1 00:00:00,160 --> 00:00:04,519 Speaker 1: Now here's a highlight from Coast to coast AM on iHeartRadio, 2 00:00:05,040 --> 00:00:08,039 Speaker 1: we are back with Lady Dolphin talking about dreams. Lady, 3 00:00:08,119 --> 00:00:11,760 Speaker 1: so many people seem to be understress because of this 4 00:00:11,800 --> 00:00:16,680 Speaker 1: coronavirus situation, and as you had mentioned, you know they're 5 00:00:16,800 --> 00:00:20,200 Speaker 1: dreaming about it and all this. What can they do 6 00:00:20,280 --> 00:00:24,880 Speaker 1: to let their dreams make them feel better? If anything, Well, 7 00:00:25,120 --> 00:00:29,880 Speaker 1: you want to record your dreams, write it down. And 8 00:00:30,360 --> 00:00:34,640 Speaker 1: you and I have talked before about how a picture 9 00:00:34,720 --> 00:00:37,840 Speaker 1: really is worth a thousand words. You don't need a big, 10 00:00:37,880 --> 00:00:40,360 Speaker 1: long dream with a beginning, of middle and an end 11 00:00:40,760 --> 00:00:44,560 Speaker 1: if you just have one picture. Even one picture says 12 00:00:44,720 --> 00:00:51,720 Speaker 1: so much like one dreamer this week was dreaming about 13 00:00:51,840 --> 00:00:57,640 Speaker 1: a scale in the bathroom, and so it was about 14 00:00:58,280 --> 00:01:04,520 Speaker 1: not about weight w eight. It's really about the weight 15 00:01:05,000 --> 00:01:10,120 Speaker 1: Wai t that all of us are doing with this quarantine. 16 00:01:10,720 --> 00:01:15,240 Speaker 1: And she writes about the scale, I can't not see it, 17 00:01:15,640 --> 00:01:18,679 Speaker 1: which is true. It's true what she's saying. You always 18 00:01:18,720 --> 00:01:22,000 Speaker 1: want to listen to the language of the dreamer, because 19 00:01:22,040 --> 00:01:27,280 Speaker 1: that's how it helps you catch the situation that triggered 20 00:01:27,520 --> 00:01:31,080 Speaker 1: this morning's dream. Maybe I should back up and give 21 00:01:31,160 --> 00:01:35,920 Speaker 1: you six basic what I call points of entry that 22 00:01:36,360 --> 00:01:40,039 Speaker 1: to help you uncover why you had that dream last night, 23 00:01:40,080 --> 00:01:44,280 Speaker 1: we should just let's just do that one. So the 24 00:01:44,400 --> 00:01:49,560 Speaker 1: first is the feelings. So one guy's dreaming that his 25 00:01:49,640 --> 00:01:52,960 Speaker 1: wife is cheating on him, and when we look at 26 00:01:52,960 --> 00:01:58,280 Speaker 1: the reflection, it was really about a client that he 27 00:01:58,360 --> 00:02:01,520 Speaker 1: had for twenty years, which is also the exact same 28 00:02:01,560 --> 00:02:04,360 Speaker 1: amount of time that he was married. And he's dreaming 29 00:02:04,360 --> 00:02:06,840 Speaker 1: that his wife is cheating on him. But really it's 30 00:02:06,920 --> 00:02:10,160 Speaker 1: because after twenty years, the client took his business somewhere else. 31 00:02:10,520 --> 00:02:14,120 Speaker 1: What a way to put them together? Huh yeah? And 32 00:02:14,919 --> 00:02:19,639 Speaker 1: the link, because we're it really is an unbelievable database. 33 00:02:20,000 --> 00:02:25,520 Speaker 1: But he linked his h the term of the relationship 34 00:02:25,919 --> 00:02:30,320 Speaker 1: at twenty years, and because he wasn't. We hide from 35 00:02:30,360 --> 00:02:34,240 Speaker 1: ourselves and we lie, we avoid, and we sweep, and 36 00:02:34,280 --> 00:02:37,560 Speaker 1: that's called welcome to the human race, because that's what 37 00:02:37,600 --> 00:02:39,839 Speaker 1: we do in our waking life, is we don't want 38 00:02:39,880 --> 00:02:42,560 Speaker 1: to look at stuff, and so we stuff it in 39 