1 00:00:01,200 --> 00:00:03,800 Speaker 1: Time now for today's Strawberry Letter. And if you need 2 00:00:03,840 --> 00:00:08,080 Speaker 1: advice on relationships, work, dating, sex, parenting, and more. Please 3 00:00:08,080 --> 00:00:11,080 Speaker 1: submit your Strawberry Letter to Steve HARVEYFM dot com and 4 00:00:11,160 --> 00:00:13,960 Speaker 1: click submit Strawberry Letter. We could be reading your letter 5 00:00:14,680 --> 00:00:17,239 Speaker 1: live on the air, just like we're gonna read this 6 00:00:17,280 --> 00:00:21,000 Speaker 1: one right here, right now. Buckle up and hold on tight. 7 00:00:21,079 --> 00:00:23,439 Speaker 1: We got it for you here. It is the Strawberry Letter. 8 00:00:24,079 --> 00:00:28,040 Speaker 1: Thank you. Nephew's subject romantic comedies are ruining me. Dear 9 00:00:28,120 --> 00:00:31,120 Speaker 1: Stephen Shirley. I'm a woman in my late twenties and 10 00:00:31,200 --> 00:00:34,040 Speaker 1: my man is thirty two years old. He has had 11 00:00:34,120 --> 00:00:38,240 Speaker 1: only one other girlfriend, and he's inexperienced in being romantic. 12 00:00:38,600 --> 00:00:42,680 Speaker 1: I'm all about the romance, so I'm really into romantic comedies, 13 00:00:43,200 --> 00:00:46,200 Speaker 1: but I think they're ruining my love life. I love 14 00:00:46,280 --> 00:00:49,839 Speaker 1: my boyfriend. He is so many great qualities, but when 15 00:00:49,880 --> 00:00:53,080 Speaker 1: it comes to romancing me and wooing me, he falls short. 16 00:00:53,440 --> 00:00:56,760 Speaker 1: I'm very particular in how I like things, so I 17 00:00:56,840 --> 00:00:59,400 Speaker 1: think he's developed a mindset that it's better to do 18 00:00:59,480 --> 00:01:02,280 Speaker 1: nothing at all than to do something that I will 19 00:01:02,320 --> 00:01:05,040 Speaker 1: not like. I would love for him to do something 20 00:01:05,080 --> 00:01:08,320 Speaker 1: elaborate for our first anniversary, which is coming up soon, 21 00:01:08,680 --> 00:01:12,640 Speaker 1: but nothing too grand. I like candlelit dinners, but he 22 00:01:12,720 --> 00:01:15,880 Speaker 1: likes rose petals and plastic flowers all on the floor. 23 00:01:16,160 --> 00:01:18,800 Speaker 1: I like hotels with a jacuzzi in the room, but 24 00:01:18,880 --> 00:01:22,720 Speaker 1: he likes those awful motels with heart shaped beds. I 25 00:01:22,840 --> 00:01:27,000 Speaker 1: like fine chocolates, but he gets those gigantic heart shaped 26 00:01:27,080 --> 00:01:30,960 Speaker 1: boxes of chocolates. I like long, romantic drives, but he's 27 00:01:31,000 --> 00:01:33,640 Speaker 1: got a white He got a white stretched limo the 28 00:01:33,720 --> 00:01:36,640 Speaker 1: last time. I told him to surprise me. For me, 29 00:01:36,760 --> 00:01:40,360 Speaker 1: there's a fine line between romantic and cheesy. I want 30 00:01:40,360 --> 00:01:43,760 Speaker 1: a romantic experience tailored to me and my personality, not 31 00:01:43,880 --> 00:01:47,680 Speaker 1: a generic waste of money. I bring these things up 32 00:01:47,720 --> 00:01:51,480 Speaker 1: casually in conversation, but I think he's worried about displeasing me, 33 00:01:51,600 --> 00:01:53,960 Speaker 1: so he's not going to put forth any effort at 34 00:01:54,000 --> 00:01:57,360 Speaker 1: all anymore. I'm a romantic one, and for our date nights, 35 00:01:57,640 --> 00:02:01,639 Speaker 1: I suggest mood lighting, the can, the food and the music. 