WEBVTT - Titanic: VHS Tape 2

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<v Speaker 1>On the Bedel cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef and best

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<v Speaker 1>start changing it with the Bechdel cast. Oh, I was

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<v Speaker 1>gonna try to quote Titanic, but but you couldn't, Like,

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<v Speaker 1>I just couldn't choose. I just couldn't choose which I

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<v Speaker 1>was like, Wait, what's going on? I was gonna say, like, oh,

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<v Speaker 1>I'm King of the World. But that's like, honestly, maybe

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<v Speaker 1>the worst quote from the movie whoa. I mean, I

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<v Speaker 1>can't say I agree with that. Okay, that seems sick

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<v Speaker 1>and right. I think the worst quote from the movie

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<v Speaker 1>would be, oh, something that you don't even remember, like

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<v Speaker 1>something you don't Oh, here it is, gotcha? Who oh

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<v Speaker 1>when exactly? Not memorable? Not memorable? No, but I know

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<v Speaker 1>what you're talking about. It's when the guys were looking

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<v Speaker 1>for Jack and Rose in the cargo hold and they

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<v Speaker 1>open the door and they're like they think they're going

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<v Speaker 1>to see them like mid coitus. Yes, oh okay, So,

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<v Speaker 1>first of all, welcome to the vessel cast Um. Yes, hello,

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<v Speaker 1>my name's Jamie Loftus. My name is Caitlin Durante and

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<v Speaker 1>this is our Normally it's our podcast where we give

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<v Speaker 1>in intersectional feminist analysis of your favorite movies. This week,

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<v Speaker 1>we are, for the second week in the row, once

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<v Speaker 1>again covering Titanic for I believe the seventh time. So

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<v Speaker 1>it is the most wonderful time of the year. And

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<v Speaker 1>as we briefed you on in last week's episode, we

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<v Speaker 1>are doing a two parter for this is a way

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<v Speaker 1>to both say that first the episode was unexpectedly so

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<v Speaker 1>long because we will never run out of things to

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<v Speaker 1>say about this, and to to just sort of pay

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<v Speaker 1>a homage to the two VHS Titanic collection. So this

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<v Speaker 1>is VHS two, Yes, but I feel like we should update.

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<v Speaker 1>Do we have Titanic news since last semis we record

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<v Speaker 1>yea an episode. I had my wedding so to speak,

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<v Speaker 1>which is I invited all my friends to an AMC

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<v Speaker 1>in Burbank, California to watch Titanics like any good wedding, Zach,

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<v Speaker 1>thank you, and a lot of people came and we

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<v Speaker 1>had the best time. There was cheering, it was beautiful.

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<v Speaker 1>A friend of the cast, Sara June, booed the iceberg

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<v Speaker 1>when it came on screen and we all loved it.

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<v Speaker 1>It was an extremely titanic screening that it was, is

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<v Speaker 1>how I felt about it. And yes, Caitlin, thank you

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<v Speaker 1>for coordinating it. I will say of Titanic three D,

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<v Speaker 1>it doesn't need to be three D there, thank you.

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<v Speaker 1>There wasn't a lot of three D. I wanted to

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<v Speaker 1>see every pore on Bruce's May's face. Wow, I just didn't. Yeah,

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<v Speaker 1>I know, well that's a me thing. Sure, that's because

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<v Speaker 1>I'm a little perfect. I don't love three D movies.

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<v Speaker 1>In fact, I avoid them, and I was worried that

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<v Speaker 1>it was going to be like headache inducing. But the

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<v Speaker 1>three D was like kind of underwhelming, which I actually

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<v Speaker 1>liked because I was like, oh, I'm not being given

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<v Speaker 1>a headache. I would but but you wouldn't have liked

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<v Speaker 1>it if you had paid a premium and didn't have

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<v Speaker 1>an AMC Stubbs pass. Sure that's what I was thinking

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<v Speaker 1>of the non stubs heads. If I were a non

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<v Speaker 1>stubs head, which of course I'm not, I would be

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<v Speaker 1>fucking pissed if I paid twenty six dollars to not

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<v Speaker 1>even be hit in the face with an iceberg, which

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<v Speaker 1>I think is like low key kind of morbid and disrespectable.

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<v Speaker 1>But anyways, we want we didn't do that, yes, And

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<v Speaker 1>speaking of stubs, I mean we would be remiss not

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<v Speaker 1>to acknowledge that we come to this place for magic,

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<v Speaker 1>we come to this place to laugh, to cry, to care, etc.

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<v Speaker 1>And also AMC can eat shit recently, But I mean,

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<v Speaker 1>obviously we're not based on what I just said, We're

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<v Speaker 1>obviously not sponsored by them. They can eat it. Did

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<v Speaker 1>you see how they are trying to introduce a t

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<v Speaker 1>heard yes movie seed program that is the most elitest

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<v Speaker 1>garbage peepie poopoo thing I've ever seen in my life.

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<v Speaker 1>Like movies are supposed to be in equal space for

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<v Speaker 1>the pay, you know, twelve dollars times for three these days,

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<v Speaker 1>I don't know. I'm a step hit, so I don't know.

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<v Speaker 1>And then you know, I just think that's so fucking ridiculous, infuriated,

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<v Speaker 1>kisses me off. We're not sponsored by them, so we're

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<v Speaker 1>saying that, Yeah, anyone who doesn't sponsor us, we have

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<v Speaker 1>to find an active insult forth. Anyways, it rocked, We laughed,

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<v Speaker 1>we cried, we cared, Sara boot in the iceberg. It

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<v Speaker 1>was it was really special. It was wonderful. I had

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<v Speaker 1>the best time. Thank you for coming with me, Jamie, Oh,

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<v Speaker 1>I mean, and thanks to all who attended indeed Titanic.

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<v Speaker 1>And that resulted in a little bit of James Cameron

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<v Speaker 1>history where Titanic has now eclipsed Avatar. Avatar two overtook

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<v Speaker 1>Titanic as a higher grossing movie, but then when Titanic rereleased,

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<v Speaker 1>Titanic is back up on top overtook Avatar two. Okay, now,

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<v Speaker 1>who knows what will happen. I just James Cameron's kind

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<v Speaker 1>of like the Joey Chestnut of movie grosses, like he's

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<v Speaker 1>really mostly in competition with himself, and you're just like, well, yes,

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<v Speaker 1>good for that white guy. In any case, shall we

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<v Speaker 1>get to the episode? Yes, So, without much further ado,

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<v Speaker 1>here is VHS tape number two, And by that we

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<v Speaker 1>mean the rest of the episode that we didn't have

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<v Speaker 1>time to include last week. So it's a recap of

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<v Speaker 1>the movie plus Jamie's fun facts corner. So the recap

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<v Speaker 1>of Titanic that I never have done before. I will

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<v Speaker 1>include a content slash trigger warning for suicide at the

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<v Speaker 1>top of this recap and sinking boat and for a

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<v Speaker 1>sinking boat, yes right, and then I'm gonna pipe in.

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<v Speaker 1>It's kind of hard because I have two long lists

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<v Speaker 1>of notes for the two different three hour commentary tracks.

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<v Speaker 1>I'm gonna do my best, but I'll try to interject

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<v Speaker 1>with useful information and not just having a meltdown. And

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<v Speaker 1>anything that you don't get to during the recap we

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<v Speaker 1>can touch on afterward. We can zip through. Yeah, oh yeah, Okay,

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<v Speaker 1>here we go. The movie begins in present day with

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<v Speaker 1>Brock love It, played by Bill Paxton, who Jim Cameron

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<v Speaker 1>admits is his self insert character. I mean, he says,

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<v Speaker 1>that makes he's like Brock on the phone with his financiers,

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<v Speaker 1>more like me on the phone with paramount. He he

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<v Speaker 1>ha ha. He also says that he edited the intro sequence,

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<v Speaker 1>like with the title and like the waves and stuff.

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<v Speaker 1>He edited that himself. Wow, in the space of twenty

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<v Speaker 1>hours and one bottle of tequila. Whoa, I know he

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<v Speaker 1>drunk edited the opening sequence Love that, Okay, love that

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<v Speaker 1>So Brock love It is in speaking of love It.

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<v Speaker 1>Brock love It is in a submarine searching the wreckage

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<v Speaker 1>of the Titanic because he is trying to find a

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<v Speaker 1>diamond necklace called the Heart of the ocean. He believes

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<v Speaker 1>it went down with the ship when it sunk in

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<v Speaker 1>nineteen twelve. Yes, he finds this safe, he brings it

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<v Speaker 1>to the surface, he opens it, but oops, the diamond

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<v Speaker 1>is not in the safe. I learned a little bit

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<v Speaker 1>about how they shot the underwater sequences, and that was

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<v Speaker 1>really interesting because it was kind of like whatever, a

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<v Speaker 1>combination of crew members sort of telling you exactly what

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<v Speaker 1>shots were actually from the wreckage of Titanic and which

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<v Speaker 1>ones were reproductions that they did match shots for in

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<v Speaker 1>eskindido fun facts that I learned included and I think

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<v Speaker 1>I sort of knew that, but I don't know this,

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<v Speaker 1>but I don't know if like we've ever talked about

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<v Speaker 1>on the show. So like all of those, like the

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<v Speaker 1>underwater cameras, like they're called ROVs, they had to develop

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<v Speaker 1>a version of existing technology that could be used for

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<v Speaker 1>the movies because there's so few of that equipment available

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<v Speaker 1>that they wouldn't lend it to James Cameron for his

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<v Speaker 1>little movie. It reminded me of how like Initia, like

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<v Speaker 1>famous figure skaters wouldn't be stunt people because they're like, yeah,

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<v Speaker 1>it's not worth it. Sorry, movie it's well because It's

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<v Speaker 1>like if you're doing a triple axle in figure skating

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<v Speaker 1>and then you fuck your ankle up, then your career

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<v Speaker 1>is over and all you did was a stunt on itonia,

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<v Speaker 1>you know. I think that that's how they're like, these

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<v Speaker 1>cameras are so valuable that like, if you break it

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<v Speaker 1>making a movie, we will kill you. Like so they

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<v Speaker 1>had to like develop technology for the movie specifically, and

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<v Speaker 1>then also that piano that they see. James Cameron sometimes

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<v Speaker 1>he claims to have done things where I'm just like,

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<v Speaker 1>I don't believe you. But anyways, he that piano, He's like,

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<v Speaker 1>I made that myself. I took a drill to it

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<v Speaker 1>and it took all night and I was like, what

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<v Speaker 1>are you talking about? But he started in the art

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<v Speaker 1>department and he claims to just really have like raw

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<v Speaker 1>dog that piano and made it look old and threw

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<v Speaker 1>an underwater Wow. Okay, all right, who knows? Well, so

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<v Speaker 1>Brock has opened the safe. The diamond is not there,

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<v Speaker 1>But what is there is a nude drawing of a

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<v Speaker 1>woman who is wearing the diamond necklace in the drawing,

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<v Speaker 1>So we know that James Cameron drew that. What I'd

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<v Speaker 1>never heard before this was that he drew it semi

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<v Speaker 1>from life, like it wasn't just like and not from

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<v Speaker 1>the scene in the movie. The drawing was like done

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<v Speaker 1>or like storyboarded before Kate Winslet, ever, you know, posed

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<v Speaker 1>for it in the movie. Sure, but yeah, he said that,

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<v Speaker 1>like he had Kate Winslett pose for him and a

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<v Speaker 1>few artists from a few different angles. But she was

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<v Speaker 1>wearing she was not nude. She was wearing a bikini.

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<v Speaker 1>And then he sounded really creepy, dad, and he was like,

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<v Speaker 1>I had to use my imagination to draw her nude.

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<v Speaker 1>We didn't know each other well enough for her to

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<v Speaker 1>pose nude for me, which I'm like, yeah, true, but

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<v Speaker 1>why did you say that? You know? But there's a

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<v Speaker 1>lot of like bizarre I don't know, there's a lot

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<v Speaker 1>of like nineties because the two commentary tracks I listened

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<v Speaker 1>to were recorded for the ten b anniversary DVD, so

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<v Speaker 1>it was recorded sometime in like two thousand and six

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<v Speaker 1>for the two thousand and seven release. But there's all

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<v Speaker 1>sorts of like bizarre nineties sounding like there's a story

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<v Speaker 1>about how like when Kate Winslet like she didn't want

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<v Speaker 1>Leonardo DiCaprio to see her naked for the first time,

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<v Speaker 1>like on the set for that scene. So she, according

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<v Speaker 1>to her, like left her makeup trailer door unlocked and

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<v Speaker 1>like called him in while she was getting full body

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<v Speaker 1>makeup for that scene and like didn't tell him she

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<v Speaker 1>was going to be naked, and like jump scared him

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<v Speaker 1>and then he was like whoa and she's like, ha

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<v Speaker 1>ha ha, It's it's more comfortable this way. We're just

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<v Speaker 1>co workers. And then Leonardo DiCaprio was like cool, and

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<v Speaker 1>I guess everyone was fine with it, but I was like,

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<v Speaker 1>this is a weird you guys are most stories about

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<v Speaker 1>Kate Winslett and Leonardo DiCaprio are weird. Like she just

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<v Speaker 1>says it like it's a I mean, whenever they had

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<v Speaker 1>a jokey relationships. They're obviously still friends, but she was like,

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<v Speaker 1>ha ha ha. This is where Leo would fart in

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<v Speaker 1>his jacket and stick into my face. I was like, yucky,

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<v Speaker 1>but she's like, we'd love to have a laugh. I'm like, wow,

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<v Speaker 1>you know they really found each other because I would

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<v Speaker 1>hate that. What a bunch of goofs. I guess. Okay,

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<v Speaker 1>So this exploring of the wreckage of Titanic, this whole

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<v Speaker 1>thing is like being televised. Yes, And an old woman

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<v Speaker 1>sees the drawing that brock loove It has uncovered from

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<v Speaker 1>the safe. She sees it on TV and she says, well,

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<v Speaker 1>I'll be goddamned. She then we're trying. Yeah. She then

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<v Speaker 1>calls brock loove It and says the woman in the

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<v Speaker 1>picture is me, and yeah, I know all about the

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<v Speaker 1>diamond you're looking for. Okay, I definitely didn't know this.

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<v Speaker 1>Let me know if you do this. So, when James

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<v Speaker 1>Cameron was writing this iconically okay script, he was looking for,

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<v Speaker 1>like to build out Old Rose. He was looking for

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<v Speaker 1>like a oh god, I never say this word right,

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<v Speaker 1>like sent centenarian, someone who was around a hundred who

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<v Speaker 1>he like wanted to find a really interesting older woman

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<v Speaker 1>who had lived a wild life to sort of like

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<v Speaker 1>build Old Rose around or do just like have in mind.

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<v Speaker 1>And Bill Paxton's his wife Louise Paxton, suggested this artist

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<v Speaker 1>she knew of who lived in oh High, who was

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<v Speaker 1>like in her night. I think she was like one

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<v Speaker 1>hundred and one when the movie came out, and she

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<v Speaker 1>was like, oh, you should check out this artist, Beatrice Wood.

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<v Speaker 1>She sounds exactly like the kind of person you're looking for.

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<v Speaker 1>And she gave James Cameron a copy of Beatrice Wood's autobiography,

0:13:35.080 --> 0:13:39.520
<v Speaker 1>which is called I Shocked Myself, and James Cameron met

0:13:39.559 --> 0:13:42.800
<v Speaker 1>with her before writing a character of Old Rose. Gotta

0:13:42.800 --> 0:13:44.760
<v Speaker 1>feel for who she was. A lot of the like

0:13:45.200 --> 0:13:49.480
<v Speaker 1>lines that Old Rose has were based on her cadence

0:13:49.559 --> 0:13:53.679
<v Speaker 1>and jokeyness. The fact that Rose does pottery is based

0:13:53.720 --> 0:13:56.040
<v Speaker 1>on Beatrice Wood because that was what Beatrice Wood was

0:13:56.080 --> 0:13:59.920
<v Speaker 1>most famous for in her later career, And Gloria Stewart

0:14:00.040 --> 0:14:03.400
<v Speaker 1>met with her too, Like she's just like this fascinating

0:14:03.440 --> 0:14:07.439
<v Speaker 1>person and if you're into art history at all, listeners

0:14:07.480 --> 0:14:10.680
<v Speaker 1>she was like she was like a really important artist

0:14:10.679 --> 0:14:13.520
<v Speaker 1>who had never heard of but she like was with

0:14:13.679 --> 0:14:18.079
<v Speaker 1>like Marcel Duchamp, like championing his work at like the

0:14:18.200 --> 0:14:22.840
<v Speaker 1>very very beginning of his work. Like she's considered like

0:14:23.080 --> 0:14:27.480
<v Speaker 1>the mother of data art, but is obviously not brought

0:14:27.520 --> 0:14:29.440
<v Speaker 1>up half as much as Duchamp was. But she was

0:14:29.440 --> 0:14:32.320
<v Speaker 1>a huge advocate and like she worked alongside him. She

0:14:32.400 --> 0:14:35.480
<v Speaker 1>did a lot of drawings and then later did like

0:14:35.680 --> 0:14:38.600
<v Speaker 1>sculpture and then even later in her career to pottery.

0:14:39.160 --> 0:14:44.560
<v Speaker 1>She was like the subject of this famous data art

0:14:44.920 --> 0:14:49.200
<v Speaker 1>love triangle with Duchamp and this other artist I don't know.

0:14:49.280 --> 0:14:53.480
<v Speaker 1>She was really really fascinating and I was excited to

0:14:53.680 --> 0:14:56.160
<v Speaker 1>even get to Like, I ordered a copy of her

0:14:56.400 --> 0:15:01.960
<v Speaker 1>autobiography because she just sounds really free king cool, and

0:15:02.120 --> 0:15:05.360
<v Speaker 1>I love that Louise Paxton was the one that was

0:15:05.400 --> 0:15:08.080
<v Speaker 1>just like, hey, check this out. And then I think

0:15:08.360 --> 0:15:14.320
<v Speaker 1>most iconically, after Titanic came out, Beatrice Wood awarded the

0:15:14.440 --> 0:15:21.520
<v Speaker 1>fifth Annual Beatrice Wood Film Award to James Cameron Reciprocity.

0:15:21.760 --> 0:15:25.280
<v Speaker 1>But yeah, so okay, last and so, like, Gloria Stewart

0:15:25.360 --> 0:15:28.320
<v Speaker 1>and James Cameron went to Beatrice Wood's one hundred and

0:15:28.360 --> 0:15:31.640
<v Speaker 1>first birthday luncheon when they were getting to know her,

0:15:31.840 --> 0:15:36.680
<v Speaker 1>and I guess that she turned down dessert at the table,

0:15:36.800 --> 0:15:40.360
<v Speaker 1>and everyone's like, why didn't you want dessert, Beatrice? And

0:15:40.440 --> 0:15:48.000
<v Speaker 1>she said, I only like chocolate and young men. So wow,

0:15:48.920 --> 0:15:51.720
<v Speaker 1>I know, shout out Beatrice Wood. I just had like

0:15:51.760 --> 0:15:55.000
<v Speaker 1>a really fun side quest learning about her. She's really cool.

0:15:55.400 --> 0:16:00.760
<v Speaker 1>Hell yeah, yeah, I didn't know. Okay, So brock Lovett

0:16:01.000 --> 0:16:05.440
<v Speaker 1>invites this woman who had called him Rose Calvert, played

0:16:05.440 --> 0:16:10.080
<v Speaker 1>by Gloria Stewart, and he invites her aboard the kel Dish,

0:16:10.240 --> 0:16:13.800
<v Speaker 1>which is the ship they are operating this search of

0:16:13.880 --> 0:16:17.600
<v Speaker 1>the Titanic wreckage from a real ship, so that Rose

0:16:17.720 --> 0:16:21.960
<v Speaker 1>can tell him what she knows about the diamond. And

0:16:22.320 --> 0:16:26.720
<v Speaker 1>she starts to tell her story. She iconically says, it's

0:16:26.760 --> 0:16:30.040
<v Speaker 1>been eighty four years and I can still smell the

0:16:30.080 --> 0:16:34.440
<v Speaker 1>fresh paint. That China had never been used, she had

0:16:34.520 --> 0:16:38.680
<v Speaker 1>never been slept in. Titanic was called the ship of

0:16:38.800 --> 0:16:45.400
<v Speaker 1>dream of and was it really he was? Also another

0:16:45.440 --> 0:16:49.000
<v Speaker 1>fun meeting was Gloria Stewart requested to meet with Kate

0:16:49.080 --> 0:16:52.160
<v Speaker 1>Winslet when they first got cast as Rose, so that

0:16:52.640 --> 0:16:55.880
<v Speaker 1>Gloria Stewart would know how to like whatever, like the

0:16:55.920 --> 0:16:59.320
<v Speaker 1>way that you would, but liked to fix her mannerisms.

0:16:59.360 --> 0:17:01.840
<v Speaker 1>And there's like video footage of that meeting, and it's

0:17:01.920 --> 0:17:06.640
<v Speaker 1>really really sweet, and it's Glorious Stewart showing they're both

0:17:06.640 --> 0:17:09.679
<v Speaker 1>like drinking champagne and their little tipsy, and Glorious Stewart

0:17:09.760 --> 0:17:11.760
<v Speaker 1>is showing because she was like an old Hollywood star,

0:17:11.840 --> 0:17:14.359
<v Speaker 1>She's showing Kate Winslet these pictures of her when she

0:17:14.520 --> 0:17:18.199
<v Speaker 1>was like She's like, I was having sex without every

0:17:18.280 --> 0:17:21.040
<v Speaker 1>Marx brother and none of that is my real hair,

0:17:21.560 --> 0:17:24.240
<v Speaker 1>and Kate Winslet's like, I want to be just like

0:17:24.400 --> 0:17:27.280
<v Speaker 1>you someday is very sweet. Oh that's awesome, you know.

0:17:28.440 --> 0:17:31.960
<v Speaker 1>So as old Rose starts to tell her story, we

0:17:32.040 --> 0:17:36.119
<v Speaker 1>flash back to nineteen twelve. Titanic is about to embark

0:17:36.320 --> 0:17:40.720
<v Speaker 1>on its maiden voyage. People are boarding the ship, including

0:17:41.200 --> 0:17:47.760
<v Speaker 1>Rose played by Kate Winslet, her fiance Cal fiance Cal

0:17:47.840 --> 0:17:53.920
<v Speaker 1>Hockley played by Billy Zane, her mother Ruth. That's Francis Fisher,

0:17:54.800 --> 0:17:59.600
<v Speaker 1>and they are all fabulously wealthy with first class tickets.

0:18:00.080 --> 0:18:05.240
<v Speaker 1>M We cut to Jack Dawson played by Leonardo DiCaprio.

0:18:05.320 --> 0:18:08.680
<v Speaker 1>Of course, he's playing poker with his best friend for Brizzio.

0:18:08.920 --> 0:18:11.560
<v Speaker 1>Oh my gosh, that's Danny Nucci. I have a fund,

0:18:12.119 --> 0:18:15.280
<v Speaker 1>I have two fun Danny Nucci facts hit me. Danny

0:18:15.359 --> 0:18:18.280
<v Speaker 1>Nucci is also in the commentary track, and he's just

0:18:18.480 --> 0:18:22.800
<v Speaker 1>a kick. Things about Danny Nucci include he was able

0:18:22.840 --> 0:18:25.600
<v Speaker 1>to so Danny Nucci lived in Italy for the first

0:18:25.600 --> 0:18:28.840
<v Speaker 1>seven years of his life but did not speak Italian.

