1 00:00:03,279 --> 00:00:05,480 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,760 --> 00:00:18,000 Speaker 1: firm Elvis Presents Fifteen Minute Morning Show. Okay, Elvis has 3 00:00:18,040 --> 00:00:21,360 Speaker 1: proclaimed Thursday as his favorite day in our favorite day 4 00:00:21,360 --> 00:00:24,239 Speaker 1: of the week, but what is your least favorite day? Tuesday? 5 00:00:24,280 --> 00:00:28,319 Speaker 1: I'm curious why Tuesday because it's still really early in 6 00:00:28,360 --> 00:00:31,240 Speaker 1: the week. There's not really a lot of news going on, 7 00:00:31,360 --> 00:00:34,000 Speaker 1: like coming off of the weekend and stuff, and it's 8 00:00:34,000 --> 00:00:36,000 Speaker 1: just Tuesday. There's nothing going on Tuesday, which is why 9 00:00:36,040 --> 00:00:38,720 Speaker 1: I think they made Tuesday's for tacos. So I'm gonna 10 00:00:38,720 --> 00:00:41,080 Speaker 1: save it and someone I disagree. I think Monday edges out. 11 00:00:41,080 --> 00:00:43,040 Speaker 1: Tuesday is the worst day of the week, and I 12 00:00:43,040 --> 00:00:44,400 Speaker 1: think a lot of people who agree with that one. 13 00:00:44,440 --> 00:00:47,160 Speaker 1: I don't know, because Monday unless you have Sunday, unless 14 00:00:47,200 --> 00:00:50,080 Speaker 1: you have Monday off, you're screwed. I mean, Monday is 15 00:00:50,120 --> 00:00:52,480 Speaker 1: the slowest that you have to go back to work. 16 00:00:52,640 --> 00:00:54,760 Speaker 1: Sunday night has to come to a screeching halt. I 17 00:00:54,840 --> 00:00:56,880 Speaker 1: usually get the least amount of sleep on Sunday night 18 00:00:56,920 --> 00:00:59,120 Speaker 1: because there's so many things to do, so Monday I'm 19 00:00:59,160 --> 00:01:02,160 Speaker 1: dragging my wagon. Okay, Well, I talked to somebody yesterday 20 00:01:02,200 --> 00:01:05,039 Speaker 1: because we we had this past Monday off and this 21 00:01:05,120 --> 00:01:07,759 Speaker 1: has been a short week. But I talked to somebody yesterday. 22 00:01:07,800 --> 00:01:09,840 Speaker 1: They said they don't like having Monday's off and the 23 00:01:09,959 --> 00:01:11,960 Speaker 1: short weeks because they feel like they're trying to play 24 00:01:11,959 --> 00:01:13,920 Speaker 1: catch up the whole week to get five days of 25 00:01:14,000 --> 00:01:16,160 Speaker 1: work done in four days. I'm like, no, not me, no, 26 00:01:16,160 --> 00:01:19,640 Speaker 1: no, no no, no, let me, let's do something, Nate. Yeah, 27 00:01:19,840 --> 00:01:22,000 Speaker 1: if you could have your pick to have Monday or 28 00:01:22,080 --> 00:01:23,920 Speaker 1: Friday off, if we had a four day work week, 29 00:01:24,240 --> 00:01:29,760 Speaker 1: would you rather have Monday's or Friday's off? Monday's Friday 30 00:01:29,920 --> 00:01:32,200 Speaker 1: always has that good feel, right. I mean, don't get 31 00:01:32,200 --> 00:01:35,680 Speaker 1: me wrong, I will take a Friday off no if 32 00:01:35,720 --> 00:01:38,240 Speaker 1: sans butts back. But having Monday off makes Sunday so 33 00:01:38,319 --> 00:01:40,800 Speaker 1: much better. Oh my god, you can actually enjoy its. 34 00:01:40,800 --> 00:01:43,240 Speaker 1: Sunday I never like. I don't know about you, guys. 35 00:01:43,560 --> 00:01:47,120 Speaker 1: Sunday's right around noon. I just I can't. I can't, 36 00:01:47,240 --> 00:01:49,080 Speaker 1: I don't. I don't want to do anything. I just 37 00:01:49,200 --> 00:01:51,400 Speaker 1: know that work I gotta go to sleepy. We're talking 38 00:01:51,400 --> 00:01:54,080 Speaker 1: about least favorite days of the week. Would you rather 39 00:01:54,120 --> 00:01:56,280 Speaker 1: have Monday off or Friday off? I know you would 40 00:01:56,360 --> 00:01:59,640 Speaker 1: rather have Mondays on Monday. I'm sorry in my way? 41 00:01:59,680 --> 00:02:03,880 Speaker 1: Do you I thought he was gonna say, do you 42 00:02:04,040 --> 00:02:10,200 Speaker 1: enjoy Sundays? I can't enjoy Sunday's past news absolutely enjoy Sundays. 