WEBVTT - "Oh Howard, You Idiot!”

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<v Speaker 1>Pushkin.

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<v Speaker 2>In the middle years of the twentieth century, Howard Hughes

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<v Speaker 2>was one of the richest and most famous people in

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<v Speaker 2>the world. He was tall, he was handsome. He took

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<v Speaker 2>his father's drill bit business and turned it into a

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<v Speaker 2>corporate colossus. He owned half of Las Vegas. He designed

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<v Speaker 2>some of the most technologically advanced planes of his era,

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<v Speaker 2>and once after he flew around the world in record time,

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<v Speaker 2>he was given a ticker tape parade down Broadway.

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<v Speaker 3>He drives letter through the man made canyons of Manhattan.

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<v Speaker 3>Wild paper streams from off his windows of Loud Broadway.

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<v Speaker 3>Thus New York pays honor to the pilot who has

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<v Speaker 3>carried the name of its far round the world and hermagain.

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<v Speaker 2>Hughes even owned a Hollywood studio, directed his own movies,

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<v Speaker 2>and squire every famous actress of the day around town.

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<v Speaker 2>Ava Gardner, Katherine Hepburn, Lana Turner. Today we have a

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<v Speaker 2>category for the celebrity playboy, a category for the entrepreneurial genius,

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<v Speaker 2>a category for the eccentric billionaire. In his day, Howard

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<v Speaker 2>Hughes was all those things all in one. But over

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<v Speaker 2>the last twenty years of his life Hughes became a

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<v Speaker 2>reckless He vanished from sight, never seen, never heard, with

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<v Speaker 2>the exception of an interview he gave in the early

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<v Speaker 2>nineteen seventies where he was asked about his relationship with

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<v Speaker 2>a man named Clifford Irving.

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<v Speaker 4>Yeah. I actually knew his dad, Jay. He was a

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<v Speaker 4>funny guy, a cartoonist. I thing met him in LA

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<v Speaker 4>when he was out on a publicity trip. Do you

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<v Speaker 4>remember when this was nineteen.

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<v Speaker 5>Or maybe forty one.

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<v Speaker 4>I was shooting The Outlaw with Jane Russell. Jay came

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<v Speaker 4>on the set.

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<v Speaker 5>We stayed in.

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<v Speaker 4>Touch on and off.

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<v Speaker 5>He had a little boy with.

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<v Speaker 4>Him, eight nine Clifford. I always thought that was an

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<v Speaker 4>old man's name. Strange to see a kid, Clifford.

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<v Speaker 2>The kid Clifford grew up to be a writer.

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<v Speaker 4>One day he sent me one of his books, Out

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<v Speaker 4>of the Blue, biography of some painter. God knows how

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<v Speaker 4>he found me. This must have been sixty eight sixty nine,

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<v Speaker 4>a good thirty years later, and I thought, what the hell?

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<v Speaker 4>Every other son of a bit just told my story.

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<v Speaker 5>Why not me?

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<v Speaker 2>Hughes wrote back, dear mister Irving, thank you for the

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<v Speaker 2>gift of your book, which I thoroughly enjoyed reading. It

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<v Speaker 2>seems to me that you've portrayed your man with great

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<v Speaker 2>consideration and sympathy when it would have been tempting to

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<v Speaker 2>do otherwise. For reasons you may readily understand, this has

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<v Speaker 2>impressed me yours truly, Howard R.

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<v Speaker 1>Hughes.

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<v Speaker 2>The note was handwritten, undated on yellow legal paper. Hughes

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<v Speaker 2>always wrote by hand on yellow legal pads. Clifford Irving

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<v Speaker 2>recalled years later that Hughes's handwriting quote extended well over

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<v Speaker 2>the ruled left hand margin, the way a schoolboy might write.

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<v Speaker 2>Clifford Irving read that note and thought, oh, this isn't

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<v Speaker 2>a thank you for a book. It's an invitation to

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<v Speaker 2>write a book. Hughes wants me to help him tell

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<v Speaker 2>his story, and so Clifford Irving did in an insane

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<v Speaker 2>and wonderful work called The Autobiography of Howard Hughes. My

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<v Speaker 2>name is Malcolm Gladwell. You're listening to Revisionist History, my

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<v Speaker 2>podcast about things overlooked and misunderstood. This episode is a

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<v Speaker 2>book report like the kind you did in middle school,

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<v Speaker 2>only with a twist. Actually a lot of twists, so

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<v Speaker 2>many twists. Like I said, the book is kind of insane,

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<v Speaker 2>but also wonderful. From all of us here at Revisionist History,

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<v Speaker 2>the autobiography of Howard Hughes gets two thumbs up. When

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<v Speaker 2>Howard Hughes disappeared from sight in the last decades of

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<v Speaker 2>his life, it set off a frenzy of tabloid speculation.

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<v Speaker 2>He was the most famous man in the world, and

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<v Speaker 2>all of a sudden he was just gone. There were

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<v Speaker 2>rumors that had gone crazy, had hair down to his waist,

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<v Speaker 2>was living in squalor in a Vegas hotel. He'd become

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<v Speaker 2>the American Lockness Monster, a giant exotic creature submerged to

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<v Speaker 2>the murky depths of his own celebrity. As you can imagine. Then,

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<v Speaker 2>the publishers at McGraw hill were dumbfounded when Clifford Irving

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<v Speaker 2>told them that he'd been in touch with Hughes and

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<v Speaker 2>that Hughes wanted to collaborate on his memoirs. Irving was

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<v Speaker 2>a minor novelist, why on earth would Hughes have picked him?

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<v Speaker 2>But then Irving explained the family connection and reminded them

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<v Speaker 2>of Hughes's known eccentricity, and McGraw hill realized they had

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<v Speaker 2>been handed the publishing coup of the decade. They offered

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<v Speaker 2>a seven hundred and fifty thousand dollars advance for the book.

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<v Speaker 2>This was in nineteen seventy one. That was an extraordinary

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<v Speaker 2>sum of money. Irving told Hughes the news. Hughes responded

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<v Speaker 2>immediately told Irving to check into a hotel in Manhattan

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<v Speaker 2>and wait for a call. At three o'clock the next morning,

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<v Speaker 2>Hughes was on the line. He summoned Irving to Wahaka

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<v Speaker 2>in southern Mexico. There, Irving waited in a hotel for

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<v Speaker 2>two more days until a man named Pedro called him.

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<v Speaker 2>Pedro said, please meet me in front of the hotel.

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<v Speaker 2>At dawn. The two men drove to the top of

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<v Speaker 2>a mountain, pulling up alongside another car, Irving got out,

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<v Speaker 2>slid in on the passenger side, and there he was.

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<v Speaker 2>Irving would later write this of his first encounter with

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<v Speaker 2>the mysterious Hues. He wore a cheap, short sleeved shirt

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<v Speaker 2>of nondescript color, a tan cardigan with a button missing,

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<v Speaker 2>creaseless brown slacks, and a pair of loafers into which

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<v Speaker 2>his socks somehow always managed to slip and vanish, so

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<v Speaker 2>that when he crossed his legs. There was a gap

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<v Speaker 2>of bony white chin between the sliding sock and the

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<v Speaker 2>trouser cuff. The two men then began an extraordinary partnership.

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<v Speaker 2>Over the next few months, they would meet for mammoth

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<v Speaker 2>interview sessions in Paradise Island and the Bahamas, Palm Beach,

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<v Speaker 2>Puerto Rico. Irving recorded hours and hours of Hughes's recollections.

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<v Speaker 2>The result was a book told entirely in Hughes's voice

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<v Speaker 2>that in manuscript form ran to more than a thousand pages.

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<v Speaker 2>Anticipation for the autobiography ran so high that Irving was

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<v Speaker 2>booked on sixty minutes for a sit down with Mike Wallace.

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<v Speaker 1>Is he a good looking man still?

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<v Speaker 6>He has the good looks of a man who once

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<v Speaker 6>was extremely handsome and has dignity in his face.

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<v Speaker 1>Does he wear a beard?

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<v Speaker 6>Not a real one? Not a real one. What I

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<v Speaker 6>mean is he has on occasion worn false beards and

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<v Speaker 6>false mustaches and wigs. With you, Mike, I said, there's

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<v Speaker 6>a James Bond set up here that's out of the

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<v Speaker 6>worst possible detective novel you could ever read.

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<v Speaker 2>Everyone was hungry to know about the mysterious Howard Hughes.

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<v Speaker 2>Clifford Irving held press conferences. Life Magazine paid a fortune

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<v Speaker 2>to run excerpts of the forthcoming out of biography. The

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<v Speaker 2>bidding for paperback rights went through. The roof the world

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<v Speaker 2>thought the Autobiography of Howard Hughes would sell millions upon

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<v Speaker 2>millions of copies, except mcgrahill never published it. No one

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<v Speaker 2>did until nineteen ninety nine, when a now defunct outfit

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<v Speaker 2>called www dot Terrific Books dot Com out of Santa Fe,

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<v Speaker 2>New Mexico, printed it up and put it for sale online.

