WEBVTT - Farming While Black Part 2

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<v Speaker 1>Welcome back to Point of Origin, a podcast about the

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<v Speaker 1>world of food worldwide. I'm your host, Stephen Saderfield. This

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<v Speaker 1>is our very last episode of season one, and I

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<v Speaker 1>would like to thank every one of you for supporting

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<v Speaker 1>this podcast. It has been such enriching experience for me

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<v Speaker 1>as a host, to talk to so many people for

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<v Speaker 1>whom I have such great admiration, and to partner with

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<v Speaker 1>a company like I Heart Radio that helps amplify the

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<v Speaker 1>work that we'd like to see in the world. So

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<v Speaker 1>much gratitude to everyone who made this first season possible.

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<v Speaker 1>And before we close out on our final episode of

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<v Speaker 1>the season, part two of our series Farming Wild Black

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<v Speaker 1>and the second interview with my friend Gabrae al et En.

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<v Speaker 1>In our discussion, there is a mention of racial violence

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<v Speaker 1>that could be a very upsetting story for some of

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<v Speaker 1>our listeners, so I'd like to mention that off top,

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<v Speaker 1>and I would also like to say that if you're able,

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<v Speaker 1>it is such a powerful story that I do believe

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<v Speaker 1>it will be worth your time. Again, i'd like to

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<v Speaker 1>thank you all for making the season possible. We are

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<v Speaker 1>already hard at work on the second season, and while

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<v Speaker 1>I've got you here, a gentle reminder that if you

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<v Speaker 1>are enjoying this podcast, the best way to ensure that

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<v Speaker 1>we continue to enjoy this platform and share these stories

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<v Speaker 1>as if you give us a five star review on iTunes.

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<v Speaker 1>Thank you so much for considering, and please enjoy Farming

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<v Speaker 1>While Black Part two. Welcome back to Point of Origin.

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<v Speaker 1>Today we are focusing on farming Wild Black the many

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<v Speaker 1>intricacies of blackness and African americanness in relationship to the land.

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<v Speaker 1>Our next guest is the Associate Professor of Environmental Justice

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<v Speaker 1>at the University of Wisconsin Madison, Dr Monica White, is

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<v Speaker 1>also the author of an amazing book that was just

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<v Speaker 1>released in two thousand nineteen called Freedom Farmers, and we

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<v Speaker 1>will talk about all of the above today. Monica, thank

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<v Speaker 1>you so much for joining us on Point of Origin.

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<v Speaker 1>Thank you for the invitation. It's sorry to be here

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<v Speaker 1>with you. Let's just get right into the book, Freedom Farmers,

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<v Speaker 1>agricultural resistance, and the Black freedom Movement. There's a lot

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<v Speaker 1>to unpack in the book, a lot of amazing themes

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<v Speaker 1>around blackness and relationship to land. But before we get

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<v Speaker 1>into that, can you just tell us what you're impetus

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<v Speaker 1>for wanting to write this book was so I was

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<v Speaker 1>returning to Detroit to take care of my parents. I

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<v Speaker 1>was moving back to Detroit and needed a research topic.

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<v Speaker 1>I was going to teach at Wayne State University. And

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<v Speaker 1>I knew that there was a robust black farmers movement

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<v Speaker 1>that had proceeded the two thousands and really wanted to

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<v Speaker 1>sort of capture that, and so joined and met Baba

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<v Speaker 1>Malika Kini to do some organizing around around the Detroit

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<v Speaker 1>Rebellion Conference and sixty seven Rebellions, sort of recognizing the

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<v Speaker 1>history of existence in the city. And I knew the

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<v Speaker 1>black folks have been growing food in Detroit for a

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<v Speaker 1>long time, my dad, my grandmother, and my sister, and

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<v Speaker 1>I knew that the scholarship that was coming out about

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<v Speaker 1>the movement about the return to food production were really

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<v Speaker 1>missing the black folks, you know, folks who looked like me.

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<v Speaker 1>One of the sort of capture what was happening in

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<v Speaker 1>that moment, but then also finding that the current, at

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<v Speaker 1>least in the two thousand at that moment, needed a

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<v Speaker 1>historical frame that was different than what I found when

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<v Speaker 1>I looked up the scholarship on what do we know

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<v Speaker 1>about Black farmers? A lot of it came from a

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<v Speaker 1>deficit approach, and they talked a lot about slavery, tenant farming,

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<v Speaker 1>sharecrofting in those exploitative conditions and relationships to the land,

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<v Speaker 1>or the way that agriculture used as suppressive. And yet

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<v Speaker 1>what I was hearing in Detroit was using agriculture the

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<v Speaker 1>strategy of resistance, resilience in other way for liberation, and

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<v Speaker 1>so I didn't hear it, and as are now recent

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<v Speaker 1>ancestor so any more ins instead, if there's a book

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<v Speaker 1>that you want to read, it hasn't been written, then

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<v Speaker 1>we're the ones who has to to write it. And

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<v Speaker 1>that's where the idea around freedom farmers came from. Knowing

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<v Speaker 1>that there had to be other reasons, other frames to

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<v Speaker 1>understand black folks in our relationship to the land, and

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<v Speaker 1>not seeing it written, but yet hearing him. You know,

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<v Speaker 1>you hang out with generational or black folks with net

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<v Speaker 1>whose families never left to land, and you hear this

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<v Speaker 1>language of being able to feed myself and free myself

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<v Speaker 1>for every wental parents as I can free myself when

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<v Speaker 1>I can feed myself, and to hear how pul found

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<v Speaker 1>that statement was and yet not reading any scholarships to

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<v Speaker 1>elevate his philosophy. You know, I felt like this was

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<v Speaker 1>the perfect kind of a contribution um to how we

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<v Speaker 1>understand our relationship to food production and to the land

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<v Speaker 1>more generally. Absolutely so. Obviously in these more oppressive accounts

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<v Speaker 1>of our relationship to the land that are rooted and

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<v Speaker 1>enslavement have some generational or I guess, period specific elements

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<v Speaker 1>to them. Were you finding that this disposition of liberation

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<v Speaker 1>was more something about a recent generation or do you

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<v Speaker 1>feel that that has been present throughout but we just

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<v Speaker 1>haven't been exposed to that ideology? You know, yeah, thank

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<v Speaker 1>you for that question. I feel like I consist to

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<v Speaker 1>except found all kinds of ways to resist, and yet

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<v Speaker 1>our scholarship around resistance strategies has really come from universities,

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<v Speaker 1>and so there's been a disconnect between how people resist

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<v Speaker 1>and how people study resistance, and so occupying both spaces, right, So,

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<v Speaker 1>coming from a community known for resistance and resilience in

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<v Speaker 1>Detroit and also joining the academy and feeling like the

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<v Speaker 1>university tools could be useful for our liberation, I do

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<v Speaker 1>think that there have been all kinds of ways that

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<v Speaker 1>we've resisted that has been overlooked. So guess I wanted

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<v Speaker 1>to really sort of problematize the way we frame resistance.

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<v Speaker 1>You know, we often think about protests, marches, and boycasts,

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<v Speaker 1>and those are really almost the only ways that we

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<v Speaker 1>as theorists talk about what it means to resist. And

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<v Speaker 1>yet this current moment, it shows us other ways to resist.

