1 00:00:02,240 --> 00:00:05,080 Speaker 1: What's up is slip service. I'm Angela, Yie g Maguire, 2 00:00:05,320 --> 00:00:09,840 Speaker 1: Stephanie Santiago, what's up. It's Brandy Evans. What's up, y'all, 3 00:00:09,880 --> 00:00:18,400 Speaker 1: it's Nico on Andy quiet story story. We are so 4 00:00:18,600 --> 00:00:23,160 Speaker 1: excited because they are the stars of p Valley. So 5 00:00:23,239 --> 00:00:25,440 Speaker 1: you know, first of all, gig By the Way has 6 00:00:25,480 --> 00:00:27,280 Speaker 1: been trying to get you up here for like since 7 00:00:27,280 --> 00:00:30,160 Speaker 1: the show started. So we are so glad to have 8 00:00:30,240 --> 00:00:34,120 Speaker 1: your Season two has already begun a couple of weeks ago. Yeah, 9 00:00:34,320 --> 00:00:36,920 Speaker 1: and so you know Nico as Uncle Clifford and you 10 00:00:36,920 --> 00:00:41,440 Speaker 1: know Brandy as Mercedes, and we're just glad you're alive. Brandy, 11 00:00:41,520 --> 00:00:46,720 Speaker 1: thank you so much. I'm glad to be here today. 12 00:00:46,760 --> 00:00:49,680 Speaker 1: Thank you father, Thank you for getting me off that pole. 13 00:00:50,080 --> 00:00:52,080 Speaker 1: I was scared here. I was scared. It was real 14 00:00:52,200 --> 00:00:54,680 Speaker 1: Right when you did that the slide back, it was 15 00:00:54,720 --> 00:00:56,640 Speaker 1: like I was like, oh, she missed the connect no, 16 00:00:56,880 --> 00:00:59,920 Speaker 1: because it really felt like child don't get a ty 17 00:01:00,000 --> 00:01:01,640 Speaker 1: So we was hanging up off that thing for real. 18 00:01:01,760 --> 00:01:04,760 Speaker 1: So it was literally scary dropping down. And this is 19 00:01:04,800 --> 00:01:07,680 Speaker 1: not a spoiler, but you know from episode two if 20 00:01:07,720 --> 00:01:10,280 Speaker 1: you didn't see it, yeah, Mercedes does have a bad 21 00:01:10,360 --> 00:01:13,679 Speaker 1: fall off the post similar to Tip Drill. Remember that happened. 22 00:01:15,720 --> 00:01:18,080 Speaker 1: She was in a coma right for a while. Yeah, 23 00:01:18,200 --> 00:01:20,440 Speaker 1: she literally broke her entire face and had to get 24 00:01:20,480 --> 00:01:24,000 Speaker 1: reconstructed surgery. Her mouth was wired shut. She just posted 25 00:01:24,040 --> 00:01:25,759 Speaker 1: a couple of days ago that when she did the 26 00:01:25,840 --> 00:01:28,080 Speaker 1: bees in the Trap video with Nicki Minaj, that was 27 00:01:28,120 --> 00:01:30,319 Speaker 1: kind of like her comeback after the fall, and she 28 00:01:30,400 --> 00:01:33,240 Speaker 1: said that her face was swollen and her her moth 29 00:01:33,319 --> 00:01:35,400 Speaker 1: was wired shut, but she was gonna be goddamn that 30 00:01:35,480 --> 00:01:40,560 Speaker 1: She and Hope Way they shot that scene though, you 31 00:01:40,640 --> 00:01:43,000 Speaker 1: knew because I was like, oh my god, I was 32 00:01:43,040 --> 00:01:44,520 Speaker 1: watching it and I say, I know she got to 33 00:01:44,800 --> 00:01:47,360 Speaker 1: You could just tell. It's the way like the climb 34 00:01:47,480 --> 00:01:52,800 Speaker 1: up like girl she on her way down. I was shaking. Yeah, 35 00:01:53,160 --> 00:01:55,640 Speaker 1: you can tell to give out a lot of people 36 00:01:55,640 --> 00:01:58,080 Speaker 1: don't notice. But the iron X is already us hard 37 00:01:59,040 --> 00:02:02,440 Speaker 1: to stick anyway, So let me tell you that's the one. 38 00:02:02,520 --> 00:02:07,000 Speaker 1: I don't even want to try to learn. What are 39 00:02:07,000 --> 00:02:10,839 Speaker 1: you gonna do it? No, you're like X, yes, this 40 00:02:10,880 --> 00:02:15,600 Speaker 1: is the pole and here, Yeah you're here and going out. Okay. Yeah, 41 00:02:15,800 --> 00:02:22,200 Speaker 1: So thank you for yes Is Sama and all my 42 00:02:22,280 --> 00:02:24,880 Speaker 1: girls that were doing it for me because I did 43 00:02:24,880 --> 00:02:27,240 Speaker 1: not do that one. I could not even begin to 44 00:02:27,320 --> 00:02:29,760 Speaker 1: Maria j I could not even begin to try that 45 00:02:29,800 --> 00:02:31,920 Speaker 1: one because it just I was like, if I turned 46 00:02:31,960 --> 00:02:33,600 Speaker 1: the wrong way, I'm gonna poup my arm out, like 47 00:02:33,639 --> 00:02:35,000 Speaker 1: it's not a game. And I was like, let me 48 00:02:35,040 --> 00:02:37,720 Speaker 1: let the professionals do this one. Thank you ladies. And 49 00:02:37,960 --> 00:02:40,560 Speaker 1: f I I just watching that because sometimes you know, 50 00:02:40,840 --> 00:02:42,520 Speaker 1: you go to this strip club, but they don't really 51 00:02:42,600 --> 00:02:47,360 Speaker 1: have skills, like you know what I'm saying, a little 52 00:02:47,840 --> 00:02:50,920 Speaker 1: grind on somebody. But to see like that, because like 53 00:02:51,120 --> 00:02:53,200 Speaker 1: you know, I used to go see g and Magic City, 54 00:02:53,720 --> 00:02:57,200 Speaker 1: but that was like a real performance. It was like, 55 00:02:57,520 --> 00:03:00,200 Speaker 1: how are they doing this the Snack Pack And that's 56 00:03:00,240 --> 00:03:05,880 Speaker 1: kind of like what we saw. Yeah, the other two 57 00:03:05,880 --> 00:03:11,799 Speaker 1: members of the Snackpack ak a extra extra, which are 58 00:03:12,400 --> 00:03:18,480 Speaker 1: of these girls and they they went from last season 59 00:03:18,520 --> 00:03:20,000 Speaker 1: kind of being a little bit in the background to 60 00:03:20,080 --> 00:03:24,919 Speaker 1: this season really like they was killing a lis characters. 61 00:03:24,960 --> 00:03:27,839 Speaker 1: Like they start off that the car was pussy. Yeah, 62 00:03:29,160 --> 00:03:32,880 Speaker 1: I wanted to do money at the TV they're doing. 63 00:03:32,919 --> 00:03:36,400 Speaker 1: So I'm so proud of proud of them. What I 64 00:03:36,440 --> 00:03:39,720 Speaker 1: love is that how seriously they take this. So it's 65 00:03:39,760 --> 00:03:42,160 Speaker 1: like they took this opportunity. And I remember being on 66 00:03:42,200 --> 00:03:45,520 Speaker 1: the phone with China who plays Brazil and all the 67 00:03:45,520 --> 00:03:47,720 Speaker 1: girls Simone, like they were really like, Okay, where can 68 00:03:47,720 --> 00:03:51,640 Speaker 1: I take acting classes? All this? So, yeah, they deserve 69 00:03:51,720 --> 00:03:55,400 Speaker 1: everything absolutely, learning about contracts, like the business of it. 70 00:03:55,400 --> 00:03:57,880 Speaker 1: It's one of the things that like people talk about 71 00:03:57,920 --> 00:04:00,760 Speaker 1: like the vibe of the show, like the family aspect 72 00:04:00,800 --> 00:04:05,160 Speaker 1: of it. In real life, we do that like help 73 00:04:05,240 --> 00:04:06,840 Speaker 1: each other, like get to the next step of like 74 00:04:06,880 --> 00:04:09,160 Speaker 1: what you need or I was just talking to Cherokee 75 00:04:09,200 --> 00:04:11,800 Speaker 1: actually the other day, just talking about like some contractual 76 00:04:11,800 --> 00:04:15,920 Speaker 1: things to help her like get different acting agents and representation, right, 77 00:04:15,920 --> 00:04:17,680 Speaker 1: because I don't feel like there's a need to hold 78 00:04:17,760 --> 00:04:23,000 Speaker 1: informations of us everywhere. And we're so much stronger again stronger. 79 00:04:23,040 --> 00:04:26,919 Speaker 1: And you came from off Broadway, right you also so 80 00:04:26,960 --> 00:04:30,600 Speaker 1: you did the play version Pussy Valley, Yeah, before you 81 00:04:30,640 --> 00:04:34,680 Speaker 1: actually auditioned and got the role as Uncle Clifford on Stars. Yeah, 82 00:04:34,880 --> 00:04:36,320 Speaker 1: So what was that like for you? And what's the 83 00:04:36,320 --> 00:04:39,520 Speaker 1: difference between the play and then being on the big screen. 84 00:04:39,880 --> 00:04:42,080 Speaker 1: You know what the big difference is just the amount 85 00:04:42,080 --> 00:04:44,120 Speaker 1: of people that come to see the show. You know, 86 00:04:44,400 --> 00:04:47,560 Speaker 1: we're in everybody's home every night. It was crazy because 87 00:04:47,560 --> 00:04:50,120 Speaker 1: when we did the first workshops of that that was 88 00:04:50,160 --> 00:04:52,800 Speaker 1: here at the Lark Theater on forty at the time, 89 00:04:52,800 --> 00:04:55,560 Speaker 1: it was on or something like that, it's no longer here. 90 00:04:55,640 --> 00:04:59,440 Speaker 1: The COVID pandemic, you know, they crashed and closed during 91 00:04:59,480 --> 00:05:02,440 Speaker 1: that um. But then it was workshop after workshop. Then 92 00:05:02,480 --> 00:05:05,359 Speaker 1: we went up town to Hip Hop Theater Festival I 93 00:05:05,360 --> 00:05:08,720 Speaker 1: think it was, and they did that with dancers because 94 00:05:08,720 --> 00:05:12,440 Speaker 1: they kept saying that this story couldn't be told with actors. 95 00:05:12,520 --> 00:05:14,599 Speaker 1: Actors will never be able to do this, and so 96 00:05:14,680 --> 00:05:16,200 Speaker 1: a lot of the producers was like, oh, you have 97 00:05:16,279 --> 00:05:18,680 Speaker 1: to get dancers, and so Quatori was like, okay, let's see. 98 00:05:18,720 --> 00:05:21,560 Speaker 1: So they produced a workshop series with just the dancers. 99 00:05:21,960 --> 00:05:25,799 Speaker 1: But because it's so script and story heavy, it's hard 100 00:05:25,880 --> 00:05:29,080 Speaker 1: to do if you haven't had experience in terms of 101 00:05:29,120 --> 00:05:31,800 Speaker 1: the acting components, you know what I'm saying. But there's 102 00:05:31,920 --> 00:05:34,159 Speaker 1: room for everybody, and so she was trying to really 103 00:05:34,279 --> 00:05:37,960 Speaker 1: communicate the fact that this is a world about story 104 00:05:38,120 --> 00:05:40,599 Speaker 1: and these people in their lives. She wanted to bring 105 00:05:40,720 --> 00:05:43,279 Speaker 1: like that kind of relevance and credence to it. So 106 00:05:44,040 --> 00:05:47,240 Speaker 1: from there we went to Minnesota and it was like 107 00:05:47,360 --> 00:05:49,480 Speaker 1: there's time in between. So when people talk about the 108 00:05:49,520 --> 00:05:59,440 Speaker 1: time between season two one and two and like, let's 109 00:05:51,720 --> 00:06:02,120 Speaker 1: take absolutely because it takes time. That's a lot of workers, 110 00:06:02,160 --> 00:06:04,640 Speaker 1: ten months of our lives that we put together for 111 00:06:04,720 --> 00:06:07,440 Speaker 1: season two. And when we did it out in Minnesota, 112 00:06:07,880 --> 00:06:10,320 Speaker 1: there was a thing that I knew like, Oh, this 113 00:06:10,400 --> 00:06:13,040 Speaker 1: is really, really, really gonna be it. We were doing 114 00:06:13,080 --> 00:06:15,440 Speaker 1: a full on play. It was a mixed blood theater. 115 00:06:15,839 --> 00:06:17,840 Speaker 1: And what happened was at the end of act one 116 00:06:18,440 --> 00:06:21,279 Speaker 1: there was a fight that happens in the pink, similar 117 00:06:21,480 --> 00:06:23,640 Speaker 1: to you know, Murder Knight. It wasn't Murder Night, but 118 00:06:23,640 --> 00:06:25,800 Speaker 1: it was similar to that. And there were people in 119 00:06:25,839 --> 00:06:29,000 Speaker 1: the audience, myself and the actress that was playing Mercedes 120 00:06:29,040 --> 00:06:31,960 Speaker 1: at the time. We're hiding underneath the bleachers because it's 121 00:06:32,000 --> 00:06:34,359 Speaker 1: the theater. We're waiting for the exit. We're waiting for 122 00:06:34,400 --> 00:06:36,400 Speaker 1: the lights to go black, and like all right, let's 123 00:06:36,440 --> 00:06:37,960 Speaker 1: hit it to the dressing room to change fact too. 124 00:06:38,480 --> 00:06:41,160 Speaker 1: We're under there and the sound cues are going off. 125 00:06:43,040 --> 00:06:45,520 Speaker 1: They were got up running. There was like five folks 126 00:06:45,520 --> 00:06:49,400 Speaker 1: that got up. I was like, oh ship, motherfucker. The 127 00:06:49,480 --> 00:06:55,480 Speaker 1: girlfriends okay, girlfriends, was like calm down, this is a play, 128 00:06:56,040 --> 00:06:58,240 Speaker 1: and I was like what But because of the sound 129 00:06:58,279 --> 00:07:01,800 Speaker 1: of music, you know, there was live dancing in the play, 130 00:07:01,920 --> 00:07:04,320 Speaker 1: like so people get you. You get caught up in 131 00:07:04,360 --> 00:07:06,479 Speaker 1: the world, so they forgot that they were watching a 132 00:07:06,600 --> 00:07:11,960 Speaker 1: play versus they got everybody. They run, okay, terrible. I 133 00:07:12,000 --> 00:07:14,360 Speaker 1: said that when Bigger used to perform party and bullshit 134 00:07:14,960 --> 00:07:17,880 Speaker 1: and then he's like a fucking fight broke out. Anyway, 135 00:07:17,880 --> 00:07:20,520 Speaker 1: I've seen him perform that twice and both times people 136 00:07:20,600 --> 00:07:24,720 Speaker 1: ran because it was yeah, because it's a part of 137 00:07:24,720 --> 00:07:27,280 Speaker 1: the song where it really stops, and then they started 138 00:07:27,320 --> 00:07:30,160 Speaker 1: like play fighting on stage and so people were running. 139 00:07:30,280 --> 00:07:31,680 Speaker 1: I think I was at Jones Beach one time and 140 00:07:31,760 --> 00:07:34,680 Speaker 1: one time at Howard's homecoming and people ran out the 141 00:07:34,840 --> 00:07:38,000 Speaker 1: party and couldn't get back in afterwards. My friends was 142 00:07:38,000 --> 00:07:42,120 Speaker 1: outside crazy, did I listen. I'm got a band of 143 00:07:42,240 --> 00:07:45,360 Speaker 1: running when something happens, I like hide behind something because 144 00:07:45,360 --> 00:07:48,560 Speaker 1: that's like how you get trampled when you started running. 145 00:07:49,400 --> 00:07:51,920 Speaker 1: That's how it was in Detroit, like we have parties 146 00:07:51,920 --> 00:07:53,840 Speaker 1: and maybe like running something like I'm under the table. 147 00:07:54,400 --> 00:07:56,480 Speaker 1: Want to run because that's how you get you know, 148 00:07:56,560 --> 00:08:05,640 Speaker 1: you've seen squid game like good right here now, Bernie, 149 00:08:05,720 --> 00:08:09,040 Speaker 1: for you right playing the role of Mercedes, how is 150 00:08:09,080 --> 00:08:11,960 Speaker 1: that for you? Just even like, okay, this one scene 151 00:08:11,960 --> 00:08:14,280 Speaker 1: and I want you all to be honest. Okay, okay, 152 00:08:14,320 --> 00:08:18,559 Speaker 1: So let's just say guy's married and he's his wife 153 00:08:18,600 --> 00:08:21,960 Speaker 1: is okay with him just putting you up in a 154 00:08:22,040 --> 00:08:26,080 Speaker 1: nice apartment taking care of you financially? You know, you're good. 155 00:08:26,200 --> 00:08:28,840 Speaker 1: You've had some struggles, but you know, I'm broke. But 156 00:08:28,920 --> 00:08:31,240 Speaker 1: this guy is like, like, my wife knows the deal. 157 00:08:31,640 --> 00:08:34,280 Speaker 1: I'm gonna put you up. You ain't gonna worry about nothing. 