1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:11,200 Speaker 1: This is the podcast that comes after the podcast. 4 00:00:11,640 --> 00:00:24,960 Speaker 2: Welcome to Disgraceland, the after Party. 5 00:00:28,360 --> 00:00:31,680 Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we 6 00:00:31,880 --> 00:00:34,680 Speaker 1: like to call the after party. This is the show 7 00:00:34,760 --> 00:00:37,000 Speaker 1: after the show, the party after the party, the bridge 8 00:00:37,040 --> 00:00:39,040 Speaker 1: to get you from one full episode of Disgraceland to 9 00:00:39,080 --> 00:00:42,559 Speaker 1: the other, the backyard to dig into the dirt. On 10 00:00:42,600 --> 00:00:45,880 Speaker 1: this bonus episode, we are talking about rock and roll myths, 11 00:00:46,200 --> 00:00:50,000 Speaker 1: some incredibly salacious ones and calling bs and hell yeah, 12 00:00:50,080 --> 00:00:52,640 Speaker 1: we get into this week's subjects of our full episode. 13 00:00:52,720 --> 00:00:55,840 Speaker 1: Elvis Presley and Johnny Ace get into a little jay 14 00:00:55,880 --> 00:00:58,400 Speaker 1: Z update, talk Taylor and Beyonce. In the bonus section, 15 00:00:58,480 --> 00:01:01,200 Speaker 1: discuss your favorite Christmas songs and rock and roll myths 16 00:01:01,240 --> 00:01:04,520 Speaker 1: as we of course dive into your voicemails, text and more, 17 00:01:04,640 --> 00:01:07,840 Speaker 1: and as always, a whole lot of rosie. All right, 18 00:01:07,880 --> 00:01:19,440 Speaker 1: disc goes, Let's get into it. Mama Cass from the 19 00:01:19,440 --> 00:01:22,720 Speaker 1: Mamas and the Papas dying from choking on a ham sandwich. 20 00:01:22,800 --> 00:01:26,320 Speaker 1: Michael Hutchins from in Excess, dying from auto asphyxiation, Paul 21 00:01:26,400 --> 00:01:29,560 Speaker 1: McCartney killed in a car crash, Robert Johnson selling his 22 00:01:29,640 --> 00:01:32,920 Speaker 1: soul to the devil. Jim Morrison is the Zodiac killer, 23 00:01:33,040 --> 00:01:36,000 Speaker 1: Rod Stewart having to have his stomach pumped, Stevie Nixon 24 00:01:36,040 --> 00:01:39,160 Speaker 1: the cocaine enema, Alice Cooper biting the head off a 25 00:01:39,280 --> 00:01:43,720 Speaker 1: chicken on stage, Led Zeppelin in the Mudshark thing. I'll 26 00:01:43,720 --> 00:01:45,440 Speaker 1: get into the details on that in a minute. Johnny 27 00:01:45,440 --> 00:01:49,360 Speaker 1: Ace dying by his own hand playing Russian Roulette on Christmas. 28 00:01:49,560 --> 00:01:52,000 Speaker 1: Elvis is still alive. I saw him yesterday down at 29 00:01:52,040 --> 00:01:54,760 Speaker 1: the Pigley Wiggly buying scratch tickets and a donnut. Okay, 30 00:01:55,920 --> 00:01:59,280 Speaker 1: we've covered in one way or another most of these 31 00:01:59,320 --> 00:02:02,400 Speaker 1: myths Disgraceland. I added a couple new ones to keep 32 00:02:02,400 --> 00:02:04,880 Speaker 1: it fresh, and I'm bringing them up this week because 33 00:02:05,920 --> 00:02:08,400 Speaker 1: obviously we get into the incredible myth of R and 34 00:02:08,400 --> 00:02:11,480 Speaker 1: B singer Johnny Ace, who it is widely believed died 35 00:02:11,560 --> 00:02:14,639 Speaker 1: from playing Russian Roulette on Christmas Day in nineteen fifty four. 36 00:02:14,680 --> 00:02:18,079 Speaker 1: As I just mentioned, I love this story for many reasons, 37 00:02:18,600 --> 00:02:21,240 Speaker 1: mainly because though that I went into the research thinking 38 00:02:21,400 --> 00:02:24,480 Speaker 1: that this myth was true. Now not to spoil the 39 00:02:24,520 --> 00:02:27,200 Speaker 1: episode for those who haven't heard it yet. But well, 40 00:02:27,400 --> 00:02:30,600 Speaker 1: that ain't what happened. What actually happened, though, is way 41 00:02:30,639 --> 00:02:34,320 Speaker 1: more interesting, and just like the truth that bus all 42 00:02:34,400 --> 00:02:38,120 Speaker 1: of these myths that I've mentioned, the myths that get 43 00:02:38,200 --> 00:02:41,680 Speaker 1: us into the door at the kernel of truth within 44 00:02:41,760 --> 00:02:45,800 Speaker 1: the myth attracts us to these stories. Did Mama Cass 45 00:02:45,840 --> 00:02:48,920 Speaker 1: die from eating a ham sandwich? No? But does she 46 00:02:49,000 --> 00:02:51,520 Speaker 1: look like she could have? Well, yeah, she kind of does. 47 00:02:51,560 --> 00:02:54,079 Speaker 1: And the reality of that sucks. It's wrapped up in 48 00:02:54,120 --> 00:02:56,880 Speaker 1: all kinds of judgment and fat shaming and more. But 49 00:02:56,960 --> 00:02:59,720 Speaker 1: the truth is that Cass Elliott was a profoundly unhealthy 50 00:02:59,720 --> 00:03:02,799 Speaker 1: woman who took way too many drugs and drank way 51 00:03:02,800 --> 00:03:05,000 Speaker 1: too much alcohol in it all caught up to her. 52 00:03:05,440 --> 00:03:08,680 Speaker 1: But again, she looks like a ham sandwich could have 53 00:03:08,680 --> 00:03:11,320 Speaker 1: done her in, and we ask ourselves why that is. 54 00:03:12,040 --> 00:03:15,160 Speaker 1: We then dive into her backstory and voila, we gain 55 00:03:15,320 --> 00:03:19,120 Speaker 1: entry into an incredible story, a story we didn't know existed, 56 00:03:19,400 --> 00:03:22,600 Speaker 1: A story that goes way beyond the trite sixties drug 57 00:03:22,639 --> 00:03:26,920 Speaker 1: and alcohol indulgence and into international drug trafficking, into not 58 00:03:27,000 --> 00:03:30,480 Speaker 1: only a myth busting story, but a history busting story 59 00:03:30,600 --> 00:03:33,919 Speaker 1: of what actually happened the night Mama Cass's best friend 60 00:03:34,160 --> 00:03:37,920 Speaker 1: Sharon Tate was murdered by the Manson family. And for me, 61 00:03:38,520 --> 00:03:41,520 Speaker 1: all of that because the myth got me into the door. 62 00:03:41,960 --> 00:03:45,640 Speaker 1: How Michael Hutchinson die from sexual auto asphyxiation? But look 63 00:03:45,640 --> 00:03:47,920 Speaker 1: at that adonis of a man. Yeah, sure, I get it. 64 00:03:47,920 --> 00:03:50,200 Speaker 1: He could no longer be satisfied he'd had every beautiful 65 00:03:50,200 --> 00:03:55,920 Speaker 1: woman on the planet. Auto asphyxiation makes sense, But nuh suicide? Why? 66 00:03:56,520 --> 00:03:59,160 Speaker 1: Well again, the why is super interesting, And now we've 67 00:03:59,200 --> 00:04:02,640 Speaker 1: gotten ourselves into another incredible story. Paul McCartney dead in 68 00:04:02,680 --> 00:04:05,600 Speaker 1: a car crash. Nope, didn't happen. But the story of 69 00:04:05,640 --> 00:04:09,120 Speaker 1: how that ridiculous myth took root and captivated most of 70 00:04:09,120 --> 00:04:13,400 Speaker 1: Western culture. That's interesting. Man, Robert Johnson selling his soul 71 00:04:13,480 --> 00:04:15,440 Speaker 1: to the devil. I don't think so. I think Robert 72 00:04:15,480 --> 00:04:18,000 Speaker 1: Johnson was the devil. Wait, let's see see see, Now 73 00:04:18,000 --> 00:04:20,400 Speaker 1: I get your attention. So let's learn more about this 74 00:04:20,520 --> 00:04:23,240 Speaker 1: Robert Johnson guy. And there's a disgrace Land episode for that. 75 00:04:23,600 --> 00:04:27,640 Speaker 1: For all these stories, actually, well most Jim Morrison is 76 00:04:27,680 --> 00:04:31,039 Speaker 1: the Zodiac killer, all right. I started that one. Rod 77 00:04:31,080 --> 00:04:33,760 Speaker 1: Stewart in the stomach pump. Okay, this one there's no 78 00:04:33,839 --> 00:04:35,680 Speaker 1: episode for. And we're gonna get into this one in 79 00:04:35,760 --> 00:04:37,520 Speaker 1: more detail on the next block, when we get into 80 00:04:37,560 --> 00:04:41,440 Speaker 1: your voicemails and texts. Stevie Nicks and the Cocaine Enema, 81 00:04:41,960 --> 00:04:46,680 Speaker 1: this one I believe. As outrageous as it is, I 82 00:04:46,760 --> 00:04:49,560 Speaker 1: believe it. I don't care if it makes me sound 83 00:04:49,560 --> 00:04:52,760 Speaker 1: like a looney go read Stevie's denial of this story. 84 00:04:53,000 --> 00:04:58,920 Speaker 1: Thin Ti n for Nicks had her rodies blow Pablo's 85 00:04:58,920 --> 00:05:01,159 Speaker 1: powder up her backside because her nasal cavity was so 86 00:05:01,279 --> 00:05:03,400 Speaker 1: damaged she can no longer snort the drug that she 87 00:05:03,560 --> 00:05:06,080 Speaker 1: was highly addicted to. I mean, honestly, this isn't even 88 00:05:06,120 --> 00:05:08,440 Speaker 1: that debaucherous. When you measure it on a scale of 89 00:05:08,560 --> 00:05:12,039 Speaker 1: one to Caligula, it barely even approaches Diddy. Stevie Nicks 90 00:05:12,040 --> 00:05:15,159 Speaker 1: in the Cocaine Enema. I'm believing this one. Also, great 91 00:05:15,200 --> 00:05:17,080 Speaker 1: band name, you can have that one. Stevie Nicks in 92 00:05:17,120 --> 00:05:19,919 Speaker 1: the cocaine Etema. Alice Cooper biting the head off of 93 00:05:19,920 --> 00:05:23,760 Speaker 1: a chicken on stage. Not true and not original. This 94 00:05:23,839 --> 00:05:26,160 Speaker 1: is too close to the story of Ozzy Osbourne butting 95 00:05:26,160 --> 00:05:29,479 Speaker 1: the head off the dove, which is true. Can't Alice 96 00:05:29,480 --> 00:05:32,320 Speaker 1: Cooper get his own goddamn myth? Did the Alice thing? 