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<v Speaker 1>And I'll just give one example. Here's this horrible situation

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<v Speaker 1>that comes Barbecue Betty right now at eleven people fired

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<v Speaker 1>up over this viral video from Oakland fired up their

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<v Speaker 1>grills tonight to take a stand. The group says they're

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<v Speaker 1>tired of people calling police prematurely. They are upset over

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<v Speaker 1>a confrontation at a barbecue at Lake Merit. It was

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<v Speaker 1>all caught on camera last month. The video is still

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<v Speaker 1>getting passed around the internet non stop tonight. What's going on? Nas?

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<v Speaker 1>You don't want she doesn't want to talk? Now it's

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<v Speaker 1>a link to having a chocolate grill in the park here.

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<v Speaker 1>What kind of girl are you not allowed? And why

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<v Speaker 1>are you so bent out of shape over them being?

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<v Speaker 1>Because it causes extra money from our city and things.

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<v Speaker 1>One children get injured because of it. So yet the

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<v Speaker 1>open community has just now celebrated a second celebration around

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<v Speaker 1>recognizing the potential calamity of the situation, but embracing that

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<v Speaker 1>as a celebration or blackness, and so are like the

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<v Speaker 1>scholarship is behind the ways that we resist and Freedom

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<v Speaker 1>Farmers was an effort to sort of show the links

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<v Speaker 1>between the historic resistance using food and food production. So

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<v Speaker 1>we talked about the seeds in our hair that we

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<v Speaker 1>carried over the Middle passages. We talked about the demand,

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<v Speaker 1>our demand for provision grounds during slavery. We talked about marketing,

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<v Speaker 1>We talked about all the various ways historically bartering and

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<v Speaker 1>creating these spaces to celebrate culture or using food as

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<v Speaker 1>a part of that have been used historically as a

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<v Speaker 1>part of our our freedom strategy. I'm curious what you

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<v Speaker 1>think the role of some institutions have been in further

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<v Speaker 1>perpetuating this exploitative narrative, whether that be the university or

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<v Speaker 1>the food system, Like, what are some of those institutional

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<v Speaker 1>pressure points. Yeah, I just think everybody who's not basically

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<v Speaker 1>I mean not to be not just you know, not

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<v Speaker 1>a broad brush. I think that Samananda dj argues the

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<v Speaker 1>danger of a single story, right, So to come up

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<v Speaker 1>with a single story and it becomes easy to grab

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<v Speaker 1>ahold of it and then run with it. And so

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<v Speaker 1>those of us that are currently involved in dismantling that

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<v Speaker 1>single story historically, and I think that I can't point

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<v Speaker 1>to an institution that isn't responsible for oversimplifying Black folks

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<v Speaker 1>relation to the ships and through land. It's you know,

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<v Speaker 1>the university, it's the add community, it's you know, in

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<v Speaker 1>some ways, it's even how we tell the story of

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<v Speaker 1>civil rights with no ill intention necessarily, right. I think

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<v Speaker 1>that you know, that danger of the single story means

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<v Speaker 1>that there's certain ideas that get shared, and then once

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<v Speaker 1>that is shared, it is assumed that's the only narrative.

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<v Speaker 1>And there comes somebody like me who says that can't

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<v Speaker 1>be the only story. And so therefore, how do we

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<v Speaker 1>unearth some of the other ways to to to interrogate,

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<v Speaker 1>to scholarship, find the data to really make a different case.

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<v Speaker 1>It was not just my research question was unearthed in

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<v Speaker 1>this movement. So I left Detroit and the Detroit last

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<v Speaker 1>community prostituting that was teach me language like through sovereignty,

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<v Speaker 1>food security. This wasn't something I had taken at school.

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<v Speaker 1>I understood what it means to resist and said the

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<v Speaker 1>social movements and so marrying my understanding of social movements

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<v Speaker 1>and the Detroit Black communities for securities classes, her soon

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<v Speaker 1>of speech on food sovereignty really helped me see that

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<v Speaker 1>what they were doing wasn't new. It was just a

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<v Speaker 1>new in this moment in the particular rights because they

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<v Speaker 1>inherited a legacy of resistance and resilience using foods as strategy.

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<v Speaker 1>And so that was really good. I was trying to capture.

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<v Speaker 1>But yes, if you think of which entity is guilty,

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<v Speaker 1>I don't know if one that isn't in attuchu wating

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<v Speaker 1>simness around agriculture as as oppressive and not just a

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<v Speaker 1>last folks and talking about sovereign tee of food that

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<v Speaker 1>is really a conversation that is central to land. How

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<v Speaker 1>do you reconcile for black folks who are are with

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<v Speaker 1>you intellectually and saying like yeah, we you know, there

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<v Speaker 1>are many stories to be told about our relationship to

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<v Speaker 1>the land here, but one problem we don't have any land.

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<v Speaker 1>Yeah you have great questions. Um, so absolutely, folks are

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<v Speaker 1>asking a question if it's My approach has always been

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<v Speaker 1>as an asset based approach, right, So I think that's

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<v Speaker 1>a different orientation that I take to scholarship, which is,

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<v Speaker 1>every community has something upon which to build, what are

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<v Speaker 1>those assets? And then how to rebuild on that, which

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<v Speaker 1>I think is a different approach. So for me, every

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<v Speaker 1>community has something upon whished to build. And so if

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<v Speaker 1>I may not have access to land in terms of

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<v Speaker 1>land ownership, what are other ways that we can obtain

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<v Speaker 1>access to those message or mechanisms to to grow. My

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<v Speaker 1>dear friend Dr Cooper talks about individual ownership leads to

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<v Speaker 1>individual volner ability, and so collective ownership is an important

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<v Speaker 1>component to make sure that it's olidified. I just talked

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<v Speaker 1>to folks at the Prince Duty Theological Seminary, and these

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<v Speaker 1>are folks who run their own churches. And Reverend Hebrew

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<v Speaker 1>Brown talks about how black church ownership and the land

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<v Speaker 1>that black churches you know, have access to, is an

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<v Speaker 1>important part of like a land trust right. And so

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<v Speaker 1>what happens is we use the church own land as

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<v Speaker 1>a part of our food production, resurgence and reconnection in

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<v Speaker 1>those particular chimes of late and you know, I mean

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<v Speaker 1>I'm telling from a frame. You know, in Detroit, where

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<v Speaker 1>we have access to a lot of land, a lot

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<v Speaker 1>of that land is contaminated. And so how do we

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<v Speaker 1>restore the land, how do we share access? So you

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<v Speaker 1>talk about community lands trust, you talk about soil mediation,

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<v Speaker 1>and then for those who don't have access to land land,

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<v Speaker 1>they are all kinds of beautiful techniques of of growing

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<v Speaker 1>indoors that don't require a lot of money. But bots

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<v Speaker 1>are growing in you know, cut up tunated bottles on walls,

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<v Speaker 1>you know. And so I think that there are lots

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<v Speaker 1>of ways, creative ways that folks are growing using various

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<v Speaker 1>medium like, you know, maybe a hydropondical, you know, something

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<v Speaker 1>along those lines. And there's the wine range of housefolks

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<v Speaker 1>accessing land. And so let's just be also clear figure

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<v Speaker 1>are still who like folks that are farming in the South,

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<v Speaker 1>who have land in a generational that is you inherited

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<v Speaker 1>land and really trying to find some collective ways to

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<v Speaker 1>make sure that we retain actors to death which we

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<v Speaker 1>have without losing another angor welcome back to point of origin.

