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Speaker 1: Puny viral. What is it? Pun advisory? My stupid and

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Speaker 1: coruna advisory. It is advice this contest and language is

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Speaker 1: not suitable for children. Ship might be said that might

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Speaker 1: hit you up under the skin, and it might be

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Speaker 1: alone bloke, But guess what it's for this though we

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Speaker 1: see that in the building, see that in the build

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Speaker 1: all the way from since and now that with your staging,

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Speaker 1: and you're gonna be in New Year's in with your stag.

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Speaker 1: You're gonna go straight back with your staging. Why your

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Speaker 1: kids do playing with your staging? Hold on your alternated

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Speaker 1: on work with your sting. Now you gotta try to

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Speaker 1: cranky with your staging. Here you're gonna be with your sta.

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Speaker 1: You ain't gonna don't do what you're saying. You know

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Speaker 1: what up being able to see what the ship to

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Speaker 1: hold the look nigga talking about the hain't with this ship.

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Speaker 1: And that's what I fo your beach and I'll pay it.

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Speaker 1: And in time, she comment, she gonna get off on

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Speaker 1: a telling where you might see me. I'm posted it

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Speaker 1: in the Ain't man. I might jump on the plane

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Speaker 1: in Paula Love fantacause I got the jokes. I'm may

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Speaker 1: be where you see me with it Africa. I'm telling

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Speaker 1: jokes and difference. Went to German and felt something different.

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Speaker 1: Titties ain't gonna win the German, and then felt so

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Speaker 1: different tending ain't gonna win the German and felt some

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Speaker 1: differentist smile they round, but feel some different. I like

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Speaker 1: more than weed. I like I make bitches mad, like

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Speaker 1: DC young flying now, bitches boiling up. I don't give

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Speaker 1: a crazy mine too. If you give him some of

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Speaker 1: that pussy, he'll give some of his dick to you.

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Speaker 1: Give him some of that pussy. Girls like asking you

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Speaker 1: come to that pussy baby. I don't like asking if

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Speaker 1: the pussy is real good, didn't please don't give me some?

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Speaker 1: But if the pussy is great, didn't call those really?

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Speaker 1: Won't someone that pussy? Girls? I don't like, and they

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Speaker 1: gotta sell. I want. I think, I don't know, but

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Speaker 1: I want. No. They got what they got, but I

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Speaker 1: gotta smell but they got Welcome back to the eighty

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Speaker 1: five South Show. It's your man, Carlos S. Miller, and

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Speaker 1: I'm I'm telling you man, I got the hook up

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Speaker 1: for you today. If you go to get bevil dot

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Speaker 1: com right now and use our colde eighty five South.

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Speaker 1: You can get tem percent of your first months of

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Speaker 1: girl ship to this good bebel shaved kid. You know

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Speaker 1: you need it because this bevil razor at here is engineer.

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Speaker 1: So you can get a smooth close shave without all

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Speaker 1: the irritations and bumps and all of that stuff right there.

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Speaker 1: So go to get Bebel dot com right now, use

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Speaker 1: our code eighty five South and you can get temper

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Speaker 1: cent off right now. Go do it. Then we're doing. Man,

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Speaker 1: you're a gangster. Three o'clock. What we gotta show at

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Speaker 1: eight o'clock on time? You ready? Eighty five eighty eighty

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Speaker 1: Welcome back to the South show Man, Carul Lottle s Miller.

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Speaker 1: It's your boy, DC Young and you already know it's

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Speaker 1: the guest host, chicopen. You know you always welcome on

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Speaker 1: this ship. Man, this is my show. I know I'm welcome.

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Speaker 1: You always welcome on this ship. Chiderck duty. If y'all

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Speaker 1: ain't hit to that, that's the new one. Yeah, man,

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Speaker 1: DC always coming over with a little bridge. That's a

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Speaker 1: little bridge. Yeah that's it. I ain't got the whole

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Speaker 1: full song. I'm come still coming over with the hook

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Speaker 1: the most time I spend it. He had a hook done,

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Speaker 1: and the whole hook, the whole hook, the whole hook.

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Speaker 1: I thought, with your music, bro, I know I fucked

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Speaker 1: up before, and I promise I was putting fuck up

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Speaker 1: in anymore because Kadrick did it, Dad did it, played

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Speaker 1: the class on that ship. We gotta get a play

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Speaker 1: the class that now. Just man, I've been showing the love.

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Speaker 1: How much love you've been showing. Man, I ain't gonna

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Speaker 1: I got to put some Friday. I've been trying to

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Speaker 1: get something sad, so I hope I get something to day. Yeah, man,

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Speaker 1: that's gonna go down there. You know, shoulder. Getting some

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Speaker 1: pussy is always a blessing, especially when you ain't at home. Hey,

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Speaker 1: you know what, you know what. I just thought, let's

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Speaker 1: talk to him and tell him how hard it is

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Speaker 1: to get some pussy out of town on where you

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Speaker 1: ain't from there. Oh my god, it's difficult. You gotta

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Speaker 1: have because you gotta have an outstanding swag to go

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Speaker 1: and try to figure out what is the key words

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Speaker 1: to say to get these bitch just dropped down. And

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Speaker 1: then the thing is that when you're from out of town,

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Speaker 1: the woman standards immediately because you don't know her, so

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Speaker 1: you she got all the standards that she could pretend

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Speaker 1: to have out here where she lived, but when she

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Speaker 1: meets you, all them standards is forced u pun you.

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Speaker 1: So you gotta figure out how to maneuver your way

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Speaker 1: around that ship if you want to get some pussy

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Speaker 1: when you out of town, especially when you're working, and

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Speaker 1: then you're working against the clock. You only got a

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Speaker 1: few hours in this city. Sometimes it feels like we're

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Speaker 1: on a damn TV show. You remember Quantum Leap. Ye,

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Speaker 1: you just show up in the city for sixteen hours.

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Speaker 1: You ain't even there twenty four hours. This bit like

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Speaker 1: you want to go out to eat and go to

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Speaker 1: the afterparty. That only get you four hours before you

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Speaker 1: gotta catch your next flight. Is she gonna fucking this

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Speaker 1: four hour time window? I don't know, tune in next week?

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Speaker 1: Well maybe not. I don't know. Maybe y'all Just get

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Speaker 1: the pussy that I don't know she got. Just pay

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Speaker 1: for Just pay for it. Keep all that. You gotta

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Speaker 1: find the one to selling it. Put a herd on

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Speaker 1: the table. Look that's yours. If you do something Chadriick

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Speaker 1: did it again? I don't suggest you do that. No,

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Speaker 1: I don't give it. Damn made up some ship coming

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Speaker 1: the whole time. These comments comments. We don't need comments

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Speaker 1: making up stupid at you the names. We need comments

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Speaker 1: too grown for kids. The eighty five hours. You do

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Speaker 1: it look like I'm let all eighty fi? Do it

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Speaker 1: look like I'm left at eighty Do it look like

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Speaker 1: I'm over? Hey? Man, we got we got a talk

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Speaker 1: to Joe Button. Man. Yeah, we got to man, what

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Speaker 1: then wrong with Joe Buon? That nigga is like the

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Speaker 1: he like uh, he like he like you know who?

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Speaker 1: He liked that, he liked the hip hop version of

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Speaker 1: the Scrooge nigger. He like the hip hop Scrooge. You

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Speaker 1: don't like none of that ship? All that Yeah, all

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Speaker 1: that nigga baby sitting the nigga coming through with that.

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Speaker 1: They could be mad and the motherfucker this ship is

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Speaker 1: not real. It's hate. The nigga sounds like one of them.

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Speaker 1: Later on the cigarette commercial, I just don't understand why

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Speaker 1: they're just who is a little who is about? You

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Speaker 1: sound like one of the things that smoked the cigarettes

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Speaker 1: all men and black when you do that, that's who

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Speaker 1: he sound like. He sound like all that ship. You

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Speaker 1: know what it is though I want Nobody said Joe

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Speaker 1: Budden just don't like nigi from the South. I don't

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Speaker 1: think it's that it is man, I think he don't

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Speaker 1: like nigga. I don't rap in general. I just don't

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Speaker 1: think he liked from I think he just don't. I

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Speaker 1: think he might not like young niggas from the South.

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Speaker 1: I don't know. That's a lot of people that I

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Speaker 1: don't get a Joe, but like he don't like they

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Speaker 1: is talking to him. That ship was so funny. Bad

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Speaker 1: you hit that anyway? Anybody shout out to me, goes,

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Speaker 1: nigger stood up in Unison, stood, they need to do

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Speaker 1: that ship. You know what, queen take off? Stood up,

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Speaker 1: take off, take off. They'd be leaving take off. They

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Speaker 1: took him off that they can take off, go hard

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Speaker 1: right and sold on the show beat that potlight winking

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Speaker 1: right and for some my dad left. Mama told me

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Speaker 1: so do right. They could go off. Niggas on my

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Speaker 1: fifty niggas on my right, fifty nigga coming, they fifty

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Speaker 1: chickens go and that could go off. A lot of

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Speaker 1: people don't even like you got really listen to me.

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Speaker 1: Goes and no there all of them don't even be

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Speaker 1: on every song, nah, just sound the lines of their

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Speaker 1: career with all said in jail, I thought it was

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Speaker 1: only two of them exactly, you know what I mean.

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Speaker 1: So Takeoff had a whole three years with all said,

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Speaker 1: wasn't on none of this all. They were just out

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Speaker 1: here as the duo to me go. He came home,

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Speaker 1: they get the one big song and everybody. That's the

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Speaker 1: thing where he was like, yeah, but then you watched

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Speaker 1: the video, nigger you're smoking the blood in the distance.

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Speaker 1: It kind of, dude, looked like you got left even

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Speaker 1: if it wasn't on purpose, Like you know, y'all might

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Speaker 1: have had this ship worked out in the group, but

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Speaker 1: that little clip made it look like you kind of did.

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Speaker 1: I mean, that was the only part of the video

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Speaker 1: he was in. He was he was in the video.

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Speaker 1: It was like, yeah, you mean, but hey man, with

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Speaker 1: exactly left Now you got little? I did me too.

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Speaker 1: I got left out. I ain't worried about bad was

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Speaker 1: the last second part. I ain't worrying left off. I'm

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Speaker 1: worried about the APODC. It looks like that's what do

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Speaker 1: it look like? I got a little? Do it look

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Speaker 1: like I got little? They do it look like it? Man?

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Speaker 1: Welcome back to another rendition of the South Show. For

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Speaker 1: those of you who are wondering who this podcast is for,

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Speaker 1: this podcast is for take off because he didn't get

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Speaker 1: left off bad and bus and we know what it was.

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Speaker 1: This podcast with niggas. We don't like being talked, all right,

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Speaker 1: This podcast is for pretty bit just about their fingernails off.

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Speaker 1: That's exactly who were recording exactly. You know what I'm

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Speaker 1: saying For all my niggers who got a box shifting

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Speaker 1: and take a long time to start, but the bitch

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Speaker 1: gonna start, exactly for all the motherfucker's that lose the

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Speaker 1: bread tied to the bread every time. You just had

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Speaker 1: the motherfucker. But you gotta fold that ship up on

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Speaker 1: the down, put it in the refrigerators, don't go back.

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Speaker 1: That's what this ship. Who was for any podcast? Everything

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Speaker 1: got there? Who run the old school? Who gotta press

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Speaker 1: the gas pedal before you crank your shirt up? Yeah,

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Speaker 1: like you're starting the gold cartul figure if figul to

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Speaker 1: figure to figure, crank it up, figured the figured to

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Speaker 1: figure the fig hey figured to figure to figure to figure. Yeah,

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Speaker 1: we love some motherfucking old school. What's your what's your

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Speaker 1: top old school? Top old school? I had to oh, man,

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Speaker 1: love Cadillacs, man, so I probably have to tell then

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Speaker 1: they can put the Cadillac boys on Love Cati Cadillacs. Man. Uh.

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Speaker 1: That El Dorado, man, I think probably any elder like

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Speaker 1: a seventy nast eight El Dorado. You're like the El Camino.

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Speaker 1: Get it? That's my favorite car and and and it is.