0:18:29.560 --> 0:18:31.760
<v Speaker 1>I personally, I think what I've learned in the last

0:18:31.800 --> 0:18:34.760
<v Speaker 1>couple of years is that, like sometimes when Italian accents

0:18:34.800 --> 0:18:38.560
<v Speaker 1>sound fake, they're actually not. Case in point, Lady Gaga

0:18:38.560 --> 0:18:41.879
<v Speaker 1>and House of Gucci. Her accent sounds extremely fake, but

0:18:41.880 --> 0:18:44.560
<v Speaker 1>then if you listen to the person that she's playing,

0:18:45.320 --> 0:18:50.080
<v Speaker 1>it's sometimes they just sound weird. I don't know, but

0:18:50.200 --> 0:18:54.479
<v Speaker 1>like apparently Danny Nucci like fudged a little bit and

0:18:54.520 --> 0:18:57.640
<v Speaker 1>like Little White Lie was like, yeah, I'm Italian, but

0:18:57.720 --> 0:19:01.439
<v Speaker 1>like spoke in an accent at his addition, and was

0:19:01.480 --> 0:19:04.000
<v Speaker 1>able to fool James Cameron and the producers, and then

0:19:04.200 --> 0:19:07.199
<v Speaker 1>when he got the part, he was like, I'm not

0:19:07.240 --> 0:19:10.920
<v Speaker 1>actually Italian, and they're like, well, can you speak Italian?

0:19:10.960 --> 0:19:13.080
<v Speaker 1>And then he had to like take classes really abruptly

0:19:13.160 --> 0:19:15.840
<v Speaker 1>so he could do the because he occasionally speaks at

0:19:15.840 --> 0:19:20.919
<v Speaker 1>Italian in the movie. Also another evil James Cameron anecdote,

0:19:21.000 --> 0:19:25.119
<v Speaker 1>Danny Nucci had his first kid while Titanic was in

0:19:25.160 --> 0:19:27.440
<v Speaker 1>production and he was given one and a half days

0:19:27.440 --> 0:19:36.160
<v Speaker 1>off yikes, And finally iconic Danny Knucci said, there's good

0:19:36.200 --> 0:19:39.000
<v Speaker 1>anecdotes about the two bands that appear in this movie.

0:19:39.160 --> 0:19:43.480
<v Speaker 1>The Irish band below decks and then the band that

0:19:43.520 --> 0:19:45.920
<v Speaker 1>plays to the end on the top deck, and they're

0:19:45.960 --> 0:19:49.960
<v Speaker 1>like a Swiss band, but apparently like Danny Nucci and

0:19:50.119 --> 0:19:54.600
<v Speaker 1>the Irish Band got along famously, and Danny Knucci would

0:19:54.640 --> 0:19:58.040
<v Speaker 1>bring out his guitar and they would play Oasis together

0:19:58.280 --> 0:20:04.680
<v Speaker 1>like between takes. Okay, it's great love it yeah, oh okay.

0:20:04.760 --> 0:20:08.720
<v Speaker 1>So Jack and Fabrizio are playing poker against these two

0:20:08.800 --> 0:20:13.320
<v Speaker 1>Swedish guys who have bet their third class tickets too Titanic,

0:20:14.000 --> 0:20:17.400
<v Speaker 1>and Jack wins the hand of poker because he's got

0:20:17.440 --> 0:20:22.520
<v Speaker 1>a full house boys whoa, and so he wins the tickets.

0:20:22.760 --> 0:20:27.320
<v Speaker 1>But Titanic is leaving in five minutes, so Jack and

0:20:27.400 --> 0:20:32.439
<v Speaker 1>Fabrizio make a mad dash and board the Titanic. We

0:20:32.520 --> 0:20:38.399
<v Speaker 1>are also seeing the extravagance of Rose and Cal in

0:20:38.640 --> 0:20:44.360
<v Speaker 1>first class juxtaposed against the bare bones conditions of third class,

0:20:44.480 --> 0:20:47.879
<v Speaker 1>where Jack and Fabrizio are. Yeah, there's a fun little

0:20:47.880 --> 0:20:50.600
<v Speaker 1>acta about like just I don't know, like little things

0:20:50.600 --> 0:20:52.679
<v Speaker 1>that I was like, oh, I wouldn't think about who

0:20:52.720 --> 0:20:55.480
<v Speaker 1>would be doing that, But like James Cameron, because he's

0:20:55.520 --> 0:20:59.800
<v Speaker 1>just like kind of a weird guy, was really like

0:21:00.440 --> 0:21:03.040
<v Speaker 1>there's a scene where it's like Rose has her picassos

0:21:03.040 --> 0:21:05.560
<v Speaker 1>and her day gauze and all this stuff, and like

0:21:05.760 --> 0:21:09.800
<v Speaker 1>James Cameron like spent a bizarre amount of time looking

0:21:09.840 --> 0:21:12.480
<v Speaker 1>for someone to do that, and like ended up finding

0:21:12.480 --> 0:21:15.240
<v Speaker 1>this obscure artist that lived in the middle of Canada

0:21:15.320 --> 0:21:17.240
<v Speaker 1>and like hired her to do It's like all the

0:21:17.280 --> 0:21:22.280
<v Speaker 1>same artists who did all of those paintings. Interesting. Also,

0:21:22.320 --> 0:21:26.719
<v Speaker 1>the dog Old Rose has the dog of the little Pomeranian, Yeah,

0:21:26.720 --> 0:21:30.080
<v Speaker 1>which I guess is a nod to there were three

0:21:30.119 --> 0:21:33.800
<v Speaker 1>dogs that survived the Titanic and the two of them

0:21:33.880 --> 0:21:39.360
<v Speaker 1>were Pomeranians and one was a Pekinese. And no one

0:21:39.359 --> 0:21:41.600
<v Speaker 1>ever talks about the Titanic dogs. It might be the

0:21:42.000 --> 0:21:46.760
<v Speaker 1>only angle from which that story has not been exploited. Wow,

0:21:46.840 --> 0:21:49.600
<v Speaker 1>Titanic puppies. I guess I've got a screenplay of write

0:21:49.880 --> 0:21:52.280
<v Speaker 1>who would be the Titanic puppies. It would be like

0:21:53.119 --> 0:21:59.080
<v Speaker 1>Anna Taylor, Joy, Kevin Hard, and Dave Batista are the

0:21:59.119 --> 0:22:03.800
<v Speaker 1>Titanic puppies. Wow, food for thought. Okay, I'm not mad

0:22:03.840 --> 0:22:09.520
<v Speaker 1>about it, yep. Oh okay. So we see first class passengers,

0:22:09.680 --> 0:22:13.560
<v Speaker 1>third class passengers. We also see no second class passengers.

0:22:13.560 --> 0:22:18.720
<v Speaker 1>Really not a lot of interests class wow, second class eraser,

0:22:21.280 --> 0:22:25.880
<v Speaker 1>middle class eraser much Hello? Well heyy you're telling me

0:22:26.119 --> 0:22:31.280
<v Speaker 1>folks um. We also see the people in the boiler

0:22:31.359 --> 0:22:34.520
<v Speaker 1>rooms who are like shoveling coal to power the ship.

0:22:34.560 --> 0:22:37.359
<v Speaker 1>We're seeing wild fact about the boiler room. Due to

0:22:37.560 --> 0:22:42.840
<v Speaker 1>something something the budget, they couldn't afford to build the

0:22:42.880 --> 0:22:45.720
<v Speaker 1>boiler room to the full size they wanted to. So

0:22:45.760 --> 0:22:47.480
<v Speaker 1>there's like a lot of things done in the boiler

0:22:47.560 --> 0:22:51.040
<v Speaker 1>room set to make the boilers appear like there's more

0:22:51.080 --> 0:22:52.679
<v Speaker 1>of They use like a mirror effect to make it

0:22:52.680 --> 0:22:54.440
<v Speaker 1>seem like they're twice as many as there actually were.

0:22:54.760 --> 0:22:57.320
<v Speaker 1>But also they couldn't afford to build the boilers as

0:22:57.400 --> 0:23:01.160
<v Speaker 1>big as they should have been, so instead they hired

0:23:01.720 --> 0:23:06.360
<v Speaker 1>shorter actors to play the boiler room guys. So they

0:23:06.359 --> 0:23:08.719
<v Speaker 1>were like, I don't know if this was hyperbole or not,

0:23:08.760 --> 0:23:11.439
<v Speaker 1>but like John Landau was like, yeah, we we just

0:23:11.520 --> 0:23:14.760
<v Speaker 1>had to make the boilers like we were positioning the

0:23:14.800 --> 0:23:17.240
<v Speaker 1>camera as if the actors were like six foot four.

0:23:17.440 --> 0:23:19.679
<v Speaker 1>But I don't think we hired an actor who was

0:23:19.760 --> 0:23:23.400
<v Speaker 1>like above five foot three. We just hired a lot

0:23:23.440 --> 0:23:27.560
<v Speaker 1>of like shorter actors so that the boilers would look bigger.

0:23:27.800 --> 0:23:32.880
<v Speaker 1>That's some like forced perspective, hobbit, Lord of the Ring stuff.

0:23:33.240 --> 0:23:38.520
<v Speaker 1>It's pretty brilliant, but that's boiler room facts with Jamie

0:23:39.160 --> 0:23:43.280
<v Speaker 1>Beautiful love it. So yeah, we're seeing just like the

0:23:43.400 --> 0:23:49.440
<v Speaker 1>scale and the glory that is Titanic. Shortly after this

0:23:49.520 --> 0:23:52.359
<v Speaker 1>is when we see the scene where Jack is like

0:23:52.400 --> 0:23:54.439
<v Speaker 1>looking at dolphins and then he goes, I'm king of

0:23:54.440 --> 0:23:59.639
<v Speaker 1>the world. Woooo And on that note, let's take a

0:23:59.720 --> 0:24:08.399
<v Speaker 1>quick break and then we will come right back. And

0:24:08.640 --> 0:24:13.600
<v Speaker 1>we are back, okay. So then we meet the unsinkable

0:24:13.640 --> 0:24:18.199
<v Speaker 1>Molly Brown played by Kathy Bates. We meet mister Andrews.

0:24:18.640 --> 0:24:21.879
<v Speaker 1>That's Victor Garber, who almost didn't get the part because

0:24:21.880 --> 0:24:25.440
<v Speaker 1>the casting director sent was like, Jim, you gotta check

0:24:25.440 --> 0:24:27.720
<v Speaker 1>out this guy. He looks like Thomas Andrews and he's

0:24:27.800 --> 0:24:30.399
<v Speaker 1>very talented, and then she sent him the wrong video.

0:24:30.600 --> 0:24:32.280
<v Speaker 1>She sent him like a video of some guy in

0:24:32.280 --> 0:24:35.480
<v Speaker 1>a bow tie that looked nothing like Thomas Andrews, and

0:24:35.600 --> 0:24:38.760
<v Speaker 1>James Camramon was like, um, I'm not seeing it, and

0:24:40.359 --> 0:24:42.159
<v Speaker 1>she was like, oh, no, wrong video. And then he

0:24:42.200 --> 0:24:46.199
<v Speaker 1>got the part. Oh, and we're so glad. Mister Andrews,

0:24:46.240 --> 0:24:49.760
<v Speaker 1>of course, is the like engineer who designed the ship.

0:24:50.720 --> 0:24:54.640
<v Speaker 1>We also meet Bruce Ismay played by Jonathan Hyde. He

0:24:55.280 --> 0:24:58.760
<v Speaker 1>was the chairman and managing director of the White Star Line,

0:24:59.280 --> 0:25:03.919
<v Speaker 1>who the two historical characters that both the producers and

0:25:04.000 --> 0:25:06.600
<v Speaker 1>James Cameron seemed to have like repeatedly acknowledged that they

0:25:06.640 --> 0:25:10.280
<v Speaker 1>felt like the only historical figures that they felt that

0:25:10.320 --> 0:25:15.440
<v Speaker 1>they potentially did a disservice too were Bruce Asmey, who

0:25:15.480 --> 0:25:18.600
<v Speaker 1>I think was like a bad guy but not as

0:25:18.960 --> 0:25:21.240
<v Speaker 1>bad as the movie makes him out to be. And

0:25:21.359 --> 0:25:23.600
<v Speaker 1>James Cameron sort of was like, yeah, I took a

0:25:23.600 --> 0:25:26.400
<v Speaker 1>lot of dramatic license there. Like he did get into

0:25:26.440 --> 0:25:29.159
<v Speaker 1>a boat. It was rumored that he had put some

0:25:29.200 --> 0:25:32.600
<v Speaker 1>pressure to make the boat go faster, but also he

0:25:32.840 --> 0:25:34.960
<v Speaker 1>stayed on the boat until the very last minute and

0:25:35.160 --> 0:25:37.719
<v Speaker 1>rescued a lot of people, and like there were like

0:25:39.000 --> 0:25:42.440
<v Speaker 1>there's a lot of gray area. I guess, so, which

0:25:42.480 --> 0:25:46.159
<v Speaker 1>I don't really care about. The Officer Murdoch conversations a

0:25:46.200 --> 0:25:51.239
<v Speaker 1>little more interesting because Officer Murdoch is for I mean,

0:25:51.280 --> 0:25:53.399
<v Speaker 1>I guess for the it's hard to keep all the

0:25:53.440 --> 0:25:56.719
<v Speaker 1>officers straight. He's the one that kills Tommy and then

0:25:56.760 --> 0:26:00.920
<v Speaker 1>takes his own life in the movie. Is also a

0:26:00.960 --> 0:26:03.199
<v Speaker 1>lot of creative license. And his family reached out to

0:26:03.359 --> 0:26:06.920
<v Speaker 1>James Cameron and was like, what the fuck and James

0:26:06.920 --> 0:26:11.400
<v Speaker 1>Cameron was like, um, yeah, like it technically could have happened,

0:26:11.480 --> 0:26:17.800
<v Speaker 1>because apparently, historically usually when something's like creative license, James

0:26:17.840 --> 0:26:21.600
<v Speaker 1>Cameron has done the work to make it like, well,

0:26:21.640 --> 0:26:25.240
<v Speaker 1>you can't say it didn't happen. Like even the room

0:26:25.280 --> 0:26:30.080
<v Speaker 1>that Rose stays in in the movie was technically empty,

0:26:30.400 --> 0:26:32.360
<v Speaker 1>so it's like, well, that's where I'm going to put

0:26:32.359 --> 0:26:34.679
<v Speaker 1>them because you can't prove someone else was there. But

0:26:34.760 --> 0:26:36.919
<v Speaker 1>in that case, it was like there were rumors of

0:26:37.000 --> 0:26:41.320
<v Speaker 1>like several gunshots that went off in an area where

0:26:41.400 --> 0:26:47.560
<v Speaker 1>Officer Murdoch was but obviously Tommy Ryan as a fictional character,

0:26:47.800 --> 0:26:51.280
<v Speaker 1>so he was not killed by Officer Murdock. He didn't exist,

0:26:51.640 --> 0:26:54.080
<v Speaker 1>but there is like no I think that there was

0:26:54.119 --> 0:26:58.800
<v Speaker 1>like one speculation that Murdoch may have taken his own life,

0:26:58.800 --> 0:27:02.160
<v Speaker 1>but there's like basically no historical precedent for it. So

0:27:02.720 --> 0:27:06.800
<v Speaker 1>his family was rather upset that that was the narrative

0:27:07.280 --> 0:27:10.560
<v Speaker 1>imposed on him. Yeah, and taking bribes as well, There

0:27:10.600 --> 0:27:13.840
<v Speaker 1>was no evidence that he took bribes. Sure, he kind

0:27:13.840 --> 0:27:16.720
<v Speaker 1>of he kind of got fucked a little thought sucks,

0:27:17.640 --> 0:27:22.639
<v Speaker 1>but yeah, Hollywood loves embellishing facts. Yeah, I mean, it

0:27:22.800 --> 0:27:26.240
<v Speaker 1>is a dramatic effect. But as far as like, as

0:27:26.280 --> 0:27:29.800
<v Speaker 1>far as historical movies getting things right, this movie gets

0:27:29.840 --> 0:27:32.520
<v Speaker 1>more right than it does. So there you got and

0:27:32.640 --> 0:27:38.040
<v Speaker 1>we love that. Yeah. Speaking of Tommy, we meet Tommy.

0:27:38.359 --> 0:27:42.080
<v Speaker 1>He befriends Jack and Fabricio. He's played by Jason Barry.

0:27:42.359 --> 0:27:45.920
<v Speaker 1>I never bothered to look up who played Tommy before this,

0:27:46.040 --> 0:27:48.160
<v Speaker 1>and I was like, oh, that's a good named Jason Barry.

0:27:48.440 --> 0:27:51.560
<v Speaker 1>He was on the commentary track and he just said

0:27:51.600 --> 0:27:57.040
<v Speaker 1>like he's actually Irish. Wow, authenticity. Yeah, unlike Danny Nucci

0:27:57.119 --> 0:28:03.879
<v Speaker 1>over here, who's like um bon Jorg Showork like um okay.

0:28:03.920 --> 0:28:07.200
<v Speaker 1>So we meet a few of these characters. We're hanging

0:28:07.240 --> 0:28:10.960
<v Speaker 1>out with Jack and Fabrizio on deck, and this is

0:28:11.000 --> 0:28:14.359
<v Speaker 1>when Jack sees Rose across the deck of the ship

0:28:14.920 --> 0:28:21.200
<v Speaker 1>and he's like hubba hubba schwing o wouga speaking of

0:28:21.320 --> 0:28:25.880
<v Speaker 1>a wooga. Oh my god. That's a James Cameron story

0:28:25.920 --> 0:28:30.000
<v Speaker 1>that has nothing I thought. I thought. I thought Caitlin

0:28:30.200 --> 0:28:32.600
<v Speaker 1>had nothing to do with Titanic. I thought that there

0:28:32.800 --> 0:28:35.240
<v Speaker 1>is listeners there is. I think I probably referenced it

0:28:35.320 --> 0:28:39.040
<v Speaker 1>in our Avatar episode as well. James Cameron, whenever he

0:28:39.120 --> 0:28:41.640
<v Speaker 1>goes on a press tour, he says a bunch of

0:28:41.640 --> 0:28:43.360
<v Speaker 1>stuff that's awful, and then a bunch of stuff that

0:28:43.440 --> 0:28:45.640
<v Speaker 1>is incoherent. One of the things he said on this

0:28:45.720 --> 0:28:49.720
<v Speaker 1>press tour that was incoherent, wasn't that At times when

0:28:49.760 --> 0:28:52.040
<v Speaker 1>he's on set the set for Avatar, he will not

0:28:52.160 --> 0:28:55.800
<v Speaker 1>respond to anyone unless they first use a deafening a

0:28:55.880 --> 0:28:58.680
<v Speaker 1>wooga sound. And that's how he knows that it's important

0:28:58.800 --> 0:29:03.600
<v Speaker 1>enough that it requires his precious baby boy attention. So

0:29:04.000 --> 0:29:06.960
<v Speaker 1>when I was watching behind the scene featurettes of this movie,

0:29:07.560 --> 0:29:10.520
<v Speaker 1>I can't prove that the Aluga thing has been true

0:29:10.520 --> 0:29:14.480
<v Speaker 1>for a long time. But in the big the ship

0:29:14.640 --> 0:29:17.320
<v Speaker 1>is sunk, everyone's flailing around. That was filmed I think

0:29:17.400 --> 0:29:20.280
<v Speaker 1>in like a I think it was Burbank, like it

0:29:20.360 --> 0:29:23.400
<v Speaker 1>was somewhere close by, Like it was just a large

0:29:23.520 --> 0:29:26.360
<v Speaker 1>tank in Burbank with like four feet of water. And

0:29:26.480 --> 0:29:28.960
<v Speaker 1>that's where the I'll Never Let Go scene was filled.

0:29:29.000 --> 0:29:32.400
<v Speaker 1>In all that, there is a moment in the featurette

0:29:32.760 --> 0:29:35.560
<v Speaker 1>it's not called attention to, but knowing what we know

0:29:35.720 --> 0:29:40.120
<v Speaker 1>now about James Cameron and Ouga, James Cameron is not

0:29:40.320 --> 0:29:45.440
<v Speaker 1>talking to anybody. Allowed auga sounds scent like is sounded

0:29:45.960 --> 0:29:48.520
<v Speaker 1>and then all of a sudden, he goes, what, I

0:29:48.680 --> 0:29:54.080
<v Speaker 1>think the AUGA system has been in place for decades? Wow, Look,

0:29:54.960 --> 0:29:57.400
<v Speaker 1>is there any or any of James Cameron's long time

0:29:57.440 --> 0:29:59.920
<v Speaker 1>employees listening to this show? Can we get some confirm

0:30:00.280 --> 0:30:03.920
<v Speaker 1>on the AUG I was shocked. I was knocked on

0:30:04.040 --> 0:30:07.680
<v Speaker 1>my ass by this. That's fascinating. I'm not surprised though,

0:30:08.040 --> 0:30:11.240
<v Speaker 1>it's it sounds like he's been an absolute tyrant for

0:30:11.280 --> 0:30:14.400
<v Speaker 1>a very long time. But but the AUGA system specifically,

0:30:14.480 --> 0:30:18.480
<v Speaker 1>I'm like, that is some evil genius shit, Like, what

0:30:18.800 --> 0:30:22.080
<v Speaker 1>on earth? I think we can date Auga back to

0:30:22.200 --> 0:30:27.760
<v Speaker 1>ninety six. I support it. Yeah. So Jack is seeing

0:30:27.880 --> 0:30:31.520
<v Speaker 1>Rose and he's like, hubba, hubba, who's that? And his

0:30:31.640 --> 0:30:35.920
<v Speaker 1>friends are like, yeah, right, dude, she's rich and you're poor.

0:30:36.160 --> 0:30:39.440
<v Speaker 1>It'll never work out. You'll have angels flying out of

0:30:39.520 --> 0:30:43.480
<v Speaker 1>your ars, etc. Before you get next to the likes

0:30:43.520 --> 0:30:49.120
<v Speaker 1>of her, says Tommy. Um, classic Tommy. There's also there

0:30:49.280 --> 0:30:52.000
<v Speaker 1>was like a fight with James Cameron and the costume

0:30:52.080 --> 0:30:56.600
<v Speaker 1>designer for that scene where I guess Rose like woman

0:30:56.640 --> 0:31:01.040
<v Speaker 1>would wear hat if outside that is like a thing

0:31:01.120 --> 0:31:03.240
<v Speaker 1>of the time, and so they were kind of getting

0:31:03.280 --> 0:31:05.120
<v Speaker 1>into it because James Caramon's like, I don't want a

0:31:05.240 --> 0:31:08.280
<v Speaker 1>floppy old hat on Kate Winslet's head, Like it would

0:31:08.320 --> 0:31:10.360
<v Speaker 1>look goofy if she was wearing a big floppy hat

0:31:10.720 --> 0:31:15.200
<v Speaker 1>when Jack sees her, but he said, well, she's already

0:31:15.280 --> 0:31:18.600
<v Speaker 1>rebelled against everything else. And then he took the hat

0:31:18.640 --> 0:31:21.240
<v Speaker 1>off Kate Winslet's head and threw it into the ocean

0:31:21.240 --> 0:31:25.280
<v Speaker 1>because he's a drama queen. And the costume designer, I think,

0:31:25.400 --> 0:31:29.920
<v Speaker 1>was like, okay, that was and then they shot the scene.

0:31:32.440 --> 0:31:35.400
<v Speaker 1>I know he's a he's a piece of work. I

0:31:35.480 --> 0:31:38.160
<v Speaker 1>don't know what to make of the man. He's really

0:31:38.240 --> 0:31:42.400
<v Speaker 1>a piece of work. Into the ocean, like so not necessary,

0:31:42.720 --> 0:31:48.200
<v Speaker 1>very dramatic. Yeah, okay. So Jack has spotted Rose, but

0:31:48.360 --> 0:31:53.080
<v Speaker 1>they don't meet until that night when Rose attempts suicide

0:31:53.280 --> 0:31:57.520
<v Speaker 1>by jumping off the ship. Yeah. She feels trapped by

0:31:57.600 --> 0:32:01.080
<v Speaker 1>her position in life. She feels trapped in this relationship

0:32:01.440 --> 0:32:06.480
<v Speaker 1>with cal who is controlling and abusive, so she makes

0:32:06.520 --> 0:32:10.640
<v Speaker 1>this attempt but Jack sees her, realizes what's happening, and

0:32:11.000 --> 0:32:15.080
<v Speaker 1>he stops her. He saves her. Here's what James Cameron

0:32:15.160 --> 0:32:17.480
<v Speaker 1>had to say about this. It made me laugh. When

0:32:17.520 --> 0:32:20.040
<v Speaker 1>you think about it, it's sort of a risky proposition

0:32:20.160 --> 0:32:22.080
<v Speaker 1>for two people to meet in the middle of an

0:32:22.120 --> 0:32:27.880
<v Speaker 1>attempted suicide. But that's long pause, that's what happens here.