97 00:05:32,320 --> 00:05:33,680 Speaker 1: Now that I think about it, did the Alice thing 98 00:05:33,760 --> 00:05:36,440 Speaker 1: come come about first? I think it did. Should I 99 00:05:36,440 --> 00:05:38,560 Speaker 1: do an episode on Alice Cooper? This is one of 100 00:05:38,560 --> 00:05:41,120 Speaker 1: the myths where the story behind it isn't that compelling 101 00:05:41,160 --> 00:05:43,240 Speaker 1: to me. I don't know. Maybe it is. I guess 102 00:05:43,279 --> 00:05:46,320 Speaker 1: I'm interested in how Alice Cooper managed his image, maybe 103 00:05:46,520 --> 00:05:48,920 Speaker 1: who he was on stage versus who he was off stage. 104 00:05:49,960 --> 00:05:52,960 Speaker 1: I think there's an early Zappa connection there, Todd Rundgren, 105 00:05:53,160 --> 00:05:56,120 Speaker 1: then golfing with George Burns and finding Jesus. Not very 106 00:05:56,200 --> 00:05:58,040 Speaker 1: rock and roll, but interesting, I guess, and I'm sure 107 00:05:58,080 --> 00:06:00,720 Speaker 1: there's some stuff there that's going to make me want 108 00:06:00,720 --> 00:06:03,680 Speaker 1: to dive further here. Let me know what you guys 109 00:06:03,720 --> 00:06:05,599 Speaker 1: think on Alice Cooper and whether or not I should 110 00:06:05,600 --> 00:06:08,320 Speaker 1: do an episode on him. Now led Zeppelin in the 111 00:06:08,360 --> 00:06:12,479 Speaker 1: mud Shark. This story is so wild that I only 112 00:06:12,480 --> 00:06:15,320 Speaker 1: alluded to it in the Zeppelin episode. I guess I'm 113 00:06:15,320 --> 00:06:17,680 Speaker 1: more than alluded to it, but I didn't indulge myself 114 00:06:18,600 --> 00:06:21,640 Speaker 1: in the storytelling around this incident, as I've done with 115 00:06:22,160 --> 00:06:24,400 Speaker 1: some of these other myths because this one is so 116 00:06:24,520 --> 00:06:26,560 Speaker 1: messed up, and fuck it. We're going to talk about 117 00:06:26,560 --> 00:06:28,000 Speaker 1: the Rod Steward thing later, so I guess I can 118 00:06:28,040 --> 00:06:30,839 Speaker 1: say what this one is. For the uninitiated. The story 119 00:06:31,200 --> 00:06:34,520 Speaker 1: of led Zeppelin and the mud Shark. Led Zeplin supposedly 120 00:06:34,600 --> 00:06:36,440 Speaker 1: used a mud shark to I don't even know how 121 00:06:36,480 --> 00:06:38,279 Speaker 1: to say this, to have sex with a woman, to 122 00:06:38,360 --> 00:06:42,279 Speaker 1: penetrate a woman a groupie. I'm realizing that the reason 123 00:06:42,279 --> 00:06:43,919 Speaker 1: I didn't go full on with the story of the 124 00:06:43,920 --> 00:06:47,560 Speaker 1: episode is because I actually believe that it happened, and 125 00:06:47,600 --> 00:06:50,920 Speaker 1: the fact that I think it's real makes it actually 126 00:06:50,960 --> 00:06:54,520 Speaker 1: offensive to me. Anyways, the story has been amended by 127 00:06:54,600 --> 00:06:56,680 Speaker 1: history to claim that it wasn't a shark, that it 128 00:06:56,720 --> 00:06:59,720 Speaker 1: wasn't a mud shark, but it was a much smaller fish. 129 00:07:00,120 --> 00:07:01,880 Speaker 1: I think the last thing I read was it was 130 00:07:01,920 --> 00:07:04,680 Speaker 1: a snapper or something like that, which again only makes 131 00:07:04,680 --> 00:07:09,360 Speaker 1: this more believable to me. This one's fucked. The story's disgusting. 132 00:07:10,280 --> 00:07:14,840 Speaker 1: Another music myth, jay z is a good guy. How's 133 00:07:14,840 --> 00:07:18,600 Speaker 1: that for a transition? Obviously that I'll be back up. Obviously, though, 134 00:07:18,640 --> 00:07:20,880 Speaker 1: we're talking about the music myths because that was the 135 00:07:20,960 --> 00:07:23,160 Speaker 1: question of the week, which music myths do you guys love? 136 00:07:23,280 --> 00:07:24,720 Speaker 1: And I heard a little bit from you guys on 137 00:07:24,760 --> 00:07:27,040 Speaker 1: a lot of these topics, and we're going to get 138 00:07:27,080 --> 00:07:29,400 Speaker 1: into the more when your voicemails and your text later on, 139 00:07:31,080 --> 00:07:32,840 Speaker 1: but I wanted to just touch on how many of 140 00:07:32,880 --> 00:07:36,680 Speaker 1: these we've actually covered in Disgracelane and some that we haven't. 141 00:07:36,840 --> 00:07:39,240 Speaker 1: And this isn't really my foray. I'm not really into 142 00:07:39,240 --> 00:07:41,040 Speaker 1: the myth side of things. I'm more into the true 143 00:07:41,040 --> 00:07:44,640 Speaker 1: crime side of things. But i want to know from 144 00:07:44,680 --> 00:07:46,840 Speaker 1: you guys what I'm missing here, and if anything, get 145 00:07:46,920 --> 00:07:48,360 Speaker 1: in touch and we could talk about it like we are. 146 00:07:48,400 --> 00:07:51,680 Speaker 1: The Alice Cooper thing as being a potential episode. But 147 00:07:51,760 --> 00:07:54,880 Speaker 1: back to jay Z okay, the music myth of jay 148 00:07:55,000 --> 00:07:57,920 Speaker 1: Z being a good guy. I was fifty to fifty 149 00:07:58,000 --> 00:07:59,640 Speaker 1: last week on whether or not I thought that jay 150 00:07:59,680 --> 00:08:02,520 Speaker 1: Z was guilty of the rape allegations being levied against them. 151 00:08:02,960 --> 00:08:07,000 Speaker 1: Those odds have slipped slightly based on last week's events. 152 00:08:07,280 --> 00:08:11,080 Speaker 1: I'm now probably forty five fifty five tilting toward thinking 153 00:08:11,120 --> 00:08:17,400 Speaker 1: that jay is actually guilty of what is being alleged 154 00:08:17,560 --> 00:08:21,160 Speaker 1: the crimes he is alleged to have committed. I'm not 155 00:08:21,160 --> 00:08:23,760 Speaker 1: going to dive fully into why, because not a lot 156 00:08:23,800 --> 00:08:25,680 Speaker 1: of news is broken in the past week on the 157 00:08:25,760 --> 00:08:27,960 Speaker 1: jay Z side of this story. If you're a law 158 00:08:28,000 --> 00:08:31,160 Speaker 1: and order nerd, I'm sure you feel like plenty has happened, 159 00:08:31,680 --> 00:08:33,600 Speaker 1: but I don't think so. I just don't want to 160 00:08:34,000 --> 00:08:36,840 Speaker 1: be rehashing lawyers going back and forth in the media. 161 00:08:37,040 --> 00:08:38,840 Speaker 1: One thing worth noting, though we did see the alleged 162 00:08:38,880 --> 00:08:42,880 Speaker 1: victims speak to NBC, there are inconsistencies in her story, 163 00:08:43,960 --> 00:08:45,920 Speaker 1: and we've seen jay Z and his lawyer double and 164 00:08:45,960 --> 00:08:49,160 Speaker 1: triple down on the aggressiveness of their denial. They formally 165 00:08:49,200 --> 00:08:52,079 Speaker 1: moved to have the case dismissed. Okay. We've seen Tony Buzby, 166 00:08:52,120 --> 00:08:54,200 Speaker 1: the larger than the life Texas attorney who's bringing the 167 00:08:54,200 --> 00:08:58,200 Speaker 1: case against jay Z, dig in. Okay, Buzzby's not giving 168 00:08:58,240 --> 00:09:03,920 Speaker 1: an inch. So unless we're following every legal breadcrumb here, 169 00:09:03,960 --> 00:09:08,480 Speaker 1: there's not much to talk about. Jay's tactics have been 170 00:09:09,200 --> 00:09:13,440 Speaker 1: able to hold the line with public opinions so far. Okay, 171 00:09:13,520 --> 00:09:16,560 Speaker 1: the NFL is still backing him. There seems to be 172 00:09:16,600 --> 00:09:20,560 Speaker 1: a wall of support online from fans and friendlies in 173 00:09:20,600 --> 00:09:24,760 Speaker 1: the press in the face of these allegations, the bleeding 174 00:09:25,559 --> 00:09:28,840 Speaker 1: has been stifled for the moment, at least as it 175 00:09:28,840 --> 00:09:32,880 Speaker 1: pertains to public relations. So if things are pretty much 176 00:09:32,880 --> 00:09:37,480 Speaker 1: status quo, why do I now think jay Z is 177 00:09:37,520 --> 00:09:41,280 Speaker 1: more likely to be guilty of these alleged crimes than 178 00:09:41,320 --> 00:09:44,959 Speaker 1: he is likely to be innocent. Why is my opinion 179 00:09:44,960 --> 00:09:49,720 Speaker 1: on this changed over the last week. Because here's why. 180 00:09:49,880 --> 00:09:52,960 Speaker 1: I think it's less likely that Tony Busby is an 181 00:09:53,040 --> 00:09:58,160 Speaker 1: ignorant fool than it is that jay Z was the 182 00:09:58,400 --> 00:10:01,959 Speaker 1: Raypee creep that there alleging he was twenty four years ago. 183 00:10:02,320 --> 00:10:05,080 Speaker 1: That's just my gun. Okay. For Tony Busby to pursue 184 00:10:05,080 --> 00:10:07,960 Speaker 1: this case in the first place