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Speaker 1: It's yeah that that motherfucker El Dorado used to have

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Speaker 1: that long on what and tie on the back? Well

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Speaker 1: on the back me and my dogs. Did you know

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Speaker 1: that the ninety six and Paula s s got a

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Speaker 1: percent approving rating from black men worldwide? Oh yeah. I

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Speaker 1: ain't never met a nigger who ain't wanted the ninety

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Speaker 1: six and Paula. I don't know that one had this

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Speaker 1: legend during master Masterpiece. You can't get hire and your

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Speaker 1: or your purple and po nigga. That Yeah, that purple

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Speaker 1: and Pola he had was crazy. I've been seeing some

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Speaker 1: fresh as whips out here. There's some ladies out here

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Speaker 1: who got some nice as nigger pulled up Carlos and

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Speaker 1: ship on twenty eights with nuts hanging off the back

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Speaker 1: of man, I was like, why she put the nuts

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Speaker 1: on that? I don't know putt the first show we

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Speaker 1: did Friday night, nigger pulled up in that um that

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Speaker 1: Caprice saying, Caprice, you had with like sixes on that

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Speaker 1: motherfucker's he still had to spin them spinner rams on

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Speaker 1: that bitch already that she was tough. Float you know

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Speaker 1: another place. Let's like, what was we had when the

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Speaker 1: niggers rolled down the street in them dunks when he

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Speaker 1: was about to do the arcosol. Yeah, we don't you

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Speaker 1: just listening to that something the new ship? No, somebody

216
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Speaker 1: had them did a cover to my ship. I might

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Speaker 1: repost your ship to my ready, put it on the mike.

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Speaker 1: Let us let us get a snake. No, we're gonna

219
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Speaker 1: get a sniff that ship. You ain't like it. Once

220
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Speaker 1: he listened to it, ain't like it. He read the

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Speaker 1: comment and it was like, nope, never mind. I thought

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Speaker 1: it was something different. I thought it was something different.

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Speaker 1: Shout out to all the fans, man, because you know what,

224
00:13:33,040 --> 00:13:35,200
Speaker 1: like the bigger we get into that career and ship

225
00:13:35,559 --> 00:13:38,040
Speaker 1: fans are showing us more and more love doing ship

226
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Speaker 1: like covers of your old working paint pictures and ship.

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Speaker 1: We finally got a picture of d C squad up

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Speaker 1: with the dyke. Oh my god, they you see that ship.

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Speaker 1: That's that's a brilliant painting you did so now that

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Speaker 1: the DC he looked just like on the painting. Hey back,

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Speaker 1: oh the whole scene. Oh my god, See that's not

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Speaker 1: That's what I'm saying. We came up with that ship

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Speaker 1: two years ago in l A. Nigger. We were talking

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Speaker 1: about that ship at the studio we did in l A,

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Speaker 1: talking about d C squaring up with the dyke. Bro,

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Speaker 1: you got to come with the message. Man, you got

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Speaker 1: smoke half blood. This is nigga here? Man? What else

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Speaker 1: been going on? Mr brer b Till one we suked

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Speaker 1: around and didn't go this year she sounded good girl,

240
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Speaker 1: talk to my braxton. Still she was sparked. The first

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Speaker 1: one was great, the second song like, does she mean

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Speaker 1: it sounds like that? Okay, it was like a whole

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00:14:50,200 --> 00:14:54,120
Speaker 1: But you know, there's a lot of ship going on

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Speaker 1: right now. Of course, giving out all of them advice

245
00:14:58,360 --> 00:15:00,000
Speaker 1: not need to want to go get a job because

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Speaker 1: j d C. You need to stop and get your

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Speaker 1: credit right. You know what, I'm gonna get my credit right, man,

248
00:15:04,760 --> 00:15:09,640
Speaker 1: jay Z fo for me that niggas said. No, it's

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Speaker 1: just it's the time woke up, That's what he said. Yeah.

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Speaker 1: But like, let me ask you this, let man mask

251
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Speaker 1: you this question, Like, does does you see the power

252
00:15:19,200 --> 00:15:22,240
Speaker 1: that jay Z album having right on niggas, making niggas

253
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Speaker 1: say they're gonna get their credit rights some ship. Niggas

254
00:15:24,200 --> 00:15:26,800
Speaker 1: never really gave a funk about building the legacy and

255
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Speaker 1: all of that. You see how he got niggas kind

256
00:15:28,520 --> 00:15:31,720
Speaker 1: of information on that Beyonce type ship. Does that make

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00:15:31,840 --> 00:15:34,560
Speaker 1: jay Z the greatest rapper of all time? Does his

258
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Speaker 1: power over? Because you know Biggy Tupac is that's the

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Speaker 1: that's the standard. That's the argument. But when it's all

260
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Speaker 1: said and done, will Jacobi considered the greatest? No, because

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00:15:46,600 --> 00:15:49,000
Speaker 1: nigga is gonna consider their favorite rapper about the nigger

262
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Speaker 1: who had the biggest impact on them. It's not You're

263
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Speaker 1: not gonna never be one because someone. It depends on

264
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Speaker 1: where you go something. If you go to Nashville, you're

265
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Speaker 1: gonna into that one nigger who's gonna say Young Buck

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Speaker 1: is the hardest rapper he ever heard. You come to

267
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Speaker 1: do ball. It's gonna build nigger who tell you a

268
00:16:07,040 --> 00:16:09,040
Speaker 1: nigga you probably ain't even heard yet. It is the

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Speaker 1: coldest nigga ever. It depends on the impact, and you

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Speaker 1: take one of them out, it won't be as effect.

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Speaker 1: That's what I'm saying. That's what I mean. But the

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Speaker 1: argument that we all have about the top five number

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Speaker 1: one down to the five, does that put does jigger's

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Speaker 1: impact now at four? How does Jagga forty seven almost

275
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Speaker 1: number one? You've never been done. You can't give a

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Speaker 1: nigger top top top top status until you do the

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Speaker 1: whole thing. How many records they sold, how many people

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Speaker 1: that he's really impacted, how much ship that he's done

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Speaker 1: in the community, all this ship. You know, you can't

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Speaker 1: give a nigger that number one spot. It just ain't.

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Speaker 1: I mean, I gottee you that they can find some

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Speaker 1: little Wayne has done. They can overpower whatever jay Z

283
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Speaker 1: has done. You're always gonna be able to pick it's

284
00:16:55,000 --> 00:16:56,960
Speaker 1: You're always gonna be able to prove your argument. But

285
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Speaker 1: at the same time, when you look at your cultural

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00:16:59,200 --> 00:17:03,200
Speaker 1: impacts a personally with Jacobin oh older Rapper, that's unheard

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Speaker 1: of for a nigger to be forty seven years old

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Speaker 1: and still relevant. You know what I mean, we don't.

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00:17:07,600 --> 00:17:12,920
Speaker 1: We never say to change forty seven man, like no

290
00:17:13,040 --> 00:17:16,840
Speaker 1: way to change alright, But yeah, I mean I just

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00:17:17,040 --> 00:17:19,359
Speaker 1: I just posed that question because you hear a lot

292
00:17:19,400 --> 00:17:21,520
Speaker 1: of people, especially with the Tupac movie. Just come, y'all

293
00:17:21,560 --> 00:17:24,480
Speaker 1: talked about the Tupac movie. Well, it ain't really much

294
00:17:24,560 --> 00:17:30,360
Speaker 1: to say. I agree, and you're stupid. You know, TUPUK

295
00:17:30,480 --> 00:17:36,159
Speaker 1: been dead twenty years the man. Yeah, I mean, what

296
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Speaker 1: you think about the album? Have you heard the album? Call? Yeah?

297
00:17:39,119 --> 00:17:42,600
Speaker 1: What you think about it? Nigga Tupacs It's a phenomenal

298
00:17:42,800 --> 00:17:45,240
Speaker 1: not Tupac the jay Z one right, yeah, j Z.

299
00:17:47,040 --> 00:17:49,879
Speaker 1: I'm stuck. I'm still stuck on the life of O J.

300
00:17:50,200 --> 00:17:52,800
Speaker 1: It's just certain lines and ship that just jumped out

301
00:17:52,880 --> 00:17:55,000
Speaker 1: so vivid, like like the ship where he was like

302
00:17:55,080 --> 00:17:58,719
Speaker 1: you in Salant Egg so luge on all you had

303
00:17:58,800 --> 00:18:02,720
Speaker 1: to do was wrong? Yeah, and then my favorite, laying

304
00:18:02,760 --> 00:18:04,919
Speaker 1: off the whole ship. I've been listening to it non

305
00:18:05,080 --> 00:18:11,400
Speaker 1: stopped straight through like I ain't black, I'm o Jake. Okay, Yeah, yeah,

306
00:18:11,960 --> 00:18:14,480
Speaker 1: you know what I'm saying. But but that's what I made, Like,

307
00:18:14,920 --> 00:18:17,000
Speaker 1: would you have expected Jigger to get that type of

308
00:18:17,040 --> 00:18:19,280
Speaker 1: game up though? Before he did. I ain't never heard

309
00:18:19,320 --> 00:18:23,520
Speaker 1: him get exactly, Yeah, exactly, I mean he do, but

310
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Speaker 1: he only talking about one aspect of his life he takes.

311
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Speaker 1: He give you the hustler's anthem. He give you the

312
00:18:27,960 --> 00:18:30,119
Speaker 1: hustlers guy to be in the hustler and and and

313
00:18:30,359 --> 00:18:32,600
Speaker 1: being the top at the top of your game far

314
00:18:32,720 --> 00:18:34,320
Speaker 1: is getting money and all that type of ship. But

315
00:18:34,480 --> 00:18:37,080
Speaker 1: he never opened itself up to this type of you

316
00:18:37,119 --> 00:18:39,000
Speaker 1: know what I mean talking about the ship that people

317
00:18:39,040 --> 00:18:41,119
Speaker 1: they got skipped leg they just to run the world.

318
00:18:41,160 --> 00:18:42,960
Speaker 1: All the jokes and ship that people make about. Is

319
00:18:43,040 --> 00:18:45,760
Speaker 1: that the nigga addressing everything. So show you he's still

320
00:18:45,800 --> 00:18:49,399
Speaker 1: in turn. He's talking about job taking selfies. Yeah, I

321
00:18:49,400 --> 00:18:51,720
Speaker 1: think he recorded this ship earlier today, so that's what

322
00:18:51,800 --> 00:18:53,720
Speaker 1: I mean. So it's like Jigger is showing that he

323
00:18:53,960 --> 00:18:55,760
Speaker 1: with this album, he shown he's still in tune with

324
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Speaker 1: what the young niggas is doing with the social media

325
00:18:57,720 --> 00:18:59,600
Speaker 1: and all they seeing everything, but he's still able to

326
00:18:59,640 --> 00:19:01,600
Speaker 1: give you the game from an og status and make

327
00:19:01,640 --> 00:19:03,680
Speaker 1: you pay attention to the ship. So it's a phenomen

328
00:19:04,040 --> 00:19:07,520
Speaker 1: bad boy jay z Man nothing, No, I've mess around

329
00:19:07,560 --> 00:19:09,080
Speaker 1: the roast that nig said he looked like one of

330
00:19:09,119 --> 00:19:15,000
Speaker 1: the dinosaurs off land before time and Nigga, that photo

331
00:19:15,160 --> 00:19:17,520
Speaker 1: was taken down before I woke up and some mother ship.

332
00:19:17,640 --> 00:19:19,560
Speaker 1: I was like, I never said about jay Z again,

333
00:19:19,840 --> 00:19:22,280
Speaker 1: and I can't say nothing. Ain't nothing to say. I

334
00:19:22,359 --> 00:19:24,960
Speaker 1: don't know what the nigga is. Awesome, Yeah, he's amazing

335
00:19:26,920 --> 00:19:30,560
Speaker 1: before times. I don't give it. Damn. You can't beat

336
00:19:30,600 --> 00:19:33,000
Speaker 1: the fact that you look like little Foot full time.

337
00:19:33,040 --> 00:19:35,160
Speaker 1: And you know what's crazy. He'd know that he said

338
00:19:35,200 --> 00:19:45,760
Speaker 1: it on the album. Ain't no such thing as he said.

339
00:19:46,359 --> 00:19:49,160
Speaker 1: Don't die for your neighborhood that your mama renting. That's

340
00:19:49,200 --> 00:19:52,240
Speaker 1: the man. Listen, that ship there is as a motherfucker.

341
00:19:52,240 --> 00:19:54,160
Speaker 1: How many niggas you know them died for the neighborhood

342
00:19:54,200 --> 00:19:56,520
Speaker 1: that their mama rent there, all of them, most of

343
00:19:56,560 --> 00:19:59,440
Speaker 1: the ones I know didn't died in the neighborhood that

344
00:19:59,480 --> 00:20:01,760
Speaker 1: they didn't own. So the nigger trying to teach us

345
00:20:01,760 --> 00:20:05,320
Speaker 1: how to go and own some ship by your community

346
00:20:05,440 --> 00:20:07,879
Speaker 1: if you get some money by your community. You know.

