1 00:00:00,720 --> 00:00:08,840 Speaker 1: I am all in. Oh, Let's kiss you. 2 00:00:16,960 --> 00:00:21,160 Speaker 2: I am all in with Scott Patterson an iHeartRadio podcast. 3 00:00:20,960 --> 00:00:24,200 Speaker 1: Hey Everybody, Scott Patterson, I Am all In Podcast one 4 00:00:24,280 --> 00:00:31,240 Speaker 1: on one interview with Lulu. Kirk's girlfriend. Reenie Bell played 5 00:00:31,280 --> 00:00:36,639 Speaker 1: the role of Lulu Kushner for fifteen episodes from two 6 00:00:36,640 --> 00:00:39,280 Speaker 1: thousand and three two thousand and seven. She's the third 7 00:00:39,280 --> 00:00:42,640 Speaker 1: grade teacher at stars Hollow Elementary School and the girlfriend 8 00:00:43,159 --> 00:00:45,200 Speaker 1: like I just mentioned of Kirk glease in. The first 9 00:00:45,200 --> 00:00:47,800 Speaker 1: time we saw Renie as Lulu was a season four 10 00:00:47,840 --> 00:00:52,080 Speaker 1: episode six, and Affair to Remember. The last time we 11 00:00:52,159 --> 00:00:57,080 Speaker 1: saw Reenie as Lulu was in season seven episode twenty two, 12 00:00:57,400 --> 00:01:00,959 Speaker 1: bon Voyage. I guess that was the final episode of 13 00:01:01,000 --> 00:01:05,479 Speaker 1: the series. A Renie aptly named Renie. Why didn't we 14 00:01:05,560 --> 00:01:08,240 Speaker 1: know that that would have been the last episode given 15 00:01:08,240 --> 00:01:13,080 Speaker 1: that on Voyage dat Reni also appeared as Lulu in 16 00:01:13,120 --> 00:01:15,560 Speaker 1: A Year and a Life in the episode Spring in 17 00:01:15,600 --> 00:01:20,160 Speaker 1: twenty sixteen Little Bio Here. She's been in movies such 18 00:01:20,160 --> 00:01:22,840 Speaker 1: as Ghost World, The Terminal, Bring It On, Road Trip, 19 00:01:23,000 --> 00:01:27,360 Speaker 1: Baja Beach Bombs, and jar Headshattered, recurring role obviously on 20 00:01:27,520 --> 00:01:31,200 Speaker 1: Gilmore Girls playing Lulu. She also has done some voice acting, 21 00:01:32,120 --> 00:01:36,600 Speaker 1: being in the PSP game Jeanie di Arc. She also 22 00:01:37,280 --> 00:01:40,600 Speaker 1: voice rolls on four episodes of the animated television series 23 00:01:41,240 --> 00:01:44,360 Speaker 1: King of the Hill, Ladies and Gentlemen. I present to you, 24 00:01:44,640 --> 00:01:49,080 Speaker 1: the one and only Renee Bell. How you doing, been 25 00:01:49,160 --> 00:01:53,640 Speaker 1: a minute, good to see it, Thanks for coming on ating. 26 00:01:54,200 --> 00:01:57,840 Speaker 1: Tell us how you got into acting and what did 27 00:01:57,840 --> 00:01:59,800 Speaker 1: the start of your career look like? 28 00:02:01,800 --> 00:02:07,640 Speaker 2: Well as pretty, I don't know. When I was around eleven, 29 00:02:07,680 --> 00:02:10,000 Speaker 2: I felt like I needed to pick a career. I 30 00:02:10,000 --> 00:02:14,120 Speaker 2: guess I was just sort of overly, I don't know, 31 00:02:14,600 --> 00:02:17,800 Speaker 2: obsessive eleven year old, and I did. I had done 32 00:02:17,840 --> 00:02:23,120 Speaker 2: a couple of school plays and and I made the 33 00:02:23,160 --> 00:02:28,680 Speaker 2: decision definitively. So I had gone to a like a 34 00:02:28,800 --> 00:02:33,200 Speaker 2: convention thing like a modeling convention, and had an agent, 35 00:02:33,560 --> 00:02:36,400 Speaker 2: and I was living in New Orleans. So I started 36 00:02:36,440 --> 00:02:38,920 Speaker 2: going to New York in the summers and auditioning. 37 00:02:38,800 --> 00:02:40,800 Speaker 1: As an eleven year old or a ten year old 38 00:02:41,080 --> 00:02:44,880 Speaker 1: that young going to New York to audition, boy. 39 00:02:45,600 --> 00:02:47,240 Speaker 2: Oh yeah it was great. 40 00:02:47,520 --> 00:02:49,120 Speaker 3: Wow. Yeah, yeah, I was. 41 00:02:49,320 --> 00:02:51,640 Speaker 2: Yeah. I was with my mom. So there were a 42 00:02:51,639 --> 00:02:56,200 Speaker 2: lot of people doing that, Like Britney Spears was up 43 00:02:56,200 --> 00:03:00,760 Speaker 2: there and other people that ended up were working and stuff. 44 00:03:00,800 --> 00:03:04,160 Speaker 2: We're all coming from Louisiana, that's right. 