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Speaker 1: The Nicky. Here's Nicky. Hello everyone, good morning, good afternoon,

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Speaker 1: good night. Wherever you are. Uh this Nicky Glazer podcast.

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Speaker 1: I'm Nicky Glazer. I am here in St. Louis, Missouri,

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Speaker 1: getting ready to go out on the road this weekend.

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Speaker 1: I'm going to be in Las Vegas on Friday. I'm

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Speaker 1: gonna be in UM Seattle for two shows on Saturday,

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Speaker 1: and then Oregon, Southern Oregon on Sunday for an outdoor

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Speaker 1: type show apparently deer Walk through the Venue. Um. I'm

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Speaker 1: very excited about these shows. Things are coming together. I'm

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Speaker 1: gonna be with my friends. Um. Yeah. People hear my

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Speaker 1: schedule sometimes and they're like, oh, how do you do it?

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Speaker 1: And I'm like that the traveling in the performing isn't

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Speaker 1: the hard part. The hard part is I don't know

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Speaker 1: what the hard part is anymore. The looming um, A

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Speaker 1: burden of having to have things like really salt, like

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Speaker 1: you know, taving my special I guess is a looming threat. Um.

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Speaker 1: Having to clean my room so that cameras can be

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Speaker 1: following me in my life pretty soon, hanging like pictures

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Speaker 1: in my room that have just been like I just

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Speaker 1: I don't I keep I'm I'm about to have a

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Speaker 1: bunch of cameras in my life, following my every step

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Speaker 1: and intruding into my life in a way that I

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Speaker 1: asked for, not complaining, But I keep having this like

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Speaker 1: thought of like, oh my god, I gotta get a

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Speaker 1: new clothes, I gotta get my nails done, I have

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Speaker 1: to get my hair done. I have to clean I

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Speaker 1: have to like organize those things. I have to clean

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Speaker 1: my closet. And I'm just like, no, that's why you

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Speaker 1: have your having cameras come into your life is to

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Speaker 1: show your real life. And I'm not gonna freak myself

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Speaker 1: out about like having to make my life look perfect,

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Speaker 1: Like it's just gonna be what it is and that'll be,

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Speaker 1: you know. I That's that's what my life is. I'm

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Speaker 1: not like a bad person because my bed isn't. I

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Speaker 1: don't change my dubet every How often do you change

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Speaker 1: your dube? No? Uh, probably at the end of the season. Really, yeah,

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Speaker 1: my dubet I don't really change because I have a

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Speaker 1: sheet that I use in between myself and the the blanket.

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Speaker 1: What about if do you ever have sex on top

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Speaker 1: of the dubet? Uh? Yeah, I guess if we do

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Speaker 1: but it's still just our dubet. Nobody else uses it. Yeah, okay, good.

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Speaker 1: I feel like this need to do my dube every

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Speaker 1: like week, and No, it's so hard to put it on.

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Speaker 1: It's so hard. I sweat, and I'm like it's a

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Speaker 1: workout to change the dubet and I do the ones

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Speaker 1: that like I tie it on the inside on the corners,

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Speaker 1: there's like little ties so that it stays on the corners.

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Speaker 1: It's exhausting. I always feel like really beat up by

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Speaker 1: the end of the time I changed my duvet, and

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Speaker 1: I just have so many clothes to go through with

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Speaker 1: my closet that I want to get rid of. And

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Speaker 1: I don't even know what I mean. I guess you

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Speaker 1: just take them to Goodwill or wherever, but they don't

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Speaker 1: even want your clothes anymore. Like I feel like good

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Speaker 1: Will is just like we get it. You've all Marie

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Speaker 1: condo and we don't want your ship. But maybe they do.

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Speaker 1: I don't know. Um. I just it was so funny,

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Speaker 1: like I'm having this camera crew come into my life

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Speaker 1: and they're like, write down a list of all the

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Speaker 1: restaurants and stores and activities you do. And Andrew and

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Speaker 1: I are looking at each other, like we don't do anything.

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Speaker 1: I don't go anywhere. I just like don't go to restaurants.

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Speaker 1: I mean it's COVID, and I don't have many friends here.

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Speaker 1: I mean I feel like restaurants are places you go,

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Speaker 1: or at least I used to go to them to

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Speaker 1: perform comedy and then we would eat at the restaurant

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Speaker 1: to meet up with friends in New York. But like,

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Speaker 1: I don't know, I just don't have that many. I

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Speaker 1: gotta get more friends here, um, but I don't really

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Speaker 1: any I don't have time for more friends. And yeah,

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Speaker 1: so I'm just Andrew's enough. We're having a lot of fun.

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Speaker 1: I have to say, Andrew and I with his new character,

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Speaker 1: the Ash, It's like it was I really really needed

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Speaker 1: it in our relationship. I needed a new thing that

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Speaker 1: he does that makes me giggle NonStop, and it was

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Speaker 1: We're gonna get to it today later on in our

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Speaker 1: segment collection of Kiz because the Edge, this comedian character

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Speaker 1: that Andrew has taken on is making fun of comedians

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Speaker 1: who think they're edgy and who you know, present this

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Speaker 1: persona of like I'm just gonna tell it like it is,

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Speaker 1: and I'm not scared and I'm doing things differently, and

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Speaker 1: it's based off of you know, probably one comic in particular.

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Speaker 1: But Andrew's not the best at um really specific impressions UM,

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Speaker 1: but he's good at capturing an essence. So it's actually

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Speaker 1: protecting us from being too obvious who we're mocking. But

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Speaker 1: then now it's kind of and and isn't wrong to

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Speaker 1: mock um in this way, probably like I don't like

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Speaker 1: to put out negativity like this, of like making fun

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Speaker 1: of someone kind of behind their back in a you know,

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Speaker 1: sneaky way. You know, I have a lot of comedians

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Speaker 1: sliding into my d m s being like who is

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Speaker 1: this about? And I'm like, you know what, who it's

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Speaker 1: We all know who it's about, or like the kind

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Speaker 1: of person it's about, But what it's what I'm really

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Speaker 1: calling out with Edge, the comedian that we've named Edge

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Speaker 1: is comedians that, like all of comedy, all of stand

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Speaker 1: up is not all of it, but a lot of

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Speaker 1: stand up is deception and trickery and can, like UM,

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Speaker 1: audiences thinking that they are making a choice to laugh

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Speaker 1: when really you're not. There's comedians are doing magic tricks

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Speaker 1: that make you think they're funny and convince you to

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Speaker 1: like them when you otherwise, based solely on the material,

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Speaker 1: if you read it off a page, you wouldn't think

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Speaker 1: it was funny at all or maybe what but you

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Speaker 1: know what? What is performance? That's performances like putting on

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Speaker 1: a spectacle and like look over here instead of here,

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Speaker 1: and like it's all it's all theatrics, it's all w

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Speaker 1: W E whatever. It is, Like it's okay that some

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Speaker 1: comedians are completely you know, fabricating this experience on stage

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Speaker 1: that makes you think they're being so honest and like

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Speaker 1: you're just telling it like it is the thing I'm

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Speaker 1: trying to bring awareness too, is I want the comic

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Speaker 1: consumer to be more savvy. I want to use this

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Speaker 1: character the Edge or Edge, sorry, the edges you know

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Speaker 1: in YouTube. I want to use Edge too, let my

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Speaker 1: audience know not to be fooled by the tricks that

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Speaker 1: they're doing. So I, as the consumer of Edge behind

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Speaker 1: the can camera, I often will say the things. I'm

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Speaker 1: a fan of Edge. I play a fan of Edge.

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Speaker 1: And I asked him questions and I go like, dude,

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Speaker 1: can you tackle this subject? Like just tell? And then

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Speaker 1: Andrew and I have concocted away that It's like a

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Speaker 1: back and forth between the two of us that I

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Speaker 1: hope let's audiences be more savvy consumers of of stand

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Speaker 1: up comedy and actually like good stuff. And when I

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Speaker 1: say like good stuff, I mean my idea of what

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Speaker 1: is good. Norm McDonald is good. Norm McDonald doesn't care

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Speaker 1: what you think. He honestly doesn't, and that is good

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Speaker 1: stand up comedy. He is not trying, you know, I'm

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Speaker 1: sure there was some part of him that wanted to

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Speaker 1: to kill but you watch these clips that everyone's posting

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Speaker 1: over and over after, you know, it was announced that

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Speaker 1: he uh died to cancer, a long battle battle. He was.

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Speaker 1: He even had a joke about battling cancer along. You know,

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Speaker 1: he lost his life to cancer and at six one,

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Speaker 1: so yeah, U and all these people are posting clips

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Speaker 1: of him, and he truly was. You know, he's a

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Speaker 1: comics comic. Every comedian loves Norm McDonald. Like I almost

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Speaker 1: wanted to write a tweet yesterday that was like reach

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Speaker 1: out to the middle aged white man in your life,

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Speaker 1: because they all are truly in love with Norm McDonald.

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Speaker 1: I have never met a guy my age who is good,

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Speaker 1: has a good sense of humor who didn't love Norm

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Speaker 1: McDonald more than his own fucking father, more than you know.

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Speaker 1: It's it's like Norm McDonald was is a god to

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Speaker 1: mostly male you know, and I'm speaking of you know.

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Speaker 1: I'm friends with a lot of male comedians and Nor

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Speaker 1: McDonald is the top tier. And in going over you know,

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Speaker 1: his stand up and looking at all the clips, he

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Speaker 1: was because he didn't give a fuck. He didn't care

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Speaker 1: what anyone thought. He wasn't worrying about offending anyone, he

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Speaker 1: wasn't trying to offend anyone. But he was just doing

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Speaker 1: You could just tell he was like actually doing what

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Speaker 1: the edge comedian says he's doing, which is like, I'm

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Speaker 1: just gonna be real, man, I'm just gonna say it.

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Speaker 1: Norman didn't have to say that. He was just gonna

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Speaker 1: say it. Norm didn't have to go. I can't. I can't.

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Speaker 1: I don't even want to say it. I can't. I can't.

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Speaker 1: Like these are the tricks that these guys employ to

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Speaker 1: make you think that they are edgy. So this is

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Speaker 1: what happens, and I'm I've been susceptible to it too,

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Speaker 1: especially at a young age. I didn't know the ins

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Speaker 1: and outs of stand up comedy, and I didn't know. Um,

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Speaker 1: all the magic tricks that happened that make audiences like you,

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Speaker 1: all the devices you can use to make audiences laugh

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Speaker 1: harder than they would if you didn't use the devices. Um,

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Speaker 1: using the effort. Effort is the number one tool to

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Speaker 1: make people laugh, because comedy is shocking, comedy is surprised.

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Speaker 1: That's one of the best norm McDonald lines is like,

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Speaker 1: comedy is uh, laughter is like the best reaction you

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Speaker 1: can get as a comedian is to surprise the audience.

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Speaker 1: And what better surprise than telling a joke that doesn't

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Speaker 1: get a laugh. So like that, it was something like that,

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Speaker 1: like he says, when I don't get laughter, that's the

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Speaker 1: biggest surprise that they they think a joke is coming

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Speaker 1: and they don't get one. That's so he did like

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Speaker 1: anti comedy. You know. Classic examples of that are as

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Speaker 1: Bob Sagett roast Um Set, in which he did just

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Speaker 1: all like puns and just really bad jokes and um,

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Speaker 1: you know, and he did it. That was the joke

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Speaker 1: was that the jokes were so bad and um, you know,

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Speaker 1: it's just he was just someone actually doing the things

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Speaker 1: that all these edgy comics think they're doing. And I've

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Speaker 1: done it too before, and you know what, I still

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Speaker 1: I've done things on stage where I go I don't

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Speaker 1: think I should say this, and then these is like

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Speaker 1: say it, and then I'm like, okay, let me just

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Speaker 1: say if you see me do that, it is actually

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Speaker 1: a real moment. It is not a one I planted

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Speaker 1: in that I do every time I do that joke,

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Speaker 1: because this is this is what these comics do, the

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Speaker 1: edgy comics. They plant in these moments of listen, I

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Speaker 1: don't even think I should say this, I don't know,

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Speaker 1: and then the crowd goes say it. Now, Psychologically, when

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Speaker 1: you are an audience member going say it please, not

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Speaker 1: only do you think if they do say it, it's

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Speaker 1: special for you, which means you're gonna like it more

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Speaker 1: despite what it is. It's already lowered the bar because

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Speaker 1: you're you're already invested. Number two, you are now a

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Speaker 1: part of them saying it, so you have not only

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Speaker 1: are they going to say something that they weren't gonna say,

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Speaker 1: so it's special, which it is not, because they always

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Speaker 1: say that they're not going to say it because they

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Speaker 1: know you're gonna go say it. Okay, so you think

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Speaker 1: it's special subconsciously, you also think you've had a part

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Speaker 1: in making it special. So, um, you you are forty

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Speaker 1: more likely to laugh at this joke than if you

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Speaker 1: if he didn't say those things beforehand. Um, other things

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Speaker 1: that they do. Oh my god, I just like and

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Speaker 1: I'm doing it right now, but this is sincere Like,

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Speaker 1: I can't I don't even want to. I discovered something

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Speaker 1: over the weekend. But we talked about coying. You know, Um,

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Speaker 1: last week on the show, I talked about I worked

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Speaker 1: with a comedian named Joe coy who would get standing

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Speaker 1: ovations for every show. And by the end of the week,

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Speaker 1: I realized that if you wait long enough, the audience

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Speaker 1: will stand up. Let's let's say, like, if you had

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Speaker 1: a good enough set, they're not going to give you

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Speaker 1: a standing oh if they didn't enjoy themselves. But if

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Speaker 1: you had a good set, people are gonna stand up.

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Speaker 1: And if you wait long enough and go, oh my god,

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Speaker 1: no really, oh my god, we've all been susceptible to

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Speaker 1: one person standing and then we go I guess, I

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Speaker 1: guess I have to stand up to and we all stand.

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Speaker 1: You'll get a standing ovation if you wait long enough

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Speaker 1: and you don't leave the stage. So that is what

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Speaker 1: I call coining, because I saw Joe Coy do it

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Speaker 1: seven shows in a row and then he would come

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Speaker 1: out to me and go, I can't believe it. I

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Speaker 1: come a seventh standing ovation, like, oh my god, like

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Speaker 1: he was counting. Um jokey is hilarious. There's no question

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Speaker 1: about it. But that is a thing he did. There's

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Speaker 1: there's also no question about that. Do a lot of

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Speaker 1: comedians do that? Probably? Have I seen a lot of

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Speaker 1: comedians to it? No, because I I didn't work with

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Speaker 1: you know, since a certain point in my life, I

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Speaker 1: didn't see a lot of comedians close out shows and

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Speaker 1: did I Coy this past weekend? I did? Did it

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Speaker 1: was on purpose? No, I I had to wait because

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Speaker 1: I wanted to thank people. I didn't get a chance

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Speaker 1: to thank everyone for coming and like spending money and

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Speaker 1: I usually want to say that statement. So at the

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Speaker 1: end of my show, I was like, thank you guys

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Speaker 1: for coming. And I was just like and and and

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Speaker 1: if you got a babysitter to night, whatever you did. Again,

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Speaker 1: I kept like going, So I wait, like I wasn't

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Speaker 1: waiting for them to stand, But then they all stood

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Speaker 1: because one guy did. And then another guy did, and

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Speaker 1: then I got a standing oh, because I stood there

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Speaker 1: long enough, So I coyd. There's a new type of

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Speaker 1: coin that I witnessed this weekend from a comedian who

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Speaker 1: I um, I loathe their practices on stage. I um.

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Speaker 1: I think they have the same following Trump has. I

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Speaker 1: think they have the same brain that Trump has. Um.

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Speaker 1: I think they probably stand for the same things Trump does. Um.

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Speaker 1: Whether or not you agree with Trump, UM, that's a

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Speaker 1: whole another story. This person. I don't. I just I

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Speaker 1: think whatever brain stuff Trump has narcissism um grandiose sense

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Speaker 1: of self, which I think fits into narcissum. This person has.

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Speaker 1: So this person, I saw a clip of them being

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Speaker 1: like walking on stage on Instagram, and I noticed that

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Speaker 1: they do a a slight It's it's another way to

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Speaker 1: get a not a standing ovation. What's an ovation before

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Speaker 1: you even perform where people stand up as walk in. Oh,

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Speaker 1: that's a new level. They're so excited to see what

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Speaker 1: you haven't even done yet that they're gonna and and listen.

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Speaker 1: I've done that before when a band comes out and

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Speaker 1: I'm so excited, I stand up. You know, we've all

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Speaker 1: done that. They weren't standing when this person first came out.

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Speaker 1: But what did they do to get them to stand?

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Speaker 1: I'll tell you. They subtly motioned for them to stand.

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Speaker 1: I have the footage. I've slowed it down. I saw

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Speaker 1: it once and I screen recorded it immediately because they go,

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Speaker 1: oh my god, we got a new type of coy.

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Speaker 1: And it's when they subtly do this, like they they're waving,

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Speaker 1: and then they do this, they do a sweeping arm

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Speaker 1: of like say you were to say someone they get up, like,

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Speaker 1: come on, get up, get up? You know you you

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Speaker 1: you move your hand about two ft from your waist

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Speaker 1: to your above your head, right, you do a sweeping up.

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Speaker 1: Your palm is up. This isn't a like Hitler like

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Speaker 1: you know, Paul down, although this person would probably be

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Speaker 1: down to make those motions as well if you if

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Speaker 1: you ask me. But this is a up gesture. It's

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Speaker 1: so subtle, but it is so and it's so fast

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Speaker 1: that no one could ever accuse this person of doing that.

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Speaker 1: They go, I wasn't doing I wasn't telling them to

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Speaker 1: get up. I was just going look at you. But

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Speaker 1: if you go look at you, you kind of go

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Speaker 1: with both hands. You go, oh my god, look at you,

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Speaker 1: and it's an outward motion of oh my god, with

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Speaker 1: both hands out. It is not in front of you

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Speaker 1: going up up with one hand. So this person waves

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Speaker 1: does the slide up waves on this side slide up.

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Speaker 1: Guess what they all do without knowing that they're being

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Speaker 1: told to get up? They all get up and it's like,

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Speaker 1: you know, it's Pavlov's dogs of like telling. And I

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Speaker 1: just want comedian UH fans to be more aware of

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Speaker 1: these tricks that make you think you like this person.

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Speaker 1: You know, it's like the classic when I always go

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Speaker 1: to that blows my mind that if you ask someone

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Speaker 1: to do a favor for you that is within reaching

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Speaker 1: that you could do yourself very easily. A cup is

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Speaker 1: right across the table and you're sitting with a friend

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Speaker 1: and you go, could you grab that glass for me?

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Speaker 1: They'll like you more after they grab the glass because

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Speaker 1: they don't want to think they're your bitch, so they

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Speaker 1: will convince themselves. I actually I know she could grab that,

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Speaker 1: but I wanted to get it because I like her.