347
00:20:07,920 --> 00:20:11,280
Speaker 1: I mean that. All the rappers, all the niggas who've

348
00:20:11,280 --> 00:20:13,840
Speaker 1: been saying this ship for the loan, It's like, oh really,

349
00:20:14,160 --> 00:20:20,240
Speaker 1: so fuck me, then yeah, kill property for the last

350
00:20:20,320 --> 00:20:25,200
Speaker 1: two years exactly exactly. But that's the that's the impactge

351
00:20:29,600 --> 00:20:33,119
Speaker 1: most def you need to start by a couple of houses, bro,

352
00:20:33,560 --> 00:20:38,040
Speaker 1: straight up killer Mike most Death, all the niggas to

353
00:20:38,160 --> 00:20:44,360
Speaker 1: live quality, all the man telling you tommin sense Yeah

354
00:20:44,600 --> 00:20:47,160
Speaker 1: that nigger that that ship that that what's the song

355
00:20:47,280 --> 00:20:49,920
Speaker 1: that he did? The um but when he had the

356
00:20:50,720 --> 00:20:52,840
Speaker 1: premiere up on the on the walls and shipped all

357
00:20:52,880 --> 00:20:56,480
Speaker 1: over the world. Um, I take your hamptins while a

358
00:20:56,560 --> 00:21:00,159
Speaker 1: spouse come on her hampton. No, no, that's black now,

359
00:21:00,200 --> 00:21:02,000
Speaker 1: that wasn't black skin here. What's the name of the moss?

360
00:21:02,600 --> 00:21:04,960
Speaker 1: That was Jesus album? I can't remember the name of

361
00:21:05,000 --> 00:21:09,119
Speaker 1: the name of the song. She sucks walks with me

362
00:21:09,440 --> 00:21:22,520
Speaker 1: with me Jesus, he said, Jesus size. But no, no, no, no, no, no,

363
00:21:22,720 --> 00:21:25,480
Speaker 1: it's just the wrong album. Bro. What hey, man, you

364
00:21:25,600 --> 00:21:28,320
Speaker 1: think Kanye you ever coming back like to where he was?

365
00:21:28,720 --> 00:21:32,399
Speaker 1: I hope so like at the same get out stunt

366
00:21:32,480 --> 00:21:34,639
Speaker 1: man and he's gonna have something. I feel like he

367
00:21:34,680 --> 00:21:36,520
Speaker 1: should come out. And he got so much to say, man,

368
00:21:36,600 --> 00:21:39,080
Speaker 1: he could be said, yeah, I married a motherfucking bit

369
00:21:39,240 --> 00:21:42,800
Speaker 1: you all on the net. So another nick So like

370
00:21:42,960 --> 00:21:45,960
Speaker 1: everybody be in the club like so like that whole

371
00:21:46,000 --> 00:21:49,159
Speaker 1: little point. He's what I'm saying. He got year is

372
00:21:49,200 --> 00:21:51,639
Speaker 1: another rapper with that cultural impact where he put out

373
00:21:51,680 --> 00:21:53,919
Speaker 1: an album saying some ship that fifty other niggas been

374
00:21:53,960 --> 00:21:56,560
Speaker 1: saying for however long, and people don't act like they've

375
00:21:56,560 --> 00:21:58,520
Speaker 1: never heard it before. That's what it is. But it

376
00:21:58,640 --> 00:22:03,880
Speaker 1: looked like it looked like it looking figured out. That's

377
00:22:04,000 --> 00:22:09,080
Speaker 1: what I'm saying. Shoulder missing for three hundred and eighty

378
00:22:09,119 --> 00:22:13,440
Speaker 1: seven dollars NIA looking like bad Bam, No, they look

379
00:22:13,520 --> 00:22:16,000
Speaker 1: like Yeah, he dressing like the what's the name of

380
00:22:16,040 --> 00:22:18,320
Speaker 1: the movie, the um with the girl with the arrow

381
00:22:18,480 --> 00:22:22,040
Speaker 1: Nigger Hunger Games. Niggers dressed like the Hunger Games when

382
00:22:22,040 --> 00:22:24,160
Speaker 1: they're lining up to get picked for the games. That's

383
00:22:24,160 --> 00:22:26,800
Speaker 1: how he got people dressed. Yeah, but that's the thing.

384
00:22:26,920 --> 00:22:28,600
Speaker 1: His shoes and you know, just look at what his

385
00:22:28,680 --> 00:22:30,560
Speaker 1: shoes did when he got to a DDA. He didn't

386
00:22:30,560 --> 00:22:33,639
Speaker 1: made the didas nigga hot than the motherfucker. Why nobody

387
00:22:34,680 --> 00:22:41,240
Speaker 1: arrogant branch off Jesus, Comfortable as hell, Jesus. It's just beautiful.

388
00:22:41,560 --> 00:22:43,160
Speaker 1: See That's what I mean like that. But I don't

389
00:22:43,200 --> 00:22:45,680
Speaker 1: know if he ever I hope he make a comeback musically,

390
00:22:46,080 --> 00:22:49,280
Speaker 1: but you know, man writing for folks money man. I mean,

391
00:22:49,320 --> 00:22:51,600
Speaker 1: I'm sure he's doing something, but I just you know, look,

392
00:22:51,640 --> 00:22:54,480
Speaker 1: we gotta acknowledge this nigga. Like if they had the

393
00:22:54,600 --> 00:22:57,280
Speaker 1: vote for somebody to like be a good represent like

394
00:22:57,320 --> 00:23:01,280
Speaker 1: a great representative of the hood, did snicker, Man, I

395
00:23:01,400 --> 00:23:04,480
Speaker 1: would think this nigga keep it so hood. He's still

396
00:23:04,680 --> 00:23:06,840
Speaker 1: being I couldn't. I don't even buy them ship just

397
00:23:06,880 --> 00:23:08,760
Speaker 1: because I was like, no them the easiest day, didn't

398
00:23:08,760 --> 00:23:11,000
Speaker 1: want I can't work with that. This nigga. Just see,

399
00:23:11,160 --> 00:23:13,480
Speaker 1: that's what I'm talking about. Man, you'll never let the

400
00:23:13,520 --> 00:23:17,560
Speaker 1: success change. I don't show I love his name because

401
00:23:17,600 --> 00:23:22,600
Speaker 1: he's still still showed still by cars, still still still

402
00:23:22,800 --> 00:23:27,399
Speaker 1: by you cars still do ain't got no motive, but

403
00:23:27,440 --> 00:23:32,640
Speaker 1: we're gonna make it work. Got it off crazy, I'm

404
00:23:32,680 --> 00:23:35,159
Speaker 1: telling I get I get the motor. I'm looking for

405
00:23:35,320 --> 00:23:38,080
Speaker 1: some old new ship. I'm looking for eighty six cutless

406
00:23:38,200 --> 00:23:41,679
Speaker 1: with four hundred miles and you can find it too,

407
00:23:41,760 --> 00:23:44,880
Speaker 1: cause the old motherfuckers don't be driving. Somebody grandma bought

408
00:23:44,920 --> 00:23:47,320
Speaker 1: one and eighty six and parked it. Somebody Dad got

409
00:23:47,400 --> 00:23:51,800
Speaker 1: all times on Parkinson's want. This should have been loved.

410
00:23:51,800 --> 00:23:53,520
Speaker 1: I can't wait to get back to the city for

411
00:23:53,720 --> 00:23:55,800
Speaker 1: man I got I'm about trying to drink something. They

412
00:23:55,880 --> 00:23:58,680
Speaker 1: got podcasting. Come on, you're not about to do that.

413
00:23:58,760 --> 00:24:05,160
Speaker 1: I'm about to do I'm on, Jill always gotta do too.

414
00:24:05,760 --> 00:24:07,960
Speaker 1: I'm thinking this gave you the whole n This nick

415
00:24:08,040 --> 00:24:09,960
Speaker 1: is beautiful and you haven't seen somebody drinks some ship

416
00:24:12,080 --> 00:24:17,000
Speaker 1: do them like that today? No, Man, I grew up

417
00:24:17,040 --> 00:24:21,280
Speaker 1: in church. All the old folk we should have went

418
00:24:21,359 --> 00:24:23,840
Speaker 1: to church had in them. That would be a good

419
00:24:23,880 --> 00:24:26,000
Speaker 1: show to watch black people going to churches all across

420
00:24:26,040 --> 00:24:29,879
Speaker 1: the country. Oh man, black you just go hey, come on, bro,

421
00:24:31,680 --> 00:24:34,359
Speaker 1: what's wrong with hey? Man? The same thing you just

422
00:24:34,400 --> 00:24:36,200
Speaker 1: said it was good with him. You just to get

423
00:24:36,240 --> 00:24:39,040
Speaker 1: them the curse that nigga hood did them, motherfucking cursed. Man.

424
00:24:39,119 --> 00:24:41,080
Speaker 1: You gotta we gotta wrap it up. What are you doing?

425
00:24:41,280 --> 00:24:45,600
Speaker 1: You're just wrapping us up. He got poxes? Man, Oh

426
00:24:45,680 --> 00:24:49,800
Speaker 1: that nigga got poxses. Okay, damn we know nobody, Oh

427
00:24:49,960 --> 00:24:53,520
Speaker 1: we know on the camera. Yeah, that's they gotta let

428
00:24:53,640 --> 00:24:56,239
Speaker 1: us here, so we too. Yeah, we thought you were

429
00:24:56,280 --> 00:24:59,359
Speaker 1: this something about regular people with pockses this nigga keep

430
00:24:59,440 --> 00:25:02,720
Speaker 1: doing like that. Seeing I'm like, what going, Keep it going, guys,

431
00:25:03,520 --> 00:25:06,080
Speaker 1: you ain't shooting? Why are you doing that? Like, come on, guys,

432
00:25:06,160 --> 00:25:08,640
Speaker 1: hurright up, let's do it. Let's do it. Guys. I'm

433
00:25:08,680 --> 00:25:11,920
Speaker 1: on running out of film here. Come on, guys, yeah,

434
00:25:12,000 --> 00:25:13,920
Speaker 1: keep it going, rolling rolling, Put the cock in her mouth.

435
00:25:14,040 --> 00:25:16,320
Speaker 1: Come on, come on, come on, keep going, keep going,

436
00:25:16,520 --> 00:25:19,760
Speaker 1: keep going. We need this man getting good. Oh man,

437
00:25:20,320 --> 00:25:23,600
Speaker 1: and this ship retarded. Man, tell us about tales real quick. Man.

438
00:25:24,440 --> 00:25:26,560
Speaker 1: First of all, man, that ship is genius. Is fuck

439
00:25:26,640 --> 00:25:29,560
Speaker 1: earth got it? That ship is brought out the earth

440
00:25:29,680 --> 00:25:33,280
Speaker 1: got it? The first of all. First, before we even

441
00:25:33,320 --> 00:25:35,840
Speaker 1: get into even breaking that ship down, first of all

442
00:25:36,080 --> 00:25:40,240
Speaker 1: is black people. Man. We go in every time we

443
00:25:40,400 --> 00:25:44,359
Speaker 1: criticized each other the worst, bro, we always go and

444
00:25:44,480 --> 00:25:47,920
Speaker 1: finding the wrongest ship or try to find something like

445
00:25:48,200 --> 00:25:51,320
Speaker 1: to make us not like some manage and accomplished black ship.

446
00:25:51,680 --> 00:25:53,439
Speaker 1: You know what I'm saying. At the end of the day, Man,

447
00:25:53,440 --> 00:25:55,640
Speaker 1: if you've seen the first episode that she was brilliant,

448
00:25:55,640 --> 00:25:59,920
Speaker 1: it is fuck motherfucker's just wanna nat nick and pick

449
00:26:00,080 --> 00:26:01,360
Speaker 1: and be like, why are you doing it this way?

450
00:26:01,440 --> 00:26:03,159
Speaker 1: The white people like this, They ain't really feeling it,

451
00:26:03,240 --> 00:26:05,760
Speaker 1: you haven't lost the whole message. You ain't even see

452
00:26:05,800 --> 00:26:09,280
Speaker 1: what's going on. He breaks every song down into a movie.