43 00:02:10,200 --> 00:02:12,360 Speaker 1: Sundays are a part of the weekend. Until you put 44 00:02:12,400 --> 00:02:14,200 Speaker 1: your head on the pillow Sunday night, it's still the weekend. 45 00:02:14,280 --> 00:02:16,200 Speaker 1: Why can't I make a case for Friday night having 46 00:02:16,240 --> 00:02:20,120 Speaker 1: Friday off instead of Monday. I feel like Thursday Thursdays. 47 00:02:20,200 --> 00:02:23,079 Speaker 1: I feel most people like crash and burn at the 48 00:02:23,160 --> 00:02:25,280 Speaker 1: end of the week, so they take the Friday off, 49 00:02:25,400 --> 00:02:27,720 Speaker 1: and everyone's going out on Thursday nights. So I would 50 00:02:27,800 --> 00:02:30,240 Speaker 1: rather have the Friday so I can stay up late Thursday, 51 00:02:30,520 --> 00:02:33,079 Speaker 1: because Sunday is wasted either way. Either way, I got 52 00:02:33,080 --> 00:02:35,080 Speaker 1: it into my head that Monday I gotta get up 53 00:02:35,080 --> 00:02:36,799 Speaker 1: and do something that's all in your head. Yeah, and 54 00:02:36,840 --> 00:02:39,000 Speaker 1: then it'll just turn to whatever day it is that 55 00:02:39,040 --> 00:02:40,440 Speaker 1: you have to go back. You're gonna hate that day. 56 00:02:40,560 --> 00:02:42,680 Speaker 1: There's more action on a Thursday night than a Sunday night. 57 00:02:43,080 --> 00:02:49,320 Speaker 1: Wait a minute, things going on. I don't know. For me, 58 00:02:49,440 --> 00:02:52,200 Speaker 1: at least, I don't know my lifestyle. Okay, Friday off 59 00:02:52,280 --> 00:02:54,680 Speaker 1: is better. I'll tell you what. Excuse me, Monday off 60 00:02:54,760 --> 00:02:58,440 Speaker 1: is better because Friday usually it's a laid back environment 61 00:02:58,680 --> 00:03:01,160 Speaker 1: people week the work week is all over. It's dressed 62 00:03:01,160 --> 00:03:03,240 Speaker 1: down Friday in a lot of offices. And by the 63 00:03:03,280 --> 00:03:06,080 Speaker 1: time Friday ends, your your weekend starts. The minute your 64 00:03:06,120 --> 00:03:09,280 Speaker 1: work days over. So who cares about working Friday? Monday 65 00:03:09,480 --> 00:03:11,560 Speaker 1: you gotta come and start the week. And then Monday 66 00:03:11,639 --> 00:03:15,040 Speaker 1: night is still like Tuesday eve. Monday's a waste, Like 67 00:03:15,160 --> 00:03:17,639 Speaker 1: it's just I'd rather have off Monday. It's a terrible 68 00:03:17,680 --> 00:03:20,200 Speaker 1: day of the week. Here here, what about you from 69 00:03:21,000 --> 00:03:24,280 Speaker 1: Because that way, your Sunday then becomes like a second Saturday. 70 00:03:24,480 --> 00:03:26,800 Speaker 1: It's like, yeah, let's do more stuff today. All right, 71 00:03:26,840 --> 00:03:29,840 Speaker 1: I'm gonna throw a loop for you. But if we 72 00:03:29,880 --> 00:03:36,600 Speaker 1: had Wednesdays, I was gonna say that, yeah yeah, But 73 00:03:36,680 --> 00:03:40,560 Speaker 1: to have that surprise Wednesday two days taking day off 74 00:03:40,600 --> 00:03:44,000 Speaker 1: work two days means you could step late on a Tuesday. 