WEBVTT - Why Did Victorians Collect Hair?

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<v Speaker 1>Welcome to brain Stuff production of I Heart Radio. Hey,

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<v Speaker 1>brain Stuff, I'm Lauren Vogelbaum. And collections are by definition

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<v Speaker 1>kind of weird. The collectors devote days, weeks, months, even

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<v Speaker 1>years to compiling excessive quantities of stamps. They'll never mail coins,

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<v Speaker 1>they'll never spend hair, They'll never wait what, yes, you

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<v Speaker 1>heard that right? Hair? Take for example, nineteenth century lawyer

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<v Speaker 1>and naturalist Peter A. Brown. He has the distinction of

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<v Speaker 1>having cultivated the world's greatest known hair collection. In the

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<v Speaker 1>eighteen forties and fifties, Brown decided he would try to

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<v Speaker 1>piece together a scientific portrait of humanity by obtaining as

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<v Speaker 1>many hair specimens as possible. He wanted strands from famous figures,

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<v Speaker 1>in regular folks, living in dead. Basically, if a person

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<v Speaker 1>had hair, Brown wanted it. He collected samples from a fetus,

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<v Speaker 1>a one year old man, patients in the Western Virginia

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<v Speaker 1>Lunatic Asylum, celebrities can joined twins, a corpse that have

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<v Speaker 1>been buried for third two years, and a convicted murderer.

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<v Speaker 1>Before and after his hanging. Of course, Brown even had

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<v Speaker 1>a few strands of George Washington's hair, courtesy of the

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<v Speaker 1>late president's Barber's son. He had samples from thirteen of

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<v Speaker 1>the first fourteen US presidents, so all in all, a

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<v Speaker 1>pretty weirdly thorough collection. What exactly was the point of

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<v Speaker 1>all this hair gathering, you might ask? According to the

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<v Speaker 1>book Specimens of Hair, the Curious Collection of Peter A.

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<v Speaker 1>Brown by Robert McCracken, Peck Brown was on a mission

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<v Speaker 1>to explain the differences and similarities between humans. Years before

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<v Speaker 1>Charles Darwin blew the world's collective mind with his theory

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<v Speaker 1>of evolution, Brown obsessively sought to understand how and why

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<v Speaker 1>there was so much variance in human beings appearances. Peck

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<v Speaker 1>told the arts and culture website hyper Allergic, his fellow

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<v Speaker 1>members of the Academy of Natural Sciences were doing the

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<v Speaker 1>same things with birds and insects and fish, and trying

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<v Speaker 1>to figure out what were the distinctive characteristics that separated

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<v Speaker 1>one from another and combined one with another. With humans,

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<v Speaker 1>that a much more fraught political and social issue. Any

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<v Speaker 1>attempt he made to separate people into separate species, as

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<v Speaker 1>he called them at the time, was doomed to failure,

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<v Speaker 1>and rightly so, because we recognize that all humans are

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<v Speaker 1>from the same origin. But Brown didn't know that, so

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<v Speaker 1>he collected. And perhaps the strangest part about his strange

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<v Speaker 1>collection is that for the era, it wasn't considered strange

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<v Speaker 1>at all, Peck said in an interview with the Academy

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<v Speaker 1>of Natural Sciences of Drextile University, or the a n

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<v Speaker 1>SP for short. The collection may seem weird by today's standards,

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<v Speaker 1>but at the time it was made, it was considered

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<v Speaker 1>very important by scientists around the world. Brown referred to

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<v Speaker 1>it as a national collection. It contained not just the

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<v Speaker 1>hair of humans, but the wool of sheep and the

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<v Speaker 1>fur and hair of many other animals. It was a

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<v Speaker 1>collection made for scientific purposes and for the love of country.

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<v Speaker 1>Welcome to the world a Victorian hair culture. If you

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<v Speaker 1>haven't heard of this, consider a recent news story out

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<v Speaker 1>of the UK wherein a woman stumbled upon a ring

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<v Speaker 1>containing a lot of Charlotte Bronte's hair while waiting through

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<v Speaker 1>her late father in law's attic. She opened a curious

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<v Speaker 1>metal box and found a single ring inside inscribed Bronte's

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<v Speaker 1>name and the date of her death. So the woman

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<v Speaker 1>did what anyone in sudden, unexpected possession of an old

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<v Speaker 1>trinket might do. She went on Antiques Road Show. On

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<v Speaker 1>the show, she told jewelry expert Jeffrey Munn she suspected

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<v Speaker 1>she might have accidentally inherited some of Bronte's strands. Munn

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<v Speaker 1>wasn't phazed, he explained on the show, it was a

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<v Speaker 1>convention to make jewelry out of hair. In the nineteenth century.

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<v Speaker 1>There was a terror of not being able to remember

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<v Speaker 1>the face and the character of the person who had died. Yes.

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<v Speaker 1>In those days, people often wove bits of hair into

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<v Speaker 1>just about everything, from rings and bracelets and cuff links

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<v Speaker 1>to intricate framed art pieces suitable for display. Peck told

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<v Speaker 1>the NSP blog the hair Family and Friends was commonly

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<v Speaker 1>exchanged and retained through the nineteenth century. It was often framed,

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<v Speaker 1>kept an albums, or featured in jewelry. Today, many parents

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<v Speaker 1>still retained the hair from their child's first haircut, but

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<v Speaker 1>it's rarely put on public display as it was during

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<v Speaker 1>the Victorian era. That kind of thing is also probably

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<v Speaker 1>not as valuable as Brontes. Mun told the Lady with

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<v Speaker 1>the Ring that while her newly discovered jewelry was probably

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<v Speaker 1>only worth about thirty two bucks, the famous authors strands

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<v Speaker 1>bumped up the value to about twenty six thousand dollars.

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<v Speaker 1>But back to Peter A. Brown. While he never realized

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<v Speaker 1>his albeit flawed and problematic dream of separating the human

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<v Speaker 1>race in two species, he did make an enduring contribution

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<v Speaker 1>to modern science. Peck said to hyper Allergic, what is

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<v Speaker 1>so useful about this collection now is that all of

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<v Speaker 1>that DNA is preserved. And he had no idea he

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<v Speaker 1>was doing that. When he sent out his requests to

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<v Speaker 1>people for hair, he actually asked them to send the

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<v Speaker 1>roots of the hair the follicles. Many of them did

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<v Speaker 1>just clip it, but with the follicles attached, that is

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<v Speaker 1>a gold mine. And Peck actually helped save this collection

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<v Speaker 1>from total destruction, he told the n s P blog.

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<v Speaker 1>In the mid seventies, before anyone recognized the importance and

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<v Speaker 1>irreplaceable value of the DNA contained in Brown's collection, a

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<v Speaker 1>staff member, in a position to determine its fate, decided

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<v Speaker 1>that the wool, fur and human here it contained was

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<v Speaker 1>of no current scientific interest and was taking up too

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<v Speaker 1>much space, and he decided to discard it. I was

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<v Speaker 1>lucky to be in the right place at the right

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<v Speaker 1>time to spot it and save it from oblivion. Who

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<v Speaker 1>would have guessed it would one day become a collection

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<v Speaker 1>of such interest and the subject of a book. Today's

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<v Speaker 1>episode was written by Michelle Konstantinovski and produced by Tyler Clang.

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<v Speaker 1>Brain Stuff is a production of iHeart Radio's How Stuff Works.

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<v Speaker 1>For more on this and lots of other Harry topics,

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