00:02:42,600 --> 00:02:46,440 Speaker 1: the background. And that's what he was doing that dreamer 40 00:02:46,760 --> 00:02:49,600 Speaker 1: about the fact that he lost that client. He was 41 00:02:49,639 --> 00:02:52,639 Speaker 1: holding it in, and you can only hold something in 42 00:02:52,720 --> 00:02:55,919 Speaker 1: for so long before your dream is going to give 43 00:02:55,960 --> 00:02:58,639 Speaker 1: it to you. And when your dream gives it to you, 44 00:02:58,880 --> 00:03:01,360 Speaker 1: it gives it to you big yep, whether you like 45 00:03:01,480 --> 00:03:04,079 Speaker 1: it or not. I bet it wants you to get 46 00:03:04,120 --> 00:03:08,639 Speaker 1: it because you're unconscious only delivers the truth only and 47 00:03:08,800 --> 00:03:12,000 Speaker 1: always delivers the truth. So where we lie to ourselves 48 00:03:12,280 --> 00:03:15,600 Speaker 1: in our conscious life, you're unconscious never lies to you. 49 00:03:16,000 --> 00:03:20,119 Speaker 1: It's your higher self, that's true. And so he's dreaming 50 00:03:20,360 --> 00:03:23,720 Speaker 1: that his wife is cheating because that gives him the 51 00:03:24,639 --> 00:03:30,480 Speaker 1: emotion and impetus to call the client for goodness sake 52 00:03:31,160 --> 00:03:33,959 Speaker 1: find out why he took his business somewhere else. So 53 00:03:34,000 --> 00:03:38,280 Speaker 1: the dream creates a scenario that builds up the emotion 54 00:03:38,840 --> 00:03:42,800 Speaker 1: to help the dreamer lift the phone and talk about 55 00:03:42,840 --> 00:03:46,440 Speaker 1: what's making him feel betrayed in his life. And he 56 00:03:46,480 --> 00:03:49,640 Speaker 1: realizes it's not his wife, it's the client. You see 57 00:03:49,680 --> 00:03:55,200 Speaker 1: what I mean? I get it. It does that because 58 00:03:55,240 --> 00:03:57,960 Speaker 1: I've been on with you before. What a great mechanism. 59 00:03:58,160 --> 00:04:02,560 Speaker 1: You get it. That's one of six points right now. 60 00:04:02,760 --> 00:04:06,120 Speaker 1: Another one is the action. And the fastest example I 61 00:04:06,160 --> 00:04:09,720 Speaker 1: can think of that I think I haven't used on 62 00:04:09,760 --> 00:04:12,760 Speaker 1: Coast to coast is a woman who is jumping out 63 00:04:12,800 --> 00:04:15,720 Speaker 1: of a burning chair. And that's an example of a 64 00:04:15,800 --> 00:04:19,840 Speaker 1: one picture dream, not a long story. She's jumping out 65 00:04:19,880 --> 00:04:23,920 Speaker 1: of a burning chair, and that is the action. Is 66 00:04:24,160 --> 00:04:28,400 Speaker 1: that's a woman who's procrastinating, so her unconscious gives her 67 00:04:28,440 --> 00:04:33,440 Speaker 1: a dream that physically makes her jump up to get 68 00:04:33,560 --> 00:04:38,680 Speaker 1: to stop procrastinating. And so a third one is puns 69 00:04:38,760 --> 00:04:41,680 Speaker 1: and play on words. And the same way as we 70 00:04:41,880 --> 00:04:44,559 Speaker 1: use puns and play on words in our waking life, 71 00:04:44,960 --> 00:04:48,320 Speaker 1: we are constantly using them in our dreams. Like I'll 72 00:04:48,440 --> 00:04:53,200 Speaker 1: use myself as an example. Years ago, when I'm sixty 73 00:04:53,360 --> 00:04:58,159 Speaker 1: going to be sixty eight next week, and I was 74 00:04:58,880 --> 00:05:04,000 Speaker 1: finding my voice, like literally finding my voice, and I 75 00:05:04,040 --> 00:05:07,520 Speaker 1: had a dream, a series of dreams I call my 76 00:05:07,640 --> 00:05:12,120 Speaker 1: kneeling dreams, always walking around on my knees. And I 77 00:05:12,160 --> 00:05:15,280 Speaker 1: was doing fine on my knees, except