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Speaker 1: The I Am Rapp Reports Stereonio podcast Live Get Down

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Speaker 1: with Rapp Report. Yes I am I'm a Rapperport. Yes,

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Speaker 1: I am am a Rapperport. Yes I am am a Rapperport.

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Speaker 1: Yes I am better tune in. I Am Rapp Report

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Speaker 1: dot com is every single podcast you know. He drops bombs.

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Speaker 1: I've seen him on set a season VET with True

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Speaker 1: town Cat him on his way to course fit rocking

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Speaker 1: the New Balance. He asked me to do the track

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Speaker 1: because you know, I round the leak. But I'm just

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Speaker 1: waiting for the Robert the Neural line of the week reference.

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Speaker 1: The champions host the bagel, Cream, Cheese and lock. This

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Speaker 1: is I Am Rapp Report. The show never stopped. You

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Speaker 1: might catch the Mountain Public stretching his knees. But if

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Speaker 1: you don't listen to the show, yo, we're gonna plead.

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Speaker 1: We're gonna rapport podcast. Oh my goodness, Oh my goodness.

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Speaker 1: We have a classic, brand new I Am Rappaport stereo

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Speaker 1: podcast coming up next. This is museum quality podcasting. The

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Speaker 1: word icon, the word o G is thrown around like

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Speaker 1: skittles these days. Well no, no, no, we have a

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Speaker 1: real icon, a real o G. At some point this

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Speaker 1: dude will be in the Rock and Roll Hall of Fame.

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Speaker 1: He should definitely be in the Hip hop Hall of Fame.

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Speaker 1: From Cypress Hill, my Man be Real is here to

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Speaker 1: break it all down, giving us the ingredients of some

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Speaker 1: of his best songs, including including how to Just Kill

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Speaker 1: a Man working with Chuck d and some legendary, fantastic

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Speaker 1: golden nuggets from rocking and rolling with one of the

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Speaker 1: most influential one of the most original groups in music.

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Speaker 1: Coming up next, O G. B Real from Cypress Hill

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Speaker 1: plus j R. Smith of the Cleveland Cavalier. Somehow, some

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Speaker 1: way thinks he should be traded. He has the audacity

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Speaker 1: to think he should be traded. I was in the

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Speaker 1: emergency room last night from My Fucking Elephant, Tightest Elbow,

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Speaker 1: and a few other things. But this is a smash

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Speaker 1: mouth museum quality I am Rappaport stereo podcast. Coming up

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Speaker 1: next Miles Jordan's let Me get something real, nice, something

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Speaker 1: real proper. Let's go. Oh. Sure, watching football is fun,

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Speaker 1: but it is way way more entertaining when you have

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Speaker 1: a little action on the Game's Guys, you have heard

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Speaker 1: me talking about this week after podcast after podcast, but

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Speaker 1: some of you strangely enough, are still on the sidelines.

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Speaker 1: Whether you are an expert or a rookie, you should

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Speaker 1: Stereo Podcast episode, five hundred fucking episodes, five hundred funk

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Speaker 1: tastic I am Rappaport Stereo Podcast episodes, and here we

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Speaker 1: are with one that might be the very best we've

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Speaker 1: ever done. I cannot wait for you guys to hear

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Speaker 1: this sit down that I had with with be Real

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Speaker 1: from Cypress Hill talking about the new album, talking about

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Speaker 1: the old album, talking about touring with Chuck D and

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Speaker 1: profits of Rage, talking about just hanging around Chuck D,

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Speaker 1: all sorts of l A stories, ice queue stories, war stories,

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Speaker 1: hip hop stories, and the ingredients on some of the

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Speaker 1: biggest Cypress Hill bangers of all time. So, if you're

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Speaker 1: a premium I Am Rapp Reports Stereo Podcast subscriber. Uh.

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Speaker 1: The other day Halloween, actually Halloween, we released a ten

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Speaker 1: spooky Sick Fox of the Week episode UM and on

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Speaker 1: that episode, I was talking about my elbow at a

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Speaker 1: fucking uh, presitis in my elbow. Now it's been diagnosed

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Speaker 1: as prositis in my elbow. Fucking elbow swollen up, all

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Speaker 1: banged up, beat up. Uh. Went to the doctor, gave

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Speaker 1: me some antibiotics. Pain didn't go away, kept swelling, kept swelling,

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Speaker 1: lo and behold, I had to go to the fucking

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Speaker 1: emergency room. I had to go to the fucking emergency room.

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Speaker 1: I have al Grainian versitis. I'm not even pronouncing it right,

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Speaker 1: but the the Algrainian it's like, you know, the little

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Speaker 1: elbow pad we all naturally have on our elbows, that

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Speaker 1: little you know, space, a spot on our elbows. Well, somehow,

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Speaker 1: some way it appears. Who knows, you know? These doctors

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Speaker 1: who the funk knows? You know? They make you feel good.

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Speaker 1: They make you feel like everything's gonna be okay. And

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Speaker 1: the they you may not be okay. Um it's been

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Speaker 1: twenty flours and my elbow still ain't okay. But I

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Speaker 1: like the doctors. They seem nice, they seem knowledgeable. Um,

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Speaker 1: but I have bracitis on my elbow. Uh. The you know,

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Speaker 1: the thin fluid sac that is located at the bony

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Speaker 1: tip of the elbow the l Caron Alson. I don't

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Speaker 1: fucking know, but I was in the emergency room last

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Speaker 1: night for about four hours. They gave me I v

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Speaker 1: they gave me some pain medication. Um, I'm all my

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Speaker 1: way to New York, so I gotta fly. So when

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Speaker 1: you have swelling, you gotta be careful. Blah blah fucking blah.

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Speaker 1: But I do want to give a shout out to

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Speaker 1: all the people if they're listening at the Cedar Sinai

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Speaker 1: Hospital in Los Angeles, because they were very nice to me.

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Speaker 1: They're very nice to everybody. Um. The registered nurse who

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Speaker 1: checked me in, he said to me before I went

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Speaker 1: back into the e r room, and you know, you

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Speaker 1: keep it relative. I was in the emergency room. You

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Speaker 1: see see some sucked up things in there. So I'm

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Speaker 1: I can't complain, but I do. But it was my

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Speaker 1: My emergency was el elbow. It wasn't life threatening. You

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Speaker 1: see little kids in their old kinds of ship. But

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Speaker 1: the registered nurse I didn't get his name, who checked

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Speaker 1: me into the hospital and brought me back to the

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Speaker 1: emergency room, he said to me, I just want to

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Speaker 1: let you know I I'm a fan. I said, thanks.

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Speaker 1: He goes, we gotta get that elbow good, because you

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Speaker 1: gotta set your lineups for this weekend. And I said

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Speaker 1: that's right, and he said who are you playing? And

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Speaker 1: I said Gorilla. That's all I had to say. And

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Speaker 1: he had a big smile and he said, oh, we

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Speaker 1: need to get that elbow right. Good luck, because of

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Speaker 1: course I am playing Gorilla tooth monkey face Gary de

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Speaker 1: la Bonte in the Stern Show this week. I talked

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Speaker 1: about this two weeks ago. I was wrong. I I

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Speaker 1: shot my load. I I preject I was too too hyped,

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Speaker 1: too excited about my game against Gorilla. That wasn't two

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Speaker 1: week So it's this week. It is this Sunday. It's

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Speaker 1: going down. It's guerrilla tooth Gary against the Gringo man Dingo.

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Speaker 1: It's every single thing that I personally love about fantasy football.

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Speaker 1: Beating this monkey is every single thing that I love

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Speaker 1: about fantasy football. So please, please on Sunday, throw me

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Speaker 1: a little gorilla dust. Sprinkle it on me, Sprinkle it

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Speaker 1: in the air, Sprinkle a little extra uh sugar alextra

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Speaker 1: sweet low in your coffee, whatever whatever you need to do,

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Speaker 1: and just I'm just asking you just to think about

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Speaker 1: me because I want to beat this animal because while

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Speaker 1: I am in New York, I will be seeing guerrilla

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Speaker 1: tooth Gary face to face at the Howard Stern wrap

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Speaker 1: up show. And there's nothing worse than having to look

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Speaker 1: at those fucking green teeth after losing to him. There's

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Speaker 1: nothing better than having to look at those green, dusty

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Speaker 1: teeth after beating his fucking as nuff said. So um

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Speaker 1: because of my trip to New York City that I'm

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Speaker 1: going to UH, which I'll be at the UFC two

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Speaker 1: thirty with our guy friend of the Iron Wrap or

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Speaker 1: Stereo podcast, Derek the Beast Lewis in Madison Square Garden

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Speaker 1: and a couple of other things. See my parents, blah

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Speaker 1: blah blah blah blah. It's fall in New York City. Um,

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Speaker 1: I'm excited to UH. To get there, UM, I had

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Speaker 1: to vote. I had to early vote. UM, and I

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Speaker 1: went and early voted yesterday morning. And I have to

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Speaker 1: tell you it was a little bit of a drive,

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Speaker 1: not that big of a deal, thirty five minutes forty

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Speaker 1: five minutes from where I live. And I got to

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Speaker 1: the place and there wasn't that many people there. I

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Speaker 1: got there at eight thirty. The polls that opened up

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Speaker 1: at eight. I was registered. I was concerned whether or

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Speaker 1: not it actually worked, because at one point I tried

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Speaker 1: to register by mail because I knew I was going

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Speaker 1: to New York and whatever. I didn't know what the

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Speaker 1: funk it worked. I got there, they were ready for me.

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Speaker 1: They said, please take a seat. I took a seat,

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Speaker 1: and eight to ten minutes later they called my wife's name,

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Speaker 1: then they called my name, and then I went behind

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Speaker 1: the little the little area to vote. It's not like

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Speaker 1: you're into like one of those like old school voting boots.

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Speaker 1: They had a little thing with cardboard and a death setup.

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Speaker 1: I had to uh lean on it with my uh

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Speaker 1: brasitis uh stricken elbow and vote. And I'm gonna say this,

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Speaker 1: if you are planning on early voting, which I suggest,

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Speaker 1: there's less lines, there's less pressure, it's less chaos, there's

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Speaker 1: no protesters, there's none of that stuff. Where I went

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Speaker 1: in Lancaster, California. I'm sure every city is different, but

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Speaker 1: I would imagine, uh, in every city across the country,

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Speaker 1: the early voting has to be less chaotic and less crowded.

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Speaker 1: You need to, I I implore you, you need to

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Speaker 1: give yourself five ten minutes. Come up with a cheat sheet.

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Speaker 1: Whether you listen to fucking CNN, NPR, Fox news, this one,

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Speaker 1: that one, your cousin, your friend, the guy on the corner.

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Speaker 1: Because when you get in there and after all the

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Speaker 1: build up to this November six, November six, blue wave,

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Speaker 1: red wave, whatever the funk kind of wave is coming,

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Speaker 1: they ask you all kinds of questions. And it ain't

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Speaker 1: just about people. It's about proposition this, proposition that. And

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Speaker 1: the way they word it. I don't think they try

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Speaker 1: to word it uh confusing on purpose, but it is confusing.

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Speaker 1: It's a lot of reading. Come up with a little

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Speaker 1: cheat sheet. I live by the model the only dumb

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Speaker 1: question is the one you don't ask. You have to

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Speaker 1: ask questions before you get there because if they see

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Speaker 1: you acting acting funny, they won't let you vote. Um.

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Speaker 1: You can only be in there for a certain amount

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Speaker 1: of time. I think you don't want to be there

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Speaker 1: for an hour, two hours, you know, behind the booth

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Speaker 1: doing your vote. Um. And my suggestion is just listen.

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Speaker 1: It's not like a you know, a final exam. It's

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Speaker 1: not like a mid term for for college. It's not

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Speaker 1: the S A T. But you need to give yourself

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Speaker 1: a little time, pre prepared, to prepare before you actually

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Speaker 1: get in the actual voting movie. And I did that.

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Speaker 1: I prepared, I had my cheat sheets, and even then

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Speaker 1: I was like, what the fuck? I was confused, But

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Speaker 1: I breathed and I made my votes. I cast my votes.

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Speaker 1: I voted early. And you know the model. You know

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Speaker 1: my voting motto for November six, two eighteen, it's vote

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Speaker 1: or shut the funk up. I'll say it again, vote

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Speaker 1: yeah or shut the fuck up. There's no pity parties,

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Speaker 1: there's no crying, there's no hashtags, there's no marches, there's

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Speaker 1: no rallies for you. You fuck you. If you don't

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Speaker 1: vote either before with an early vote like I did it,

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Speaker 1: which I suggest, or on November six, list and make

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Speaker 1: a day of it. Bring yourself a tune fish sandwich. Uh,

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Speaker 1: you know, leave early, leave late, you know, cut out

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Speaker 1: of work. Everybody's got different circumstances. People have kids, people

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Speaker 1: are tired, people are annoyed, people are frustrated, people are disenfranchised.

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Speaker 1: But listen, do you don't vote, shut the funk up?

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Speaker 1: If you don't vote early or on November six, shit

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Speaker 1: the fuck up? All right, we're giving away a grill.

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Speaker 1: Paul Wall O G. Paul Wall, Mr Houston, Mr Everything,

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Speaker 1: Big Iron, Rapports stereo podcast fan and supporter and friend

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Speaker 1: is giving away a grill to one. I am Rappaport,

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Speaker 1: stereo podcast fan. Accustomed grill, have your ship blinging? Okay,

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Speaker 1: all you need to do is d M I am

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Speaker 1: Rappaport at Instagram. Our Instagram handle is I am Rappaport.

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Speaker 1: D M s a video why you should get the grill.

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Speaker 1: Maybe show us your teeth, Maybe your teeth the funked up.

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Speaker 1: Maybe you just want your teeth blinging. But d m

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Speaker 1: U s at I am Rappaport on Instagram. Listen if

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Speaker 1: you don't have Instagram, use your friends Instagram. D m

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Speaker 1: U s I am Rappaport. Tell us why you want

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Speaker 1: the grill, Why you should get the grill, and Paul

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Speaker 1: wall is gonna set you up with a custom grill.

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Speaker 1: You should say, I'm gonna fall out. It's gonna fit

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Speaker 1: nice and snug. D M said, I Am Rappaport Special

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Speaker 1: five hundred episode gold Grill Giveaway. I read an article

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Speaker 1: about disenfranchised youth teens or people in their early twenties

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Speaker 1: who are disenfranchised and what a load, what a big, hot,

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Speaker 1: steaming crock of bullshit. I was thinking of myself when

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Speaker 1: I was eighteen, let's say, up until team through twenty four,

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Speaker 1: the last thing that anyone can call me, or to

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Speaker 1: refer to me as is disenfranchised when it comes to

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Speaker 1: the world politics and and and everybody's well being. Now,

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Speaker 1: I would say this, I was not informed and until

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Speaker 1: I was twenty four. I believe nineteen ninety four. I

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Speaker 1: don't fact check, but I believe because the first time

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Speaker 1: I voted for a president was Clinton in n I

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Speaker 1: was shooting true romance and Christian Slater was I was

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Speaker 1: talking like, Yo, did you vote? Did you vote? He

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Speaker 1: had he had showed up late to work because he

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Speaker 1: had voted, and there was you know, lines at the polls,

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Speaker 1: and he was late and and he was insisting everybody

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Speaker 1: on the set vote, vote, vote, vote, vote, and he

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Speaker 1: shamed me into voting. I went and voted. I believe

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Speaker 1: that was not fact checking. I think that's a year

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Speaker 1: we shot uh true roments. I think, um, let's see

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Speaker 1: Iron repor Stereo pocket. We don't. We don't fact check um.

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Speaker 1: But the last thing you could call me is disenfranchise.

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Speaker 1: But I've read this article. I think it was in

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Speaker 1: the Atlantic or one of these fucking time the New

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Speaker 1: York Times. No, it was, it was it was in

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Speaker 1: one of these New York magazine sub whatever. My mom

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Speaker 1: sent it to me about disenfranchised youth, and I thought

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Speaker 1: to myself, these people aren't disenfranchised. Disenfranchise means like you're

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Speaker 1: beaten down and and and your point of view on life,

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Speaker 1: and you're like an outcast. What have you been doing?

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Speaker 1: You're eighteen years old. You have been eating food from

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Speaker 1: your parents your whole life, chicken fingers, macaroni and cheese.

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Speaker 1: Your parents have been making you waffles and pancakes, and

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Speaker 1: and now it's time to spend fifteen minutes at the

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Speaker 1: polls and you're disenfranchised. No, no, unacceptable. You can't be

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Speaker 1: fucking disenfranchised at twenty. Your whole world is in front

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Speaker 1: of you. If you're lazy and you only you don't care,

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Speaker 1: if that's one thing, but disenfranchise unacceptable. Eighteen nineteen years old.

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Speaker 1: You've been eating chicken fingers and French fries your entire life.

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Speaker 1: You haven't put on any weight. You got your whole

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Speaker 1: fucking life in front of you. You're finished with puberty.

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Speaker 1: You don't have any pimples on your fucking face. Get

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Speaker 1: out there and vote. I don't want anybody disenfranchise lazy eating.

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Speaker 1: You know what, if they had a way to vote

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Speaker 1: where anybody who is playing ps uh, NBA two K

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Speaker 1: or Fortnite or you can vote in between your instagramming

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Speaker 1: and your social media, so many more people would vote.

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Speaker 1: But that's not the way it works, right. If you

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Speaker 1: could vote while you're playing Fortnite, every fucking young person

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Speaker 1: would vote. If you could vote while you're playing NBA

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Speaker 1: two K, every single person would vote. If there was

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Speaker 1: an Instagram page where you could vote and it took

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Speaker 1: about ninety seconds, every single person would vote. Talk about disenfranchise.

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Speaker 1: You got your phone, Yeah, you got your phone stuffed

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Speaker 1: up your ass. That's why you're disenfranchise. I'd be disenfranchised

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Speaker 1: too if I had an iPhone or or Samsung phone

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Speaker 1: jammed up my ass twenty four hours a day. This

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Speaker 1: is a non secred or change of subject. Whitey Bulger,

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Speaker 1: the infamous Boston mobster. He was portrayed in that movie, uh,

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Speaker 1: what was it? Black Mass. He was sort of loosely

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Speaker 1: depicted in Martin Scorsese, Leonardo DiCaprio, Jack Nicholson filmed The Departure.

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Speaker 1: Jack Nicholson's character was inspired by Whitey Bulger. He was

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Speaker 1: on the lamb for like twenty years and they found

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Speaker 1: him in nowhere land in Santa Monica, California. They finally

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Speaker 1: found him. I don't remember how many years ago, but

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Speaker 1: Whitey Bulger was killed murdered in prison the other day.

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Speaker 1: He was sent from one prison to another prison because

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Speaker 1: at the former prison that he was out, somebody tried

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Speaker 1: to gouge his fucking eyes out. They shanked one of

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Speaker 1: his eyes out. By the time he got to the

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Speaker 1: other prison, eighty nine year old Whitey Bulger who had

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Speaker 1: a fucking record murder record, eleven homicides, all kinds of

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Speaker 1: crazy stuff. Um that they convicted him of. They convicted

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Speaker 1: him of eleven homicide. Uh. Well, he got to prison

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Speaker 1: in this high security West Virginia prison after they moved

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Speaker 1: him from the other place because they gouged just fucking

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Speaker 1: eyes out. Uh and uh. An Italian mobster named Freddie

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Speaker 1: Geese photios Freddy Geese, I can't pronounce his name right.

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Speaker 1: I don't want any problem for these guys. As soon

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Speaker 1: as Boulger was in there. Uh, they hit him with

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Speaker 1: a like a sock with like batteries in it, killed him,

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Speaker 1: tried to fucking cut his tongue out. Uh, apparently they

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Speaker 1: didn't cut his tongue out. But listen, you lived by

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Speaker 1: the sword, you die by the fucking sword. And all

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Speaker 1: this wonderbread bag and olive oil treatment and these killings

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Speaker 1: in jail. This is real. When I told you that

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Speaker 1: my friend, while shall remain nameless, who is a FBI guy,

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Speaker 1: when he told me that they once found a guy

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Speaker 1: in prison with a wonder bread bag hanging out of

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Speaker 1: his ass, I didn't make this up. I did not

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Speaker 1: make this up. The wonder bread bad treatment is real.

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Speaker 1: People get murdered in prison. It's not a fun experience.

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Speaker 1: That's me knocking on wood. I don't want to go

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Speaker 1: to jail. I ain't bout that jail life. But Whitey Boulger,

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Speaker 1: eight nine years old, was murdered viciously in prison one

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Speaker 1: day after arriving in there, and days after being in

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Speaker 1: another prison, after getting his fucking eyes couched out before

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Speaker 1: we get into uh be real from Cypress Hill. I

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Speaker 1: hope everybody had a safe Halloween. I was talking the

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Speaker 1: other day about the political correctness costumes. Everybody is upset

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Speaker 1: about this costume. Sean White was playing, Uh, he dressed

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Speaker 1: up as the character from what was that? Ben Ben Uh?

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Speaker 1: Ben Stiller, Fucking Ben Stiller. You know the movie he directed,

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Speaker 1: Tropic Thunder, the character in there who was the special

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Speaker 1: needs person. So you gotta call it these days and

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Speaker 1: they shut you down, they shut you down. Well, Sean White,

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Speaker 1: you know, Olympic skateboarder, he does all that. He dressed

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Speaker 1: up as the character from uh, Tropic Thunder. Um. The

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Speaker 1: character's name was simple Jack, the mentally challenged farm boy

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Speaker 1: with multiple disabilities from Tropic Thunder. Everybody was up in

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Speaker 1: arms about that. And then Ben Stiller Uh he said, listen,

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Speaker 1: I apologized about the character, uh when the movie came out,

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Speaker 1: and I'm apologizing now. I don't know what the funk

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Speaker 1: I could do. Well, this was topped by by all

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Speaker 1: of it because Al Roker, you know the newsman Al

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Speaker 1: Roker NBC used to be fat, used to be a

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Speaker 1: fat weather man and he lost all the weight. Friendly

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Speaker 1: al that's what they call him, Friendly Al Roker. People

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Speaker 1: went in on fucking Al Roker. If you don't know

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Speaker 1: who Al Roker is he's black. He's on the Today Show. Well,

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Speaker 1: he dressed up as Doc Brown. You know Doc Brown

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Speaker 1: is from Back to the Future, played by a white actor.

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Speaker 1: He dressed up as Doc Brown. He had the the

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Speaker 1: the outfit, he had the gray wig, and people were

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Speaker 1: going nuts on him, saying that's cultural cultural appropriation, and

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Speaker 1: they accused him of putting on black face. He didn't

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Speaker 1: put on any black face. It was just his skin.