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<v Speaker 2>I found my copy in the Ugh's bookstore in England.

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<v Speaker 2>The Autobiography of Howard Hughes all but disappeared. And why

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<v Speaker 2>because just as the book was about to come out,

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<v Speaker 2>Howard Hughes called a press conference. He was in his

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<v Speaker 2>penthouse suite at the Britannia Beach Hotel on Paradise Island

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<v Speaker 2>in Nassau, speaking to an assembled group of journalists by phone. Because,

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<v Speaker 2>of course, Howard Hughes never showed his face in public.

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<v Speaker 2>Hughes declared that he'd never met Clifford Irving.

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<v Speaker 5>Ever, Well, this must go down in history. I only

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<v Speaker 5>wish I was still in the movie business because I

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<v Speaker 5>don't remember any scripts as wild or as uh stretching

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<v Speaker 5>of the imagination is this yarn has turned out to be.

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<v Speaker 5>I'm not talking about the biography s over, because I've

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<v Speaker 5>never read it.

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<v Speaker 2>Howard Hughes says he's never read or seen or participated in,

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<v Speaker 2>or even heard of the book that's supposed to be

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<v Speaker 2>his own autobiography.

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<v Speaker 5>I don't know what's in it, but I mean, this

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<v Speaker 5>episode is just so fantastic that it taxes your imagination

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<v Speaker 5>to believe in a thing like this could happen. Norm

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<v Speaker 5>I never saw him, I never even heard of him

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<v Speaker 5>until days ago, when this thing first came to my attention.

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<v Speaker 2>Can you believe it? Everything was made up? The autobiography

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<v Speaker 2>was a work of fiction. Howard Hughes never wrote Clifford

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<v Speaker 2>Irving a letter on a yellow legal pad. The two

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<v Speaker 2>of them never met in Wahaka or Palm Beach or

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<v Speaker 2>Puerto Rico. And as for the interview with Hughes about

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<v Speaker 2>meeting Clifford Irving as a kid, I made that one

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<v Speaker 2>up just to get in the spirit of things for

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<v Speaker 2>a brief moment in the literary life of nineteen seventy

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<v Speaker 2>two America. Clifford Irving was a major scandal. He wound

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<v Speaker 2>up in prison, his marriage fell apart. He tried to

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<v Speaker 2>capitalize on his hoax with a memoir called The Hoax.

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<v Speaker 2>It was made into a movie with Witch of Gear,

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<v Speaker 2>which Irving hated in yet another of Irving's many feats

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<v Speaker 2>of hutzba because he thought it took too many liberties

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<v Speaker 2>with the truth. But I'm not all that interested in

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<v Speaker 2>Irving the hoaxer. I'm more interested in the hoax e

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<v Speaker 2>Howard Hughes. This entire book report is really just a

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<v Speaker 2>meditation on those two absolutely baffling sentences from the real

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<v Speaker 2>Howard Hughes' phone call with the media. I never read it.

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<v Speaker 2>I don't know what's in it. An accomplished writer writes

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<v Speaker 2>a fake autobiography of you, and you set out to

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<v Speaker 2>squash it. You make it disappear, turn it from what

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<v Speaker 2>would have been an enormous bestseller into something you can

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<v Speaker 2>only get years later from terrific books dot com. And

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<v Speaker 2>you didn't even read it, Oh, Howard, you idiot?

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<v Speaker 1>Well what if fact made you decide to pull this hoax?

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<v Speaker 2>After he was discovered, Clifford Irvings sat down with one

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<v Speaker 2>journalist after another trying to explain himself. This is an

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<v Speaker 2>interview with the BBC, but all the interviews he did

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<v Speaker 2>are the same. Basically, Irving can't explain himself well.

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<v Speaker 6>Undoubtedly some streak of lunacy, a screw loose somewhere, spirit

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<v Speaker 6>of adventure agreed. The literary challenge involved middle aged bored him,

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<v Speaker 6>a whole combination of things. It's a lot easier after

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<v Speaker 6>the event to analyze why you did what you did,

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<v Speaker 6>but generally you're wrong. I don't really know deep down

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<v Speaker 6>why I did it.

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<v Speaker 2>Irving wasn't desperate or broke. He was a pretty successful writer.

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<v Speaker 2>He had a four book deal with McGraw hill for

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<v Speaker 2>one hundred and fifty thousand dollars, which would be close

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<v Speaker 2>to a million today. Irving lived in a charming seventeenth

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<v Speaker 2>century finca on the island of Ibiza. He was handsome

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<v Speaker 2>and dashing. He had a beautiful wife and two small boys,

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<v Speaker 2>plus a mistress, a blonde Danish aristocrat who was also

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<v Speaker 2>a world famous calypso singer. Apparently, because in the nineteen

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<v Speaker 2>seventies you could be a blonde Danish aristocrat and still

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<v Speaker 2>plausibly call yourself a calypso singer. Why did Irving risk

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<v Speaker 2>it all for a hoax? Irving died in twenty seventeen,

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<v Speaker 2>but he planted some clues scattered throughout the various autobiographical

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<v Speaker 2>accounts he left behind. For instance, there's his run in

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<v Speaker 2>with Chief Red Fox. Chief Red Fox was a Sioux

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<v Speaker 2>Indian actor and performer who was a kind of minor

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<v Speaker 2>celebrity in the late nineteen sixties and seventies. He claimed

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<v Speaker 2>to be the nephew of the famed Sioux Chief Crazy Horse,

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<v Speaker 2>and he made no less than five appearances on The

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<v Speaker 2>Johnny Carson Show.

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<v Speaker 4>Huh Ma, asked when you were born, Chief, I was

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<v Speaker 4>born June eleventh, eighteen seventies.

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<v Speaker 2>This was nineteen sixty seven, which would have made Chief

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<v Speaker 2>Red Fox ninety seven years old.

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<v Speaker 4>Ah, yes, you.

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<v Speaker 3>Want to know what kept me so young?

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<v Speaker 6>The show biz?

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<v Speaker 3>Yes, park me, but.

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<v Speaker 4>Smoking eighteens good cigars each day.

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<v Speaker 2>Eighteen Chief Fred Fox got a big book deal from

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<v Speaker 2>McGraw hill for his memoirs, but when Irving met him

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<v Speaker 2>at Red Fox's book party in Manhattan, he came away

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<v Speaker 2>convinced the Chief was neither a chief nor close to

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<v Speaker 2>one hundred years old, and in fact, and I'm quoting

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<v Speaker 2>now he resembled nothing so much as an old retired

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<v Speaker 2>shopkeeper sitting on the stoop of a Brooklyn tenement, rattling

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<v Speaker 2>on about his youth. Just imagine what must have gone

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<v Speaker 2>through Irving's mind. This guy can get a big publishing deal.

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<v Speaker 2>Then there's the book Irving wrote just before his Hughes autobiography.

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<v Speaker 2>That one was called and you can't make this up fake,

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<v Speaker 2>It's nonfiction, the biography of one of Irving's friends from Ibiza,

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<v Speaker 2>an accomplished art forger named Elmir Dehoy, whose real name,

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<v Speaker 2>it turns out, was probably not Elmir Dhore but whatever,

0:15:11.876 --> 0:15:14.756
<v Speaker 2>in one of the many byzantine twists to the Irving story.

0:15:14.956 --> 0:15:16.916
<v Speaker 2>And as I warned you, there are a mountain of

0:15:16.956 --> 0:15:20.676
<v Speaker 2>twists here. Orson Wells option fake and did a kind

0:15:20.676 --> 0:15:25.236
<v Speaker 2>of postmodern documentary on Dhore. It's Wells's next to last

0:15:25.236 --> 0:15:28.476
<v Speaker 2>film and maybe his least watchable. But there's a fantastic

0:15:28.556 --> 0:15:32.356
<v Speaker 2>moment where Wells interviews Irving about Dehoy's technique.

0:15:33.436 --> 0:15:35.836
<v Speaker 7>And I asked Elia to do three drawings for me, too,

0:15:35.876 --> 0:15:39.996
<v Speaker 7>Matisse and a Modiliani, which he did before lunch, and

0:15:40.116 --> 0:15:41.876
<v Speaker 7>put a little coffee stain on the edge of the

0:15:41.876 --> 0:15:45.596
<v Speaker 7>MODORIANI to make it look really as if Modiliani had

0:15:45.596 --> 0:15:48.556
<v Speaker 7>done it in some Paris cafe. I then took the

0:15:48.596 --> 0:15:51.556
<v Speaker 7>three drawings to the Museum of Modern Art. The museum

0:15:51.996 --> 0:15:55.516
<v Speaker 7>examined them for two hours and came back with the

0:15:55.636 --> 0:15:58.516
<v Speaker 7>verdict that they were absolutely genuine, and in fact were

0:15:58.516 --> 0:16:00.476
<v Speaker 7>horrified that I wanted to sell them.