158 00:08:34,400 --> 00:08:38,920 Speaker 1: You're good. Does that sound appealing in any way? You 159 00:08:39,000 --> 00:08:44,440 Speaker 1: know what? Yes? No, yes, no, because it's just like 160 00:08:44,440 --> 00:08:46,760 Speaker 1: I'm gonna get this little coin she you know. But 161 00:08:46,880 --> 00:08:49,880 Speaker 1: then it's just like, uh like Mercedes says, she got 162 00:08:49,880 --> 00:08:52,760 Speaker 1: a little integrity, you know. Like so it's it's that 163 00:08:52,840 --> 00:08:56,000 Speaker 1: moment of like the breaking of the bond of the marriage. 164 00:08:56,040 --> 00:08:58,120 Speaker 1: In my mind, I'm like, you don't want to do that. 165 00:08:58,200 --> 00:08:59,959 Speaker 1: But then I'm like, I think about me as a 166 00:09:00,040 --> 00:09:01,800 Speaker 1: character for my mom, and I'm like, if I had 167 00:09:01,840 --> 00:09:03,680 Speaker 1: the opportunity, what I do it? If I needed to 168 00:09:03,679 --> 00:09:06,160 Speaker 1: to take care of her? And Mercedes is thinking I 169 00:09:06,160 --> 00:09:08,720 Speaker 1: gotta try to get my daughter back right. So, yeah, 170 00:09:08,760 --> 00:09:11,800 Speaker 1: that's a hard one. I would just say, I'm not judging, yeah, 171 00:09:11,800 --> 00:09:14,400 Speaker 1: because even not from your position now obviously, but from 172 00:09:14,400 --> 00:09:17,120 Speaker 1: the position of that character, it's like, there's a lot 173 00:09:17,160 --> 00:09:19,160 Speaker 1: going on I could be taken care of. So let 174 00:09:19,160 --> 00:09:21,560 Speaker 1: me tell you. I had a situation like that back 175 00:09:21,559 --> 00:09:23,920 Speaker 1: when I first decided to move to Atlanta. My sugar 176 00:09:23,960 --> 00:09:26,319 Speaker 1: daddy at the time was like, don't go stay, I'll 177 00:09:26,320 --> 00:09:28,200 Speaker 1: put an apartment, I'll buy you whatever car, I'll pay 178 00:09:28,240 --> 00:09:30,040 Speaker 1: all your bills for two He was married, Yeah, and 179 00:09:30,080 --> 00:09:31,800 Speaker 1: he's like, figure out whatever you want to do. And 180 00:09:31,840 --> 00:09:34,600 Speaker 1: I thought you two years. But I'm like, no, I'm 181 00:09:34,600 --> 00:09:36,360 Speaker 1: going to Atlanta because all I can think of is 182 00:09:36,400 --> 00:09:38,600 Speaker 1: now you're going to be controlling me. Yeah. I got 183 00:09:38,640 --> 00:09:40,360 Speaker 1: this fly yes condo on the water, and I got 184 00:09:40,360 --> 00:09:42,719 Speaker 1: a bins or whatever car I want. But holidays, you 185 00:09:42,760 --> 00:09:44,679 Speaker 1: ain't gonna be around. I can't hand nobody up in 186 00:09:44,720 --> 00:09:47,000 Speaker 1: and out of here because you got a key and 187 00:09:46,880 --> 00:09:49,720 Speaker 1: and you know, so it's just like I'd rather, even 188 00:09:49,720 --> 00:09:52,920 Speaker 1: though that sounded amazing, I'd rather go on down this path, 189 00:09:53,200 --> 00:09:55,640 Speaker 1: down the yellow Big Road to Atlanta and and you know, 190 00:09:55,679 --> 00:09:57,520 Speaker 1: do my own thing, and yeah, that was a real 191 00:09:57,559 --> 00:10:02,880 Speaker 1: situation for me. What about your staths? Um well, he 192 00:10:02,920 --> 00:10:05,040 Speaker 1: wasn't bad looking either. You know, it would be different 193 00:10:05,040 --> 00:10:10,280 Speaker 1: if he was like terrible. Alright, so of course Angel 194 00:10:10,280 --> 00:10:14,080 Speaker 1: will put an extra sprinkle, so he's fine. He got 195 00:10:14,080 --> 00:10:17,560 Speaker 1: a six pack, and he agrees to pay for my bills. 196 00:10:19,120 --> 00:10:23,880 Speaker 1: I'm gonna have to say yes because because my bills 197 00:10:23,920 --> 00:10:25,800 Speaker 1: are really hot. So I'm gonna be like, wow, this 198 00:10:25,880 --> 00:10:28,160 Speaker 1: guy is really rich and his wife is okay with it. 199 00:10:28,200 --> 00:10:30,880 Speaker 1: Maybe she's not gonna be friends. Okay. Is there a 200 00:10:30,880 --> 00:10:33,760 Speaker 1: time limit on that there for you? Um? Whatever, this 201 00:10:33,880 --> 00:10:37,520 Speaker 1: time Lemon wants to be on it, because how long 202 00:10:37,679 --> 00:10:42,200 Speaker 1: you do you got twelve bands in mafire? How long 203 00:10:42,240 --> 00:10:47,320 Speaker 1: do you want to do that for? As long as 204 00:10:47,480 --> 00:10:50,080 Speaker 1: thank you for the break, appreciate because I know something 205 00:10:50,160 --> 00:10:53,679 Speaker 1: he eventually he gonna he's gonna gets higher eventually. And Benny, 206 00:10:53,720 --> 00:10:55,600 Speaker 1: did you get some new tricks from the show, like 207 00:10:55,640 --> 00:11:01,440 Speaker 1: to try at home? Oh? Yes, thank you Jamaica someone 208 00:11:01,800 --> 00:11:06,240 Speaker 1: virgo yes, And you know I got a pole in 209 00:11:06,320 --> 00:11:09,040 Speaker 1: the house this season. So but first of all, my 210 00:11:09,120 --> 00:11:10,920 Speaker 1: body needed a poll in the house because when you 211 00:11:10,960 --> 00:11:13,959 Speaker 1: take a break, girl, it was like I couldn't climb again, 212 00:11:14,320 --> 00:11:16,400 Speaker 1: like two years off. I felt like I was starting 213 00:11:16,559 --> 00:11:20,520 Speaker 1: all over. So it definitely was hard. But it's been 214 00:11:20,559 --> 00:11:22,680 Speaker 1: amazing and it feels good too because we have girls 215 00:11:22,679 --> 00:11:24,920 Speaker 1: that are there. First of all, I'm a diehard Magic City, 216 00:11:24,960 --> 00:11:26,600 Speaker 1: Like I've not found the club yet that I love 217 00:11:26,640 --> 00:11:30,120 Speaker 1: better than Magic Like I have it, Like that's the 218 00:11:30,200 --> 00:11:32,720 Speaker 1: place that you might not know this, but g McGuire 219 00:11:32,840 --> 00:11:36,240 Speaker 1: was born at Magic City. Yeah, there was no Gi 220 00:11:36,360 --> 00:11:38,360 Speaker 1: McGuire before Magic City, and I was somebody. I was 221 00:11:38,400 --> 00:11:40,720 Speaker 1: somebody totally different. No, I loved it, and I remember 222 00:11:40,720 --> 00:11:43,679 Speaker 1: my first experience there, so I was just like these girls. 223 00:11:43,720 --> 00:11:45,600 Speaker 1: I remember like hanging from the celing. I was like, oh, 224 00:11:45,720 --> 00:11:47,800 Speaker 1: now this is what I'm talking about. It was a 225 00:11:47,800 --> 00:11:49,760 Speaker 1: different experience and I thought what a strip club was. 226 00:11:49,840 --> 00:11:52,719 Speaker 1: So it's been amazing to just learn it and then 227 00:11:52,800 --> 00:11:54,360 Speaker 1: like to look over at the girls that do it 228 00:11:54,360 --> 00:11:56,880 Speaker 1: and they're like, yeah, that's it right there, Like it 229 00:11:56,920 --> 00:11:59,040 Speaker 1: feels good, like even if all these cars in my body. 230 00:11:59,040 --> 00:12:01,320 Speaker 1: But I'm like, but I did this, yeah, and good 231 00:12:01,320 --> 00:12:05,160 Speaker 1: at doing it. When I was a stripper back in 232 00:12:05,160 --> 00:12:06,560 Speaker 1: the days, I used to be able to do not 233 00:12:06,640 --> 00:12:10,960 Speaker 1: what does but like a little faig poultrick. It's been 234 00:12:11,600 --> 00:12:16,400 Speaker 1: now forget it rever like you said when you stop 235 00:12:17,240 --> 00:12:22,480 Speaker 1: over and it's paint for I'm about us to have bruises. Yes, yes, 236 00:12:22,960 --> 00:12:24,839 Speaker 1: I love it. But the thing about it to me 237 00:12:24,960 --> 00:12:30,000 Speaker 1: is that it's better than the gym. It is best 238 00:12:30,080 --> 00:12:33,080 Speaker 1: on that pole. It's the best work out the classes 239 00:12:33,160 --> 00:12:37,200 Speaker 1: and afterwards. Because yeah, you absolutely like somebody beat you 240 00:12:37,200 --> 00:12:40,640 Speaker 1: in a dark alley with a bat like, but that 241 00:12:40,679 --> 00:12:43,319 Speaker 1: body be ripped up in all these callouses? What's you 242 00:12:43,440 --> 00:12:47,000 Speaker 1: kind of callous over? Real good? You'd be? Let me 243 00:12:47,000 --> 00:12:50,920 Speaker 1: ask you a quest exactly on the whole have you 244 00:12:53,960 --> 00:12:59,240 Speaker 1: she's watching that type of poe we're talking about that 245 00:12:59,280 --> 00:13:06,920 Speaker 1: crime now chrome cholate. But okay, so you had a 246 00:13:06,920 --> 00:13:11,080 Speaker 1: cute relationship, right, not acute relationship. See how she just 247 00:13:11,280 --> 00:13:16,080 Speaker 1: missed the relationship calling him back right now. My whole 248 00:13:16,080 --> 00:13:19,600 Speaker 1: thing is this, could you understand where murders coming from. 249 00:13:19,600 --> 00:13:22,000 Speaker 1: He's trying to start his career as a rapper, and 250 00:13:22,040 --> 00:13:24,640 Speaker 1: it's not an easy thing to do because hip hop 251 00:13:24,679 --> 00:13:27,839 Speaker 1: can be really homophobic, and he's around people that are, 252 00:13:28,080 --> 00:13:30,839 Speaker 1: you know, saying things that he feels like, Okay, I 253 00:13:30,840 --> 00:13:32,680 Speaker 1: gotta play a certain role in order for me to 254 00:13:32,760 --> 00:13:35,320 Speaker 1: even obtain any type of success. I do feel like 255 00:13:35,320 --> 00:13:38,880 Speaker 1: things are different now, but you know, just set in 256 00:13:38,920 --> 00:13:42,400 Speaker 1: that time period there in the South, like I think 257 00:13:42,440 --> 00:13:44,400 Speaker 1: even the time, but I think the region because you 258 00:13:44,440 --> 00:13:47,960 Speaker 1: just mentioned the South, right, so something like down down 259 00:13:48,120 --> 00:13:51,240 Speaker 1: like the type of music that you do, so like 260 00:13:51,320 --> 00:13:54,160 Speaker 1: Little Murder does trap rap right, trap wrap is different 261 00:13:54,160 --> 00:13:56,000 Speaker 1: from like pop rap, you know what I'm saying. I 262 00:13:56,040 --> 00:13:58,840 Speaker 1: think in a pop rap it's a little more acceptable. 263 00:13:59,080 --> 00:14:02,920 Speaker 1: But to me Um as the character, I think that 264 00:14:03,000 --> 00:14:05,560 Speaker 1: you know, there's a lot that Uncle Clifford has been 265 00:14:06,200 --> 00:14:08,600 Speaker 1: has worked really hard and a long time to like 266 00:14:08,679 --> 00:14:12,240 Speaker 1: accept who she is and all of the things. And 267 00:14:12,559 --> 00:14:14,640 Speaker 1: once you get a piece of knowing who you are, 268 00:14:15,679 --> 00:14:18,240 Speaker 1: for somebody to come along in a relationship, regardless of 269 00:14:18,240 --> 00:14:20,280 Speaker 1: how much money they got, how much how lost they got, 270 00:14:20,280 --> 00:14:22,520 Speaker 1: how much loss, how fine they may be, it's like, 271 00:14:22,560 --> 00:14:24,840 Speaker 1: I'm not gonna give that away because it took me 272 00:14:24,920 --> 00:14:28,360 Speaker 1: too long to get to this level of knowing myself. 273 00:14:28,720 --> 00:14:32,640 Speaker 1: That's how I feel as Uncle Clifford, as Nico, I understand. 274 00:14:33,200 --> 00:14:35,920 Speaker 1: I think that for me there's a level of just 275 00:14:36,000 --> 00:14:40,520 Speaker 1: straight authenticity that can kind of cross those boundaries. I 276 00:14:40,520 --> 00:14:47,080 Speaker 1: think my size affects a lot of people's views of 277 00:14:47,240 --> 00:14:51,200 Speaker 1: Nico as a black gay man. Um. I think being 278 00:14:51,320 --> 00:14:54,760 Speaker 1: from Detroit, like you could tell like, well, I don't 279 00:14:54,760 --> 00:14:56,480 Speaker 1: know if I can really funk with her name, you know, 280 00:14:56,680 --> 00:14:58,640 Speaker 1: like you know he ain't gonna just be no easy 281 00:14:59,160 --> 00:15:01,280 Speaker 1: or you know what I'm saying, and you're gonna try, right. 282 00:15:01,680 --> 00:15:04,240 Speaker 1: But I also like, I'm a warm person, but I 283 00:15:04,240 --> 00:15:06,440 Speaker 1: am also the one like, don't cross me, you know 284 00:15:06,480 --> 00:15:09,400 Speaker 1: what I'm saying. And I think that a level of 285 00:15:09,800 --> 00:15:11,800 Speaker 1: I don't have to perform. I don't have to perform 286 00:15:11,840 --> 00:15:15,520 Speaker 1: my blackness, my gayness, or my any nous for you. 287 00:15:15,960 --> 00:15:19,520 Speaker 1: So I think sometimes that kind of comes across. So 288 00:15:20,360 --> 00:15:23,320 Speaker 1: authenticity is the key. Can you forgive? You thinking Uncle 289 00:15:23,320 --> 00:15:28,400 Speaker 1: Clifford forgive for real? Uh right there. I think it's 290 00:15:28,440 --> 00:15:32,720 Speaker 1: more so about like something has to happen, Like you're talking. 291 00:15:32,840 --> 00:15:34,880 Speaker 1: You can say sorry all you want, but what what's 292 00:15:34,880 --> 00:15:36,920 Speaker 1: the what? How are you backing that up? Because you 293 00:15:37,000 --> 00:15:38,800 Speaker 1: saying sorry on Murder Night? You know a little murder 294 00:15:38,840 --> 00:15:48,840 Speaker 1: said sorry on Murder Night? Right? Trying too though, because 295 00:15:48,880 --> 00:15:53,120 Speaker 1: you embarrassed me in public? Well what she said? What 296 00:15:53,240 --> 00:15:54,680 Speaker 1: she said? And I think a lot of us have 297 00:15:55,160 --> 00:15:57,840 Speaker 1: had an experience like that where somebody has maybe played 298 00:15:57,880 --> 00:16:00,480 Speaker 1: you like you have your heart, you know, and it's 299 00:16:00,560 --> 00:16:02,360 Speaker 1: like wait, no, no no, no, no no, no, like you really 300 00:16:02,720 --> 00:16:06,760 Speaker 1: you're sucking up you, You're really messing up, like the 301 00:16:06,800 --> 00:16:10,360 Speaker 1: way you're coming at me, you're not being full and truthful. 