one time I 78 00:05:15,320 --> 00:05:18,839 Speaker 1: was in Asheville, North Carolina, and it started snowing and 79 00:05:18,880 --> 00:05:22,119 Speaker 1: I was trying to get up the stairs to hire 80 00:05:22,240 --> 00:05:26,000 Speaker 1: campus on the universe at the university, and I couldn't 81 00:05:26,040 --> 00:05:28,599 Speaker 1: stand up. And when I woke up, I said to 82 00:05:28,680 --> 00:05:32,880 Speaker 1: my husband, I couldn't stand up, and he said, why 83 00:05:32,960 --> 00:05:36,200 Speaker 1: who you having trouble standing up to? Interesting? And it 84 00:05:36,240 --> 00:05:39,000 Speaker 1: was my brother. He picked up on that right away. 85 00:05:39,040 --> 00:05:42,240 Speaker 1: Didn't he Yeah, because when you and you and I 86 00:05:42,279 --> 00:05:45,000 Speaker 1: are going to do it tonight, Because when you listen 87 00:05:45,120 --> 00:05:48,960 Speaker 1: to the dreamer recall their dream, you will be stunned 88 00:05:49,440 --> 00:05:52,960 Speaker 1: at how you hear it. You you hear it coming 89 00:05:53,120 --> 00:06:02,039 Speaker 1: from the dreamer. Like here's another looking for a Corona 90 00:06:02,160 --> 00:06:06,560 Speaker 1: dream about a woman who's dreaming that she's in her 91 00:06:06,640 --> 00:06:12,920 Speaker 1: childhood home and she sees and they had a park 92 00:06:13,120 --> 00:06:15,839 Speaker 1: with a little mountain across the street, and in the 93 00:06:15,960 --> 00:06:20,040 Speaker 1: dreams with her newborn baby and her husband, and she 94 00:06:20,120 --> 00:06:24,440 Speaker 1: looks across the street and sees there's like a jacuzzi there. 95 00:06:24,480 --> 00:06:27,520 Speaker 1: They've built up all kinds of stuff. She's imploring her 96 00:06:27,600 --> 00:06:31,960 Speaker 1: husband to come across the street. So I asked her, 97 00:06:32,880 --> 00:06:36,599 Speaker 1: what are you how do you associate a jacuzzi? What's 98 00:06:36,680 --> 00:06:40,600 Speaker 1: a jacuzi about? And she says that's where she feels 99 00:06:40,600 --> 00:06:45,440 Speaker 1: safe and so and her childhood home where the dream 100 00:06:45,480 --> 00:06:50,360 Speaker 1: takes place, is also where she feels safe and her 101 00:06:50,720 --> 00:06:54,920 Speaker 1: another association that she has to a jacuzzi is that 102 00:06:55,000 --> 00:06:58,000 Speaker 1: her parents have been trying to decide for a long 103 00:06:58,120 --> 00:07:01,679 Speaker 1: time whether they should get a jacuzi in their country 104 00:07:01,680 --> 00:07:05,560 Speaker 1: home or not. So, when I'm analyzing a dream, I 105 00:07:06,320 --> 00:07:11,840 Speaker 1: accept all of your associations that happen inside the dream, 106 00:07:11,880 --> 00:07:16,560 Speaker 1: and I also include your responses to me about your 107 00:07:16,600 --> 00:07:21,200 Speaker 1: associations from your waking life. So the parents having not 108 00:07:21,400 --> 00:07:25,120 Speaker 1: decided yet about whether they're going to get a jacuzi 109 00:07:25,280 --> 00:07:28,800 Speaker 1: or not, how does that translate for the dreamer? For 110 00:07:28,960 --> 00:07:35,600 Speaker 1: that dreamer, this week in this coronavirus situation is a 111 00:07:35,720 --> 00:07:40,320 Speaker 1: story that doesn't have an ending yet, and that's frustrating 112 00:07:40,400 --> 00:07:44,280 Speaker 1: to a lot of people. That's right and also scary. 