0:16:00.996 --> 0:16:05.596
<v Speaker 2>Two Matisis and a Medigliani painted before lunch by elmir

0:16:05.716 --> 0:16:11.796
<v Speaker 2>Dehoy and verified by the Museum of Modern Art. The

0:16:11.836 --> 0:16:14.916
<v Speaker 2>point is Clifford Irving did not have good role models.

0:16:15.436 --> 0:16:17.996
<v Speaker 2>He was surrounded by people who got away with making

0:16:18.036 --> 0:16:22.156
<v Speaker 2>things up. So one day he gets together with one

0:16:22.196 --> 0:16:25.396
<v Speaker 2>of his best friends, a writer named Dick Suskind, and

0:16:25.476 --> 0:16:29.276
<v Speaker 2>he says, hey, Dick, why don't we try this forgery

0:16:29.316 --> 0:16:34.116
<v Speaker 2>thing for ourselves. Let's forge an autobiography of the most

0:16:34.116 --> 0:16:35.276
<v Speaker 2>famous man in the world.

0:16:36.116 --> 0:16:37.516
<v Speaker 1>Why in f how did you choose Hughes.

0:16:38.356 --> 0:16:40.476
<v Speaker 6>He was there, like Mount Everest to be climbed. He

0:16:40.476 --> 0:16:43.236
<v Speaker 6>was inaccessible, and no one had interviewed him in the

0:16:43.316 --> 0:16:47.436
<v Speaker 6>last twenty years, and he could not step forward in public,

0:16:48.196 --> 0:16:52.276
<v Speaker 6>in court or in person to the media or anybody

0:16:52.316 --> 0:16:52.916
<v Speaker 6>to deny it.

0:16:53.516 --> 0:16:57.356
<v Speaker 2>Irving's gamble was that Hughes wouldn't say anything. The man was,

0:16:57.396 --> 0:17:00.396
<v Speaker 2>after all, a complete reckless and if he did write

0:17:00.436 --> 0:17:04.076
<v Speaker 2>an angry denial, no one would believe him. Irving could

0:17:04.116 --> 0:17:07.916
<v Speaker 2>simply say, that's not really Hughes, that's an impostor. And

0:17:07.956 --> 0:17:10.836
<v Speaker 2>who would know. When I said that Hughes was like

0:17:10.916 --> 0:17:14.036
<v Speaker 2>the loch Ness Monster, I meant it. There was a

0:17:14.036 --> 0:17:18.276
<v Speaker 2>constant swirl of tabloid gossip and innuendo and speculation about him,

0:17:18.676 --> 0:17:20.836
<v Speaker 2>and no one knew what was true or what was

0:17:20.876 --> 0:17:25.956
<v Speaker 2>made up. Worst case scenario, Hughes does come forward and

0:17:26.036 --> 0:17:29.876
<v Speaker 2>denounces the autobiography and convinces everyone that he is in

0:17:29.916 --> 0:17:33.116
<v Speaker 2>fact Howard Hughes. But then Irving figures it's still okay.

0:17:33.676 --> 0:17:40.876
<v Speaker 2>He can say I was duped. Irving tells his publisher

0:17:41.276 --> 0:17:44.636
<v Speaker 2>that Hughes has strict conditions for co operating on the book.

0:17:45.476 --> 0:17:50.476
<v Speaker 2>One condition is it only he Irving connectes gobtuim. Irving

0:17:50.716 --> 0:17:53.916
<v Speaker 2>will handle the money. Then he tells mc graw hill

0:17:54.116 --> 0:17:56.636
<v Speaker 2>to make out the seven hundred and fifty thousand dollars

0:17:56.636 --> 0:18:02.676
<v Speaker 2>advance to h R. Hughes initials only crucial detail because

0:18:02.676 --> 0:18:05.436
<v Speaker 2>once he has the check, Irving then takes one of

0:18:05.476 --> 0:18:09.516
<v Speaker 2>his wife's old passports. She's Swiss, and he forged a

0:18:09.556 --> 0:18:14.236
<v Speaker 2>new name in it, Helga Bernade Hughes and has her

0:18:14.356 --> 0:18:17.476
<v Speaker 2>used that fake passport to open a Swiss bank account

0:18:17.596 --> 0:18:21.476
<v Speaker 2>in the name of H. R. Hughes, and just like

0:18:21.516 --> 0:18:27.796
<v Speaker 2>that they're rich. It's so brilliant he could easily have

0:18:27.836 --> 0:18:28.676
<v Speaker 2>gotten away with it.

0:18:30.116 --> 0:18:32.996
<v Speaker 1>How do you set about writing a book inventing the story?

0:18:33.396 --> 0:18:35.796
<v Speaker 6>Well, my collaborator, Dik Sessket, and I did an awful

0:18:35.836 --> 0:18:38.556
<v Speaker 6>lot of hard research. We traveled back and forth across

0:18:38.556 --> 0:18:42.516
<v Speaker 6>the United States and wherever we could through libraries, newspaper

0:18:42.556 --> 0:18:46.356
<v Speaker 6>files to get information on Hughes. We amassed a huge

0:18:46.356 --> 0:18:48.636
<v Speaker 6>amount of data, and we had access to Time Life

0:18:48.756 --> 0:18:50.676
<v Speaker 6>Secret files, which were excellent.

0:18:51.196 --> 0:18:54.636
<v Speaker 2>What they're interested in most is Hughes's speech patterns, his

0:18:54.716 --> 0:18:58.716
<v Speaker 2>expressions and inflections. The book was written as one long

0:18:58.756 --> 0:19:02.076
<v Speaker 2>conversation between Irving and Hughes, so they wanted their fake

0:19:02.196 --> 0:19:05.356
<v Speaker 2>Q and A with Hughes to feel real, particularly to

0:19:05.396 --> 0:19:08.476
<v Speaker 2>those who had years ago met the real Hughes and

0:19:08.556 --> 0:19:11.476
<v Speaker 2>knew how he talked. Irving would come up with a

0:19:11.516 --> 0:19:16.116
<v Speaker 2>story about how Hughes had summoned him palm Springs the Bahamas.

0:19:16.596 --> 0:19:20.196
<v Speaker 2>Then he and Dick Suskan would fly there, check into

0:19:20.236 --> 0:19:24.636
<v Speaker 2>a hotel, generate receipts, go through all the motions in

0:19:24.716 --> 0:19:28.076
<v Speaker 2>order to have the most perfect cover story, and then

0:19:28.396 --> 0:19:31.556
<v Speaker 2>hang out in their hotel room and actually conduct the

0:19:31.676 --> 0:19:33.156
<v Speaker 2>quote unquote interview.

0:19:33.676 --> 0:19:34.996
<v Speaker 1>I mean, what do you do? Sit down and talk

0:19:35.036 --> 0:19:35.396
<v Speaker 1>to each other.

0:19:35.556 --> 0:19:37.676
<v Speaker 6>Just sat down, put a tape recorder going. I said,

0:19:37.716 --> 0:19:40.276
<v Speaker 6>I've got to hang over today, Ub Howard, I'll be Clifford.

0:19:40.996 --> 0:19:44.236
<v Speaker 6>And after a while, when that turnstile, we'd switch rolls.

0:19:44.356 --> 0:19:47.756
<v Speaker 6>And then we edited the tapes, erased them because we

0:19:47.796 --> 0:19:49.836
<v Speaker 6>didn't want them to fall in the hands of anybody else.

0:19:51.036 --> 0:19:54.956
<v Speaker 6>And then after it was all typed and transcribed, we

0:19:55.116 --> 0:19:56.796
<v Speaker 6>edited it to make it even more interesting.

0:19:57.596 --> 0:20:03.516
<v Speaker 2>And the result fools everyone everyone. His publishers at mcgrahill

0:20:03.596 --> 0:20:06.676
<v Speaker 2>read the manuscript, go over it with a fine toothcomb,

0:20:07.036 --> 0:20:10.476
<v Speaker 2>give it to their lawyers, show it to Scout Irving

0:20:10.636 --> 0:20:13.836
<v Speaker 2>Forge's letters that are supposed to be from Hughes. Mcgrohill

0:20:13.996 --> 0:20:19.476
<v Speaker 2>asks handwriting experts to verify their authenticity. They do. People

0:20:19.516 --> 0:20:23.116
<v Speaker 2>who read the manuscript who know Hughes come away saying,

0:20:23.356 --> 0:20:26.596
<v Speaker 2>this is Howard. It could only be Howard. It's Howard's voice,

0:20:26.636 --> 0:20:29.836
<v Speaker 2>his phrases, his way of thinking. Only a handful of

0:20:29.836 --> 0:20:33.676
<v Speaker 2>people expressed any doubts, like Mike Wallace of sixty Minutes,

0:20:33.836 --> 0:20:38.756
<v Speaker 2>famously the toughest, most skeptical, most unrelenting journalist in America.