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Speaker 1: People are going nuts. I'm telling you, Fuck Halloween. It's

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Speaker 1: become like like if if you don't do the right

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Speaker 1: costume and run it through the proper channels, you could

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Speaker 1: lose your fucking job. Remember Megan Kelly, this whole thing

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Speaker 1: with her. Well, now they're saying, well, why is it

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Speaker 1: okay for a black person to dress up like a

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Speaker 1: white person? Someone said he put on white face. This

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Speaker 1: is that this is at a control. All friendly Al

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Speaker 1: Roker dressed up like the character from Back to the Future,

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Speaker 1: and all ship broke loose. I'm glad I'm out of

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Speaker 1: the game. Forty nine years old. Next year, next Halloween,

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Speaker 1: I'll be forty fuck nine. I ain't dressing up ever again.

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Speaker 1: I ain't getting in trouble for all that bullshit and

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Speaker 1: finally with me, uh, JR. Smith, j R. Smith, Jr. Smith.

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00:24:25,920 --> 00:24:28,879
Speaker 1: Who Chauncey Billips one tool once told me when I

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Speaker 1: asked him this question, who's the most talented talented, not

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Speaker 1: the best, just pure talent. Who's the most talented basketball

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00:24:36,680 --> 00:24:39,600
Speaker 1: player you've ever played with? And he said, without hesitation,

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Speaker 1: j R. Smith, He's considered one of the most talented players.

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00:24:44,440 --> 00:24:47,000
Speaker 1: We know. Blah blah blah. He put it all together.

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Speaker 1: One year with the Knicks, he was six Man of

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Speaker 1: the Year. We know about the shirt off when they

390
00:24:51,160 --> 00:24:54,280
Speaker 1: won the championship. We know about all the the comings

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00:24:54,280 --> 00:24:56,560
Speaker 1: and goings of j. J R. Smith. Of course, we

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00:24:56,600 --> 00:25:00,520
Speaker 1: remember last season in the NBA Finals, Game one, fucked

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Speaker 1: the game up. Well, uh, the Cleveland Cavaliers are one

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00:25:04,119 --> 00:25:08,160
Speaker 1: in seven. They fired Tyler, as discussed on the four

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Speaker 1: nine Iron Rapp Reports Stereo podcast Um, and now j R.

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00:25:13,400 --> 00:25:20,600
Speaker 1: Smith is requesting a fucking trade. The audacity, j R. Smith.

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Speaker 1: When the going gets tough, the tough don't ask to

398
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Speaker 1: get the funk out of Cleveland. Okay, it was all

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Speaker 1: good when Bron Bronn was there holding you down. Even

400
00:25:31,560 --> 00:25:36,280
Speaker 1: Bron bron couldn't save you. Bron. Bron couldn't even save you.

401
00:25:36,400 --> 00:25:40,840
Speaker 1: He played one of the best games in NBA Finals history,

402
00:25:41,080 --> 00:25:44,400
Speaker 1: and you fucked it up. And now the team's won

403
00:25:44,560 --> 00:25:46,359
Speaker 1: in six or one in seven, and you want to

404
00:25:46,400 --> 00:25:52,080
Speaker 1: be traded. You know what I want? I want a

405
00:25:52,200 --> 00:25:57,680
Speaker 1: house on a private island off the eastern coast of Hawaii.

406
00:25:58,480 --> 00:26:01,479
Speaker 1: You know what I want? I want um my piss

407
00:26:02,240 --> 00:26:07,240
Speaker 1: to come out as as gold booleons. Everybody wants certain things.

408
00:26:08,280 --> 00:26:11,920
Speaker 1: You can't. Who are you, j R. Smith, to ask

409
00:26:11,960 --> 00:26:16,800
Speaker 1: to be traded anywhere? You're a fucking liability to balls

410
00:26:16,840 --> 00:26:22,040
Speaker 1: of these players. Listen, I'm all four players rights. Okay,

411
00:26:22,240 --> 00:26:26,160
Speaker 1: you want to be traded. Okay, no, we're not trading now.

412
00:26:26,160 --> 00:26:28,040
Speaker 1: What are You're gonna sulk, You're gonna cry, You're gonna

413
00:26:28,240 --> 00:26:30,200
Speaker 1: You're gonna put your towel over you head. You're getting

414
00:26:30,240 --> 00:26:33,080
Speaker 1: paid millions and millions of dollars. Ship was all good

415
00:26:33,359 --> 00:26:36,080
Speaker 1: just a few months ago. Now you don't have Bron

416
00:26:36,119 --> 00:26:38,080
Speaker 1: Bron there and you just you just want to step

417
00:26:38,080 --> 00:26:39,919
Speaker 1: out of there. That's not how it works. You're a

418
00:26:39,960 --> 00:26:46,040
Speaker 1: fucking liability. You have to earn the right by your play,

419
00:26:46,040 --> 00:26:49,040
Speaker 1: by your actions, to ask to be trade you can't

420
00:26:49,080 --> 00:26:51,280
Speaker 1: just I want to be traded. I say they cut

421
00:26:51,320 --> 00:26:54,639
Speaker 1: this motherfucker, or if he doesn't play and he doesn't

422
00:26:54,640 --> 00:26:57,960
Speaker 1: play hard, find his ass. This is the same guy

423
00:26:58,000 --> 00:27:02,040
Speaker 1: who just a few months ago infamously got like a

424
00:27:02,080 --> 00:27:06,120
Speaker 1: foot long supreme tattoo on the back of his leg

425
00:27:06,600 --> 00:27:09,960
Speaker 1: and didn't realize that that would come on man j R. Smith,

426
00:27:10,000 --> 00:27:14,399
Speaker 1: you have to earn the respect of your bosses, earned

427
00:27:14,440 --> 00:27:17,080
Speaker 1: the respects of your franchise to get traded. You can't.

428
00:27:17,280 --> 00:27:19,720
Speaker 1: I want to get traded because Brian Brown ain't there.

429
00:27:19,760 --> 00:27:24,080
Speaker 1: How about you, Tristan Thompson, Rodney Hood, Larry Nann's Jr.

430
00:27:24,119 --> 00:27:26,399
Speaker 1: And Kevin Love you man up and you make the

431
00:27:26,400 --> 00:27:30,240
Speaker 1: team your own. How about you guys just do that.

432
00:27:30,240 --> 00:27:32,680
Speaker 1: That's a nice squad. There's no reason why that team

433
00:27:32,680 --> 00:27:35,600
Speaker 1: shouldn't be competitive in the East. You guys have already

434
00:27:35,640 --> 00:27:38,359
Speaker 1: thrown in the towel and you want to be traded.

435
00:27:38,440 --> 00:27:42,400
Speaker 1: Get the funk outta here with that bullshit, all right?

436
00:27:43,160 --> 00:27:46,960
Speaker 1: I told you it was coming. Museum quality, Okay, Hall

437
00:27:47,040 --> 00:27:50,960
Speaker 1: of Fame quality, smith Sony and this interview would be

438
00:27:51,040 --> 00:27:55,359
Speaker 1: real will be in the podcast section of the smith

439
00:27:55,880 --> 00:28:02,320
Speaker 1: son Ian Museum. Coming up next my man, legendary rapper,

440
00:28:02,400 --> 00:28:07,440
Speaker 1: legendary weed smoker, be real from Cypress Hill and profits

441
00:28:07,480 --> 00:28:12,960
Speaker 1: of Rage. The man needs no introduction. Let's do it. Listen,

442
00:28:13,000 --> 00:28:16,800
Speaker 1: you guys know that I am all about my NFL football. Okay,

443
00:28:16,840 --> 00:28:20,359
Speaker 1: Now you can combine my knowledge and my writing to

444
00:28:20,480 --> 00:28:26,520
Speaker 1: win you money. I me. I picked every single game

445
00:28:26,640 --> 00:28:31,359
Speaker 1: this week at the sports bet Collective dot com sports

446
00:28:31,720 --> 00:28:35,800
Speaker 1: bet Collective dot com with commentary you will not find

447
00:28:35,840 --> 00:28:40,200
Speaker 1: anywhere else. I told you. I told you last Friday

448
00:28:40,200 --> 00:28:42,880
Speaker 1: to check it out? Did you? Those who did were

449
00:28:42,920 --> 00:28:46,080
Speaker 1: rewarded because I met Michael Rapperport. The Greno Man didn't

450
00:28:46,080 --> 00:28:51,080
Speaker 1: go went twenty five and one. Okay, I went twenty

451
00:28:51,520 --> 00:28:55,360
Speaker 1: and one. Twenty five and one. That means I had

452
00:28:55,400 --> 00:28:58,800
Speaker 1: twenty picks that were correct, five loss and one tie.

453
00:28:59,440 --> 00:29:01,960
Speaker 1: That means me the gringo man dingle. I'm better than

454
00:29:02,000 --> 00:29:07,080
Speaker 1: the Vegas handicappers this year so far, I'm twenty five

455
00:29:07,160 --> 00:29:11,640
Speaker 1: and one. Look it up at sports bet Collective dot com.

456
00:29:11,760 --> 00:29:14,240
Speaker 1: Did you miss out on my Thursday night pick? Get

457
00:29:14,240 --> 00:29:18,640
Speaker 1: ready for Sunday. Your first pick and analysis is free, Okay.

458
00:29:18,680 --> 00:29:21,560
Speaker 1: Any additional picks just cost you a buck or less

459
00:29:21,760 --> 00:29:23,840
Speaker 1: if you buy a pack of five. I am here

460
00:29:23,840 --> 00:29:27,200
Speaker 1: to win you money. My record this season is twenty

461
00:29:27,200 --> 00:29:31,200
Speaker 1: five and one. Look it up. What the fuck my opinion?

462
00:29:31,280 --> 00:29:34,000
Speaker 1: Of course, just a buck that rhymes what the funk

463
00:29:34,040 --> 00:29:35,720
Speaker 1: my opinion court? Just a buck. You don't have to

464
00:29:35,720 --> 00:29:39,480
Speaker 1: listen to just me. They've also got expert writers picking NBA,

465
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Speaker 1: NHL in college football games all week long. Book Mark

466
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Speaker 1: this page sports bet Collective dot com. Catch all of

467
00:29:47,880 --> 00:30:02,160
Speaker 1: my picks at sports bet Collective dot com. Yeah, this

468
00:30:02,200 --> 00:30:04,280
Speaker 1: is this has been a long time coming from me.

469
00:30:05,480 --> 00:30:12,640
Speaker 1: Big fucking fan, big fucking fan, Day one fan be real,

470
00:30:12,800 --> 00:30:18,680
Speaker 1: the motherfucking Funky field one true icon, Thank you. I

471
00:30:18,680 --> 00:30:20,920
Speaker 1: mean that like you know that that work gets thrown

472
00:30:20,920 --> 00:30:25,760
Speaker 1: around a lot with social media icon true fucking icon.

473
00:30:27,000 --> 00:30:31,320
Speaker 1: I remember the first time I saw Killer Man video,

474
00:30:32,040 --> 00:30:34,520
Speaker 1: I was like, what the funk? Like I It's one

475
00:30:34,520 --> 00:30:36,600
Speaker 1: of those times I was like in hip hop and

476
00:30:36,720 --> 00:30:39,240
Speaker 1: music in art, I was like, Yo, what the fuck

477
00:30:39,880 --> 00:30:42,440
Speaker 1: is this? Ship be reels on the Iron Wrap or

478
00:30:42,520 --> 00:30:45,440
Speaker 1: stereo podcast. Thank you for having me, ship. It's been

479
00:30:45,440 --> 00:30:48,040
Speaker 1: a long time coming, long fucking time coming. I was

480
00:30:48,120 --> 00:30:51,360
Speaker 1: on Cypress TV, I was on the Smoke Box and

481
00:30:51,400 --> 00:30:55,800
Speaker 1: I'm literally a day one like a fan and we're

482
00:30:55,840 --> 00:30:58,160
Speaker 1: a fan of you. I know I am for sure. Well,

483
00:30:58,160 --> 00:31:02,080
Speaker 1: I appreciate that day. I appreciate that. So one of

484
00:31:02,080 --> 00:31:04,160
Speaker 1: the rules of the Iron Wrap or stereo podcast is

485
00:31:04,200 --> 00:31:06,480
Speaker 1: I don't fact check. But when I have somebody really

486
00:31:06,760 --> 00:31:08,920
Speaker 1: that I'm hyped about, I have to put down notes

487
00:31:08,960 --> 00:31:10,800
Speaker 1: and I have to fact check. I'm not gonna be

488
00:31:10,800 --> 00:31:13,040
Speaker 1: able to get into the entire life and times of

489
00:31:13,160 --> 00:31:16,200
Speaker 1: be real in Cyper. So. Um. One of the things

490
00:31:16,600 --> 00:31:18,880
Speaker 1: that a lot of people don't know, I think because

491
00:31:18,880 --> 00:31:21,880
Speaker 1: you smoke weed, uh, is that you're like a hard

492
00:31:21,960 --> 00:31:28,920
Speaker 1: body karate basketball Lakers season ticket So being that you've

493
00:31:29,120 --> 00:31:33,080
Speaker 1: had season tickets for for how many years? Uh, since

494
00:31:33,120 --> 00:31:36,160
Speaker 1: they opened the Staples Center. You know, I was always

495
00:31:36,160 --> 00:31:39,840
Speaker 1: on the road, you know, um at the time that

496
00:31:39,920 --> 00:31:41,720
Speaker 1: they were still at the Forum, so I never had

497
00:31:41,760 --> 00:31:44,040
Speaker 1: a chance to go check the games at the Forum

498
00:31:44,040 --> 00:31:45,680
Speaker 1: because we were so busy. But once they got into

499
00:31:45,720 --> 00:31:49,440
Speaker 1: the Staples Center, you know, I was lucky enough to

500
00:31:49,600 --> 00:31:53,560
Speaker 1: get you know, my name in on the tickets, and uh,

501
00:31:53,600 --> 00:31:56,120
Speaker 1: you know I've had them ever since. All right, So

502
00:31:56,400 --> 00:31:58,680
Speaker 1: it's been a little bit of a rocky start for

503
00:31:58,760 --> 00:32:03,000
Speaker 1: your your lebron Lakers. Um. How do you feel what

504
00:32:03,120 --> 00:32:04,600
Speaker 1: is your what is your I mean, listen, we're in

505
00:32:04,640 --> 00:32:06,280
Speaker 1: the we're in the smidge of the smidge of the

506
00:32:06,280 --> 00:32:09,640
Speaker 1: beginning of the season. Where's your head at the excitement level?

507
00:32:09,880 --> 00:32:12,760
Speaker 1: The smearing of the murals? I mean, you run these

508
00:32:12,920 --> 00:32:14,920
Speaker 1: l a streets? Can you control that ship? Like? What

509
00:32:14,960 --> 00:32:18,600
Speaker 1: does your whole take? You've seen stars, you've seen musicians,

510
00:32:18,600 --> 00:32:20,160
Speaker 1: You've seen to us if you've ever seen like a

511
00:32:20,280 --> 00:32:23,240
Speaker 1: craziness for something gearing up to it? Because now that

512
00:32:23,280 --> 00:32:25,440
Speaker 1: he's here and that they lost a few games, it

513
00:32:25,600 --> 00:32:27,800
Speaker 1: kind of like reality is setting. But have you ever

514
00:32:27,800 --> 00:32:31,080
Speaker 1: seen any kind of like hype not like this? You know?

515
00:32:31,240 --> 00:32:33,440
Speaker 1: And I think it's you know, partially because you know,

516
00:32:33,520 --> 00:32:37,160
Speaker 1: for so long when Kobe was playing, they put well

517
00:32:37,200 --> 00:32:42,120
Speaker 1: who's better, who's closer to Michael Jordan's and all those comparisons. Right,

518
00:32:42,240 --> 00:32:44,960
Speaker 1: so when when you know, after Kobe left and he

519
00:32:45,040 --> 00:32:49,360
Speaker 1: comes here, you got fans like myself that are excited

520
00:32:49,400 --> 00:32:52,880
Speaker 1: about this ship because we know the possibilities what he

521
00:32:52,920 --> 00:32:55,560
Speaker 1: can do, how he can make these guys better. And

522
00:32:55,560 --> 00:32:57,960
Speaker 1: then you've got other guys that are still like, well

523
00:32:57,960 --> 00:33:01,400
Speaker 1: he'll never be this is Kolbe's tell uh, Like get

524
00:33:01,440 --> 00:33:05,800
Speaker 1: the funk over it. He's here, you know it. What

525
00:33:05,960 --> 00:33:08,920
Speaker 1: bothers me about that ship is that some of us

526
00:33:09,160 --> 00:33:11,760
Speaker 1: he's not playing. He's not playing anymore, right so. But

527
00:33:11,880 --> 00:33:14,160
Speaker 1: what bothers me the most about it is that everybody

528
00:33:14,160 --> 00:33:18,560
Speaker 1: complained about not having someone, not having an anchor, a

529
00:33:18,720 --> 00:33:23,080
Speaker 1: star that could come and and take that spot and

530
00:33:23,080 --> 00:33:26,040
Speaker 1: and and you know, do something with these youngsters and

531
00:33:26,080 --> 00:33:29,080
Speaker 1: teach them how to win, and blah blah blah. Magic

532
00:33:29,200 --> 00:33:32,680
Speaker 1: Johnson pulls the move of moves. God bless him as

533
00:33:32,680 --> 00:33:35,560
Speaker 1: he said he would. He don't ever say anything that

534
00:33:35,640 --> 00:33:39,360
Speaker 1: he can't deliver any fucking delivered. He brought the best

535
00:33:39,440 --> 00:33:44,080
Speaker 1: basketball player on the planet, apparently to the Lakers CoA

536
00:33:44,240 --> 00:33:47,040
Speaker 1: motherfucker's are complained. What do you want to fucking free

537
00:33:47,120 --> 00:33:49,680
Speaker 1: Cadillac with that? Get the funk out of here? You

538
00:33:49,680 --> 00:33:53,440
Speaker 1: know it takes time. I look at it like I'm

539
00:33:53,480 --> 00:33:55,640
Speaker 1: seeing the potential and the young guys and how they're

540
00:33:55,640 --> 00:33:59,800
Speaker 1: playing with Lebron and how he's feeding them and making

541
00:34:00,040 --> 00:34:02,400
Speaker 1: him better, which is what he's there to do. He's

542
00:34:02,440 --> 00:34:06,560
Speaker 1: like a Magic Johnson type right now. He's not taking

543
00:34:06,600 --> 00:34:08,520
Speaker 1: all the shots. He's taking him when he needs to,

544
00:34:08,640 --> 00:34:12,000
Speaker 1: but he's getting the other guys involved. I'm a fucking

545
00:34:12,040 --> 00:34:15,640
Speaker 1: Kobe Bryant fan. In his last three seasons were absolute shit.

546
00:34:16,760 --> 00:34:18,560
Speaker 1: You know what I mean that, So give this guy

547
00:34:18,600 --> 00:34:21,799
Speaker 1: a chance. Yeah, I agree, I agree, But you know

548
00:34:21,880 --> 00:34:24,120
Speaker 1: that the hype was so I don't know what they

549
00:34:24,160 --> 00:34:26,440
Speaker 1: expected if he had won the first three games. Literally,

550
00:34:26,440 --> 00:34:28,440
Speaker 1: people right now will be going fucking nuts. It's a

551
00:34:28,440 --> 00:34:33,640
Speaker 1: brand new team. Um, all right, I'm gonna jump into this.

552
00:34:34,560 --> 00:34:37,120
Speaker 1: I'm gonna jump all over the place. As I said

553
00:34:38,320 --> 00:34:41,520
Speaker 1: when I first saw a Killer Man video, this is

554
00:34:41,719 --> 00:34:45,920
Speaker 1: the video I believe came out in. One of the

555
00:34:45,960 --> 00:34:50,239
Speaker 1: things that I was always curious about was why the

556
00:34:50,360 --> 00:34:52,640
Speaker 1: funk in the Killer Man video? Were you number one?

557
00:34:52,719 --> 00:34:56,279
Speaker 1: Were you in New York? Number two? Like at the time,

558
00:34:56,280 --> 00:34:59,000
Speaker 1: there was no Instagram, there was like Source Magazine. There

559
00:34:59,040 --> 00:35:01,359
Speaker 1: was a very few things. Was Ralph McDaniel's music box.

560
00:35:01,480 --> 00:35:03,319
Speaker 1: But it wasn't like we knew all about you guys.

561
00:35:03,800 --> 00:35:06,520
Speaker 1: Why were you in New York? How the fund did

562
00:35:06,600 --> 00:35:08,719
Speaker 1: Q Tip one in the video wind up in the video?

563
00:35:08,760 --> 00:35:10,279
Speaker 1: And how the fund did ice Q wind up in

564
00:35:10,320 --> 00:35:12,160
Speaker 1: the video, Because at the time, I was like, how

565
00:35:12,200 --> 00:35:14,799
Speaker 1: does he know him? Wait? Well, ice Cube? Ice Cube

566
00:35:14,840 --> 00:35:16,840
Speaker 1: nos Q tip. Wait, who are these fucking guys that

567
00:35:17,080 --> 00:35:19,719
Speaker 1: love that question? I love it because no one's ever

568
00:35:19,800 --> 00:35:23,239
Speaker 1: asked that ship. Yeah, I'll tell you what. We were

569
00:35:23,280 --> 00:35:25,239
Speaker 1: on tour with Naughty Nature at the time. They had

570
00:35:25,239 --> 00:35:27,680
Speaker 1: the number one single O P P and all that right,

571
00:35:27,719 --> 00:35:30,399
Speaker 1: and they are are boys to this day and we

572
00:35:30,480 --> 00:35:33,640
Speaker 1: love them for that. And we were gaining momentum once

573
00:35:33,800 --> 00:35:37,279
Speaker 1: the flip side happened for the DJs. They flipped because

574
00:35:37,280 --> 00:35:40,000
Speaker 1: we put out a double A side and in Funky

575
00:35:40,080 --> 00:35:42,000
Speaker 1: phil one and how I could just kill a man.

