1
00:00:19,120 --> 00:00:21,560
Speaker 1: Okay, meetings being recorded. I'm good.

2
00:00:21,600 --> 00:00:25,000
Speaker 2: I don't want to see my face. That's distracting to

3
00:00:25,040 --> 00:00:25,279
Speaker 2: see me.

4
00:00:25,560 --> 00:00:27,360
Speaker 1: You just want a b.

5
00:00:28,880 --> 00:00:32,160
Speaker 2: Yeah there there we go. Yeah, because then I start looking,

6
00:00:32,200 --> 00:00:33,080
Speaker 2: I'm like, is that? Oh God?

7
00:00:33,080 --> 00:00:34,320
Speaker 1: Do I make that face all the time?

8
00:00:35,880 --> 00:00:42,360
Speaker 3: It's distracting yourself the worst, it's the worst. Hi, ab Hi,

9
00:00:42,440 --> 00:00:44,280
Speaker 3: are you wait? Did you press your record? Are you

10
00:00:44,440 --> 00:00:47,320
Speaker 3: recording on quick time or whatever? Did you press record?

11
00:00:48,000 --> 00:00:51,120
Speaker 2: I did? Okay, it says it's not it's it's gray

12
00:00:51,240 --> 00:00:54,080
Speaker 2: right now. It says it's recording, okay, And I just

13
00:00:54,120 --> 00:00:56,840
Speaker 2: want to make sure you stop when I mean it's okay,

14
00:00:57,160 --> 00:00:58,000
Speaker 2: fingers crossed.

15
00:00:58,160 --> 00:01:00,360
Speaker 3: I just want to make sure you're recording, because you know,

16
00:01:01,080 --> 00:01:02,320
Speaker 3: people don't want to miss this.

17
00:01:02,600 --> 00:01:04,840
Speaker 2: You know they don't want to miss you guys. Well,

18
00:01:04,880 --> 00:01:10,080
Speaker 2: we've been discussing already. Yeah, we're it's a we are

19
00:01:10,440 --> 00:01:14,800
Speaker 2: recording episodes. We're trying to kind of like stack up

20
00:01:14,800 --> 00:01:16,360
Speaker 2: some episodes. Can you hear that chains on.

21
00:01:16,280 --> 00:01:17,039
Speaker 1: The back you hear that?

22
00:01:18,160 --> 00:01:20,320
Speaker 3: I don't know because I'm running a fan and my

23
00:01:20,319 --> 00:01:23,800
Speaker 3: menopause fan and it plumbers downstairs, so I don't Oh.

24
00:01:23,680 --> 00:01:26,560
Speaker 2: Yeah, now it's just I'm like, cool, you needed to

25
00:01:26,720 --> 00:01:30,480
Speaker 2: cut those trees right now. But yeah, it's uh, we're

26
00:01:30,520 --> 00:01:33,040
Speaker 2: stacking up some episodes, so we're recording on a Tuesday,

27
00:01:33,319 --> 00:01:39,600
Speaker 2: which we normally record on Thursdays, and apparently Tuesdays everything

28
00:01:40,160 --> 00:01:45,679
Speaker 2: needs to happen, particularly this Tuesday. It's just everything's happening.

29
00:01:45,760 --> 00:01:48,080
Speaker 2: We've got I have I have plants being delivered because

30
00:01:48,080 --> 00:01:49,400
Speaker 2: I'm doing some landscaping.

31
00:01:49,440 --> 00:01:50,360
Speaker 1: They were supposed to come.

32
00:01:50,280 --> 00:01:53,360
Speaker 2: Last week, but they just showed up like twenty minutes ago.

33
00:01:54,440 --> 00:01:57,920
Speaker 2: And I have someone here cleaning my house because if

34
00:01:57,960 --> 00:02:00,960
Speaker 2: I don't, I will uh disappear into a.

35
00:02:00,880 --> 00:02:04,600
Speaker 1: Giant pile of dog hair from my very furry dog.

36
00:02:04,640 --> 00:02:06,720
Speaker 2: And speaking of dogs, she's in here because she does

37
00:02:06,760 --> 00:02:08,880
Speaker 2: not like the housekeepers and I don't want her peeing

38
00:02:08,919 --> 00:02:12,920
Speaker 2: on the plants, so she's in here, which she's not

39
00:02:13,040 --> 00:02:16,480
Speaker 2: happy about. So she's probably going to start acting up

40
00:02:16,520 --> 00:02:19,960
Speaker 2: here pretty soon, it's just sure. Yeah. And Be's bugging

41
00:02:20,000 --> 00:02:23,440
Speaker 2: me about getting dual Lingo Max, while she should be

42
00:02:23,919 --> 00:02:27,720
Speaker 2: focusing on her Italian class right now. I mean, I'm

43
00:02:27,720 --> 00:02:31,120
Speaker 2: glad that she's wanting to learn, you know, great, but

44
00:02:31,160 --> 00:02:33,000
Speaker 2: also she was like, oh my god, it's one hundred

45
00:02:33,040 --> 00:02:34,760
Speaker 2: and thirty dollars a year. I was like, yeah, no, kid,

46
00:02:34,800 --> 00:02:37,320
Speaker 2: you don't just du lingule it with the free version

47
00:02:37,400 --> 00:02:37,679
Speaker 2: or something.

48
00:02:37,680 --> 00:02:39,919
Speaker 3: I am impressed with her. She knows the value of

49
00:02:39,960 --> 00:02:43,000
Speaker 3: a dollar. She wants to learn whatever. If it's Italian,

50
00:02:43,760 --> 00:02:44,680
Speaker 3: she has to learn on.

51
00:02:44,960 --> 00:02:48,160
Speaker 2: Dual lingal she Yeah, she was working on Japanese before

52
00:02:48,160 --> 00:02:50,960
Speaker 2: she went to Japan in the summer. Yeah. She's kind

53
00:02:50,960 --> 00:02:53,320
Speaker 2: of like me in that, like languages and words and

54
00:02:53,360 --> 00:02:57,520
Speaker 2: that like that's the uh, that's her jam. Yeah, she

55
00:02:57,560 --> 00:03:00,720
Speaker 2: loves that stuff. She's a good kid. She's doing great.

56
00:03:00,760 --> 00:03:04,239
Speaker 2: She her and Zo are doing well, you know, just

57
00:03:04,480 --> 00:03:07,160
Speaker 2: trying to like get through the grades and all that stuff,

58
00:03:07,200 --> 00:03:07,520
Speaker 2: but up.

59
00:03:07,520 --> 00:03:09,320
Speaker 1: But yeah, they're doing pretty good. How how about you?

60
00:03:09,320 --> 00:03:10,639
Speaker 1: You've got plumbers at your house?

61
00:03:10,880 --> 00:03:12,840
Speaker 3: I know, well, I'm in the I don't know if

62
00:03:12,840 --> 00:03:14,679
Speaker 3: this is just the new house phase where you know,

63
00:03:15,240 --> 00:03:17,399
Speaker 3: the stereotype is you move into a new house, even

64
00:03:17,639 --> 00:03:20,800
Speaker 3: like a new a new old house, and everything like

65
00:03:20,880 --> 00:03:22,080
Speaker 3: suddenly everything breaks.