0:20:39.356 --> 0:20:42.876
<v Speaker 1>Were there any witnesses to your meetings with Howard Hughes

0:20:43.796 --> 0:20:45.236
<v Speaker 1>any other human beings?

0:20:45.316 --> 0:20:45.516
<v Speaker 7>Yes?

0:20:45.556 --> 0:20:45.836
<v Speaker 4>There were?

0:20:45.956 --> 0:20:50.196
<v Speaker 6>Who a researcher my name, A man named Richard Suskin.

0:20:50.756 --> 0:20:54.996
<v Speaker 2>Irving says, Dick Suskan Mike collaborator, and then he adds

0:20:55.356 --> 0:20:57.596
<v Speaker 2>a little perfect whimsical touch.

0:20:57.956 --> 0:21:00.596
<v Speaker 6>And how accidentally happened to be sitting with me in

0:21:00.636 --> 0:21:05.356
<v Speaker 6>a room when Hughes arrived too early. Suskand stood there.

0:21:05.516 --> 0:21:09.556
<v Speaker 6>Hughes stood there, I stood there, and finally I said, well,

0:21:09.836 --> 0:21:13.476
<v Speaker 6>this is Dick Suskin, who's doing some research for me

0:21:13.556 --> 0:21:17.876
<v Speaker 6>on a project. And Hughes said, I suppose you know

0:21:17.916 --> 0:21:23.116
<v Speaker 6>who I am? Suskan. Unfortunately, instead of taking that opportunity

0:21:23.116 --> 0:21:25.396
<v Speaker 6>to slip out of the room, said yes I do,

0:21:25.556 --> 0:21:27.236
<v Speaker 6>mister Hughes, how do you do? He started a stick

0:21:27.276 --> 0:21:29.636
<v Speaker 6>out his hand and withdrew it instantly, because Hughes is

0:21:29.676 --> 0:21:35.916
<v Speaker 6>not very keen on shaking hands, and then, after another

0:21:35.956 --> 0:21:40.836
<v Speaker 6>moment of awkward silence, Hughes reached into his pocket and

0:21:41.436 --> 0:21:44.276
<v Speaker 6>pulled out a bag. We still disagree. I say it

0:21:44.316 --> 0:21:47.076
<v Speaker 6>was a cellophane bag. Suskan says it was a paper bag.

0:21:47.796 --> 0:21:51.436
<v Speaker 6>And he said to Dick Suskin to have a prune.

0:21:52.716 --> 0:21:55.556
<v Speaker 2>Hughes carries a bag of prunes in his pocket, of

0:21:55.556 --> 0:21:58.956
<v Speaker 2>course he does. Irving tells the story to Mike Wallace

0:21:58.996 --> 0:22:01.836
<v Speaker 2>as they sit in overstuffed armchairs in front of a fireplace.

0:22:02.716 --> 0:22:06.236
<v Speaker 2>Wallace then turns to the audience and concludes.

0:22:06.676 --> 0:22:09.276
<v Speaker 1>Is the autobiography genuine?

0:22:09.476 --> 0:22:09.596
<v Speaker 7>Well?

0:22:09.636 --> 0:22:11.876
<v Speaker 8>I can only say that it is laced with detail

0:22:11.956 --> 0:22:14.276
<v Speaker 8>that one would think that only Howard Hughes could know.

0:22:15.156 --> 0:22:21.156
<v Speaker 2>Mike Wallace can't shake Irving's story. Irving's that good. Now,

0:22:21.236 --> 0:22:23.436
<v Speaker 2>if you detect a certain affection in my voice for

0:22:23.436 --> 0:22:26.796
<v Speaker 2>Clifford Irving, you won't be wrong. I mean, the whole

0:22:26.796 --> 0:22:30.196
<v Speaker 2>thing is just so audacious. He's pranking the whole literary world,

0:22:30.356 --> 0:22:33.076
<v Speaker 2>plus one of the world's richest men. The stuffed shirts

0:22:33.076 --> 0:22:36.356
<v Speaker 2>at sixty minutes, the Swiss banking system, on and on.

0:22:36.876 --> 0:22:40.556
<v Speaker 2>This is the irresistible temptation with the Irving hoax to

0:22:40.596 --> 0:22:43.636
<v Speaker 2>get caught up in the wild genius of Clifford Irving.

0:22:44.876 --> 0:22:48.716
<v Speaker 2>But like I said, this episode isn't about Clifford Irving,

0:22:49.076 --> 0:23:02.036
<v Speaker 2>It's about Howard Hughes. Howard Hughes was born outside of

0:23:02.076 --> 0:23:05.196
<v Speaker 2>Houston in nineteen oh five. His father was in the

0:23:05.196 --> 0:23:08.076
<v Speaker 2>oil business and made a fortune by inventing a new

0:23:08.156 --> 0:23:11.516
<v Speaker 2>drill bit for oil ill wells. Hughes's mother died when

0:23:11.556 --> 0:23:14.476
<v Speaker 2>he was sixteen and his father died when he was eighteen,

0:23:14.996 --> 0:23:20.676
<v Speaker 2>turning Hughes into one of the wealthiest orphans in America.

0:23:19.396 --> 0:23:23.036
<v Speaker 8>Making news then as now millionaire sportsman and industrialist. Howard

0:23:23.116 --> 0:23:26.396
<v Speaker 8>Hughes unveiled his new mystery plane in Los Angeles, Racer,

0:23:26.476 --> 0:23:29.796
<v Speaker 8>most of a thousand horse power motorold outstrip any plane

0:23:29.796 --> 0:23:33.356
<v Speaker 8>ever built in America.

0:23:33.396 --> 0:23:37.316
<v Speaker 2>Almost immediately, Howard Hughes moved to Los Angeles, and there

0:23:37.356 --> 0:23:41.876
<v Speaker 2>he took up the three great passions of his life airplanes, movies,

0:23:42.276 --> 0:23:46.276
<v Speaker 2>and women. He founded an aviation company, he bought a

0:23:46.316 --> 0:23:52.276
<v Speaker 2>movie studio Rko Pictures, and he pursued beautiful actresses obsessively

0:23:52.636 --> 0:23:58.796
<v Speaker 2>and compulsively. How much genuine charm and chrismon does he

0:23:58.916 --> 0:24:02.356
<v Speaker 2>have and how much is it simply a transaction on

0:24:02.516 --> 0:24:04.836
<v Speaker 2>both sides of the of the relationship.

0:24:05.036 --> 0:24:06.636
<v Speaker 9>I think it depended on the woman.

0:24:07.156 --> 0:24:10.956
<v Speaker 2>I'm talking with. Kareeina Longworth, author of the most fascinating

0:24:10.956 --> 0:24:13.796
<v Speaker 2>of the Howard Hughes biographies, of which there are many.

0:24:14.236 --> 0:24:18.276
<v Speaker 2>Hers is called Seduction, Sex, Lies, and Stardom in Howard

0:24:18.316 --> 0:24:19.676
<v Speaker 2>Hughes's Hollywood.

0:24:19.756 --> 0:24:25.116
<v Speaker 9>And certainly I think later there was very little true

0:24:25.196 --> 0:24:29.276
<v Speaker 9>feeling in these relationships. But Billy Dove, the silent film actress,

0:24:29.316 --> 0:24:32.916
<v Speaker 9>who was his first major girlfriend in Hollywood, she reported

0:24:32.956 --> 0:24:36.076
<v Speaker 9>feeling like they were really in love. Katherine Hepburn and

0:24:36.116 --> 0:24:39.476
<v Speaker 9>her memoirs paints a picture of them being really in love,

0:24:40.556 --> 0:24:45.276
<v Speaker 9>which I've chosen to believe, even though there has been

0:24:45.316 --> 0:24:48.396
<v Speaker 9>some skepticism about Katherine Hepburn in terms of her relationships

0:24:48.396 --> 0:24:49.516
<v Speaker 9>with men, just.

0:24:49.476 --> 0:24:53.076
<v Speaker 2>Seems to be just on reading your book. Deterioration and

0:24:53.116 --> 0:24:55.996
<v Speaker 2>the quality of his relationships over time.

0:24:56.796 --> 0:24:59.556
<v Speaker 9>Yeah, I mean, I do think he got the part

0:24:59.596 --> 0:25:02.836
<v Speaker 9>of his personality that was more of a collector started

0:25:02.836 --> 0:25:06.596
<v Speaker 9>to take over, and so it became less about being

0:25:06.636 --> 0:25:10.396
<v Speaker 9>associated with one woman, one usual, one very famous woman,

0:25:10.956 --> 0:25:14.036
<v Speaker 9>and more about making sure his bases were covered so

0:25:14.076 --> 0:25:16.236
<v Speaker 9>that if he lost one, he'd have three more.