113 00:07:44,880 --> 00:07:50,360 Speaker 1: So the dreamer is helping herself understand what's the subject 114 00:07:50,440 --> 00:07:53,720 Speaker 1: that triggered the dream. So now she knows she wants 115 00:07:53,720 --> 00:07:57,440 Speaker 1: to look for a story that doesn't have an ending yet. 116 00:07:58,280 --> 00:08:02,280 Speaker 1: And when she said talking about describing the park across 117 00:08:02,360 --> 00:08:06,120 Speaker 1: the street and how it's changed her language, this is 118 00:08:06,120 --> 00:08:12,040 Speaker 1: her sentence, I can't believe everything has changed, And she's right, 119 00:08:12,800 --> 00:08:16,960 Speaker 1: everything has changed. Absolutely. He's using the park across the 120 00:08:17,040 --> 00:08:20,600 Speaker 1: street from her childhood home in order to say something 121 00:08:20,640 --> 00:08:26,000 Speaker 1: to herself about today, about this week and the coronavirus, 122 00:08:26,200 --> 00:08:31,520 Speaker 1: that everything has changed. And so that's how you start 123 00:08:31,680 --> 00:08:35,040 Speaker 1: looking at what's going on with the language. And before 124 00:08:35,120 --> 00:08:38,440 Speaker 1: I leave this dream, I'm going to tell you four 125 00:08:38,720 --> 00:08:43,880 Speaker 1: things the dreamer gives herself about how she can manage 126 00:08:44,559 --> 00:08:49,000 Speaker 1: during this time. She brings a jacuzi in and what 127 00:08:49,320 --> 00:08:52,400 Speaker 1: is her association to jacuzi. She loves them. They make 128 00:08:52,440 --> 00:08:56,920 Speaker 1: her feel safe. That's where she habitually goes. She has 129 00:08:56,920 --> 00:08:59,040 Speaker 1: a jacuzie in her house. That's where she hides out. 130 00:08:59,080 --> 00:09:02,280 Speaker 1: Basically AT's right, and she even pours herself a glass 131 00:09:02,320 --> 00:09:05,480 Speaker 1: of wine. So she chooses an image of a place 132 00:09:05,720 --> 00:09:09,120 Speaker 1: where she feels safe, her parents. She goes to her 133 00:09:09,200 --> 00:09:12,160 Speaker 1: childhood home. That's where the dream takes place, in a 134 00:09:12,240 --> 00:09:16,000 Speaker 1: place where she also feels safe and comfortable. Yes, and 135 00:09:16,160 --> 00:09:19,640 Speaker 1: even her country house and the mirror mention of it 136 00:09:19,960 --> 00:09:23,360 Speaker 1: outside the dream. It wasn't in the dream, but just 137 00:09:23,400 --> 00:09:25,720 Speaker 1: the fact that her parents are trying to decide whether 138 00:09:25,760 --> 00:09:28,320 Speaker 1: they're going to put a jikuzi there. The country house 139 00:09:28,440 --> 00:09:31,920 Speaker 1: is where the family hangs out. And what's the message 140 00:09:31,960 --> 00:09:35,200 Speaker 1: to the dreamer. The message to the dreamer is, even 141 00:09:35,280 --> 00:09:38,600 Speaker 1: though you're not seeing your parents right now, keep in 142 00:09:38,679 --> 00:09:42,400 Speaker 1: touch with them on face time. Reach out to the 143 00:09:42,520 --> 00:09:47,000 Speaker 1: places where, places and people where you feel safe. Go 144 00:09:47,160 --> 00:09:50,240 Speaker 1: soak in a jikuzi. So the dream is telling her 145 00:09:50,840 --> 00:09:54,840 Speaker 1: what to do about how she can't believe that everything 146 00:09:54,880 --> 00:09:59,240 Speaker 1: has changed. How many people any don't understand their dreams 147 00:09:59,400 --> 00:10:05,040 Speaker 1: can inter their dreams most people. And that's why I'm here, 148 00:10:05,600 --> 00:10:10,320 Speaker 1: and I really mean it, because you're unconscious is the 149 00:10:10,360 --> 00:10:14,400 Speaker 1: best shrink that you could ever have, because it's you, 150 00:10:14,679 --> 00:10:19,439 Speaker 1: it's your inner self guiding you to giving you the 151 00:10:19,480 --> 00:10:25,040 Speaker 1: tools that you need at this particular time to manage 152 00:10:25,040 --> 00:10:29,080 