75 00:03:44,000 --> 00:03:50,280 Speaker 1: Who cares if you're saying, instead of having Monday on Monday? Okay, okay, 76 00:03:50,320 --> 00:03:53,720 Speaker 1: I gladly will hell a curve right there? Yeah, hey, 77 00:03:53,760 --> 00:03:57,760 Speaker 1: you work for two days work? Who created the work week? 78 00:03:59,320 --> 00:04:01,720 Speaker 1: But but like the minds created the calendar, right, But 79 00:04:01,760 --> 00:04:04,360 Speaker 1: then who's like, okay, Monday through Friday. That's going to 80 00:04:04,400 --> 00:04:07,119 Speaker 1: be the quote unquote work right. Who decided five days 81 00:04:07,160 --> 00:04:09,400 Speaker 1: of work and two days of rest for some countries 82 00:04:09,440 --> 00:04:11,800 Speaker 1: that have three day weekends now like Friday, Saturday, Sunday. 83 00:04:11,880 --> 00:04:16,240 Speaker 1: Is the Spain you said Henry Ford started in the 84 00:04:16,240 --> 00:04:18,839 Speaker 1: prive day. Well, prior to Henry Ford, I think it 85 00:04:19,000 --> 00:04:22,920 Speaker 1: was everybody worked Monday through Saturday, if I'm not mistaken, 86 00:04:23,040 --> 00:04:25,560 Speaker 1: or seven days a week and they worked like sixteen 87 00:04:25,600 --> 00:04:28,719 Speaker 1: hours a day. Yeah. So if you think the forty 88 00:04:28,760 --> 00:04:31,920 Speaker 1: hour work week is bad, going before that and before hand, 89 00:04:32,040 --> 00:04:36,720 Speaker 1: for they had to walk to work important. So if 90 00:04:36,760 --> 00:04:38,960 Speaker 1: you should be like a pioneer and start the four 91 00:04:39,040 --> 00:04:45,560 Speaker 1: day work week, done? Okay. So not everyone's a fan 92 00:04:45,600 --> 00:04:49,120 Speaker 1: of Downton Abbey, Uh we are, but you know we 93 00:04:49,200 --> 00:04:51,680 Speaker 1: keep it buying Downton Abbey. In those days, you know, 94 00:04:51,839 --> 00:04:55,200 Speaker 1: this was these were people who are of great means. 95 00:04:56,080 --> 00:04:58,719 Speaker 1: You know, they would go out horseback riding every day. 96 00:04:58,600 --> 00:05:01,320 Speaker 1: The people dressed them. They would go to parties and 97 00:05:01,320 --> 00:05:03,880 Speaker 1: they would have dinner parties and would put taxes on 98 00:05:04,000 --> 00:05:07,400 Speaker 1: for dinners and formal dinners. And there one day they 99 00:05:07,400 --> 00:05:10,120 Speaker 1: were at the table talking about the weekend and the 100 00:05:10,160 --> 00:05:14,000 Speaker 1: old lady looked up and said, what's a weekend? Because 101 00:05:14,040 --> 00:05:19,000 Speaker 1: they don't They don't know Monday, Friday, Monday, Tuesday, WEDNESDA, Thursday, Friday, Saturday, Sunday. 102 00:05:19,400 --> 00:05:21,480 Speaker 1: It's all the same to them. There there's no difference 103 00:05:21,480 --> 00:05:24,480 Speaker 1: with the Saturday and Wednesday because they do the same 104 00:05:24,480 --> 00:05:28,200 Speaker 1: ship every day. You remember that, You remember that one 105 00:05:28,240 --> 00:05:31,200 Speaker 1: episode where I think it was Tom. Oh no, it 106 00:05:31,279 --> 00:05:34,120 Speaker 1: was Lord Grantham. You guys don't care. He had to 107 00:05:34,120 --> 00:05:37,320 Speaker 1: wear a black tie instead of a white tie. Oh 108 00:05:37,440 --> 00:05:41,320 Speaker 1: my god, it was It was just hapsty at the 109 00:05:41,480 --> 00:05:44,279 Speaker 1: downtown white tie events are different than black tie. Yeah, 110 00:05:44,279 --> 00:05:46,600 Speaker 1: but apparently black ties were coming in and he had 111 00:05:46,640 --> 00:05:49,160 Speaker 1: to try it, but he didn't like it. Can you imagine, 112 00:05:49,720 --> 00:05:52,039 Speaker 1: even though it's called Downton Abbey, I still call it 113 00:05:52,080 --> 00:05:54,760 Speaker 1: downtown and I see it like the way I see it. 114 00:05:54,839 --> 00:05:57,120 Speaker 1: I know it's Downton Abbey, but the way I visually 115 00:05:57,120 --> 00:06:00,720 Speaker 1: see it, I still see downtown Downtown Abbey. Then people 