36 00:02:01,960 --> 00:02:04,000 Speaker 1: I know what I like, and I've been making sure 37 00:02:04,120 --> 00:02:07,920 Speaker 1: I'm comfortable for our romantic moments. I thought by now 38 00:02:07,960 --> 00:02:10,519 Speaker 1: he'd be able to take the hint, but I don't 39 00:02:10,520 --> 00:02:12,520 Speaker 1: think he gets it. So how do I get him 40 00:02:12,560 --> 00:02:17,760 Speaker 1: to romance me like on the movies. Please help what? Okay, 41 00:02:18,880 --> 00:02:21,280 Speaker 1: you're probably if you want him to romance you like 42 00:02:21,360 --> 00:02:24,600 Speaker 1: they romance women in the movies, you're probably gonna have 43 00:02:24,639 --> 00:02:27,839 Speaker 1: to actually be in a movie with someone other than 44 00:02:27,880 --> 00:02:30,760 Speaker 1: your man for that to happen. I just think you 45 00:02:30,840 --> 00:02:33,639 Speaker 1: need to get your head out of the movie. So okay, 46 00:02:33,680 --> 00:02:36,480 Speaker 1: because it's the movie, it's not real. It's not reality. 47 00:02:37,160 --> 00:02:40,800 Speaker 1: This is real life, and that's not what you have. 48 00:02:41,280 --> 00:02:45,600 Speaker 1: And you cannot change him. Okay. You obviously have two 49 00:02:45,639 --> 00:02:48,680 Speaker 1: different ideas of what it means to be romantic, and 50 00:02:48,720 --> 00:02:51,320 Speaker 1: when he does do something, it seems like you complain 51 00:02:51,360 --> 00:02:54,160 Speaker 1: about it. I think you should at least give him 52 00:02:54,160 --> 00:02:57,080 Speaker 1: an e for effort because he has done some things. 53 00:02:58,800 --> 00:03:01,480 Speaker 1: You just didn't like what he did. I don't blame 54 00:03:01,520 --> 00:03:04,639 Speaker 1: you on the plastic flowers, though, I really don't. That's 55 00:03:04,720 --> 00:03:09,040 Speaker 1: kind of crazy. That isn't anything to break up about, though, 56 00:03:09,360 --> 00:03:11,360 Speaker 1: this is what you're going through. This has nothing to 57 00:03:11,400 --> 00:03:13,360 Speaker 1: break up about. You say you love him, and you 58 00:03:13,440 --> 00:03:16,560 Speaker 1: say he has so many great qualities. So I say 59 00:03:16,600 --> 00:03:20,440 Speaker 1: to you, stop comparing him to the men in the movies. 60 00:03:20,720 --> 00:03:23,600 Speaker 1: Those are scripted movies. They have writers to write those 61 00:03:23,680 --> 00:03:26,079 Speaker 1: lines and for them to do the things that they 62 00:03:26,120 --> 00:03:29,040 Speaker 1: do in the movies. Okay, you got to stop comparing 63 00:03:29,120 --> 00:03:31,600 Speaker 1: him to that and the fairy tales and all of 64 00:03:31,600 --> 00:03:34,239 Speaker 1: that and realize that you have a man with little 65 00:03:34,400 --> 00:03:37,560 Speaker 1: or no experience in the romance area. But like you say, 66 00:03:37,600 --> 00:03:39,640 Speaker 1: he's got a lot of good qualities, a lot of 67 00:03:39,680 --> 00:03:43,560 Speaker 1: great qualities, So concentrate on those, all right, And he 68 00:03:43,640 --> 00:03:45,800 Speaker 1: can't reach your mind, so you're gonna have to tell 69 00:03:45,880 --> 00:03:55,080 Speaker 1: him outright instead of dropping hints. Steve Well, romantic comedies 70 00:03:55,120 --> 00:03:57,360 Speaker 1: are ruining me. First of all, just let me say this. 71 00:03:57,760 --> 00:04:02,080 Speaker 1: You're tripping. Yeah, she really is. You're tripping. Shirley's exactly right. 72 00:04:02,160 --> 00:04:06,800 Speaker 1: This is this is reality. This ain't no movie. Can't 73 00:04:06,800 --> 00:04:10,520 Speaker 1: nobody do that all that that's in the movie. I'm 74 00:04:10,520 --> 00:04:13,600 Speaker 1: one of the greatest players ever lived and born into 75 00:04:13,640 --> 00:04:16,600 Speaker 1: this game. And even I can't do this all the 76 00:04:16,720 --> 00:04:19,080 Speaker 1: damn time. I can do it every nine and the end. 77 00:04:19,640 --> 00:04:21,279 Speaker 1: We can't abody to do this all the time. I 78 00:04:21,279 --> 00:04:25,279 Speaker 1: got to go to work, I gotta paid the bills. 