WEBVTT - Folake Olowofoyeku

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<v Speaker 1>But when I think about it, I would always just

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<v Speaker 1>find all the flyers for like given the basketball team.

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<v Speaker 1>That's how I got on. I found a flyer and

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<v Speaker 1>I was like, oh yeah, I'm in America, Land of opportunity.

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<v Speaker 1>I want to try everything. Hi, my name is Flaki

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<v Speaker 1>Alo for you, and I'm the African Sunder.

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<v Speaker 2>Hello, and good day to you my favorite listeners. As

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<v Speaker 2>you may know, this is Off the Beat and I

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<v Speaker 2>am your host, Brian Baumgartner. Today I bring to you

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<v Speaker 2>an incredibly talented actor and musician, Palakee Alua for Yuku.

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<v Speaker 2>She is the star of the very good show Bob

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<v Speaker 2>Hart's Abi Sholah, which bittersweetly had its series finale just

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<v Speaker 2>last week. It's always hard to say goodbye to a

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<v Speaker 2>show as a viewer like me. I know, I'm bummed

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<v Speaker 2>it's gone, but it is definitely harder as an actor

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<v Speaker 2>or a crew member who has made a show a

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<v Speaker 2>part of their daily life for so long. But onward

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<v Speaker 2>an upward for Flake, who has appeared in shows like

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<v Speaker 2>Law and Order, Modern Family, Transparent, Westworld, and will no

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<v Speaker 2>doubt be back at something very very soon. She's even

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<v Speaker 2>had a second life, maybe even a cooler life. As

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<v Speaker 2>a musician and DJ. Her first love is music. She's

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<v Speaker 2>even played bass with David Bowie himself. Tell me that's

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<v Speaker 2>not cool. That is cool, and so I feel cool

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<v Speaker 2>just having her here in the studio with me. I've

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<v Speaker 2>loved getting to hear her fascinating story about her life

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<v Speaker 2>and two cultures born in Nigeria, her fantastic career, and

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<v Speaker 2>her plans for after Bob loves Abisho La. Now, sit back,

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<v Speaker 2>relax and enjoy my conversation with f lacke Alua Fayuku,

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<v Speaker 2>Bubble and squeak. I love it, Bubble and Squeakna, Bubble

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<v Speaker 2>and squeak. I cook get every moment lift over from

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<v Speaker 2>the ninety bore.

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<v Speaker 1>Him.

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<v Speaker 2>I'm so good. It is so good to see you.

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<v Speaker 2>I am such a big fan of yours. I really

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<v Speaker 2>appreciate you coming on. Oh, thank you so much. You

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<v Speaker 2>have a big show that is about to end. I

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<v Speaker 2>want to hear. I want tears, I want emotion. I

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<v Speaker 2>want to talk about that in a little bit. But gosh,

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<v Speaker 2>your history is so fascinating, and I hear you shoot

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<v Speaker 2>the rock like I do. You were going to become

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<v Speaker 2>a lawyer like maybe I was for a while and

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<v Speaker 2>then you got into this business. But I want to

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<v Speaker 2>go back. You were born and raised in Nigeria.

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<v Speaker 1>Yes, yeah, Legos, Nigeria where Legos Legos.

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<v Speaker 2>Yes, yeah. And your dad was a.

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<v Speaker 1>Politician then and a lawyer as well.

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<v Speaker 2>And a lawyer as well.

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<v Speaker 1>Yeah, and a minister.

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<v Speaker 2>And you were one of twenty kids. Now this is

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<v Speaker 2>a very full household, plucky. I'm not going to lie

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<v Speaker 2>to you. This sounds like like a lot. What was

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<v Speaker 2>it like growing up in that in that environment?

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<v Speaker 1>Well, I'm the last born, so by the time I

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<v Speaker 1>was coming of age and stuff, most everyone had already left.

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<v Speaker 1>I have nieces and grand nieces and nephews that are

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<v Speaker 1>the same age or some opos of me.

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<v Speaker 2>Oh wow, So if you were the last ad a

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<v Speaker 2>bunch of them they were they were gone. Yeah. How many?

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<v Speaker 2>How many siblings did you actually like grow up with

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<v Speaker 2>in the house?

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<v Speaker 1>One?

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<v Speaker 2>One? Oh? Just one?

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<v Speaker 1>Yeah, and my cousin and then I had a couple

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<v Speaker 1>a couple of other like a brother and sister who

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<v Speaker 1>came in and out, but they were mostly in college

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<v Speaker 1>by then.

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<v Speaker 2>Okay, what was it like having such a great family

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<v Speaker 2>and specifically, what what do you how do you feel

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<v Speaker 2>like that helped you even though so many were out

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<v Speaker 2>of the house in your time growing up.

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<v Speaker 1>Well, my upbringing certainly is responsible for the independence and

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<v Speaker 1>the resourcefulness that helped me get through being in America

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<v Speaker 1>by myself and I'm figuring out the entertainment by myself

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<v Speaker 1>independence because by that age, you know, the parents have

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<v Speaker 1>been there and done that with the kids, so they're

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<v Speaker 1>just like, yeah, you go do whatever you want. So

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<v Speaker 1>I could. I could pretty much whatever I want from

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<v Speaker 1>very early on. But I was a good kid, so

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<v Speaker 1>they were lucky maybe because I had so much space

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<v Speaker 1>to do whatever I wanted. I didn't really want to

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<v Speaker 1>do anything. But independence and resourcefulness is something that my

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<v Speaker 1>upbringing and tenacity and strength. That's what my upbringing in

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<v Speaker 1>stood in me so that I could thrive. Really I have.

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<v Speaker 2>Yeah, I mean that's my grandparents. My grandfather was one

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<v Speaker 2>of eleven in the southeastern United States, so you know,

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<v Speaker 2>we had a large family, but not I don't know,

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<v Speaker 2>maybe not so dissimilar from you, because you know, you

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<v Speaker 2>didn't have twenty in the house at one time.

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<v Speaker 1>That uh, that seems we're all eleven of you in

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<v Speaker 1>the house at once.

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<v Speaker 2>No, So they were just more like I say, I'm

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<v Speaker 2>everybody in like Georgia and North Florida, I'm related to

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<v Speaker 2>probably someone because there are just so many offshoots from

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<v Speaker 2>from that. But again, in my house, it was just

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<v Speaker 2>me my sister, so there were just two of us.

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<v Speaker 2>So it was this combination of really large sort of

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<v Speaker 2>extended family, you know, relatives around, but you know, not

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<v Speaker 2>not so much on the day to day. And I

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<v Speaker 2>find that fascinating because you think, like one of twenty,

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<v Speaker 2>you've got nineteen other eyes to look after you. But

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<v Speaker 2>how would you say. It's like, nah, go ahead, we've

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<v Speaker 2>been we've been there, we've done that. Go ahead.

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<v Speaker 1>Yeah, that wasn't my experience. My experience was actually completely

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<v Speaker 1>opposite from that.

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<v Speaker 2>Yeah. I read that you spent some time in London

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<v Speaker 2>growing up, So when did you When did you move there?

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<v Speaker 1>Well, I never really moved to England, although I considered

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<v Speaker 1>moving to England before I moved to Lee, And the

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<v Speaker 1>quote was like, get your asked back, Daly. There was

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<v Speaker 1>this transition period before I moved to la where I

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<v Speaker 1>went trying to figure out where I wanted to do next.

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<v Speaker 1>Actually in that same transition period again about roal fly

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<v Speaker 1>ten years after. But during that transition period. I went

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<v Speaker 1>to Atlanta, I went to England, I went back to Nigeria,

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<v Speaker 1>and I came to LA to check it out. And

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<v Speaker 1>the reason I was leaving in New York was to

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<v Speaker 1>get away from the code mostly okay, and I just

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<v Speaker 1>needed a better standard of living in January. But I

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<v Speaker 1>never actually lived in England. We vacationed there every summer

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<v Speaker 1>growing up as a child, Okay. My father had a

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<v Speaker 1>presence there and we studied there London Spit of Economics,

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<v Speaker 1>and so I did a couple of my siblings as well,

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<v Speaker 1>so we had a presence there and family there as well.

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<v Speaker 1>So we will visit every summer. And that was my

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<v Speaker 1>time in England, Okay.

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<v Speaker 2>But it sounds like even just with that much time,

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<v Speaker 2>I mean, spending that much time in England and you've

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<v Speaker 2>got Nigeria. Eventually you go to City College of New York.

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<v Speaker 2>As as a young person, you're exposed to a tons

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<v Speaker 2>of experience culturally, travel, different people's Do you feel like

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<v Speaker 2>that gave you something that you use in your work

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<v Speaker 2>now or give you a broad base?

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<v Speaker 1>Definitely, especially for this role, because there's this understanding of culture.