45 00:03:04,240 --> 00:03:06,440 Speaker 1: Yeah, she's from she's from down that way. 46 00:03:06,720 --> 00:03:11,480 Speaker 2: Yeah, yeah, she's from I think kent Kentwood, Kentwood. 47 00:03:12,720 --> 00:03:17,160 Speaker 1: Next time I see her, I'll ask her. Uh, that's 48 00:03:17,200 --> 00:03:21,359 Speaker 1: an extraordinary way to grow up. Nobody from my area 49 00:03:22,040 --> 00:03:25,320 Speaker 1: was doing anything like that. So that's kind of big stuff. 50 00:03:25,320 --> 00:03:28,080 Speaker 1: That's big time talent. So when they recognize the talent 51 00:03:28,600 --> 00:03:31,360 Speaker 1: in somebody that young, then it's like, get them to 52 00:03:31,480 --> 00:03:34,680 Speaker 1: New York because boy, you know, that's a competitive marketplace. 53 00:03:34,720 --> 00:03:36,120 Speaker 1: So if you were up there, you used to have really 54 00:03:36,160 --> 00:03:38,400 Speaker 1: been showing and displaying some real talent. 55 00:03:38,960 --> 00:03:39,280 Speaker 2: Thanks. 56 00:03:39,600 --> 00:03:43,000 Speaker 1: How did you get the role of Lulu? Tell us 57 00:03:43,000 --> 00:03:46,080 Speaker 1: about that whole process. The agent called you, you went in, 58 00:03:46,160 --> 00:03:47,440 Speaker 1: tell us about that whole journey. 59 00:03:47,560 --> 00:03:49,680 Speaker 2: I just remember I had a lot I was going 60 00:03:49,720 --> 00:03:51,840 Speaker 2: on a lot of auditions at the time, and I 61 00:03:51,920 --> 00:03:56,200 Speaker 2: wasn't booking, and I had this really hardcore manager and 62 00:03:56,240 --> 00:03:56,840 Speaker 2: I said. 63 00:03:56,600 --> 00:03:58,200 Speaker 4: To her, I need to go to New York for 64 00:03:58,240 --> 00:04:00,840 Speaker 4: the weekend and regroup, and she was like, it was 65 00:04:00,880 --> 00:04:02,680 Speaker 4: really hard because she wanted to send me on all 66 00:04:02,680 --> 00:04:05,400 Speaker 4: these auditions and wouldn't let me rest for a day 67 00:04:05,640 --> 00:04:08,000 Speaker 4: and so I did it and I came. 68 00:04:07,880 --> 00:04:10,920 Speaker 2: Back and I owned my first audition and it was 69 00:04:10,960 --> 00:04:14,560 Speaker 2: just a really good feeling, and I booked it. So 70 00:04:15,240 --> 00:04:16,920 Speaker 2: it was just I needed to clear my head and 71 00:04:17,000 --> 00:04:21,400 Speaker 2: it was just a good It was a good It 72 00:04:21,440 --> 00:04:22,440 Speaker 2: was it was good luck. 73 00:04:22,880 --> 00:04:25,480 Speaker 1: And that was the Gilmour audition, and that was Gilmore. 74 00:04:25,640 --> 00:04:28,880 Speaker 2: I remember I was in having like a style inspiration 75 00:04:29,000 --> 00:04:33,840 Speaker 2: and I was into wearing flowers in my hair and 76 00:04:33,839 --> 00:04:37,159 Speaker 2: and that worked for the characters. So they they commented 77 00:04:37,200 --> 00:04:37,520 Speaker 2: on that. 78 00:04:38,560 --> 00:04:40,160 Speaker 1: Who did you meet? Who was in the room? 79 00:04:41,680 --> 00:04:46,600 Speaker 2: First it was casting, It was Mara and Jamie, and 80 00:04:46,640 --> 00:04:49,560 Speaker 2: then they brought me back with I know that Amy 81 00:04:49,720 --> 00:04:53,800 Speaker 2: was there and just another sea of faces. I'm not 82 00:04:53,800 --> 00:04:54,360 Speaker 2: sure who else. 83 00:04:54,440 --> 00:04:59,800 Speaker 1: Actually, probably I was Gavin there, Gavin Polong, I don't know. 84 00:05:00,080 --> 00:05:03,279 Speaker 2: I had been in a few times already on the show, 85 00:05:03,520 --> 00:05:05,919 Speaker 2: and I was at a point where I sort of 86 00:05:05,960 --> 00:05:08,359 Speaker 2: made a point on not saying too much attention to 87 00:05:08,400 --> 00:05:10,680 Speaker 2: what went in went on in the room. So it's 88 00:05:10,680 --> 00:05:12,960 Speaker 2: just kind of like that was my way of being 89 00:05:13,080 --> 00:05:14,839 Speaker 2: zen or I would get like over stimulated. 