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<v Speaker 1>Let's talk more about Detroit, because obviously you've learned a

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<v Speaker 1>lot there and it has been kind of an epicenter

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<v Speaker 1>for the revival of urban farming across the country. What

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<v Speaker 1>are the factors environmental factors of Detroit I'm talking are

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<v Speaker 1>like socially and culturally that have made it so amenable

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<v Speaker 1>to this urban farming movement. For the black folks who

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<v Speaker 1>were in the South, who contested any form of this

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<v Speaker 1>racialized exploitive relationship to land, there would be threatened, their

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<v Speaker 1>lives would be threatened. At night, they would get the

0:14:18.320 --> 0:14:20.680
<v Speaker 1>Birmingham and by more in that we're in Detroit. So

0:14:20.760 --> 0:14:24.720
<v Speaker 1>there was a really clear line between Detroit and Alabama

0:14:25.560 --> 0:14:28.440
<v Speaker 1>in terms of the migration. And I would also argue

0:14:28.440 --> 0:14:32.040
<v Speaker 1>based on what farmers and the reason told me, especially

0:14:32.040 --> 0:14:34.440
<v Speaker 1>about what we're happening in leth County, where black folks

0:14:34.440 --> 0:14:38.840
<v Speaker 1>were especially politicized, right radically politicize whole many of whom

0:14:38.920 --> 0:14:41.600
<v Speaker 1>ended up in Detroit. So one I think that there

0:14:41.640 --> 0:14:46.960
<v Speaker 1>was a political connection that exists between Alabama and Detroit.

0:14:47.040 --> 0:14:51.440
<v Speaker 1>There really hasn't been examined. To my preference. I feel

0:14:51.480 --> 0:14:53.480
<v Speaker 1>like there's a lot that can be examined in terms

0:14:53.480 --> 0:14:58.520
<v Speaker 1>of understanding s particular black radical orientation in Detroit. Additionally,

0:14:58.640 --> 0:15:01.240
<v Speaker 1>we took our black out of gudeology, but we also

0:15:01.360 --> 0:15:04.280
<v Speaker 1>took our feed and our knowledge of food production, and

0:15:04.360 --> 0:15:09.080
<v Speaker 1>so our generation was returning where our parents had migrated

0:15:10.080 --> 0:15:12.120
<v Speaker 1>we wanted to make sure that our children and access

0:15:12.120 --> 0:15:15.680
<v Speaker 1>in nature and rich food, and so that agricultural knowledge

0:15:16.000 --> 0:15:19.920
<v Speaker 1>was one generation removed. But we also knew that you

0:15:20.000 --> 0:15:23.800
<v Speaker 1>are clearly providing for ourselves and themselves. And so I

0:15:23.840 --> 0:15:26.760
<v Speaker 1>do think that there was some as a strategy, some

0:15:26.920 --> 0:15:29.680
<v Speaker 1>connection that wasn't too far fetched. And I also think

0:15:29.760 --> 0:15:32.320
<v Speaker 1>that for me personally to try to put the world

0:15:32.320 --> 0:15:36.840
<v Speaker 1>on wheels, and once the automobile crisis collapse, then folks

0:15:36.880 --> 0:15:38.720
<v Speaker 1>were forced to sort of think about, well, what do

0:15:38.800 --> 0:15:42.760
<v Speaker 1>we know, what do we remember? What can we reconnect

0:15:42.920 --> 0:15:47.080
<v Speaker 1>as a strategy to build resilient communities around food production?

0:15:47.280 --> 0:15:50.480
<v Speaker 1>And then that conversation the food is just ever present, Um,

0:15:50.600 --> 0:15:52.200
<v Speaker 1>how do we make sure that we not only feed

0:15:52.240 --> 0:15:55.080
<v Speaker 1>our families, but feed and build our communities and build

0:15:55.080 --> 0:15:58.480
<v Speaker 1>community health and wellness. And so I just feel like

0:15:58.960 --> 0:16:03.280
<v Speaker 1>there are those kind of ideas that we're perfect termination

0:16:03.360 --> 0:16:06.520
<v Speaker 1>for what we see happening in Detroit now. Definitely, and

0:16:06.640 --> 0:16:10.680
<v Speaker 1>I totally support your continued work in following the trajectory

0:16:10.680 --> 0:16:14.080
<v Speaker 1>of the black radicals from the South to Detroit. I

0:16:14.120 --> 0:16:17.520
<v Speaker 1>think that is super interesting. I want to ask you

0:16:17.600 --> 0:16:23.560
<v Speaker 1>about land reparation. You know it is somewhat being censored politically,

0:16:24.040 --> 0:16:26.400
<v Speaker 1>at least in a way that it hasn't um in

0:16:26.440 --> 0:16:31.000
<v Speaker 1>my lifetime. What are your ideas about a land based

0:16:31.240 --> 0:16:36.200
<v Speaker 1>reparation in terms of effective policy, like how it could

0:16:36.200 --> 0:16:38.960
<v Speaker 1>actually happen, and or whether or not you feel this

0:16:39.120 --> 0:16:43.640
<v Speaker 1>is the right kind of prioritization for advocates of food

0:16:43.680 --> 0:16:48.440
<v Speaker 1>justice and environmental justice. So I would say that the

0:16:48.520 --> 0:16:53.240
<v Speaker 1>scholarship around land dispossession, especially a black folks, we have

0:16:53.320 --> 0:16:56.440
<v Speaker 1>to respond to that right in order for a society

0:16:56.440 --> 0:17:00.640
<v Speaker 1>to move forward. I do think that reconciling task historical

0:17:00.680 --> 0:17:04.320
<v Speaker 1>wrongs for the stolen labor and the stolen land, including

0:17:04.359 --> 0:17:06.520
<v Speaker 1>you know, indigenous First Nations folks, But that has to

0:17:06.560 --> 0:17:08.600
<v Speaker 1>be a part of how we move forward as a whole.

0:17:14.800 --> 0:17:17.639
<v Speaker 1>I don't know what mechanism, what form that take. I

0:17:17.720 --> 0:17:21.720
<v Speaker 1>think that any time a nation and a world has

0:17:21.800 --> 0:17:27.920
<v Speaker 1>created wealth and there are communities that have suffered from

0:17:28.000 --> 0:17:31.800
<v Speaker 1>that wealth of the extraction of those resources, those people,

0:17:32.320 --> 0:17:36.840
<v Speaker 1>those riches, that land, there has to be some reconciling

0:17:36.880 --> 0:17:40.080
<v Speaker 1>of that, and reparations is an important part of that conversation.

0:17:40.760 --> 0:17:43.199
<v Speaker 1>I think that the case can absolutely be made and

0:17:43.240 --> 0:17:46.160
<v Speaker 1>has been made more distinctively now in this Sutork moments

0:17:46.160 --> 0:17:49.320
<v Speaker 1>than I've ever seen, you know, supporting black lead institutions,

0:17:49.440 --> 0:17:53.159
<v Speaker 1>both of the educational nature like in land Grand institutions,

0:17:53.160 --> 0:17:56.680
<v Speaker 1>and supporting black lead organizations that are working to respond

0:17:56.720 --> 0:18:00.440
<v Speaker 1>to the needs of folks around food and land. Outside

0:18:00.440 --> 0:18:02.720
<v Speaker 1>of that, I don't know enough I've read about it,

0:18:02.720 --> 0:18:06.000
<v Speaker 1>but I also love that qualified to speak on the distermination.

0:18:06.160 --> 0:18:09.400
<v Speaker 1>What that looks like, well, oftentimes that is the wisest

0:18:09.440 --> 0:18:15.400
<v Speaker 1>answer to give, and I completely um, that is totally adequate.

0:18:15.600 --> 0:18:19.120
<v Speaker 1>One last question for you, and again it is about

0:18:19.119 --> 0:18:23.399
<v Speaker 1>your your latest book, Freedom Farmers. Such a powerful book.