66
00:03:22,160 --> 00:03:23,959
Speaker 2: Well, I'm in that phase. So we've been here like

67
00:03:24,040 --> 00:03:26,079
Speaker 2: six rape rates and I'm like, well, you find out

68
00:03:26,080 --> 00:03:28,680
Speaker 2: why the people before you moved is usually what it is.

69
00:03:28,720 --> 00:03:31,680
Speaker 2: You go, ah, you just kind of fixed it all

70
00:03:31,760 --> 00:03:34,280
Speaker 2: up with some lipstick and a band aid, and it

71
00:03:34,360 --> 00:03:39,560
Speaker 2: was fine until you move in and start like using

72
00:03:39,600 --> 00:03:42,400
Speaker 2: it like family use and then you're like, oh, oh

73
00:03:42,440 --> 00:03:46,560
Speaker 2: the plumbing's screwed or oh the yeah, you know that's

74
00:03:46,600 --> 00:03:47,120
Speaker 2: like it is.

75
00:03:47,560 --> 00:03:48,480
Speaker 1: You know, what do they call it?

76
00:03:48,600 --> 00:03:49,040
Speaker 2: Inspection?

77
00:03:49,160 --> 00:03:52,520
Speaker 3: I did an inspection, a very expensive inspection, and oh

78
00:03:52,600 --> 00:03:54,840
Speaker 3: this house is fantastic. This house is in you know,

79
00:03:54,920 --> 00:04:00,240
Speaker 3: primo condition. Right, what then, why why does everything keep breaking? Yeah,

80
00:04:00,280 --> 00:04:03,680
Speaker 3: there's two bathrooms that are need there. The handles broke

81
00:04:03,720 --> 00:04:07,080
Speaker 3: on the showers, so they're repairing them.

82
00:04:07,120 --> 00:04:09,720
Speaker 2: You guys just like like hulking it out over there.

83
00:04:09,760 --> 00:04:12,840
Speaker 2: What's you guys? Gets gentle? You don't have to rip

84
00:04:12,920 --> 00:04:14,160
Speaker 2: the shower thing.

85
00:04:14,160 --> 00:04:19,240
Speaker 3: I three three showers now, which we only have four.

86
00:04:19,279 --> 00:04:21,480
Speaker 3: We only have four totals, so like, yeah, three showers

87
00:04:21,480 --> 00:04:24,560
Speaker 3: now have been out of commission. Oh no, yeah it's

88
00:04:24,640 --> 00:04:26,240
Speaker 3: and they're like, oh, this is a very it's not

89
00:04:26,279 --> 00:04:26,919
Speaker 3: a simple fix.

90
00:04:26,920 --> 00:04:29,520
Speaker 2: Of course, we have to we need to get to

91
00:04:29,760 --> 00:04:32,600
Speaker 2: replace all of the plumbing in your house. Right right.

92
00:04:32,680 --> 00:04:33,320
Speaker 2: I'm ready to.

93
00:04:33,279 --> 00:04:35,960
Speaker 3: Call up the seller's realtor and be like, dude, give

94
00:04:36,000 --> 00:04:37,960
Speaker 3: me the phone number of the previous homeowners because I

95
00:04:38,279 --> 00:04:40,640
Speaker 3: have a word with them if they're listening to this podcast,

96
00:04:40,640 --> 00:04:44,400
Speaker 3: which they probably aren't, just be like, dude, like come back,

97
00:04:44,560 --> 00:04:45,679
Speaker 3: come back and show.

98
00:04:45,520 --> 00:04:48,599
Speaker 2: Me everything you need, right, I mean, I'm not gonna lie.

99
00:04:48,800 --> 00:04:52,359
Speaker 2: I traded my minivan in earlier this year, and we

100
00:04:52,400 --> 00:04:53,279
Speaker 2: sort of did the same thing.

101
00:04:53,320 --> 00:04:55,080
Speaker 1: It kept having problems, kept having problems.

102
00:04:55,160 --> 00:04:58,400
Speaker 2: We got it working, we detailed it, and we drove

103
00:04:58,440 --> 00:05:01,400
Speaker 2: it over to turn it in while it wasn't acting

104
00:05:01,480 --> 00:05:04,000
Speaker 2: up and got more than we expected and felt like

105
00:05:04,080 --> 00:05:06,440
Speaker 2: that was a we washed our hands in it. Okay, Okay,

106
00:05:06,520 --> 00:05:09,560
Speaker 2: so you're guilty this as well. I like, I get it.

107
00:05:09,600 --> 00:05:11,880
Speaker 2: Sometimes you're like you just kind of want to offload

108
00:05:11,920 --> 00:05:14,039
Speaker 2: something and you're the lucky recipient.

109
00:05:14,160 --> 00:05:15,560
Speaker 3: So I get it.

110
00:05:15,600 --> 00:05:19,080
Speaker 2: I get it. I just let thee Yeah, that's why

111
00:05:19,120 --> 00:05:22,359
Speaker 2: I rent. I am like something breaks land Lady, you

112
00:05:22,440 --> 00:05:23,480
Speaker 2: just call I know.

113
00:05:23,640 --> 00:05:26,680
Speaker 3: I know, no, this is I'm over it. I'm just like,

114
00:05:26,800 --> 00:05:29,200
Speaker 3: I'm going to go hide in my office right now. Well,

115
00:05:29,240 --> 00:05:31,040
Speaker 3: you know you're dealing with the banging on the pipes

116
00:05:31,080 --> 00:05:33,640
Speaker 3: and the no water and the no water pressure, what

117
00:05:33,839 --> 00:05:36,440
Speaker 3: you know, whatever else is going wrong at this very moment. Right,

118
00:05:36,640 --> 00:05:38,760
Speaker 3: I'm going to have a nice podcast with Jody.

119
00:05:38,960 --> 00:05:42,799
Speaker 2: Yeah, we're gonna have fun and be ridiculous, and that's

120
00:05:42,960 --> 00:05:44,480
Speaker 2: uh sounds like what we need.

121
00:05:44,720 --> 00:05:46,840
Speaker 3: That's what we do. That's what we do. I haven't

122
00:05:46,839 --> 00:05:49,080
Speaker 3: seen you in a week now, and I'm having withdrawals.

123
00:05:49,200 --> 00:05:52,279
Speaker 3: I know you work together much. We were together so

124
00:05:52,480 --> 00:05:55,800
Speaker 3: much within like a ten day period. It was great,

125
00:05:56,040 --> 00:05:58,480
Speaker 3: and now, yeah, I know I miss you. I was like, oh,

126
00:05:58,520 --> 00:05:59,400
Speaker 3: I haven't seen Jody.

127
00:06:00,120 --> 00:06:02,840
Speaker 2: Yeah in like a week. That finels like a long time. Well,

128
00:06:03,000 --> 00:06:06,200
Speaker 2: we did Nineties Con together and so that was like

129
00:06:06,279 --> 00:06:09,800
Speaker 2: three days of just being together in the same space.

