WEBVTT - Casper

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<v Speaker 1>Hi everyone. Quick note, h there's some slight static here

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<v Speaker 1>and there at the beginning of the episode, but it

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<v Speaker 1>goes away pretty quickly so you won't hear it for

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<v Speaker 1>most of the episode. I just wanted to give everyone

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<v Speaker 1>heads up, thanks for understanding, and enjoy the episode. On

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<v Speaker 1>the Doe Cast, the questions asked if movies have women

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<v Speaker 1>in um, are all their discussions just boyfriends and husbands

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<v Speaker 1>or do they have individualism? The patriarchy? Zef invest start

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<v Speaker 1>changing it with the beck Del Cast. Hey, Jamie, Hey,

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<v Speaker 1>can I keep you know? It's cool? Closed the window.

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<v Speaker 1>I love how she was like, can you close the window?

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<v Speaker 1>It's called goodnight? God? What a what a creepy little ghost.

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<v Speaker 1>Welcome to the Bechtel Cast. My name is Jamie Loftus,

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<v Speaker 1>my name is Caitlin Darante, and this is our show

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<v Speaker 1>where we examine movies through an intersectional feminist lens. You

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<v Speaker 1>saying the Becktel test simply as a jumping off point,

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<v Speaker 1>but Jamie, yeah, what is it? Well, the Bechdel test

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<v Speaker 1>is a h well, it's a test in which uh well,

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<v Speaker 1>and also I should tell you where it came from.

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<v Speaker 1>It came from? Uh? Oh god, Sorry, I just wanted

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<v Speaker 1>to cast for The Friendly Ghost, and so I'm like,

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<v Speaker 1>so this, okay, this is not going to pass. I

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<v Speaker 1>just so frothingly horny for Bill, paulm and Daddy that

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<v Speaker 1>I'm not fully with it at this time. It's a

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<v Speaker 1>media metric invented by queer cartoonist Alice in Becktel, sometimes

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<v Speaker 1>called the Bechdel Wallace test. Uh. There's many permutations of

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<v Speaker 1>this test. Here's the one that we use here at

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<v Speaker 1>the Bechdel Cast. We require that two characters of a

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<v Speaker 1>marginalized gender with names speak to each other about something

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<v Speaker 1>other than a man for more than two lines of dialogue.

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<v Speaker 1>And you know, some movies do it, um many don't.

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<v Speaker 1>And my new favorite thing is when a movie when

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<v Speaker 1>it's clear that they get like a note that it

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<v Speaker 1>didn't pass the Backtel tests, and then they do a

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<v Speaker 1>small reshoot and add in a completely nonsensical scene just

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<v Speaker 1>to say they passed. I want to I've been trying

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<v Speaker 1>to keep better track of those in movies because I'm

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<v Speaker 1>trying to think of which there was a movie I

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<v Speaker 1>saw recently that was like Newer that I'm like, this

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<v Speaker 1>feels like a weird Anyways, It's complicated because I feel

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<v Speaker 1>like that would be the case for more recent movies.

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<v Speaker 1>People weren't No, people weren't thinking about this back It

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<v Speaker 1>didn't come into the popular consciousness until, like I feel

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<v Speaker 1>like late two thousand's early two thousand tents, even though

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<v Speaker 1>it was invented back in the eighties and then and

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<v Speaker 1>then our podcast, it's the only thing we actually talked about.

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<v Speaker 1>Because we invented we popularized it. No, I'm kidding, but

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<v Speaker 1>um yeah, recent movies are I think doing a better

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<v Speaker 1>job at passing generally. Generally yes, but but sometimes you

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<v Speaker 1>still see some some things. I don't know. I think

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<v Speaker 1>I just am in a crummy mood because you're just

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<v Speaker 1>like the state of these days, Caitlin, I'm just not

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<v Speaker 1>convinced that the world is a less misogynist what than ever,

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<v Speaker 1>just less prejudice in general? Um well, we live in

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<v Speaker 1>a healthscape. On that note, let's talk about Casper the

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<v Speaker 1>Friendly Ghost I love too. Okay, so I'll start by

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<v Speaker 1>saying this this episode, you might be like, wait a second,

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<v Speaker 1>it's June. Why are you covering Casper the Friendly Ghost?

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<v Speaker 1>This seems more like a HALLOWEENI pick. Well, the reason

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<v Speaker 1>we're covering Casper the Friendly Ghost is because it's a

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<v Speaker 1>little bit of synergy. It's a little bit of cross promotion,

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<v Speaker 1>if you will, um, because listeners, pretty there's nothing scarier

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<v Speaker 1>than corporate synergy. And by corporate I mean just me. Um. So.

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<v Speaker 1>So I have a new investigative series right now coming

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<v Speaker 1>out called Ghost Church. Uh. It is about the American

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<v Speaker 1>Spiritualist movement, which was kind of this movement that existed

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<v Speaker 1>in the eighteen hundreds. It still exists now. It's evolved

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<v Speaker 1>in all these freaky ways, but it's basically founded on

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<v Speaker 1>the idea of like spirit communication, that the dead don't

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<v Speaker 1>really die, it doesn't really play by Casper rules. Um.

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<v Speaker 1>But yeah, that The overview of the show is it's

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<v Speaker 1>a history of this bizarre religion and its founders who

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<v Speaker 1>were um, women religious leaders at a time where there

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<v Speaker 1>weren't a lot of women religious leaders. But they're kind

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<v Speaker 1>of girl bossing around. It's it's a wild story. And

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<v Speaker 1>then it also is the other half of it is

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<v Speaker 1>my experience going to a spiritualist camp this year and

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<v Speaker 1>talking with uh spirit mediums who are still working today.

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<v Speaker 1>So if that sounds like a fun thing to you,

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<v Speaker 1>I would I would love if you listened it was

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<v Speaker 1>a really fun kind of like challenging piece to put together,

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<v Speaker 1>and I hope you like it. So we were looking

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<v Speaker 1>for and and I'll sort of bring up because there

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<v Speaker 1>are like some spiritualist ideas in Casper the movies concept

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<v Speaker 1>of death, but it's also the movie is so all

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<v Speaker 1>over the place that I feel like death is viewed

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<v Speaker 1>just like however, the movie needs you to view it

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<v Speaker 1>from scene to scene, like sometimes it's the biggest deal

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<v Speaker 1>in the world, and then other times they're like who

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<v Speaker 1>gives a ship? And you're like, well, which what whatether?

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<v Speaker 1>It doesn't matter. It's a great movie. But we were

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<v Speaker 1>looking for movies about spirit communication and it made me

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<v Speaker 1>think about spiritualism as like I've been studying it and

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<v Speaker 1>understanding it because most of the stuff, like a lot

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<v Speaker 1>of spiritualism is built around the idea of the seance.

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<v Speaker 1>But most seances, as they're presented in movies are like

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<v Speaker 1>bad or conjure something evil, or you need like your

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<v Speaker 1>Christian to come and resolve what you've unleashed via a seance,

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<v Speaker 1>which is the opposite of what spiritualism is about. Spiritualism

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<v Speaker 1>is like an attempt to take a step away from

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<v Speaker 1>the idea of like good and evil. They're very into

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<v Speaker 1>redemption and like redemptive justice and all these like. I mean,

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<v Speaker 1>there are plenty of issues with it with the religion,

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<v Speaker 1>but it is far more progressive than Catholicism, for example,

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<v Speaker 1>which is weirdly, what you'll mostly get in seance movies

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<v Speaker 1>is like a Catholic priest showing up to reverse what

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<v Speaker 1>the seance did. It's hard to find a feel good

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<v Speaker 1>movie about death, and that's where cast By the Friendly

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<v Speaker 1>Ghost comes in. And that's where Castfer comes in because

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<v Speaker 1>the only other movie that's like explicitly about spiritualism is

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<v Speaker 1>Nightmare Alley that came out last year, which again is

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<v Speaker 1>pretty unfavorable, which is like fine, but more importantly, no

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<v Speaker 1>one watched the movie and we didn't like it. So

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<v Speaker 1>that's why we're With all due respect to King Guierma

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<v Speaker 1>del Toro, it was so boring. There was no pans

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<v Speaker 1>labyrinthe I I get. Really, I'm like, you're just gonna

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<v Speaker 1>not give Rooney Mara anything to do. What a waste?

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<v Speaker 1>What a waste of everyone's time? Anyways, Uh so that's

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<v Speaker 1>why we're doing Casper. This is actually one of the

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<v Speaker 1>more like open minded views of death that you can

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<v Speaker 1>find in a movie or spirit communication at least. Sure, yes,

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<v Speaker 1>so yeah, listen to Ghost Church. We'll keep talking about

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<v Speaker 1>spirit communication. But Caitlin, what's your history with Casper? Oh

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<v Speaker 1>my gosh. This movie came out when I was nine

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<v Speaker 1>years old, so I was the exact right age he

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<v Speaker 1>see it and love it and be obsessed with it.

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<v Speaker 1>And I especially loved the production design, although I wasn't

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<v Speaker 1>like a nine year old being like, wow, look at

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<v Speaker 1>this set design. Amazing. The house is so still so cool. Yeah,

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<v Speaker 1>the house holds up. The Casper house holds up. So

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<v Speaker 1>I just like loved the spooky sets in the in

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<v Speaker 1>the house and then when they go into the secret

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<v Speaker 1>layer where the Lazarus machine is and like that all that.

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<v Speaker 1>I loved it, And I did you realize the Backstreet

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<v Speaker 1>Boys connection? No? Oh my gosh. This is the kind

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<v Speaker 1>of you know, like when you learn a fun fact

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<v Speaker 1>and you're like, I know, I've learned this before, but

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<v Speaker 1>I just like relearned it today and it's all the time. Yeah, right,

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<v Speaker 1>in our advanced age, sometimes things just slip. Um. The

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<v Speaker 1>music video for Backstreets Back all right, where all the

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<v Speaker 1>Backstreet Boys are dressed up in Halloween costumes and they're

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<v Speaker 1>dancing in the mansion. That's the Casper mansion. It's the

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<v Speaker 1>same mansion, and every time you see the wide shot,

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<v Speaker 1>you're like, this looks familiar, and it's the Backstreets back

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<v Speaker 1>mansion because that song came out in nine six, so

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<v Speaker 1>they just like share it a set repurposed the Casper House.

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<v Speaker 1>Isn't that the coolest? It's a legendary and it's just

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<v Speaker 1>beautiful and awesome and yeah, so anyway, I loved it

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<v Speaker 1>at the time, but I don't think I saw I

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<v Speaker 1>watched it past probably like seven because again, famously, Titanic

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<v Speaker 1>comes out and I didn't watch any other movies for

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<v Speaker 1>a solid decade. Yeah, totally, so, I you know, there

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<v Speaker 1>was a couple of year chunk in the mid to

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<v Speaker 1>late nineties when I was obsessed with this movie, but

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<v Speaker 1>I hadn't watched it since, so rewatching it for the

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<v Speaker 1>podcast was interesting. And my thesis statement will be that

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<v Speaker 1>Casper is a creepy little pervert. Okay now now, now,

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<v Speaker 1>now thoughts. I definitely think that Casper's behavior is not great,

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<v Speaker 1>but I, I don't know they're this, I I really

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<v Speaker 1>love this movie is still it's like it's gonna be

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<v Speaker 1>hard to I mean, I just like, every time I

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<v Speaker 1>see this movie still you're still oh my gosh. Yes,

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<v Speaker 1>Like I I don't remember when I first I like,

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<v Speaker 1>this was just like a VHS that was always at

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<v Speaker 1>our house. And I loved Casper, not just Casper, the

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<v Speaker 1>Casper Expanded Universe. Because there were two directed video sequels

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<v Speaker 1>that came out after this. It was called like Casper.

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<v Speaker 1>Oh my gosh. There for some reason, like just so

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<v Speaker 1>many awakenings for me happened via this Casper franchise. There

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<v Speaker 1>was a direct oh my god, this is going to

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<v Speaker 1>drive me wild, and I do need to know what

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<v Speaker 1>this direct movie was called. But anyways, this movie was

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<v Speaker 1>one of my favorites when I was a kid. I

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<v Speaker 1>still watch it every couple of years. I think it

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<v Speaker 1>was like, yeah, I like to watch it around Halloween time.

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<v Speaker 1>I just think it's like there's so much wrong with it.

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<v Speaker 1>But it is a problematic favorite for me that I

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<v Speaker 1>like that I still think it's doing a lot of

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<v Speaker 1>like funny cool stuff that like I don't know, like

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<v Speaker 1>there's things that happened in this movie that don't happen

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<v Speaker 1>in movies anymore. Because they shouldn't. And then there's things

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<v Speaker 1>that happened in this movie that don't happen in movies

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<v Speaker 1>anywhere that I'm like, where did that go? That was fun? Sure?

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<v Speaker 1>I liked that, Like it's just really chaotic. I feel

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<v Speaker 1>like they're like especially because it's like an I P

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<v Speaker 1>a piece of like I P. I feel like now

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<v Speaker 1>people are so like precious with like rebooting I P.

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<v Speaker 1>Where it's all very like sterile and I don't know,

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<v Speaker 1>like you think about how sexless the Marvel movies are

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<v Speaker 1>and how it's like they can be funny but they

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<v Speaker 1>actually can't be funny, and it's just like you just

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<v Speaker 1>feel so much like caution in some ways that is

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<v Speaker 1>good and undoes harmful things that were done in movies

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<v Speaker 1>in the past. And then it's just sometimes you're like, yeah,

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<v Speaker 1>why so much of this movie is just like there's

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<v Speaker 1>a ruckus and yeah, wild wild choices. Yeah. I used

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<v Speaker 1>to be completely in love with every character in this movie.

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<v Speaker 1>I loved Christina Ricci's character so much, wanted to be her.

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<v Speaker 1>Was also in love with her father, thought he Pulman

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<v Speaker 1>dad was really handsome. Still really feel that way. Kathy

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<v Speaker 1>Moriarty is like there's just so much, so much campiness

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<v Speaker 1>in this movie too, in a way that just like

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<v Speaker 1>happens in movies now, but I feel like doesn't happen

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<v Speaker 1>in like big kids movie. I don't know, maybe I'm

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<v Speaker 1>totally wrong and I'm just not watching the right movies,

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<v Speaker 1>but but yeah, like this movie is just so goofy

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<v Speaker 1>and campy and like if you showed it to a

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<v Speaker 1>kid right now. It's also so that they be like,

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<v Speaker 1>what is this? Like, who is Rodney Dangerfield? Oh my gosh.

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<v Speaker 1>The cameos are wild. Mel Gibson makes it, has a cameo,

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<v Speaker 1>has a cameo. It's so and all the cameos are

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<v Speaker 1>like really condensed to They all happened like five in

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<v Speaker 1>a row will happen, and then one won't happen for

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<v Speaker 1>forty five minutes. Yeah, I guess all I have to

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<v Speaker 1>say is I love this movie and I think it

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<v Speaker 1>is so goofy and chaotic, and let's talk about it.

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<v Speaker 1>Let's do but first let's take a quick break and

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<v Speaker 1>then we will come right back. And we're back, and

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<v Speaker 1>here is the recap. So there's a big scary house.

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<v Speaker 1>Two boys go inside at nighttime to take a picture.

0:13:53.880 --> 0:13:56.560
<v Speaker 1>I guess to show their friends that they went inside

0:13:56.559 --> 0:14:01.040
<v Speaker 1>the spooky hunted house. But then someone maybe it's Casper

0:14:01.080 --> 0:14:04.680
<v Speaker 1>the ghost I don't know, takes the picture for them

0:14:05.000 --> 0:14:07.800
<v Speaker 1>and then they run out screaming, it is Casper the ghost.

0:14:07.840 --> 0:14:12.320
<v Speaker 1>It is voice O God, calem. Don't you love the

0:14:12.360 --> 0:14:16.400
<v Speaker 1>part at the end where five hundred wild things happen

0:14:16.440 --> 0:14:18.680
<v Speaker 1>in a row people are dying, coming back to life, dying,

0:14:18.679 --> 0:14:23.800
<v Speaker 1>coming back to life, Surprise kiss, surprise Angel. That the

0:14:23.880 --> 0:14:26.840
<v Speaker 1>mother doesn't visit her daughter but does visit this ghost.

0:14:26.960 --> 0:14:29.640
<v Speaker 1>Like all this stuff happens where you're just like, um,

0:14:29.720 --> 0:14:32.320
<v Speaker 1>what a wild night? And then and then the ghost

0:14:32.360 --> 0:14:35.800
<v Speaker 1>start playing guitars and then the movie is all of her.

0:14:36.880 --> 0:14:42.880
<v Speaker 1>It's it's really funny. Sorry anyway, Okay, we cut to

0:14:43.320 --> 0:14:47.840
<v Speaker 1>a woman named Kerrigan that's Cathy Moriarty icon She inherits

0:14:48.440 --> 0:14:54.200
<v Speaker 1>a manner from her deceased father, presumably the same old

0:14:54.320 --> 0:14:57.400
<v Speaker 1>scary house that we just saw, which is called what again,

0:14:57.880 --> 0:15:02.080
<v Speaker 1>Whip the staff manner? Whips staff manner, which sounds like

0:15:02.520 --> 0:15:06.600
<v Speaker 1>a place in the valley where they shoot porn. Yes,

0:15:07.480 --> 0:15:11.960
<v Speaker 1>so the property is condemned. It seems nearly worthless. But

0:15:12.120 --> 0:15:16.920
<v Speaker 1>then she and her lawyer Dibbs played by Eric Idol,

0:15:17.800 --> 0:15:20.400
<v Speaker 1>find something in the paperwork that makes it seem like

0:15:20.400 --> 0:15:25.120
<v Speaker 1>there might be treasure hidden somewhere in the house. So

0:15:25.760 --> 0:15:29.240
<v Speaker 1>they travel to the house in Maine. They go inside

0:15:29.520 --> 0:15:34.920
<v Speaker 1>and meet Casper, who is the same friendly ghost, a

0:15:35.000 --> 0:15:37.680
<v Speaker 1>friendly ghost, and then sometimes you're like, what do we

0:15:37.760 --> 0:15:40.920
<v Speaker 1>mean when we say friendly, because sometimes he's a pretty

0:15:40.920 --> 0:15:45.280
<v Speaker 1>calculated ghost sometimes and sometimes he's very creepy and perverted.

0:15:45.400 --> 0:15:48.640
<v Speaker 1>As I mentioned, will be canceling Casper on the beat

0:15:48.680 --> 0:15:52.160
<v Speaker 1>to cast today. Unfortunately, we will no longer be able

0:15:52.200 --> 0:15:55.720
<v Speaker 1>to watch Casper because he's going to be canceled and

0:15:55.720 --> 0:15:58.440
<v Speaker 1>then he's going to start touring the right wing circuit.

0:15:58.520 --> 0:16:01.600
<v Speaker 1>It's going to be disaster um, and then he'll say,

0:16:02.080 --> 0:16:04.400
<v Speaker 1>we did that, Yeah, we did that. This our job.

0:16:05.320 --> 0:16:09.000
<v Speaker 1>I kind of as much as from Again, there's like

0:16:09.120 --> 0:16:11.560
<v Speaker 1>just so many bad choices in this movie that I'm

0:16:11.600 --> 0:16:14.760
<v Speaker 1>just like, what a confusing thing to have done. I

0:16:14.800 --> 0:16:18.240
<v Speaker 1>guess I'm not bothered by it um because this like

0:16:18.320 --> 0:16:21.040
<v Speaker 1>movie was also written by like two women, but two

0:16:21.120 --> 0:16:23.960
<v Speaker 1>women who were like voices in the animaniacs, Like, what

0:16:24.160 --> 0:16:28.240
<v Speaker 1>is going on like with this movie? I don't even care,

0:16:28.360 --> 0:16:33.040
<v Speaker 1>but I care again and Dibbs you get like literally

0:16:33.280 --> 0:16:36.800
<v Speaker 1>no background other than her father has just died. We

0:16:36.800 --> 0:16:41.360
<v Speaker 1>don't know where Dibbs came from nope, or like what

0:16:41.560 --> 0:16:45.440
<v Speaker 1>their relationship is. I feel like it's implied that they

0:16:45.520 --> 0:16:50.000
<v Speaker 1>probably fuck and maybe he wants something more and she doesn't.