and to then double 185 00:10:08,040 --> 00:10:12,880 Speaker 1: down after the fierceness of jay Z in his legal 186 00:10:12,920 --> 00:10:16,480 Speaker 1: team's response, Tony Busby would have to be operating from 187 00:10:16,520 --> 00:10:21,920 Speaker 1: a point of stupendous hubris and idiocy. And I just 188 00:10:21,920 --> 00:10:25,280 Speaker 1: don't think the guy is that dumb. He's already worth 189 00:10:25,320 --> 00:10:28,520 Speaker 1: fifty million dollars, so he doesn't need money. He has 190 00:10:28,840 --> 00:10:32,360 Speaker 1: government contracts with the State of Texas, Okay, he's so 191 00:10:32,400 --> 00:10:35,240 Speaker 1: he's got work. It's my point. He also has a 192 00:10:35,280 --> 00:10:41,640 Speaker 1: reputation to uphold. You shoot at the king and you miss. Eh, 193 00:10:42,200 --> 00:10:43,760 Speaker 1: you shoot at the king and you miss with an 194 00:10:43,800 --> 00:10:48,800 Speaker 1: unloaded gun. It's just too dumb. I could be wrong, 195 00:10:49,520 --> 00:10:51,960 Speaker 1: but I don't think that's who Buzzby is. And I 196 00:10:52,000 --> 00:10:55,680 Speaker 1: think his claim that he has evidence is more believable 197 00:10:55,720 --> 00:10:59,320 Speaker 1: than Jay's claim that he's totally innocent. I could be wrong, Okay, 198 00:10:59,360 --> 00:11:01,280 Speaker 1: I want to stress that, but given the facts that 199 00:11:01,320 --> 00:11:03,959 Speaker 1: are on the table right now, at this moment, that 200 00:11:04,160 --> 00:11:07,960 Speaker 1: is where I am at Now. I'm not saying Jay 201 00:11:08,040 --> 00:11:12,400 Speaker 1: z is guilty. I'm just saying I'm slightly on one 202 00:11:12,520 --> 00:11:15,320 Speaker 1: side of the seesaw then the other. And I should 203 00:11:15,360 --> 00:11:17,199 Speaker 1: also say that if new evidence comes to light, and 204 00:11:17,240 --> 00:11:19,480 Speaker 1: I'm sure it will, I reserve the right to change 205 00:11:19,520 --> 00:11:22,640 Speaker 1: my mind based on new facts. Okay, But as of 206 00:11:22,720 --> 00:11:24,640 Speaker 1: right now, this is just what my gut is telling me. 207 00:11:24,679 --> 00:11:29,760 Speaker 1: It's slightly more likely to me that Jay's guilty as alleged. 208 00:11:30,240 --> 00:11:33,000 Speaker 1: We get more details, we get more importantly, we get 209 00:11:33,000 --> 00:11:36,480 Speaker 1: more interesting details on this case, and I guess broadly 210 00:11:36,760 --> 00:11:39,120 Speaker 1: on the Sean Combs case. I will have them for 211 00:11:39,200 --> 00:11:41,480 Speaker 1: you here in the after party. Before we get to 212 00:11:41,520 --> 00:11:43,439 Speaker 1: the rest of today's after party, though, I just want 213 00:11:43,480 --> 00:11:46,040 Speaker 1: to mention our rewind episode is going to pop up 214 00:11:46,040 --> 00:11:48,280 Speaker 1: on your feed the day after you hear this bonus episode, 215 00:11:48,720 --> 00:11:53,240 Speaker 1: and that rewind episode is another Christmas themed story, this 216 00:11:53,320 --> 00:11:56,520 Speaker 1: one on the incredible country singer Merle Haggard. So check 217 00:11:56,559 --> 00:11:59,200 Speaker 1: that out, okay for all your honky tonk Christmas vibes. 218 00:11:59,240 --> 00:12:00,840 Speaker 1: And even if you don't know who Merle is, you're 219 00:12:00,880 --> 00:12:02,439 Speaker 1: gonna want to hear this story. Merle is one of 220 00:12:02,480 --> 00:12:06,160 Speaker 1: the best to ever do it all right? Okay? Following Merle, 221 00:12:06,320 --> 00:12:09,720 Speaker 1: next week's episode another story that takes place around Christmas. 222 00:12:09,720 --> 00:12:13,200 Speaker 1: It's on Larger than Life Life of the Party Chris Farley. 223 00:12:13,559 --> 00:12:16,040 Speaker 1: So when you're listening to this episode, you're no doubt 224 00:12:16,040 --> 00:12:18,839 Speaker 1: going to be thinking of SNL and the SNL cast 225 00:12:18,920 --> 00:12:21,560 Speaker 1: that you love growing up. Let me know six one seven, 226 00:12:21,640 --> 00:12:24,480 Speaker 1: nine oh six six sixty three eight. Which SNL performer 227 00:12:24,600 --> 00:12:27,959 Speaker 1: is your fave and from which era? Which SNL performer 228 00:12:28,000 --> 00:12:30,800 Speaker 1: from which cast made you and your friends laugh the hardest? 229 00:12:31,040 --> 00:12:33,200 Speaker 1: Hit me up at Grace laind pod on the Socials 230 00:12:33,320 --> 00:12:35,240 Speaker 1: six one seven nine oh six six sixty three eight. 231 00:12:35,480 --> 00:12:37,920 Speaker 1: Voicemail and text. I will be back in a flash 232 00:12:38,400 --> 00:12:58,400 Speaker 1: with your voicemails and text. All right, We're gonna get 233 00:12:58,400 --> 00:13:00,320 Speaker 1: to your texting voicemails in a second, but I want 234 00:13:00,360 --> 00:13:02,120 Speaker 1: to talk to you guys real quick about something. As 235 00:13:02,120 --> 00:13:04,120 Speaker 1: I just mentioned before the break, hit me up with 236 00:13:04,200 --> 00:13:06,840 Speaker 1: your answers question of the Week on SNL. But I'm 237 00:13:06,880 --> 00:13:08,880 Speaker 1: also looking for something else from you guys this week. 238 00:13:09,240 --> 00:13:12,480 Speaker 1: I want to know what's your story? Okay. I want 239 00:13:12,520 --> 00:13:15,560 Speaker 1: to hear from you guys on any story related to 240 00:13:15,640 --> 00:13:18,040 Speaker 1: rock and roll that you want to tell. It can 241 00:13:18,040 --> 00:13:19,800 Speaker 1: be a story that happened to you at a concert 242 00:13:19,920 --> 00:13:22,280 Speaker 1: or a show, or just listening to music. It can 243 00:13:22,320 --> 00:13:25,640 Speaker 1: be a story about an artist that you heard about 244 00:13:25,920 --> 00:13:29,040 Speaker 1: that I don't know about, okay, but he screwed that. 245 00:13:29,080 --> 00:13:31,920 Speaker 1: Don't worry about the story being unique or something that 246 00:13:32,000 --> 00:13:34,280 Speaker 1: I or others have heard. It can be any story 247 00:13:34,360 --> 00:13:37,760 Speaker 1: of rock and roll animalism that you love. It can 248 00:13:37,800 --> 00:13:39,599 Speaker 1: be a story, like I said, you've already heard in 249 00:13:39,640 --> 00:13:42,240 Speaker 1: Disgraceland that you keep going back to, that you shared 250 00:13:42,280 --> 00:13:44,200 Speaker 1: with others, a story that you and your friends can't 251 00:13:44,200 --> 00:13:46,600 Speaker 1: stop thinking about that you talk about often. All Right, 252 00:13:46,720 --> 00:13:49,439 Speaker 1: I'm serious about this idea of preserving the true spirit 253 00:13:49,480 --> 00:13:51,920 Speaker 1: of rock and roll that we talked about in a 254 00:13:51,920 --> 00:13:55,559 Speaker 1: few of these previous bonus episodes to do. So you guys, 255 00:13:56,120 --> 00:13:58,080 Speaker 1: you got to help me out. Disco's got to help 256 00:13:58,120 --> 00:14:01,200 Speaker 1: all right, Send your rock and roll, animal story, any story, 257 00:14:01,240 --> 00:14:03,600 Speaker 1: send it into me. I'm gonna start cataloging them. I'm 258 00:14:03,600 --> 00:14:06,000 Speaker 1: gonna start talking about them more here in the after 259 00:14:06,040 --> 00:14:08,880 Speaker 1: party with you guys directly. I'm gonna start featuring you 260 00:14:09,040 --> 00:14:12,200 Speaker 1: and your stories every week in videos on social. So 261 00:14:12,440 --> 00:14:14,320 Speaker 1: give me a little bit about yourself as well. Who 262 00:14:14,400 --> 00:14:15,959 Speaker 1: you are, what your name is, where you're from, how 263 00:14:15,960 --> 00:14:19,000 Speaker 1: long you've been listening to Disgraceland, and anyone you want 264 00:14:19,040 --> 00:14:21,520 Speaker 1: me to shout out when when I feature you and 265 00:14:21,600 --> 00:14:23,720 Speaker 1: your story. Okay, the guys down at the job site, 266 00:14:23,880 --> 00:14:26,240 Speaker 1: the girls in your office on your shift with you, 267 00:14:26,240 --> 00:14:29,280 Speaker 1: your cat, your dog, your brother, your sister, whoever. I'll 268 00:14:29,320 --> 00:14:32,360 Speaker 1: pick one story. I'll pick one story and feature it 269 00:14:32,360 --> 00:14:34,080 Speaker 1: in a video on social and I get to use 270 00:14:34,120 --> 00:14:36,840 Speaker 1: my Carl Castle voice. This week's story of the week 271 00:14:36,880 --> 00:14:38,760 Speaker 1: comes from deb in the two to one too, And 272 00:14:38,760 --> 00:14:41,680 Speaker 1: then I'm gonna read your story in a bit about you, 273 00:14:41,960 --> 00:14:45,000 Speaker 1: maybe putting some visuals to the video, and then we'll, 274 00:14:45,040 --> 00:14:46,760 Speaker 1: you know, we'll talk about some of the other stories 275 00:14:46,800 --> 00:14:48,920 Speaker 1: here in the after party as well, like this whole 276 00:14:48,960 --> 00:14:53,200 Speaker 1: process is gonna be us sort of maintaining, preserving