0:18:23.440 --> 0:18:27.200
<v Speaker 1>I mean really, I think you know, I feel pretty

0:18:27.240 --> 0:18:30.399
<v Speaker 1>well versed in a lot of these conversations, but you know,

0:18:30.680 --> 0:18:33.600
<v Speaker 1>you had such clarity from the onset and trying to

0:18:33.800 --> 0:18:38.200
<v Speaker 1>further ideas around black folks relationship to the land, especially

0:18:38.320 --> 0:18:42.399
<v Speaker 1>African Americans. So I'm wondering, do you have any specific

0:18:42.640 --> 0:18:48.000
<v Speaker 1>hopes or directions for for the readers of this text. Yes,

0:18:48.320 --> 0:18:51.720
<v Speaker 1>so I wrote this book for you, I wrote this

0:18:51.800 --> 0:18:54.480
<v Speaker 1>book for us. I wrote this book because I wanted

0:18:54.520 --> 0:18:57.639
<v Speaker 1>to give us some sense that we don't have to

0:18:57.680 --> 0:19:01.280
<v Speaker 1>reinvent a strategy that we can inherit the legacy of

0:19:01.320 --> 0:19:04.360
<v Speaker 1>our an sensors and previous generations in terms of how

0:19:04.400 --> 0:19:07.560
<v Speaker 1>do we get free? And so for me, the book

0:19:08.119 --> 0:19:10.120
<v Speaker 1>and all that it took to write it and all

0:19:10.160 --> 0:19:13.200
<v Speaker 1>of the intentions around it were really so that we

0:19:13.320 --> 0:19:16.520
<v Speaker 1>could think about our relationship connections to the land, our

0:19:16.560 --> 0:19:20.240
<v Speaker 1>responsibility to the environment, right to the planet, and our

0:19:20.359 --> 0:19:24.280
<v Speaker 1>connection and responsibility to each other. And so for me,

0:19:24.359 --> 0:19:28.560
<v Speaker 1>a great outcome would be to allow the book to

0:19:28.600 --> 0:19:32.400
<v Speaker 1>complicate what we thought our relationship was, use it as

0:19:32.840 --> 0:19:36.399
<v Speaker 1>um inspiration for us to reconnect to the land and

0:19:36.440 --> 0:19:40.080
<v Speaker 1>to each other, and to figure out what this new generation,

0:19:40.200 --> 0:19:43.760
<v Speaker 1>what this generation commitment will be in this legacy as

0:19:43.800 --> 0:19:46.000
<v Speaker 1>you read, so, I'm excited to see what we do

0:19:46.320 --> 0:19:48.919
<v Speaker 1>in this generation as we're grappling with how do we

0:19:49.000 --> 0:19:52.679
<v Speaker 1>make sure that our communities are cared for and using

0:19:52.760 --> 0:19:56.919
<v Speaker 1>food at the beginning conversation, but connecting the conversations around

0:19:56.920 --> 0:20:01.280
<v Speaker 1>food to conversations of land, conversations of a education, conversations

0:20:01.280 --> 0:20:04.480
<v Speaker 1>with healthcare. But just because this is our history, this

0:20:04.720 --> 0:20:07.280
<v Speaker 1>this is ours, and I want us to own it.

0:20:07.440 --> 0:20:09.159
<v Speaker 1>I want us to reclaim that. I want us to

0:20:09.240 --> 0:20:12.080
<v Speaker 1>embrace it at least figure out a way forward. Amen

0:20:12.320 --> 0:20:15.600
<v Speaker 1>to all that. Well, thank you so much for this resource.

0:20:16.320 --> 0:20:21.000
<v Speaker 1>Looking forward to your continued research and publishings on this topic.

0:20:21.600 --> 0:20:26.400
<v Speaker 1>Monica White, Associate Professor of Environmental Studies at the University

0:20:26.520 --> 0:20:32.000
<v Speaker 1>of Wisconsin and Madison and author of Freedom Farmers, Agricultural Resistance,

0:20:32.160 --> 0:20:35.000
<v Speaker 1>and the Black Freedom Movement. Thank you for joining us

0:20:35.040 --> 0:20:37.280
<v Speaker 1>today on point of origin. I really really appreciate it.

0:20:37.640 --> 0:20:40.040
<v Speaker 1>Thank you so much. Fry too myself. Thank you. All right,

0:20:40.080 --> 0:21:07.320
<v Speaker 1>I'll talk to you soon. Welcome back to point of origin.

0:21:07.480 --> 0:21:12.560
<v Speaker 1>Today we have a very special guest from Holly Springs,

0:21:12.640 --> 0:21:17.600
<v Speaker 1>North Carolina, just outside of Raleigh, Gabrielle Etienne, who is

0:21:17.760 --> 0:21:21.760
<v Speaker 1>a cultural preservationist, which is the perfect umbrella term for

0:21:21.880 --> 0:21:29.199
<v Speaker 1>her as she is a gardener, farmer, cook, community organizer. Gabrielle,

0:21:29.280 --> 0:21:31.720
<v Speaker 1>thank you so much for joining us today on point

0:21:31.760 --> 0:21:35.359
<v Speaker 1>of origin. Hi, thank you for having me, which is

0:21:35.400 --> 0:21:40.800
<v Speaker 1>really exciting. Of course, so today we're talking to a

0:21:42.160 --> 0:21:46.879
<v Speaker 1>really cross section of black folks who are involved in

0:21:47.000 --> 0:21:52.040
<v Speaker 1>agriculture and different capacities across the US, and we wanted

0:21:52.080 --> 0:21:54.480
<v Speaker 1>to talk to you because well a couple of reasons.

0:21:54.640 --> 0:21:58.199
<v Speaker 1>But first of all, I just really as a as

0:21:58.240 --> 0:22:01.520
<v Speaker 1>a fan of your work, love, the way that you

0:22:02.119 --> 0:22:09.200
<v Speaker 1>express your relationship to the land, and how your embodiment

0:22:09.600 --> 0:22:12.959
<v Speaker 1>on the land in the garden, when you're harvesting, when

0:22:13.040 --> 0:22:17.080
<v Speaker 1>you're cooking, just feel so grounded. I wanted to talk

0:22:17.119 --> 0:22:20.040
<v Speaker 1>to you about your relationship to the land and how

0:22:20.119 --> 0:22:24.920
<v Speaker 1>you started to develop this practice. Mm hmm, okay. I

0:22:25.840 --> 0:22:32.080
<v Speaker 1>don't feel like I'm anything new. I am really standing

0:22:32.200 --> 0:22:33.960
<v Speaker 1>kind of on the shoulders of a lot of women,

0:22:34.320 --> 0:22:38.800
<v Speaker 1>so thank you for that. My relationship to the land

0:22:38.880 --> 0:22:42.240
<v Speaker 1>really kind of jumped off when I was living in

0:22:42.320 --> 0:22:46.880
<v Speaker 1>New York, kind of seeking connection. I was really homesick,

0:22:47.080 --> 0:22:50.200
<v Speaker 1>and I would come home a lot, and every time

0:22:50.240 --> 0:22:54.919
<v Speaker 1>I would come home, I would get in the garden

0:22:55.200 --> 0:22:58.280
<v Speaker 1>with my grandfather and with his brother, my great uncle, Andrew,

0:22:59.680 --> 0:23:03.840
<v Speaker 1>and um. I started to learn these things about my family,

0:23:03.880 --> 0:23:08.960
<v Speaker 1>about my family's history, about you know, just access just

0:23:09.200 --> 0:23:14.919
<v Speaker 1>our beautiful relationship with our land and the land around

0:23:15.040 --> 0:23:17.680
<v Speaker 1>here within like a ten mile radius of where I

0:23:17.800 --> 0:23:20.760
<v Speaker 1>lived for a long time, and I just started feeling

0:23:21.200 --> 0:23:25.960
<v Speaker 1>way more grounded, way more connected to who I am,

0:23:26.160 --> 0:23:29.080
<v Speaker 1>but also to like who my family is and the

0:23:29.200 --> 0:23:38.520
<v Speaker 1>importance of our own stories A little I guess history is.

