Speaker 1: you feel bad, unless you're putting on like some case 326 00:17:10,560 --> 00:17:13,600 Speaker 1: in the Sunshine band or I don't know, man, it's 327 00:17:13,640 --> 00:17:15,919 Speaker 1: just the older I get, the more I need to 328 00:17:15,960 --> 00:17:19,480 Speaker 1: turn to other means to cheer myself up. So seven 329 00:17:19,560 --> 00:17:22,160 Speaker 1: one five, I'm sorry you're feeling miserable if you are, 330 00:17:23,200 --> 00:17:26,119 Speaker 1: but I would suggest you know, if you're not the 331 00:17:26,160 --> 00:17:29,159 Speaker 1: working out type, maybe just get outside, go for a walk, 332 00:17:29,440 --> 00:17:33,560 Speaker 1: clear your head, don't put anything in your ears, you know, 333 00:17:34,000 --> 00:17:35,720 Speaker 1: just kind of I do that sometimes too, since I 334 00:17:35,840 --> 00:17:37,760 Speaker 1: just go for a walk, I just need to cleanse. 335 00:17:38,000 --> 00:17:42,639 Speaker 1: No phone, no earbuds, no nothing, just me and the 336 00:17:42,720 --> 00:17:43,280 Speaker 1: vitamin D. 337 00:17:43,760 --> 00:17:46,520 Speaker 2: It works. All right, Let's do another couple of texts here, 338 00:17:46,560 --> 00:17:47,080 Speaker 2: what do we got? 339 00:17:48,000 --> 00:17:48,400 Speaker 3: All right? 340 00:17:48,440 --> 00:17:51,520 Speaker 1: From the four to four, Oh Jake, thanks for releasing 341 00:17:51,560 --> 00:17:55,160 Speaker 1: all of your episodes. Just finish the Tiller Russell bonus episode. 342 00:17:55,680 --> 00:17:58,199 Speaker 1: I'm a documentary junkie and the seven to five is 343 00:17:58,240 --> 00:18:00,560 Speaker 1: one of my favorites. Keep up the amazing work, brother, 344 00:18:00,640 --> 00:18:02,200 Speaker 1: rock and rolla Matt from the four to four to 345 00:18:02,280 --> 00:18:04,960 Speaker 1: zero and now in the four to eight, Oh all right, Matt. 346 00:18:05,160 --> 00:18:06,640 Speaker 1: For those of you who don't know what Matt's talking 347 00:18:06,640 --> 00:18:09,200 Speaker 1: about Matt's talking about bonus episode. We did a couple 348 00:18:09,280 --> 00:18:11,959 Speaker 1: after parties ago where I interviewed my friend Tiller Russell, 349 00:18:12,000 --> 00:18:16,320 Speaker 1: who is a great documentary filmmaker. He made The night Stalker, 350 00:18:16,359 --> 00:18:19,080 Speaker 1: which was relevant to our conversation because we had just 351 00:18:19,200 --> 00:18:23,040 Speaker 1: released the ACDC episode. He is a new documentary on 352 00:18:23,160 --> 00:18:27,360 Speaker 1: Waco coming out. I believe it's called Waco American Apocalypse 353 00:18:27,400 --> 00:18:30,080 Speaker 1: that comes out in March, March twenty second, if memory 354 00:18:30,119 --> 00:18:33,320 Speaker 1: serves me. But to Matt's point, one of the best 355 00:18:33,359 --> 00:18:36,280 Speaker 1: documentaries ever made is by Tiler Russell. It's called The 356 00:18:36,359 --> 00:18:38,760 Speaker 1: Seven to five and it's about a corrupt bunch of 357 00:18:38,840 --> 00:18:42,760 Speaker 1: cops in New York City in the nineties. It is phenomenal, 358 00:18:43,760 --> 00:18:46,760 Speaker 1: these guys, these characters. I don't know how Tiller finds, 359 00:18:46,760 --> 00:18:50,800 Speaker 1: somebody manages to or they find him and everything comes 360 00:18:50,840 --> 00:18:54,480 Speaker 1: together in perfect, working, creative order in this documentary, The 361 00:18:54,520 --> 00:18:57,640 Speaker 1: seven to five. I highly recommend it. Matt knows what's up? 362 00:18:57,880 --> 00:19:00,520 Speaker 1: All right, Let's do one more text and then we 363 00:19:00,600 --> 00:19:04,840 Speaker 1: will get into some other responses here, all right for 364 00:19:04,960 --> 00:19:08,000 Speaker 1: the five four to one. Jake Rick from Portland here 365 00:19:08,080 --> 00:19:10,960 Speaker 1: love the pod. I need an app. 366 00:19:10,920 --> 00:19:13,639 Speaker 2: On the Dead Boys and stive. That's stive baterers. 