the 277 00:14:53,240 --> 00:14:56,720 Speaker 1: true spirit of rock and roll. I don't know exactly 278 00:14:56,760 --> 00:14:59,240 Speaker 1: what this is going to turn into, but it's it's 279 00:14:59,360 --> 00:15:03,080 Speaker 1: it's all about us together, preserving these stories beyond the podcast, 280 00:15:03,120 --> 00:15:05,200 Speaker 1: and at a minimum, this project will give us the 281 00:15:05,200 --> 00:15:08,520 Speaker 1: opportunity to start talking more about these wild tales here 282 00:15:08,520 --> 00:15:11,240 Speaker 1: in the after party and on social every week when 283 00:15:11,240 --> 00:15:14,280 Speaker 1: I pick one of you and feature your story. So 284 00:15:15,040 --> 00:15:18,120 Speaker 1: the Kinks they had the Village Green Preservation Society. This 285 00:15:18,160 --> 00:15:21,280 Speaker 1: is something like the Disgraceland rock and Roll Preservation Society, 286 00:15:21,320 --> 00:15:24,280 Speaker 1: the Disco rock and Roll Preservation Society, something like that. 287 00:15:24,560 --> 00:15:27,760 Speaker 1: So hit me with your stories, any story, any rock 288 00:15:27,800 --> 00:15:31,160 Speaker 1: and roll animal story you got six one seven, nine 289 00:15:31,160 --> 00:15:34,560 Speaker 1: oh six, six sixty three eight voicemail texts at Disgrace 290 00:15:34,640 --> 00:15:38,000 Speaker 1: LAMDPOD on the socials. Okay, let's hear from Jessica in 291 00:15:38,040 --> 00:15:38,760 Speaker 1: the three one four. 292 00:15:39,280 --> 00:15:44,920 Speaker 3: Hi, Jake, it's Jessica, your friendly neighborhood missaus therapist. I 293 00:15:45,000 --> 00:15:48,440 Speaker 3: really want you to debunk the rod storre at stomach pumpsing. 294 00:15:48,600 --> 00:15:51,080 Speaker 3: My uncle has brought it up multiple times. I don't 295 00:15:51,120 --> 00:15:53,720 Speaker 3: know why he even thinks about it, but I keep 296 00:15:53,720 --> 00:15:57,640 Speaker 3: telling him that's not physically possible. So I just would 297 00:15:57,640 --> 00:16:00,760 Speaker 3: really like some real factual and information on that. 298 00:16:01,160 --> 00:16:04,000 Speaker 1: Thank you, Jessica. I don't know who your uncle is, 299 00:16:04,200 --> 00:16:06,680 Speaker 1: but he's he does have a weird You're you're hinting 300 00:16:06,720 --> 00:16:09,480 Speaker 1: at a weird fascination here with this story. And it's 301 00:16:09,480 --> 00:16:14,880 Speaker 1: a weird fucking story. It's a bit too ridiculous. I 302 00:16:14,960 --> 00:16:18,200 Speaker 1: never believed it, the Rod Stewart having his stomach pumped. 303 00:16:18,800 --> 00:16:21,560 Speaker 1: Uh So this morning, on the heels of your voicemail, 304 00:16:21,840 --> 00:16:24,320 Speaker 1: I looked it up and I learned how this story 305 00:16:24,320 --> 00:16:25,960 Speaker 1: came to be. And I remember hearing the story as 306 00:16:25,960 --> 00:16:28,120 Speaker 1: some of you did when I was a kid, Okay, 307 00:16:28,360 --> 00:16:32,880 Speaker 1: in like elementary school. Uh the story is, the myth 308 00:16:33,320 --> 00:16:39,680 Speaker 1: is that Rod Stewart took on nine sailors. Rod's a 309 00:16:39,760 --> 00:16:42,280 Speaker 1: giving lad, I guess, because this was Fallatio and like 310 00:16:42,320 --> 00:16:45,240 Speaker 1: I said, Rod Rod, Yeah, Rod was doing the deed 311 00:16:45,280 --> 00:16:50,160 Speaker 1: there and anyway, afterward, as the ridiculous story goes, Rod 312 00:16:50,960 --> 00:16:53,960 Speaker 1: had swallowed so much that he had to have it 313 00:16:54,000 --> 00:16:58,320 Speaker 1: all pumped out. Okay, dumb, dumb, fucking story clearly never happened. 314 00:16:59,040 --> 00:17:02,680 Speaker 1: But this morning I asked, how could this become a myth. 315 00:17:03,440 --> 00:17:06,840 Speaker 1: I looked it up and it's pretty interesting. Okay, So 316 00:17:07,840 --> 00:17:10,840 Speaker 1: I believe this is the early eighties when this takes place. 317 00:17:11,040 --> 00:17:12,719 Speaker 1: Could have been the late seventies, but I believe it's 318 00:17:12,760 --> 00:17:16,639 Speaker 1: the early eighties. And apparently Rod Stewart had pissed off 319 00:17:17,040 --> 00:17:20,680 Speaker 1: one of his publicists or his main publicists, a disgruntled 320 00:17:20,720 --> 00:17:23,080 Speaker 1: ex publicist. I found the guy's name, but I'm not 321 00:17:23,160 --> 00:17:26,000 Speaker 1: using it here now. Look, I'm not trying to be 322 00:17:26,040 --> 00:17:29,040 Speaker 1: insensitive here at all. I'm just telling you the story, 323 00:17:29,200 --> 00:17:32,600 Speaker 1: all right, So do not judge me for this. Apparently 324 00:17:32,680 --> 00:17:36,600 Speaker 1: Rod Stuart was staying at some hotel with his family, 325 00:17:36,680 --> 00:17:40,119 Speaker 1: friend's crew whomever on the road I guess, and he 326 00:17:40,160 --> 00:17:44,360 Speaker 1: had a son with him and was apparently trying to 327 00:17:44,560 --> 00:17:48,919 Speaker 1: maintain some non rock and roll lifestyle, some sort of 328 00:17:48,960 --> 00:17:54,320 Speaker 1: family atmosphere. And Rod caught his publicist at the hotel 329 00:17:54,840 --> 00:17:59,600 Speaker 1: in bed with another man, and that pissed Rod off, 330 00:18:00,040 --> 00:18:03,480 Speaker 1: so Rod fired the publicist. Now that's the story I 331 00:18:03,520 --> 00:18:06,440 Speaker 1: read this morning. Do I believe that story to be true. 332 00:18:08,480 --> 00:18:11,320 Speaker 1: I don't believe it to be one hundred percent accurate, 333 00:18:11,720 --> 00:18:14,960 Speaker 1: but I do think it's a kernel of the story's origin. 334 00:18:15,440 --> 00:18:16,960 Speaker 1: Should be noted that I read in this scene. I 335 00:18:17,000 --> 00:18:19,560 Speaker 1: don't want to shit on this publication because they're very 336 00:18:19,600 --> 00:18:21,960 Speaker 1: active and out there in the world, and I think 337 00:18:21,960 --> 00:18:23,680 Speaker 1: they do more good than bad. But I did read 338 00:18:23,800 --> 00:18:26,000 Speaker 1: another story from this outlet this morning that said that 339 00:18:26,000 --> 00:18:28,080 Speaker 1: Martin Scorsese grew up in Queen's which he did not. 340 00:18:28,680 --> 00:18:30,760 Speaker 1: But hey, everybody gets facts wrong every now and then. 341 00:18:30,760 --> 00:18:35,240 Speaker 1: Myself included that said the details of the story, I'm 342 00:18:35,240 --> 00:18:38,479 Speaker 1: not one hundred percent behind them. However, the general origin 343 00:18:38,560 --> 00:18:40,200 Speaker 1: of it is very interesting to me, and I think 344 00:18:40,200 --> 00:18:42,520 Speaker 1: it could have happened. Rod comes back to his hotel. 345 00:18:42,760 --> 00:18:45,760 Speaker 1: He finds his publicist in bed with another man. Rod 346 00:18:45,840 --> 00:18:48,360 Speaker 1: is pissed off about this for some reason. I don't 347 00:18:48,359 --> 00:18:50,520 Speaker 1: know what it is, beyond the obvious sort of I 348 00:18:50,520 --> 00:18:54,639 Speaker 1: guess prudeness and homophobia. I don't know. I don't know 349 00:18:54,680 --> 00:18:56,160 Speaker 1: what was going on. I don want to accuse Rod 350 00:18:56,160 --> 00:19:00,119 Speaker 1: of that. I was pissed, fired the publicist, and then 351 00:19:00,320 --> 00:19:05,000 Speaker 1: the publicist, feeling vengeful, went to his contacts in the 352 00:19:05,080 --> 00:19:08,919 Speaker 1: press and made this rumor up about Rod and spread 353 00:19:08,920 --> 00:19:13,320 Speaker 1: it to get revenge, which is insane. So Jessica, lay 354 00:19:13,359 --> 00:19:15,040 Speaker 1: that all on your uncle and let me know what 355 00:19:15,080 --> 00:19:17,520 Speaker 1: he says. Seriously, I want to know what your uncle says. 356 00:19:17,720 --> 00:19:19,479 Speaker 1: I don't think I don't think he's going to give 357 00:19:19,560 --> 00:19:21,159 Speaker 1: up this story. It feels like he's too attached to it. 358 00:19:21,200 --> 00:19:24,119 Speaker 1: But let me know, all right, lots of incoming for 359 00:19:24,240 --> 00:19:27,600 Speaker 1: you guys on your favorite Christmas songs. And we talked 360 00:19:27,640 --> 00:19:29,560 Speaker 1: about that last week. We'll give a little more air 361 00:19:29,600 --> 00:19:32,480 Speaker 1: to it this week. So let's check out this voicemail 362 00:19:32,520 --> 00:19:34,000 Speaker 1: from Liam in the two oh six. 363 00:19:34,480 --> 00:19:37,680 Speaker 4: Yeah, this is Liam, callin from Seattle. You're asking about 364 00:19:37,680 --> 00:19:42,479 Speaker 4: a favorite Christmas song. So that little story. In nineteen 365 00:19:42,560 --> 00:19:46,560 Speaker 4: ninety six, I was backpacking through Cambodia and that was 366 00:19:46,640 --> 00:19:50,480 Speaker 4: early on. Paul Pott was still alive and place was 367 00:19:50,520 --> 00:19:52,080 Speaker 4: a total mess, totally anarchy. 