0:23:38.680 --> 0:23:42.680
<v Speaker 1>I was working in fashion for a while and I

0:23:42.840 --> 0:23:46.320
<v Speaker 1>ended up just feeling some of the traumas of working

0:23:46.440 --> 0:23:48.920
<v Speaker 1>like corporate, working in New York, working in you know,

0:23:49.080 --> 0:23:54.360
<v Speaker 1>just fast paced corporate America. And when I transitioned out

0:23:54.400 --> 0:23:58.200
<v Speaker 1>of fashion, I started working in food and I was

0:23:58.280 --> 0:24:02.240
<v Speaker 1>working on the line I'm in um this gastro pub

0:24:02.320 --> 0:24:04.520
<v Speaker 1>and the leat packing, and I was also doing a

0:24:04.600 --> 0:24:08.560
<v Speaker 1>lot of food storytelling for different brands and chefs, and

0:24:08.680 --> 0:24:12.200
<v Speaker 1>one of those chefs was J. J. Johnson, and his

0:24:13.040 --> 0:24:17.600
<v Speaker 1>work kind of aligned with my family's work in a

0:24:17.680 --> 0:24:20.320
<v Speaker 1>way that I didn't expect. And the more I started

0:24:20.359 --> 0:24:22.920
<v Speaker 1>to uncover with the work I was doing with him,

0:24:23.600 --> 0:24:26.320
<v Speaker 1>the more, you know, I bring stuff home. And I

0:24:26.400 --> 0:24:30.960
<v Speaker 1>remember my grandfather's brother, older brother Herbert, when I showed

0:24:31.040 --> 0:24:33.840
<v Speaker 1>him as rice that was from Trinidad, that was an

0:24:33.840 --> 0:24:37.480
<v Speaker 1>African strain of rice. I remember him being like, oh,

0:24:37.520 --> 0:24:40.200
<v Speaker 1>I remember when Grandpa John used to grow rice in

0:24:40.280 --> 0:24:42.800
<v Speaker 1>the yard and we used to harvest it. And he

0:24:42.880 --> 0:24:47.600
<v Speaker 1>talked about winnowing, and he talked about you know, his

0:24:47.920 --> 0:24:50.080
<v Speaker 1>his memories were vague because he was a little boy,

0:24:50.200 --> 0:24:52.399
<v Speaker 1>but he remembered these key things and that's how the

0:24:52.520 --> 0:24:55.800
<v Speaker 1>rice got on the table. And that really like made me.

0:24:56.960 --> 0:25:01.000
<v Speaker 1>It just woke something up in me around like place,

0:25:01.320 --> 0:25:04.240
<v Speaker 1>and I started to think about, oh wow, well what

0:25:04.359 --> 0:25:07.119
<v Speaker 1>were we before we were here too. To have that

0:25:07.359 --> 0:25:10.760
<v Speaker 1>knowledge in that technology, you have to you know, be

0:25:10.880 --> 0:25:15.720
<v Speaker 1>in certain areas. So just discovery after discovery kind of

0:25:15.760 --> 0:25:18.800
<v Speaker 1>brought me back here because I was really focused on

0:25:18.920 --> 0:25:23.119
<v Speaker 1>telling other folk stories and digging up this history through food,

0:25:23.480 --> 0:25:26.720
<v Speaker 1>through food, research through food kind of art and you

0:25:26.800 --> 0:25:33.560
<v Speaker 1>know development. Thank you for sharing that. That is a

0:25:33.800 --> 0:25:39.200
<v Speaker 1>very dense journey that I would like to further unpacked.

0:25:39.480 --> 0:25:43.920
<v Speaker 1>So J J. Johnson, if people don't know, is a

0:25:45.119 --> 0:25:50.800
<v Speaker 1>young ish millennial chef in New York. He just opened

0:25:51.160 --> 0:25:58.520
<v Speaker 1>a new rice centric restaurant called Field Trip. And j

0:25:58.760 --> 0:26:03.520
<v Speaker 1>J also worked with at Cecil's, which is a pretty

0:26:03.640 --> 0:26:09.480
<v Speaker 1>legendary spot in Harlem. So he is a very prominent

0:26:09.600 --> 0:26:13.680
<v Speaker 1>young chef. When you are talking about, you know, the

0:26:13.920 --> 0:26:18.000
<v Speaker 1>rice being part of the epiphany for you, I'm assuming

0:26:18.080 --> 0:26:20.399
<v Speaker 1>that you're talking about when you were working with j J.

0:26:20.680 --> 0:26:24.399
<v Speaker 1>And he was kind of also cultivating this vision around

0:26:24.960 --> 0:26:29.760
<v Speaker 1>a rice based restaurant. Is that right? Yeah? Yeah, So

0:26:31.280 --> 0:26:34.040
<v Speaker 1>that's so crazy to think about how that unfolded. But

0:26:34.760 --> 0:26:39.080
<v Speaker 1>he was researching a strain of rice called Areza glab

0:26:39.080 --> 0:26:44.600
<v Speaker 1>Arima and Glenn Roberts from Ansonville helping him with that

0:26:45.320 --> 0:26:49.000
<v Speaker 1>and providing him grains. And Glenn while I was working

0:26:49.040 --> 0:26:51.920
<v Speaker 1>with JJ really but can kind of a mentor for

0:26:52.040 --> 0:26:54.560
<v Speaker 1>me in the space because we can nerd out about

0:26:54.680 --> 0:27:00.600
<v Speaker 1>like agriculture and grain facts and suns at goals, and

0:27:00.720 --> 0:27:03.440
<v Speaker 1>he just put me onto so much stuff that really

0:27:03.560 --> 0:27:08.040
<v Speaker 1>likes sent me down this mildly crazy rabbit hole of research.

0:27:09.680 --> 0:27:13.000
<v Speaker 1>And can you say, um, what Anton Mills is for

0:27:13.320 --> 0:27:15.880
<v Speaker 1>people who don't know, Oh, it's a it's a grain

0:27:15.960 --> 0:27:20.720
<v Speaker 1>mill based in South Carolina. Um. They do various heirloom

0:27:20.800 --> 0:27:25.960
<v Speaker 1>and land race grains and corn and it's a farm.

0:27:26.160 --> 0:27:29.960
<v Speaker 1>It's a mill. And Glenn is the one who founded

0:27:30.080 --> 0:27:32.840
<v Speaker 1>that and is an awesome farmer and just really on

0:27:33.000 --> 0:27:37.960
<v Speaker 1>the ground doing the work. So basically we were working

0:27:38.160 --> 0:27:41.520
<v Speaker 1>on some concepts so well, it was the grain concept,

0:27:41.680 --> 0:27:46.320
<v Speaker 1>which initially wasn't field trip, it was a different name altogether.