90 00:05:14,880 --> 00:05:18,120 Speaker 1: So so just you probably come in, focus on the reader, 91 00:05:18,240 --> 00:05:21,120 Speaker 1: focus on the work, get that tile, version. Yeah, I 92 00:05:21,760 --> 00:05:24,039 Speaker 1: know what you mean. You get you just want to 93 00:05:24,080 --> 00:05:27,359 Speaker 1: focus in on that reader, because boy, that other stuff 94 00:05:27,400 --> 00:05:28,120 Speaker 1: can distract you. 95 00:05:28,320 --> 00:05:29,880 Speaker 2: Yeah, yeah it can. 96 00:05:31,279 --> 00:05:34,760 Speaker 1: Yeah. Yeah. I remember going in a room once and 97 00:05:35,600 --> 00:05:40,760 Speaker 1: there sat the reader and then Walter Hill was over 98 00:05:40,800 --> 00:05:43,560 Speaker 1: his shoulder, sitting at a desk, and then to the 99 00:05:43,640 --> 00:05:47,960 Speaker 1: left of me was Jeff Bridges, and I just froze. 100 00:05:48,040 --> 00:05:51,560 Speaker 1: I was like, yeah, this is too intimidating for me. 101 00:05:52,839 --> 00:05:53,640 Speaker 1: This is what I. 102 00:05:53,600 --> 00:05:55,719 Speaker 2: Would I don't think i'd want to know that. Yeah, 103 00:05:55,720 --> 00:05:58,200 Speaker 2: I just want to be the character. 104 00:05:58,480 --> 00:06:01,320 Speaker 1: And I wasn't told that they would be in the room. 105 00:06:02,400 --> 00:06:05,039 Speaker 1: I did not know. And I walked in like all 106 00:06:05,080 --> 00:06:08,320 Speaker 1: full of confidence and ready to go, and then boom, 107 00:06:08,400 --> 00:06:11,720 Speaker 1: there they were. And I was like, yeah, I mean 108 00:06:11,720 --> 00:06:14,400 Speaker 1: I did Okay, I managed to get my focus back, 109 00:06:14,440 --> 00:06:16,159 Speaker 1: and I'm sure I've been in this situation, but you 110 00:06:16,279 --> 00:06:21,280 Speaker 1: have to just rally and deliver anyway. Yeah, those those 111 00:06:21,360 --> 00:06:23,720 Speaker 1: rooms can be really something. So it's good that you focused. 112 00:06:24,000 --> 00:06:28,280 Speaker 1: So you focused, you nailed it. How did how did 113 00:06:28,320 --> 00:06:30,560 Speaker 1: you find out that you got the job? 114 00:06:32,040 --> 00:06:37,240 Speaker 2: I think I don't know. I don't really remember. I 115 00:06:37,720 --> 00:06:41,960 Speaker 2: just remember. Mostly what I remember is getting the calls after, 116 00:06:42,200 --> 00:06:46,400 Speaker 2: like for the following episodes, and what a good feeling 117 00:06:46,480 --> 00:06:49,600 Speaker 2: that was to be invited back without reading again or 118 00:06:49,640 --> 00:06:52,599 Speaker 2: anything like that, and to feel like they knew me 119 00:06:52,800 --> 00:06:54,440 Speaker 2: and that it was a good match. 120 00:06:55,120 --> 00:06:58,440 Speaker 1: Were were you watching the show before the auditions? Were 121 00:06:58,440 --> 00:06:59,200 Speaker 1: you aware the show? 122 00:07:00,320 --> 00:07:02,440 Speaker 2: I was aware of it. I think i'd seen it 123 00:07:02,480 --> 00:07:05,359 Speaker 2: once or twice, but I wasn't a fan. I wasn't 124 00:07:05,400 --> 00:07:08,080 Speaker 2: someone who watched it. I didn't get into the fans 125 00:07:08,080 --> 00:07:13,520 Speaker 2: stuff until like nowadays, more to relate to the fans, 126 00:07:13,560 --> 00:07:17,720 Speaker 2: to know what what they're talking about when they're talking 127 00:07:17,720 --> 00:07:20,160 Speaker 2: about all these Gilmore topics, and that's been a nice, 128 00:07:20,360 --> 00:07:23,400 Speaker 2: a nice way to connect with people. It's been really cool. 129 00:07:24,640 --> 00:07:28,520 Speaker 1: So here's here's the big question. The big question is, 130 00:07:30,200 --> 00:07:33,240 Speaker 1: and because we all know difficult, how difficult he can be, 131 00:07:34,520 --> 00:07:39,640 Speaker 1: and how temperamental and how angry he can get, what 132 00:07:39,720 --> 00:07:44,800 Speaker 1: was it like working with Sean Gunn? It's like he 133 00:07:46,200 --> 00:07:46,960 Speaker 1: I'm just kidding. 134 00:07:48,160 --> 00:07:49,040 Speaker 2: That was really funny. 135 00:07:50,600 --> 00:07:54,040 Speaker 1: Sean Gunn is like the most delightful guy in the world. 136 00:07:54,680 --> 00:07:57,000 Speaker 2: Yeah. I did a lot of laughing. Yeah, there was 137 00:07:57,040 --> 00:08:01,640 Speaker 2: a lot of that's a good one. Yeah, I was right, Yeah, 138 00:08:01,720 --> 00:08:02,680 Speaker 2: that was it. It was easy. 139 00:08:03,160 --> 00:08:07,120 Speaker 1: Do you have any behind the scene moments with the 140 00:08:07,200 --> 00:08:09,560 Speaker 1: cast that you remember fondly. 