0:25:18.636 --> 0:25:22.236
<v Speaker 2>Ostensibly, Hughes was looking for actresses to star in movies,

0:25:22.716 --> 0:25:25.956
<v Speaker 2>but his studio really didn't make that many movies, and

0:25:26.036 --> 0:25:29.756
<v Speaker 2>after he sold his studio, he still kept collecting young actresses.

0:25:30.396 --> 0:25:34.316
<v Speaker 2>He would stash them around Los Angeles in houses and apartments,

0:25:34.356 --> 0:25:39.756
<v Speaker 2>each with their own minder. Longwerre says that sometimes people

0:25:39.796 --> 0:25:43.516
<v Speaker 2>compare Hughes to Harvey Weinstein, but to her, that's an

0:25:43.556 --> 0:25:50.316
<v Speaker 2>inexact comparison. Hughes wasn't a predator. He's something else. You

0:25:50.356 --> 0:25:53.916
<v Speaker 2>talk about how there were so many of these starlets

0:25:53.996 --> 0:25:56.836
<v Speaker 2>under escort who would go out. They would go out

0:25:56.836 --> 0:25:59.236
<v Speaker 2>to restaurants, and they would be the restaurant, the fancy

0:25:59.276 --> 0:26:03.596
<v Speaker 2>restaurant in wherever. Beverly Hills would be full of tables

0:26:03.636 --> 0:26:09.356
<v Speaker 2>made up of his various starlets with there. He's like crazy, yeah.

0:26:09.156 --> 0:26:11.716
<v Speaker 9>Yeah, And they were always being escorted by the chauffeur

0:26:11.836 --> 0:26:14.436
<v Speaker 9>or whoever he had sort of assigned to look after them.

0:26:14.596 --> 0:26:16.836
<v Speaker 9>None of them were there with Hughes, I think. I mean,

0:26:16.836 --> 0:26:18.556
<v Speaker 9>this was at a point where he wasn't really going

0:26:18.596 --> 0:26:21.076
<v Speaker 9>out to dinner much at all, and a lot of

0:26:21.076 --> 0:26:24.036
<v Speaker 9>these women who were under contract to him never met him,

0:26:24.116 --> 0:26:27.276
<v Speaker 9>never saw him. They were just sort of in the stable,

0:26:27.956 --> 0:26:31.476
<v Speaker 9>you know, if he perchance decided at one point to

0:26:31.516 --> 0:26:34.756
<v Speaker 9>put them to pay them a visit, and they all

0:26:34.796 --> 0:26:36.716
<v Speaker 9>thought that they were going to be in movies, but

0:26:36.756 --> 0:26:39.636
<v Speaker 9>by that point he had not made movies in years.

0:26:42.556 --> 0:26:45.356
<v Speaker 2>Hughes was deeply weird in other ways too. He was

0:26:45.396 --> 0:26:49.276
<v Speaker 2>a germophobe. He was emotionally arrested. He once proposed to

0:26:49.316 --> 0:26:52.396
<v Speaker 2>the actress Faith Demeeric by saying, I love you, Faith,

0:26:52.596 --> 0:26:54.996
<v Speaker 2>I want to marry you. You're the child I should

0:26:54.996 --> 0:26:58.316
<v Speaker 2>have had. Another time, he puts his head in the

0:26:58.356 --> 0:27:01.316
<v Speaker 2>lap of the mother of the actress he's dating, starts

0:27:01.356 --> 0:27:05.236
<v Speaker 2>crying and says, Helen has you. I don't have anybody.

0:27:05.436 --> 0:27:08.796
<v Speaker 2>I'm an orphan. And then there's this story from the

0:27:08.836 --> 0:27:10.116
<v Speaker 2>actor christ Genant Lee.

0:27:10.676 --> 0:27:13.116
<v Speaker 10>All I know is that when I would if you

0:27:13.156 --> 0:27:15.116
<v Speaker 10>and I had a date, right and we went out

0:27:15.156 --> 0:27:18.876
<v Speaker 10>to dinner, suddenly there would be a third place there

0:27:18.876 --> 0:27:20.276
<v Speaker 10>and Howard's Hughes would show up.

0:27:20.436 --> 0:27:21.596
<v Speaker 1>I see, I see.

0:27:22.236 --> 0:27:25.236
<v Speaker 2>Lee was once one of Hollywood's biggest stars, which meant

0:27:25.436 --> 0:27:28.676
<v Speaker 2>naturally that she was pursued by Hughes. She talked about

0:27:28.676 --> 0:27:30.276
<v Speaker 2>it later with the journalist Skip.

0:27:30.036 --> 0:27:34.076
<v Speaker 10>Low and you know, all of a sudden, I go

0:27:34.276 --> 0:27:37.556
<v Speaker 10>on a date with a with a with a gentleman,

0:27:37.596 --> 0:27:40.076
<v Speaker 10>and we're supposed to go sailing, and we end up

0:27:40.116 --> 0:27:44.516
<v Speaker 10>on his plane in Grand Canyon and then Las Vegas,

0:27:44.556 --> 0:27:46.796
<v Speaker 10>and I, you know, I thought the nightmare would never end.

0:27:47.156 --> 0:27:49.996
<v Speaker 10>He drove me crazy, And finally, at one time, I said,

0:27:50.276 --> 0:27:54.436
<v Speaker 10>for god sakes, why why do you manipulate that?

0:27:54.836 --> 0:27:55.516
<v Speaker 5>I hated that.

0:27:55.716 --> 0:27:57.876
<v Speaker 11>Yes, you know, I said, if you want.

0:27:57.716 --> 0:28:00.356
<v Speaker 10>To ask me out, ask me out like a man,

0:28:00.556 --> 0:28:04.836
<v Speaker 10>don't sit there and arranged like you know. And he said,

0:28:05.196 --> 0:28:06.956
<v Speaker 10>all right, will you go out with me?

0:28:06.996 --> 0:28:11.756
<v Speaker 8>And I said, no, mister Hughes, There's something else I

0:28:11.796 --> 0:28:13.876
<v Speaker 8>think a great many people would like to know about.

0:28:14.196 --> 0:28:14.796
<v Speaker 4>There have been some.

0:28:14.916 --> 0:28:17.756
<v Speaker 1>Very absurd descriptions of your physical appearance.

0:28:18.476 --> 0:28:20.836
<v Speaker 2>Even in the press conference that Hughes gives in nineteen

0:28:20.876 --> 0:28:24.636
<v Speaker 2>seventy two, where he's just there to denounce irving, the

0:28:24.676 --> 0:28:29.476
<v Speaker 2>matter of his weirdness keeps coming up, like his fingernails.

0:28:30.196 --> 0:28:33.556
<v Speaker 2>A former Hughes associate had once told the press that

0:28:33.636 --> 0:28:36.196
<v Speaker 2>Hughes never cut his fingernails, that they had grown to

0:28:36.236 --> 0:28:41.036
<v Speaker 2>six inches long. Hughes responds to this allegation in two parts,

0:28:41.676 --> 0:28:44.316
<v Speaker 2>to be merciful. I'm only going to play you part two.

0:28:45.316 --> 0:28:49.636
<v Speaker 5>I not ever have manicures. I do it myself. I

0:28:49.956 --> 0:28:53.916
<v Speaker 5>never have had manicures. I don't know. Maybe it is

0:28:53.996 --> 0:28:57.316
<v Speaker 5>an outdroves of my child ed when he has to

0:28:57.356 --> 0:29:02.716
<v Speaker 5>teach people about having that is, males about having manicures.

0:29:02.756 --> 0:29:07.196
<v Speaker 5>I never had them ever. But I've always kept my

0:29:07.236 --> 0:29:11.796
<v Speaker 5>finger nails a reasonable length. Uh. I thought them with clippers,

0:29:11.876 --> 0:29:14.916
<v Speaker 5>not with uh scissors and nail file the way some

0:29:15.036 --> 0:29:19.276
<v Speaker 5>people do. I use clippers because they don't leave her up.

0:29:19.436 --> 0:29:23.956
<v Speaker 5>Uh it's afterwards anyway. I take care of them the

0:29:23.996 --> 0:29:24.876
<v Speaker 5>same I always have.

0:29:26.276 --> 0:29:28.916
<v Speaker 2>And then someone asked him if he's happy, and Hughes

0:29:29.036 --> 0:29:29.876
<v Speaker 2>starts up again.

0:29:31.076 --> 0:29:33.876
<v Speaker 5>I'm not. I'm not very happy, I'll tell you that.