0:32:30.640 --> 0:32:34.000
<v Speaker 1>I mean, there's no arguing that. Sometimes he talks about

0:32:34.080 --> 0:32:36.120
<v Speaker 1>his own movies as if he has no control over

0:32:36.240 --> 0:32:41.080
<v Speaker 1>what happens in them, and a way that makes me life.

0:32:41.120 --> 0:32:43.880
<v Speaker 1>He's like, I don't know, I guess that's just how

0:32:43.960 --> 0:32:46.680
<v Speaker 1>it went. His argument for a long time before he

0:32:46.760 --> 0:32:51.240
<v Speaker 1>commissioned this scientific study to figure out if two people

0:32:51.280 --> 0:32:55.200
<v Speaker 1>could have actually fit on the door and survived. His

0:32:55.440 --> 0:32:59.360
<v Speaker 1>argument before that was Jack dies in the script, so

0:32:59.600 --> 0:33:03.240
<v Speaker 1>he to Dot, She's like, yeah, you wrote that in

0:33:03.320 --> 0:33:07.600
<v Speaker 1>the script. You literally have control over this, But like,

0:33:08.600 --> 0:33:12.000
<v Speaker 1>I guess, whatever you want. There was also kind of

0:33:12.040 --> 0:33:14.920
<v Speaker 1>a because I think at the time this movie came out,

0:33:15.000 --> 0:33:17.800
<v Speaker 1>It's it's kind of interesting how like Kate Winslet and

0:33:17.920 --> 0:33:21.080
<v Speaker 1>James Cameron's relationship seems to have changed over time, because

0:33:21.080 --> 0:33:22.760
<v Speaker 1>at the time the movie came out, I kind of forgot,

0:33:22.840 --> 0:33:26.280
<v Speaker 1>like it was like heavily rumored that, like Kate Winslett

0:33:26.480 --> 0:33:29.280
<v Speaker 1>hated him, never wanted to work with him again because

0:33:29.320 --> 0:33:32.080
<v Speaker 1>she got hypothermia on set, Like who would want to

0:33:32.120 --> 0:33:34.600
<v Speaker 1>work with him again after that, but then time passed

0:33:34.640 --> 0:33:37.360
<v Speaker 1>and now she's an avatar too, like they made she

0:33:37.520 --> 0:33:41.600
<v Speaker 1>got into a tank for the man again. So it

0:33:41.680 --> 0:33:45.440
<v Speaker 1>seems like the relationship repaired over time. But it's interesting

0:33:45.600 --> 0:33:48.040
<v Speaker 1>to hear, like there are a couple of anecdotes that

0:33:48.160 --> 0:33:50.440
<v Speaker 1>Kate Winslett shares on this commentary track where you're like

0:33:51.360 --> 0:33:55.800
<v Speaker 1>she was not having a good time with the scene

0:33:55.880 --> 0:34:00.160
<v Speaker 1>where she is attempting suicide. She's talking about how how

0:34:00.880 --> 0:34:03.560
<v Speaker 1>they had to shoot it so many times because that

0:34:03.640 --> 0:34:05.560
<v Speaker 1>was a green screen in a way that you can

0:34:05.680 --> 0:34:08.400
<v Speaker 1>tell too, but like whatever was nineteen ninety seven, but

0:34:08.880 --> 0:34:10.440
<v Speaker 1>they had to shoot it over and over and over

0:34:10.640 --> 0:34:13.800
<v Speaker 1>to the point where she couldn't get herself to cry

0:34:14.680 --> 0:34:17.080
<v Speaker 1>as much, Like she just was like spent and couldn't

0:34:17.080 --> 0:34:20.600
<v Speaker 1>get herself to cry. And so someone on the production

0:34:20.840 --> 0:34:23.200
<v Speaker 1>I have a guess as to who was like just

0:34:23.440 --> 0:34:26.239
<v Speaker 1>blow air in her face until she starts crying, and

0:34:27.280 --> 0:34:29.560
<v Speaker 1>so they like blew a fan in her face until

0:34:29.640 --> 0:34:32.080
<v Speaker 1>her eyes watered and then they're like all right, start again,

0:34:32.200 --> 0:34:36.120
<v Speaker 1>and you're like, Jesus Christ is poor and she's like

0:34:36.280 --> 0:34:39.319
<v Speaker 1>twenty years old. You know, it's like they're no one

0:34:39.400 --> 0:34:42.640
<v Speaker 1>talks back in those situations, and I just was like,

0:34:42.840 --> 0:34:47.279
<v Speaker 1>bless her, that's not my Mara veast Town. Tell you what,

0:34:48.200 --> 0:34:51.160
<v Speaker 1>I love that lady. She seems so great. Yeah. The

0:34:51.280 --> 0:34:58.160
<v Speaker 1>abuse that actors and performers have to endure not cool. Yeah, okay,

0:34:58.200 --> 0:35:02.040
<v Speaker 1>So Jack saves Rose saying if you jump, I'm going

0:35:02.080 --> 0:35:04.760
<v Speaker 1>to have to jump in there after you because that's absurd.

0:35:05.880 --> 0:35:09.200
<v Speaker 1>Then Cal and some of the crew show up to

0:35:09.320 --> 0:35:12.280
<v Speaker 1>the scene and they're like, what's going on? And Rose

0:35:12.520 --> 0:35:14.880
<v Speaker 1>is like, oh, I was just leaning over and I

0:35:15.000 --> 0:35:18.319
<v Speaker 1>slipped and Jack saved me. I was leaning far over

0:35:18.600 --> 0:35:22.239
<v Speaker 1>for the propellers, they had a hard time finding Cal.

0:35:22.719 --> 0:35:25.080
<v Speaker 1>And then you know what they did? What they saw

0:35:25.160 --> 0:35:27.680
<v Speaker 1>The Phantom Is that a movie that Billy Zane. It

0:35:27.719 --> 0:35:30.239
<v Speaker 1>is a movie that Billy Zane was in which he

0:35:30.320 --> 0:35:33.240
<v Speaker 1>plays a super He plays a superhero called the Phantom.

0:35:33.480 --> 0:35:36.279
<v Speaker 1>And then I've never seen it either. I just think

0:35:36.320 --> 0:35:38.239
<v Speaker 1>it is a very if you look at like the

0:35:38.480 --> 0:35:41.000
<v Speaker 1>visuals and like the trailer for that movie, it's very

0:35:41.120 --> 0:35:43.920
<v Speaker 1>weird to be like I would see that movie and

0:35:44.040 --> 0:35:46.879
<v Speaker 1>be like, yep, he should be in Titanic because it's

0:35:46.920 --> 0:35:49.920
<v Speaker 1>like just a super campy superhero movie. Where he's like,

0:35:50.160 --> 0:35:54.080
<v Speaker 1>I am the Phantom, like it's very it's so Billy

0:35:54.200 --> 0:35:58.279
<v Speaker 1>Zane is so iconic, like I'll never get over it.

0:35:58.920 --> 0:36:01.800
<v Speaker 1>He was, Oh, wait, I need to tell you the

0:36:01.960 --> 0:36:05.600
<v Speaker 1>Billy Zane arts and crafts story. He was just really

0:36:05.880 --> 0:36:09.200
<v Speaker 1>like people seemed to everyone who talked about Billy Zane

0:36:09.320 --> 0:36:13.440
<v Speaker 1>seemed to be like, and he is just what a character.

0:36:13.840 --> 0:36:17.480
<v Speaker 1>They're like, Leo and Billy just had us roll. In

0:36:17.719 --> 0:36:22.080
<v Speaker 1>twenty five eight, John Lando said Billy isn't artiste, and

0:36:22.200 --> 0:36:25.880
<v Speaker 1>then Billy Zane says that he turned so like the

0:36:26.000 --> 0:36:29.040
<v Speaker 1>whole as you know, Caitlin and maybe some of our

0:36:29.080 --> 0:36:32.480
<v Speaker 1>listeners know, the way that the Titanic set was built

0:36:32.640 --> 0:36:36.200
<v Speaker 1>was that they built half of it in Mexico and

0:36:36.320 --> 0:36:38.520
<v Speaker 1>then a lot of it is like reverse shots. But

0:36:38.680 --> 0:36:40.680
<v Speaker 1>so they had to like move the entire cast and

0:36:40.760 --> 0:36:44.840
<v Speaker 1>crew to Mexico for months. So Billy Zane turned his

0:36:44.960 --> 0:36:49.839
<v Speaker 1>apartment in Mexico into it sounds sort of like he's

0:36:49.880 --> 0:36:52.520
<v Speaker 1>slowly losing his grasp on reality. But you let me know,

0:36:53.320 --> 0:36:56.480
<v Speaker 1>he sort of seems to feel that way too. He's like, yeah,

0:36:56.600 --> 0:36:58.359
<v Speaker 1>you know, just these long days are in a place

0:36:58.480 --> 0:37:00.719
<v Speaker 1>you don't know anybody, and I I just sort of like,

0:37:01.400 --> 0:37:03.800
<v Speaker 1>I like to express myself, and I turned my apartment

0:37:03.880 --> 0:37:06.600
<v Speaker 1>into an art studio and I started mates. I started

0:37:06.880 --> 0:37:12.120
<v Speaker 1>quote doing a lot of abstract expressionism, okay, And he says, like,

0:37:12.920 --> 0:37:16.040
<v Speaker 1>I was going very polic at the time. It was rough,

0:37:16.320 --> 0:37:18.440
<v Speaker 1>you know, it got a little weird out there, but

0:37:18.719 --> 0:37:21.600
<v Speaker 1>arts and crafts pulled me through, which I think is

0:37:21.640 --> 0:37:24.080
<v Speaker 1>a beautiful outlook on life. And a lot of people

0:37:24.400 --> 0:37:26.319
<v Speaker 1>Billy's I think we sent them to each other at

0:37:26.360 --> 0:37:31.000
<v Speaker 1>the time. But Billy Zane took all these amazing candids

0:37:31.080 --> 0:37:33.720
<v Speaker 1>on the set of Titanic because he was an artiste,

0:37:33.880 --> 0:37:36.759
<v Speaker 1>and he like will occasionally post them to Instagram, and

0:37:36.800 --> 0:37:41.880
<v Speaker 1>they're all the best. Oh, Billy King, King of the

0:37:42.000 --> 0:37:48.240
<v Speaker 1>world even Okay, So they're like, wow, Jack, you've saved Rose.

0:37:48.640 --> 0:37:51.160
<v Speaker 1>You're a hero, and you should come have dinner with

0:37:51.280 --> 0:37:56.000
<v Speaker 1>us tomorrow night. And he's like okay. And then later

0:37:56.120 --> 0:38:02.480
<v Speaker 1>that evening, when Cal and Rose are back in their rooms,

0:38:03.320 --> 0:38:07.400
<v Speaker 1>Cow gives Rose the heart of the Ocean and he's like,

0:38:07.520 --> 0:38:09.840
<v Speaker 1>I know you've been melancholy, and I don't pretend to

0:38:09.920 --> 0:38:14.360
<v Speaker 1>understand why, but here's a very expensive diamond necklace. And

0:38:14.520 --> 0:38:19.759
<v Speaker 1>she's like oh. The next day, Rose pays Jack a

0:38:19.920 --> 0:38:24.880
<v Speaker 1>visit to thank him for saving her and for his discretion,

0:38:25.400 --> 0:38:29.480
<v Speaker 1>and he's like, do you even love cow? And she's like, ah,

0:38:30.080 --> 0:38:33.600
<v Speaker 1>you're being very rude, and then they argue a bit,

0:38:33.920 --> 0:38:38.000
<v Speaker 1>but then she sees his drawings because Jack is an

0:38:38.120 --> 0:38:43.120
<v Speaker 1>artiste and they are drawings of naked sex workers in Paris.

0:38:43.440 --> 0:38:47.920
<v Speaker 1>He was not getting into abstract expressionist. He was pretty straightforward. Oh,

0:38:47.960 --> 0:38:49.680
<v Speaker 1>Tho'd be so funny if they if you cut to

0:38:49.920 --> 0:38:54.160
<v Speaker 1>like Billy's AND's abstract expressionist paintings, like in his binder

0:38:54.239 --> 0:38:56.600
<v Speaker 1>you mean in Jack's binders. Yeah, He's like, Um, I

0:38:56.640 --> 0:38:58.480
<v Speaker 1>don't know. I guess I just sort of don't know

0:38:58.520 --> 0:39:03.640
<v Speaker 1>anyone here and I'm just trying stuff out. That deck scene,

0:39:03.680 --> 0:39:06.120
<v Speaker 1>I guess that. I mean, I've seen I'm sure we've

0:39:06.120 --> 0:39:08.360
<v Speaker 1>both seen audition tastes like that was like the audition

0:39:08.480 --> 0:39:13.600
<v Speaker 1>scene for Titanic for one of them, But the way

0:39:13.640 --> 0:39:17.640
<v Speaker 1>that the scene is was rewritten the night before, and

0:39:17.840 --> 0:39:21.160
<v Speaker 1>there were all of these cool like for every peepee

0:39:21.160 --> 0:39:25.359
<v Speaker 1>poopoo naked story that Kate Winslett and Leonardo DiCaprio share,

0:39:25.480 --> 0:39:27.800
<v Speaker 1>of which there are many, there's fart in the jacket,

0:39:27.880 --> 0:39:31.320
<v Speaker 1>stick it in the face, surprise naked at him. There's

0:39:31.960 --> 0:39:35.080
<v Speaker 1>we would pee in the tanks all the time, like

0:39:35.640 --> 0:39:37.440
<v Speaker 1>she was, like Leo would eat a ton of garlic

0:39:37.520 --> 0:39:40.480
<v Speaker 1>on days we had to kiss to prank me. I

0:39:40.600 --> 0:39:43.560
<v Speaker 1>was just like, you guys are weird? You guys are

0:39:43.920 --> 0:39:47.080
<v Speaker 1>you guys are? It sounds very like weird sibling kind

0:39:47.120 --> 0:39:50.200
<v Speaker 1>of like antagonism. But but they also it was kind

0:39:50.239 --> 0:39:53.920
<v Speaker 1>of cool to like they were always especially Kate Winslett,

0:39:54.200 --> 0:39:56.359
<v Speaker 1>who I just love her so much, but like they

0:39:56.400 --> 0:40:00.879
<v Speaker 1>were always trying to like add in little things into

0:40:00.920 --> 0:40:05.200
<v Speaker 1>the movie. Because it sounds like Kate and Leonardo DiCaprio

0:40:05.320 --> 0:40:08.920
<v Speaker 1>both felt that the movie. They were worried that the

0:40:09.000 --> 0:40:12.160
<v Speaker 1>movie was going to be too corny and too earnest.

0:40:12.280 --> 0:40:14.840
<v Speaker 1>And I think that especially because it was like whatever.

0:40:15.000 --> 0:40:17.960
<v Speaker 1>DiCaprio was like like he almost didn't take the part

0:40:17.960 --> 0:40:21.240
<v Speaker 1>because he's like he's too perfect, Like we're's just damage

0:40:21.239 --> 0:40:23.719
<v Speaker 1>blah blah blah. And like Kate Winslet have played a

0:40:23.760 --> 0:40:25.880
<v Speaker 1>bunch of like complicated roles and it's not I mean,

0:40:26.000 --> 0:40:30.240
<v Speaker 1>ros is kind of a meteor role in Jack, but whatever.

0:40:30.440 --> 0:40:32.440
<v Speaker 1>Like I think that they were both trying to add in.

0:40:32.880 --> 0:40:35.080
<v Speaker 1>They're trying to get their little gen X two cents

0:40:35.160 --> 0:40:38.319
<v Speaker 1>in where they could, and so they went to James

0:40:38.400 --> 0:40:40.960
<v Speaker 1>Cameron when that scene was being like in the process

0:40:41.000 --> 0:40:43.719
<v Speaker 1>of being rewritten, and I guess that it was at

0:40:43.840 --> 0:40:47.279
<v Speaker 1>their insistence that Jack says like, well do you love

0:40:47.360 --> 0:40:50.040
<v Speaker 1>the guy or not? Like stuff like that, Like there's

0:40:50.040 --> 0:40:52.640
<v Speaker 1>a few lines in this movie that the way they

0:40:52.680 --> 0:40:54.480
<v Speaker 1>would rehearse. I also loved the way that they would

0:40:54.520 --> 0:40:57.080
<v Speaker 1>rehearse them, where like they would do it as written

0:40:57.600 --> 0:41:00.640
<v Speaker 1>and then James Cameron would have them do scene again.

0:41:01.280 --> 0:41:03.279
<v Speaker 1>The way that they would just talk to each other

0:41:04.160 --> 0:41:06.360
<v Speaker 1>to get like the cadence down for like, well, how

0:41:06.400 --> 0:41:08.759
<v Speaker 1>would you actually have this conversation, and then you would

0:41:08.800 --> 0:41:11.680
<v Speaker 1>do it as written again with the correct cadence, which

0:41:11.719 --> 0:41:14.839
<v Speaker 1>is pretty smart way to rehearse people. But like they

0:41:14.960 --> 0:41:17.560
<v Speaker 1>occasionally would like Caitlin's like got like a lot of

0:41:17.600 --> 0:41:21.319
<v Speaker 1>stuff into this movie. She is the person who said

0:41:21.520 --> 0:41:24.560
<v Speaker 1>that Rose should spit in Cal's face. Originally she was

0:41:24.640 --> 0:41:27.239
<v Speaker 1>poking him with a hairpin, but she was like, I

0:41:27.280 --> 0:41:30.120
<v Speaker 1>already learned how to spit, and then James Caermon was like, shit,

0:41:30.239 --> 0:41:32.960
<v Speaker 1>that should have been my idea. She and Francis Fisher

0:41:33.080 --> 0:41:36.759
<v Speaker 1>also suggest in their scene together where Francis Fisher's like

0:41:36.880 --> 0:41:41.040
<v Speaker 1>tying the corset, originally it was the reverse and Kate

0:41:41.080 --> 0:41:44.080
<v Speaker 1>Winslett was tying Francis Fisher's this corset and they were like,

0:41:44.160 --> 0:41:46.279
<v Speaker 1>it makes way more sense thematically if it's the other

0:41:46.360 --> 0:41:49.640
<v Speaker 1>way around, and James Carramon was like, Ash, maybe I'm

0:41:49.960 --> 0:41:54.040
<v Speaker 1>could have a screenwriter. It's like, yeah, not really, but

0:41:54.239 --> 0:41:56.719
<v Speaker 1>like I just thought it was fun where every time

0:41:56.760 --> 0:41:58.399
<v Speaker 1>there was a point where it's like, oh I got

0:41:58.440 --> 0:42:00.440
<v Speaker 1>that in, I was like, that's so cool. That is

0:42:00.520 --> 0:42:03.520
<v Speaker 1>very cool, And I'm glad that James Cameron like listens

0:42:03.600 --> 0:42:07.680
<v Speaker 1>to reason and lets his Yeah, he seems grouchy, but

0:42:07.760 --> 0:42:09.960
<v Speaker 1>it's like it seems like when someone else has a

0:42:10.000 --> 0:42:12.640
<v Speaker 1>better idea. This is like not a huge compet but

0:42:12.680 --> 0:42:15.440
<v Speaker 1>it's like if someone else has a better idea, he

0:42:15.560 --> 0:42:19.359
<v Speaker 1>will go with that idea. That's good. Yeah, let's take

0:42:19.520 --> 0:42:22.120
<v Speaker 1>another quick break and then we will come back for

0:42:22.360 --> 0:42:32.719
<v Speaker 1>more Titanic and we're back. Okay. So we have this

0:42:32.920 --> 0:42:36.440
<v Speaker 1>scene with Jack and Rose and it's a little rocky

0:42:36.520 --> 0:42:38.480
<v Speaker 1>here and there, but then she's like, let me look

0:42:38.520 --> 0:42:41.240
<v Speaker 1>at your sexy drawings and then she's like a wooga.

0:42:42.040 --> 0:42:45.759
<v Speaker 1>And then they're kind of like bonding and flirting, and

0:42:45.840 --> 0:42:49.360
<v Speaker 1>he teaches her how to spit. Speaking of spitting, I

0:42:49.400 --> 0:42:52.360
<v Speaker 1>guess that they were spitting that the water seaged in

0:42:52.440 --> 0:42:55.320
<v Speaker 1>and that scene and they were spitting onto like the

0:42:55.400 --> 0:42:59.480
<v Speaker 1>floor of a parking lot, and Leonardo DiCaprio like set

0:42:59.560 --> 0:43:01.960
<v Speaker 1>up these little targets on the ground. Would like to

0:43:03.280 --> 0:43:10.360
<v Speaker 1>hit my little target. Wow. I love fun facts. Okay.

0:43:10.760 --> 0:43:15.960
<v Speaker 1>So meanwhile, Bruce Ismay is pressuring Captain EJ. Smith played

0:43:16.000 --> 0:43:19.200
<v Speaker 1>by Bernard Hill. I want them to model her speed. Yeah,

0:43:19.400 --> 0:43:22.759
<v Speaker 1>And he wants the captain to light the last four

0:43:22.880 --> 0:43:26.239
<v Speaker 1>boilers so that the ship goes really fast and gets

0:43:26.280 --> 0:43:29.959
<v Speaker 1>to New York City early ever heard of New York City? Yeah,

0:43:30.160 --> 0:43:35.239
<v Speaker 1>because the maiden voyage of Titanic must make headlines. That

0:43:35.520 --> 0:43:39.480
<v Speaker 1>actor fucking rules. Apparently, like he and Francis Fisher are

0:43:39.960 --> 0:43:43.439
<v Speaker 1>good friends, and so even in scenes that he wasn't

0:43:43.560 --> 0:43:46.359
<v Speaker 1>in that Francis Fisher was in, he would like come

0:43:46.400 --> 0:43:49.880
<v Speaker 1>to set those days and watch her work. He was,

0:43:50.160 --> 0:43:52.719
<v Speaker 1>so I was like, oh, it's kind of fun. Mister

0:43:52.800 --> 0:43:57.200
<v Speaker 1>Ame was sitting just off screen for that whole mother daughter.

0:43:57.280 --> 0:44:00.600
<v Speaker 1>Of course, it's seen he's there. That's nice. I know

0:44:01.239 --> 0:44:05.040
<v Speaker 1>he's just supporting his friend. Okay, So then it's time

0:44:05.080 --> 0:44:09.200
<v Speaker 1>for dinner. Molly Brown dresses Jack in her son's tuxedo,

0:44:09.840 --> 0:44:13.320
<v Speaker 1>and then Jack joins Rose and Cow and Ruth and

0:44:13.400 --> 0:44:16.920
<v Speaker 1>a bunch of other rich, first class people for dinner.

0:44:17.920 --> 0:44:23.640
<v Speaker 1>Ruth and Cal think Jack is gross, but Rose is like, wow,

0:44:23.760 --> 0:44:28.760
<v Speaker 1>I like him, a free spirit. Here's a Molly Brown fact, please,

0:44:29.200 --> 0:44:34.279
<v Speaker 1>So Molly Brown. She's very characterized as new money and

0:44:35.120 --> 0:44:37.840
<v Speaker 1>James Cameron takes a little bit of creative license with

0:44:38.000 --> 0:44:42.360
<v Speaker 1>her in this where it's like she was a big personality,

0:44:43.160 --> 0:44:46.279
<v Speaker 1>but also she was I guess in real life was

0:44:46.520 --> 0:44:50.560
<v Speaker 1>like pretty dead set on fitting in and would not

0:44:50.920 --> 0:44:52.520
<v Speaker 1>speak out as quite as much as she does in

0:44:52.560 --> 0:44:54.200
<v Speaker 1>the movie. I'm glad she does in the movie. But

0:44:54.280 --> 0:44:57.200
<v Speaker 1>there is like a fun and not finding who cares.