79 00:04:25,880 --> 00:04:29,640 Speaker 1: I got responsibility. I'm a man. I forget things sometimes 80 00:04:29,640 --> 00:04:32,360 Speaker 1: I don't see it. But you're tripping on and see 81 00:04:32,480 --> 00:04:35,360 Speaker 1: you're tripping off through the letter, you and your late twenties. 82 00:04:35,400 --> 00:04:38,640 Speaker 1: You're man thirty two. Now you're trying to put it off. 83 00:04:38,640 --> 00:04:41,640 Speaker 1: He only had one other girlfriend, and he's inexperienced at 84 00:04:41,640 --> 00:04:45,320 Speaker 1: being romantic. I'm all about romance, so I'm really in 85 00:04:45,320 --> 00:04:47,920 Speaker 1: the romantic comedies, but I don't I think they ruin 86 00:04:48,000 --> 00:04:50,840 Speaker 1: in my love life. I love my boyfriend. He got 87 00:04:50,880 --> 00:04:52,560 Speaker 1: some of the great qualities, but when it comes to 88 00:04:52,680 --> 00:04:55,920 Speaker 1: romancing me, or warned me, he falls short. Okay, so 89 00:04:56,000 --> 00:05:00,160 Speaker 1: how did he get you? Then? How did he become? Um, 90 00:05:00,279 --> 00:05:05,520 Speaker 1: your damn boyfriend? If he falls short? What was he 91 00:05:05,800 --> 00:05:08,479 Speaker 1: doing to get you to be his girlfriend? Where you 92 00:05:08,600 --> 00:05:14,560 Speaker 1: was overlooking all that wooing? Oh, I know what it was. Oh, 93 00:05:14,600 --> 00:05:19,040 Speaker 1: I know what it was. Oh. He might not know 94 00:05:19,080 --> 00:05:21,080 Speaker 1: how to light no candle, but he know how to 95 00:05:21,160 --> 00:05:24,880 Speaker 1: light that damn fied. Oh yeah, he might not know 96 00:05:24,920 --> 00:05:27,400 Speaker 1: how to throw no rolls petals in the floor, but 97 00:05:27,480 --> 00:05:29,960 Speaker 1: he knows how to fry your bacon. Oh, I see 98 00:05:30,000 --> 00:05:33,719 Speaker 1: what's happen it right here? Yeah? Okay, so now it's okay, 99 00:05:33,760 --> 00:05:36,640 Speaker 1: So now let's go on. I'm very particularly how I 100 00:05:36,720 --> 00:05:39,760 Speaker 1: like things, So I think he's developed the mindset that 101 00:05:39,800 --> 00:05:41,760 Speaker 1: it's better not to do nothing at all than to 102 00:05:41,839 --> 00:05:44,359 Speaker 1: do something I would not like. Okay, well you know 103 00:05:44,360 --> 00:05:48,200 Speaker 1: what that means, he shall shot hell every time he 104 00:05:48,279 --> 00:05:53,600 Speaker 1: tries something, you don't like it, and you're trill. See 105 00:05:53,600 --> 00:05:55,320 Speaker 1: it ain't like you ain't got a man that ain't 106 00:05:55,360 --> 00:05:57,760 Speaker 1: doing nothing, and you and and then and then listen 107 00:05:57,800 --> 00:06:04,600 Speaker 1: to this line right here. Oh, I would love for 108 00:06:04,680 --> 00:06:09,000 Speaker 1: him to do something elaborate for our first anniversary, which 109 00:06:09,080 --> 00:06:13,760 Speaker 1: is coming up soon, but nothing too grand. What? Yeah, 110 00:06:14,360 --> 00:06:17,640 Speaker 1: you want him to do something elaborate, but you don't 111 00:06:17,680 --> 00:06:21,599 Speaker 1: want him to do nothing too grand. You confusing? You 112 00:06:21,640 --> 00:06:26,240 Speaker 1: won't elaborate but not too grand. Now if you tell 113 00:06:26,279 --> 00:06:29,320 Speaker 1: that to any man, do you know what that leaves us? 114 00:06:31,480 --> 00:06:35,240 Speaker 1: To our