141 00:08:10,680 --> 00:08:14,760 Speaker 2: Yeah, there were. It was always a good vibe. I mean, 142 00:08:14,800 --> 00:08:17,720 Speaker 2: the show itself is just this like for me, it 143 00:08:17,800 --> 00:08:23,040 Speaker 2: was just this pleasant little imaginary world, and the cast 144 00:08:23,320 --> 00:08:26,239 Speaker 2: reflected that. It was very peaceful from my point of view. 145 00:08:28,800 --> 00:08:34,640 Speaker 2: I liked the Sally Struthers and Liz Torres scene. They 146 00:08:34,640 --> 00:08:38,640 Speaker 2: were always telling like seventies dance show tunes stories and 147 00:08:38,760 --> 00:08:42,880 Speaker 2: theaters stuff, theater stories, and the laughter would be like 148 00:08:45,080 --> 00:08:48,200 Speaker 2: it was just so funny. They're just like born funny people. 149 00:08:49,040 --> 00:08:51,760 Speaker 2: And I liked one time when Sally went through her 150 00:08:51,880 --> 00:08:54,360 Speaker 2: enormous purse. I tell this story a lot because it's 151 00:08:54,400 --> 00:08:56,840 Speaker 2: one of my faves. She just pulled everything out and 152 00:08:56,840 --> 00:08:59,360 Speaker 2: made a big show what was in her purse. And 153 00:08:59,400 --> 00:09:01,400 Speaker 2: she had an extra of fork that she would use 154 00:09:02,400 --> 00:09:08,240 Speaker 2: bury with a lot of bride and she would show 155 00:09:08,240 --> 00:09:10,240 Speaker 2: it up. She would like harass people across the room 156 00:09:10,280 --> 00:09:10,720 Speaker 2: with it, and. 157 00:09:10,800 --> 00:09:14,120 Speaker 1: It's really funny. She said. That was very useful on 158 00:09:14,240 --> 00:09:20,199 Speaker 1: airplanes she did to entertain babies that were crying and 159 00:09:20,400 --> 00:09:24,080 Speaker 1: upset and right, so she'd go through her purse and 160 00:09:24,080 --> 00:09:27,360 Speaker 1: she'd pull out like you know, the fake hand or 161 00:09:27,400 --> 00:09:29,880 Speaker 1: the extend the extend a hand or extend to fork 162 00:09:29,960 --> 00:09:30,719 Speaker 1: as you prefer to. 163 00:09:31,480 --> 00:09:32,280 Speaker 2: That's so funny. 164 00:09:32,320 --> 00:09:37,520 Speaker 1: She's amazing. Yeah, the two of the Liz and Sally together, 165 00:09:39,240 --> 00:09:42,240 Speaker 1: you know, that's when it was the most professional, the 166 00:09:42,440 --> 00:09:47,760 Speaker 1: consummate professionals, the experienced theater ladies who were keeping this 167 00:09:47,920 --> 00:09:51,720 Speaker 1: set in an upbeat mood and a lively youth because 168 00:09:51,760 --> 00:09:57,640 Speaker 1: they knew how drained everybody was, especially Lauren and Alexis uh, 169 00:09:57,679 --> 00:10:00,360 Speaker 1: and they just injected that energy and that's spirit. 170 00:10:00,559 --> 00:10:04,200 Speaker 2: Yeah, they're just like generous, generous theater people. 171 00:10:04,280 --> 00:10:06,840 Speaker 1: Yeah right, It's like part of their job is to 172 00:10:07,040 --> 00:10:11,040 Speaker 1: do that, and they I've never seen two people better 173 00:10:11,120 --> 00:10:14,080 Speaker 1: at that job, you know. Yeah, just to really live 174 00:10:14,160 --> 00:10:18,880 Speaker 1: and everything up and keep everybody loose and so so 175 00:10:19,080 --> 00:10:27,440 Speaker 1: valuable to the show. Such great people. When did you 176 00:10:27,520 --> 00:10:31,480 Speaker 1: hear that that Gilmour was going to do a revival 177 00:10:31,480 --> 00:10:32,160 Speaker 1: with Netflix? 178 00:10:33,760 --> 00:10:36,280 Speaker 2: Oh yeah, well I was living in New York and 179 00:10:36,440 --> 00:10:40,160 Speaker 2: I heard about it, but I wasn't really invited until 180 00:10:40,400 --> 00:10:44,559 Speaker 2: pretty last minute. So they kind of called me and 181 00:10:44,559 --> 00:10:46,280 Speaker 2: were like come out. It was like this week or 182 00:10:46,320 --> 00:10:48,360 Speaker 2: next week or something. So I was so glad to 183 00:10:48,400 --> 00:10:52,560 Speaker 2: be included. But I don't remember when I heard about it, 184 00:10:52,600 --> 00:10:54,800 Speaker 2: but rumors flowed around all the time. I didn't know, 185 00:10:54,960 --> 00:10:58,960 Speaker 2: and then it was at a certain point I knew, Yeah, 186 00:10:59,000 --> 00:11:00,079 Speaker 2: a few months before. 