0:27:47.080 --> 0:27:51.480
<v Speaker 1>But we were, you know, brainstorming and mapping things out

0:27:51.680 --> 0:27:55.359
<v Speaker 1>and kind of came to the rice is culture point

0:27:55.440 --> 0:27:58.840
<v Speaker 1>of view when we were doing this work, because every

0:27:58.920 --> 0:28:03.240
<v Speaker 1>culture has has grains on the table, and it just

0:28:03.359 --> 0:28:08.119
<v Speaker 1>seemed like this unifying crop. So finding like those stories

0:28:08.160 --> 0:28:10.840
<v Speaker 1>that were interstwined in that, and and reading about like

0:28:11.560 --> 0:28:15.720
<v Speaker 1>even Japanese grains of rice and black rice, and you know,

0:28:15.880 --> 0:28:20.080
<v Speaker 1>folklore around these various crops, because all these crops have

0:28:20.520 --> 0:28:22.640
<v Speaker 1>their own stories and their own folklore. And I think

0:28:22.680 --> 0:28:25.000
<v Speaker 1>that's what really tied me in because I grew up

0:28:25.040 --> 0:28:28.640
<v Speaker 1>hearing folklore, and I grew up hearing stories from my elders.

0:28:29.680 --> 0:28:33.399
<v Speaker 1>My grandfather still will pop up and like when he's ready,

0:28:33.520 --> 0:28:38.040
<v Speaker 1>he will share, he will share a story quick. Um.

0:28:38.760 --> 0:28:41.600
<v Speaker 1>It was really beautiful to like learn about our rice

0:28:41.760 --> 0:28:44.080
<v Speaker 1>and our our grain history and some of the other

0:28:44.160 --> 0:28:48.560
<v Speaker 1>grains that you know, I read in books. I remember

0:28:48.600 --> 0:28:53.200
<v Speaker 1>the first mention I think I ever read was in

0:28:53.480 --> 0:28:58.000
<v Speaker 1>Jessica the Harris's book The Africa Cookbooks. She talks about

0:28:58.080 --> 0:29:02.479
<v Speaker 1>grains out of Africa, and that really was like, oh, okay,

0:29:02.720 --> 0:29:05.840
<v Speaker 1>I think as an American, as an African American who

0:29:05.880 --> 0:29:07.880
<v Speaker 1>grew up in the South, I didn't really know much

0:29:07.920 --> 0:29:11.080
<v Speaker 1>about us having our own crops and the fact that

0:29:11.240 --> 0:29:14.560
<v Speaker 1>a lot of those things came from Africa that wet now,

0:29:15.000 --> 0:29:17.040
<v Speaker 1>you know, growing up, you just don't think about that stuff.

0:29:17.560 --> 0:29:19.800
<v Speaker 1>But through like a lot of the literature that I

0:29:19.880 --> 0:29:24.080
<v Speaker 1>started reading and the works of like Cranelia Bailey and

0:29:24.400 --> 0:29:27.120
<v Speaker 1>Vernemet Grosner can really like learn a lot about our

0:29:27.520 --> 0:29:31.280
<v Speaker 1>just our history with agriculture and seedkeeping and how important

0:29:31.360 --> 0:29:35.040
<v Speaker 1>those crops were to us and to our stories into

0:29:35.120 --> 0:29:39.400
<v Speaker 1>the passing down of the house and the whose You know,

0:29:40.440 --> 0:29:45.080
<v Speaker 1>I'm really interested in what you're saying about story and folklore.

0:29:45.280 --> 0:29:51.560
<v Speaker 1>Obviously it is central to the African diasporic tradition. And

0:29:51.680 --> 0:29:54.960
<v Speaker 1>your grandfather he's a gardener, right, I think that's who

0:29:55.000 --> 0:29:58.360
<v Speaker 1>I've seen on the grand before in the garden. Well,

0:29:58.560 --> 0:30:02.200
<v Speaker 1>so my grandfather is I mean, you could call him

0:30:02.200 --> 0:30:06.240
<v Speaker 1>a gardener, but really he he and his brothers, all

0:30:06.320 --> 0:30:09.360
<v Speaker 1>of his siblings, they grew up farming. Yeah, I think

0:30:09.440 --> 0:30:14.680
<v Speaker 1>in reference to my grandfather's generation, we're talking about hundreds

0:30:14.720 --> 0:30:22.080
<v Speaker 1>of acres of land. Uh is gardening? Right? That is

0:30:22.240 --> 0:30:26.320
<v Speaker 1>definitely not gardening. And so I think that's the kind

0:30:26.360 --> 0:30:28.800
<v Speaker 1>of the distinct difference, just like and also what they

0:30:28.880 --> 0:30:32.120
<v Speaker 1>were growing and why they were growing. You know, it

0:30:32.280 --> 0:30:36.720
<v Speaker 1>wasn't the reason that I'm growing necessarily now, it was

0:30:37.160 --> 0:30:40.360
<v Speaker 1>out of necessity. And their parents they were like, Okay,

0:30:40.440 --> 0:30:42.200
<v Speaker 1>we're doing this, so you're gonna get this work to

0:30:42.480 --> 0:30:46.960
<v Speaker 1>come on, You're gonna pick three hundred towns of cotton today,

0:30:47.280 --> 0:30:49.520
<v Speaker 1>Like this is the work that they were doing growing up.

0:30:49.560 --> 0:30:53.560
<v Speaker 1>And so their relationship to farming growing up is very

0:30:53.640 --> 0:30:57.400
<v Speaker 1>different from what I see in them now as they

0:30:57.520 --> 0:31:01.400
<v Speaker 1>work an acre a lot of land and treed everybody

0:31:01.480 --> 0:31:06.400
<v Speaker 1>around us and my my grandfather's brother Andrew, has kind

0:31:06.400 --> 0:31:10.400
<v Speaker 1>of been my my since in the field because he

0:31:10.560 --> 0:31:12.920
<v Speaker 1>holds a lot of the old history in my family,

0:31:12.960 --> 0:31:15.479
<v Speaker 1>which is crazy because he's the baby brother. And it's

0:31:15.520 --> 0:31:18.680
<v Speaker 1>when we're in the garden that we're able to talk

0:31:18.760 --> 0:31:22.640
<v Speaker 1>about those things, or one one's kitchen that he's sharing

0:31:22.720 --> 0:31:26.960
<v Speaker 1>those things, or when we're showing dried seeds. You know,

0:31:27.240 --> 0:31:34.200
<v Speaker 1>that's when those stories really come to life. Reach inside

0:31:34.280 --> 0:31:37.840
<v Speaker 1>and get out to how meditates you need at last,

0:31:37.880 --> 0:31:42.760
<v Speaker 1>fear for week or two three, you get out altering

0:31:42.800 --> 0:31:47.960
<v Speaker 1>you need where you're keeping how Yeah. So my grandfather

0:31:48.080 --> 0:31:51.960
<v Speaker 1>is an engineer and an inventor, and he it's just

0:31:52.080 --> 0:31:57.680
<v Speaker 1>an incredible inventor and kind of magician of sorts because

0:31:57.760 --> 0:32:01.760
<v Speaker 1>he can turn anything into something that's how to keep

0:32:06.280 --> 0:32:10.080
<v Speaker 1>I mean that in the sense of he rebuilds the tractors,

0:32:10.280 --> 0:32:12.680
<v Speaker 1>so like that's kind of his relationship to the garden

0:32:12.880 --> 0:32:16.920
<v Speaker 1>with Uncle Andrew and I. He is our mechanic engineer,

0:32:17.600 --> 0:32:19.880
<v Speaker 1>and we do the planting and the harvest thing for

0:32:19.960 --> 0:32:24.000
<v Speaker 1>the most part, and so whenever thing's work down, it's

0:32:24.040 --> 0:32:26.640
<v Speaker 1>in his shop, which is located right behind our house.