0:16:50.400 --> 0:16:54.040
<v Speaker 1>That was always my head canon was that she was

0:16:54.200 --> 0:16:57.560
<v Speaker 1>you know, she's like, Dibbs is always around if I'm horny,

0:16:57.760 --> 0:17:01.680
<v Speaker 1>but obviously he's and then he's like in love with her,

0:17:01.760 --> 0:17:03.840
<v Speaker 1>but then he turns. I just love that you get.

0:17:04.240 --> 0:17:08.240
<v Speaker 1>Usually I'm like, wait, we have this like incredible iconic

0:17:08.680 --> 0:17:11.920
<v Speaker 1>woman playing this villain, Like let's find out more about her.

0:17:11.960 --> 0:17:14.639
<v Speaker 1>But the way that Karagan comes off and like, I

0:17:14.680 --> 0:17:18.840
<v Speaker 1>don't need it. She just wants a treasure and she

0:17:18.960 --> 0:17:23.720
<v Speaker 1>has a mansion and she's like weirdly okay with uh

0:17:24.359 --> 0:17:27.399
<v Speaker 1>dying at any moment, like before she's even sure the

0:17:27.440 --> 0:17:32.120
<v Speaker 1>machine works. I just I just love just no one

0:17:32.200 --> 0:17:35.480
<v Speaker 1>makes any sense. Also, the way that she's defeated is hilarious,

0:17:35.520 --> 0:17:40.159
<v Speaker 1>but we will get there. So weird. Oh God, the

0:17:40.200 --> 0:17:42.680
<v Speaker 1>ghost rules in this movie? Or why why doesn't Eric

0:17:42.720 --> 0:17:44.439
<v Speaker 1>Idol turn into a ghost? That was I was like,

0:17:44.440 --> 0:17:48.080
<v Speaker 1>did they run out of c G. I budget, um, well,

0:17:48.160 --> 0:17:51.800
<v Speaker 1>because he doesn't die, does he or justn't canonically, I

0:17:51.800 --> 0:17:55.040
<v Speaker 1>guess he just kind of disappears. Oh yeah, I always

0:17:55.040 --> 0:17:58.399
<v Speaker 1>thought he died. What does happen with him? He falls

0:17:58.400 --> 0:18:02.000
<v Speaker 1>into a vat no she it's like towards the end

0:18:02.119 --> 0:18:06.439
<v Speaker 1>and they're bickering over the treasure chest and then she's like,

0:18:06.640 --> 0:18:09.240
<v Speaker 1>you have a flight to catch and then she uses

0:18:09.240 --> 0:18:11.960
<v Speaker 1>her ghost magic or something to like fling him out

0:18:11.960 --> 0:18:14.199
<v Speaker 1>of the window and then we just don't see him

0:18:14.200 --> 0:18:17.040
<v Speaker 1>after that. So maybe he did die and becomes a ghost.

0:18:17.080 --> 0:18:19.800
<v Speaker 1>But I guess I always just assumed that he died, Yeah,

0:18:19.800 --> 0:18:22.680
<v Speaker 1>because he's flung out the point of me I wrote

0:18:22.680 --> 0:18:25.239
<v Speaker 1>down for that. Actually I did know how he I

0:18:25.240 --> 0:18:27.159
<v Speaker 1>guess didn't die, but I feel like, how would he

0:18:27.240 --> 0:18:30.240
<v Speaker 1>not die? You know? But um, it reminded me. I

0:18:30.280 --> 0:18:33.520
<v Speaker 1>wrote down reverse I Frankenstein because you know that that

0:18:33.640 --> 0:18:37.159
<v Speaker 1>scene and I Frankenstein where Aaron Eckhart breaks through a

0:18:37.200 --> 0:18:40.199
<v Speaker 1>window like that for no reason. I don't remember, but

0:18:40.760 --> 0:18:43.640
<v Speaker 1>I guess I'll just have to rewatch it. Look, if

0:18:43.640 --> 0:18:46.600
<v Speaker 1>you have listeners, we know that this is a little

0:18:46.680 --> 0:18:49.480
<v Speaker 1>chaotic for a main Feet episode, but we did I

0:18:49.640 --> 0:18:53.880
<v Speaker 1>Frankenstein for my birthday a couple of years ago. And um, yeah,

0:18:53.920 --> 0:18:56.359
<v Speaker 1>there's like a scene where he's going into like the

0:18:56.440 --> 0:19:01.040
<v Speaker 1>science lab. I Frankenstein, I mean Adam Adam frank Stein. Yeah.

0:19:01.080 --> 0:19:03.400
<v Speaker 1>For listeners who haven't seen I Frankenstein, first of all

0:19:03.560 --> 0:19:06.600
<v Speaker 1>turned this off. You gotta go watch it. But yeah,

0:19:06.640 --> 0:19:12.000
<v Speaker 1>Adam Frankenstein, played terribly by Aaron Dockart. He like burst

0:19:12.160 --> 0:19:17.760
<v Speaker 1>through a window bill ny lab is open lab. Yeah, oh,

0:19:17.800 --> 0:19:20.239
<v Speaker 1>I do remember that. But it's open because people are

0:19:20.280 --> 0:19:22.760
<v Speaker 1>like using their key cards and scanning in. But he

0:19:22.920 --> 0:19:26.399
<v Speaker 1>just like breaks a window. Drama. He was supposed to

0:19:26.440 --> 0:19:34.440
<v Speaker 1>be sneaking in anyways, Casper, So so Karagan and Dibbs

0:19:34.760 --> 0:19:38.679
<v Speaker 1>go to the manner. They meet Casper, who is friendly,

0:19:38.760 --> 0:19:41.600
<v Speaker 1>but they still scream and it wakes up some other

0:19:41.680 --> 0:19:46.959
<v Speaker 1>ghosts in the places extra haunted. So then Karagan gets

0:19:47.000 --> 0:19:49.879
<v Speaker 1>a priest to try to exercise the ghosts out of

0:19:49.880 --> 0:19:53.600
<v Speaker 1>the house. That doesn't work. They get Dan Ackroyd as

0:19:53.640 --> 0:19:58.760
<v Speaker 1>a ghostbuster to bust the ghosts. That doesn't work. Also,

0:19:58.920 --> 0:20:02.119
<v Speaker 1>you know, it's fun fun ghost church moment. Listen to

0:20:02.119 --> 0:20:06.000
<v Speaker 1>ghost Church now on I Heart Radio. Dan Ackroyd, I

0:20:06.040 --> 0:20:11.359
<v Speaker 1>believe his father was into spiritualism, and dan Ackroyd said

0:20:11.400 --> 0:20:14.560
<v Speaker 1>specifically when he was working on Ghostbusters, part of his

0:20:15.080 --> 0:20:19.960
<v Speaker 1>inspiration and motivation for wanting to write and being Ghostbusters

0:20:20.840 --> 0:20:23.639
<v Speaker 1>was his dad's interest in spiritualism and the idea of

0:20:23.720 --> 0:20:26.760
<v Speaker 1>life after death. And so he made uh, you know,

0:20:27.680 --> 0:20:29.520
<v Speaker 1>you can listen to our episode on it. We had

0:20:29.520 --> 0:20:31.879
<v Speaker 1>a lot of thoughts on it. But that was his

0:20:32.560 --> 0:20:36.520
<v Speaker 1>interest in the afterlife. Wow. And now he follows like

0:20:36.840 --> 0:20:40.400
<v Speaker 1>an alien religion or something. Yeah, he's uh he he

0:20:40.480 --> 0:20:44.520
<v Speaker 1>likes esoteric religions, you know. Yeah, the more I work

0:20:44.560 --> 0:20:46.199
<v Speaker 1>on this project, the more I'm just like, you know what,

0:20:46.520 --> 0:20:49.080
<v Speaker 1>it is like such an amazing thing if you can

0:20:49.160 --> 0:20:53.280
<v Speaker 1>find a religion that is not perpetua constantly perpetuating harm

0:20:53.359 --> 0:20:56.320
<v Speaker 1>on other people. And if you do find that, then like,

0:20:57.359 --> 0:21:01.320
<v Speaker 1>have a great time, enjoy yourself, you golden rule it up.

0:21:01.640 --> 0:21:05.560
<v Speaker 1>That's why I founded the cult, I mean Church of

0:21:05.880 --> 0:21:14.520
<v Speaker 1>Paddington scariest si um. I just remember the direct to

0:21:14.640 --> 0:21:18.360
<v Speaker 1>video sequels in case there's any other kids that were

0:21:18.400 --> 0:21:21.760
<v Speaker 1>watching these vhs. It was called Casper A Spirited Beginning,

0:21:22.320 --> 0:21:26.399
<v Speaker 1>And in the Christina ricci Ish part, there was a

0:21:26.440 --> 0:21:30.159
<v Speaker 1>boy named Chris who I was like, Wow, I'm going

0:21:30.200 --> 0:21:32.800
<v Speaker 1>to marry Chris. Wonder what happened to him? No idea.

0:21:33.119 --> 0:21:36.760
<v Speaker 1>And then the third one was I believe Hillary Duff's

0:21:36.800 --> 0:21:41.199
<v Speaker 1>first role Casper meets Wendy and Hillary Duff plays a

0:21:41.320 --> 0:21:45.480
<v Speaker 1>young witch who be friends Casper and then they do

0:21:45.640 --> 0:21:50.040
<v Speaker 1>you know, supernatural magical stuff together. So thank you to

0:21:50.119 --> 0:21:53.880
<v Speaker 1>the Casper franchise for giving us Hillary Duff. I think

0:21:53.880 --> 0:21:58.080
<v Speaker 1>that she got Lizzie McGuire off of that. It's called

0:21:58.119 --> 0:22:04.880
<v Speaker 1>American History, Caitlin, and and a Star is Born. Um,

0:22:06.800 --> 0:22:10.200
<v Speaker 1>Hilary Duff of Stars Born would be so funny. Uh,

0:22:12.240 --> 0:22:15.080
<v Speaker 1>that would be great. I would watch it, yes, Okay,

0:22:15.160 --> 0:22:18.439
<v Speaker 1>So then Acrod being a ghostbuster that doesn't work. Now

0:22:18.600 --> 0:22:22.760
<v Speaker 1>Kerrigan hires a crew to bulldoze the house that doesn't work.

0:22:23.400 --> 0:22:24.920
<v Speaker 1>And then then like the ghosts that they're trying to

0:22:24.960 --> 0:22:28.879
<v Speaker 1>get rid of, are these mean ghosts unlike the friendly

0:22:29.000 --> 0:22:32.400
<v Speaker 1>ghosts that is Casper. We'll find out that these mean

0:22:32.480 --> 0:22:36.840
<v Speaker 1>ghosts are Are they Casper's uncles? They are there? Is

0:22:37.119 --> 0:22:41.399
<v Speaker 1>there his abusive uncles? So they're mean? But also that

0:22:41.640 --> 0:22:44.159
<v Speaker 1>like doesn't make I'm sure that because Casper started as

0:22:44.160 --> 0:22:47.080
<v Speaker 1>a comic book character, so I'm assuming this is addressed

0:22:47.119 --> 0:22:51.320
<v Speaker 1>somewhere in Casper Cannon. But you're also like, maybe they're

0:22:51.359 --> 0:22:54.440
<v Speaker 1>like his adoptive uncles or something, because I don't think

0:22:54.480 --> 0:22:57.439
<v Speaker 1>that they're like they were his uncles when he was alive.

0:22:57.520 --> 0:23:00.639
<v Speaker 1>It doesn't sound like there were three weird goals hanging

0:23:00.640 --> 0:23:03.159
<v Speaker 1>out at this house. Right. Do you like when you

0:23:03.200 --> 0:23:06.880
<v Speaker 1>become a ghost, do you like have a ghost chosen family?

0:23:07.480 --> 0:23:10.960
<v Speaker 1>In which case, why that would be true, I don't know,

0:23:10.960 --> 0:23:12.919
<v Speaker 1>because he's just like a kid ghost, So maybe he

0:23:13.040 --> 0:23:15.159
<v Speaker 1>was looking for I don't know why I'm overthinking this.

0:23:15.359 --> 0:23:17.760
<v Speaker 1>Did the kid ghost? So he's kind of lost in

0:23:17.800 --> 0:23:19.680
<v Speaker 1>the world. You know, he doesn't have a lot of people,

0:23:19.760 --> 0:23:22.919
<v Speaker 1>and he can't remember his life at first, so they

0:23:22.960 --> 0:23:27.000
<v Speaker 1>would be his adoptive uncle's. But they really they were.

0:23:27.080 --> 0:23:31.640
<v Speaker 1>They're really cinderelling this little perverted young ghost. Yeah, yeah,

0:23:31.640 --> 0:23:34.400
<v Speaker 1>they're They're really mean in general and mean to Casper.

0:23:34.440 --> 0:23:38.399
<v Speaker 1>But Casper is friendly and all he wants is to

0:23:38.520 --> 0:23:43.880
<v Speaker 1>make a friend. Then Casper sees a news segment on

0:23:44.200 --> 0:23:51.040
<v Speaker 1>Dr James Harvey. He is a therapist for ghosts. Okay,

0:23:51.680 --> 0:23:56.320
<v Speaker 1>so this spiritualism wise, this is made up. Its spiritualism.

0:23:56.560 --> 0:24:01.960
<v Speaker 1>You have mediums who connect with spirit. And also there's

0:24:02.000 --> 0:24:05.200
<v Speaker 1>like the whole crossing over concept is interesting as it's

0:24:05.200 --> 0:24:09.960
<v Speaker 1>presented in this movie because I don't know, like it's

0:24:10.000 --> 0:24:12.360
<v Speaker 1>it's kind of like all over the place where it's like, oh,

0:24:12.400 --> 0:24:15.760
<v Speaker 1>you have unfinished business, and then if you have unfinished business,

0:24:15.920 --> 0:24:20.600
<v Speaker 1>you go to heaven like Christian heaven. Question mark, Like

0:24:20.640 --> 0:24:25.280
<v Speaker 1>where did Kathy Moriarty go? We don't really know, you

0:24:25.320 --> 0:24:28.480
<v Speaker 1>would think, but like it's it's hard to say how

0:24:28.520 --> 0:24:32.600
<v Speaker 1>this movie feels about redemptive justice in the afterlife. I

0:24:32.640 --> 0:24:34.600
<v Speaker 1>don't know if they were thinking about it when they

0:24:34.600 --> 0:24:36.960
<v Speaker 1>wrote it, but I just thought it was because spiritualism

0:24:37.000 --> 0:24:40.840
<v Speaker 1>is mostly like they don't believe that like spirits remaining

0:24:40.880 --> 0:24:43.560
<v Speaker 1>on Earth is purgatory. They're like, that's kind of par

0:24:43.680 --> 0:24:47.080
<v Speaker 1>for the course where you'll like remain like when you die,

0:24:47.200 --> 0:24:51.800
<v Speaker 1>you become a spirit guide to the people in your life,

0:24:52.680 --> 0:24:55.880
<v Speaker 1>but then you can cross over to this place called

0:24:55.880 --> 0:24:58.439
<v Speaker 1>the Summerland. It's kind of all over the place. It

0:24:58.480 --> 0:25:01.800
<v Speaker 1>depends on who you ask. They're really organized like the

0:25:01.840 --> 0:25:04.879
<v Speaker 1>plot of Casper. Like the plot of Casper, right, So,

0:25:05.040 --> 0:25:10.440
<v Speaker 1>Dr James Harvey is a psychiatrist who, after the death

0:25:10.480 --> 0:25:15.000
<v Speaker 1>of his wife, his wife's wife, his gorgeous wife with

0:25:15.119 --> 0:25:20.560
<v Speaker 1>perfect hair. He started to treat ghosts and help them

0:25:20.640 --> 0:25:25.439
<v Speaker 1>resolve their unfinished business. And then Karagan also sees this

0:25:25.520 --> 0:25:30.560
<v Speaker 1>broadcast because Casper goes into her hotel room and puts

0:25:30.560 --> 0:25:35.520
<v Speaker 1>it on her TV. Because Casper saw Dr Harvey's daughter

0:25:36.040 --> 0:25:40.440
<v Speaker 1>Cat and really takes a liking to her and wants

0:25:40.480 --> 0:25:45.000
<v Speaker 1>to be her friend. Again weird as hell, like the

0:25:45.080 --> 0:25:49.679
<v Speaker 1>first thing where you're like, now, Casper, that's enough, you know,

0:25:49.800 --> 0:25:53.560
<v Speaker 1>like that because I kind of forgot that that was

0:25:53.680 --> 0:25:58.640
<v Speaker 1>his motivation. I think more logically assumed that. I was like, oh,

0:25:58.720 --> 0:26:03.240
<v Speaker 1>he saw that like her dad could help him cross over, right,

0:26:03.440 --> 0:26:06.159
<v Speaker 1>I just felt like writing wise, that would be a

0:26:06.160 --> 0:26:09.280
<v Speaker 1>more logical thing. And then like he meets her and

0:26:09.320 --> 0:26:12.040
<v Speaker 1>they become friends and so that it just happens anyways,

0:26:12.040 --> 0:26:15.879
<v Speaker 1>Like why give him a weird pervy motivation when the

0:26:16.119 --> 0:26:19.200
<v Speaker 1>thing that's on TV also like should be like more

0:26:19.280 --> 0:26:23.160
<v Speaker 1>motivating for him, right, because he sees Dr Harvey being

0:26:23.200 --> 0:26:26.439
<v Speaker 1>able to like connect with and help ghosts and that

0:26:26.480 --> 0:26:29.920
<v Speaker 1>piques his interest. But it's not until he sees Cat

0:26:30.840 --> 0:26:34.560
<v Speaker 1>Christine Rucci and he's like, hubba, hubba, I need her

0:26:34.680 --> 0:26:37.520
<v Speaker 1>in my life. Oh my gosh, I'm in love. And

0:26:37.560 --> 0:26:42.960
<v Speaker 1>then he like sets up a weird, like manipulative scheme

0:26:43.760 --> 0:26:48.080
<v Speaker 1>to lure Cat and her father into his house so

0:26:48.119 --> 0:26:51.240
<v Speaker 1>that he can get with Cat. And that's yeah, it's

0:26:51.280 --> 0:26:54.119
<v Speaker 1>so creepy. I was kind of curious. I was like,

0:26:54.160 --> 0:26:56.720
<v Speaker 1>I wonder if that like changed at some point, because

0:26:56.760 --> 0:27:01.560
<v Speaker 1>it just didn't seem logical like this, Like I feel

0:27:01.560 --> 0:27:04.600
<v Speaker 1>like the reverse note would be given now where it's like,

0:27:05.040 --> 0:27:09.399
<v Speaker 1>don't force a weird love story on this like twelve

0:27:09.480 --> 0:27:11.679
<v Speaker 1>or thirteen year old girl. But I feel like in

0:27:11.720 --> 0:27:14.280
<v Speaker 1>the nineties it was maybe the opposite where they're like, no,

0:27:14.440 --> 0:27:17.320
<v Speaker 1>we gotta get a love story going here, because it's

0:27:17.320 --> 0:27:20.480
<v Speaker 1>just like, I don't know, it just doesn't scan for

0:27:20.520 --> 0:27:23.119
<v Speaker 1>me that it's like, oh, the little ghost is horny

0:27:23.160 --> 0:27:27.920
<v Speaker 1>and he's just going to ignore this really valuable whatever

0:27:28.800 --> 0:27:35.200
<v Speaker 1>Bill Pullman hot. That's the take my defense of every

0:27:35.200 --> 0:27:37.560
<v Speaker 1>bad choice in this movie. I'm just like, but Bill

0:27:37.600 --> 0:27:43.639
<v Speaker 1>Pullman is the way he wears those weird pants. He's

0:27:43.720 --> 0:27:46.760
<v Speaker 1>really looking like a dad in the nineties. So we

0:27:46.840 --> 0:27:50.720
<v Speaker 1>cut to him. We cut to Dr James Harvey played

0:27:50.720 --> 0:27:53.880
<v Speaker 1>by Bill Pullman and his daughter Cat played by Christina Ricci.