187 00:10:59,840 --> 00:11:03,679 Speaker 1: It must have been. It must have been a bit 188 00:11:03,800 --> 00:11:08,600 Speaker 1: anxiety ridden, not you know, did you being feel feeling 189 00:11:08,640 --> 00:11:11,240 Speaker 1: that maybe you got passed over or something, you know, 190 00:11:11,280 --> 00:11:12,120 Speaker 1: because you didn't hear me. 191 00:11:12,240 --> 00:11:13,840 Speaker 2: Of course I wanted to be a part of it, 192 00:11:13,880 --> 00:11:16,920 Speaker 2: but a lot of people were not included, and it 193 00:11:17,040 --> 00:11:18,280 Speaker 2: was just an enormous cast. 194 00:11:18,440 --> 00:11:25,080 Speaker 1: So who wasn't included? Uh, Shelley Shelley Cole, Yes, yeah, 195 00:11:25,240 --> 00:11:26,680 Speaker 1: I guess not. I guess not. 196 00:11:27,320 --> 00:11:29,160 Speaker 2: She might not have been it. I'm not even totally 197 00:11:29,160 --> 00:11:29,599 Speaker 2: sure she was. 198 00:11:29,880 --> 00:11:32,840 Speaker 1: You know, I think Ariel Kebble wasn't either, because we 199 00:11:33,000 --> 00:11:36,880 Speaker 1: just talked to her and she said she she was 200 00:11:36,960 --> 00:11:38,960 Speaker 1: really bummed that she wasn't a part of that. 201 00:11:39,720 --> 00:11:39,920 Speaker 3: Yeah. 202 00:11:39,920 --> 00:11:42,280 Speaker 2: I mean it was finding a place for the characters 203 00:11:42,320 --> 00:11:44,520 Speaker 2: to go that made sense, you know, That's all it 204 00:11:44,559 --> 00:11:50,960 Speaker 2: really was. I guess right. Yeah, So so it was. Yeah, 205 00:11:51,120 --> 00:11:57,600 Speaker 2: it was definitely a huge treat and so trippy, so 206 00:11:57,720 --> 00:11:59,319 Speaker 2: trippy to be in that room around all. 207 00:11:59,280 --> 00:12:01,679 Speaker 1: These people and nine years later. 208 00:12:02,480 --> 00:12:04,480 Speaker 2: Yeah, some of it, Yeah, some of the things were 209 00:12:04,520 --> 00:12:06,959 Speaker 2: exactly the same. Some of the things were totally different, 210 00:12:07,240 --> 00:12:09,160 Speaker 2: Like it's weird. How often do you have that? 211 00:12:09,960 --> 00:12:12,920 Speaker 1: Yeah, to revisit nine years later, and it was. It 212 00:12:13,000 --> 00:12:18,360 Speaker 1: was a completely different experience. It was completely different. The 213 00:12:18,440 --> 00:12:21,920 Speaker 1: sets were different, everything was better, the cameras were different, 214 00:12:22,760 --> 00:12:27,720 Speaker 1: the technology was more grandiose, it was more ubiquitous. It was. 215 00:12:28,160 --> 00:12:32,839 Speaker 1: It was just one an experience. Didn't you feel like 216 00:12:32,880 --> 00:12:35,520 Speaker 1: you were making movies because we kind of were. We 217 00:12:35,520 --> 00:12:40,040 Speaker 1: were making films. It wasn't television. We were not making television. 218 00:12:40,080 --> 00:12:43,600 Speaker 1: We were making romantic comedy films. 219 00:12:44,240 --> 00:12:45,760 Speaker 2: Well, I mean I can see that now. 220 00:12:46,080 --> 00:12:49,120 Speaker 1: Yeah, sure, I felt that at the time because I 221 00:12:50,040 --> 00:12:52,160 Speaker 1: would mention to be I said, this isn't television, this 222 00:12:52,240 --> 00:12:54,959 Speaker 1: is film. We're doing filmmaking right now, this is these 223 00:12:54,960 --> 00:12:58,120 Speaker 1: are four films we're making. And by golly, I want 224 00:12:58,120 --> 00:13:05,840 Speaker 1: to be paid for them. Talk about like a movie, 225 00:13:06,840 --> 00:13:09,680 Speaker 1: you know, full of me with your TV episodes hour 226 00:13:09,720 --> 00:13:13,240 Speaker 1: and a half episode, good for you? No no, no, no, no, no, 227 00:13:13,679 --> 00:13:14,520 Speaker 1: you're not tricking me. 228 00:13:15,600 --> 00:13:18,320 Speaker 2: No, yeah it was it was. Yeah, it was movies. Yeah, 229 00:13:18,400 --> 00:13:20,280 Speaker 2: I mean it was movies. 230 00:13:20,360 --> 00:13:22,520 Speaker 1: They were they played like films, and they were films. 231 00:13:23,240 --> 00:13:25,480 Speaker 1: I made four films without having to release them in theaters. 