WEBVTT - The Monstrefact: The SPOILER from “NOPE”

0:00:03.279 --> 0:00:05.600
<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

0:00:05.640 --> 0:00:10.320
<v Speaker 1>My Heart Radio. Hi, my name is Robert Lamb and

0:00:10.360 --> 0:00:13.239
<v Speaker 1>this is the Monster Fact, a short form series from

0:00:13.280 --> 0:00:17.480
<v Speaker 1>Stuff to Blow Your Mind, focusing in on mythical creatures, ideas,

0:00:17.840 --> 0:00:25.760
<v Speaker 1>and monsters in time. If you haven't caught Jordan's Peel's

0:00:25.840 --> 0:00:29.360
<v Speaker 1>new sci fi horror film Nope yet, I recommend you

0:00:29.400 --> 0:00:31.840
<v Speaker 1>go watch it right now, at least if you're a

0:00:31.880 --> 0:00:35.400
<v Speaker 1>fan of Peel's previous films, as well as that feeling

0:00:35.520 --> 0:00:38.920
<v Speaker 1>of being utterly creeped out in a movie theater and

0:00:39.200 --> 0:00:42.240
<v Speaker 1>even more creeped out when you leave that movie theater.

0:00:43.080 --> 0:00:45.400
<v Speaker 1>It's not for the faint of heart, but I think

0:00:45.400 --> 0:00:49.040
<v Speaker 1>it's must see viewing for sci fi and horror fans.

0:00:49.840 --> 0:00:51.760
<v Speaker 1>But don't worry, I'm going to make sure that there's

0:00:51.760 --> 0:00:55.080
<v Speaker 1>a clear line in this episode between non spoiler and

0:00:55.120 --> 0:00:58.560
<v Speaker 1>spoiler content as we proceed here, because this is one

0:00:58.640 --> 0:01:00.720
<v Speaker 1>you really want to go in fresh on if you

0:01:00.800 --> 0:01:03.760
<v Speaker 1>choose to see it. First of all, generally speaking, I

0:01:03.800 --> 0:01:06.400
<v Speaker 1>really enjoyed this film. Peel is one of the most

0:01:06.400 --> 0:01:09.640
<v Speaker 1>interesting directors working today, and Nope is the sort of

0:01:09.680 --> 0:01:12.840
<v Speaker 1>picture that would generally captivate me if it had come

0:01:12.880 --> 0:01:16.920
<v Speaker 1>out in any previous decade, though the social nuances would

0:01:16.920 --> 0:01:20.119
<v Speaker 1>have been different for sure. For instance, I can imagine

0:01:20.120 --> 0:01:22.560
<v Speaker 1>someone like Larry Cohen having done a picture like this

0:01:22.600 --> 0:01:26.040
<v Speaker 1>in the nineteen seventies. One can easily imagine the nineteen

0:01:26.080 --> 0:01:30.000
<v Speaker 1>fifties variation as well, And of course our two version

0:01:30.440 --> 0:01:34.760
<v Speaker 1>is perfectly poignant as well skeletally. It is a B

0:01:35.000 --> 0:01:38.360
<v Speaker 1>movie sci fi feature with a great twist, but there

0:01:38.440 --> 0:01:40.800
<v Speaker 1>is some great flesh on those bones as well, in

0:01:40.800 --> 0:01:44.120
<v Speaker 1>the form of Peel's social commentary, a top notch cast,

0:01:44.360 --> 0:01:48.920
<v Speaker 1>and exceptional cinematography. Okay, now let's get to the spoilery stuff.