367 00:19:13,640 --> 00:19:17,000 Speaker 1: He's talking about, thank you for all you do. Someday, Man, 368 00:19:18,280 --> 00:19:20,840 Speaker 1: someday you're gonna get that Dead Boys episode. I can 369 00:19:20,920 --> 00:19:21,560 Speaker 1: promise you that. 370 00:19:21,720 --> 00:19:25,600 Speaker 2: Rick. Let's head off here. Let's do some DMS here. 371 00:19:25,600 --> 00:19:26,280 Speaker 2: What do we got? 372 00:19:26,640 --> 00:19:30,520 Speaker 1: Our friend Courtney Ford on Facebook sent us this screenshot 373 00:19:30,560 --> 00:19:36,439 Speaker 1: with the results of her term paper on quote unquote 374 00:19:36,560 --> 00:19:40,560 Speaker 1: addressing client needs. I wonder what Courtney's studying where she 375 00:19:40,680 --> 00:19:45,159 Speaker 1: received a one hundred and this is here again in 376 00:19:45,240 --> 00:19:48,639 Speaker 1: the screenshot, and it's incredible. Congrats Courtney. She has it 377 00:19:48,760 --> 00:19:51,400 Speaker 1: circled with a note that says, written to the sweet 378 00:19:51,480 --> 00:19:55,879 Speaker 1: sounds of seasons one through nine. Thanks guys, Courtney, to 379 00:19:55,880 --> 00:19:57,560 Speaker 1: the extent that we can take credit for your perfect 380 00:19:57,560 --> 00:20:00,840 Speaker 1: grade on your turn paper, We'll take it, but I 381 00:20:00,880 --> 00:20:03,240 Speaker 1: guess I'm more concerned with how our content did not 382 00:20:03,400 --> 00:20:07,000 Speaker 1: distract you from getting a lower grade. But I kid, 383 00:20:07,040 --> 00:20:10,240 Speaker 1: I'm excited for you. Congratulations on one hundred on killing 384 00:20:10,280 --> 00:20:13,080 Speaker 1: and on your turn paper. Let's do this one here, okay. 385 00:20:13,160 --> 00:20:16,119 Speaker 1: At Gavin Van black Over on Instagram, the great Gavin 386 00:20:16,240 --> 00:20:19,200 Speaker 1: Van black I should say, of the great New York 387 00:20:19,200 --> 00:20:23,200 Speaker 1: hardcore band Burn, among others, says, how about a link 388 00:20:23,280 --> 00:20:26,280 Speaker 1: ray and the idea of having a band song that 389 00:20:26,359 --> 00:20:28,680 Speaker 1: was an instrumental as well as the fact he was 390 00:20:28,680 --> 00:20:31,720 Speaker 1: American Indian and that his popularity would be a threat 391 00:20:31,840 --> 00:20:33,000 Speaker 1: to the eras ethic. 392 00:20:33,600 --> 00:20:34,639 Speaker 3: That's an awesome idea. 393 00:20:35,160 --> 00:20:37,800 Speaker 1: Gavin Van Black is obviously a very smart man, and 394 00:20:37,840 --> 00:20:40,800 Speaker 1: I appreciate that recommendation on link ray, link ray all 395 00:20:40,840 --> 00:20:43,480 Speaker 1: around badass. I think there's a documentary out right now 396 00:20:43,520 --> 00:20:46,960 Speaker 1: on link ray or on Native American artists and rock 397 00:20:47,000 --> 00:20:50,440 Speaker 1: and roll, So yeah, man, I'm going to get into 398 00:20:50,480 --> 00:20:53,760 Speaker 1: that at some point, Gavin. Thanks for the