453
00:26:09,280 --> 00:26:11,720
Speaker 1: That's what I mean. That ship is the idea of

454
00:26:11,800 --> 00:26:14,200
Speaker 1: it is brilliant because it is you know how many

455
00:26:14,320 --> 00:26:17,560
Speaker 1: hip hop songs have been impactful on our lives. Man

456
00:26:17,680 --> 00:26:19,960
Speaker 1: with that ship raised us as black people. So for

457
00:26:20,080 --> 00:26:22,399
Speaker 1: him to take them songs and make them into a movie,

458
00:26:22,680 --> 00:26:25,800
Speaker 1: you didn't created that movie in your mind already by

459
00:26:25,880 --> 00:26:28,000
Speaker 1: listening to the song, you already had that movie in

460
00:26:28,040 --> 00:26:30,040
Speaker 1: your mind. So for him to come and put it

461
00:26:30,080 --> 00:26:32,359
Speaker 1: together like that in that first episode with him taking

462
00:26:32,400 --> 00:26:35,040
Speaker 1: Buck the police and putting white people in the position

463
00:26:35,080 --> 00:26:37,560
Speaker 1: of black people and having the black people be police, Like,

464
00:26:37,680 --> 00:26:39,600
Speaker 1: if you open your mind up to that, that is

465
00:26:39,680 --> 00:26:42,040
Speaker 1: the idea that we want people to understand. Like, that's

466
00:26:42,040 --> 00:26:44,480
Speaker 1: how we be feeling as crazy as that ships. I

467
00:26:44,560 --> 00:26:46,680
Speaker 1: see a lot of people saying that's just unreal. That

468
00:26:46,720 --> 00:26:49,359
Speaker 1: would never happen exactly, but it does happen to us.

469
00:26:49,600 --> 00:26:51,440
Speaker 1: So see how crazy it look. We're going through that

470
00:26:52,280 --> 00:26:55,400
Speaker 1: single day crazy part about it. We win it how

471
00:26:55,480 --> 00:26:58,399
Speaker 1: it was would had white cops black kid doing the

472
00:26:58,440 --> 00:27:00,399
Speaker 1: same Ship'll be like, oh this is the same message

473
00:27:00,440 --> 00:27:03,840
Speaker 1: everybody's trying to say, No, motherfucker, we're gonna first hit.

474
00:27:04,000 --> 00:27:06,840
Speaker 1: We want y'all to understand how serious and how easy

475
00:27:07,280 --> 00:27:10,320
Speaker 1: that it is for y'all to get away with ship exactly.

476
00:27:10,359 --> 00:27:12,440
Speaker 1: You see what I'm saying. If it just it put

477
00:27:12,480 --> 00:27:15,080
Speaker 1: a whole another meaning and aspect on it, because it's

478
00:27:15,119 --> 00:27:17,359
Speaker 1: always what I feel was the opposite, were you not?

479
00:27:17,400 --> 00:27:20,520
Speaker 1: Because they're not witnessing the opposite out here. That's the point. Yeah,

480
00:27:20,840 --> 00:27:24,159
Speaker 1: you're not putt putting, You putting the focal point on

481
00:27:24,280 --> 00:27:26,320
Speaker 1: the message. That's what everybody always try to get you

482
00:27:26,359 --> 00:27:28,840
Speaker 1: to say. What is their message their messages, But this

483
00:27:29,040 --> 00:27:31,200
Speaker 1: is the message from what I got from it, at least,

484
00:27:31,520 --> 00:27:37,239
Speaker 1: the message is we are struggling with people who are

485
00:27:37,280 --> 00:27:39,960
Speaker 1: putting our communities to protect us. We know what the

486
00:27:40,040 --> 00:27:42,800
Speaker 1: police's job is. They are there to protect us. They

487
00:27:42,920 --> 00:27:45,360
Speaker 1: risk their life every day. We don't get to see

488
00:27:45,400 --> 00:27:48,040
Speaker 1: that as much as they do it. But that's cool.

489
00:27:48,160 --> 00:27:50,440
Speaker 1: That's their job. They signed up to do that. That's

490
00:27:50,440 --> 00:27:52,760
Speaker 1: their job. So why do we as a people have

491
00:27:52,920 --> 00:27:55,119
Speaker 1: to feel like they're not there to do that for us?

492
00:27:55,560 --> 00:27:57,560
Speaker 1: That's the message, and him switching it around like that

493
00:27:57,760 --> 00:27:59,880
Speaker 1: and making people see what it really look like. This ship,

494
00:28:00,000 --> 00:28:02,840
Speaker 1: it's sucking crazy. This doesn't happen. It does happen, and

495
00:28:02,920 --> 00:28:04,560
Speaker 1: we're dealing with it. So if it makes you feel

496
00:28:04,680 --> 00:28:06,600
Speaker 1: unreal and make you feel like the ship just don't

497
00:28:06,600 --> 00:28:08,760
Speaker 1: make no sense, then you need to understand that you

498
00:28:08,880 --> 00:28:11,040
Speaker 1: need to have that same energy to helping black people

499
00:28:11,400 --> 00:28:14,080
Speaker 1: reverse that reality for us. And that's what he put

500
00:28:14,160 --> 00:28:17,159
Speaker 1: in the right. That's why we celebrate every goddamn thing

501
00:28:17,320 --> 00:28:19,840
Speaker 1: on the eighty five South Show because every move we

502
00:28:20,000 --> 00:28:23,840
Speaker 1: make his black men is dangerous. It's fun. Every move

503
00:28:23,960 --> 00:28:27,080
Speaker 1: could be your last one. I love. I always think

504
00:28:27,119 --> 00:28:30,159
Speaker 1: about ship like that jumping into motherfucking car. That's like

505
00:28:30,280 --> 00:28:34,080
Speaker 1: a failure rate. Now, Oh, you ain't gotta be doing ship.

506
00:28:34,760 --> 00:28:37,680
Speaker 1: We've seen too many niggas get killed on Facebook last

507
00:28:37,960 --> 00:28:42,960
Speaker 1: what play this ship? Hundreds of exactly exactly get it right,

508
00:28:43,080 --> 00:28:46,320
Speaker 1: Like NDO can't steal this. Yeah, his girl, his baby,

509
00:28:46,640 --> 00:28:50,160
Speaker 1: He got his lightness permit, seatbelt on everything, and told

510
00:28:50,200 --> 00:28:52,600
Speaker 1: the police he had a pistol, you know what I mean,

511
00:28:52,800 --> 00:28:54,960
Speaker 1: told him And that's the thing, bro, Like you see,

512
00:28:55,040 --> 00:28:57,960
Speaker 1: these things happen, And that's why the detailship is so

513
00:28:58,120 --> 00:29:00,800
Speaker 1: dope because the it's so many song owns man that

514
00:29:00,960 --> 00:29:03,440
Speaker 1: talk about the plight of black people in such a

515
00:29:03,560 --> 00:29:05,960
Speaker 1: brilliant way. Like this ship is genius. Like we were

516
00:29:06,000 --> 00:29:08,160
Speaker 1: just talking about Kanye West. That niggas a genius. Jesus

517
00:29:08,240 --> 00:29:10,720
Speaker 1: walking to the niggas a genius. My man keep moving

518
00:29:10,760 --> 00:29:14,280
Speaker 1: and ship, my man keep moving. May stop moving that. Yeah,

519
00:29:14,320 --> 00:29:16,200
Speaker 1: just keep your hands behind your head. This nigger gotta

520
00:29:16,240 --> 00:29:18,719
Speaker 1: go on time out back. That motherfucker. He calls them distractions.

521
00:29:19,160 --> 00:29:23,240
Speaker 1: But yeah, like we got genius music that puts perspective

522
00:29:23,480 --> 00:29:25,320
Speaker 1: and what we go through and him making a movie

523
00:29:25,360 --> 00:29:28,000
Speaker 1: about the ship, it's brilliant. Man, that's a brilliant idea.

524
00:29:28,080 --> 00:29:29,440
Speaker 1: And there's so much you can go Nigga. If he

525
00:29:29,480 --> 00:29:31,280
Speaker 1: may want about putting in your mouth that's a poem,

526
00:29:31,640 --> 00:29:33,520
Speaker 1: Like it's so so far you can go with that

527
00:29:35,160 --> 00:29:41,680
Speaker 1: creative could be some other's ship. What you're doing. What's

528
00:29:43,760 --> 00:29:46,840
Speaker 1: uh the Biggie smile when you tell the story about

529
00:29:46,880 --> 00:29:53,800
Speaker 1: Robert and Nigga's nigga, You see what I'm saying that's

530
00:29:53,800 --> 00:29:56,240
Speaker 1: gonna be look at this young nigga Like if it

531
00:29:56,320 --> 00:29:58,120
Speaker 1: was a nigga invalled in that story. When Biggie was

532
00:29:58,200 --> 00:30:01,560
Speaker 1: talking about it did look like this, And I was

533
00:30:01,640 --> 00:30:04,240
Speaker 1: saying earlier. You know what I'm saying, This nigga is

534
00:30:04,320 --> 00:30:09,520
Speaker 1: the perfect robbed you, but then go home and help

535
00:30:09,560 --> 00:30:12,200
Speaker 1: his unty, like bring the grocers exactly, Like this thing

536
00:30:12,280 --> 00:30:14,360
Speaker 1: ain't just robbing you, so he could come up like this,

537
00:30:14,680 --> 00:30:18,480
Speaker 1: like robbing you for a purpose. Yeah, robbing with a purpose,

538
00:30:19,560 --> 00:30:21,680
Speaker 1: Robbing with a purpose right there, that's the foundation. I

539
00:30:21,760 --> 00:30:24,400
Speaker 1: didn't get that on the hat. Robing with a purpose

540
00:30:25,240 --> 00:30:27,920
Speaker 1: like a chat chat. That's good. Man's gonna rob on.

541
00:30:29,480 --> 00:30:32,520
Speaker 1: Robbing with purpose. That's what the South Show is all about. Man,

542
00:30:32,640 --> 00:30:35,480
Speaker 1: so creative. Yeah, that's what I was just about to

543
00:30:35,520 --> 00:30:37,080
Speaker 1: say to me. You know, I don't like when niggas talk.

544
00:30:37,120 --> 00:30:40,920
Speaker 1: When I'm talking. Now, I gotta say some mother ship that. Look,

545
00:30:41,720 --> 00:30:44,360
Speaker 1: I'm so glad this nigga came through. I know the funk.

546
00:30:44,400 --> 00:30:45,760
Speaker 1: I was about to say, you act like I'm not

547
00:30:45,880 --> 00:30:47,440
Speaker 1: on the show. You're gonna tell me about the ship.

548
00:30:47,520 --> 00:30:50,200
Speaker 1: I'm hey, man, tell him about your ship. I was

549
00:30:50,240 --> 00:30:55,000
Speaker 1: about to beat you to your point. I ain't even

550
00:30:55,040 --> 00:30:57,240
Speaker 1: gonna do it. I tell him about wild hey man,

551
00:30:57,280 --> 00:31:00,680
Speaker 1: wild and now just but man d tell him aout exactly, Man,

552
00:31:00,760 --> 00:31:06,320
Speaker 1: that ship on y'all cable and look whiling out is

553
00:31:06,360 --> 00:31:08,680
Speaker 1: on my Mike. Please stop moving, man, you just keep

554
00:31:08,760 --> 00:31:12,240
Speaker 1: moving behind the Swiss positions with that nigger. Man. I

555
00:31:12,400 --> 00:31:17,360
Speaker 1: told you got that nigga. Keep moving like like like

556
00:31:17,480 --> 00:31:20,680
Speaker 1: this this film right here is depending upon him making

557
00:31:20,760 --> 00:31:26,640
Speaker 1: it and not making a mother walking back the Come on,

558
00:31:26,760 --> 00:31:29,520
Speaker 1: give me one funk. You mean what you mean for

559
00:31:29,640 --> 00:31:32,320
Speaker 1: the film? That ship good to him. He's like these

560
00:31:32,400 --> 00:31:43,760
Speaker 1: niggas right, he's suffering from real nigga seasons. Keep it going, nigga,

561
00:31:43,880 --> 00:31:46,240
Speaker 1: keep coming with it. God damn, that nigga got the

562
00:31:46,280 --> 00:31:48,680
Speaker 1: nigga Holy goes back there, mother, We gave that nigga

563
00:31:48,720 --> 00:31:51,360
Speaker 1: the nigger spirit. Bro, This is a real nigga podcast.

564
00:31:51,440 --> 00:31:54,800
Speaker 1: It is, Bro. When I say real niggas, you know what,

565
00:31:54,920 --> 00:31:59,800
Speaker 1: I'm surprised, though, surprised me about. This's a real nigga.

566
00:32:00,280 --> 00:32:03,640
Speaker 1: And then we get so much feedback from niggas who

567
00:32:03,680 --> 00:32:08,440
Speaker 1: ain't even niggas, but it's just it applied to their life.

568
00:32:08,560 --> 00:32:11,080
Speaker 1: That's how they know that, because real is real no

569
00:32:11,200 --> 00:32:14,920
Speaker 1: matter what color is. Nigger show, don't black babe white Mike,

570
00:32:15,080 --> 00:32:18,440
Speaker 1: Mike saying they're speaking of colors. Kodak Black got the

571
00:32:18,600 --> 00:32:24,120
Speaker 1: Internet on fire right now, and he just keep talking. Man.