232 00:13:25,480 --> 00:13:31,800 Speaker 1: They released them on Netflix. Yeah, yeah, without without giving 233 00:13:32,040 --> 00:13:37,880 Speaker 1: away any spoilers. Okay, okay, what was your favorite part 234 00:13:38,000 --> 00:13:41,800 Speaker 1: about returning to the Gilmore Girls set. 235 00:13:43,080 --> 00:13:45,720 Speaker 2: Oh? I love that it's a little town. 236 00:13:46,320 --> 00:13:50,520 Speaker 5: It's just feels like those the Like childhood, there was 237 00:13:50,559 --> 00:13:53,199 Speaker 5: this place where you could go have the story books 238 00:13:53,200 --> 00:13:55,760 Speaker 5: and they were all it was called Storyville and you'd 239 00:13:55,800 --> 00:13:57,679 Speaker 5: go and it was like you'd play in the actual 240 00:13:57,760 --> 00:14:01,680 Speaker 5: stories and it's just so on and it was like 241 00:14:01,720 --> 00:14:06,480 Speaker 5: that brought up that childlike uh lay that it was 242 00:14:06,600 --> 00:14:10,320 Speaker 5: they really built a town and you're really playing in it, right, right, 243 00:14:10,800 --> 00:14:11,800 Speaker 5: it's doable. 244 00:14:12,840 --> 00:14:15,840 Speaker 1: Yes, And we were. We were all the little plastic 245 00:14:15,880 --> 00:14:19,640 Speaker 1: pieces that they moved around so gracefully, so gracefully, a 246 00:14:19,680 --> 00:14:23,320 Speaker 1: little plastic pieces they moved around. Do you keep up 247 00:14:23,320 --> 00:14:25,120 Speaker 1: with a lot of casts. Who have you been keeping 248 00:14:25,160 --> 00:14:25,680 Speaker 1: in touch with? 249 00:14:27,640 --> 00:14:36,240 Speaker 2: Well, it varies. I just had Shelley came to my wedding. 250 00:14:36,320 --> 00:14:37,000 Speaker 2: I just got. 251 00:14:36,800 --> 00:14:41,200 Speaker 1: Mend Oh my goodness, wow, great, big news, big news. 252 00:14:41,560 --> 00:14:42,680 Speaker 2: Yeah. 253 00:14:43,200 --> 00:14:46,040 Speaker 1: I don't know that you're just supposed to congratulate the bride, 254 00:14:46,120 --> 00:14:49,720 Speaker 1: but congratulations. I don't think you're supposed to gradually congratulate 255 00:14:49,760 --> 00:14:50,240 Speaker 1: the bride. 256 00:14:50,280 --> 00:14:53,240 Speaker 2: But that's a lot of traditions out there. 257 00:14:53,440 --> 00:14:55,720 Speaker 1: There certainly are, and my head is stuck in a 258 00:14:55,760 --> 00:14:58,240 Speaker 1: few of them, but that one I'm not too sure about. 259 00:14:59,160 --> 00:15:02,760 Speaker 1: But anyway, that's except that that's great news, that's fantastic. 260 00:15:02,800 --> 00:15:03,760 Speaker 1: Good for you, Thank you. 261 00:15:04,880 --> 00:15:10,200 Speaker 2: In New Orleans, so Shelley came, didn't really And then 262 00:15:10,200 --> 00:15:13,680 Speaker 2: we ran into Devin the Yale dude. 263 00:15:13,720 --> 00:15:14,920 Speaker 1: Did, one of the Yale guys. 264 00:15:15,480 --> 00:15:18,240 Speaker 2: Yeah, but like in the French Quarter. We ran into 265 00:15:18,320 --> 00:15:20,800 Speaker 2: him randomly at a parade. 266 00:15:21,000 --> 00:15:21,840 Speaker 1: Okay, And. 267 00:15:23,840 --> 00:15:26,040 Speaker 2: Sometimes I see Airis around town. 268 00:15:26,160 --> 00:15:29,560 Speaker 1: Oh sure, yeah. 269 00:15:28,640 --> 00:15:31,880 Speaker 2: It just I see Valerie Valeries like the great connector 270 00:15:31,920 --> 00:15:36,080 Speaker 2: of all time. She's the most networking connector of everybody. 271 00:15:36,160 --> 00:15:39,840 Speaker 2: So I see her because because Valerie is amazing at 272 00:15:39,840 --> 00:15:44,960 Speaker 2: that stuff. So we stay in touch, right, Valerie Campbell, Yes, 273 00:15:45,040 --> 00:15:48,000 Speaker 2: I see people around Stan he was a writer on 274 00:15:48,040 --> 00:15:48,400 Speaker 2: the show. 275 00:15:48,920 --> 00:15:52,160 Speaker 1: Oh you know, he just wrote this Norman Mayler episode 276 00:15:52,200 --> 00:15:56,120 Speaker 1: or he co wrote it Norman Mailer I'm pregnant, Yes, 277 00:15:56,640 --> 00:15:59,640 Speaker 1: Season five, episodes six, So it's got I think I 278 00:16:00,160 --> 00:16:05,160 Speaker 1: remember Stan's name on the credits. Really