suggestion. For 399 00:20:53,800 --> 00:20:55,840 Speaker 1: those of you who don't know Gavin, go check out 400 00:20:55,880 --> 00:20:59,200 Speaker 1: all his work. Check out Burn, check out Pride, check 401 00:20:59,200 --> 00:21:02,400 Speaker 1: out apps. Great one of the great hardcore New York 402 00:21:02,400 --> 00:21:06,560 Speaker 1: hard core originators. All right at Todd Cord on Instagram 403 00:21:06,640 --> 00:21:11,920 Speaker 1: wrote in with this cool story here Todd is saying, Jake, 404 00:21:12,119 --> 00:21:15,040 Speaker 1: I love your show. After listening to the Ramones episode, 405 00:21:15,240 --> 00:21:17,280 Speaker 1: it made me think of another band slash artist that 406 00:21:17,320 --> 00:21:20,840 Speaker 1: was so influential yet underappreciated, and that is Mike Ness 407 00:21:20,920 --> 00:21:24,000 Speaker 1: of Social Distortion. I recently saw a show that Harley 408 00:21:24,080 --> 00:21:26,480 Speaker 1: Davidson was sponsoring with Social d playing second to last, 409 00:21:26,480 --> 00:21:29,040 Speaker 1: with Green Day headlining what a shame to Me? Social 410 00:21:29,119 --> 00:21:31,280 Speaker 1: D is sort of the West Coast So Cal version 411 00:21:31,320 --> 00:21:33,520 Speaker 1: of the Ramones. I have a social D story. 412 00:21:33,640 --> 00:21:35,080 Speaker 2: My band. This is him talking, not me. 413 00:21:35,359 --> 00:21:37,359 Speaker 1: My band was scheduled to open for them at a 414 00:21:37,400 --> 00:21:41,920 Speaker 1: tiny venue in Anaheim, Linda's Dalhutt, Great, great, great, great 415 00:21:42,040 --> 00:21:44,120 Speaker 1: venue name by the way, And that's me talking, not him. 416 00:21:44,119 --> 00:21:44,359 Speaker 2: Okay. 417 00:21:44,400 --> 00:21:46,080 Speaker 1: So he goes on to say the place was a 418 00:21:46,160 --> 00:21:48,440 Speaker 1: staple for everyone to come out of Orange County, and 419 00:21:48,520 --> 00:21:51,520 Speaker 1: even La No Doubt formed right down the street from there. 420 00:21:51,720 --> 00:21:54,720 Speaker 1: The Offspring lit and many more. And on the night 421 00:21:54,840 --> 00:21:58,160 Speaker 1: we were opening the quote unquote secret social distortion show, 422 00:21:58,480 --> 00:22:00,680 Speaker 1: our drummer and I were walking up to the massively 423 00:22:00,720 --> 00:22:02,720 Speaker 1: long line that went down to the freeway entrance, and 424 00:22:02,760 --> 00:22:06,520 Speaker 1: we encountered noodles at Dexter from the Offspring, and they 425 00:22:06,520 --> 00:22:09,680 Speaker 1: were there to pay their respects to Mike ness. He'll 426 00:22:09,680 --> 00:22:12,240 Speaker 1: never be as successful, wealthy or recognized as those other 427 00:22:12,440 --> 00:22:16,639 Speaker 1: as those others. That's at Todd underscore chords with this 428 00:22:16,760 --> 00:22:20,160 Speaker 1: social distortion story. As if I needed any convincing, I didn't. 429 00:22:20,600 --> 00:22:23,440 Speaker 1: I love social distortion. I always kind of have. I 430 00:22:23,440 --> 00:22:26,760 Speaker 1: think they're fantastic, and yeah, I know there's something there. 431 00:22:26,760 --> 00:22:28,560 Speaker 1: I think Mike Ness was in jail for a minute 432 00:22:28,680 --> 00:22:29,159 Speaker 1: or something. 433 00:22:29,400 --> 00:22:29,840 Speaker 2: I don't know. 434 00:22:30,000 --> 00:22:34,440 Speaker 1: I don't know the backstory, but I appreciate Todd surfacing 435 00:22:34,480 --> 00:22:34,800 Speaker 1: that for me. 436 00:22:34,920 --> 00:22:36,639 Speaker 2: I'm going to get into that at some point. 