own line? I think she won't something elaborate 115 00:06:35,360 --> 00:06:40,640 Speaker 1: but not too grand, right, Steve, listen hold on for 116 00:06:40,760 --> 00:06:43,400 Speaker 1: part two. Okay, we'll have part two of Steve's response 117 00:06:43,480 --> 00:06:46,080 Speaker 1: coming up at twenty three minutes after the hour My 118 00:06:46,160 --> 00:06:50,000 Speaker 1: strawberry letter for today's subject, romantic comedies are ruining Me. 119 00:06:50,080 --> 00:06:53,240 Speaker 1: We'll get back into it right after this. You're listening 120 00:06:53,480 --> 00:06:57,560 Speaker 1: to morning show, all right? Come on, Steve, let's recap 121 00:06:57,600 --> 00:07:03,479 Speaker 1: today's strawberry letter, romantic comedies are ruining me. Yeah, this 122 00:07:03,640 --> 00:07:06,359 Speaker 1: lady twenty nine years old, gotta dude thirty two. She 123 00:07:06,480 --> 00:07:09,600 Speaker 1: said he only had one other girlfriend, so he's not romantic. 124 00:07:11,520 --> 00:07:15,440 Speaker 1: And you know, she's been watching a lot of romantic comedies, 125 00:07:15,480 --> 00:07:17,840 Speaker 1: so she got a particular way she likes stuff that 126 00:07:17,960 --> 00:07:22,840 Speaker 1: Shirley has pointed out very pointedly that you in real life, 127 00:07:22,880 --> 00:07:26,320 Speaker 1: this ain't a movie. Now. I'm one of the greatest 128 00:07:26,360 --> 00:07:29,800 Speaker 1: players of all time, like I said earlier, but even 129 00:07:29,960 --> 00:07:34,080 Speaker 1: I can't keep it up all the damn time. You know, 130 00:07:34,200 --> 00:07:36,160 Speaker 1: in nine then I hit it over the wall. But 131 00:07:36,400 --> 00:07:40,920 Speaker 1: you know sometimes I miss and you know why, because 132 00:07:40,920 --> 00:07:43,840 Speaker 1: I gotta go to work. I got time to be 133 00:07:43,880 --> 00:07:46,000 Speaker 1: sitting up here at thirty rolled pedals all in the 134 00:07:46,000 --> 00:07:48,200 Speaker 1: floor every damn night. I got to go to work. 135 00:07:48,640 --> 00:07:51,320 Speaker 1: I can't run your bath water, damn it, I'm sleep. 136 00:07:54,040 --> 00:07:56,880 Speaker 1: Then here's tied in hell. I can't tie pat you 137 00:07:57,000 --> 00:08:04,120 Speaker 1: dry every time you take a bath, n Kyle, Pat 138 00:08:04,200 --> 00:08:06,480 Speaker 1: you dry? And nine then, but any time you take 139 00:08:06,520 --> 00:08:09,480 Speaker 1: a damn bad well, who is I'm now? Who is 140 00:08:09,520 --> 00:08:14,840 Speaker 1: I'm halt but the damn butler, damn husband. I can't 141 00:08:14,880 --> 00:08:17,440 Speaker 1: be in here and then here you go and then 142 00:08:17,480 --> 00:08:21,200 Speaker 1: you confuse it. You know you're talking about when it 143 00:08:21,200 --> 00:08:24,120 Speaker 1: comes to romance. He wooing me, he falls short. Well, 144 00:08:24,160 --> 00:08:27,320 Speaker 1: how did he get you? How how he get you? 145 00:08:28,080 --> 00:08:31,040 Speaker 1: He must be doing something. We all know what that is, though, 146 00:08:31,080 --> 00:08:34,880 Speaker 1: don't win. Oh he may not throw no rose petals 147 00:08:34,880 --> 00:08:36,560 Speaker 1: in the floor, but he showed know how to throw 148 00:08:36,600 --> 00:08:39,120 Speaker 1: you in the damn flow though she supped working out 149 00:08:39,160 --> 00:08:45,720 Speaker 1: of He might not know how to throw rose petals 150 00:08:45,800 --> 00:08:47,520 Speaker 1: in the floor, but he show know how to throw 151 00:08:47,559 --> 00:08:51,600 Speaker 1: you in the floor with it. Now, all of a sudden, 152 00:08:51,640 --> 00:08:53,719 Speaker 1: you want some damn rose petals. You aren't asking for 153 00:08:53,840 --> 00:08:56,240 Speaker 1: the rose petal when you're getting all them carpet birds 154 00:08:56,280 --> 00:09:05,079 Speaker 1: on your butt scooting you cross the floor at high speed. 