Speaker 1: your way through this. And it's so miraculous to me, 153 00:10:29,240 --> 00:10:34,200 Speaker 1: even it's like forty seven years later, and I sitting 154 00:10:34,280 --> 00:10:41,800 Speaker 1: here during this, during this quarantine period, hearing dreams from 155 00:10:41,800 --> 00:10:47,000 Speaker 1: people positively fascinated that we're all dealing with the same 156 00:10:47,040 --> 00:10:49,880 Speaker 1: subject and each of us is doing it in our 157 00:10:49,960 --> 00:10:54,240 Speaker 1: own way. Well, we sure are. And but you say, 158 00:10:54,280 --> 00:10:58,280 Speaker 1: the subconscious really tries to take over to make things 159 00:10:58,320 --> 00:11:03,079 Speaker 1: better for us, it does. You want another example? Sure? Good, 160 00:11:03,080 --> 00:11:06,920 Speaker 1: because I'm not attuned to when commercials are coming. Oh 161 00:11:07,000 --> 00:11:09,400 Speaker 1: that's my job. Don't worry about it, Okay. You just 162 00:11:09,480 --> 00:11:11,920 Speaker 1: keep talking. When I interrupt you, that's time to leave 163 00:11:12,040 --> 00:11:16,040 Speaker 1: for a long okay. And so here's a third example 164 00:11:16,840 --> 00:11:20,360 Speaker 1: that came to me from a Facebook follower that he wins. 165 00:11:20,520 --> 00:11:23,240 Speaker 1: And this is another example why you don't need a big, 166 00:11:23,320 --> 00:11:27,720 Speaker 1: long story. He wins a two hundred and fifty million 167 00:11:27,800 --> 00:11:35,480 Speaker 1: dollar lottery. Who so he's like an online lottery. That's 168 00:11:35,520 --> 00:11:40,600 Speaker 1: the whole dream. And so that's another theory. I'm like, 169 00:11:40,880 --> 00:11:44,960 Speaker 1: it's another theory that's being proven. And this is what 170 00:11:45,000 --> 00:11:50,280 Speaker 1: the theory is. Sometimes we get so low for too 171 00:11:50,320 --> 00:11:53,560 Speaker 1: long and we actually forget what it feels like to 172 00:11:53,720 --> 00:11:57,000 Speaker 1: feel good. And so when that happens, that you feel 173 00:11:57,080 --> 00:12:00,640 Speaker 1: so low, you're unconscious is going to give you a 174 00:12:01,000 --> 00:12:06,920 Speaker 1: big high. And that's why this dreamer has a dream 175 00:12:07,000 --> 00:12:10,520 Speaker 1: that he won two hundred and fifty million dollars, and 176 00:12:11,000 --> 00:12:16,080 Speaker 1: his unconscious succeeded because he got up. He did get 177 00:12:16,200 --> 00:12:20,520 Speaker 1: up feeling better. And so just the same way that 178 00:12:20,559 --> 00:12:25,040 Speaker 1: I was talking about the rehearsal dreams giving you a 179 00:12:25,160 --> 00:12:29,920 Speaker 1: bin there done that. This is an example of take 180 00:12:30,040 --> 00:12:33,280 Speaker 1: that feeling and run with it, because that's what the 181 00:12:33,360 --> 00:12:36,679 Speaker 1: dream does. First of all, it creates a balance because 182 00:12:36,720 --> 00:12:40,360 Speaker 1: the dreamer's feeling so low and so the lottery makes 183 00:12:40,440 --> 00:12:44,800 Speaker 1: him feel so high, and it creates a physiological balance 184 00:12:44,840 --> 00:12:48,400 Speaker 1: inside your system. So your unconscious is taking care of 185 00:12:48,400 --> 00:12:51,680 Speaker 1: you that way. But at the same time, it's also 186 00:12:51,800 --> 00:12:55,720 Speaker 1: reminding the dreamer what it feels like to feel good, 187 00:12:56,520 --> 00:13:01,000 Speaker 1: And he felt better yesterday after having that dream, So 188 00:13:01,160 --> 00:13:04,959 Speaker 1: he kind of writed himself by having a dream like that. 189 00:13:05,440 --> 00:13:10,520 Speaker 1: Interesting Now, like