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<v Speaker 1>As you rightfully said that I became exposed to from

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<v Speaker 1>very early on, coupled with the fact that in Nigeria,

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<v Speaker 1>we get our content from everywhere. Okay, so we got

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<v Speaker 1>content from Like I grew up watching Spanish Nobela's subtitle

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<v Speaker 1>subtitled when I was on boarding school like all the girls,

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<v Speaker 1>I was in an old girls school for one another

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<v Speaker 1>exposed to All the girls are gathered by the living

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<v Speaker 1>room at eight o'clock so we could watch Maria de

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<v Speaker 1>Los Angeles and we were so into it. So I

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<v Speaker 1>grew up with that. We grew up on a lot

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<v Speaker 1>of Irish music and Irish content as well, stuff from France,

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<v Speaker 1>from the Middle East. We got stuff from everywhere. And

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<v Speaker 1>then not to talk about the fact that Nigeria is

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<v Speaker 1>also very diverse in itself. A mayoga, but we have

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<v Speaker 1>over three hundred ethnic groups. Yeah, and we're exposed to that.

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<v Speaker 1>And I grew up in a space and different religions

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<v Speaker 1>as well, mostly Christian and Muslim in Islam. But there

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<v Speaker 1>was always tolerance in my world as far as I

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<v Speaker 1>was exposed to culturally, there was upheaval in other areas,

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<v Speaker 1>but as far as being different in the sense that

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<v Speaker 1>you had a different tradition and culture and language, that

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<v Speaker 1>was well accepted where I was growing up, and then

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<v Speaker 1>I've been able to borrow from all this exposure and

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<v Speaker 1>that has fed my acting work here in America because

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<v Speaker 1>even the portrayal of Afishala, there's an element there is

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<v Speaker 1>almost like a Western sensitivity that you have to have

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<v Speaker 1>to the timing as well, that's very different from Nigerian time, right,

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<v Speaker 1>very different. The melodies are so different, and I think

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<v Speaker 1>they're both funny, and it became an interesting thing for

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<v Speaker 1>me trying to balance both worlds. It's like, how do

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<v Speaker 1>I maintain the comedy of the sitcom world of America

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<v Speaker 1>but still borrow from the Nigerian comedy, which makes sense

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<v Speaker 1>because Abishalla is Nigerian born in the ring is just

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<v Speaker 1>like me.

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<v Speaker 2>Right, Was it was that tough for you or because

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<v Speaker 2>of your experience that you had, Do you feel like

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<v Speaker 2>you already had an understanding?

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<v Speaker 1>I had an understanding because I called, I got called.

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<v Speaker 1>I started getting called in a lot. I mean my

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<v Speaker 1>entire life, In my entire acting life, I've played a

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<v Speaker 1>variation of Abela. I've played a more a caricature. When

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<v Speaker 1>I did a stage play of the Tale of Martin Chuzzleworth,

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<v Speaker 1>I've played her more modern when I did Cabaret and

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<v Speaker 1>I played Sally Bowles uh and more sexy obviously. And

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<v Speaker 1>then I had like roles of Modern Family where I

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<v Speaker 1>played Nigerian and that was a different version of her,

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<v Speaker 1>another version where I played the nurse. So I've explored

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<v Speaker 1>I got to explore her in different ways before I

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<v Speaker 1>actually came to the table to play at the Chelan.

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<v Speaker 1>And what was your initial question?

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<v Speaker 2>I told you for that, well, asking about you know,

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<v Speaker 2>how how accustomed you were to Okay, yeah, to the

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<v Speaker 2>And I'll tell you why I asked not to like

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<v Speaker 2>drop names or whatever. But you know, Ricky Gervais and

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<v Speaker 2>Stephen Merchant, who obviously created the Office in the UK.

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<v Speaker 2>Stephen has said that the greatest mistake, or I'm sorry,

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<v Speaker 2>the best thing that they ever did was stay away

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<v Speaker 2>from the American Office because they they felt like so

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<v Speaker 2>many shows that have been brought from the UK to

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<v Speaker 2>America that the British didn't really understand American culture well

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<v Speaker 2>enough to have the comedy directly translate. Knew that there

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<v Speaker 2>was exactly to your point, different rhythms, different different sound.

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<v Speaker 1>Facial expressions as well, and different levels the levels of

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<v Speaker 1>Nigeria on the most mundane day is far far suproceeds okay, Okay.

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<v Speaker 1>There was a lot of like balancing that had to

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<v Speaker 1>be embedded into Abela. I think my experience in America

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<v Speaker 1>and my experience in all the other parts of the

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<v Speaker 1>world that I've lived in helped prepare me because as

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<v Speaker 1>I went into audition after audition, paying all these different

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<v Speaker 1>variations of AA, I got to understand what the castler

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<v Speaker 1>wanted from me, and I was able to mold this

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<v Speaker 1>character to fit those things, and I started booking so

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<v Speaker 1>many jobs for that reason. Got to portraying an Africa

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<v Speaker 1>I did. I did also have to study, though. I

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<v Speaker 1>remember speaking with Chuck and our associate producer as well

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<v Speaker 1>as one of our directors, be Beth mccathy, as well

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<v Speaker 1>as Pat Doak and Chuck Royy separately speaking to them

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<v Speaker 1>about what sitcoms I should go study, okay best for

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<v Speaker 1>the best performances.

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<v Speaker 2>And they said, I remember when.

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<v Speaker 1>Well, this conversation kind of reached like the level of

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<v Speaker 1>new understanding for me when mister Norman Layer passed away

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<v Speaker 1>and we were having conversation about him on set because

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<v Speaker 1>we had people whould work with him on our set

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<v Speaker 1>who got their start working with him, and so they

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<v Speaker 1>gave me like I got like on the job futeage

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<v Speaker 1>on what it meant and what this phenomenal creator stood

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<v Speaker 1>for and the timing that he was able to incorporate

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<v Speaker 1>into his shows to make it so magical. Some of

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<v Speaker 1>the shows I went back to watch where I Love

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<v Speaker 1>Lucy at Doort recommended that Everybody Loves Raymond, and then

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<v Speaker 1>I went back and watched some of Mike and Molly

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<v Speaker 1>as well. But I'd say my biggest influences would have

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<v Speaker 1>been I Love Lucy and Everybody Loves ray Interesting.

0:14:31.520 --> 0:14:36.440
<v Speaker 2>Yeah, you're one of twenty. You're in Nigeria, you're spending

0:14:36.440 --> 0:14:40.480
<v Speaker 2>summers in London. Two part question with a B and

0:14:40.520 --> 0:14:44.040
<v Speaker 2>C under each. No, I'm just kidding. You decide you're

0:14:44.040 --> 0:14:48.280
<v Speaker 2>going to come to America, New York, specifically a City

0:14:48.280 --> 0:14:51.320
<v Speaker 2>College of New York to go to school. You end

0:14:51.400 --> 0:14:57.200
<v Speaker 2>up playing Division three basketball. Nice? That were you coming

0:14:57.280 --> 0:15:00.880
<v Speaker 2>to New York? Why New York? And is it true

0:15:00.920 --> 0:15:02.880
<v Speaker 2>you just you were going to become a lawyer.

0:15:03.720 --> 0:15:05.360
<v Speaker 1>Yeah, the plan was I was going to go to

0:15:05.440 --> 0:15:09.160
<v Speaker 1>law school in Nigeria. I just finished my A levels

0:15:09.200 --> 0:15:11.920
<v Speaker 1>in Nigeria, so I was I just turned about I

0:15:11.960 --> 0:15:14.640
<v Speaker 1>just I was about to turn eighteen. You know, getting

0:15:14.640 --> 0:15:17.120
<v Speaker 1>a visa is such a big deal in Nigeria. It's

0:15:17.160 --> 0:15:19.840
<v Speaker 1>like a whole process that's a wake up five o'clock.

0:15:19.960 --> 0:15:21.600
<v Speaker 1>I think it's changed now. Back then you have to

0:15:21.640 --> 0:15:23.280
<v Speaker 1>wake up at like four o'clock in the morning to

0:15:23.280 --> 0:15:25.880
<v Speaker 1>get in the line for by five am, and you

0:15:25.880 --> 0:15:29.120
<v Speaker 1>wouldn't get seen until like nine or something crazy like that. Right,

0:15:29.760 --> 0:15:34.400
<v Speaker 1>kind of like the days of background work I've been

0:15:34.960 --> 0:15:37.840
<v Speaker 1>I've been getting prepared back in the day with that.

0:15:38.040 --> 0:15:42.320
<v Speaker 2>Yeah, although we do have something called the DMV here

0:15:42.480 --> 0:15:46.360
<v Speaker 2>in the United States is over oh.