437 00:22:36,920 --> 00:22:40,199 Speaker 1: Love these recommendations, guys, keep them coming. They are the 438 00:22:40,280 --> 00:22:41,720 Speaker 1: life sblood of the show. 439 00:22:42,160 --> 00:22:42,639 Speaker 2: For real. 440 00:22:43,760 --> 00:22:46,800 Speaker 1: Let's see what else do we got here at w 441 00:22:47,000 --> 00:22:50,560 Speaker 1: Jeffrey four to eight zero six zero on Twitter, hitting 442 00:22:50,600 --> 00:22:54,879 Speaker 1: me up at Disgrace slam Pod recommended documentary Hired Gun 443 00:22:55,000 --> 00:22:57,560 Speaker 1: out of the Shadows and Into the Spotlight. I've heard 444 00:22:57,560 --> 00:22:59,679 Speaker 1: about this and it looks awesome. This is this documentary 445 00:22:59,680 --> 00:23:02,920 Speaker 1: on these touring musicians and studio musicians who play behind 446 00:23:02,960 --> 00:23:06,200 Speaker 1: these massive artists on have throughout the history of rock 447 00:23:06,240 --> 00:23:09,760 Speaker 1: and roll. Looks really interesting, Hired Gun. I appreciate that. 448 00:23:09,760 --> 00:23:12,280 Speaker 1: I'm gonna check that out. You know a lot of times, guys, 449 00:23:12,400 --> 00:23:14,240 Speaker 1: I see this stuff out there in the world, and 450 00:23:14,280 --> 00:23:16,520 Speaker 1: I'm so distracted with my own bullshit that I forget 451 00:23:16,520 --> 00:23:19,520 Speaker 1: about it. So I love that you're all recommending this content. 452 00:23:20,320 --> 00:23:23,680 Speaker 1: It resurfaces. It resurfaces it for me in a cool 453 00:23:23,680 --> 00:23:26,840 Speaker 1: way and keeps us connected, so keep it coming. You 454 00:23:26,880 --> 00:23:30,280 Speaker 1: can hit me up at Disgrace lampod on Instagram, Twitter, TikTok, 455 00:23:30,320 --> 00:23:31,680 Speaker 1: and I'll get back to you on either of those 456 00:23:31,760 --> 00:23:33,800 Speaker 1: channels or right here in the after party like we've 457 00:23:33,800 --> 00:23:36,080 Speaker 1: been doing. And as always, you can call, text, leave 458 00:23:36,080 --> 00:23:39,240 Speaker 1: a voicemail six one seven nine zero six six six 459 00:23:39,359 --> 00:23:42,320 Speaker 1: three eight. All right, quick break and back after that 460 00:23:42,760 --> 00:24:01,000 Speaker 1: with some recommendations. All right, the recommendations art. This is 461 00:24:01,040 --> 00:24:03,840 Speaker 1: the recommendations part. Still don't have a theme song for 462 00:24:03,880 --> 00:24:06,120 Speaker 1: the recommendation's part. Maybe this will become the no theme 463 00:24:06,160 --> 00:24:08,320 Speaker 1: song recommendations part. I don't know how come I'm the 464 00:24:08,359 --> 00:24:11,800 Speaker 1: only one trying to get a solution to this recommendation's 465 00:24:11,840 --> 00:24:14,400 Speaker 1: part not having a theme song problem that I have 466 00:24:15,440 --> 00:24:18,560 Speaker 1: someone helped me out. Anyway, Before I get into my recommendations, 467 00:24:18,600 --> 00:24:21,320 Speaker 1: I wanted to read a recommendation from a listener that 468 00:24:21,400 --> 00:24:25,639 Speaker 1: I'm excited about. Here from Hayden Lee Bushnell on Facebook, 469 00:24:25,720 --> 00:24:28,439 Speaker 1: who is recommending be here to Love Me the Towns 470 00:24:28,520 --> 00:24:32,560 Speaker 1: van ZANDT documentary. After watching our Waylon Jennings Cocaine Bear 471 00:24:32,640 --> 00:24:35,600 Speaker 1: story over on our YouTube channel, Hayden chimed in told 472 00:24:35,680 --> 00:24:38,720 Speaker 1: us to check this out I think I've actually seen 473 00:24:38,880 --> 00:24:40,960 Speaker 1: I think I saw this like years. 