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Speaker 1: And they'll tune up their likeness of you in their

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Speaker 1: head so that it will convince them that they're not

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Speaker 1: a bitch. And so by making them your bit, you

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Speaker 1: will get them to actually like you more. And it's

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Speaker 1: oh my god. I slowed down this footage, I said,

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Speaker 1: I because an you goes I didn't see it, and

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Speaker 1: I go, no, no, no, let's go back. I watched

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Speaker 1: it like the Zapruder film. I was analyzing it like

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Speaker 1: nine eleven footage. I go, they walk out, look at that,

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Speaker 1: now watch the arm go and I go, that isn't

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Speaker 1: that is not a poem. That's and everyone's probably listening

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Speaker 1: to this being like Nikki, you're insane. I'm just fascinated

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Speaker 1: by the tricks comedians employed because the masses have become

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Speaker 1: so stupid and so susceptible to advertising and subliminal message

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Speaker 1: is that I'm now seeing, Like you know, even Chappelle

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Speaker 1: does a thing. Chapelle can do whatever the funk he

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Speaker 1: wants because he's proven himself without he doesn't need any gimmick.

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Speaker 1: But does he have one? Yes? Do I have some? Probably?

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Speaker 1: I don't. Probably don't even know that I have some,

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Speaker 1: because that's the thing. A lot of these comics, they

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Speaker 1: probably don't even know that they're doing the things because

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Speaker 1: they get a positive reaction the one time they do it,

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Speaker 1: and then they keep doing it. It's like evolution, you know,

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Speaker 1: they don't. You know, an octopus doesn't learn how to

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Speaker 1: look like the sand and go I should look like

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Speaker 1: the sand more. It's like one day it looked like

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Speaker 1: the sand, and it goes, well, whatever I did yesterday

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Speaker 1: worked to for me to survive. I'll do that. You know,

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Speaker 1: it's it's subconscious. So I'm sure I do things. But

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Speaker 1: Chapelle doesn't thing where he knocks the mic on his leg.

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Speaker 1: That's what he does when he laughs, he goes. And

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Speaker 1: whenever a comedian laughs after the joke. You know, laughter

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Speaker 1: is contagious. Someone's enjoyment is contagious. So that's also a

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Speaker 1: way to tell the audience laugh now. And it's a

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Speaker 1: trick and um and I love Chapelle, but he not

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Speaker 1: he'll do that. He'll knock as soon as he could

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Speaker 1: go on stage and say pretty much at this point

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Speaker 1: he could say what every one's and if he knocks

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Speaker 1: his mike on his leg and every comedian knows this,

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Speaker 1: I'm not like the Hannibal Burris bill cos being of

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Speaker 1: this trick, everyone knows Chappelle Knox and every comic does

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Speaker 1: this too. They now knocked the mic on their leg.

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Speaker 1: Oh that was a lot about um, and I'm sure

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Speaker 1: I made some enemies in that, but it's just true.

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Speaker 1: And let me just say blanket statement. I do these

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Speaker 1: things too. I you, I pepper and fox all over

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Speaker 1: my set when my jokes aren't strong enough, because I

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Speaker 1: know the word funk will get more of a reaction

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Speaker 1: than if it doesn't. I told Andrew he can't do

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Speaker 1: eating ask joke in front of me because eating as

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Speaker 1: is such a funny, like I don't. My joke isn't

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Speaker 1: just about like eating ass. And that's all I say,

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Speaker 1: and everyone laughs and it's like, oh my god, she

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Speaker 1: said eating as. But the word eating as is so

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Speaker 1: funny and so surprised it's not even funny. It's surprising

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Speaker 1: that people laugh out of uncomfortable nous that I said, Andrew,

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Speaker 1: can you're not do an eating ass bit before me

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Speaker 1: because you've broken the eating as seal. So when they

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Speaker 1: hear eating us again, not that my jokes won't still

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Speaker 1: work because it's a different approach to eating gas or

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Speaker 1: different ideas about it. But you know, it's like someone

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Speaker 1: lighting your cigarette for you, like if I hand if

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Speaker 1: if you're a smoker, And sometimes Andrew will crack my

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Speaker 1: zvas open. I love a Zva soda. Sometimes he's like,

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Speaker 1: here you go, buddy, he cracks open. I go. No

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Speaker 1: part of it for me is cracking it open. That's

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Speaker 1: my experience. So him mentioning eating as before me on stage,

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Speaker 1: it's popping my Zva soda, it's lighting my cigarette before

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Speaker 1: I can still do the joke. I can still smoke

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Speaker 1: the cigarette. I can still drink the drink. Will the

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Speaker 1: audience enjoy it as much as if it wasn't cracked already? No,

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Speaker 1: they won't. And these are all psychological tricks that comedians employ.

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Speaker 1: Let's get edge in here, Andrew. Oh oh, I love it. Andrew,

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Speaker 1: Welcome to the show. I know I was making those

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Speaker 1: noises just now because Noah was talking about getting one

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Speaker 1: of those little hooks that for the ones that they

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Speaker 1: used to scrape black um. I started using those two.

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Speaker 1: I use like um any old tool I can get.

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Speaker 1: But behind my lower teeth there's build up of plaque

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Speaker 1: sometimes that I can't get in. And the plaque is

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Speaker 1: bad not for your teeth but for your gums because

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Speaker 1: it builds up and it pushes your gums down and

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Speaker 1: it will lead to gum disease because it will expose

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Speaker 1: more of your the root of your tooth, and so

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Speaker 1: I always crack those off, big chunks of it. Oh,

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Speaker 1: it's satisfying know you're you're into that too, because floss

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Speaker 1: that's what that is, what floss is supposed to be getting.

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Speaker 1: But it doesn't get it. Sometimes I do like those

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Speaker 1: floss sticks, and then I end up chewing on them.

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Speaker 1: Sometimes I'll chew on them before I even use them.

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Speaker 1: I just love I can say, I don't even think

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Speaker 1: you use them for the flossing part. Yeah, I get

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Speaker 1: in to it for the chew. No, I floss. I

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Speaker 1: flaws probably once every five days. Maybe that's not. That's not.

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Speaker 1: You can't say I floss. I'm FlowSOM. Look at me?

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Speaker 1: That baby blue on Baby blue's for lawsom. I mean

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Speaker 1: your outfit. Those are good colors together. You've got like

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Speaker 1: a you know, green aqua marine green teal ish type

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Speaker 1: short with a light blue sweatshirt. I would never put

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Speaker 1: those two together. That's a good that's a good color.

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Speaker 1: I look like a like a Jimmy Buffett concert. You

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Speaker 1: look like um, yeah, the like when you look at

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Speaker 1: a bird's eye view of you know, no, like the

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Speaker 1: Bahamas and the water is like that aqua blue. But

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Speaker 1: then also that like the types of blue that's like

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Speaker 1: coming off the sand is like what you guys go on.

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Speaker 1: It'd be great to maybe get some tackle, go fishing

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Speaker 1: inside my outfit. Robert Earle keen last night, we need

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Speaker 1: to go see That guy reminded me of Jimmy Buffett.

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Speaker 1: I love him. He's Jimmy Buffett. If Buffett grew up

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Speaker 1: in Texas inside of Florida, Yeah, but he had a

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Speaker 1: lot of Buffety vibes of like I mean, his song

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Speaker 1: is like feeling Good Again, and that's like it reminded

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Speaker 1: me so much of Jimmy Buffett of like feeling good again.

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Speaker 1: You guys gotta listen to that song. That song is

425
00:23:12,040 --> 00:23:14,520
Speaker 1: a good song. It makes me so happy. And then

426
00:23:14,520 --> 00:23:17,679
Speaker 1: I like the Gringo Honeymoon, Greo Honeymoon. And then I

427
00:23:17,720 --> 00:23:21,400
Speaker 1: like the coming Home Again, Come I'm coming home, Coming Home,

428
00:23:21,480 --> 00:23:25,480
Speaker 1: and the Feeling Good Again sounded very similar. I have

429
00:23:25,600 --> 00:23:27,440
Speaker 1: to say. At some point all the songs started sounding

430
00:23:27,440 --> 00:23:29,960
Speaker 1: the same. But that's just you know Taylor Swift. People

431
00:23:30,000 --> 00:23:31,840
Speaker 1: who don't know Taylor Swift often say that about her.

432
00:23:32,359 --> 00:23:34,960
Speaker 1: I mean, it's you know, it's a person's voice. I

433
00:23:34,960 --> 00:23:37,280
Speaker 1: felt like he tried to switch it up as much

434
00:23:37,320 --> 00:23:40,960
Speaker 1: as he can while staying within the same genre. They

435
00:23:41,000 --> 00:23:43,560
Speaker 1: were like a couple of songs, especially when he his

436
00:23:44,040 --> 00:23:47,400
Speaker 1: guitarist did that lead like brave Art kind of feel song.

437
00:23:48,440 --> 00:23:50,840
Speaker 1: I mean, he's just we were saying last night how

438
00:23:50,840 --> 00:23:56,040
Speaker 1: American he is without feeling like patriotic American, but like

439
00:23:56,200 --> 00:23:59,000
Speaker 1: American where you just I don't know, you just feel

440
00:23:59,040 --> 00:24:02,800
Speaker 1: proud that he was from the Hartland I guess quintessential

441
00:24:03,160 --> 00:24:07,880
Speaker 1: like uh, Andrew Colin kind of singers. Yeah, yeah, he's

442
00:24:08,040 --> 00:24:10,120
Speaker 1: he's right up there. I mean he's like a Tom

443
00:24:10,160 --> 00:24:14,320
Speaker 1: Petty feel my dad. My dad never even heard of him, really, yeah,

444
00:24:14,560 --> 00:24:16,800
Speaker 1: which shocked me because it seemed he seemed like such

445
00:24:16,800 --> 00:24:18,560
Speaker 1: a guy my dad would like, I think, because he's

446
00:24:18,680 --> 00:24:22,399
Speaker 1: very he's very texted. Like one of that concert was

447
00:24:22,440 --> 00:24:24,159
Speaker 1: like this person should be friends with my dad. They

448
00:24:24,200 --> 00:24:28,080
Speaker 1: all were like, my dad's age and then us, did

449
00:24:28,080 --> 00:24:30,160
Speaker 1: you tell your dad to listen to him? I would think, you, yeah,

450
00:24:30,200 --> 00:24:32,200
Speaker 1: he'll be into him. I got um, I got really

451
00:24:32,240 --> 00:24:35,439
Speaker 1: screwed yesterday on Harry Styles tickets He's coming tonight and

452
00:24:35,480 --> 00:24:38,000
Speaker 1: we were going to go and I found someone Craigslist

453
00:24:38,119 --> 00:24:40,560
Speaker 1: that were like too good to be true? And I go,

454
00:24:40,640 --> 00:24:42,760
Speaker 1: why are these so cheap? To the guy I was,

455
00:24:43,000 --> 00:24:45,400
Speaker 1: you know, texting with him off Craigslist, and he goes,

456
00:24:45,520 --> 00:24:47,840
Speaker 1: I just my date canceled. I want to get rid

457
00:24:47,840 --> 00:24:49,760
Speaker 1: of him. I've dealt with so many people who are

458
00:24:49,800 --> 00:24:51,879
Speaker 1: just like not getting back to me. I'm sick of it.

459
00:24:51,960 --> 00:24:55,119
Speaker 1: I just and I go, you know what, fifty dollars

460
00:24:55,240 --> 00:24:57,919
Speaker 1: ticket for tickets that should be four hundred dollars a piece.

461
00:24:59,359 --> 00:25:01,640
Speaker 1: This guy is either gonna scam me or I'm gonna

462
00:25:01,640 --> 00:25:04,160
Speaker 1: get a really good deal. And I got scammed. Yeah,

463
00:25:04,560 --> 00:25:07,200
Speaker 1: I sent him a hundred dollars, which I couldn't even

464
00:25:07,200 --> 00:25:09,240
Speaker 1: figure out how to do. I had to. Like Apple

465
00:25:09,280 --> 00:25:10,919
Speaker 1: pay was being so annoying, and I was like, can

466
00:25:10,920 --> 00:25:14,399
Speaker 1: you do paypaler Venomo? He's like no, and I'm like, okay,

467
00:25:14,440 --> 00:25:20,640
Speaker 1: So I figured out pay about or apple pay why why? Well,

468
00:25:20,640 --> 00:25:22,560
Speaker 1: I mean he gave me an email, but it was

469
00:25:22,640 --> 00:25:24,879
Speaker 1: just a fake Gmail he made. Okay, if you're a

470
00:25:24,920 --> 00:25:27,199
Speaker 1: listener and you know how to tracks, I want to

471
00:25:27,280 --> 00:25:31,680
Speaker 1: track this guy because because he stole from you. Yeah,

472
00:25:31,680 --> 00:25:34,439
Speaker 1: I know, wait, he stole money from you. Yeah, I

473
00:25:34,440 --> 00:25:36,280
Speaker 1: sent him a hundred dollars for these tickets and he

474
00:25:36,359 --> 00:25:39,040
Speaker 1: sent me like a picture of the tickets, and you know,

475
00:25:39,160 --> 00:25:41,639
Speaker 1: I it was a hundred dollars to learn a lesson,

476
00:25:41,800 --> 00:25:43,679
Speaker 1: Like I would have learned that lesson. I know, I

477
00:25:43,720 --> 00:25:45,840
Speaker 1: say that a lot, but like I either was going

478
00:25:45,880 --> 00:25:47,520
Speaker 1: to get a really good deal from a guy that

479
00:25:47,600 --> 00:25:50,240
Speaker 1: just want to get rid of some tickets, which does happen. Yeah,

480
00:25:50,320 --> 00:25:52,320
Speaker 1: you went for it. I like that you went for it.

481
00:25:52,359 --> 00:25:55,040
Speaker 1: But it was a hundred lesson to learn, which is fine.

482
00:25:55,520 --> 00:25:57,280
Speaker 1: And now I got the story out of it, which

483
00:25:57,280 --> 00:25:59,040
Speaker 1: isn't a great story. I wish something else. So he

484
00:25:59,119 --> 00:26:01,560
Speaker 1: just showed you like photo tickets in his hand. Yeah,

485
00:26:01,560 --> 00:26:05,680
Speaker 1: he sent me screenshots of the digital ticket, okay, and

486
00:26:05,720 --> 00:26:08,200
Speaker 1: so then he would have to send you a digital ticket,

487
00:26:08,640 --> 00:26:11,480
Speaker 1: which I was communicating with other people that were actually

488
00:26:11,560 --> 00:26:13,760
Speaker 1: legitimate because they were probably they were asking, like you know,

489
00:26:13,960 --> 00:26:16,680
Speaker 1: to fifty a ticket for like wor seats, and they

490
00:26:16,680 --> 00:26:20,080
Speaker 1: showed me the same kind of you know, tickets, so

491
00:26:20,119 --> 00:26:22,080
Speaker 1: it was like it seemed to be what they show.

492
00:26:22,200 --> 00:26:24,040
Speaker 1: I don't know how this stuff. I want to kill

493
00:26:24,080 --> 00:26:26,560
Speaker 1: this guy. He's smart to do a hundred too, because

494
00:26:26,600 --> 00:26:29,840
Speaker 1: he's going to get multiple, probably get ten fifteen suckers. Yeah,

495
00:26:29,920 --> 00:26:34,360
Speaker 1: you know what, guess what part of me goes. He's

496
00:26:34,400 --> 00:26:36,320
Speaker 1: willing to put in all that work. And I wonder

497
00:26:36,320 --> 00:26:39,240
Speaker 1: if it's Harry Styles, maybe it's Harry himself. I really

498
00:26:39,240 --> 00:26:40,840
Speaker 1: want to go see Harry Style. So I saw some

499
00:26:41,040 --> 00:26:44,840
Speaker 1: footage of his. He wears like sequined like Robert Kim

500
00:26:44,880 --> 00:26:47,080
Speaker 1: were black on black on black. He was wearing an

501
00:26:47,080 --> 00:26:49,480
Speaker 1: outfit that you were like, where's that shirt from? Like

502
00:26:49,560 --> 00:26:51,440
Speaker 1: you want you're going to dress like that guy. At

503
00:26:51,480 --> 00:26:53,600
Speaker 1: some point he just looked like he was wearing Lulu Lemon.

504
00:26:53,680 --> 00:26:56,280
Speaker 1: I love when older rock stars just end up dressing

505
00:26:56,320 --> 00:26:58,440
Speaker 1: like old guys. It just I mean, he still looked

506
00:26:58,480 --> 00:27:00,200
Speaker 1: kind of cool, but I just like when they and

507
00:27:00,440 --> 00:27:04,000
Speaker 1: his little band was filled with dorks. They were all dorks.

508
00:27:02,840 --> 00:27:07,560
Speaker 1: Though the violinist I thought was what they're all accomplished

509
00:27:07,640 --> 00:27:09,800
Speaker 1: musicians with their doors. You should have got closer to

510
00:27:09,880 --> 00:27:13,919
Speaker 1: the violinists. He was hot, I know, but he was

511
00:27:13,920 --> 00:27:17,199
Speaker 1: a real cowboy. He's from Texas. No one needs to

512
00:27:17,200 --> 00:27:19,600
Speaker 1: wear cowboy hat. It's it's it's it's it's a little

513
00:27:19,640 --> 00:27:21,960
Speaker 1: bit could But if if you like it, wear it.

514
00:27:22,000 --> 00:27:24,000
Speaker 1: I don't think it's actually could, but they were doing

515
00:27:24,200 --> 00:27:26,600
Speaker 1: they're they're all like kind of like they're one guy

516
00:27:27,560 --> 00:27:29,560
Speaker 1: was trying to look like Lindsay Buckingham. He was amazing.

517
00:27:29,600 --> 00:27:32,679
Speaker 1: The lead guitarist, Um, but he had like a bandana

518
00:27:32,800 --> 00:27:35,280
Speaker 1: on and um, yeah they're all dorks And I say

519
00:27:35,320 --> 00:27:37,040
Speaker 1: that with love. I'm a dork too. Yeah. Yeah, I

520
00:27:37,400 --> 00:27:39,960
Speaker 1: just feel like I got when I got closer to

521
00:27:40,119 --> 00:27:42,520
Speaker 1: the stage, because I got pretty closed for a couple

522
00:27:42,520 --> 00:27:45,560
Speaker 1: of songs. The violinist was a good looking man like

523
00:27:45,600 --> 00:27:48,320
Speaker 1: he had this like weird little like Johnny Depp goatee,

524
00:27:48,560 --> 00:27:51,400
Speaker 1: and he looked very manly, like I like mad all night.

525
00:27:51,400 --> 00:27:52,960
Speaker 1: I can't really see him. All I saw was that

526
00:27:53,040 --> 00:27:55,480
Speaker 1: big hat and he was gotten underneath that. Yeah I didn't.