130
00:06:09,560 --> 00:06:12,200
Speaker 1: Getting to hang out and you know, travel whatever.

131
00:06:12,600 --> 00:06:12,800
Speaker 3: Yep.

132
00:06:12,839 --> 00:06:15,520
Speaker 2: And then then we did our Hyundai road trip and

133
00:06:15,600 --> 00:06:18,880
Speaker 2: the iHeart thing and the podcast, so we were together

134
00:06:18,960 --> 00:06:21,680
Speaker 2: for all of that and like, I still keep thinking

135
00:06:21,680 --> 00:06:22,680
Speaker 2: about how much fun that was.

136
00:06:22,920 --> 00:06:26,039
Speaker 3: It was such a blast, such a blast, and I

137
00:06:26,080 --> 00:06:27,880
Speaker 3: think we can talk about it now because this episode

138
00:06:27,920 --> 00:06:32,159
Speaker 3: airs in a few Yeah, this episode air nights Brothers podcast, Like,

139
00:06:32,520 --> 00:06:35,800
Speaker 3: oh yeah, that was just such a high for me.

140
00:06:36,080 --> 00:06:38,479
Speaker 3: And I was so scared when you left to go

141
00:06:38,520 --> 00:06:39,160
Speaker 3: to the airport.

142
00:06:39,279 --> 00:06:41,080
Speaker 2: I was like, please stay. I can't talk about which

143
00:06:41,080 --> 00:06:42,719
Speaker 2: I love of which we found out I could have

144
00:06:42,760 --> 00:06:47,839
Speaker 2: stayed because I for like three and a half four hours, right,

145
00:06:48,480 --> 00:06:49,240
Speaker 2: But it ended up.

146
00:06:49,120 --> 00:06:50,960
Speaker 3: Perfect because then I just had like my little I

147
00:06:51,000 --> 00:06:52,120
Speaker 3: was I have a time with them.

148
00:06:52,160 --> 00:06:55,640
Speaker 2: It was so great. I was so actually so happy

149
00:06:55,680 --> 00:06:59,200
Speaker 2: for that, Like I was at the airport thrilled for you.

150
00:06:59,400 --> 00:07:00,720
Speaker 1: I was like, she is.

151
00:07:00,640 --> 00:07:03,120
Speaker 2: Getting to soak up all of the all of the

152
00:07:03,240 --> 00:07:06,200
Speaker 2: n KOTB Nights Brothers essence.

153
00:07:06,760 --> 00:07:09,320
Speaker 3: Yeah, it ended up being the best, the best of

154
00:07:09,320 --> 00:07:09,880
Speaker 3: both things.

155
00:07:10,520 --> 00:07:12,720
Speaker 2: It was so great and just that podcast, Like they

156
00:07:12,720 --> 00:07:15,960
Speaker 2: are so sweet and so lovely. I remember when they

157
00:07:16,000 --> 00:07:19,320
Speaker 2: were on the show and we like really hit it off.

158
00:07:19,320 --> 00:07:20,960
Speaker 1: They were just I chatted it.

159
00:07:20,960 --> 00:07:24,560
Speaker 2: Up with with John quite a bit when he was

160
00:07:24,600 --> 00:07:26,560
Speaker 2: on the show, and I know you said he's kind

161
00:07:26,560 --> 00:07:29,120
Speaker 2: of the more like reserved, a little quiet one, but

162
00:07:29,120 --> 00:07:32,360
Speaker 2: I was Jordan, Jordan is Jordan. You can't tell him apart,

163
00:07:32,360 --> 00:07:34,000
Speaker 2: can you. It's okay. Jordan is shy.

164
00:07:34,160 --> 00:07:37,520
Speaker 3: He's the dynamo on stage and he's reserved and shy

165
00:07:37,600 --> 00:07:40,080
Speaker 3: in real life. John, he's the guy that will give

166
00:07:40,120 --> 00:07:40,840
Speaker 3: you a big bear hug.

167
00:07:40,920 --> 00:07:45,240
Speaker 2: And Jordan, Yeah, yeah, I remember like he and I

168
00:07:45,280 --> 00:07:48,040
Speaker 2: were on set and he just he and I really.

169
00:07:47,840 --> 00:07:49,520
Speaker 1: Chatted it up quite sweet and lovely.

170
00:07:49,760 --> 00:07:54,360
Speaker 2: But they all were truly, but I when you did

171
00:07:54,400 --> 00:07:59,800
Speaker 2: the intro and like teared up, that was like that

172
00:08:00,280 --> 00:08:04,760
Speaker 2: peak friendship moment because when you love your friend or

173
00:08:04,800 --> 00:08:08,440
Speaker 2: a family member or someone so much that you get

174
00:08:08,480 --> 00:08:14,000
Speaker 2: to like vicariously experience joy through them, there's something so

175
00:08:14,200 --> 00:08:15,560
Speaker 2: pure and wonderful about it.

176
00:08:15,600 --> 00:08:17,800
Speaker 1: And I just I was like, this is great.

177
00:08:17,960 --> 00:08:22,880
Speaker 2: I would not have asked for like a better I

178
00:08:22,880 --> 00:08:26,120
Speaker 2: don't know, a bonding moment, well bonding moment, And it

179
00:08:26,240 --> 00:08:30,640
Speaker 2: like lifted my spirits to see my friends so excited

180
00:08:30,640 --> 00:08:34,200
Speaker 2: about something, especially because like I know, like it's like

181
00:08:34,200 --> 00:08:35,959
Speaker 2: you've met them before and you've done all this stuff,

182
00:08:36,000 --> 00:08:38,760
Speaker 2: but you still like you're you enjoy it and you're

183
00:08:38,840 --> 00:08:42,240
Speaker 2: so passionate and excited about it. And for me, when

184
00:08:42,280 --> 00:08:45,160
Speaker 2: I get to see somebody, anybody really but especially somebody

185
00:08:45,200 --> 00:08:49,680
Speaker 2: I love be so excited about something like that, to

186
00:08:49,800 --> 00:08:53,760
Speaker 2: me is a true joy because it's it's fun to

187
00:08:53,800 --> 00:08:56,640
Speaker 2: see people love and enjoy something. So I'm so glad

188
00:08:56,679 --> 00:08:57,240
Speaker 2: we have to do that.

189
00:08:57,360 --> 00:09:02,040
Speaker 3: It was so special and I was so much self pressure,

190
00:09:02,120 --> 00:09:03,760
Speaker 3: like pressure. I was like I want to do this right,

191
00:09:03,920 --> 00:09:06,400
Speaker 3: like I want to do the justice and honor the guys.

192
00:09:06,400 --> 00:09:09,160
Speaker 3: And I wanted to kind of convey to people, it's

193
00:09:09,200 --> 00:09:11,120
Speaker 3: not just a boy band. I'm not just like this ah,

194
00:09:11,200 --> 00:09:13,720
Speaker 3: you know this crazy girl that screams the boy bands

195
00:09:13,760 --> 00:09:16,200
Speaker 3: Like no, this is meaningful for me and this is why.