474 00:24:40,680 --> 00:24:42,520 Speaker 2: Ago, and or bits of it. 475 00:24:42,560 --> 00:24:46,439 Speaker 1: Anyways, completely forgot about it, cannot remember anything about it, 476 00:24:46,640 --> 00:24:50,320 Speaker 1: but I am excited to dive into Towns van ZANDT. 477 00:24:50,359 --> 00:24:53,679 Speaker 1: I really appreciate this, the resurfacing of this documentary, the 478 00:24:53,680 --> 00:24:56,399 Speaker 1: Towns van Zan's story be here to love me. Thanks 479 00:24:56,440 --> 00:25:00,479 Speaker 1: for the reminder, Hayden. All right, so that's what Hayden's watching. 480 00:25:00,520 --> 00:25:03,240 Speaker 1: What am I watching? I'm watching the old episodes of 481 00:25:03,280 --> 00:25:05,560 Speaker 1: Party Down. You know that I talked about it last week. 482 00:25:05,760 --> 00:25:08,520 Speaker 1: I'm almost done with season two. I'm looking forward to 483 00:25:08,560 --> 00:25:11,600 Speaker 1: the rebooted season three, which I hear is great and 484 00:25:11,680 --> 00:25:17,640 Speaker 1: I cannot wait for. Okay, this past weekend I watched, 485 00:25:17,920 --> 00:25:20,399 Speaker 1: as I'm sure most of you have, the new Chris 486 00:25:20,480 --> 00:25:26,840 Speaker 1: Rock Netflix special, and I'm gonna go two thumbs way 487 00:25:26,960 --> 00:25:27,640 Speaker 1: the fuck up. 488 00:25:28,119 --> 00:25:31,000 Speaker 2: I mean, what do you think I was gonna say? 489 00:25:31,160 --> 00:25:32,400 Speaker 2: I'm gen X to my core. 490 00:25:32,840 --> 00:25:34,600 Speaker 1: That doesn't mean I'm gonna be down with whatever Chris 491 00:25:34,720 --> 00:25:36,520 Speaker 1: Rock says because he's gen X, but it does mean 492 00:25:36,560 --> 00:25:38,560 Speaker 1: I'm likely gonna share his sentiments on a whole lot 493 00:25:38,800 --> 00:25:40,960 Speaker 1: of the insanity that the world that is spinning back 494 00:25:40,960 --> 00:25:43,400 Speaker 1: into our faces these days, and I thought that Chris 495 00:25:43,480 --> 00:25:46,199 Speaker 1: Rock did an incredible job of framing so much of 496 00:25:46,240 --> 00:25:49,399 Speaker 1: the current ridiculousness, some of which he's been caught up in. 497 00:25:50,359 --> 00:25:52,400 Speaker 1: Part of me thinks comedians might be the ones who 498 00:25:52,440 --> 00:25:55,160 Speaker 1: saved the world. They might be our only hope. Then again, 499 00:25:56,080 --> 00:25:58,399 Speaker 1: it might be the complete opposite. All I know is 500 00:25:58,400 --> 00:26:02,320 Speaker 1: that I thoroughly enjoyed Chris Rock special. I thought he 501 00:26:02,359 --> 00:26:06,160 Speaker 1: was just throwing fastballs the entire time. Amazing to hear 502 00:26:07,600 --> 00:26:09,960 Speaker 1: basically his opinion on everything, even if I didn't agree 503 00:26:10,000 --> 00:26:12,600 Speaker 1: with it, I enjoyed his take. 504 00:26:12,680 --> 00:26:13,840 Speaker 2: I always enjoy his take. 505 00:26:13,880 --> 00:26:18,120 Speaker 1: He's obviously been one of the smartest, most influential comedians 506 00:26:18,160 --> 00:26:21,119 Speaker 1: of my lifetime. I love that he's still killing it 507 00:26:21,160 --> 00:26:25,280 Speaker 1: while he's in his fifties. But what was perhaps more 508 00:26:25,320 --> 00:26:29,959 Speaker 1: interesting than the totality of the special for me was 509 00:26:30,119 --> 00:26:34,920 Speaker 1: Chris Rock's take finally on the whole Will Smith incident. 