0:29:34.796 --> 0:29:39.196
<v Speaker 5>And one of the primary reasons is because of some

0:29:39.276 --> 0:29:42.396
<v Speaker 5>of the things we've been discussing here uh tonight. That

0:29:42.596 --> 0:29:46.756
<v Speaker 5>is to say, in other words, the the impediment impediments

0:29:46.836 --> 0:29:53.796
<v Speaker 5>upon my freedom and uh uh activities imposed by Honorius

0:29:53.876 --> 0:30:01.076
<v Speaker 5>litigation and uh these overhanging uh threats of uh various

0:30:01.156 --> 0:30:05.876
<v Speaker 5>types uh this uh threatened autobiography and so forth. All

0:30:05.916 --> 0:30:13.876
<v Speaker 5>these matters are very draining in their hypoppy of the

0:30:16.516 --> 0:30:19.836
<v Speaker 5>if you, Uh, well, your question were Am I happy?

0:30:19.996 --> 0:30:30.716
<v Speaker 2>And and no, there's something tragic about Hughes orphaned, lonely, compulsive, damaged.

0:30:33.076 --> 0:30:36.276
<v Speaker 2>Do you think that he had a kind of was

0:30:36.276 --> 0:30:39.236
<v Speaker 2>suffering from mental some kind of mental illness throughout his life?

0:30:39.236 --> 0:30:42.116
<v Speaker 2>And what's your sort of broader explanation of some of

0:30:42.156 --> 0:30:43.516
<v Speaker 2>his behavior.

0:30:44.156 --> 0:30:46.556
<v Speaker 9>So I'm not a medical doctor, and so I can

0:30:46.716 --> 0:30:49.636
<v Speaker 9>you know only only state my opinion based on what

0:30:49.636 --> 0:30:53.996
<v Speaker 9>I've read. I think that he exhibited signs of obsessive

0:30:54.036 --> 0:30:58.076
<v Speaker 9>compulsive disorder over the course of his whole life. But

0:30:58.316 --> 0:31:01.716
<v Speaker 9>I think that the bigger factor in what we could

0:31:01.716 --> 0:31:05.996
<v Speaker 9>call the deterioration of his personality and his mental state

0:31:06.516 --> 0:31:07.996
<v Speaker 9>seems to be the head injuries.

0:31:09.276 --> 0:31:13.916
<v Speaker 2>Hughes survived multiple plane crashes, including one where he crashed

0:31:13.916 --> 0:31:16.556
<v Speaker 2>into a house in Beverly Hills and nearly died.

0:31:17.716 --> 0:31:21.036
<v Speaker 9>And I think, especially what we know now about head injuries,

0:31:21.116 --> 0:31:23.876
<v Speaker 9>based on what we've learned from football and other sources,

0:31:24.236 --> 0:31:27.316
<v Speaker 9>we can really see the impact of these things in

0:31:27.316 --> 0:31:29.636
<v Speaker 9>a way that it wasn't understood during his lifetime.

0:31:31.076 --> 0:31:34.356
<v Speaker 8>Howard Hughes, famous player and sportsman, was dragged out of

0:31:34.396 --> 0:31:37.396
<v Speaker 8>this wreckage of an experimental plane he was testing. He

0:31:37.476 --> 0:31:42.316
<v Speaker 8>was seriously injuring America's aviation trail. Basers willingly pay the

0:31:42.396 --> 0:31:44.876
<v Speaker 8>price in Man's conquest of the air.

0:31:49.556 --> 0:31:53.196
<v Speaker 2>But as weird and damaged as Hughes was, he didn't

0:31:53.236 --> 0:31:56.596
<v Speaker 2>want to be seen as weird and damaged. He wanted

0:31:56.636 --> 0:32:01.036
<v Speaker 2>to be seen as heroic, swashbuckling, a brilliant entrepreneur, And

0:32:01.076 --> 0:32:03.956
<v Speaker 2>from the moment he arrived in Hollywood, he took great

0:32:03.996 --> 0:32:07.996
<v Speaker 2>pains to create that mythical version of himself. He put

0:32:08.036 --> 0:32:12.516
<v Speaker 2>together a massive publicity operation. In the Hughes archives at

0:32:12.516 --> 0:32:17.116
<v Speaker 2>the University of Las Vegas, which incidentally aren't actually his archives,

0:32:17.516 --> 0:32:20.996
<v Speaker 2>but the archives of his PR firm, there's a transcript

0:32:21.036 --> 0:32:24.316
<v Speaker 2>of a conversation between Hughes and a magazine writer. The

0:32:24.356 --> 0:32:26.916
<v Speaker 2>writer is working on a story about him, and Hughes

0:32:27.036 --> 0:32:31.036
<v Speaker 2>is basically going through the draft line by line, dictating

0:32:31.036 --> 0:32:34.276
<v Speaker 2>what should and shouldn't be said. He's one of the

0:32:34.396 --> 0:32:36.836
<v Speaker 2>richest men in the world, and he's line editing some

0:32:37.036 --> 0:32:41.956
<v Speaker 2>pushmuck's copy. When he first gets to Hollywood and successfully

0:32:41.956 --> 0:32:44.956
<v Speaker 2>builds this PR machine to put this image out there,

0:32:45.196 --> 0:32:50.036
<v Speaker 2>what is the Is it possible to kind of describe

0:32:50.076 --> 0:32:53.916
<v Speaker 2>precisely the image he is trying to create for himself.

0:32:54.116 --> 0:32:56.436
<v Speaker 9>Well, I think this is actually somewhere where a comparison

0:32:56.476 --> 0:32:58.916
<v Speaker 9>to Trump is useful, because you know, what does Trump

0:32:58.996 --> 0:33:01.036
<v Speaker 9>want us to know about him or to think about him.

0:33:01.036 --> 0:33:04.876
<v Speaker 9>That he's rich, that he's a ladies man, that he

0:33:05.316 --> 0:33:08.316
<v Speaker 9>lives in a golden castle. And these are very similar

0:33:08.356 --> 0:33:11.156
<v Speaker 9>things to to what Hughes wanted out there. You know,

0:33:11.196 --> 0:33:12.956
<v Speaker 9>he wanted people to think that he was the richest

0:33:12.956 --> 0:33:15.556
<v Speaker 9>man in America, if not the world, that he was

0:33:15.956 --> 0:33:18.636
<v Speaker 9>a lady's man who could have any woman that he wanted,

0:33:19.156 --> 0:33:21.996
<v Speaker 9>when in fact, you know, he did have wealth, but

0:33:22.116 --> 0:33:25.676
<v Speaker 9>he his wealth was entirely dependent on his father's tool company,

0:33:26.196 --> 0:33:30.036
<v Speaker 9>which he kind of helped run into some financial straits

0:33:31.396 --> 0:33:33.836
<v Speaker 9>and which they were really only saved because of World

0:33:33.876 --> 0:33:36.716
<v Speaker 9>War Two when they became defense contractors. And then in

0:33:36.796 --> 0:33:39.516
<v Speaker 9>terms of women, he certainly dated a lot of women,

0:33:39.596 --> 0:33:42.996
<v Speaker 9>but they report that he was awkward and not a

0:33:43.076 --> 0:33:46.756
<v Speaker 9>ladies man, not suave. From the very very early on,

0:33:46.996 --> 0:33:50.076
<v Speaker 9>he was having you know, sort of private detectives follow

0:33:50.116 --> 0:33:53.196
<v Speaker 9>women around and and he would use sort of go

0:33:53.356 --> 0:33:56.396
<v Speaker 9>betweens to do the flirtation so that he wouldn't have

0:33:56.436 --> 0:34:00.276
<v Speaker 9>to bother with it, so yeah, but he didn't want

0:34:00.276 --> 0:34:03.276
<v Speaker 9>any of that out there. He wanted just this image

0:34:03.316 --> 0:34:05.716
<v Speaker 9>of him, you know, at the coconut grove with Ginger

0:34:05.796 --> 0:34:07.676
<v Speaker 9>Rogers or whoever it was out there.

0:34:08.436 --> 0:34:12.436
<v Speaker 2>Hughes is myth making works to perfection for years, and

0:34:12.476 --> 0:34:16.396
<v Speaker 2>then after the war, the machinery starts to falter. The

0:34:16.436 --> 0:34:19.316
<v Speaker 2>world begins to see little glimpses of a very different

0:34:19.356 --> 0:34:24.796
<v Speaker 2>Howard Hughes, and so he retreats, almost in embarrassment and shame.