196
00:09:16,240 --> 00:09:18,760
Speaker 3: And I think that's why I started crying. Not to mention,

197
00:09:18,800 --> 00:09:20,480
Speaker 3: there were like how many producers in the room.

198
00:09:21,280 --> 00:09:24,440
Speaker 2: Seventeen people like standing of hovering, being like a nice

199
00:09:24,480 --> 00:09:27,600
Speaker 2: intimate conversation with all of us shoved in a hotel room,

200
00:09:27,679 --> 00:09:29,240
Speaker 2: right and then.

201
00:09:29,280 --> 00:09:31,400
Speaker 3: So I wasn't planning to cry, but it came out

202
00:09:31,440 --> 00:09:32,800
Speaker 3: and I was like, all right, I'm just going to

203
00:09:32,920 --> 00:09:33,480
Speaker 3: roll with it.

204
00:09:33,640 --> 00:09:35,920
Speaker 2: But I was. I was so glad you were there for.

205
00:09:36,240 --> 00:09:38,560
Speaker 3: The first half and the second half, and you were

206
00:09:38,600 --> 00:09:39,960
Speaker 3: so glad I wasn't for the second.

207
00:09:40,040 --> 00:09:41,880
Speaker 2: So well, yeah, I texted you. I was like, I

208
00:09:41,880 --> 00:09:42,240
Speaker 2: did it.

209
00:09:42,320 --> 00:09:46,000
Speaker 3: I did it, And I was like good, yeah, yeah,

210
00:09:46,040 --> 00:09:47,720
Speaker 3: so I loved it, loved it.

211
00:09:47,720 --> 00:09:49,720
Speaker 2: Well, now now we'll just have to do uh, we'll

212
00:09:49,720 --> 00:09:50,800
Speaker 2: have to do another road trip.

213
00:09:51,280 --> 00:09:54,520
Speaker 3: Yeah, it's a call iHeart or hun day or.

214
00:09:55,480 --> 00:09:57,760
Speaker 2: Give us a call, give us a car. You know,

215
00:09:57,840 --> 00:10:01,760
Speaker 2: I'll take that. Ionic I'm still I keep talking about

216
00:10:01,800 --> 00:10:04,480
Speaker 2: it to discal I keep going like that car.

217
00:10:04,720 --> 00:10:07,080
Speaker 3: It's a great, I know, it's a great.

218
00:10:07,120 --> 00:10:10,280
Speaker 2: I'd be it might be I might have to trade

219
00:10:10,440 --> 00:10:13,880
Speaker 2: my current Hyundai and get a new one, which is fine,

220
00:10:13,880 --> 00:10:18,920
Speaker 2: because I I had a misstap with a bump my

221
00:10:19,000 --> 00:10:21,240
Speaker 2: bumper and a trash can.

222
00:10:21,600 --> 00:10:26,080
Speaker 3: Oh, Jody, well it looks parallel park What were you know?

223
00:10:26,360 --> 00:10:29,280
Speaker 2: I'm great at parallel parking. I amily so good at

224
00:10:29,280 --> 00:10:31,600
Speaker 2: parallel parking. No, you when I had.

225
00:10:31,480 --> 00:10:33,520
Speaker 1: The minivan walk, how can you pa?

226
00:10:34,040 --> 00:10:37,640
Speaker 2: That's the thing, very great, super like no can judge distance,

227
00:10:37,679 --> 00:10:40,280
Speaker 2: can squeeze in between things like I know exactly how

228
00:10:40,320 --> 00:10:43,360
Speaker 2: much tream I have. It's my own body awareness that

229
00:10:43,440 --> 00:10:46,320
Speaker 2: I'm just not okay, And it's usually the fact that

230
00:10:46,360 --> 00:10:50,200
Speaker 2: I'm thinking three steps further than my body has gotten.

231
00:10:50,280 --> 00:10:53,760
Speaker 2: But okay, okay, but in a car, your car? I fine?

232
00:10:53,880 --> 00:10:54,640
Speaker 1: But no.

233
00:10:54,760 --> 00:10:57,959
Speaker 2: It was it was when it was really rainy mm hmm,

234
00:10:58,600 --> 00:11:01,080
Speaker 2: and we were having like terrible downpours. I was driving

235
00:11:01,120 --> 00:11:05,200
Speaker 2: over Laurel Canyon and there was a trash can that

236
00:11:05,400 --> 00:11:09,040
Speaker 2: was traveling towards me in the rain. It was being

237
00:11:09,120 --> 00:11:14,440
Speaker 2: swept down Laurel Canyon and and it made a small

238
00:11:14,840 --> 00:11:18,240
Speaker 2: some contact with my bumper and I was like, ah,

239
00:11:18,320 --> 00:11:20,120
Speaker 2: and then I got home and it was like kind

240
00:11:20,120 --> 00:11:21,960
Speaker 2: of hanging on. So I keep putting it up, like

241
00:11:21,960 --> 00:11:24,320
Speaker 2: it's to the point where I'm like, I can't dictate this.

242
00:11:24,400 --> 00:11:26,000
Speaker 2: That is that is now.

243
00:11:26,080 --> 00:11:30,160
Speaker 1: We're an adult, now, we can't do that. But it's yeah, definitely.

244
00:11:30,200 --> 00:11:31,760
Speaker 2: And then when I when you pull in and like

245
00:11:31,880 --> 00:11:35,280
Speaker 2: accidentally like hit the front little bumper thing, yeah, then

246
00:11:35,320 --> 00:11:37,120
Speaker 2: it scrapes it off even more.

247
00:11:37,520 --> 00:11:39,720
Speaker 3: Well, that's the trash can's fault, that's not yours.

248
00:11:39,800 --> 00:11:45,000
Speaker 2: That's what I trash can rain, and and the errant,

249
00:11:45,280 --> 00:11:48,160
Speaker 2: you know, cascading trash can that's not.

250
00:11:50,800 --> 00:11:52,240
Speaker 1: I'm lucky, I'm alive.

251
00:11:53,440 --> 00:11:56,480
Speaker 2: But yeah, so anyway, I don't know what happened to

252
00:11:56,480 --> 00:11:58,600
Speaker 2: that poor person's trash can and how the trash can

253
00:11:58,720 --> 00:12:03,240
Speaker 2: fared and all this, and I think, I, I don't know,

254
00:12:03,280 --> 00:12:05,440
Speaker 2: Maybe I should have stopped. Maybe I shouldn't be saying

255
00:12:05,480 --> 00:12:07,400
Speaker 2: this on the radio. Well, I didn't claim insurance, so

256
00:12:07,440 --> 00:12:09,360
Speaker 2: it's fine. I didn't. Like, there's no fraud. It's just

257
00:12:09,400 --> 00:12:11,559
Speaker 2: the someone in the hit a trash canyon. You'll never

258
00:12:11,559 --> 00:12:12,520
Speaker 2: figure out which one.

259
00:12:12,880 --> 00:12:16,120
Speaker 3: But somebody's listening to this who lives in Laurel Canyon

260
00:12:16,200 --> 00:12:16,760
Speaker 3: right now, and they're like.