302 00:16:10,760 --> 00:16:14,160 Speaker 1: So I'm out. But I think that for them, those 303 00:16:14,200 --> 00:16:16,600 Speaker 1: two characters, I think that there's some life that has 304 00:16:16,640 --> 00:16:18,960 Speaker 1: to kind of happen this season with them being in 305 00:16:18,960 --> 00:16:21,840 Speaker 1: the pandemic. I think that there's a lot of, like 306 00:16:22,040 --> 00:16:25,440 Speaker 1: we call it the pandemic pining, you know, where you 307 00:16:25,960 --> 00:16:29,800 Speaker 1: touch hunk, Yeah, everybody, you just wanted to be touched, 308 00:16:29,800 --> 00:16:31,560 Speaker 1: whether you're in a relationship or not. I know, I 309 00:16:31,640 --> 00:16:36,400 Speaker 1: was stuck here on Street. I was tent stuck literally 310 00:16:36,440 --> 00:16:38,880 Speaker 1: when the pandemic everything shut down and New York was 311 00:16:38,880 --> 00:16:44,000 Speaker 1: shut down, down down, it was like scared ye, it 312 00:16:44,040 --> 00:16:48,360 Speaker 1: was pleasu. All these zombies were all side It's for real. 313 00:16:48,480 --> 00:16:50,200 Speaker 1: I like to look out the window and see four 314 00:16:50,320 --> 00:16:53,760 Speaker 1: second Street and never happened. I was like, this really 315 00:16:53,760 --> 00:16:57,520 Speaker 1: feels like the Walking Dead for real, real exactly. I 316 00:16:57,600 --> 00:17:00,360 Speaker 1: was like, what's really about to go down? But I 317 00:17:00,400 --> 00:17:02,880 Speaker 1: found myself cooking because I like to cook. You know 318 00:17:02,920 --> 00:17:06,560 Speaker 1: what I'm saying, I gotta keep the thingstic. But there's 319 00:17:06,600 --> 00:17:10,439 Speaker 1: nobody here, and you're over here roasting these these nuts 320 00:17:10,440 --> 00:17:12,480 Speaker 1: to put on this peanut butter and jelly sandwich with 321 00:17:12,560 --> 00:17:21,040 Speaker 1: these fresh saying. I was cooking, and I was taking 322 00:17:21,040 --> 00:17:23,359 Speaker 1: these extra layers and doing the cooking. I was like, 323 00:17:23,560 --> 00:17:26,520 Speaker 1: you're not doing Julia Child's work. But there's nobody here. 324 00:17:27,240 --> 00:17:30,240 Speaker 1: There's nobody that's going to appreciate this. So I feel 325 00:17:30,280 --> 00:17:33,360 Speaker 1: like that layer of like the pining and the pandemic, 326 00:17:33,359 --> 00:17:36,080 Speaker 1: it makes it harder and mix. You sometimes mix them 327 00:17:36,320 --> 00:17:39,919 Speaker 1: reckless decisions. You know, as we see everybody knows somebody 328 00:17:39,920 --> 00:17:43,359 Speaker 1: calls somebody there, we go shut up, Like I sent 329 00:17:43,480 --> 00:17:55,000 Speaker 1: that text you up, yea, some good facetimes come ontime. 330 00:17:55,920 --> 00:17:57,600 Speaker 1: I mean, what else can you do? And I was 331 00:17:57,640 --> 00:18:00,440 Speaker 1: working from home every day, you know, it was so 332 00:18:00,640 --> 00:18:03,200 Speaker 1: and I lived by myself and so but I did 333 00:18:03,240 --> 00:18:05,639 Speaker 1: have my friend Jasmine. She came and she stayed with 334 00:18:05,680 --> 00:18:08,560 Speaker 1: me for like months, so that was needed that Like 335 00:18:08,680 --> 00:18:10,879 Speaker 1: you know, it wasn't always just about romance, so you know, 336 00:18:10,920 --> 00:18:12,639 Speaker 1: like you know, sex or nothing like that was just like, 337 00:18:12,680 --> 00:18:15,639 Speaker 1: oh yo, I actually haven't had a hug. We were 338 00:18:15,680 --> 00:18:17,920 Speaker 1: going for once every day, like saying, I gotta go 339 00:18:17,960 --> 00:18:20,439 Speaker 1: outside and just go for a while just because I 340 00:18:20,440 --> 00:18:25,520 Speaker 1: needed like air, I needed to just be outside. And yes, 341 00:18:25,960 --> 00:18:28,200 Speaker 1: yeah it was tough, and I know it was tough 342 00:18:28,280 --> 00:18:31,800 Speaker 1: at you know, for pe Valley too. Yeah, I mean 343 00:18:31,840 --> 00:18:35,600 Speaker 1: you're playing a stripper. Everything is about touch and closeness 344 00:18:35,600 --> 00:18:39,320 Speaker 1: and intimacy. Yes, And even when we started filming, it 345 00:18:39,400 --> 00:18:44,720 Speaker 1: was just like wait, can I wait? How can six 346 00:18:44,720 --> 00:18:49,200 Speaker 1: feet right? Who doing lap dance? Six? I mean a 347 00:18:49,240 --> 00:18:52,760 Speaker 1: couple of hook ups there, So I already know that 348 00:18:52,800 --> 00:19:01,200 Speaker 1: the six wasn't stand came out of me. Well, you know, 349 00:19:01,440 --> 00:19:04,080 Speaker 1: like women could do anything, like to see Jupiter up 350 00:19:04,080 --> 00:19:07,280 Speaker 1: there and have What the fans don't know. What the 351 00:19:07,359 --> 00:19:08,879 Speaker 1: viewers don't know is that she was really pregnant. She 352 00:19:08,920 --> 00:19:12,720 Speaker 1: was absolutely she was really pregnant. She was literally really pregnant, 353 00:19:13,200 --> 00:19:16,440 Speaker 1: still doing her stunts and everything. I remember how nervous 354 00:19:16,480 --> 00:19:19,159 Speaker 1: she was to tell Katori and Kat was just like 355 00:19:19,880 --> 00:19:29,720 Speaker 1: absolutely real. Actually this season's season two, Katori was pregnant. 356 00:19:30,000 --> 00:19:33,800 Speaker 1: I'll just posting about having being a mom. Yeah, she 357 00:19:33,960 --> 00:19:36,840 Speaker 1: literally just had her third day having her bag. She 358 00:19:36,960 --> 00:19:40,120 Speaker 1: was directing us and everything. Literally the big old belly 359 00:19:40,200 --> 00:19:44,920 Speaker 1: stepping up. No no, no no, no like there, y'all. There's 360 00:19:44,960 --> 00:19:48,680 Speaker 1: nothing that y'all changes can reveal here now too, Oh yeah, 361 00:19:48,800 --> 00:19:53,680 Speaker 1: what would you like to reveal? It's been baking for why. 362 00:19:53,720 --> 00:19:55,840 Speaker 1: I mean, we know this, but we've been you know, 363 00:19:55,920 --> 00:20:01,480 Speaker 1: sworry busy, like you know since we have going Brandy 364 00:20:01,560 --> 00:20:07,879 Speaker 1: Uncle Cliff at Mercedes. This makes sense. So in episode 365 00:20:08,040 --> 00:20:11,680 Speaker 1: five of season two of Valley, I'm making a parents 366 00:20:11,920 --> 00:20:15,960 Speaker 1: as myself, which is huge. That's like, look, I gotta 367 00:20:15,960 --> 00:20:22,199 Speaker 1: look at this. Yes, yes, yes, So without giving up 368 00:20:22,200 --> 00:20:25,160 Speaker 1: too much of what happens. Um as we know, there's 369 00:20:25,160 --> 00:20:29,280 Speaker 1: a tour. So when um, when that tour stops in Atlanta, 370 00:20:29,960 --> 00:20:33,320 Speaker 1: I'm in Atlanta. Yeah, I love it and I'm a 371 00:20:33,400 --> 00:20:38,000 Speaker 1: I'm a legend. I wasn't rusty. Well I don't dance. Okay, 372 00:20:38,240 --> 00:20:40,159 Speaker 1: you don't have this no more. I would have loved. 373 00:20:40,320 --> 00:20:42,920 Speaker 1: I would have loved a little one two stuff. I 374 00:20:42,960 --> 00:20:44,840 Speaker 1: would have But I mean, if they would to ask 375 00:20:44,840 --> 00:20:47,560 Speaker 1: you to dance, I would have been ready. However, I 376 00:20:47,600 --> 00:20:53,680 Speaker 1: do talk, and I have some conversation with Mississippi and um, 377 00:20:54,359 --> 00:20:56,639 Speaker 1: it's it's me and a few other legends. In the 378 00:20:56,640 --> 00:21:00,200 Speaker 1: Strip Club game. We all know and love. So oh 379 00:21:00,240 --> 00:21:05,040 Speaker 1: my god, I'm so excited. I'm so excited for you too, honey, 380 00:21:05,040 --> 00:21:11,160 Speaker 1: and you look good. We can talk about it. Yeah, 381 00:21:12,600 --> 00:21:17,160 Speaker 1: I did a d R and also UM for this interview, 382 00:21:17,880 --> 00:21:23,000 Speaker 1: this one through five. What is it for you when 383 00:21:23,040 --> 00:21:25,359 Speaker 1: you say, like, I get to be myself? It would 384 00:21:25,359 --> 00:21:27,199 Speaker 1: it be more were you know, more nervous if you 385 00:21:27,200 --> 00:21:30,480 Speaker 1: have to like play a character or what? UM? I 386 00:21:30,520 --> 00:21:33,600 Speaker 1: think playing the character would have been a nervous situation 387 00:21:33,640 --> 00:21:35,360 Speaker 1: for me because I'm not an actual I mean even 388 00:21:35,400 --> 00:21:37,720 Speaker 1: though as entertainers, you know, we have to put on 389 00:21:37,800 --> 00:21:40,439 Speaker 1: our stage face, right, so I probably think that I 390 00:21:40,480 --> 00:21:42,760 Speaker 1: definitely know actually that I would have been able to 391 00:21:42,840 --> 00:21:45,080 Speaker 1: help hold it down had they given me a character. 392 00:21:45,480 --> 00:21:48,480 Speaker 1: But it's it's so much of an honor because as 393 00:21:48,480 --> 00:21:51,200 Speaker 1: a dancer, and y'all, y'all everybody knows this, we get 394 00:21:51,200 --> 00:21:53,840 Speaker 1: put down for using our body to make money. And 395 00:21:53,880 --> 00:21:55,320 Speaker 1: they think there were hors and we stuck in digg 396 00:21:55,320 --> 00:21:56,840 Speaker 1: in the back room, and you know, even though some 397 00:21:56,880 --> 00:22:01,840 Speaker 1: girls do but all of us don't ship club. They 398 00:22:01,840 --> 00:22:06,320 Speaker 1: think that. So they think that dancers are uneducated. They 399 00:22:06,359 --> 00:22:09,480 Speaker 1: think dancers have pimps, They think dancers are drug addicted. 400 00:22:09,520 --> 00:22:11,800 Speaker 1: They think dancers don't take care of their children, and 401 00:22:11,800 --> 00:22:14,480 Speaker 1: that they are you know, sleeping on couches and arabis, 402 00:22:14,520 --> 00:22:16,040 Speaker 1: and they spend all their money on we eve and 403 00:22:16,040 --> 00:22:18,679 Speaker 1: whatever else and don't really take care of themselves as women. 404 00:22:18,760 --> 00:22:22,520 Speaker 1: And I'm all about changing the narrative, you know, And 405 00:22:22,720 --> 00:22:25,160 Speaker 1: this show is all about changing the narrative. This show 406 00:22:25,200 --> 00:22:28,720 Speaker 1: gives you an inside look on the life of an entertainer, 407 00:22:28,800 --> 00:22:31,159 Speaker 1: the life of a club owner, what actually happens behind 408 00:22:31,400 --> 00:22:33,240 Speaker 1: the curtain when we in the dressing room, and so 409 00:22:33,280 --> 00:22:36,200 Speaker 1: for so on. So to be able to be honored 410 00:22:36,320 --> 00:22:41,479 Speaker 1: on a scripted television show on such a bit network, 411 00:22:41,520 --> 00:22:44,760 Speaker 1: such a huge platform that you guys have provided breaking record, 412 00:22:44,840 --> 00:22:52,920 Speaker 1: right okay, one thousand, yeah, over a thousand percent um 413 00:22:53,320 --> 00:22:55,920 Speaker 1: rising viewership for the second season. To be a part 414 00:22:55,920 --> 00:22:59,479 Speaker 1: of that as myself as the girl that was frowned 415 00:22:59,520 --> 00:23:01,679 Speaker 1: upon because she was a stripper, the girl that you know, 416 00:23:01,720 --> 00:23:04,520 Speaker 1: didn't get the opportunities because she was a stripper. For 417 00:23:04,560 --> 00:23:06,320 Speaker 1: me to be able to, oh my god, I'm shaking. 418 00:23:06,480 --> 00:23:08,800 Speaker 1: For me to be able to be honored in that 419 00:23:08,880 --> 00:23:11,479 Speaker 1: light because I was a stripper is just such an 420 00:23:11,480 --> 00:23:15,880 Speaker 1: amazing opportunity and I'm so grateful, grateful, I'm so grateful. 421 00:23:16,000 --> 00:23:17,840 Speaker 1: Like from the time that I got the phone call, 422 00:23:17,880 --> 00:23:19,280 Speaker 1: I was like, I don't give a fun y'all want 423 00:23:19,320 --> 00:23:21,560 Speaker 1: me to put up some goddam attached shoes and make 424 00:23:21,600 --> 00:23:24,359 Speaker 1: the cocktail on the top of the bar, I'm doing it. 425 00:23:24,400 --> 00:23:27,120 Speaker 1: I didn't hear what they would make me a sweeper, 426 00:23:27,640 --> 00:23:29,480 Speaker 1: make me a house my don't care what y'all. Happy, 427 00:23:29,840 --> 00:23:31,639 Speaker 1: whatever y'all want me to do, I'm going to do it. 428 00:23:31,800 --> 00:23:33,520 Speaker 1: And when I when I saw the script and I 429 00:23:34,119 --> 00:23:36,320 Speaker 1: saw you know, the scene and everything, I was just like, 430 00:23:36,560 --> 00:23:40,560 Speaker 1: y'all hit the floor like I couldn't believe. Legends. Yes, 431 00:23:40,960 --> 00:23:44,800 Speaker 1: it's written the Legends. Yeah, it's the Legends. Well, I 432 00:23:44,800 --> 00:23:45,960 Speaker 1: do you want to give too much? Can I? Can? 433 00:23:46,000 --> 00:23:50,520 Speaker 1: I really say? Okay, yeah, okay, it's the Legends ball 434 00:23:51,080 --> 00:23:54,760 Speaker 1: and again some of you guys is favorite strippers, term 435 00:23:54,840 --> 00:23:58,359 Speaker 1: reality stars are are honored as well as myself and 436 00:23:58,440 --> 00:24:00,919 Speaker 1: we had a great time. Now I'm said one thing, 437 00:24:01,320 --> 00:24:09,080 Speaker 1: I thought I was coming to the pink season three, 438 00:24:10,119 --> 00:24:12,640 Speaker 1: I was just say, who says that you're not gonna 439 00:24:12,960 --> 00:24:16,640 Speaker 1: come to the paint Remember that last season with nine Yes, 440 00:24:16,880 --> 00:24:20,840 Speaker 1: said Tony. Bryce was just like it was so much 441 00:24:20,880 --> 00:24:27,080 Speaker 1: fun and lord, she and Megan the Stallions on this 442 00:24:27,200 --> 00:24:38,440 Speaker 1: season and we already seen it. Snow. That's important that 443 00:24:39,119 --> 00:24:43,520 Speaker 1: you know what's in line, um snow in Mississippi. Yeah, 444 00:24:43,520 --> 00:24:45,760 Speaker 1: you know what I'm saying, Yes, because it is. But 445 00:24:45,920 --> 00:24:47,840 Speaker 1: you know, one of the things I feel like this 446 00:24:47,920 --> 00:24:51,200 Speaker 1: season Katori and like the writers, they were so intentional 447 00:24:51,800 --> 00:24:55,080 Speaker 1: and honoring. She had this idea of like standing in 448 00:24:55,160 --> 00:24:57,600 Speaker 1: the sun, so like when you look at the lighting 449 00:24:57,760 --> 00:25:01,040 Speaker 1: and things like that, you always you're gonna see a 450 00:25:01,160 --> 00:25:06,440 Speaker 1: more dramatic um and intentional with the look of the show, 451 00:25:06,600 --> 00:25:09,800 Speaker 1: that whole Delta noir Field. And she said this thing 452 00:25:09,920 --> 00:25:11,440 Speaker 1: to me one time. She was like, I just want 453 00:25:11,480 --> 00:25:15,639 Speaker 1: to be able to give us our crowns, you know, 454 00:25:16,080 --> 00:25:18,760 Speaker 1: and so literally, like all of the different people and 455 00:25:18,840 --> 00:25:22,200 Speaker 1: communities that the show represents, whether it's the dance community, 456 00:25:22,240 --> 00:25:24,520 Speaker 1: whether it's the rap community, whether it's the gangsters in 457 00:25:24,600 --> 00:25:27,879 Speaker 1: our in our hoods, whether it's the lgbt Q plus folks, 458 00:25:28,119 --> 00:25:33,800 Speaker 1: everybody in our community gets celebrated this season. Politicians. Yeah, 459 00:25:38,560 --> 00:25:41,359 Speaker 1: So like that was so important and intentional. So like 460 00:25:41,920 --> 00:25:46,159 Speaker 1: I was like, yes and yes and yes. Because we 461 00:25:46,200 --> 00:25:50,119 Speaker 1: even mentioned um in episode one. Yes, you know what 462 00:25:50,600 --> 00:25:54,200 Speaker 1: they took it out. That was actually the pilot presentation. Yes, yes, yes, yes, 463 00:25:54,520 --> 00:25:58,160 Speaker 1: and yeah, and I was I was hoping that that continued. 