0:44:57.239 --> 0:44:59.360
<v Speaker 1>It's just like rich people shit. But there's like a

0:44:59.400 --> 0:45:01.719
<v Speaker 1>brief converse station with John Jacob Astar, who is like

0:45:01.760 --> 0:45:04.480
<v Speaker 1>the richest man in America at the time, and his

0:45:04.640 --> 0:45:08.560
<v Speaker 1>teenage wife, and every account is like he doated on

0:45:08.760 --> 0:45:11.920
<v Speaker 1>his wife, and you're like, okay, like she was a teenager,

0:45:12.040 --> 0:45:15.480
<v Speaker 1>but I guess he died, but apparently they were like

0:45:15.680 --> 0:45:18.840
<v Speaker 1>really good friends, and so, like James Cameron tried to

0:45:18.920 --> 0:45:21.040
<v Speaker 1>add in, like there's like a scene, there's like an

0:45:21.120 --> 0:45:25.120
<v Speaker 1>exchange where Kathy Bates is like, hey asked her? Yeah,

0:45:25.360 --> 0:45:27.319
<v Speaker 1>so that is a reference to like how she used

0:45:27.320 --> 0:45:29.080
<v Speaker 1>to talk to him, And I guess that, like the

0:45:29.239 --> 0:45:33.120
<v Speaker 1>reason that he liked her was because everyone treated him like,

0:45:33.400 --> 0:45:37.040
<v Speaker 1>you know, god, and she was like really she treated

0:45:37.080 --> 0:45:39.040
<v Speaker 1>him like a person, and he's like, go on, They'd

0:45:39.080 --> 0:45:42.359
<v Speaker 1>like been on vacations together. There's a picture of them

0:45:42.440 --> 0:45:46.520
<v Speaker 1>on camels. So it turns out, I mean, it's like,

0:45:46.600 --> 0:45:48.799
<v Speaker 1>I know whatever, you know that like people knew each

0:45:48.840 --> 0:45:50.680
<v Speaker 1>other on this boat. But I was like, oh, Molly

0:45:50.719 --> 0:45:54.239
<v Speaker 1>Brown actually lost like a dear friend and it was

0:45:54.440 --> 0:45:57.000
<v Speaker 1>just some rich guy with a teenage wife. So ultimately,

0:45:57.400 --> 0:46:01.000
<v Speaker 1>who cares. Estimately I don't feel that bad, but personally

0:46:01.600 --> 0:46:04.000
<v Speaker 1>must have been heard for her. Yeah that's true, Yeah,

0:46:04.000 --> 0:46:09.360
<v Speaker 1>poor Molly. Yeah, um okay. So after dinner, Jack to

0:46:09.600 --> 0:46:11.759
<v Speaker 1>Rose is like, so you want to go to a

0:46:11.840 --> 0:46:17.800
<v Speaker 1>real party, and he invites Rose to a third class

0:46:17.880 --> 0:46:23.240
<v Speaker 1>party below deck and it's a good ass time. Rose

0:46:23.840 --> 0:46:28.239
<v Speaker 1>is chugging beer, she's smoking cigarettes, she's doing this tippytoe

0:46:28.320 --> 0:46:32.520
<v Speaker 1>ballet thing where she was on wires for that. Oh okay,

0:46:32.719 --> 0:46:37.200
<v Speaker 1>quick dancing facts with Jamie. Kate Winslett and Dicabrio had

0:46:37.239 --> 0:46:40.040
<v Speaker 1>to be trained to dance, and this is them doing

0:46:40.040 --> 0:46:43.840
<v Speaker 1>all the dancing. Kate Winslett. All of these stories are like,

0:46:44.000 --> 0:46:48.440
<v Speaker 1>Kate Winslett was lovely and so great. Leonardo DiCaprio was

0:46:48.520 --> 0:46:52.640
<v Speaker 1>like pretty good, which I would also describe their caliber

0:46:52.680 --> 0:46:56.320
<v Speaker 1>of performances in this movie. Yeah, but apparently, like again,

0:46:56.360 --> 0:46:58.840
<v Speaker 1>I don't know, it just sounds like Leonardo DiCaprio is

0:46:58.880 --> 0:47:01.279
<v Speaker 1>in his like pussy posse. I'm a little shit era

0:47:01.840 --> 0:47:05.120
<v Speaker 1>during this because he, like I guess, would really avoid

0:47:05.320 --> 0:47:07.640
<v Speaker 1>the dance lessons. He like didn't want to do them.

0:47:08.360 --> 0:47:10.600
<v Speaker 1>And I know, I'm just like you fucking brat, But

0:47:10.840 --> 0:47:15.200
<v Speaker 1>this is a fun story where the dance coach also

0:47:15.360 --> 0:47:18.760
<v Speaker 1>like the dance coaches on the commentary track, it's very comprehensive. Wow,

0:47:19.040 --> 0:47:21.360
<v Speaker 1>but the dance coach was like, yeah, like Kate was

0:47:21.440 --> 0:47:23.239
<v Speaker 1>having a hard time, but she worked really hard at

0:47:23.280 --> 0:47:25.320
<v Speaker 1>it and she picked up on it pretty quickly. I

0:47:25.440 --> 0:47:28.400
<v Speaker 1>was proud of her, and I was like, Leo was

0:47:28.480 --> 0:47:31.160
<v Speaker 1>always avoiding me and he didn't want to go to

0:47:31.800 --> 0:47:33.920
<v Speaker 1>the lessons and every time and she was like, I

0:47:33.960 --> 0:47:36.480
<v Speaker 1>would have to come to his trailer between takes to

0:47:36.600 --> 0:47:39.799
<v Speaker 1>like help him learn like the clogging dance that he does,

0:47:40.160 --> 0:47:42.000
<v Speaker 1>because that was, like, I mean, it wouldn't have been easy.

0:47:42.480 --> 0:47:46.320
<v Speaker 1>And she was like, and he eventually learned, but I

0:47:46.360 --> 0:47:49.680
<v Speaker 1>would always have to knock on his trailer for a

0:47:49.760 --> 0:47:52.399
<v Speaker 1>while and tell him to put his pet lizard away

0:47:52.640 --> 0:47:55.280
<v Speaker 1>before I could come in. He had a pet lizard

0:47:55.680 --> 0:47:59.160
<v Speaker 1>on set all the time. He had a lizard named

0:47:59.480 --> 0:48:03.440
<v Speaker 1>Blizzard that like lived with him in Mexico. And I

0:48:03.520 --> 0:48:06.480
<v Speaker 1>guess that the dance. Every time the dancing startor came by,

0:48:06.520 --> 0:48:08.400
<v Speaker 1>she'd have to like pound on his trailer door and

0:48:08.520 --> 0:48:11.719
<v Speaker 1>be like, put the lizard away, it's dancing time. And

0:48:11.840 --> 0:48:18.040
<v Speaker 1>he'd be like no, They're like what it really like,

0:48:18.800 --> 0:48:23.000
<v Speaker 1>I don't. I have no particular attachment to Leonardo DiCaprio.

0:48:23.560 --> 0:48:27.480
<v Speaker 1>I'm too old for him, but I was really endeared

0:48:27.640 --> 0:48:29.360
<v Speaker 1>to him when I found out that he had a

0:48:29.520 --> 0:48:31.839
<v Speaker 1>lizard friend with him the whole time. I'm like, wow,

0:48:31.960 --> 0:48:35.440
<v Speaker 1>people really were. It sounds like people were really in

0:48:35.560 --> 0:48:38.840
<v Speaker 1>a strange place mentally on the set of Billy Zane's

0:48:38.920 --> 0:48:46.400
<v Speaker 1>making abstract art. Leo is spooning his lizard Lizard. It

0:48:46.560 --> 0:48:49.840
<v Speaker 1>sounds like everyone's in a very, very like weird place

0:48:50.080 --> 0:48:52.600
<v Speaker 1>with here. But I was like, I wonder whatever became

0:48:52.680 --> 0:48:55.160
<v Speaker 1>a Blizzard the Lizard. I haven't been able to find

0:48:55.200 --> 0:48:58.200
<v Speaker 1>pictures of him, damn her. I don't know, I don't

0:48:58.239 --> 0:49:01.399
<v Speaker 1>know them, I don't I don't know what was going

0:49:01.440 --> 0:49:04.520
<v Speaker 1>on with Blizzard. But I just wanted to say, of

0:49:04.640 --> 0:49:07.320
<v Speaker 1>course there wouldn't be a record of Blizzard. Blizzard, but

0:49:07.480 --> 0:49:11.520
<v Speaker 1>he saved Leonardo DiCaprio in every way a person can

0:49:11.680 --> 0:49:19.640
<v Speaker 1>be saved. Okay, Okay, so we're belowdeck at the party.

0:49:20.280 --> 0:49:24.400
<v Speaker 1>Jack and Rose are really having a blast. They're spinning.

0:49:24.920 --> 0:49:27.840
<v Speaker 1>The scene ends and what is essentially a congo line.

0:49:28.520 --> 0:49:31.759
<v Speaker 1>The next day, Wait, Kaitlyn, I found a picture of

0:49:31.840 --> 0:49:35.719
<v Speaker 1>Leo and Blizzard. Whoa, I'm texting it to you right now. Okay, Wait,

0:49:35.800 --> 0:49:39.799
<v Speaker 1>they're actually Oh god, why was he so hot during

0:49:39.840 --> 0:49:45.359
<v Speaker 1>this time? Why is the picture of him and Blizzard sexy? Wow?

0:49:45.440 --> 0:49:48.040
<v Speaker 1>He actually there's actually like a bunch of pictures of

0:49:48.120 --> 0:49:51.239
<v Speaker 1>him on the set of Titanic with Blizzard. Okay, he

0:49:51.520 --> 0:49:55.800
<v Speaker 1>like loves this. It reminds me of men are so

0:49:56.280 --> 0:49:59.560
<v Speaker 1>like something is so wrong with them, where like I

0:49:59.680 --> 0:50:03.520
<v Speaker 1>read I read recently, I forget what I watched. Oh

0:50:03.719 --> 0:50:08.560
<v Speaker 1>I watched Ticket to Paradise with Julia Roberts and George Clooney.

0:50:09.360 --> 0:50:11.000
<v Speaker 1>I didn't finish it, to be honest, but I was

0:50:11.280 --> 0:50:17.160
<v Speaker 1>reading about George Clooney and George Clooney ended a marriage

0:50:17.640 --> 0:50:20.279
<v Speaker 1>because one of his why and one of his ex

0:50:20.400 --> 0:50:23.719
<v Speaker 1>wives was like, I'm really sick of your pet pig,

0:50:24.360 --> 0:50:26.840
<v Speaker 1>and I guess that it reached the he has I

0:50:26.960 --> 0:50:29.000
<v Speaker 1>think the pig is no longer with us. But he

0:50:29.120 --> 0:50:32.960
<v Speaker 1>had a pet pig forever and it was big, and

0:50:33.680 --> 0:50:37.760
<v Speaker 1>at one point, allegedly one of his marriages pre amal,

0:50:38.760 --> 0:50:41.239
<v Speaker 1>someone said it's me or the pig, and he said

0:50:41.719 --> 0:50:44.800
<v Speaker 1>get out. He said, I choose the pig. He chose

0:50:45.040 --> 0:50:50.440
<v Speaker 1>the pig. Wow, which I would never recover from that.

0:50:51.320 --> 0:50:54.240
<v Speaker 1>But all that to say, yeah, Leo and his lizard,

0:50:54.280 --> 0:51:00.840
<v Speaker 1>George and his pig. Great love that. There's pictures of

0:51:00.920 --> 0:51:03.759
<v Speaker 1>Leo and Blizzard that actually makes me happy. They're very nice.

0:51:04.000 --> 0:51:07.239
<v Speaker 1>Oh no, well, we'll post the pictures on the Instagram

0:51:07.440 --> 0:51:12.239
<v Speaker 1>when this episode comes out. Oh okay, so sorry. The

0:51:12.400 --> 0:51:17.160
<v Speaker 1>next morning after this party, Cal and Rose are having breakfast,

0:51:17.520 --> 0:51:21.360
<v Speaker 1>and Cal screams at her and he flips a table

0:51:22.040 --> 0:51:26.560
<v Speaker 1>for hanging out with Jack instead of him, because he

0:51:26.800 --> 0:51:30.279
<v Speaker 1>had his undertaker of a man servant follow Rose, this

0:51:30.480 --> 0:51:36.080
<v Speaker 1>guy named love Joy. Yeah. Ruth also gets on Rose's case, saying,

0:51:36.760 --> 0:51:39.879
<v Speaker 1>you cannot see that boy again because it turns out

0:51:40.000 --> 0:51:43.080
<v Speaker 1>that Rose and Ruth's family money is gone and that

0:51:43.280 --> 0:51:47.600
<v Speaker 1>Rose needs to marry Cal and like have access to

0:51:47.760 --> 0:51:52.320
<v Speaker 1>his fortune to ensure Rose and Ruth's survival. R So,

0:51:52.480 --> 0:51:56.319
<v Speaker 1>basically Rose needs to stop jeopardizing her relationship with Cal.

0:51:57.000 --> 0:52:00.239
<v Speaker 1>Frances Fisher had like a really nice or I guess

0:52:00.280 --> 0:52:02.000
<v Speaker 1>like it just like a very thoughtful kind of like

0:52:02.200 --> 0:52:07.280
<v Speaker 1>meditation on that scene, and she like, she seems really sweet.

0:52:07.800 --> 0:52:10.520
<v Speaker 1>She's saying that, how like in the ten years since

0:52:10.600 --> 0:52:12.480
<v Speaker 1>Titanic could come out, there were a lot of like

0:52:13.120 --> 0:52:16.480
<v Speaker 1>younger fans, and I know I was in this. I

0:52:16.560 --> 0:52:19.480
<v Speaker 1>think that like early in this show, we weren't even

0:52:19.560 --> 0:52:23.320
<v Speaker 1>quite a like comprehension place where it's like, why is

0:52:23.360 --> 0:52:26.160
<v Speaker 1>that mom so mean? And like Frances Fisher was like

0:52:26.400 --> 0:52:29.320
<v Speaker 1>fielding questions like this from young fans of Titanic for

0:52:29.480 --> 0:52:32.400
<v Speaker 1>years who viewed her as a villain, which there are

0:52:32.560 --> 0:52:36.719
<v Speaker 1>villain as, you know whatever. But she she did a

0:52:36.800 --> 0:52:40.680
<v Speaker 1>really I think, like concise way of just like talking

0:52:40.719 --> 0:52:42.560
<v Speaker 1>about how she would talk to younger fans of the movie.

0:52:42.600 --> 0:52:44.640
<v Speaker 1>And she's like, no, I understand why you feel that way.

0:52:45.360 --> 0:52:47.719
<v Speaker 1>You have to understand. Like she's like, it doesn't make

0:52:47.800 --> 0:52:51.560
<v Speaker 1>what she did right. But women had no options at

0:52:51.600 --> 0:52:54.440
<v Speaker 1>this time, they couldn't vote, they were already in a

0:52:54.520 --> 0:52:58.080
<v Speaker 1>precarious position. She should have been thinking about her daughter's

0:52:58.400 --> 0:53:01.840
<v Speaker 1>mental well being, but she was thinking about immediacy. And

0:53:02.160 --> 0:53:05.799
<v Speaker 1>she said, quote, Ruth's pain is that her daughter will

0:53:05.880 --> 0:53:10.399
<v Speaker 1>not be able to experience safety unquote. And I thought

0:53:10.400 --> 0:53:14.600
<v Speaker 1>that was a very empathetic view of that character. Yeah,

0:53:14.920 --> 0:53:18.839
<v Speaker 1>I agree. Yeah, Okay, So with all this pressure from

0:53:19.080 --> 0:53:23.480
<v Speaker 1>her mom, Rose relents and she tells Jack that she

0:53:23.760 --> 0:53:26.600
<v Speaker 1>cannot see him again. And he is like, oh, they've

0:53:26.640 --> 0:53:29.279
<v Speaker 1>got you trapped, Rose, and you need to break free.

0:53:29.920 --> 0:53:33.560
<v Speaker 1>You can do it. You're the most amazing, wonderful girl

0:53:33.760 --> 0:53:42.200
<v Speaker 1>I've never known. And then we're like wow, King, but

0:53:42.920 --> 0:53:46.960
<v Speaker 1>she's not having it and she leaves. Meanwhile, mister Andrews

0:53:47.120 --> 0:53:50.960
<v Speaker 1>is giving a little tour to the rich people, and

0:53:51.520 --> 0:53:54.440
<v Speaker 1>Rose figures out that there are not enough lifeboats on

0:53:54.600 --> 0:53:58.600
<v Speaker 1>board for all the passengers. Also, Captain E. J. Smith

0:53:58.920 --> 0:54:03.600
<v Speaker 1>is getting Iceberg warnings and were like, um foreshadowing much

0:54:05.520 --> 0:54:10.840
<v Speaker 1>and history fat apparently for this for this movie, the

0:54:10.920 --> 0:54:15.440
<v Speaker 1>original like manufacturers of the Titanic, Harland and Wolf or

0:54:15.560 --> 0:54:19.320
<v Speaker 1>one of the original manufacturers, gave James Cameron access to

0:54:20.239 --> 0:54:24.600
<v Speaker 1>Thomas Andrews earlier drawings and gave him access to his

0:54:24.719 --> 0:54:29.520
<v Speaker 1>journals and process and so this production was the first

0:54:29.560 --> 0:54:33.319
<v Speaker 1>to confirm, even before history books, that there had been

0:54:33.440 --> 0:54:36.279
<v Speaker 1>versions of the Titanic in which there were enough lifeboats,

0:54:36.360 --> 0:54:38.279
<v Speaker 1>but that like, like he says in the movie, like

0:54:38.600 --> 0:54:40.840
<v Speaker 1>it was considered to make the deck look too cluttered,

0:54:40.920 --> 0:54:42.719
<v Speaker 1>and so they were gotten rid of. So that was

0:54:42.760 --> 0:54:47.759
<v Speaker 1>actually breaking freaking news. Wow, I know, kind of cool.

0:54:48.680 --> 0:54:52.520
<v Speaker 1>Um Okay. So then after having told Jack that she

0:54:52.600 --> 0:54:55.840
<v Speaker 1>can't see him anymore, she's like, wait a minute, fuck this,

0:54:56.200 --> 0:54:59.640
<v Speaker 1>and then she goes back to Jack. He's at the

0:55:00.280 --> 0:55:03.040
<v Speaker 1>I believe the bowl of the ship, the front of it.

0:55:03.920 --> 0:55:08.239
<v Speaker 1>He's brooding. But she's like, Jack, changed my mind, and

0:55:08.440 --> 0:55:11.279
<v Speaker 1>it's sunset, and he's like, get up here. So she

0:55:11.400 --> 0:55:14.319
<v Speaker 1>like hims on the railing of the ship. And he's

0:55:14.360 --> 0:55:16.600
<v Speaker 1>like close your eyes, and then he like spreads out

0:55:16.640 --> 0:55:19.239
<v Speaker 1>her arms and she opens her eyes and she's like,

0:55:19.360 --> 0:55:23.400
<v Speaker 1>I'm flying and then then I'm and then I'm crying

0:55:23.960 --> 0:55:27.800
<v Speaker 1>and it's all a lot. This is a very commonly

0:55:28.040 --> 0:55:32.920
<v Speaker 1>circulated anecdote, but for that scene, some of the shots

0:55:32.920 --> 0:55:34.920
<v Speaker 1>are done with a Matt painting of the sunset, but

0:55:35.080 --> 0:55:38.719
<v Speaker 1>the big kissing shot was done with an actual sunset

0:55:39.040 --> 0:55:42.840
<v Speaker 1>and they waited for forever. They were like whatever. It

0:55:42.920 --> 0:55:45.640
<v Speaker 1>was like they had two chances at the shot, and

0:55:45.840 --> 0:55:48.040
<v Speaker 1>Kate Winslet it was what, I don't know. I feel

0:55:48.040 --> 0:55:51.320
<v Speaker 1>like Kate Winslet and James Cameron, their relationship is so confusing,

0:55:51.440 --> 0:55:54.560
<v Speaker 1>but like this was a positive anecdote with them, where

0:55:55.040 --> 0:55:57.200
<v Speaker 1>Kate and Lee are up on the railing and then

0:55:57.239 --> 0:56:00.200
<v Speaker 1>there's one one of the takes where Kate Win's was

0:56:00.239 --> 0:56:02.800
<v Speaker 1>like we need to go right now, and James Cameron

0:56:02.880 --> 0:56:06.160
<v Speaker 1>like listened to her and started shooting, and that is

0:56:06.200 --> 0:56:09.560
<v Speaker 1>the shot that's used in the movie. And apparently it's

0:56:09.600 --> 0:56:11.880
<v Speaker 1>a little bit out of focus because it was so

0:56:12.239 --> 0:56:14.279
<v Speaker 1>like she was like, you need to do it right now,

0:56:14.520 --> 0:56:18.080
<v Speaker 1>and he had them start shooting before they were fully focused. Checked. Yeah,

0:56:18.360 --> 0:56:21.240
<v Speaker 1>I can't tell, like I couldn't tell, but like apparently

0:56:21.320 --> 0:56:22.759
<v Speaker 1>that shot is a little bit out of focus. But

0:56:22.920 --> 0:56:25.880
<v Speaker 1>they both talk about that and they're like, that was

0:56:25.920 --> 0:56:30.080
<v Speaker 1>a beautiful collaborative moment, I know. And then she and

0:56:30.239 --> 0:56:34.920
<v Speaker 1>Jack kiss, kiss, kiss, yeah, and it's nice. And then

0:56:35.560 --> 0:56:39.080
<v Speaker 1>they go to her room and she shows him the

0:56:39.160 --> 0:56:41.600
<v Speaker 1>heart of the ocean and she's like, I want you

0:56:41.680 --> 0:56:44.440
<v Speaker 1>to draw me like one of your French girls wearing this,

0:56:45.400 --> 0:56:52.160
<v Speaker 1>wearing only this. And then he goes, yo woga sounds.

0:56:52.239 --> 0:56:58.120
<v Speaker 1>And then James Cameron goes, what what fun fact about

0:56:58.120 --> 0:57:02.880
<v Speaker 1>the drawing scene? M So Rose's nude, Jack's drawing her?

0:57:02.960 --> 0:57:06.360
<v Speaker 1>Everyone knows that's actually James Cameron drawing. We will not

0:57:06.440 --> 0:57:09.800
<v Speaker 1>rehash that. A new thing I learned was that, you

0:57:09.880 --> 0:57:12.120
<v Speaker 1>know how like in the music in that scene is

0:57:12.239 --> 0:57:17.360
<v Speaker 1>like just a single piano playing the Rose theme A

0:57:17.560 --> 0:57:22.400
<v Speaker 1>fun uh. I love fun facts. So James Horner may

0:57:22.440 --> 0:57:27.240
<v Speaker 1>he rest in peace, huge collaborator of James Cameron, amongst others.

0:57:27.800 --> 0:57:33.320
<v Speaker 1>But there was like a file confusion where so I

0:57:33.400 --> 0:57:38.040
<v Speaker 1>guess that like James Horner had recorded himself playing this

0:57:38.400 --> 0:57:44.080
<v Speaker 1>track on the piano himself as like a test of

0:57:44.280 --> 0:57:47.360
<v Speaker 1>like it would sound something like this, and like, I

0:57:47.440 --> 0:57:49.800
<v Speaker 1>don't know what the nineteen ninety six version of the

0:57:49.960 --> 0:57:52.880
<v Speaker 1>Cloud was, but uploaded it to like a mutual server

0:57:53.800 --> 0:57:58.880
<v Speaker 1>with the file names sketch sketch meaning this isn't finished,

0:57:59.040 --> 0:58:02.240
<v Speaker 1>this is a rough draft, right, James Cameron sees a

0:58:02.320 --> 0:58:04.880
<v Speaker 1>final named sketch and thinks it's for the sketching scene.