572
00:32:24,400 --> 00:32:29,920
Speaker 1: That's guidance, man, Like I love all colors. Like, that's guidance, man,

573
00:32:30,160 --> 00:32:32,920
Speaker 1: I love all colors. Man. One thing about it, man,

574
00:32:33,000 --> 00:32:35,360
Speaker 1: the women is the reason why this earth moves around.

575
00:32:36,000 --> 00:32:38,040
Speaker 1: Because niggas was just to be niggas. We would be

576
00:32:38,080 --> 00:32:42,280
Speaker 1: walking around. Uh are how we'll be talking all right,

577
00:32:42,520 --> 00:32:45,200
Speaker 1: because that's how that's how thinking sound. Why're jacking? You

578
00:32:45,280 --> 00:32:47,160
Speaker 1: know what I'm saying. Now that we got pussy walking around,

579
00:32:47,200 --> 00:32:51,440
Speaker 1: now we're like, uh you know, yeah, you gotta have

580
00:32:51,560 --> 00:32:55,880
Speaker 1: some smooth like but it's it's you gotta love all women, man,

581
00:32:55,920 --> 00:32:59,240
Speaker 1: It's it's no understand. Niggas got their preference. That's what

582
00:32:59,360 --> 00:33:01,280
Speaker 1: they want. That's what they prefer. It's a lot that

583
00:33:01,320 --> 00:33:03,520
Speaker 1: I like to prefer. And I used to be like

584
00:33:04,040 --> 00:33:06,000
Speaker 1: I like light skiing too, you know what I'm saying.

585
00:33:06,040 --> 00:33:07,800
Speaker 1: But then when I realized how much I was missing

586
00:33:07,840 --> 00:33:12,800
Speaker 1: on dog skin, whoa hey, And that's they're not like

587
00:33:12,920 --> 00:33:16,000
Speaker 1: that brown ship. I don't give a fuck. I take

588
00:33:16,040 --> 00:33:19,400
Speaker 1: the crunch Countra Black, that ship juice, that ship pop

589
00:33:19,520 --> 00:33:24,880
Speaker 1: over like oh if Andy squirt. And that's the thing

590
00:33:25,200 --> 00:33:27,200
Speaker 1: at the end of the day, it's just a black woman.

591
00:33:27,520 --> 00:33:29,920
Speaker 1: I mean we we don't even need to separate our

592
00:33:29,960 --> 00:33:32,280
Speaker 1: black women. They black women, man. And that's the thing.

593
00:33:32,360 --> 00:33:34,560
Speaker 1: But I think, what what Kodak has just got us? Man?

594
00:33:34,800 --> 00:33:41,520
Speaker 1: Young Niggers is raising themselves to pose a question? What

595
00:33:41,880 --> 00:33:44,720
Speaker 1: what got everybody so funked up on skin tone? Not

596
00:33:44,920 --> 00:33:50,080
Speaker 1: just everybody across the board, black people specifically. Oh it's

597
00:33:50,080 --> 00:33:54,320
Speaker 1: a it's a that's a generation. But in the hood

598
00:33:54,920 --> 00:33:57,320
Speaker 1: recognized that why is it still a thing right now?

599
00:33:57,440 --> 00:33:59,360
Speaker 1: Because it's been better than us in the hood. We

600
00:33:59,640 --> 00:34:02,720
Speaker 1: we raised around number brown skin. It's a couple of

601
00:34:02,840 --> 00:34:04,880
Speaker 1: light skin in the hood. You know what, Like when

602
00:34:04,880 --> 00:34:07,000
Speaker 1: you went to school, everybody brown, bro, you got you

603
00:34:07,080 --> 00:34:09,600
Speaker 1: a selected a few of light skinning beaches. Man, depending

604
00:34:09,600 --> 00:34:11,480
Speaker 1: on where you're from, I mean from the hood, from

605
00:34:11,480 --> 00:34:14,040
Speaker 1: the West sid you know what I'm saying. It ain't

606
00:34:14,080 --> 00:34:16,120
Speaker 1: a lot of light skinning ranching hoole. It's a lot

607
00:34:16,160 --> 00:34:18,240
Speaker 1: of light skin rech hole. But I'm talking abo majority.

608
00:34:18,560 --> 00:34:20,440
Speaker 1: It's more brown skin. Ratch your hold and light skin

609
00:34:20,480 --> 00:34:21,960
Speaker 1: and ratch your holds in the hood, bro. I mean

610
00:34:22,680 --> 00:34:24,840
Speaker 1: that's but the thing is, like I never went to

611
00:34:24,880 --> 00:34:28,160
Speaker 1: school with white people, and my whole schooling from from

612
00:34:28,640 --> 00:34:33,399
Speaker 1: never one not one white person ever went to school

613
00:34:33,440 --> 00:34:36,680
Speaker 1: with me in d C Public school, so the demographic

614
00:34:36,920 --> 00:34:39,759
Speaker 1: is different. I went to school around nothing but black people,

615
00:34:39,800 --> 00:34:44,200
Speaker 1: so it's none, none, not one. So it's like, oh,

616
00:34:44,280 --> 00:34:46,759
Speaker 1: you had want to do it. No, not that I'm

617
00:34:46,800 --> 00:34:49,480
Speaker 1: not te consistently want to say I went to school

618
00:34:49,520 --> 00:34:53,200
Speaker 1: with bol white people. Yeah, I went to school with

619
00:34:53,200 --> 00:34:56,080
Speaker 1: white people. I would say that it was maybe like

620
00:34:56,880 --> 00:35:06,560
Speaker 1: M M sixty. It wasn't necessarily half half. It was

621
00:35:06,680 --> 00:35:10,239
Speaker 1: more of them than us, so had more of a

622
00:35:10,320 --> 00:35:12,400
Speaker 1: lot of ship that they wanted to do. We just

623
00:35:12,520 --> 00:35:14,880
Speaker 1: had to do like we couldn't, you know what I mean.

624
00:35:14,960 --> 00:35:17,279
Speaker 1: It's far like school events and the way that ship

625
00:35:17,440 --> 00:35:19,960
Speaker 1: was running, it wasn't nothing really catered to us. You know,

626
00:35:20,400 --> 00:35:24,040
Speaker 1: this ship is great. Niggas sometimes like we would do

627
00:35:24,160 --> 00:35:27,000
Speaker 1: ship like uh you know, they had like the school dance,

628
00:35:27,040 --> 00:35:29,640
Speaker 1: you know, the black ship, but it wasn't a school

629
00:35:29,719 --> 00:35:32,319
Speaker 1: dance black ship. They'll have some ship like hay Rad

630
00:35:32,480 --> 00:35:34,680
Speaker 1: and then we'll all the niggas have come and now

631
00:35:34,760 --> 00:35:37,640
Speaker 1: it's the part nigga. We had the hay Rid, let

632
00:35:37,800 --> 00:35:39,320
Speaker 1: you know what I mean. So we show up and

633
00:35:39,400 --> 00:35:42,200
Speaker 1: make the ship black, but it wasn't necessarily our ship.

634
00:35:42,440 --> 00:35:44,479
Speaker 1: But this is how the white people do. They would

635
00:35:44,520 --> 00:35:47,000
Speaker 1: come exactly when they say the ship was gonna start.

636
00:35:47,680 --> 00:35:50,759
Speaker 1: They should say seven to eleven or whatever. They come

637
00:35:50,840 --> 00:35:53,720
Speaker 1: from seven to maybe nine. Then just let the niggas

638
00:35:53,760 --> 00:35:57,759
Speaker 1: have a rest. Let's see. That's the thing. You're from Mississippi, man,

639
00:35:57,800 --> 00:36:01,040
Speaker 1: they had a two different problems, like a black prime

640
00:36:01,600 --> 00:36:03,839
Speaker 1: and a white prime. Y'all had to where you from.

641
00:36:04,640 --> 00:36:07,920
Speaker 1: We didn't have a se like. That's the thing, man,

642
00:36:08,400 --> 00:36:10,719
Speaker 1: that ship was all inclusive. So a lot of the

643
00:36:10,800 --> 00:36:14,000
Speaker 1: Mississippi isn't like, yeah, it's what you think it is,

644
00:36:14,320 --> 00:36:16,120
Speaker 1: but it's a whole lot of parts who that ship

645
00:36:16,200 --> 00:36:18,920
Speaker 1: don't even don't apply. But you gotta know it's not

646
00:36:19,400 --> 00:36:21,719
Speaker 1: it's gonna be some nice ship. But don't think it's

647
00:36:21,760 --> 00:36:25,160
Speaker 1: a nice ship for you. Yeah, exactly. But that's the thing. Like,

648
00:36:25,280 --> 00:36:27,440
Speaker 1: I just think that, you know, the young niggas is

649
00:36:27,840 --> 00:36:30,759
Speaker 1: raising theirselves in regards to have an understanding man. You know,

650
00:36:31,640 --> 00:36:34,520
Speaker 1: our generation, you know what I'm saying, we really didn't

651
00:36:34,560 --> 00:36:36,960
Speaker 1: have fathers like that. You know, as a whole, that

652
00:36:37,080 --> 00:36:39,239
Speaker 1: percentage is a whole lot high in our community than

653
00:36:39,239 --> 00:36:44,760
Speaker 1: anywhere else. That's what I'm saying. And when I say father,

654
00:36:45,160 --> 00:36:47,439
Speaker 1: I don't even just mean your daddy. I mean father

655
00:36:47,560 --> 00:36:51,000
Speaker 1: figures niggas who who are willing to take time out

656
00:36:51,080 --> 00:36:54,120
Speaker 1: of their day to help grow you into understanding what

657
00:36:54,160 --> 00:36:56,239
Speaker 1: you're gonna have to deal with out here as a man,

658
00:36:56,520 --> 00:36:59,280
Speaker 1: and especially a black man, watching what you say, especially

659
00:36:59,320 --> 00:37:02,440
Speaker 1: with these social media you can have listen, man, everybody

660
00:37:02,560 --> 00:37:04,279
Speaker 1: like what they like. Ain't nothing wrong with liking what

661
00:37:04,400 --> 00:37:07,200
Speaker 1: you like, but you don't have to publicize that because

662
00:37:07,239 --> 00:37:15,040
Speaker 1: that's your personal bus especial exactly. You gotta have that

663
00:37:15,160 --> 00:37:16,719
Speaker 1: guy that's for somebody to be there to be like,

664
00:37:16,840 --> 00:37:19,200
Speaker 1: hey young nigga, hey man, that ain't necessary to say.

665
00:37:19,440 --> 00:37:21,319
Speaker 1: You could just say, you know what I mean, I'm

666
00:37:21,360 --> 00:37:23,360
Speaker 1: looking for a little baby that are listened. Tweet that

667
00:37:23,480 --> 00:37:26,520
Speaker 1: instead of just putting out the detail. Because even though

668
00:37:26,560 --> 00:37:29,560
Speaker 1: you're keeping it wild hunted, you still giving yourself to

669
00:37:29,640 --> 00:37:31,759
Speaker 1: people who really don't have no purpose or no calls

670
00:37:31,800 --> 00:37:33,239
Speaker 1: but just to try to bunk with you and get

671
00:37:33,320 --> 00:37:37,759
Speaker 1: your attention. Because it ain't really about he really ain't

672
00:37:37,800 --> 00:37:39,799
Speaker 1: saying that. The only thing it ain't about what you say,

673
00:37:39,840 --> 00:37:41,640
Speaker 1: how you say, if you was here, I don't really

674
00:37:41,680 --> 00:37:44,160
Speaker 1: like dog skin and girl like that. He what I'm saying.

675
00:37:44,680 --> 00:37:46,520
Speaker 1: But I wouldn't be the problem. He said, I only

676
00:37:46,719 --> 00:37:49,439
Speaker 1: like black girl like that. So they included he said,

677
00:37:49,520 --> 00:37:52,800
Speaker 1: black skin complexion. But that's the thing. You gotta understand

678
00:37:52,840 --> 00:37:54,799
Speaker 1: how that gotta make black women feel. They look at

679
00:37:54,840 --> 00:37:58,080
Speaker 1: that and they say, nigga, your mama black, ain't I mean?

680
00:37:58,160 --> 00:38:01,000
Speaker 1: But still that's the reality because you gotta understand that

681
00:38:01,080 --> 00:38:03,320
Speaker 1: that's what you should. You love your mama. That we

682
00:38:03,440 --> 00:38:06,120
Speaker 1: all love our mama's. You know, we love our mama.