0:34:25.636 --> 0:34:30.116
<v Speaker 2>And just as that retreat seems permanent, a minor novelist

0:34:30.156 --> 0:34:34.476
<v Speaker 2>from Abiza named Clifford Irving decides to write a fake

0:34:34.596 --> 0:34:38.556
<v Speaker 2>autobiography of Howard Hughes, to do, in a sense, the

0:34:38.676 --> 0:34:40.956
<v Speaker 2>very thing that Hughes himself has been trying to do

0:34:41.036 --> 0:34:43.836
<v Speaker 2>for most of his life, create a new version of

0:34:43.876 --> 0:34:48.876
<v Speaker 2>Howard Hughes out of whole cloth. Clifford Irving does a

0:34:48.956 --> 0:34:57.436
<v Speaker 2>Howard Hughes on Howard Hughes. The genius of the autobiography

0:34:57.436 --> 0:35:02.796
<v Speaker 2>of Howard Hughes is that everything checkable is true, dates, timelines,

0:35:03.036 --> 0:35:07.516
<v Speaker 2>key figures. It's a genuine biography, but mixed in amongst

0:35:07.556 --> 0:35:12.876
<v Speaker 2>the truths are small, unverifiable details that are entirely imaginary,

0:35:13.476 --> 0:35:16.076
<v Speaker 2>and it is not easy, at least at first, to

0:35:16.116 --> 0:35:21.996
<v Speaker 2>tell which is which, such as Hughes on the set

0:35:22.116 --> 0:35:26.556
<v Speaker 2>of The Outlaw personally designing a special brazier to maximize

0:35:26.596 --> 0:35:30.916
<v Speaker 2>the ample endowments of Jane Russell. That's actually true, but

0:35:30.996 --> 0:35:34.516
<v Speaker 2>Irving throws in a memo written by Hughes, stipulating in

0:35:34.596 --> 0:35:38.676
<v Speaker 2>highly technical engineer's language just how the bespoke Jane Russell

0:35:38.716 --> 0:35:42.636
<v Speaker 2>brazier was to be constructed. I don't know whether that's true,

0:35:43.276 --> 0:35:51.076
<v Speaker 2>could be who knows. Or that there was once a

0:35:51.156 --> 0:35:55.436
<v Speaker 2>ticker tape braid down Broadway in Hughes's honor totally true,

0:35:55.516 --> 0:35:58.116
<v Speaker 2>but Irving's book adds that Hughes ducked out of the

0:35:58.116 --> 0:36:01.196
<v Speaker 2>parade early and jumped in a cab uptown in order

0:36:01.236 --> 0:36:06.796
<v Speaker 2>to have sex with Catherine Hepburn. Don't think that's true,

0:36:06.996 --> 0:36:10.196
<v Speaker 2>But then again, Hughes actually was kind of shy, self

0:36:10.236 --> 0:36:12.916
<v Speaker 2>absorbed type who would think nothing of ducking out early

0:36:12.956 --> 0:36:16.116
<v Speaker 2>on a ticker tape parade in his honor, particularly where

0:36:16.196 --> 0:36:21.116
<v Speaker 2>Katherine Hepburn was involved. About one hundred pages into the

0:36:21.156 --> 0:36:25.956
<v Speaker 2>Autobiography of Howard Hughes, I figured it out. Here's how

0:36:25.996 --> 0:36:31.876
<v Speaker 2>to untangle fact from fiction. In Irving's book, Hughes was

0:36:31.916 --> 0:36:34.476
<v Speaker 2>so creepy and strange that if you run across any

0:36:34.476 --> 0:36:37.596
<v Speaker 2>detail that makes Hughes out not to be creepy and strange,

0:36:38.276 --> 0:36:42.716
<v Speaker 2>then Irving and Suskand probably made it up. In real life,

0:36:43.036 --> 0:36:47.676
<v Speaker 2>Hughes pursued very young buxom starlet's in vast quantities and

0:36:47.756 --> 0:36:51.636
<v Speaker 2>too ill effect. But in Irving's book, Hughes has a

0:36:51.636 --> 0:36:56.236
<v Speaker 2>real adult relationship, a true love, a sophisticated woman named

0:36:56.276 --> 0:37:00.076
<v Speaker 2>Helga trapped in an unhappy marriage with a diplomat. Helga

0:37:00.196 --> 0:37:04.556
<v Speaker 2>is neither young, nor buxom nor starlet. Hughes happens to

0:37:04.596 --> 0:37:06.876
<v Speaker 2>sit next to her on a flight from San Francisco

0:37:06.996 --> 0:37:11.316
<v Speaker 2>to New York, exchanges a few magical charged words with her,

0:37:12.036 --> 0:37:18.636
<v Speaker 2>then fall asleep. Let us return to our fictional Howard

0:37:18.716 --> 0:37:22.916
<v Speaker 2>Hughes to hear from the fictional autobiography of Howard Hughes.

0:37:24.036 --> 0:37:27.556
<v Speaker 11>After dark, I fell into a kind of doze, and

0:37:27.796 --> 0:37:31.356
<v Speaker 11>I swear I don't know how this happened, But when

0:37:31.396 --> 0:37:34.516
<v Speaker 11>I woke up, this woman and I were holding hands.

0:37:35.876 --> 0:37:41.916
<v Speaker 11>Isn't that incredible? We talked and one thing led to another.

0:37:43.156 --> 0:37:47.996
<v Speaker 2>This is not true. Irving made this up. Now, if

0:37:47.996 --> 0:37:52.156
<v Speaker 2>you'll remember, Clifford Irving forged his wife's Swiss passport in

0:37:52.196 --> 0:37:55.476
<v Speaker 2>the name of Helga R. Hughes so she could cash

0:37:55.556 --> 0:37:56.916
<v Speaker 2>checks made out to H. R.

0:37:57.076 --> 0:37:57.356
<v Speaker 7>Hughes.

0:37:58.076 --> 0:38:00.156
<v Speaker 2>So the Helga in the book is a kind of

0:38:00.156 --> 0:38:03.596
<v Speaker 2>insurance policy in case things go badly wrong. But that's

0:38:03.636 --> 0:38:06.356
<v Speaker 2>not the important thing here. The key fact is that,

0:38:06.436 --> 0:38:09.516
<v Speaker 2>as far as we know, Howard Hughes had exactly one

0:38:09.876 --> 0:38:13.876
<v Speaker 2>fulfilling romantic relationship in his life, and that relationship took

0:38:13.916 --> 0:38:18.316
<v Speaker 2>place in the pages of Clifford Irving's fake autobiography. Irving

0:38:18.356 --> 0:38:22.076
<v Speaker 2>gives Hughes a friend as well, another obvious invention, because

0:38:22.116 --> 0:38:25.996
<v Speaker 2>the real Hughes didn't exactly have friends. Now, if you

0:38:26.076 --> 0:38:28.996
<v Speaker 2>were Irving and Suskin sitting in the sun in Abiza

0:38:29.076 --> 0:38:31.156
<v Speaker 2>trying to come up with a perfect friend for Hughes,

0:38:31.556 --> 0:38:34.476
<v Speaker 2>who would you choose? It would have to be someone

0:38:34.596 --> 0:38:39.516
<v Speaker 2>famous and interesting, because otherwise why bother right, And also

0:38:39.796 --> 0:38:42.956
<v Speaker 2>someone dead because otherwise they just deny it, or maybe

0:38:42.956 --> 0:38:47.116
<v Speaker 2>even sue. So they pick the most dead, most famous

0:38:47.116 --> 0:38:51.876
<v Speaker 2>person they can think of, Ernest Hammingway.

0:38:52.676 --> 0:38:57.476
<v Speaker 11>The occasion arose just after the war, sometime in the

0:38:57.556 --> 0:39:00.516
<v Speaker 11>winter of nineteen forty eight. But I went out to

0:39:00.556 --> 0:39:03.876
<v Speaker 11>look over Sun Valley, Idaho, with the idea in mind

0:39:03.916 --> 0:39:06.916
<v Speaker 11>of buying it and making it into a popular resort area.

0:39:07.636 --> 0:39:10.556
<v Speaker 11>I flew out there in my bomber, a converted B

0:39:10.716 --> 0:39:14.956
<v Speaker 11>twenty five. I knew Ernest was there with his family

0:39:15.116 --> 0:39:18.156
<v Speaker 11>and he was hunting, and so I found out where

0:39:18.196 --> 0:39:23.836
<v Speaker 11>he was living. I did something wholly uncharacteristic. I marched

0:39:24.036 --> 0:39:27.636
<v Speaker 11>right up to his door, knocked on it. He opened it.

0:39:28.836 --> 0:39:31.956
<v Speaker 2>In a brilliant move, Irving has Hughes use a fake

0:39:32.076 --> 0:39:36.116
<v Speaker 2>name with Hemingway Tom Garden, so the reader understands that

0:39:36.156 --> 0:39:40.316
<v Speaker 2>Hemingway liked Hughes for who he really was, not because

0:39:40.356 --> 0:39:44.556
<v Speaker 2>of his fame and fortune. Hemingway loves Tom, and Tom

0:39:44.596 --> 0:39:48.876
<v Speaker 2>loves Hemingway calls him Hem. They talk for hours. Then

0:39:48.916 --> 0:39:51.196
<v Speaker 2>they go up in the B twenty five bomber, and

0:39:51.276 --> 0:39:53.916
<v Speaker 2>Hemingway says to him at the end, with a touch

0:39:53.956 --> 0:39:59.076
<v Speaker 2>of awe in his voice, Tom, you're a hot pilot.