464 00:25:58,160 --> 00:26:00,920 Speaker 1: Don't but me ye. Now, let me ask you this. 465 00:26:01,160 --> 00:26:04,320 Speaker 1: Another thing that happens, right, is how involved you get 466 00:26:04,600 --> 00:26:08,080 Speaker 1: in somebody else's relationship when you see that things aren't 467 00:26:08,080 --> 00:26:11,400 Speaker 1: going well, Like when do you say, okay, let me interfair, 468 00:26:11,480 --> 00:26:13,600 Speaker 1: Like we see what's going on with keys Sean and 469 00:26:13,760 --> 00:26:17,879 Speaker 1: Derek and Derek right, and you know she's coming and 470 00:26:18,119 --> 00:26:22,000 Speaker 1: she's defending her man, even though he's abusive towards her. 471 00:26:22,560 --> 00:26:24,879 Speaker 1: So if that happens in real life, when do you 472 00:26:24,920 --> 00:26:26,480 Speaker 1: say I gotta step in and get involved or do 473 00:26:26,560 --> 00:26:30,959 Speaker 1: you mind your business? That's a tough one. I think 474 00:26:31,000 --> 00:26:32,680 Speaker 1: you need to know who you're talking to first, because 475 00:26:32,720 --> 00:26:35,520 Speaker 1: you know you got those those some friends. Like for me, 476 00:26:36,040 --> 00:26:39,040 Speaker 1: it's gonna hurt me, but tell me, tell me the truth. 477 00:26:39,440 --> 00:26:42,119 Speaker 1: I might be mad, I'm a process it, but I 478 00:26:42,200 --> 00:26:43,680 Speaker 1: want to know. I'm gonna be more mad if you 479 00:26:43,720 --> 00:26:45,600 Speaker 1: don't tell me. Then you have some friends you know 480 00:26:45,680 --> 00:26:47,840 Speaker 1: they're not ready to hear that truth yet, but you 481 00:26:47,920 --> 00:26:49,440 Speaker 1: also want to have their backs. So I feel like 482 00:26:49,480 --> 00:26:51,640 Speaker 1: in those cases, you just gotta be there, like I'm 483 00:26:51,680 --> 00:26:54,399 Speaker 1: waiting outside the door, yep, and I'm ready or whenever 484 00:26:54,800 --> 00:26:56,600 Speaker 1: if you want to fall, I got you here to 485 00:26:56,680 --> 00:26:59,560 Speaker 1: catch you, sis um. But also trying to let them 486 00:26:59,600 --> 00:27:02,040 Speaker 1: know some people just saying ready to hear it. Yeah, 487 00:27:02,480 --> 00:27:05,200 Speaker 1: I think also you gotta h in speaking to that 488 00:27:05,400 --> 00:27:09,440 Speaker 1: person and having the conversations know why they may be 489 00:27:09,520 --> 00:27:12,639 Speaker 1: doing it, like or find out the why. When I 490 00:27:12,720 --> 00:27:16,840 Speaker 1: think about Keyshan, especially as Uncle Clifford, we have had 491 00:27:16,920 --> 00:27:21,199 Speaker 1: conversations that told me, oh, this is why you are 492 00:27:21,280 --> 00:27:25,920 Speaker 1: in this situation, and it's it's much greater than just 493 00:27:26,160 --> 00:27:29,280 Speaker 1: the fact that like he's just a man, you know, 494 00:27:29,520 --> 00:27:32,040 Speaker 1: like you know, but that's more than just her baby's father. 495 00:27:32,520 --> 00:27:35,600 Speaker 1: There's a reason why he is her baby's father. There's 496 00:27:35,600 --> 00:27:38,320 Speaker 1: a reason why she crossed that color line, especially in 497 00:27:38,359 --> 00:27:44,880 Speaker 1: the South, you know, crazy when they found out man, 498 00:27:45,720 --> 00:27:47,520 Speaker 1: But is it any better if it was a black 499 00:27:47,600 --> 00:27:53,639 Speaker 1: man exactly? Actually like that twist, yeah, because you know 500 00:27:53,800 --> 00:27:58,000 Speaker 1: you just figured accustomed to dysfunction, right, you know what 501 00:27:58,040 --> 00:28:00,800 Speaker 1: I mean. I know Shannon, who plays Keyshan, has said 502 00:28:00,840 --> 00:28:02,680 Speaker 1: that a lot too, because she would get comments and 503 00:28:02,760 --> 00:28:04,800 Speaker 1: she's just like, I can't believe you lett a white 504 00:28:04,840 --> 00:28:06,440 Speaker 1: man beat your ass, and they would say the turn 505 00:28:06,520 --> 00:28:09,040 Speaker 1: she's like a man a man, A man is a man. 506 00:28:09,480 --> 00:28:14,280 Speaker 1: It doesn't matter even if you're yeah, and it's not okay. 507 00:28:14,680 --> 00:28:17,520 Speaker 1: Domestic abuse is if your white fiend that came from 508 00:28:17,560 --> 00:28:21,840 Speaker 1: the white guys with THEE and they would beat their 509 00:28:21,880 --> 00:28:25,000 Speaker 1: wise and they started calling the white girls Puerto Ricans. 510 00:28:29,840 --> 00:28:32,120 Speaker 1: But that's when that's a bill Callaway said, And what's 511 00:28:32,160 --> 00:28:33,560 Speaker 1: love got to do with it? It's not all right 512 00:28:33,600 --> 00:28:36,600 Speaker 1: to let some motherfucker pound on you, yound what I mean? 513 00:28:38,160 --> 00:28:40,120 Speaker 1: Have you ever had to like interference? I had a 514 00:28:40,200 --> 00:28:43,560 Speaker 1: friend that was getting abused, and when I tell you, like, 515 00:28:43,680 --> 00:28:45,760 Speaker 1: her mom called me, can you talk to her? And 516 00:28:46,080 --> 00:28:47,920 Speaker 1: everybody they tried to talk to her about it, she 517 00:28:48,000 --> 00:28:51,120 Speaker 1: would just cut you off, you know, so something and 518 00:28:51,160 --> 00:28:52,680 Speaker 1: then people feel like, oh, you're not a good friend 519 00:28:52,760 --> 00:28:55,080 Speaker 1: if you don't say something. But then I was also 520 00:28:55,160 --> 00:28:57,800 Speaker 1: aware that everybody and her family, her friends tried to 521 00:28:57,800 --> 00:29:00,240 Speaker 1: talk to her and she wouldn't listen to anybody, And 522 00:29:00,360 --> 00:29:02,720 Speaker 1: so I just was like, okay, I just tell it. Look, 523 00:29:02,760 --> 00:29:05,560 Speaker 1: whatever you do, I'm supportive of whatever decisions you make. 524 00:29:05,600 --> 00:29:07,440 Speaker 1: I just want you to know him here because she 525 00:29:07,600 --> 00:29:10,080 Speaker 1: wasn't ready, and all it's gonna do is make her 526 00:29:10,160 --> 00:29:14,440 Speaker 1: not want to communicate or not want to speak have somebody. Yeah, 527 00:29:15,200 --> 00:29:16,960 Speaker 1: and the next thing, you know, you'll not friends no more, 528 00:29:17,080 --> 00:29:19,120 Speaker 1: you know, and then he hates you too, so now 529 00:29:19,160 --> 00:29:21,680 Speaker 1: you really can't be around her and the kids. But 530 00:29:21,800 --> 00:29:24,040 Speaker 1: she did eventually have to leave him, and I was 531 00:29:24,320 --> 00:29:26,640 Speaker 1: there ready to drive at the police station to get 532 00:29:26,680 --> 00:29:32,760 Speaker 1: that standing or my best friends. She she caught this 533 00:29:32,960 --> 00:29:36,640 Speaker 1: guy that she was so in love with during the 534 00:29:36,760 --> 00:29:40,240 Speaker 1: most she called him with dating man. She caught him 535 00:29:40,600 --> 00:29:43,520 Speaker 1: doing a lot of different things, and she stood around 536 00:29:43,600 --> 00:29:46,080 Speaker 1: and some of her friends that we all we you know, 537 00:29:46,160 --> 00:29:48,400 Speaker 1: we grew up together. So a lot of the girls 538 00:29:48,440 --> 00:29:50,800 Speaker 1: couldn't take it anymore and just stopped talking to her. 539 00:29:51,160 --> 00:29:53,960 Speaker 1: And that was always my response to her, like whatever 540 00:29:54,000 --> 00:29:57,560 Speaker 1: your decisions, I supported, you know, like I'm old, I'm 541 00:29:57,600 --> 00:30:01,240 Speaker 1: not gonna judge your decisions. That's what to her though. Yeah, 542 00:30:01,600 --> 00:30:05,520 Speaker 1: I tried to support, but it worked out. Now she's 543 00:30:05,520 --> 00:30:11,000 Speaker 1: with a better guy, more compatible match for hers. Looking 544 00:30:11,040 --> 00:30:16,760 Speaker 1: like nowadays, now when you're lean over that shoulder, now, 545 00:30:18,400 --> 00:30:21,400 Speaker 1: what's crazy? Like for real, a lot of people feel 546 00:30:21,440 --> 00:30:23,640 Speaker 1: like I'm uncle Cquifford in real life and they come 547 00:30:23,760 --> 00:30:27,600 Speaker 1: with this I'm sure fixed my life like Yana kind 548 00:30:27,600 --> 00:30:30,120 Speaker 1: of a thing going on. So there's that, and then 549 00:30:30,320 --> 00:30:33,040 Speaker 1: I have gotten a few that's like, you know, some 550 00:30:33,600 --> 00:30:36,280 Speaker 1: raunchy pictures like I'm trying, I'm trying to get fluid 551 00:30:36,320 --> 00:30:39,640 Speaker 1: out and I was like, dude, I'm trying to get 552 00:30:40,040 --> 00:30:42,640 Speaker 1: literally and I'm gon telling those were some white folks 553 00:30:42,720 --> 00:30:44,280 Speaker 1: that sent that to me. And I was like, no 554 00:30:44,440 --> 00:30:49,600 Speaker 1: way to hold this reverse slavery? What's going on? You 555 00:30:49,680 --> 00:30:52,920 Speaker 1: know what I'm saying, like they own some old fetish situation, 556 00:30:53,840 --> 00:30:57,480 Speaker 1: but those they get to the restricted how restrict? Don't 557 00:30:57,480 --> 00:31:01,240 Speaker 1: get back? What's that? At the same he ain't owned 558 00:31:01,320 --> 00:31:04,080 Speaker 1: social media, he's supposed to think, no, no, don't tell 559 00:31:04,080 --> 00:31:06,240 Speaker 1: me what. I never shake people because then they don't 560 00:31:06,240 --> 00:31:08,720 Speaker 1: know they blocks that protect you also could just send 561 00:31:08,760 --> 00:31:10,320 Speaker 1: them to the message request where you can see it 562 00:31:10,360 --> 00:31:12,520 Speaker 1: all they don't know you saw it. That's where I'm see. 563 00:31:12,560 --> 00:31:18,080 Speaker 1: I don't be doing all that. She called a number. 564 00:31:20,520 --> 00:31:23,440 Speaker 1: I'm not all there's a partner like social media for 565 00:31:23,560 --> 00:31:26,720 Speaker 1: me that it becomes a little much, especially because of 566 00:31:26,800 --> 00:31:30,120 Speaker 1: the show, like I'm giving my all, I am bearing 567 00:31:30,200 --> 00:31:33,720 Speaker 1: my soul. I'm using all that God has given me 568 00:31:34,000 --> 00:31:37,600 Speaker 1: to tell these stories. I don't owe y'all the post 569 00:31:38,880 --> 00:31:40,240 Speaker 1: I get to that ship when I get to it, 570 00:31:40,440 --> 00:31:42,480 Speaker 1: you know what I mean. And I feel like that's 571 00:31:42,520 --> 00:31:45,160 Speaker 1: just my healthy way of doing it, because for me, 572 00:31:45,320 --> 00:31:48,560 Speaker 1: what's most important is my art. The social the posting, 573 00:31:48,680 --> 00:31:52,560 Speaker 1: the promotion of that. It is great. I absolutely love it, 574 00:31:53,000 --> 00:31:54,960 Speaker 1: and I'm gonna give it to you, but I'm gonna 575 00:31:55,000 --> 00:31:58,240 Speaker 1: give it to you time I'm along stroke you do 576 00:31:58,320 --> 00:32:02,520 Speaker 1: you understand what I'm saying, right, give it to you 577 00:32:02,600 --> 00:32:06,920 Speaker 1: one to want to what's your DM thinking? Like Brandy 578 00:32:07,080 --> 00:32:09,640 Speaker 1: chip Mine just want to talk to me like I'm 579 00:32:09,680 --> 00:32:11,360 Speaker 1: a therapist. I don't know what's going on. I'm not 580 00:32:11,400 --> 00:32:13,880 Speaker 1: getting no ratchet stuff. I tried to look through them. No, 581 00:32:14,160 --> 00:32:16,480 Speaker 1: I do not. You ain't getting not one. I promise 582 00:32:16,520 --> 00:32:18,880 Speaker 1: I don't have one. I have literally been looking for them, 583 00:32:19,160 --> 00:32:28,000 Speaker 1: and I the man Sometimes I think we do too. Yeah, 584 00:32:28,040 --> 00:32:30,240 Speaker 1: I don't forget it from women. I haven't got I 585 00:32:30,320 --> 00:32:32,160 Speaker 1: think because I talk about Mama so much, they like, 586 00:32:32,200 --> 00:32:33,880 Speaker 1: we don't want to do that to her. So I 587 00:32:33,960 --> 00:32:35,960 Speaker 1: get a lot of you know, I'm a caregiver or 588 00:32:36,080 --> 00:32:38,080 Speaker 1: you know what I'm doing this with my mom because yeah, 589 00:32:38,840 --> 00:32:41,000 Speaker 1: I get that, and then I get them roasting me, 590 00:32:41,120 --> 00:32:43,240 Speaker 1: like I literally have so many dms right now, like, bitch, 591 00:32:43,280 --> 00:32:45,880 Speaker 1: pull it together. If the funk that you fall like, 592 00:32:46,240 --> 00:32:48,640 Speaker 1: you should know better. I have one from last night. 593 00:32:48,720 --> 00:32:50,160 Speaker 1: I was like, so you're gonna let that girl from 594 00:32:50,160 --> 00:32:52,560 Speaker 1: Snowfall come up in here out you are the face? 595 00:32:52,960 --> 00:32:54,680 Speaker 1: How dare you? And they were like, they was like, 596 00:32:54,800 --> 00:33:01,200 Speaker 1: do bad. I was like, yeah, I don't love listening. 597 00:33:01,280 --> 00:33:05,360 Speaker 1: I love the new edition season too. It's something right, Yeah, 598 00:33:05,400 --> 00:33:08,800 Speaker 1: they to it. That's a little we don't know what's 599 00:33:08,840 --> 00:33:12,560 Speaker 1: gonna end up happening, right, I'm here for it's it's 600 00:33:12,680 --> 00:33:15,120 Speaker 1: all of the things. It's you know, the pink is 601 00:33:15,200 --> 00:33:20,720 Speaker 1: the clubs in general. The door revolves to everything day 602 00:33:20,960 --> 00:33:24,520 Speaker 1: yeah yeah, so okay, so no extending. Have you ever 603 00:33:24,560 --> 00:33:27,520 Speaker 1: gotten dick pick in your life? Yes? But it was 604 00:33:27,920 --> 00:33:30,720 Speaker 1: they could have kept that ship. It was weak, Like, 605 00:33:30,840 --> 00:33:33,600 Speaker 1: first of all, I don't I don't really like it's 606 00:33:33,600 --> 00:33:35,360 Speaker 1: just I was like, why it's so lame? It looked 607 00:33:35,360 --> 00:33:42,920 Speaker 1: dirty in the background, like everything matters, Like you don't 608 00:33:42,920 --> 00:33:44,440 Speaker 1: want to see your feet in the picture. I don't. 609 00:33:44,640 --> 00:33:46,040 Speaker 1: We don't want to see you sitting on the toilet. 