0:15:46.240 --> 0:15:48.960
<v Speaker 1>Yeah, yeah, yeah, no no, no, no, no, no no,

0:15:49.000 --> 0:15:52.440
<v Speaker 1>Actually your DMV's here, child's play. They give you somewhere

0:15:52.480 --> 0:15:57.480
<v Speaker 1>to sit, okay, fair, no, no no. In Nigeria, it's

0:15:57.560 --> 0:16:00.360
<v Speaker 1>like it's a jungle. It's a jungle out there, a

0:16:00.400 --> 0:16:04.360
<v Speaker 1>beautiful jungle. I love my people. So I the plan

0:16:04.520 --> 0:16:07.600
<v Speaker 1>was to come see my sister for holiday and then

0:16:07.640 --> 0:16:12.720
<v Speaker 1>come back to Nigeria and become a lawyer. But things

0:16:12.760 --> 0:16:15.960
<v Speaker 1>worked out in a way where my results, my original

0:16:15.800 --> 0:16:19.880
<v Speaker 1>with my actual results weren't released, kind of like fraudulent

0:16:20.000 --> 0:16:23.760
<v Speaker 1>one was, and it was obvious that that it was

0:16:23.880 --> 0:16:27.240
<v Speaker 1>fraudulent because of the score. And I remember telling my

0:16:27.320 --> 0:16:30.320
<v Speaker 1>mom like, fuck it, I'm not going to school anymore

0:16:30.600 --> 0:16:33.160
<v Speaker 1>it and I think that terrified her, and she was like, Okay,

0:16:33.160 --> 0:16:35.480
<v Speaker 1>you're in America. Just see if you can find something there.

0:16:36.200 --> 0:16:38.120
<v Speaker 1>And I found something there, and I went to the map.

0:16:38.160 --> 0:16:39.880
<v Speaker 1>I went to the subway map, and I looked at

0:16:40.160 --> 0:16:43.360
<v Speaker 1>Long Island, where my sister lived, and I looked at

0:16:43.360 --> 0:16:47.120
<v Speaker 1>the map of Manhattan, and I was like, what school

0:16:47.320 --> 0:16:51.360
<v Speaker 1>is furthest away from Long Island. So I can complain

0:16:51.440 --> 0:16:56.680
<v Speaker 1>about the commute because I would take I would walk

0:16:56.720 --> 0:17:00.000
<v Speaker 1>to the bus station. First of all, for a little while,

0:17:00.000 --> 0:17:03.040
<v Speaker 1>I could afford the love Adam Rover. After a while,

0:17:03.040 --> 0:17:05.560
<v Speaker 1>I couldn't afford it. And so I'll take a bus

0:17:05.640 --> 0:17:09.720
<v Speaker 1>from Long Island to Jamaica Queens. From Jamaica, I'll transfer

0:17:09.800 --> 0:17:12.440
<v Speaker 1>to the Blue Line, get on the Express as soon

0:17:12.480 --> 0:17:14.520
<v Speaker 1>as I could get off on one twenty fifth Street

0:17:14.520 --> 0:17:17.520
<v Speaker 1>in Harlem. They could bust from there to the City

0:17:17.520 --> 0:17:19.080
<v Speaker 1>College in New York. That was like a two hour

0:17:19.160 --> 0:17:22.120
<v Speaker 1>treat each way. And I was like, yes, yes, this

0:17:22.200 --> 0:17:25.840
<v Speaker 1>is exactly what I need. So I think into my

0:17:25.960 --> 0:17:29.119
<v Speaker 1>first year, I head up my mom and I was like,

0:17:29.280 --> 0:17:31.920
<v Speaker 1>this commute is too much. I gotta I gotta move

0:17:31.960 --> 0:17:33.160
<v Speaker 1>out closer to school.

0:17:35.359 --> 0:17:42.080
<v Speaker 2>No, I see, I see.

0:17:42.480 --> 0:17:46.440
<v Speaker 1>I found this this one, this bedroom in someone's apartment

0:17:47.400 --> 0:17:50.600
<v Speaker 1>for like two hundred bucks a month and it was

0:17:50.680 --> 0:17:54.840
<v Speaker 1>like perfect, right across from school. And I'll go get

0:17:54.880 --> 0:17:58.600
<v Speaker 1>like Chinese food for five bucks during lunch and like

0:17:58.760 --> 0:18:01.280
<v Speaker 1>portion that out so that be my meal for the day.

0:18:02.640 --> 0:18:06.360
<v Speaker 2>Wow, but you loved it. Those are the good old days.

0:18:06.480 --> 0:18:09.360
<v Speaker 1>Those were the good old days, man, those those were

0:18:09.400 --> 0:18:12.680
<v Speaker 1>the funnest days. I had some of the happiest times

0:18:12.680 --> 0:18:13.640
<v Speaker 1>of my life in New York.

0:18:14.400 --> 0:18:18.320
<v Speaker 2>Oh yeah, no it is. It will eat you up

0:18:18.760 --> 0:18:21.560
<v Speaker 2>and spit you out, and at the same time you're

0:18:21.640 --> 0:18:25.080
<v Speaker 2>enjoying it a lot of time. It's very strange.

0:18:24.960 --> 0:18:27.480
<v Speaker 1>Yeah, it's really cool. I plan on spending more time

0:18:27.560 --> 0:18:27.920
<v Speaker 1>right now.

0:18:46.320 --> 0:18:51.600
<v Speaker 2>And so when did you start thinking, hm hmm, maybe

0:18:51.640 --> 0:18:55.439
<v Speaker 2>I'll start auditioning for some things, or like, were you

0:18:55.560 --> 0:18:59.960
<v Speaker 2>finding a passion in it? Did someone suggests you do it? How?

0:19:00.160 --> 0:19:01.639
<v Speaker 2>How did that transition happen?

0:19:02.080 --> 0:19:04.560
<v Speaker 1>I actually need to speak with this guy I was

0:19:04.680 --> 0:19:07.640
<v Speaker 1>dating during that time, so I can get a lot

0:19:07.760 --> 0:19:10.800
<v Speaker 1>more clarity about how that worked, because he just made

0:19:10.800 --> 0:19:14.560
<v Speaker 1>a comment on my Instagram about how he remembers when

0:19:14.600 --> 0:19:17.160
<v Speaker 1>I was teaching myself how to play the guitar, so

0:19:17.240 --> 0:19:19.199
<v Speaker 1>he was like he was in my life at a

0:19:19.280 --> 0:19:22.280
<v Speaker 1>very pivotal time. I remember speaking to him about it

0:19:22.400 --> 0:19:24.320
<v Speaker 1>years ago and he said, oh yeah, I think he

0:19:24.480 --> 0:19:29.480
<v Speaker 1>just saw a flyer in school and dislike the decafeteria

0:19:29.640 --> 0:19:31.960
<v Speaker 1>something and he went to a tryout, and that's where

0:19:31.960 --> 0:19:34.040
<v Speaker 1>I remember it from. I remember from the tryouts. I

0:19:34.080 --> 0:19:37.280
<v Speaker 1>don't remember what led me to the tryouts, but when

0:19:37.280 --> 0:19:39.760
<v Speaker 1>I think about it, I would always just find all

0:19:39.760 --> 0:19:42.280
<v Speaker 1>the flyers for like even the basketball team. That's how

0:19:42.280 --> 0:19:44.159
<v Speaker 1>I got on. I found a flyer and I was like,

0:19:44.160 --> 0:19:47.200
<v Speaker 1>oh yeah, I'm in America, Land of opportunity. I want

0:19:47.200 --> 0:19:52.000
<v Speaker 1>to try everything. And so that's how I got into acting.

0:19:52.080 --> 0:19:54.840
<v Speaker 1>I found a flyer and I auditioned and it came

0:19:54.960 --> 0:19:57.960
<v Speaker 1>very easy. I wasn't precious about acting the way I

0:19:58.119 --> 0:20:01.720
<v Speaker 1>was about music, so I wasn't like overthinking the whole process.

0:20:02.600 --> 0:20:04.680
<v Speaker 1>I flourished. I mean, it was one of the best

0:20:04.760 --> 0:20:08.119
<v Speaker 1>spaces for me creatively to get my foundation with a

0:20:08.200 --> 0:20:10.600
<v Speaker 1>department of City College of New York because we had

0:20:10.640 --> 0:20:13.960
<v Speaker 1>access to Aaron Davis Hall. We just we had great.

0:20:14.000 --> 0:20:17.760
<v Speaker 1>We had great professors to Gray David Will, Alfred Preiser,

0:20:17.880 --> 0:20:21.000
<v Speaker 1>we had great professors.