Bill Murray's Groundhog Day dreams were they 190 00:13:10,640 --> 00:13:14,200 Speaker 1: kept coming over and over again, recurring dreams. Why do 191 00:13:14,320 --> 00:13:16,800 Speaker 1: people do that? Why do they dream the same dream 192 00:13:16,840 --> 00:13:23,280 Speaker 1: maybe several times? Well, sometimes you're repeating because you're unconscious, 193 00:13:23,320 --> 00:13:25,760 Speaker 1: wants to make sure that you get it. And do 194 00:13:25,800 --> 00:13:29,520 Speaker 1: you remember when we were in school that business about 195 00:13:29,840 --> 00:13:33,199 Speaker 1: read it, write it, recite it, read it, write it recited. 196 00:13:33,400 --> 00:13:37,559 Speaker 1: That's how we learn. We repeat. And so you saw that. 197 00:13:37,679 --> 00:13:44,959 Speaker 1: Actually in Jacqueline's dream, who who used feeling safe to 198 00:13:45,120 --> 00:13:49,240 Speaker 1: say I feel safe to herself? She used it by 199 00:13:49,360 --> 00:13:53,280 Speaker 1: the repeat. She uses it in the jacuzzi, her parents, 200 00:13:53,840 --> 00:13:57,880 Speaker 1: her parents, her childhood home, and her country house, and 201 00:13:57,920 --> 00:14:02,520 Speaker 1: they when you deconstruct those images, she's saying the same 202 00:14:02,640 --> 00:14:06,079 Speaker 1: darned thing to herself, I want to feel safe, and 203 00:14:06,120 --> 00:14:08,760 Speaker 1: so she's just repeating it. And that's what all of 204 00:14:08,840 --> 00:14:12,160 Speaker 1: us are doing. It's like I often say that before 205 00:14:12,200 --> 00:14:15,559 Speaker 1: I went on television for the first time, about eighteen 206 00:14:15,640 --> 00:14:19,240 Speaker 1: years ago, I was dreaming about a ghost and what 207 00:14:19,280 --> 00:14:22,920 Speaker 1: does that mean? It means I'm scared because I was scared. 208 00:14:23,440 --> 00:14:25,600 Speaker 1: And then later on I was dreaming that I was 209 00:14:25,640 --> 00:14:28,200 Speaker 1: standing on the abyss of a cliff, and what does 210 00:14:28,240 --> 00:14:31,360 Speaker 1: that mean? It means I'm scared. And then closer to 211 00:14:31,440 --> 00:14:34,960 Speaker 1: the morning, I dreamt about my grade five teacher, And 212 00:14:35,000 --> 00:14:38,040 Speaker 1: what does that mean? It also means I'm scared. So 213 00:14:38,320 --> 00:14:43,760 Speaker 1: that's one way that we repeat. We repeat inside the dream. 214 00:14:44,360 --> 00:14:49,200 Speaker 1: And I think you are also just to encompass repeating 215 00:14:49,320 --> 00:14:52,360 Speaker 1: dreams that happen over a period of like a lifetime, 216 00:14:52,480 --> 00:14:57,640 Speaker 1: right where you have this image like let's say maybe 217 00:14:57,640 --> 00:15:00,280 Speaker 1: you're always having like a hurricane dream or something. Thing 218 00:15:00,760 --> 00:15:06,520 Speaker 1: that might be a favorite expression, interesting where the picture 219 00:15:07,440 --> 00:15:11,440 Speaker 1: means something you say something to yourself, you know, like 220 00:15:11,560 --> 00:15:13,360 Speaker 1: if I say to you, you know the expression in 221 00:15:13,400 --> 00:15:16,880 Speaker 1: my head is spinning. Well, talking about spinning. When I 222 00:15:16,960 --> 00:15:20,440 Speaker 1: was younger, I would have a lot of dreams that 223 00:15:20,560 --> 00:15:23,800 Speaker 1: my feet were running like crazy, but I wasn't going anywhere. 