116 00:06:00,760 --> 00:06:03,120 Speaker 1: though it's down too, Nay, it's downtown. You probably say 117 00:06:03,200 --> 00:06:09,280 Speaker 1: espresso too, and Wimbledon an ATM machine don't say that, 118 00:06:10,240 --> 00:06:13,720 Speaker 1: so as almost We were talking about the pineapple thing 119 00:06:13,720 --> 00:06:17,000 Speaker 1: on the show earlier today. This Texter says, if you 120 00:06:17,080 --> 00:06:20,440 Speaker 1: research the pineapple meaning, it started in war times. In 121 00:06:20,520 --> 00:06:22,880 Speaker 1: early war times, a woman would put a pineapple on 122 00:06:22,920 --> 00:06:25,400 Speaker 1: the porch when her husband was away at war, if 123 00:06:25,440 --> 00:06:33,640 Speaker 1: she was feeling lonelying for our country. You wouldn't know. 124 00:06:33,680 --> 00:06:40,359 Speaker 1: There was no social media. Word would get around town. 125 00:06:41,760 --> 00:06:44,000 Speaker 1: I often think about that. I think about what we 126 00:06:44,080 --> 00:06:45,760 Speaker 1: used to go on in the nineties, forties and the 127 00:06:45,800 --> 00:06:48,000 Speaker 1: fifties and the ninties, and the black and white times 128 00:06:48,279 --> 00:06:50,599 Speaker 1: with all these people. By the way, by the way, 129 00:06:51,480 --> 00:06:54,240 Speaker 1: there was color back the right. But things that you 130 00:06:54,279 --> 00:06:56,960 Speaker 1: see on film that are black and white, the stars 131 00:06:56,960 --> 00:07:00,680 Speaker 1: and celebrities like they all we're doing some crazy ship 132 00:07:02,400 --> 00:07:04,720 Speaker 1: remeber One, Kiple, Mona chrome Elvis. Do you know who? 133 00:07:04,760 --> 00:07:07,039 Speaker 1: My kids asked me that was the world always in color? 134 00:07:08,800 --> 00:07:12,200 Speaker 1: At least they are kid remembering that I was a kid. 135 00:07:12,560 --> 00:07:17,800 Speaker 1: You're not any But think about the largest thing these icons, 136 00:07:18,120 --> 00:07:21,280 Speaker 1: you know, crazy ship was going on behind you know. 137 00:07:21,320 --> 00:07:26,400 Speaker 1: But they but they had gossip columnists, you know what, 138 00:07:26,720 --> 00:07:29,880 Speaker 1: And they controlled the movie studios. For instance, head of 139 00:07:29,960 --> 00:07:33,680 Speaker 1: Hopper could call Louis B. Mayor at MGM and say, hey, 140 00:07:34,040 --> 00:07:37,240 Speaker 1: we got Fatty Arbuckle. Fatty Arbuckle sticking it into some 141 00:07:37,360 --> 00:07:41,920 Speaker 1: little thing over there at the hotel, and she she 142 00:07:41,920 --> 00:07:46,520 Speaker 1: would squel up the article about Fatty Arbuckle in exchange 143 00:07:46,600 --> 00:07:49,960 Speaker 1: for information about another star. So they would turn their 144 00:07:49,960 --> 00:07:57,280 Speaker 1: own stars in Fatty Arbuckle, FA Fatty Arbuckle. It was 145 00:07:57,320 --> 00:08:03,040 Speaker 1: Fatty Arbuckle in black and white and was but at 146 00:08:03,080 --> 00:08:08,400 Speaker 1: the same time as uh, Charlie Chaplin, they were good friends. 147 00:08:08,960 --> 00:08:11,080 Speaker 1: I watched the documentary about Charlie Chaplin in the day 148 00:08:11,080 --> 00:08:13,280 Speaker 1: because I had COVID, had nothing else to do. It 149 00:08:13,360 --> 00:08:17,240 Speaker 1: was fascinating. He was a worldwide superstar. He would show 150 00:08:17,320 --> 00:08:20,160 Speaker 1: up at any city in the world and millions of 151 00:08:20,160 --> 00:08:22,800 Speaker 1: people will come out to see him. And then, of 152 00:08:22,800 --> 00:08:24,600 Speaker 1: course that's before they had talkie. Yeah, they'd have to 153 00:08:24,600 --> 00:08:27,080 Speaker 1: translate the movies exactly. It was all it was. Didn't 154 00:08:27,080 --> 00:08:29,080 Speaker 1: need to edit any silent films. Right. Did he ever 155 00:08:29,160 --> 00:08:33,120 Speaker 1: talk in films? Yes, he did later that ended his career. 