527
00:27:55,520 --> 00:27:58,080
Speaker 1: I couldn't see either until I got closer, and I

528
00:27:58,119 --> 00:28:01,159
Speaker 1: was like, man, that violinist is a man. Yeah you

529
00:28:01,240 --> 00:28:04,720
Speaker 1: never hear that. Like violinist boy, he's got nice. Yeah

530
00:28:04,760 --> 00:28:07,160
Speaker 1: we're talking about how like a violinist like his parents

531
00:28:07,160 --> 00:28:12,080
Speaker 1: just no one, no boy chooses the violin. I want

532
00:28:12,080 --> 00:28:13,960
Speaker 1: to play. I want to violin, mom and dad, like

533
00:28:13,960 --> 00:28:17,320
Speaker 1: it's just something his parents. The schools, you know, the

534
00:28:17,320 --> 00:28:21,720
Speaker 1: school district actors and musicians at one time, we're nerve.

535
00:28:21,840 --> 00:28:23,680
Speaker 1: They were the dorks in your high school that were

536
00:28:23,720 --> 00:28:26,080
Speaker 1: in theater or in the band, and everyone's like, look

537
00:28:26,080 --> 00:28:28,879
Speaker 1: at this loser in the band. And that sucking loser

538
00:28:28,960 --> 00:28:31,720
Speaker 1: became Farrell, you know what I mean, Like because he

539
00:28:31,800 --> 00:28:33,920
Speaker 1: has to be obsessed with it so much. You gotta

540
00:28:33,960 --> 00:28:37,760
Speaker 1: put those hours in people, don't. People just think talent happens,

541
00:28:38,200 --> 00:28:40,120
Speaker 1: or just get auto tune and then you're fine. We

542
00:28:40,160 --> 00:28:43,360
Speaker 1: watched that special on auto tune on what's his name,

543
00:28:43,400 --> 00:28:50,240
Speaker 1: the SAPO sexual Mark ronson he does a series, Yeah,

544
00:28:50,280 --> 00:28:53,960
Speaker 1: like a series of documentaries on I guess that isn't Netflix,

545
00:28:56,160 --> 00:28:57,800
Speaker 1: And yeah, I did one on auto tune and it

546
00:28:57,880 --> 00:29:01,400
Speaker 1: was like talking about how you know, everyone has like

547
00:29:01,440 --> 00:29:03,360
Speaker 1: a song in their heart, but because so many people

548
00:29:03,400 --> 00:29:05,720
Speaker 1: can't sing, they don't get to like release it, and

549
00:29:05,760 --> 00:29:08,920
Speaker 1: now auto tune allows people to be able to like

550
00:29:09,000 --> 00:29:11,960
Speaker 1: have a song in their heart. Do you think it's cheating? No,

551
00:29:12,280 --> 00:29:16,320
Speaker 1: because you know I think that everyone who cares it's

552
00:29:16,320 --> 00:29:20,720
Speaker 1: it's it's modulation of a sound. I mean, like, is

553
00:29:20,760 --> 00:29:22,920
Speaker 1: it cheating to pluck a string and have that make

554
00:29:23,000 --> 00:29:25,520
Speaker 1: a sound that you didn't make from your body. I know,

555
00:29:25,560 --> 00:29:27,840
Speaker 1: it is interesting because like let's say you were playing

556
00:29:27,840 --> 00:29:32,640
Speaker 1: a sport, you just had a better like a nine

557
00:29:32,680 --> 00:29:34,720
Speaker 1: iron that hit it for you. You know what I mean.

558
00:29:35,000 --> 00:29:38,560
Speaker 1: When you hit it, it was like rying, like it

559
00:29:38,680 --> 00:29:43,200
Speaker 1: sounded like a drink. By the way, deep pain. They

560
00:29:43,240 --> 00:29:46,600
Speaker 1: found out years later he could sing unbelievably when he

561
00:29:46,640 --> 00:29:51,000
Speaker 1: finally did that tiny desk on NPR. Yeah, he's like

562
00:29:51,480 --> 00:29:54,959
Speaker 1: unbelievable auto tune. I mean it always sounds it sounds

563
00:29:55,000 --> 00:29:57,240
Speaker 1: like auto tune. And I know and by the way,

564
00:29:57,280 --> 00:30:01,640
Speaker 1: like most artists, their voices are layered like ten times

565
00:30:01,800 --> 00:30:04,640
Speaker 1: on a track where you think it's just their solo voice.

566
00:30:05,160 --> 00:30:08,720
Speaker 1: There's a few singers that really can nail it. Oh

567
00:30:08,760 --> 00:30:15,680
Speaker 1: my god, there's master mode. This is car this is Carrieocky,

568
00:30:18,000 --> 00:30:23,680
Speaker 1: this is master mode. This is profession. I saw some

569
00:30:23,680 --> 00:30:27,480
Speaker 1: comments when Nikki sings Andrew sings, and it's so annoying

570
00:30:27,520 --> 00:30:32,000
Speaker 1: when he just has to sing with her, like people

571
00:30:32,040 --> 00:30:37,640
Speaker 1: are so sad. But anyways, back to um, yeah, I'm

572
00:30:37,640 --> 00:30:40,080
Speaker 1: back to Wait. What what do you think about steroids

573
00:30:40,080 --> 00:30:43,080
Speaker 1: in baseball? Do you think that's fine? Because I feel

574
00:30:43,080 --> 00:30:45,360
Speaker 1: like it's kind of a similar vein, Like you're improving.

575
00:30:46,880 --> 00:30:49,840
Speaker 1: What do you feel about it? Throwing it back? I

576
00:30:49,840 --> 00:30:52,400
Speaker 1: mean I just don't care. I don't care. I don't care.

577
00:30:52,480 --> 00:30:54,760
Speaker 1: I think it's bad for people's health. Isn't aren't there

578
00:30:55,440 --> 00:30:59,480
Speaker 1: you know, auto tune, isn't making someone have roid rage

579
00:30:59,680 --> 00:31:03,080
Speaker 1: and you know, have no balls or whatever happens when

580
00:31:03,080 --> 00:31:06,160
Speaker 1: you like it affects your health. And so if if

581
00:31:06,200 --> 00:31:08,360
Speaker 1: someone is doing steroids and then other people are like,

582
00:31:08,400 --> 00:31:10,479
Speaker 1: well now I have to do them. But a lot

583
00:31:10,560 --> 00:31:12,240
Speaker 1: of things impact your health that will make you a

584
00:31:12,280 --> 00:31:16,520
Speaker 1: better performer. Yeah, I mean I think at some points

585
00:31:16,600 --> 00:31:18,440
Speaker 1: you have to have accountability. But if you're like a

586
00:31:18,560 --> 00:31:22,200
Speaker 1: fifteen year old and you're doing steroids just because, But

587
00:31:22,240 --> 00:31:24,400
Speaker 1: I guess, like, what if someone has more time? What

588
00:31:24,440 --> 00:31:26,840
Speaker 1: if someone, um, you know, a baseball player or a

589
00:31:26,880 --> 00:31:30,440
Speaker 1: basketball player, someone who needs to practice, has kids and

590
00:31:30,440 --> 00:31:31,920
Speaker 1: they're like, I gotta spend time with my kids, and

591
00:31:31,960 --> 00:31:33,760
Speaker 1: another person's like I don't have kids, And it's like,

592
00:31:34,440 --> 00:31:37,000
Speaker 1: you have performance enhancing life where you don't have kids,

593
00:31:37,520 --> 00:31:39,840
Speaker 1: so you have more time. I don't get to have that.

594
00:31:39,920 --> 00:31:42,000
Speaker 1: Like where do we draw the line of like and

595
00:31:42,080 --> 00:31:45,760
Speaker 1: what's the drug? Like why Like you're allowed to take protein,

596
00:31:45,800 --> 00:31:48,680
Speaker 1: you're allowed to take creep like there's a line of like, oh,

597
00:31:48,760 --> 00:31:51,440
Speaker 1: but you could take there is a line they've studied

598
00:31:52,240 --> 00:31:58,680
Speaker 1: and they actually put steroids in my roommates. But in college. Yeah,

599
00:31:58,840 --> 00:32:03,680
Speaker 1: that's fine, was it? What was he doing? Uh? Sport? Yeah,

600
00:32:04,080 --> 00:32:07,480
Speaker 1: I mean it's pretty nuts. I actually took steroids on accident.

601
00:32:07,520 --> 00:32:11,200
Speaker 1: I told you that. Remember he had he had Andrew ostein,

602
00:32:11,280 --> 00:32:13,920
Speaker 1: which is what Mark McGuire took back in the day.

603
00:32:14,000 --> 00:32:16,440
Speaker 1: By the way, steroids save baseball, Mark McGuire, Sammy, So

604
00:32:16,440 --> 00:32:20,000
Speaker 1: it's a home run race happening here, dude, Yeah, that

605
00:32:20,080 --> 00:32:22,560
Speaker 1: was That was wild when that was happening here. So

606
00:32:22,640 --> 00:32:25,200
Speaker 1: he had Andrew, which Mark McGuire was on, and he

607
00:32:25,280 --> 00:32:27,960
Speaker 1: put it. I was feeling. I was so depressed my

608
00:32:28,000 --> 00:32:30,760
Speaker 1: freshman year. Did you just think it was labeled your name?

609
00:32:31,000 --> 00:32:34,800
Speaker 1: It had? It was in the vitamin Andrew. I should

610
00:32:34,840 --> 00:32:37,920
Speaker 1: take it. Man, this this bottle can't even say my name, right,

611
00:32:39,160 --> 00:32:41,800
Speaker 1: I'm not alone, You're like, this bottle spells my name

612
00:32:41,880 --> 00:32:43,960
Speaker 1: the way I say it in my head. Andrew Stein,

613
00:32:44,160 --> 00:32:48,280
Speaker 1: it's another jew that sounds like a Jewish guy that

614
00:32:48,360 --> 00:32:51,200
Speaker 1: I said, that's a good name. So I ended up

615
00:32:51,560 --> 00:32:54,040
Speaker 1: it was in the vitamin drawer or a vitamin jar.

616
00:32:55,320 --> 00:32:59,760
Speaker 1: So I'm taking vitamins and feeling even worse because I'm

617
00:32:59,760 --> 00:33:03,600
Speaker 1: taking steroids. But vitamins that what you just thought they were?

618
00:33:03,680 --> 00:33:06,800
Speaker 1: Vitamin I thought he had, but he put on the end.

619
00:33:06,800 --> 00:33:09,280
Speaker 1: I don't know why he was hiding that. Kenny Versus

620
00:33:09,280 --> 00:33:11,840
Speaker 1: Spending episode, If you guys don't know Kenny Versus Spending,

621
00:33:11,840 --> 00:33:14,360
Speaker 1: there are these two Canadian like best friends who would

622
00:33:14,400 --> 00:33:18,160
Speaker 1: have competitions Google Kenny Versus Benny, and they have one

623
00:33:18,200 --> 00:33:20,640
Speaker 1: where every episode they would like to see who could

624
00:33:20,680 --> 00:33:23,280
Speaker 1: do something better and whoever was the loser would have

625
00:33:23,280 --> 00:33:24,920
Speaker 1: some humiliation at the end of it. And they did

626
00:33:24,920 --> 00:33:27,600
Speaker 1: this one where it was like who could release the

627
00:33:27,600 --> 00:33:30,560
Speaker 1: biggest fart? And they had these little machines next to

628
00:33:30,560 --> 00:33:34,640
Speaker 1: there that that they would gauge how much like fart

629
00:33:34,720 --> 00:33:36,920
Speaker 1: gas came out and whoever blew the biggest fart by

630
00:33:36,920 --> 00:33:39,040
Speaker 1: the end of the twenty four hour period forty or

631
00:33:39,040 --> 00:33:41,120
Speaker 1: whatever it was. It's so funny because one of them

632
00:33:41,200 --> 00:33:43,800
Speaker 1: is evil and does tricks and tries to cheat to win,

633
00:33:44,120 --> 00:33:47,400
Speaker 1: and the others like this, like Spenny is like Spencer

634
00:33:47,480 --> 00:33:50,200
Speaker 1: is like really sincere sweet boy, and his best friend

635
00:33:50,280 --> 00:33:54,840
Speaker 1: Kenny is this like diabolical little you know scamp who

636
00:33:54,840 --> 00:33:57,560
Speaker 1: will do at anything, and he's gross, and they're both

637
00:33:57,600 --> 00:34:02,160
Speaker 1: right now this fart competition. So kennys this like this chili,

638
00:34:02,720 --> 00:34:05,640
Speaker 1: and he starts blowing air. He took six or tube

639
00:34:05,680 --> 00:34:07,360
Speaker 1: up his ass and starts blowing air up there and

640
00:34:07,360 --> 00:34:10,640
Speaker 1: then just releasing these gigantic farts. But they're not actually farts.

641
00:34:10,680 --> 00:34:13,040
Speaker 1: They're registering on the scale because they're just air, so

642
00:34:13,120 --> 00:34:16,640
Speaker 1: they don't no, no, no, it doesn't count. It doesn't

643
00:34:16,640 --> 00:34:20,280
Speaker 1: count towards his score. But but Spenny doesn't know. Spenny

644
00:34:20,360 --> 00:34:22,479
Speaker 1: just hears these farts going off and it's like, what

645
00:34:22,560 --> 00:34:25,279
Speaker 1: the fuck. But they're not real farts, they're just air

646
00:34:25,360 --> 00:34:29,600
Speaker 1: that he's putting up his butt. So Spencer goes, it

647
00:34:29,680 --> 00:34:32,320
Speaker 1: must be this chili Kenny made. Well, Kenny knows that

648
00:34:32,360 --> 00:34:34,600
Speaker 1: Spencer is gonna be like, why is these farts going off?

649
00:34:35,080 --> 00:34:36,839
Speaker 1: But it's just him blowing air up his butt through

650
00:34:36,840 --> 00:34:40,080
Speaker 1: a tube, which doesn't count, right, So Spenny then goes,

651
00:34:40,160 --> 00:34:41,799
Speaker 1: I'm going to eat some of his chili, which is

652
00:34:41,840 --> 00:34:45,040
Speaker 1: also cheating because he steals Kenny's chili. But when he

653
00:34:45,080 --> 00:34:48,360
Speaker 1: doesn't know is Kenny put so much beano in the chili,

654
00:34:48,520 --> 00:34:51,759
Speaker 1: which is makes you not fart. So Spencer goes from

655
00:34:51,760 --> 00:34:53,840
Speaker 1: like farting a lot, you know, not as much as

656
00:34:53,920 --> 00:34:56,160
Speaker 1: Kenny with the tube up his ass making fake ones,

657
00:34:56,360 --> 00:34:58,040
Speaker 1: to not farting at all. And he's like, I don't

658
00:34:58,120 --> 00:35:01,040
Speaker 1: understand why they won't come out. And he's eating all

659
00:35:01,080 --> 00:35:04,960
Speaker 1: this broccoli and like coniferous, uh, like you know, vegetables

660
00:35:05,000 --> 00:35:07,160
Speaker 1: so he can make gas and he can't fart because

661
00:35:07,200 --> 00:35:10,080
Speaker 1: Kenny put be no in the It's such a great show,

662
00:35:10,360 --> 00:35:13,880
Speaker 1: Kenny versus Penny. What I wanted to say about steroids

663
00:35:13,880 --> 00:35:15,080
Speaker 1: is what I was just talking at the top of

664
00:35:15,080 --> 00:35:19,799
Speaker 1: the show about what inspired Edge the comedian, because we

665
00:35:19,920 --> 00:35:22,960
Speaker 1: came up with this character Edge. You have brought this

666
00:35:23,080 --> 00:35:27,280
Speaker 1: character to life that is mocking comedians that use tricks,

667
00:35:27,400 --> 00:35:29,840
Speaker 1: which I would argue are I'm trying to bring to

668
00:35:30,000 --> 00:35:33,520
Speaker 1: light that every comedian, like comedians that people love, don't

669
00:35:33,560 --> 00:35:36,520
Speaker 1: deserve the amount of attention they're getting because they're using

670
00:35:36,680 --> 00:35:41,600
Speaker 1: tricks that aren't sincere effort and real work to manipulate

671
00:35:41,640 --> 00:35:44,239
Speaker 1: crowds into thinking they're funnier than they are. Do you

672
00:35:44,280 --> 00:35:46,279
Speaker 1: think that's all That's why I'm calling it out. It's

673
00:35:46,280 --> 00:35:48,479
Speaker 1: because I feel like it's not fair, and I want

674
00:35:48,480 --> 00:35:51,120
Speaker 1: the crowd to know that they're being tricked. I just

675
00:35:51,200 --> 00:35:55,840
Speaker 1: think like there's a level of respect and like a

676
00:35:55,960 --> 00:36:00,279
Speaker 1: level of like whoa disguise and he does and give

677
00:36:00,760 --> 00:36:04,759
Speaker 1: zero fox given. But when you talk about things that

678
00:36:04,800 --> 00:36:07,520
Speaker 1: are edgy or whatever in front of a crowd, before

679
00:36:07,560 --> 00:36:10,680
Speaker 1: you even say the punchline, they're already ready to laugh

680
00:36:10,840 --> 00:36:14,800
Speaker 1: because you're bringing up something that's taboo. Yeah, they're invested

681
00:36:14,840 --> 00:36:16,560
Speaker 1: because you're going to go somewhere and they're like, oh

682
00:36:16,560 --> 00:36:18,279
Speaker 1: my god, we're special. He's going to share something with

683
00:36:18,440 --> 00:36:21,320
Speaker 1: us that he doesn't that he's he might lose everything

684
00:36:21,320 --> 00:36:23,640
Speaker 1: because of this, when really what he's saying is not

685
00:36:23,760 --> 00:36:26,200
Speaker 1: edgy at all, not edgy at all. It's way yeah.

686
00:36:26,320 --> 00:36:29,120
Speaker 1: I mean, but then there are there are comics that

687
00:36:29,280 --> 00:36:32,319
Speaker 1: we'll talk about edgy things. Daldy. Did you see the

688
00:36:32,480 --> 00:36:34,520
Speaker 1: joke I just posted? Oh my god, can I just

689
00:36:34,520 --> 00:36:36,359
Speaker 1: play this? Norman? This is edge? You want to talk

690
00:36:36,400 --> 00:36:39,759
Speaker 1: about what edgy? Is Norm McDonald doing? This joke? Is

691
00:36:39,960 --> 00:36:42,760
Speaker 1: someone had a story about Norm McDonald. He goes he crushed.

692
00:36:42,760 --> 00:36:44,920
Speaker 1: The first night I worked a weekend with him. The

693
00:36:45,040 --> 00:36:48,239
Speaker 1: next night he did, he taught, he opened up. He goes,

694
00:36:48,280 --> 00:36:50,440
Speaker 1: I asked for a sprite. They offered me a slice,

695
00:36:50,880 --> 00:36:54,880
Speaker 1: and he did an hour on slice the drink and

696
00:36:54,920 --> 00:36:59,640
Speaker 1: he walked the audience the day after crushing. Maybe after

697
00:36:59,680 --> 00:37:05,600
Speaker 1: a day after crushing, you can ah, yeah no, but

698
00:37:05,719 --> 00:37:08,560
Speaker 1: maybe the day after like crushing, and he's like, all right,

699
00:37:08,560 --> 00:37:11,080
Speaker 1: I'm great, I can now do slice. Just what do

700
00:37:11,080 --> 00:37:15,240
Speaker 1: what he wanted? I know that's edge. These guys present

701
00:37:15,320 --> 00:37:17,320
Speaker 1: like they're doing what they want, but what they're doing

702
00:37:17,800 --> 00:37:20,839
Speaker 1: is giving their doing. They're not actually doing what they want.