610 00:33:46,280 --> 00:33:48,600 Speaker 1: We don't want to see the baby, but you cut 611 00:33:48,640 --> 00:33:51,920 Speaker 1: morcharage your thoughts. Yeah, I don't like it, and I 612 00:33:52,240 --> 00:33:56,840 Speaker 1: shaved done shaved. I like unshaved. I'm saying wrong. I 613 00:33:56,960 --> 00:34:00,760 Speaker 1: like shape, like hair, like school like here, I don't 614 00:34:00,760 --> 00:34:06,280 Speaker 1: have it and I don't like it like yeah, yeah, yes, yes, 615 00:34:06,720 --> 00:34:12,080 Speaker 1: I like a man's skate very well. I mean, if 616 00:34:12,120 --> 00:34:13,839 Speaker 1: you want what you need, then that's I'm gonna need 617 00:34:13,840 --> 00:34:16,600 Speaker 1: you to do what you need to dory. Yeah. People 618 00:34:16,640 --> 00:34:18,120 Speaker 1: have to understand the art of the dick pick, and 619 00:34:18,160 --> 00:34:20,279 Speaker 1: we always have, you know, discussed that and it's all 620 00:34:20,280 --> 00:34:22,120 Speaker 1: about the angles. You know how we startain angles out 621 00:34:22,160 --> 00:34:24,239 Speaker 1: but looks bigger, Yes, and it looks nice to I. 622 00:34:24,360 --> 00:34:26,560 Speaker 1: Legs look longer when you same thing with the dick 623 00:34:26,880 --> 00:34:28,480 Speaker 1: when you do you get this dick pick and it 624 00:34:28,560 --> 00:34:32,080 Speaker 1: looks like it's like oh snap, oh it's fat. Always 625 00:34:32,160 --> 00:34:38,200 Speaker 1: you think squeezing to make it look When you squeeze it, 626 00:34:38,440 --> 00:34:42,040 Speaker 1: that's what you feel. So the visual is just what 627 00:34:42,120 --> 00:34:49,800 Speaker 1: you're gonna feel on that posts. Nothing wrong with that, listen, 628 00:34:51,040 --> 00:34:53,640 Speaker 1: I'm just saying, don't give me that. It is true. 629 00:34:54,760 --> 00:34:56,319 Speaker 1: So what do you feel like when you you get 630 00:34:56,360 --> 00:34:58,440 Speaker 1: this picture and you're just like, all right, this is 631 00:34:58,440 --> 00:35:01,680 Speaker 1: gonna be good tends and this like solicited. That's exactly 632 00:35:01,760 --> 00:35:04,000 Speaker 1: don't see me or solicited. I ask you for that, 633 00:35:04,880 --> 00:35:06,919 Speaker 1: and like, I don't think God should send dick picks 634 00:35:06,960 --> 00:35:09,960 Speaker 1: before you've seen their day agreed. See, now a lot 635 00:35:09,960 --> 00:35:11,919 Speaker 1: of guys think that they should show you a pick 636 00:35:12,000 --> 00:35:18,600 Speaker 1: so that I don't like that. I can. Yeah, so 637 00:35:18,719 --> 00:35:22,680 Speaker 1: you never sent one out, no, hesitated, He hesitated. It 638 00:35:22,800 --> 00:35:29,120 Speaker 1: was a little drink. The drink never out of unsolicited. No, 639 00:35:29,920 --> 00:35:31,680 Speaker 1: but he sent out in because I can tell you 640 00:35:31,719 --> 00:35:34,560 Speaker 1: a lying about how you She said it right there, Okay, 641 00:35:36,160 --> 00:35:39,520 Speaker 1: it was the requested package you because you know it's 642 00:35:39,560 --> 00:35:49,239 Speaker 1: a whole package you. Have you ever been to a 643 00:35:49,320 --> 00:35:52,400 Speaker 1: male review show? Yes, I have not, and I hear 644 00:35:52,440 --> 00:35:54,359 Speaker 1: that there's a good one in New York. My friend 645 00:35:54,400 --> 00:35:56,239 Speaker 1: I've already told me about it. Supposedly it's a good 646 00:35:56,239 --> 00:35:57,840 Speaker 1: one out here. I have not been to it. But 647 00:35:57,960 --> 00:35:59,719 Speaker 1: you know what, when I got married, so glad I'm 648 00:35:59,719 --> 00:36:03,120 Speaker 1: out of that up when I got Yes, when I 649 00:36:03,239 --> 00:36:05,840 Speaker 1: got married, I never wanted the male. I like the 650 00:36:05,960 --> 00:36:09,360 Speaker 1: females better, Like I don't want to swing like the 651 00:36:09,400 --> 00:36:12,600 Speaker 1: women until they go. Really, that's the thing you haven't 652 00:36:12,640 --> 00:36:14,960 Speaker 1: been yet. I thought that too. I hosted a male 653 00:36:15,000 --> 00:36:17,000 Speaker 1: review show a couple of times, okay, and so I 654 00:36:17,120 --> 00:36:18,920 Speaker 1: never probably would have went if I didn't host. But 655 00:36:19,000 --> 00:36:20,759 Speaker 1: it was actually really fun. And I've always wanted to 656 00:36:20,760 --> 00:36:23,080 Speaker 1: do a lip service like male review show because I 657 00:36:23,160 --> 00:36:25,840 Speaker 1: feel like we don't have those like with the guys, 658 00:36:26,000 --> 00:36:33,160 Speaker 1: because they actually do a lot of tricks to they do. Yes, yeah, alright, 659 00:36:33,440 --> 00:36:35,640 Speaker 1: been to like a male review But I've been swinging 660 00:36:35,680 --> 00:36:38,399 Speaker 1: Richards a couple of times. That's the one that's at 661 00:36:38,719 --> 00:36:44,520 Speaker 1: That's one I heard about. It's literally swinging Little Richard. 662 00:36:50,040 --> 00:36:52,800 Speaker 1: It was not the tuy fruity I've been a few times. 663 00:36:54,480 --> 00:36:56,279 Speaker 1: We used to just go just to have something to do, 664 00:36:56,800 --> 00:36:59,279 Speaker 1: you know, like we get tired of the regular ship, 665 00:36:59,320 --> 00:37:01,320 Speaker 1: so you want to try some the different. Then the 666 00:37:01,480 --> 00:37:03,840 Speaker 1: gotta be a fun night out. Like it was different 667 00:37:03,880 --> 00:37:05,480 Speaker 1: I want a few times. It was one time that 668 00:37:05,560 --> 00:37:07,480 Speaker 1: I went and I had a guy friend that I 669 00:37:07,640 --> 00:37:10,279 Speaker 1: was just you know, associated with through you know, being 670 00:37:10,320 --> 00:37:12,120 Speaker 1: in the club and out the streets or whatever. And 671 00:37:12,280 --> 00:37:14,400 Speaker 1: actually Cherokee is a good friend of his too, and 672 00:37:14,680 --> 00:37:17,719 Speaker 1: I was in, um, I'm in the club and me 673 00:37:17,800 --> 00:37:19,400 Speaker 1: and my home girl. We're just in there drinking and 674 00:37:19,440 --> 00:37:21,040 Speaker 1: having a good time, and then we see him standing 675 00:37:21,080 --> 00:37:22,759 Speaker 1: at the bar, so we go over, like what you're 676 00:37:22,800 --> 00:37:25,560 Speaker 1: doing there? And he like, I'm gay? What y'all going 677 00:37:25,600 --> 00:37:28,200 Speaker 1: in there? Like, I know this man for eight years, 678 00:37:28,200 --> 00:37:31,560 Speaker 1: had no idea. He was game, and he was just 679 00:37:31,680 --> 00:37:34,080 Speaker 1: like you know exactly what he said, Like, girl, you 680 00:37:34,120 --> 00:37:37,680 Speaker 1: ain't know, I had no idea. Yeah, now, pretty when 681 00:37:37,719 --> 00:37:43,279 Speaker 1: you're married for fourteen years? Wow, I know off of 682 00:37:43,360 --> 00:37:47,480 Speaker 1: around like year seven though, so but it's the best 683 00:37:48,040 --> 00:37:50,239 Speaker 1: thing for me. I was sad for a long time, 684 00:37:50,560 --> 00:37:53,360 Speaker 1: but I'm like everything happens for a reason. I'm so grateful. 685 00:37:53,800 --> 00:37:55,759 Speaker 1: Did he hit you up now, like seeing everything that's 686 00:37:55,760 --> 00:37:57,440 Speaker 1: been happened. Oh, he got too much pride to do that. 687 00:37:57,560 --> 00:38:04,479 Speaker 1: But you see it. You see he's saying from every 688 00:38:04,640 --> 00:38:09,520 Speaker 1: end with the good lines. Yeah, right by his job, 689 00:38:09,560 --> 00:38:17,879 Speaker 1: because you know that every morning that's good, always feels 690 00:38:17,920 --> 00:38:22,840 Speaker 1: so good. You get married again. I would, I would, 691 00:38:22,880 --> 00:38:25,520 Speaker 1: but right now I'm just chilling. I'm just I'm enjoying, 692 00:38:25,640 --> 00:38:28,520 Speaker 1: just living. I don't know what I want right now. Okay, good, 693 00:38:28,600 --> 00:38:33,440 Speaker 1: well you enjoy yourself, yea. How competitive is it in 694 00:38:33,480 --> 00:38:35,840 Speaker 1: this ship club, Like, what are the rules when somebody 695 00:38:35,880 --> 00:38:39,480 Speaker 1: has a guy that normally comes into regular, Yeah, they're regular, Like, 696 00:38:39,760 --> 00:38:42,200 Speaker 1: but then another woman might approach tell me like how 697 00:38:42,320 --> 00:38:45,520 Speaker 1: this works, so we know so case by case scenario. 698 00:38:45,840 --> 00:38:49,000 Speaker 1: But normally, if there's a regular that comes in the 699 00:38:49,040 --> 00:38:53,399 Speaker 1: club on the on the regular basis and he's always there, 700 00:38:53,480 --> 00:38:56,080 Speaker 1: you know that he's such and such a right, So 701 00:38:56,360 --> 00:38:59,440 Speaker 1: you're not going if you uh, an established girl and 702 00:38:59,520 --> 00:39:01,800 Speaker 1: been at this club up for teen years and you 703 00:39:01,920 --> 00:39:05,759 Speaker 1: know that Larry coming back, Yeah exactly. Ain't nobody going 704 00:39:05,800 --> 00:39:07,640 Speaker 1: to approach coach because they know they come he come 705 00:39:07,640 --> 00:39:10,440 Speaker 1: in here to see you. But you know, all the time, 706 00:39:10,600 --> 00:39:12,759 Speaker 1: sometimes it might be a new girl. You don't know 707 00:39:12,920 --> 00:39:15,719 Speaker 1: that Coach came to see Sadi's so she might, you know, 708 00:39:16,360 --> 00:39:17,759 Speaker 1: go on and shake a little try to shake a 709 00:39:17,760 --> 00:39:20,080 Speaker 1: little tail further. And it's usually the guy that will 710 00:39:20,120 --> 00:39:23,040 Speaker 1: be like, I'm here to see you know, a specific person, 711 00:39:23,480 --> 00:39:25,359 Speaker 1: or they might you know, buy your drink and get 712 00:39:25,400 --> 00:39:28,600 Speaker 1: real a little conversation. Yeah, and just past the time. 713 00:39:28,719 --> 00:39:31,880 Speaker 1: But it's it's a respecting you know, and it's kind 714 00:39:31,920 --> 00:39:34,120 Speaker 1: of like an unspoken rule, like you're not about to 715 00:39:34,120 --> 00:39:36,320 Speaker 1: step on the next next bitch told because you wouldn't 716 00:39:36,320 --> 00:39:37,960 Speaker 1: want her to do it to you, but would make 717 00:39:38,000 --> 00:39:40,360 Speaker 1: you not like somebody. Oh, it's a lot of reasons 718 00:39:40,960 --> 00:39:43,680 Speaker 1: be line stealing, stealing. I think we'll be the number 719 00:39:43,719 --> 00:39:45,680 Speaker 1: one reason. Now, how is it stealing work? I always 720 00:39:45,680 --> 00:39:49,600 Speaker 1: wondered that because I went Spider took me and did 721 00:39:49,800 --> 00:39:53,440 Speaker 1: research before episode one of season one, and she just 722 00:39:53,520 --> 00:39:56,160 Speaker 1: made me pay attention to the girls and just watch stuff. 723 00:39:56,640 --> 00:39:59,399 Speaker 1: And she was like, watch that because like people would 724 00:39:59,440 --> 00:40:01,040 Speaker 1: like trying to move the money and with the foot 725 00:40:01,080 --> 00:40:03,520 Speaker 1: and stuff, and I'm like, are you bold? Yeah, So 726 00:40:03,640 --> 00:40:05,520 Speaker 1: the girl the customers be still in a lot. I 727 00:40:05,680 --> 00:40:08,040 Speaker 1: used to watch. I used to watch it men customers. 728 00:40:08,080 --> 00:40:10,480 Speaker 1: So you know, during the time that I worked at 729 00:40:10,520 --> 00:40:13,160 Speaker 1: Magic City, it was from two thousand five to two 730 00:40:13,200 --> 00:40:17,800 Speaker 1: thousand eleven, so in that six seven, eight nine period, 731 00:40:18,000 --> 00:40:20,879 Speaker 1: it was the big make It Rain with the Little 732 00:40:20,920 --> 00:40:22,800 Speaker 1: Wayne song, and you know all of the make It 733 00:40:22,920 --> 00:40:25,120 Speaker 1: Rain error happened during that time at Jeez coming and 734 00:40:25,160 --> 00:40:27,120 Speaker 1: Spen in thirty five thousand or whatever the case, right, 735 00:40:27,520 --> 00:40:29,799 Speaker 1: So it would literally it would literally be a guy 736 00:40:30,719 --> 00:40:32,800 Speaker 1: and I remember this one specificalities to come in the 737 00:40:32,840 --> 00:40:34,279 Speaker 1: club all the time and we would call him that 738 00:40:34,360 --> 00:40:39,960 Speaker 1: still in that nigger cousin the body, remember that. So 739 00:40:40,120 --> 00:40:42,520 Speaker 1: he would have a sweat towel, so he would have 740 00:40:42,600 --> 00:40:44,040 Speaker 1: his sweatsower. He would wipe his head and then he 741 00:40:44,080 --> 00:40:45,560 Speaker 1: would drop the towel on the ground and when he 742 00:40:45,600 --> 00:40:49,520 Speaker 1: would pick it up, he would pick up We gotta 743 00:40:49,800 --> 00:40:52,880 Speaker 1: remember this, no, I mean he would pick up ten 744 00:40:52,920 --> 00:40:59,560 Speaker 1: dollars at a time, so near the female starrted to 745 00:40:59,640 --> 00:41:02,359 Speaker 1: dancer stealing. So you know we'll be on piles, right. 746 00:41:02,480 --> 00:41:05,640 Speaker 1: So what that means is if say, for instance, um, 747 00:41:06,080 --> 00:41:11,359 Speaker 1: that magical night that happened at Rain with so Um, 748 00:41:11,520 --> 00:41:15,120 Speaker 1: I just was there, Yeah, at the club that I 749 00:41:15,200 --> 00:41:18,880 Speaker 1: barked in that yeah, so um. So you see how 750 00:41:19,239 --> 00:41:20,600 Speaker 1: we had the section and all of the money that 751 00:41:20,680 --> 00:41:22,040 Speaker 1: was in the section was mine, but the money that 752 00:41:22,120 --> 00:41:25,359 Speaker 1: was everywhere else was full or whoever? Right? So um 753 00:41:25,840 --> 00:41:27,800 Speaker 1: remember when the one girl came and was dancing on 754 00:41:28,360 --> 00:41:32,800 Speaker 1: Janette and I gave her money? Oh yeah, so I 755 00:41:32,840 --> 00:41:35,600 Speaker 1: gave her money separately in her hand because she wasn't 756 00:41:35,640 --> 00:41:37,480 Speaker 1: to touch what was on the floor. But there will 757 00:41:37,520 --> 00:41:40,359 Speaker 1: be girls that would be like, oh, I'm on this pile. 758 00:41:40,760 --> 00:41:42,759 Speaker 1: You cannot come in on money that's already on the 759 00:41:42,840 --> 00:41:46,360 Speaker 1: floor because this already my money. Yeah, you wasn't here 760 00:41:46,400 --> 00:41:48,000 Speaker 1: in the beginning. You ain't picking up none of this 761 00:41:48,040 --> 00:41:49,799 Speaker 1: in the end, so you better act to get paid 762 00:41:49,840 --> 00:41:51,880 Speaker 1: in your hand. But then they would be the girls 763 00:41:51,920 --> 00:41:54,440 Speaker 1: that would make the big fuss about it, or when 764 00:41:54,480 --> 00:41:56,720 Speaker 1: it comes to the pile, you would have the girls 765 00:41:56,840 --> 00:41:59,480 Speaker 1: that would go and count the money behind your back 766 00:41:59,600 --> 00:42:02,799 Speaker 1: and skin a little something on the top. Diamond, Oh, 767 00:42:03,040 --> 00:42:05,759 Speaker 1: don't do a diamond. She was the biggest thief of 768 00:42:05,800 --> 00:42:10,600 Speaker 1: Maga City for about twenty years. I'm talking about. I'm 769 00:42:10,600 --> 00:42:14,520 Speaker 1: talking about. I'm talking about a real situation that everybody knows, 