576
00:35:42,239 --> 00:35:44,920
Speaker 1: Funky phil One was good, but it wasn't getting the

577
00:35:45,000 --> 00:35:48,799
Speaker 1: steam that we thought it would. But kill a man

578
00:35:48,840 --> 00:35:52,200
Speaker 1: when the DJs flipped the record, boom, it fucking happened,

579
00:35:52,200 --> 00:35:55,200
Speaker 1: and we started getting momentum, and they were like, hey,

580
00:35:55,320 --> 00:35:57,760
Speaker 1: we gotta pull these guys off tour for a couple

581
00:35:57,760 --> 00:36:00,520
Speaker 1: of days, fly him into New York because that's we

582
00:36:00,520 --> 00:36:03,160
Speaker 1: were on the East Coast, so it made sense for

583
00:36:03,239 --> 00:36:05,279
Speaker 1: us to come off tour wherever we were at on

584
00:36:05,320 --> 00:36:07,560
Speaker 1: the East Coast, flight in New York real quick, and

585
00:36:07,680 --> 00:36:11,640
Speaker 1: we shot kill a man and hand on the pump um,

586
00:36:11,680 --> 00:36:13,399
Speaker 1: you know, back to back. We did kill a man

587
00:36:13,440 --> 00:36:15,440
Speaker 1: one day, hand on the pump the other day the

588
00:36:15,520 --> 00:36:19,480
Speaker 1: next day and when we did kill a man, Um,

589
00:36:19,560 --> 00:36:21,680
Speaker 1: we jumped all around. We you know, we were in

590
00:36:21,840 --> 00:36:25,040
Speaker 1: by astor Square or whatever, and we were in Harlem,

591
00:36:25,160 --> 00:36:28,840
Speaker 1: we were in uh funk where else. We were in

592
00:36:28,880 --> 00:36:33,560
Speaker 1: the Bronx, we were in on Street. And so when

593
00:36:33,600 --> 00:36:39,160
Speaker 1: we were in as at Astors the place um I

594
00:36:39,160 --> 00:36:42,000
Speaker 1: believe q Tip was. You know, he had just got

595
00:36:42,040 --> 00:36:45,440
Speaker 1: off the train from coming somewhere and saw it happening

596
00:36:46,280 --> 00:36:51,120
Speaker 1: and he he just showed up and he was like,

597
00:36:51,160 --> 00:36:53,200
Speaker 1: oh ship, oh this is Cyper said okay, you know,

598
00:36:53,280 --> 00:36:55,080
Speaker 1: so he got in with us. Shout out to Tip

599
00:36:55,160 --> 00:36:59,360
Speaker 1: for that and uh qube he had just flown into town.

600
00:36:59,400 --> 00:37:02,040
Speaker 1: He had been you're in about Cypress Hill through E

601
00:37:02,200 --> 00:37:04,840
Speaker 1: p m D. Salute to e p m D. Because

602
00:37:04,880 --> 00:37:07,759
Speaker 1: they were like fucking like a street team for us,

603
00:37:07,800 --> 00:37:11,160
Speaker 1: if you will. They were the first ones telling everyone

604
00:37:11,239 --> 00:37:13,720
Speaker 1: about us. They were telling like Chuck d and and

605
00:37:13,719 --> 00:37:17,440
Speaker 1: and uh guys like busting rhymes through leaders and all

606
00:37:17,960 --> 00:37:20,799
Speaker 1: their homies that they would get on tour with. They

607
00:37:20,800 --> 00:37:23,920
Speaker 1: were telling people about it. So ice Cube, here's that

608
00:37:24,080 --> 00:37:27,080
Speaker 1: we're shooting a video. Boomy comes to the FU video

609
00:37:27,160 --> 00:37:29,279
Speaker 1: and that's when you first met him, and that's when

610
00:37:29,280 --> 00:37:32,399
Speaker 1: we first met him. Yeah, and that's how they got

611
00:37:32,440 --> 00:37:34,799
Speaker 1: in the video. Now, you know, we were always in

612
00:37:34,920 --> 00:37:38,439
Speaker 1: New York because we were one of the few West

613
00:37:38,480 --> 00:37:41,080
Speaker 1: Coast groups, probably the only West Coast group at the time,

614
00:37:41,560 --> 00:37:45,040
Speaker 1: to be launched out of New York, rather on the

615
00:37:45,080 --> 00:37:48,520
Speaker 1: Sony label in New York, which is the Mothership as

616
00:37:48,520 --> 00:37:51,400
Speaker 1: opposed to the Sony out here on the West Coast.

617
00:37:52,000 --> 00:37:54,200
Speaker 1: They felt that these guys wouldn't know what to do

618
00:37:54,280 --> 00:37:57,440
Speaker 1: with us, so they launched us from out there with

619
00:37:57,600 --> 00:38:00,200
Speaker 1: rough House Records, which was based out of Philly, so

620
00:38:00,400 --> 00:38:03,000
Speaker 1: everything was East Coast based for us in the beginning.

621
00:38:03,040 --> 00:38:05,759
Speaker 1: So it made sense for us to do these two

622
00:38:05,840 --> 00:38:08,400
Speaker 1: videos in New York and get that flavor because Muggs

623
00:38:08,480 --> 00:38:11,000
Speaker 1: was from New York as well. But it was totally

624
00:38:11,080 --> 00:38:14,040
Speaker 1: by chance that that Um and the other guys that

625
00:38:14,040 --> 00:38:18,120
Speaker 1: are in there, the the Um Caesar there, you know,

626
00:38:18,400 --> 00:38:20,640
Speaker 1: because they were like, you know, putting out they were

627
00:38:20,680 --> 00:38:23,040
Speaker 1: putting out their ship at the time too, and they

628
00:38:23,120 --> 00:38:26,120
Speaker 1: just happened they happened to here we were there, so

629
00:38:26,200 --> 00:38:28,480
Speaker 1: they came and you know, they got down with us.

630
00:38:28,920 --> 00:38:32,800
Speaker 1: Tim Dog. That was like set up by Sony because

631
00:38:32,880 --> 00:38:35,440
Speaker 1: Tim dog was releasing and we were releasing at the

632
00:38:35,480 --> 00:38:38,000
Speaker 1: same time, and they sort of wanted to have a connection.

633
00:38:38,400 --> 00:38:40,879
Speaker 1: And Cube was really weird about that. He would not

634
00:38:41,120 --> 00:38:43,920
Speaker 1: because it was a yeah, and he was like, hey man,

635
00:38:43,960 --> 00:38:46,799
Speaker 1: I gotta go home and eat and you know, I

636
00:38:46,840 --> 00:38:49,840
Speaker 1: gotta live and I can't be buddy buddy with this

637
00:38:49,920 --> 00:38:53,839
Speaker 1: motherfucker right here. And uh, I totally understood that. We

638
00:38:53,840 --> 00:38:58,640
Speaker 1: didn't necessarily, you know, we weren't totally comfortable with that either.

639
00:38:58,760 --> 00:39:02,600
Speaker 1: But you know when Donnie Einer is asking you don't

640
00:39:02,640 --> 00:39:04,840
Speaker 1: funk around and saying no, he was the boss. He

641
00:39:04,920 --> 00:39:08,920
Speaker 1: was the boss of bosses at Sony, him and Tommy Mantola. Yo.

642
00:39:09,560 --> 00:39:12,120
Speaker 1: You know just the names that you you mentioned there

643
00:39:12,160 --> 00:39:14,080
Speaker 1: and the E. P. M D And Naughty and like

644
00:39:14,520 --> 00:39:19,280
Speaker 1: the community of now are some some legends and tips

645
00:39:19,280 --> 00:39:21,080
Speaker 1: showing up to the video and Ice Cube and Tim

646
00:39:21,160 --> 00:39:26,440
Speaker 1: Dogg and I mean, do you do miss I mean,

647
00:39:26,560 --> 00:39:28,319
Speaker 1: like you guys have that community because you came up

648
00:39:28,320 --> 00:39:31,040
Speaker 1: with it, Like that's such a special time. It was

649
00:39:31,160 --> 00:39:33,680
Speaker 1: because we all got down together. You know, you remember

650
00:39:33,960 --> 00:39:36,880
Speaker 1: when they used to do the Jack the Rappers, the

651
00:39:36,960 --> 00:39:42,000
Speaker 1: Gavin Report and the New York Music seminar. Those were

652
00:39:42,040 --> 00:39:45,879
Speaker 1: all places that we would commonly go because we had

653
00:39:46,000 --> 00:39:48,720
Speaker 1: music we had to put out there. You know, labels

654
00:39:48,719 --> 00:39:52,360
Speaker 1: were always sending us there to promote ourselves and the

655
00:39:52,440 --> 00:39:55,239
Speaker 1: music and the single to all the people in the

656
00:39:55,320 --> 00:39:58,359
Speaker 1: industry and ship like that. So you know, we would

657
00:39:58,400 --> 00:40:00,839
Speaker 1: always end up in the same place, is Um if

658
00:40:00,880 --> 00:40:04,200
Speaker 1: we weren't on tour, and a lot of time the

659
00:40:04,239 --> 00:40:09,160
Speaker 1: guys that were hanging out was Brand Nubians, well Lord

660
00:40:09,239 --> 00:40:13,400
Speaker 1: j and Sadat from the Nubians, and Buster and sometimes

661
00:40:13,440 --> 00:40:17,240
Speaker 1: Tip and Fife and myself and and uh the guys

662
00:40:17,280 --> 00:40:19,719
Speaker 1: from Naughty you know, any one of them, if not

663
00:40:19,840 --> 00:40:23,759
Speaker 1: all three, and you know, and Large Professors shout out

664
00:40:23,760 --> 00:40:26,759
Speaker 1: to my man and large Professor. We you know, we

665
00:40:26,840 --> 00:40:29,960
Speaker 1: would hang out all the time when we were at

666
00:40:30,000 --> 00:40:33,400
Speaker 1: different conventions or whatever the funk they're called now seminars

667
00:40:33,440 --> 00:40:37,440
Speaker 1: or whatever. So you know, it was very much united.

668
00:40:37,560 --> 00:40:39,680
Speaker 1: We all supported each other. I mean, if you look

669
00:40:39,719 --> 00:40:46,520
Speaker 1: at the Killing Man performance on MTV Daytona Springbreak, you'll

670
00:40:46,560 --> 00:40:49,920
Speaker 1: see all those cats on stage with us on on

671
00:40:50,000 --> 00:40:51,840
Speaker 1: whatever our last song was there. I think it was

672
00:40:51,960 --> 00:40:54,840
Speaker 1: Killing Man. They all sort of popped up black sheet,

673
00:40:55,080 --> 00:40:57,480
Speaker 1: you know, dress you know, it was all all of

674
00:40:57,560 --> 00:41:01,879
Speaker 1: us were always hanging out, so and uh, I think,

675
00:41:01,960 --> 00:41:04,560
Speaker 1: you know, that's that's definitely what's missing from hip hop

676
00:41:04,600 --> 00:41:07,520
Speaker 1: because now everybody it went back to everybody having their

677
00:41:07,560 --> 00:41:10,240
Speaker 1: own kingdom and being isolated and doing their own ship

678
00:41:10,440 --> 00:41:14,479
Speaker 1: rather than getting down together and showing the unity of that.

679
00:41:14,560 --> 00:41:17,720
Speaker 1: But I mean, you know, it's it's all about cycles

680
00:41:17,719 --> 00:41:20,839
Speaker 1: in hip hop. You know, one minute everybody's altogether, one

681
00:41:20,840 --> 00:41:23,200
Speaker 1: minute everybody's sucking on their own and then it you know,

682
00:41:23,320 --> 00:41:27,640
Speaker 1: flips back. It's it happens, you know. And uh, but

683
00:41:27,719 --> 00:41:29,880
Speaker 1: that was a great time because everybody showed up to

684
00:41:29,880 --> 00:41:35,800
Speaker 1: everybody's show, supported each other. Photographers had great fucking opportunities

685
00:41:35,880 --> 00:41:38,640
Speaker 1: to get those and I would imagine once a lot

686
00:41:38,640 --> 00:41:41,239
Speaker 1: of those old school photographers, if they haven't passed on

687
00:41:41,320 --> 00:41:45,160
Speaker 1: by now, whatever work they have that gets you know,

688
00:41:45,320 --> 00:41:48,080
Speaker 1: given to somebody, maybe when it gets transferred over into

689
00:41:48,080 --> 00:41:51,960
Speaker 1: the digital you'll see that ship pop up on Instagram,

690
00:41:52,080 --> 00:41:54,919
Speaker 1: the Twitters and the facebooks and all that stuff, because

691
00:41:54,960 --> 00:41:57,040
Speaker 1: there's a whole lot of there was this this this

692
00:41:57,160 --> 00:42:00,160
Speaker 1: legendary photographer in the hip hop game. He was an

693
00:42:00,239 --> 00:42:05,800
Speaker 1: Indian guy, but native Ernie. Yeah, yeah, he shot everybody

694
00:42:05,840 --> 00:42:09,759
Speaker 1: on the East Coast, like everybody, and out here you

695
00:42:09,840 --> 00:42:14,759
Speaker 1: got guys like a Stevanario and Scatio, you know, Mantes

696
00:42:14,960 --> 00:42:19,120
Speaker 1: or Montana Sorry, good friends of mine and Dave shot

697
00:42:19,120 --> 00:42:20,960
Speaker 1: everybody out here on the West coast, and when they

698
00:42:20,960 --> 00:42:23,040
Speaker 1: were on the East Coast they did shoots too. But

699
00:42:23,800 --> 00:42:26,720
Speaker 1: I mean, when all that ship gets digitized and people

700
00:42:27,040 --> 00:42:30,239
Speaker 1: actually get what what that hip hop ship was, I mean,

701
00:42:30,320 --> 00:42:33,279
Speaker 1: you know, we get nostalgic for but you know that

702
00:42:33,440 --> 00:42:36,200
Speaker 1: you need that history out there. I agree, man, And

703
00:42:36,239 --> 00:42:37,719
Speaker 1: you know it's like we we could sit here and

704
00:42:37,719 --> 00:42:40,200
Speaker 1: look at these old jazz photos of like the Loneous

705
00:42:40,280 --> 00:42:43,600
Speaker 1: Monk smoking a cigarette backstage, and you'll see John Coltrane.

706
00:42:43,640 --> 00:42:47,000
Speaker 1: To me, you know that that scenario which you just

707
00:42:47,080 --> 00:42:50,240
Speaker 1: walked me through, and those names and like those visions

708
00:42:50,280 --> 00:42:52,319
Speaker 1: of astor place and you guys being together at Jack

709
00:42:52,360 --> 00:42:54,520
Speaker 1: the Rapper, Like, to me, it's the same thing. Like

710
00:42:54,560 --> 00:42:58,360
Speaker 1: I'm like, I goose bump out. Do you do you remember,

711
00:42:59,200 --> 00:43:01,080
Speaker 1: like I know it's a long time ago, do you

712
00:43:01,120 --> 00:43:04,560
Speaker 1: remember the first time you heard the beat for kill

713
00:43:04,640 --> 00:43:09,360
Speaker 1: a Man and Muggs rhymed on that joint? He didn't

714
00:43:09,400 --> 00:43:14,920
Speaker 1: that's actually send dog I mean, wait, so, how how

715
00:43:14,920 --> 00:43:16,879
Speaker 1: did that work? Why was he doing that that verse

716
00:43:16,880 --> 00:43:19,200
Speaker 1: in the video? Okay, so when when I heard kill

717
00:43:19,239 --> 00:43:21,719
Speaker 1: a Man, you know, the beat for it, I was like, oh,

718
00:43:21,719 --> 00:43:25,640
Speaker 1: ship because the beat was just so fucking slamming, and

719
00:43:25,719 --> 00:43:29,000
Speaker 1: you know, Muggs had a totally different style, so, you know,

720
00:43:29,080 --> 00:43:31,399
Speaker 1: to begin with everything that he was coming up with,

721
00:43:31,480 --> 00:43:33,600
Speaker 1: I mean, you know, we were pretty much on the

722
00:43:33,680 --> 00:43:36,640
Speaker 1: same page with everything musically. You know, we liked the

723
00:43:36,800 --> 00:43:39,600
Speaker 1: same ship. Him and I were like a mirror in

724
00:43:39,600 --> 00:43:43,560
Speaker 1: that regard. So I always just sort of like I

725
00:43:43,640 --> 00:43:47,880
Speaker 1: was there geeked off fucking beats he was flipping. So

726
00:43:47,880 --> 00:43:52,040
Speaker 1: when he got kill a Man, you know, I had

727
00:43:52,160 --> 00:43:55,080
Speaker 1: I had a piece of something, and he liked that piece,

728
00:43:55,120 --> 00:43:56,919
Speaker 1: and then he said, hey, you know what, we got

729
00:43:57,000 --> 00:43:59,919
Speaker 1: this song. Lift this piece to go with that piece,

730
00:44:00,480 --> 00:44:02,879
Speaker 1: and let's see how that sounds. And so we did that,

731
00:44:03,680 --> 00:44:06,080
Speaker 1: and then there was another song that had another piece

732
00:44:06,200 --> 00:44:09,200
Speaker 1: that would be the third verse, trying to get you,

733
00:44:09,320 --> 00:44:12,399
Speaker 1: pore you. I don't one time play the wrong, Don't

734
00:44:13,160 --> 00:44:15,920
Speaker 1: I think you play like a fun Next year, I'm

735
00:44:15,960 --> 00:44:20,120
Speaker 1: a magnum suck a man coming at you. Yeah, you

736
00:44:20,200 --> 00:44:25,600
Speaker 1: know I'm gonna catch it. When you haven't been honestly,

737
00:44:25,680 --> 00:44:27,799
Speaker 1: I want I'm coming from like, I'm going to help

738
00:44:27,880 --> 00:44:30,600
Speaker 1: and you'll make it home. Im. Yeah, I'm writting my

739
00:44:30,800 --> 00:44:34,840
Speaker 1: dome a bucket or the best bucket. Just say. I

740
00:44:34,920 --> 00:44:41,560
Speaker 1: gotta say, fucking you read something you can't understand. So

741
00:44:41,680 --> 00:44:44,680
Speaker 1: we pieced that joint together like a puzzler, you know

742
00:44:44,719 --> 00:44:46,920
Speaker 1: what I mean, because the styles that I was flipping

743
00:44:47,000 --> 00:44:50,399
Speaker 1: on other beats kind of matched this one. And uh,

744
00:44:50,719 --> 00:44:54,719
Speaker 1: he fucking totally you know, he called that one because

745
00:44:54,760 --> 00:44:56,760
Speaker 1: I wouldn't have called it. I would have written something

746
00:44:56,880 --> 00:44:59,279
Speaker 1: totally new to it, but he was like, no, take this,

747
00:44:59,640 --> 00:45:03,040
Speaker 1: let's to this and put it with what you wrote already,

748
00:45:03,400 --> 00:45:06,120
Speaker 1: and and it fucking ended up working. And you know,

749
00:45:06,640 --> 00:45:10,279
Speaker 1: it became a crazy fucking song for us, um in

750
00:45:10,440 --> 00:45:13,800
Speaker 1: terms of what was the other part. So why he

751
00:45:13,960 --> 00:45:16,640
Speaker 1: was rhyming in the video, because when we were coming

752
00:45:16,760 --> 00:45:19,960
Speaker 1: up with what our sound would be behind Muggs's beats

753
00:45:21,080 --> 00:45:23,319
Speaker 1: in the beginning, I was rapping in in this sort

754
00:45:23,360 --> 00:45:26,640
Speaker 1: of voice and aggressive version of this voice, and that

755
00:45:26,800 --> 00:45:29,560
Speaker 1: wasn't cutting it, you know what I mean. So you know,

756
00:45:29,760 --> 00:45:32,200
Speaker 1: I was given the option to either come up with

757
00:45:32,320 --> 00:45:35,600
Speaker 1: something different or just right for Send Dog and you know,

758
00:45:35,760 --> 00:45:39,080
Speaker 1: be part of the crew like that. You know, that's

759
00:45:39,120 --> 00:45:41,080
Speaker 1: how real we were with each other, you know what

760
00:45:41,200 --> 00:45:43,640
Speaker 1: I mean. We were friends like that that we would

761
00:45:43,680 --> 00:45:47,000
Speaker 1: tell each other the honest, goddamn truth, and you know,

762
00:45:47,120 --> 00:45:49,160
Speaker 1: we made each other better in that regard. So I

763
00:45:49,280 --> 00:45:55,440
Speaker 1: started tinkering with this voice. Um that mellow man um.

764
00:45:55,560 --> 00:45:58,840
Speaker 1: Send Dog's younger brother and myself were very much inspired

765
00:45:58,920 --> 00:46:02,400
Speaker 1: by and Send Dog to ram el Z from Wild Style.

766
00:46:02,840 --> 00:46:04,680
Speaker 1: Now he had a voice where he rapped like this,

767
00:46:04,920 --> 00:46:07,520
Speaker 1: this is the brother they called the ram mel and

768
00:46:07,600 --> 00:46:10,040
Speaker 1: blah blah blah, you know, and then he would flip

769
00:46:10,120 --> 00:46:13,879
Speaker 1: it and go into that high ship. And so I thought, well, funk,

770
00:46:13,960 --> 00:46:16,400
Speaker 1: let me try doing that high ship. You know. So

771
00:46:16,920 --> 00:46:20,279
Speaker 1: it was inspired by ram el Z and I didn't

772
00:46:20,360 --> 00:46:22,640
Speaker 1: like it if first. Bum Bugs loved the funk out

773
00:46:22,680 --> 00:46:24,239
Speaker 1: of it, and so did the other guys. And I

774
00:46:24,360 --> 00:46:27,919
Speaker 1: had to learn this style, you know, for five years

775
00:46:28,160 --> 00:46:30,000
Speaker 1: doing the live shows in the beginning, and they were

776
00:46:30,040 --> 00:46:33,520
Speaker 1: tough trying to keep that voice, you know, sounding like

777
00:46:33,680 --> 00:46:35,920
Speaker 1: the record. I was sounding like Buster rhymes for a

778
00:46:36,000 --> 00:46:39,800
Speaker 1: long time because I was smoking blunt, drinking Jack Daniels,

779
00:46:39,880 --> 00:46:42,920
Speaker 1: and that wasn't conducive to sounding like I was on

780
00:46:43,000 --> 00:46:46,080
Speaker 1: the record, but you know that's that's where I got

781
00:46:46,160 --> 00:46:49,480
Speaker 1: the style from. And you know, when I got that style,

782
00:46:50,360 --> 00:46:52,920
Speaker 1: Sendalc felt like he had to come up with something

783
00:46:53,040 --> 00:46:58,040
Speaker 1: that that um, that was a compliment yet a contrast

784
00:46:58,120 --> 00:47:01,160
Speaker 1: to it, which was the Psycho Beta. Like we named

785
00:47:01,200 --> 00:47:04,040
Speaker 1: the voices like the nasal high which was my style

786
00:47:04,680 --> 00:47:08,480
Speaker 1: and the psycho beta which was his his flavor flav

787
00:47:08,600 --> 00:47:12,560
Speaker 1: style hype parts like yeah, and so he came on

788
00:47:12,840 --> 00:47:14,880
Speaker 1: this was this wasn't it Like this was sort of

789
00:47:15,200 --> 00:47:18,000
Speaker 1: like you guys worked to that. Yes, we crafted all

790
00:47:18,080 --> 00:47:21,160
Speaker 1: this right and and so when come time to do

791
00:47:21,320 --> 00:47:25,440
Speaker 1: the videos, send Dog didn't think that people would accept

792
00:47:26,120 --> 00:47:29,160
Speaker 1: him doing both parts like that, so he wanted to

793
00:47:29,239 --> 00:47:32,160
Speaker 1: be known more for the Beta part than that part.