0:20:20.080 --> 0:20:23.440
<v Speaker 2>You have mentioned. Now, you know, I certainly didn't want

0:20:23.440 --> 0:20:28.160
<v Speaker 2>to bury the lead here about music. Was music sort

0:20:28.160 --> 0:20:31.480
<v Speaker 2>of your first love? I mean, it feels like you

0:20:31.560 --> 0:20:36.280
<v Speaker 2>have two very very legitimate careers. Now, was music something

0:20:36.280 --> 0:20:38.520
<v Speaker 2>that you started doing much earlier?

0:20:39.520 --> 0:20:42.880
<v Speaker 1>Music is something I always wanted to start doing at

0:20:42.920 --> 0:20:44.920
<v Speaker 1>any point in my life, and it was the thing

0:20:44.920 --> 0:20:47.360
<v Speaker 1>I knew I always wanted to do. And I kind

0:20:47.359 --> 0:20:50.439
<v Speaker 1>of have a tragic story with music. I'm hoping for

0:20:50.640 --> 0:20:55.080
<v Speaker 1>for better days. Okay, let's see how it goes.

0:20:55.520 --> 0:20:57.080
<v Speaker 2>What's what's the tragic story?

0:20:58.720 --> 0:21:00.760
<v Speaker 1>It's just I'm always I always knew I wanted to

0:21:00.800 --> 0:21:05.280
<v Speaker 1>be a musician, but I was specifically held away from it.

0:21:05.280 --> 0:21:07.240
<v Speaker 1>It was it was almost like a trigger print in

0:21:07.920 --> 0:21:11.080
<v Speaker 1>my family. So the idea of me being a musician,

0:21:11.160 --> 0:21:16.120
<v Speaker 1>it was ridicled, was talk down on, was laughed at.

0:21:16.960 --> 0:21:19.360
<v Speaker 1>There was no there was no outlet in any way.

0:21:19.440 --> 0:21:22.600
<v Speaker 1>So it's not like the sort of structure where like

0:21:22.640 --> 0:21:25.280
<v Speaker 1>you have in America, we have access to people where

0:21:25.320 --> 0:21:28.639
<v Speaker 1>you can learn it. It was very isolated creatively for

0:21:28.800 --> 0:21:31.879
<v Speaker 1>me and Nigeria. I didn't get it at outlet until

0:21:31.880 --> 0:21:33.960
<v Speaker 1>I was eighteen, and all the trauma and that's when

0:21:33.960 --> 0:21:35.560
<v Speaker 1>I moved to America and I was on my own.

0:21:35.880 --> 0:21:39.760
<v Speaker 1>But all the traumas that I had from from the

0:21:39.800 --> 0:21:44.359
<v Speaker 1>previous years discipline against music, it affected me and still

0:21:44.400 --> 0:21:45.200
<v Speaker 1>does to this day.

0:21:47.160 --> 0:21:51.240
<v Speaker 2>What about moving in to beginning to do acting, did

0:21:51.280 --> 0:21:52.879
<v Speaker 2>you find support for that?

0:21:53.760 --> 0:21:56.080
<v Speaker 1>No? I didn't find support for that, but I didn't

0:21:56.080 --> 0:22:01.120
<v Speaker 1>find the strict hell no. Yeah, and that journey started

0:22:01.200 --> 0:22:03.560
<v Speaker 1>when I was now on my own in America, so

0:22:03.640 --> 0:22:05.480
<v Speaker 1>no one you really knew what I was up to.

0:22:06.000 --> 0:22:10.119
<v Speaker 1>And so my my mom came to visit and I

0:22:10.160 --> 0:22:12.240
<v Speaker 1>invited her to a show and she's like, oh shit,

0:22:12.320 --> 0:22:15.040
<v Speaker 1>that's good. And right into a fashion show, she's like,

0:22:15.080 --> 0:22:17.480
<v Speaker 1>oh my god. Right into a basketball game, she's like,

0:22:17.480 --> 0:22:22.239
<v Speaker 1>oh my god, why don't you play professionally? Yeah. So,

0:22:22.520 --> 0:22:24.920
<v Speaker 1>once I was out of New York, I was able

0:22:24.960 --> 0:22:28.080
<v Speaker 1>to just delve into what I wanted to without scrutiny.

0:22:28.520 --> 0:22:32.000
<v Speaker 1>But the trauma for music specifically something I still gott with.

0:22:34.840 --> 0:22:39.040
<v Speaker 2>Did you start doing film and television first out of

0:22:39.440 --> 0:22:41.640
<v Speaker 2>college or what was the theater your love?

0:22:42.200 --> 0:22:45.760
<v Speaker 1>Well, it was musical theater that made me stay okay.

0:22:45.960 --> 0:22:49.960
<v Speaker 1>That was my introduction to theater, musical theater, which makes

0:22:50.000 --> 0:22:53.600
<v Speaker 1>sense because I got to do to still like delve

0:22:53.600 --> 0:22:56.480
<v Speaker 1>into music. I remember during the time I got into

0:22:56.480 --> 0:22:59.600
<v Speaker 1>the theater department, they were working on their version of Care,

0:23:00.440 --> 0:23:02.520
<v Speaker 1>which is now one of my favorite musicals, and it's

0:23:02.600 --> 0:23:05.320
<v Speaker 1>just such a magical experience in the summertime in New

0:23:05.400 --> 0:23:12.159
<v Speaker 1>York singing in the train. Uh it was beautiful. Yeah. So,

0:23:12.480 --> 0:23:15.359
<v Speaker 1>and then eventually and then I played in the Whiz,

0:23:15.440 --> 0:23:18.520
<v Speaker 1>and then I eventually played Sally Bowls and cabaret. But

0:23:18.880 --> 0:23:22.680
<v Speaker 1>musical theater is what kept me in theater is what

0:23:22.880 --> 0:23:26.520
<v Speaker 1>like it was almost like it was all aligned. I

0:23:26.560 --> 0:23:28.760
<v Speaker 1>wanted to do music, but my outlet was going to

0:23:28.800 --> 0:23:30.760
<v Speaker 1>be theater. But then I happened to go to theater

0:23:30.840 --> 0:23:33.679
<v Speaker 1>and it's musical theater. And it's like, oh shit. But

0:23:33.760 --> 0:23:36.520
<v Speaker 1>if I if I had a chance to do it again,

0:23:36.560 --> 0:23:37.840
<v Speaker 1>I would do it a little different.

0:23:38.520 --> 0:23:40.840
<v Speaker 2>What would you do different? Uh?

0:23:40.880 --> 0:23:43.560
<v Speaker 1>Well, in terms of what I studied, I started studying

0:23:43.600 --> 0:23:46.920
<v Speaker 1>economics as a way to kind of finesse finess through

0:23:47.080 --> 0:23:50.000
<v Speaker 1>through family. I then started with a minor in theater

0:23:50.760 --> 0:23:53.520
<v Speaker 1>and then eventually graduated with the major in theater. But

0:23:53.600 --> 0:23:56.919
<v Speaker 1>what I would have done. I would have studied sonic

0:23:57.040 --> 0:24:02.840
<v Speaker 1>arts with a minor in theater. That's what I had then. Okay, yeah,

0:24:03.440 --> 0:24:05.800
<v Speaker 1>I eventually went on to study audio engineering, but I

0:24:05.800 --> 0:24:08.560
<v Speaker 1>would have started that whole process in college.

0:24:09.359 --> 0:24:16.399
<v Speaker 2>Fascinating. Yeah, you mentioned you got a degree in audio engineering. Yeah,

0:24:16.560 --> 0:24:21.240
<v Speaker 2>what is it about electronic music specifically that feeds you?

0:24:22.119 --> 0:24:24.760
<v Speaker 1>Electronic music is not really I wouldn't say that's what

0:24:26.000 --> 0:24:29.679
<v Speaker 1>feeds me specifically. I started out doing electronic music. My

0:24:29.720 --> 0:24:33.359
<v Speaker 1>first single was more electronic than an aphrobeats, but I

0:24:33.400 --> 0:24:37.320
<v Speaker 1>always kept the lingo hidjin English em bettered than there

0:24:37.640 --> 0:24:41.040
<v Speaker 1>with hints of yoga. I think what drew me to

0:24:41.640 --> 0:24:44.560
<v Speaker 1>electronic music at that time was that I didn't have

0:24:45.280 --> 0:24:48.280
<v Speaker 1>other tools. What the tools I had was what i'd

0:24:48.480 --> 0:24:53.560
<v Speaker 1>learned and audio engineering school they happened to teach us

0:24:53.640 --> 0:24:58.199
<v Speaker 1>to programs, pro tools and reason, and within that world

0:24:58.240 --> 0:25:00.159
<v Speaker 1>I was able to create for the first time all

0:25:00.200 --> 0:25:02.840
<v Speaker 1>these songs I could hear in my head and piss

0:25:02.920 --> 0:25:05.879
<v Speaker 1>them together and start writing to them. So that's that

0:25:06.040 --> 0:25:09.080
<v Speaker 1>was the draw to electronic music. Now like it's it's

0:25:09.160 --> 0:25:14.640
<v Speaker 1>transformed and transcended that where I want to involve your instruments.