156 00:08:33,280 --> 00:08:35,480 Speaker 1: It did not because of the talking, but because of 157 00:08:35,520 --> 00:08:37,360 Speaker 1: what he had to say. He was very political talking. 158 00:08:37,360 --> 00:08:40,600 Speaker 1: It sounds dirty. A lot of a lot of celebrities dirty. Yeah, 159 00:08:40,600 --> 00:08:44,520 Speaker 1: it sounds like a porn or something. Talkies I was 160 00:08:44,559 --> 00:08:45,880 Speaker 1: gonna say, I was You know, there's a lot of 161 00:08:45,920 --> 00:08:48,920 Speaker 1: celebrities who were in silent movies lost their careers because 162 00:08:48,920 --> 00:08:52,240 Speaker 1: they had terrible voices and they just couldn't do talkies 163 00:08:52,280 --> 00:08:54,640 Speaker 1: like Hello. You know, that was the whole premise of 164 00:08:54,640 --> 00:08:57,439 Speaker 1: the movie Singing in the Rain, wasn't it? Was it? Yeah, 165 00:08:57,600 --> 00:09:01,040 Speaker 1: they were transitioning from in the movie anyways, they were 166 00:09:01,040 --> 00:09:05,160 Speaker 1: transitioning from silent films to talkies, and the one actress 167 00:09:05,240 --> 00:09:08,640 Speaker 1: couldn't sing or speak because they don't I like this, 168 00:09:09,480 --> 00:09:14,280 Speaker 1: So then they had somebody that sang for her, and 169 00:09:14,320 --> 00:09:17,360 Speaker 1: then she ended up becoming this stock. It's a great movie. 170 00:09:16,920 --> 00:09:22,560 Speaker 1: You never singing in the Ring, Dodd. I feel like 171 00:09:22,559 --> 00:09:26,280 Speaker 1: the title gives away the plot. You know how Singing 172 00:09:26,720 --> 00:09:29,079 Speaker 1: in the Rain was made? Who was the who wrote 173 00:09:29,080 --> 00:09:32,800 Speaker 1: Singing in the Rain? It was some well, there was 174 00:09:33,000 --> 00:09:35,760 Speaker 1: somebody that wrote all of these songs, right, and there 175 00:09:35,800 --> 00:09:37,959 Speaker 1: was a challenge that they said, all right, put all 176 00:09:38,000 --> 00:09:40,440 Speaker 1: of those songs in the music. And so they put 177 00:09:40,480 --> 00:09:42,360 Speaker 1: all of these songs in the musical and made a musical. 178 00:09:43,080 --> 00:09:45,360 Speaker 1: How do you know all this? As? I love that movie. 179 00:09:46,320 --> 00:09:49,760 Speaker 1: That's cute. You need to see Singing in the Right. 180 00:09:50,000 --> 00:09:52,800 Speaker 1: I will now, I will with a whole that I 181 00:09:52,800 --> 00:10:02,120 Speaker 1: would have seen that again, it was just the people 182 00:10:02,160 --> 00:10:07,880 Speaker 1: downstairs on the second floor, like the rain was when 183 00:10:07,880 --> 00:10:10,160 Speaker 1: they added color to the people. Right, that was a 184 00:10:10,200 --> 00:10:13,000 Speaker 1: movie with color. It was colorized, right, I do believe, 185 00:10:13,000 --> 00:10:17,000 Speaker 1: I don't. I don't know. Days of your that's scary talk. 186 00:10:17,160 --> 00:10:19,000 Speaker 1: Wasn't that one scene when they when they jumped in 187 00:10:19,040 --> 00:10:21,760 Speaker 1: and out of the color or something like that? Are 188 00:10:21,840 --> 00:10:24,960 Speaker 1: you thinking a wizard of Honest? I think that's something. 