0:32:27.200 --> 0:32:29.480
<v Speaker 1>In terms of proximity, it's kind of like we have

0:32:29.720 --> 0:32:38.080
<v Speaker 1>everything we kind of need within like the street that

0:32:38.320 --> 0:32:43.320
<v Speaker 1>is very powerful. And I have to say, do you

0:32:43.440 --> 0:32:46.560
<v Speaker 1>have any stories off the top of your head that

0:32:46.720 --> 0:32:51.080
<v Speaker 1>have been passed down to you around food and folklore?

0:32:51.640 --> 0:32:55.640
<v Speaker 1>M yes, I think my stories that have been passed

0:32:55.720 --> 0:32:59.520
<v Speaker 1>directly to me from my relatives on more memories. So

0:33:00.800 --> 0:33:03.520
<v Speaker 1>the games that they would play as children when they

0:33:03.560 --> 0:33:06.160
<v Speaker 1>were out in the field. What is it when it's

0:33:06.320 --> 0:33:10.680
<v Speaker 1>peanuts season? There's Jack in the bush? Is a game

0:33:10.760 --> 0:33:13.680
<v Speaker 1>that they used to play, which that sounds like an

0:33:13.720 --> 0:33:18.920
<v Speaker 1>old person's game. Jack in the bush? You know that

0:33:19.080 --> 0:33:24.200
<v Speaker 1>was before So what is jack in the bush? It's

0:33:24.240 --> 0:33:26.720
<v Speaker 1>a game And the way it was explained to me,

0:33:27.360 --> 0:33:31.240
<v Speaker 1>they would have peanuts, you know, one would be the

0:33:31.320 --> 0:33:35.440
<v Speaker 1>guesser and one would be the I guess the holder

0:33:35.520 --> 0:33:38.120
<v Speaker 1>of the peanuts, and so they would hide them in

0:33:38.200 --> 0:33:40.920
<v Speaker 1>their hands and the guesser would have to, you know,

0:33:41.280 --> 0:33:48.120
<v Speaker 1>approximate how many peanuts are in your hand, and if

0:33:48.200 --> 0:33:50.680
<v Speaker 1>it was wrong, if it was over, you had to

0:33:50.800 --> 0:33:55.440
<v Speaker 1>give them the peanuts, and if it was under, they

0:33:55.520 --> 0:33:57.720
<v Speaker 1>had to make up the difference. It was, Oh God,

0:33:58.160 --> 0:34:02.000
<v Speaker 1>thankfully I've recorded these things. If you know how many

0:34:02.000 --> 0:34:04.080
<v Speaker 1>you have in your hand, you have. I said, if

0:34:04.080 --> 0:34:07.120
<v Speaker 1>you had five peanuts in your hands and you said,

0:34:07.240 --> 0:34:10.000
<v Speaker 1>Jack is in the bush, you know, other person said

0:34:10.440 --> 0:34:15.760
<v Speaker 1>cut him down? You say how many licks? You're guessing

0:34:15.800 --> 0:34:19.360
<v Speaker 1>how many peanuts in your hand. If you said you

0:34:19.480 --> 0:34:23.640
<v Speaker 1>had five in your hand and the man said ten,

0:34:25.160 --> 0:34:30.399
<v Speaker 1>well give me five and make me teen. But if

0:34:30.440 --> 0:34:35.359
<v Speaker 1>he guess exactly what was in your hand, you had

0:34:35.400 --> 0:34:45.480
<v Speaker 1>to give him to him. Like hearing the way that

0:34:45.600 --> 0:34:51.280
<v Speaker 1>they formulated James and created you know, their all reality,

0:34:51.440 --> 0:34:54.520
<v Speaker 1>even in like kind of hard times, and like the

0:34:54.640 --> 0:34:58.759
<v Speaker 1>way they just created these worlds. It's really interesting. Hard

0:34:58.840 --> 0:35:01.920
<v Speaker 1>to house all of these all of these things that

0:35:02.040 --> 0:35:07.879
<v Speaker 1>they created. But I think that's what made me pursue filmmaking,

0:35:08.280 --> 0:35:11.399
<v Speaker 1>like as a medium to record these things and keep

0:35:11.480 --> 0:35:16.680
<v Speaker 1>these things and pass these things. You chronicle your life

0:35:17.200 --> 0:35:21.640
<v Speaker 1>in your family's life with such joy, and there's such

0:35:21.760 --> 0:35:26.040
<v Speaker 1>intimacy there. Do you feel like compelled or that it's

0:35:26.080 --> 0:35:30.080
<v Speaker 1>part of your work to to share that that intimacy

0:35:30.440 --> 0:35:33.040
<v Speaker 1>and that relationship that you have with your family. I

0:35:33.080 --> 0:35:37.840
<v Speaker 1>don't know that I always have felt compelled to like

0:35:38.040 --> 0:35:41.600
<v Speaker 1>share that necessarily. However, I think in the process of

0:35:41.680 --> 0:35:45.680
<v Speaker 1>sharing that I've realized how much it's opened up for

0:35:45.760 --> 0:35:50.279
<v Speaker 1>other people, the possibilities of what your relationship to your

0:35:50.320 --> 0:35:53.880
<v Speaker 1>elders can be and kind of this inheritance that they

0:35:53.960 --> 0:35:58.160
<v Speaker 1>hold that is storytelling, that is recipes, that is you know,

0:35:58.280 --> 0:36:02.680
<v Speaker 1>whatever form it takes, it just opening up communication. But

0:36:02.840 --> 0:36:06.880
<v Speaker 1>that these things can be passed down. That feels very important,

0:36:07.239 --> 0:36:10.520
<v Speaker 1>especially you know, as a form of preservation. You're right,

0:36:10.680 --> 0:36:16.360
<v Speaker 1>the preservation is so important because when you think about

0:36:16.440 --> 0:36:21.400
<v Speaker 1>how quickly that generational knowledge has been lost, it is

0:36:21.800 --> 0:36:26.600
<v Speaker 1>it's because we we don't talk explicitly with our elders

0:36:27.000 --> 0:36:32.360
<v Speaker 1>oftentimes about their remembrances and relationships to the land, and

0:36:32.640 --> 0:36:36.160
<v Speaker 1>unfortunately often times we you know, that land is not

0:36:36.360 --> 0:36:38.640
<v Speaker 1>in our families in the same way, you know, which

0:36:38.760 --> 0:36:42.719
<v Speaker 1>is part of that generational loss is of memory and

0:36:42.840 --> 0:36:46.280
<v Speaker 1>also a place. The fact that you do have access

0:36:46.480 --> 0:36:50.360
<v Speaker 1>both to the memories and the place is powerful, and

0:36:50.680 --> 0:36:53.000
<v Speaker 1>we are grateful that you share it with all of us.