0:25:13.880 --> 0:25:18.040
<v Speaker 2>Okay, you're a DJ, your producer.

0:25:19.160 --> 0:25:22.720
<v Speaker 1>DJed once. I wouldn't call myself a DJ, DJ Moore, Yeah,

0:25:22.720 --> 0:25:24.920
<v Speaker 1>I would have told myself a DJ. But I had

0:25:24.920 --> 0:25:27.600
<v Speaker 1>a great time and everybody had a great I picked

0:25:28.400 --> 0:25:32.119
<v Speaker 1>some good music, Like anytime I'm having a party, you

0:25:32.119 --> 0:25:34.080
<v Speaker 1>should be there because the music is going to be

0:25:34.160 --> 0:25:37.800
<v Speaker 1>on point. I'll call myself a music curator more than

0:25:37.840 --> 0:25:38.280
<v Speaker 1>a DJ.

0:25:39.760 --> 0:25:44.640
<v Speaker 2>Okay, well that's I'm that. I mean, I'm okay, I'm

0:25:44.640 --> 0:25:47.600
<v Speaker 2>a music curator. I'm going to tell you a crazy

0:25:47.600 --> 0:25:50.239
<v Speaker 2>story because this is why I I don't know if

0:25:50.240 --> 0:25:53.840
<v Speaker 2>I've ever told this story before. It's never been it's

0:25:53.880 --> 0:25:56.960
<v Speaker 2>never come up. I was at a charity event out

0:25:57.040 --> 0:26:00.560
<v Speaker 2>of town for multiple days. This was in the Bahamas.

0:26:00.800 --> 0:26:04.040
<v Speaker 2>This is a while ago. I could come up with

0:26:04.080 --> 0:26:08.280
<v Speaker 2>a year that makes sense, but fifteen sixteen years ago,

0:26:08.800 --> 0:26:12.480
<v Speaker 2>and someone came up to me and said, the DJ

0:26:13.480 --> 0:26:16.960
<v Speaker 2>is going to be on your show this year. And

0:26:17.000 --> 0:26:18.919
<v Speaker 2>I said, the DJ is going to be on my

0:26:18.920 --> 0:26:21.040
<v Speaker 2>show this year? Said yeah, the DJ is going to

0:26:21.080 --> 0:26:23.000
<v Speaker 2>be you should you know? He wants to meet you.

0:26:23.000 --> 0:26:28.960
<v Speaker 2>You go meet him. The DJ was Idris Elba. Oh

0:26:29.080 --> 0:26:33.199
<v Speaker 2>Idris Elba had gotten hired. Now he had done other work.

0:26:33.640 --> 0:26:37.000
<v Speaker 2>Obviously at that time he had not become Idris Elba

0:26:37.160 --> 0:26:41.080
<v Speaker 2>Idris Elba. Yeah, and I was like, God, you are

0:26:41.480 --> 0:26:44.119
<v Speaker 2>I remember, right, I remember, like to this day. We

0:26:44.160 --> 0:26:46.520
<v Speaker 2>took a picture and I was like, you are the

0:26:46.680 --> 0:26:50.560
<v Speaker 2>coolest guy I know, like that you're that you were DJing,

0:26:50.560 --> 0:26:52.440
<v Speaker 2>that you were out there, that you were putting it

0:26:52.520 --> 0:26:55.879
<v Speaker 2>like his whole self into it and he just had

0:26:55.920 --> 0:26:58.320
<v Speaker 2>a passion for it. It sounds like like you now

0:26:58.359 --> 0:27:00.480
<v Speaker 2>you've only done it once, but in in terms of

0:27:00.560 --> 0:27:06.440
<v Speaker 2>creating music, writing your own music, this feeds you. Yeah right,

0:27:06.560 --> 0:27:08.800
<v Speaker 2>I mean it very clearly does.

0:27:08.960 --> 0:27:13.680
<v Speaker 1>Being around music pinetic capacity is just always a good time.

0:27:14.520 --> 0:27:16.720
<v Speaker 1>If I'm having a downtime, picking up the guitar and

0:27:16.720 --> 0:27:19.720
<v Speaker 1>playing something switches my move.

0:27:21.240 --> 0:27:24.200
<v Speaker 2>I mean we started by talking about the broad range

0:27:24.200 --> 0:27:26.200
<v Speaker 2>of experience you had as a kid, but I mean

0:27:26.240 --> 0:27:31.360
<v Speaker 2>to come over to New York and to be on

0:27:31.400 --> 0:27:36.159
<v Speaker 2>the college basketball team, and to be studying economics and

0:27:36.400 --> 0:27:40.560
<v Speaker 2>music even through a musical theater, and then eventually the

0:27:40.680 --> 0:27:46.000
<v Speaker 2>audio engineering and to start performing. I mean that, seriously,

0:27:46.600 --> 0:27:49.560
<v Speaker 2>that is what college is all about. I mean, that's

0:27:49.600 --> 0:27:52.840
<v Speaker 2>what that's what it should be all about. Like, let's

0:27:53.520 --> 0:27:54.760
<v Speaker 2>freaking go.

0:27:55.080 --> 0:28:01.680
<v Speaker 3>And just do everything, try, try everything, and so how

0:28:01.920 --> 0:28:08.280
<v Speaker 3>then you're trying everything, it sounds like succeeding pretty damn.

0:28:08.080 --> 0:28:12.959
<v Speaker 2>Well at everything. Yeah, how does how does the path narrow?

0:28:13.240 --> 0:28:15.919
<v Speaker 2>How do you make the decision that that being an

0:28:16.000 --> 0:28:19.359
<v Speaker 2>actor is what you want to do with the music career?

0:28:19.400 --> 0:28:22.520
<v Speaker 2>But I mean, like you're going to pursue that. How

0:28:22.560 --> 0:28:25.359
<v Speaker 2>did that decision come about? Well?

0:28:26.240 --> 0:28:30.000
<v Speaker 1>That was the only thing I had training in acting? Okay,

0:28:30.320 --> 0:28:32.560
<v Speaker 1>And while I had training and audio engineering, the reason

0:28:32.600 --> 0:28:35.240
<v Speaker 1>I went through that process was so I could have

0:28:35.320 --> 0:28:38.280
<v Speaker 1>an understanding and how to create my own music. Wasn't

0:28:38.280 --> 0:28:40.600
<v Speaker 1>because I necessarily want I didn't want to work as

0:28:40.640 --> 0:28:43.320
<v Speaker 1>an audio engineer. I wanted to know how to create

0:28:43.400 --> 0:28:46.320
<v Speaker 1>my own and I just all I've gone to school

0:28:46.320 --> 0:28:49.480
<v Speaker 1>for was acting. And I had some odd jobs here

0:28:49.520 --> 0:28:51.720
<v Speaker 1>and there. I remember I worked at the information desk

0:28:51.720 --> 0:28:54.040
<v Speaker 1>the Citycology in New York. But the only thing I

0:28:54.080 --> 0:28:57.080
<v Speaker 1>was really qualified to do was act. Is how I felt,

0:28:57.320 --> 0:29:00.400
<v Speaker 1>And while I was in school, I always knew as

0:29:00.440 --> 0:29:02.320
<v Speaker 1>an immigrant, as a black woman, I had to work

0:29:02.360 --> 0:29:06.400
<v Speaker 1>extra hard. So even when I was hearing that it's

0:29:06.440 --> 0:29:08.320
<v Speaker 1>too student to be going out into the world and

0:29:08.360 --> 0:29:11.160
<v Speaker 1>working as like, fucked that shit. I'm going out into

0:29:11.160 --> 0:29:13.920
<v Speaker 1>the world that I'm going to experience so that I

0:29:13.960 --> 0:29:18.080
<v Speaker 1>can be prepared when it's actually time for me to

0:29:18.120 --> 0:29:23.120
<v Speaker 1>show up professionally. That was the thought process that I

0:29:23.160 --> 0:29:26.040
<v Speaker 1>pieced together. That was my strategy, and I've always been

0:29:26.080 --> 0:29:29.760
<v Speaker 1>guided by intuition, and intuition told me that this was

0:29:29.800 --> 0:29:30.440
<v Speaker 1>the right path.