770 00:42:14,560 --> 00:42:16,759 Speaker 1: this girl's a thief. I ever got the question now 771 00:42:16,800 --> 00:42:19,720 Speaker 1: because I went to the club with Tyler and Maine 772 00:42:20,280 --> 00:42:23,080 Speaker 1: Um from our show as well. So how does it work? 773 00:42:23,120 --> 00:42:25,440 Speaker 1: Like we already had our dances going and stuff, and 774 00:42:25,480 --> 00:42:27,279 Speaker 1: then the girls were coming up trying to get in 775 00:42:27,480 --> 00:42:29,359 Speaker 1: on it. Is that the example you're talking about, because 776 00:42:29,360 --> 00:42:34,279 Speaker 1: it's just like so now you have to as a 777 00:42:34,600 --> 00:42:36,719 Speaker 1: as an entertainer, you are supposed to know how to 778 00:42:36,840 --> 00:42:40,200 Speaker 1: handle that situation. If it already girls dancing and and 779 00:42:40,320 --> 00:42:42,440 Speaker 1: somebody called you over and the crew, you know, it 780 00:42:42,800 --> 00:42:45,960 Speaker 1: was three four y'all right, so you already got girls dancing, 781 00:42:46,040 --> 00:42:49,120 Speaker 1: but you know, man see somebody that he's interested in, 782 00:42:49,200 --> 00:42:50,880 Speaker 1: and he wanted to, you know, start up a conversation 783 00:42:50,920 --> 00:42:52,960 Speaker 1: that he Okay, go here to dance. It's up to 784 00:42:53,040 --> 00:42:55,440 Speaker 1: her to say, well, I'm not entitled to any of 785 00:42:55,480 --> 00:42:57,120 Speaker 1: this money that's already on the floor. So if you 786 00:42:57,160 --> 00:42:58,959 Speaker 1: want me to dance, either I need a separate pile 787 00:42:59,480 --> 00:43:01,560 Speaker 1: or you can just pay me in my hand. God. 788 00:43:01,719 --> 00:43:04,680 Speaker 1: So that's how that goes. Is the economics and the 789 00:43:04,800 --> 00:43:09,279 Speaker 1: business of the business. This is not just shaking. It's 790 00:43:09,320 --> 00:43:12,160 Speaker 1: your club. The only girls, like everybody hated was the 791 00:43:12,239 --> 00:43:15,680 Speaker 1: ones jerking guys off in the Love Dancer. It's like 792 00:43:15,800 --> 00:43:21,279 Speaker 1: at least taking to the champagne room for that brow all. 793 00:43:21,320 --> 00:43:27,399 Speaker 1: You ruining the whole game, everybody, everybody, everybody, because that's real. 794 00:43:27,960 --> 00:43:30,759 Speaker 1: You're just messing up everybody's money. It's horrible. And then 795 00:43:30,800 --> 00:43:33,640 Speaker 1: you're making the other girls feel like this is what 796 00:43:33,760 --> 00:43:36,640 Speaker 1: you have to do to get this, and I'm expecting 797 00:43:36,719 --> 00:43:41,359 Speaker 1: that one girl gonna do it, then they're all gonna 798 00:43:41,400 --> 00:43:44,879 Speaker 1: do it. And it's like we ain't all that I'm 799 00:43:44,920 --> 00:43:47,200 Speaker 1: not a rat. But girls used to go and tell 800 00:43:47,239 --> 00:43:49,040 Speaker 1: the owners and get girls. Father. So I'm gonna tell 801 00:43:49,080 --> 00:43:51,480 Speaker 1: you all from my experience and all the years that 802 00:43:51,520 --> 00:43:55,280 Speaker 1: I danced, I would say that the most trifling, cutthroat, nasty, 803 00:43:55,520 --> 00:43:58,120 Speaker 1: down gut of girls that would just do anything was 804 00:43:58,160 --> 00:44:01,000 Speaker 1: the ones that had pimps oh for me because it 805 00:44:01,200 --> 00:44:03,359 Speaker 1: was there, you know, they had it back and they've 806 00:44:03,400 --> 00:44:05,640 Speaker 1: always a girl who got a man waiting for her. Yeah. 807 00:44:06,400 --> 00:44:08,360 Speaker 1: Got to be a consultant on the show. I like, 808 00:44:11,040 --> 00:44:14,239 Speaker 1: it's actually interesting to see like that's a position. It 809 00:44:14,400 --> 00:44:18,280 Speaker 1: is a show consultant, that that's a producer. Really is position, 810 00:44:18,719 --> 00:44:20,480 Speaker 1: you know what I mean. I think because of the 811 00:44:20,560 --> 00:44:22,960 Speaker 1: research has been done on the show and the dancers 812 00:44:23,200 --> 00:44:25,959 Speaker 1: like that. One of our writers used to be a dancer. See, 813 00:44:26,280 --> 00:44:30,719 Speaker 1: you know, I feel like a book, Like everybody goes 814 00:44:30,760 --> 00:44:32,560 Speaker 1: through something in this life and it's not for not 815 00:44:33,600 --> 00:44:35,040 Speaker 1: do you understand what I'm saying, and like to be 816 00:44:35,120 --> 00:44:36,840 Speaker 1: able to use that pass it on and pass that 817 00:44:36,920 --> 00:44:40,200 Speaker 1: knowledge and stuff like that. It's real, it's real. Monetize 818 00:44:40,239 --> 00:44:42,840 Speaker 1: it as well as get your own dreams. You know. 819 00:44:43,520 --> 00:44:46,480 Speaker 1: I remember telling me your name when I first got 820 00:44:46,560 --> 00:44:48,839 Speaker 1: the job. Like, these are the type of women I'm 821 00:44:48,920 --> 00:44:51,680 Speaker 1: envisioning for Mercedes and you were one of the people, 822 00:44:52,040 --> 00:44:57,560 Speaker 1: and I was like, research some great videos. There's so 823 00:44:57,640 --> 00:44:59,719 Speaker 1: let me tell you, there's a long list of similarities 824 00:45:00,000 --> 00:45:03,280 Speaker 1: Angela has. Right, But when the when the show first started, 825 00:45:03,360 --> 00:45:04,920 Speaker 1: I got phone called at the phone call at the 826 00:45:05,000 --> 00:45:09,360 Speaker 1: d M, at the d M about everything Last Dance, Hurricane, 827 00:45:09,400 --> 00:45:13,319 Speaker 1: katrain A, first name, last name, Snackpack, Trinity, Like, it's 828 00:45:13,360 --> 00:45:15,880 Speaker 1: so many comparisons, and people would be like, oh, you 829 00:45:16,000 --> 00:45:17,879 Speaker 1: at check and I would be like, no, they don't 830 00:45:18,360 --> 00:45:23,960 Speaker 1: like my my strip club life and and countless other 831 00:45:24,120 --> 00:45:28,480 Speaker 1: women lives have been used as mused music for this storyline, 832 00:45:28,800 --> 00:45:31,279 Speaker 1: and I have no issue with that because I would 833 00:45:31,480 --> 00:45:35,600 Speaker 1: rather the show be authentic than some made up ship 834 00:45:35,760 --> 00:45:38,040 Speaker 1: that never really happened. Like the fact that there are 835 00:45:38,160 --> 00:45:42,239 Speaker 1: similarities and I know that again someone is also kind 836 00:45:42,280 --> 00:45:44,360 Speaker 1: of like a liaison to help us authentic the script 837 00:45:44,400 --> 00:45:47,439 Speaker 1: outside of being the actress. And I was so proud 838 00:45:47,480 --> 00:45:49,840 Speaker 1: of her for that because it's like, yes, girl, let 839 00:45:49,880 --> 00:45:54,319 Speaker 1: them know. You know what I'm saying, like, don get 840 00:45:54,400 --> 00:45:57,879 Speaker 1: money doing like that. I don't care how many point 841 00:45:57,920 --> 00:46:02,799 Speaker 1: I'm told, you know, but it's it's so many similarities. 842 00:46:02,840 --> 00:46:05,440 Speaker 1: But at the same time, again, I'm honored, like I 843 00:46:05,800 --> 00:46:09,160 Speaker 1: wouldn't ever think of being like taking it in a 844 00:46:09,280 --> 00:46:12,240 Speaker 1: negative light. It's it's all. It's definitely been all positive 845 00:46:12,360 --> 00:46:16,040 Speaker 1: from season what from before it show even started. When 846 00:46:16,480 --> 00:46:18,040 Speaker 1: someone told me that they were casting in what the 847 00:46:18,080 --> 00:46:19,680 Speaker 1: show was about, I was just like, okay, go here, 848 00:46:19,960 --> 00:46:22,359 Speaker 1: you know, like go girl, go um And then again 849 00:46:22,440 --> 00:46:24,919 Speaker 1: to get the phone call for season two, you were like, yeah, 850 00:46:25,200 --> 00:46:27,080 Speaker 1: it's And when I first sat down, the first thing 851 00:46:27,120 --> 00:46:29,400 Speaker 1: I said was like, are you happy with it? Because 852 00:46:29,800 --> 00:46:32,360 Speaker 1: that's what feels good, because it's like, I don't know 853 00:46:32,480 --> 00:46:35,560 Speaker 1: this world. I'm portraying it, you know, and so it 854 00:46:35,640 --> 00:46:37,319 Speaker 1: feels so good. When they always ask me in the press, 855 00:46:37,360 --> 00:46:38,680 Speaker 1: I'm like, no, I want to hear from the women 856 00:46:38,719 --> 00:46:41,040 Speaker 1: that actually have done it, man, like if they are 857 00:46:41,120 --> 00:46:43,040 Speaker 1: happy with it, I don't give ship with nobody. I 858 00:46:43,080 --> 00:46:46,400 Speaker 1: gotta say, out of everything, that last stance is the 859 00:46:46,440 --> 00:46:48,360 Speaker 1: biggest homage because I don't know if you'll know this, 860 00:46:48,440 --> 00:46:51,439 Speaker 1: but I created that. No, I did not know that. Yeah. 861 00:46:51,920 --> 00:46:54,600 Speaker 1: So when I decided to leave Magic City, it was 862 00:46:54,719 --> 00:46:58,200 Speaker 1: because I was in a relationship with um, a well 863 00:46:58,280 --> 00:47:00,360 Speaker 1: to do man who's in the music industy three, and 864 00:47:00,520 --> 00:47:02,640 Speaker 1: he just didn't want me in the club anymore. And 865 00:47:02,719 --> 00:47:05,520 Speaker 1: we had a conversation and that conversation ended with Okay, 866 00:47:05,520 --> 00:47:08,400 Speaker 1: I'm gonna quit. So I literally went to work that 867 00:47:08,600 --> 00:47:11,799 Speaker 1: Monday and went straight into the office and to aligement 868 00:47:11,880 --> 00:47:15,080 Speaker 1: that this is my last day. So they're like, okay, 869 00:47:15,200 --> 00:47:17,840 Speaker 1: but you're just not gonna quit, Like this could be 870 00:47:17,840 --> 00:47:19,440 Speaker 1: your last day working, but this ain't gonna be your 871 00:47:19,480 --> 00:47:21,000 Speaker 1: last day on the stage, Like you are not the 872 00:47:21,040 --> 00:47:23,400 Speaker 1: average woman that came through this club. You can't just 873 00:47:23,480 --> 00:47:25,960 Speaker 1: walk away, like you have to give the family, friends 874 00:47:26,000 --> 00:47:29,440 Speaker 1: and followers something to remember, like your fans deserved that, 875 00:47:29,719 --> 00:47:31,600 Speaker 1: you know, Like I literally was the one that they 876 00:47:31,600 --> 00:47:35,879 Speaker 1: would come in the club asking for, like Mercedes, you're 877 00:47:36,120 --> 00:47:40,359 Speaker 1: Kelly and Michelle. That was me, Um Jupiter and extra 878 00:47:40,440 --> 00:47:43,120 Speaker 1: extra like me, We're on someone home. We were the Trinity, 879 00:47:43,200 --> 00:47:46,439 Speaker 1: we were the Snackpeg was that destinely child of the club. 880 00:47:46,800 --> 00:47:48,880 Speaker 1: So they were like, Beyonce just can't leave, like how 881 00:47:48,960 --> 00:47:51,719 Speaker 1: dare you? So that He's like you have to give 882 00:47:52,200 --> 00:47:54,879 Speaker 1: one last performance, right, So I was always the queen 883 00:47:54,960 --> 00:47:56,800 Speaker 1: of the themes. Every birthday, probably did a Sess in 884 00:47:56,840 --> 00:47:59,160 Speaker 1: the City theme. I did a majest City Tokyo theme, 885 00:47:59,320 --> 00:48:02,200 Speaker 1: like I'm big go on like creativity and like really 886 00:48:02,280 --> 00:48:05,640 Speaker 1: giving that um performance aspect to strip because I come 887 00:48:05,680 --> 00:48:08,880 Speaker 1: from a dance background. Me and Cherokee both come from that, 888 00:48:09,040 --> 00:48:11,560 Speaker 1: and China as well. We all come from that, from 889 00:48:11,600 --> 00:48:15,319 Speaker 1: that dance background exactly. So I'm like, okay, I'm gonna 890 00:48:15,360 --> 00:48:18,280 Speaker 1: have a final performance. Right. It took me seven months. 891 00:48:18,600 --> 00:48:21,800 Speaker 1: I had a choreographer, I had props. I had fifteen 892 00:48:21,880 --> 00:48:25,840 Speaker 1: other women besides the snack pack to help with the production. 893 00:48:26,120 --> 00:48:30,239 Speaker 1: I had celebrity drops. Angela was there, right, and so 894 00:48:30,800 --> 00:48:33,080 Speaker 1: I have I'll send you, I'll send you on your toe, 895 00:48:33,080 --> 00:48:36,120 Speaker 1: I'll send you the twelve minute UM recap of it. 896 00:48:36,680 --> 00:48:45,080 Speaker 1: So Flash Dance the So that was my finale. So 897 00:48:45,360 --> 00:48:47,719 Speaker 1: I danced to you know, it was a medley of 898 00:48:47,840 --> 00:48:49,400 Speaker 1: music that we danced to. It was a twenty eight 899 00:48:49,440 --> 00:48:52,080 Speaker 1: minute performance and it was a medly of music that 900 00:48:52,120 --> 00:48:56,040 Speaker 1: we danced to. And at the end for my finale performance, 901 00:48:56,040 --> 00:48:58,600 Speaker 1: I changed my whole entire costume. I put a chair 902 00:48:58,680 --> 00:49:01,879 Speaker 1: on the stage and the hire time there was this banner, um, 903 00:49:02,120 --> 00:49:03,920 Speaker 1: you know, the ring. I'm so glad you brought the 904 00:49:03,960 --> 00:49:08,360 Speaker 1: ring to so the ring right so across the stage 905 00:49:08,400 --> 00:49:10,279 Speaker 1: was a banner that said Gi McGuire, But what it 906 00:49:10,400 --> 00:49:13,040 Speaker 1: really was was one of those balloon drops, but it 907 00:49:13,160 --> 00:49:16,560 Speaker 1: was filled with two thousand ones and iridescent confetti the 908 00:49:16,640 --> 00:49:19,400 Speaker 1: mal like water. So at the end of my performance, 909 00:49:19,440 --> 00:49:23,680 Speaker 1: I danced to Beyonce Dance for You and um, yeah 910 00:49:23,760 --> 00:49:26,040 Speaker 1: that daddy, you know what's up. At the very end, 911 00:49:26,200 --> 00:49:29,160 Speaker 1: I did the whole flashdance thing with the chair and 912 00:49:29,239 --> 00:49:31,239 Speaker 1: then I grabbed the cord and the money in the 913 00:49:31,280 --> 00:49:33,600 Speaker 1: coffetti flew down on me like it was water. So 914 00:49:33,760 --> 00:49:36,600 Speaker 1: since it was the flash dance theme and it was 915 00:49:36,719 --> 00:49:39,880 Speaker 1: my last time dancing on Magic City stage, I literally 916 00:49:40,440 --> 00:49:44,040 Speaker 1: recreated the Flash Dance DVD cover for my photo shooting 917 00:49:44,080 --> 00:49:47,759 Speaker 1: for my promo Matarial and I crossed out flash and 918 00:49:47,880 --> 00:49:50,440 Speaker 1: covered it with lass. So the name of the party 919 00:49:50,560 --> 00:49:52,520 Speaker 1: was called the Last Dance. I had it filmed for 920 00:49:52,600 --> 00:49:55,440 Speaker 1: DVD and I sold over five hundred copies and it 921 00:49:55,560 --> 00:49:58,080 Speaker 1: was like a huge deal. I made close to thirty 922 00:49:58,560 --> 00:50:01,839 Speaker 1: that night. It was a huge deal, right so um 923 00:50:02,440 --> 00:50:08,400 Speaker 1: So after me, Jessica Dome was the first UM reality 924 00:50:08,520 --> 00:50:12,000 Speaker 1: star to have a last dance on TV. Her Seeing 925 00:50:12,040 --> 00:50:14,440 Speaker 1: on Love and Hip Hop, her opening Seeing on Love 926 00:50:14,480 --> 00:50:16,359 Speaker 1: and Hip Hop, her introduction to the show was her 927 00:50:16,760 --> 00:50:18,919 Speaker 1: leaving a club in Miami and having a last dance. 