0:27:54.480 --> 0:27:59.119
<v Speaker 1>They are driving to this manner in Maine. Now Cat

0:27:59.280 --> 0:28:03.960
<v Speaker 1>doesn't leave in Ghosts and she thinks her dad is

0:28:04.000 --> 0:28:07.280
<v Speaker 1>a loser and a joke and she's resentful that he

0:28:07.480 --> 0:28:09.640
<v Speaker 1>moves her around the country all the time. And sometimes

0:28:09.640 --> 0:28:13.360
<v Speaker 1>you're and you're like, she like, really wrong. I think

0:28:13.560 --> 0:28:16.639
<v Speaker 1>rewatching it this time. I'm like, he's really not a

0:28:16.720 --> 0:28:19.360
<v Speaker 1>very good parent at all. So at the end when

0:28:19.400 --> 0:28:22.520
<v Speaker 1>his dead wife comes back, his wife returns and it's like,

0:28:22.520 --> 0:28:25.280
<v Speaker 1>you're actually an awesome parent. I'm like, I mean, I'm

0:28:25.280 --> 0:28:28.000
<v Speaker 1>glad he didn't die, but I wouldn't say that he's

0:28:28.000 --> 0:28:30.880
<v Speaker 1>a good parent right where is like he's not even

0:28:31.080 --> 0:28:33.040
<v Speaker 1>there with his daughter for half of the movie. He

0:28:33.080 --> 0:28:36.040
<v Speaker 1>goes to a bar and hangs out with this mean

0:28:36.119 --> 0:28:40.760
<v Speaker 1>Ghosts for like a long time. That was so wild

0:28:40.800 --> 0:28:43.600
<v Speaker 1>to be I never like because I've never watched this

0:28:43.640 --> 0:28:48.200
<v Speaker 1>movie with anything but like a nostalgic like lens, And

0:28:48.320 --> 0:28:51.840
<v Speaker 1>this was like embarrassingly one of those things where I'm like,

0:28:51.880 --> 0:28:54.680
<v Speaker 1>I definitely didn't This is the first time I ever

0:28:54.720 --> 0:28:58.120
<v Speaker 1>heard like jailhouse rock or like an OVI song would

0:28:58.160 --> 0:29:01.680
<v Speaker 1>have been like in this movie. But yeah, it's the

0:29:01.840 --> 0:29:05.560
<v Speaker 1>night of his daughter's big party and he's like, god

0:29:05.680 --> 0:29:09.640
<v Speaker 1>at a bar, like really fucked up. And I'm like,

0:29:10.240 --> 0:29:12.800
<v Speaker 1>I get that. The ghosts like kidnapped him and brought

0:29:12.880 --> 0:29:15.600
<v Speaker 1>him to a bar, but they didn't make him get

0:29:16.000 --> 0:29:19.840
<v Speaker 1>way blackout drunk and walk off a cliff. Also, they

0:29:19.840 --> 0:29:22.040
<v Speaker 1>were going to shoot him in the head. I was

0:29:22.080 --> 0:29:26.520
<v Speaker 1>just like, this movie is so funny, Like what are

0:29:26.600 --> 0:29:29.200
<v Speaker 1>you doing it? Actually? Really like, once I found out

0:29:29.200 --> 0:29:31.360
<v Speaker 1>the writers right for Animaniacs, I'm like, yeah, this is

0:29:31.360 --> 0:29:37.600
<v Speaker 1>a fucking like weird cartoon. Yeah. I loved Animaniacs anyway. Okay,

0:29:37.680 --> 0:29:40.400
<v Speaker 1>so her whole thing is that she doesn't like that

0:29:40.440 --> 0:29:42.160
<v Speaker 1>they have to move around all the time because she

0:29:42.240 --> 0:29:44.280
<v Speaker 1>just wants to stay in one place long enough to

0:29:44.400 --> 0:29:46.440
<v Speaker 1>make a friend. And we're like, oh my gosh, that's

0:29:46.480 --> 0:29:52.560
<v Speaker 1>what Casper also wants to make a friend. Wow. So

0:29:53.200 --> 0:29:58.400
<v Speaker 1>Dr Harvey and Kat arrive at the manor. Karagin is

0:29:58.440 --> 0:30:01.120
<v Speaker 1>there and she's like, you better figure is out really quickly,

0:30:01.280 --> 0:30:04.040
<v Speaker 1>Dr Harvey, and he's like, it's gonna take as much

0:30:04.080 --> 0:30:07.040
<v Speaker 1>time as it takes, honey. So he and Kat move

0:30:07.120 --> 0:30:11.520
<v Speaker 1>into the house, which is wild that they do that. Yeah,

0:30:11.560 --> 0:30:15.360
<v Speaker 1>I'm also like, why did she switch school systems. If

0:30:15.400 --> 0:30:17.920
<v Speaker 1>they're only supposed to be there for two weeks, we

0:30:17.960 --> 0:30:22.560
<v Speaker 1>don't know, look look away, look away, don't ask what matter?

0:30:23.520 --> 0:30:26.480
<v Speaker 1>They should have turned They should have turned the get

0:30:26.480 --> 0:30:29.160
<v Speaker 1>Ready machine into a roller coaster. I will never not

0:30:29.280 --> 0:30:32.720
<v Speaker 1>be mad that someone didn't turn that into a roller

0:30:32.720 --> 0:30:36.240
<v Speaker 1>coaster that was clearly made to be turned into a

0:30:36.320 --> 0:30:42.200
<v Speaker 1>roller coaster? Are you kidding me? Seriously? So mean? So

0:30:42.240 --> 0:30:46.520
<v Speaker 1>they explore it. They explore the house. It's big, it's cookie,

0:30:46.520 --> 0:30:52.800
<v Speaker 1>it's spooky, and Casper is so excited that Kat is there.

0:30:53.760 --> 0:30:58.560
<v Speaker 1>And then Kat sees Casper. She freaks out, she's never

0:30:58.600 --> 0:31:01.400
<v Speaker 1>seen a ghost before. And then Dr Harvey sees him too.

0:31:01.520 --> 0:31:03.720
<v Speaker 1>He also freaks out, and everyone's like, oh my god,

0:31:03.800 --> 0:31:08.400
<v Speaker 1>there are ghosts. His reaction defies logic. Why doesn't he

0:31:08.840 --> 0:31:11.120
<v Speaker 1>came here to see ghosts? The second his daughter's like,

0:31:11.160 --> 0:31:13.400
<v Speaker 1>I saw ghosts, you would think he would be thrilled

0:31:13.400 --> 0:31:16.000
<v Speaker 1>because she doesn't believe in ghosts, but for her father,

0:31:16.280 --> 0:31:19.360
<v Speaker 1>and instead, the second he gets the information, he's like,

0:31:19.440 --> 0:31:22.320
<v Speaker 1>I don't believe you and I'm scared. I'm like, what's

0:31:22.400 --> 0:31:26.720
<v Speaker 1>wrong with you? He's such a bad dad. He's like,

0:31:26.760 --> 0:31:30.160
<v Speaker 1>not bad, not a bad person, clearly. Okay, this was

0:31:30.240 --> 0:31:35.760
<v Speaker 1>my horrible Twitter joke. I texted it to you. I

0:31:35.800 --> 0:31:37.320
<v Speaker 1>don't even want to say it out loud. It's such

0:31:37.320 --> 0:31:42.120
<v Speaker 1>a bad format. Men would rather go to the with

0:31:42.360 --> 0:31:45.280
<v Speaker 1>staff manner and hang out and get and walk off

0:31:45.280 --> 0:31:49.080
<v Speaker 1>a cliff with three scary ghosts, then go to therapy.

0:31:49.800 --> 0:31:54.080
<v Speaker 1>It's true, though, it's true. He's I empathize with him.

0:31:54.080 --> 0:31:56.480
<v Speaker 1>He's having a hard time with the death of his wife,

0:31:57.280 --> 0:32:01.400
<v Speaker 1>but a lot of his parenting decisions are just egregiously

0:32:01.560 --> 0:32:05.360
<v Speaker 1>bad parenting decisions. He just doesn't make sense this. I

0:32:05.400 --> 0:32:08.640
<v Speaker 1>don't understand why he reacts this way because he's also

0:32:08.760 --> 0:32:12.600
<v Speaker 1>bad at his job. Because he's really bad at his job.

0:32:12.800 --> 0:32:16.440
<v Speaker 1>He goes and tries to give therapy to the three

0:32:16.520 --> 0:32:21.720
<v Speaker 1>mean ghosts and like, no breakthroughs happened, like he, Well

0:32:21.760 --> 0:32:25.600
<v Speaker 1>they have. They have breakthroughs via they become friends, but

0:32:25.640 --> 0:32:30.280
<v Speaker 1>like which is also inappropriate. You're not supposed to be friend,

0:32:30.400 --> 0:32:34.560
<v Speaker 1>you're psychiatry client. Look, my therapist gives me a ride

0:32:34.640 --> 0:32:39.640
<v Speaker 1>home sometimes. Don't worry, it's fine. Uh. It doesn't mean

0:32:39.640 --> 0:32:41.640
<v Speaker 1>that you can't make some breakthroughs as someone who's willing

0:32:41.680 --> 0:32:43.440
<v Speaker 1>to give you a ride home. But do you go

0:32:43.480 --> 0:32:47.440
<v Speaker 1>out and get blackout drunk with your therapists. No, that see,

0:32:47.440 --> 0:32:49.120
<v Speaker 1>that's that they like, he is not good at his

0:32:49.200 --> 0:32:51.800
<v Speaker 1>job unclear to me. They make it sound in the

0:32:51.840 --> 0:32:54.400
<v Speaker 1>news report like he has successfully done this before, but

0:32:54.520 --> 0:32:58.120
<v Speaker 1>clearly that's not true. And also when he meets the

0:32:58.760 --> 0:33:01.120
<v Speaker 1>like I do think he success fully becomes friends with

0:33:01.160 --> 0:33:04.000
<v Speaker 1>the uncle's, but that doesn't mean that he's a good therapist.

0:33:04.080 --> 0:33:07.400
<v Speaker 1>Like that correct is You're right, that's unprofessional. I've just

0:33:07.440 --> 0:33:10.160
<v Speaker 1>been excusing this man. Also, the first time that he

0:33:10.240 --> 0:33:13.200
<v Speaker 1>meets them, he's like, I'm your therapist, and then he

0:33:13.240 --> 0:33:18.800
<v Speaker 1>immediately sucks them into a vacuum, and I'm like, that's also,

0:33:19.480 --> 0:33:25.000
<v Speaker 1>that's a little problematic. I wouldn't let my therapists talking

0:33:25.040 --> 0:33:28.360
<v Speaker 1>about at this point. Also, well, I'll just wait till

0:33:28.360 --> 0:33:30.280
<v Speaker 1>we get to this plot point. But then another wild

0:33:30.320 --> 0:33:35.440
<v Speaker 1>thing happens. Okay, so Casper's uncles show up after the

0:33:35.560 --> 0:33:38.280
<v Speaker 1>kind of initial shock wears off of like Dr Harvey

0:33:38.360 --> 0:33:41.960
<v Speaker 1>and Cat seeing Casper. So the uncles show up, who

0:33:42.000 --> 0:33:47.280
<v Speaker 1>are stretch fat so and stinky, and then Dr Harvey

0:33:47.320 --> 0:33:49.960
<v Speaker 1>tries to make contact with them, but again they're mean

0:33:50.160 --> 0:33:52.760
<v Speaker 1>and they play a bunch of pranks on him. He

0:33:52.920 --> 0:33:54.880
<v Speaker 1>battles them for a while, and then he sucks them

0:33:54.920 --> 0:33:59.120
<v Speaker 1>into a vacuum cleaner. They're big time pranksters, huge goofs.

0:33:59.240 --> 0:34:03.600
<v Speaker 1>Huge were they when they were alive? The impractical jokers

0:34:07.480 --> 0:34:10.600
<v Speaker 1>that maybe laughed that much they were there. That's actually

0:34:11.080 --> 0:34:15.759
<v Speaker 1>the cast of It's Always Sunny in Philadelphia and they

0:34:16.080 --> 0:34:19.880
<v Speaker 1>didn't realize And maybe that's or that's the prequel to

0:34:19.920 --> 0:34:23.640
<v Speaker 1>Everybody Loves Raymond because Brad Garrett is one of those. Okay, true,

0:34:23.800 --> 0:34:27.440
<v Speaker 1>But also you're like, surely those were not their names

0:34:27.719 --> 0:34:31.239
<v Speaker 1>in real life. They just seemed to be that like,

0:34:31.440 --> 0:34:33.880
<v Speaker 1>and maybe I'm sure a lot of this is comic stuff,

0:34:34.200 --> 0:34:37.560
<v Speaker 1>but the three Uncles, the way they're characterized, the way

0:34:37.560 --> 0:34:39.799
<v Speaker 1>they behaved, the way they're named, the way they look,

0:34:40.280 --> 0:34:42.200
<v Speaker 1>it just seems like they there's a separate set of

0:34:42.280 --> 0:34:46.120
<v Speaker 1>rules for them, then for Casper and for all the

0:34:46.160 --> 0:34:48.880
<v Speaker 1>other ghosts, they're just kind of doing their own thing,

0:34:49.000 --> 0:34:50.879
<v Speaker 1>the world building, right. I like, I like that they're

0:34:50.880 --> 0:34:56.120
<v Speaker 1>the impractical jokers. They joked too hard there, Cassive Jackass Hills,

0:34:56.160 --> 0:35:02.839
<v Speaker 1>Johnny Knoxville and Steve and oh my gosh, yes, Okay,

0:35:02.960 --> 0:35:06.200
<v Speaker 1>So the next morning, Kat and Casper get to know

0:35:06.280 --> 0:35:10.439
<v Speaker 1>each other a little better. He makes her breakfast via

0:35:10.920 --> 0:35:14.680
<v Speaker 1>another breakfast machine, although this is weak. There's only like

0:35:14.719 --> 0:35:16.279
<v Speaker 1>a thing that cracks the egg and puts it in

0:35:16.320 --> 0:35:18.719
<v Speaker 1>a skillet. But the rest he kind of has to

0:35:18.760 --> 0:35:23.359
<v Speaker 1>do himself. But it's not awesome. It's so we were

0:35:23.360 --> 0:35:25.400
<v Speaker 1>trying to remember when we first started talking about the

0:35:25.400 --> 0:35:28.920
<v Speaker 1>breakfast Rube Goldberg machine. The ones that always come to mind. Peewee,

0:35:29.040 --> 0:35:31.520
<v Speaker 1>I feel like has the best one, but Wallace and

0:35:31.520 --> 0:35:35.560
<v Speaker 1>Grommet also have one, and Transper has one, Casper has one.

0:35:35.800 --> 0:35:37.600
<v Speaker 1>A lot of people pointed out one that we missed,

0:35:37.640 --> 0:35:41.200
<v Speaker 1>which was Chitty Chitty Bang Bang. I haven't seen that

0:35:41.800 --> 0:35:46.120
<v Speaker 1>it was. Wait, was it, Flubber Flubber had a breakfast machine.

0:35:46.360 --> 0:35:50.040
<v Speaker 1>It's anytime there's a cookie inventor, you've got to have

0:35:50.080 --> 0:35:53.760
<v Speaker 1>a breakfast machine. And I like that rule, right because

0:35:53.800 --> 0:35:56.600
<v Speaker 1>Back to the Future also has a breakfast machine. And

0:35:57.560 --> 0:36:01.759
<v Speaker 1>if you count marmal aid as breakfast food, which for

0:36:01.840 --> 0:36:08.080
<v Speaker 1>Paddington he every meal is marmalade, there's a marmalade breakfast

0:36:08.120 --> 0:36:11.480
<v Speaker 1>machine at the beginning of Paddington One. So lots of

0:36:11.480 --> 0:36:15.399
<v Speaker 1>breakfast machines in this movie. Added to the list. Yeah,

0:36:15.440 --> 0:36:17.560
<v Speaker 1>I would say it's a low ranking breakfast machine, but

0:36:17.600 --> 0:36:23.160
<v Speaker 1>it makes sense because Casper's dad was a cookie inventor, right, yes, Okay,

0:36:23.400 --> 0:36:26.640
<v Speaker 1>so Casper is making cat breakfast. But then the uncles

0:36:26.719 --> 0:36:30.000
<v Speaker 1>come back and they again, like you mentioned, they kind

0:36:30.040 --> 0:36:33.480
<v Speaker 1>of have Cinderella Casper. They make him do all of

0:36:33.600 --> 0:36:36.600
<v Speaker 1>their chores and cooking and cleaning and all that stuff.

0:36:37.080 --> 0:36:41.560
<v Speaker 1>And Dr Harvey wants to treat the uncles and help

0:36:41.640 --> 0:36:48.440
<v Speaker 1>them resolve their unfinished business and crossover into whatever plane.

0:36:48.560 --> 0:36:50.880
<v Speaker 1>He also doesn't have much of a vested interest in

0:36:50.960 --> 0:36:54.680
<v Speaker 1>helping Casper. Would correct unclear to me because you would

0:36:54.719 --> 0:37:00.239
<v Speaker 1>think that Casper would maybe priority one. He's a kid. Well,

0:37:00.280 --> 0:37:02.879
<v Speaker 1>if you's being treated very poorly, I mean maybe it's

0:37:02.920 --> 0:37:05.520
<v Speaker 1>the airplane rules. You've got to take care of the

0:37:05.560 --> 0:37:07.400
<v Speaker 1>worst one and then you can take care of the

0:37:07.440 --> 0:37:13.080
<v Speaker 1>kid after take right. Um, well, okay, let's examine this.

0:37:13.239 --> 0:37:17.480
<v Speaker 1>The reason the doctor Harvey is even in the movie

0:37:17.560 --> 0:37:21.440
<v Speaker 1>is because he needs to get rid of the ghosts

0:37:21.560 --> 0:37:25.040
<v Speaker 1>so that Carrigan can go into the house and find

0:37:25.719 --> 0:37:30.319
<v Speaker 1>the treasure. But the ghosts aren't causing that much of

0:37:30.360 --> 0:37:33.560
<v Speaker 1>a problem that why can't she just know I feel

0:37:33.560 --> 0:37:36.080
<v Speaker 1>like they would have killed her. I feel like they

0:37:36.239 --> 0:37:38.879
<v Speaker 1>with the rules of this movie, they would have killed her.

0:37:39.480 --> 0:37:43.120
<v Speaker 1>I understand why she's not comfortable going into the house,

0:37:44.040 --> 0:37:46.640
<v Speaker 1>but like it seems like at the beginning, and I

0:37:46.680 --> 0:37:48.560
<v Speaker 1>feel like this would have been a strong character twicet

0:37:48.640 --> 0:37:52.040
<v Speaker 1>if she was just extremely afraid of death. But that's

0:37:52.040 --> 0:37:54.600
<v Speaker 1>not true. She's like not afraid of death at all.

0:37:54.960 --> 0:37:56.799
<v Speaker 1>She can't wait to die so that she can go

0:37:56.920 --> 0:37:59.560
<v Speaker 1>through walls and find a treasure chest that has a

0:37:59.640 --> 0:38:04.000
<v Speaker 1>base ball globe. Such weird logic where she's like, wait

0:38:04.040 --> 0:38:07.600
<v Speaker 1>a second, if I died right now, I could walk

0:38:07.680 --> 0:38:10.720
<v Speaker 1>through this wall and then I could find the treasure.