189 00:10:25,040 --> 00:10:26,839 Speaker 1: I think that's something more recent than they remade for 190 00:10:26,880 --> 00:10:30,240 Speaker 1: Telling a couple of years ago. Yeah, they did have 191 00:10:30,320 --> 00:10:32,439 Speaker 1: black and white scenes in it, but it was a 192 00:10:32,520 --> 00:10:35,160 Speaker 1: color Gandhi has no interest in any of these old 193 00:10:35,160 --> 00:10:38,040 Speaker 1: school Hollywood conversation. No, I'm just very interested. I don't 194 00:10:38,040 --> 00:10:39,880 Speaker 1: know anything about it, so I'm not going to try to. 195 00:10:40,280 --> 00:10:43,319 Speaker 1: It actually stands up to time pretty well. I believe that, 196 00:10:43,400 --> 00:10:46,520 Speaker 1: obviously not. But the rain just looks so fake. Oh 197 00:10:46,559 --> 00:10:50,839 Speaker 1: well sounds there was no c g I rain back then, 198 00:10:51,000 --> 00:10:53,440 Speaker 1: I know, but fake rain nowadays looks better. You know 199 00:10:53,480 --> 00:10:55,520 Speaker 1: what they did to make the rain appear on camera 200 00:10:55,559 --> 00:11:04,240 Speaker 1: more as they mixed milk with it. Really, Yeah, when 201 00:11:04,240 --> 00:11:06,200 Speaker 1: he filmed that scene had a hundred and two fever. 202 00:11:06,400 --> 00:11:09,959 Speaker 1: He had the flu and he's still because he went 203 00:11:09,960 --> 00:11:13,040 Speaker 1: out singing in the rain. It's I feel like at 204 00:11:13,040 --> 00:11:14,679 Speaker 1: this point, Na could tell us anything about the movie 205 00:11:14,720 --> 00:11:18,320 Speaker 1: and we're all just like, really very well, I don't 206 00:11:18,320 --> 00:11:21,160 Speaker 1: want to know is behind the scene stories from the 207 00:11:21,160 --> 00:11:23,439 Speaker 1: filming of that movie? Oh well, you know, remember Debbie 208 00:11:23,480 --> 00:11:27,760 Speaker 1: Reynolds in that movie, gene Kelly made her cry because 209 00:11:27,760 --> 00:11:31,360 Speaker 1: she couldn't dance, and she went and during a break 210 00:11:31,480 --> 00:11:34,640 Speaker 1: was hiding under piano, and who looked under the piano 211 00:11:34,720 --> 00:11:37,840 Speaker 1: and saw her and helped her dance? But fred as stare, 212 00:11:38,200 --> 00:11:41,720 Speaker 1: shut up, I'm not kidding. This would be like prehistoric. 213 00:11:43,360 --> 00:11:46,640 Speaker 1: Look up the actually miss Burbank. So that's why she 214 00:11:46,720 --> 00:11:49,119 Speaker 1: got the part because she was his young, cute actress. 215 00:11:49,440 --> 00:11:51,000 Speaker 1: But she didn't know how to tap dance, and gene 216 00:11:51,080 --> 00:11:53,000 Speaker 1: Kelly was very mean if you didn't know how to 217 00:11:53,000 --> 00:11:59,840 Speaker 1: tap her dressing. You know, you know what's just like 218 00:12:00,040 --> 00:12:05,400 Speaker 1: I love that movie. Correct there. Daniel Reynolds had to 219 00:12:05,400 --> 00:12:08,360 Speaker 1: be carried away from the set after filming the complicated 220 00:12:08,400 --> 00:12:12,640 Speaker 1: choreography for Good Morning. He suffered birth blood vessels in 221 00:12:12,720 --> 00:12:15,320 Speaker 1: her feet and needed to be carried to her dressing 222 00:12:15,400 --> 00:12:18,640 Speaker 1: room to recover American doesn't know this, You guys noticed 223 00:12:18,679 --> 00:12:27,360 Speaker 1: Elvis left back headline. Everyone was afraid of gene Kelly. 224 00:12:27,480 --> 00:12:29,880 Speaker 1: It said his hyper focus on perfection led to a 225 00:12:30,000 --> 00:12:32,839 Speaker 1: tense time on the set. He was terrified of making 226 00:12:32,840 --> 00:12:35,360 Speaker 1: even the most smallest mistake. This is all the other 227 00:12:35,400 --> 00:12:38,600 Speaker 1: people because they were afraid that gene Kelly was going 228 00:12:38,640 --> 00:12:41,360 Speaker 1: to yell at them. He would have been canceled that 229 00:12:43,040 --> 00:12:44,760 Speaker 1: And you're right, he had a hundred and three fever. 