703
00:37:21,280 --> 00:37:25,839
Speaker 1: They're they're leading, their using tricks, they're they're doing steroids,

704
00:37:25,880 --> 00:37:27,799
Speaker 1: and we need to bring it out. Like I talked

705
00:37:27,840 --> 00:37:30,200
Speaker 1: about the person that I slowed down the footage of

706
00:37:30,239 --> 00:37:32,760
Speaker 1: them subtly telling the crowd to get on their feet.

707
00:37:33,360 --> 00:37:37,000
Speaker 1: That is some fuck. That is like sublimin. I mean,

708
00:37:37,239 --> 00:37:42,680
Speaker 1: you're an orchestrators conductor, they're an audience conductor. It was

709
00:37:42,719 --> 00:37:45,719
Speaker 1: so gratifying to watch it with everyone and go do

710
00:37:45,800 --> 00:37:47,480
Speaker 1: you see what they did? And everyone goes no, and

711
00:37:47,520 --> 00:37:49,560
Speaker 1: I go, hold on, let me slow down the footage

712
00:37:49,600 --> 00:37:55,040
Speaker 1: and have it be able to confirm egregious. You never know.

713
00:37:55,680 --> 00:37:59,000
Speaker 1: It's building seven and I and it did happen. Okay,

714
00:37:59,000 --> 00:38:01,919
Speaker 1: so listen, listen to this is a clip that Robin

715
00:38:02,000 --> 00:38:04,440
Speaker 1: tran oh four posted, one of my favorite comedians that

716
00:38:04,520 --> 00:38:06,960
Speaker 1: post a lot of stuff, um posted of Norm McDonald

717
00:38:07,120 --> 00:38:12,040
Speaker 1: on a podcast. And so this is uh Nick Swardson

718
00:38:12,239 --> 00:38:17,560
Speaker 1: and um and uh Norm McDonald. Uh he's doing like um,

719
00:38:17,560 --> 00:38:19,719
Speaker 1: he's doing like you know, reading about the news. So

720
00:38:19,760 --> 00:38:22,160
Speaker 1: this is like a news headline and this is what

721
00:38:22,200 --> 00:38:28,400
Speaker 1: he says, and this is Edge year Nick, Jet Blue

722
00:38:28,400 --> 00:38:33,920
Speaker 1: air airline ranked first for satisfaction among all North American airlines.

723
00:38:34,719 --> 00:38:39,480
Speaker 1: But you know what ranked least and satisfaction nine eleven airlines.

724
00:38:40,120 --> 00:38:42,279
Speaker 1: What a terrible neighbor and airline. It reminds me of

725
00:38:42,320 --> 00:38:51,480
Speaker 1: that tragedy. I don't I tried to tell lad I know,

726
00:38:51,800 --> 00:38:55,520
Speaker 1: I walked through blood and bones and the streets in Manhattan,

727
00:38:57,760 --> 00:39:05,680
Speaker 1: find my brother Jesus Canada. My favorite part is it

728
00:39:05,719 --> 00:39:09,040
Speaker 1: reminds me of that tragedy, like it was a totally

729
00:39:09,120 --> 00:39:13,320
Speaker 1: separate I mean that that joke. Listen, that's Edge because

730
00:39:13,360 --> 00:39:15,879
Speaker 1: he he wasn't doing the joke to offend anyone. It's

731
00:39:15,920 --> 00:39:18,839
Speaker 1: just a dumb joke. You know a lot of it, Yeah,

732
00:39:18,880 --> 00:39:21,439
Speaker 1: a lot of this stuff was just so simple, Yes,

733
00:39:21,600 --> 00:39:25,680
Speaker 1: yet so brilliant in his simplicity. It wasn't that wasn't

734
00:39:25,719 --> 00:39:27,719
Speaker 1: trying to offend people could go always doing a nine

735
00:39:27,719 --> 00:39:30,440
Speaker 1: eleven joke. It was trying to test the boundaries. It

736
00:39:30,520 --> 00:39:32,920
Speaker 1: wasn't he was just saying what he thought was funny.

737
00:39:33,239 --> 00:39:38,160
Speaker 1: It wasn't about Yeah, sometimes I think, do do we

738
00:39:38,280 --> 00:39:42,000
Speaker 1: do edge? Because where we curse or we talk about you?

739
00:39:42,200 --> 00:39:44,880
Speaker 1: I said, I even I do edge sometimes. Yeah. We're

740
00:39:44,920 --> 00:39:48,200
Speaker 1: all susceptible to it because we subliminally these things work

741
00:39:48,320 --> 00:39:51,319
Speaker 1: and we don't go, oh, that worked. We just I

742
00:39:51,400 --> 00:39:53,960
Speaker 1: just never pick a topic because I know it's going

743
00:39:53,960 --> 00:39:56,120
Speaker 1: to get a reaction, and I never think that way.

744
00:39:56,239 --> 00:39:58,239
Speaker 1: I never think that people think I do that because

745
00:39:58,239 --> 00:39:59,680
Speaker 1: I talked about sex and stuff. But I'm like, no,

746
00:39:59,760 --> 00:40:01,719
Speaker 1: it's is what I'm interested in. I don't go there.

747
00:40:01,719 --> 00:40:04,680
Speaker 1: I don't talk about ass eating because I know people

748
00:40:04,680 --> 00:40:07,359
Speaker 1: are going to go, oh, she's the only one who

749
00:40:07,480 --> 00:40:09,799
Speaker 1: go there. I'm talking about it because it's interesting. And

750
00:40:09,800 --> 00:40:11,880
Speaker 1: I don't do like. We don't do Trump like we

751
00:40:11,920 --> 00:40:14,680
Speaker 1: could have done a Trump joke. This last two four years,

752
00:40:14,760 --> 00:40:18,279
Speaker 1: neither one of us wrote a Trump bit like yeah,

753
00:40:18,320 --> 00:40:22,680
Speaker 1: I mean, I mean, I just wasn't avoiding being edgy.

754
00:40:23,000 --> 00:40:24,919
Speaker 1: We both edge in bed, you know what I mean.

755
00:40:25,200 --> 00:40:33,200
Speaker 1: I mean that's all. First. I hope you had a

756
00:40:33,239 --> 00:40:35,239
Speaker 1: great time. We had a great time last night at

757
00:40:35,320 --> 00:40:38,200
Speaker 1: a concert at Robert o'caine, who actually sounds like a

758
00:40:38,200 --> 00:40:40,480
Speaker 1: Southern general of a What did you say of a

759
00:40:40,520 --> 00:40:43,880
Speaker 1: statue we should have took down? Sounds like we're gonna go.

760
00:40:43,920 --> 00:40:46,520
Speaker 1: We're getting together at dawn to take down not Robert

761
00:40:46,600 --> 00:40:48,600
Speaker 1: roll Keane statue in those squares. It's got to be

762
00:40:48,640 --> 00:40:51,760
Speaker 1: so fun to take down a statue, Yeah, just because

763
00:40:51,760 --> 00:40:53,640
Speaker 1: it's supposed to be there forever and you're like, not

764
00:40:53,680 --> 00:40:57,359
Speaker 1: a bitch later. Yeah, kind of a little bit anti

765
00:40:57,360 --> 00:40:59,879
Speaker 1: climactic because it kind of just goes Yeah, that's kind

766
00:40:59,880 --> 00:41:09,600
Speaker 1: of gently. Everyone's like you wanted to, like his head

767
00:41:09,680 --> 00:41:12,880
Speaker 1: to shatter on the ground. Um, let's take down my

768
00:41:13,080 --> 00:41:19,239
Speaker 1: Mount Rushmore. That thing is it's tiny, tinier than you

769
00:41:19,280 --> 00:41:22,640
Speaker 1: think you think it's going to Yeah, that ship is tiny.

770
00:41:23,600 --> 00:41:26,680
Speaker 1: Oh yeah, Oh my god. That's why I love that

771
00:41:26,800 --> 00:41:32,200
Speaker 1: Lonely Island song. Mona Lisa, You're an overrated piece of

772
00:41:32,280 --> 00:41:36,440
Speaker 1: ship with your tear, with your dead shark guys, and

773
00:41:36,520 --> 00:41:40,720
Speaker 1: you're it goes you look like you're with a smile

774
00:41:40,840 --> 00:41:43,440
Speaker 1: that in a smirk like you're hiding a dick. Looks

775
00:41:43,440 --> 00:41:46,719
Speaker 1: like she's hiding a dick. It looks like a garbage

776
00:41:46,719 --> 00:41:51,200
Speaker 1: failed kid. They're like, uh, and Da Vinci must have

777
00:41:51,480 --> 00:41:55,400
Speaker 1: sucked about a hundred wait and da Vinci must I

778
00:41:55,440 --> 00:41:57,000
Speaker 1: got I gotta look up the lyrics because that is

779
00:41:57,080 --> 00:41:59,239
Speaker 1: one of the funniest songs they do. A song it

780
00:41:59,320 --> 00:42:01,600
Speaker 1: does follow you around the room, which is kind of cool,

781
00:42:01,640 --> 00:42:04,000
Speaker 1: like the eyes will follow you wherever you go in

782
00:42:04,040 --> 00:42:07,560
Speaker 1: the room. That's for a lot of things. The Sistine Chapel,

783
00:42:07,640 --> 00:42:09,560
Speaker 1: which I don't know if that's in the same No,

784
00:42:09,719 --> 00:42:13,560
Speaker 1: that's different. That's in Rome. That is huge and unbelievable. Yeah,

785
00:42:13,600 --> 00:42:15,239
Speaker 1: and he did that. I don't think he did it

786
00:42:15,320 --> 00:42:18,480
Speaker 1: upside down. I think he actually did it. Maybe he did.

787
00:42:18,640 --> 00:42:21,200
Speaker 1: I think there's like they turned the whole building over here.

788
00:42:21,200 --> 00:42:23,279
Speaker 1: It was the floor and then they just flipped it.

789
00:42:23,880 --> 00:42:27,239
Speaker 1: So he goes, Mona, Lisa, you're an overrated piece of

790
00:42:27,239 --> 00:42:30,800
Speaker 1: ship with your terrible style and you're dead shark guys,

791
00:42:31,080 --> 00:42:33,839
Speaker 1: and a smirk like you had in the dick. What

792
00:42:33,880 --> 00:42:38,520
Speaker 1: the funk is this? Garbage? Mona Lisa? The original basic

793
00:42:38,640 --> 00:42:42,480
Speaker 1: bitch traveled thousands of miles to see your beautiful smile,

794
00:42:42,920 --> 00:42:47,000
Speaker 1: talk about abait and switch you ugly. It's just the

795
00:42:47,160 --> 00:42:50,920
Speaker 1: old thing, is like then they just talk about all

796
00:42:50,960 --> 00:42:54,440
Speaker 1: these different um he goes and Da Vinci must have

797
00:42:54,480 --> 00:42:58,080
Speaker 1: sucked in the n art historians dick to get this

798
00:42:58,160 --> 00:43:01,480
Speaker 1: girl who looked like uncooked spread at the top of

799
00:43:01,600 --> 00:43:06,600
Speaker 1: the all time list of paintings Mona Lisa. It's just like,

800
00:43:07,000 --> 00:43:09,759
Speaker 1: it's one of my favorite songs. Is that from one

801
00:43:09,800 --> 00:43:12,880
Speaker 1: of your movies? Or just wanted their album? That's from

802
00:43:12,920 --> 00:43:16,759
Speaker 1: the movie pop Star and it's the album pop Star,

803
00:43:16,920 --> 00:43:19,160
Speaker 1: the extended version of Mona Lisa's on that and it's

804
00:43:19,200 --> 00:43:22,080
Speaker 1: really worth a listen. Every single lyrics funny, Okay, what's

805
00:43:22,080 --> 00:43:25,120
Speaker 1: the first start? A new study on multiple orgasms views

806
00:43:25,520 --> 00:43:30,200
Speaker 1: edgy that women experienced their first multiple organs orgasms daring

807
00:43:30,280 --> 00:43:34,359
Speaker 1: self sexing. Women who report multiple orgasms almost always enjoy

808
00:43:34,400 --> 00:43:38,520
Speaker 1: a creative combo of extended kissing, hugging, mutual whole body

809
00:43:38,560 --> 00:43:42,520
Speaker 1: massage and jobs, intercourse, oral sex, and other erotic touch,

810
00:43:42,560 --> 00:43:45,160
Speaker 1: and women said it was easier to work up to

811
00:43:45,320 --> 00:43:49,120
Speaker 1: multiple solo than with lovers. Wait, I thought they just

812
00:43:49,320 --> 00:43:51,239
Speaker 1: were you just named a bunch of things that you

813
00:43:51,280 --> 00:43:53,560
Speaker 1: have to do with a partner. With a partner, but solo,

814
00:43:53,719 --> 00:43:57,600
Speaker 1: you just soh to achieve multiple orgasm, you have to

815
00:43:57,600 --> 00:44:00,600
Speaker 1: switch it up a lot. With a partner. Yeah, it alone.

816
00:44:00,920 --> 00:44:03,760
Speaker 1: So when you're alone, they say six to fourteen minutes

817
00:44:03,760 --> 00:44:08,040
Speaker 1: a woman can get to multiple or to their first orgasm,

818
00:44:08,080 --> 00:44:11,040
Speaker 1: and then with a partner thirty to sixty. Why is

819
00:44:11,080 --> 00:44:14,080
Speaker 1: it such a big difference when you're as a woman

820
00:44:14,200 --> 00:44:17,280
Speaker 1: like between like when you're alone versus when you're with someone.

821
00:44:17,280 --> 00:44:19,279
Speaker 1: Why does a guy have to do forty different kind

822
00:44:19,280 --> 00:44:21,920
Speaker 1: of moves because it is on the guy side. I

823
00:44:22,000 --> 00:44:26,200
Speaker 1: know it sounds like cheesy, but like you just it

824
00:44:26,239 --> 00:44:29,400
Speaker 1: began become like a marathon. If it's like sixty minutes

825
00:44:29,520 --> 00:44:32,600
Speaker 1: is a long time of having to try five different

826
00:44:32,600 --> 00:44:34,960
Speaker 1: and you just get frustrated. I'm not gonna lie. And

827
00:44:35,760 --> 00:44:39,080
Speaker 1: I think it's um for me at least, I get

828
00:44:39,120 --> 00:44:41,919
Speaker 1: insecure about telling a guy what he's doing wrong because

829
00:44:41,960 --> 00:44:44,680
Speaker 1: I don't want to make him feel bad, and so

830
00:44:45,200 --> 00:44:48,280
Speaker 1: I will put up with a lot of mediocre because

831
00:44:48,280 --> 00:44:50,960
Speaker 1: it's not like it's bad, but it's and and I'm

832
00:44:50,960 --> 00:44:53,000
Speaker 1: also scared that if I tell him to do something,

833
00:44:53,360 --> 00:44:55,320
Speaker 1: it still won't be good, and then I'll have to

834
00:44:55,320 --> 00:44:57,799
Speaker 1: tell him again and then lead to a frustration of

835
00:44:57,840 --> 00:45:00,439
Speaker 1: like it will just build up into like, don't even

836
00:45:00,440 --> 00:45:02,480
Speaker 1: know what I want, and then I questioned my own feelings,

837
00:45:02,600 --> 00:45:05,040
Speaker 1: and then they get mad and their hurt, their egos

838
00:45:05,120 --> 00:45:07,080
Speaker 1: hurt because they can't figure it out and they're trying

839
00:45:07,120 --> 00:45:08,920
Speaker 1: to follow what I'm saying, but I don't even know

840
00:45:08,960 --> 00:45:11,040
Speaker 1: what I want, and then it becomes about like, well,

841
00:45:11,080 --> 00:45:13,040
Speaker 1: I don't know what I want, and then I hate

842
00:45:13,040 --> 00:45:15,399
Speaker 1: myself and I hate them, and it just like so

843
00:45:15,520 --> 00:45:17,080
Speaker 1: I think a lot of times I just put up

844
00:45:17,080 --> 00:45:20,560
Speaker 1: with whatever is going on because I'm so scared of

845
00:45:20,920 --> 00:45:22,920
Speaker 1: a guy doing what I want him to do and

846
00:45:23,000 --> 00:45:25,040
Speaker 1: still not being able to get there after I because

847
00:45:25,080 --> 00:45:26,600
Speaker 1: guys are always like, just tell me what you want,

848
00:45:26,600 --> 00:45:28,560
Speaker 1: and sometimes I do and it still doesn't work. And

849
00:45:28,640 --> 00:45:31,240
Speaker 1: it's not because they failed, It's because I'm just maybe

850
00:45:31,520 --> 00:45:33,239
Speaker 1: in the wrong headspace. That's what I was gonna ask.

851
00:45:33,280 --> 00:45:35,480
Speaker 1: I go when so when there is open communication and

852
00:45:35,520 --> 00:45:39,960
Speaker 1: you do feel like there's a dialogue, how much percentage

853
00:45:40,000 --> 00:45:42,359
Speaker 1: wise does it go from like you know, if you're

854
00:45:42,440 --> 00:45:46,120
Speaker 1: saying sixty minutes can you cut it down to if

855
00:45:46,160 --> 00:45:49,200
Speaker 1: if you are open, let me just have toys. That's

856
00:45:49,239 --> 00:45:53,520
Speaker 1: the thing I think, right, just no, what do you

857
00:45:53,560 --> 00:45:57,360
Speaker 1: have multiples? Okay? Yes, I think there's a couple of

858
00:45:57,400 --> 00:45:59,880
Speaker 1: things though, because if you look more in the article,

859
00:46:00,480 --> 00:46:04,680
Speaker 1: it says how like, um, most women UM just keep

860
00:46:04,960 --> 00:46:09,000
Speaker 1: like uh stimulation after the first orgasm, and that helps

861
00:46:09,040 --> 00:46:12,759
Speaker 1: them reach multiple and um Like it's very seldom that

862
00:46:12,800 --> 00:46:16,160
Speaker 1: women will wait like five minutes and then have another one.