261
00:12:16,920 --> 00:12:18,640
Speaker 2: They're like, that's what up into my trash?

262
00:12:18,880 --> 00:12:20,480
Speaker 1: Is my trash cat?

263
00:12:20,960 --> 00:12:21,800
Speaker 2: Jody Sweeten?

264
00:12:22,000 --> 00:12:23,400
Speaker 1: So shall we do a recap?

265
00:12:23,480 --> 00:12:23,880
Speaker 2: Please?

266
00:12:24,120 --> 00:12:26,280
Speaker 3: Let's get out of this, Yes, please, let's get out

267
00:12:26,280 --> 00:12:27,240
Speaker 3: of this pre chow chatter.

268
00:12:27,960 --> 00:12:30,559
Speaker 1: Doc, you got us in here, we gotta get us out.

269
00:12:30,600 --> 00:12:34,800
Speaker 2: Okay, Okay, welcome back to Oh like this damn bird

270
00:12:34,800 --> 00:12:36,520
Speaker 2: out of a cage. Okay, let's that's there.

271
00:12:36,559 --> 00:12:38,640
Speaker 3: We go, Oh god this episode.

272
00:12:38,679 --> 00:12:40,719
Speaker 2: Okay, welcome back to how Rude Tannertos.

273
00:12:40,920 --> 00:12:45,200
Speaker 3: I'm Andrea Barber and I'm Jody Sweeten, and today we're

274
00:12:45,240 --> 00:12:49,600
Speaker 3: discussing season three, episode sixteen, Bye Bye Bertie.

275
00:12:50,280 --> 00:12:53,520
Speaker 2: It originally aired February second, nineteen ninety.

276
00:12:53,800 --> 00:12:56,400
Speaker 3: It goes a little something like this, Michelle loses the

277
00:12:56,440 --> 00:12:57,840
Speaker 3: preschool's pet bird.

278
00:12:58,920 --> 00:12:59,600
Speaker 1: I love that word.

279
00:12:59,679 --> 00:13:04,199
Speaker 2: Katting these synopsis down to a sentence, just one sentence,

280
00:13:04,360 --> 00:13:07,120
Speaker 2: you know, few, which also makes me feel like those

281
00:13:07,160 --> 00:13:09,240
Speaker 2: are usually the scripts that were like, oh, we didn't

282
00:13:09,280 --> 00:13:11,080
Speaker 2: do a lot with this, did we, because it all

283
00:13:11,120 --> 00:13:15,000
Speaker 2: fitting in about let's see one, two, three, four, six words.

284
00:13:15,120 --> 00:13:17,240
Speaker 3: Yeah, yeah, that's the That's all you need to know

285
00:13:17,440 --> 00:13:20,480
Speaker 3: is just they shall lost the pet bird, and that's it.

286
00:13:20,480 --> 00:13:23,520
Speaker 3: It's but you know, I can't believe we're still in

287
00:13:23,559 --> 00:13:26,679
Speaker 3: season three. Does this season feel longer to you than

288
00:13:26,880 --> 00:13:27,800
Speaker 3: previous seasons?

289
00:13:27,840 --> 00:13:30,440
Speaker 2: I'm just like, how are we only on sixteen?

290
00:13:30,600 --> 00:13:32,000
Speaker 3: I don't know why it feels so long?

291
00:13:32,640 --> 00:13:35,960
Speaker 2: Uh, yeah, it does feel a little bit longer.

292
00:13:36,040 --> 00:13:37,000
Speaker 1: I think maybe.

293
00:13:37,559 --> 00:13:39,760
Speaker 2: Is it maybe because like the first couple of seasons

294
00:13:39,760 --> 00:13:42,920
Speaker 2: were ones that we maybe weren't as familiar with or

295
00:13:42,920 --> 00:13:45,439
Speaker 2: didn't like, so it was kind of like all new,

296
00:13:45,480 --> 00:13:47,360
Speaker 2: and when it's all new, you're like, oh, this is

297
00:13:47,400 --> 00:13:49,760
Speaker 2: going so quickly right now, like we kind of hit

298
00:13:49,760 --> 00:13:51,320
Speaker 2: the age where we're like, oh, yeah, I remember this

299
00:13:51,400 --> 00:13:53,600
Speaker 2: a little bit more. I don't know. Yeah, okay, that's

300
00:13:53,640 --> 00:13:55,680
Speaker 2: a good theory, just a I don't know, throwing it

301
00:13:55,720 --> 00:13:56,080
Speaker 2: out there.

302
00:13:56,520 --> 00:13:58,840
Speaker 3: Okay. I was just like, wow, we're still in season three, but.

303
00:13:58,720 --> 00:14:03,360
Speaker 2: We're still older or uh it's just you know, we're

304
00:14:03,440 --> 00:14:08,439
Speaker 2: sort of slogging through with the episodes because they're not great. Yeah.

305
00:14:08,480 --> 00:14:10,240
Speaker 3: I think I feel like we've hit a run of

306
00:14:10,280 --> 00:14:13,520
Speaker 3: episodes that are just kind of like not filler.

307
00:14:13,440 --> 00:14:18,040
Speaker 2: Ish right filler. I'm just a little silly. There were

308
00:14:18,040 --> 00:14:21,880
Speaker 2: some things that happened in this episode that I very

309
00:14:21,960 --> 00:14:25,120
Speaker 2: much against. Okay, let's get let's get into it.

310
00:14:25,160 --> 00:14:25,760
Speaker 1: We'll get there.

311
00:14:26,080 --> 00:14:29,400
Speaker 3: But good lord, this is gonna be a little painful.

312
00:14:29,640 --> 00:14:32,920
Speaker 2: Just uh, just we're just warning you right now. Okay.

313
00:14:32,920 --> 00:14:37,240
Speaker 3: This was directed by Jeff Franklin. Sorry Jeff Franklin, but sorry. Yeah,

314
00:14:37,240 --> 00:14:40,040
Speaker 3: this was a weird episode. It was written by Lenny Rips.

315
00:14:40,240 --> 00:14:43,440
Speaker 3: We love Lenny. I love you Lenny, but why I

316
00:14:43,480 --> 00:14:46,880
Speaker 3: don't know what happened with this episode, but okay, that's right. Uh.

317
00:14:46,920 --> 00:14:49,760
Speaker 3: And we have two great guest stars. We have Tyra

318
00:14:50,080 --> 00:14:54,120
Speaker 3: Ferrell as Miss Petrie, known for White Men Can't Jump,

319
00:14:54,200 --> 00:14:56,640
Speaker 3: Boys in the Hood and Poetic Justice.

320
00:14:56,960 --> 00:14:57,800
Speaker 1: Some great movies.

321
00:14:58,160 --> 00:15:01,320
Speaker 3: Yes, she's a great preschool tea mature in this episode.

322
00:15:01,680 --> 00:15:04,520
Speaker 3: And then we have the legendary Miko Hughes as Aaron.