368 00:19:52,280 --> 00:19:52,680 Speaker 1: Loved it. 369 00:19:53,960 --> 00:19:56,760 Speaker 4: Prior to leaving, I put together a little set of 370 00:19:56,840 --> 00:20:01,119 Speaker 4: Christmas tunes on a tape for my walkman. And so 371 00:20:01,280 --> 00:20:03,919 Speaker 4: back in the day, huh and one of the songs 372 00:20:04,280 --> 00:20:06,520 Speaker 4: you know I had, I would play over and over 373 00:20:06,760 --> 00:20:09,280 Speaker 4: as those going through the end Cool Lott Temples and Cambodia. 374 00:20:09,840 --> 00:20:13,560 Speaker 4: And now it's become a staple for the holidays when 375 00:20:13,560 --> 00:20:17,439 Speaker 4: we get family together, and that is rocking out to 376 00:20:17,800 --> 00:20:20,640 Speaker 4: run DMC Christmas in Hollis. 377 00:20:21,080 --> 00:20:24,600 Speaker 1: Liam, I love this. I love that you're backpacking through 378 00:20:24,800 --> 00:20:29,160 Speaker 1: Polepot's Cambodia in the nineteen nineties and listening to run DMC. 379 00:20:30,440 --> 00:20:33,280 Speaker 1: This might be the most badass voicemail we've ever received. 380 00:20:34,520 --> 00:20:37,119 Speaker 1: Love it, Liam, Christmas time in Hollis. Can't fuck with 381 00:20:37,160 --> 00:20:39,680 Speaker 1: it all right? Six one seven nine was six six 382 00:20:39,800 --> 00:20:44,320 Speaker 1: six three eight Get at me, guys voicemail and text. 383 00:20:45,440 --> 00:20:48,960 Speaker 1: Let's check out this text from the three to oh two. Okay, 384 00:20:49,080 --> 00:20:52,199 Speaker 1: text reads, Here's what I don't understand about Tom DeLong. 385 00:20:52,600 --> 00:20:56,720 Speaker 1: Why Tom DeLong of all people? I mean, I do 386 00:20:56,840 --> 00:20:59,959 Speaker 1: know why, But surely there's got to be someone more relevant, 387 00:21:00,640 --> 00:21:04,040 Speaker 1: more socially impactful in the two thousands who believes as 388 00:21:04,040 --> 00:21:06,399 Speaker 1: strongly as Tom does. Now that this person from the 389 00:21:06,400 --> 00:21:10,360 Speaker 1: three to zero two who's writing in is referencing the 390 00:21:10,560 --> 00:21:15,040 Speaker 1: Little Disgraceland documentary we released on our Patreon last week 391 00:21:15,080 --> 00:21:18,359 Speaker 1: as a drop that goes into the story of Tom 392 00:21:18,400 --> 00:21:22,080 Speaker 1: DeLong and his UFO disclosure. And my answer to that 393 00:21:22,119 --> 00:21:28,359 Speaker 1: would be the United States government has used many unwitting 394 00:21:28,440 --> 00:21:36,760 Speaker 1: but also unlikely individuals from culture to disclose information. So 395 00:21:38,160 --> 00:21:40,879 Speaker 1: you know, I don't know, Maybe it's just as simple 396 00:21:40,920 --> 00:21:43,239 Speaker 1: as the CIA just doesn't have a handle. I mean, 397 00:21:43,240 --> 00:21:44,920 Speaker 1: who are they going to go through? You know, three 398 00:21:44,920 --> 00:21:46,560 Speaker 1: months ago you would have said jay Z would have 399 00:21:46,600 --> 00:21:50,680 Speaker 1: been a good choice, right, So, I mean Tom DeLong 400 00:21:50,840 --> 00:21:53,440 Speaker 1: has a lot of experience in this field. The guy's 401 00:21:53,960 --> 00:21:56,639 Speaker 1: co written a ton of books on this, and he 402 00:21:56,720 --> 00:21:59,280 Speaker 1: has a huge bullhorn and a huge audience. And I 403 00:21:59,320 --> 00:22:01,720 Speaker 1: think it's as simple is that. I really do. And 404 00:22:01,800 --> 00:22:03,760 Speaker 1: I want to know what's going on in New Jersey, 405 00:22:04,119 --> 00:22:06,520 Speaker 1: all right. Three H two also writes in a thousand 406 00:22:06,520 --> 00:22:08,560 Speaker 1: mob guys in New Jersey and not one of them 407 00:22:08,600 --> 00:22:11,600 Speaker 1: is shot a drone down? Yeah, what is up? What 408 00:22:11,800 --> 00:22:15,560 Speaker 1: is up? Every day? I have a different opinion on this. 409 00:22:16,000 --> 00:22:18,720 Speaker 1: I'm like, it's UFO, It's it's UAPs. Then I'm like 410 00:22:18,760 --> 00:22:21,719 Speaker 1: it's China. Then I'm like it's government they're looking for 411 00:22:22,720 --> 00:22:25,120 Speaker 1: they're trying to sense out radiation. There's a dirty bomb, 412 00:22:25,160 --> 00:22:27,600 Speaker 1: that's I'm not saying that. Don't get worried, but you know, 413 00:22:28,080 --> 00:22:31,040 Speaker 1: my havelet my paranoia get the best of me. People 414 00:22:31,119 --> 00:22:35,000 Speaker 1: from New Jersey who are listening to this, please call me, 415 00:22:35,400 --> 00:22:39,240 Speaker 1: write to me, text me, hit me at disgrace lampod 416 00:22:39,280 --> 00:22:41,720 Speaker 1: on social some of you already have, but no one 417 00:22:41,760 --> 00:22:43,919 Speaker 1: so far who has had eyes on these six one 418 00:22:44,000 --> 00:22:45,880 Speaker 1: seven nine oh six six six three eight. I want 419 00:22:45,920 --> 00:22:50,000 Speaker 1: to know what the hell is going on? Please, We're 420 00:22:50,040 --> 00:22:52,600 Speaker 1: not getting any information, and I've kind of like, I'm 421 00:22:52,640 --> 00:22:55,080 Speaker 1: not trying to be into this story, but I can't 422 00:22:55,119 --> 00:22:57,760 Speaker 1: stop thinking about it, So hit me up. All right, 423 00:22:58,320 --> 00:23:01,399 Speaker 1: back to real quick here three to oh two and 424 00:23:01,480 --> 00:23:03,879 Speaker 1: the Tom DeLong doc. If you guys haven't seen this, 425 00:23:04,560 --> 00:23:09,199 Speaker 1: sign up for our Patreon scrasingpod dot com slash membership 426 00:23:09,440 --> 00:23:12,680 Speaker 1: and that thing's gonna live up there forever for Patreon 427 00:23:12,920 --> 00:23:14,920 Speaker 1: paid Patreon members. All right, you can be able to 428 00:23:15,000 --> 00:23:17,360 Speaker 1: check it out there, all right? Five seven oh five 429 00:23:17,400 --> 00:23:19,800 Speaker 1: seven oh right, saying hey Jake, this is Logan from 430 00:23:19,800 --> 00:23:21,920 Speaker 1: the five seven oh. I just finished the latest bonus episode. 431 00:23:21,960 --> 00:23:23,840 Speaker 1: I want to let you know I could not hear 432 00:23:23,880 --> 00:23:26,120 Speaker 1: the trucks in the background. I hope this helps rock 433 00:23:26,119 --> 00:23:28,760 Speaker 1: and rolla five seven oh. It does help. There's no 434 00:23:28,880 --> 00:23:31,200 Speaker 1: trucks today, but there is some bang and they're putting 435 00:23:31,200 --> 00:23:34,480 Speaker 1: a roof on the on the house across the street. 436 00:23:34,720 --> 00:23:40,280 Speaker 1: I did find out today that a semi famous felon 437 00:23:40,960 --> 00:23:44,600 Speaker 1: has moved into the house on my street, like four 438 00:23:44,640 --> 00:23:48,000 Speaker 1: houses down. I'm not gonna say who it is because 439 00:23:48,040 --> 00:23:51,639 Speaker 1: he's rehabilitated himself and we're all for that. But uh, 440 00:23:51,680 --> 00:23:55,600 Speaker 1: I'm a little starstruck by this. Fascinating anyways, they're putting 441 00:23:55,600 --> 00:23:56,960 Speaker 1: a roof on the house across the street. I think, 442 00:23:56,960 --> 00:23:58,840 Speaker 1: I'm I think I'm talking my way around the bang 443 00:23:58,840 --> 00:24:01,320 Speaker 1: and I can't wait for the studio to be done. 444 00:24:01,400 --> 00:24:03,399 Speaker 1: I can't wait get a little more time, though I 445 00:24:03,440 --> 00:24:06,960 Speaker 1: appreciate the uh. The text five to seven zero four 446 00:24:07,000 --> 00:24:10,199 Speaker 1: one six, Jason writes in this is in regards to 447 00:24:10,200 --> 00:24:11,439 Speaker 1: the Christmas song. I want to do a couple more 448 00:24:11,440 --> 00:24:15,119 Speaker 1: of these Christmas songs. Christmas in Prison by John Brian is, 449 00:24:15,160 --> 00:24:19,240 Speaker 1: in my mind, the greatest Christmas song ever written. It's 450 00:24:19,280 --> 00:24:21,720 Speaker 1: along the lines of I'll be home for Christmas, but 451 00:24:21,800 --> 00:24:24,479 Speaker 1: it's realer and it puts you right there in the 452 00:24:24,520 --> 00:24:28,000 Speaker 1: cell with the singer and his pining heart. How can 453 00:24:28,040 --> 00:24:31,000 Speaker 1: you be? It was Christmas in prison and the food 454 00:24:31,119 --> 00:24:34,760 Speaker 1: was real good. We had turkey and pistols carved out 455 00:24:34,760 --> 00:24:38,080 Speaker 1: of wood. And I dream of her always, even when 456 00:24:38,080 --> 00:24:41,440 Speaker 1: I don't dream. Her names on my tongue, and her 457 00:24:41,480 --> 00:24:46,040 Speaker 1: blood's in my stream. Rock a rolla Merry Christmas. How 458 00:24:46,080 --> 00:24:48,960 Speaker 1: awesome is that? Jason? Thank you for that text. Beautiful. 