155 00:09:07,360 --> 00:09:09,800 Speaker 1: I'm very particularly how I like things. So I think 156 00:09:09,800 --> 00:09:12,760 Speaker 1: he's developed a mindset that it's better do nothing all 157 00:09:12,800 --> 00:09:15,000 Speaker 1: than to do something that what I would not like. Well, 158 00:09:15,040 --> 00:09:17,960 Speaker 1: that's because I said he shall shot, because every time 159 00:09:17,960 --> 00:09:20,240 Speaker 1: he do something, you don't like it, And then here 160 00:09:20,280 --> 00:09:22,840 Speaker 1: you go with your crazy self. I want I would 161 00:09:22,880 --> 00:09:25,600 Speaker 1: love him do something elaborate for our first anniversary, which 162 00:09:25,640 --> 00:09:29,280 Speaker 1: is coming up soon, but nothing too grand. What make 163 00:09:29,400 --> 00:09:31,600 Speaker 1: up your mind? Do you want it? Elaborate or you 164 00:09:31,640 --> 00:09:35,520 Speaker 1: want it too grand? What what you want? You're confusing 165 00:09:35,559 --> 00:09:39,640 Speaker 1: the man. I like candle light dinners. But he liked 166 00:09:39,720 --> 00:09:43,800 Speaker 1: rose petals and plastic flowers all on the floor. Okay, 167 00:09:44,120 --> 00:09:46,800 Speaker 1: did you tell him you don't like rose petals on 168 00:09:46,840 --> 00:09:50,080 Speaker 1: the floor. Now, I will admit it's hard to walk 169 00:09:50,120 --> 00:09:54,880 Speaker 1: on plastic flower That is harder to do with you 170 00:09:55,040 --> 00:09:59,160 Speaker 1: right there. I like hotels with a jacuzzi in the room. 171 00:09:59,320 --> 00:10:01,800 Speaker 1: See what did you start liking all this that? See 172 00:10:01,800 --> 00:10:03,640 Speaker 1: you don't bought a lot of experience to the game 173 00:10:03,679 --> 00:10:06,840 Speaker 1: where every hotel room you you got gotta Jacu's in 174 00:10:06,880 --> 00:10:10,319 Speaker 1: and what everse that right where you find all the 175 00:10:10,679 --> 00:10:13,400 Speaker 1: hotel with Jaku's in it? And then better? Yeah, he 176 00:10:13,480 --> 00:10:15,760 Speaker 1: liked the ones with heart shaped beds. I ain't been 177 00:10:15,800 --> 00:10:18,160 Speaker 1: in the hotel nowhere with a damn heart shake bears 178 00:10:19,080 --> 00:10:21,839 Speaker 1: any rooms at he likes motel. I have been in 179 00:10:21,880 --> 00:10:25,360 Speaker 1: the hotels all over the world, and I haven't yet 180 00:10:25,440 --> 00:10:27,560 Speaker 1: to walk in the room to have heart shaped bed 181 00:10:27,640 --> 00:10:29,240 Speaker 1: in it. You're not how hard it is to stay 182 00:10:29,280 --> 00:10:32,960 Speaker 1: on the heart shaped bed screwed over you in the crack, 183 00:10:33,080 --> 00:10:35,559 Speaker 1: fall off and hold up my ass and hang it off. 184 00:10:36,640 --> 00:10:39,000 Speaker 1: Pull your head up. My hub gets the head. Boy, 185 00:10:39,200 --> 00:10:41,200 Speaker 1: you're in the middle of the heart. You're in the crack. 186 00:10:41,280 --> 00:10:43,440 Speaker 1: You're fitting the fall down. Pulled me up, pulled me up. 187 00:10:43,640 --> 00:10:50,080 Speaker 1: That's too much. I like find chocolates, but he likes 188 00:10:50,080 --> 00:10:54,680 Speaker 1: those gigantic heart shaped boxes of chocolate. Okay, you said 189 00:10:54,720 --> 00:10:58,560 Speaker 1: you like chocolates, the giant heart shaped boxes. Ain't they 190 00:10:58,640 --> 00:11:03,560 Speaker 1: chocolates in there? Then you say, I like long romantic drives. 