323
00:15:04,640 --> 00:15:07,400
Speaker 3: This is his first of many many episodes, first of

324
00:15:07,440 --> 00:15:10,840
Speaker 3: twelve episodes of Full House. Yeah you know him from

325
00:15:10,960 --> 00:15:14,840
Speaker 3: Kindergarten Cop which right, boys have a penis, Girls have

326
00:15:14,840 --> 00:15:17,560
Speaker 3: a vagiana boy like right man. For as much as

327
00:15:17,600 --> 00:15:20,600
Speaker 3: I complaining about observation, how many people ask him to

328
00:15:20,640 --> 00:15:24,760
Speaker 3: say that line throughout his whole life? Boys girls have

329
00:15:24,800 --> 00:15:26,960
Speaker 3: a vaginant This poor guy, we got to get him

330
00:15:26,960 --> 00:15:28,040
Speaker 3: on the podcast. First.

331
00:15:28,080 --> 00:15:29,960
Speaker 2: I was thinking we got to come up on the podcast.

332
00:15:30,000 --> 00:15:32,240
Speaker 2: Want to ask him these questions, like right, well, and

333
00:15:32,280 --> 00:15:35,280
Speaker 2: he was also he was in pet Cemetery. Yeah, he

334
00:15:35,480 --> 00:15:36,960
Speaker 2: was like he was kind of a little bit of

335
00:15:37,080 --> 00:15:38,000
Speaker 2: a creepy little kid.

336
00:15:38,080 --> 00:15:41,280
Speaker 3: Yeah. Yeah, he's got a very extensive career. He was

337
00:15:41,280 --> 00:15:45,360
Speaker 3: at Apollo thirteen Mercury Rising opposite Bruce Willis, and then

338
00:15:45,360 --> 00:15:47,560
Speaker 3: he did a bunch of guest appearances on TV shows

339
00:15:47,560 --> 00:15:49,120
Speaker 3: like Roswell and Boston Public.

340
00:15:49,400 --> 00:15:51,840
Speaker 1: Oh oh wow, like since the Oh this so that's

341
00:15:51,840 --> 00:15:53,480
Speaker 1: been like more recent, way more recent.

342
00:15:53,880 --> 00:15:54,080
Speaker 2: Yeah.

343
00:15:54,160 --> 00:15:57,160
Speaker 3: No, he's he's a fantastic actor. Was so cute as

344
00:15:57,200 --> 00:15:59,760
Speaker 3: a kid, and I really want to talk to him, you.

345
00:15:59,720 --> 00:16:03,400
Speaker 2: Know, I weirdly remember about him. What is that He

346
00:16:03,480 --> 00:16:07,760
Speaker 2: and his family lived out in Apple Valley, which was

347
00:16:07,880 --> 00:16:13,000
Speaker 2: like the high desert here in LA and was a

348
00:16:13,160 --> 00:16:19,600
Speaker 2: several hour co mute. Oh yeah, and if I remember correctly,

349
00:16:19,640 --> 00:16:20,760
Speaker 2: they drove back and forth.

350
00:16:20,880 --> 00:16:22,080
Speaker 3: Oh, they didn't stay in town.

351
00:16:22,320 --> 00:16:24,600
Speaker 2: Maybe they did, like on tight nights, but I remember

352
00:16:24,640 --> 00:16:25,840
Speaker 2: they did a lot of driving.

353
00:16:25,960 --> 00:16:28,200
Speaker 3: If I were driving, Yeah, because that's easily a two

354
00:16:28,240 --> 00:16:29,080
Speaker 3: hour drive.

355
00:16:29,360 --> 00:16:32,040
Speaker 2: To add some traffic to that.

356
00:16:32,000 --> 00:16:34,520
Speaker 3: That's a lot. Yeah, that's a lot. So kudos to

357
00:16:34,560 --> 00:16:39,360
Speaker 3: his parents. Yeah two and all that drive seriously, oh bam.

358
00:16:39,400 --> 00:16:42,360
Speaker 3: Looking forward to seeing much more of uh Nico Hughes

359
00:16:42,360 --> 00:16:45,880
Speaker 3: to come. So we start with the teaser. In Michelle's room,

360
00:16:46,200 --> 00:16:49,440
Speaker 3: Danny and Joey are getting ready to mark Michelle's height

361
00:16:49,720 --> 00:16:53,320
Speaker 3: on her bedroom wall, a nice tradition that many many

362
00:16:53,360 --> 00:16:56,600
Speaker 3: parents do with their kids. Michelle gleefully stands against the

363
00:16:56,600 --> 00:16:59,120
Speaker 3: wall with her arms straight up in the air, saying, ooh,

364
00:16:59,280 --> 00:17:00,160
Speaker 3: I'm very tall.

365
00:17:00,920 --> 00:17:01,320
Speaker 2: They laugh.

366
00:17:01,400 --> 00:17:03,000
Speaker 3: They tell her to put her arms down and stand

367
00:17:03,080 --> 00:17:05,879
Speaker 3: up straight. Joey puts a ruler against the top of

368
00:17:05,920 --> 00:17:09,120
Speaker 3: her head. Michelle goes onto her tippy toes, and Joey says,

369
00:17:09,359 --> 00:17:12,160
Speaker 3: you're cheating, and Michelle gives him a big eye roll

370
00:17:12,480 --> 00:17:13,480
Speaker 3: a nuts.

371
00:17:14,600 --> 00:17:16,840
Speaker 2: Danny is so cute.

372
00:17:17,480 --> 00:17:20,919
Speaker 3: She was really like the sass man, the sass is

373
00:17:21,000 --> 00:17:25,359
Speaker 3: really coming out now. Danny says, Hey, good news, it

374
00:17:25,400 --> 00:17:30,480
Speaker 3: looks like you're half an inch taller, and Michelle emotionlessly responds,

375
00:17:30,560 --> 00:17:35,960
Speaker 3: big deal, see ya and walks right out the door. Yeah.

376
00:17:36,040 --> 00:17:40,040
Speaker 1: She was like, yeah, I'm either six inches taller or nothing.

377
00:17:40,800 --> 00:17:44,520
Speaker 2: Yeah, And I just love that. She says kind of

378
00:17:44,520 --> 00:17:45,200
Speaker 2: what we're all thinking.

379
00:17:45,240 --> 00:17:46,800
Speaker 3: It's just like, yeah, this is not a big deal,

380
00:17:46,840 --> 00:17:49,119
Speaker 3: Like it's a half an inch, you know, Like, just Danny,

381
00:17:49,200 --> 00:17:55,080
Speaker 3: stop obsessing over it's just hysterical to me. Next, we're

382
00:17:55,080 --> 00:17:57,800
Speaker 3: in the We're still in Michelle's room, We've never left,

383
00:17:58,240 --> 00:18:01,520
Speaker 3: and Danny is getting Michelle's bed ready for her while

384
00:18:01,520 --> 00:18:04,160
Speaker 3: reminding her that tomorrow is a very big day. It's

385
00:18:04,160 --> 00:18:08,399
Speaker 3: her first day of preschool, which at first I was like,

386
00:18:08,400 --> 00:18:10,240
Speaker 3: why is she starting school in the middle of the

387
00:18:10,320 --> 00:18:13,720
Speaker 3: year like the girls, the older girls already started school

388
00:18:13,960 --> 00:18:16,040
Speaker 3: months ago. But maybe that's because it's pre school.