683
00:38:06,160 --> 00:38:07,680
Speaker 1: So it's like, you love this woman like this, but

684
00:38:07,719 --> 00:38:09,600
Speaker 1: when you go out here, what did she make? Make

685
00:38:09,640 --> 00:38:13,759
Speaker 1: the black but want something to look like her? We

686
00:38:13,920 --> 00:38:17,440
Speaker 1: can't suck our mama. You're right, your mama back, You're right.

687
00:38:17,600 --> 00:38:19,840
Speaker 1: I can't see. This is the thing. I grew up

688
00:38:19,880 --> 00:38:22,400
Speaker 1: in the family who I had a whole bunch of unties.

689
00:38:22,480 --> 00:38:24,839
Speaker 1: I had some black as unties, I had some white

690
00:38:24,920 --> 00:38:28,239
Speaker 1: lady looking unties. I got some white lady unties. So

691
00:38:28,360 --> 00:38:30,840
Speaker 1: it's like, I don't I'm just like d C. I

692
00:38:30,880 --> 00:38:33,480
Speaker 1: don't necessarily have a preface on what you look like

693
00:38:33,719 --> 00:38:38,040
Speaker 1: as a as a color color, about your skin tone

694
00:38:38,120 --> 00:38:41,880
Speaker 1: or what you look like this crazy. I like who

695
00:38:42,400 --> 00:38:47,080
Speaker 1: like me? That's all. I like that all the time.

696
00:38:47,160 --> 00:38:53,800
Speaker 1: I like you, yell on nig if you cool, you

697
00:38:53,840 --> 00:38:55,120
Speaker 1: know what I mean. I had a bit who had

698
00:38:55,120 --> 00:38:57,680
Speaker 1: a passion like a pit bull. I said, I guess

699
00:38:57,680 --> 00:39:01,399
Speaker 1: I like dogs, you know, I to do this. There's

700
00:39:01,400 --> 00:39:03,200
Speaker 1: a lot of it's a lot of niggas who feel

701
00:39:03,320 --> 00:39:05,399
Speaker 1: the same way because a lot of niggas don't walk

702
00:39:05,440 --> 00:39:11,560
Speaker 1: around and just beat the fine niggas. And it's all

703
00:39:11,680 --> 00:39:14,480
Speaker 1: different kinds of niggas. Man, we gotta embrace that. It's

704
00:39:14,520 --> 00:39:17,480
Speaker 1: so many different kinds of niggas. Man, Mike Tyson is

705
00:39:17,480 --> 00:39:20,960
Speaker 1: a nigga before you do that, it's that you got different.

706
00:39:21,160 --> 00:39:24,640
Speaker 1: I'm trying up the niggas that they choose to represent niggas.

707
00:39:24,800 --> 00:39:27,719
Speaker 1: They ain't never niggas who feel like regular niggas. This

708
00:39:27,760 --> 00:39:29,680
Speaker 1: is the niggas who gotta be in the spotlight for

709
00:39:29,760 --> 00:39:33,320
Speaker 1: the wrong ship. Like since winning Kodak Black represent what

710
00:39:33,520 --> 00:39:37,359
Speaker 1: niggas think he represent a certain pocket of niggas. It ain't.

711
00:39:37,520 --> 00:39:40,200
Speaker 1: It ain't. But that's a real small part. It ain't.

712
00:39:40,239 --> 00:39:42,200
Speaker 1: You don't have the type of flicks like that when

713
00:39:42,280 --> 00:39:46,000
Speaker 1: niggas is like, yeah, we're said, yeah, I mean, you're right,

714
00:39:46,080 --> 00:39:47,839
Speaker 1: but when you talk about when you get talking about

715
00:39:47,880 --> 00:39:50,719
Speaker 1: these women, when you get to talk about these women, man,

716
00:39:50,800 --> 00:39:53,040
Speaker 1: they already feel like they're neglected by So when you

717
00:39:53,120 --> 00:39:55,640
Speaker 1: see somebody who's a successful black man, no matter how

718
00:39:56,040 --> 00:39:58,759
Speaker 1: whatever he's successful at saying I don't want no bit

719
00:39:58,920 --> 00:40:01,720
Speaker 1: to look like me, then that that made him feel like, damn,

720
00:40:01,880 --> 00:40:03,520
Speaker 1: like we ain't got no hope. We gotta go out

721
00:40:03,600 --> 00:40:05,400
Speaker 1: here and and whatever. You know what I'm saying. So

722
00:40:05,440 --> 00:40:08,120
Speaker 1: I understand the frustration just from them seeing the ship,

723
00:40:08,200 --> 00:40:11,160
Speaker 1: But I don't think that every week he just was

724
00:40:11,280 --> 00:40:13,920
Speaker 1: nig coming out saying that they don't like black women.

725
00:40:14,000 --> 00:40:15,880
Speaker 1: I mean, but that's what I'm saying. But that's what

726
00:40:17,400 --> 00:40:20,919
Speaker 1: MoMA white. She black, She's just white. Is her mama white,

727
00:40:21,160 --> 00:40:25,879
Speaker 1: her dad and grandma black, her mama skin completion, and yeah,

728
00:40:25,880 --> 00:40:28,120
Speaker 1: you never know, my daddy was black and the motherfucker

729
00:40:28,520 --> 00:40:30,600
Speaker 1: looked like my mom. Because I don't know when y'all

730
00:40:30,640 --> 00:40:34,800
Speaker 1: do y'all ship and post y'all she like him a

731
00:40:34,800 --> 00:40:36,719
Speaker 1: white woman, no, then I'm not in the black girl.

732
00:40:37,280 --> 00:40:41,839
Speaker 1: She just yeah, you know what I mean, like that ship.

733
00:40:42,040 --> 00:40:43,719
Speaker 1: At the end of the day, man, we all black

734
00:40:43,800 --> 00:40:47,520
Speaker 1: and all that is paint and pussy is paint and

735
00:40:47,640 --> 00:40:53,640
Speaker 1: if it's black purpose yeah, still on the inside. Hey,

736
00:40:53,760 --> 00:40:57,520
Speaker 1: welcome back to man, Carlos Miller. And if you go

737
00:40:57,680 --> 00:41:00,600
Speaker 1: to get bevil dot com right now and use eighty

738
00:41:00,640 --> 00:41:03,200
Speaker 1: five South, you can get temper cent off your first

739
00:41:03,320 --> 00:41:07,040
Speaker 1: months subscription to your Bevil shave kit. Yeah, you can

740
00:41:07,120 --> 00:41:11,319
Speaker 1: get the whole Bevil shaved razors set. Mr Bumpy Face.

741
00:41:11,520 --> 00:41:14,799
Speaker 1: You know you need it because this Bevil razor right

742
00:41:14,880 --> 00:41:17,680
Speaker 1: here is engineered so you can get a smooth close

743
00:41:17,800 --> 00:41:20,600
Speaker 1: shave without all the irritations and bumps and all of

744
00:41:20,680 --> 00:41:23,520
Speaker 1: that stuff right there. So go to get bevil dot

745
00:41:23,600 --> 00:41:26,080
Speaker 1: com right now, use our code eighty five south and

746
00:41:26,160 --> 00:41:30,680
Speaker 1: you can get temper cent off right now. Go do it. Oh,

747
00:41:32,040 --> 00:41:36,640
Speaker 1: this type of ship to be recognized. That man, while

748
00:41:36,680 --> 00:41:39,000
Speaker 1: we're sitting here trying to separate and figure out who

749
00:41:39,080 --> 00:41:41,719
Speaker 1: these kind of niggas are and who black and who man,

750
00:41:41,880 --> 00:41:47,680
Speaker 1: you're still nigger, still black man. That shi just makes

751
00:41:47,719 --> 00:41:50,360
Speaker 1: me mad that we still have to like I'm I

752
00:41:50,400 --> 00:41:52,440
Speaker 1: don't necessarily to say that we have to deal with

753
00:41:52,520 --> 00:41:55,040
Speaker 1: if I'm just I'm sucked up, that it's still an issue.

754
00:41:55,239 --> 00:41:58,560
Speaker 1: It's always gonna be that we went through, we're still

755
00:41:59,719 --> 00:42:03,400
Speaker 1: still It's still gonna be an issue because that that

756
00:42:03,760 --> 00:42:06,680
Speaker 1: that element of you know what I'm saying, your life

757
00:42:06,800 --> 00:42:09,920
Speaker 1: is better than mine, or because you look a certain way,

758
00:42:10,000 --> 00:42:12,480
Speaker 1: you different or better than me, is gonna be something

759
00:42:12,520 --> 00:42:14,920
Speaker 1: that's gonna be always being better than us until niggers

760
00:42:14,960 --> 00:42:19,200
Speaker 1: start dying. I guess you know what's already started. I mean,

761
00:42:19,360 --> 00:42:22,160
Speaker 1: I'm talking about for that calls for the calls are

762
00:42:22,160 --> 00:42:25,200
Speaker 1: bettering us as a whole, not just dying in general,

763
00:42:25,239 --> 00:42:27,640
Speaker 1: because we've been dying like a motherfucker since the beginning.

764
00:42:27,719 --> 00:42:30,440
Speaker 1: But I'm talking about dying in unison, you know what

765
00:42:30,480 --> 00:42:33,799
Speaker 1: I mean, for each other, for each other. Yeah, So nah,

766
00:42:33,920 --> 00:42:36,160
Speaker 1: until then, that's gonna We're gonna have the same issues forever.

767
00:42:36,320 --> 00:42:38,680
Speaker 1: I don't know, man, I like all the women women.

768
00:42:38,719 --> 00:42:43,080
Speaker 1: I love me, you know what, I love you? Sing

769
00:42:43,239 --> 00:42:45,480
Speaker 1: to him? Man, we ain't need spending nothing on this

770
00:42:45,560 --> 00:42:51,680
Speaker 1: business man. Looking at oh that they got that first

771
00:42:51,719 --> 00:42:55,000
Speaker 1: forty eight camera flip flop flop, I think we've got

772
00:42:55,120 --> 00:42:58,239
Speaker 1: This is the South Show. This is a podcast like

773
00:42:58,320 --> 00:43:04,959
Speaker 1: Women of All Colors, beautiful black shapes. God damn all, y'all,

774
00:43:05,440 --> 00:43:08,239
Speaker 1: big girl now funk with all girls, all big girl

775
00:43:08,920 --> 00:43:10,719
Speaker 1: with all girls trying to trying to get a big

776
00:43:10,760 --> 00:43:18,399
Speaker 1: girl like trying to open some elevator doors. Chat the girl.

777
00:43:19,280 --> 00:43:21,360
Speaker 1: Cha need to come up with your own version of

778
00:43:21,480 --> 00:43:24,880
Speaker 1: Chad Chadrick get it again? D C did it again?

779
00:43:27,200 --> 00:43:36,360
Speaker 1: He trying to get and taking the shot off. Crazy

780
00:43:38,400 --> 00:43:41,400
Speaker 1: is monster. I love it, man. We all at here

781
00:43:41,480 --> 00:43:43,920
Speaker 1: making big moves in the game, and the flat about

782
00:43:43,920 --> 00:43:46,080
Speaker 1: to do that. I got a story to tell. You know,

783
00:43:46,200 --> 00:43:48,040
Speaker 1: it's gonna be dope. Oh, it's gonna be dope. We're

784
00:43:48,080 --> 00:43:51,839
Speaker 1: loving that all the way live. That's how you're gonna

785
00:43:51,840 --> 00:43:54,680
Speaker 1: walk off the set at your side. I know you

786
00:43:54,880 --> 00:43:59,040
Speaker 1: killed that ship. Could your flat and yo flat, what

787
00:43:59,160 --> 00:44:01,640
Speaker 1: you're cooking? Can? Come? Tell the people what you got

788
00:44:01,760 --> 00:44:04,800
Speaker 1: going on? Kid, Come telling people about the facts you

789
00:44:04,920 --> 00:44:06,759
Speaker 1: got going on. Care what you got going on? Man?

790
00:44:06,840 --> 00:44:09,440
Speaker 1: March your mother shine word her mother, shine? What you're

791
00:44:09,480 --> 00:44:14,600
Speaker 1: doing out here? Real shot, real talk, real talk for you.