0:01:48.960 --> 0:01:56.120
<v Speaker 1>You've been warned. Here we go three two one. It's

0:01:56.240 --> 0:01:59.760
<v Speaker 1>various reviewers have already pointed out Nope is a movie

0:01:59.760 --> 0:02:04.400
<v Speaker 1>of society's relationship to spectacle. All the main characters have

0:02:04.480 --> 0:02:08.400
<v Speaker 1>film industry connections, and Steve Young's character Ricky is the

0:02:08.400 --> 0:02:11.280
<v Speaker 1>one I found the most poignant. As a child actor,

0:02:11.360 --> 0:02:15.440
<v Speaker 1>it's revealed the character experienced a terrifying and traumatic experience

0:02:15.440 --> 0:02:18.640
<v Speaker 1>on the set of a nineties sitcom. The show's central

0:02:18.760 --> 0:02:23.480
<v Speaker 1>chimpanzee actor snapped and killed or mutilated all of Ricky's

0:02:23.520 --> 0:02:26.680
<v Speaker 1>co stars before security finally moved in and put the

0:02:26.720 --> 0:02:30.960
<v Speaker 1>creature down right in front of young Ricky. As an adult,

0:02:31.240 --> 0:02:33.519
<v Speaker 1>Ricky has found ways to profit off of that event,

0:02:33.760 --> 0:02:37.480
<v Speaker 1>but clearly hasn't fully dealt with all the underlying trauma.

0:02:37.919 --> 0:02:40.800
<v Speaker 1>But now he has a new obsession. A UFO is

0:02:40.800 --> 0:02:44.720
<v Speaker 1>abducting horses on his California ranch, and he's decided to

0:02:44.800 --> 0:02:49.600
<v Speaker 1>spend this phenomenon off into a live, kicketed spectacle, the

0:02:49.680 --> 0:02:54.960
<v Speaker 1>star Lasso Experience. In the film's great twist, the UFO

0:02:55.120 --> 0:02:58.280
<v Speaker 1>descends early during one of these live events, and a

0:02:58.400 --> 0:03:02.600
<v Speaker 1>startling revelation occurs. It is not a ship but a

0:03:02.680 --> 0:03:07.360
<v Speaker 1>single predatory organism. It proceeds to suck Ricky, his family,

0:03:07.400 --> 0:03:10.480
<v Speaker 1>and all of the audience members up into itself and

0:03:10.520 --> 0:03:14.760
<v Speaker 1>consume them in a horrifying sequence that I found and

0:03:14.800 --> 0:03:19.320
<v Speaker 1>still find particularly unsettling. This plot twist reminds me a

0:03:19.320 --> 0:03:22.080
<v Speaker 1>lot of the twist in the nineteen sixty eight Jeffrey

0:03:22.160 --> 0:03:25.880
<v Speaker 1>Household novel Dance of the Dwarves, in which an anthropologist

0:03:25.919 --> 0:03:28.960
<v Speaker 1>in South America thinks he is attempting to communicate with

0:03:29.000 --> 0:03:32.359
<v Speaker 1>a tribe of pygmies in the jungle, only to realize

0:03:32.600 --> 0:03:35.280
<v Speaker 1>far too late that the beings are in fact a

0:03:35.360 --> 0:03:40.000
<v Speaker 1>species of predatory giant otter with a taste for human blood.

0:03:40.520 --> 0:03:44.360
<v Speaker 1>In both Nope and Dance of the Dwarfs, protagonists set

0:03:44.360 --> 0:03:47.640
<v Speaker 1>out under the assumption that the spectacle they chase is

0:03:47.680 --> 0:03:50.640
<v Speaker 1>something that can be if not communicated with, then at

0:03:50.680 --> 0:03:54.960
<v Speaker 1>least controlled or even exploited to some degree. The anthropologist

0:03:55.080 --> 0:03:57.960
<v Speaker 1>character thinks he can offer beads to the mysterious dwarves

0:03:57.960 --> 0:04:00.720
<v Speaker 1>in the forest. Ricky thinks he can keep the UFO

0:04:00.760 --> 0:04:05.080
<v Speaker 1>at arms length and pacified with horses. Notes. Central characters

0:04:05.280 --> 0:04:09.360
<v Speaker 1>O J and Emerald Haywood played by Daniel Kaluya and

0:04:09.480 --> 0:04:12.520
<v Speaker 1>Kiki Palmer likewise see the UFO is something they can

0:04:12.560 --> 0:04:15.920
<v Speaker 1>capture or film for profit. They all finally realize, and

0:04:15.960 --> 0:04:19.120
<v Speaker 1>again so much too late, that their theory of mind

0:04:19.360 --> 0:04:22.280
<v Speaker 1>is incorrect in this matter, and that they face a

0:04:22.360 --> 0:04:28.159
<v Speaker 1>predatory animal intellect that only sees them as food chilling stuff.