0:38:10.760 --> 0:38:13.120
<v Speaker 1>I'm like, you could also, just like you were happy

0:38:13.160 --> 0:38:15.240
<v Speaker 1>with bulldozing the house, you could just get an axe

0:38:16.320 --> 0:38:20.000
<v Speaker 1>hack open the wall. But not my business. Nothing makes sense,

0:38:20.040 --> 0:38:25.440
<v Speaker 1>not my clown's, not my circus, okay. Meanwhile, Cat goes

0:38:25.600 --> 0:38:29.640
<v Speaker 1>to her new school where she meets Vic, this boy

0:38:29.680 --> 0:38:32.560
<v Speaker 1>who she thinks it's cute, the most nineties looking boy

0:38:32.640 --> 0:38:35.440
<v Speaker 1>you've ever seen in your life. Just swoop, just a

0:38:35.480 --> 0:38:39.120
<v Speaker 1>blonde swoop. And we also meet Vic's girlfriend who I

0:38:39.320 --> 0:38:46.239
<v Speaker 1>never figured out her name. Oh, Mrs Generic Bully miss

0:38:46.280 --> 0:38:48.560
<v Speaker 1>in this world, there can only be one girl in

0:38:48.640 --> 0:38:53.080
<v Speaker 1>every class, and she's she's a she's a like a rich,

0:38:53.160 --> 0:38:58.880
<v Speaker 1>mean girl. Casper follows Cat to school just in case

0:38:59.000 --> 0:39:01.520
<v Speaker 1>you weren't sure if he you was creepy yet or not.

0:39:02.239 --> 0:39:06.919
<v Speaker 1>Then there's this announcement about a Halloween dance that they

0:39:07.080 --> 0:39:11.160
<v Speaker 1>can't have in the school gym because of asbestos removal.

0:39:11.880 --> 0:39:15.000
<v Speaker 1>So so what I was like, they shouldn't be at

0:39:15.040 --> 0:39:20.800
<v Speaker 1>the school, right, They all like suddenly die, like fifteen

0:39:20.880 --> 0:39:23.759
<v Speaker 1>years after this movie comes out, the whole everyone who

0:39:23.760 --> 0:39:26.520
<v Speaker 1>went to that school, and then it becomes like a

0:39:26.600 --> 0:39:31.120
<v Speaker 1>big true crime thing. But they'll just turn into ghosts.

0:39:31.800 --> 0:39:35.880
<v Speaker 1>That's actually that's why is it? And I also, in

0:39:36.600 --> 0:39:38.960
<v Speaker 1>as far as this movie franchise was willing to go

0:39:39.040 --> 0:39:42.200
<v Speaker 1>in terms of just like body horror and sad things happening,

0:39:42.480 --> 0:39:45.360
<v Speaker 1>it's not off the table. A whole school dying of

0:39:45.400 --> 0:39:49.279
<v Speaker 1>asbestos poisoning actually seems like it would fit right in

0:39:50.040 --> 0:39:53.839
<v Speaker 1>Caspar four. Andyone, start working on it. Let's start working

0:39:53.840 --> 0:39:59.440
<v Speaker 1>on it. Let's get Kathy Moriarty back, love her, get

0:39:59.600 --> 0:40:03.880
<v Speaker 1>Christie to reach he back. She's the only survivor. She

0:40:03.960 --> 0:40:06.480
<v Speaker 1>comes back. It's a haunted school of all of her

0:40:06.560 --> 0:40:09.399
<v Speaker 1>childhood bullies. Yeah, because she was only in the school

0:40:09.440 --> 0:40:12.400
<v Speaker 1>for two weeks and then she made it out. Are

0:40:12.480 --> 0:40:14.759
<v Speaker 1>they going to live there now? Right? Do they? Just

0:40:15.000 --> 0:40:19.120
<v Speaker 1>because because Karrigan and Dibbs died, that doesn't mean that

0:40:19.160 --> 0:40:21.200
<v Speaker 1>they get the house. That just goes to somebody else

0:40:21.440 --> 0:40:26.040
<v Speaker 1>or gets repossessed. Doesn't entitle the ghost therapist to a mansion.

0:40:27.360 --> 0:40:31.680
<v Speaker 1>We simply don't know to quote him, possession is nine

0:40:32.120 --> 0:40:34.880
<v Speaker 1>of the law, which means he can't have that house.

0:40:36.920 --> 0:40:40.720
<v Speaker 1>He does not possess the house. Um, Okay, the Halloween

0:40:40.800 --> 0:40:44.040
<v Speaker 1>dance is coming up, and then Cat's classmates find out

0:40:44.239 --> 0:40:47.120
<v Speaker 1>what house she lives in this big spooky manner and

0:40:47.120 --> 0:40:50.080
<v Speaker 1>they're like, let's have the Halloween dance there, And the

0:40:50.160 --> 0:40:56.280
<v Speaker 1>teacher is like, yeah, sounds good to me. Baffling, but

0:40:57.520 --> 0:41:01.200
<v Speaker 1>I'm like, maybe that is how maybe maybe schools were

0:41:01.239 --> 0:41:04.400
<v Speaker 1>that lax in the nineties years ago, where they were

0:41:04.440 --> 0:41:07.280
<v Speaker 1>like he was like, yeah, great, cool, have a great time.

0:41:07.760 --> 0:41:10.239
<v Speaker 1>I was like, is he is he there? I forget

0:41:10.280 --> 0:41:13.040
<v Speaker 1>he does? He does come to chaperone, he goes well,

0:41:13.080 --> 0:41:15.400
<v Speaker 1>that's good. But it's also like, but I also love

0:41:15.440 --> 0:41:18.880
<v Speaker 1>how they like don't ask anyone's permission because it's not

0:41:18.960 --> 0:41:22.080
<v Speaker 1>her house, right, she shouldn't be throwing a party at

0:41:22.440 --> 0:41:26.000
<v Speaker 1>Carrigin's house. Yeah, they're squatting in the house. And then

0:41:26.000 --> 0:41:28.439
<v Speaker 1>they're like, but also, let's have a party, and he's

0:41:28.480 --> 0:41:31.160
<v Speaker 1>fine with it, and then they have one of the

0:41:31.280 --> 0:41:38.480
<v Speaker 1>more bizarre father daughter conversations ever committed to film. The

0:41:38.600 --> 0:41:42.959
<v Speaker 1>movie is just so weird it is. Okay, So back

0:41:43.000 --> 0:41:46.839
<v Speaker 1>at the house, the uncle's mentioned that they've seen Dr

0:41:46.920 --> 0:41:52.360
<v Speaker 1>Harvey's his wife, which again Amelia baffling. She's an angel,

0:41:52.560 --> 0:41:58.280
<v Speaker 1>why she's visiting their ghosts? The Impractical Jokers She loved

0:41:58.320 --> 0:42:02.720
<v Speaker 1>the show. Um, and Dr Harvey's whole thing is that

0:42:03.200 --> 0:42:07.919
<v Speaker 1>he desperately wants to see his wife because he's got

0:42:08.000 --> 0:42:12.799
<v Speaker 1>unfinished business even though he's alive. So they strike up.

0:42:12.840 --> 0:42:15.040
<v Speaker 1>Oh so this is the wild thing that the other

0:42:15.120 --> 0:42:19.960
<v Speaker 1>extremely unprofessional thing that he does as a psychiatrist, where

0:42:20.040 --> 0:42:23.360
<v Speaker 1>even though he's supposed to be giving psychic like you

0:42:23.360 --> 0:42:27.680
<v Speaker 1>know whatever, like psychiatric evaluations, giving therapy to these ghosts,

0:42:27.680 --> 0:42:32.239
<v Speaker 1>trying to you know, help them heal, he's like, well,

0:42:32.280 --> 0:42:35.120
<v Speaker 1>you know what, let's make this about me during our

0:42:35.160 --> 0:42:38.279
<v Speaker 1>first session, and can you go find my wife for

0:42:38.320 --> 0:42:44.960
<v Speaker 1>me wild. He says, I shouldn't be doing this, and

0:42:45.000 --> 0:42:48.680
<v Speaker 1>then he's like, but let me just like immediately like

0:42:48.760 --> 0:42:51.000
<v Speaker 1>he's already doing something. He's already sucked his clients into

0:42:51.080 --> 0:42:53.960
<v Speaker 1>a vacuum, and so he's like, at this point, I

0:42:54.040 --> 0:42:57.320
<v Speaker 1>might as well just do a bad job. I've already

0:42:57.320 --> 0:43:02.080
<v Speaker 1>been nothing but up. So they strike up a deal.

0:43:02.680 --> 0:43:07.400
<v Speaker 1>If Dr Harvey can keep Karagan off of the ghost

0:43:07.520 --> 0:43:13.160
<v Speaker 1>uncle's backs, they will help bring Amelia's ghost or you know,

0:43:13.280 --> 0:43:17.880
<v Speaker 1>spiritual presence to see Dr Harvey. And so he's like, okay, great,

0:43:17.920 --> 0:43:21.600
<v Speaker 1>but then they just end up playing another prank on him.

0:43:21.680 --> 0:43:25.760
<v Speaker 1>So again I'm just like, wow, they're so mean, so mean,

0:43:25.760 --> 0:43:29.000
<v Speaker 1>why would they do that? Speaking of mean people, the

0:43:29.120 --> 0:43:35.840
<v Speaker 1>mean girlfriend of that kid Vic, she has Vic pretend

0:43:35.920 --> 0:43:40.160
<v Speaker 1>to ask Cat to like hang out at the dance,

0:43:40.239 --> 0:43:42.680
<v Speaker 1>like he he would be Cat's date at the dance,

0:43:43.000 --> 0:43:46.080
<v Speaker 1>and Cat is super excited and she says yes, but

0:43:46.800 --> 0:43:49.759
<v Speaker 1>Casper wants to go to the dance with Cat, but

0:43:49.840 --> 0:43:53.200
<v Speaker 1>she's like, no, I already have a date, and also

0:43:53.520 --> 0:43:56.760
<v Speaker 1>you're a ghost. And then there's a handful of scenes

0:43:56.800 --> 0:43:58.959
<v Speaker 1>where we would just have to like unpack those later

0:43:59.080 --> 0:44:04.319
<v Speaker 1>because Casper is being really creepy and pushy, but it's

0:44:04.360 --> 0:44:08.120
<v Speaker 1>played off as being cute. But they're like, we love this.

0:44:09.360 --> 0:44:14.319
<v Speaker 1>Um yeah, that is just I mean that whole, like

0:44:14.640 --> 0:44:17.200
<v Speaker 1>this whole kind of sequence where like the way Casper

0:44:17.280 --> 0:44:22.400
<v Speaker 1>treats Cat and then how like weirdly negligent her dad is.

0:44:22.480 --> 0:44:24.319
<v Speaker 1>You're just like, we gotta get this kid out of here.

0:44:24.360 --> 0:44:27.399
<v Speaker 1>We gotta get her out of Maine. You know. She

0:44:27.719 --> 0:44:32.080
<v Speaker 1>I hope that you know, she's got like, you know,

0:44:32.160 --> 0:44:35.319
<v Speaker 1>some aunts or uncles that she could talk to because

0:44:35.480 --> 0:44:38.520
<v Speaker 1>her dad is just a mess. Oh yeah, her her

0:44:38.600 --> 0:44:44.080
<v Speaker 1>uncle's thought so stinky and stretch God, they're it's just

0:44:44.200 --> 0:44:46.839
<v Speaker 1>not It made me. It bummed me out so much.

0:44:46.880 --> 0:44:49.600
<v Speaker 1>The scene where it's like I knew what they were

0:44:49.640 --> 0:44:52.040
<v Speaker 1>going for, but it just like felt so bizarre where

0:44:52.800 --> 0:44:55.520
<v Speaker 1>Cat like asks her dad, She's like, hey, can I

0:44:55.560 --> 0:44:58.000
<v Speaker 1>have like or maybe she doesn't, She's like, there, we're

0:44:58.040 --> 0:44:59.719
<v Speaker 1>going to have a party here at this place we

0:44:59.760 --> 0:45:02.600
<v Speaker 1>don't live. We never see the scene where she asks

0:45:02.760 --> 0:45:06.960
<v Speaker 1>if that dance can happen at the house, right, and

0:45:07.080 --> 0:45:09.719
<v Speaker 1>which you would think wouldn't be allowed, but anyways, she

0:45:10.320 --> 0:45:12.600
<v Speaker 1>scene starts as if they've already agreed on it, and

0:45:12.640 --> 0:45:16.440
<v Speaker 1>she's like I want to wear something nice, like date nice,

0:45:16.680 --> 0:45:20.239
<v Speaker 1>and which is like she's like twelve or thirteen. That's

0:45:20.239 --> 0:45:23.719
<v Speaker 1>like not unreasonable, sure coming with age. I get it,

0:45:23.920 --> 0:45:26.759
<v Speaker 1>but the way he reacts is so bizarre, where he like,

0:45:27.280 --> 0:45:28.960
<v Speaker 1>immediately I was like, oh, I should give you the

0:45:28.960 --> 0:45:32.000
<v Speaker 1>sex talk and she's like, no, that's okay, and he's

0:45:32.040 --> 0:45:34.359
<v Speaker 1>like why are like he basically implies like why are

0:45:34.400 --> 0:45:38.080
<v Speaker 1>you having sex? I'm like, dude, she's twelve, why are

0:45:38.120 --> 0:45:41.439
<v Speaker 1>you acting like this? And then she's but then she's

0:45:41.440 --> 0:45:45.080
<v Speaker 1>sort of like ha ha no, no, I going on,

0:45:45.719 --> 0:45:50.279
<v Speaker 1>why is she not like you? What it is? His

0:45:50.320 --> 0:45:55.080
<v Speaker 1>inability to connect with his daughter is staggering, especially because

0:45:55.120 --> 0:45:59.080
<v Speaker 1>he's a mental health professional. There are Okay, now, this

0:46:00.040 --> 0:46:03.360
<v Speaker 1>free performance in this movie is camp and I would

0:46:03.400 --> 0:46:08.319
<v Speaker 1>say that two mm hmm. Bill Palman and Kathy Moriarty

0:46:08.360 --> 0:46:11.399
<v Speaker 1>are tied for me for campiest performances of the movie.

0:46:11.400 --> 0:46:14.520
<v Speaker 1>I think Christina Ricci actually kind of keeps it pretty grounded.

0:46:15.280 --> 0:46:20.600
<v Speaker 1>But sometimes, like Bill Palman is acting so cartoonishly weird

0:46:20.719 --> 0:46:23.840
<v Speaker 1>in a way that like it's kind of confusing given

0:46:23.920 --> 0:46:27.279
<v Speaker 1>what his part is. We're sometimes he's like yeah, whatever

0:46:27.560 --> 0:46:30.080
<v Speaker 1>and You're like, I don't he You're supposed to be

0:46:30.160 --> 0:46:33.640
<v Speaker 1>a grieving single father. Like, his performance makes no sense.

0:46:33.760 --> 0:46:39.440
<v Speaker 1>I get why Kathy Moriarty and Eric Idols performances that

0:46:39.480 --> 0:46:43.720
<v Speaker 1>makes total sense. They're basically home alone villains. Like, yeah,

0:46:43.840 --> 0:46:46.879
<v Speaker 1>that works. But yeah Bill Pullman being like especially when

0:46:46.880 --> 0:46:50.000
<v Speaker 1>he like he gets drunk and then makes out with

0:46:50.160 --> 0:46:54.719
<v Speaker 1>all three of the ghost uncles and then falls off

0:46:54.760 --> 0:46:57.200
<v Speaker 1>of a clue and Stinky says, no homo. But the

0:46:57.239 --> 0:47:01.120
<v Speaker 1>other two are kind of loving it. Movie so weird

0:47:01.600 --> 0:47:08.359
<v Speaker 1>the wild. Okay, So that was the creepiest scene to me,

0:47:08.600 --> 0:47:11.520
<v Speaker 1>was him asking his twelve year old if she's had

0:47:11.600 --> 0:47:16.200
<v Speaker 1>sex before. You're just like, yeah, I don't know why

0:47:16.360 --> 0:47:21.920
<v Speaker 1>that was listen to a guidance counselor um. Okay, so

0:47:21.960 --> 0:47:24.280
<v Speaker 1>we just saw the scene where Casper was being extra

0:47:24.480 --> 0:47:29.520
<v Speaker 1>creepy to Cat. Then Cat finds a bunch of Casper's

0:47:29.560 --> 0:47:32.799
<v Speaker 1>old like toys and things. She sets them up to

0:47:32.800 --> 0:47:36.480
<v Speaker 1>help him remember stuff about his past, which he was

0:47:36.520 --> 0:47:40.680
<v Speaker 1>having trouble remembering. And then I was like, wow, Spirited

0:47:40.680 --> 0:47:44.799
<v Speaker 1>Away parallels much because it's a young girl and a

0:47:44.840 --> 0:47:48.200
<v Speaker 1>spirit boy and she helps him remember his past. I

0:47:48.239 --> 0:47:51.480
<v Speaker 1>really love that scene. Where Casper is like my train,

0:47:52.840 --> 0:47:56.279
<v Speaker 1>I don't know, it's cute. She doesn't like that. I

0:47:56.320 --> 0:47:58.960
<v Speaker 1>wish that this movie would have just been like or

0:47:59.160 --> 0:48:02.600
<v Speaker 1>I guess your general would have like just been okay

0:48:02.640 --> 0:48:06.200
<v Speaker 1>with this being a friendship because that angle is really cute,

0:48:06.239 --> 0:48:10.000
<v Speaker 1>and like she does this very sweet friendship gesture and

0:48:10.040 --> 0:48:12.520
<v Speaker 1>then it like moves the plat forward in a very

0:48:12.520 --> 0:48:14.760
<v Speaker 1>logical way, and it's like, yeah, they don't need to kiss.

0:48:14.800 --> 0:48:19.520
<v Speaker 1>He's a fucking computer ghost clost anyways, until he's Devin

0:48:19.600 --> 0:48:24.600
<v Speaker 1>Saw we'll get there. Um my confusing. I don't get

0:48:24.640 --> 0:48:29.759
<v Speaker 1>the Devin Sawa appeal, and I never have, I never will.

0:48:30.560 --> 0:48:34.560
<v Speaker 1>I am just so youthful that I don't really know

0:48:35.560 --> 0:48:41.319
<v Speaker 1>why I'm supposed to care about Devin Sawa because I'm seventeen. Jamie. Yeah,

0:48:41.360 --> 0:48:46.640
<v Speaker 1>happy birthday, thank you. I can't wait to buy cigarettes

0:48:46.680 --> 0:48:51.080
<v Speaker 1>with you. Cool. Cool. Oh, okay, So she's so Cat

0:48:51.120 --> 0:48:54.560
<v Speaker 1>is helping Casper remember who he used to be. Then

0:48:54.560 --> 0:48:57.720
<v Speaker 1>it's the night of the party, Casper finds a dress

0:48:57.800 --> 0:49:00.520
<v Speaker 1>for Cat to wear, and then Casper's by the way,

0:49:00.560 --> 0:49:03.440
<v Speaker 1>I remember how I died, And here's what it was,

0:49:04.400 --> 0:49:07.080
<v Speaker 1>was that his mother's wedding dress or was that just

0:49:07.160 --> 0:49:10.640
<v Speaker 1>like an old dress. I really, I'm not sure they're

0:49:10.680 --> 0:49:13.720
<v Speaker 1>explicitly say it's her wedding dress. I don't think so,

0:49:14.000 --> 0:49:19.520
<v Speaker 1>but it looks like a wedding dress. Yeah, I don't know. Um. So,

0:49:20.640 --> 0:49:25.719
<v Speaker 1>then Kat finds a newspaper clipping about Casper's dad who

0:49:25.880 --> 0:49:29.000
<v Speaker 1>claimed to be haunted by the ghost of his dead son.

0:49:29.280 --> 0:49:32.399
<v Speaker 1>Then he invented a machine to bring his son back

0:49:32.440 --> 0:49:37.120
<v Speaker 1>to life. And Casper's like, oh, yeah, the Lazarus This

0:49:37.239 --> 0:49:39.880
<v Speaker 1>is cool. So he remembers where it is. It's in

0:49:39.920 --> 0:49:42.160
<v Speaker 1>the house, like in the basement or something. So he

0:49:42.239 --> 0:49:46.800
<v Speaker 1>leads Cat to this machine. There's a whole like literal

0:49:47.000 --> 0:49:50.760
<v Speaker 1>roller coaster conveyor belt thing that it takes you into

0:49:50.800 --> 0:49:54.719
<v Speaker 1>this like Phantom of the Opera style basement laboratory. It

0:49:54.920 --> 0:49:59.880
<v Speaker 1>is awesome. This whole like sequence really just makes me

0:50:00.040 --> 0:50:03.480
<v Speaker 1>so happy. I love it. Yeah, it's very cool. Meanwhile,

0:50:03.719 --> 0:50:07.080
<v Speaker 1>Karagan and Dibbs are snooping around the house and they

0:50:07.120 --> 0:50:10.400
<v Speaker 1>follow Cat and Casper to the lab and then Casper

0:50:10.440 --> 0:50:13.440
<v Speaker 1>goes into the Lazarus machine to be brought back to life.