510 00:26:35,400 --> 00:26:39,520 Speaker 1: And to be honest, because they were promoting the fact 511 00:26:39,920 --> 00:26:42,560 Speaker 1: that he was going to address the incident before the 512 00:26:42,600 --> 00:26:44,560 Speaker 1: special came out and it was a live special on 513 00:26:44,560 --> 00:26:48,520 Speaker 1: Netflix on Saturday night. Because they were promoting it, I 514 00:26:48,560 --> 00:26:50,600 Speaker 1: didn't think that he was really going to go there. 515 00:26:50,640 --> 00:26:51,959 Speaker 1: I thought it was going to be kind of like, 516 00:26:52,680 --> 00:26:55,720 Speaker 1: you know, whatever, bomb. I didn't think he was going 517 00:26:55,800 --> 00:27:01,360 Speaker 1: to go there with so much emotion and vengeance, smart vengeance. 518 00:27:01,400 --> 00:27:05,000 Speaker 1: It was awesome and I thought, well deserved. And yeah, 519 00:27:05,000 --> 00:27:06,919 Speaker 1: it's already been litigated in the media, and all of 520 00:27:06,920 --> 00:27:09,480 Speaker 1: our politics have already been adamized into the incident with 521 00:27:09,520 --> 00:27:12,800 Speaker 1: Will Smith and all the silly armchair quarterback fresh takes 522 00:27:12,840 --> 00:27:15,760 Speaker 1: have been spit out all over whatever the Internet, and 523 00:27:15,840 --> 00:27:18,080 Speaker 1: at the end of the day, all that's left is 524 00:27:18,119 --> 00:27:20,399 Speaker 1: who is right and who is wrong? And all I 525 00:27:20,440 --> 00:27:22,760 Speaker 1: got to say is Chris Rock is a full grown 526 00:27:22,800 --> 00:27:25,040 Speaker 1: man and we need more of that. And I love 527 00:27:25,119 --> 00:27:27,600 Speaker 1: this special go check it out. If you have not already, 528 00:27:28,040 --> 00:27:30,840 Speaker 1: all right, what I'm listening to. I'm still listening to 529 00:27:30,960 --> 00:27:34,480 Speaker 1: that banger mix, guys that I made for Spotify. Five 530 00:27:34,520 --> 00:27:38,639 Speaker 1: hours of music from Disgraceland, from the episodes of Disgraceland, 531 00:27:38,920 --> 00:27:41,840 Speaker 1: from the artists that we featured in our over one 532 00:27:41,920 --> 00:27:46,600 Speaker 1: hundred episodes of Disgraceland. Search the Disgraceland podcast, official playlist 533 00:27:46,600 --> 00:27:47,800 Speaker 1: and your Spotify app. 534 00:27:47,640 --> 00:27:49,360 Speaker 2: For that and you will not be disappointed. 535 00:27:49,600 --> 00:27:53,040 Speaker 1: I'm reading Flannery O'Connor's Prayer Journal. I think I mentioned 536 00:27:53,040 --> 00:27:55,680 Speaker 1: this before. This isn't a novel, it's not a book. 537 00:27:55,520 --> 00:27:56,280 Speaker 2: Of short stories. 538 00:27:56,320 --> 00:27:58,840 Speaker 1: It's literally a journal of prayers written by the great 539 00:27:58,840 --> 00:28:01,520 Speaker 1: author Flannery O'Connor from her time in college in the 540 00:28:01,520 --> 00:28:05,080 Speaker 1: mid nineteen forties and her struggles and reckoning and strengthening 541 00:28:05,119 --> 00:28:07,320 Speaker 1: of her faith as a Catholic. I find it to 542 00:28:07,359 --> 00:28:11,120 Speaker 1: be compelling, inspiring, and for anyone who's into the inner 543 00:28:11,160 --> 00:28:14,879 Speaker 1: workings of great creative minds and interested in spirituality, I 544 00:28:14,960 --> 00:28:15,879 Speaker 1: highly recommend it. 545 00:28:16,000 --> 00:28:19,280 Speaker 2: A prayer Journal by Flannery O'Connor. All Right, I'm. 546 00:28:19,119 --> 00:28:21,440 Speaker 1: Headed to Vegas this week and then to main this weekend, 547 00:28:21,560 --> 00:28:44,480 Speaker 1: so semi recommendations back in a flash. 