863
00:46:16,239 --> 00:46:20,640
Speaker 1: So I think like, for for me, UM, I know

864
00:46:20,840 --> 00:46:23,400
Speaker 1: what I'm feeling, and I also have to have like

865
00:46:23,440 --> 00:46:26,239
Speaker 1: a very clear mind. So with all the things that

866
00:46:26,280 --> 00:46:29,000
Speaker 1: you were saying, Nikki that go through your head, I

867
00:46:29,040 --> 00:46:31,040
Speaker 1: could never even have an orgasm if all that was

868
00:46:31,080 --> 00:46:34,200
Speaker 1: in there. So I think it's just yeah, it's just

869
00:46:34,239 --> 00:46:37,759
Speaker 1: easier just from penetration. It doesn't happen you have to

870
00:46:37,800 --> 00:46:42,120
Speaker 1: have right about like too many. When you're alone, you

871
00:46:42,160 --> 00:46:44,640
Speaker 1: don't have as many. You're not worrying about someone else's

872
00:46:44,880 --> 00:46:47,960
Speaker 1: I could just focus. Yeah, you don't have to. You're

873
00:46:48,000 --> 00:46:51,480
Speaker 1: only worried about yourself. You're not worried about another person's enjoyment.

874
00:46:52,120 --> 00:46:56,160
Speaker 1: UM taking care of their feelings, and especially as someone

875
00:46:56,200 --> 00:47:00,520
Speaker 1: who's insecure and has dealt with like, you know, partners

876
00:47:00,520 --> 00:47:04,800
Speaker 1: that haven't been that understanding of like I've just dealt

877
00:47:04,800 --> 00:47:06,880
Speaker 1: with guys being frustrated what I tell them what to

878
00:47:06,920 --> 00:47:08,960
Speaker 1: do and then I they do it and then it

879
00:47:09,000 --> 00:47:11,640
Speaker 1: still doesn't work, and or me telling them what to

880
00:47:11,680 --> 00:47:14,160
Speaker 1: do and they're like, just be patient, because I can

881
00:47:14,200 --> 00:47:16,960
Speaker 1: be up pretty hasty and be like like do this

882
00:47:17,080 --> 00:47:18,799
Speaker 1: like like like I just know, like let's just cut

883
00:47:18,800 --> 00:47:21,560
Speaker 1: to it, and they're like, hold on, I'm going and

884
00:47:21,560 --> 00:47:25,319
Speaker 1: it's just like, okay, um, sorry, I told you to

885
00:47:25,360 --> 00:47:28,040
Speaker 1: turn right up here. When there's it's like telling a

886
00:47:28,040 --> 00:47:29,480
Speaker 1: guy to go like you should get in the return lane,

887
00:47:29,480 --> 00:47:31,920
Speaker 1: and they're like, I know I'm gonna like I've been

888
00:47:32,040 --> 00:47:33,719
Speaker 1: a driver before, and someone goes, you want to get

889
00:47:33,719 --> 00:47:35,279
Speaker 1: in the right line, and I go, I know I'm

890
00:47:35,320 --> 00:47:37,600
Speaker 1: going to. I don't need to right now, and you

891
00:47:37,640 --> 00:47:40,480
Speaker 1: get upset with them, and so it's just there's a

892
00:47:40,520 --> 00:47:44,120
Speaker 1: lot of you just have to be very um. You

893
00:47:44,200 --> 00:47:46,080
Speaker 1: have I have to be in a position where I

894
00:47:46,120 --> 00:47:47,839
Speaker 1: know the guy isn't going to get mad at me

895
00:47:48,120 --> 00:47:52,960
Speaker 1: about being the um passenger seat driver of my own

896
00:47:53,040 --> 00:47:56,840
Speaker 1: talking body car. God forbid, I give you directions on

897
00:47:56,880 --> 00:48:00,920
Speaker 1: how to work my car um. But it's yeah, I

898
00:48:00,960 --> 00:48:03,560
Speaker 1: think that's when I have multiples. You're right, I just

899
00:48:03,600 --> 00:48:06,080
Speaker 1: go straight, I just keep it going. Well, then the

900
00:48:06,080 --> 00:48:08,279
Speaker 1: guy has to stay hard, right, or he just does

901
00:48:08,360 --> 00:48:11,000
Speaker 1: something else afterwards. Yeah, the guy like us. And a

902
00:48:11,040 --> 00:48:13,560
Speaker 1: lot of times guys don't understand what multiple orgasms are,

903
00:48:13,560 --> 00:48:15,279
Speaker 1: so they don't even know how to handle what that

904
00:48:15,320 --> 00:48:16,960
Speaker 1: would look like. So when they're when they give you

905
00:48:17,000 --> 00:48:20,400
Speaker 1: an orgasm, they stop right whatever they're doing, probably too

906
00:48:20,520 --> 00:48:23,040
Speaker 1: because it's over. You've just gone like, oh my god.

907
00:48:24,080 --> 00:48:26,719
Speaker 1: And then they like everything slows down, and in order

908
00:48:26,760 --> 00:48:28,839
Speaker 1: to have multiple women know that you've got to just

909
00:48:28,960 --> 00:48:31,680
Speaker 1: keep going off of that, like, you can't slow down,

910
00:48:31,719 --> 00:48:35,160
Speaker 1: you gotta keep going. Most guys don't keep going like

911
00:48:35,200 --> 00:48:37,359
Speaker 1: after like a guy comes, he just comes, and then

912
00:48:37,400 --> 00:48:40,080
Speaker 1: he's like a lump of coal. Yes, and they think

913
00:48:40,080 --> 00:48:42,439
Speaker 1: that we're the saying that we don't need to keep going.

914
00:48:42,680 --> 00:48:45,000
Speaker 1: But in order to achieve multiples, like you just said

915
00:48:45,040 --> 00:48:48,359
Speaker 1: in the article, it's and I often am after I come,

916
00:48:48,400 --> 00:48:50,480
Speaker 1: I'm like, that was so exhausting and took so much

917
00:48:50,520 --> 00:48:52,520
Speaker 1: out of me to come with. I don't want to

918
00:48:52,520 --> 00:48:53,840
Speaker 1: do it again, even though I knew I could, so

919
00:48:53,880 --> 00:48:56,040
Speaker 1: I like put the thing down or whatever I'm using.

920
00:48:56,480 --> 00:48:58,319
Speaker 1: But if I want to have multiples where I'm like

921
00:48:58,520 --> 00:49:00,440
Speaker 1: I got more in me, I just I have to

922
00:49:00,480 --> 00:49:03,360
Speaker 1: persevere even if I don't. Sometimes I'm like I can't,

923
00:49:03,400 --> 00:49:05,319
Speaker 1: I don't want to again. But on the other side

924
00:49:05,320 --> 00:49:07,520
Speaker 1: of that are better ones, and I have to like

925
00:49:07,680 --> 00:49:10,480
Speaker 1: so they are better. They get like the aftershock is

926
00:49:10,520 --> 00:49:14,120
Speaker 1: better than the earthquake. Well that's how I squirted, was

927
00:49:14,160 --> 00:49:18,200
Speaker 1: like I orgasm once, did it with another time, and

928
00:49:18,200 --> 00:49:22,239
Speaker 1: then I think it was the third one. Unexpectedly a

929
00:49:22,320 --> 00:49:24,359
Speaker 1: bucket of water fell out of me and I had

930
00:49:24,480 --> 00:49:26,719
Speaker 1: no idea what the funk was happening, and it was not.

931
00:49:27,600 --> 00:49:29,759
Speaker 1: It was not. I don't even imagine that it could

932
00:49:29,800 --> 00:49:31,399
Speaker 1: get better than the first two. I've ever even had

933
00:49:31,400 --> 00:49:33,239
Speaker 1: three in a row, I don't think. And I think

934
00:49:33,280 --> 00:49:34,759
Speaker 1: it was on that third one that it was just

935
00:49:34,800 --> 00:49:37,880
Speaker 1: like you're finally loosened up enough that you can just

936
00:49:38,080 --> 00:49:41,280
Speaker 1: really let her rip. Yeah. I do think, like sometimes

937
00:49:41,320 --> 00:49:43,520
Speaker 1: if I'm doing hand stuff, like I'm literally afraid I'm

938
00:49:43,560 --> 00:49:48,520
Speaker 1: like getting carpal tunnel, like that's how long, or you

939
00:49:48,560 --> 00:49:52,200
Speaker 1: need to use a toy like literally this is so

940
00:49:52,280 --> 00:49:56,320
Speaker 1: much easier with a dildo. Then this with your finger,

941
00:49:57,719 --> 00:50:00,239
Speaker 1: This is so easy you can do it with want

942
00:50:00,239 --> 00:50:05,000
Speaker 1: to keeps doing baseball signs right now, like yeah, I

943
00:50:05,040 --> 00:50:07,040
Speaker 1: just got I just can I go get my box

944
00:50:07,040 --> 00:50:10,520
Speaker 1: of toys? I just got that. Yeah, No, I was,

945
00:50:10,640 --> 00:50:13,600
Speaker 1: I was thinking about what you were saying about, like

946
00:50:14,040 --> 00:50:16,239
Speaker 1: and then going to Nikki about like worrying about if

947
00:50:16,280 --> 00:50:19,200
Speaker 1: the other persons having an orgasm. So if a girl

948
00:50:19,280 --> 00:50:21,000
Speaker 1: takes a long time and I'm like, well, I don't

949
00:50:21,000 --> 00:50:23,759
Speaker 1: want to come right away, there's a point where like

950
00:50:23,800 --> 00:50:27,399
Speaker 1: a guy can like hold out orgasming right away even

951
00:50:27,400 --> 00:50:30,319
Speaker 1: though he wants to, like he has the feeling. And

952
00:50:30,360 --> 00:50:32,560
Speaker 1: then if he tucks it away, like put not touch

953
00:50:32,640 --> 00:50:35,200
Speaker 1: his penis, but like puts, if he puts it away,

954
00:50:35,320 --> 00:50:38,440
Speaker 1: it's hard to time to get it back. I think,

955
00:50:40,360 --> 00:50:42,560
Speaker 1: well I am the edge, you know that? But no, no,

956
00:50:42,600 --> 00:50:47,280
Speaker 1: but like yeah, but like when guys stop from like

957
00:50:47,280 --> 00:50:49,160
Speaker 1: like you could pull out and grab the head of

958
00:50:49,200 --> 00:50:52,000
Speaker 1: your penis to like not have an orgasm, then it's

959
00:50:52,000 --> 00:50:54,960
Speaker 1: hard to have an orgasm again. So so then the

960
00:50:54,960 --> 00:50:57,319
Speaker 1: guy ends up not being able to have any work,

961
00:50:57,400 --> 00:50:59,640
Speaker 1: and then he's probably less into it because he doesn't

962
00:50:59,640 --> 00:51:02,439
Speaker 1: feel like he'll ever get there. I don't know. I'm

963
00:51:02,680 --> 00:51:09,680
Speaker 1: so sorry I missed all that. Oh first, there's a knife.

964
00:51:09,719 --> 00:51:11,399
Speaker 1: If there's a knife in this box, because I opened

965
00:51:11,400 --> 00:51:16,560
Speaker 1: the box for the knife. This looks like a sounding tool. Okay,

966
00:51:16,600 --> 00:51:18,400
Speaker 1: so the first one arrived the other day. I just

967
00:51:18,440 --> 00:51:19,800
Speaker 1: threw this in. I haven't used it yet. I just

968
00:51:19,880 --> 00:51:23,000
Speaker 1: charged it. This is um uh, you know, one of

969
00:51:23,040 --> 00:51:26,239
Speaker 1: the suction things, you know, And I got a new

970
00:51:26,239 --> 00:51:29,160
Speaker 1: one because all my other ones like that kind of thing. Yes,

971
00:51:29,160 --> 00:51:33,120
Speaker 1: but this has a vibrator on the handle part, and

972
00:51:33,160 --> 00:51:35,560
Speaker 1: then it also has the section on this part, and

973
00:51:35,600 --> 00:51:38,680
Speaker 1: I'm very excited about it. This is honestly the most

974
00:51:38,760 --> 00:51:42,320
Speaker 1: essential tool in my kid. I don't have the box

975
00:51:42,360 --> 00:51:44,520
Speaker 1: with me, but it's like the caveman making a wheel.

976
00:51:44,600 --> 00:51:47,600
Speaker 1: And then this is um. This is the thing that

977
00:51:47,680 --> 00:51:50,600
Speaker 1: I got called a helping head Ultimate b J Helper.

978
00:51:51,400 --> 00:51:54,400
Speaker 1: It's my good head, Doc Johnson, And it's a sleeve

979
00:51:54,640 --> 00:51:57,680
Speaker 1: and it has massagy ng soft beads inside and it's

980
00:51:57,680 --> 00:52:00,520
Speaker 1: like a silicon sleeve and it looks all like the

981
00:52:00,520 --> 00:52:02,880
Speaker 1: The opening looks like about a sharpie could fit inside

982
00:52:02,920 --> 00:52:05,439
Speaker 1: of it, but it's obviously expandable. Let me just open

983
00:52:05,480 --> 00:52:09,319
Speaker 1: it and you put it around I mean I could

984
00:52:09,320 --> 00:52:11,720
Speaker 1: wear it like an arm cuff, but around the penis,

985
00:52:11,760 --> 00:52:14,720
Speaker 1: I guess, and you lose use a ton of lube,

986
00:52:15,000 --> 00:52:17,319
Speaker 1: and then you use this to just go like this

987
00:52:17,440 --> 00:52:19,520
Speaker 1: because it's going to give the right amount of squeeze,

988
00:52:19,920 --> 00:52:21,560
Speaker 1: and then use your mouth for the rest of it.

989
00:52:21,719 --> 00:52:27,040
Speaker 1: So that is exciting. And then I got this is

990
00:52:27,080 --> 00:52:31,640
Speaker 1: all from Blessa. I got this quip. This is like

991
00:52:31,719 --> 00:52:33,840
Speaker 1: quip toothbrush, and I swear to God, this is almost

992
00:52:33,920 --> 00:52:37,319
Speaker 1: like a toothbrush. This is for like just clip stimulation.

993
00:52:37,360 --> 00:52:40,200
Speaker 1: I see it a lot on kink videos, but it's

994
00:52:40,280 --> 00:52:42,840
Speaker 1: just um. It looks like the nub of a toothbrush,

995
00:52:42,840 --> 00:52:48,520
Speaker 1: but without the um, without the bristles, and it's just

996
00:52:48,640 --> 00:52:51,560
Speaker 1: for your clip. It's very direct, very small pointed. I've

997
00:52:51,600 --> 00:52:54,640
Speaker 1: never even used one of these things, but um, honestly,

998
00:52:54,680 --> 00:52:56,960
Speaker 1: I think an electric toothbrush would have done the same.

999
00:52:57,120 --> 00:52:59,400
Speaker 1: I think an electric toothbrush if you cut off the bristles,

1000
00:52:59,400 --> 00:53:03,800
Speaker 1: would the same, or just turn it around yeah yeah,

1001
00:53:04,200 --> 00:53:06,600
Speaker 1: or even the bristles. I've seen those used to okay,

1002
00:53:06,600 --> 00:53:11,000
Speaker 1: And then I got, um, this glass seven in purple

1003
00:53:12,040 --> 00:53:15,880
Speaker 1: dildo glass break in my vagina No, it's not like

1004
00:53:15,920 --> 00:53:18,279
Speaker 1: it's it's it's it's full, you know, it's not like

1005
00:53:18,400 --> 00:53:23,400
Speaker 1: hollow glass. Um yeah, I want to see has like

1006
00:53:23,520 --> 00:53:26,000
Speaker 1: comes with the General Awards. It looks like, yeah, it

1007
00:53:26,000 --> 00:53:30,080
Speaker 1: has bumps all over it. We have three minutes. Yeah,

1008
00:53:30,400 --> 00:53:32,160
Speaker 1: and it's I thought it was going to be bigger,

1009
00:53:32,200 --> 00:53:34,759
Speaker 1: but that's kind of cool. It has like you know,

1010
00:53:35,080 --> 00:53:39,280
Speaker 1: things on, like little nubs on. Yeah. Then I got

1011
00:53:39,520 --> 00:53:42,160
Speaker 1: um god, they sent me so much. Oh, this is

1012
00:53:42,200 --> 00:53:47,920
Speaker 1: a big one. This is a platinum silicon dildo. No vibrations,

1013
00:53:47,960 --> 00:53:49,680
Speaker 1: but it's just big and has like a lot of

1014
00:53:49,760 --> 00:53:51,960
Speaker 1: ridges to it. Doesn't have a suction to it, but

1015
00:53:52,040 --> 00:53:54,800
Speaker 1: this is just a get in there. It has a

1016
00:53:54,800 --> 00:53:56,520
Speaker 1: good ridge to it. I mean, that's a nice size.

1017
00:53:56,520 --> 00:53:58,440
Speaker 1: It's nice to know. If we ever lose our keys,

1018
00:53:58,480 --> 00:54:01,560
Speaker 1: we could get into that it. What do you mean

1019
00:54:01,840 --> 00:54:07,239
Speaker 1: like bulldozed the door open? Andrew? Round up? What do

1020
00:54:07,320 --> 00:54:09,560
Speaker 1: you say, Andrew? What do you think about the size

1021
00:54:09,560 --> 00:54:13,560
Speaker 1: of that? It's intimidating. I could barely get my mouth

1022
00:54:13,800 --> 00:54:18,000
Speaker 1: my ass, But you know that I really use with

1023
00:54:18,080 --> 00:54:20,440
Speaker 1: This is not this big at all. Yeah, he doesn't

1024
00:54:20,440 --> 00:54:22,200
Speaker 1: give a ship. Yeah no, I'm just kidding him and

1025
00:54:22,400 --> 00:54:25,480
Speaker 1: it's not that far off from his penis. Actually, that's

1026
00:54:25,480 --> 00:54:27,360
Speaker 1: not that big. I would actually I thought it was

1027
00:54:27,360 --> 00:54:29,160
Speaker 1: gonna be way bigger, and I wanted bigger, but that

1028
00:54:29,200 --> 00:54:31,719
Speaker 1: was the biggest that they had. How long do you

1029
00:54:31,719 --> 00:54:34,520
Speaker 1: think that is? Long? I don't want long. I want

1030
00:54:34,520 --> 00:54:36,960
Speaker 1: I wanted more girth long. I don't like it to

1031
00:54:37,000 --> 00:54:40,279
Speaker 1: like hit my cervix. I want more like I like

1032
00:54:40,360 --> 00:54:45,160
Speaker 1: getting I like I like round, and it doesn't make

1033
00:54:45,840 --> 00:54:47,640
Speaker 1: I don't want anyone. I don't need a man's pence.