794
00:47:32,280 --> 00:47:36,080
Speaker 1: So Muggs ends up doing send Dogs verse in the

795
00:47:36,239 --> 00:47:41,080
Speaker 1: video in the video, and uh, you know, send Dogs

796
00:47:41,080 --> 00:47:43,480
Speaker 1: stuck with the Beta. But like when we did the

797
00:47:43,600 --> 00:47:46,880
Speaker 1: live shows, for a time, Mugs did him, but like

798
00:47:48,480 --> 00:47:51,719
Speaker 1: the voice wasn't the same. So people started knowing, and

799
00:47:51,880 --> 00:47:54,719
Speaker 1: so Send Dogs started just started doing the part. You know,

800
00:47:54,920 --> 00:47:57,399
Speaker 1: especially when Muggs wasn't touring. You know, then you would

801
00:47:57,440 --> 00:48:00,120
Speaker 1: get oh, Ship, that's send Dogs voice, that's fucking I

802
00:48:00,360 --> 00:48:03,440
Speaker 1: never heard that fucking so I didn't know that. So

803
00:48:03,680 --> 00:48:05,640
Speaker 1: when you guys now, like, I'm gonna jump all over

804
00:48:05,680 --> 00:48:09,040
Speaker 1: the places, you know, I love the new record Elephants

805
00:48:09,280 --> 00:48:11,839
Speaker 1: on Acid, which is how many records have you guys made?

806
00:48:12,560 --> 00:48:16,280
Speaker 1: That would be for Cypress I believe, our ninth studio album.

807
00:48:16,680 --> 00:48:20,080
Speaker 1: So when you guys got to this record, how do

808
00:48:20,160 --> 00:48:23,200
Speaker 1: you even approach it? Like you've done stuff on your own?

809
00:48:23,640 --> 00:48:26,560
Speaker 1: You know, Muggs obviously done stuff. You guys have you know,

810
00:48:26,680 --> 00:48:29,759
Speaker 1: done so much Cypress stuff? How do you at this

811
00:48:29,880 --> 00:48:33,160
Speaker 1: point as grown men, as you've sold over twenty million

812
00:48:33,560 --> 00:48:36,239
Speaker 1: records as Cypress Hill and you know, and and I

813
00:48:36,400 --> 00:48:37,880
Speaker 1: you know, I know there's three of you guys, so

814
00:48:38,000 --> 00:48:39,560
Speaker 1: but I'm asking you know you're the only one who

815
00:48:39,600 --> 00:48:43,000
Speaker 1: see here right now. You know, when you guys get

816
00:48:43,040 --> 00:48:46,360
Speaker 1: to Elephants on Acid, how do you even approach a

817
00:48:46,480 --> 00:48:48,799
Speaker 1: song like? Do you guys know like my favorite Julian

818
00:48:48,840 --> 00:48:50,680
Speaker 1: on it is the band of Gypsy Ship, which I

819
00:48:50,760 --> 00:48:53,840
Speaker 1: think should go seven minutes. That's one of my favorite studios.

820
00:48:54,000 --> 00:48:58,400
Speaker 1: That is my fucking shite. Muggs did the damn thing

821
00:48:58,480 --> 00:49:01,400
Speaker 1: on that album. Man. You know, as tradition has it

822
00:49:01,840 --> 00:49:06,920
Speaker 1: with with Mugs producing, we we trust and we go

823
00:49:07,120 --> 00:49:10,320
Speaker 1: with what he what what his vision is, because he

824
00:49:10,520 --> 00:49:14,760
Speaker 1: usually his musical visions are usually fucking, you know, punching

825
00:49:14,880 --> 00:49:17,200
Speaker 1: motherfucker's in the face, you know. And we felt like

826
00:49:17,320 --> 00:49:21,040
Speaker 1: Bandit Gypsies was that brand of Cypress Hill, but like

827
00:49:21,360 --> 00:49:25,320
Speaker 1: right now, and you know what what followed with the album,

828
00:49:25,440 --> 00:49:30,120
Speaker 1: like the dark, obscure, trippy psychedelic shit. I mean, you know,

829
00:49:30,520 --> 00:49:32,160
Speaker 1: that's a part of who we were, but we never

830
00:49:32,239 --> 00:49:35,560
Speaker 1: really explored that deep into it like we we did

831
00:49:35,680 --> 00:49:39,120
Speaker 1: with this one. It's very dark, and Mugs wanted to

832
00:49:39,360 --> 00:49:42,520
Speaker 1: create a scenario where you're listening to it and you

833
00:49:42,719 --> 00:49:46,520
Speaker 1: feel like you're you're tripping on mushrooms are acid, But

834
00:49:46,640 --> 00:49:50,040
Speaker 1: it's really the audio. It's it's really tripping you out,

835
00:49:50,080 --> 00:49:51,920
Speaker 1: and we're trying to put out visuals to go with

836
00:49:52,080 --> 00:49:56,000
Speaker 1: that as well. But you know, we felt like I've

837
00:49:56,200 --> 00:50:00,279
Speaker 1: you know, at least I'll speak from myself here, you know,

838
00:50:00,440 --> 00:50:03,720
Speaker 1: I felt like I would do one last Cypress Hill album.

839
00:50:04,280 --> 00:50:06,840
Speaker 1: And if I was gonna do one last Cypress Hill album,

840
00:50:07,400 --> 00:50:10,960
Speaker 1: it would be with DJ Muggs at the Helm. I

841
00:50:11,040 --> 00:50:13,319
Speaker 1: didn't know what it would turn into because we hadn't

842
00:50:13,360 --> 00:50:16,480
Speaker 1: worked in eight years, you know, with with Muggs. You know,

843
00:50:16,600 --> 00:50:19,360
Speaker 1: the the Rise Up album. He did a few tracks

844
00:50:19,440 --> 00:50:23,040
Speaker 1: on it, maybe two. I did a couple, and we

845
00:50:23,200 --> 00:50:26,279
Speaker 1: did with Cypress Hill normally doesn't do. We went out

846
00:50:26,360 --> 00:50:29,279
Speaker 1: of our own box, which is you know, we went

847
00:50:29,320 --> 00:50:33,799
Speaker 1: and got produced production from like Pete Rock and Mike

848
00:50:33,920 --> 00:50:38,239
Speaker 1: Shinoda and uh there was another other producer on their

849
00:50:38,680 --> 00:50:42,160
Speaker 1: Shooko I think it is. And in a couple more

850
00:50:42,200 --> 00:50:45,640
Speaker 1: we had different producers and and like you know, like

851
00:50:46,480 --> 00:50:49,600
Speaker 1: the ship we've always talked about in doing that, you

852
00:50:49,640 --> 00:50:51,920
Speaker 1: don't really have a lot of cohesiveness in an album

853
00:50:52,360 --> 00:50:57,160
Speaker 1: when you do that, yes, but when you have one producer,

854
00:50:57,400 --> 00:51:00,560
Speaker 1: there's a sound, there's a cohesiveness to it. And in

855
00:51:00,719 --> 00:51:03,239
Speaker 1: that Rise Up album that's what was missing. I mean,

856
00:51:03,320 --> 00:51:06,800
Speaker 1: we had good songs on it. I take away nothing

857
00:51:06,880 --> 00:51:10,080
Speaker 1: from the songs. They were fucking dope, um, but the

858
00:51:10,239 --> 00:51:13,560
Speaker 1: cohesion that usually that comes with a Cypress Hill album

859
00:51:13,680 --> 00:51:16,600
Speaker 1: wasn't there. I could admit that as being a member

860
00:51:16,680 --> 00:51:21,240
Speaker 1: of the band, right, So a such a distinct sound

861
00:51:21,920 --> 00:51:24,840
Speaker 1: when you guys are in the pocket and with and

862
00:51:25,000 --> 00:51:28,160
Speaker 1: with Mugs because this is something that we all created together.

863
00:51:28,920 --> 00:51:31,120
Speaker 1: And you know, like I said, it had been wild,

864
00:51:31,160 --> 00:51:33,080
Speaker 1: but I felt like, you know, if I'm gonna do

865
00:51:33,200 --> 00:51:36,880
Speaker 1: a last one, let me call my brother, let's you know,

866
00:51:37,040 --> 00:51:39,720
Speaker 1: iron ship out and get it right and and figure

867
00:51:39,760 --> 00:51:44,279
Speaker 1: out when we're gonna get this going. And you know

868
00:51:44,440 --> 00:51:46,880
Speaker 1: when we're gonna have it done. Now. We started probably

869
00:51:46,880 --> 00:51:50,640
Speaker 1: about three or four years ago on this record, which

870
00:51:50,760 --> 00:51:53,439
Speaker 1: is much like our first album, you know, our first

871
00:51:53,520 --> 00:51:58,080
Speaker 1: album that took like a culmination of you know, three

872
00:51:58,480 --> 00:52:01,800
Speaker 1: in between three and five years. They can't remember, but

873
00:52:01,920 --> 00:52:04,439
Speaker 1: you know, we were working on that ship for quite

874
00:52:04,520 --> 00:52:07,919
Speaker 1: some time before we gave it to a label. Oh yeah,

875
00:52:08,280 --> 00:52:10,279
Speaker 1: for sure. I mean, you know, we we were working

876
00:52:10,320 --> 00:52:13,319
Speaker 1: on a lot of it. Sony went or rough House.

877
00:52:13,400 --> 00:52:15,719
Speaker 1: When they ended up signing us, we were pretty much

878
00:52:15,760 --> 00:52:18,040
Speaker 1: close to done with that record. We had only done

879
00:52:18,080 --> 00:52:21,880
Speaker 1: maybe three songs after the fact to add to what

880
00:52:22,080 --> 00:52:24,840
Speaker 1: we had, so we had ample time to work on

881
00:52:25,400 --> 00:52:29,520
Speaker 1: work on the album. Um, but this one, it was

882
00:52:29,560 --> 00:52:33,160
Speaker 1: the same thing. You know, we started three years ago,

883
00:52:34,280 --> 00:52:36,200
Speaker 1: but this was due to you know, the reason it

884
00:52:36,280 --> 00:52:38,279
Speaker 1: took so long for us this time was because you know,

885
00:52:38,480 --> 00:52:42,960
Speaker 1: now Muggs has got you know, a bunch of different projects.

886
00:52:43,040 --> 00:52:46,160
Speaker 1: He's working with the anver or however you say that

887
00:52:47,719 --> 00:52:52,320
Speaker 1: you don't want to get um. You know, Um, he

888
00:52:52,480 --> 00:52:55,879
Speaker 1: was working with them and I love their ship. Ship

889
00:52:56,040 --> 00:52:59,080
Speaker 1: is crazy. I like it. Um, you know, he's working

890
00:52:59,120 --> 00:53:01,200
Speaker 1: with them. So he had number of things going on.

891
00:53:01,760 --> 00:53:05,560
Speaker 1: I had profits of raids, solo shit, um stuff that

892
00:53:05,640 --> 00:53:09,040
Speaker 1: I was doing with the exhibiting Demrick and the Serial Killers,

893
00:53:09,640 --> 00:53:12,600
Speaker 1: so you know, I got tied up. Sand Dog had

894
00:53:12,680 --> 00:53:17,200
Speaker 1: power Flow and uh Bobo had Beat Junkies, I mean

895
00:53:17,560 --> 00:53:21,120
Speaker 1: Cypress Junkies and Rito Machine and and you know he's

896
00:53:21,160 --> 00:53:26,600
Speaker 1: doing scores for um for you know, like like Latin

897
00:53:27,800 --> 00:53:32,279
Speaker 1: Netflix type series in Argentina. So you know, everybody was

898
00:53:32,840 --> 00:53:36,239
Speaker 1: out there doing something and uh oh yeah. And then

899
00:53:36,280 --> 00:53:38,640
Speaker 1: I was doing the fucking Burner and be Real projects,

900
00:53:38,680 --> 00:53:41,960
Speaker 1: the Profish and stuff. So you know it we all

901
00:53:42,120 --> 00:53:44,600
Speaker 1: kind of had all this stuff going on that took

902
00:53:44,640 --> 00:53:48,400
Speaker 1: away from what we were doing with uh with Cypress

903
00:53:48,480 --> 00:53:51,440
Speaker 1: Hill and eventually, you know, when once we got all

904
00:53:51,480 --> 00:53:54,600
Speaker 1: this stuff underneath our feet, you know, we went back

905
00:53:54,719 --> 00:53:58,640
Speaker 1: and started finishing out maybe about a year ago, and

906
00:53:58,680 --> 00:54:02,040
Speaker 1: then after that it was just about mugs getting comfortable

907
00:54:02,120 --> 00:54:05,920
Speaker 1: getting the mixes getting the arrangements to the way that

908
00:54:06,040 --> 00:54:08,960
Speaker 1: he liked them, you know, because it is filthy, grimy,

909
00:54:09,160 --> 00:54:12,440
Speaker 1: dirty dark. Yeah. And and you know, here's the thing.

910
00:54:12,600 --> 00:54:16,040
Speaker 1: You know, our our tradition in the studio was you

911
00:54:16,120 --> 00:54:20,279
Speaker 1: do this ship and then you leave it. Don't get

912
00:54:20,360 --> 00:54:23,279
Speaker 1: married to it, because whatever you heard that day is

913
00:54:23,280 --> 00:54:28,200
Speaker 1: probably gonna change, you know, several times. You know, before

914
00:54:28,480 --> 00:54:31,439
Speaker 1: Muggs decides what he likes on it, he may flip

915
00:54:31,520 --> 00:54:34,600
Speaker 1: it to something totally different, And when you're married to it,

916
00:54:34,719 --> 00:54:37,480
Speaker 1: you might get burned out when you hear like, oh man,

917
00:54:37,600 --> 00:54:40,040
Speaker 1: that's not what I flipped to that. This doesn't sound

918
00:54:40,360 --> 00:54:42,719
Speaker 1: like I like the other one. And at that point,

919
00:54:42,800 --> 00:54:45,839
Speaker 1: you're not letting a producer produce, you know what I mean.

920
00:54:45,880 --> 00:54:48,560
Speaker 1: You're being a fucking prima donna, right. And you know,

921
00:54:48,719 --> 00:54:52,160
Speaker 1: we always were the ones able to put our egos

922
00:54:52,200 --> 00:54:54,520
Speaker 1: aside and trust and ship, you know what I mean.

923
00:54:54,640 --> 00:54:59,279
Speaker 1: So whatever we laid there did sometimes it doesn't come

924
00:54:59,360 --> 00:55:01,840
Speaker 1: back the same and we know that. And when I

925
00:55:02,000 --> 00:55:04,800
Speaker 1: heard the first run of the album, I was like, oh, Ship,

926
00:55:05,719 --> 00:55:07,359
Speaker 1: did you like it? Where you're like, what the fun?

927
00:55:07,440 --> 00:55:10,200
Speaker 1: I was like, I heard the direction he was going in,

928
00:55:10,440 --> 00:55:12,600
Speaker 1: and you know, because I didn't. I didn't know what

929
00:55:12,760 --> 00:55:16,239
Speaker 1: to expect, you know, And uh, I was like, this

930
00:55:16,480 --> 00:55:20,080
Speaker 1: is gonna be some real Cypress Hillship, like those Temple

931
00:55:20,160 --> 00:55:23,279
Speaker 1: of Boom fans that like the dark, grimy ship. I

932
00:55:23,400 --> 00:55:25,959
Speaker 1: was like, this is right up there, fucking out. It's fun.

933
00:55:26,760 --> 00:55:29,359
Speaker 1: It's definitely one of the darkest joints. And like that song,

934
00:55:30,080 --> 00:55:33,360
Speaker 1: um band of Gypsies like to me, you're so in

935
00:55:33,480 --> 00:55:35,960
Speaker 1: the pocket as as Cypress. Like the way you guys

936
00:55:36,040 --> 00:55:38,400
Speaker 1: come in, and even the way Send comes in. I

937
00:55:38,440 --> 00:55:40,640
Speaker 1: don't know what the musical terms, but he kind of

938
00:55:40,719 --> 00:55:43,000
Speaker 1: like comes in on the beat and doesn't wait for

939
00:55:43,040 --> 00:55:45,440
Speaker 1: the beat to start. You ever heard of me looking

940
00:55:45,440 --> 00:55:53,919
Speaker 1: at where we had to sing under? The guy refined Free,

941
00:55:54,920 --> 00:55:59,200
Speaker 1: the guy you got to knock me Si Mana mcclan

942
00:55:59,320 --> 00:56:04,839
Speaker 1: goes way back to the kind of rika too much.

943
00:56:06,480 --> 00:56:10,799
Speaker 1: Come when you're writing now, are you hearing that beat?

944
00:56:10,880 --> 00:56:13,680
Speaker 1: Like you're saying he's changing, but like specifically that song,

945
00:56:14,120 --> 00:56:16,320
Speaker 1: are you writing to a beat? Are you writing to

946
00:56:16,440 --> 00:56:18,759
Speaker 1: a temple? How does it work well? For that band

947
00:56:18,840 --> 00:56:22,800
Speaker 1: of Gypsy songs? He didn't change. Well, he changed a

948
00:56:22,920 --> 00:56:25,319
Speaker 1: couple of things, but the core of it he left

949
00:56:25,400 --> 00:56:28,920
Speaker 1: the same. So that that crazy grimy ship you here

950
00:56:28,960 --> 00:56:33,440
Speaker 1: in the beginning, Um, he left that and that's that,

951
00:56:33,680 --> 00:56:35,960
Speaker 1: you know. For me, I like the tailor make the

952
00:56:36,040 --> 00:56:39,239
Speaker 1: flow to whatever that beat is. So you know, for me,

953
00:56:39,520 --> 00:56:43,560
Speaker 1: I was right in the pocket in different spots that

954
00:56:43,920 --> 00:56:47,480
Speaker 1: you know you don't normally here, and try not to

955
00:56:47,560 --> 00:56:50,040
Speaker 1: be too worthy so that it doesn't go past people's

956
00:56:50,080 --> 00:56:52,279
Speaker 1: fucking heads, because sometimes we try to over wrap. Sho

957
00:56:54,160 --> 00:56:57,719
Speaker 1: the left of the bag and bread. Please beat it up,

958
00:56:59,600 --> 00:57:07,440
Speaker 1: dump and don't keep it up. Don't people people like

959
00:57:07,560 --> 00:57:12,880
Speaker 1: the birds like you don't want to bother me something.

960
00:57:13,040 --> 00:57:15,040
Speaker 1: You won't get the nerve. You just want to start

961
00:57:15,120 --> 00:57:18,200
Speaker 1: with the little He got the pepper nord in the

962
00:57:18,280 --> 00:57:21,040
Speaker 1: pepper but the pepper pras got the pepper joid and

963
00:57:21,160 --> 00:57:24,240
Speaker 1: dancing on your fucking face on that one. I just

964
00:57:24,320 --> 00:57:28,920
Speaker 1: wanted to bust a style that I thought complimented the

965
00:57:29,040 --> 00:57:31,680
Speaker 1: style of beat in which he did there, and it

966
00:57:31,840 --> 00:57:34,040
Speaker 1: made it easy. Man, Like some of those beats like that,

967
00:57:35,000 --> 00:57:37,680
Speaker 1: they are so different, like nobody's rocking no ship like

968
00:57:37,840 --> 00:57:42,080
Speaker 1: that right now, you know, And it gives me inspiration

969
00:57:42,200 --> 00:57:45,400
Speaker 1: to find different pockets in the flow that maybe I

970
00:57:45,560 --> 00:57:49,240
Speaker 1: haven't rocked before. And that's definitely a style that I

971
00:57:49,520 --> 00:57:53,320
Speaker 1: haven't rocked before. Are you still like challenge? Do you

972
00:57:53,400 --> 00:57:57,280
Speaker 1: still challenge yourself? I guess you do. Like pockets in

973
00:57:57,360 --> 00:58:00,640
Speaker 1: the flow, different kinds of flows because oh yeah, you know,

974
00:58:01,400 --> 00:58:02,560
Speaker 1: you know, I hate to be like, oh we're the

975
00:58:02,640 --> 00:58:04,880
Speaker 1: old dudes, fuck the new ship. But like you know,

976
00:58:05,080 --> 00:58:07,800
Speaker 1: k RS, you know, it was part of like as

977
00:58:07,880 --> 00:58:10,480
Speaker 1: many styles like try would say, like k Arress was

978
00:58:10,600 --> 00:58:13,280
Speaker 1: like always like the flows, like it was part of

979
00:58:13,400 --> 00:58:16,160
Speaker 1: your like if we're talking about like basketball or sports,

980
00:58:16,160 --> 00:58:18,280
Speaker 1: it was part of your sneakers. It was like, yo,

981
00:58:18,520 --> 00:58:21,360
Speaker 1: Kyrie's got those with the green and the kneeon. Like

982
00:58:21,920 --> 00:58:25,560
Speaker 1: flows were like your limited kicks. It's it's like it's

983
00:58:25,640 --> 00:58:31,480
Speaker 1: like Michael Jordan's Kobe Lebron Magic Johnson right or or

984
00:58:31,680 --> 00:58:34,560
Speaker 1: you know whatever whoever you're great was right during the

985
00:58:34,920 --> 00:58:38,440
Speaker 1: regular season, you saw some moves and you had to

986
00:58:38,520 --> 00:58:40,680
Speaker 1: try to get with those moves to try to stop

987
00:58:40,760 --> 00:58:43,640
Speaker 1: these guys and those particular three or four moves they

988
00:58:43,720 --> 00:58:48,360
Speaker 1: did during the season. When playoffs come, they show you

989
00:58:48,440 --> 00:58:50,600
Speaker 1: a couple of different looks that you didn't see before.

990
00:58:50,840 --> 00:58:54,760
Speaker 1: Stuff you can't really stop. And that's what the flow is.

991
00:58:55,000 --> 00:58:57,920
Speaker 1: You have you know, all these different flows in your

992
00:58:57,960 --> 00:59:01,720
Speaker 1: fucking repertoire, you know to mean, and you're constantly trying

993
00:59:01,760 --> 00:59:04,720
Speaker 1: to have different ones that you can bust out and

994
00:59:04,880 --> 00:59:06,520
Speaker 1: chop a head off with, you know what I mean,

995
00:59:06,600 --> 00:59:09,440
Speaker 1: Because it's very much like sports. Everybody is competitive in

996
00:59:09,520 --> 00:59:11,880
Speaker 1: this game, and you know that's I think that's the

997
00:59:11,920 --> 00:59:13,880
Speaker 1: way we all looked at it because you know, hip

998
00:59:13,920 --> 00:59:17,720
Speaker 1: hop and it's true original form was, you know, of

999
00:59:17,800 --> 00:59:21,000
Speaker 1: a competitive nature. So we're looking at it like we're

1000
00:59:21,320 --> 00:59:26,520
Speaker 1: you know, a franchise team, were constantly going for the

1001
00:59:26,600 --> 00:59:30,640
Speaker 1: fucking championship. Now sometimes you just contend, you know what

1002
00:59:30,720 --> 00:59:33,920
Speaker 1: I mean, some of you sometimes you don't get that championship,

1003
00:59:34,600 --> 00:59:37,800
Speaker 1: but you know it's important to keep the you know,

1004
00:59:38,000 --> 00:59:42,080
Speaker 1: your team locked, your your franchise locked, and always be

1005
00:59:42,160 --> 00:59:45,480
Speaker 1: able to at least compete and contend for that fucking title.