0:58:05.480 --> 0:58:08.440
<v Speaker 1>And so because I guess James Cameron did a lot

0:58:08.520 --> 0:58:12.760
<v Speaker 1>of editing or like pre editing for this movie, and

0:58:12.840 --> 0:58:15.160
<v Speaker 1>there was like he was trying to get this scene

0:58:15.160 --> 0:58:17.680
<v Speaker 1>together and was like, oh, this isn't quite syncing up,

0:58:17.720 --> 0:58:19.200
<v Speaker 1>like I don't really know what he's thinking with this,

0:58:19.600 --> 0:58:22.680
<v Speaker 1>but then figures it out and then it's like, wait,

0:58:22.800 --> 0:58:25.360
<v Speaker 1>I love this. This like is perfect. It's so like

0:58:25.640 --> 0:58:27.840
<v Speaker 1>spare and beautiful, and he like called James Horner and

0:58:27.880 --> 0:58:32.080
<v Speaker 1>he's like, I love sketch and James Harder's like, what

0:58:32.240 --> 0:58:36.439
<v Speaker 1>are you talking about? And I guess that, like James

0:58:36.520 --> 0:58:39.800
<v Speaker 1>Horner like had to really be talked into like letting

0:58:39.880 --> 0:58:41.840
<v Speaker 1>them use that in the final cut of the movie,

0:58:41.880 --> 0:58:44.160
<v Speaker 1>because he was like, I had a whole plan and

0:58:44.360 --> 0:58:48.440
<v Speaker 1>James Cameron's like, no, this is good. I love sketch. Wow,

0:58:49.360 --> 0:58:52.320
<v Speaker 1>I know it isn't that sweet. It's very sweet. Yeah,

0:58:52.440 --> 0:58:56.400
<v Speaker 1>the movies, the movie really feeling like a movie in

0:58:56.480 --> 0:59:00.240
<v Speaker 1>this scene, tell you what it really is. Okay. So

0:59:01.120 --> 0:59:03.840
<v Speaker 1>she's like, draw me like one of your French girls,

0:59:04.160 --> 0:59:06.720
<v Speaker 1>and then he draws her like one of his French girls.

0:59:07.280 --> 0:59:09.640
<v Speaker 1>It's the drawing we saw at the beginning, and it

0:59:09.800 --> 0:59:13.880
<v Speaker 1>was the most erratic moment of Rose's life up until

0:59:14.000 --> 0:59:21.160
<v Speaker 1>that at least. And then you cut to Bill Paxson horny. Okay.

0:59:21.360 --> 0:59:27.800
<v Speaker 1>Then love Joy, who is still following Rose at Cal's behest,

0:59:28.720 --> 0:59:32.120
<v Speaker 1>comes in and starts chasing Rose and Jack around the ship.

0:59:32.920 --> 0:59:36.440
<v Speaker 1>They end up in like the storage compartments where all

0:59:36.480 --> 0:59:39.840
<v Speaker 1>of like the big crates and cars are being stored,

0:59:39.920 --> 0:59:42.120
<v Speaker 1>and they get into a car and Jack is like

0:59:42.440 --> 0:59:46.280
<v Speaker 1>bebe where to miss and She's like into the stars.

0:59:47.200 --> 0:59:48.920
<v Speaker 1>And then she pulls him into the back seat and

0:59:49.040 --> 0:59:52.080
<v Speaker 1>she says, put your hands on me, Jack, and then she,

0:59:52.520 --> 0:59:56.280
<v Speaker 1>cheering to quote the script, slides under his welcome weight.

0:59:56.880 --> 0:59:59.760
<v Speaker 1>Now that's something that comes up in all seven episodes,

1:00:00.000 --> 1:00:03.840
<v Speaker 1>and it should It is just not okay that that's

1:00:03.880 --> 1:00:06.880
<v Speaker 1>the way that that was written down. No one should

1:00:06.920 --> 1:00:09.240
<v Speaker 1>have said that. No one should have thought that and

1:00:09.960 --> 1:00:12.600
<v Speaker 1>James Cameron should have had to pay some sort of fine,

1:00:13.360 --> 1:00:17.360
<v Speaker 1>He should have to chop all of his fingers off.

1:00:17.760 --> 1:00:23.880
<v Speaker 1>He Oh my god, what is give me James Cameron's

1:00:23.880 --> 1:00:28.080
<v Speaker 1>Banshees of Innisharon? Honestly? Like who is he sending his

1:00:28.280 --> 1:00:32.360
<v Speaker 1>damn fingers too? Like? Who? I wonder if there has

1:00:32.400 --> 1:00:36.120
<v Speaker 1>to be a director that James Cameron can't stand right,

1:00:36.320 --> 1:00:37.880
<v Speaker 1>Like I know that Del Toro is one of his

1:00:38.000 --> 1:00:40.040
<v Speaker 1>best friends and he has a lot of good seems

1:00:40.080 --> 1:00:42.400
<v Speaker 1>like in terms of like I mean, and this means

1:00:42.480 --> 1:00:46.360
<v Speaker 1>nothing because it's like among male otours, he seems to

1:00:46.480 --> 1:00:48.560
<v Speaker 1>be pretty well liked. But I'm like, there has to

1:00:48.640 --> 1:00:52.040
<v Speaker 1>be someone who's on his shit list? Oh who is

1:00:52.120 --> 1:00:55.600
<v Speaker 1>he mail in those fingers too? I want to know?

1:00:56.400 --> 1:01:01.760
<v Speaker 1>Or Banshees of Innisharon where El Toro is Colin Farrell

1:01:01.840 --> 1:01:05.600
<v Speaker 1>and James Cameron is Brendan Gleeson, where one day James

1:01:05.680 --> 1:01:07.840
<v Speaker 1>Cameron's like, I don't want to be your friend anymore

1:01:08.200 --> 1:01:12.040
<v Speaker 1>and Del Toro was like, why that would be so sad? Well,

1:01:12.160 --> 1:01:14.400
<v Speaker 1>it was so sad, but it happened to Colin Farrell,

1:01:15.040 --> 1:01:19.360
<v Speaker 1>I know, And it's always so sad. It's the saddest

1:01:19.360 --> 1:01:26.640
<v Speaker 1>story about friends who are boys. Okay, So, so Jack

1:01:26.680 --> 1:01:28.200
<v Speaker 1>and Rose have sex in the back of the car

1:01:28.520 --> 1:01:31.000
<v Speaker 1>and this is when we get the hand slapping the

1:01:31.200 --> 1:01:36.959
<v Speaker 1>steamy window moment, iconic love it. Then they go back

1:01:37.200 --> 1:01:39.360
<v Speaker 1>up to the deck of the ship and Rose is like,

1:01:39.640 --> 1:01:42.320
<v Speaker 1>when the ship doks, I'm getting off with you, and

1:01:42.480 --> 1:01:45.280
<v Speaker 1>he's like, oh my god, what. And then they're kissing

1:01:45.360 --> 1:01:49.320
<v Speaker 1>and they're giggling and it's distracting the two lookouts who

1:01:49.360 --> 1:01:53.160
<v Speaker 1>are in like the crow's nest area. And that is

1:01:53.240 --> 1:01:56.440
<v Speaker 1>like a brilliant writing decision of like, um, they saw

1:01:56.480 --> 1:01:58.960
<v Speaker 1>people kissing and they got a horny. Therefore there they

1:01:59.000 --> 1:02:03.240
<v Speaker 1>have blood on their hands for the Titanic sunk um. Yeah. Yeah,

1:02:03.280 --> 1:02:06.560
<v Speaker 1>So they're too distracted to notice the iceberg that is

1:02:06.680 --> 1:02:08.640
<v Speaker 1>directly ahead of them. But then they look up and

1:02:08.680 --> 1:02:12.600
<v Speaker 1>they see the iceberg and they sound the alarm. Then

1:02:13.200 --> 1:02:17.320
<v Speaker 1>there is, in my opinion, maybe the best and most

1:02:17.520 --> 1:02:21.760
<v Speaker 1>tension filled sequence ever committed to film. For all of

1:02:21.800 --> 1:02:25.160
<v Speaker 1>the crew is scrambling around. They're trying to prevent the

1:02:25.280 --> 1:02:28.480
<v Speaker 1>ship from hitting the iceberg. There's this moment of is

1:02:28.520 --> 1:02:30.919
<v Speaker 1>it gonna hit is it gonna miss? Well, I don't

1:02:30.960 --> 1:02:33.000
<v Speaker 1>know which is well because you know how it is,

1:02:33.320 --> 1:02:35.240
<v Speaker 1>but it still makes you feel that way. But like

1:02:35.440 --> 1:02:40.440
<v Speaker 1>it so good, and my already very high opinion of

1:02:40.480 --> 1:02:44.400
<v Speaker 1>the sequence was further improved. There's like a million little

1:02:44.440 --> 1:02:46.840
<v Speaker 1>bit It's like that scene is also full of like

1:02:47.400 --> 1:02:51.240
<v Speaker 1>historical references too. Like that sequence specifically, there was a

1:02:51.320 --> 1:02:56.320
<v Speaker 1>lot of care taken to like reference survivors who were

1:02:56.640 --> 1:03:00.960
<v Speaker 1>very helpful in piecing together He's an account of what

1:03:01.120 --> 1:03:04.960
<v Speaker 1>actually happened. And so there's like one of the men

1:03:05.040 --> 1:03:07.040
<v Speaker 1>that worked in the engine room who is like a

1:03:07.200 --> 1:03:09.840
<v Speaker 1>huge source for like giving insight into what was going

1:03:09.880 --> 1:03:13.479
<v Speaker 1>on there. He like appears and like has a line

1:03:13.520 --> 1:03:15.920
<v Speaker 1>of dialogue. And then like there's just like all of

1:03:16.000 --> 1:03:20.680
<v Speaker 1>these like incidental players in the story that like helped

1:03:20.760 --> 1:03:23.080
<v Speaker 1>build out this clear picture that this movie is even

1:03:23.160 --> 1:03:26.200
<v Speaker 1>able to exist because of And I just I just

1:03:26.720 --> 1:03:28.360
<v Speaker 1>I love shit like that. I'm so glad that it's

1:03:28.400 --> 1:03:31.000
<v Speaker 1>like you take the time to like have this or

1:03:31.080 --> 1:03:34.400
<v Speaker 1>even shit like the fucking Pomeranian. You're like movie feels

1:03:34.400 --> 1:03:38.080
<v Speaker 1>like a movie, folks. I love it. James Cameron does

1:03:38.200 --> 1:03:42.280
<v Speaker 1>his research. He goes to the library and he reads

1:03:42.360 --> 1:03:46.000
<v Speaker 1>those books. He stays, he and he stays for more

1:03:46.040 --> 1:03:48.840
<v Speaker 1>than a day. I actually don't think he goes to

1:03:48.920 --> 1:03:51.560
<v Speaker 1>the library. Someone goes on his behalf and a photocopy,

1:03:51.640 --> 1:03:53.760
<v Speaker 1>a lot of stuff. I don't know how much he

1:03:53.920 --> 1:03:57.240
<v Speaker 1>leaves his house brings a library to him, but he

1:03:57.360 --> 1:04:00.400
<v Speaker 1>consumes it is the point. Yes, yes, so anyway, so

1:04:00.520 --> 1:04:07.040
<v Speaker 1>there's this very tension filled moment and ultimately, historically famously

1:04:07.320 --> 1:04:11.960
<v Speaker 1>the Titanic hits the iceberg and it is blink chaos.

1:04:13.960 --> 1:04:18.280
<v Speaker 1>It goes Yeah. The fully artist was on the thing

1:04:18.440 --> 1:04:20.800
<v Speaker 1>being like, so it not a lot of people know this,

1:04:21.120 --> 1:04:23.800
<v Speaker 1>but when they hit the iceberg it kind of went boink.

1:04:26.280 --> 1:04:28.439
<v Speaker 1>What if it was like, what's the like I'm thinking

1:04:28.480 --> 1:04:31.200
<v Speaker 1>of like a like a an old tiny like a

1:04:31.280 --> 1:04:37.200
<v Speaker 1>Hannah barbera sound effect of like k like when Fred

1:04:37.280 --> 1:04:39.960
<v Speaker 1>flint Stone gets hit on the head, was like, that

1:04:41.400 --> 1:04:43.720
<v Speaker 1>should be a thing. Maybe that's a project I will

1:04:43.920 --> 1:04:47.840
<v Speaker 1>undergo where I because I'm already oh yeah, knee deep

1:04:47.920 --> 1:04:51.760
<v Speaker 1>in my re editing the endings of movies to make

1:04:51.800 --> 1:04:55.360
<v Speaker 1>them far more shrekky. And maybe I will read and

1:04:55.520 --> 1:04:59.320
<v Speaker 1>fully work re edit famous scenes of movies, changing the

1:04:59.400 --> 1:05:03.960
<v Speaker 1>fully around to make it really well exciting. That's what

1:05:04.080 --> 1:05:06.880
<v Speaker 1>I did with figure skaters during the Olympics, and it

1:05:07.080 --> 1:05:09.560
<v Speaker 1>got it ruined my life for a while. So just

1:05:09.680 --> 1:05:12.960
<v Speaker 1>be careful who you're fucking with, Okay, Yeah, yeah, yeah,

1:05:13.040 --> 1:05:16.960
<v Speaker 1>yeah yeah. I watched an interview with James Camp. I'm

1:05:17.000 --> 1:05:19.880
<v Speaker 1>just I'm in the zone, like I know, he's not

1:05:19.960 --> 1:05:22.960
<v Speaker 1>a good person. I cannot stop watching there. I was

1:05:23.000 --> 1:05:25.680
<v Speaker 1>watching an interview he did at the time. Yeah, in

1:05:25.760 --> 1:05:30.280
<v Speaker 1>like ninety seven with famously disgraced Charlie Rose. But there

1:05:30.320 --> 1:05:32.200
<v Speaker 1>were two things he said in the interview that made

1:05:32.240 --> 1:05:36.440
<v Speaker 1>me laugh with then because I'm from the future and

1:05:36.600 --> 1:05:39.840
<v Speaker 1>they're not. But two things he said in the interview

1:05:40.240 --> 1:05:42.840
<v Speaker 1>that made me laugh was that he said several times

1:05:42.920 --> 1:05:46.440
<v Speaker 1>like oh, like he was talking about how whatever, like

1:05:46.760 --> 1:05:49.520
<v Speaker 1>you will not get engaged into the story of the

1:05:49.600 --> 1:05:53.360
<v Speaker 1>Titanic unless you care about the characters, and you also

1:05:53.480 --> 1:05:56.800
<v Speaker 1>can fully appreciate what the ship was in its heyday,

1:05:56.960 --> 1:05:59.640
<v Speaker 1>like what it meant. And he was like, well, you know,

1:06:00.120 --> 1:06:02.600
<v Speaker 1>like you can go on and on and on about

1:06:02.680 --> 1:06:05.480
<v Speaker 1>the power of the love between two people until you're

1:06:05.480 --> 1:06:07.480
<v Speaker 1>blue in the face. But I don't know why you

1:06:07.640 --> 1:06:10.680
<v Speaker 1>do that. And I was like, blue in the face interesting,

1:06:11.560 --> 1:06:16.200
<v Speaker 1>until you're blue in the face. Yeah, and thus Avatar

1:06:16.360 --> 1:06:20.720
<v Speaker 1>was born, and that he was foreshadowing himself hard and

1:06:20.800 --> 1:06:24.920
<v Speaker 1>then like at the end, famously disgraced Charlie, Rose asks like, oh,

1:06:25.040 --> 1:06:28.320
<v Speaker 1>are you going to keep making epics after this? And

1:06:28.560 --> 1:06:31.960
<v Speaker 1>he says he it's pretty funny. He was like, yeah, No,

1:06:32.040 --> 1:06:34.280
<v Speaker 1>I don't think I'm ever going to make another like

1:06:34.640 --> 1:06:37.600
<v Speaker 1>three hour movie. I don't think that I would do that.

1:06:38.000 --> 1:06:41.480
<v Speaker 1>And I was like, wow, well you're gonna say that

1:06:41.600 --> 1:06:44.960
<v Speaker 1>until you're blue in the face, my friend, because you're

1:06:44.960 --> 1:06:49.560
<v Speaker 1>about to make Avatar one and then two, and then three,

1:06:49.680 --> 1:06:54.760
<v Speaker 1>other four and then five. We're never going to escape,

1:06:55.040 --> 1:06:58.840
<v Speaker 1>all right, Okay? Moving on. So the ship hits the iceberg.

1:06:59.080 --> 1:07:03.640
<v Speaker 1>It's chaos as water starts cascading into the lower decks

1:07:03.720 --> 1:07:07.000
<v Speaker 1>of the ship and into the boiler room where the

1:07:07.120 --> 1:07:11.479
<v Speaker 1>workers are trying desperately to escape. Water starts seeping onto

1:07:11.520 --> 1:07:15.640
<v Speaker 1>the floors of the third classrooms. Meanwhile, first class people

1:07:15.680 --> 1:07:21.640
<v Speaker 1>are like teh, what's going on? Then Jack and Rose

1:07:21.880 --> 1:07:25.439
<v Speaker 1>go to tell Ruth and Cal about the ship hitting

1:07:25.480 --> 1:07:29.520
<v Speaker 1>the iceberg and the gravity of the situation, but Cal

1:07:29.920 --> 1:07:32.840
<v Speaker 1>is busy framing Jack for stealing the heart of the Ocean,

1:07:33.640 --> 1:07:38.160
<v Speaker 1>and Jack gets arrested and handcuffed to a pipe in

1:07:38.360 --> 1:07:42.360
<v Speaker 1>the Master at Arms office, and Rose is like, damn,

1:07:42.600 --> 1:07:44.560
<v Speaker 1>I guess my boyfriend who I met two days ago

1:07:45.000 --> 1:07:48.400
<v Speaker 1>is a thief that sucks. Life comes at you fast,

1:07:48.960 --> 1:07:54.560
<v Speaker 1>like yeah, And then mister Andrews is having a meeting

1:07:54.840 --> 1:07:59.560
<v Speaker 1>with Bruce Ismay and the Captain and a VHS tape

1:07:59.600 --> 1:08:03.120
<v Speaker 1>one We're in it, baby, saying the ship will sink.

1:08:03.320 --> 1:08:06.160
<v Speaker 1>It's a mathematical certainty. We've got an hour two of

1:08:06.280 --> 1:08:09.600
<v Speaker 1>the most and then the captain turns to Bruce's million says,

1:08:09.800 --> 1:08:13.080
<v Speaker 1>I believe you make it your headlines mysteries may and

1:08:13.200 --> 1:08:17.960
<v Speaker 1>then we go because it's like the most iconic. I maybe,

1:08:18.080 --> 1:08:21.000
<v Speaker 1>like there are so many amazing lines, but I do

1:08:21.200 --> 1:08:25.040
<v Speaker 1>think that that's my favorite. It's really good because it

1:08:25.200 --> 1:08:30.160
<v Speaker 1>has like this like generational significance too, Like I understand

1:08:30.240 --> 1:08:33.439
<v Speaker 1>like if a seventeen year old watched this movie, there's

1:08:33.479 --> 1:08:35.519
<v Speaker 1>no way that would be their favorite line. But I

1:08:35.600 --> 1:08:40.600
<v Speaker 1>feel like the VHS split it has a generational significance.

1:08:40.680 --> 1:08:43.040
<v Speaker 1>It's true, it's my favorite line in the movie. And

1:08:43.160 --> 1:08:46.640
<v Speaker 1>also I'm like Bitchie much Captain Smith, what do you like?

1:08:47.479 --> 1:08:51.280
<v Speaker 1>You did it? Like? Okay? Quick fun fact. I think

1:08:51.400 --> 1:08:53.679
<v Speaker 1>maybe we've I feel like maybe we've referenced this before.

1:08:53.800 --> 1:08:59.000
<v Speaker 1>But Bernard Hill, who plays Captain Smith, was the only

1:08:59.120 --> 1:09:02.000
<v Speaker 1>cast member, which is like, this makes sense, but he

1:09:02.120 --> 1:09:04.559
<v Speaker 1>was the only cast member to have previously also been

1:09:04.680 --> 1:09:07.080
<v Speaker 1>in a different Titanic movie. Have we ever talked about that?

1:09:07.680 --> 1:09:11.400
<v Speaker 1>Whoa oh, you mean kind of like how oh, what's

1:09:11.640 --> 1:09:15.080
<v Speaker 1>the SpongeBob voice actor who was in both Pinocchio, Tom

1:09:15.200 --> 1:09:18.400
<v Speaker 1>Kenny Tom Kenny. Yes, it's Tom Kenny. It's the Tom

1:09:18.520 --> 1:09:22.040
<v Speaker 1>Kenny Pinocchio syndrome. The ground was set by Bernard Hill

1:09:22.160 --> 1:09:25.360
<v Speaker 1>and Titanic properties. But other Titanic movie was he in?

1:09:25.640 --> 1:09:27.960
<v Speaker 1>He was in A Night to Remember, I think, the

1:09:28.040 --> 1:09:30.599
<v Speaker 1>second most famous Titanic movie that came out. I believe

1:09:30.720 --> 1:09:34.000
<v Speaker 1>in the fifties he would have been a small child. Yeah, no,

1:09:34.240 --> 1:09:36.200
<v Speaker 1>he was a young man. I think that he is

1:09:36.240 --> 1:09:38.360
<v Speaker 1>like in the because this is the nineties. It's like

1:09:38.439 --> 1:09:40.639
<v Speaker 1>forty years later. So I think, you know, Bernard Hills

1:09:40.680 --> 1:09:43.599
<v Speaker 1>like in his maybe late sixties or like sometimes somewhere

1:09:43.600 --> 1:09:47.080
<v Speaker 1>in his sixties, Susan his early twenties. But he plays

1:09:47.240 --> 1:09:49.800
<v Speaker 1>the part of Officer Fleet, who I believe is one

1:09:49.880 --> 1:09:53.840
<v Speaker 1>of the guys that spots the iceberg in A Night

1:09:53.920 --> 1:09:58.360
<v Speaker 1>to Remember and he, I guess there's like a fun

1:09:59.439 --> 1:10:02.280
<v Speaker 1>I keep saying there's a fun anecdote, but but I'm right.

1:10:03.640 --> 1:10:06.800
<v Speaker 1>One of the producers was talking about how like Bernard Hill,

1:10:07.160 --> 1:10:09.080
<v Speaker 1>you know, he was like, he'd played Officer Fleet and

1:10:09.120 --> 1:10:12.679
<v Speaker 1>now he's playing the captain forty five years later. How wild?

1:10:13.280 --> 1:10:17.240
<v Speaker 1>And so he spoke with the actor who plays Officer

1:10:17.360 --> 1:10:20.800
<v Speaker 1>Fleet in this movie, and again, I just I'm like,

1:10:21.439 --> 1:10:24.080
<v Speaker 1>the more you just hear about the actors, it just

1:10:24.160 --> 1:10:26.800
<v Speaker 1>sounds like they are really like it felt like it

1:10:26.880 --> 1:10:29.439
<v Speaker 1>sounds like they were going through what we as a

1:10:30.400 --> 1:10:33.519
<v Speaker 1>world would go through during lockdown, where you're just like

1:10:33.640 --> 1:10:35.920
<v Speaker 1>kind of stuck somewhere and you're just kind of like

1:10:37.080 --> 1:10:41.000
<v Speaker 1>something is different in your brain but you can't but

1:10:41.080 --> 1:10:44.080
<v Speaker 1>there's no one like completely with it to verify that with.