1034
00:54:47,640 --> 00:54:49,560
Speaker 1: I don't a woman. I could be with a woman

1035
00:54:49,800 --> 00:54:52,160
Speaker 1: and still be sexually satisfied because all we needed what

1036
00:54:52,320 --> 00:54:54,840
Speaker 1: is this. It's not like she's gonna feel bad about

1037
00:54:54,920 --> 00:54:57,120
Speaker 1: that she's a vagina and doesn't have this, So men

1038
00:54:57,160 --> 00:55:00,160
Speaker 1: shouldn't be intimidated when women want this, because it it's

1039
00:55:00,200 --> 00:55:03,799
Speaker 1: not about that. And then I got this thing, which

1040
00:55:03,840 --> 00:55:06,360
Speaker 1: is I don't know what the funk this is, but

1041
00:55:06,440 --> 00:55:09,160
Speaker 1: it's called a body pump, and you put it over

1042
00:55:09,200 --> 00:55:12,320
Speaker 1: your vagina like pumps up your vagina, so it brings

1043
00:55:12,360 --> 00:55:16,759
Speaker 1: all the it's like a penis pump for it looks

1044
00:55:16,760 --> 00:55:19,680
Speaker 1: like a ventilator. It does, and you put it over

1045
00:55:19,960 --> 00:55:22,560
Speaker 1: so it has different settings. To put it over your

1046
00:55:23,040 --> 00:55:25,360
Speaker 1: vagina and like you're gonna have to pump up to

1047
00:55:25,400 --> 00:55:29,480
Speaker 1: take down old blue ski here. What do you mean now,

1048
00:55:30,040 --> 00:55:34,520
Speaker 1: I'm not that's not the same thing. You have so

1049
00:55:34,600 --> 00:55:36,839
Speaker 1: much to learn, young Andrew. So if if you if

1050
00:55:36,880 --> 00:55:38,920
Speaker 1: Brenna boat that she would not you would not be happy.

1051
00:55:39,040 --> 00:55:43,719
Speaker 1: I wouldn't care, really whatever. Al Right, yeah, what do

1052
00:55:43,800 --> 00:55:46,439
Speaker 1: I care? I think you do care? I really want to.

1053
00:55:46,480 --> 00:55:49,080
Speaker 1: I mean, I do think that's a strong piece of

1054
00:55:49,120 --> 00:55:52,319
Speaker 1: machinery right there. I don't think that's big at all.

1055
00:55:52,400 --> 00:55:55,640
Speaker 1: I think that is an average sized penis. I really do.

1056
00:55:55,760 --> 00:56:03,080
Speaker 1: For arect penis almost eight inches. But I'm talking from

1057
00:56:03,080 --> 00:56:05,680
Speaker 1: the not from the very bottom night Like, yeah, that's it,

1058
00:56:05,840 --> 00:56:12,799
Speaker 1: that's probably Are you doing it based on your own Wait?

1059
00:56:12,800 --> 00:56:14,680
Speaker 1: When I put my dick in my mouth, long is

1060
00:56:14,719 --> 00:56:16,920
Speaker 1: not what I'm about. I really not that I want

1061
00:56:17,000 --> 00:56:19,040
Speaker 1: like a little soup can. But I think I've never

1062
00:56:19,120 --> 00:56:21,040
Speaker 1: been into girth as much. I like a penis with

1063
00:56:21,080 --> 00:56:25,520
Speaker 1: a lot of um like ridges, yeah, a lot of things. Yeah,

1064
00:56:25,560 --> 00:56:28,040
Speaker 1: I wouldn't mind a wardy dick, to be honest with you.

1065
00:56:28,040 --> 00:56:30,600
Speaker 1: You know how I feel about those gives us some bumps.

1066
00:56:31,200 --> 00:56:32,960
Speaker 1: All right, let's take a short break and get back

1067
00:56:32,960 --> 00:56:40,640
Speaker 1: to why do I care? Why do I care? I mean,

1068
00:56:41,239 --> 00:56:43,840
Speaker 1: this is a story that I think might give you hope.

1069
00:56:45,280 --> 00:56:49,120
Speaker 1: Edge Hearing reveals he hired comedian Jimmy Carr as a

1070
00:56:49,160 --> 00:56:56,120
Speaker 1: backing singer for his new album Equals Yea, what Okay?

1071
00:56:56,120 --> 00:57:01,080
Speaker 1: It's true, Um, what can Jimmy Carr sing? Does that?

1072
00:57:01,160 --> 00:57:05,120
Speaker 1: But Jimmy Carr is such a famous British comedian that

1073
00:57:05,280 --> 00:57:08,880
Speaker 1: in such a that would be like Taylor Swift getting

1074
00:57:09,160 --> 00:57:15,080
Speaker 1: you know, Ellen to sing on something or like, you know,

1075
00:57:15,120 --> 00:57:17,000
Speaker 1: at this point, Tiffany had is like, I'm not the

1076
00:57:17,120 --> 00:57:20,840
Speaker 1: level of Jimmy Carr yet, and I just don't think

1077
00:57:20,880 --> 00:57:23,040
Speaker 1: Taylor's ever And I know this is why we like

1078
00:57:23,160 --> 00:57:26,280
Speaker 1: this is because maybe Taylor will ask me to be

1079
00:57:26,400 --> 00:57:31,200
Speaker 1: on something. I will if I can just shot be

1080
00:57:31,280 --> 00:57:34,160
Speaker 1: across the street at seven eleven from the studio that

1081
00:57:34,200 --> 00:57:41,560
Speaker 1: she's performing in and whisper uh the background vocals, you know,

1082
00:57:41,680 --> 00:57:44,720
Speaker 1: next to a trash can at seven eleven, a mile away.

1083
00:57:44,960 --> 00:57:47,200
Speaker 1: I will be happy enough, Like there's no way that

1084
00:57:47,240 --> 00:57:50,000
Speaker 1: she's ever gonna include me in her life. I've made

1085
00:57:50,000 --> 00:57:53,960
Speaker 1: peace with the fact that she knows exist she knows

1086
00:57:54,000 --> 00:57:56,440
Speaker 1: I'm a huge fan. If she wanted to be friends,

1087
00:57:57,000 --> 00:57:59,080
Speaker 1: she could be friends. But I don't begrudge her, Like

1088
00:57:59,080 --> 00:58:00,760
Speaker 1: I wouldn't want to be with someone who was that

1089
00:58:00,800 --> 00:58:04,080
Speaker 1: obsessed with me either, and who had made comments about

1090
00:58:04,120 --> 00:58:06,760
Speaker 1: me that weren't that nice, and now like as apologized

1091
00:58:06,760 --> 00:58:10,000
Speaker 1: and like she's a private person. She knows how I feel.

1092
00:58:11,280 --> 00:58:14,720
Speaker 1: She she I don't think wants my help, but I

1093
00:58:14,840 --> 00:58:17,840
Speaker 1: look forward to being friends with her eventually, someday down

1094
00:58:17,840 --> 00:58:19,920
Speaker 1: the road. It's not going to be now. I want

1095
00:58:19,920 --> 00:58:22,760
Speaker 1: to keep my distance. I don't have anything to contribute.

1096
00:58:22,920 --> 00:58:24,920
Speaker 1: Jimmy Carr is not going to make ed Sheeran's album

1097
00:58:24,920 --> 00:58:29,440
Speaker 1: any better. No, he's not. But I'm not gonna help it.

1098
00:58:29,480 --> 00:58:32,280
Speaker 1: Taylor Swift in anyway if it maybe, you know, if

1099
00:58:32,320 --> 00:58:35,280
Speaker 1: I can. Sometimes she has a little bit of like, uh,

1100
00:58:35,520 --> 00:58:38,760
Speaker 1: at the beginning of Gorgeous, she had um Blake Liveliest

1101
00:58:38,800 --> 00:58:42,760
Speaker 1: Kid be like gorgeous and it's like and then um,

1102
00:58:42,840 --> 00:58:44,760
Speaker 1: you know, at the beginning of London Boy, she had

1103
00:58:45,040 --> 00:58:48,960
Speaker 1: James Cordon interviewing interviewing um Idris Elba and they were

1104
00:58:48,960 --> 00:58:51,360
Speaker 1: talking about you know, and just go running around my

1105
00:58:51,400 --> 00:58:54,400
Speaker 1: scooch to in London Town and then it's like a

1106
00:58:54,480 --> 00:58:57,320
Speaker 1: little choptor and then the and then so like maybe

1107
00:58:57,360 --> 00:59:00,520
Speaker 1: something like that. It could be Louis and that one song. Yeah,

1108
00:59:00,800 --> 00:59:03,120
Speaker 1: so something like that, like a Midwest kind of thing

1109
00:59:03,120 --> 00:59:07,280
Speaker 1: where you're like a lock prairies her salt, her salt

1110
00:59:07,320 --> 00:59:11,200
Speaker 1: box House on the Coast took her mind off St. Louis.

1111
00:59:11,720 --> 00:59:13,680
Speaker 1: I love it. And then she also did a song

1112
00:59:14,160 --> 00:59:17,680
Speaker 1: in um to the Damn Season where she says staying

1113
00:59:17,800 --> 00:59:21,400
Speaker 1: at my parents house and the road and so, I mean,

1114
00:59:21,440 --> 00:59:23,320
Speaker 1: there were a lot of things on that album that

1115
00:59:23,480 --> 00:59:27,280
Speaker 1: really hit home for Old Glazed Dog. I felt like

1116
00:59:27,280 --> 00:59:28,880
Speaker 1: she's I always feel like she's talking to me. I

1117
00:59:28,920 --> 00:59:31,560
Speaker 1: love her so much, and um, I would like to

1118
00:59:31,560 --> 00:59:34,120
Speaker 1: be in a romantic relationship with her someday. What if

1119
00:59:34,160 --> 00:59:38,080
Speaker 1: she did you would you say yes, I would. I

1120
00:59:38,080 --> 00:59:41,600
Speaker 1: would do anything she asked. And you had to sat

1121
00:59:41,960 --> 00:59:43,400
Speaker 1: in front, like if you have to be in a

1122
00:59:43,440 --> 00:59:45,960
Speaker 1: studio with her and sing with her, how would you feel?

1123
00:59:48,240 --> 00:59:50,919
Speaker 1: Would you kill for someone you think? I mean, I

1124
00:59:50,960 --> 00:59:53,760
Speaker 1: am feeling things in my body that don't make it

1125
00:59:53,880 --> 00:59:55,400
Speaker 1: was like the day that I found out I was

1126
00:59:55,480 --> 00:59:59,880
Speaker 1: meeting Dave Matthews, Like I just couldn't handle it, And yeah,

1127
01:00:00,160 --> 01:00:02,400
Speaker 1: I I just want to be I want to witness

1128
01:00:02,640 --> 01:00:06,280
Speaker 1: her genius. I would love to just see how she works.

1129
01:00:06,440 --> 01:00:08,200
Speaker 1: And I know that I've seen certain things before of

1130
01:00:08,200 --> 01:00:10,800
Speaker 1: how she writes songs and how she comes up with things.

1131
01:00:10,800 --> 01:00:14,160
Speaker 1: Even Anya, Um, you know, my singing songwriting friend, my

1132
01:00:14,200 --> 01:00:17,160
Speaker 1: prolific singing songwriting friends, said that when she watched Miss Americana,

1133
01:00:17,720 --> 01:00:21,120
Speaker 1: she Anya has become obsessed with the Man that song,

1134
01:00:21,280 --> 01:00:23,320
Speaker 1: and she says, when she's on my live show, she

1135
01:00:23,400 --> 01:00:25,560
Speaker 1: does a cover of the Man, and she says, you know,

1136
01:00:25,640 --> 01:00:28,320
Speaker 1: NICKI got me into Taylor Swift. Begrudgingly, I did it.

1137
01:00:28,880 --> 01:00:31,520
Speaker 1: It wasn't into Taylor Swift, but um, Nikky got me

1138
01:00:31,560 --> 01:00:33,280
Speaker 1: into her, and I was blown away by the lyrics

1139
01:00:33,280 --> 01:00:35,680
Speaker 1: of the song. So she did a cover of the song,

1140
01:00:35,960 --> 01:00:37,760
Speaker 1: and then she watched Miss Americana and you got to

1141
01:00:37,800 --> 01:00:40,680
Speaker 1: kind of see how that song got written. And Anya

1142
01:00:40,680 --> 01:00:43,280
Speaker 1: had assumed that Taylor and this other guy that she's

1143
01:00:43,280 --> 01:00:45,640
Speaker 1: credited with writing that song with in the liner notes

1144
01:00:46,000 --> 01:00:48,960
Speaker 1: that that they, you know, it was like a joint effort.

1145
01:00:49,080 --> 01:00:52,680
Speaker 1: But if you watched Miss Americana, it's all to day

1146
01:00:52,760 --> 01:00:54,880
Speaker 1: and she was like, and it was cool to hear Anya,

1147
01:00:54,960 --> 01:00:59,880
Speaker 1: who's a cynic when it comes to popular music, say

1148
01:01:00,040 --> 01:01:03,720
Speaker 1: a this bitch is good and she writes fast that

1149
01:01:03,760 --> 01:01:05,600
Speaker 1: those lyrics would have taken me months to write, and

1150
01:01:05,640 --> 01:01:07,560
Speaker 1: she came up with them in a second, and it's

1151
01:01:07,600 --> 01:01:12,520
Speaker 1: just like it's just she's just a genius, and um, yeah,

1152
01:01:12,560 --> 01:01:17,040
Speaker 1: I just wanna, I wanna, I wanna learn from her

1153
01:01:17,120 --> 01:01:20,919
Speaker 1: how I can do use her methods of working and

1154
01:01:21,600 --> 01:01:25,920
Speaker 1: thinking about her life and fame and um and emoting

1155
01:01:26,120 --> 01:01:28,600
Speaker 1: in that way. Like I'm trying to write songs and

1156
01:01:28,640 --> 01:01:30,760
Speaker 1: I'm trying to figure out how to like access that

1157
01:01:30,800 --> 01:01:33,040
Speaker 1: part of myself. And that's a lot of getting high

1158
01:01:33,080 --> 01:01:35,400
Speaker 1: off my own supply? Is what that? What is? I

1159
01:01:35,440 --> 01:01:37,919
Speaker 1: was talking to someone about it recently and they told

1160
01:01:37,920 --> 01:01:40,840
Speaker 1: me I should just like they were saying some artists,

1161
01:01:40,840 --> 01:01:44,360
Speaker 1: who are they saying maybe a steinbeck My friend was

1162
01:01:44,360 --> 01:01:50,400
Speaker 1: saying that steinbeck Um first wrote uh, really indulgently, like

1163
01:01:50,440 --> 01:01:53,000
Speaker 1: wrote his first book of like get out everything that

1164
01:01:53,040 --> 01:01:55,400
Speaker 1: makes you feel like sick to yourself about like you're

1165
01:01:55,400 --> 01:01:58,880
Speaker 1: being so like Sacharin and like woe is me and

1166
01:01:59,320 --> 01:02:02,080
Speaker 1: a poet. It can just lean into it as much

1167
01:02:02,080 --> 01:02:06,920
Speaker 1: as possible, purge that, like lean into the fear of

1168
01:02:07,120 --> 01:02:10,200
Speaker 1: what you will be, and then get it out of

1169
01:02:10,200 --> 01:02:13,560
Speaker 1: your system, and then somewhere afterwards you'll find a balance

1170
01:02:13,600 --> 01:02:15,040
Speaker 1: of like it won't be so scary to go to

1171
01:02:15,040 --> 01:02:17,800
Speaker 1: those places because right now I'm you know, I've written lyrics,

1172
01:02:18,280 --> 01:02:21,880
Speaker 1: and um, I don't even want to look at them again.

1173
01:02:21,920 --> 01:02:24,120
Speaker 1: Like I sometimes I will write songs, like I'll be

1174
01:02:24,160 --> 01:02:26,720
Speaker 1: on my guitar and I'll find us strumming pattern I like,

1175
01:02:26,760 --> 01:02:29,520
Speaker 1: and I'll start like singing along to it, and I'll like,

1176
01:02:29,560 --> 01:02:31,120
Speaker 1: write a song. I wrote a song the other day,

1177
01:02:31,160 --> 01:02:34,479
Speaker 1: like the first couple of verses, and it was really good,

1178
01:02:34,480 --> 01:02:36,120
Speaker 1: and I'm just so scared to go back and look

1179
01:02:36,160 --> 01:02:38,400
Speaker 1: at it because it's gonna be so embarrassing. That's why

1180
01:02:38,400 --> 01:02:40,080
Speaker 1: I like stand up. I never have to look at anything.

1181
01:02:40,120 --> 01:02:42,120
Speaker 1: I just have to, like remember how I said it,

1182
01:02:42,200 --> 01:02:44,760
Speaker 1: say it again and hope that it's not as embarrassing

1183
01:02:44,800 --> 01:02:46,080
Speaker 1: as the last time I said it, and I don't

1184
01:02:46,080 --> 01:02:48,040
Speaker 1: have to look at it. I don't like looking at

1185
01:02:48,120 --> 01:02:50,000
Speaker 1: things I've done. Why do you think the lyrics are

1186
01:02:50,000 --> 01:02:53,280
Speaker 1: embarrassing because they're too cheesy? Yeah, they're too like you

1187
01:02:53,440 --> 01:02:57,680
Speaker 1: think you're so ergy, but you know, we we were

1188
01:02:57,680 --> 01:03:00,960
Speaker 1: just singing slow dancing in a burning room and it's simple.

1189
01:03:01,200 --> 01:03:03,120
Speaker 1: But when I sing someone else's lyrics and I feel

1190
01:03:03,160 --> 01:03:06,040
Speaker 1: them and I put emotion behind it, like that didn't

1191
01:03:06,080 --> 01:03:08,880
Speaker 1: feel embarrassing to me because it wasn't like coming from

1192
01:03:08,920 --> 01:03:11,600
Speaker 1: my heart like it was. Maybe I feel it so much,

1193
01:03:11,720 --> 01:03:16,520
Speaker 1: maybe maybe right like the most simple So even that

1194
01:03:16,600 --> 01:03:18,680
Speaker 1: could be artsydo in a way, I guess. But you

1195
01:03:18,680 --> 01:03:20,760
Speaker 1: were doing one of like she's an American girl with

1196
01:03:20,800 --> 01:03:23,360
Speaker 1: American hair and American curls and American and I was

1197
01:03:23,400 --> 01:03:25,280
Speaker 1: just like, but that I don't want to do. I

1198
01:03:25,320 --> 01:03:27,280
Speaker 1: don't want to do the simple thing either. I really

1199
01:03:27,320 --> 01:03:30,880
Speaker 1: hate doing. But sometimes like that feeling good again or

1200
01:03:30,920 --> 01:03:32,760
Speaker 1: I'm coming home, we were talking about how we love

1201
01:03:32,840 --> 01:03:36,120
Speaker 1: that song, those songs. If you look at those lyrics,

1202
01:03:36,160 --> 01:03:40,040
Speaker 1: you're not fucking like I'm coming home. Make up my mind.

1203
01:03:40,080 --> 01:03:43,040
Speaker 1: That's what I'm gonna do. I can't love nobody on

1204
01:03:43,080 --> 01:03:49,680
Speaker 1: the telephone. I'm coming home do you the most. But

1205
01:03:49,680 --> 01:03:52,320
Speaker 1: but if you feel something, because we've all been there,

1206
01:03:53,200 --> 01:03:55,360
Speaker 1: I don't know why it's so hard for me, And

1207
01:03:55,560 --> 01:03:58,160
Speaker 1: you know what this is, Nikki, You're not unique. Everyone

1208
01:03:58,200 --> 01:04:00,640
Speaker 1: probably feels this way. Just get over it and do it.