792
00:44:15,160 --> 00:44:18,239
Speaker 1: I got some ship on TV shing domn. You know

793
00:44:18,400 --> 00:44:20,399
Speaker 1: my baby mother. You know what I'm saying. And she's

794
00:44:20,400 --> 00:44:25,000
Speaker 1: staying Long Island. You know what I'm saying. Okay, it

795
00:44:25,120 --> 00:44:28,080
Speaker 1: might be Hawaii. I don't know. That's an island. That's

796
00:44:28,120 --> 00:44:30,279
Speaker 1: what it is. That is that's part of the United States,

797
00:44:30,640 --> 00:44:33,680
Speaker 1: your son, that's America, Yo, that's what it is. I

798
00:44:33,760 --> 00:44:35,279
Speaker 1: got a whole bunch of ship coming out, so you

799
00:44:35,360 --> 00:44:38,680
Speaker 1: feel me a matter of fact, Yeah, he had to

800
00:44:38,719 --> 00:44:41,879
Speaker 1: storm off against your collogs and tell the people about

801
00:44:41,920 --> 00:44:43,880
Speaker 1: what you got going on. Care, you've been really running

802
00:44:43,880 --> 00:44:45,680
Speaker 1: out here. Care, Let's talk to him for a second.

803
00:44:45,719 --> 00:44:48,360
Speaker 1: People is feeling what you're doing. They're feeling your movement.

804
00:44:48,560 --> 00:44:51,480
Speaker 1: They're feeling how you're moving around telling people about the

805
00:44:51,600 --> 00:44:54,680
Speaker 1: next move that's gonna be the best move. Care, Yo,

806
00:44:54,920 --> 00:44:56,600
Speaker 1: you know what I'm saying. We've been over here on

807
00:44:56,680 --> 00:44:59,520
Speaker 1: the eighty five Tip for a minute. Man. You know,

808
00:44:59,680 --> 00:45:01,560
Speaker 1: I'm just want to put it out there right now

809
00:45:01,600 --> 00:45:04,520
Speaker 1: on this episode whenever y'all see it. Man, we got

810
00:45:04,600 --> 00:45:10,120
Speaker 1: our own sandwich shops coming, man, eighty five South show sandwiches. Man,

811
00:45:10,640 --> 00:45:13,600
Speaker 1: we're working on it right now. We're looking for a building. Man.

812
00:45:13,880 --> 00:45:17,239
Speaker 1: If anybody got one of those, uh like those big

813
00:45:17,320 --> 00:45:20,640
Speaker 1: ass Deli meat slices, get in touch with me, man.

814
00:45:21,000 --> 00:45:24,359
Speaker 1: I'm trying to. I'm trying to. I'm trying to open

815
00:45:24,480 --> 00:45:31,040
Speaker 1: up this Soundward shop. Take it there. Man, he got it.

816
00:45:34,080 --> 00:45:37,800
Speaker 1: Hey man, we ain't here being ghet. It was Heregal

817
00:45:37,880 --> 00:45:41,560
Speaker 1: Auto Tones shout out the Hot ninety five the heat,

818
00:45:41,680 --> 00:45:48,440
Speaker 1: the heat hit the album. D C the first nigger

819
00:45:48,480 --> 00:45:50,600
Speaker 1: to do an album with a nigger with a fan.

820
00:45:51,400 --> 00:45:53,480
Speaker 1: My nigga got a fan, that's why he doing the

821
00:45:53,560 --> 00:45:55,719
Speaker 1: and lives in the motherfucker fan doing and lives in

822
00:45:55,800 --> 00:45:58,040
Speaker 1: the motherfucker fan we're doing, and lives in the motherfucking

823
00:45:58,080 --> 00:46:03,879
Speaker 1: fan doing, and lives what we're doing a motherfucking fan. Yeah,

824
00:46:05,400 --> 00:46:07,920
Speaker 1: and lives and the motherfucking fan and lives and the

825
00:46:07,960 --> 00:46:09,880
Speaker 1: motherfucker fan because the ship sounds good when you put

826
00:46:09,920 --> 00:46:13,120
Speaker 1: it in the head. Yeah, then a little when we

827
00:46:13,160 --> 00:46:15,560
Speaker 1: put it in the hood. Anybody South sold and lives

828
00:46:15,600 --> 00:46:19,080
Speaker 1: in the fan because the motherfucker' ship sound good. Yeah Yeah,

829
00:46:20,360 --> 00:46:23,600
Speaker 1: My DC, young Fly, he do a lives in the fan,

830
00:46:23,840 --> 00:46:27,360
Speaker 1: this big eighty five South. So we're gonna kick it, understand,

831
00:46:28,120 --> 00:46:31,440
Speaker 1: We down and duvall Nino, what's up? Y'all? Were in

832
00:46:31,600 --> 00:46:33,719
Speaker 1: this bitch all the time. Then we're kicking and how

833
00:46:33,800 --> 00:46:36,759
Speaker 1: we do y'all. I posted it off. I had my chick,

834
00:46:36,840 --> 00:46:39,520
Speaker 1: I had my lady with me, and she was looking

835
00:46:39,640 --> 00:46:42,120
Speaker 1: shooting and she want to get crazy with me. We

836
00:46:42,320 --> 00:46:49,040
Speaker 1: only eighty five doing and O ship if that South

837
00:46:49,080 --> 00:46:51,920
Speaker 1: show nigger? Hey, you know were about to get Oh

838
00:46:52,200 --> 00:46:54,960
Speaker 1: my dig didn't see this almost like this whole motherfucker.

839
00:46:55,600 --> 00:46:58,440
Speaker 1: You know what's going down. We're down here in the jacktown.

840
00:46:58,640 --> 00:47:00,799
Speaker 1: You know we're putting the ship down. We're gonna moved

841
00:47:00,800 --> 00:47:03,080
Speaker 1: all around the spitch now, hey, yo, chat on the

842
00:47:03,160 --> 00:47:05,680
Speaker 1: beat and the bitch DC came back here lip By.

843
00:47:06,120 --> 00:47:08,920
Speaker 1: They gonna keep on spitting. You know it gonna be

844
00:47:09,040 --> 00:47:11,480
Speaker 1: that tight ship because it stay fis your bitch. We

845
00:47:11,520 --> 00:47:13,839
Speaker 1: ain't never gonna slip. Hey, d C talk a little

846
00:47:13,840 --> 00:47:15,359
Speaker 1: bit of ship. He didn't pull it out the clip here.

847
00:47:16,800 --> 00:47:20,000
Speaker 1: Ain't got my gun, but I got my knife though.

848
00:47:20,280 --> 00:47:23,480
Speaker 1: Let me tell you something with me, you lose your life, bro,

849
00:47:23,840 --> 00:47:27,600
Speaker 1: I ain't really standing this. That eighty five south soho Hey,

850
00:47:28,040 --> 00:47:31,080
Speaker 1: we let him know. Keep it on a little yo,

851
00:47:31,160 --> 00:47:34,160
Speaker 1: who got the WEE got the tree from my brother. Hey,

852
00:47:34,480 --> 00:47:38,560
Speaker 1: we don't want that ship from that looking motherfucker. All ROAs, Yo,

853
00:47:39,440 --> 00:47:42,720
Speaker 1: I take your bit, and I bet I make your mama.

854
00:47:43,280 --> 00:47:48,080
Speaker 1: So I did you said, because you're about to take

855
00:47:48,160 --> 00:47:50,560
Speaker 1: it there, bring the fan back so we can do

856
00:47:50,800 --> 00:47:56,279
Speaker 1: the lives agay by himself. So then they can really

857
00:47:56,360 --> 00:47:58,200
Speaker 1: hit his lip on the fan and damn the hit

858
00:47:58,280 --> 00:48:01,120
Speaker 1: his mouth. Hey Chico band that they're going off your

859
00:48:01,160 --> 00:48:04,440
Speaker 1: t dot V man. I wish you bitch would try

860
00:48:04,560 --> 00:48:07,520
Speaker 1: the best friend me because I'm a player and I

861
00:48:07,600 --> 00:48:10,160
Speaker 1: ain't never paying for ass. A matter of fact, I

862
00:48:10,280 --> 00:48:12,759
Speaker 1: got me so whole there to give me. They care

863
00:48:13,000 --> 00:48:16,440
Speaker 1: if I ask for when they canna live in their life.

864
00:48:16,560 --> 00:48:19,440
Speaker 1: I'm a blast forward. I didn't got a couple of

865
00:48:19,640 --> 00:48:23,280
Speaker 1: stamps on my past. Poor. I'm killing that your nigga

866
00:48:23,440 --> 00:48:27,000
Speaker 1: from the district short, but I gotta thick dick and

867
00:48:27,120 --> 00:48:31,000
Speaker 1: it get real good when I say so. Nigga, know

868
00:48:31,160 --> 00:48:34,400
Speaker 1: that pimp in the team that I played for, Nigga

869
00:48:34,520 --> 00:48:38,319
Speaker 1: never go slow, only moving fast. If your bitch got

870
00:48:38,400 --> 00:48:42,719
Speaker 1: that ask that I'm properly going to smash. I'm i

871
00:48:42,840 --> 00:48:45,520
Speaker 1: gotta get my flow on and let these niggas know.

872
00:48:45,640 --> 00:48:48,040
Speaker 1: I'm gonna sign nigga up the year your girl chitties

873
00:48:48,239 --> 00:48:50,800
Speaker 1: all up in my phone. What the hell be going

874
00:48:50,880 --> 00:48:53,640
Speaker 1: on this the eighty five South soho, No, I ain't

875
00:48:53,680 --> 00:48:55,480
Speaker 1: gonna even lye. I ain't get the pussy, but I

876
00:48:55,560 --> 00:48:58,919
Speaker 1: got the mouth the type of nigga I feed. That's

877
00:48:59,000 --> 00:49:01,160
Speaker 1: the type of nigga. Am I come to your crib,

878
00:49:01,239 --> 00:49:03,160
Speaker 1: don't even eat the food, but I got damn gotta

879
00:49:03,200 --> 00:49:06,799
Speaker 1: eat up the spam. Type of nigga that'd be drinking

880
00:49:06,840 --> 00:49:09,919
Speaker 1: the Hennessey had this little bit from Tennessee. She want

881
00:49:09,920 --> 00:49:12,080
Speaker 1: to be friends with me and then funk. But I'm

882
00:49:12,160 --> 00:49:15,399
Speaker 1: like no, yeah, because I wouldn't even with it. Yeah,

883
00:49:15,719 --> 00:49:18,560
Speaker 1: DC introduced me to us, so I know he already

884
00:49:18,640 --> 00:49:23,080
Speaker 1: hit showing that nigga who fun her first and be

885
00:49:23,239 --> 00:49:26,000
Speaker 1: like she really fucking with you? But I didn't got

886
00:49:26,120 --> 00:49:29,200
Speaker 1: that though. I'm like, it's cool, Yeah, this had be.

887
00:49:29,719 --> 00:49:34,560
Speaker 1: You're chilling on the show. My nigg s some ship

888
00:49:34,680 --> 00:49:38,440
Speaker 1: and do it. Hey, you already know what's handing. Man.

889
00:49:38,560 --> 00:49:42,279
Speaker 1: They beat, draw, beat, flog, fuck around and hitt you

890
00:49:42,480 --> 00:49:46,879
Speaker 1: make your heart start. Damn we Breathe started eighty five

891
00:49:47,040 --> 00:49:51,920
Speaker 1: South Show. Everybody know, hey, listen this to South Bro.

892
00:49:52,360 --> 00:49:56,880
Speaker 1: Do it for hey, my nigga, Guy Hammles putting it

893
00:49:57,040 --> 00:50:00,840
Speaker 1: on your cale when we're going to be your state,

894
00:50:03,000 --> 00:50:10,360
Speaker 1: your sister. But I don't give for my daddy. Listen.

895
00:50:10,800 --> 00:50:13,319
Speaker 1: I used to dig my nose and put the book

896
00:50:13,440 --> 00:50:17,480
Speaker 1: up on your sister, because I really missed a really

897
00:50:17,520 --> 00:50:21,879
Speaker 1: little of kill song. But she said you ugly, I said,

898
00:50:21,880 --> 00:50:25,080
Speaker 1: if you don't fuck with me, bit she snatch your

899
00:50:25,120 --> 00:50:29,520
Speaker 1: bullshit from a d C jet walked off on. Yeah,

900
00:50:29,800 --> 00:50:32,000
Speaker 1: and if I saw show bitch and you already know

901
00:50:32,200 --> 00:50:34,719
Speaker 1: them around we but hey, she's gonna be my name

902
00:50:34,800 --> 00:50:36,480
Speaker 1: in the front d C. But I travel a lot

903
00:50:36,560 --> 00:50:39,560
Speaker 1: around here, bit hey, and you already know that the

904
00:50:39,640 --> 00:50:43,320
Speaker 1: nigga keep a brand new pair a kid nig getting

905
00:50:43,360 --> 00:50:45,880
Speaker 1: left all bad and boue walking out of the studio.