1:10:45.520 --> 1:10:49.479
<v Speaker 1>So the guy who played Officer Fleet had been in

1:10:49.680 --> 1:10:53.040
<v Speaker 1>Mexico where he didn't know anybody for six weeks and

1:10:53.160 --> 1:10:56.040
<v Speaker 1>then met Bernard Hill and he was like, Hey, how

1:10:56.120 --> 1:10:59.719
<v Speaker 1>long were you on set waiting to do your scenes

1:11:00.160 --> 1:11:03.000
<v Speaker 1>for A Night to Remember? And Bernard Hill was like,

1:11:03.400 --> 1:11:10.519
<v Speaker 1>m two hours. You all this poor guy is like

1:11:11.040 --> 1:11:15.400
<v Speaker 1>losing it and it's like not himself anymore, and Bernard

1:11:15.479 --> 1:11:17.080
<v Speaker 1>Hills like, I don't know, kind of back then you

1:11:17.120 --> 1:11:19.439
<v Speaker 1>would just kind of go to burbank and like say

1:11:19.520 --> 1:11:22.680
<v Speaker 1>your lines and get the fuck out, like and it

1:11:22.840 --> 1:11:25.640
<v Speaker 1>just sounded very I don't know. I guess if I

1:11:25.800 --> 1:11:28.759
<v Speaker 1>was an older actor, I would um, I would clown

1:11:28.840 --> 1:11:31.400
<v Speaker 1>on younger actors in a similar way. I'd be like, yeah,

1:11:32.080 --> 1:11:37.760
<v Speaker 1>must suck for you. Anyways, Anyways, the part that I

1:11:37.880 --> 1:11:42.120
<v Speaker 1>formerly played Justice or else, I'm gonna bully you. I

1:11:42.200 --> 1:11:46.040
<v Speaker 1>don't know. Why don't they turning? I wonder if it

1:11:46.120 --> 1:11:47.560
<v Speaker 1>was that guy or the other guy. I don't know,

1:11:47.760 --> 1:11:52.160
<v Speaker 1>I don't know. Yeah, okay, So the crew starts loading

1:11:52.320 --> 1:11:56.639
<v Speaker 1>the first class passengers into the lifeboats, women and children first,

1:11:56.760 --> 1:12:00.400
<v Speaker 1>of course, which was not maritime law. That was usual.

1:12:00.680 --> 1:12:04.880
<v Speaker 1>Oh generally it was every man for himself. Oh yeah,

1:12:05.040 --> 1:12:09.080
<v Speaker 1>so so that's happening. The string quartet is playing. Rose

1:12:09.240 --> 1:12:12.880
<v Speaker 1>is about to get on a lifeboat with her mom

1:12:13.280 --> 1:12:17.400
<v Speaker 1>and Molly and the other rich women, and then Cal

1:12:17.640 --> 1:12:22.920
<v Speaker 1>says something very cow and shitty is this one? He says,

1:12:22.960 --> 1:12:24.800
<v Speaker 1>I should have kept that drawing. It would have been

1:12:24.920 --> 1:12:28.400
<v Speaker 1>worth a lot more by morning. Yeah, and so once

1:12:28.439 --> 1:12:31.880
<v Speaker 1>again she's like, fuck this. She says my favorite line

1:12:31.920 --> 1:12:35.479
<v Speaker 1>of the movie to Cal, which is you unimaginable bastard,

1:12:35.880 --> 1:12:41.240
<v Speaker 1>you bits in his face. Kate winslet baby, Oh, it

1:12:41.280 --> 1:12:44.280
<v Speaker 1>wouldn't have worked with it with a hairpin. Grow up right. Oh,

1:12:44.439 --> 1:12:47.280
<v Speaker 1>it's so good the way she does it, it's so cathartic,

1:12:47.400 --> 1:12:51.240
<v Speaker 1>it's wonderful. And then she runs off to go find Jack,

1:12:51.479 --> 1:12:55.080
<v Speaker 1>who is still handcuffed to a pipe and the room

1:12:55.160 --> 1:12:58.800
<v Speaker 1>that he's in is filling with water. Rose finds him,

1:12:59.240 --> 1:13:01.760
<v Speaker 1>but oh no, there's no key to the handcuffs, so

1:13:02.080 --> 1:13:07.240
<v Speaker 1>she goes and gets an axe. She chops the handcuff chain,

1:13:08.360 --> 1:13:11.200
<v Speaker 1>freeing him, and then they have to swim through the

1:13:11.240 --> 1:13:14.920
<v Speaker 1>freezing cold water back to safety. Jack and Rose then

1:13:15.200 --> 1:13:19.880
<v Speaker 1>link up with fabrit Ceo and Tommy. They're still below deck.

1:13:19.960 --> 1:13:24.360
<v Speaker 1>Wait at this point, has she already punched the employee

1:13:24.400 --> 1:13:28.400
<v Speaker 1>in the face. Yes, she does that right before she

1:13:28.920 --> 1:13:31.719
<v Speaker 1>finds the axe. Right, Okay. I wanted to just share

1:13:31.720 --> 1:13:35.000
<v Speaker 1>a quick anecdote about that before we get because the

1:13:35.479 --> 1:13:38.880
<v Speaker 1>third class fact that is like included in the movie

1:13:39.040 --> 1:13:42.400
<v Speaker 1>is that in the movie, it's like Tommy runs the

1:13:42.640 --> 1:13:46.439
<v Speaker 1>charge of like the bench through the Yea. So apparently

1:13:46.520 --> 1:13:48.560
<v Speaker 1>that actually did happen, and there was a bunch of

1:13:48.640 --> 1:13:52.000
<v Speaker 1>Irish third class passengers who did something very similar, which

1:13:52.080 --> 1:13:53.840
<v Speaker 1>I didn't know. I thought that was really cool that

1:13:53.960 --> 1:13:59.200
<v Speaker 1>they included that, but I wanted to share fun. James

1:13:59.320 --> 1:14:03.120
<v Speaker 1>Cameron another just James Cameron sitting in a room talking line,

1:14:03.760 --> 1:14:06.880
<v Speaker 1>because again he talks about all of his characters as

1:14:06.920 --> 1:14:09.720
<v Speaker 1>if someone else has written them, but in a way

1:14:09.760 --> 1:14:12.719
<v Speaker 1>where it's like he really likes the movie, he enjoys

1:14:12.800 --> 1:14:17.760
<v Speaker 1>watching it. So after Rose whatever, when Rose is coming

1:14:17.840 --> 1:14:20.160
<v Speaker 1>back down looking for the axe and there's like a

1:14:20.280 --> 1:14:22.040
<v Speaker 1>panicked employee, he's like, you have to come with me,

1:14:22.120 --> 1:14:25.679
<v Speaker 1>and she punches him in the face. James Cameron says,

1:14:25.800 --> 1:14:28.760
<v Speaker 1>quote Rose is all about getting people to listen to her,

1:14:29.240 --> 1:14:33.080
<v Speaker 1>and that's what you get, long pause if you don't

1:14:33.479 --> 1:14:37.759
<v Speaker 1>listen to Rose. He's kind of he's kind of talking

1:14:37.800 --> 1:14:40.240
<v Speaker 1>about nothing for most of it. But I was just

1:14:40.560 --> 1:14:43.599
<v Speaker 1>I was so delighted. I was like, you just sound

1:14:43.680 --> 1:14:47.920
<v Speaker 1>like a guy watching the movie. I mean, I imagine

1:14:47.960 --> 1:14:52.760
<v Speaker 1>it's very difficult to have to comment basically NonStop during

1:14:52.840 --> 1:14:56.320
<v Speaker 1>a three hour and fourteen minute movie, but you just

1:14:56.960 --> 1:14:59.400
<v Speaker 1>insisted on doing it by himself, Like I'm just like,

1:14:59.479 --> 1:15:02.280
<v Speaker 1>why didn't you just like invite a second purse? You know,

1:15:02.680 --> 1:15:05.960
<v Speaker 1>why are there fourteen people on one commentary track and

1:15:06.040 --> 1:15:08.880
<v Speaker 1>then you doing this for the other one. Yeah, but

1:15:09.400 --> 1:15:12.840
<v Speaker 1>it was but it was literally just like random things

1:15:12.920 --> 1:15:15.639
<v Speaker 1>like that. And then just like facts James Cameron knows

1:15:15.720 --> 1:15:18.560
<v Speaker 1>about the Titanic because ultimately that is why he did it.

1:15:19.720 --> 1:15:22.920
<v Speaker 1>He really just wanted an excuse to go explore the

1:15:23.000 --> 1:15:27.519
<v Speaker 1>wreckage of Titanic, and that is why the movie exists. Dude,

1:15:27.720 --> 1:15:29.800
<v Speaker 1>I respect the hell out of that as like, as

1:15:29.880 --> 1:15:33.519
<v Speaker 1>someone who has made their living just like getting other

1:15:33.640 --> 1:15:35.600
<v Speaker 1>people to pay for things that I wanted to do

1:15:35.760 --> 1:15:39.479
<v Speaker 1>anyways and then making something about it. It is the

1:15:39.560 --> 1:15:44.320
<v Speaker 1>perfect crime. Pretty cool. Yeah, works for everyone. Okay, So

1:15:45.120 --> 1:15:48.559
<v Speaker 1>Jack and Rose link up with Fabrizio and Tommy. They

1:15:48.680 --> 1:15:51.599
<v Speaker 1>are still below deck because while the first class people

1:15:51.800 --> 1:15:56.000
<v Speaker 1>are being loaded onto the lifeboats, the third class passengers

1:15:56.200 --> 1:16:01.760
<v Speaker 1>are being locked behind gates. So Jack and Tommy and

1:16:01.880 --> 1:16:06.240
<v Speaker 1>the other guys break down a gate back on deck.

1:16:06.720 --> 1:16:09.520
<v Speaker 1>It's chaos as people are trying to get on lifeboats

1:16:10.240 --> 1:16:14.840
<v Speaker 1>because there are famously not enough. Jack gets Rose to

1:16:15.000 --> 1:16:18.000
<v Speaker 1>a lifeboat and kl is there and he's like, I've

1:16:18.080 --> 1:16:20.920
<v Speaker 1>arranged for both Jack and I to get on a boat.

1:16:21.640 --> 1:16:25.240
<v Speaker 1>So she's like, okay, I'll get on this lifeboat. But

1:16:25.360 --> 1:16:28.200
<v Speaker 1>then she looks up at Jack and once again she's

1:16:28.240 --> 1:16:31.439
<v Speaker 1>like fuck this and she jumps and then Billy Zanne

1:16:31.439 --> 1:16:34.880
<v Speaker 1>gives another one of my like top ten line reads

1:16:34.920 --> 1:16:37.519
<v Speaker 1>of the movie. He's pretty heavily featured in my top

1:16:37.600 --> 1:16:40.639
<v Speaker 1>ten line reads. He goes one way or another. By

1:16:40.680 --> 1:16:42.320
<v Speaker 1>the way he says one way or another, I'm like,

1:16:42.680 --> 1:16:45.439
<v Speaker 1>how did you even do that? With your mouth? I

1:16:45.520 --> 1:16:48.920
<v Speaker 1>always win Jack one way or another? He says one

1:16:48.960 --> 1:16:50.880
<v Speaker 1>way or another as if it is like a single word,

1:16:51.040 --> 1:16:54.560
<v Speaker 1>Like you're just like, how did he do that? That

1:16:54.760 --> 1:16:59.120
<v Speaker 1>is so well? Okay, quick thing about DiCaprio that based

1:16:59.200 --> 1:17:03.560
<v Speaker 1>on because we've covered a number of Leonardo DiCaprio flimsy

1:17:03.840 --> 1:17:07.320
<v Speaker 1>on this podcast. We I believe it was the summer

1:17:07.320 --> 1:17:09.760
<v Speaker 1>of twenty twenty. I remember where it was when we

1:17:10.560 --> 1:17:15.040
<v Speaker 1>covered Inception, and we bravely made the connection that Leonardo

1:17:15.080 --> 1:17:19.200
<v Speaker 1>DiCaprio is constantly wet in clothes in his movies all

1:17:19.240 --> 1:17:23.040
<v Speaker 1>the time. It happens with alarming frequency. It happens in

1:17:23.120 --> 1:17:25.439
<v Speaker 1>almost every single one. It's kind of like it's in

1:17:25.560 --> 1:17:28.640
<v Speaker 1>his contract or something like I have to be in

1:17:29.040 --> 1:17:34.080
<v Speaker 1>clothes submerged in water. So imagine my shock when I'm

1:17:34.200 --> 1:17:39.519
<v Speaker 1>listening to the producer slash everybody Who's not James Cameron

1:17:39.640 --> 1:17:44.400
<v Speaker 1>commentary track that like, Leonardo DiCaprio is glaringly missing. He

1:17:44.640 --> 1:17:46.800
<v Speaker 1>was not available. He was inside of a bear or

1:17:46.840 --> 1:17:51.679
<v Speaker 1>whatever he was doing. Like yeah, but producer John Landau says,

1:17:52.160 --> 1:17:56.800
<v Speaker 1>very matter of factly, Leonardo DiCaprio hates acting in the water.

1:17:57.520 --> 1:18:00.240
<v Speaker 1>And I was like, wow, that's a shock from all

1:18:00.280 --> 1:18:03.680
<v Speaker 1>of his movies. And then Kate Winslet jumps onto that

1:18:04.200 --> 1:18:08.679
<v Speaker 1>and says that he was such a baby every time

1:18:08.800 --> 1:18:10.880
<v Speaker 1>he had to be in the water, and she I

1:18:10.960 --> 1:18:13.800
<v Speaker 1>think she was like a little she sounded ten years

1:18:13.880 --> 1:18:17.000
<v Speaker 1>later annoyed about it because she was just like She's like,

1:18:17.080 --> 1:18:19.880
<v Speaker 1>and it's just interesting because you know, he was in

1:18:19.960 --> 1:18:21.760
<v Speaker 1>the water for a lot of scenes, but not even

1:18:21.840 --> 1:18:23.720
<v Speaker 1>half as many scenes as I was in the water,

1:18:23.840 --> 1:18:26.280
<v Speaker 1>and I got hypothermia and I just like kind of

1:18:26.320 --> 1:18:28.559
<v Speaker 1>really didn't complain as much as he did on set.

1:18:29.080 --> 1:18:32.759
<v Speaker 1>But apparently, like even though the water scenes were interesting

1:18:32.800 --> 1:18:35.000
<v Speaker 1>to hear about again, it's like Kate Winslet is just

1:18:35.120 --> 1:18:38.360
<v Speaker 1>like left in the fucking trenches in this because in

1:18:38.479 --> 1:18:40.360
<v Speaker 1>spite of not lighting king to act in the water.

1:18:40.560 --> 1:18:44.400
<v Speaker 1>Leonardo DiCaprio is scuba certified for some reason. Okay, probably

1:18:44.439 --> 1:18:48.120
<v Speaker 1>because he's in the water all the time even before

1:18:48.200 --> 1:18:52.040
<v Speaker 1>this movie, so he's already scuba certified. But Kate Winslet,

1:18:52.160 --> 1:18:55.479
<v Speaker 1>there's like an anecdote in the scene where they're trying

1:18:55.560 --> 1:18:58.840
<v Speaker 1>to unlock the gate so that they don't drown. Yes,

1:18:59.320 --> 1:19:02.200
<v Speaker 1>in that scene, Kate Winslet had like a panic attack

1:19:02.280 --> 1:19:04.800
<v Speaker 1>on set because they were filling the set with water

1:19:05.040 --> 1:19:07.840
<v Speaker 1>like practical effects style, and so there were only a

1:19:07.920 --> 1:19:12.080
<v Speaker 1>couple of inches to breathe. But to James Cameron's credit,

1:19:12.200 --> 1:19:14.560
<v Speaker 1>like it seems like he did everything he could to

1:19:14.720 --> 1:19:18.479
<v Speaker 1>set up safety protocols and like there were rescue divers,

1:19:18.600 --> 1:19:21.800
<v Speaker 1>Like no one was significantly injured or died. It sounds

1:19:21.800 --> 1:19:23.639
<v Speaker 1>like the PCP thing was about as bad as it got.

1:19:24.200 --> 1:19:27.960
<v Speaker 1>But like the safety instructor showed Kate Winslett, like it

1:19:28.320 --> 1:19:30.640
<v Speaker 1>is gonna feel scary because there only will be a

1:19:30.680 --> 1:19:32.960
<v Speaker 1>couple of inches to breathe. But if you push up

1:19:33.000 --> 1:19:35.600
<v Speaker 1>on the ceiling, there is a ton of space and

1:19:35.720 --> 1:19:38.280
<v Speaker 1>you're fine, and that was like how the scene was

1:19:38.320 --> 1:19:41.040
<v Speaker 1>set up, and so she felt comfortable with that. But

1:19:41.200 --> 1:19:45.240
<v Speaker 1>then it happened that, like when they were doing a take,

1:19:45.520 --> 1:19:47.920
<v Speaker 1>she pushed up on the scene and the ceiling stuck

1:19:48.840 --> 1:19:52.080
<v Speaker 1>and so there was not infinite space and she had

1:19:52.160 --> 1:19:54.640
<v Speaker 1>like a panic attack. And then like I had to

1:19:55.200 --> 1:19:58.439
<v Speaker 1>take some time during the day like, yeah, I know,

1:19:58.760 --> 1:20:02.559
<v Speaker 1>it just this movie sounded like it sounded like everything

1:20:02.680 --> 1:20:06.639
<v Speaker 1>was done that was possible, but still it's like you're

1:20:06.680 --> 1:20:10.960
<v Speaker 1>sinking a boat every day. It just sounded terrible. Yeah,

1:20:11.400 --> 1:20:15.760
<v Speaker 1>I could not. Sorry, I was looking through our Instagram

1:20:15.840 --> 1:20:18.439
<v Speaker 1>to find the post that we made of all of

1:20:18.600 --> 1:20:22.800
<v Speaker 1>the like screen grabs from movies where Leonardo DiCaprio was

1:20:22.880 --> 1:20:25.680
<v Speaker 1>in water. He had been in water many times at

1:20:25.720 --> 1:20:27.560
<v Speaker 1>this point. The fact that he's still complaining about it

1:20:27.800 --> 1:20:31.080
<v Speaker 1>is unprofessional. And many times after Oh yeah, because we've

1:20:31.080 --> 1:20:37.479
<v Speaker 1>got Inception obviously Titanic, the Beach, Shutter, Island, Great gats Be,

1:20:38.720 --> 1:20:40.800
<v Speaker 1>Romeo and Juliet. He's in the water, is he not

1:20:40.960 --> 1:20:43.720
<v Speaker 1>Romeo and Juliet? That was pretty Titanic. He falls in

1:20:43.760 --> 1:20:46.240
<v Speaker 1>a pool in Wolf of Wall Street, he's in water.

1:20:46.360 --> 1:20:49.680
<v Speaker 1>In the Revenant, he falls into water and what's eat

1:20:49.720 --> 1:20:52.800
<v Speaker 1>and Gilbert Grape. It's just like he's always in water,

1:20:52.960 --> 1:20:56.720
<v Speaker 1>and he's always in his clothes in water. It's honestly, like,

1:20:57.439 --> 1:21:01.400
<v Speaker 1>with that in mind, it's absolutely shocking that Kate Winslet

1:21:01.600 --> 1:21:05.000
<v Speaker 1>is an avatar way of water and he isn't right, Like,

1:21:05.600 --> 1:21:09.240
<v Speaker 1>if there's anyone who's primed for being in the water,

1:21:09.920 --> 1:21:13.439
<v Speaker 1>it's dicapria. But apparently I was just I was truly

1:21:13.560 --> 1:21:15.800
<v Speaker 1>like shocked into Paul to hear that he didn't like it,

1:21:16.200 --> 1:21:19.120
<v Speaker 1>because not to empathize with him, because who cares, but

1:21:19.200 --> 1:21:22.600
<v Speaker 1>you're also like, wow, if he really truly doesn't like

1:21:22.720 --> 1:21:27.880
<v Speaker 1>acting in water, his life is a nightmare. Like he

1:21:28.160 --> 1:21:29.840
<v Speaker 1>literally does he know he's going to be in the

1:21:29.960 --> 1:21:34.760
<v Speaker 1>water for another fifteen years minimum, you know, like they're

1:21:34.800 --> 1:21:36.280
<v Speaker 1>not going to take him out of the tank. Like

1:21:37.040 --> 1:21:39.519
<v Speaker 1>I assumed he liked being in the water or why

1:21:39.560 --> 1:21:42.280
<v Speaker 1>would this be happening to him so much? But apparently

1:21:42.400 --> 1:21:45.880
<v Speaker 1>as of ninety seven, he did not like being the water.

1:21:45.960 --> 1:21:48.240
<v Speaker 1>He was peeing in the water, he was complaining about

1:21:48.280 --> 1:21:51.880
<v Speaker 1>the water. Blizzard starving to death off screen. Who knows

1:21:51.920 --> 1:22:01.240
<v Speaker 1>what's going on with Blizzard Blizzard the Lizard Blizzard the Lizard. Yeah, okay,

1:22:01.400 --> 1:22:05.000
<v Speaker 1>so roses in this lifeboat. But then she's looking up

1:22:05.040 --> 1:22:08.640
<v Speaker 1>at Jack and she's like, actually, no, I'm going to

1:22:08.760 --> 1:22:12.559
<v Speaker 1>jump off the lifeboat, jump onto Titanic and be with Jack.

1:22:12.640 --> 1:22:14.439
<v Speaker 1>And then she and Jack are running toward each other

1:22:15.240 --> 1:22:18.360
<v Speaker 1>and they so much meet up, and then they're kissing

1:22:18.880 --> 1:22:22.280
<v Speaker 1>and so beautiful. She's like, you jump by jump and

1:22:22.400 --> 1:22:27.600
<v Speaker 1>he's like, yeah, God, they're so ridiculous. I really I

1:22:27.760 --> 1:22:33.559
<v Speaker 1>really love them. That sequence never doesn't get me big time. See,

1:22:33.640 --> 1:22:36.679
<v Speaker 1>I'm just like, romance is dead. I have no feelings

1:22:36.920 --> 1:22:40.800
<v Speaker 1>and I only have feelings as ruined my life. It

1:22:40.960 --> 1:22:43.080
<v Speaker 1>gets me every time. If you want to feel some

1:22:43.280 --> 1:22:46.360
<v Speaker 1>technical distance from it. There's a fun they had to

1:22:46.439 --> 1:22:50.760
<v Speaker 1>like shoot that upshot of Leonardo DiCaprio, like when the

1:22:50.880 --> 1:22:53.400
<v Speaker 1>boat is lowering from both angles, because they only have

1:22:53.520 --> 1:22:56.599
<v Speaker 1>one side of the boat right and so apparently there's

1:22:56.640 --> 1:23:00.120
<v Speaker 1>a few cuts in the back and forth where or

1:23:00.200 --> 1:23:04.080
<v Speaker 1>DiCaprio's part will shift just so because so much of

1:23:04.160 --> 1:23:06.439
<v Speaker 1>this movie was shot in reverse, that I sent to

1:23:06.479 --> 1:23:08.920
<v Speaker 1>you something that I think should be back to cast

1:23:09.080 --> 1:23:13.800
<v Speaker 1>merch where something that wasn't completely symmetrical in its costuming

1:23:14.000 --> 1:23:17.280
<v Speaker 1>or whatever it was, such as lettering lettering, so like

1:23:17.360 --> 1:23:19.960
<v Speaker 1>a White star Line uniform that says white star Line.