224 00:15:24,320 --> 00:15:27,840 Speaker 1: How come of it? And how young? Do you think that? 225 00:15:28,280 --> 00:15:33,040 Speaker 1: I must have been about fifteen to seventeen something like that, right, 226 00:15:33,160 --> 00:15:36,360 Speaker 1: And do you think it's possible around that time in 227 00:15:36,400 --> 00:15:39,600 Speaker 1: your life that you had ideas about what you wanted 228 00:15:39,640 --> 00:15:41,800 Speaker 1: to do with your life. Oh, I had ideas what 229 00:15:42,320 --> 00:15:44,760 Speaker 1: I wanted to do when I was eleven years old, lady, 230 00:15:45,520 --> 00:15:49,600 Speaker 1: But were you actually physically able to do it when 231 00:15:49,640 --> 00:15:53,440 Speaker 1: you were fourteen fifteen? No, that came a couple of 232 00:15:53,520 --> 00:15:56,640 Speaker 1: years later. And for me, if that was my dream, 233 00:15:57,280 --> 00:16:01,080 Speaker 1: that would be the expression of already know what I 234 00:16:01,120 --> 00:16:03,520 Speaker 1: want to do and where I want to go, but 235 00:16:03,600 --> 00:16:06,600 Speaker 1: I'm running and like spinning my wheels, but I can't 236 00:16:06,600 --> 00:16:09,320 Speaker 1: get there yet because I'm just playing too young. Interesting, now, 237 00:16:09,360 --> 00:16:11,880 Speaker 1: I never had dreams about teeth falling out. What the 238 00:16:11,960 --> 00:16:17,560 Speaker 1: heck does that mean? Well, okay, let's talk about that, 239 00:16:17,640 --> 00:16:21,160 Speaker 1: because you can't really That's why I wrote my books, 240 00:16:21,680 --> 00:16:24,200 Speaker 1: because you can't really look it up in a book. 241 00:16:25,240 --> 00:16:29,720 Speaker 1: But here's some things we definitely know. We know that 242 00:16:30,200 --> 00:16:34,840 Speaker 1: all through time human beings, when we're around six or seven, 243 00:16:34,960 --> 00:16:39,120 Speaker 1: our teeth fallout. It's something that's inevitable and something that 244 00:16:39,200 --> 00:16:42,440 Speaker 1: we have absolutely no control over. And so I know 245 00:16:42,520 --> 00:16:44,920 Speaker 1: a woman who was dreaming that her teeth are falling 246 00:16:44,920 --> 00:16:48,280 Speaker 1: out because somewhere inside her, even though she was lying 247 00:16:48,320 --> 00:16:51,480 Speaker 1: to herself about it during the day, she knew that 248 00:16:51,480 --> 00:16:54,520 Speaker 1: that relationship was coming to an end. But she kept 249 00:16:54,600 --> 00:16:57,360 Speaker 1: dreaming that her teeth were falling out because it was 250 00:16:57,400 --> 00:17:02,320 Speaker 1: something that she knew inside that that relationship was about 251 00:17:02,360 --> 00:17:03,880 Speaker 1: to come to an end and he was going to 252 00:17:03,960 --> 00:17:06,600 Speaker 1: break off with her. So she's dreaming about her teeth 253 00:17:06,600 --> 00:17:10,280 Speaker 1: falling out because it's something that's the inevitable and something 254 00:17:10,320 --> 00:17:13,119 Speaker 1: that she has no control over. And then I'll know 255 00:17:13,600 --> 00:17:16,640 Speaker 1: somebody else who's dreaming that their teeth are falling out 256 00:17:17,119 --> 00:17:20,040 Speaker 1: because they've been holding something in that needs to be said, 257 00:17:20,520 --> 00:17:24,720 Speaker 1: and you know that expression spit it out already. So 258 00:17:24,800 --> 00:17:29,160 Speaker 1: sometimes that dream is giving the dreamer a rehearsal about 259 00:17:29,160 --> 00:17:32,879 Speaker 1: spitting the words out of your mouth. But when it 260 00:17:32,960 --> 00:17:35,359 Speaker 1: comes in the form of a metaphor, it's your teeth 261 00:17:35,359 --> 00:17:38,679 Speaker 1: falling out. Listen to more Coast to Coast AM every 262 00:17:38,720 --> 00:17:41,919 Speaker 1: weeknight at one am Eastern, and go to Coast to 263 00:17:41,920 --> 00:17:43,680 Speaker 1: Coast am dot com for more