0:50:14.080 --> 0:50:17.359
<v Speaker 1>Cat fires up the machine, but then Karagan sneaks in

0:50:17.600 --> 0:50:22.320
<v Speaker 1>and steals the red plot liquid that powers the machine

0:50:23.000 --> 0:50:27.400
<v Speaker 1>before basically say it's plot liquid too. Like she's like,

0:50:27.440 --> 0:50:30.799
<v Speaker 1>what's this. He's like, it's kind of this juice that

0:50:30.880 --> 0:50:35.080
<v Speaker 1>brings you back to life. There's only one anyways, Like

0:50:35.680 --> 0:50:38.680
<v Speaker 1>we're like, okay, I guess this is the world building.

0:50:39.000 --> 0:50:45.680
<v Speaker 1>Good job, everybody. So then Krragan's logic is she will

0:50:46.080 --> 0:50:49.680
<v Speaker 1>kill Dibbs. He will turn into a ghost and be

0:50:49.719 --> 0:50:52.400
<v Speaker 1>able to float through the walls to find the treasure

0:50:52.440 --> 0:50:55.200
<v Speaker 1>they're looking for, and then she can use this red

0:50:55.239 --> 0:50:58.439
<v Speaker 1>ghost liquid to bring him back to life. But as

0:50:58.520 --> 0:51:02.480
<v Speaker 1>she's trying to kill him, she accidentally kills herself by

0:51:02.719 --> 0:51:05.760
<v Speaker 1>falling off of a cliff, and then she comes back

0:51:05.920 --> 0:51:08.799
<v Speaker 1>as a ghost. You see her fall off the cliff too.

0:51:08.920 --> 0:51:11.920
<v Speaker 1>It's yes, exactly what I did. I did think it

0:51:11.960 --> 0:51:13.880
<v Speaker 1>was funny that they're like, Okay, we can watch Kathy

0:51:13.880 --> 0:51:16.759
<v Speaker 1>Morrie already fall off a cliff because she's the bad guy.

0:51:16.800 --> 0:51:19.360
<v Speaker 1>But Bill Paulman is a good guy who also ostensibly

0:51:19.400 --> 0:51:22.560
<v Speaker 1>falls off a cliff or like pulls off like a balcony.

0:51:22.840 --> 0:51:25.560
<v Speaker 1>He yeah, he dies from a fall, but you can't.

0:51:25.920 --> 0:51:28.560
<v Speaker 1>We can't see Bill Pullman fall right, even though I

0:51:28.560 --> 0:51:31.200
<v Speaker 1>think you know, sometimes I'm like I I like Kathy

0:51:31.280 --> 0:51:34.959
<v Speaker 1>Moriarty much more than Bill Pullman. Bill Pullman's walking around

0:51:35.000 --> 0:51:37.839
<v Speaker 1>thinking he's a good person. Well he's not a very

0:51:37.840 --> 0:51:45.120
<v Speaker 1>good dad, true, but he's so hot. Okay, So she

0:51:45.200 --> 0:51:48.719
<v Speaker 1>comes back as a ghost. Meanwhile, the ghost uncles are

0:51:48.760 --> 0:51:52.600
<v Speaker 1>trying to kill Dr Harvey at a karaoke night at

0:51:52.600 --> 0:51:56.399
<v Speaker 1>a bar while they're all black out drunk. But Dr

0:51:56.480 --> 0:51:58.839
<v Speaker 1>Harvey again is too drunk to notice that they're trying

0:51:58.880 --> 0:52:01.600
<v Speaker 1>to like murder him with gun and crowbars and stuff,

0:52:01.760 --> 0:52:05.080
<v Speaker 1>and he's like, I love you guys, You're my best friends.

0:52:05.200 --> 0:52:10.120
<v Speaker 1>And then he falls off a balcony and dies. Then

0:52:10.280 --> 0:52:14.920
<v Speaker 1>back at the Manner, Karagan as a ghost has found

0:52:14.960 --> 0:52:18.440
<v Speaker 1>the treasure. We don't see the scene where she figures

0:52:18.440 --> 0:52:20.040
<v Speaker 1>out where it was or anything like that, but she

0:52:20.120 --> 0:52:24.520
<v Speaker 1>comes back with a treasure chest, and Casper and Cat

0:52:24.719 --> 0:52:27.400
<v Speaker 1>steal the red Liquid back from her and then trick

0:52:27.440 --> 0:52:31.520
<v Speaker 1>her into admitting that she doesn't have any unfinished business.

0:52:31.560 --> 0:52:34.840
<v Speaker 1>So she crosses over and like ceases to be a

0:52:34.840 --> 0:52:39.600
<v Speaker 1>ghost and disappears and leaves the red plot liquid and

0:52:39.640 --> 0:52:42.799
<v Speaker 1>the treasure behind. Also, I skipped the part where she

0:52:42.880 --> 0:52:46.120
<v Speaker 1>kills Eric Idol, but she just sends him through a window.

0:52:46.440 --> 0:52:48.320
<v Speaker 1>I thought we were going to get an Eric Idol ghost.

0:52:48.360 --> 0:52:50.120
<v Speaker 1>I always am waiting for it to show up. It

0:52:50.160 --> 0:52:53.880
<v Speaker 1>never does. I was wondering because I was thinking of

0:52:53.920 --> 0:52:57.640
<v Speaker 1>Ghostbusters with this due to c G I ghosts right,

0:52:58.520 --> 0:53:00.520
<v Speaker 1>And one of the things we talked to about the

0:53:00.520 --> 0:53:04.319
<v Speaker 1>first Ghostbusters movie is that male coded ghosts can look

0:53:04.360 --> 0:53:09.200
<v Speaker 1>like anything like this a general animation problem. But women

0:53:09.560 --> 0:53:13.560
<v Speaker 1>ghosts can only look like conventionally hot women that you

0:53:13.600 --> 0:53:17.399
<v Speaker 1>can see through. I don't know that this it's hard

0:53:17.480 --> 0:53:20.240
<v Speaker 1>to say again, like this movie is kind of lawless

0:53:20.239 --> 0:53:23.400
<v Speaker 1>in that regard because it just seems like Casper and

0:53:24.000 --> 0:53:27.320
<v Speaker 1>the uncles are all obviously like male code of ghosts,

0:53:28.160 --> 0:53:31.560
<v Speaker 1>and they look weird. But then it's like, if you

0:53:31.600 --> 0:53:34.400
<v Speaker 1>were already a famous actor, you'll just look like that

0:53:34.440 --> 0:53:37.080
<v Speaker 1>famous actor as a ghost. In a way that felt

0:53:37.320 --> 0:53:39.520
<v Speaker 1>because originally, when Karagan came back, I'm like, oh, this

0:53:39.560 --> 0:53:42.360
<v Speaker 1>is Ghostbusters rules, but then you're like, no, Bill Pullman's

0:53:42.360 --> 0:53:46.399
<v Speaker 1>ghost looks exactly like Bill Pullman. I wonder if when

0:53:46.440 --> 0:53:48.960
<v Speaker 1>you become a ghost, right at first, like right after

0:53:49.000 --> 0:53:52.160
<v Speaker 1>you die, you more closely resemble what you looked like

0:53:52.280 --> 0:53:54.880
<v Speaker 1>in life. But then the longer you're a ghost, the

0:53:54.920 --> 0:53:58.960
<v Speaker 1>more cartoonist you you start to look, as I kind

0:53:58.960 --> 0:54:00.960
<v Speaker 1>of like that, as you like lose touch with your

0:54:01.000 --> 0:54:03.520
<v Speaker 1>past and yourself, you kind of just turned into this

0:54:03.680 --> 0:54:09.799
<v Speaker 1>like a blob, blobby cartoon character. Cannon, I like it,

0:54:09.920 --> 0:54:13.600
<v Speaker 1>thank you, Okay, they killed car again. They make her

0:54:13.719 --> 0:54:17.719
<v Speaker 1>like cross back over and the treasure chest opens and

0:54:17.760 --> 0:54:22.440
<v Speaker 1>it turns out to be a baseball and glove because

0:54:22.440 --> 0:54:26.560
<v Speaker 1>those were Casper's treasures when he was alive, and that

0:54:26.760 --> 0:54:33.000
<v Speaker 1>was the mcguffin. Basically just there's like you're just like sure, okay,

0:54:33.120 --> 0:54:37.839
<v Speaker 1>which is like that's whatever, cute, fine, Yeah, this at

0:54:37.840 --> 0:54:40.879
<v Speaker 1>this point, so many things you just are like Cat

0:54:41.000 --> 0:54:43.520
<v Speaker 1>is never going to recover from this night. This night

0:54:43.600 --> 0:54:46.279
<v Speaker 1>is so traumatic for her. And when she finds out

0:54:46.320 --> 0:54:48.839
<v Speaker 1>that her mom returned as an angel and didn't even

0:54:48.920 --> 0:54:51.080
<v Speaker 1>say hi, I don't know what she's going to do

0:54:51.920 --> 0:54:54.120
<v Speaker 1>that I can never That's the problem I've had since

0:54:54.120 --> 0:54:56.080
<v Speaker 1>I was a kid. I was like, if my mom

0:54:56.880 --> 0:55:01.520
<v Speaker 1>passed away, came back as an angel and only talked

0:55:01.520 --> 0:55:05.120
<v Speaker 1>to my dad and Casper the friendly ghost when I

0:55:05.160 --> 0:55:08.480
<v Speaker 1>was right there, I would be so pissed that did

0:55:08.480 --> 0:55:11.399
<v Speaker 1>not even occur to me until you said that. But

0:55:11.480 --> 0:55:19.120
<v Speaker 1>that fucked up not very angelic behavior if you ask me. No. Okay.

0:55:19.200 --> 0:55:24.480
<v Speaker 1>So meanwhile, while all this is happening, Cat's class has

0:55:24.480 --> 0:55:27.640
<v Speaker 1>shown up for the Halloween party, and that's happening upstairs.

0:55:28.760 --> 0:55:33.120
<v Speaker 1>Uh and then Dr Harvey's ghost because Cat's dad has

0:55:33.280 --> 0:55:36.279
<v Speaker 1>Bill Pullman has become a ghost after falling off of

0:55:36.520 --> 0:55:39.319
<v Speaker 1>the balcony when he was black out drunk. He shows up,

0:55:39.560 --> 0:55:42.400
<v Speaker 1>doesn't remember who Cat is at first, but then he's like,

0:55:42.440 --> 0:55:46.200
<v Speaker 1>oh yeah, I forgot again. You're just like, oh, there's

0:55:46.880 --> 0:55:51.200
<v Speaker 1>just Tonal. Another moment of total dissidence with the Bill

0:55:51.280 --> 0:55:55.239
<v Speaker 1>Pullman performance where she's so sad like obviously she was

0:55:55.239 --> 0:55:59.200
<v Speaker 1>found out her father died. She's an orphan, and he

0:55:59.280 --> 0:56:03.400
<v Speaker 1>was like like yeah, pull my finger, like he doesn't

0:56:03.440 --> 0:56:08.000
<v Speaker 1>remember her, which also doesn't track with like the ghost rules,

0:56:08.040 --> 0:56:13.120
<v Speaker 1>because Kathy Moriarty ghost remembers everything about what's been going

0:56:13.160 --> 0:56:15.360
<v Speaker 1>on when she was still alive. She hasn't like suddenly

0:56:15.360 --> 0:56:18.680
<v Speaker 1>forgotten there's anything about who she is or what she's

0:56:18.680 --> 0:56:21.440
<v Speaker 1>trying to do. But Bill Pullman, there are no rules.

0:56:22.920 --> 0:56:25.520
<v Speaker 1>Eric Idol doesn't even get to be a ghost. I

0:56:25.600 --> 0:56:29.520
<v Speaker 1>don't know why I truly have like they ran out

0:56:29.520 --> 0:56:32.400
<v Speaker 1>of ghost budget. Maybe they're like, we can only make six.

0:56:32.480 --> 0:56:35.799
<v Speaker 1>We're budgeted for six ghosts, and we can't make a

0:56:35.840 --> 0:56:38.200
<v Speaker 1>single ghost more. This did have a budget of fifty

0:56:38.239 --> 0:56:42.759
<v Speaker 1>five million dollars. That's a lot of dollars in especially

0:56:43.360 --> 0:56:45.239
<v Speaker 1>a lot, but this movie made so much money. I mean,

0:56:45.280 --> 0:56:48.640
<v Speaker 1>every yeah kid on the planet saw this damn movie

0:56:48.800 --> 0:56:51.400
<v Speaker 1>and it's and it's a good thing they did because

0:56:51.440 --> 0:56:55.960
<v Speaker 1>it's because it teaches you good lessons. Yeah, like that

0:56:56.000 --> 0:56:59.719
<v Speaker 1>you should stalk your romantic interest from a young age.

0:57:00.080 --> 0:57:03.400
<v Speaker 1>Christina re Young. I meant more to get drunk with

0:57:03.480 --> 0:57:09.040
<v Speaker 1>ghosts and being negligent. That was. There's so many bad

0:57:09.080 --> 0:57:11.120
<v Speaker 1>things you could take away from this movie, but I

0:57:11.160 --> 0:57:13.600
<v Speaker 1>just feel like it moves so fast and it's so confusing.

0:57:14.000 --> 0:57:16.480
<v Speaker 1>It's uh. I wonder if anyone was able to take

0:57:16.520 --> 0:57:20.240
<v Speaker 1>anything away from this movie other than what the what?

0:57:20.240 --> 0:57:25.720
<v Speaker 1>What what am I looking at? Yeah? Good? Good point?

0:57:26.000 --> 0:57:30.760
<v Speaker 1>Um Okay. So Dr Harvey's ghost is back, and then

0:57:30.880 --> 0:57:34.360
<v Speaker 1>Casper sacrifices his chance of being brought back to life

0:57:34.840 --> 0:57:38.400
<v Speaker 1>so that they can use the Lazarus Machine and the

0:57:38.440 --> 0:57:41.960
<v Speaker 1>Red plot liquid to bring Dr harvey back to life,

0:57:42.360 --> 0:57:46.200
<v Speaker 1>which they do kind of beautiful, such a beautiful sacrifice,

0:57:47.000 --> 0:57:50.440
<v Speaker 1>if only the stakes hadn't been established one minute previous

0:57:50.480 --> 0:57:54.400
<v Speaker 1>to this happening exactly. It happens so like it is

0:57:54.440 --> 0:57:58.960
<v Speaker 1>a very noble sacrifice, but it is like everything happens inside,

0:57:58.960 --> 0:58:02.120
<v Speaker 1>like that whole loop is closed inside five minutes. It's

0:58:02.120 --> 0:58:05.240
<v Speaker 1>so bizarre. So then Kat goes back upstairs to the

0:58:05.240 --> 0:58:10.320
<v Speaker 1>Halloween party. Meanwhile, Casper is in his room. He's all

0:58:10.360 --> 0:58:13.000
<v Speaker 1>sad that he can't go to the party. But then

0:58:13.080 --> 0:58:18.560
<v Speaker 1>Cat's mom slash Dr Harvey's his wife Amelia, shows up

0:58:18.600 --> 0:58:22.360
<v Speaker 1>as an angel and turns Casper into a human boy,

0:58:22.440 --> 0:58:25.960
<v Speaker 1>which will last until ten pm. So he goes to

0:58:26.040 --> 0:58:29.360
<v Speaker 1>the dance and he's Devin Salwa and he dances with

0:58:29.480 --> 0:58:32.880
<v Speaker 1>Kat and then they float and then he says, can

0:58:32.920 --> 0:58:36.440
<v Speaker 1>I keep you for the second time? And you're like, nope,

0:58:36.480 --> 0:58:39.880
<v Speaker 1>it's not better in person. It's it's weird whether it's

0:58:39.920 --> 0:58:43.560
<v Speaker 1>the cartoon or a door of or of a fleshy

0:58:43.640 --> 0:58:48.280
<v Speaker 1>as they put it right. And so they're dancing and

0:58:48.280 --> 0:58:52.160
<v Speaker 1>and then we're like, I guess. And then Amelia visits

0:58:52.280 --> 0:58:56.880
<v Speaker 1>Dr Harvey and she's like she basically says, I'm dead.

0:58:57.360 --> 0:59:00.120
<v Speaker 1>You have to stop looking for me, get over it.

0:59:00.440 --> 0:59:03.479
<v Speaker 1>See you when I see you. That. My mom would

0:59:03.480 --> 0:59:07.160
<v Speaker 1>always cry when she would give the advice because it

0:59:07.320 --> 0:59:10.760
<v Speaker 1>is cute. It's a little cute specific, but but when

0:59:10.800 --> 0:59:13.160
<v Speaker 1>you think about how many things he's doing wrong as

0:59:13.200 --> 0:59:16.600
<v Speaker 1>a parent, definitely not the top three recommendations I would

0:59:16.640 --> 0:59:18.440
<v Speaker 1>have made. I would have been like, trying not to

0:59:18.680 --> 0:59:21.880
<v Speaker 1>get blackout drunk the night you're supposed to be chaperoning

0:59:22.000 --> 0:59:25.040
<v Speaker 1>your daughter's party. Try not to squat in houses you

0:59:25.120 --> 0:59:30.120
<v Speaker 1>don't own, which unless it's absolutely necessary, which it doesn't

0:59:30.120 --> 0:59:33.120
<v Speaker 1>seem like it is in this case. Don't make your

0:59:33.160 --> 0:59:39.320
<v Speaker 1>daughter switch school systems once every for two weeks. Yeah,

0:59:39.360 --> 0:59:43.360
<v Speaker 1>because what she actually says is don't feed cat French

0:59:43.400 --> 0:59:46.080
<v Speaker 1>fries for breakfast. And it's like, yeah, he's doing way

0:59:46.080 --> 0:59:48.640
<v Speaker 1>worse stuff than that. I was like, he's doing that too.

0:59:49.720 --> 0:59:52.960
<v Speaker 1>Oh my god, you don't even see that. I take

0:59:53.000 --> 0:59:55.680
<v Speaker 1>it back. You you should squat in places you don't own,

0:59:55.720 --> 0:59:58.920
<v Speaker 1>because property ownership is one of the greatest scams perpetuated

0:59:59.080 --> 1:00:01.960
<v Speaker 1>of all time. But he's just doing so much wrong.

1:00:02.360 --> 1:00:07.040
<v Speaker 1>He's doing so much wrong. Yeah, exactly, so, Amelia. I mean,

1:00:07.080 --> 1:00:08.920
<v Speaker 1>she says it nicer than that, but she's just like,

1:00:09.120 --> 1:00:11.200
<v Speaker 1>you loved me so much that I don't have any

1:00:11.280 --> 1:00:14.280
<v Speaker 1>unfinished business, so you can stop looking for me. You

1:00:14.360 --> 1:00:17.160
<v Speaker 1>did a great job. But she's dating stinky. She's like,

1:00:17.240 --> 1:00:22.120
<v Speaker 1>it's not telling me. She's like, just keep doing a

1:00:22.160 --> 1:00:25.800
<v Speaker 1>great job parenting. And we're like, he's not though, And

1:00:25.840 --> 1:00:28.200
<v Speaker 1>then we cut back to Kat and Devin saw on

1:00:28.200 --> 1:00:31.640
<v Speaker 1>the dance floor. They kiss, and then the clock strikes ten,

1:00:31.960 --> 1:00:34.400
<v Speaker 1>so he turns back into Casper and all the kids

1:00:34.400 --> 1:00:36.200
<v Speaker 1>are like, oh my god, there's a ghost and they

1:00:36.280 --> 1:00:39.880
<v Speaker 1>run away, and then the uncle's who I guess are nice,

1:00:40.080 --> 1:00:44.800
<v Speaker 1>now strike up their rock band if they literally. The

1:00:45.520 --> 1:00:51.280
<v Speaker 1>plot indicates that when Bill Palman kisses them they become nice.