1209
01:04:00,760 --> 01:04:03,440
Speaker 1: Stop talking about how it's so hard for you. I'm different,

1210
01:04:03,520 --> 01:04:05,880
Speaker 1: and then like I need to get take my own

1211
01:04:05,880 --> 01:04:08,520
Speaker 1: advice and just do it. I mean, look, you know

1212
01:04:08,640 --> 01:04:11,400
Speaker 1: you can write, especially when you like when you made

1213
01:04:12,080 --> 01:04:15,760
Speaker 1: that one video, like you were able to substitute lyrics,

1214
01:04:15,880 --> 01:04:19,560
Speaker 1: like take a Taylor song and just change like one

1215
01:04:19,840 --> 01:04:23,880
Speaker 1: do one verse and just start there. Because obviously you

1216
01:04:23,920 --> 01:04:27,440
Speaker 1: like how she writes songs. I do. Obviously you could

1217
01:04:27,480 --> 01:04:30,680
Speaker 1: take her lyrics so easily and switch and switch up

1218
01:04:30,720 --> 01:04:33,160
Speaker 1: the words and it would sound maybe wouldn't be like Taylor,

1219
01:04:33,200 --> 01:04:35,479
Speaker 1: but it would be I think she'd like that. Let's

1220
01:04:35,520 --> 01:04:38,919
Speaker 1: get to Collection of Kills. Well, I'll never sing for her,

1221
01:04:39,240 --> 01:04:48,440
Speaker 1: so that's fine. Getting ready for some soaring my friends.

1222
01:04:49,400 --> 01:04:52,240
Speaker 1: That was Curson and Taylor and Halla. Uh, let's get

1223
01:04:52,240 --> 01:04:54,800
Speaker 1: to some cause. I mean, I loved getting to kiss

1224
01:04:54,840 --> 01:04:57,720
Speaker 1: today because I wanted to bring in a special guest

1225
01:04:57,960 --> 01:05:01,600
Speaker 1: for collection of because um please welcome, just to go

1226
01:05:01,680 --> 01:05:04,400
Speaker 1: over this collection of because with me a new comedian

1227
01:05:04,440 --> 01:05:08,520
Speaker 1: on the scene, he is just coming came out of

1228
01:05:08,520 --> 01:05:12,480
Speaker 1: nowhere and he's really challenging the norms, really just talking

1229
01:05:12,520 --> 01:05:16,240
Speaker 1: from a place of truth. Doesn't care like who anyone else,

1230
01:05:16,440 --> 01:05:19,120
Speaker 1: like says he should be please welcome to the show. Edge.

1231
01:05:21,920 --> 01:05:24,560
Speaker 1: That's good to be or is it? I don't care

1232
01:05:24,600 --> 01:05:28,000
Speaker 1: what time is it, dude? Edge? Um, so you're just

1233
01:05:28,080 --> 01:05:32,200
Speaker 1: blowing up on the socials like you're just you seem

1234
01:05:32,280 --> 01:05:34,880
Speaker 1: to approach comedy from a different perspective. What do you

1235
01:05:34,920 --> 01:05:36,800
Speaker 1: think needs to change about stand up comedy? What are

1236
01:05:36,800 --> 01:05:41,440
Speaker 1: you doing differently? A lot of these comics they just

1237
01:05:41,480 --> 01:05:44,480
Speaker 1: don't hustle, you know, they don't. They don't believe in

1238
01:05:44,640 --> 01:05:48,360
Speaker 1: like hard work outside of like it's not about jokes,

1239
01:05:49,440 --> 01:05:53,640
Speaker 1: it's not about premises. It's about numbers. People care about numbers,

1240
01:05:53,680 --> 01:05:58,280
Speaker 1: They care about reach going viral. What are you gonna

1241
01:05:58,320 --> 01:06:00,919
Speaker 1: do to do that? What are you doing went today?

1242
01:06:01,160 --> 01:06:03,320
Speaker 1: You're not dependent on the industry. What are you waiting

1243
01:06:03,400 --> 01:06:06,040
Speaker 1: for Brillstein to call you? Like? They don't give a

1244
01:06:06,080 --> 01:06:08,920
Speaker 1: funk about you. You gotta do shoot on your own? Okay? Well,

1245
01:06:08,920 --> 01:06:11,560
Speaker 1: actually I think this is kind of good advice. Um well,

1246
01:06:11,600 --> 01:06:15,160
Speaker 1: I'm really interested to tackle some um because with you,

1247
01:06:15,280 --> 01:06:17,720
Speaker 1: if you don't know what could is, it's uh, it's

1248
01:06:17,720 --> 01:06:20,960
Speaker 1: what we scream at people when they are doing something

1249
01:06:21,360 --> 01:06:24,240
Speaker 1: that isn't really true to them like it, but they're

1250
01:06:24,280 --> 01:06:27,120
Speaker 1: doing it to present like so that other people think

1251
01:06:27,160 --> 01:06:29,880
Speaker 1: they're cool. And it's only a thing that you would do.

1252
01:06:30,560 --> 01:06:32,360
Speaker 1: It would never be something you do alone. And I

1253
01:06:32,440 --> 01:06:36,000
Speaker 1: wonder if this edge are you like this even in

1254
01:06:36,040 --> 01:06:38,560
Speaker 1: your darkest moments alone? Like do you have this um?

1255
01:06:38,760 --> 01:06:41,680
Speaker 1: Are you always like even if these walls could talk,

1256
01:06:41,840 --> 01:06:44,200
Speaker 1: the walls of your bedroom, would they go? Holy ship?

1257
01:06:45,120 --> 01:06:49,040
Speaker 1: They follow me on? TikTok. So you're saying things even

1258
01:06:49,040 --> 01:06:51,440
Speaker 1: alone that you can't even believe you would say. I

1259
01:06:51,440 --> 01:06:53,480
Speaker 1: don't even say them out loud. Just afraid of what

1260
01:06:53,520 --> 01:06:56,240
Speaker 1: the pillow will think. Dude. Okay, but you're not scared

1261
01:06:56,280 --> 01:06:59,920
Speaker 1: of being canceled every day. I am. But that's how

1262
01:07:00,000 --> 01:07:03,640
Speaker 1: why I'm so edgy, because I still go for it. Okay, Well, um,

1263
01:07:03,720 --> 01:07:05,560
Speaker 1: let's get into this. Yeah, I'd love to have your

1264
01:07:05,600 --> 01:07:09,040
Speaker 1: commentary on these collections because we get them. You would

1265
01:07:09,120 --> 01:07:11,960
Speaker 1: like mine, I would. I would thank you so much

1266
01:07:11,960 --> 01:07:14,360
Speaker 1: for being here at You're welcome. I know you have

1267
01:07:14,400 --> 01:07:18,680
Speaker 1: a big you have a schedule, like you're always hustling. Yeah,

1268
01:07:18,840 --> 01:07:21,040
Speaker 1: let's come on, let's get to it. Okay, cool, let's

1269
01:07:21,080 --> 01:07:24,919
Speaker 1: get to what you were saying. Yeah, all right, let's

1270
01:07:24,960 --> 01:07:27,920
Speaker 1: read one an email that we got to the Nicky

1271
01:07:27,960 --> 01:07:33,920
Speaker 1: Glazer Podcast at gmail dot com From Randy Edge. Are

1272
01:07:34,000 --> 01:07:37,560
Speaker 1: you okay? Yeah, I'm just getting a little indigestion. Okay,

1273
01:07:37,920 --> 01:07:39,600
Speaker 1: it's okay if you laugh. I think that's part of

1274
01:07:39,600 --> 01:07:41,840
Speaker 1: the character that I like so much about you. Yeah,

1275
01:07:41,880 --> 01:07:45,080
Speaker 1: but I'm mean serious because we're doing radio form. Okay, okay,

1276
01:07:45,920 --> 01:07:50,600
Speaker 1: got sent into the Nicky Glazer podcast at gmail dot com.

1277
01:07:50,680 --> 01:07:52,840
Speaker 1: Let's let's hear it now. Thank you too much, Puzzy

1278
01:07:52,920 --> 01:07:57,880
Speaker 1: last night, I think okay, so listen From Randy. Working

1279
01:07:57,960 --> 01:08:00,640
Speaker 1: from home, took a ten minute walk around the neighborhood

1280
01:08:00,640 --> 01:08:04,120
Speaker 1: to ward off post lunch sleepiness. Decided to wear a

1281
01:08:04,240 --> 01:08:07,560
Speaker 1: Steve Millerband T shirt to look cool for any neighbors

1282
01:08:07,560 --> 01:08:10,880
Speaker 1: that might be outside. Warmly greeted three neighbors in a

1283
01:08:10,960 --> 01:08:14,960
Speaker 1: socially distanced fashion, came home and realized that I had

1284
01:08:14,960 --> 01:08:20,559
Speaker 1: the shirt on backwards. God help me, idiot, Well that

1285
01:08:20,600 --> 01:08:24,439
Speaker 1: person was trying to thought they were cool wearing a

1286
01:08:24,840 --> 01:08:27,439
Speaker 1: First of all, who in the right mind thinks Steve

1287
01:08:27,439 --> 01:08:30,000
Speaker 1: Millerband is cool? Like that's I mean, I get it

1288
01:08:30,040 --> 01:08:34,760
Speaker 1: being ironically cool. Steve millerban do like, um God, I

1289
01:08:34,800 --> 01:08:38,080
Speaker 1: usually love them. Yeah, I'm a joker. I'm a tooker,

1290
01:08:38,120 --> 01:08:41,559
Speaker 1: I'm a midnight stroker. Yeah yeah, I used to listen

1291
01:08:41,600 --> 01:08:43,040
Speaker 1: to that with my dad in the back of his

1292
01:08:43,120 --> 01:08:48,880
Speaker 1: chev ernie. I met you when Somebody's Island. And then

1293
01:08:48,320 --> 01:08:51,439
Speaker 1: at the Girl I saw a girl wearing a deaf

1294
01:08:51,560 --> 01:08:55,439
Speaker 1: leopard and it was like, first of all, I don't

1295
01:08:55,439 --> 01:08:58,920
Speaker 1: know one, are you talking about my job the other day? No?

1296
01:08:59,040 --> 01:09:02,880
Speaker 1: This girl out the airport, she I mean, there's no

1297
01:09:02,960 --> 01:09:06,280
Speaker 1: way in hell she knew one song. But that being said,

1298
01:09:07,000 --> 01:09:09,160
Speaker 1: you know I've done that too. You know, I just

1299
01:09:09,200 --> 01:09:11,679
Speaker 1: love the idea that someone I don't think it's funny

1300
01:09:11,720 --> 01:09:14,720
Speaker 1: to see a failed like someone's trying to be cold

1301
01:09:14,800 --> 01:09:16,160
Speaker 1: and they can't even get it right and they have

1302
01:09:16,240 --> 01:09:19,800
Speaker 1: it on backwards like or they're trying to um, you know,

1303
01:09:19,920 --> 01:09:24,799
Speaker 1: they they spell something wrong in their attempts to be Also,

1304
01:09:25,040 --> 01:09:29,599
Speaker 1: how old are you wearing a band shirt like grow up? Yeah?

1305
01:09:29,640 --> 01:09:31,599
Speaker 1: I mean I feel like you wear a lot of

1306
01:09:31,640 --> 01:09:35,880
Speaker 1: things that like, yeah, I'm not I'm not believe me.

1307
01:09:35,920 --> 01:09:38,120
Speaker 1: I'm feel like you're coming at me right now in

1308
01:09:38,120 --> 01:09:40,559
Speaker 1: front of these people. No, I'm just saying that you

1309
01:09:40,760 --> 01:09:42,640
Speaker 1: as someone who just doesn't care what people think, you

1310
01:09:42,680 --> 01:09:44,519
Speaker 1: seem to put a lot of effort into your outfit.

1311
01:09:44,560 --> 01:09:47,200
Speaker 1: I mean, there's nothing wrong with that, but like, why

1312
01:09:47,400 --> 01:09:49,280
Speaker 1: make it look like you're not trying when you actually

1313
01:09:49,360 --> 01:09:53,080
Speaker 1: might be. Well, there's a difference between wearing some badass

1314
01:09:53,080 --> 01:09:57,800
Speaker 1: streetwear you know that's curated by my team. And then

1315
01:09:57,800 --> 01:10:00,080
Speaker 1: there's another thing about buying a Steve Miller band and

1316
01:10:00,160 --> 01:10:04,120
Speaker 1: shirt that's not even real vintage and you're claiming it's vintage,

1317
01:10:04,120 --> 01:10:07,880
Speaker 1: but you bought it for history of Gucci, Like why

1318
01:10:07,960 --> 01:10:10,320
Speaker 1: does Gucci appeal to you other than that it's you know,

1319
01:10:10,400 --> 01:10:13,960
Speaker 1: it's expensive. I don't understand, Like, you know, people love Gucci,

1320
01:10:14,040 --> 01:10:18,160
Speaker 1: du Gabana and like all of these brands at least

1321
01:10:18,200 --> 01:10:22,120
Speaker 1: you know, one deaf Leopard song that's enough to justify

1322
01:10:22,160 --> 01:10:25,000
Speaker 1: a shirt, whereas Gucci, I don't even know, Like what

1323
01:10:25,200 --> 01:10:29,360
Speaker 1: about the label? Is the label? First of all? Labels

1324
01:10:29,360 --> 01:10:32,920
Speaker 1: are everything? Okay, it's the only thing. Okay, let's get

1325
01:10:32,960 --> 01:10:38,280
Speaker 1: to another cut. Also, Gucci is the best, and that's

1326
01:10:38,280 --> 01:10:42,360
Speaker 1: all I care about. Steve Miller band shirt is maybe

1327
01:10:42,479 --> 01:10:48,000
Speaker 1: thirty in seventies bands. All right, Well, there you have it.

1328
01:10:49,160 --> 01:10:53,000
Speaker 1: You heard it here last. Okay, the edge is not

1329
01:10:53,800 --> 01:10:57,320
Speaker 1: just grumpy today, but we'll keep personally keep going on.

1330
01:10:57,360 --> 01:11:00,519
Speaker 1: Let's hear about this next cut, submitted by another best date.

1331
01:11:00,520 --> 01:11:05,320
Speaker 1: All right, this is a voicemail from Brianna. Okay, Brianna, Hi, Nicky, Hi,

1332
01:11:05,479 --> 01:11:10,240
Speaker 1: Andrew High Noah, um, Brianna and I live in San Francisco, UM,

1333
01:11:10,439 --> 01:11:13,680
Speaker 1: and I have a story to tell you. So I

1334
01:11:13,760 --> 01:11:16,799
Speaker 1: was on my run today and this Matt Black, super

1335
01:11:16,840 --> 01:11:22,559
Speaker 1: freaking sick tesla comes pulling out of um A street

1336
01:11:22,600 --> 01:11:24,719
Speaker 1: and it's out a stop sign, and the guy sees

1337
01:11:24,720 --> 01:11:27,960
Speaker 1: me coming. I'm like, I want to say, six ft

1338
01:11:28,000 --> 01:11:31,360
Speaker 1: away from him, right, and he was at the stop sign,

1339
01:11:31,439 --> 01:11:34,040
Speaker 1: so I had the right away. I'm coming down super quick.

1340
01:11:34,160 --> 01:11:39,840
Speaker 1: It's like seven am, and he decides to rev his

1341
01:11:39,960 --> 01:11:45,040
Speaker 1: engine and basically almost run over my foot and make

1342
01:11:45,600 --> 01:11:49,760
Speaker 1: a spinny you turn out of that development, and I

1343
01:11:49,880 --> 01:11:52,200
Speaker 1: honestly tried running so fast so I could catch up

1344
01:11:52,240 --> 01:11:54,639
Speaker 1: to him and tell him off, but I was like, whatever,

1345
01:11:55,840 --> 01:11:59,599
Speaker 1: funny thing. So he turns around and pulls a UEI

1346
01:11:59,720 --> 01:12:02,519
Speaker 1: because he was dropping his kid off at the daycare

1347
01:12:02,600 --> 01:12:05,439
Speaker 1: that's on that street, And so I ended up running

1348
01:12:05,439 --> 01:12:08,680
Speaker 1: by his car, like right up to his window, and

1349
01:12:08,720 --> 01:12:12,400
Speaker 1: I looked him dead in the face, and I go Yeah,

1350
01:12:12,960 --> 01:12:15,400
Speaker 1: this guy looks so confused. You could tell he was

1351
01:12:15,479 --> 01:12:19,839
Speaker 1: in biotech and all he cared about with computers whatever.

1352
01:12:20,200 --> 01:12:26,160
Speaker 1: So I love that guy. He got come ed. I

1353
01:12:26,200 --> 01:12:28,000
Speaker 1: love that he got kild by a girl that he

1354
01:12:28,040 --> 01:12:30,080
Speaker 1: was trying to impress. And I love that you had

1355
01:12:30,120 --> 01:12:32,599
Speaker 1: the balls to kill him to his face. I love

1356
01:12:32,680 --> 01:12:34,639
Speaker 1: that he had to do. It's so funny when someone

1357
01:12:34,640 --> 01:12:36,720
Speaker 1: revs their engine and has to do a uge like

1358
01:12:37,160 --> 01:12:38,920
Speaker 1: in a call to sack, and then they have to

1359
01:12:38,960 --> 01:12:41,280
Speaker 1: slow down. You know what I'm saying. They're pulling up

1360
01:12:41,280 --> 01:12:44,080
Speaker 1: to a daycare like that's wearing the Steve Miller band

1361
01:12:44,120 --> 01:12:47,320
Speaker 1: shirt backwards, like you funked up your you peel out

1362
01:12:47,360 --> 01:12:49,800
Speaker 1: and then you plow through the daycare. That's commitment to

1363
01:12:50,280 --> 01:12:53,559
Speaker 1: being cool. If you are a fake, if you're if

1364
01:12:53,600 --> 01:12:57,160
Speaker 1: you're revving up to a daycase tesla, what does that

1365
01:12:57,200 --> 01:13:00,200
Speaker 1: sound like a freaking go car? Go man? You know

1366
01:13:00,280 --> 01:13:06,040
Speaker 1: our golf car going? Yeah? That Apple sounds like I drive,

1367
01:13:06,240 --> 01:13:09,599
Speaker 1: you know, kind of you know, I like that real engine. Yeah,

1368
01:13:09,800 --> 01:13:15,280
Speaker 1: that Camaro six horsepower lightning stripes, that's what I like. Yeah,

1369
01:13:15,360 --> 01:13:17,160
Speaker 1: what does that tell people about you? That I got

1370
01:13:17,200 --> 01:13:20,479
Speaker 1: a little dick. But it's strong okay, like and like

1371
01:13:20,600 --> 01:13:24,160
Speaker 1: we covered before. I so it's a wide one. You

1372
01:13:24,280 --> 01:13:28,559
Speaker 1: got girth, I got neither. Whoa yeah, but you're confident

1373
01:13:28,600 --> 01:13:31,160
Speaker 1: about it, so confident it doesn't matter, no, because my

1374
01:13:31,240 --> 01:13:36,040
Speaker 1: car goes seven horsepower down through daycare, I killed nineteen

1375
01:13:36,120 --> 01:13:39,759
Speaker 1: kids that men. Yeah, what's up? Worry about buying cool

1376
01:13:39,800 --> 01:13:41,840
Speaker 1: cars because of the connotation that it means they're like

1377
01:13:41,960 --> 01:13:45,280
Speaker 1: a small like like it's almost like there's a part

1378
01:13:45,320 --> 01:13:48,160
Speaker 1: of them that because that joke is so commonly. Yeah,

1379
01:13:48,280 --> 01:13:53,400
Speaker 1: I know it's weird that it's exactly my life. I'm

1380
01:13:53,439 --> 01:13:55,559
Speaker 1: trying to think of any kids I've witnessed recently, but

1381
01:13:55,640 --> 01:14:00,439
Speaker 1: like there's you know, the other day, like the girl

1382
01:14:00,479 --> 01:14:04,040
Speaker 1: in the elevator who made an announcement to us that

1383
01:14:04,120 --> 01:14:08,960
Speaker 1: she was um woman saying she has a twenty four

1384
01:14:09,000 --> 01:14:12,120
Speaker 1: year old kid. Yeah, like not that that that's her truth,

1385
01:14:12,520 --> 01:14:15,280
Speaker 1: but saying it like she didn't know the reaction was

1386
01:14:15,320 --> 01:14:18,000
Speaker 1: going to be you have a twenty four year old kid,

1387
01:14:18,080 --> 01:14:22,200
Speaker 1: like when you're when you're baiting to get attention for

1388
01:14:22,280 --> 01:14:25,439
Speaker 1: the thing that like and listen, I've been kid before too.