0:39:59.636 --> 0:40:02.836
<v Speaker 2>Hughes goes to visit Hemingway in Cuba. They go out

0:40:02.836 --> 0:40:05.716
<v Speaker 2>on the water in Hemingway's boat, and this is maybe

0:40:05.756 --> 0:40:08.436
<v Speaker 2>my favorite passage in the whole book. Because it is

0:40:08.476 --> 0:40:12.636
<v Speaker 2>so ludic, sleep gloriously, brilliantly bananas.

0:40:13.916 --> 0:40:18.076
<v Speaker 11>After a while, Ernest said, let's go for a swim.

0:40:18.996 --> 0:40:23.196
<v Speaker 11>Bear ass Tom. I pulled off my skivvies and we

0:40:23.356 --> 0:40:27.356
<v Speaker 11>dove over the side into the gulf, which was perfectly

0:40:27.436 --> 0:40:32.916
<v Speaker 11>flat and beautifully blue. That was an extraordinary experience for

0:40:32.956 --> 0:40:37.036
<v Speaker 11>me because we were grown men. I was forty eight

0:40:37.116 --> 0:40:41.516
<v Speaker 11>years old and Ernest was somewhat older. And there we

0:40:41.516 --> 0:40:46.236
<v Speaker 11>were in the water naked, and Ernest started playing games.

0:40:47.276 --> 0:40:49.636
<v Speaker 11>He would dive under the water and come up under

0:40:49.676 --> 0:40:53.156
<v Speaker 11>me and tip me over by the ankles. One of

0:40:53.276 --> 0:40:55.116
<v Speaker 11>us had to be a shark and the other had

0:40:55.156 --> 0:40:58.276
<v Speaker 11>to be a killer well or a swordfish. And we

0:40:58.316 --> 0:41:05.436
<v Speaker 11>would fight, yell, shout, warn each other, watch out well

0:41:05.676 --> 0:41:13.716
<v Speaker 11>here I come, splash around like children, and it was marvelous.

0:41:16.756 --> 0:41:21.116
<v Speaker 6>We let our imaginations run a mark. We created a

0:41:21.276 --> 0:41:23.996
<v Speaker 6>portrait of the billionaire in search of his Soul, which

0:41:24.036 --> 0:41:28.116
<v Speaker 6>was a hell of a side more exciting, I think

0:41:28.116 --> 0:41:29.196
<v Speaker 6>than Howard Hughes his life.

0:41:29.236 --> 0:41:31.676
<v Speaker 12>I don't think a proper or straight biography of how

0:41:31.756 --> 0:41:33.596
<v Speaker 12>Hughes could ever be written good. I mean, the man

0:41:33.716 --> 0:41:36.756
<v Speaker 12>himself is a mythic creature product of press clippings and

0:41:36.756 --> 0:41:39.076
<v Speaker 12>seems to be the best biography or autobiography would simply

0:41:39.116 --> 0:41:39.916
<v Speaker 12>be the most interesting.

0:41:40.196 --> 0:41:43.076
<v Speaker 6>That's right, I believe that, and perhaps we, in our

0:41:43.116 --> 0:41:46.556
<v Speaker 6>wild imagination, got closer to what he was like in

0:41:46.676 --> 0:41:50.076
<v Speaker 6>his dreams and in his fantasies than the reality than

0:41:50.116 --> 0:41:50.636
<v Speaker 6>the himself.

0:41:51.156 --> 0:41:54.196
<v Speaker 2>Two writers got together and created a better version of

0:41:54.236 --> 0:41:58.356
<v Speaker 2>the Hughes fantasy than Hughes himself could create. Of course,

0:41:58.396 --> 0:42:01.236
<v Speaker 2>they did this without Hughes's permission, and along the way

0:42:01.236 --> 0:42:05.276
<v Speaker 2>they violated every known journalistic standard and code, raising questions

0:42:05.316 --> 0:42:07.516
<v Speaker 2>about their moral fiber in the line between truth and

0:42:07.556 --> 0:42:11.476
<v Speaker 2>fiction and blah blah blah. Enough, I think we should

0:42:11.476 --> 0:42:16.076
<v Speaker 2>reserve our outrage for outrages that are truly outrageous. If

0:42:16.076 --> 0:42:19.676
<v Speaker 2>someone attacks you, you don't always have to retaliate, And

0:42:19.716 --> 0:42:22.956
<v Speaker 2>if discretion is the better part of valor, sometimes doing

0:42:22.996 --> 0:42:26.436
<v Speaker 2>nothing at all is the better part of discretion. At

0:42:26.476 --> 0:42:30.036
<v Speaker 2>the time Irving's Hoake's biography appeared, the real Hughes was

0:42:30.076 --> 0:42:32.996
<v Speaker 2>sitting in the dark in a hotel room in the Bahamas,

0:42:33.236 --> 0:42:37.836
<v Speaker 2>addicted to painkillers, watching the same movies over and over again,

0:42:37.956 --> 0:42:42.116
<v Speaker 2>and worrying about his finger nails. Meanwhile, what did Clifford

0:42:42.156 --> 0:42:44.996
<v Speaker 2>Irving have Hughes doing in the twilight of his life.

0:42:45.596 --> 0:42:48.676
<v Speaker 2>It's all in the last chapter of the greatest unread

0:42:48.756 --> 0:42:56.476
<v Speaker 2>autobiography of the twentieth century, Irvings. Howard Hughes went to India,

0:42:57.156 --> 0:42:59.756
<v Speaker 2>had a darshan with a guru, where he at last

0:42:59.796 --> 0:43:06.556
<v Speaker 2>found a measure of peace and self understanding. Then Irvings

0:43:06.596 --> 0:43:11.316
<v Speaker 2>Howard Hughes, famous Germaphoe, stripped down to his underwear and

0:43:11.436 --> 0:43:14.836
<v Speaker 2>sat by the Ganges in the lotus position, joining all

0:43:14.876 --> 0:43:16.796
<v Speaker 2>the other beggars on the riverbank.

0:43:18.636 --> 0:43:24.756
<v Speaker 11>And I was day loosed with money, with dollars, with rupees,

0:43:25.156 --> 0:43:32.156
<v Speaker 11>with English pounds, with yen, with marks and francs. People

0:43:32.316 --> 0:43:40.076
<v Speaker 11>couldn't pass by without giving me something. Indians, Asians, Europeans,

0:43:41.356 --> 0:43:42.516
<v Speaker 11>everyone gave.

0:43:43.876 --> 0:43:43.956
<v Speaker 5>You.

0:43:44.036 --> 0:43:49.876
<v Speaker 11>See, money just gravitates to some people, whether they're accumulating

0:43:49.956 --> 0:43:54.876
<v Speaker 11>twa stock or sitting by the side of a muddy

0:43:54.956 --> 0:44:00.356
<v Speaker 11>river in India. They're money magnets, and money is like

0:44:00.916 --> 0:44:05.956
<v Speaker 11>metal shavings. I'm one of those people.

0:44:08.356 --> 0:44:11.836
<v Speaker 2>Clifford Irving elevated Howard Hughes into something other than a

0:44:11.836 --> 0:44:15.316
<v Speaker 2>broken down old man in a hotel room. He turned

0:44:15.356 --> 0:44:17.996
<v Speaker 2>him into the richest beggar the Ganges had ever seen.

0:44:19.236 --> 0:44:22.716
<v Speaker 2>Everyone who read Irving's book believed that passage. They thought

0:44:22.756 --> 0:44:26.556
<v Speaker 2>it was real. Everyone at McGraw hill, people who had

0:44:26.636 --> 0:44:30.476
<v Speaker 2>known Hughes for years, believed it. Everyone and the whole

0:44:30.476 --> 0:44:34.676
<v Speaker 2>world would have believed it too. All Howard Hughes had

0:44:34.676 --> 0:44:40.516
<v Speaker 2>to do was read the book. Oh Howard, you idiot.

0:44:48.236 --> 0:44:53.236
<v Speaker 11>Revisionist History is produced by Mea LaBelle and Leeman Gistu,

0:44:53.476 --> 0:44:59.796
<v Speaker 11>with Jacob Smith, Eloise Linton, and Anna Nahim. Our editor

0:44:59.956 --> 0:45:06.476
<v Speaker 11>is Julia Barton. Original scoring by Louise Gera, mastering by

0:45:06.556 --> 0:45:12.316
<v Speaker 11>Flon Williams. Fact checking by Beth Johnson. Special thanks to

0:45:12.436 --> 0:45:18.596
<v Speaker 11>our voice artist Alex Robertson and the Pushkin Crew, Heather Faine,

0:45:19.076 --> 0:45:26.356
<v Speaker 11>Carl Migliori, Maya Kanig, Eric Sandler, Maggie Taylor, Jason Gambrell

0:45:26.676 --> 0:45:30.076
<v Speaker 11>and of course el Hefe, Jacob Wiseberg.

0:45:33.436 --> 0:45:34.236
<v Speaker 2>I'm mackin dappo