0:29:31.440 --> 0:29:35.640
<v Speaker 2>Well, it sounds like it. Seeing your resume and knowing

0:29:35.680 --> 0:29:37.720
<v Speaker 2>your work from a number of these shows me you

0:29:37.800 --> 0:29:41.760
<v Speaker 2>basically dominate the tradition. I don't even know the traditional

0:29:41.880 --> 0:29:44.840
<v Speaker 2>New York shows. I don't even know what that's talking about,

0:29:44.840 --> 0:29:47.200
<v Speaker 2>but all the law and Orders and the thirty Rocks

0:29:47.200 --> 0:29:51.600
<v Speaker 2>and all that, and then eventually obviously Modern Family, West

0:29:51.640 --> 0:29:54.960
<v Speaker 2>World and Transparent. When did you move to LA.

0:29:56.200 --> 0:30:01.040
<v Speaker 1>I moved to LA I think about twenty thirteen. It's

0:30:01.080 --> 0:30:05.800
<v Speaker 1>been about exactly ten years. Yeah, I think about twenty thirteen. Wow,

0:30:06.120 --> 0:30:07.400
<v Speaker 1>twenty twelve thirteen.

0:30:07.880 --> 0:30:10.320
<v Speaker 2>And why it was cold?

0:30:10.360 --> 0:30:12.840
<v Speaker 1>It was cold in New York. I needed something different.

0:30:13.920 --> 0:30:17.960
<v Speaker 1>I was tired of the winters there. I needed hot

0:30:17.960 --> 0:30:19.960
<v Speaker 1>and humid, which is the climate that I come from,

0:30:20.720 --> 0:30:24.080
<v Speaker 1>and I wren't looking for that, granted, and there's not humid,

0:30:24.880 --> 0:30:27.760
<v Speaker 1>but he was definitely sunnier and hotter than New York.

0:30:28.240 --> 0:30:31.480
<v Speaker 2>Have you tried Houston? Houston is hot and humid.

0:30:32.800 --> 0:30:35.240
<v Speaker 1>I haven't. I haven't been to Houston yet, but I've

0:30:35.360 --> 0:30:39.720
<v Speaker 1>been to whenever I've gone, like Leans, Florida. Atlanta is

0:30:39.720 --> 0:30:43.840
<v Speaker 1>getting cold now, but Florida, Florida, the Florida climate in

0:30:43.840 --> 0:30:46.560
<v Speaker 1>the Florida feels the closest to him whenever Miami had

0:30:46.560 --> 0:30:46.880
<v Speaker 1>failed that.

0:30:46.960 --> 0:31:10.120
<v Speaker 2>Way, Eventually, you have an opportunity. You meet I don't know,

0:31:10.760 --> 0:31:18.400
<v Speaker 2>the most prolific creator of television of the last Why

0:31:18.440 --> 0:31:20.760
<v Speaker 2>has it been that twenty years? Let's call it twenty

0:31:20.800 --> 0:31:27.000
<v Speaker 2>five years, Chuck, Chuck Glory. Talk to me about your

0:31:27.400 --> 0:31:31.600
<v Speaker 2>audition process, how you got this role, and how you

0:31:31.720 --> 0:31:36.200
<v Speaker 2>felt about the role reading it on Bob Heart's I'll

0:31:36.200 --> 0:31:36.760
<v Speaker 2>be Showing Up.

0:31:37.600 --> 0:31:41.160
<v Speaker 1>Well, I got an email from my agent's bar stage,

0:31:41.840 --> 0:31:44.800
<v Speaker 1>and like every other email I get, I read it

0:31:45.520 --> 0:31:48.160
<v Speaker 1>and I was like, oh, yeah, I got this, It's easy,

0:31:49.200 --> 0:31:52.960
<v Speaker 1>and like set it aside. And then I started working

0:31:52.960 --> 0:31:56.800
<v Speaker 1>on it and it was very easy. The character was

0:31:56.840 --> 0:31:59.560
<v Speaker 1>easy for me. I knew her, I grew up with her.

0:32:00.120 --> 0:32:04.840
<v Speaker 1>My aunties's my mother's she's like my class teachers. You know,

0:32:05.440 --> 0:32:10.080
<v Speaker 1>so I knew exactly how to play her, but I

0:32:10.200 --> 0:32:13.680
<v Speaker 1>spent a lot of time trying to balance her out.

0:32:14.160 --> 0:32:17.280
<v Speaker 1>So talking about all the things we previously mentioned at

0:32:17.320 --> 0:32:21.520
<v Speaker 1>the beginning of the interview, like adding the melodies, the

0:32:21.560 --> 0:32:25.360
<v Speaker 1>comedic melodies of Africa, Nigeria specifically, and the melodies of

0:32:25.400 --> 0:32:27.760
<v Speaker 1>the rest of the world, as you guys know, the sitcoms,

0:32:28.160 --> 0:32:31.560
<v Speaker 1>and also having explored her in all these different elements

0:32:31.560 --> 0:32:34.400
<v Speaker 1>over the years at different levels over the years, I

0:32:34.640 --> 0:32:37.800
<v Speaker 1>chose that I didn't want her to be a career cuature.

0:32:38.240 --> 0:32:39.960
<v Speaker 1>This was going to be a big project. It was

0:32:40.000 --> 0:32:41.760
<v Speaker 1>going to be a lot of people's Yeah, it was

0:32:41.800 --> 0:32:44.920
<v Speaker 1>going to be a lot of people's introduction to Nigerian culture.

0:32:45.440 --> 0:32:48.760
<v Speaker 1>And I felt like I wanted to portray her as

0:32:48.880 --> 0:32:54.680
<v Speaker 1>grounded and as human and as multi dimensional as possible.

0:32:55.480 --> 0:32:59.640
<v Speaker 1>And throughout the five seasons, boy did they give me

0:32:59.720 --> 0:33:02.480
<v Speaker 1>materiy to work with, because there's this season where I

0:33:02.600 --> 0:33:07.200
<v Speaker 1>was crying all the time, all the time, and then

0:33:07.280 --> 0:33:09.120
<v Speaker 1>you know that she became the hard ass and then

0:33:09.160 --> 0:33:12.040
<v Speaker 1>she softened up. But I wanted all of that to

0:33:12.080 --> 0:33:16.080
<v Speaker 1>be grounded and a dignified portrayal of my journal.

0:33:17.600 --> 0:33:22.280
<v Speaker 2>Yeah, it's interesting about television right that. I was just

0:33:22.320 --> 0:33:27.479
<v Speaker 2>talking about this with someone the other day that the time.

0:33:27.600 --> 0:33:29.160
<v Speaker 2>I mean, if you're lucky enough to be on a

0:33:29.200 --> 0:33:33.560
<v Speaker 2>show that runs for multiple years, the character does change.

0:33:33.640 --> 0:33:36.920
<v Speaker 2>The writers change how the character is being written for,

0:33:37.160 --> 0:33:40.400
<v Speaker 2>and in a good show there's a journey built in

0:33:41.400 --> 0:33:46.240
<v Speaker 2>and it's becomes much different than in film or you know,

0:33:46.360 --> 0:33:48.800
<v Speaker 2>a guest spot or wherever, where this is the character

0:33:48.840 --> 0:33:51.640
<v Speaker 2>and you kind of know everything about this character going in.

0:33:52.320 --> 0:33:57.200
<v Speaker 2>As the show is going, you're changing, You're you're changing,

0:33:57.280 --> 0:34:00.280
<v Speaker 2>and the character is changing. How how did you find

0:34:00.760 --> 0:34:04.920
<v Speaker 2>that experience, the experience of being able to explore her

0:34:04.960 --> 0:34:06.560
<v Speaker 2>for five years?

0:34:07.480 --> 0:34:11.480
<v Speaker 1>It was It was interesting. It was interesting because our

0:34:11.520 --> 0:34:16.080
<v Speaker 1>writers are obviously fucking amazing and also led by chub Lauri.