459 00:24:49,560 --> 00:24:52,040 Speaker 1: I need to check that John Prine song out. I 460 00:24:52,119 --> 00:24:55,560 Speaker 1: keep saying that I keep forgetting, but h I appreciate 461 00:24:55,560 --> 00:24:58,000 Speaker 1: you reminding me six one seven nine oh six six 462 00:24:58,119 --> 00:24:59,840 Speaker 1: six three eight. Any of you guys want to remind 463 00:24:59,840 --> 00:25:02,760 Speaker 1: me of your Christmas songs? Your favorite Christmas songs. We 464 00:25:02,800 --> 00:25:05,600 Speaker 1: can keep this topic open for the next week here 465 00:25:05,720 --> 00:25:09,000 Speaker 1: until we get through the holiday season at Disgraceland pod 466 00:25:09,080 --> 00:25:12,480 Speaker 1: on the socials as well. Got this one from a 467 00:25:12,520 --> 00:25:16,520 Speaker 1: fellow named John Gorman, who wrote wrote to me last 468 00:25:16,600 --> 00:25:19,960 Speaker 1: year at this time, and I missed it, okay, and 469 00:25:20,000 --> 00:25:22,399 Speaker 1: then he wrote to me again and I saw the 470 00:25:22,480 --> 00:25:24,560 Speaker 1: rest of his message. I think that's how this worked. 471 00:25:24,640 --> 00:25:27,560 Speaker 1: My dog's barking in the background now and with John writes, 472 00:25:27,680 --> 00:25:30,440 Speaker 1: I just got back to the States from Shane McGowan's funeral, 473 00:25:30,880 --> 00:25:33,240 Speaker 1: and if you haven't already done one, you got to 474 00:25:33,240 --> 00:25:36,600 Speaker 1: do one on him. The stories his wife told that 475 00:25:36,720 --> 00:25:40,639 Speaker 1: the funeral were insane. I knew he was one mad bastard, 476 00:25:40,880 --> 00:25:46,760 Speaker 1: but had no idea how mad. And I responded, of course, 477 00:25:46,840 --> 00:25:48,359 Speaker 1: I was like, were you friends with Shane? How did 478 00:25:48,400 --> 00:25:50,720 Speaker 1: you end up at his funeral and John Roden I 479 00:25:50,760 --> 00:25:52,480 Speaker 1: asked him if you heard the episode too, and John Rodan, 480 00:25:52,520 --> 00:25:55,359 Speaker 1: I did, great episode, big fan, and I met him 481 00:25:55,400 --> 00:25:58,400 Speaker 1: at a music bar through friends a friends band called 482 00:25:58,400 --> 00:26:01,280 Speaker 1: Black forty seven. I've heard of Black seven before in 483 00:26:01,359 --> 00:26:04,120 Speaker 1: Manhattan years ago. Patty Riley's got drunk a few nights 484 00:26:04,119 --> 00:26:07,040 Speaker 1: before his funeral, grabbed my passport and went and was 485 00:26:07,119 --> 00:26:11,439 Speaker 1: welcomed like family, oddly enough, and helped send him off. 486 00:26:12,000 --> 00:26:14,440 Speaker 1: John Gorman, you sound like my kind of guy. 487 00:26:14,520 --> 00:26:14,720 Speaker 4: Man. 488 00:26:14,800 --> 00:26:18,959 Speaker 1: That is incredible. Incredible. John like the sham McGown episode 489 00:26:18,960 --> 00:26:20,280 Speaker 1: as well. So if you guys haven't heard the sham 490 00:26:20,320 --> 00:26:24,000 Speaker 1: McGown episode of Just Graceland, I encourage you to go 491 00:26:24,160 --> 00:26:28,240 Speaker 1: check that out. Speaking of the Irish, this from Matt 492 00:26:28,400 --> 00:26:36,240 Speaker 1: Oh Brannan spelled oh br Na, I n with some 493 00:26:36,400 --> 00:26:39,000 Speaker 1: accents over the O in the A accents that I 494 00:26:39,000 --> 00:26:41,040 Speaker 1: should know because of my Irish heritage, but I do not, 495 00:26:42,200 --> 00:26:45,040 Speaker 1: And Matt writes in, ah, you're a Brennan too, I 496 00:26:45,119 --> 00:26:47,480 Speaker 1: was born Brennan, but use the Irish version, of which 497 00:26:47,520 --> 00:26:50,800 Speaker 1: there are two Brennan and Brannan, wonder which is yours. 498 00:26:51,040 --> 00:26:54,199 Speaker 1: Interesting content. He goes on to say. If you're from 499 00:26:54,240 --> 00:26:59,920 Speaker 1: the South, it's brownan meaning tear. If from North, it's brand, 500 00:27:00,320 --> 00:27:04,199 Speaker 1: which means crow. Now I knew about the crow interpretation 501 00:27:04,240 --> 00:27:06,760 Speaker 1: of Brennan, I did not know about the tear interpretation 502 00:27:06,840 --> 00:27:10,600 Speaker 1: of Brennan. And I don't want to be regretful of 503 00:27:10,640 --> 00:27:14,119 Speaker 1: the crow tramp stamp tattoo that I have, but I 504 00:27:14,240 --> 00:27:17,720 Speaker 1: might need to start considering a tear drop tattoo on 505 00:27:17,800 --> 00:27:21,080 Speaker 1: my face. I don't know, just just thinking, Okay, what 506 00:27:21,160 --> 00:27:23,359 Speaker 1: else do we got here? We'll do one from X. 507 00:27:23,400 --> 00:27:26,879 Speaker 1: This one comes from Scott Whole Supple. Whule Supple, I 508 00:27:26,920 --> 00:27:30,240 Speaker 1: should know who this guy is. Verified, writes in Disgrace 509 00:27:30,240 --> 00:27:32,680 Speaker 1: Slam Pod. Thank you for the amazing podcast. You crushed 510 00:27:32,720 --> 00:27:37,040 Speaker 1: every episode, Anthony Bourdain. One was an emotional rollercoaster. You 511 00:27:37,119 --> 00:27:39,960 Speaker 1: made the ten hour drive from Nashville to State College, 512 00:27:40,119 --> 00:27:43,600 Speaker 1: PA a breeze. Scott, You're the man. Thank you for 513 00:27:43,640 --> 00:27:46,960 Speaker 1: taking me along on your trip. I appreciate it. At 514 00:27:46,960 --> 00:27:48,480 Speaker 1: Thesgrace slam Pod, Guys, you want to hit me up 515 00:27:48,480 --> 00:27:52,080 Speaker 1: anywhere Facebook, Instagram, or on X You can hit me 516 00:27:52,200 --> 00:27:54,320 Speaker 1: up with your answer to the question of the week, 517 00:27:54,480 --> 00:27:58,800 Speaker 1: which is which SNL performer is your fave and from 518 00:27:58,800 --> 00:28:02,240 Speaker 1: what era? And and I encourage you to hit me 519 00:28:02,359 --> 00:28:06,680 Speaker 1: up with your story. Okay, what story do you want 520 00:28:06,760 --> 00:28:10,920 Speaker 1: us to preserve? What story of rock and roll animalism 521 00:28:11,760 --> 00:28:14,480 Speaker 1: most resonates with you that you can't stop thinking about? 522 00:28:14,680 --> 00:28:16,800 Speaker 1: Let me know. Call me six one seven nine, six 523 00:28:16,840 --> 00:28:19,600 Speaker 1: six sixty three eight at Disgray lampod on the socials. 524 00:28:19,800 --> 00:28:22,280 Speaker 1: I'll be back in a flash with some reviews and 525 00:28:22,280 --> 00:28:32,280 Speaker 1: some emails. All right, we are back. I'm highly caffeinated. 526 00:28:32,680 --> 00:28:34,879 Speaker 1: I'm trying to slow it down. I hope I'm not 527 00:28:34,920 --> 00:28:38,320 Speaker 1: going too fast here. I have never talked to you 528 00:28:38,320 --> 00:28:42,560 Speaker 1: guys about my coffee maker. It's an espresso machine. Actually 529 00:28:42,600 --> 00:28:44,719 Speaker 1: it's not a super expensive one, but it is a 530 00:28:44,960 --> 00:28:49,640 Speaker 1: kick ass one. I love this thing, honestly, Like I 531 00:28:49,720 --> 00:28:52,600 Speaker 1: have guitars that I like less than my espresso machine. 532 00:28:54,160 --> 00:28:57,240 Speaker 1: And I'm drinking like a half calf right. I do 533 00:28:57,280 --> 00:29:02,040 Speaker 1: a little you know, decaffeinated grind and some and a 534 00:29:02,120 --> 00:29:06,120 Speaker 1: regular grind. And I am cruising right now. So I 535 00:29:06,160 --> 00:29:08,640 Speaker 1: hope I'm slowing it down though, So you know the 536 00:29:08,720 --> 00:29:13,520 Speaker 1: drill right, Independent podcasts right don't have billions of dollars 537 00:29:13,520 --> 00:29:15,920 Speaker 1: to promote this thing. Okay, I'm not a Kelsey brother. 538 00:29:15,960 --> 00:29:19,240 Speaker 1: All right, I'm not I'm not. I'm not dating Taylor Swift. Okay, 539 00:29:20,000 --> 00:29:24,800 Speaker 1: clearly so right. The only way this podcast grows, continues 540 00:29:24,880 --> 00:29:28,280 Speaker 1: to grow is on the backs of you guys spreading 541 00:29:28,400 --> 00:29:31,600 Speaker 1: the word, talking about the content in particular. You want 542 00:29:31,640 --> 00:29:33,680 Speaker 1: to support this show, you can do so on Patreon, 543 00:29:33,760 --> 00:29:35,600 Speaker 1: you know that, go to disgrace in pod dot com 544 00:29:35,640 --> 00:29:37,960 Speaker 1: slash membership. But if you don't have five bucks a month, 545 00:29:38,160 --> 00:29:39,920 Speaker 1: or you don't want to become a free member or whatever, 546 00:29:40,280 --> 00:29:42,200 Speaker 1: that's fine. All you get to do if you want 547 00:29:42,200 --> 00:29:44,800 Speaker 1: to help out the show, leave a review. Okay, subscribe 548 00:29:44,840 --> 00:29:47,160 Speaker 1: to the show, follow the show, and leave a review. 