389
00:18:16,119 --> 00:18:18,320
Speaker 2: Well it's pre school, right, so you maybe have to

390
00:18:18,320 --> 00:18:21,720
Speaker 2: be a certain age or body trained or whatever, so

391
00:18:21,840 --> 00:18:24,040
Speaker 2: you know, preschool is usually like kind of kind of

392
00:18:24,040 --> 00:18:25,200
Speaker 2: an open enrollment thing.

393
00:18:25,359 --> 00:18:29,720
Speaker 3: Like maybe is not as many strict rules for preschool,

394
00:18:29,760 --> 00:18:31,520
Speaker 3: so it's like, yeah, come on, come on in when

395
00:18:31,520 --> 00:18:31,920
Speaker 3: you're ready.

396
00:18:31,960 --> 00:18:34,680
Speaker 1: Yeah, train three or three and a half or whatever

397
00:18:34,760 --> 00:18:36,040
Speaker 1: then you yeah, okay.

398
00:18:37,280 --> 00:18:40,040
Speaker 3: Michelle cannot hide her grin as she tells her dad

399
00:18:40,160 --> 00:18:43,920
Speaker 3: she's not sleepy. Danny doesn't believe this and hops into

400
00:18:44,119 --> 00:18:47,919
Speaker 3: hops her into bed like a bunny. Jesse holds up

401
00:18:47,920 --> 00:18:50,959
Speaker 3: a sailor dress that he picked from Michelle's closet and

402
00:18:51,040 --> 00:18:55,320
Speaker 3: asks isn't this a pretty dress? And Joey sarcastically answers, yeah,

403
00:18:55,400 --> 00:18:58,800
Speaker 3: I think you need that in a husky. Is he

404
00:18:58,880 --> 00:19:01,200
Speaker 3: referring to the size? Is this a other size?

405
00:19:00,680 --> 00:19:09,360
Speaker 2: So when so so larger sizes, particularly for kids, if

406
00:19:09,400 --> 00:19:11,480
Speaker 2: you had to go like bigger than a large you

407
00:19:11,560 --> 00:19:14,760
Speaker 2: were a husky, that was like what it was called.

408
00:19:14,800 --> 00:19:18,080
Speaker 2: It was not exactly uh great, you know, to be like,

409
00:19:18,080 --> 00:19:20,720
Speaker 2: oh yeah a husky said yeah, so that was yeah.

410
00:19:20,520 --> 00:19:21,639
Speaker 3: That's what the phrase was.

411
00:19:21,680 --> 00:19:22,000
Speaker 2: Okay.

412
00:19:22,160 --> 00:19:23,440
Speaker 3: I was just like, that's okay.

413
00:19:23,440 --> 00:19:23,840
Speaker 2: I knew what.

414
00:19:23,960 --> 00:19:25,439
Speaker 3: I figured out what he was trying to say, but

415
00:19:25,480 --> 00:19:26,639
Speaker 3: I was like, that's a weird phrase.

416
00:19:26,720 --> 00:19:29,720
Speaker 2: But now that yeah, you don't not like my dog

417
00:19:29,840 --> 00:19:30,920
Speaker 2: not a house like that?

418
00:19:31,080 --> 00:19:33,159
Speaker 1: Ye, No, definitely not.

419
00:19:33,880 --> 00:19:38,120
Speaker 3: Although she is a she's she's big, she's she's a dog.

420
00:19:38,480 --> 00:19:38,720
Speaker 2: Yep.

421
00:19:39,280 --> 00:19:41,800
Speaker 3: So Michelle pushes her blankets off of her and tells

422
00:19:41,800 --> 00:19:43,600
Speaker 3: the adults that it's time for her to go to

423
00:19:43,600 --> 00:19:47,000
Speaker 3: school now. Becky reminds her that preschool doesn't start until

424
00:19:47,000 --> 00:19:50,760
Speaker 3: tomorrow morning. Michelle responds, you could come too, I need

425
00:19:50,800 --> 00:19:53,800
Speaker 3: a ride. Joey suggests that they tell her a bedtime

426
00:19:53,880 --> 00:19:56,080
Speaker 3: story about her first day at preschool.

427
00:19:56,600 --> 00:19:58,399
Speaker 1: Yeah, because there's four adults in here.

428
00:19:58,440 --> 00:20:01,000
Speaker 2: How many They're like, we should mellow her out by

429
00:20:01,040 --> 00:20:03,160
Speaker 2: all four of us being in here, and.

430
00:20:04,240 --> 00:20:07,680
Speaker 3: Why why the child is adults to put her to bed?

431
00:20:07,840 --> 00:20:10,440
Speaker 3: Normally she's alone in her room, right, and all of

432
00:20:10,440 --> 00:20:13,399
Speaker 3: a sudden, nobody, nobody wants to leave. Right, they're her

433
00:20:13,440 --> 00:20:17,480
Speaker 3: compensating for their neglect earlier in the season. Yeah, I

434
00:20:17,920 --> 00:20:18,480
Speaker 3: just saw her go.

435
00:20:19,080 --> 00:20:25,320
Speaker 2: She's hopped onto the Oh. She's bored. She's very bored.

436
00:20:25,119 --> 00:20:29,080
Speaker 3: With this podcast. So Joey starts off by introducing the

437
00:20:29,119 --> 00:20:33,560
Speaker 3: beautiful princess who's going to Meadowcrest Preschool. He asks Michelle

438
00:20:33,560 --> 00:20:36,800
Speaker 3: what the princess's name is, and she proudly states miss Piggy.

439
00:20:37,160 --> 00:20:37,760
Speaker 1: Good choice.

440
00:20:38,000 --> 00:20:42,160
Speaker 3: Yeah, Joey corrects her, it's actually Princess Michelle, who's going

441
00:20:42,200 --> 00:20:45,280
Speaker 3: to preschool for the first time. He motions for Becky

442
00:20:45,320 --> 00:20:48,080
Speaker 3: to continue the story, and she reveals that the princess

443
00:20:48,119 --> 00:20:50,639
Speaker 3: found preschool to be a land of fun. It's like

444
00:20:50,680 --> 00:20:54,840
Speaker 3: Disneyland with a nap. The princess makes new friends and

445
00:20:54,880 --> 00:20:58,359
Speaker 3: they all play with toys. Danny adds that the children

446
00:20:58,400 --> 00:21:00,560
Speaker 3: all cleaned up the mess they made, and Joey gives

447
00:21:00,640 --> 00:21:04,080
Speaker 3: him a look and Danny concludes, then Princess Michelle said,

448
00:21:04,240 --> 00:21:06,640
Speaker 3: my first day of preschool was the most wonderful day

449
00:21:06,760 --> 00:21:08,359
Speaker 3: of my life.

450
00:21:08,560 --> 00:21:10,880
Speaker 2: Wow. That's I mean, I hope, I hope that that's

451
00:21:10,920 --> 00:21:12,479
Speaker 2: not the most wonderful day of her life. I mean,

452
00:21:12,480 --> 00:21:14,320
Speaker 2: I hope that there's other ones that are better.