230 00:12:44,960 --> 00:12:50,760 Speaker 1: Could you imagine gene Kelly trying to be around scary dancing. 231 00:12:52,280 --> 00:12:53,839 Speaker 1: You know what's gotten a lot better with the c 232 00:12:54,000 --> 00:12:55,640 Speaker 1: g I and the effects is driving in the car. 233 00:12:55,760 --> 00:12:58,360 Speaker 1: Like nothing was worse than an old movie driving in 234 00:12:58,400 --> 00:13:01,199 Speaker 1: a car. They play a movie on a screen behind him, 235 00:13:01,280 --> 00:13:03,560 Speaker 1: and the steering wheel was gigantic. It was as big 236 00:13:03,600 --> 00:13:05,679 Speaker 1: as the two people and it was just like this. 237 00:13:05,920 --> 00:13:08,000 Speaker 1: But now it's much much better, I guess, because they 238 00:13:08,000 --> 00:13:09,880 Speaker 1: really are driving in cars and they've got cameras on 239 00:13:09,960 --> 00:13:12,000 Speaker 1: rails and all this other stuff. But it's way better 240 00:13:12,040 --> 00:13:14,120 Speaker 1: than the East to be. It was so awful. They 241 00:13:14,160 --> 00:13:16,280 Speaker 1: still do the fake left and right, left and right 242 00:13:16,280 --> 00:13:19,000 Speaker 1: with their hands like you know, they look like turning 243 00:13:19,000 --> 00:13:23,280 Speaker 1: back and forth like zig zagging you do, and there's 244 00:13:23,280 --> 00:13:26,760 Speaker 1: a movie playing behind c g. I mean, I go 245 00:13:26,800 --> 00:13:30,199 Speaker 1: back to the first Star Wars. It was just awful. 246 00:13:31,280 --> 00:13:33,600 Speaker 1: I mean the effects in the original Star Wars compared 247 00:13:33,640 --> 00:13:36,040 Speaker 1: to now, Yeah, it does hold up a lot better 248 00:13:36,080 --> 00:13:37,440 Speaker 1: than a lot of sci fi. You you're back and 249 00:13:37,440 --> 00:13:40,360 Speaker 1: watch the first Superman movie. When the dam breaks, it's 250 00:13:40,400 --> 00:13:43,320 Speaker 1: little houses, like little plastic houses. You didn't realize it 251 00:13:43,360 --> 00:13:45,760 Speaker 1: back then, but like the water is going through like toys. 252 00:13:46,520 --> 00:13:48,440 Speaker 1: It looks like toys being washed away by the water. 253 00:13:48,600 --> 00:13:51,760 Speaker 1: Or another terrible one. Watch Godzilla. It's the guy in 254 00:13:51,800 --> 00:13:55,760 Speaker 1: the suit stomping on models. Ran It costs like to 255 00:13:55,800 --> 00:13:58,360 Speaker 1: make and you know that fake snow is soap SuDS 256 00:13:58,720 --> 00:14:01,960 Speaker 1: and it just looks awful or asbestos. Well back back, 257 00:14:02,000 --> 00:14:03,840 Speaker 1: way back then. But actually I was on the set 258 00:14:03,840 --> 00:14:07,400 Speaker 1: of Awakenings back in the eighties, um that Penny Marshall 259 00:14:07,440 --> 00:14:10,320 Speaker 1: directed with Rob Williams, and uh, we were there and 260 00:14:10,360 --> 00:14:12,560 Speaker 1: it was just soap everywhere. It was all it was 261 00:14:12,559 --> 00:14:15,480 Speaker 1: in Brooklyn. It was just soap all over the place. Yeah, huh, 262 00:14:16,840 --> 00:14:19,480 Speaker 1: give us a fun movie fact, Gandhi, I don't know 263 00:14:19,520 --> 00:14:21,080 Speaker 1: if I have any of these. He wasn't allowed to 264 00:14:21,080 --> 00:14:22,960 Speaker 1: watch movies. I really wasn't. I didn't watch anything, so 265 00:14:23,040 --> 00:14:25,480 Speaker 1: I was like six some way behind. I just read 266 00:14:25,640 --> 00:14:31,360 Speaker 1: a very famous, uh entertainer from India passed away, who 267 00:14:32,440 --> 00:14:35,280 Speaker 1: is a famous singer of fifty three year old. Yeah, 268 00:14:35,440 --> 00:14:37,880 Speaker 1: I mean very famous, but I