0:34:16.160 --> 0:34:20.920
<v Speaker 1>It's like magic, but having the lived experience of being

0:34:21.120 --> 0:34:24.480
<v Speaker 1>a Nigerian woman in Nigeria. There are the elements that

0:34:24.520 --> 0:34:28.759
<v Speaker 1>I wanted to explore, but we never We didn't get

0:34:28.760 --> 0:34:31.279
<v Speaker 1>a chance to explore a lot of them. There there

0:34:31.280 --> 0:34:34.040
<v Speaker 1>would be times where we could confuse some some of

0:34:34.040 --> 0:34:38.719
<v Speaker 1>this lived experience moments into the show, like when during

0:34:38.719 --> 0:34:42.240
<v Speaker 1>the wedding, when Bob and I are having an intimate

0:34:42.520 --> 0:34:46.240
<v Speaker 1>moment with all the guests gathered around. I remember pitching

0:34:46.280 --> 0:34:49.439
<v Speaker 1>it to the director, Beth lafack Mill. It's like, hey, Beth,

0:34:49.600 --> 0:34:52.279
<v Speaker 1>it wouldn't it be cool if while we're dancing it's

0:34:52.320 --> 0:34:56.319
<v Speaker 1>just chilling out, all the electricity goes off, because that

0:34:56.440 --> 0:35:01.160
<v Speaker 1>shit will happen in Nigeria. It was all the electricity

0:35:01.200 --> 0:35:04.719
<v Speaker 1>goes off and then we're like groaning, and then the

0:35:04.719 --> 0:35:08.080
<v Speaker 1>electricity comes back when I'm like, Nepa. That is such

0:35:08.120 --> 0:35:11.359
<v Speaker 1>a Nigerian moment, and I wanted to infuse a lot

0:35:11.440 --> 0:35:14.880
<v Speaker 1>more of those moments in there. But I also understood

0:35:14.920 --> 0:35:17.560
<v Speaker 1>that this was not a show that was geared towards

0:35:17.840 --> 0:35:21.560
<v Speaker 1>journal audience. He's an American show, and so it was

0:35:21.640 --> 0:35:24.279
<v Speaker 1>comforting to be able to rely on their expertise in

0:35:24.320 --> 0:35:28.680
<v Speaker 1>those ways whilst looking for ways to, you know, reveal

0:35:28.760 --> 0:35:30.279
<v Speaker 1>a little bit more and go a little bit more

0:35:30.320 --> 0:35:34.440
<v Speaker 1>in debt with a Nigerian experience. Everything else was everything

0:35:34.440 --> 0:35:34.879
<v Speaker 1>else was.

0:35:34.840 --> 0:35:42.480
<v Speaker 2>Something that's awesome. There's You also had a specific hmmm,

0:35:42.640 --> 0:35:45.040
<v Speaker 2>what do you call it, set of circumstances that were

0:35:45.040 --> 0:35:51.120
<v Speaker 2>not ideal for your show. I mean, look, show, there's

0:35:51.160 --> 0:35:56.040
<v Speaker 2>a worldwide pandemic, there's a writer strike, an actor strike.

0:35:57.239 --> 0:35:58.240
<v Speaker 2>But you guys.

0:36:00.880 --> 0:36:03.160
<v Speaker 1>Both both in Nigeria and an American.

0:36:03.800 --> 0:36:07.839
<v Speaker 2>Yes, yet the show survived. What do you think that

0:36:07.840 --> 0:36:11.439
<v Speaker 2>that says about the show and what you were doing

0:36:11.520 --> 0:36:14.200
<v Speaker 2>or the crew that you were working with that you

0:36:14.520 --> 0:36:20.000
<v Speaker 2>unlike so many other shows survived all of those external

0:36:20.920 --> 0:36:23.160
<v Speaker 2>those external factors.

0:36:22.960 --> 0:36:28.239
<v Speaker 1>The Chuck glory factor. Man Chuck Chuck would enter the room,

0:36:28.400 --> 0:36:32.440
<v Speaker 1>enter like a rehearsal and just say like two words

0:36:32.440 --> 0:36:34.600
<v Speaker 1>and wave his hands and everything would just be magical.

0:36:37.400 --> 0:36:41.920
<v Speaker 1>And also because I guess of the years of expertise

0:36:41.960 --> 0:36:44.560
<v Speaker 1>in this in this field, he has a crew of

0:36:44.640 --> 0:36:50.200
<v Speaker 1>people who are fucking phenomenal, from my live producers Christy

0:36:50.480 --> 0:36:54.880
<v Speaker 1>Robin to like Scott London and props Sammy to the

0:36:55.120 --> 0:37:00.359
<v Speaker 1>makeup department he had department. Everyone works so diligently and

0:37:00.480 --> 0:37:03.920
<v Speaker 1>so precisely, there was no room for it. Like it

0:37:04.040 --> 0:37:07.360
<v Speaker 1>was just seamless. It was seamless all the time.

0:37:08.000 --> 0:37:12.719
<v Speaker 2>Yeah, and there's no global pandemic, there's no like we're

0:37:12.840 --> 0:37:13.960
<v Speaker 2>just gonna yeah.

0:37:14.160 --> 0:37:16.960
<v Speaker 1>We but that's the reason why we could function as

0:37:17.000 --> 0:37:19.759
<v Speaker 1>efficiently as we did throughout the pandemic because he has

0:37:19.880 --> 0:37:23.800
<v Speaker 1>a team of folks who are at the highest level

0:37:23.800 --> 0:37:25.960
<v Speaker 1>of their game, and they show up like that all

0:37:26.080 --> 0:37:29.360
<v Speaker 1>time and at all times, and they set precedents for

0:37:29.600 --> 0:37:33.880
<v Speaker 1>how me and like relatively unknown after coming into the

0:37:33.920 --> 0:37:38.600
<v Speaker 1>show then conduct with herself. They've set a bar for me.

0:37:38.880 --> 0:37:42.440
<v Speaker 1>Any production I go into, well, I will come with

0:37:42.560 --> 0:37:47.480
<v Speaker 1>the wealth of knowledge and an expertise that you acquire

0:37:47.520 --> 0:37:49.520
<v Speaker 1>from being in front at the Chuck Ray Universe.

0:37:50.239 --> 0:37:52.960
<v Speaker 2>I'm really glad you said that, because you know, I've

0:37:53.000 --> 0:37:59.479
<v Speaker 2>had small experiences, multiple experiences on his shows, and that

0:37:59.680 --> 0:38:01.800
<v Speaker 2>is so true. And I don't think that that's talked

0:38:01.800 --> 0:38:06.360
<v Speaker 2>about enough. It becomes a cliche like we have the

0:38:06.400 --> 0:38:10.160
<v Speaker 2>greatest team, we have the greatest crew, we have the

0:38:10.200 --> 0:38:13.440
<v Speaker 2>greatest blah blah blah. But there is an efficiency that

0:38:13.640 --> 0:38:20.080
<v Speaker 2>exists on his sets and throughout his shows that is palpable.

0:38:20.840 --> 0:38:23.560
<v Speaker 2>And yeah, I mean to your point, you come in

0:38:23.680 --> 0:38:27.320
<v Speaker 2>as a lead and you haven't done anything before, and

0:38:27.360 --> 0:38:33.799
<v Speaker 2>you you were, You were taught how it's done by

0:38:33.920 --> 0:38:38.439
<v Speaker 2>experienced by experienced people who if they didn't know how

0:38:38.480 --> 0:38:42.319
<v Speaker 2>to do their job, they wouldn't be there. So good

0:38:42.360 --> 0:38:44.280
<v Speaker 2>for you. That's that's amazing.

0:38:44.320 --> 0:38:47.520
<v Speaker 1>I learned from the best minds in the industry, some

0:38:47.680 --> 0:38:49.640
<v Speaker 1>of the best minds in the industry. Very fortunate.

0:38:50.360 --> 0:38:56.440
<v Speaker 2>Sadly the series is ending here this month. You've already

0:38:56.480 --> 0:38:57.440
<v Speaker 2>shot the finale.

0:38:57.960 --> 0:39:00.480
<v Speaker 1>Yeah, we were done shooting about a month ago, and

0:39:00.680 --> 0:39:02.000
<v Speaker 1>the finale aired yesterday.

0:39:02.680 --> 0:39:08.040
<v Speaker 2>Yesterday. Yes, wow, how it feel? It was?

0:39:08.160 --> 0:39:11.240
<v Speaker 1>You know, Miss Renee that's what I call her, Miss Warrens.

0:39:11.520 --> 0:39:14.960
<v Speaker 1>She plays Gloria on the show. She came over and

0:39:15.160 --> 0:39:18.680
<v Speaker 1>watched it together and it was laugh out loud, like

0:39:18.719 --> 0:39:22.319
<v Speaker 1>we were out here like laughing out loud. It was

0:39:22.360 --> 0:39:26.920
<v Speaker 1>a very beautiful moment. I feel good. I feel fulfilled.

0:39:26.960 --> 0:39:30.000
<v Speaker 1>I feel like I left my mark in a way.

0:39:30.120 --> 0:39:34.320
<v Speaker 1>I feel like I've done something meaningful with my life,

0:39:34.800 --> 0:39:38.960
<v Speaker 1>and I want to go rest for a little bit

0:39:39.800 --> 0:39:44.160
<v Speaker 1>and reflect on all of it, and then I'm super

0:39:44.200 --> 0:39:47.720
<v Speaker 1>excited about the future. I'm very excited about the opportunities

0:39:47.800 --> 0:39:51.000
<v Speaker 1>for the future. We just announced that Lion King. I'm

0:39:51.080 --> 0:39:53.880
<v Speaker 1>part of the Lion King the Passa and that's going

0:39:53.960 --> 0:39:56.400
<v Speaker 1>to be that's gonna premire on December twentia.

0:39:57.320 --> 0:40:00.520
<v Speaker 2>Congratulations, thank you. That's credible.