1006
00:59:45,600 --> 00:59:50,680
Speaker 1: So it flows and content and the ship you're saying

1007
00:59:50,720 --> 00:59:53,400
Speaker 1: in the songs and the beats, all that is wrapped

1008
00:59:53,480 --> 00:59:55,960
Speaker 1: up in that. At this point, you've made so many

1009
00:59:56,040 --> 00:59:59,600
Speaker 1: You've made iconic songs straight up, like fucking like, I mean,

1010
00:59:59,680 --> 01:00:01,840
Speaker 1: you think that how I Could just kill a man

1011
01:00:01,920 --> 01:00:04,720
Speaker 1: would be pop music. But it's like so fucking like

1012
01:00:04,800 --> 01:00:06,640
Speaker 1: you're like when you listen to this, you're like, how

1013
01:00:06,720 --> 01:00:09,240
Speaker 1: I just kill a man? Like you know, this ship

1014
01:00:09,400 --> 01:00:14,080
Speaker 1: somehow pop music. It's sing song you've made, you know,

1015
01:00:14,560 --> 01:00:18,800
Speaker 1: like hood bangers you've made, you know, like mash ups.

1016
01:00:19,080 --> 01:00:22,160
Speaker 1: You've made profits of rage ship. So like specifically like

1017
01:00:22,640 --> 01:00:25,400
Speaker 1: with a band of gypsies, like do you know like

1018
01:00:25,600 --> 01:00:28,560
Speaker 1: instant like yo, this is a banger? Yeah, you know,

1019
01:00:28,960 --> 01:00:31,480
Speaker 1: after you know, once Mugs does all the ship to

1020
01:00:31,600 --> 01:00:33,640
Speaker 1: it and all the arrangements and we hear that ship,

1021
01:00:33,720 --> 01:00:37,640
Speaker 1: we're like, yeah, this is something for sure. Um, are

1022
01:00:37,680 --> 01:00:39,520
Speaker 1: you able to get perspective? Like when are you able

1023
01:00:39,560 --> 01:00:42,600
Speaker 1: to get perspective on it? Does it take years or performance?

1024
01:00:43,360 --> 01:00:47,560
Speaker 1: You know, it's a combination, right, So like once Mugs

1025
01:00:47,640 --> 01:00:49,840
Speaker 1: gives us to it in its whole form, because we

1026
01:00:49,960 --> 01:00:53,120
Speaker 1: never hear its song by song again we we we

1027
01:00:53,480 --> 01:00:56,040
Speaker 1: we don't get married to it. We do the song,

1028
01:00:56,200 --> 01:00:58,480
Speaker 1: we hear it that day, and then we forget about it,

1029
01:00:59,080 --> 01:01:01,560
Speaker 1: so that you know, we don't have any expectations of

1030
01:01:01,600 --> 01:01:04,840
Speaker 1: where it's going to go. You know. But there are

1031
01:01:04,920 --> 01:01:07,400
Speaker 1: some songs right when you do them, you're like, oh, ship,

1032
01:01:07,640 --> 01:01:11,160
Speaker 1: this is this is that this is one of those

1033
01:01:11,240 --> 01:01:14,840
Speaker 1: songs and when when we did Banded Gypsies, I definitely

1034
01:01:14,920 --> 01:01:17,000
Speaker 1: felt that, you know, and I think that's why it's

1035
01:01:17,040 --> 01:01:20,160
Speaker 1: the lead song on Elephants on Acid that we came

1036
01:01:20,200 --> 01:01:22,320
Speaker 1: out with, because it's one of those things that just

1037
01:01:22,520 --> 01:01:26,840
Speaker 1: slaps and you know, as of late, we always try

1038
01:01:26,880 --> 01:01:29,600
Speaker 1: to mix our lives set up and you know, make

1039
01:01:29,640 --> 01:01:33,080
Speaker 1: sure that we're playing enough of the new songs and stuff.

1040
01:01:33,080 --> 01:01:36,920
Speaker 1: So we start off with the Bandagi people get nuts. Yeah,

1041
01:01:36,960 --> 01:01:39,160
Speaker 1: they been getting us for it. It's a trip because

1042
01:01:39,160 --> 01:01:42,280
Speaker 1: I me know it's it's it's so classic Cypers. I

1043
01:01:42,400 --> 01:01:45,200
Speaker 1: posted on Instagram the day the record. I went to

1044
01:01:45,320 --> 01:01:47,960
Speaker 1: my hike and I was like, this is that ship?

1045
01:01:48,160 --> 01:01:50,320
Speaker 1: And I it took me like the rest of the

1046
01:01:50,400 --> 01:01:52,120
Speaker 1: day to get past because I was like, yo, it

1047
01:01:52,280 --> 01:01:55,240
Speaker 1: just was like it was fucking soft, but like it

1048
01:01:55,320 --> 01:01:57,440
Speaker 1: was a soft I was like slow pitch knocked that

1049
01:01:57,480 --> 01:01:58,920
Speaker 1: ship out of the park and I was just like,

1050
01:01:59,120 --> 01:02:01,880
Speaker 1: what the fuck is these ship? Yeah? You know it's

1051
01:02:02,000 --> 01:02:04,720
Speaker 1: it's uh, it's definitely one of my favorites on on

1052
01:02:05,200 --> 01:02:08,600
Speaker 1: that album. All Right, you like live shows, you know,

1053
01:02:08,920 --> 01:02:11,880
Speaker 1: you you perform with profits, you perform with Cypress. You know,

1054
01:02:11,960 --> 01:02:14,000
Speaker 1: I'm sure There's probably no way you could keep track

1055
01:02:14,080 --> 01:02:16,800
Speaker 1: of how many live shows you've done. You know, you're

1056
01:02:16,960 --> 01:02:21,240
Speaker 1: you're definitely like an iconic live performer. Cypress Hill is

1057
01:02:21,280 --> 01:02:24,200
Speaker 1: an iconic live group, you know, with the weed, with

1058
01:02:24,360 --> 01:02:28,720
Speaker 1: the energy, with the whole thing. Like and at this age,

1059
01:02:28,840 --> 01:02:31,080
Speaker 1: what do you have to do? Like with Profits? You know,

1060
01:02:31,320 --> 01:02:34,280
Speaker 1: like it's a different tempo Cypress. You know, when you

1061
01:02:34,600 --> 01:02:36,560
Speaker 1: how long do you perform with profits? How long do

1062
01:02:36,640 --> 01:02:39,040
Speaker 1: you perform? You know with Cypress when you guys do

1063
01:02:39,120 --> 01:02:41,440
Speaker 1: a full show and like, you know, you're you're not

1064
01:02:41,600 --> 01:02:44,520
Speaker 1: twenty one, You're not at Lollapalooza. At ninety four. I

1065
01:02:44,720 --> 01:02:47,480
Speaker 1: was at motherfucking Randall's Island. I got a picture I'm

1066
01:02:47,520 --> 01:02:50,440
Speaker 1: gonna show you when I first met you at Randall's

1067
01:02:50,440 --> 01:02:53,920
Speaker 1: Island and ninety four Lallapalooza. You know, you guys are

1068
01:02:54,040 --> 01:02:55,840
Speaker 1: rock stars. I don't want to get off the subject,

1069
01:02:55,880 --> 01:02:58,080
Speaker 1: but like, how do you like approach live shows now?

1070
01:02:58,080 --> 01:03:00,480
Speaker 1: Because you have to sort it's a you're waiting when

1071
01:03:00,480 --> 01:03:03,479
Speaker 1: you come to stay. Yeah, um, it's like Cardio really,

1072
01:03:04,040 --> 01:03:07,240
Speaker 1: I mean you know it's because you know, we we um,

1073
01:03:07,720 --> 01:03:10,240
Speaker 1: we play a lot of songs that are maybe up

1074
01:03:10,800 --> 01:03:13,720
Speaker 1: hundred bpms close to the nineties and that's all up

1075
01:03:13,760 --> 01:03:18,560
Speaker 1: temple ship, you know, and that that's more words per

1076
01:03:18,640 --> 01:03:22,120
Speaker 1: second on a verse than than you know, something that's

1077
01:03:22,160 --> 01:03:26,080
Speaker 1: at like uh eighty or sixty or seventy unless you're

1078
01:03:26,080 --> 01:03:29,000
Speaker 1: wrapping that double time ship. Um So it's a lot,

1079
01:03:29,120 --> 01:03:31,360
Speaker 1: and we move around a lot, you know. We we

1080
01:03:31,760 --> 01:03:34,280
Speaker 1: come from that school where you know, you give a

1081
01:03:34,320 --> 01:03:38,680
Speaker 1: lot of energy output, you know, busting out those fucking

1082
01:03:38,880 --> 01:03:41,840
Speaker 1: verses and stuff like that. And you know, we we

1083
01:03:42,000 --> 01:03:46,280
Speaker 1: looked at guys like KRS one Public Enemy leaders of

1084
01:03:46,360 --> 01:03:50,640
Speaker 1: the New School as a inspiration of of you know,

1085
01:03:50,760 --> 01:03:53,919
Speaker 1: how to give shows and and even Digital Underground right there,

1086
01:03:54,000 --> 01:03:58,320
Speaker 1: one of the dopest shows. Um So we knew, like, okay,

1087
01:03:58,400 --> 01:04:00,400
Speaker 1: to get up there and compete with these guys, we

1088
01:04:00,480 --> 01:04:04,840
Speaker 1: gotta give energy and it's got to be clean and

1089
01:04:05,920 --> 01:04:09,720
Speaker 1: the mixture of songs, you know, song placement. We gotta

1090
01:04:09,760 --> 01:04:11,919
Speaker 1: take them on a ride, like a roller coaster ride,

1091
01:04:12,000 --> 01:04:16,600
Speaker 1: you know. So we just sort of put our mindset

1092
01:04:16,720 --> 01:04:19,400
Speaker 1: to the same task that we did in the studio.

1093
01:04:19,760 --> 01:04:22,640
Speaker 1: Be out of the box, be different, be clean, and

1094
01:04:23,000 --> 01:04:27,120
Speaker 1: uh have confidence that we can fucking do this right.

1095
01:04:27,240 --> 01:04:30,480
Speaker 1: So you know, when we got to lolleflush. We were

1096
01:04:30,520 --> 01:04:32,800
Speaker 1: still raw, we were still fine tuning our show, but

1097
01:04:32,960 --> 01:04:35,920
Speaker 1: we saw that what we were doing in the energy

1098
01:04:36,000 --> 01:04:39,240
Speaker 1: output of our body language, along with you know, kicking

1099
01:04:39,280 --> 01:04:43,000
Speaker 1: the verses on point, not being sloppy off the beat,

1100
01:04:43,120 --> 01:04:46,880
Speaker 1: running out of breath type ship. You know, people were

1101
01:04:47,000 --> 01:04:49,480
Speaker 1: fucking digging it. And so you know, that just became

1102
01:04:49,520 --> 01:04:51,400
Speaker 1: a thing like, you know, that was one of our

1103
01:04:51,840 --> 01:04:54,120
Speaker 1: competitive things, like, you know, we might have been cool

1104
01:04:54,200 --> 01:04:56,880
Speaker 1: with you, you might have been our homie, but we

1105
01:04:57,040 --> 01:04:59,880
Speaker 1: were looking to cut your fucking head off on stage.

1106
01:05:00,040 --> 01:05:02,320
Speaker 1: And you know, we cut a lot of heads off.

1107
01:05:02,440 --> 01:05:06,120
Speaker 1: You wanted to. You had pride and we didn't care

1108
01:05:06,200 --> 01:05:09,040
Speaker 1: who was on it. And sometimes we got slashed in

1109
01:05:09,120 --> 01:05:12,200
Speaker 1: the face, you know, like every group does. But we

1110
01:05:12,320 --> 01:05:14,880
Speaker 1: cut off a lot of heads you know, friends too,

1111
01:05:15,120 --> 01:05:18,840
Speaker 1: you know, And it happens because you know, every group

1112
01:05:19,000 --> 01:05:21,960
Speaker 1: is trying to tear that stage down. It's just who

1113
01:05:22,040 --> 01:05:25,560
Speaker 1: tears it down the illest. And for us, it was along.

1114
01:05:25,800 --> 01:05:28,280
Speaker 1: It was us for a long time, and you know,

1115
01:05:28,840 --> 01:05:30,760
Speaker 1: we met our match a couple of times for sure,

1116
01:05:30,880 --> 01:05:33,720
Speaker 1: but that's what it's all about. And it's still that

1117
01:05:34,480 --> 01:05:37,840
Speaker 1: mentality today, like we're gonna go up here. Our old

1118
01:05:37,880 --> 01:05:40,760
Speaker 1: asses are gonna come up here. We're gonna funk y'all

1119
01:05:40,880 --> 01:05:43,480
Speaker 1: up and whoever is coming after us, God bless you,

1120
01:05:44,400 --> 01:05:46,000
Speaker 1: you know what I mean. And that's the mentality we

1121
01:05:46,120 --> 01:05:49,640
Speaker 1: have and going into like Profits of Rage, it's the

1122
01:05:49,720 --> 01:05:52,840
Speaker 1: same mentality. We're like going up there not to be

1123
01:05:53,040 --> 01:05:55,280
Speaker 1: the second best band. We're going up there to be

1124
01:05:55,440 --> 01:05:57,960
Speaker 1: the first. We're going up there to be the best.

1125
01:05:58,040 --> 01:06:01,400
Speaker 1: So we're all coming to chop your fucking head off

1126
01:06:01,800 --> 01:06:03,880
Speaker 1: on on that one, no matter who it is, you know.

1127
01:06:04,560 --> 01:06:08,200
Speaker 1: And uh, it's fun because it's two different energies. You know,

1128
01:06:08,280 --> 01:06:10,560
Speaker 1: You've got the hip hop energy with Cypress, but we

1129
01:06:10,880 --> 01:06:16,000
Speaker 1: we do have that punkish, metalish type vibe within our

1130
01:06:16,080 --> 01:06:18,320
Speaker 1: hip hop vibe, you know what I mean. And then

1131
01:06:18,400 --> 01:06:22,880
Speaker 1: you got the Profits of Rage, which are like not

1132
01:06:23,040 --> 01:06:26,120
Speaker 1: necessarily metal, but it's it's fucking rocking with the with

1133
01:06:26,280 --> 01:06:30,680
Speaker 1: the hip hop sensibility, but it's way more aggressive because

1134
01:06:30,760 --> 01:06:33,880
Speaker 1: of the sound. And you know what we're playing, which

1135
01:06:33,960 --> 01:06:37,680
Speaker 1: is a combination of Cypress, Hill Publican and me Rage

1136
01:06:37,680 --> 01:06:40,840
Speaker 1: against the Machine along with our our own ship. So

1137
01:06:40,960 --> 01:06:43,760
Speaker 1: it's a different energy. But to do all that, man,

1138
01:06:44,120 --> 01:06:47,280
Speaker 1: my workout regiment is really fucked up. You have to

1139
01:06:47,360 --> 01:06:49,040
Speaker 1: be in shape. Got to be in shape for that, man,

1140
01:06:49,080 --> 01:06:51,680
Speaker 1: because if you're not in shape to do those two shows,

1141
01:06:52,080 --> 01:06:54,919
Speaker 1: because I talk a lout. You know, for a time,

1142
01:06:54,960 --> 01:06:57,080
Speaker 1: I'll be with Cypress and I'll have maybe a month

1143
01:06:57,160 --> 01:06:59,720
Speaker 1: off and then boom, it's time to go with fucking

1144
01:07:00,080 --> 01:07:03,040
Speaker 1: f It's and vice versa. And you know, it's two

1145
01:07:03,080 --> 01:07:07,280
Speaker 1: different energies, but it's all output, and you know it.

1146
01:07:07,800 --> 01:07:09,880
Speaker 1: You gotta be ready for it. I mean, every all

1147
01:07:10,000 --> 01:07:13,120
Speaker 1: the guys pretty much do something to keep active, to

1148
01:07:13,240 --> 01:07:16,560
Speaker 1: keep in shape, you know, to do these shows, and

1149
01:07:16,720 --> 01:07:19,400
Speaker 1: just to be healthy in general, to take care of yourself.

1150
01:07:19,480 --> 01:07:23,600
Speaker 1: But yeah, I mean from Cyprus to two profits. You know,

1151
01:07:23,760 --> 01:07:25,680
Speaker 1: most of us, you know, get in that gym and

1152
01:07:26,280 --> 01:07:32,360
Speaker 1: and do some work that's dope with profits. Chuck D Well,

1153
01:07:32,440 --> 01:07:34,360
Speaker 1: what does it mean to you to be rocking with Chuck?

1154
01:07:34,440 --> 01:07:36,400
Speaker 1: What does Chuck d meets you as a fan, like

1155
01:07:36,480 --> 01:07:39,480
Speaker 1: your your friends, your peers in a group, He's he

1156
01:07:39,720 --> 01:07:42,360
Speaker 1: was the he was the everything man. I mean, him

1157
01:07:42,400 --> 01:07:46,560
Speaker 1: and k R s One where the two biggest influences. Directly.

1158
01:07:46,640 --> 01:07:49,760
Speaker 1: We were inspired by run DMC. They were our favorite,

1159
01:07:50,240 --> 01:07:52,200
Speaker 1: you know what I mean? And I still rock some

1160
01:07:52,320 --> 01:07:56,240
Speaker 1: run DMC today because the Kings were the Kings, and

1161
01:07:56,960 --> 01:08:00,800
Speaker 1: they fucking reigned for a long time and they tons

1162
01:08:00,880 --> 01:08:04,520
Speaker 1: of good ship, you know what I'm saying, great classic ship.

1163
01:08:05,040 --> 01:08:08,320
Speaker 1: But who who was our influence in the way we

1164
01:08:08,480 --> 01:08:12,400
Speaker 1: did it was KRS one for me because he he

1165
01:08:12,560 --> 01:08:15,240
Speaker 1: flipped styles, like like like we were talking about, he

1166
01:08:15,400 --> 01:08:19,880
Speaker 1: flipped styles. He took whatever style that was the thing

1167
01:08:20,160 --> 01:08:22,559
Speaker 1: in hip hop at the time and totally fucking flipped

1168
01:08:22,600 --> 01:08:25,400
Speaker 1: it on its ass and made everybody step up game.

1169
01:08:26,280 --> 01:08:28,800
Speaker 1: And I loved that right there, and I thought, you know,

1170
01:08:28,960 --> 01:08:30,760
Speaker 1: if I'm gonna do this ship, that's the same thing

1171
01:08:30,800 --> 01:08:33,040
Speaker 1: I'm gonna do. I'm gonna be flipping styles. I'm gonna,

1172
01:08:33,600 --> 01:08:36,400
Speaker 1: you know, do what the fucking teacher does. You know,

1173
01:08:36,479 --> 01:08:38,280
Speaker 1: I was down with the Kings, but I was taught

1174
01:08:38,360 --> 01:08:42,479
Speaker 1: by the teacher and inspired by Chuck D because the

1175
01:08:42,560 --> 01:08:45,280
Speaker 1: way they did Publican and me, the contrasts of voices

1176
01:08:45,880 --> 01:08:49,479
Speaker 1: and the flipping back and forth of of the hype

1177
01:08:49,560 --> 01:08:52,559
Speaker 1: parts and the main ship and what they were talking

1178
01:08:52,600 --> 01:08:55,200
Speaker 1: about and how they talked about it and the way

1179
01:08:55,280 --> 01:08:58,800
Speaker 1: that their music was structured was so different. You know

1180
01:08:58,960 --> 01:09:02,200
Speaker 1: that they were a crazy influence on us. You know

1181
01:09:02,200 --> 01:09:04,720
Speaker 1: what I mean. And I got a lot of my

1182
01:09:04,920 --> 01:09:08,360
Speaker 1: game from from KRS one and Chuck D. What is

1183
01:09:08,400 --> 01:09:10,559
Speaker 1: it like to to to make songs within them? It's

1184
01:09:10,640 --> 01:09:12,960
Speaker 1: it's awesome because like you know, you're you're there, and

1185
01:09:13,960 --> 01:09:17,000
Speaker 1: you know, growing up to this fucking guy, I mean,

1186
01:09:17,120 --> 01:09:19,639
Speaker 1: you know, send Dogging. Myself and and and the rest

1187
01:09:19,720 --> 01:09:22,600
Speaker 1: of our Cypress crew were all like E. P. M D.

1188
01:09:22,760 --> 01:09:25,360
Speaker 1: Public enemy fans and fucking beast ease and all that,

1189
01:09:25,479 --> 01:09:28,600
Speaker 1: but what really cranked when we were going somewhere was

1190
01:09:28,720 --> 01:09:31,439
Speaker 1: some public enemy. So we'd be listening to that ship

1191
01:09:31,600 --> 01:09:36,400
Speaker 1: left and right and send dogs regal in the Homie Ferns,

1192
01:09:36,520 --> 01:09:40,679
Speaker 1: fucking Monte Carlo or what was it funk, I can't remember,

1193
01:09:40,760 --> 01:09:43,240
Speaker 1: as grand damn actually had a grand Dawn and we

1194
01:09:43,320 --> 01:09:46,000
Speaker 1: were pumping that ship hard, acting like we were like

1195
01:09:46,120 --> 01:09:49,280
Speaker 1: the posse and the two fucking cars and ship right.

1196
01:09:49,880 --> 01:09:52,720
Speaker 1: So to be in that position when I was a kid,

1197
01:09:54,400 --> 01:09:57,479
Speaker 1: So now like I'm right here in the studio with

1198
01:09:57,560 --> 01:10:01,000
Speaker 1: this guy and the magic happens just out of nowhere.

1199
01:10:01,080 --> 01:10:04,400
Speaker 1: The way he creates is like he's an artist. He's

1200
01:10:04,400 --> 01:10:06,800
Speaker 1: a true artist, man, I mean, you know, not just

1201
01:10:07,840 --> 01:10:10,920
Speaker 1: somebody who who who actually says something that means something.