906
00:50:46,360 --> 00:50:48,880
Speaker 1: You ain't no telling what we might do. Might just

907
00:50:49,080 --> 00:50:51,719
Speaker 1: make a new song, though might may here when we

908
00:50:51,920 --> 00:50:54,000
Speaker 1: make it, then how to here we're gonna pull it

909
00:50:54,080 --> 00:50:56,640
Speaker 1: on my He probably gonna want some of the money

910
00:50:56,719 --> 00:50:58,719
Speaker 1: and swear to God that it was as song and

911
00:50:58,760 --> 00:51:01,400
Speaker 1: ain't gonna have it wrong. Slew to the nigger. Probably

912
00:51:01,440 --> 00:51:03,879
Speaker 1: gonna have to go to courtter lot. He walked out

913
00:51:04,000 --> 00:51:06,719
Speaker 1: like five minutes ago. I don't think he's coming back

914
00:51:06,760 --> 00:51:09,879
Speaker 1: on the bloofy yo, Hey d C left, I see

915
00:51:10,719 --> 00:51:13,400
Speaker 1: nigga probably just gotta pee. He ain't trying to step

916
00:51:13,480 --> 00:51:15,880
Speaker 1: off on us, because you know the good round we

917
00:51:16,120 --> 00:51:20,040
Speaker 1: bu got chad on the motherfucking beat, faked DJ going

918
00:51:21,200 --> 00:51:23,200
Speaker 1: and you know what's going down in the bit. Okay,

919
00:51:23,320 --> 00:51:33,239
Speaker 1: you already know how to ship get nigglo, get the

920
00:51:33,320 --> 00:51:35,200
Speaker 1: joint on it there and you know we're gonna kill it.

921
00:51:35,480 --> 00:51:38,000
Speaker 1: Nigger in their motherfucker. No, we ain't spelling juice on

922
00:51:38,080 --> 00:51:43,839
Speaker 1: the motherfucker. No, we're gonna kill it. And Carlos Miller

923
00:51:43,960 --> 00:51:46,680
Speaker 1: were kicking old school because we them niggas. Every time

924
00:51:46,760 --> 00:51:48,759
Speaker 1: you see us, we're getting them figures. If you don't

925
00:51:48,800 --> 00:51:51,480
Speaker 1: see us, nigger and we're hitting figures. We're the type

926
00:51:51,520 --> 00:51:55,000
Speaker 1: of niggas they don't sit back and then type the niggas.

927
00:51:55,840 --> 00:51:58,320
Speaker 1: What type of nigga looked like getting me there to

928
00:51:58,400 --> 00:52:01,759
Speaker 1: come in right in the niggas? Yeah, you're fighting you

929
00:52:01,840 --> 00:52:07,320
Speaker 1: already box color okay because I'm old school, Okay, cutting

930
00:52:07,360 --> 00:52:13,239
Speaker 1: me a motherfucker, real slices, yeah, dope prices, yeah, real ice,

931
00:52:13,320 --> 00:52:16,439
Speaker 1: and give us a trap. We're gonna about selling. Yeah,

932
00:52:17,239 --> 00:52:19,760
Speaker 1: we're gonna sell some dope and duvall go ahead, go ahead,

933
00:52:19,800 --> 00:52:23,520
Speaker 1: you got to go ahead, go ahead, Chack. Hey, what

934
00:52:23,680 --> 00:52:26,960
Speaker 1: we're doing when we came to the Duval County, what

935
00:52:27,080 --> 00:52:30,719
Speaker 1: we're doing when we called down the dun What we're

936
00:52:30,800 --> 00:52:37,160
Speaker 1: doing when we can county, when we can do Ball County.

937
00:52:37,200 --> 00:52:40,720
Speaker 1: That what we're doing when we call slan Dova County.

938
00:52:40,880 --> 00:52:44,280
Speaker 1: Where we join when we cluss down the duke Ball County.

939
00:52:44,440 --> 00:52:49,160
Speaker 1: What we're doing in the Nano. What we're doing sil

940
00:52:49,760 --> 00:52:54,920
Speaker 1: in the Nano. Hey, what we're doing sill in the Nano. Hey,

941
00:52:54,960 --> 00:53:00,239
Speaker 1: what we're doing in the na for game birds that

942
00:53:00,480 --> 00:53:03,480
Speaker 1: be chipping on the Irene. I even got some big

943
00:53:03,520 --> 00:53:06,880
Speaker 1: old cups of and purple lean that niggas be sitting

944
00:53:07,000 --> 00:53:09,759
Speaker 1: in Houston. Have you really fucked up? You say you

945
00:53:09,880 --> 00:53:12,800
Speaker 1: need a hook up with plug practice? Go up? My

946
00:53:13,000 --> 00:53:15,759
Speaker 1: name is Low. They called me Rico on the street,

947
00:53:15,840 --> 00:53:18,320
Speaker 1: and what we were doing? Come outside them, nigga know

948
00:53:18,480 --> 00:53:21,239
Speaker 1: them birds on me. Got him for the cheek, Tell

949
00:53:21,280 --> 00:53:23,120
Speaker 1: them for the high because you know that's what I do,

950
00:53:23,560 --> 00:53:26,560
Speaker 1: because we're selling birds when we come through in the Nano, Folks,

951
00:53:26,680 --> 00:53:30,120
Speaker 1: what we're doing where we can't down the due counties.

952
00:53:30,239 --> 00:53:32,880
Speaker 1: What we're doing when we can down the due v

953
00:53:32,920 --> 00:53:35,800
Speaker 1: All counties. What we're doing when we call down the

954
00:53:35,920 --> 00:53:39,160
Speaker 1: due Va County. Who we're doing where we come down

955
00:53:39,239 --> 00:53:44,320
Speaker 1: the ball dope for sale. Yeah, nao, folks, and what

956
00:53:44,480 --> 00:53:47,920
Speaker 1: we're doing for sale in the Nano folk. I got

957
00:53:48,040 --> 00:53:51,399
Speaker 1: some dope for sale in the Nano folks. I got

958
00:53:51,520 --> 00:53:56,440
Speaker 1: some dope for sal We're in the nine old folk,

959
00:53:56,640 --> 00:53:59,919
Speaker 1: moving bricks and bells. Only two niggas and the count

960
00:54:00,080 --> 00:54:02,920
Speaker 1: tread with me. It for sale. If you're looking for

961
00:54:03,160 --> 00:54:07,200
Speaker 1: a pack here to nigga right back. We got five sacks.

962
00:54:07,320 --> 00:54:11,360
Speaker 1: Will bring them to your traps for sale, That's what

963
00:54:11,680 --> 00:54:14,960
Speaker 1: he said. If you want to, we sell them to

964
00:54:15,080 --> 00:54:19,400
Speaker 1: the old heads niggas who don't like to smoke no loud.

965
00:54:19,760 --> 00:54:22,360
Speaker 1: It's a nigga hitting me for a pound of reggie

966
00:54:22,560 --> 00:54:26,560
Speaker 1: right now. I'm in it. Do all now, o folk.

967
00:54:26,719 --> 00:54:29,080
Speaker 1: I got two birds that I gotta sell before a

968
00:54:29,239 --> 00:54:33,160
Speaker 1: nigga had to go, hey, you already and know that

969
00:54:33,400 --> 00:54:36,960
Speaker 1: we're pimping. Sell a lot of white the old niggas

970
00:54:37,000 --> 00:54:40,120
Speaker 1: who were linen and flip flops because they like to

971
00:54:40,239 --> 00:54:43,120
Speaker 1: play what they know. They got holes. That's gonna do

972
00:54:43,280 --> 00:54:46,160
Speaker 1: it for a cult to foe. And that's a sack

973
00:54:46,320 --> 00:54:51,520
Speaker 1: that I sell. We gotta smell whole fucking bell. I

974
00:54:51,600 --> 00:54:55,800
Speaker 1: would never tell say don't do crack because Craig is

975
00:54:55,840 --> 00:54:59,120
Speaker 1: what kills. I got a bunch of white girls trying

976
00:54:59,160 --> 00:55:03,680
Speaker 1: to get these feels. They like that exstacy and anything's

977
00:55:03,800 --> 00:55:07,600
Speaker 1: keep them high. White people hit me like, dude, are

978
00:55:07,680 --> 00:55:12,120
Speaker 1: you the game? You know? My name is Chico being

979
00:55:12,280 --> 00:55:16,440
Speaker 1: not hit the studio and sold fifty paint seline because

980
00:55:16,560 --> 00:55:20,600
Speaker 1: these young megas like to sip that ship and then

981
00:55:20,719 --> 00:55:23,240
Speaker 1: they like to go in the student yo and wrap

982
00:55:23,360 --> 00:55:27,320
Speaker 1: out Brits. I don't sell dope for money. I sell

983
00:55:27,480 --> 00:55:30,279
Speaker 1: dope for fun. I got a couple of jays now

984
00:55:30,560 --> 00:55:33,960
Speaker 1: looking for some heirrun Now I'm the dude that get

985
00:55:34,040 --> 00:55:37,080
Speaker 1: them for him, because that's what I do. I even

986
00:55:37,200 --> 00:55:40,560
Speaker 1: sell drugs. You've never seen from the old school. What

987
00:55:40,760 --> 00:55:43,640
Speaker 1: type of nigga do you know that sell bar bit?

988
00:55:43,840 --> 00:55:46,880
Speaker 1: You wins? This the ship that I'll be having. You

989
00:55:47,080 --> 00:55:50,600
Speaker 1: can come and get you hit my phone, just make

990
00:55:50,640 --> 00:55:53,600
Speaker 1: sure that the text is clean, and you can hit

991
00:55:53,719 --> 00:55:57,400
Speaker 1: me every day for math and fifth up when they

992
00:55:57,560 --> 00:56:01,479
Speaker 1: come to selling dope. Now I'm taking getting caused. Sell

993
00:56:01,560 --> 00:56:04,880
Speaker 1: them old niggas by aggress so they dick stay hard.

994
00:56:05,360 --> 00:56:09,080
Speaker 1: I'm a bad mama Jama. When it comes the flips,

995
00:56:09,480 --> 00:56:12,280
Speaker 1: I can get a package day and bring your back.

996
00:56:12,400 --> 00:56:15,960
Speaker 1: Oh six. See, I don't check the prices up because

997
00:56:16,120 --> 00:56:20,120
Speaker 1: I'm not no taxa. Gott a pocket right now full

998
00:56:20,200 --> 00:56:23,960
Speaker 1: of muscle. Relaxes. If you think that I ain't playing

999
00:56:24,200 --> 00:56:27,919
Speaker 1: like my pills ain't straight, hit my phone next time

1000
00:56:28,040 --> 00:56:31,440
Speaker 1: you get a tum me. Hey, I'm Chico Bean and

1001
00:56:31,719 --> 00:56:35,960
Speaker 1: I'm known to have magnificent swag. Got a trump right

1002
00:56:36,200 --> 00:56:39,680
Speaker 1: now for like I v bags that I'm gonna push

1003
00:56:39,960 --> 00:56:44,000
Speaker 1: to the hood for the niggas on dialysis, Me and

1004
00:56:44,239 --> 00:56:50,080
Speaker 1: Carlos Miller, author dope selling analysts. You can't sleep well,

1005
00:56:50,239 --> 00:56:55,520
Speaker 1: give me a call. I got two cameras of some proprofole.

1006
00:56:56,120 --> 00:56:59,160
Speaker 1: If you don't know what then is looking around and

1007
00:56:59,320 --> 00:57:04,759
Speaker 1: starting asking that's the same ship that killed Michael Jackson.

1008
00:57:05,040 --> 00:57:09,040
Speaker 1: Sick up. Hey, this the eighty five South Show. Right

1009
00:57:09,120 --> 00:57:12,680
Speaker 1: here it was and it still is, and it's always

1010
00:57:12,800 --> 00:57:15,839
Speaker 1: gonna be. Who are you? I'm Chico Bean and who

1011
00:57:15,920 --> 00:57:19,400
Speaker 1: are you? And that still am That nigga was DC

1012
00:57:19,640 --> 00:57:22,520
Speaker 1: Young Fly. He disappeared, He went to the man. Love

1013
00:57:22,760 --> 00:57:26,720
Speaker 1: to motherfucking Dubo County for short, so much love. This

1014
00:57:26,840 --> 00:57:29,040
Speaker 1: the eighty five South Show. This is a dedication that

1015
00:57:29,120 --> 00:57:36,240
Speaker 1: we are this Yeah, work table work man. Thank you all,

1016
00:57:36,720 --> 00:57:44,440
Speaker 1: everybody five eighty eighty type