terrific episode, really 279 00:16:05,200 --> 00:16:09,920 Speaker 1: funny and really intriguing because now there's a whole new 280 00:16:09,960 --> 00:16:13,600 Speaker 1: door opening up on this on the show as as 281 00:16:13,760 --> 00:16:18,480 Speaker 1: Rory's entering the Logan Huntsburger Portal, and we're going to 282 00:16:18,520 --> 00:16:21,160 Speaker 1: see where that takes it. So it's really exciting and 283 00:16:21,200 --> 00:16:23,560 Speaker 1: it really gives the show this new life, you know, 284 00:16:24,400 --> 00:16:31,720 Speaker 1: really really energy. All right, do you think fans recognize 285 00:16:31,760 --> 00:16:36,280 Speaker 1: you more for Gilmore Girls or Bring It On? 286 00:16:36,720 --> 00:16:39,360 Speaker 2: Bring It On? I had the pleasure of being recognized 287 00:16:39,400 --> 00:16:42,960 Speaker 2: for both last week. There you go, let's examine the demographic. 288 00:16:43,160 --> 00:16:47,520 Speaker 2: One was at a I was at a mescal tasting 289 00:16:49,200 --> 00:16:52,040 Speaker 2: where a young man from Brazil recognized me from Bring 290 00:16:52,040 --> 00:16:54,680 Speaker 2: It On. And then I was at a groundling show 291 00:16:54,680 --> 00:16:58,000 Speaker 2: where I was recognized for Gilmore Girls. So oh nice check, 292 00:16:58,440 --> 00:16:59,200 Speaker 2: so young check. 293 00:17:00,280 --> 00:17:05,680 Speaker 3: Yeah. 294 00:17:05,800 --> 00:17:08,640 Speaker 1: Now we're going to play a game called rapid Fire. 295 00:17:08,640 --> 00:17:10,399 Speaker 1: I'm gonna ask you questions you're gonna fire back. The 296 00:17:10,440 --> 00:17:13,960 Speaker 1: answer is you ready? Yeah, that's exciting. How do you 297 00:17:14,080 --> 00:17:14,760 Speaker 1: like your coffee? 298 00:17:15,920 --> 00:17:16,240 Speaker 3: Black? 299 00:17:16,440 --> 00:17:20,080 Speaker 1: Are your team Logan, Team Jess or Team Dean Logan? 300 00:17:20,280 --> 00:17:21,320 Speaker 1: Who's your all? 301 00:17:21,440 --> 00:17:21,680 Speaker 2: Right? 302 00:17:23,760 --> 00:17:26,040 Speaker 1: Right now? I'm like all about Logan. I know I'm 303 00:17:26,080 --> 00:17:30,359 Speaker 1: always going to be Jess, but Logan, like Logan's you know, 304 00:17:30,480 --> 00:17:35,359 Speaker 1: he's kind of dig in the dude, Uh, who's your 305 00:17:35,400 --> 00:17:40,400 Speaker 1: favorite Gilmore girls? Compel Luke and Laurel, I, Richard and Emily. 306 00:17:42,320 --> 00:17:47,359 Speaker 2: Ah uh well just okay, just Richard and Emily, but 307 00:17:47,400 --> 00:17:49,679 Speaker 2: only because they're older and that's sweet. 308 00:17:51,240 --> 00:17:53,200 Speaker 1: What would you order at Luke Steiner? 309 00:17:54,680 --> 00:17:55,640 Speaker 2: Oh coffee? 310 00:17:56,760 --> 00:18:01,280 Speaker 1: I mean Jackson or Taylor for hounds select man? 311 00:18:02,160 --> 00:18:04,520 Speaker 2: Jackson's the cool one, right him? 312 00:18:04,640 --> 00:18:08,600 Speaker 1: Jackson? You know, Jackson is the is Suki is is 313 00:18:08,640 --> 00:18:17,440 Speaker 1: Suki's white wife Ski husband. Now you know Jackson vegetables, 314 00:18:17,520 --> 00:18:18,800 Speaker 1: Jackson with the vegetables. 315 00:18:19,200 --> 00:18:20,200 Speaker 2: I mean I like him. 316 00:18:20,600 --> 00:18:25,200 Speaker 1: Okay, okay, well he sucks at that job and he's 317 00:18:25,200 --> 00:18:27,920 Speaker 1: going to but if you like him, you like him. 318 00:18:27,920 --> 00:18:31,480 Speaker 1: Had your vote matters. You know, he's a wonderful wife 319 00:18:31,520 --> 00:18:34,040 Speaker 1: and a horrible selectman. There you go. Would you rather 320 00:18:34,160 --> 00:18:38,440 Speaker 1: listen to help Alien or the Troubadour's cover songs? 321 00:18:38,920 --> 00:18:39,080 Speaker 3: Oh? 322 00:18:39,160 --> 00:18:40,440 Speaker 2: The hep Alien any day? 323 00:18:41,600 --> 00:18:46,160 Speaker 1: Hell? Yeah? Harvard? Or Yale? 324 00:18:46,400 --> 00:18:51,440 Speaker 2: Oh god, you don't know. I went to Yale one time. Wait, 325 00:18:51,560 --> 00:18:53,160 Speaker 2: and I said, I don't want to say a faux pa, 326 00:18:53,200 --> 00:18:55,840 Speaker 2: but I spent a weekend at Yale with some girlfriends. Once. 327 00:18:55,880 --> 00:18:57,080 Speaker 2: It's fun, so. 328 00:18:57,080 --> 00:19:00,480 Speaker 1: It's yeah, it's gonna be Yale. All right, uh oh, 329 00:19:00,520 --> 00:19:03,359 Speaker 1: I got wait a minute, Harvard just called. They're really angry. 