0:04:28.520 --> 0:04:31.320
<v Speaker 1>Now that we're discussing note purely as a monster film,

0:04:31.440 --> 0:04:34.720
<v Speaker 1>and it is a very memorable monster film, let's talk

0:04:34.760 --> 0:04:37.919
<v Speaker 1>about the monster itself. We see more and more of

0:04:37.960 --> 0:04:41.839
<v Speaker 1>the monsters. The movie progresses, as is, of course, the

0:04:41.920 --> 0:04:45.520
<v Speaker 1>law concerning these things and it's revealed at last to

0:04:45.560 --> 0:04:49.000
<v Speaker 1>be some manner of billowy air creature that brings to

0:04:49.080 --> 0:04:52.400
<v Speaker 1>mind some of the alien art of Wayne Barlow and

0:04:52.520 --> 0:04:56.720
<v Speaker 1>concepts of the sorts of sky jellies that might conceivably

0:04:56.839 --> 0:05:00.520
<v Speaker 1>live within the clouds of gas giants. And while this

0:05:00.600 --> 0:05:05.360
<v Speaker 1>is entirely speculative biology here for an aerial creature, it's

0:05:05.360 --> 0:05:08.880
<v Speaker 1>anatomy does bring to mind various creatures that thrive in

0:05:09.080 --> 0:05:13.039
<v Speaker 1>aquatic capitats of the natural world. Plus, its method of

0:05:13.080 --> 0:05:16.760
<v Speaker 1>inhaling its prey through a vortex brings to mind the

0:05:16.839 --> 0:05:20.800
<v Speaker 1>suction feeding method of many fish. They rapidly expand the

0:05:20.839 --> 0:05:24.080
<v Speaker 1>inside of their mouths to create a pressure gradient to

0:05:24.240 --> 0:05:29.600
<v Speaker 1>draw water and prey directly into their gaping maws. The

0:05:29.640 --> 0:05:32.600
<v Speaker 1>speed at which some fish performed this feat is incredible.

0:05:32.680 --> 0:05:36.560
<v Speaker 1>Consider the bay pipe fish, which can inhale small crustaceans

0:05:36.600 --> 0:05:41.240
<v Speaker 1>and other prey in as little as two milliseconds so

0:05:41.720 --> 0:05:45.120
<v Speaker 1>in a sci fi horror film like Nope, in a

0:05:45.240 --> 0:05:49.839
<v Speaker 1>scenario that involves the surface world, this feeding method is

0:05:50.240 --> 0:05:54.920
<v Speaker 1>entirely horrific. In Earth socians, lakes and rivers, however, it's

0:05:54.960 --> 0:06:00.480
<v Speaker 1>just business as usual. Tune in for additional episdisodes of

0:06:00.520 --> 0:06:03.880
<v Speaker 1>the monster fact or the artifact each week. As always,

0:06:03.880 --> 0:06:06.360
<v Speaker 1>you can email us at contact. It's Stuff to Blow

0:06:06.400 --> 0:06:17.000
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

0:06:17.000 --> 0:06:19.640
<v Speaker 1>a production of I heart Radio. For more podcasts for

0:06:19.680 --> 0:06:22.719
<v Speaker 1>my heart Radio, visit the i heart Radio app, Apple Podcasts,

0:06:22.800 --> 0:06:24.600
<v Speaker 1>or wherever you listen to your favorite shows.