549 00:29:47,200 --> 00:29:50,000 Speaker 1: Reviews help with discovery. I say that every week because 550 00:29:50,000 --> 00:29:54,480 Speaker 1: it's that important. Over on Spotify, Ashley Pickholtz wrote, this 551 00:29:54,760 --> 00:29:57,640 Speaker 1: was incredible. Can we get the Oscars for podcasts and 552 00:29:57,720 --> 00:30:00,680 Speaker 1: give this one all of them? Ashley talking about the 553 00:30:00,720 --> 00:30:03,400 Speaker 1: recent John Lennon episode, Part two, the one when we 554 00:30:03,440 --> 00:30:06,400 Speaker 1: get into the assassination of John Lennon. Thank you, Ashley, 555 00:30:06,440 --> 00:30:09,320 Speaker 1: get in touch, hit me up and we'll get some 556 00:30:09,400 --> 00:30:13,640 Speaker 1: merch out to you. Over on Apple Podcasts, TCB man 557 00:30:13,840 --> 00:30:17,960 Speaker 1: da that's the username rights. In twenty twenty I joined 558 00:30:18,000 --> 00:30:22,440 Speaker 1: the podcast craze, devouring mainly true crime shows and trending topics. 559 00:30:22,440 --> 00:30:25,200 Speaker 1: Someone passionate about music history and Elvis. I stumbled upon 560 00:30:25,280 --> 00:30:28,200 Speaker 1: Jake's podcast and was immediately drawn in the Disgrace Land 561 00:30:28,280 --> 00:30:31,080 Speaker 1: and double Elvis intrigued me and I'm glad I had 562 00:30:31,120 --> 00:30:35,160 Speaker 1: found the podcast an interest I'm actually interested in. Thank 563 00:30:35,200 --> 00:30:39,720 Speaker 1: you very much, TCB man DA Get in touch and 564 00:30:39,760 --> 00:30:41,760 Speaker 1: we'll get you some merch. All right, get in touch 565 00:30:41,800 --> 00:30:44,640 Speaker 1: on social or email me disgrace anddpod at gmail dot 566 00:30:44,680 --> 00:30:47,320 Speaker 1: com at Disgrace Landpod on the Socials six one seven 567 00:30:47,440 --> 00:30:49,880 Speaker 1: nine oh six six sixty three eight voicemail and text 568 00:30:49,960 --> 00:30:53,600 Speaker 1: and again disgracelanpod at gmail dot com. Just like this 569 00:30:53,800 --> 00:30:57,160 Speaker 1: email from Shelley Freeberg. And wow, do we have a 570 00:30:57,200 --> 00:31:02,160 Speaker 1: good one here. Okay listen subject Diddy episode message. I 571 00:31:02,240 --> 00:31:05,680 Speaker 1: swear to god, I didn't read this email until right now. Okay, 572 00:31:05,880 --> 00:31:09,400 Speaker 1: the whole thing I said earlier about jay Z, I 573 00:31:10,280 --> 00:31:12,080 Speaker 1: said that before I read this. You just have to 574 00:31:12,280 --> 00:31:16,200 Speaker 1: trust me. On this email says hey, just listen to 575 00:31:16,240 --> 00:31:21,200 Speaker 1: your ditty update. You are fifty to fifty regarding his guilt. Actually, no, 576 00:31:21,400 --> 00:31:24,080 Speaker 1: I'm not fifty to fifty regarding Ditty's guilt. This is 577 00:31:24,120 --> 00:31:27,560 Speaker 1: me talking now, Shelley, not Shelley. I said I was 578 00:31:27,600 --> 00:31:30,600 Speaker 1: fifty to fifty regarding jay Z's guilt. Okay, but that 579 00:31:30,640 --> 00:31:33,240 Speaker 1: doesn't seem to That doesn't matter to Shelley either, I 580 00:31:33,280 --> 00:31:35,280 Speaker 1: don't think, because she goes on to say, way to 581 00:31:35,320 --> 00:31:40,480 Speaker 1: straddle the middle of the road regarding a monster pedophile. Okay, 582 00:31:40,560 --> 00:31:42,160 Speaker 1: So now I'm not sure if she's talking about jay 583 00:31:42,240 --> 00:31:47,320 Speaker 1: Z or Diddy. Okay, let's assume she's talking about jay Z. 584 00:31:47,560 --> 00:31:51,040 Speaker 1: I've loved Disgraceland for years. Just subscribed and listen to 585 00:31:51,080 --> 00:31:54,760 Speaker 1: your Diddy episode where you have no opinion about Ditty 586 00:31:54,880 --> 00:31:57,080 Speaker 1: or jay Z. Now, let's just patently false. And if 587 00:31:57,120 --> 00:32:01,680 Speaker 1: you've listened to Disgraceland for years, how did you just subscribe? Okay, 588 00:32:01,960 --> 00:32:04,480 Speaker 1: I do have it. I clearly have an opinion about 589 00:32:04,560 --> 00:32:06,680 Speaker 1: jay Z. And I said I was fifty to fifty, 590 00:32:06,720 --> 00:32:09,000 Speaker 1: And look, if you're fifty to fifty, I didn't say 591 00:32:09,000 --> 00:32:11,520 Speaker 1: I'm fifty to fifty, like, I don't know, could be 592 00:32:11,600 --> 00:32:13,600 Speaker 1: this way, it could be that way. I said it's 593 00:32:13,680 --> 00:32:16,320 Speaker 1: fifty to fifty, that he could have done it or 594 00:32:16,400 --> 00:32:19,120 Speaker 1: did not do it, and that says something because if 595 00:32:19,120 --> 00:32:21,480 Speaker 1: you actually believe in the integrity of somebody, you're not 596 00:32:21,480 --> 00:32:24,520 Speaker 1: gonna give him a fifty percent chance of raping somebody. 597 00:32:24,680 --> 00:32:28,320 Speaker 1: There's a huge difference. Okay, if you asked me, and 598 00:32:28,360 --> 00:32:30,520 Speaker 1: I said this clearly last week, If you asked me 599 00:32:31,200 --> 00:32:33,480 Speaker 1: two years ago, do I think jay Z could have 600 00:32:33,600 --> 00:32:38,560 Speaker 1: raped a child? I would have said absolutely, one hundred percent. No, 601 00:32:39,480 --> 00:32:43,959 Speaker 1: my trust in his integrity has degraded by fifty percent 602 00:32:44,040 --> 00:32:47,800 Speaker 1: more now by fifty five percent. Not that that's gonna satisfy 603 00:32:47,840 --> 00:32:50,360 Speaker 1: Shelley here, Okay, let me keep on going here. Are 604 00:32:50,360 --> 00:32:54,120 Speaker 1: you afraid of having opinion? I'm clearly not afraid of 605 00:32:54,160 --> 00:32:57,760 Speaker 1: having an opinion. If you have listened to this podcast 606 00:32:58,080 --> 00:33:01,680 Speaker 1: for years, you know I am not afraid of having 607 00:33:01,680 --> 00:33:07,040 Speaker 1: an opinion, even wildly unpopular opinions. Okay, Then she goes 608 00:33:07,080 --> 00:33:09,480 Speaker 1: on to say, do you hate women? I'm not even 609 00:33:09,480 --> 00:33:12,760 Speaker 1: gonna answer that because it is so fucking stupid. Support 610 00:33:12,800 --> 00:33:18,200 Speaker 1: the music industry's disgusting system. Apparently, how fucking disappointing. I 611 00:33:18,320 --> 00:33:22,120 Speaker 1: never pegged you for a coward. Is this reads so 612 00:33:22,320 --> 00:33:25,320 Speaker 1: crazy right that I actually think it's not from a 613 00:33:25,360 --> 00:33:29,360 Speaker 1: real person. I think it's from an army of trolls, 614 00:33:29,440 --> 00:33:33,720 Speaker 1: slash email whatever, not a bot, but just people who 615 00:33:33,720 --> 00:33:36,200 Speaker 1: are just sort of been unleashed to go out into 616 00:33:36,200 --> 00:33:40,320 Speaker 1: the world and just try to, I don't know, like 617 00:33:40,360 --> 00:33:42,960 Speaker 1: get public opinion going in one way or another. This 618 00:33:43,040 --> 00:33:48,120 Speaker 1: episode that basically whitewashed their crimes. How the fuck did 619 00:33:48,160 --> 00:33:52,360 Speaker 1: that episode whitewash any crimes? I feel dumb, guys even 620 00:33:52,400 --> 00:33:57,800 Speaker 1: given this this this criticism air here, But I don't know. 621 00:33:58,520 --> 00:33:59,960 Speaker 1: She goes on to say, Oh, I don't know, maybe 622 00:34:00,120 --> 00:34:04,880 Speaker 1: be there innocent. Well, yeah, they might be fucking innocent. Okay, 623 00:34:05,200 --> 00:34:09,840 Speaker 1: they might be. You don't know. We have not seen, 624 00:34:10,239 --> 00:34:14,359 Speaker 1: especially jay Z, we haven't seen any evidence at all, 625 00:34:15,040 --> 00:34:21,040 Speaker 1: Okay none. We have an accuser who has what we've 626 00:34:21,080 --> 00:34:25,320 Speaker 1: seen this year, out of this week inconsistencies in her story. 627 00:34:25,400 --> 00:34:29,400 Speaker 1: Does that mean she's lying? I don't think so. Maybe 628 00:34:29,480 --> 00:34:33,320 Speaker 1: perhaps we don't know. We're gonna find out. We're gonna 629 00:34:33,360 --> 00:34:36,759 Speaker 1: find out, And I'll just say, as it pertains to 630 00:34:36,800 --> 00:34:40,360 Speaker 1: Sean Combs, we do have we do have actual evidence. 