330 00:19:04,320 --> 00:19:05,760 Speaker 2: I know, probably something wrong. 331 00:19:05,920 --> 00:19:08,080 Speaker 1: And then they looked at their endowment and they said, 332 00:19:08,119 --> 00:19:12,560 Speaker 1: well they're not. They got over it. What's Rory's bigger mistake? 333 00:19:12,680 --> 00:19:16,080 Speaker 1: Crashing the car her boyfriend built for her or sleeping 334 00:19:16,119 --> 00:19:18,439 Speaker 1: with her ex who is married. 335 00:19:19,680 --> 00:19:21,679 Speaker 2: I'm sleeping with her ex. 336 00:19:21,520 --> 00:19:25,320 Speaker 1: Is married, right, because that's like a life crash. That's 337 00:19:25,400 --> 00:19:27,560 Speaker 1: like driving the car of life. 338 00:19:27,400 --> 00:19:30,359 Speaker 2: Off the road, crashing a heart, that's. 339 00:19:39,600 --> 00:19:44,200 Speaker 1: Crashing two hearts. Really well, it's really good. Who from 340 00:19:44,640 --> 00:19:47,560 Speaker 1: Gilmore girls? Would you not want to be stuck on 341 00:19:47,600 --> 00:19:48,920 Speaker 1: a desert island with. 342 00:19:50,280 --> 00:19:54,880 Speaker 2: Oh oh oh to find somebody? I don't know. That's 343 00:19:54,920 --> 00:19:58,280 Speaker 2: a mean Paris. I guess she'd probably getting over grading 344 00:19:58,680 --> 00:19:59,320 Speaker 2: after a while. 345 00:19:59,600 --> 00:20:04,679 Speaker 1: You're great, but she might save our lives. 346 00:20:05,040 --> 00:20:06,920 Speaker 2: Well, I know she might be very useful. 347 00:20:07,040 --> 00:20:09,159 Speaker 1: She could be very useful. So it would be a 348 00:20:09,920 --> 00:20:15,439 Speaker 1: brief encounter with an annoying person is very capable to get. 349 00:20:15,280 --> 00:20:17,640 Speaker 2: You right out of there, as opposed to being all 350 00:20:17,800 --> 00:20:19,520 Speaker 2: entertained but never leaving right. 351 00:20:19,560 --> 00:20:22,840 Speaker 1: I mean, can you imagine a plane coming within five 352 00:20:22,920 --> 00:20:26,119 Speaker 1: miles and not noticing her, and she'd be screaming at 353 00:20:26,119 --> 00:20:28,359 Speaker 1: the top of her lung. She'd figure it out. She'd 354 00:20:28,359 --> 00:20:32,439 Speaker 1: figure it out. Yeah, that's probably a good game. Desert 355 00:20:32,560 --> 00:20:35,679 Speaker 1: lying which what how would you each Gilmore affect the 356 00:20:35,800 --> 00:20:41,400 Speaker 1: outcome something in your life? You are all in on. 357 00:20:43,640 --> 00:20:47,360 Speaker 2: I guess my marriage. There you go is the definition. 358 00:20:46,960 --> 00:20:47,359 Speaker 3: Of all in. 359 00:20:48,040 --> 00:20:49,919 Speaker 1: Well, I mean there you go. I mean that just 360 00:20:50,040 --> 00:20:53,080 Speaker 1: defines it. Anyway, Thank you for your time. It's been 361 00:20:53,119 --> 00:20:55,080 Speaker 1: a it's been a blast catching up with you, taking 362 00:20:55,119 --> 00:20:55,680 Speaker 1: a little trip. 363 00:20:55,760 --> 00:20:57,320 Speaker 2: It's been so fun. Nice to see you. 364 00:20:57,440 --> 00:21:00,119 Speaker 1: Good to see you too, and good luck, uh with 365 00:21:00,400 --> 00:21:03,920 Speaker 1: your career and uh, thank you so much. 366 00:21:04,040 --> 00:21:24,440 Speaker 3: Be welcome my pleasure. 367 00:21:35,480 --> 00:21:38,480 Speaker 6: Hey everybody, and don't forget follow us on Instagram at 368 00:21:38,800 --> 00:21:42,760 Speaker 6: I Am All In podcast and email us at Gilmore 369 00:21:42,960 --> 00:21:45,720 Speaker 6: at iHeartRadio dot com. 370 00:21:45,760 --> 00:21:47,520 Speaker 1: Oh you're Gilmore fans. If you're looking for the best 371 00:21:47,600 --> 00:21:50,400 Speaker 1: cup of coffee in the world, go to my website 372 00:21:50,440 --> 00:21:53,480 Speaker 1: from my company Scottip dot com, s C O T 373 00:21:53,480 --> 00:21:56,880 Speaker 1: T y P dot com, Scottip dot com Grade one 374 00:21:57,240 --> 00:22:08,080 Speaker 1: Specialty Coffee