1:00:51.960 --> 1:00:55.160
<v Speaker 1>That is the turning point. Yeah, they're bad. They're pointing

1:00:55.160 --> 1:00:58.880
<v Speaker 1>a gun at his head ten seconds before, and then

1:00:58.880 --> 1:01:02.640
<v Speaker 1>he kisses them and they've become nice. Fine by me,

1:01:03.120 --> 1:01:07.400
<v Speaker 1>kiss your friends. That's exactly to quote one of the greats,

1:01:07.520 --> 1:01:11.080
<v Speaker 1>assuming they consent to it. All right, So that's the movie.

1:01:11.240 --> 1:01:21.560
<v Speaker 1>Let's take a break and we'll come back, and we're back.

1:01:22.240 --> 1:01:25.520
<v Speaker 1>I think we covered a lot of this in text, yes,

1:01:25.760 --> 1:01:28.480
<v Speaker 1>but I mean one of the first big I mean,

1:01:29.400 --> 1:01:33.400
<v Speaker 1>there's a lot of broad nineties tropes and it just

1:01:33.480 --> 1:01:37.200
<v Speaker 1>like late twenty century movie tropes that are present in

1:01:37.280 --> 1:01:40.880
<v Speaker 1>this movie. That I mean when that stood out that

1:01:40.920 --> 1:01:44.160
<v Speaker 1>we haven't touched on yet is the character of Fats

1:01:44.160 --> 1:01:49.200
<v Speaker 1>So who is um? I mean, that's just used clearly

1:01:49.240 --> 1:01:52.520
<v Speaker 1>as a punching down joke in a movie instantly no

1:01:52.720 --> 1:01:58.040
<v Speaker 1>body diversity. Otherwise, there's a ton of like references made

1:01:58.040 --> 1:02:00.320
<v Speaker 1>in this movie, one of which is like make fun

1:02:00.360 --> 1:02:02.560
<v Speaker 1>of Oprah's weight, which is I can't think of a

1:02:02.640 --> 1:02:09.560
<v Speaker 1>more problematic thing to do get a life, um that. So,

1:02:09.680 --> 1:02:12.240
<v Speaker 1>I mean that character in general was just like a

1:02:12.320 --> 1:02:16.840
<v Speaker 1>joke bucket for offensive jokes, all of which have aged poorly,

1:02:17.560 --> 1:02:22.560
<v Speaker 1>especially when Yeah, there's nobody diversity or really diversity at

1:02:22.560 --> 1:02:25.520
<v Speaker 1>all in this movie. I think that there's like truly

1:02:25.560 --> 1:02:30.600
<v Speaker 1>not two black actors with speaking roles. There's like a

1:02:30.600 --> 1:02:33.640
<v Speaker 1>teacher and a student, but other than that, it's like

1:02:33.720 --> 1:02:37.560
<v Speaker 1>they're on screen for like hardly any time at all. Yeah,

1:02:37.760 --> 1:02:40.400
<v Speaker 1>It's like, I know, this movie canonically happens in Maine,

1:02:40.560 --> 1:02:44.200
<v Speaker 1>but it's a fucking movie and there's non white people

1:02:44.200 --> 1:02:48.160
<v Speaker 1>who live in Maine and very nineties. And then there's

1:02:48.240 --> 1:02:50.080
<v Speaker 1>what we've been talking about this whole time, which is

1:02:50.120 --> 1:02:55.400
<v Speaker 1>the creepy stalker relationship that is like not necessary, and

1:02:55.440 --> 1:02:56.640
<v Speaker 1>if you get it out of the way, it could

1:02:56.640 --> 1:02:58.800
<v Speaker 1>have been a really nice friendship story, could have just

1:02:58.840 --> 1:03:01.560
<v Speaker 1>been a friendship again, and and one like you pointed out,

1:03:02.120 --> 1:03:06.560
<v Speaker 1>Casper doesn't need to lure them in, like that could

1:03:06.600 --> 1:03:10.800
<v Speaker 1>have happened more organically, where like Karrigan just finds out

1:03:10.800 --> 1:03:14.160
<v Speaker 1>about Dr Harvey on her own, she hires them, they

1:03:14.200 --> 1:03:17.240
<v Speaker 1>come to the house, and then Casper and cat meat

1:03:17.640 --> 1:03:20.200
<v Speaker 1>from that and then they just become friends. But instead

1:03:20.240 --> 1:03:23.240
<v Speaker 1>it's like this weird and we talk about all the

1:03:23.320 --> 1:03:30.360
<v Speaker 1>time on the show, these like coercive stockery romances. The

1:03:31.120 --> 1:03:35.640
<v Speaker 1>start by usually a man just being really creepy at

1:03:35.720 --> 1:03:39.120
<v Speaker 1>a woman and maybe she pushes back at first, but

1:03:39.240 --> 1:03:42.960
<v Speaker 1>eventually it ends up working and she'll kiss him by

1:03:42.960 --> 1:03:46.400
<v Speaker 1>the end of the movie. And for that to be

1:03:46.760 --> 1:03:51.040
<v Speaker 1>in a kids movie where the characters are twelve is

1:03:51.080 --> 1:03:55.400
<v Speaker 1>just like feels especially sinister. It's such a bummer and

1:03:55.440 --> 1:03:58.960
<v Speaker 1>it's like I I again, the only thing I can

1:03:59.000 --> 1:04:00.760
<v Speaker 1>say is there's so much k uked in this movie

1:04:00.800 --> 1:04:05.080
<v Speaker 1>that it's not something that I don't think I internalized

1:04:05.240 --> 1:04:07.680
<v Speaker 1>it in this movie specifically as a kid. But I

1:04:07.720 --> 1:04:09.960
<v Speaker 1>also do remember that like can I Keep you A

1:04:10.000 --> 1:04:13.160
<v Speaker 1>line was supposed to be like very romantic and you're

1:04:13.160 --> 1:04:19.240
<v Speaker 1>like pretty pretty scary delivered in any in any form

1:04:19.280 --> 1:04:24.360
<v Speaker 1>of Casper, it doesn't age great. And yeah, just like

1:04:24.400 --> 1:04:27.240
<v Speaker 1>I mean any like if like any movie or most

1:04:27.280 --> 1:04:32.400
<v Speaker 1>movies of this era will shoehorn in love story for

1:04:32.840 --> 1:04:34.680
<v Speaker 1>kids in a way that yeah, like if you're that

1:04:34.800 --> 1:04:38.600
<v Speaker 1>age watching the movie, like, it's just weird. It's not

1:04:38.640 --> 1:04:43.480
<v Speaker 1>necessary and even story wise, it like actively detracts from

1:04:43.520 --> 1:04:47.520
<v Speaker 1>what you would want, like Casper's whole motivation as a

1:04:47.600 --> 1:04:51.560
<v Speaker 1>characters he wants a friend, like not a girl friend

1:04:51.560 --> 1:04:55.120
<v Speaker 1>and like like a human girl to kiss. It's very

1:04:55.160 --> 1:04:57.680
<v Speaker 1>bizarre like and it's and it feels like, yeah, that's

1:04:57.680 --> 1:04:59.520
<v Speaker 1>why I'm sort of like I wonder if that was

1:04:59.560 --> 1:05:03.640
<v Speaker 1>like a a weird studio notes thing, because it feels

1:05:03.640 --> 1:05:07.720
<v Speaker 1>like every character in this movie needs a friend to

1:05:07.760 --> 1:05:09.720
<v Speaker 1>some extent, because you see that in the in the

1:05:09.840 --> 1:05:13.480
<v Speaker 1>dad character, he befriends the uncle's the uncle's befriend him,

1:05:13.800 --> 1:05:18.600
<v Speaker 1>and then they both theoretically become better for having friends.

1:05:19.440 --> 1:05:22.760
<v Speaker 1>They're also making out each other, you know, I don't

1:05:22.760 --> 1:05:26.480
<v Speaker 1>know I don't know what's going on there. I guess

1:05:26.640 --> 1:05:30.880
<v Speaker 1>the sequels, Bill Palman was not available to make out

1:05:30.920 --> 1:05:34.400
<v Speaker 1>with ghosts anymore. Um, but it was like, oh, you know,

1:05:34.480 --> 1:05:37.800
<v Speaker 1>through making friends you're able to move forward through life

1:05:38.040 --> 1:05:42.320
<v Speaker 1>and like move past your own grief is like as

1:05:42.440 --> 1:05:45.480
<v Speaker 1>close to like a moral as I could sort of

1:05:45.520 --> 1:05:49.919
<v Speaker 1>get this story. So you would think that like, yeah,

1:05:50.000 --> 1:05:53.320
<v Speaker 1>like Bill Palman doesn't fall in love with anybody. Yeah,

1:05:53.320 --> 1:05:57.040
<v Speaker 1>it's just it just feels very forced and ages poorly,

1:05:57.120 --> 1:06:00.320
<v Speaker 1>and also like didn't really work at the time either.

1:06:01.000 --> 1:06:02.960
<v Speaker 1>I don't like it, right, but I think that no

1:06:03.080 --> 1:06:08.360
<v Speaker 1>one this concept of just like a boy or man

1:06:09.320 --> 1:06:14.000
<v Speaker 1>being creepy and coercive and getting a girl that way

1:06:14.120 --> 1:06:17.520
<v Speaker 1>had already been so normalized. And then like so like

1:06:17.600 --> 1:06:20.120
<v Speaker 1>if I'm watching this as a kid and I'm like, oh, wow,

1:06:20.720 --> 1:06:22.880
<v Speaker 1>I guess that's what romance looks like. And then you're

1:06:22.920 --> 1:06:26.040
<v Speaker 1>just like indoctrinated into this mindset at an early age,

1:06:26.160 --> 1:06:29.320
<v Speaker 1>and then you watch a movie like The Notebook ten

1:06:29.400 --> 1:06:32.600
<v Speaker 1>years later or whatever, and you're like, well, yeah, movies

1:06:32.640 --> 1:06:35.680
<v Speaker 1>like Casper taught me that this is how it is,

1:06:35.720 --> 1:06:38.400
<v Speaker 1>this is how romance goes. So I just like I

1:06:38.440 --> 1:06:40.800
<v Speaker 1>think it's so sinister that I would just kind of

1:06:40.800 --> 1:06:43.320
<v Speaker 1>like want to briefly go through the beats of this

1:06:43.360 --> 1:06:45.040
<v Speaker 1>because we touched on some of them already. But then

1:06:45.040 --> 1:06:47.840
<v Speaker 1>there's that scene that we skipped over in the recap

1:06:48.000 --> 1:06:52.840
<v Speaker 1>that's like especially gross. So Casper sees Cat on that

1:06:52.880 --> 1:06:55.400
<v Speaker 1>like new segment, he instantly falls in love with her.

1:06:56.280 --> 1:06:58.520
<v Speaker 1>Doesn't really make sense. Again, you think he would be

1:06:58.600 --> 1:07:02.120
<v Speaker 1>intrigued by the idea that there's this ghost therapist who

1:07:02.120 --> 1:07:07.080
<v Speaker 1>can like help him crossover and deal with his unfinished business,

1:07:07.200 --> 1:07:10.840
<v Speaker 1>and like that would make more sense in the narrative

1:07:11.240 --> 1:07:14.920
<v Speaker 1>of like what's motivating him. But instead he's like, oh,

1:07:15.040 --> 1:07:18.040
<v Speaker 1>Christina Ricci is a person I've never met, but I

1:07:18.120 --> 1:07:21.920
<v Speaker 1>love her because I saw her on TV. So he

1:07:22.000 --> 1:07:26.600
<v Speaker 1>then manipulates Karagan into hiring Dr Harvey so that Cat

1:07:26.600 --> 1:07:30.560
<v Speaker 1>will come. So again he just like lures Cat there

1:07:30.680 --> 1:07:35.600
<v Speaker 1>for his own selfish reasons. Then there's that scene where

1:07:36.040 --> 1:07:38.320
<v Speaker 1>he keeps telling her that he wants to go to

1:07:38.320 --> 1:07:41.600
<v Speaker 1>the dance with her. She says, no, I already have

1:07:41.680 --> 1:07:44.840
<v Speaker 1>a date. He keeps being very pushy. He's like, well,

1:07:44.840 --> 1:07:46.600
<v Speaker 1>what does he have that I don't have? And he's like,

1:07:46.640 --> 1:07:48.480
<v Speaker 1>if I was alive with you if I was this,

1:07:48.840 --> 1:07:51.680
<v Speaker 1>if I was that. Yeah, she keeps saying like no, no, no,

1:07:51.920 --> 1:07:54.880
<v Speaker 1>I already told you I have a date. Then he

1:07:54.960 --> 1:08:01.080
<v Speaker 1>turns into like Arnold Schwarzenegger as the Terminator. This reminded

1:08:01.120 --> 1:08:04.320
<v Speaker 1>me of Twilight a lot, weirdly, because it's like a

1:08:04.360 --> 1:08:06.760
<v Speaker 1>guy who has been dead for a long time and

1:08:06.800 --> 1:08:09.480
<v Speaker 1>so like they like because you know how like Edward

1:08:09.480 --> 1:08:12.400
<v Speaker 1>calls like, I'm a million years old. I'm you know,

1:08:12.920 --> 1:08:14.880
<v Speaker 1>I'm an old man, and you're a teenager and you're

1:08:14.920 --> 1:08:17.360
<v Speaker 1>my girlfriend. Casper has been dead for a long time.

1:08:17.800 --> 1:08:23.200
<v Speaker 1>They both suddenly sees the object of their obsession and

1:08:23.640 --> 1:08:27.200
<v Speaker 1>with them out a window, and then that is what

1:08:27.479 --> 1:08:31.679
<v Speaker 1>motivates the female character to fall in love with them. Right, Yeah,

1:08:31.720 --> 1:08:35.599
<v Speaker 1>there's a lot, yeah, a lot of parallels in Twilight.

1:08:35.680 --> 1:08:38.360
<v Speaker 1>He was like, okay, Spider Monkey, let's run around, and

1:08:38.400 --> 1:08:41.759
<v Speaker 1>she was like t he okay. In Casper, he pulls

1:08:41.760 --> 1:08:46.440
<v Speaker 1>her out, the window drops her. Then so many balcony

1:08:46.479 --> 1:08:49.640
<v Speaker 1>falls in this movie, right, Oh my god, he saves her.

1:08:49.800 --> 1:08:52.840
<v Speaker 1>She's still screaming, and then we immediately cut to a

1:08:52.880 --> 1:08:56.720
<v Speaker 1>scene where they're sitting on a lighthouse and she's swooning.

1:08:56.840 --> 1:09:00.240
<v Speaker 1>She's saying, Oh my god, this view is beautiful, and

1:09:00.280 --> 1:09:03.320
<v Speaker 1>then he goes on to like tell her about, oh,

1:09:03.360 --> 1:09:06.880
<v Speaker 1>I can't remember my past and I don't know who

1:09:06.920 --> 1:09:09.160
<v Speaker 1>I was, so like, I feel like he's just like

1:09:09.360 --> 1:09:12.920
<v Speaker 1>using all this emotional manipulation and then also just like

1:09:12.960 --> 1:09:18.439
<v Speaker 1>straight up creepy coercive stuff too. I agree that he's

1:09:18.560 --> 1:09:22.200
<v Speaker 1>using creepy coercive stalk or behavior when it gets to

1:09:22.320 --> 1:09:24.160
<v Speaker 1>like the stuff if he doesn't remember his past. I

1:09:24.160 --> 1:09:27.360
<v Speaker 1>didn't even I didn't clock that as emotional manipulation. I

1:09:27.400 --> 1:09:29.719
<v Speaker 1>just kind of clocked that as like not very good.

1:09:29.479 --> 1:09:33.360
<v Speaker 1>I wouldn't if he hadn't already done all that other stuff.

1:09:33.880 --> 1:09:36.040
<v Speaker 1>But then I feel like that could be and you

1:09:36.040 --> 1:09:39.720
<v Speaker 1>could interpret that is like, well could be interpreted that way,

1:09:39.800 --> 1:09:42.240
<v Speaker 1>like you know, I I have her in my clutches

1:09:42.320 --> 1:09:44.760
<v Speaker 1>and this kind of seals the deal to get her

1:09:44.800 --> 1:09:47.720
<v Speaker 1>to like me and to care about me, which is

1:09:47.720 --> 1:09:49.400
<v Speaker 1>a bummer because again it's like if it had just

1:09:49.439 --> 1:09:53.519
<v Speaker 1>been presented as a friendship and they meet more by chance,

1:09:53.800 --> 1:09:55.920
<v Speaker 1>you could have that exact same scene and it could

1:09:55.920 --> 1:09:59.400
<v Speaker 1>play very very differently. It could work just fine, exactly, Yeah,

1:09:59.479 --> 1:10:02.720
<v Speaker 1>because it's she's what she's like saying, actually, like is

1:10:03.360 --> 1:10:06.560
<v Speaker 1>you know, thoughtful and empathetic and they're like sharing experiences

1:10:06.600 --> 1:10:10.280
<v Speaker 1>about like she has lost a parent and like she's

1:10:10.640 --> 1:10:13.080
<v Speaker 1>talking a little bit about that, and you know that's

1:10:13.080 --> 1:10:15.040
<v Speaker 1>a big part of her character and it's like, just

1:10:15.120 --> 1:10:17.160
<v Speaker 1>let them connect on that level because yeah, like you're

1:10:17.160 --> 1:10:20.360
<v Speaker 1>talking about because all that stuff happens before, it adds

1:10:20.439 --> 1:10:25.400
<v Speaker 1>this like layer of baggage and like weird coercive e

1:10:25.520 --> 1:10:29.200
<v Speaker 1>stuff that doesn't need to be there, and you yeah,

1:10:29.240 --> 1:10:31.160
<v Speaker 1>I feel like that scene could play out. You know,

1:10:31.200 --> 1:10:34.200
<v Speaker 1>they could just be up on the lighthouse together without

1:10:34.320 --> 1:10:38.520
<v Speaker 1>you know, I don't know, like because he's already manipulated

1:10:38.560 --> 1:10:42.200
<v Speaker 1>several people and been super creepy. Yeah. I just I

1:10:42.240 --> 1:10:44.479
<v Speaker 1>was like, I feel like he's just I don't know,

1:10:44.600 --> 1:10:48.080
<v Speaker 1>like he I see what you're saying. Yeah. Um. So

1:10:48.120 --> 1:10:51.920
<v Speaker 1>they have that conversation and then they go back to

1:10:52.240 --> 1:10:55.280
<v Speaker 1>the house. He's like, I don't know, talking her into

1:10:55.280 --> 1:10:57.040
<v Speaker 1>bed or something, but she's like kind of drifting off

1:10:57.040 --> 1:11:01.479
<v Speaker 1>to sleep and he whispers in her ear, can I

1:11:01.560 --> 1:11:06.000
<v Speaker 1>keep you? She is like as pretty asleep by this point,

1:11:06.040 --> 1:11:10.080
<v Speaker 1>and then he kisses her on the cheek when she

1:11:10.320 --> 1:11:14.160
<v Speaker 1>is not conscious. She thinks it's like a draft coming in.

1:11:14.280 --> 1:11:17.559
<v Speaker 1>She's like close the window, but he's like kissing her

1:11:17.680 --> 1:11:22.160
<v Speaker 1>and being like can I keep you? That stuff is yucky? Gross?

1:11:22.880 --> 1:11:25.479
<v Speaker 1>And then at the end when he's a human Devin

1:11:25.560 --> 1:11:30.200
<v Speaker 1>sawwa and you're like why are we doing this? And

1:11:30.240 --> 1:11:32.760
<v Speaker 1>he says can I keep you? Again? And and then

1:11:32.800 --> 1:11:37.360
<v Speaker 1>she's like wait, who is this right? Because she also

1:11:37.400 --> 1:11:40.720
<v Speaker 1>doesn't even know that's Casper at first Devin saw Whata

1:11:40.840 --> 1:11:42.760
<v Speaker 1>just comes up to her and takes her hand and

1:11:42.800 --> 1:11:46.000
<v Speaker 1>like leads her onto the dance floor, and she's like huh.