0:40:01.280 --> 0:40:02.759
<v Speaker 1>I hit up. I hit up Chuck. I was like,

0:40:02.880 --> 0:40:06.880
<v Speaker 1>I said, Chuck the text and I sent him the article.

0:40:07.760 --> 0:40:13.960
<v Speaker 1>Thank you, Chuck, Laurie.

0:40:16.120 --> 0:40:21.080
<v Speaker 2>Yeah, that's awesome. Uh sad for you to say goodbye

0:40:21.600 --> 0:40:25.520
<v Speaker 2>or obviously the people, Yeah, I love with that, but

0:40:25.640 --> 0:40:27.400
<v Speaker 2>the character say goodbye to the character.

0:40:28.200 --> 0:40:31.440
<v Speaker 1>Yeah, it's sad. Like Michelle, I gave me some of

0:40:31.480 --> 0:40:34.600
<v Speaker 1>the most dynamic times in my life. And I mean,

0:40:34.640 --> 0:40:36.759
<v Speaker 1>I'm always going to be tied to her. So I

0:40:36.800 --> 0:40:40.520
<v Speaker 1>love her. I love her. She's a brilliant woman, tenacious.

0:40:41.480 --> 0:40:43.560
<v Speaker 1>I would say sadness is a word I think of

0:40:43.680 --> 0:40:46.480
<v Speaker 1>when I think about part of the race attactors. We're

0:40:46.480 --> 0:40:50.919
<v Speaker 1>going to be syndicated. I can watch her anytime, you know. Yeah,

0:40:51.560 --> 0:40:53.840
<v Speaker 1>I just feel proud. I feel very proud of her.

0:40:54.600 --> 0:40:55.640
<v Speaker 1>I feel proud of her.

0:40:56.400 --> 0:41:01.120
<v Speaker 2>Very good for you. First America can sitcom to feature

0:41:01.120 --> 0:41:05.400
<v Speaker 2>a Nigerian family, but not just that. It had respect

0:41:05.560 --> 0:41:12.120
<v Speaker 2>and grace, amazing performances, particularly by you. You deserve tremendous

0:41:12.160 --> 0:41:18.840
<v Speaker 2>respect and all good fortunes coming down the pipe. Congratulations

0:41:18.880 --> 0:41:24.480
<v Speaker 2>on Lion King. I and everyone else is going to

0:41:24.560 --> 0:41:29.600
<v Speaker 2>be watching and listen. Anytime you want to shoot the rock,

0:41:30.280 --> 0:41:35.760
<v Speaker 2>you give me a call. You I'm closer than you think.

0:41:36.239 --> 0:41:40.319
<v Speaker 2>Really you think you just let me, you just let

0:41:40.360 --> 0:41:42.600
<v Speaker 2>me know, Well I will.

0:41:42.640 --> 0:41:44.680
<v Speaker 1>I actually would love to. I haven't played in a

0:41:44.680 --> 0:41:46.839
<v Speaker 1>little bit. So if you're down and play this week.

0:41:46.880 --> 0:41:47.319
<v Speaker 1>I'm down.

0:41:48.320 --> 0:41:52.160
<v Speaker 2>Wow, look at that. You're just coming you're just coming

0:41:52.320 --> 0:41:56.160
<v Speaker 2>right out to let me. I'll tell you very quick story.

0:41:56.520 --> 0:41:59.600
<v Speaker 2>I played in a pickup game against a little a

0:41:59.600 --> 0:42:01.880
<v Speaker 2>little there were there were. It was sort of an

0:42:01.960 --> 0:42:05.840
<v Speaker 2>organized and you know, I'm backing him down. I got size,

0:42:05.920 --> 0:42:09.879
<v Speaker 2>I'm backing him down in a beautiful fade away Jay

0:42:10.800 --> 0:42:14.959
<v Speaker 2>and he starts, little guy starts slapping at the ball,

0:42:15.000 --> 0:42:17.880
<v Speaker 2>like coming around and slapping at the ball, like taking

0:42:17.920 --> 0:42:21.719
<v Speaker 2>it a little too seriously, Like I take it seriously,

0:42:21.960 --> 0:42:26.920
<v Speaker 2>but a little too wha wa bang elbow right in

0:42:27.000 --> 0:42:33.840
<v Speaker 2>my eye socket. Within seconds, it swells up like like second.

0:42:33.880 --> 0:42:36.600
<v Speaker 2>By the time I like put my hand over my

0:42:36.760 --> 0:42:40.200
<v Speaker 2>eye and ran to the bathroom. It was like a

0:42:40.239 --> 0:42:46.359
<v Speaker 2>baseball whoa. And I was like, well, I guess, I

0:42:46.400 --> 0:42:50.960
<v Speaker 2>guess casual pickup games is not happening for me anymore.

0:42:51.120 --> 0:42:56.200
<v Speaker 2>Oh but I'll I'll I'll take you. I'll take you

0:42:56.800 --> 0:43:01.640
<v Speaker 2>all right, let's see, I'll take all comers. Here's the thing, curious,

0:43:02.239 --> 0:43:06.560
<v Speaker 2>my confidence outweighs my ability, But my ability is strong.

0:43:09.160 --> 0:43:10.759
<v Speaker 1>I haven't played in a bit, so I don't know

0:43:11.239 --> 0:43:15.080
<v Speaker 1>one of those things, Sad. I have talent, listen, I

0:43:15.080 --> 0:43:17.640
<v Speaker 1>have natural talent, so I'm pretty sure i'll fuck you up.

0:43:17.840 --> 0:43:18.600
<v Speaker 1>How tall are you?

0:43:19.040 --> 0:43:21.480
<v Speaker 2>How tall? I was literally about to say, how tall

0:43:21.520 --> 0:43:25.839
<v Speaker 2>are you? How tall are you? Yeah? I got you?

0:43:26.360 --> 0:43:29.879
<v Speaker 2>You got you? Six three? Ah?

0:43:30.080 --> 0:43:33.279
<v Speaker 1>Fuck now I got you. I know I can, I

0:43:33.320 --> 0:43:36.040
<v Speaker 1>can box out like a motherfucker and I got hops.

0:43:37.920 --> 0:43:43.359
<v Speaker 2>Bring it all right. Uh, congratulations and good luck. I'm

0:43:43.360 --> 0:43:44.080
<v Speaker 2>gonna be watching.

0:43:44.520 --> 0:43:47.240
<v Speaker 1>Thank you, Thank you, Brian, and well done on the Office.

0:43:47.800 --> 0:43:50.480
<v Speaker 1>I really enjoy that show, really really enjoyed that show,

0:43:50.560 --> 0:43:51.560
<v Speaker 1>really enjoyed your character.

0:43:52.320 --> 0:43:55.800
<v Speaker 2>Thank you. I I appreciate that very much. That's very sweet.

0:43:55.960 --> 0:43:59.160
<v Speaker 2>I'm still gonna kill you.

0:44:00.080 --> 0:44:01.800
<v Speaker 1>Let's see get.

0:44:01.680 --> 0:44:19.040
<v Speaker 2>Cameras, flacke a pleasure to have you. Congratulations on an

0:44:19.080 --> 0:44:22.560
<v Speaker 2>amazing six years of a great show. I am looking

0:44:22.640 --> 0:44:26.160
<v Speaker 2>forward to whatever you do next. I promise you I

0:44:26.280 --> 0:44:31.640
<v Speaker 2>will be watching listeners. Thank you for well for listening.

0:44:32.120 --> 0:44:34.520
<v Speaker 2>I've said it before, I'll say it again. You do

0:44:34.760 --> 0:44:40.560
<v Speaker 2>that incredibly well. This is us, right you listen I talk.

0:44:41.000 --> 0:44:44.480
<v Speaker 2>Oh and speaking of this is Us, join us next week.

0:44:45.000 --> 0:44:47.759
<v Speaker 2>I promise it's going to be a good one. Have

0:44:47.840 --> 0:44:57.480
<v Speaker 2>a great week off The Beat is hosted and executive

0:44:57.480 --> 0:45:02.520
<v Speaker 2>produced by me Brian Baumgartner, alongside our executive producer Lang Lee.

0:45:02.600 --> 0:45:06.840
<v Speaker 2>Our senior producer is Diego Tapia. Our producers are Liz Hayes,

0:45:06.920 --> 0:45:10.840
<v Speaker 2>Hannah Harris and Emily Carr. Our talent producer is Ryan

0:45:11.160 --> 0:45:15.480
<v Speaker 2>Papa Zachary, and our intern is Ali Amir Sahi. Our

0:45:15.520 --> 0:45:19.200
<v Speaker 2>theme song Bubble and Squeak, performed by the one and

0:45:19.280 --> 0:45:20.720
<v Speaker 2>only Creed Bratton,