631 00:34:40,840 --> 00:34:43,560 Speaker 1: We have evidence that he is a monster. Okay, we 632 00:34:43,600 --> 00:34:46,800 Speaker 1: have evidence that he beat the tar out of his girlfriend, 633 00:34:47,280 --> 00:34:51,279 Speaker 1: but we don't have evidence that he's yet that he's 634 00:34:51,280 --> 00:34:55,400 Speaker 1: a pedophile as you're suggesting. We don't have evidence that 635 00:34:56,400 --> 00:35:00,760 Speaker 1: these atrocious allegations that are being bandied about on TikTok 636 00:35:00,760 --> 00:35:03,640 Speaker 1: and elsewhere are actually true. And there's not a lot 637 00:35:03,680 --> 00:35:06,960 Speaker 1: of evidence yet that we have seen that supports the 638 00:35:07,520 --> 00:35:10,759 Speaker 1: charges in the federal indictment. Will we get them perhaps, 639 00:35:11,120 --> 00:35:14,160 Speaker 1: But I'm not going to sit here at on in 640 00:35:14,239 --> 00:35:19,239 Speaker 1: December of twenty twenty four and pretend like everything is 641 00:35:19,280 --> 00:35:23,120 Speaker 1: an open and shut case. Our job is to watch 642 00:35:23,160 --> 00:35:25,520 Speaker 1: what happens and to talk about it, and to get 643 00:35:25,520 --> 00:35:27,920 Speaker 1: as much of this story as possible to try to 644 00:35:28,040 --> 00:35:35,120 Speaker 1: understand the humans behind these either potential crimes or allegations. So, Shelley, 645 00:35:35,160 --> 00:35:36,720 Speaker 1: I want to say I thank you for your email 646 00:35:36,760 --> 00:35:38,920 Speaker 1: and invite you to you know, six point seven nine 647 00:35:38,960 --> 00:35:41,800 Speaker 1: oh six six six three eight, give me a call, Sindly, 648 00:35:41,800 --> 00:35:43,480 Speaker 1: get a lot on your mind, let me know. We 649 00:35:43,480 --> 00:35:45,759 Speaker 1: can talk about this even further. All Right, you guys 650 00:35:45,760 --> 00:35:48,920 Speaker 1: want to email me about anything, disgrace slampod at gmail 651 00:35:48,960 --> 00:35:51,360 Speaker 1: dot com, go for it. Hit me up. As you know, 652 00:35:51,640 --> 00:35:55,560 Speaker 1: I read even the critical ones. Listen, I do want 653 00:35:55,560 --> 00:35:57,440 Speaker 1: to know your story, Okay, so you can email me that. 654 00:35:57,600 --> 00:36:01,160 Speaker 1: All right, We talked about this already, the rock and 655 00:36:01,280 --> 00:36:04,280 Speaker 1: roll animalism story that you cannot get off your mind, 656 00:36:04,360 --> 00:36:06,160 Speaker 1: that you want to talk about in more detail. You 657 00:36:06,200 --> 00:36:08,759 Speaker 1: and your friends talk about it. Whomever, Let me know, 658 00:36:08,880 --> 00:36:10,520 Speaker 1: Let me know who you are, Let me know who 659 00:36:10,520 --> 00:36:12,759 Speaker 1: you want me to shout out. Six one seven nine 660 00:36:12,800 --> 00:36:15,240 Speaker 1: O six six sixty three eight Email me Disgrace Landpod 661 00:36:15,239 --> 00:36:18,680 Speaker 1: at gmail dot com at Disgrace lampod on the socials. 662 00:36:19,080 --> 00:36:22,799 Speaker 1: And this episode is nearing its end. You know, the 663 00:36:22,840 --> 00:36:24,879 Speaker 1: after party continues. I'm talk a little bit more about 664 00:36:24,960 --> 00:36:28,400 Speaker 1: jay Z Beyonce in the after party. I'm gonna talk 665 00:36:28,440 --> 00:36:31,280 Speaker 1: about some Christmas true crime as well in the bonus 666 00:36:31,280 --> 00:36:34,000 Speaker 1: section of the after Party. Here, you guys know, we 667 00:36:34,040 --> 00:36:36,080 Speaker 1: get into more stuff in the bonus episode. Go to 668 00:36:36,120 --> 00:36:38,960 Speaker 1: Disgrace lampod dot com slash membership to sign up. You're 669 00:36:38,960 --> 00:36:40,840 Speaker 1: not only gonna get the bonus stuff here in the 670 00:36:40,840 --> 00:36:43,239 Speaker 1: after party, you're gonna get add free listening. You're gonna 671 00:36:43,239 --> 00:36:45,520 Speaker 1: get an extra episode per month, and you're gonna get 672 00:36:45,520 --> 00:36:46,600 Speaker 1: me in the chat and Patreon. 673 00:36:46,960 --> 00:37:08,440 Speaker 5: All right, back in the flash. 674 00:37:09,080 --> 00:37:10,920 Speaker 1: All right, we are back, and I gotta get out 675 00:37:10,920 --> 00:37:12,439 Speaker 1: of here. I got a shit to a Christmas shop 676 00:37:12,440 --> 00:37:13,680 Speaker 1: and left to do. I don't know about you, guys, 677 00:37:13,719 --> 00:37:15,279 Speaker 1: but I just want to say big thanks to everyone 678 00:37:15,320 --> 00:37:17,319 Speaker 1: who joined me in the Patreon book club last night. 679 00:37:17,760 --> 00:37:19,680 Speaker 1: Also to all of you who showed up for the 680 00:37:19,719 --> 00:37:24,040 Speaker 1: Patreon Disgraceland doc that we had last week. Lots going on. 681 00:37:24,239 --> 00:37:28,800 Speaker 1: We got book clubs, zoom hangs, exclusive Disgraceland documentary drops, 682 00:37:28,840 --> 00:37:32,520 Speaker 1: all for five bucks a month disgracelampod dot com slash membership. 683 00:37:32,960 --> 00:37:34,920 Speaker 1: You'll also get the ad free listening and the bonus 684 00:37:34,960 --> 00:37:39,240 Speaker 1: content here in the after party, so get in. Become 685 00:37:39,280 --> 00:37:41,440 Speaker 1: an all access disco. Okay, and if you're not a 686 00:37:41,440 --> 00:37:44,240 Speaker 1: Patreon user, still get the AD free listening and bonus 687 00:37:44,239 --> 00:37:46,560 Speaker 1: content and Apple Plus Apple, as I mentioned last week, 688 00:37:46,640 --> 00:37:50,160 Speaker 1: curates these cool Disgraceland collections for you guys. It's a 689 00:37:50,200 --> 00:37:53,080 Speaker 1: way to help organize your listening while delving through our 690 00:37:53,160 --> 00:37:57,919 Speaker 1: massive two hundred plus archive of episodes. Again disgracelandpod dot 691 00:37:57,960 --> 00:38:01,120 Speaker 1: com slash membership to sign up of the archive. We 692 00:38:01,239 --> 00:38:05,360 Speaker 1: mentioned a lot of previous disgrace Sound subjects earlier in 693 00:38:05,360 --> 00:38:07,520 Speaker 1: this episode, so I'm just going to blast through them 694 00:38:07,560 --> 00:38:11,319 Speaker 1: here with their respective seasons that they were released in 695 00:38:11,400 --> 00:38:13,120 Speaker 1: so that you guys can easily find these in your 696 00:38:13,120 --> 00:38:16,560 Speaker 1: podcast player or at disgracelandpod dot com slash listen. All Right, 697 00:38:17,120 --> 00:38:20,560 Speaker 1: Mama Cass Parts one and two, Season ten, Michael Hutchins 698 00:38:20,760 --> 00:38:23,640 Speaker 1: from In Excess season fourteen, Paul McCartney Paul is Dead 699 00:38:23,640 --> 00:38:29,040 Speaker 1: episode from season eight, Robert Johnson season ten, Jimarrison season three, 700 00:38:29,120 --> 00:38:31,759 Speaker 1: Stevie Nicks from Fleetwood Mac parts one and two, Steve 701 00:38:31,880 --> 00:38:34,759 Speaker 1: Nixon The Cocaine Eenema, I should say that's season eight, 702 00:38:34,880 --> 00:38:38,560 Speaker 1: Led Zeppelin from season four, and Johnny Ace from this 703 00:38:38,640 --> 00:38:41,680 Speaker 1: past Tuesday, our most recent episode on Elvis Presley and 704 00:38:41,760 --> 00:38:44,520 Speaker 1: Johnny Ace. All right, let's recap, shall we? Number one? 705 00:38:44,600 --> 00:38:47,040 Speaker 1: I want your story, call me, text me, at me 706 00:38:47,080 --> 00:38:50,360 Speaker 1: on the socials with your favorite story of rock and roll, animalism, 707 00:38:50,719 --> 00:38:52,880 Speaker 1: the wild story about a rock star that you were 708 00:38:52,920 --> 00:38:54,520 Speaker 1: aware of that you want me to tell that I've 709 00:38:54,520 --> 00:38:56,279 Speaker 1: already told that you love that you talk about with 710 00:38:56,280 --> 00:38:59,239 Speaker 1: your friends. All right, let me know what it is, 711 00:38:59,360 --> 00:39:00,759 Speaker 1: Let me know your story and let me know a 712 00:39:00,800 --> 00:39:03,040 Speaker 1: little bit about you. Hit me up right now in 713 00:39:03,040 --> 00:39:04,600 Speaker 1: your feed. Number two, Right now in your feed our 714 00:39:04,640 --> 00:39:06,879 Speaker 1: episode on Elvis Presley and Johnny Ace. Number three coming 715 00:39:06,880 --> 00:39:09,800 Speaker 1: tomorrow special rewind episode from our archive on Merle Haggard 716 00:39:09,880 --> 00:39:12,799 Speaker 1: Number four, merch Winners, Get in Touch, you know who 717 00:39:12,840 --> 00:39:15,360 Speaker 1: you are Number five. Remember no one cares about preserving 718 00:39:15,400 --> 00:39:17,040 Speaker 1: the spirit of rock and roll more than you do. 719 00:39:17,120 --> 00:39:19,440 Speaker 1: And well that's a disgrace, all right. In honor of 720 00:39:19,520 --> 00:39:23,520 Speaker 1: this week's subject, Johnny Yace me reading to you the 721 00:39:23,520 --> 00:39:26,680 Speaker 1: Billboard chart from the day he died on Christmas in 722 00:39:26,880 --> 00:39:32,160 Speaker 1: nineteen fifty four. Number one, Mister Samman by Pat Ballard. 723 00:39:32,600 --> 00:39:37,600 Speaker 1: Last week one weeks on Chart eight. Number two, Let 724 00:39:37,640 --> 00:39:42,160 Speaker 1: Me Go Lover by Jenny Lou Carson, last week two 725 00:39:42,360 --> 00:39:47,279 Speaker 1: weeks on chart three. Number three, Teach Me Tonight by 726 00:39:47,360 --> 00:39:51,720 Speaker 1: Sammy Kahn and Jean de Paul. Last week three weeks 727 00:39:51,760 --> 00:39:55,799 Speaker 1: on Chart eleven. Cran Number four, I Need You by 728 00:39:55,880 --> 00:40:00,600 Speaker 1: Jimmy Cranes and A Jacobs. Last year three weeks on 729 00:40:00,719 --> 00:40:06,440 Speaker 1: Chart six, Counts Number five, Topper and Naughty Lady by 730 00:40:06,560 --> 00:40:10,600 Speaker 1: Topper and Benning. Last week six weeks on Chart sixty 731 00:40:11,280 --> 00:40:15,560 Speaker 1: Number six to This Old House by Stewart Canons. Last 732 00:40:15,560 --> 00:40:26,280 Speaker 1: week two weeks on Quit Talking and start mixing. 733 00:40:26,480 --> 00:40:26,719 Speaker 5: Could