1:23:20.479 --> 1:23:23.240
<v Speaker 1>They would have to shoot it not but for certain

1:23:23.280 --> 1:23:25.880
<v Speaker 1>scenes they would have to shoot it with a regular costume,

1:23:25.880 --> 1:23:27.280
<v Speaker 1>and then they would also have to shoot it with

1:23:27.520 --> 1:23:31.000
<v Speaker 1>a costume that just everything backwards, because they're like, oh,

1:23:31.040 --> 1:23:33.200
<v Speaker 1>well this is for this side of the boat, so

1:23:33.760 --> 1:23:36.160
<v Speaker 1>we're just going to reverse shot everything, so this will

1:23:36.200 --> 1:23:40.040
<v Speaker 1>make things easier. And I want a backwards White star

1:23:40.120 --> 1:23:44.519
<v Speaker 1>Line sweatshirt so bad. I really you can design that,

1:23:44.920 --> 1:23:47.679
<v Speaker 1>I know, and I feel like our listeners will value

1:23:47.720 --> 1:23:49.880
<v Speaker 1>it as well, and it's it's the best kind of

1:23:49.920 --> 1:23:54.080
<v Speaker 1>piece of clothing because it's like a little annoying but

1:23:54.360 --> 1:23:57.640
<v Speaker 1>not too annoying, which is my favorite, my favorite, and

1:23:57.760 --> 1:23:59.760
<v Speaker 1>it's like when you know, you know, yeah, And it's

1:23:59.760 --> 1:24:03.000
<v Speaker 1>also a conversation starter. But if you don't like, that's

1:24:03.080 --> 1:24:07.800
<v Speaker 1>fine and I'll keep walking. Yeah, I'm an adult, right, Okay.

1:24:07.920 --> 1:24:10.840
<v Speaker 1>So Rose has jumped off the lifeboat and met back

1:24:10.920 --> 1:24:14.599
<v Speaker 1>up with Jack, which makes cal Very upset that Rose

1:24:15.000 --> 1:24:18.000
<v Speaker 1>chose Jack over him. I hope you're all happy together.

1:24:18.880 --> 1:24:22.640
<v Speaker 1>He grabs love Joy's gun and starts shooting at them,

1:24:23.040 --> 1:24:25.040
<v Speaker 1>so they have to escape and run back down into

1:24:25.080 --> 1:24:29.040
<v Speaker 1>the bowels of the ship which are very full of water,

1:24:29.600 --> 1:24:32.720
<v Speaker 1>and there's this little boy that Jack and Rose try

1:24:32.840 --> 1:24:36.519
<v Speaker 1>to save. They almost get trapped behind another gate, but

1:24:36.640 --> 1:24:38.519
<v Speaker 1>they make it out at the last second. Quick thing

1:24:38.560 --> 1:24:41.600
<v Speaker 1>about the little boy that was shot obviously so that

1:24:42.000 --> 1:24:44.519
<v Speaker 1>there was no little boy stunt double that was knocked

1:24:44.560 --> 1:24:47.599
<v Speaker 1>over by fifty thousand tons of water, But in any case,

1:24:47.880 --> 1:24:49.560
<v Speaker 1>like the way that that scene was shot, I just

1:24:49.600 --> 1:24:52.920
<v Speaker 1>thought it was so interesting where in that scene a

1:24:53.080 --> 1:24:56.519
<v Speaker 1>stunt man and a little dummy of a little boy

1:24:57.040 --> 1:24:59.280
<v Speaker 1>are knocked over by a ton of water, and then

1:24:59.760 --> 1:25:02.200
<v Speaker 1>the cast off of that water, like a ton of water,

1:25:02.320 --> 1:25:05.880
<v Speaker 1>also hits Jack and Rose. That shot is one of

1:25:05.960 --> 1:25:11.400
<v Speaker 1>the first face swapping like deep fake shots ever committed

1:25:11.439 --> 1:25:15.360
<v Speaker 1>to film. That is not the actors, that's their stunt doubles,

1:25:15.400 --> 1:25:18.200
<v Speaker 1>because it was like, you couldn't ask an actor to

1:25:18.280 --> 1:25:20.799
<v Speaker 1>be hit with that amount of force. Those are stunt doubles.

1:25:20.840 --> 1:25:25.519
<v Speaker 1>And yeah, Leonardo DiCaprio and Caitlin's let's face Our Deep

1:25:25.600 --> 1:25:28.760
<v Speaker 1>faked onto that and I watched it to try to

1:25:28.840 --> 1:25:31.439
<v Speaker 1>see if, like how obvious it was. It didn't feel

1:25:31.479 --> 1:25:33.680
<v Speaker 1>super obvious to me. But I think we should go

1:25:33.760 --> 1:25:35.920
<v Speaker 1>back and watch it together sometime. But apparently that's like

1:25:36.000 --> 1:25:39.760
<v Speaker 1>one of the first deep fake shots ever done. Interesting,

1:25:40.320 --> 1:25:43.639
<v Speaker 1>I know it's mild. Well, Jamie come over literally whenever

1:25:43.760 --> 1:25:47.160
<v Speaker 1>to watch Titanic. I mean, like we will probably watch

1:25:47.200 --> 1:25:51.000
<v Speaker 1>it on tour and then also at the movies. The movies. Yeah,

1:25:51.439 --> 1:25:54.479
<v Speaker 1>we come to this place for Titanic. Oh baby, we'll

1:25:54.640 --> 1:25:58.280
<v Speaker 1>go into that place to laugh, to cry, to watch Titanic.

1:25:58.400 --> 1:26:02.400
<v Speaker 1>We are going to that place, okay. Meanwhile, cal is

1:26:02.520 --> 1:26:05.680
<v Speaker 1>trying to get on a lifeboat and he uses a

1:26:05.880 --> 1:26:09.680
<v Speaker 1>lost child as an excuse to get on. I have

1:26:09.760 --> 1:26:17.320
<v Speaker 1>a child, so iconic. Nearby, Captain E. J. Smith is disassociating, yes,

1:26:17.439 --> 1:26:21.160
<v Speaker 1>which is a creative choice by Bernard Hill. Mmmmmm. Interesting.

1:26:21.800 --> 1:26:25.280
<v Speaker 1>The band stops playing, but then one of them keeps

1:26:25.320 --> 1:26:27.479
<v Speaker 1>playing by himself, and then they all joined back in

1:26:28.040 --> 1:26:31.920
<v Speaker 1>It's beautiful. Then there's this montage where you see the

1:26:32.000 --> 1:26:35.320
<v Speaker 1>old couple in bed together is a door Strauss and

1:26:36.640 --> 1:26:40.200
<v Speaker 1>his wife real people, yes, In the scene with the

1:26:40.320 --> 1:26:45.400
<v Speaker 1>Irish woman and her children, that is we've talked about

1:26:45.439 --> 1:26:49.200
<v Speaker 1>this before. That was an actor named I don't remember,

1:26:49.760 --> 1:26:53.080
<v Speaker 1>but she was like a James Cameron you stand by character.

1:26:53.280 --> 1:26:56.760
<v Speaker 1>She had previously acted in brown face for him, which

1:26:56.840 --> 1:27:01.200
<v Speaker 1>is alien. We had that discussion in Aliens our Aliens episode.

1:27:01.560 --> 1:27:04.720
<v Speaker 1>But fun fact for Titanic, I feel like it is

1:27:04.960 --> 1:27:07.799
<v Speaker 1>very very well remembered that she talks to her children

1:27:07.840 --> 1:27:12.360
<v Speaker 1>about the land of tier Nanogue and an Irish folktale,

1:27:12.920 --> 1:27:15.439
<v Speaker 1>and she came up with that that was not a

1:27:15.600 --> 1:27:20.800
<v Speaker 1>James Cameron original. That was her doing research on a

1:27:20.920 --> 1:27:23.360
<v Speaker 1>bedtime story that an Irish woman of that time would

1:27:23.360 --> 1:27:26.439
<v Speaker 1>have told her kids, which I thought was really sweet cool,

1:27:26.880 --> 1:27:30.760
<v Speaker 1>that was nice. Yes, um, Okay, so we seeah, we

1:27:30.840 --> 1:27:34.040
<v Speaker 1>see the old couple, We see the Irish mummy with

1:27:34.200 --> 1:27:39.879
<v Speaker 1>her kids. We see all this chaos continuing to ensue

1:27:40.280 --> 1:27:43.719
<v Speaker 1>as half of the boat is now completely underwater. People

1:27:43.800 --> 1:27:47.160
<v Speaker 1>are falling off the ship into the water. The captain's

1:27:47.240 --> 1:27:53.120
<v Speaker 1>room floods, a smokestack falls over and crushes for Brizzio. Okay,

1:27:53.240 --> 1:27:55.880
<v Speaker 1>quick thing there. I'm sorry. I know we've been recording

1:27:55.920 --> 1:27:59.920
<v Speaker 1>this for nine hundred years. It's been eighty four years. Yes, okay,

1:28:00.760 --> 1:28:04.280
<v Speaker 1>So are you aware of the alternate Fabrizio death? Yes,

1:28:04.320 --> 1:28:07.000
<v Speaker 1>because it's in the screenplay. Okay, So I just wanted

1:28:07.040 --> 1:28:10.800
<v Speaker 1>to rehash it Fabrizio. Apparently it was shot so that

1:28:10.960 --> 1:28:14.000
<v Speaker 1>they had multiple options for Fabrizio to die, so by

1:28:14.040 --> 1:28:17.360
<v Speaker 1>the time between the script and the shooting, they were like,

1:28:17.680 --> 1:28:20.240
<v Speaker 1>we're not sure. We know this character is gonna die,

1:28:20.960 --> 1:28:24.719
<v Speaker 1>We're not sure how. Danny Nucci had some fun quotes

1:28:24.720 --> 1:28:27.519
<v Speaker 1>about it. He was just like, I died five or

1:28:27.560 --> 1:28:29.439
<v Speaker 1>six different times, and then I just had to go

1:28:29.520 --> 1:28:32.160
<v Speaker 1>see the movie and see what they chose. Wow, because

1:28:32.240 --> 1:28:34.960
<v Speaker 1>in the original, like the smokestack is cged in, so

1:28:35.240 --> 1:28:38.080
<v Speaker 1>like that shot very easily could have been him being like,

1:28:38.200 --> 1:28:44.559
<v Speaker 1>oh no, it's so wet, or like whatever. You know. Okay,

1:28:44.640 --> 1:28:46.759
<v Speaker 1>this did sound familiar, so you've probably told me before,

1:28:46.840 --> 1:28:49.439
<v Speaker 1>but it was just like fun to revisit. There is

1:28:49.479 --> 1:28:53.120
<v Speaker 1>a version of it that they shot that I haven't

1:28:53.360 --> 1:28:57.720
<v Speaker 1>seen before, but I'm sure he's just somewhere of Fabrizio

1:28:58.360 --> 1:29:03.800
<v Speaker 1>gets out of the wreck, paddles over to the lifeboat.

1:29:03.840 --> 1:29:08.320
<v Speaker 1>The cal is in gets up and says, you don't understand,

1:29:08.560 --> 1:29:11.360
<v Speaker 1>I have to go to a medica, like in his

1:29:11.520 --> 1:29:16.439
<v Speaker 1>Italian accent, that's definitely real. Whatever, and then cal wax

1:29:16.560 --> 1:29:20.280
<v Speaker 1>him with an oar on the head and says it's

1:29:20.400 --> 1:29:23.760
<v Speaker 1>that way and that's how he dies. He dies via

1:29:23.960 --> 1:29:28.240
<v Speaker 1>blunt trauma with Cal, and I think that everyone decided

1:29:28.320 --> 1:29:32.200
<v Speaker 1>that like Cal was maybe bad enough already and that

1:29:32.560 --> 1:29:36.360
<v Speaker 1>was maybe not need to commit murder, even though he

1:29:36.400 --> 1:29:40.559
<v Speaker 1>already tried to murder his fiancee and Jack Um, Yeah,

1:29:40.920 --> 1:29:44.360
<v Speaker 1>he was bad enough, But that was, like, I just

1:29:44.840 --> 1:29:47.960
<v Speaker 1>was wild. I think I had forgotten about that and

1:29:48.200 --> 1:29:50.840
<v Speaker 1>it was a wild thing to revisit. That's the version

1:29:51.280 --> 1:29:55.639
<v Speaker 1>that's in the draft of the screenplay that's readily available. Okay,

1:29:55.640 --> 1:29:58.439
<v Speaker 1>if you download the screenplay of Titanic, which you can

1:29:58.520 --> 1:30:04.400
<v Speaker 1>find online. It's very similar to the finished movie that

1:30:04.479 --> 1:30:07.360
<v Speaker 1>we all know and love, but there are a few scenes,

1:30:08.080 --> 1:30:11.759
<v Speaker 1>such as the Fabrizio death scene, that are pretty different

1:30:11.960 --> 1:30:14.920
<v Speaker 1>in this version of the script than what ends up

1:30:15.000 --> 1:30:17.560
<v Speaker 1>in the movie. But yeah, that's the version of his

1:30:17.720 --> 1:30:22.960
<v Speaker 1>death that is in that draft of the script. Pretty funny. Yeah, yeah,

1:30:23.400 --> 1:30:29.080
<v Speaker 1>So Fabrizio tragically dies via smoke stuck. Also, Tommy had

1:30:29.320 --> 1:30:31.680
<v Speaker 1>been shot a while back. I didn't put that in

1:30:32.160 --> 1:30:36.599
<v Speaker 1>when it actually happened. Yeah, Jack and Rose are running

1:30:36.760 --> 1:30:40.160
<v Speaker 1>to the other end of the ship the stern, trying

1:30:40.200 --> 1:30:42.840
<v Speaker 1>to stay on the ship as long as possible, and

1:30:43.080 --> 1:30:45.120
<v Speaker 1>Rose is like Jack. This is where we first met

1:30:48.160 --> 1:30:51.920
<v Speaker 1>Kate for those scenes because they were like chained or

1:30:52.040 --> 1:30:55.519
<v Speaker 1>like harnessed to the side of the boat. Like there

1:30:55.600 --> 1:30:57.679
<v Speaker 1>was like a set that was called like the rotating

1:30:57.760 --> 1:31:01.200
<v Speaker 1>poop deck for like those ending scenes where it would

1:31:01.240 --> 1:31:04.200
<v Speaker 1>just be like mechanically up and down. But it was

1:31:04.280 --> 1:31:07.679
<v Speaker 1>so difficult to navigate that Kate Winslet took it upon

1:31:07.760 --> 1:31:12.160
<v Speaker 1>herself again icon to put like basically a full makeup

1:31:12.280 --> 1:31:15.599
<v Speaker 1>kit in the pocket of her the big jacket where

1:31:15.640 --> 1:31:17.600
<v Speaker 1>the heart of the ocean is supposed to be, and

1:31:17.760 --> 1:31:23.160
<v Speaker 1>she would do her makeup touchups and Leonardo DiCaprio's makeup

1:31:23.240 --> 1:31:26.160
<v Speaker 1>touchups so that a makeup artist wouldn't have to get

1:31:26.240 --> 1:31:30.519
<v Speaker 1>like harnessed up onto the boat to fix them before shots.

1:31:31.240 --> 1:31:34.679
<v Speaker 1>She's the best. She rocks, I know, She's so cool.

1:31:35.160 --> 1:31:41.439
<v Speaker 1>Love it, brock, love it Okay. The stern. The stern

1:31:42.000 --> 1:31:46.080
<v Speaker 1>is rising up and up as the bow sinks. This

1:31:46.320 --> 1:31:48.639
<v Speaker 1>is when a guy falls off the ship and hits

1:31:48.680 --> 1:31:52.639
<v Speaker 1>the propeller and spins, which everyone I cannot even count. Yeah,

1:31:52.640 --> 1:31:55.160
<v Speaker 1>how many people I've been like I love the movie

1:31:55.200 --> 1:31:58.040
<v Speaker 1>Titanic and someone will be like, wow, the only thing

1:31:58.080 --> 1:31:59.800
<v Speaker 1>I remember from that movie is when the guy hits

1:31:59.840 --> 1:32:03.320
<v Speaker 1>the propeller. We talked about this very briefly in our

1:32:03.320 --> 1:32:07.240
<v Speaker 1>Avatar episode where like when push comes to shove, James

1:32:07.360 --> 1:32:11.080
<v Speaker 1>Cameron knows how to kill someone in an interesting way, Yeah,

1:32:11.400 --> 1:32:15.200
<v Speaker 1>because I didn't because Avatar. I think this is not

1:32:15.360 --> 1:32:17.680
<v Speaker 1>controversial at all, but like it's just like not as

1:32:17.800 --> 1:32:21.680
<v Speaker 1>memorable a movie as Titanic is, But there are a

1:32:21.760 --> 1:32:25.080
<v Speaker 1>number of kills at the peak of Avatar's action that

1:32:25.160 --> 1:32:30.439
<v Speaker 1>are equally like oh my god, what Like people are

1:32:30.479 --> 1:32:34.360
<v Speaker 1>being ripped in a half and you're just like, holy shit, Like, yeah,

1:32:34.560 --> 1:32:38.200
<v Speaker 1>when when the moment comes, he is not afraid to

1:32:38.600 --> 1:32:42.799
<v Speaker 1>really let people die, I mean, the guilty and the innocent,

1:32:42.960 --> 1:32:45.559
<v Speaker 1>because it's not like I mean, at least an Avatar,

1:32:45.600 --> 1:32:49.520
<v Speaker 1>it's a little more cathartic because it's like the colonizers,

1:32:49.680 --> 1:32:52.240
<v Speaker 1>so they're asking for it, they're asking to be torn

1:32:52.320 --> 1:32:56.240
<v Speaker 1>in half. Propeller guy, I mean, tell me what he

1:32:56.400 --> 1:32:59.280
<v Speaker 1>did wrong? We don't know, we don't know, we don't

1:32:59.280 --> 1:33:02.960
<v Speaker 1>know who that is. Can you imagine how horrific? I mean,

1:33:03.040 --> 1:33:05.120
<v Speaker 1>I don't think this would be the stronger creative choice,

1:33:05.160 --> 1:33:09.519
<v Speaker 1>but like in a world where we had met like

1:33:09.640 --> 1:33:12.080
<v Speaker 1>there had been some plant in payoff with Propeller guy,

1:33:12.320 --> 1:33:15.640
<v Speaker 1>like we had met him before. Oh my god, I

1:33:15.720 --> 1:33:20.040
<v Speaker 1>would be devastated. Yeah, yeah, I know. I know. Fabrizio's

1:33:20.080 --> 1:33:24.600
<v Speaker 1>girlfriend she's nuked. Yeah, you know, she got on the

1:33:24.680 --> 1:33:28.000
<v Speaker 1>wrong side of the rails. Sorry, babe, it's so sad.

1:33:28.479 --> 1:33:32.000
<v Speaker 1>It's sad. M okay. Then the ship breaks in half

1:33:32.439 --> 1:33:37.719
<v Speaker 1>and the back half of the ship sinks and Rose

1:33:37.960 --> 1:33:40.519
<v Speaker 1>and Jack end up in the water among hundreds of

1:33:40.600 --> 1:33:45.479
<v Speaker 1>other people. They swim over to a door and they

1:33:45.520 --> 1:33:48.519
<v Speaker 1>both try to get on it. It flips over because

1:33:48.560 --> 1:33:50.639
<v Speaker 1>it's not about size, it's about BWENI as we've said,

1:33:51.640 --> 1:33:56.400
<v Speaker 1>so just Rose ends up on the door. Jack is

1:33:56.439 --> 1:33:59.280
<v Speaker 1>in the freezing water. They are waiting for the lifeboats

1:33:59.320 --> 1:34:01.679
<v Speaker 1>to come back and save the people in the water.

1:34:02.560 --> 1:34:06.000
<v Speaker 1>Rose is like, I'm really cold and I can't feel

1:34:06.040 --> 1:34:08.240
<v Speaker 1>my body and I feel like I might die. And

1:34:08.400 --> 1:34:10.760
<v Speaker 1>Jack is like, You're not going to die here. You're

1:34:10.800 --> 1:34:14.760
<v Speaker 1>going to live a full life. Promise me you'll do that,

1:34:14.960 --> 1:34:17.639
<v Speaker 1>and never let go of that promise, almost like that's

1:34:17.680 --> 1:34:19.360
<v Speaker 1>setting it up for a scene that's going to happen

1:34:19.400 --> 1:34:22.320
<v Speaker 1>shortly where she does that and then she dies and

1:34:22.520 --> 1:34:25.400
<v Speaker 1>I don't. But you know it's hard to say, I

1:34:25.640 --> 1:34:27.280
<v Speaker 1>do have one. Quickly, I want to add in that

1:34:27.360 --> 1:34:31.479
<v Speaker 1>I forgot I I just am toggling between my commentary notes.

1:34:32.280 --> 1:34:34.840
<v Speaker 1>Something I thought was interesting about when the ship is

1:34:34.880 --> 1:34:37.920
<v Speaker 1>going down, like all those poop deck shots. Yeah, when

1:34:38.000 --> 1:34:41.479
<v Speaker 1>the ship is like submerging for the final time. Again,

1:34:41.600 --> 1:34:44.800
<v Speaker 1>just like there's so many like early I don't know,

1:34:45.160 --> 1:34:50.439
<v Speaker 1>like again, he's a batman, but but but boy did

1:34:50.520 --> 1:34:53.880
<v Speaker 1>he get results. You know, like there are all of

1:34:53.960 --> 1:34:57.040
<v Speaker 1>these like CG things that are now so normal in

1:34:57.160 --> 1:35:00.320
<v Speaker 1>movies that like James Cameron was like innovative on the

1:35:00.400 --> 1:35:04.800
<v Speaker 1>set of Titanic where instead of because like CG was

1:35:04.920 --> 1:35:08.800
<v Speaker 1>still very much whatever in process, Like there were all

1:35:08.920 --> 1:35:12.439
<v Speaker 1>of these shots when the boat was straight up and

1:35:12.640 --> 1:35:15.680
<v Speaker 1>sinking the last section of it that they would call

1:35:15.840 --> 1:35:21.720
<v Speaker 1>toilet paper shots because they would have the human extras

1:35:21.760 --> 1:35:23.800
<v Speaker 1>and like you know, Jack and Rosen and the chef

1:35:23.960 --> 1:35:27.599
<v Speaker 1>and the girlfriend and all this stuff for actors who

1:35:27.640 --> 1:35:32.160
<v Speaker 1>would have to fall and get hurt in CG that

1:35:32.320 --> 1:35:34.680
<v Speaker 1>you couldn't do in a way that was safe for

1:35:34.800 --> 1:35:39.040
<v Speaker 1>a stunt actor. They would have an actor sometimes actually

1:35:39.120 --> 1:35:43.559
<v Speaker 1>Kate winslet drop a roll of toilet paper from their mark,

1:35:44.640 --> 1:35:47.360
<v Speaker 1>so that the post production editor could go back and

1:35:47.520 --> 1:35:51.680
<v Speaker 1>cg in the green screen shot of someone falling and

1:35:52.400 --> 1:35:55.519
<v Speaker 1>like hitting something or whatever it was. And so there

1:35:55.560 --> 1:35:58.600
<v Speaker 1>were all these things called toilet paper shots, and you

1:35:58.720 --> 1:36:00.720
<v Speaker 1>could see some of them on line of just like

1:36:01.280 --> 1:36:07.040
<v Speaker 1>famous actors dropping a roll of toilet paper. It's kind

1:36:07.120 --> 1:36:10.920
<v Speaker 1>of fun. That's fun. I like it. Okay. So Jack

1:36:11.080 --> 1:36:14.320
<v Speaker 1>is like, never let go of that promise, and she says,

1:36:14.760 --> 1:36:19.480
<v Speaker 1>I'll never let go. Jack. Some time passes, a lifeboat

1:36:19.600 --> 1:36:24.800
<v Speaker 1>finally shows up with sexy crew member number twelve or whatever,

1:36:25.920 --> 1:36:31.280
<v Speaker 1>played by Ione Griffith as fifth Officer Harold Lowe. Yes,

1:36:31.960 --> 1:36:34.040
<v Speaker 1>he's the person I have a story about. So like, oh,

1:36:34.360 --> 1:36:37.880
<v Speaker 1>Kathy Bates in the commentary, because he goes on to

1:36:38.040 --> 1:36:41.280
<v Speaker 1>have a bit of a career, which even James Cameron

1:36:41.360 --> 1:36:44.080
<v Speaker 1>says in his commentary, he's like, this guy's he's he's

1:36:44.080 --> 1:36:47.000
<v Speaker 1>a fantastic before. I mean, I think that that's about it,

1:36:47.200 --> 1:36:49.320
<v Speaker 1>but you know he's done a thing or two, right,

1:36:49.720 --> 1:36:53.280
<v Speaker 1>And Kathy Bates said, like in the day, like where

1:36:53.320 --> 1:36:58.120
<v Speaker 1>they're in the fucking tank in Burbank, but that day

1:36:58.160 --> 1:37:01.560
<v Speaker 1>specifically where it's a bunch of extras literally lying motionless,

1:37:01.800 --> 1:37:03.639
<v Speaker 1>pretending to be dead, and that was like a really

1:37:03.760 --> 1:37:09.600
<v Speaker 1>emotional day, and that she was so moved by his

1:37:09.840 --> 1:37:13.439
<v Speaker 1>performance that she was like sobbing on set in a

1:37:13.520 --> 1:37:16.000
<v Speaker 1>way that was like she wasn't supposed to be and

1:37:16.120 --> 1:37:18.160
<v Speaker 1>it isn't in the movie, but like she just had

1:37:18.160 --> 1:37:20.439
<v Speaker 1>a really emotionally difficult time and she said that like

1:37:21.400 --> 1:37:23.280
<v Speaker 1>she she just she was like, I gotta hand it

1:37:23.320 --> 1:37:25.439
<v Speaker 1>to him. I cried myself to sleep that night when

1:37:25.520 --> 1:37:32.760
<v Speaker 1>he's like doing thee can never be my Hammie, And

1:37:32.880 --> 1:37:36.240
<v Speaker 1>you're just like, oh, they freaking can't except for rows

1:37:36.280 --> 1:37:39.640
<v Speaker 1>of course, and she's not real and those pop and

1:37:39.720 --> 1:37:45.439
<v Speaker 1>the two poperanians fucking dog paddling for their Oh my god,

1:37:45.760 --> 1:37:48.120
<v Speaker 1>I feel like if honestly I mean and I say

1:37:48.160 --> 1:37:49.960
<v Speaker 1>that because he's in my lap right now. But like

1:37:50.080 --> 1:37:52.960
<v Speaker 1>if we was on the Titanic, I would die and

1:37:53.120 --> 1:37:55.559
<v Speaker 1>he would live. You would put him on the door

1:37:55.680 --> 1:37:59.040
<v Speaker 1>and you would sacrifice yourself. No, I would get on

1:37:59.120 --> 1:38:01.240
<v Speaker 1>the door and leave him for dead and I would

1:38:01.280 --> 1:38:04.759
<v Speaker 1>still die and he would still live. He's just very strong.