1202
01:10:11,000 --> 01:10:15,040
Speaker 1: But his his artistry is fucking crazy too, and he,

1203
01:10:15,400 --> 01:10:18,240
Speaker 1: you know, as an artist who who draws and paints

1204
01:10:18,280 --> 01:10:21,760
Speaker 1: and ship like that ridiculous. So it's an honor to

1205
01:10:21,840 --> 01:10:24,240
Speaker 1: be there with him, man, And it's it's kind of surreal,

1206
01:10:24,600 --> 01:10:26,720
Speaker 1: to be honest with you, because when we were in

1207
01:10:26,880 --> 01:10:29,760
Speaker 1: demo mode, like early on, there was a club called

1208
01:10:29,800 --> 01:10:32,519
Speaker 1: the Penthouse Lounge down here in Los Angeles. It was

1209
01:10:32,600 --> 01:10:36,960
Speaker 1: close by here actually, um it was like a small

1210
01:10:37,600 --> 01:10:40,160
Speaker 1: like a condo type building, but they used to throw

1211
01:10:40,240 --> 01:10:43,720
Speaker 1: this club on the top floor. And you know, the

1212
01:10:43,840 --> 01:10:46,040
Speaker 1: hip hop scene here in l A moved from one

1213
01:10:46,120 --> 01:10:48,640
Speaker 1: place to another, much like New York, a bunch of

1214
01:10:48,640 --> 01:10:51,799
Speaker 1: a bunch of different spots. But they had to renegate

1215
01:10:51,880 --> 01:10:54,800
Speaker 1: it and keep moving around, and it eventually ended up

1216
01:10:54,840 --> 01:10:58,920
Speaker 1: on this rooftop and Chuck d happened to be there,

1217
01:10:58,960 --> 01:11:00,600
Speaker 1: but he didn't have his hat on. He was just

1218
01:11:00,840 --> 01:11:03,599
Speaker 1: kind of being incognito with you know, but he was Chucked,

1219
01:11:03,800 --> 01:11:06,200
Speaker 1: But he was Chuck. We knew Chuck because we're fucking

1220
01:11:06,320 --> 01:11:09,240
Speaker 1: massive fans of Public Enemy, so we've seen him there

1221
01:11:09,479 --> 01:11:12,360
Speaker 1: and as l A dudes, l A kids, we don't

1222
01:11:12,520 --> 01:11:16,080
Speaker 1: roll up on celebrities because we know, you know, the

1223
01:11:16,160 --> 01:11:19,439
Speaker 1: assholes they could be at that time. You know, you

1224
01:11:19,479 --> 01:11:21,880
Speaker 1: didn't want to get embarrassed. And if you're a street

1225
01:11:21,960 --> 01:11:24,160
Speaker 1: kid like we were, we would have fucked you up

1226
01:11:24,200 --> 01:11:27,120
Speaker 1: for that, you know what I'm saying. For the disrespect

1227
01:11:27,360 --> 01:11:30,120
Speaker 1: bodyguards are not, we would have just did that so

1228
01:11:30,640 --> 01:11:34,920
Speaker 1: to not let ourselves down or not allowed the celebrity

1229
01:11:35,000 --> 01:11:37,400
Speaker 1: to let us down with who they might have been.

1230
01:11:37,640 --> 01:11:40,600
Speaker 1: We never approached him, but this was Chuck d and

1231
01:11:40,720 --> 01:11:42,720
Speaker 1: we were all massive fans. So I rolled up on

1232
01:11:42,800 --> 01:11:46,479
Speaker 1: him and I said, Hey, Chuck, I know you're incognito man,

1233
01:11:46,560 --> 01:11:50,400
Speaker 1: but we fucking love you. Keep doing what you're doing.

1234
01:11:50,479 --> 01:11:53,519
Speaker 1: Hopefully one day we're gonna be right there with you.

1235
01:11:53,960 --> 01:11:56,720
Speaker 1: Any any turning, Hey, I appreciate that, man, you know what,

1236
01:11:57,240 --> 01:11:59,840
Speaker 1: keep making music, keep doing that ship, and maybe one

1237
01:12:00,200 --> 01:12:03,880
Speaker 1: you will be doing that ship. Like you know. He

1238
01:12:04,200 --> 01:12:08,040
Speaker 1: gave me five seconds and I was like, damn, Chuck

1239
01:12:08,120 --> 01:12:11,400
Speaker 1: the said something to me right, And who fucking knew

1240
01:12:12,040 --> 01:12:15,519
Speaker 1: that we would, you know, get the success that we

1241
01:12:15,640 --> 01:12:20,240
Speaker 1: had we had and eventually do shows with Chuck and

1242
01:12:20,560 --> 01:12:22,400
Speaker 1: and you know the first time I told him that

1243
01:12:22,479 --> 01:12:26,920
Speaker 1: story was on Smoking Grooves tour and it was us

1244
01:12:27,040 --> 01:12:31,280
Speaker 1: public Enemy and uh the refugee all stars, white cleft

1245
01:12:31,360 --> 01:12:35,080
Speaker 1: Cannabis and pros and those guys and and I can't

1246
01:12:35,120 --> 01:12:37,559
Speaker 1: remember who else was on that joint right at this time,

1247
01:12:37,640 --> 01:12:41,040
Speaker 1: but you know, we were. We were on that tour

1248
01:12:41,680 --> 01:12:43,920
Speaker 1: and what we would do as Cyprus Hill at that

1249
01:12:44,080 --> 01:12:47,240
Speaker 1: time is we would tell the promoters we wanted to

1250
01:12:47,439 --> 01:12:51,160
Speaker 1: um a meeting autograph signing booth where we can go

1251
01:12:51,400 --> 01:12:56,000
Speaker 1: take pictures and you know, sign autographs and just be

1252
01:12:56,160 --> 01:12:58,439
Speaker 1: with the fans. No one else had done that at

1253
01:12:58,520 --> 01:13:01,599
Speaker 1: that time. No, the you know meet and greets didn't exist.

1254
01:13:02,439 --> 01:13:04,800
Speaker 1: But we did that. We did that. All three years

1255
01:13:04,880 --> 01:13:08,160
Speaker 1: of Smoking Grooves that we co headlined that ship were

1256
01:13:08,240 --> 01:13:11,679
Speaker 1: free for free. We didn't charge nobody's ship. We signed

1257
01:13:11,680 --> 01:13:15,639
Speaker 1: everybody ship before we went on stage. And we told Chuck, hey,

1258
01:13:15,880 --> 01:13:18,600
Speaker 1: you know, if you guys want to come down and

1259
01:13:18,680 --> 01:13:21,720
Speaker 1: sign some autographs at the booth, more than welcome. You know,

1260
01:13:21,880 --> 01:13:25,240
Speaker 1: bring whatever you got or just bring yourself. And he said,

1261
01:13:25,560 --> 01:13:27,040
Speaker 1: you know, and he came down and he saw it

1262
01:13:27,080 --> 01:13:32,040
Speaker 1: and there was lines like three kids, well whoever was playing,

1263
01:13:33,040 --> 01:13:35,880
Speaker 1: you know, they're right there waiting to get autographs from us.

1264
01:13:35,920 --> 01:13:37,720
Speaker 1: And he goes, wow, what made you think of this?

1265
01:13:37,960 --> 01:13:41,280
Speaker 1: You know, like this is some cool ship? And I said,

1266
01:13:42,520 --> 01:13:45,880
Speaker 1: X amount of years ago we were at Penthouse Lounge.

1267
01:13:46,439 --> 01:13:49,479
Speaker 1: You gave me five minutes of your time. And I

1268
01:13:49,600 --> 01:13:52,560
Speaker 1: told myself, if I was ever in the position you

1269
01:13:52,680 --> 01:13:55,240
Speaker 1: were in, I'll always give five minutes to the fans,

1270
01:13:55,400 --> 01:13:58,040
Speaker 1: right And he said, and he said to me, you

1271
01:13:58,080 --> 01:14:02,160
Speaker 1: know that's crazy because somebody told me one time, and

1272
01:14:02,280 --> 01:14:05,439
Speaker 1: I instill this to you. This is the five minutes

1273
01:14:05,720 --> 01:14:08,720
Speaker 1: that you take to give a fan. They'll remember it

1274
01:14:08,960 --> 01:14:11,400
Speaker 1: for the rest of their life, whether if it was

1275
01:14:11,439 --> 01:14:14,880
Speaker 1: a positive moment or a negative moment. And I said, well,

1276
01:14:14,920 --> 01:14:17,560
Speaker 1: you gave me a positive one, and that's what caused this,

1277
01:14:19,200 --> 01:14:20,800
Speaker 1: you know what I mean. And I told the same

1278
01:14:20,880 --> 01:14:24,600
Speaker 1: ship to method Man one time when he told me that,

1279
01:14:24,920 --> 01:14:28,040
Speaker 1: like we met, you know, at some club. I think

1280
01:14:28,040 --> 01:14:31,000
Speaker 1: it was a tunnel right before Wu Tang came out

1281
01:14:31,040 --> 01:14:33,640
Speaker 1: and he said something to me and that and and

1282
01:14:34,560 --> 01:14:36,840
Speaker 1: I replied something back to him, sort of like how

1283
01:14:37,000 --> 01:14:40,720
Speaker 1: Chuck you know, said to me. And he eventually told

1284
01:14:40,760 --> 01:14:42,879
Speaker 1: me this, and I was tripping out because that knowledge,

1285
01:14:43,000 --> 01:14:47,160
Speaker 1: you know, it gets passed down, love gets passed down,

1286
01:14:47,800 --> 01:14:50,600
Speaker 1: so you know, that that that Chuck gave to me.

1287
01:14:50,800 --> 01:14:52,960
Speaker 1: So we thought of that because of him. And when

1288
01:14:53,000 --> 01:14:55,960
Speaker 1: I broke that down to him, you know, we became

1289
01:14:56,800 --> 01:15:00,680
Speaker 1: really good friends at that moment, and I did not

1290
01:15:00,960 --> 01:15:03,280
Speaker 1: know that I'd be in a group with him all

1291
01:15:03,360 --> 01:15:06,519
Speaker 1: these years later. He's a very special dude to me. Man,

1292
01:15:06,640 --> 01:15:11,160
Speaker 1: he's like like my older brother. That's dope. That's fucking dope. Um,

1293
01:15:12,439 --> 01:15:16,160
Speaker 1: the touring you guys got so big you were young.

1294
01:15:16,840 --> 01:15:21,000
Speaker 1: It was like rock and roll stole Like what do

1295
01:15:21,080 --> 01:15:24,240
Speaker 1: you remember? Like you had chicks, There was the weed.

1296
01:15:24,320 --> 01:15:26,080
Speaker 1: You guys were like ahead of the game in terms

1297
01:15:26,120 --> 01:15:29,040
Speaker 1: of like the weed legalize. It was like on your

1298
01:15:29,080 --> 01:15:32,040
Speaker 1: second Joe, like you guys were Is there like one sort?

1299
01:15:32,120 --> 01:15:33,519
Speaker 1: I mean, I'm sure there's a whole bunch of them,

1300
01:15:33,520 --> 01:15:35,559
Speaker 1: and I'm sure there's little stories inside the little stories.

1301
01:15:36,000 --> 01:15:39,240
Speaker 1: What would be if I said, be real, what's your

1302
01:15:39,400 --> 01:15:46,160
Speaker 1: craziest tour story? Good batter in different fight chicks nineteen girls? Well,

1303
01:15:46,240 --> 01:15:48,439
Speaker 1: what's like the craziest ship that you like off the

1304
01:15:48,520 --> 01:15:50,200
Speaker 1: top of your head, like you say, this is the

1305
01:15:50,320 --> 01:15:53,680
Speaker 1: ice Cream Sunday? The ice Cream Sunday funk. That's a

1306
01:15:53,760 --> 01:15:56,120
Speaker 1: hard one because there was like you say there are

1307
01:15:56,160 --> 01:16:01,720
Speaker 1: so many stories. Um uh funck. There was so many.

1308
01:16:02,000 --> 01:16:04,960
Speaker 1: But I'll tell you there was one time it was

1309
01:16:05,120 --> 01:16:07,360
Speaker 1: a prank got played on me by my good friend.

1310
01:16:07,439 --> 01:16:10,640
Speaker 1: Ever last we were on the soul Assassin's tour. We

1311
01:16:10,760 --> 01:16:12,680
Speaker 1: had a whole lot of fun on many tours, but

1312
01:16:12,840 --> 01:16:14,760
Speaker 1: you know, this was like a family thing. You know,

1313
01:16:14,880 --> 01:16:18,479
Speaker 1: we had soul Assassins. I mean it was a house pain,

1314
01:16:18,960 --> 01:16:23,440
Speaker 1: funk dubious alchemists that was a part of the Hooligans

1315
01:16:23,479 --> 01:16:25,840
Speaker 1: along with Scott Kunn was on Hawaii five. Oh and

1316
01:16:25,880 --> 01:16:27,840
Speaker 1: I don't know a lot too many people know that

1317
01:16:28,040 --> 01:16:31,400
Speaker 1: they were called the Hooligans and they were opening up

1318
01:16:31,479 --> 01:16:34,240
Speaker 1: and you know, it was just like a family fucking thing, right,

1319
01:16:34,720 --> 01:16:37,519
Speaker 1: And we pull up to St. Louis I think I

1320
01:16:37,600 --> 01:16:41,479
Speaker 1: think that was the city, and right across the street

1321
01:16:41,560 --> 01:16:45,400
Speaker 1: from our venue, they're having a fucking police convention there,

1322
01:16:45,840 --> 01:16:49,760
Speaker 1: police from everywhere, right, And just so happens that to

1323
01:16:50,080 --> 01:16:53,280
Speaker 1: two of the security guards that we're working for House

1324
01:16:53,320 --> 01:16:55,519
Speaker 1: and Pain or working for us or whatever. They were

1325
01:16:55,600 --> 01:17:00,200
Speaker 1: just security in general. Two of them were retired l

1326
01:17:00,280 --> 01:17:03,599
Speaker 1: a p D detectives, Right, so they knew a couple

1327
01:17:03,600 --> 01:17:08,280
Speaker 1: of cats over there. Um in the fucking in the convention. Right.

1328
01:17:09,040 --> 01:17:11,280
Speaker 1: So I'm on the bus and I got like a

1329
01:17:11,400 --> 01:17:14,680
Speaker 1: pound of weed on the table and I'm rolling some

1330
01:17:14,800 --> 01:17:20,720
Speaker 1: fucking weed up. And it's myself, Eric Bobo, and one

1331
01:17:20,760 --> 01:17:25,200
Speaker 1: other person and our security guard. And you know, we

1332
01:17:25,280 --> 01:17:29,839
Speaker 1: get a knock on our fucking bus door. Hard cop knocks,

1333
01:17:29,920 --> 01:17:32,880
Speaker 1: you know what, you know exactly right, it's not It's

1334
01:17:32,880 --> 01:17:35,320
Speaker 1: not like no little bitch knocking. Our knock was always

1335
01:17:35,400 --> 01:17:38,960
Speaker 1: just that one knock, right. We knew it wasn't our knock.

1336
01:17:39,000 --> 01:17:41,160
Speaker 1: We knew that was a cop knock, right, And fucking

1337
01:17:41,240 --> 01:17:43,519
Speaker 1: so he opens the little curtain and goes, oh shit,

1338
01:17:44,600 --> 01:17:48,360
Speaker 1: there's cops right outside the door. I'm like, don't let

1339
01:17:48,439 --> 01:17:54,040
Speaker 1: him in, man, don't let him in. He goes ship Man,

1340
01:17:54,080 --> 01:17:57,640
Speaker 1: they're flashing the fucking badge. They're about to come in,

1341
01:17:57,800 --> 01:17:59,640
Speaker 1: and said, lock the fucking door. Don't let him me.

1342
01:17:59,720 --> 01:18:02,680
Speaker 1: He goes, I can't. I gotta let him in, and

1343
01:18:02,920 --> 01:18:05,360
Speaker 1: and I'm like, right there with the fucking pound of weed,

1344
01:18:05,439 --> 01:18:08,639
Speaker 1: I'm like, fuck it, right there, they got me. They

1345
01:18:08,960 --> 01:18:12,439
Speaker 1: burst through the door. They fucking put him, you know,

1346
01:18:12,640 --> 01:18:15,000
Speaker 1: behind the fucking you know, like driver's seat of the

1347
01:18:15,040 --> 01:18:18,519
Speaker 1: stereo wheel, like he's hemmed up and two guys come

1348
01:18:18,560 --> 01:18:22,639
Speaker 1: in freeze blah blah blah. You know all the cop

1349
01:18:22,760 --> 01:18:28,479
Speaker 1: talk that they do, right are you like, oh shit, yeah, definitely.

1350
01:18:28,520 --> 01:18:30,720
Speaker 1: Oh shoot, I'm looking at Eric Bobo like them. I'm

1351
01:18:30,760 --> 01:18:33,080
Speaker 1: fucked right now because this is a pound of weed

1352
01:18:33,160 --> 01:18:37,559
Speaker 1: in Kansas City right in two three seconds later, fucking

1353
01:18:37,680 --> 01:18:41,679
Speaker 1: ever Last comes in. Got you. That's funny, Oh man,

1354
01:18:42,720 --> 01:18:45,600
Speaker 1: You know we were rolling hard after that, but fuck that,

1355
01:18:46,120 --> 01:18:49,160
Speaker 1: like for a split second, drop that the heart drop,

1356
01:18:49,240 --> 01:18:52,040
Speaker 1: you know, how like your heart go through you know.

1357
01:18:52,320 --> 01:18:55,160
Speaker 1: I was like, for years, I thought, how am I

1358
01:18:55,240 --> 01:18:57,960
Speaker 1: going to get this guy back for that one? Never fu,

1359
01:18:58,160 --> 01:19:00,479
Speaker 1: you can't get that back. You can't get back. That

1360
01:19:00,600 --> 01:19:03,120
Speaker 1: was probably one of the best pranks you could fucking play.

1361
01:19:03,240 --> 01:19:05,840
Speaker 1: I was punked before punked. Yeah, he punked the funk

1362
01:19:05,880 --> 01:19:08,120
Speaker 1: out of me with that bro, because like really, I

1363
01:19:08,240 --> 01:19:11,519
Speaker 1: thought I was done, and you know, they come in

1364
01:19:11,560 --> 01:19:13,760
Speaker 1: there like we're just working with you, your fucking friend,

1365
01:19:13,800 --> 01:19:17,400
Speaker 1: and got us to come in here, and then they

1366
01:19:17,600 --> 01:19:22,880
Speaker 1: ended up you know, selling us bulletproof vest. That's funny.

1367
01:19:23,520 --> 01:19:26,920
Speaker 1: You've been all over the fucking world or every continent,

1368
01:19:27,080 --> 01:19:30,720
Speaker 1: right back and forth. If I now you're settled down now,

1369
01:19:30,800 --> 01:19:32,760
Speaker 1: I'm a married man. But in your hey day, if

1370
01:19:32,760 --> 01:19:37,280
Speaker 1: you were to write a book, m the baddest chicks

1371
01:19:37,680 --> 01:19:43,080
Speaker 1: in the world are where fuck like just just aesthetically

1372
01:19:43,200 --> 01:19:46,840
Speaker 1: like Yo, beautiful women are in like just in terms

1373
01:19:46,840 --> 01:19:48,160
Speaker 1: of like you know, if you were telling a young

1374
01:19:48,240 --> 01:19:53,680
Speaker 1: man like YO, when you tour in Colombia. You were

1375
01:19:53,720 --> 01:19:57,360
Speaker 1: in Columbia throughout your whole career. We've been there like

1376
01:19:57,479 --> 01:20:01,519
Speaker 1: maybe three times, I think, but you know noticeably, yeah,

1377
01:20:01,800 --> 01:20:04,560
Speaker 1: that they have very beautiful chicks down there. You're in

1378
01:20:04,600 --> 01:20:07,080
Speaker 1: the you're you're on the stage doing your ship and

1379
01:20:07,200 --> 01:20:11,120
Speaker 1: it's just you know, with with us, it's a whole

1380
01:20:11,200 --> 01:20:14,880
Speaker 1: lot of fucking dudes because yeah, but but but but

1381
01:20:15,280 --> 01:20:18,880
Speaker 1: you're in your prime. You know, there's some other you know,

1382
01:20:19,000 --> 01:20:21,400
Speaker 1: you talk about stick me and you were like that

1383
01:20:21,600 --> 01:20:24,519
Speaker 1: you were a rock star. You know, I used to

1384
01:20:24,600 --> 01:20:26,280
Speaker 1: funk with this chicken. She was like, I wanna come

1385
01:20:26,320 --> 01:20:28,000
Speaker 1: to l A. I'm gonna meet him. I'm gonna leave

1386
01:20:28,000 --> 01:20:31,120
Speaker 1: your fucking ass. I was like this fucking guy, but

1387
01:20:31,240 --> 01:20:35,360
Speaker 1: like you were that dude. Uh. You know, Cyprus was

1388
01:20:35,680 --> 01:20:38,760
Speaker 1: was kind of different. Um that we did aggressive music

1389
01:20:38,880 --> 01:20:42,120
Speaker 1: and we did have a lot of female um you know,

1390
01:20:42,320 --> 01:20:46,320
Speaker 1: a lot of female fans. Um. Yeah, So it wasn't

1391
01:20:46,400 --> 01:20:50,320
Speaker 1: uncommon to go down to somewhere like Columbia or Brazil

1392
01:20:51,360 --> 01:20:54,360
Speaker 1: or you know, any of those places and see a

1393
01:20:54,479 --> 01:20:57,040
Speaker 1: number of beautiful chicks in the crowd. You know, Italy,

1394
01:20:58,439 --> 01:21:01,559
Speaker 1: you know, all over pretty much that that we went.

1395
01:21:01,720 --> 01:21:03,599
Speaker 1: It was a trip because you know, we didn't think.

1396
01:21:04,920 --> 01:21:08,600
Speaker 1: We didn't think, um, women would dig our music. You know,

1397
01:21:08,720 --> 01:21:12,760
Speaker 1: we thought it would be like for young homies, like

1398
01:21:13,080 --> 01:21:15,000
Speaker 1: the streets and ship like that. We didn't really think

1399
01:21:15,040 --> 01:21:18,120
Speaker 1: about if if the chicks would be buying the record.