548 00:28:44,720 --> 00:28:49,080 Speaker 3: All right, this week's recap is this. Number one. 549 00:28:49,160 --> 00:28:51,640 Speaker 1: Leonard Skinnert is in your feeds, and Otis reading is 550 00:28:51,720 --> 00:28:52,120 Speaker 1: up next. 551 00:28:52,280 --> 00:28:52,760 Speaker 2: Number two. 552 00:28:52,880 --> 00:28:55,560 Speaker 1: Judas Priest is waiting for you on our YouTube channel 553 00:28:55,600 --> 00:28:58,120 Speaker 1: at Mick Jagger and the Hell's Angels. They're up next 554 00:28:58,160 --> 00:29:02,480 Speaker 1: over there on YouTube slash at Disgrace lampod Number three. 555 00:29:02,520 --> 00:29:05,880 Speaker 1: We're releasing season three and season four daily this month, 556 00:29:05,920 --> 00:29:10,360 Speaker 1: with previously exclusive episodes. Four Chris Rock Is the Man, five, 557 00:29:10,600 --> 00:29:12,440 Speaker 1: Flannery O'Connor is the woman. 558 00:29:12,880 --> 00:29:13,200 Speaker 3: Six. 559 00:29:13,440 --> 00:29:15,840 Speaker 1: You can get at me at six one seven nine 560 00:29:16,000 --> 00:29:18,880 Speaker 1: zero six six six three eight, on the voicemail and 561 00:29:18,920 --> 00:29:22,960 Speaker 1: on the text and at disgracelam pod on Twitter, Instagram, TikTok, 562 00:29:23,040 --> 00:29:27,600 Speaker 1: Facebook and YouTube dot com slash at disgracelam pod. And 563 00:29:28,280 --> 00:29:31,200 Speaker 1: I've got a moment of zen to fall into any 564 00:29:31,280 --> 00:29:34,600 Speaker 1: second now, from the set of Back to the Futures 565 00:29:34,680 --> 00:29:39,360 Speaker 1: prop Department from nineteen fifty five in Hill Valley, the 566 00:29:39,360 --> 00:29:42,480 Speaker 1: the Yellow Pages page that Marty rips out of the 567 00:29:42,480 --> 00:29:45,520 Speaker 1: phone book in the diner, I give you me reading 568 00:29:45,600 --> 00:29:51,480 Speaker 1: that phone book right now. Brown e Meal two sixty 569 00:29:51,520 --> 00:29:56,840 Speaker 1: eight Hector nine Dash four eight two one, Brown Emerald 570 00:29:57,120 --> 00:30:01,120 Speaker 1: two eighty one West twenty third THREEH two one seven 571 00:30:01,240 --> 00:30:06,760 Speaker 1: six Brown Emerald and Company three Bernherd eight Dash two 572 00:30:06,920 --> 00:30:13,000 Speaker 1: eight nine seven Brown Emmett Scientists one six four zero 573 00:30:13,240 --> 00:30:18,440 Speaker 1: Riverside Drive eight Klondike s Dash four three eight five 574 00:30:18,920 --> 00:30:24,120 Speaker 1: Brown Eric three ninety two East West Drive five Dash 575 00:30:24,160 --> 00:30:28,960 Speaker 1: three nine five six, Brown Ernest k four zero three 576 00:30:29,040 --> 00:30:34,440 Speaker 1: two South North Ave five dash zero zero three sevens 577 00:30:34,800 --> 00:30:39,840 Speaker 1: Brown A four zero three Pueblo nine Dash zero zero 578 00:30:40,000 --> 00:30:44,480 Speaker 1: three two browns Emitt nine nine twenty seven Hill Place 579 00:30:44,640 --> 00:30:49,440 Speaker 1: two two Dash sixty one one Booner two Vans South 580 00:30:49,560 --> 00:30:51,880 Speaker 1: eight twenty Hudson Alves five 581 00:30:52,080 --> 00:30:55,360 Speaker 2: Zero, Quit talking and start mixing.