1:11:46.040 --> 1:11:48.080
<v Speaker 1>And then when he says like can I keep you?

1:11:48.760 --> 1:11:51.000
<v Speaker 1>Is that the moment when she's like wait are you Casper?

1:11:51.240 --> 1:11:53.600
<v Speaker 1>There's something that like she doesn't know. I mean that

1:11:53.720 --> 1:11:55.560
<v Speaker 1>I didn't view as like co worker up. I just

1:11:55.640 --> 1:11:57.360
<v Speaker 1>thought that was weird because it's like she doesn't know

1:11:57.439 --> 1:11:59.880
<v Speaker 1>anyone and at this school really, so it's like if

1:11:59.880 --> 1:12:02.800
<v Speaker 1>she saw a boy she wanted to dance with, like

1:12:03.080 --> 1:12:05.760
<v Speaker 1>probably she wouldn't have known him anyways. And it's like

1:12:05.800 --> 1:12:08.759
<v Speaker 1>not like she's being like dragged out, like she's going

1:12:09.000 --> 1:12:12.920
<v Speaker 1>like she's going, but it's just like another weird writing Boemt.

1:12:12.960 --> 1:12:15.640
<v Speaker 1>We're like, oh, yeah, she has no idea who this is.

1:12:15.680 --> 1:12:18.600
<v Speaker 1>This is she as far as she knows, this is

1:12:18.640 --> 1:12:21.080
<v Speaker 1>just like a boy from her school. I feel like

1:12:21.120 --> 1:12:23.080
<v Speaker 1>you needed me to this party at her house that

1:12:23.479 --> 1:12:26.120
<v Speaker 1>is not her house. I feel else's happen, right. I

1:12:26.160 --> 1:12:29.160
<v Speaker 1>feel like you needed something similar to that moment in

1:12:29.920 --> 1:12:33.320
<v Speaker 1>Beauty and the Beast where Beasts turns into a human

1:12:34.040 --> 1:12:37.840
<v Speaker 1>and Belle is looking at him skeptically and then she

1:12:38.080 --> 1:12:40.920
<v Speaker 1>looks deep into his eyes. She's like, you have the

1:12:40.920 --> 1:12:43.240
<v Speaker 1>same eyes as beast, and then she's like it is

1:12:43.320 --> 1:12:46.280
<v Speaker 1>you and he's like t he. I feel like we

1:12:46.320 --> 1:12:49.519
<v Speaker 1>needed a moment like that right away, right, because otherwise

1:12:49.520 --> 1:12:51.760
<v Speaker 1>you're like, what is? What is? It's hard to put

1:12:51.800 --> 1:12:54.120
<v Speaker 1>yourself in Cat's head for this scene because it's like,

1:12:54.120 --> 1:12:56.360
<v Speaker 1>why is she looking all googly at if she's like

1:12:56.800 --> 1:13:03.479
<v Speaker 1>if she doesn't, right, I like, look, it's not. I

1:13:03.520 --> 1:13:07.280
<v Speaker 1>love that this movie was written by women too. Credited

1:13:07.800 --> 1:13:12.320
<v Speaker 1>writers Sherry Stoner and Diana Oliver, both of whom are

1:13:12.400 --> 1:13:16.960
<v Speaker 1>also actors and have been in really famous cartoons. Diana

1:13:17.000 --> 1:13:20.400
<v Speaker 1>Oliver is in The Brave Little Toaster and wrote on

1:13:20.479 --> 1:13:27.479
<v Speaker 1>Animaniacs and Tiny Tuoned Adventures. Uh. Harry Stoner was the

1:13:27.560 --> 1:13:31.720
<v Speaker 1>voice of Slappy on Animaniacs. And they also wrote a

1:13:31.800 --> 1:13:34.439
<v Speaker 1>movie that I definitely saw in theaters and couldn't tell

1:13:34.479 --> 1:13:37.839
<v Speaker 1>you a single thing that happens in it. My favorite Martian,

1:13:38.000 --> 1:13:41.960
<v Speaker 1>remember that I know of it. They also wrote that

1:13:42.000 --> 1:13:45.240
<v Speaker 1>Sherry Stoner, this is bizarre, speaking of Beauty and the

1:13:45.280 --> 1:13:49.240
<v Speaker 1>beast Um, she was an animation reference model for Ariel

1:13:49.360 --> 1:13:55.800
<v Speaker 1>and Bell. They're just kind of iconic figures. And they

1:13:55.840 --> 1:14:00.360
<v Speaker 1>wrote Casper like, I love it, but it's just a

1:14:00.439 --> 1:14:02.160
<v Speaker 1>lot of things that happened in this movie that make

1:14:02.200 --> 1:14:06.160
<v Speaker 1>no sense truly. Yeah, I mean, it is unusual for

1:14:06.800 --> 1:14:12.559
<v Speaker 1>women to write like major motion pictures in the nineties, right,

1:14:12.640 --> 1:14:14.360
<v Speaker 1>I know. I mean, I think it's a really good thing,

1:14:15.040 --> 1:14:19.000
<v Speaker 1>and I fully I want to believe that a lot

1:14:19.040 --> 1:14:23.559
<v Speaker 1>of the weird romantic stuff is being pushed from a

1:14:23.640 --> 1:14:27.920
<v Speaker 1>studio standpoints studio. Also, I read that J. J. Abrams

1:14:27.960 --> 1:14:31.360
<v Speaker 1>did an uncredited rewrite of the script, so maybe some

1:14:31.439 --> 1:14:35.120
<v Speaker 1>of the weirdness came from his rewrite. We don't know,

1:14:35.439 --> 1:14:38.360
<v Speaker 1>hard to track. Let's blame him, why not, Let's blame J. J.

1:14:38.560 --> 1:14:41.759
<v Speaker 1>Abrams what We could blame him for a lot of things, true.

1:14:42.160 --> 1:14:45.920
<v Speaker 1>We Yeah, So, I mean the thing that sucks about

1:14:45.920 --> 1:14:49.200
<v Speaker 1>that is I really like Kat as a character. Like

1:14:49.320 --> 1:14:53.400
<v Speaker 1>I think that if that relationship with her and Casper

1:14:53.439 --> 1:14:56.320
<v Speaker 1>had been stripped down to a friendship, it would have

1:14:56.840 --> 1:15:00.720
<v Speaker 1>done justice to her character so much her because it's

1:15:00.720 --> 1:15:04.040
<v Speaker 1>like she's she's a Christina Ricci character, and at this point,

1:15:04.160 --> 1:15:07.639
<v Speaker 1>Christina Ricci has already been Wednesday Adams. She's sort of

1:15:07.680 --> 1:15:11.240
<v Speaker 1>like she's going to be in the ghost movies for

1:15:11.280 --> 1:15:16.160
<v Speaker 1>a while, spooky big how you know, Hunted Mansion movies. Yeah, yeah,

1:15:16.200 --> 1:15:19.080
<v Speaker 1>And it's like she she's I don't know, like she

1:15:19.400 --> 1:15:22.040
<v Speaker 1>maybe I just have such nostalgia for this character, but

1:15:22.160 --> 1:15:25.760
<v Speaker 1>like she is like grieving her mother, She's struggling to

1:15:25.760 --> 1:15:30.200
<v Speaker 1>fit in at school. She like has a tough relationship

1:15:30.240 --> 1:15:33.200
<v Speaker 1>with her father because she like understandably resents him for

1:15:33.280 --> 1:15:36.320
<v Speaker 1>like dragging her around the country because he won't go

1:15:36.400 --> 1:15:41.080
<v Speaker 1>to therapy. Like all of this, Like there's a lot

1:15:41.080 --> 1:15:44.080
<v Speaker 1>going on, and like she still managed to be like

1:15:44.960 --> 1:15:49.400
<v Speaker 1>very motivated. She's empathetic to the people around her, but

1:15:49.479 --> 1:15:52.479
<v Speaker 1>like not at the sacrifice of her own story. Like

1:15:52.840 --> 1:15:55.320
<v Speaker 1>I do think that there's a lot of cool things

1:15:55.320 --> 1:15:58.040
<v Speaker 1>about that character that like if you had taken out

1:15:58.240 --> 1:16:02.559
<v Speaker 1>the weird predatory relationship stuff that's being pushed on a

1:16:02.560 --> 1:16:04.800
<v Speaker 1>twelve year old. You could have made some space for

1:16:04.920 --> 1:16:09.840
<v Speaker 1>like even more coming of age stuff. Um, that would

1:16:09.840 --> 1:16:11.840
<v Speaker 1>have been cool because I like, I like the coming

1:16:11.880 --> 1:16:14.120
<v Speaker 1>of age stuff that's there, but it's kind of stripped

1:16:14.120 --> 1:16:16.439
<v Speaker 1>down to like she makes a friend, but also he's

1:16:16.479 --> 1:16:18.840
<v Speaker 1>kind of her boyfriend, and like it's like, though she

1:16:18.840 --> 1:16:20.720
<v Speaker 1>should make a friend. I would have loved to see

1:16:20.720 --> 1:16:23.280
<v Speaker 1>her make a friend at school. I would have loved

1:16:23.280 --> 1:16:26.200
<v Speaker 1>to see her have a conversation with her angel mom.

1:16:26.520 --> 1:16:28.160
<v Speaker 1>Like it just felt like there are a lot of

1:16:28.200 --> 1:16:34.040
<v Speaker 1>missed opportunities. Um, she's pretty active in the like I mean,

1:16:34.840 --> 1:16:37.040
<v Speaker 1>the whole climax of the movie. Again, I'm just like

1:16:37.320 --> 1:16:40.240
<v Speaker 1>I don't even know if I can get to gender

1:16:40.280 --> 1:16:43.160
<v Speaker 1>on it because it's just such a weird mess. Um.

1:16:43.200 --> 1:16:46.360
<v Speaker 1>But like she's pretty active in that climactic seed. But

1:16:46.439 --> 1:16:49.960
<v Speaker 1>like also everyone's kind of doing their own thing in

1:16:49.960 --> 1:16:52.479
<v Speaker 1>that scene. Like, I just I think Cat is an

1:16:52.479 --> 1:16:56.280
<v Speaker 1>awesome character, and I wish that the main thrust of

1:16:56.280 --> 1:17:00.800
<v Speaker 1>the story wasn't her anding up was sort of a

1:17:00.800 --> 1:17:03.639
<v Speaker 1>ghost boyfriend, although it seems like the second he turns

1:17:03.640 --> 1:17:06.240
<v Speaker 1>back into a ghost that is off the table, so

1:17:06.280 --> 1:17:08.800
<v Speaker 1>you're just like, why did we even do it then? Right,

1:17:09.160 --> 1:17:11.760
<v Speaker 1>like she only wants to kiss him when he's Devin Sawa.

1:17:11.800 --> 1:17:14.320
<v Speaker 1>And also that was you know, a surprise kiss and

1:17:15.040 --> 1:17:17.640
<v Speaker 1>blah blah blah, like all this ship that we've been

1:17:17.640 --> 1:17:20.240
<v Speaker 1>talking about for years. But it's just it sucks that

1:17:20.439 --> 1:17:24.080
<v Speaker 1>the takeaways from her character is she forgives her father's

1:17:24.120 --> 1:17:27.799
<v Speaker 1>bad parenting and she has like a ghost boyfriend, when

1:17:28.120 --> 1:17:32.000
<v Speaker 1>the basis of the character there's like potential for so

1:17:32.160 --> 1:17:35.080
<v Speaker 1>much more. I like that. I wish that she had

1:17:35.080 --> 1:17:38.439
<v Speaker 1>had she'd been given more cool stuff to do. Yes,

1:17:39.000 --> 1:17:42.679
<v Speaker 1>I think there could have been a more meaningful subplot

1:17:42.720 --> 1:17:47.040
<v Speaker 1>and resolution between her and her father. I think there

1:17:47.080 --> 1:17:51.040
<v Speaker 1>could have been a more meaningful subplot about how she's

1:17:51.080 --> 1:17:54.640
<v Speaker 1>experiencing the loss of her mother and you know, like

1:17:54.800 --> 1:17:59.720
<v Speaker 1>how she's dealing with that grief. And again, if she

1:17:59.800 --> 1:18:03.519
<v Speaker 1>had had some closure there, like if her mom angel

1:18:03.680 --> 1:18:06.519
<v Speaker 1>came and talked to her, then it could have also

1:18:06.640 --> 1:18:11.200
<v Speaker 1>passed the snubbed by her mom. So weird, but so

1:18:11.280 --> 1:18:15.120
<v Speaker 1>much real estate, and the movie is taken up by

1:18:15.320 --> 1:18:20.479
<v Speaker 1>this creepy predatory romance between twelve year olds. It's so bizarre.

1:18:20.960 --> 1:18:26.760
<v Speaker 1>I did find there to be traces of the precocious

1:18:26.840 --> 1:18:31.400
<v Speaker 1>twelve year old girl trope with Cat. It's not the

1:18:31.439 --> 1:18:35.479
<v Speaker 1>worst example I've ever seen, but I felt like you

1:18:35.520 --> 1:18:41.120
<v Speaker 1>could make the argument that there are traces, but in

1:18:41.120 --> 1:18:43.200
<v Speaker 1>a way that would you argue in a way that's

1:18:43.240 --> 1:18:46.479
<v Speaker 1>like harmful because it's not even like she's a bookish kid,

1:18:46.640 --> 1:18:49.760
<v Speaker 1>like I think she's just like lonely and right and

1:18:49.800 --> 1:18:52.120
<v Speaker 1>I think has some good lines. I think she is

1:18:52.520 --> 1:18:56.719
<v Speaker 1>well rounded enough and just like a multidimensional enough character

1:18:57.439 --> 1:19:02.200
<v Speaker 1>that other aspects of her character that she doesn't necessarily

1:19:02.240 --> 1:19:06.800
<v Speaker 1>fall into that trompe super squarely. But I don't know,

1:19:06.880 --> 1:19:09.439
<v Speaker 1>Maybe it was just the sad alone. Maybe it was

1:19:09.479 --> 1:19:12.240
<v Speaker 1>just the scene where they're like turning on the power

1:19:12.560 --> 1:19:15.080
<v Speaker 1>in the house when they first get there, and she's like, yeah,

1:19:15.080 --> 1:19:18.120
<v Speaker 1>we need all these twenty volt bulbs or like I don't.

1:19:18.160 --> 1:19:21.439
<v Speaker 1>She says something she knows all about electricity, and I'm

1:19:21.479 --> 1:19:26.320
<v Speaker 1>why do you hate Casper? There? There, It's like definitely, no,

1:19:26.400 --> 1:19:29.960
<v Speaker 1>it's definitely a Quippie script. Like I just through something.

1:19:30.280 --> 1:19:32.720
<v Speaker 1>It's definitely like a quip a Quippi script. But it's

1:19:32.760 --> 1:19:35.479
<v Speaker 1>I think it's like I think it's more just like

1:19:35.560 --> 1:19:37.960
<v Speaker 1>that's how everyone sounds in this movie, and she and

1:19:38.040 --> 1:19:40.840
<v Speaker 1>Casper are the only kids that you really get because

1:19:40.840 --> 1:19:43.759
<v Speaker 1>it's like the bullies are like have these weird quippy

1:19:43.880 --> 1:19:46.519
<v Speaker 1>lines too, and they're like making references that are kind

1:19:46.520 --> 1:19:49.559
<v Speaker 1>of out of pocket given they're like, you know, she's

1:19:49.560 --> 1:19:51.760
<v Speaker 1>like she you know, she knows who Stephen King is.

1:19:51.960 --> 1:19:54.240
<v Speaker 1>But that's just because the script wants to reference the

1:19:54.280 --> 1:19:57.200
<v Speaker 1>fact that they're in Maine, Like, I don't know, she

1:19:57.320 --> 1:20:04.040
<v Speaker 1>definitely is like precocious, but don't I mean, yeah, it's

1:20:04.040 --> 1:20:06.920
<v Speaker 1>not even that's not even always a universally bad trope.

1:20:07.520 --> 1:20:09.599
<v Speaker 1>I think it's just like a trope that exists. Sometimes

1:20:09.680 --> 1:20:13.200
<v Speaker 1>it sucks and is like problematic, but I feel like

1:20:13.240 --> 1:20:16.640
<v Speaker 1>it only for me. It's mainly an issue if it

1:20:16.720 --> 1:20:21.599
<v Speaker 1>implies that a kid is like worldly in a way

1:20:21.880 --> 1:20:25.439
<v Speaker 1>that is permissive for adults to treat them not like

1:20:25.479 --> 1:20:27.920
<v Speaker 1>a kid. But I don't think that that's really what's

1:20:27.920 --> 1:20:30.320
<v Speaker 1>happening here. I think she just is like I agree

1:20:30.360 --> 1:20:35.719
<v Speaker 1>with you, Um, I didn't have much else except for

1:20:36.600 --> 1:20:40.320
<v Speaker 1>it also feels a bit tropy to me, the like

1:20:40.360 --> 1:20:46.240
<v Speaker 1>a man's motivation is his dead wife. I'm like, for sure, Well, yeah,

1:20:46.280 --> 1:20:48.280
<v Speaker 1>I had a little bit about the mom too. I

1:20:48.320 --> 1:20:51.280
<v Speaker 1>think that like that whole thing is like a little

1:20:51.320 --> 1:20:54.800
<v Speaker 1>like do we know what the mom did? No, we

1:20:54.840 --> 1:20:57.760
<v Speaker 1>don't know if she had a job. Her daughter's memories

1:20:57.800 --> 1:21:01.960
<v Speaker 1>are of her cooking breakfast and smelling good and being

1:21:02.320 --> 1:21:04.240
<v Speaker 1>It's not to say like they're like if she didn't

1:21:04.320 --> 1:21:07.160
<v Speaker 1>have a job or like any of that that would

1:21:07.200 --> 1:21:09.320
<v Speaker 1>make her less of a mother. It just is like

1:21:09.760 --> 1:21:14.280
<v Speaker 1>in terms of trope, like she remembers her mom doing

1:21:14.640 --> 1:21:19.120
<v Speaker 1>only very like feminine domestic things. Um, we don't really

1:21:19.160 --> 1:21:21.200
<v Speaker 1>get any background on the mom in a way that

1:21:21.360 --> 1:21:25.960
<v Speaker 1>actually kind of does feel agreed, just like it doesn't

1:21:26.160 --> 1:21:28.719
<v Speaker 1>with Karagan, because Karagan is like straight up a cartoon

1:21:28.800 --> 1:21:31.639
<v Speaker 1>character as his DIBs. But like the mom, we're supposed

1:21:31.680 --> 1:21:33.960
<v Speaker 1>to really be feeling this loss, and the things that

1:21:34.040 --> 1:21:38.240
<v Speaker 1>you know about her are very vague. And I feel

1:21:38.240 --> 1:21:41.879
<v Speaker 1>like that the whole concept of like the angelic mother character,

1:21:42.160 --> 1:21:45.160
<v Speaker 1>You're like, all right, I get like it's just kind

1:21:45.200 --> 1:21:47.880
<v Speaker 1>of in a way that a lot of stuff in

1:21:47.880 --> 1:21:51.439
<v Speaker 1>this movie is kind of like stocky and lazy. Yeah,

1:21:51.520 --> 1:21:55.519
<v Speaker 1>I don't know, like movies and culture in general, Like

1:21:55.840 --> 1:21:59.080
<v Speaker 1>I do think that there is like this obviously like

1:21:59.400 --> 1:22:04.720
<v Speaker 1>nothing but respect for mother's braver than the troops. It's

1:22:04.760 --> 1:22:07.040
<v Speaker 1>it's hard to be like, oh, but I just feel

1:22:07.040 --> 1:22:11.200
<v Speaker 1>like there's a there's this creepy halo given to the

1:22:11.240 --> 1:22:13.680
<v Speaker 1>concept of motherhood in movies that I feel like it

1:22:13.760 --> 1:22:17.519
<v Speaker 1>is also like on the back end of that used

1:22:17.680 --> 1:22:23.920
<v Speaker 1>to demonized childless women or like the best a woman

1:22:23.960 --> 1:22:26.840
<v Speaker 1>can be is if she is a mother. Um. And

1:22:26.920 --> 1:22:28.679
<v Speaker 1>you can kind of see that in And I don't

1:22:28.680 --> 1:22:31.639
<v Speaker 1>know how intentional this was, if at all, but like

1:22:31.920 --> 1:22:34.439
<v Speaker 1>you know, like the dead mom is an angel and

1:22:34.520 --> 1:22:37.640
<v Speaker 1>Karagan is like a childless woman in her thirties and

1:22:37.720 --> 1:22:42.240
<v Speaker 1>she's hell and she's evil and she's a horny murderer

1:22:42.240 --> 1:22:46.200
<v Speaker 1>and blah blah blah when you know. So the mom

1:22:46.280 --> 1:22:49.400
<v Speaker 1>stuff I just thought was it's again it sucks because

1:22:49.400 --> 1:22:51.680
<v Speaker 1>I like the actor who plays the mom. I think

1:22:51.720 --> 1:22:55.000
<v Speaker 1>she's like great, but yeah, if you're going to do

1:22:55.040 --> 1:22:57.880
<v Speaker 1>all that, at least have the mom talk to her

1:22:58.040 --> 1:23:01.920
<v Speaker 1>daughter like what you do wing um. Yeah, So the

1:23:02.479 --> 1:23:05.200
<v Speaker 1>mom stuff kind of pined a little weird for me

1:23:05.280 --> 1:23:10.280
<v Speaker 1>because she just becomes yeah, she's like a fairy godmother too, Casper,

1:23:10.320 --> 1:23:14.479
<v Speaker 1>which is like, okay, but it's just it's just bizarre. Um. Yeah,

1:23:14.520 --> 1:23:18.360
<v Speaker 1>they felt like there was some ginded stereotypes going on

1:23:18.600 --> 1:23:20.559
<v Speaker 1>with the mom. I feel like if we had maybe

1:23:20.600 --> 1:23:24.160
<v Speaker 1>gotten some flashbacks and maybe this would have been corny.