0:36:53.680 --> 0:36:58.000
<v Speaker 1>So what are you working on right now that has

0:36:58.120 --> 0:37:06.000
<v Speaker 1>you most in a drive? Mm hmm, yeah. So, Revival

0:37:06.160 --> 0:37:09.000
<v Speaker 1>Taste Collective is the name of an online journal that

0:37:09.080 --> 0:37:13.040
<v Speaker 1>I started a few a couple of years ago when

0:37:13.080 --> 0:37:14.640
<v Speaker 1>I was living in New York and I was making

0:37:14.680 --> 0:37:18.400
<v Speaker 1>these visits to the South and I went to Staffalo

0:37:18.560 --> 0:37:21.120
<v Speaker 1>Island for the first time when I started this journal,

0:37:21.480 --> 0:37:25.640
<v Speaker 1>and I got a chance to meet Clinelia Bailey's family

0:37:26.280 --> 0:37:30.319
<v Speaker 1>and be on their land and learn about their ancestral

0:37:30.360 --> 0:37:33.360
<v Speaker 1>connections to the land and place and the things that

0:37:33.480 --> 0:37:35.640
<v Speaker 1>they grow. So all of that was kind of a

0:37:35.719 --> 0:37:39.160
<v Speaker 1>part of my discovery of myself and my own story,

0:37:39.400 --> 0:37:41.480
<v Speaker 1>or at the start of it. So I started putting

0:37:41.520 --> 0:37:47.560
<v Speaker 1>that in various like random journals online, and um, that

0:37:48.160 --> 0:37:49.680
<v Speaker 1>was the start of it, and I kind of put

0:37:49.719 --> 0:37:51.839
<v Speaker 1>that on the back burner when I was in New

0:37:51.920 --> 0:37:55.480
<v Speaker 1>York and when I made the decision to move home

0:37:55.560 --> 0:37:59.400
<v Speaker 1>with intention to preserve our land, to tell these stories,

0:37:59.480 --> 0:38:03.239
<v Speaker 1>to preserve these stories, Revival Taste Collective felt like the

0:38:03.320 --> 0:38:05.680
<v Speaker 1>way that I was going to do that the place

0:38:05.760 --> 0:38:08.960
<v Speaker 1>that I was going to have these stories and bring

0:38:09.080 --> 0:38:12.799
<v Speaker 1>people together in order to taste the food, in order

0:38:12.880 --> 0:38:16.200
<v Speaker 1>to see the seeds and feel the feeds and maybe

0:38:16.280 --> 0:38:19.960
<v Speaker 1>take seeds home, but also commune over storytelling. And so

0:38:20.200 --> 0:38:23.720
<v Speaker 1>I'm really excited because we've been doing a few things

0:38:24.560 --> 0:38:28.799
<v Speaker 1>here on like what I call the Wardard Homestead, which

0:38:28.840 --> 0:38:31.759
<v Speaker 1>is our land here where our house, where the shop is,

0:38:31.840 --> 0:38:35.040
<v Speaker 1>and where the garden is. I'm gonna start a series

0:38:35.080 --> 0:38:39.640
<v Speaker 1>of events through these journal entries basically online. So the

0:38:39.760 --> 0:38:42.000
<v Speaker 1>things that I've been writing about that I've been sharing,

0:38:42.239 --> 0:38:45.160
<v Speaker 1>We're actually gonna like bring them to life through dinners

0:38:45.400 --> 0:38:49.800
<v Speaker 1>and through community cinema and screenings of independent films and

0:38:50.000 --> 0:38:52.800
<v Speaker 1>documentary films and things that are important to the culture,

0:38:53.080 --> 0:38:55.400
<v Speaker 1>so that the kids in the community have access to

0:38:55.480 --> 0:38:58.400
<v Speaker 1>this knowledge and they have access to the art. And

0:38:59.080 --> 0:39:01.880
<v Speaker 1>we did one screen already of my film Tall Grass,

0:39:02.040 --> 0:39:05.200
<v Speaker 1>which is, you know, the stories from my community, some

0:39:05.360 --> 0:39:08.520
<v Speaker 1>of the inheritance in the form of growing and keeping,

0:39:09.120 --> 0:39:13.160
<v Speaker 1>and also what's happening around here in terms of the

0:39:13.280 --> 0:39:17.359
<v Speaker 1>highway and how that's cutting into our land as well

0:39:17.440 --> 0:39:21.600
<v Speaker 1>as displacing our elders. So there's a lot hidden in

0:39:21.680 --> 0:39:24.320
<v Speaker 1>the grass and and this is kind of shining a

0:39:24.440 --> 0:39:27.479
<v Speaker 1>light on those things, on some of those stories. Well,

0:39:28.160 --> 0:39:32.560
<v Speaker 1>so crucial that you are creating this space and that

0:39:32.760 --> 0:39:35.960
<v Speaker 1>you have this relationship to the elders, and I mean, yeah,

0:39:36.080 --> 0:39:39.440
<v Speaker 1>thank God that they're they're sharing, and that you're documenting.

0:39:39.520 --> 0:39:43.120
<v Speaker 1>It is a gift that extends far beyond your family.

0:39:43.440 --> 0:39:46.000
<v Speaker 1>So will you be making like an announcement. Are you

0:39:46.040 --> 0:39:47.560
<v Speaker 1>gonna do it in series or do you think it

0:39:47.600 --> 0:39:49.480
<v Speaker 1>will be like a one off thing where we'll just

0:39:49.600 --> 0:39:55.960
<v Speaker 1>get like an update, So via Instagram that's the newspaper.

0:39:56.320 --> 0:39:59.799
<v Speaker 1>That's how you do it exactly. Okay, give us your

0:40:00.040 --> 0:40:02.920
<v Speaker 1>g handle so we can know where to find. Okay,

0:40:03.080 --> 0:40:06.440
<v Speaker 1>it's my name, Gabrielle g A b r I E

0:40:06.760 --> 0:40:10.160
<v Speaker 1>l l E Underscore at g M E I t

0:40:10.520 --> 0:40:16.160
<v Speaker 1>I E m n E Gabrielle et t N. Cultural

0:40:16.280 --> 0:40:22.319
<v Speaker 1>preservationist in Apex, North Carolina, doing amazing, amazing work. Thank

0:40:22.400 --> 0:40:25.479
<v Speaker 1>you for joining us today on point of origin. Thank

0:40:25.520 --> 0:40:31.800
<v Speaker 1>you so much, Stephen. This is wonderful. H m m

0:40:32.400 --> 0:40:37.160
<v Speaker 1>m m m m m m m m m m

0:40:38.040 --> 0:40:45.040
<v Speaker 1>m m m m m m m m m And

0:40:45.280 --> 0:40:48.160
<v Speaker 1>that's it for this episode. Point of Origin is a

0:40:48.280 --> 0:40:52.040
<v Speaker 1>podcast from My Heart Media and wet Stone Magazine executive

0:40:52.080 --> 0:40:56.080
<v Speaker 1>produced by Christopher Hasiotis and hosted by me Stephen Saderfield.

0:40:56.880 --> 0:41:01.400
<v Speaker 1>Special thanks to Cat Hoong for editing, supervising producer Gabrielle Collins,

0:41:01.880 --> 0:41:05.600
<v Speaker 1>and a very special thanks to my business partner, Wetstone

0:41:05.640 --> 0:41:09.879
<v Speaker 1>co founder Melissa she who helped produce this podcast. Thanks

0:41:09.960 --> 0:41:12.919
<v Speaker 1>mel and thanks to all of you for supporting wet

0:41:12.960 --> 0:41:16.400
<v Speaker 1>Stone and listening to the Point of Origin podcast for

0:41:16.640 --> 0:41:19.560
<v Speaker 1>all of the latest on all things point of Origin.

0:41:19.760 --> 0:41:23.320
<v Speaker 1>You can follow us on Instagram at wet Stone Magazine

0:41:24.000 --> 0:41:29.719
<v Speaker 1>or online at wet Stone Magazine dot com. We'll see

0:41:29.760 --> 0:41:38.120
<v Speaker 1>you next week at the Point of Origin. M