928 00:50:19,280 --> 00:50:21,719 Speaker 1: To this day, I can scroll down Instagram on the 929 00:50:21,760 --> 00:50:24,439 Speaker 1: explore a page and I'll see random flyers for girls 930 00:50:24,520 --> 00:50:26,960 Speaker 1: having their last dance. Never was supposed to be a thing. 931 00:50:27,120 --> 00:50:31,200 Speaker 1: That was just the theme of my party because it 932 00:50:31,280 --> 00:50:36,040 Speaker 1: was right, but because it was such a big that 933 00:50:36,080 --> 00:50:38,120 Speaker 1: made it to the blogs like such a Because such 934 00:50:38,120 --> 00:50:40,680 Speaker 1: it was a big deal, it became a thing. And 935 00:50:40,760 --> 00:50:42,719 Speaker 1: to this day, this was two thousand eleven, here we 936 00:50:42,800 --> 00:50:49,320 Speaker 1: are almost twelve years later. People have this last dance 937 00:50:49,840 --> 00:50:52,279 Speaker 1: in strip clubs all around the world. And when I 938 00:50:52,360 --> 00:50:56,759 Speaker 1: saw that part of p Valley, I just I lost it, 939 00:50:57,040 --> 00:51:02,120 Speaker 1: Like the amount of emotions that overcame me, just knowing 940 00:51:02,239 --> 00:51:05,040 Speaker 1: that something I created that wasn't even intended to be 941 00:51:05,120 --> 00:51:07,000 Speaker 1: a thing not only made it to so many different 942 00:51:07,000 --> 00:51:08,600 Speaker 1: strip clubs around the world, but that made it to 943 00:51:08,640 --> 00:51:10,879 Speaker 1: a script of TV. Do you love her some Damp Valley. 944 00:51:10,920 --> 00:51:17,279 Speaker 1: I'm not gonna I I know everything was like only 945 00:51:17,680 --> 00:51:19,480 Speaker 1: the episodes that have come on TV, because I didn't 946 00:51:19,480 --> 00:51:21,640 Speaker 1: want to know too much because then I'd be like, 947 00:51:21,800 --> 00:51:24,279 Speaker 1: I like to watch it when everybody's watching it. So 948 00:51:24,360 --> 00:51:26,520 Speaker 1: you could go online and joining the Twitter party and 949 00:51:26,640 --> 00:51:30,719 Speaker 1: find everything. But I mean, is it already a season 950 00:51:30,800 --> 00:51:32,600 Speaker 1: three coming? Do we know that we praise? So we 951 00:51:32,680 --> 00:51:37,879 Speaker 1: wait on the call to I mean, there's no way 952 00:51:37,960 --> 00:51:43,600 Speaker 1: the numbers listen. Stranger things have happened for stranger things 953 00:51:43,640 --> 00:51:47,120 Speaker 1: have happened. But you know I've been in that's right, 954 00:51:47,200 --> 00:51:49,279 Speaker 1: happening in this game longer enough that you know I'm 955 00:51:49,320 --> 00:51:52,960 Speaker 1: not counting nothing until we get the contract. You know, 956 00:51:53,400 --> 00:51:57,200 Speaker 1: I would be shocked either way. Um not either way. 957 00:51:57,239 --> 00:52:00,840 Speaker 1: I would be shocked if we did not, but it 958 00:52:01,160 --> 00:52:04,680 Speaker 1: ends so beautifully that I would still be so proud 959 00:52:04,800 --> 00:52:09,600 Speaker 1: season two does. Yes, Um, I wouldn't be one though 960 00:52:10,360 --> 00:52:13,319 Speaker 1: the way with the season one ended. Season one ended, 961 00:52:13,400 --> 00:52:16,640 Speaker 1: and my my truth, I was afraid. I just didn't know. 962 00:52:16,840 --> 00:52:18,800 Speaker 1: But I mean, we got picked up so early. We 963 00:52:18,840 --> 00:52:22,400 Speaker 1: got picked up after episode two and season one, so 964 00:52:23,600 --> 00:52:25,360 Speaker 1: before I can even get to the point of wondering, 965 00:52:25,480 --> 00:52:27,440 Speaker 1: Like I feel like season two is way better than 966 00:52:27,480 --> 00:52:30,160 Speaker 1: season one, and I just know what's to come, Like 967 00:52:31,080 --> 00:52:33,840 Speaker 1: I loved one, I really loved too, and then as 968 00:52:33,920 --> 00:52:37,160 Speaker 1: it goes, I swear it gets better. So I would 969 00:52:37,719 --> 00:52:39,239 Speaker 1: that one would her because I'd be like, for real, 970 00:52:39,440 --> 00:52:42,759 Speaker 1: like this is really good. But then I'm like, but 971 00:52:42,880 --> 00:52:45,320 Speaker 1: we killed that ship. If this is the end, we 972 00:52:45,480 --> 00:52:48,200 Speaker 1: killed it. Yeah. It's this thing of literally like what 973 00:52:48,320 --> 00:52:52,640 Speaker 1: you're waiting for, there's no need to wait to be great? Yeah. Yeah, 974 00:52:52,760 --> 00:52:55,640 Speaker 1: like like get in here and like let's let's duke 975 00:52:55,760 --> 00:52:58,880 Speaker 1: this out and let's let's do it. And I love that. 976 00:52:59,640 --> 00:53:02,040 Speaker 1: I of that, and I feel like if there is 977 00:53:02,360 --> 00:53:05,280 Speaker 1: a season three, it's going to be even more because 978 00:53:05,360 --> 00:53:10,000 Speaker 1: like where it's going, where it's going, where it's going 979 00:53:10,360 --> 00:53:13,719 Speaker 1: is eag for real. It's it's the thing of like 980 00:53:14,120 --> 00:53:17,000 Speaker 1: I just thought about the finale, y'all ain't ready. I 981 00:53:17,040 --> 00:53:20,719 Speaker 1: don't even know people wait for me, like what she 982 00:53:20,760 --> 00:53:25,359 Speaker 1: was saying episode She's gonna watch it tonight, all of them. 983 00:53:25,960 --> 00:53:28,160 Speaker 1: It's about the creativity. Like I'm here, I'm sitting here 984 00:53:28,239 --> 00:53:31,640 Speaker 1: across from you. Listen you tell that story, Like that's amazing. 985 00:53:32,400 --> 00:53:35,240 Speaker 1: You know, people one don't realize all that goes into 986 00:53:35,280 --> 00:53:36,800 Speaker 1: what they think that you know, you just put on 987 00:53:36,880 --> 00:53:42,320 Speaker 1: some flaws, it's nothing. One thing that's also great about 988 00:53:42,360 --> 00:53:45,360 Speaker 1: the show is that you guys really put a spotlight 989 00:53:45,440 --> 00:53:49,320 Speaker 1: on the art of the performance, like Jamaica did that. Yeah, 990 00:53:49,640 --> 00:53:52,680 Speaker 1: like the rehearsals that happened that you got to go 991 00:53:52,760 --> 00:53:55,920 Speaker 1: through a week and a half. Even that's fast as 992 00:53:56,000 --> 00:53:59,440 Speaker 1: an actor. There were days I snuck in season one, 993 00:53:59,480 --> 00:54:03,120 Speaker 1: we were at a pair of studios, snuck into there 994 00:54:03,160 --> 00:54:06,560 Speaker 1: to do that. The episode three with Coach picked him 995 00:54:06,640 --> 00:54:09,880 Speaker 1: up from the airport. We had just met. My past 996 00:54:09,960 --> 00:54:12,920 Speaker 1: worked and I was like, let's rehearse, and literally rehearsed. 997 00:54:13,000 --> 00:54:14,920 Speaker 1: There are times when Nico would be like, what you're 998 00:54:14,920 --> 00:54:16,719 Speaker 1: doing here? He would come out, what you're doing here 999 00:54:16,840 --> 00:54:19,399 Speaker 1: sitting on clippered offs, I'm on the pole, like because 1000 00:54:19,480 --> 00:54:22,120 Speaker 1: we're really just working, really working, because it takes that 1001 00:54:22,280 --> 00:54:25,520 Speaker 1: much to do this and to make it look the 1002 00:54:25,600 --> 00:54:27,799 Speaker 1: way that it looks. You know, whether that's oh you're 1003 00:54:27,840 --> 00:54:31,040 Speaker 1: just a natural, think it. We just really grass. And 1004 00:54:31,120 --> 00:54:34,279 Speaker 1: it also made me mad at myself for being so 1005 00:54:34,440 --> 00:54:37,319 Speaker 1: ignorant in the past because I didn't know what all 1006 00:54:37,360 --> 00:54:39,640 Speaker 1: went into it. I thought it was one thing, and 1007 00:54:39,680 --> 00:54:41,960 Speaker 1: then I think, like it's sore and all this thing on. 1008 00:54:42,600 --> 00:54:44,320 Speaker 1: Did you just really throw ten dollars and that's it? 1009 00:54:44,680 --> 00:54:49,120 Speaker 1: Like you realize how hard rehearsed, how how much this 1010 00:54:49,440 --> 00:54:51,439 Speaker 1: this trip. I've been working on this trip for years. 1011 00:54:52,600 --> 00:54:55,560 Speaker 1: My makeup my lashes and I'm touching up in between, 1012 00:54:56,080 --> 00:54:57,919 Speaker 1: like as an after I'm trying to keep it together 1013 00:54:57,920 --> 00:54:59,839 Speaker 1: and I gotta stay fresh for you. And that's all 1014 00:54:59,880 --> 00:55:02,200 Speaker 1: you gonna give me. It's the whole thing. I can 1015 00:55:02,280 --> 00:55:05,840 Speaker 1: only imagine that, So you don't want that afternoon shift sometimes. Listen. 1016 00:55:07,480 --> 00:55:11,280 Speaker 1: It was also really wild when we would film. Sometimes 1017 00:55:11,320 --> 00:55:13,920 Speaker 1: when we're filming, you have to we have like earwigs 1018 00:55:14,000 --> 00:55:16,440 Speaker 1: in our ear so we can hear the music because 1019 00:55:16,520 --> 00:55:20,080 Speaker 1: sounds rise, it can't play. And so when you when 1020 00:55:20,160 --> 00:55:23,200 Speaker 1: those moments happened, and like the background actors are there 1021 00:55:23,400 --> 00:55:28,600 Speaker 1: and they are hearing the sweat, the heaving, the skin burning, 1022 00:55:28,719 --> 00:55:31,760 Speaker 1: you know, when they're hearing all the pot one scene 1023 00:55:31,760 --> 00:55:35,960 Speaker 1: I'm sorry ahead in season one when you got the 1024 00:55:36,000 --> 00:55:39,160 Speaker 1: red outfit on and they cut all the music and 1025 00:55:39,239 --> 00:55:42,840 Speaker 1: all you hear is when I tell you that's so 1026 00:55:42,920 --> 00:55:51,440 Speaker 1: real and you grunting and breathing it. Oh, yes, that 1027 00:55:51,600 --> 00:55:54,680 Speaker 1: was a real day. I didn't realize that even in 1028 00:55:54,760 --> 00:55:57,000 Speaker 1: season one, if I'm honest, because Spider did that trick 1029 00:55:57,040 --> 00:55:59,920 Speaker 1: for me on the ceiling in season one. Season two, 1030 00:56:00,360 --> 00:56:02,760 Speaker 1: I learned how to do more things and I'm dropping 1031 00:56:02,800 --> 00:56:05,440 Speaker 1: in when you like head first and squeeze. I'm like 1032 00:56:07,120 --> 00:56:09,719 Speaker 1: the thighs that burn and all. And I was just like, 1033 00:56:09,960 --> 00:56:13,520 Speaker 1: oh my gosh. And I remember the audience members an 1034 00:56:13,560 --> 00:56:16,759 Speaker 1: episode two, an episode two when we were like those 1035 00:56:16,800 --> 00:56:18,440 Speaker 1: heels and they would be like hold on, I'm like 1036 00:56:18,600 --> 00:56:21,120 Speaker 1: locked up there on the pole. They're they're like one second, Brandy, 1037 00:56:21,200 --> 00:56:23,160 Speaker 1: and the audience is literally looking at me going the 1038 00:56:23,239 --> 00:56:25,399 Speaker 1: our background going it's okay, you gotta, you gotta, you gotta, 1039 00:56:25,400 --> 00:56:27,400 Speaker 1: and you gotta because and You're still holding up there 1040 00:56:27,400 --> 00:56:30,799 Speaker 1: and I'm like I'm dying and I'm burning right now 1041 00:56:30,880 --> 00:56:34,480 Speaker 1: on my heels on fire. Yeah, you know, it's crazy. 1042 00:56:34,640 --> 00:56:39,480 Speaker 1: Sometimes you would see their faces and like down, you know, 1043 00:56:39,600 --> 00:56:42,160 Speaker 1: and it's like cut, we can't use that, guys. You 1044 00:56:42,160 --> 00:56:44,680 Speaker 1: guys are supposed to be amazed, having fun, like hyping 1045 00:56:44,719 --> 00:56:46,680 Speaker 1: her up, and it's like because you dropped down, they 1046 00:56:46,719 --> 00:56:48,560 Speaker 1: see my hands bleed and I'm like it's okay, okay, 1047 00:56:48,719 --> 00:56:50,120 Speaker 1: and they're like put a band and I can't because 1048 00:56:50,120 --> 00:56:51,840 Speaker 1: then I'll slip on the pole and I gotta just 1049 00:56:52,200 --> 00:56:57,200 Speaker 1: let this just go, Like y'r rold, don't you well listen, 1050 00:56:57,480 --> 00:57:00,480 Speaker 1: you don't have to do none of that, but keep 1051 00:57:00,560 --> 00:57:12,440 Speaker 1: watching who says that, you know the reason why the 1052 00:57:12,520 --> 00:57:15,040 Speaker 1: pank even exist is because she took the club and 1053 00:57:15,160 --> 00:57:18,000 Speaker 1: made it from the juke joint that grandmother Ernestein had 1054 00:57:18,120 --> 00:57:21,080 Speaker 1: played by Laurena Divine and turned it into a shake 1055 00:57:21,200 --> 00:57:24,040 Speaker 1: johnk you know, and the shake junk comes from Uncle 1056 00:57:24,080 --> 00:57:27,720 Speaker 1: Clifford being a dancer and and really being in love 1057 00:57:27,840 --> 00:57:34,920 Speaker 1: with that aspect of life. So you know you're getting kidnapped. Okay, 1058 00:57:35,480 --> 00:57:40,440 Speaker 1: Oh god that my friends had to do some sh 1059 00:57:40,680 --> 00:57:42,520 Speaker 1: like that. No, no, no, no, like for real, like 1060 00:57:42,600 --> 00:57:46,600 Speaker 1: it was a very serious thing. For real died someone 1061 00:57:46,680 --> 00:57:48,520 Speaker 1: could have really died. But I think that they knew it. 1062 00:57:48,760 --> 00:57:50,520 Speaker 1: And for grandmother to set it up like, you know, 1063 00:57:50,800 --> 00:57:52,480 Speaker 1: take the rest that I have my hair stylars there, 1064 00:57:52,600 --> 00:57:58,040 Speaker 1: but I have my makeup artists you know, that can 1065 00:57:58,120 --> 00:57:59,760 Speaker 1: send it and get it all in. When she's like 1066 00:57:59,880 --> 00:58:02,720 Speaker 1: you are, we're gonna have what she saying a birthday 1067 00:58:02,760 --> 00:58:05,040 Speaker 1: party with the boom booms over said, We're gonna have 1068 00:58:05,120 --> 00:58:14,880 Speaker 1: a boom boom zoom with your ace boom. Come. Isn't 1069 00:58:15,040 --> 00:58:17,720 Speaker 1: nice to whether she's like a legend, No, that's exactly 1070 00:58:17,760 --> 00:58:19,840 Speaker 1: what it is. I remember we were speaking of legend 1071 00:58:20,200 --> 00:58:22,640 Speaker 1: y'all know we was filming this pandemic child. We were 1072 00:58:22,680 --> 00:58:24,720 Speaker 1: all like, that was all of our grandmama for real. 1073 00:58:24,720 --> 00:58:27,120 Speaker 1: Remember we were in that house and we was opening 1074 00:58:27,160 --> 00:58:28,920 Speaker 1: windows because she was sitting there, was watching a project 1075 00:58:29,000 --> 00:58:32,360 Speaker 1: runway and was waiting forever to film, and we was 1076 00:58:32,440 --> 00:58:34,160 Speaker 1: all in there and it was me, it was Virgo 1077 00:58:34,240 --> 00:58:37,040 Speaker 1: on the bed, and who else was in the china. 