1:23:24.200 --> 1:23:27.240
<v Speaker 1>But also this is a very corny, campy movie. But

1:23:27.600 --> 1:23:32.400
<v Speaker 1>like some flashbacks between Cat and her mom. You know,

1:23:32.800 --> 1:23:35.559
<v Speaker 1>Bill Pullman can be there too. But if it's like

1:23:35.680 --> 1:23:40.360
<v Speaker 1>Cat reflecting on memories of her mother, and then that

1:23:40.400 --> 1:23:43.439
<v Speaker 1>way we would get to learn about the mom a

1:23:43.439 --> 1:23:49.960
<v Speaker 1>bit more and we could see two female characters interacting

1:23:50.560 --> 1:23:53.040
<v Speaker 1>more in a way that we barely. All you really

1:23:53.040 --> 1:23:58.960
<v Speaker 1>get is Kathy Moriarty grabbing Christina for face, which did

1:23:59.040 --> 1:24:03.120
<v Speaker 1>pass the back to all to do unfortunalitly. Um, if

1:24:03.120 --> 1:24:07.960
<v Speaker 1>you're Kathy Moriorty grabbing a teenager's face, it pass passes.

1:24:08.680 --> 1:24:10.559
<v Speaker 1>And it does pass. What was that line that Eric

1:24:10.560 --> 1:24:14.240
<v Speaker 1>Idle says that you that passes. Oh, he says something like,

1:24:14.320 --> 1:24:17.880
<v Speaker 1>I'm gonna live in a house with purple curtains and

1:24:18.040 --> 1:24:20.920
<v Speaker 1>green carpets, and I'm going to have a little dog

1:24:21.080 --> 1:24:26.120
<v Speaker 1>named Karagan. A bitch just like you passes the Bectel test.

1:24:28.280 --> 1:24:30.519
<v Speaker 1>And also Kathy Moriarty says the Bitch is Back. They

1:24:30.520 --> 1:24:33.000
<v Speaker 1>get to say bitch twice in this movie. That's something

1:24:33.040 --> 1:24:35.439
<v Speaker 1>I miss about children's movies is getting to say bitch

1:24:35.479 --> 1:24:39.760
<v Speaker 1>two times. Kids love that ship. I love it when

1:24:39.840 --> 1:24:44.320
<v Speaker 1>people say bitch, especially when it's Kathy Moriarty talking about herself,

1:24:44.520 --> 1:24:47.720
<v Speaker 1>Like that's a very empowering use of the word. When

1:24:47.760 --> 1:24:51.840
<v Speaker 1>Kathy Moriarty calls herself a bitch, that passes the Bechtel test.

1:24:52.080 --> 1:24:56.000
<v Speaker 1>That definitely does for sure. So yeah, I just I

1:24:56.040 --> 1:24:59.280
<v Speaker 1>think the movie like started to set up some interesting

1:25:00.080 --> 1:25:03.719
<v Speaker 1>themes and storylines, and then they just got forgotten about

1:25:03.720 --> 1:25:08.679
<v Speaker 1>in the interest of showing this predatory romance um where

1:25:08.760 --> 1:25:12.439
<v Speaker 1>Casper is a perverted creep. I also, yeah, and it's

1:25:12.479 --> 1:25:14.960
<v Speaker 1>like and and we've talked about this before, there's not

1:25:15.080 --> 1:25:19.160
<v Speaker 1>a ton of big movies that are about like single dads.

1:25:19.200 --> 1:25:22.639
<v Speaker 1>I think it's always an interesting opportunity to see single dads,

1:25:23.160 --> 1:25:25.760
<v Speaker 1>especially single dad's with daughters where it's like, I get that,

1:25:25.960 --> 1:25:28.320
<v Speaker 1>you know that that's set up in the movie of

1:25:28.400 --> 1:25:31.479
<v Speaker 1>like there's some dissonance he doesn't he still is like

1:25:31.520 --> 1:25:34.840
<v Speaker 1>adjusting to the idea of being a single parent. There's

1:25:35.320 --> 1:25:38.880
<v Speaker 1>plenty of like kids watching that movie I'm sure that

1:25:38.880 --> 1:25:42.559
<v Speaker 1>are like could connect with that experience. But then he

1:25:42.760 --> 1:25:45.479
<v Speaker 1>like is kind of a shitty parent and she just

1:25:45.520 --> 1:25:48.439
<v Speaker 1>accepts it eventually, and so that felt like a missed

1:25:48.439 --> 1:25:55.040
<v Speaker 1>opportunity as well. But again, it's like it's Casper. Um.

1:25:55.120 --> 1:25:57.639
<v Speaker 1>But but every kid in the planet sees a movie

1:25:57.680 --> 1:25:59.479
<v Speaker 1>like this, and I and I do agree that it's like,

1:25:59.520 --> 1:26:01.720
<v Speaker 1>there are only things that would stick with you from

1:26:01.720 --> 1:26:05.799
<v Speaker 1>this movie that you've probably already seen. Unfortunately, in other movies,

1:26:05.840 --> 1:26:08.680
<v Speaker 1>by the time you see Casper, you've probably seen a

1:26:08.760 --> 1:26:13.760
<v Speaker 1>weird child predatory relationship already, You've already seen bad parenting

1:26:14.120 --> 1:26:19.200
<v Speaker 1>from Father's Excused as kind of funny. Um, mom's Mommy

1:26:19.360 --> 1:26:21.960
<v Speaker 1>is angel Like. These are all things that come up

1:26:22.000 --> 1:26:26.200
<v Speaker 1>in movies pretty frequently. Um, dead moms in general, we

1:26:26.280 --> 1:26:30.880
<v Speaker 1>love a dead mom in children's media and nineties movies

1:26:31.000 --> 1:26:34.000
<v Speaker 1>for kids, get her out of there, but then bring

1:26:34.040 --> 1:26:37.800
<v Speaker 1>her back and have her give a plot. Disney doesn't

1:26:37.840 --> 1:26:40.479
<v Speaker 1>do that to the dead moms. I will say the

1:26:40.479 --> 1:26:43.599
<v Speaker 1>funniest part of rewatching this movie was because I very

1:26:43.640 --> 1:26:48.160
<v Speaker 1>clearly remember being touched when when the dad dies and

1:26:48.200 --> 1:26:50.040
<v Speaker 1>then he comes back to life. I just forgot that

1:26:50.040 --> 1:26:56.040
<v Speaker 1>that all happened inside of three minutes what I don't know. Anyways,

1:26:56.040 --> 1:27:00.000
<v Speaker 1>this movie does technically pass the back to test, which is, um,

1:27:00.040 --> 1:27:03.479
<v Speaker 1>we celebrate that, good for them, good for them. Let's

1:27:03.520 --> 1:27:06.840
<v Speaker 1>let's get into our nipple scale. Yes, zero to five

1:27:06.880 --> 1:27:11.080
<v Speaker 1>nipples based on how the movie does when we look

1:27:11.080 --> 1:27:14.280
<v Speaker 1>at it through an intersectional feminist lens, and I would

1:27:14.680 --> 1:27:18.600
<v Speaker 1>say this movie for me only gets like maybe a

1:27:18.680 --> 1:27:22.680
<v Speaker 1>nipple and a half because as much as I do

1:27:22.800 --> 1:27:28.200
<v Speaker 1>like Christina Ricci as Cat and I do think she's

1:27:28.640 --> 1:27:34.559
<v Speaker 1>given a fair amount to do in this story, it

1:27:34.560 --> 1:27:36.839
<v Speaker 1>would have all worked so much better for me if

1:27:37.720 --> 1:27:45.160
<v Speaker 1>it wasn't all overshadowed by her getting stalked and coerced

1:27:45.840 --> 1:27:51.679
<v Speaker 1>by a perverted ghost boy. So I hate that if

1:27:51.720 --> 1:27:55.400
<v Speaker 1>it had just been a friendship between them that happened

1:27:55.439 --> 1:28:00.000
<v Speaker 1>more organically, and if there had been kind of more

1:28:00.040 --> 1:28:05.839
<v Speaker 1>focus on some other either like internal or external struggle

1:28:06.040 --> 1:28:10.400
<v Speaker 1>she was dealing with, like her struggle to make friends

1:28:10.479 --> 1:28:14.120
<v Speaker 1>because her dad moves her around too much, and you

1:28:14.120 --> 1:28:16.920
<v Speaker 1>know she she's dealing with grief from losing her mom,

1:28:16.960 --> 1:28:21.440
<v Speaker 1>And how does that manifest in her choices and behavior,

1:28:21.520 --> 1:28:24.960
<v Speaker 1>and how can that, you know, affect the story just

1:28:25.240 --> 1:28:28.559
<v Speaker 1>things like that that could have been more meaningful and

1:28:28.720 --> 1:28:33.960
<v Speaker 1>interesting to watch, but instead it's like, yeah, let's watch

1:28:34.280 --> 1:28:38.120
<v Speaker 1>like just a series of fat jokes because of a

1:28:38.240 --> 1:28:43.240
<v Speaker 1>character named Fats. So you're fucking kidding me. You have

1:28:43.320 --> 1:28:48.040
<v Speaker 1>to see this little ghost say can I keep you?

1:28:49.320 --> 1:28:54.120
<v Speaker 1>Before surprise kissing and unconscious girl. You have to see

1:28:54.600 --> 1:29:01.559
<v Speaker 1>Bill Pullman watch your mouth and fall off balcony when

1:29:01.560 --> 1:29:08.160
<v Speaker 1>he's supposed to be looking after Oh gosh, there's just

1:29:08.240 --> 1:29:13.479
<v Speaker 1>so many weird choices. The movie makes one and a

1:29:13.479 --> 1:29:19.799
<v Speaker 1>half nipples. I'll give one to Kathy Moriarty's performance as Karagan,

1:29:20.800 --> 1:29:25.120
<v Speaker 1>and I'll give my half nipple to Christina Ricci. And

1:29:25.200 --> 1:29:31.040
<v Speaker 1>that's all, folks, I'm going to give it to I

1:29:31.040 --> 1:29:34.519
<v Speaker 1>am very I like this movie. I totally agree that

1:29:34.560 --> 1:29:38.400
<v Speaker 1>you're saying, building a movie around a predatory relationship between

1:29:38.400 --> 1:29:42.639
<v Speaker 1>twelve year old is always weird. I it's frustrating because

1:29:42.640 --> 1:29:44.800
<v Speaker 1>it's so easily could have and should have just been

1:29:44.840 --> 1:29:47.439
<v Speaker 1>a friendship and the whole movie would have benefited from it,

1:29:48.040 --> 1:29:49.880
<v Speaker 1>and then it would be a movie I would be

1:29:50.000 --> 1:29:52.800
<v Speaker 1>much more comfortable showing to kids now, like if it

1:29:52.840 --> 1:29:56.880
<v Speaker 1>had just been a friendship. And I mean the body

1:29:56.920 --> 1:30:00.879
<v Speaker 1>shaming jokes, the extreme whiteness of the movie, the everything

1:30:00.880 --> 1:30:05.000
<v Speaker 1>about it is so entrenched in not in nineties kids

1:30:05.120 --> 1:30:10.000
<v Speaker 1>movie tropes, and and but I am always gonna love

1:30:10.040 --> 1:30:13.920
<v Speaker 1>this movie. I think it's just high camp. I think

1:30:13.960 --> 1:30:18.639
<v Speaker 1>it's like pretty hilarious. And uh, I just love when

1:30:18.720 --> 1:30:23.360
<v Speaker 1>a movie is um a live action cartoon. I feel

1:30:23.360 --> 1:30:26.040
<v Speaker 1>like you don't really get many of those now. They're

1:30:26.120 --> 1:30:28.720
<v Speaker 1>really fun. I just, yeah, I adore this movie, but

1:30:28.800 --> 1:30:33.720
<v Speaker 1>it is not a progressive movie. I would say I

1:30:34.560 --> 1:30:36.439
<v Speaker 1>love the cat character. I feel like there's a lot

1:30:36.479 --> 1:30:40.040
<v Speaker 1>of missed opportunities with her character. Um, I feel like

1:30:40.080 --> 1:30:43.080
<v Speaker 1>there was a way to include the mom in the

1:30:43.200 --> 1:30:47.879
<v Speaker 1>story that was less dead woman trophy and then Karagan

1:30:48.200 --> 1:30:52.719
<v Speaker 1>is I would say a really underrated movie. Villain Kathy

1:30:52.760 --> 1:30:57.880
<v Speaker 1>Moriarty really brings the heat. I also read that Carrie

1:30:57.880 --> 1:31:00.400
<v Speaker 1>Fisher and Kathleen Turner were in the running for that part.

1:31:00.840 --> 1:31:06.240
<v Speaker 1>Also would have both been great. There's like just absolutely fabulous.

1:31:06.280 --> 1:31:08.400
<v Speaker 1>I mean, yeah, I I love this movie so much,

1:31:08.439 --> 1:31:10.160
<v Speaker 1>but I cannot give it more than two nipples in

1:31:10.280 --> 1:31:13.559
<v Speaker 1>good faith. So I will give it two nipples, and

1:31:13.600 --> 1:31:19.080
<v Speaker 1>I will give one to the wake Up Machine, which

1:31:19.080 --> 1:31:22.320
<v Speaker 1>should have been a roller coaster, and I now it's

1:31:22.360 --> 1:31:24.400
<v Speaker 1>never going to be a roller coaster because kids don't

1:31:24.400 --> 1:31:27.160
<v Speaker 1>watch this damn movie anymore. It's not even streaming anywhere.

1:31:27.920 --> 1:31:31.719
<v Speaker 1>And I will give my other nipple to Cathy Moriarty

1:31:31.800 --> 1:31:36.439
<v Speaker 1>because I'm no fool. And you should listen to Ghost

1:31:36.560 --> 1:31:40.240
<v Speaker 1>Church if you want to hear about an esoteric religion

1:31:40.560 --> 1:31:45.599
<v Speaker 1>that revolves around the idea that the spirits walk among us. Still, um,

1:31:45.720 --> 1:31:47.919
<v Speaker 1>you can listen to it wherever you get your podcast

1:31:47.960 --> 1:31:51.559
<v Speaker 1>will link it in the description of this episode. And uh,

1:31:51.720 --> 1:31:55.360
<v Speaker 1>and that's our episode about Casper. The friendly goes Oh,

1:31:55.479 --> 1:31:58.599
<v Speaker 1>I love The ending shot of the movie is just

1:31:58.920 --> 1:32:03.320
<v Speaker 1>Casper eating eating you. Yeah, he's just barreling towards you

1:32:03.600 --> 1:32:06.280
<v Speaker 1>and then you see his mouth and then he's gobbled

1:32:06.280 --> 1:32:12.040
<v Speaker 1>you up. Not love it, no notes incredible. Also, this

1:32:12.080 --> 1:32:15.280
<v Speaker 1>was directed by the director of a Series of Unfortunate Events,

1:32:15.600 --> 1:32:18.599
<v Speaker 1>which means that he loves creepy old manners and he

1:32:18.760 --> 1:32:24.439
<v Speaker 1>loves weird Cinderella stories with orphans. True, Brad Silverling, what's

1:32:24.439 --> 1:32:27.400
<v Speaker 1>going on? Shout out, Brad silver Ling. Type he's being

1:32:27.400 --> 1:32:30.920
<v Speaker 1>type cast. He's like, like, I love kids in a

1:32:31.000 --> 1:32:36.080
<v Speaker 1>mansion anyways. Um, so Yes. Check out ghost Church. Yes.

1:32:36.320 --> 1:32:40.439
<v Speaker 1>Check out us on Twitter and Instagram at bectel Cast.

1:32:40.520 --> 1:32:45.080
<v Speaker 1>Check out our Matreon at patreon dot com slash becktel Cast,

1:32:45.120 --> 1:32:49.400
<v Speaker 1>where you get to bonus episodes every month, plus the

1:32:49.600 --> 1:32:55.400
<v Speaker 1>entire back catalog of over one bonuses, such as episodes

1:32:55.520 --> 1:33:01.200
<v Speaker 1>like I Frankenstein. Oh yeah, and that's it. That's all

1:33:01.240 --> 1:33:03.720
<v Speaker 1>that's there. Now. We recently did a top gun and

1:33:03.880 --> 1:33:06.000
<v Speaker 1>face off with that's where we cover a lot of

1:33:06.040 --> 1:33:08.640
<v Speaker 1>popular requests and a kind of like loose. This is

1:33:08.680 --> 1:33:13.320
<v Speaker 1>actually kind of we This is like Matreon episode. Yeah,

1:33:13.479 --> 1:33:16.519
<v Speaker 1>we've been goofing around on the main feed lately. It's

1:33:16.560 --> 1:33:19.479
<v Speaker 1>been fun. I feel like we've always been goofing over here.

1:33:19.840 --> 1:33:22.679
<v Speaker 1>Well yeah we've I guess famously, we've been goofing kind

1:33:22.680 --> 1:33:25.600
<v Speaker 1>of the whole time. We're sort of like impractical jokers

1:33:25.640 --> 1:33:30.920
<v Speaker 1>a little bit. I will say. I think it's so

1:33:31.000 --> 1:33:33.280
<v Speaker 1>Their headboards are so funny, and I would love a

1:33:33.280 --> 1:33:39.880
<v Speaker 1>headboard that just as stinky. Absolutely weird. This this movie is.

1:33:40.520 --> 1:33:43.760
<v Speaker 1>I know, I know, I know, but it's one of

1:33:43.800 --> 1:33:46.760
<v Speaker 1>my favorite movies ever. Still, I realized as I was

1:33:46.800 --> 1:33:49.240
<v Speaker 1>watching this, well you can get our we got merch

1:33:49.320 --> 1:33:52.519
<v Speaker 1>as well. T public dot Com, slash v, Bechdel Cast

1:33:53.479 --> 1:33:56.240
<v Speaker 1>and uh Yeah, listen to Ghost Church, listen to the

1:33:56.240 --> 1:34:00.840
<v Speaker 1>Bachtel cast of Brush Your Teeth, and a major access

1:34:00.960 --> 1:34:02.479
<v Speaker 1>by bye bye,