1400
01:21:18,200 --> 01:21:20,920
Speaker 1: We hoped that they would, but we didn't know that

1401
01:21:21,040 --> 01:21:24,040
Speaker 1: they would. We knew the hard rock thug homies would

1402
01:21:24,080 --> 01:21:25,960
Speaker 1: funk with that because it's life they're living, you know

1403
01:21:25,960 --> 01:21:29,240
Speaker 1: what I'm saying. But who knew And you know, we

1404
01:21:29,360 --> 01:21:33,160
Speaker 1: did throughout the years see a lot of beautiful chicks

1405
01:21:33,280 --> 01:21:39,280
Speaker 1: like but um, yeah, as a whole probably Columbia alright, alright,

1406
01:21:39,360 --> 01:21:42,080
Speaker 1: I've never been. I'm afraid that there was a dude

1407
01:21:42,160 --> 01:21:45,439
Speaker 1: we met down there, and he was an American dude. Um,

1408
01:21:46,200 --> 01:21:47,880
Speaker 1: I can't remember his name at the time. I think

1409
01:21:47,920 --> 01:21:51,640
Speaker 1: his name was Richie something, rich rich something, And I

1410
01:21:51,720 --> 01:21:54,120
Speaker 1: don't know if he was. He was in the music

1411
01:21:54,240 --> 01:21:57,519
Speaker 1: industry to some degree. It was the first time I

1412
01:21:57,600 --> 01:22:00,240
Speaker 1: had ever met him, but other people knew him. And

1413
01:22:00,520 --> 01:22:02,760
Speaker 1: uh so I asked my sid, so, how long you're

1414
01:22:02,760 --> 01:22:05,760
Speaker 1: out here for? You go funk I live here? I said,

1415
01:22:05,840 --> 01:22:09,040
Speaker 1: you live here? It was yeah, you know, like once

1416
01:22:09,120 --> 01:22:11,920
Speaker 1: I came down here, funk I couldn't go back. You know,

1417
01:22:12,080 --> 01:22:14,880
Speaker 1: I went home for a week. I told everybody could

1418
01:22:14,920 --> 01:22:18,240
Speaker 1: buy and I got my ship, my ship. I said,

1419
01:22:18,280 --> 01:22:20,160
Speaker 1: how long have you been here? I've been here about

1420
01:22:20,200 --> 01:22:23,120
Speaker 1: ten fifteen years. I'm the white guy everybody loves over here.

1421
01:22:24,200 --> 01:22:26,160
Speaker 1: And yeah, I think it was from New York as well.

1422
01:22:26,479 --> 01:22:29,720
Speaker 1: Definitely wasn't from l A. He had that New York's wags.

1423
01:22:30,439 --> 01:22:33,040
Speaker 1: And you know, that's what that place does to you.

1424
01:22:34,200 --> 01:22:36,559
Speaker 1: What I'm saying, it makes you want to go stay

1425
01:22:36,640 --> 01:22:39,559
Speaker 1: over there. If you're that guy, I got you. Um,

1426
01:22:39,880 --> 01:22:43,640
Speaker 1: the usually obligatory question is top five m c s.

1427
01:22:43,840 --> 01:22:46,160
Speaker 1: But but I'm not gonna but I'm not gonna. I'm

1428
01:22:46,160 --> 01:22:48,000
Speaker 1: not gonna throw that at you. I'm not gonna throw

1429
01:22:48,080 --> 01:22:50,960
Speaker 1: that at you because you're known as one of the

1430
01:22:51,000 --> 01:22:55,360
Speaker 1: members of Cyper Hill. So I'll say outside of Cypress Hill,

1431
01:22:56,720 --> 01:23:04,439
Speaker 1: obligatory question. Be real's top five groups, and you can

1432
01:23:04,520 --> 01:23:06,400
Speaker 1: leave some out. You could even have a cherry on

1433
01:23:06,520 --> 01:23:10,200
Speaker 1: top if you if you know, interchangeable. That is fucking

1434
01:23:10,320 --> 01:23:13,800
Speaker 1: good man. That is a good question, because it's it's hard.

1435
01:23:13,880 --> 01:23:17,120
Speaker 1: There's been so many fucking good groups throughout the years.

1436
01:23:17,400 --> 01:23:20,600
Speaker 1: Um but you gotta have the beastis up there. And

1437
01:23:20,720 --> 01:23:23,479
Speaker 1: this isn't no particular or no particular, but you gotta

1438
01:23:23,520 --> 01:23:26,559
Speaker 1: have the Beast. He's up there. You gotta have Public

1439
01:23:26,720 --> 01:23:31,479
Speaker 1: Enemy up there. Now obviously you gotta have run DMC

1440
01:23:31,640 --> 01:23:33,960
Speaker 1: up there. But they're do. Yeah, they were a group

1441
01:23:34,000 --> 01:23:39,040
Speaker 1: because those three um Wu, Tang and Tribe called Quests.

1442
01:23:39,960 --> 01:23:43,639
Speaker 1: I would put Dla Soul up there too. It's hard

1443
01:23:43,800 --> 01:23:47,680
Speaker 1: because I mean they're underrated. They're underrated like a motherfucker.

1444
01:23:47,760 --> 01:23:53,080
Speaker 1: But they made jams. It like hip hop doesn't form

1445
01:23:53,400 --> 01:23:57,720
Speaker 1: in all these different places without those guys, because they

1446
01:23:58,080 --> 01:24:01,080
Speaker 1: were doing some out of the box different style ship

1447
01:24:01,360 --> 01:24:04,760
Speaker 1: from their first record until you know, even to now,

1448
01:24:05,360 --> 01:24:08,400
Speaker 1: like they were so different. They didn't sound like like

1449
01:24:08,680 --> 01:24:11,880
Speaker 1: Tribe Tribe didn't sound like them that some of the

1450
01:24:11,960 --> 01:24:15,760
Speaker 1: same sensibilities, but like it was totally like you know,

1451
01:24:16,040 --> 01:24:18,560
Speaker 1: it was some different ship like they like, once we

1452
01:24:18,680 --> 01:24:23,360
Speaker 1: heard plug tune in down here, We're like, what the

1453
01:24:23,680 --> 01:24:26,760
Speaker 1: funk is that? You know, it started opening up our

1454
01:24:26,880 --> 01:24:31,040
Speaker 1: minds on where you could actually go that wasn't necessarily

1455
01:24:31,080 --> 01:24:34,400
Speaker 1: in the same box as all these other artists men.

1456
01:24:34,479 --> 01:24:36,960
Speaker 1: I mean, Daylys Soul is definitely underrated. They were like

1457
01:24:37,160 --> 01:24:40,680
Speaker 1: very inspirational. I like that the group in hip hop

1458
01:24:40,840 --> 01:24:43,719
Speaker 1: is gone. You know, the me Gooes are like a group.

1459
01:24:43,840 --> 01:24:46,280
Speaker 1: That's the new group. But you just named five. You

1460
01:24:46,320 --> 01:24:49,560
Speaker 1: could have named fifteen, like you I know, like just

1461
01:24:50,280 --> 01:24:57,320
Speaker 1: like the brand Nubian's Naughty by Nature ju ju. I mean,

1462
01:24:57,360 --> 01:24:59,840
Speaker 1: it goes on and on and on and on, Ultra Magnetics,

1463
01:25:00,560 --> 01:25:05,680
Speaker 1: M c Ultra, M c Ultra e pm D. It's

1464
01:25:05,720 --> 01:25:08,240
Speaker 1: just on and on and on and on and on. Now,

1465
01:25:08,439 --> 01:25:11,160
Speaker 1: like we say, okay, me Goes is a group. Why

1466
01:25:11,240 --> 01:25:14,920
Speaker 1: are there no more groups in hip hop? No one

1467
01:25:14,960 --> 01:25:19,160
Speaker 1: wants to split the money? Is it simple? As is? Right? Probably?

1468
01:25:19,439 --> 01:25:21,439
Speaker 1: You know, because it's like it gets it gets to

1469
01:25:21,560 --> 01:25:25,719
Speaker 1: that point where when the group blows blows up. There's

1470
01:25:25,760 --> 01:25:28,760
Speaker 1: always one guy that people gravitate two more and if

1471
01:25:28,800 --> 01:25:31,040
Speaker 1: people are in his ear, he's gonna leave that group.

1472
01:25:31,960 --> 01:25:34,680
Speaker 1: Or if he's not happy with the group situation. He's

1473
01:25:34,720 --> 01:25:37,200
Speaker 1: gonna leave that group. So people now are just like

1474
01:25:37,280 --> 01:25:39,920
Speaker 1: going for broke on their own, you know, and and

1475
01:25:40,200 --> 01:25:43,080
Speaker 1: you see less less groups. But it's cool that Megoes

1476
01:25:43,200 --> 01:25:46,000
Speaker 1: is a fucking group. You know. Maybe it inspires other

1477
01:25:46,200 --> 01:25:48,200
Speaker 1: cats to do the ship and you know, and and

1478
01:25:48,840 --> 01:25:52,000
Speaker 1: and stay doing that format. You know, we I try

1479
01:25:52,080 --> 01:25:55,880
Speaker 1: to do. I try to keep the duo ship alive

1480
01:25:56,080 --> 01:25:58,960
Speaker 1: with with guys like Burner, you know, doing like what

1481
01:25:59,160 --> 01:26:02,280
Speaker 1: Redd and meth it like, you know, stay doing that

1482
01:26:02,560 --> 01:26:05,720
Speaker 1: form of it too, so that all forms of this

1483
01:26:05,880 --> 01:26:09,439
Speaker 1: hip hop ship is still alive and kicking. Like because

1484
01:26:09,439 --> 01:26:12,160
Speaker 1: I'll do a solo joint, I'll do a duo joint,

1485
01:26:12,240 --> 01:26:14,040
Speaker 1: I'll do a group setting. You know what I'm saying,

1486
01:26:14,200 --> 01:26:16,880
Speaker 1: try to hit all that ship, because that's what hip

1487
01:26:16,920 --> 01:26:19,400
Speaker 1: hop is. It's all of that. If you start like

1488
01:26:19,600 --> 01:26:23,040
Speaker 1: cutting cutting ship out and it's only this one thing,

1489
01:26:23,560 --> 01:26:28,200
Speaker 1: it's gonna get redundant, boring and it, you know, it'll

1490
01:26:28,240 --> 01:26:31,720
Speaker 1: lose it's luster. I mean, some people say it has now.

1491
01:26:31,880 --> 01:26:36,840
Speaker 1: I don't think so, because hip hop has always consistently

1492
01:26:37,040 --> 01:26:40,880
Speaker 1: evolved from where it started to where it's at now.

1493
01:26:41,080 --> 01:26:46,720
Speaker 1: It's continuously evolving. It's like nothing no music genre like it.

1494
01:26:48,000 --> 01:26:50,280
Speaker 1: You know that we were the little fucked up little

1495
01:26:50,320 --> 01:26:52,479
Speaker 1: brother in the beginning, and now a little brother is

1496
01:26:52,520 --> 01:26:57,120
Speaker 1: the biggest brother of mall. It's insane in the membrane,

1497
01:26:57,200 --> 01:27:01,519
Speaker 1: it's pretty insane out of all you've liberated. Uh, you know,

1498
01:27:01,800 --> 01:27:05,120
Speaker 1: as as be real on other people's joints. Um you

1499
01:27:05,240 --> 01:27:09,240
Speaker 1: know who who's somebody like that? You have never worked

1500
01:27:09,320 --> 01:27:11,360
Speaker 1: with that you like? I'm sure there's a few, but

1501
01:27:13,280 --> 01:27:16,360
Speaker 1: off top, jay Z has always been one of my favorites.

1502
01:27:16,400 --> 01:27:19,000
Speaker 1: He's like my one of my top three. You know,

1503
01:27:19,520 --> 01:27:22,800
Speaker 1: love me some fucking jay Z flip man like this.

1504
01:27:23,240 --> 01:27:25,760
Speaker 1: He's Him and Eminem are two of the guys that

1505
01:27:27,240 --> 01:27:30,479
Speaker 1: they can shift on beats like no one else can.

1506
01:27:30,920 --> 01:27:32,800
Speaker 1: I get it with Eminem when you just said that,

1507
01:27:33,200 --> 01:27:35,680
Speaker 1: But when when you say, with jay Z, explain it

1508
01:27:36,600 --> 01:27:40,759
Speaker 1: best details you can. His styles and pockets are fucking

1509
01:27:40,920 --> 01:27:43,960
Speaker 1: so clean and they're not like anyone else's they like,

1510
01:27:44,240 --> 01:27:47,479
Speaker 1: you know, it's not necessarily like Eminem. It's a totally

1511
01:27:47,560 --> 01:27:51,400
Speaker 1: different get down. He's a fucking words smith beyond anyone.

1512
01:27:51,560 --> 01:27:54,840
Speaker 1: He's like a fucking alien. No. But jay Z, on

1513
01:27:54,960 --> 01:27:57,880
Speaker 1: the other hand, he's got his old get down, and

1514
01:27:58,000 --> 01:28:02,280
Speaker 1: he's fucking sharp on every part of when he flips

1515
01:28:02,880 --> 01:28:06,200
Speaker 1: a different flow or whatever. And and some of the

1516
01:28:06,240 --> 01:28:13,040
Speaker 1: shitty saying I think sometimes, you know, because of so

1517
01:28:13,240 --> 01:28:15,320
Speaker 1: much ship that's out there, you know, it might get

1518
01:28:15,479 --> 01:28:20,800
Speaker 1: overlooked on how dope. I think it's it's like the

1519
01:28:21,120 --> 01:28:24,479
Speaker 1: same problem we had in terms of the way people

1520
01:28:24,520 --> 01:28:29,160
Speaker 1: looked at us in the music realm. Right, Um, because

1521
01:28:29,240 --> 01:28:33,360
Speaker 1: he's so big, they don't look at his mechanics. They

1522
01:28:33,400 --> 01:28:36,559
Speaker 1: don't they don't hear his mechanics. And he's past it now,

1523
01:28:36,720 --> 01:28:38,680
Speaker 1: and they're like, how come you just ain't making this

1524
01:28:38,840 --> 01:28:41,479
Speaker 1: mindless ship like everybody else. But that's because he's a

1525
01:28:41,520 --> 01:28:44,160
Speaker 1: student of the game and he's an actual fucking MC.

1526
01:28:44,960 --> 01:28:47,080
Speaker 1: He's sick, he's sick with it. He's one of my

1527
01:28:47,160 --> 01:28:49,320
Speaker 1: favorites and will continue to be. I haven't heard a

1528
01:28:49,400 --> 01:28:53,840
Speaker 1: bad song from him yet. Um. The comparison I made

1529
01:28:54,120 --> 01:28:56,000
Speaker 1: to him and our ship is that, you know, we

1530
01:28:56,560 --> 01:28:59,719
Speaker 1: for a long time got lost in they're a cannabis

1531
01:28:59,760 --> 01:29:03,719
Speaker 1: group as opposed to their hip hop, their music group.

1532
01:29:04,520 --> 01:29:05,960
Speaker 1: You know what I mean? That was just an accident,

1533
01:29:06,040 --> 01:29:08,400
Speaker 1: And that was an accident because you know, you couldn't

1534
01:29:08,400 --> 01:29:10,840
Speaker 1: plan it, right, Yeah, we were. We were championing it,

1535
01:29:11,560 --> 01:29:13,680
Speaker 1: but not every song was about it. I mean, you know,

1536
01:29:13,760 --> 01:29:17,599
Speaker 1: if you listen to uh each in every Cypress Hill album,

1537
01:29:18,280 --> 01:29:22,680
Speaker 1: there's maybe two songs about We'd in in any of

1538
01:29:23,360 --> 01:29:27,880
Speaker 1: those albums that there's references through the songs. But there's

1539
01:29:27,920 --> 01:29:31,320
Speaker 1: only like two Weed songs on on every album. Right.

1540
01:29:32,000 --> 01:29:34,000
Speaker 1: People made it more about it. We were a weed

1541
01:29:34,040 --> 01:29:35,640
Speaker 1: grouped in a music group and that you know, and

1542
01:29:35,920 --> 01:29:38,080
Speaker 1: when we do interviews that I have to remind them like, hey,

1543
01:29:38,160 --> 01:29:42,160
Speaker 1: we're a fucking music group. Before this, we are much

1544
01:29:42,320 --> 01:29:47,759
Speaker 1: more than just talking. Yeah, you know. And it didn't

1545
01:29:47,760 --> 01:29:50,040
Speaker 1: really bother me because that's the bed we made. But

1546
01:29:50,520 --> 01:29:52,599
Speaker 1: you know, I had to remind people like, hey, listen,

1547
01:29:52,640 --> 01:29:54,920
Speaker 1: I'm an m C. Put me on a song with

1548
01:29:55,040 --> 01:29:58,040
Speaker 1: anybody to speak to the features that you were saying,

1549
01:29:58,120 --> 01:30:00,240
Speaker 1: you know, like who would who would I fee, you know,

1550
01:30:00,439 --> 01:30:02,920
Speaker 1: like to feature with? And you know, jay Z is

1551
01:30:02,960 --> 01:30:06,600
Speaker 1: one of them, because I like to test myself and

1552
01:30:06,760 --> 01:30:09,599
Speaker 1: see where I'm at and I know that no matter

1553
01:30:09,720 --> 01:30:13,760
Speaker 1: who I'm on there with, we're coming for the head chop.

1554
01:30:14,080 --> 01:30:19,880
Speaker 1: You like, would definitely if busting rhymes, who is one

1555
01:30:19,920 --> 01:30:23,000
Speaker 1: of my favorites and he's been one of my homies

1556
01:30:23,080 --> 01:30:26,840
Speaker 1: for the longest, and you know, never rocked together. We

1557
01:30:27,080 --> 01:30:30,760
Speaker 1: I think we've maybe done one feature that we were

1558
01:30:30,840 --> 01:30:33,040
Speaker 1: on the same song on. I think it was for

1559
01:30:33,360 --> 01:30:37,000
Speaker 1: for Space Jam. Is it okay? Space Jam? But we

1560
01:30:37,200 --> 01:30:40,920
Speaker 1: never really we talked about doing a duel him and

1561
01:30:41,040 --> 01:30:44,000
Speaker 1: I for you know, back in those early days, because

1562
01:30:44,040 --> 01:30:47,160
Speaker 1: our voices you know, bounced off each other like that.

1563
01:30:47,400 --> 01:30:49,320
Speaker 1: But we never got a chance to do it. But

1564
01:30:49,600 --> 01:30:53,120
Speaker 1: I would totally funk with Buster because he's the because

1565
01:30:53,160 --> 01:30:55,200
Speaker 1: he's the type of dude and this is this is

1566
01:30:55,280 --> 01:30:57,960
Speaker 1: what I mean, is that he would take you to

1567
01:30:58,120 --> 01:31:01,120
Speaker 1: another level because we're the the dudes didn't want to,

1568
01:31:02,360 --> 01:31:04,840
Speaker 1: you know, be inspired by each other to to to

1569
01:31:05,000 --> 01:31:07,479
Speaker 1: like chop each other's heads off, you know what I'm saying.

1570
01:31:07,520 --> 01:31:10,760
Speaker 1: You're so we we push each other, which makes a

1571
01:31:10,920 --> 01:31:13,840
Speaker 1: great fucking song. So when you hear those verses, you're like,

1572
01:31:14,120 --> 01:31:17,800
Speaker 1: oh shit, you know what I mean. And that's what

1573
01:31:17,920 --> 01:31:20,360
Speaker 1: I'm always looking for when I do you know a

1574
01:31:20,439 --> 01:31:23,720
Speaker 1: feature with somebody, should they call me? And you know

1575
01:31:24,280 --> 01:31:26,000
Speaker 1: the other day I was actually thinking about it. I

1576
01:31:26,080 --> 01:31:27,720
Speaker 1: was like, funk, I've done a lot of features in

1577
01:31:27,760 --> 01:31:29,599
Speaker 1: the nineties, I didn't do a whole lot. I did

1578
01:31:30,400 --> 01:31:35,240
Speaker 1: maybe four tops. Maybe that Sony wouldn't allow me to

1579
01:31:35,400 --> 01:31:37,680
Speaker 1: get out of the group and do the ship that.

1580
01:31:37,960 --> 01:31:40,320
Speaker 1: You know, they had to really be okay with any

1581
01:31:40,400 --> 01:31:43,200
Speaker 1: of that. And for a long time people didn't call

1582
01:31:43,280 --> 01:31:45,439
Speaker 1: me like that because I was in the group format,

1583
01:31:45,479 --> 01:31:49,200
Speaker 1: and sometimes when you're in the group format, they don't

1584
01:31:49,240 --> 01:31:52,840
Speaker 1: really look at you as a single verse mcne where

1585
01:31:52,880 --> 01:31:56,160
Speaker 1: you're spitting and you can fucking connect and and be like,

1586
01:31:56,240 --> 01:31:59,439
Speaker 1: oh damn, this motherfucker's actually spitting. They respect me in

1587
01:31:59,600 --> 01:32:04,960
Speaker 1: song form, but the MC form not really yet. And

1588
01:32:05,160 --> 01:32:06,960
Speaker 1: I'll tell you you know, the big part of that

1589
01:32:07,200 --> 01:32:11,599
Speaker 1: was DJ Quick. The reason I started doing more features, um,

1590
01:32:12,280 --> 01:32:14,880
Speaker 1: you know, towards the later part of Cypress, towards the

1591
01:32:15,040 --> 01:32:18,680
Speaker 1: much later part of Cyprus, is that DJ Quick hit

1592
01:32:18,800 --> 01:32:20,840
Speaker 1: me up and you know, he asked me to do

1593
01:32:20,920 --> 01:32:24,280
Speaker 1: a song called fan Dango, And on this song, I

1594
01:32:24,400 --> 01:32:27,160
Speaker 1: flipped a fucking style that I hadn't flipped on any

1595
01:32:27,200 --> 01:32:32,240
Speaker 1: Cypress Silvers or any any other ship, and I did

1596
01:32:32,320 --> 01:32:34,320
Speaker 1: this flip on it. And then he asked me to

1597
01:32:34,400 --> 01:32:37,599
Speaker 1: pitch my voice down a little bit instead of being

1598
01:32:37,680 --> 01:32:39,720
Speaker 1: up on that high register. He asked me to come

1599
01:32:40,280 --> 01:32:42,080
Speaker 1: come down a little bit because listen, I know you

1600
01:32:42,160 --> 01:32:44,400
Speaker 1: do this for Cyprus, but I think you need to

1601
01:32:44,560 --> 01:32:48,280
Speaker 1: relax it a little bit more and the flip will

1602
01:32:48,320 --> 01:32:50,960
Speaker 1: be easier, you know what I mean, It won't sound

1603
01:32:51,040 --> 01:32:54,000
Speaker 1: so cutting. We climbed my quick with the bird on

1604
01:32:54,080 --> 01:32:56,360
Speaker 1: my hand. She wanted to send it off in the club,

1605
01:32:56,439 --> 01:32:58,479
Speaker 1: don't quit, and we crack a bottle and on my

1606
01:32:58,600 --> 01:33:00,800
Speaker 1: fan take a sip. Any just want to pop up

1607
01:33:00,800 --> 01:33:03,120
Speaker 1: the lip. We come on with. We get the paper

1608
01:33:03,200 --> 01:33:05,200
Speaker 1: and say what the flavor, But never forget about the

1609
01:33:05,280 --> 01:33:07,960
Speaker 1: haters who cant the leaving Martinus. I mean we created

1610
01:33:08,080 --> 01:33:10,519
Speaker 1: some players and prime sayers for leagas words. Let me

1611
01:33:10,600 --> 01:33:13,000
Speaker 1: see it in terms of you can understate so clearly

1612
01:33:13,200 --> 01:33:15,600
Speaker 1: feeling me fair. She's on the floor because of my

1613
01:33:15,680 --> 01:33:18,160
Speaker 1: homie quick Man. She wants some more, but you don't

1614
01:33:18,200 --> 01:33:21,400
Speaker 1: really understand. Yea, the floor, but never's getting out of hand.