1078 00:58:37,520 --> 00:58:39,120 Speaker 1: It was all just sitting in there, and we was 1079 00:58:39,160 --> 00:58:42,640 Speaker 1: like texting. We're like, girl, do you realize what is happening? Right? 1080 00:58:44,840 --> 00:58:46,680 Speaker 1: Y'all got them windows up in there for my grandma. 1081 00:58:46,760 --> 00:58:48,120 Speaker 1: You know, we got a legend in there. I'm like, 1082 00:58:48,240 --> 00:58:51,920 Speaker 1: don't worry, not like y'all better brand z make sure 1083 00:58:51,960 --> 00:58:53,960 Speaker 1: the windows is open and getting when just the opening 1084 00:58:54,000 --> 00:58:55,560 Speaker 1: weird in the back she is about to see me 1085 00:58:55,640 --> 00:58:57,680 Speaker 1: by herself. But it was just a beautiful moment. It 1086 00:58:58,240 --> 00:59:00,040 Speaker 1: sound like you had so much fun, just even be 1087 00:59:00,080 --> 00:59:02,960 Speaker 1: hind the scenes we had. We had to be so 1088 00:59:03,080 --> 00:59:07,480 Speaker 1: many long hours and cold, like towards the finale, Please 1089 00:59:07,600 --> 00:59:09,920 Speaker 1: know that it was snowing when you start seeing these 1090 00:59:10,000 --> 00:59:14,320 Speaker 1: scenes that are outside cold cold, cold? Is the next episode? 1091 00:59:14,360 --> 00:59:18,360 Speaker 1: I think when I'm running out, Maybe no, it's later on, 1092 00:59:19,000 --> 00:59:21,840 Speaker 1: it's later on, but I mean it started raining, it's cold, 1093 00:59:21,880 --> 00:59:23,520 Speaker 1: and you just got to act and act like it 1094 00:59:23,560 --> 00:59:25,480 Speaker 1: ain't happening. And that's when you just look over your 1095 00:59:25,520 --> 00:59:29,120 Speaker 1: girl like bitch. But we live in our dream and 1096 00:59:31,440 --> 00:59:34,040 Speaker 1: right if people would die to be here, be grateful, 1097 00:59:34,160 --> 00:59:36,960 Speaker 1: so well, listen, we appreciate you so much, honestly, like 1098 00:59:37,040 --> 00:59:38,960 Speaker 1: it isn't honor to have you guys here, because we 1099 00:59:39,080 --> 00:59:41,760 Speaker 1: do love p Valley and we support the show so much. 1100 00:59:41,840 --> 00:59:44,560 Speaker 1: I know DS having her moment here too, so I 1101 00:59:44,680 --> 00:59:47,040 Speaker 1: love that though, just even here you express how you 1102 00:59:47,080 --> 00:59:49,600 Speaker 1: feel about the representation on the show. That makes me 1103 00:59:49,720 --> 00:59:52,840 Speaker 1: so happy, and you really killed it. I cannot wait 1104 00:59:52,840 --> 00:59:57,200 Speaker 1: to see you on the pole, Okay, Nico, I mean Clifford, well, 1105 00:59:57,320 --> 01:00:02,880 Speaker 1: the one you were talk about earlier. Congratulations to you. 1106 01:00:03,240 --> 01:00:06,360 Speaker 1: What I just want to say, I'm loving seeing this 1107 01:00:06,560 --> 01:00:09,080 Speaker 1: moment for you, and you deserve all the flowers and 1108 01:00:09,320 --> 01:00:12,479 Speaker 1: all of the success. I really pray that your career 1109 01:00:12,760 --> 01:00:15,760 Speaker 1: goes beyond your wifest imagination. Thank you, I really appreciate it. 1110 01:00:15,880 --> 01:00:17,760 Speaker 1: It's just an honor to be here with you guys, 1111 01:00:18,000 --> 01:00:20,400 Speaker 1: and I know a Memphis they must be so proud 1112 01:00:20,440 --> 01:00:23,120 Speaker 1: of you too. It's amazing. Child of a school teacher, 1113 01:00:23,120 --> 01:00:27,000 Speaker 1: I told high school English. So my students are gagging, yes, 1114 01:00:27,400 --> 01:00:29,560 Speaker 1: and it's it's beautiful because I would tell them all 1115 01:00:29,600 --> 01:00:32,120 Speaker 1: the time, you can live your dream. But then deep 1116 01:00:32,160 --> 01:00:34,080 Speaker 1: down and sometimes I'd be like, I'm getting older though, 1117 01:00:34,120 --> 01:00:35,720 Speaker 1: but that and I was like, nope, keep pushing forward. 1118 01:00:35,880 --> 01:00:37,760 Speaker 1: So it's a beautiful moment now when I have students 1119 01:00:37,840 --> 01:00:40,200 Speaker 1: like miss Evans, thank you. You told me. You know, 1120 01:00:40,320 --> 01:00:42,320 Speaker 1: you're showing us what you taught us in the classroom. 1121 01:00:42,400 --> 01:00:46,880 Speaker 1: So and Miss Evans on the pole, I didn't know. 1122 01:00:47,600 --> 01:00:50,920 Speaker 1: Oh my gosh. I did get one pick and I 1123 01:00:51,040 --> 01:00:53,320 Speaker 1: deleted it so fast. I've forgotten to this one moment 1124 01:00:53,400 --> 01:00:56,720 Speaker 1: from a freaking student and he told about some Miss Evans. 1125 01:00:56,760 --> 01:01:00,120 Speaker 1: I'm grown now, and I swipe deleted so bad. I 1126 01:01:00,240 --> 01:01:05,200 Speaker 1: just remember right now. I deleted so fast. I was like, boy, boy, 1127 01:01:07,360 --> 01:01:13,800 Speaker 1: I'm grown now about that? Yes, Brandy, that's how you're 1128 01:01:13,800 --> 01:01:23,760 Speaker 1: teaching the ABC listen. I was thinking, like, wow, she 1129 01:01:23,920 --> 01:01:25,480 Speaker 1: must have had a lot of money. How was I 1130 01:01:25,640 --> 01:01:31,720 Speaker 1: was teaching English and stilettos like like, wasn't like miss 1131 01:01:31,760 --> 01:01:37,920 Speaker 1: Evans now me and you, Miss Evans, I had a 1132 01:01:38,000 --> 01:01:40,680 Speaker 1: bad teacher at high school. I forget her name, but 1133 01:01:40,760 --> 01:01:43,440 Speaker 1: she was so flush or what's here? Then? She always 1134 01:01:43,480 --> 01:01:48,720 Speaker 1: had some nice shoes on, nice and bag a Fendi bag. 1135 01:01:48,800 --> 01:01:51,560 Speaker 1: I'll never forget her work bag was a Fendi bag. 1136 01:01:51,880 --> 01:01:54,040 Speaker 1: One of my eyes like to teach her growing up, 1137 01:01:54,080 --> 01:01:56,360 Speaker 1: and she was to this day. He's the most glamorous 1138 01:01:56,360 --> 01:01:59,320 Speaker 1: woman I ever saw in my life. Anyway, when teachers 1139 01:01:59,400 --> 01:02:01,120 Speaker 1: end up with one of the students, because I didn't 1140 01:02:01,160 --> 01:02:03,600 Speaker 1: seen somebody, she just to my old high school to 1141 01:02:03,760 --> 01:02:12,760 Speaker 1: married one of my Oh you didn't want to go 1142 01:02:13,640 --> 01:02:15,880 Speaker 1: coming up here tonight? I saw one of my students. 1143 01:02:16,400 --> 01:02:18,160 Speaker 1: I didn't realize that it was her. She was just 1144 01:02:18,280 --> 01:02:21,920 Speaker 1: like Mr Nico, you don't remember me. And I was like, 1145 01:02:22,240 --> 01:02:24,200 Speaker 1: she just called my name, and I just thought it 1146 01:02:24,240 --> 01:02:26,480 Speaker 1: was someone who made know the show or something like that. 1147 01:02:26,520 --> 01:02:29,200 Speaker 1: And I was just like, hey, you know exactly. She 1148 01:02:29,280 --> 01:02:31,640 Speaker 1: was like, you don't remember me, so and so from 1149 01:02:31,720 --> 01:02:34,400 Speaker 1: you know, Greenberg, you know, upstate New York. She was like, 1150 01:02:34,480 --> 01:02:35,760 Speaker 1: you know, used to be my teaching was I was. 1151 01:02:35,840 --> 01:02:43,520 Speaker 1: I was like, oh, snap, grown, she's grown. And her 1152 01:02:43,600 --> 01:02:45,640 Speaker 1: boyfriend as an engineer coming up here. They have their 1153 01:02:45,680 --> 01:02:47,360 Speaker 1: sessions and stuff like, and I was just like, yeah, 1154 01:02:49,600 --> 01:02:54,240 Speaker 1: that's that. Like the most important jobs honestly, like to 1155 01:02:54,360 --> 01:02:56,360 Speaker 1: be a teacher and influence those kids and then for 1156 01:02:56,440 --> 01:02:59,480 Speaker 1: them to see this now in a weird way, it's 1157 01:02:59,520 --> 01:03:02,400 Speaker 1: the thing to me, that kind of teaching helps to 1158 01:03:02,560 --> 01:03:06,040 Speaker 1: teach you, you know, because you consistently are seeing like, 1159 01:03:06,560 --> 01:03:09,640 Speaker 1: oh I can do that better, I didn't make that mistake, 1160 01:03:09,840 --> 01:03:12,440 Speaker 1: or I'm pouring into you what I wish what I 1161 01:03:12,600 --> 01:03:15,480 Speaker 1: poured into me, you know what I mean, And like 1162 01:03:15,640 --> 01:03:18,560 Speaker 1: that's just dope. Like when you have that perspective, you know, 1163 01:03:18,760 --> 01:03:22,200 Speaker 1: it's hard. It is a thankless job. You are not 1164 01:03:22,400 --> 01:03:25,720 Speaker 1: making the money all the things, but like so anything 1165 01:03:25,760 --> 01:03:28,440 Speaker 1: you got to get connected to, like why you're doing it? Yeah, no, 1166 01:03:28,600 --> 01:03:31,760 Speaker 1: absolutely well I love it. But thank you guys. I 1167 01:03:31,760 --> 01:03:33,400 Speaker 1: cannot wait till y'all come back and then we can 1168 01:03:33,440 --> 01:03:36,680 Speaker 1: talk about season three, you know, maybe the end of 1169 01:03:36,760 --> 01:03:40,080 Speaker 1: this season, like by the finale, who we gotta go back. 1170 01:03:40,720 --> 01:03:42,960 Speaker 1: I'm here for you, gonna definitely want us back for 1171 01:03:43,040 --> 01:03:51,480 Speaker 1: the we said actually do it in Atlanta. We can 1172 01:03:51,720 --> 01:04:00,960 Speaker 1: more girls because girls the magic we definitely be I 1173 01:04:01,000 --> 01:04:03,760 Speaker 1: would love that magic actually do it. That's when we 1174 01:04:03,920 --> 01:04:08,800 Speaker 1: met actually Magic during the pilot. Yep, that's my daddy, 1175 01:04:08,840 --> 01:04:11,480 Speaker 1: I know that did not. Yeah, I love I told 1176 01:04:11,520 --> 01:04:16,280 Speaker 1: you g McGuire was born at Magic City. Like those 1177 01:04:16,320 --> 01:04:18,600 Speaker 1: are the lines that Uncle Clifford's head to Mercedes. So 1178 01:04:18,640 --> 01:04:21,240 Speaker 1: what you're gonna do when you leave? You want to 1179 01:04:21,280 --> 01:04:23,040 Speaker 1: know what I did when I left opened the pole 1180 01:04:23,120 --> 01:04:25,960 Speaker 1: dance studio. Girl. That's what I did with my lance. 1181 01:04:26,840 --> 01:04:28,320 Speaker 1: That's what I do with my lands stance and my 1182 01:04:28,440 --> 01:04:34,600 Speaker 1: last dance dance studio. Yes, I did. That's so that's 1183 01:04:34,640 --> 01:04:41,640 Speaker 1: why I gotta show you this list research. I really 1184 01:04:41,680 --> 01:04:42,960 Speaker 1: am the one. I'm gonna know so much about time 1185 01:04:42,960 --> 01:04:47,120 Speaker 1: I see you again. But again, we appreciate you all 1186 01:04:47,200 --> 01:04:50,160 Speaker 1: so much for coming. Honestly, BRANDI thank you. We will 1187 01:04:50,200 --> 01:04:52,040 Speaker 1: see you at the end of the season and then 1188 01:04:52,080 --> 01:04:54,280 Speaker 1: we'll celebrate the new season. Were doing in Atlante and 1189 01:04:54,320 --> 01:04:56,560 Speaker 1: would do that Magic City all right? Yeah for that? 1190 01:04:56,760 --> 01:04:58,200 Speaker 1: Here was that. Thank you all for keeping you know, 1191 01:04:58,600 --> 01:05:00,479 Speaker 1: the show and us on the tongue of the people. 1192 01:05:00,520 --> 01:05:05,040 Speaker 1: For me, I just want to say one last thing 1193 01:05:05,080 --> 01:05:08,080 Speaker 1: before we leave, in regards till my episode is that 1194 01:05:08,160 --> 01:05:10,280 Speaker 1: I'm having a viewing party at the club that I 1195 01:05:10,360 --> 01:05:13,560 Speaker 1: barttend that rain and this is really for the people 1196 01:05:14,000 --> 01:05:17,280 Speaker 1: because I did a birthday set when I My birthday 1197 01:05:17,360 --> 01:05:19,520 Speaker 1: was last month and I did a birthday set and 1198 01:05:19,600 --> 01:05:21,480 Speaker 1: I danced that night, which was the first time since 1199 01:05:21,560 --> 01:05:23,320 Speaker 1: my last dance that I danced. So I didn't tell 1200 01:05:23,360 --> 01:05:25,680 Speaker 1: anybody that I was dancing. I just kind of did it, 1201 01:05:26,320 --> 01:05:28,480 Speaker 1: so so many people got mad at me, like I 1202 01:05:28,520 --> 01:05:30,360 Speaker 1: would have came if I don't say how would have 1203 01:05:30,440 --> 01:05:33,760 Speaker 1: came if I knew. So July second, which is a 1204 01:05:33,800 --> 01:05:36,640 Speaker 1: Saturday night at Club Brain, we are having a watch 1205 01:05:36,720 --> 01:05:39,240 Speaker 1: party for episode five and I am hitting the stage. 1206 01:05:39,360 --> 01:05:41,760 Speaker 1: I'm trying to get going to dance with me but 1207 01:05:42,040 --> 01:05:44,280 Speaker 1: but but she big business now, I'm about to have representation, 1208 01:05:44,320 --> 01:05:45,520 Speaker 1: so I don't know if she'll be able to do it. 1209 01:05:46,360 --> 01:05:48,160 Speaker 1: I don't know my girl bigger than me these days, 1210 01:05:48,200 --> 01:05:49,680 Speaker 1: so I don't know if she's gonna be able to 1211 01:05:49,720 --> 01:05:51,080 Speaker 1: do it. But I did talk to her about it. 1212 01:05:51,120 --> 01:05:52,520 Speaker 1: We're trying to figure out if she'll be a but 1213 01:05:52,560 --> 01:05:55,040 Speaker 1: I'm definitely hitting the stage. So this is another announcement 1214 01:05:55,400 --> 01:05:57,480 Speaker 1: for those that missed the first one. There will be 1215 01:05:57,600 --> 01:05:59,560 Speaker 1: an encore coming out of and then guess what, and 1216 01:05:59,600 --> 01:06:04,360 Speaker 1: that's gonna be the last time because bitch, I'm tired, tired. Okay, 1217 01:06:06,360 --> 01:06:08,880 Speaker 1: oh baby, I showed up and showed out for the birthday. 1218 01:06:12,640 --> 01:06:15,200 Speaker 1: So yeah, I'm definitely dancing. Aga. You gotta show on 1219 01:06:15,280 --> 01:06:18,880 Speaker 1: the picture that night the other night, like I almost fainted. 1220 01:06:18,960 --> 01:06:23,480 Speaker 1: I was like, you're looking so good, almost her like 1221 01:06:23,600 --> 01:06:28,000 Speaker 1: a winky heart about she put you on your feelings. 1222 01:06:28,840 --> 01:06:30,760 Speaker 1: It was like it was totally unexpected, Like I really 1223 01:06:30,760 --> 01:06:33,200 Speaker 1: didn't tell nobody. I was actually in the office downstairs 1224 01:06:33,240 --> 01:06:35,360 Speaker 1: talking to Andrew. We were like in conversation and the 1225 01:06:35,400 --> 01:06:37,120 Speaker 1: picture just came out and I'm like, oh my god, 1226 01:06:37,200 --> 01:06:39,960 Speaker 1: look at these pictures. I stopped the conversation. I'm like 1227 01:06:40,080 --> 01:06:50,280 Speaker 1: to see this pe Valley. Okay, let's go season three. Yeah, 1228 01:06:50,440 --> 01:06:51,720 Speaker 1: Sunday