191 00:11:03,600 --> 00:11:06,200 Speaker 1: But he got a white stretch limo. Maybe he was tied, 192 00:11:06,400 --> 00:11:08,560 Speaker 1: he was at work. He couldn't drive you nowhere, so 193 00:11:08,640 --> 00:11:11,960 Speaker 1: he got a limo. Don't nobody really get white limos 194 00:11:11,960 --> 00:11:15,440 Speaker 1: no more? You gonna throw that in? Yeah, that along 195 00:11:15,480 --> 00:11:19,920 Speaker 1: with the plastic flower you know, classes in it and 196 00:11:19,960 --> 00:11:27,319 Speaker 1: stuff that ain't yours? All right, anyway, line between romantic 197 00:11:27,360 --> 00:11:30,400 Speaker 1: and cheese it. I want a romantic experience tailor to 198 00:11:30,559 --> 00:11:34,280 Speaker 1: me and my personality, not a generic waste of money. 199 00:11:34,600 --> 00:11:38,600 Speaker 1: He don't know that. But at least you got a 200 00:11:38,640 --> 00:11:41,760 Speaker 1: man to steady trying to do something for you. But 201 00:11:41,920 --> 00:11:45,200 Speaker 1: all you doing, like Shirley said, he your ass is complaining. 202 00:11:46,040 --> 00:11:48,640 Speaker 1: So now he don't know what to do. Damn. But 203 00:11:48,679 --> 00:11:50,800 Speaker 1: you won't tell him money. He got to guess he 204 00:11:50,840 --> 00:11:54,080 Speaker 1: can't read your mind, Shirley saying that the man can't 205 00:11:54,120 --> 00:11:59,960 Speaker 1: read your mind anyway. I like things. I bring up 206 00:12:00,080 --> 00:12:03,840 Speaker 1: these things in casual conversation. Men don't do casual conversation. 207 00:12:03,920 --> 00:12:06,400 Speaker 1: You gotta tell your man what you like. But I 208 00:12:06,440 --> 00:12:09,839 Speaker 1: think he's worried about displeasing me, so he's not gonna 209 00:12:09,880 --> 00:12:12,720 Speaker 1: put forth any effort at all anymore. Because every time 210 00:12:12,760 --> 00:12:15,840 Speaker 1: he does something, he get it wrong. So if you 211 00:12:15,960 --> 00:12:19,040 Speaker 1: keep getting it wrong, you're gonna stop doing it. This 212 00:12:19,200 --> 00:12:22,520 Speaker 1: is a lot of I suggest moon lighting. Excuse me, 213 00:12:22,559 --> 00:12:27,600 Speaker 1: I suggest mood lighting, the candles, the food and the music. 214 00:12:27,760 --> 00:12:29,839 Speaker 1: I know what I like, and I've been making sure 215 00:12:29,880 --> 00:12:33,440 Speaker 1: I'm comfortable for our romantic moments. I thought by now 216 00:12:33,480 --> 00:12:35,840 Speaker 1: he'd be able to take the hint, but I don't 217 00:12:35,920 --> 00:12:37,760 Speaker 1: think he gets it. So how do I get him 218 00:12:37,760 --> 00:12:41,240 Speaker 1: to romance me? Like in the movies? Little girl, listen 219 00:12:41,320 --> 00:12:44,760 Speaker 1: to me. What stuff that's happening in the movies happens 220 00:12:44,880 --> 00:12:48,800 Speaker 1: in the movies In real life you can't get that 221 00:12:48,880 --> 00:12:53,200 Speaker 1: all the damn time. It's unrealistic to expect it, and 222 00:12:53,400 --> 00:12:56,960 Speaker 1: you're gonna be disappointed. That's right, right, So people in 223 00:12:57,000 --> 00:13:00,520 Speaker 1: the movie ain't getting that anything. Thank you. Commons on 224 00:13:00,559 --> 00:13:04,360 Speaker 1: today Strawberry Letter at Steve Harvey FM, on Instagram and Facebook. 225 00:13:04,400 --> 00:13:07,520 Speaker 1: Coming up at forty six minutes after the hour, it 226 00:13:07,679 --> 00:13:11,040 Speaker 1: is Junior with Sports Talk. Right after this, you're listening 227 00:13:11,200 --> 00:13:13,079 Speaker 1: to the Stave Harvey Morning Show