1615
01:33:21,479 --> 01:33:23,439
Speaker 1: Mommy is taking the more and she's post him to

1616
01:33:23,560 --> 01:33:27,559
Speaker 1: the damn little people. Got the dance floor. Slam no tank,

1617
01:33:27,640 --> 01:33:30,200
Speaker 1: go straight and day go burnt. Flock to us like

1618
01:33:30,360 --> 01:33:33,040
Speaker 1: heads to cackles. Come on, so I you know I

1619
01:33:33,200 --> 01:33:37,200
Speaker 1: gave the tone a shot, and he fucking loved it.

1620
01:33:37,280 --> 01:33:40,520
Speaker 1: He was like dancing around in the studio like celebrate

1621
01:33:40,560 --> 01:33:43,040
Speaker 1: and I was like, oh Ship, and he started giving

1622
01:33:43,120 --> 01:33:45,960
Speaker 1: me props. I had never heard DJ Quick give me before,

1623
01:33:46,160 --> 01:33:48,320
Speaker 1: you know, and you know, like I had heard it

1624
01:33:48,400 --> 01:33:51,640
Speaker 1: around town and on radio and interviews and ship like

1625
01:33:51,720 --> 01:33:53,800
Speaker 1: that that he had done. I was like, Damn, DJ

1626
01:33:54,040 --> 01:33:56,519
Speaker 1: Quick is the fucking man, you know, because we had

1627
01:33:56,560 --> 01:33:59,439
Speaker 1: never worked together at that point, you know. And this

1628
01:33:59,600 --> 01:34:03,639
Speaker 1: was years later, you know, um, and people started hearing

1629
01:34:03,760 --> 01:34:06,720
Speaker 1: that song and the style I was flipping on that

1630
01:34:06,920 --> 01:34:10,280
Speaker 1: song like m C. Ship. And that's when I started

1631
01:34:10,320 --> 01:34:13,679
Speaker 1: getting calls from some of the younger cats, from other

1632
01:34:13,840 --> 01:34:16,519
Speaker 1: cats and our our era of hip hop. They're like,

1633
01:34:16,560 --> 01:34:18,599
Speaker 1: oh Ship, be real is flipping like that? Whoa wait?

1634
01:34:19,280 --> 01:34:21,160
Speaker 1: I think that's a part of like a group, you know,

1635
01:34:21,680 --> 01:34:25,240
Speaker 1: day Law. Those two guys Pass and day were stupid

1636
01:34:25,439 --> 01:34:28,280
Speaker 1: sid and but they're just like day Law Soul. You know,

1637
01:34:28,760 --> 01:34:30,800
Speaker 1: it's part of a group thing. You know, like you know,

1638
01:34:30,960 --> 01:34:33,439
Speaker 1: there's a pros and cons to it where people take

1639
01:34:33,520 --> 01:34:36,760
Speaker 1: it for granted, um, and sometimes you know it could

1640
01:34:36,800 --> 01:34:38,760
Speaker 1: break up a group, like you said, because you know,

1641
01:34:39,000 --> 01:34:41,519
Speaker 1: I'm nicer than this dude. This dude is like, you're

1642
01:34:41,560 --> 01:34:45,519
Speaker 1: definitely because Cyprus is so iconic and there's such an

1643
01:34:45,560 --> 01:34:47,800
Speaker 1: impression of it. I could see how that would get

1644
01:34:47,840 --> 01:34:50,080
Speaker 1: lost with you in the early years because you guys

1645
01:34:50,160 --> 01:34:52,479
Speaker 1: were like it was like it was a group, you know,

1646
01:34:52,640 --> 01:34:56,760
Speaker 1: like public enemy, you know, UM and and those of

1647
01:34:56,920 --> 01:34:59,240
Speaker 1: us that are m seasoned groups don't get the DAP

1648
01:34:59,520 --> 01:35:03,519
Speaker 1: like a jay Z and nas and eminem they carry

1649
01:35:03,760 --> 01:35:06,800
Speaker 1: the ship on their own, you know, they don't look

1650
01:35:06,840 --> 01:35:08,240
Speaker 1: at it in the group for him there. You know,

1651
01:35:08,400 --> 01:35:10,800
Speaker 1: you guys are bouncing it. It's it's it's a team.

1652
01:35:11,560 --> 01:35:13,720
Speaker 1: So you could get looked at as the team. Like

1653
01:35:13,840 --> 01:35:17,040
Speaker 1: you know, people could say Cypress Hill is top five

1654
01:35:17,720 --> 01:35:23,040
Speaker 1: of all time, um, but realistically they're not gonna look

1655
01:35:23,080 --> 01:35:25,600
Speaker 1: at me as top five m season, you know what

1656
01:35:25,680 --> 01:35:28,200
Speaker 1: I mean, not until I go and cut their fucking

1657
01:35:28,280 --> 01:35:31,600
Speaker 1: idols heads, you know what I'm saying. Yeah, you know,

1658
01:35:32,000 --> 01:35:35,599
Speaker 1: it's it's all friendly competition. You know, I don't spit

1659
01:35:35,680 --> 01:35:38,400
Speaker 1: with anybody who I don't got loved for, and it's

1660
01:35:38,479 --> 01:35:43,200
Speaker 1: never to make anyone look bad. It's it's just you're elevated,

1661
01:35:43,640 --> 01:35:46,840
Speaker 1: elevate the song. You know, we make each other better. Right, Oh,

1662
01:35:46,920 --> 01:35:51,000
Speaker 1: I got two more questions. When you first heard Hand

1663
01:35:51,080 --> 01:35:54,600
Speaker 1: on a Pump, Dude, dude, dude, give me give me

1664
01:35:55,320 --> 01:35:57,760
Speaker 1: the first time you heard it that sample, give me

1665
01:35:57,880 --> 01:36:02,760
Speaker 1: the making, uh, the needs of that song. You know,

1666
01:36:02,960 --> 01:36:05,240
Speaker 1: it was nuts when we heard that, you know, because

1667
01:36:05,840 --> 01:36:08,560
Speaker 1: Mugs was very much on a role in terms of

1668
01:36:09,080 --> 01:36:12,759
Speaker 1: putting you know, because when we were in demo phase,

1669
01:36:13,720 --> 01:36:16,599
Speaker 1: you know, he had all these different types of things

1670
01:36:16,680 --> 01:36:19,479
Speaker 1: that he had going on. But you know, there was

1671
01:36:19,840 --> 01:36:22,160
Speaker 1: there was one song that happened. I think it was

1672
01:36:22,240 --> 01:36:24,880
Speaker 1: either really I think it was Real Estate, which was

1673
01:36:24,960 --> 01:36:29,760
Speaker 1: our first real song that was going on the album. Uh,

1674
01:36:30,479 --> 01:36:34,240
Speaker 1: he got into a stride right there and he started

1675
01:36:34,280 --> 01:36:37,280
Speaker 1: to make joints like kill a man after that and

1676
01:36:38,040 --> 01:36:40,439
Speaker 1: and stuff. So when he got to fucking hand on

1677
01:36:40,479 --> 01:36:43,599
Speaker 1: the Pump, he was very much in the fucking zone.

1678
01:36:44,120 --> 01:36:46,880
Speaker 1: And when we heard that, we were like, we knew

1679
01:36:46,960 --> 01:36:49,160
Speaker 1: the flip was coming. You know, we were like, this

1680
01:36:49,320 --> 01:36:51,080
Speaker 1: is gonna be one of those songs where it just

1681
01:36:51,880 --> 01:36:57,479
Speaker 1: instantly ignites people. And you know, at least that's how

1682
01:36:57,520 --> 01:36:59,599
Speaker 1: we felt. You could never know until you're out there

1683
01:36:59,680 --> 01:37:02,360
Speaker 1: before mean this song, right, But what we noticed is,

1684
01:37:03,400 --> 01:37:07,000
Speaker 1: you know, it's one of those songs like, uh, it's

1685
01:37:07,120 --> 01:37:12,040
Speaker 1: it's an underrated song in terms of our our catalog. Yes,

1686
01:37:12,200 --> 01:37:15,120
Speaker 1: when you when you see what happens in our lives

1687
01:37:15,120 --> 01:37:21,800
Speaker 1: set to this song, it's fucking it's explosive. It's explosive.

1688
01:37:21,880 --> 01:37:24,200
Speaker 1: It wasn't as big of a song is how I

1689
01:37:24,280 --> 01:37:26,599
Speaker 1: could just kill a man or insane in the brain

1690
01:37:26,880 --> 01:37:30,559
Speaker 1: or rock Superstar and none of that ship. But it's

1691
01:37:30,680 --> 01:37:34,320
Speaker 1: that that dark Horse. It's that dark Horse song because

1692
01:37:34,400 --> 01:37:37,639
Speaker 1: when that song starts, you know, back in the nineties

1693
01:37:37,680 --> 01:37:41,400
Speaker 1: when we did it, people would just immediately ignite into

1694
01:37:41,479 --> 01:37:46,000
Speaker 1: a much pit Like we weren't calling for it. We

1695
01:37:46,120 --> 01:37:49,439
Speaker 1: started fucking emulating what was happening in front of us.

1696
01:37:49,479 --> 01:37:51,479
Speaker 1: So we would bring all our homies on stage and

1697
01:37:51,560 --> 01:37:55,160
Speaker 1: we'd all be fucking each other up, mashing on stage

1698
01:37:55,840 --> 01:38:00,280
Speaker 1: like like really doing it. You know, we were stupid, um,

1699
01:38:00,400 --> 01:38:02,360
Speaker 1: But that's what people loved about us, is that we

1700
01:38:02,439 --> 01:38:05,240
Speaker 1: were willing to go that way and and and be

1701
01:38:05,479 --> 01:38:09,160
Speaker 1: chaotic and and and give them a spectacle. You know,

1702
01:38:09,400 --> 01:38:12,240
Speaker 1: we didn't have all the crazy visuals and bells and whistles,

1703
01:38:12,280 --> 01:38:14,880
Speaker 1: but what we did have was a raw energy, and

1704
01:38:14,960 --> 01:38:17,000
Speaker 1: we took use of that, and we took hold of

1705
01:38:17,080 --> 01:38:19,559
Speaker 1: it and harnessed it and used it to our advantage.

1706
01:38:19,600 --> 01:38:22,080
Speaker 1: So when we saw that down there happening, we put

1707
01:38:22,120 --> 01:38:24,600
Speaker 1: it on stage and then we fucking jump out. So

1708
01:38:24,800 --> 01:38:27,880
Speaker 1: we we much we took from the page of the

1709
01:38:28,000 --> 01:38:31,400
Speaker 1: punk rock book, and you know, we just said, fucking

1710
01:38:31,439 --> 01:38:34,599
Speaker 1: we're gonna embrace this because this is happening with hip hop,

1711
01:38:35,479 --> 01:38:37,920
Speaker 1: and no one had seen that except for with the

1712
01:38:38,000 --> 01:38:41,800
Speaker 1: Beastie Boys, and realistically, what what was happening with them

1713
01:38:41,880 --> 01:38:44,160
Speaker 1: was people were doing the stage diving and stuff like that.

1714
01:38:44,360 --> 01:38:47,880
Speaker 1: But with us came the fucking mosh pits and hip

1715
01:38:47,920 --> 01:38:51,200
Speaker 1: hop for a time until everybody got so fresh they

1716
01:38:51,200 --> 01:38:54,160
Speaker 1: don't want their ship getting Nobody wants to be bumping

1717
01:38:54,200 --> 01:38:56,800
Speaker 1: into each other, so then it's just jumping up and

1718
01:38:56,880 --> 01:39:02,760
Speaker 1: down and doing this yeah yeah, yeah, yeahs at least

1719
01:39:02,800 --> 01:39:05,400
Speaker 1: here in the States. Everywhere else is just like it

1720
01:39:05,560 --> 01:39:07,519
Speaker 1: used to be in the nineties. They will fuck each

1721
01:39:07,520 --> 01:39:10,200
Speaker 1: other up out there, which I don't understand is dancing.

1722
01:39:10,320 --> 01:39:13,240
Speaker 1: I know. I was always just like I remember la lapla.

1723
01:39:13,320 --> 01:39:17,360
Speaker 1: I was like, what the fuck is this ship? Like,

1724
01:39:17,479 --> 01:39:19,439
Speaker 1: what the funk are you guys do this? They go

1725
01:39:19,600 --> 01:39:22,000
Speaker 1: get a football helmet and try out for a fucking team.

1726
01:39:22,160 --> 01:39:24,840
Speaker 1: It's crazy, man, especially in Europe. You see these guys

1727
01:39:24,920 --> 01:39:29,519
Speaker 1: get crazy nuts. But it's still exists here in in

1728
01:39:29,600 --> 01:39:32,240
Speaker 1: the States. Just for some groups. They'll do it, you know,

1729
01:39:32,400 --> 01:39:35,320
Speaker 1: like when we went out with Profits of Razor, like, Okay,

1730
01:39:35,360 --> 01:39:37,679
Speaker 1: what's the reaction is going to be in a general

1731
01:39:37,760 --> 01:39:41,560
Speaker 1: admission style venue? You know, are they gonna, you know,

1732
01:39:41,880 --> 01:39:43,960
Speaker 1: just do the hands up and bounce? What are they

1733
01:39:44,000 --> 01:39:47,439
Speaker 1: gonna do? Fuck? You know, we did the Brooklyn Brooklyn

1734
01:39:47,800 --> 01:39:53,360
Speaker 1: what's the Barclays? And my god, man, like I didn't

1735
01:39:53,400 --> 01:39:54,880
Speaker 1: know what they were going to do it. And when

1736
01:39:54,960 --> 01:39:58,240
Speaker 1: we saw the overhead footage of ship after the show,

1737
01:39:58,320 --> 01:40:01,639
Speaker 1: we're like, fuck, it still exists here in the States.

1738
01:40:01,680 --> 01:40:05,120
Speaker 1: To some crowds, they'll fucking lose their ship. And they

1739
01:40:05,200 --> 01:40:07,640
Speaker 1: lost their ship in Brooklyn. I gotta tell you for

1740
01:40:07,800 --> 01:40:10,559
Speaker 1: Profits of Rage that that first show we did over there,

1741
01:40:11,240 --> 01:40:14,960
Speaker 1: it was nuts. We were totally fucking stoked. We're like, damn,

1742
01:40:15,960 --> 01:40:17,880
Speaker 1: my last question, because I could go on and on

1743
01:40:18,040 --> 01:40:20,240
Speaker 1: and on and on and on, what is that? You

1744
01:40:20,400 --> 01:40:22,519
Speaker 1: guys had your thing with ice Cu, which I hated.

1745
01:40:22,880 --> 01:40:25,400
Speaker 1: It got resolved. You guys are all everybody's grown man,

1746
01:40:25,479 --> 01:40:28,280
Speaker 1: It's like, yeah, we're good. What is your take on

1747
01:40:28,920 --> 01:40:31,000
Speaker 1: two thousand eighteen? Like, I think it has been a

1748
01:40:31,040 --> 01:40:33,559
Speaker 1: good year for hip hop? Um, And I think one

1749
01:40:33,600 --> 01:40:35,479
Speaker 1: of the good things about a good year for hip

1750
01:40:35,479 --> 01:40:38,360
Speaker 1: hop is there's been beef. You never wanted to go

1751
01:40:38,640 --> 01:40:45,599
Speaker 1: beyond record? What is your take on, uh, Push a T, Kanye, Drake, Kanye,

1752
01:40:45,720 --> 01:40:48,120
Speaker 1: Push a T, Machine Gun, Kelly and me, And I'm like,

1753
01:40:48,200 --> 01:40:49,840
Speaker 1: what is like just like in terms of like if

1754
01:40:49,880 --> 01:40:52,479
Speaker 1: we were doing Fox Sports like scoring card, what would

1755
01:40:52,479 --> 01:40:56,960
Speaker 1: be your analysis of these those two separate little things. Well,

1756
01:40:57,040 --> 01:41:02,800
Speaker 1: you know they're giving it a shot. Um. You know,

1757
01:41:03,479 --> 01:41:06,400
Speaker 1: beef is always existed in in hip hop. You know

1758
01:41:06,640 --> 01:41:09,640
Speaker 1: that there's always that ship. Some some of it's competitive

1759
01:41:09,680 --> 01:41:13,519
Speaker 1: and some of it's personal. And when it gets to personal,

1760
01:41:14,840 --> 01:41:17,760
Speaker 1: you know, it can get dangerous, you know, because your

1761
01:41:17,840 --> 01:41:22,360
Speaker 1: boys don't want to look bad and you know, in

1762
01:41:22,479 --> 01:41:25,800
Speaker 1: front of people, you know, And so sometimes it's your

1763
01:41:25,880 --> 01:41:28,479
Speaker 1: boys who who you know, that are backing you up

1764
01:41:28,520 --> 01:41:31,920
Speaker 1: and backing your name, representing your name, who actually get

1765
01:41:32,040 --> 01:41:35,360
Speaker 1: into all the ship. Well, the artists who are supposedly beefing,

1766
01:41:35,439 --> 01:41:39,840
Speaker 1: are you know, letting that happen. But hopefully these dudes

1767
01:41:39,880 --> 01:41:43,280
Speaker 1: are responsible enough to you know, keep it you know,

1768
01:41:43,439 --> 01:41:45,760
Speaker 1: competitive and talk ship to each other on wax and

1769
01:41:45,840 --> 01:41:49,920
Speaker 1: not let their boys, you know, start fucking uh fucking

1770
01:41:49,960 --> 01:41:53,479
Speaker 1: each other up, because that always has been the fucked

1771
01:41:53,520 --> 01:41:57,679
Speaker 1: up part where they point fingers at hip hop music,

1772
01:41:57,800 --> 01:42:00,160
Speaker 1: rap music and those of us who do it. We'll

1773
01:42:00,160 --> 01:42:02,120
Speaker 1: look what they're doing. They can't even get along. They're

1774
01:42:02,200 --> 01:42:04,439
Speaker 1: fucking trying to kill each other. And obviously the Biggie

1775
01:42:04,439 --> 01:42:06,840
Speaker 1: and Tupac is is the worst, worst of the worst.

1776
01:42:06,920 --> 01:42:10,160
Speaker 1: That was the worst example because you know, the media

1777
01:42:10,280 --> 01:42:13,439
Speaker 1: perpetuated that those two guys were friends once upon a time,

1778
01:42:13,520 --> 01:42:15,560
Speaker 1: you know what I'm saying, and it it was a

1779
01:42:15,640 --> 01:42:19,240
Speaker 1: shame to let it get to that and all the

1780
01:42:19,360 --> 01:42:21,880
Speaker 1: people that helped instigate it. You know what I'm saying.

1781
01:42:22,600 --> 01:42:24,400
Speaker 1: We don't need that ship right now. As long as

1782
01:42:24,439 --> 01:42:27,280
Speaker 1: they keep it competitive, I'm cool with that because I mean,

1783
01:42:27,360 --> 01:42:30,400
Speaker 1: you know, they're all capable of mcs, you know, all right,

1784
01:42:30,680 --> 01:42:32,600
Speaker 1: be real, the Funky Field one. I could go on

1785
01:42:32,760 --> 01:42:35,200
Speaker 1: and on and on. I I saw something about you

1786
01:42:35,280 --> 01:42:38,559
Speaker 1: guys might be doing a documentary. Yes, that ship needs

1787
01:42:38,600 --> 01:42:42,080
Speaker 1: to be shot on film, and fucking Gloria's fucking black

1788
01:42:42,160 --> 01:42:44,760
Speaker 1: and White. I hope it happens. Yes, we're doing like

1789
01:42:44,840 --> 01:42:47,760
Speaker 1: an Indigo Go campaign. You know, we got inspired by

1790
01:42:47,880 --> 01:42:50,840
Speaker 1: Daylight and how they did their get down with their album.

1791
01:42:50,960 --> 01:42:53,560
Speaker 1: So we're thinking in the same vein in terms of

1792
01:42:53,600 --> 01:42:56,840
Speaker 1: our documentary. Should it should fucking happen. Yeah, So you

1793
01:42:56,920 --> 01:43:00,600
Speaker 1: know we're we're you know, thanking people for of the

1794
01:43:00,720 --> 01:43:04,680
Speaker 1: twenty seven years of support and inviting them to be

1795
01:43:04,800 --> 01:43:07,560
Speaker 1: a part of of the documentary and stuff like that.

1796
01:43:07,760 --> 01:43:10,920
Speaker 1: So alright, l Fants on Acid. I fucking love it.

1797
01:43:11,560 --> 01:43:13,759
Speaker 1: Funky feel. I mean, we didn't even go into weed

1798
01:43:13,840 --> 01:43:15,640
Speaker 1: and all that shuff because I could go, we've been

1799
01:43:15,680 --> 01:43:18,000
Speaker 1: talking for hour and do a part to another day.

1800
01:43:18,120 --> 01:43:20,160
Speaker 1: We'll do it. I go smoke box again and get

1801
01:43:20,240 --> 01:43:22,680
Speaker 1: sucking getting whacked out of there, all right, be real

1802
01:43:22,720 --> 01:43:24,280
Speaker 1: funky feel one. I can't tell you how much I

1803
01:43:24,320 --> 01:43:30,280
Speaker 1: appreciate it, for real, anytime, for anytime, all right. I

1804
01:43:30,360 --> 01:43:33,800
Speaker 1: want to thank be Real for dropping golden nuggets, dropping

1805
01:43:33,880 --> 01:43:37,880
Speaker 1: dimes on the Iron Rap Coors Stereo podcast. I appreciate it.

1806
01:43:38,320 --> 01:43:43,120
Speaker 1: Five episodes, Yo entire wrapper pack. Everybody who's been rocking

1807
01:43:43,240 --> 01:43:45,839
Speaker 1: from the beginning, Everybody who's been rocking from the hundredth

1808
01:43:45,880 --> 01:43:48,519
Speaker 1: episode two episode, No matter when you started listening to

1809
01:43:48,520 --> 01:43:51,720
Speaker 1: the Iron Rap Coors Stereo podcast. Toronto Rappa Pack, South

1810
01:43:51,840 --> 01:43:54,840
Speaker 1: Carolina Rappa Pack, l A Wrappa Pack, Chicago Rapper Pac

1811
01:43:55,920 --> 01:44:00,519
Speaker 1: International Wrapper Pack, Australian Rapper Pack. Appreciate it. Five hundred

1812
01:44:00,560 --> 01:44:04,160
Speaker 1: episodes we got about ship at least five hundred more.

1813
01:44:04,320 --> 01:44:07,320
Speaker 1: Ce I N Rapport Stereo Podcast, be real, thank you.

1814
01:44:07,400 --> 01:44:07,760
Speaker 1: I'm out,