don't know. I was 269 00:14:37,880 --> 00:14:39,280 Speaker 1: going to send it to Gandhi, but I thought that 270 00:14:39,320 --> 00:14:44,120 Speaker 1: was like, oh, yeah, you have my Indian friend. Yeah. 271 00:14:44,240 --> 00:14:46,240 Speaker 1: Almost a gay man died in Oklahoma. I sent in 272 00:14:46,240 --> 00:14:49,360 Speaker 1: the story. You know, it's interesting you're talking about the 273 00:14:49,360 --> 00:14:52,280 Speaker 1: movies as you looked at up Rescue Rangers on Disney 274 00:14:52,280 --> 00:14:56,200 Speaker 1: Plus is actually more adult than it. Actually you're led 275 00:14:56,240 --> 00:14:58,600 Speaker 1: to believe because they tell the story like Chipp and Dale. 276 00:14:58,640 --> 00:15:01,680 Speaker 1: They talk about them as actors and Chip got c 277 00:15:01,840 --> 00:15:03,920 Speaker 1: g I surgery, so he looks like he's in modern day, 278 00:15:03,920 --> 00:15:06,840 Speaker 1: but Dale's still living in the nineties with the like 279 00:15:06,920 --> 00:15:09,680 Speaker 1: the cartoons. And then Peter Pan. I didn't know the 280 00:15:09,720 --> 00:15:13,760 Speaker 1: story of the original Peter Pan. How he unfortunately, you know, 281 00:15:13,840 --> 00:15:16,160 Speaker 1: got fired from Disney and then became a drunk and 282 00:15:16,240 --> 00:15:20,440 Speaker 1: then so they make Peter Pan the actor and the 283 00:15:20,520 --> 00:15:23,360 Speaker 1: voice actor the voice apparently he never grew up and 284 00:15:23,360 --> 00:15:27,560 Speaker 1: he was still drinking. Well, he's the evil villain. He's 285 00:15:27,600 --> 00:15:31,760 Speaker 1: the drunk evil villain. So it's like almost in Rescue Rangers, 286 00:15:32,240 --> 00:15:34,280 Speaker 1: the movie that's out on Disney Plus, see, these are 287 00:15:34,280 --> 00:15:36,360 Speaker 1: the things we don't want to know, but but it's 288 00:15:36,400 --> 00:15:38,800 Speaker 1: it's so dark, but but it's interesting to see. Like 289 00:15:38,840 --> 00:15:40,520 Speaker 1: the kids, they'll they'll they'll just laugh at it. But 290 00:15:40,560 --> 00:15:43,640 Speaker 1: as an adult, you're like, wow, this is like creepy. Oh. 291 00:15:43,760 --> 00:15:45,160 Speaker 1: I have a movie fact that I know you guys 292 00:15:45,160 --> 00:15:48,240 Speaker 1: all already know. The Indian guy who was KK Yeah, 293 00:15:48,560 --> 00:15:53,080 Speaker 1: Chris Nakumara, I don't know that is I'm sorry, don't 294 00:15:53,160 --> 00:15:58,800 Speaker 1: yell at me. Um that in Jaws in the beginning 295 00:15:58,840 --> 00:16:01,040 Speaker 1: scene when the girl is screaming that, she was actually 296 00:16:01,080 --> 00:16:03,240 Speaker 1: screaming like that because they broke her ribs pulling her around. 297 00:16:03,640 --> 00:16:05,760 Speaker 1: You know who pulled their first We got one. He 298 00:16:08,200 --> 00:16:12,120 Speaker 1: Steven Spielberg did the first tug her rib cage and 299 00:16:12,200 --> 00:16:14,840 Speaker 1: it was an actual horrible scream and they use it 300 00:16:14,840 --> 00:16:18,560 Speaker 1: all the time right that stream and all the scary movies. Sam, 301 00:16:19,080 --> 00:16:20,600 Speaker 1: And do you know that one of the little kids, 302 00:16:20,600 --> 00:16:22,320 Speaker 1: a little blond kid at the beginning or whatever, when 303 00:16:22,360 --> 00:16:24,160 Speaker 1: they were playing around on the beach, he's now the 304 00:16:24,160 --> 00:16:26,360 Speaker 1: police chief of the actual town where it was filmed. 305 00:16:26,480 --> 00:16:29,880 Speaker 1: Stop it. It just happened, all right, Yeah, it just happened. God, 306 00:16:29,920 --> 00:16:34,480 Speaker 1: I wish I could top that kid. Morning Show