1:38:05.160 --> 1:38:08.679
<v Speaker 1>I would be like, listen, catch survivor. I'd expected ze wise,

1:38:09.080 --> 1:38:11.960
<v Speaker 1>you gotta go and he'd be like, I understand, but

1:38:12.000 --> 1:38:13.840
<v Speaker 1>then I would I would just not be strong enough.

1:38:13.840 --> 1:38:16.040
<v Speaker 1>I would die and he would be like, all right,

1:38:16.160 --> 1:38:18.800
<v Speaker 1>let me hop up on this. Also, if it was

1:38:18.840 --> 1:38:21.040
<v Speaker 1>me and Flee on the door, I feel like the

1:38:21.160 --> 1:38:23.759
<v Speaker 1>boy and c would you know, Flee weighs nine pounds,

1:38:23.840 --> 1:38:28.439
<v Speaker 1>he'd be fine. That's true. That's so true. Yeah, um, okay,

1:38:28.600 --> 1:38:34.080
<v Speaker 1>so you and Grifolts, you and McGregor all over again.

1:38:35.439 --> 1:38:38.200
<v Speaker 1>I don't I mean, I bullshitted my way through it,

1:38:38.320 --> 1:38:40.200
<v Speaker 1>and you did not call me out, which I thought

1:38:40.280 --> 1:38:45.120
<v Speaker 1>was really kind of you. I said my aunt will

1:38:45.160 --> 1:38:47.040
<v Speaker 1>be something kind of close to that. I feel like

1:38:47.120 --> 1:38:49.080
<v Speaker 1>people have tried to tell us what it is before

1:38:49.240 --> 1:38:52.479
<v Speaker 1>it because it's a Welsh name spelled yes I O

1:38:52.920 --> 1:38:56.840
<v Speaker 1>A N. That's his first name, g r u f

1:38:57.080 --> 1:39:00.160
<v Speaker 1>f u d D. I simply don't know how it's

1:39:00.200 --> 1:39:04.040
<v Speaker 1>pronounced anyway. He's just a lot of vowels. It's hard

1:39:04.080 --> 1:39:07.360
<v Speaker 1>to know. Yeah. But he shows up on a lifeboat

1:39:07.520 --> 1:39:11.960
<v Speaker 1>and Rose is like, Jack, there's a boat, but Jack

1:39:12.400 --> 1:39:17.360
<v Speaker 1>is dead. Oops, and she calls out. She says that

1:39:17.439 --> 1:39:20.599
<v Speaker 1>she goes oops, and then she's like, I'll never like, oh,

1:39:20.640 --> 1:39:23.360
<v Speaker 1>my promise, And then she tries to call out and

1:39:23.479 --> 1:39:27.920
<v Speaker 1>get mister Lifeboat's attention. Then she swims over and blows

1:39:27.920 --> 1:39:31.479
<v Speaker 1>on a whistle and she is saved. Cut back to

1:39:31.720 --> 1:39:34.800
<v Speaker 1>the kell Dish where Old Rose and Broc love it

1:39:34.920 --> 1:39:37.920
<v Speaker 1>and all those people. Brock is having a feeling for

1:39:37.960 --> 1:39:39.960
<v Speaker 1>the first time in his life. He's having a hard

1:39:40.040 --> 1:39:43.800
<v Speaker 1>time yeah, and Rose says, I never spoke about Jack

1:39:43.880 --> 1:39:46.360
<v Speaker 1>before this, because a woman's heart is a deep ocean

1:39:46.400 --> 1:39:49.680
<v Speaker 1>of secrets, and Brok is like, damn, I never really

1:39:49.720 --> 1:39:52.800
<v Speaker 1>appreciated Titanic before. I never let it in, but now

1:39:52.960 --> 1:39:56.920
<v Speaker 1>I get it. Then we see Rose on the deck

1:39:57.080 --> 1:39:59.799
<v Speaker 1>of the Kellydish. She has the heart of the ocean

1:40:00.520 --> 1:40:03.759
<v Speaker 1>in her hand. We have talked through previously the alternate

1:40:03.960 --> 1:40:06.559
<v Speaker 1>ending to this movie, which sucks. We will not rehash

1:40:06.640 --> 1:40:13.240
<v Speaker 1>it here. There's a long garbagee Susie Amos, Bill Paxton like,

1:40:13.800 --> 1:40:18.400
<v Speaker 1>what what hey, Old Rose, please restate the moral of

1:40:18.520 --> 1:40:24.360
<v Speaker 1>the movie. Version that absolutely sucks. But this version, I

1:40:24.520 --> 1:40:27.320
<v Speaker 1>just feel like this just happens to be the one

1:40:27.400 --> 1:40:29.760
<v Speaker 1>movie where every right choice was made because the ending

1:40:29.880 --> 1:40:32.760
<v Speaker 1>to this movie is perfect. I do hate that she

1:40:32.960 --> 1:40:36.880
<v Speaker 1>throws the necklace in the water, but I mean, ideally

1:40:37.000 --> 1:40:41.600
<v Speaker 1>would she, you know, like sell it and then redistribute

1:40:41.640 --> 1:40:46.799
<v Speaker 1>the funds. Yes, symbolically for a person who never existed

1:40:47.120 --> 1:40:50.559
<v Speaker 1>with a mcguffin, it doesn't bother me and it makes

1:40:50.560 --> 1:40:53.960
<v Speaker 1>me cry. Yeah, because she was like, ultimately this one,

1:40:53.960 --> 1:40:56.840
<v Speaker 1>because it was like whatever, ultimately this was meaningless. It

1:40:57.000 --> 1:41:00.479
<v Speaker 1>was the love that mattered. And now having done this,

1:41:00.840 --> 1:41:05.280
<v Speaker 1>I can die or I can fall asleep and have

1:41:05.360 --> 1:41:08.439
<v Speaker 1>a dream about it. Okay. So Rose has the heart

1:41:08.479 --> 1:41:11.240
<v Speaker 1>of the ocean. Boring because of that scene earlier where

1:41:11.320 --> 1:41:14.160
<v Speaker 1>Cal is like, I put the diamond in the coat,

1:41:14.640 --> 1:41:16.559
<v Speaker 1>and I put the coat on her. Put the coat

1:41:16.640 --> 1:41:19.840
<v Speaker 1>on her. So Rose, and then let's not forget that

1:41:20.280 --> 1:41:22.760
<v Speaker 1>the depression hit him pretty hard and he put a

1:41:22.800 --> 1:41:25.320
<v Speaker 1>pistol in his mouth this year or so she read, yeah,

1:41:25.640 --> 1:41:28.000
<v Speaker 1>or so she read. We don't know, we don't know. Yeah,

1:41:28.080 --> 1:41:29.800
<v Speaker 1>he could be like a Pomeranian. He could still be.

1:41:31.320 --> 1:41:35.360
<v Speaker 1>So Rose has the heart of the ocean, and she's

1:41:35.360 --> 1:41:39.280
<v Speaker 1>had it this whole time, and she throws it in

1:41:39.479 --> 1:41:44.360
<v Speaker 1>the water and she goes, ah, God, I'm annoyed. Then no,

1:41:45.360 --> 1:41:48.840
<v Speaker 1>she's like con Then we see Rose in bed with

1:41:48.960 --> 1:41:51.360
<v Speaker 1>all of her pictures of the full life that she lived,

1:41:51.479 --> 1:41:53.840
<v Speaker 1>because she never let go of her promise to Jack.

1:41:54.160 --> 1:41:57.439
<v Speaker 1>All of these photos were photoshopped except for Kate Winslet

1:41:57.600 --> 1:42:00.519
<v Speaker 1>on the horse because Kate and which James Cameron pointed

1:42:00.560 --> 1:42:03.599
<v Speaker 1>out because he's like and Kate is afraid of horses. Oh,

1:42:04.320 --> 1:42:09.400
<v Speaker 1>I know, my friend. And then what happens? Okay. So

1:42:09.560 --> 1:42:13.240
<v Speaker 1>some people will interpret this as Rose dying and going

1:42:13.320 --> 1:42:16.559
<v Speaker 1>to heaven. Other really cool and really smart people will

1:42:16.600 --> 1:42:19.280
<v Speaker 1>interpret this as Rose falling asleep and having a dream.

1:42:19.680 --> 1:42:21.639
<v Speaker 1>But what we saw orch just people who haven't really

1:42:21.680 --> 1:42:24.519
<v Speaker 1>grappled with their mortality. I have something to I have

1:42:24.680 --> 1:42:29.560
<v Speaker 1>something to share her because James Cameron has a bonanza

1:42:29.920 --> 1:42:33.120
<v Speaker 1>with this thing. He makes it. He has a little

1:42:33.120 --> 1:42:36.799
<v Speaker 1>bit of fun, okay with this, so he says, quote

1:42:37.520 --> 1:42:41.799
<v Speaker 1>the big ambiguity here is is she alive and dreaming

1:42:42.360 --> 1:42:45.320
<v Speaker 1>or is she dead and on her way to Titanic heaven? Here?

1:42:45.720 --> 1:42:50.280
<v Speaker 1>And of course I'll never tell. I mean, I know

1:42:51.160 --> 1:42:55.280
<v Speaker 1>what was intended at the time, but that doesn't mean

1:42:55.400 --> 1:42:58.519
<v Speaker 1>I have to go blurting it out. I know you

1:42:58.680 --> 1:43:03.320
<v Speaker 1>bought this expensive special edition DVD, which I did, and

1:43:03.560 --> 1:43:06.560
<v Speaker 1>you were hoping for the answer. But the answer is

1:43:07.680 --> 1:43:11.160
<v Speaker 1>that has to be something that you supply personally and

1:43:11.360 --> 1:43:15.640
<v Speaker 1>as an individual. Wow, isn't that awesome? And so it

1:43:15.760 --> 1:43:21.080
<v Speaker 1>says something about people based on their interpretation of what happens.

1:43:21.360 --> 1:43:24.800
<v Speaker 1>It says that everyone. It says that he, I think

1:43:24.920 --> 1:43:29.320
<v Speaker 1>what in my opinion, like genuinely in my opinion. It

1:43:29.439 --> 1:43:32.599
<v Speaker 1>says that whatever creative choice he made didn't read as

1:43:32.640 --> 1:43:34.840
<v Speaker 1>strongly as he thought it would. And then he's like,

1:43:35.080 --> 1:43:38.400
<v Speaker 1>um so that's kind of art right, like, which is

1:43:38.439 --> 1:43:40.880
<v Speaker 1>what I would do in the same situation where I'm like, oh, yeah,

1:43:41.040 --> 1:43:44.599
<v Speaker 1>I made an unclear choice. Um that was on purpose,

1:43:45.240 --> 1:43:46.840
<v Speaker 1>and I think it's kind of iconic that And I

1:43:46.920 --> 1:43:48.720
<v Speaker 1>hope he never tells us. And I hope that we

1:43:48.840 --> 1:43:51.559
<v Speaker 1>both think that we're right until we either fall asleep

1:43:51.640 --> 1:43:54.000
<v Speaker 1>or die, which means I'm right, we will die one day.

1:43:54.439 --> 1:43:58.000
<v Speaker 1>We will not just keep falling asleep. But but I

1:43:58.160 --> 1:44:01.519
<v Speaker 1>liked I was. I was free entically transcribing that because

1:44:01.520 --> 1:44:04.080
<v Speaker 1>I was so excited to be like he said something

1:44:04.280 --> 1:44:07.680
<v Speaker 1>and it was not it was. I love that he

1:44:07.880 --> 1:44:12.479
<v Speaker 1>refuses to be clearer. It's it's great. Um So the

1:44:13.160 --> 1:44:17.360
<v Speaker 1>dream or heaven, based on your interpretation is And James

1:44:17.400 --> 1:44:20.240
<v Speaker 1>Cameron says this scene I cry at my own movie,

1:44:20.680 --> 1:44:24.960
<v Speaker 1>which is so which is I was like, I cry

1:44:25.040 --> 1:44:28.400
<v Speaker 1>at your own movie. So good for you, Good for you.

1:44:28.960 --> 1:44:32.160
<v Speaker 1>So we see young Rose. She's like entering the big

1:44:32.360 --> 1:44:36.640
<v Speaker 1>like grand staircase area of Titanic. Jack is waiting for

1:44:36.720 --> 1:44:39.040
<v Speaker 1>her at the top of the staircase just like you said,

1:44:39.360 --> 1:44:42.679
<v Speaker 1>they're surrounded by everyone who was on the ship. Rose

1:44:42.800 --> 1:44:47.880
<v Speaker 1>walks up the staircase and she and Jack kiss the end. Yay,

1:44:48.640 --> 1:44:52.800
<v Speaker 1>I love Caitlin, great job, I loved. My last fun

1:44:52.920 --> 1:44:55.960
<v Speaker 1>fact to share is that James Cameron's well, actually, no,

1:44:56.000 --> 1:44:59.080
<v Speaker 1>I have two more fun I'm okay, okay. My last

1:44:59.200 --> 1:45:01.960
<v Speaker 1>James Cameron fun fact is that they shot that last

1:45:03.160 --> 1:45:06.280
<v Speaker 1>The first of all, everyone who shot the staircase dream

1:45:06.800 --> 1:45:10.280
<v Speaker 1>slash death sequence did not think it would be included

1:45:10.439 --> 1:45:13.200
<v Speaker 1>in the final cut. It was something that Kate Winslet

1:45:13.320 --> 1:45:16.200
<v Speaker 1>and Leonardo DiCaprio thought was far too corny to make

1:45:16.240 --> 1:45:19.200
<v Speaker 1>the final cut. But then it did. But they also

1:45:19.280 --> 1:45:22.720
<v Speaker 1>shot it with them applauding and without them applauding, and

1:45:22.840 --> 1:45:25.519
<v Speaker 1>we're back and forth pretty close. But they chose applauding,

1:45:25.520 --> 1:45:28.080
<v Speaker 1>and I think that was the right choice. The final

1:45:28.160 --> 1:45:30.720
<v Speaker 1>thing is the last, the true last sequence in this

1:45:30.920 --> 1:45:35.080
<v Speaker 1>movie is the celine dion my heart will go on sequence.

1:45:36.080 --> 1:45:39.040
<v Speaker 1>I did not know the story attached to this, and

1:45:39.360 --> 1:45:42.360
<v Speaker 1>I love it, so tell me. I'm going to share

1:45:42.400 --> 1:45:45.439
<v Speaker 1>it and then we can explode, we can sink into

1:45:45.439 --> 1:45:49.880
<v Speaker 1>the depths of the Atlantic Ocean. I'm ready. So I

1:45:50.000 --> 1:45:53.639
<v Speaker 1>guess that there was like a shared opinion of James

1:45:53.760 --> 1:45:57.400
<v Speaker 1>Cameron and James Horner that they did not like when

1:45:57.600 --> 1:46:01.160
<v Speaker 1>movies ended with a song. They both thought it was

1:46:01.320 --> 1:46:05.720
<v Speaker 1>goofy and corny and they didn't like it. But when

1:46:05.840 --> 1:46:08.200
<v Speaker 1>James Horner was thinking about ways to end the movie,

1:46:08.520 --> 1:46:10.960
<v Speaker 1>he started thinking about a song and so he like

1:46:11.160 --> 1:46:16.639
<v Speaker 1>privately started working on something he privately not telling James Cameron,

1:46:16.920 --> 1:46:21.799
<v Speaker 1>hired a lyricist put together this song. He went to Vegas,

1:46:22.040 --> 1:46:26.080
<v Speaker 1>he saw Selene and he was like, I'm gonna hit

1:46:26.160 --> 1:46:30.640
<v Speaker 1>her up. I have enough, like and they secretly recorded

1:46:30.720 --> 1:46:35.360
<v Speaker 1>this song unbeknownst to James Cameron in New York, and

1:46:35.560 --> 1:46:38.880
<v Speaker 1>James Horner was like, hey, like it's pretty like unlikely

1:46:39.040 --> 1:46:41.040
<v Speaker 1>that this will be included in the movie, but like

1:46:41.240 --> 1:46:44.040
<v Speaker 1>here's your money, and like thanks for doing this. Like

1:46:45.240 --> 1:46:48.479
<v Speaker 1>then after it was recorded, James Horner, who sounded like

1:46:48.600 --> 1:46:53.719
<v Speaker 1>a very like quiet man who like chose his moments

1:46:53.840 --> 1:46:56.960
<v Speaker 1>kind of person. So once he has the Song of

1:46:57.040 --> 1:47:01.160
<v Speaker 1>the Century like V recording, he sits on it for

1:47:01.479 --> 1:47:06.160
<v Speaker 1>six weeks, waiting for James Cameron to be in the

1:47:06.360 --> 1:47:12.000
<v Speaker 1>right mood to be receptive to the idea of a

1:47:12.200 --> 1:47:16.120
<v Speaker 1>song ending the movie. Yeah, And then six weeks later

1:47:16.640 --> 1:47:21.760
<v Speaker 1>James Horner's like, so I tried something out and like,

1:47:22.160 --> 1:47:24.160
<v Speaker 1>just let me know what you think. He plays a

1:47:24.240 --> 1:47:28.080
<v Speaker 1>song and then James Cameron's like, is this Selene Dion

1:47:29.280 --> 1:47:33.679
<v Speaker 1>And James Horner's like, yeah, Selene Deon. I just kind

1:47:33.720 --> 1:47:37.120
<v Speaker 1>of threw it together over the course of several months,

1:47:37.479 --> 1:47:40.080
<v Speaker 1>and James Cameron to his again, I feel like when

1:47:40.160 --> 1:47:43.360
<v Speaker 1>the idea is really good, he will acknowledge it. And

1:47:43.520 --> 1:47:45.880
<v Speaker 1>he was like, let me just think about this, and

1:47:45.960 --> 1:47:48.800
<v Speaker 1>then he brought the song to his I guess at

1:47:48.840 --> 1:47:51.560
<v Speaker 1>that time teenage daughter and was like, what do you

1:47:51.680 --> 1:47:54.760
<v Speaker 1>think And his teenage daughter was like, it's the Song

1:47:54.840 --> 1:47:57.400
<v Speaker 1>of the Century, you fool. And that's how the song

1:47:57.520 --> 1:48:00.240
<v Speaker 1>got it into the movie. Wow, isn't that wild? Get

1:48:00.320 --> 1:48:05.480
<v Speaker 1>like there were so many everything perfect happened with Titanic.

1:48:05.640 --> 1:48:10.040
<v Speaker 1>It's the best movie ever, moviemaking is magical and horrible

1:48:10.200 --> 1:48:18.679
<v Speaker 1>and yes, two things can be true. That's our seventh

1:48:18.880 --> 1:48:23.080
<v Speaker 1>Titanic episode. Everyone, you came to this place. You came

1:48:23.160 --> 1:48:26.960
<v Speaker 1>to this place for multiple Titanic episodes, most of them

1:48:27.040 --> 1:48:30.720
<v Speaker 1>are on the Matreon. So if you want to hear more, yes,

1:48:31.120 --> 1:48:35.839
<v Speaker 1>screwed on over to the Matreon. But uh yeah, that'll

1:48:36.320 --> 1:48:39.360
<v Speaker 1>that'll do it for this year. But you better believe

1:48:39.960 --> 1:48:42.960
<v Speaker 1>your ass. Oh my god, we are twenty four. Oh,

1:48:43.080 --> 1:48:46.840
<v Speaker 1>you better believe your ass. And and we yeah, I

1:48:46.920 --> 1:48:49.360
<v Speaker 1>mean next year, I mean next year, at very least

1:48:49.520 --> 1:48:51.639
<v Speaker 1>we will talk about a movie we watched the full

1:48:51.720 --> 1:48:54.680
<v Speaker 1>year ago, Titanic sixty six six. Yeah, and that's a

1:48:54.840 --> 1:48:58.320
<v Speaker 1>damn promise. Um, we love you so much, Thank you

1:48:58.400 --> 1:49:01.680
<v Speaker 1>so much for listening. You can find us over on,

1:49:02.040 --> 1:49:05.519
<v Speaker 1>most importantly our patreon akamatreon that's patreon dot com slash

1:49:05.800 --> 1:49:08.960
<v Speaker 1>Bechtel Cast five dollars a month, we'll get you access

1:49:09.040 --> 1:49:13.200
<v Speaker 1>to all but one of the other Titanic episodes we've recorded.

1:49:13.400 --> 1:49:15.800
<v Speaker 1>And if that is a deterrent and not a reason

1:49:15.840 --> 1:49:19.040
<v Speaker 1>to sign up, there's also well over one hundred episodes

1:49:19.160 --> 1:49:22.320
<v Speaker 1>on other movies we've covered. There you can check us

1:49:22.360 --> 1:49:25.800
<v Speaker 1>out on Instagram or Twitter at Bechtel Cast, or in

1:49:25.880 --> 1:49:29.439
<v Speaker 1>t public dot com slash the Bechtel Cast for all

1:49:29.479 --> 1:49:31.720
<v Speaker 1>of the merch we currently have. But also I think

1:49:32.080 --> 1:49:36.360
<v Speaker 1>there's a chance that you'll see reverse image white star

1:49:36.479 --> 1:49:40.240
<v Speaker 1>line stuff there. Love it very soon, I hope, so

1:49:40.960 --> 1:49:47.800
<v Speaker 1>rock love it. Yeah, So thanks for listening. And I'll

1:49:47.840 --> 1:49:51.519
<v Speaker 1>never let go, will you, Jamie. I will never let

1:49:51.600 --> 1:49:54.599
<v Speaker 1>go okay ever ever Bye bye