1389
01:14:25,439 --> 01:14:28,400
Speaker 1: I'm trying to think of I've been killed recently. Whenever

1390
01:14:28,600 --> 01:14:31,960
Speaker 1: I choose to have a song playing when I picked

1391
01:14:32,000 --> 01:14:34,080
Speaker 1: someone up and I'm trying. I want that song to

1392
01:14:34,120 --> 01:14:35,360
Speaker 1: be like in the middle of the song so it

1393
01:14:35,360 --> 01:14:37,240
Speaker 1: doesn't look like I just put it on and I'll

1394
01:14:37,240 --> 01:14:40,439
Speaker 1: like fast forwarded to the party, like that's kid and

1395
01:14:40,479 --> 01:14:43,479
Speaker 1: I've done it. I don't know, like just like I'll

1396
01:14:43,520 --> 01:14:45,120
Speaker 1: pick a song that like is a favorite song of

1397
01:14:45,160 --> 01:14:47,719
Speaker 1: mine that isn't. It's not like a song I don't

1398
01:14:47,760 --> 01:14:49,920
Speaker 1: like that I think they'll like. So it always is

1399
01:14:49,920 --> 01:14:55,320
Speaker 1: something I like. But you know, um, sometimes I will um.

1400
01:14:55,439 --> 01:15:00,040
Speaker 1: Sometimes when I'm running, I'll sing out loud and um I.

1401
01:15:00,040 --> 01:15:02,360
Speaker 1: If it's a cooler song, I will sing it out loud,

1402
01:15:02,520 --> 01:15:05,320
Speaker 1: prouder than if it's like not Like. I will never

1403
01:15:05,400 --> 01:15:09,080
Speaker 1: sing Cardi b out loud because I don't want to

1404
01:15:09,080 --> 01:15:11,880
Speaker 1: see even though that's always what I'm listening to. I

1405
01:15:11,920 --> 01:15:14,120
Speaker 1: don't want to seem I don't want people to go kid.

1406
01:15:14,760 --> 01:15:18,479
Speaker 1: So almost like the avoidance of where you don't where

1407
01:15:18,479 --> 01:15:21,439
Speaker 1: you abandoned what you actually like because it might seem

1408
01:15:22,040 --> 01:15:24,719
Speaker 1: might be kid because you're adjusting so that other people

1409
01:15:24,800 --> 01:15:28,240
Speaker 1: think you're not lame. WHOA, that's a cur behind the

1410
01:15:28,320 --> 01:15:37,200
Speaker 1: cur I guess let's get the final run. Wait final thought?

1411
01:15:37,280 --> 01:15:40,280
Speaker 1: You like when girls run? Yeah? Why because you gotta

1412
01:15:40,360 --> 01:15:44,280
Speaker 1: keep it tight? Oh okay for my small strong cock.

1413
01:15:45,479 --> 01:15:48,439
Speaker 1: It has become a different character altogether. I like how

1414
01:15:48,520 --> 01:15:50,240
Speaker 1: you didn't even know that I was going to bring

1415
01:15:50,360 --> 01:15:52,880
Speaker 1: Edge in and you were looking at the computer like, suddenly,

1416
01:15:52,920 --> 01:15:56,000
Speaker 1: we're gonna have a special guest. Andrews really didn't know

1417
01:15:56,120 --> 01:15:58,559
Speaker 1: that I was going to bring him in. He that

1418
01:15:58,680 --> 01:16:00,439
Speaker 1: was my favorite part. That's why I gave Edge such

1419
01:16:00,479 --> 01:16:03,040
Speaker 1: a long intro because I could see Andrew going, we

1420
01:16:03,080 --> 01:16:05,000
Speaker 1: can talk about having a guest today, but I guess

1421
01:16:05,000 --> 01:16:08,080
Speaker 1: it's Wednesday. He was looking at the computer and I go,

1422
01:16:08,160 --> 01:16:10,479
Speaker 1: I can't wait till he finds out it's him. And

1423
01:16:10,120 --> 01:16:14,360
Speaker 1: then I like the Edge having layers, Like for me,

1424
01:16:14,840 --> 01:16:20,760
Speaker 1: this is Andrew Edge. When he's on stage. He is

1425
01:16:21,280 --> 01:16:24,519
Speaker 1: very gregarious and like fun and he's like, I wanted

1426
01:16:24,720 --> 01:16:26,439
Speaker 1: we know who you're doing an impression of you? And

1427
01:16:26,479 --> 01:16:30,280
Speaker 1: I write, like where it started? Right? Yeah, Okay, that's

1428
01:16:30,280 --> 01:16:33,439
Speaker 1: when you first did Edge on Friday night when we

1429
01:16:33,439 --> 01:16:35,880
Speaker 1: were in Orlando. That's where it started. It was backstage.

1430
01:16:36,200 --> 01:16:39,759
Speaker 1: It it's kind of a hard segment to do that character.

1431
01:16:40,200 --> 01:16:42,599
Speaker 1: No man here, we go, let's do one more, and

1432
01:16:42,800 --> 01:16:44,840
Speaker 1: I'll try to do that. And I'm not saying that

1433
01:16:44,880 --> 01:16:47,439
Speaker 1: what you just did was People love edge, all of

1434
01:16:47,479 --> 01:16:50,000
Speaker 1: his many I feel like people are going to enjoy

1435
01:16:50,120 --> 01:16:53,320
Speaker 1: that edge as well, exactly. They love. What I'm saying,

1436
01:16:53,439 --> 01:16:57,519
Speaker 1: I love is when you nail the person that I wanted,

1437
01:16:57,840 --> 01:17:00,160
Speaker 1: like because he did it the other night It was

1438
01:17:00,240 --> 01:17:03,560
Speaker 1: born when we were in Orlando and we were backstage

1439
01:17:03,560 --> 01:17:06,120
Speaker 1: and I, Um, someone said that they had seen this

1440
01:17:06,160 --> 01:17:10,160
Speaker 1: guy that we were making fun of perform and they said, um,

1441
01:17:10,200 --> 01:17:13,640
Speaker 1: you know he Uh my friends, my friends got me

1442
01:17:13,680 --> 01:17:16,920
Speaker 1: a ticket to a show. Um, I went and I

1443
01:17:16,960 --> 01:17:18,519
Speaker 1: just want to hear your thoughts about him to get

1444
01:17:18,840 --> 01:17:20,080
Speaker 1: a best d. D M to me and said, what

1445
01:17:20,120 --> 01:17:22,800
Speaker 1: are your thoughts on this comedian? Um, because I just

1446
01:17:22,840 --> 01:17:27,320
Speaker 1: went to a show my friends and tickets and um

1447
01:17:27,360 --> 01:17:29,280
Speaker 1: and oh no, she wrote me before I think, and

1448
01:17:29,280 --> 01:17:30,880
Speaker 1: I go go to it and please let me know.

1449
01:17:31,880 --> 01:17:34,880
Speaker 1: And then she wrote he did abortion material, which I

1450
01:17:34,880 --> 01:17:36,920
Speaker 1: think would have been okay from a woman, but when

1451
01:17:36,960 --> 01:17:40,200
Speaker 1: he did it, it made me physically ill. And I

1452
01:17:40,240 --> 01:17:42,080
Speaker 1: almost didn't like the part of like, if a woman

1453
01:17:42,080 --> 01:17:43,760
Speaker 1: did it, she could, because I think anyone should be

1454
01:17:43,800 --> 01:17:45,560
Speaker 1: able to do any kind of material. I don't. I

1455
01:17:45,600 --> 01:17:48,040
Speaker 1: don't really like the oh you get to do it

1456
01:17:48,040 --> 01:17:50,320
Speaker 1: because you are this like we should all be able

1457
01:17:50,320 --> 01:17:52,960
Speaker 1: to comment whatever we want. But listen, the way she

1458
01:17:53,040 --> 01:17:54,519
Speaker 1: felt is the way she felt, and I think she

1459
01:17:54,600 --> 01:17:56,880
Speaker 1: probably would have been made ill from that coming from

1460
01:17:56,880 --> 01:17:59,519
Speaker 1: a woman's voice too, but um, I am not sure.

1461
01:18:00,120 --> 01:18:02,000
Speaker 1: So then that's when I read it to Andrew and

1462
01:18:02,040 --> 01:18:06,960
Speaker 1: a Meal, this interpretation of this person's performance, and um,

1463
01:18:07,000 --> 01:18:08,719
Speaker 1: and then she said, I said, I bet the crowd

1464
01:18:08,760 --> 01:18:10,439
Speaker 1: fucking loved no matter what she was like. I really

1465
01:18:10,479 --> 01:18:11,920
Speaker 1: felt like I was at a Trump rally. It was

1466
01:18:11,960 --> 01:18:16,160
Speaker 1: like really made me sad, and it was it was alarming,

1467
01:18:16,880 --> 01:18:21,080
Speaker 1: and so I go. Then Andrew goes, I bet I could.

1468
01:18:21,120 --> 01:18:23,439
Speaker 1: I bet I could do exactly what the bit was,

1469
01:18:23,479 --> 01:18:25,479
Speaker 1: what he said about abortion. I bet you anything. And

1470
01:18:25,479 --> 01:18:27,559
Speaker 1: I go, why don't I film this and send it

1471
01:18:27,600 --> 01:18:31,840
Speaker 1: to her? So shout out to that. Yeah. She wrote

1472
01:18:31,840 --> 01:18:33,800
Speaker 1: back and was like, oh my god. It was like

1473
01:18:33,920 --> 01:18:38,120
Speaker 1: spot on God. Yeah, So we filmed you doing an

1474
01:18:38,120 --> 01:18:41,680
Speaker 1: impression of this comic tackling the subject of abortion, and

1475
01:18:41,720 --> 01:18:43,760
Speaker 1: we I posted that on my story on Friday night.

1476
01:18:44,080 --> 01:18:47,040
Speaker 1: It killed And that was where Edge was born and

1477
01:18:47,320 --> 01:18:49,320
Speaker 1: you just like there was a moment where you knocked

1478
01:18:49,320 --> 01:18:51,960
Speaker 1: over the chair. You just kept laughing, being like, I mean,

1479
01:18:52,000 --> 01:18:53,920
Speaker 1: I'm not do you want me to say it? Like

1480
01:18:54,000 --> 01:18:56,280
Speaker 1: I don't want to say it? Like yeah, that like

1481
01:18:57,720 --> 01:19:01,360
Speaker 1: and I could I get next time we can give you?

1482
01:19:01,560 --> 01:19:03,280
Speaker 1: Can I give you a subject to tackle right before

1483
01:19:03,280 --> 01:19:06,080
Speaker 1: we leave? Yeah? Yeah, I'll do it more like if

1484
01:19:06,200 --> 01:19:09,160
Speaker 1: if he was trying hard. No, do you have any um, like,

1485
01:19:09,560 --> 01:19:13,360
Speaker 1: you know, subject matter that you think maybe comedians wouldn't

1486
01:19:13,400 --> 01:19:15,880
Speaker 1: normally tackle that you could give Andrew to go off

1487
01:19:15,880 --> 01:19:23,720
Speaker 1: on periods. I don't know period periods, dude, Yeah, I

1488
01:19:23,760 --> 01:19:25,839
Speaker 1: mean they should only come at the end of a sentence.

1489
01:19:25,840 --> 01:19:28,640
Speaker 1: That's what I think. Oh Ship, you know what, I

1490
01:19:28,680 --> 01:19:32,920
Speaker 1: can't say this. I'm loud, I can't. I got I'm

1491
01:19:33,040 --> 01:19:35,360
Speaker 1: dying for you to say it. Dude, we can take it.

1492
01:19:35,840 --> 01:19:38,080
Speaker 1: How many people? A lot of people listen. But the

1493
01:19:38,080 --> 01:19:41,040
Speaker 1: thing is my listeners are fucking cool, and when I

1494
01:19:41,120 --> 01:19:43,760
Speaker 1: say that, it'll reinforce to them. Even if they would

1495
01:19:43,760 --> 01:19:45,960
Speaker 1: get offended, they'll all like you because I've told them

1496
01:19:46,000 --> 01:19:48,800
Speaker 1: that they're cool, So they'll subconsciously be like, if I

1497
01:19:48,840 --> 01:19:50,840
Speaker 1: don't like this, I'm not cool and NICKI won't think

1498
01:19:50,840 --> 01:19:53,439
Speaker 1: I'm cool, So then they're gonna like this no matter what,

1499
01:19:54,600 --> 01:19:58,040
Speaker 1: I'll go in. I'll go so my listeners are cool.

1500
01:19:58,080 --> 01:20:00,320
Speaker 1: Don't worry, man, They're all fucking cool. It's it. They're

1501
01:20:00,360 --> 01:20:05,080
Speaker 1: gonna love whatever. Alright, I'll say, I'll say what all right?

1502
01:20:05,120 --> 01:20:09,920
Speaker 1: This is okay, this is periods man, alright, so periods right,

1503
01:20:11,680 --> 01:20:14,400
Speaker 1: and listen. I do not condone anything he says. This

1504
01:20:14,479 --> 01:20:16,280
Speaker 1: is not this is not the statement of the Nicky

1505
01:20:16,280 --> 01:20:19,240
Speaker 1: Glazer podcast. This is all edge. Yo. When I see

1506
01:20:19,240 --> 01:20:25,000
Speaker 1: a girl bleeding, I think, like, it's like her thoughts

1507
01:20:25,720 --> 01:20:29,599
Speaker 1: like this is why women are dumb as fuck, because

1508
01:20:29,640 --> 01:20:32,880
Speaker 1: they bleed out all their like their brain out of

1509
01:20:32,880 --> 01:20:36,120
Speaker 1: their pussy, you know what I mean. So like, if

1510
01:20:36,120 --> 01:20:37,720
Speaker 1: their brains coming out of their pussy, how are you

1511
01:20:37,760 --> 01:20:40,160
Speaker 1: gonna get equal pay? They fucking they're always like what

1512
01:20:40,360 --> 01:20:43,479
Speaker 1: equal pay? I'm like, bitch, you bleed for a week.

1513
01:20:45,200 --> 01:20:48,040
Speaker 1: We have all our blood. We have all our blood,

1514
01:20:48,560 --> 01:20:51,040
Speaker 1: you know what I mean. Guys have a hundred percent

1515
01:20:51,160 --> 01:20:55,840
Speaker 1: blood every month every year. Women you bleed out, what

1516
01:20:55,960 --> 01:20:58,200
Speaker 1: are you gonna do? Fucking You know what I'm gonna

1517
01:20:58,200 --> 01:21:00,439
Speaker 1: do right now, it's gonna copy. I'm gonna look in

1518
01:21:00,520 --> 01:21:02,360
Speaker 1: my lap and shake my head to say I don't

1519
01:21:02,400 --> 01:21:04,240
Speaker 1: agree with this, but like laugh in a way that

1520
01:21:04,280 --> 01:21:06,240
Speaker 1: I do so just in case someone comes after me,

1521
01:21:06,280 --> 01:21:07,880
Speaker 1: I can say that I don't agree with it, but

1522
01:21:08,360 --> 01:21:11,760
Speaker 1: I'm definitely leading my my listeners on just in case

1523
01:21:11,840 --> 01:21:13,600
Speaker 1: people like this, because I don't know it's gonna be

1524
01:21:13,640 --> 01:21:16,280
Speaker 1: interpreted later on. They'll know that I agree with you,

1525
01:21:16,320 --> 01:21:18,280
Speaker 1: but in case they don't like it, I can always

1526
01:21:18,320 --> 01:21:20,360
Speaker 1: say that I didn't agree with you. So I'm gonna

1527
01:21:20,360 --> 01:21:23,240
Speaker 1: shake my head and kind of laugh under my breath. Okay, dude,

1528
01:21:24,720 --> 01:21:27,160
Speaker 1: I'm not crazy. I'm crazy. We gotta go. This has

1529
01:21:27,200 --> 01:21:31,080
Speaker 1: been the Nick Glazer Podcast. Can plug yeah, plug plug away, man, Yeah,

1530
01:21:31,120 --> 01:21:35,839
Speaker 1: plug out? All right? Hey, check me out on Instagram, TikTok, Twitch, Twitter,

1531
01:21:36,560 --> 01:21:43,679
Speaker 1: my Space, friends to uh and dogs to Dogster. Yeah

1532
01:21:44,040 --> 01:21:48,800
Speaker 1: what's that? It's where I go in there, dog, I mean, dude,

1533
01:21:48,840 --> 01:21:53,840
Speaker 1: you're yeah, Well, dude, this is what happens on my show.

1534
01:21:53,920 --> 01:21:55,880
Speaker 1: You know, I can't control these guests. I can't go.

1535
01:21:56,000 --> 01:21:58,519
Speaker 1: This is this is the Nick Glazer Podcast. Man, I'm

1536
01:21:58,560 --> 01:22:00,960
Speaker 1: not at fault here, and this is just guy. This

1537
01:22:01,000 --> 01:22:04,960
Speaker 1: is a time A beagle in the face. Oh, my god,

1538
01:22:05,000 --> 01:22:06,880
Speaker 1: we gotta go. You guys, listen to the show tomorrow.

1539
01:22:06,960 --> 01:22:09,960
Speaker 1: We'll be back with the normal Show podcast. Don't be

1540
01:22:10,040 --> 01:22:13,120
Speaker 1: kut out there and jack off your face, bitch,