453
00:21:14,960 --> 00:21:18,639
Speaker 3: I just can't get Princess Michelle, Princess for a Day,

454
00:21:18,680 --> 00:21:20,680
Speaker 3: the Walt Disney episode.

455
00:21:20,280 --> 00:21:22,520
Speaker 2: Out of my brain, right. Yeah, I'm like, this is

456
00:21:22,520 --> 00:21:23,120
Speaker 2: the first.

457
00:21:22,960 --> 00:21:26,560
Speaker 3: Of many references to Princess Michelle. We're definitely getting more

458
00:21:26,720 --> 00:21:29,760
Speaker 3: Michelle centric. Yes, as we get deeper into the That's

459
00:21:29,800 --> 00:21:31,400
Speaker 3: why all the adults are in the room, because the

460
00:21:31,440 --> 00:21:32,840
Speaker 3: everything revolves around Michelle.

461
00:21:32,840 --> 00:21:35,480
Speaker 2: Well maybe they're also like, hey, I need to talk

462
00:21:35,520 --> 00:21:37,479
Speaker 2: to you. You know, I need some advice, you know.

463
00:21:37,560 --> 00:21:40,560
Speaker 2: So they're all trying to get right. Yeah, yeah, yeah,

464
00:21:40,680 --> 00:21:45,000
Speaker 2: they're all bad. I need I need some life advice. Yeah.

465
00:21:45,200 --> 00:21:51,160
Speaker 3: Perfect. So Michelle looks at him in pure awe, muttering

466
00:21:51,160 --> 00:21:54,440
Speaker 3: the words awesome. Danny picks her up, tucks her back

467
00:21:54,440 --> 00:21:57,280
Speaker 3: into bed, and all of the adults take turns kissing

468
00:21:57,320 --> 00:22:03,360
Speaker 3: her good night like a wedding receiving line. Once they're

469
00:22:03,400 --> 00:22:05,000
Speaker 3: all out of the room, and the lights are off.

470
00:22:05,160 --> 00:22:08,200
Speaker 3: Michelle shoots out of bed again. She looks around and declares,

471
00:22:08,240 --> 00:22:12,760
Speaker 3: I can't sleep. This is nuts. I feel like this

472
00:22:12,840 --> 00:22:13,520
Speaker 3: is nuts.

473
00:22:13,560 --> 00:22:16,560
Speaker 2: Really was applicable there, but we're just kind of shoehorning

474
00:22:16,560 --> 00:22:17,399
Speaker 2: it into wherever.

475
00:22:18,200 --> 00:22:18,760
Speaker 1: You know what I mean.

476
00:22:18,840 --> 00:22:20,600
Speaker 3: Yeah, she says it multiple times.

477
00:22:20,640 --> 00:22:21,160
Speaker 2: Now there.

478
00:22:21,760 --> 00:22:24,359
Speaker 3: The writers have leaned hard into this catchphrase. They're like,

479
00:22:24,400 --> 00:22:26,639
Speaker 3: this will be a catchphrase whether whether whether.

480
00:22:26,359 --> 00:22:27,240
Speaker 1: You like it or not.

481
00:22:27,680 --> 00:22:32,359
Speaker 2: Yeah you will. This is nuts. This rights Yeah, this

482
00:22:32,880 --> 00:22:33,399
Speaker 2: is nuts.

483
00:22:33,560 --> 00:22:36,280
Speaker 3: This is nuts. And what's to come is even even

484
00:22:36,320 --> 00:22:36,840
Speaker 3: more nuts.

485
00:22:37,160 --> 00:22:41,680
Speaker 1: Oh my god, you guys, buckle buckle up.

486
00:22:42,960 --> 00:22:45,399
Speaker 3: Later that night, Michelle is sleeping and she has a

487
00:22:45,480 --> 00:22:48,560
Speaker 3: huge face. She has a huge shit, have a huge

488
00:22:48,560 --> 00:22:50,760
Speaker 3: face at some point in this scene. Actually, you're right,

489
00:22:50,800 --> 00:22:57,439
Speaker 3: So we enter this bizarre dream sequence. Oh boy, horrify.

490
00:22:59,240 --> 00:23:03,879
Speaker 2: What is happen? I mean, like, what was so creepy?

491
00:23:05,840 --> 00:23:10,840
Speaker 2: I'm sorry leap that out. It was so weird and

492
00:23:10,880 --> 00:23:13,960
Speaker 2: you could tell that not one adult in that scene

493
00:23:14,080 --> 00:23:15,000
Speaker 2: wanted to be there.

494
00:23:20,320 --> 00:23:22,680
Speaker 1: Right where you're like, oh, I have to do that.

495
00:23:23,520 --> 00:23:27,600
Speaker 2: John particularly was just not was for for John who

496
00:23:27,680 --> 00:23:28,439
Speaker 2: usually is like oh he.

497
00:23:28,480 --> 00:23:31,000
Speaker 1: Said, he was like, I'm not I am not a cowboy.

498
00:23:31,320 --> 00:23:34,800
Speaker 3: He didn't want to play Nope. How did Jeff get

499
00:23:34,840 --> 00:23:38,640
Speaker 3: them to do that? That's what I want to know, adults,

500
00:23:38,640 --> 00:23:40,880
Speaker 3: he got them to do that? Silly and I yeah,

501
00:23:40,880 --> 00:23:41,920
Speaker 3: I'm shocked.

502
00:23:42,280 --> 00:23:43,040
Speaker 1: Contract for you.

503
00:23:43,160 --> 00:23:46,840
Speaker 2: Sorry, it's all my sense is lost now because.

504
00:23:47,520 --> 00:23:52,400
Speaker 3: This I wrote down, What kind of acid trip did

505
00:23:52,440 --> 00:23:53,040
Speaker 3: I just watch?

506
00:23:53,200 --> 00:23:54,840
Speaker 1: Like exactly?

507
00:23:55,160 --> 00:23:59,879
Speaker 2: I was like those things in the background, was the

508
00:24:00,000 --> 00:24:01,000
Speaker 2: those animals?

509
00:24:01,040 --> 00:24:04,320
Speaker 1: What worthy the stuff of nightmares?

510
00:24:05,880 --> 00:24:06,440
Speaker 2: Nightmares?

511
00:24:06,600 --> 00:24:07,960
Speaker 1: They got those.

512
00:24:08,080 --> 00:24:10,959
Speaker 2: Weird animals from the same place they got those clowns

513
00:24:10,960 --> 00:24:15,760
Speaker 2: for Michelle's birthday, from the horror Nightmare Department. They need

514
00:24:15,800 --> 00:24:18,600
Speaker 2: to find another rental place because this stuff is scary.

515
00:24:19,160 --> 00:24:22,280
Speaker 3: I just didn't understand the point, Like what this episode

516
00:24:22,280 --> 00:24:25,600
Speaker 3: would have been fine, perhaps better without the dream sequence.

517
00:24:25,760 --> 00:24:30,720
Speaker 3: What was the point of this filler filler filler or.

518
00:24:30,680 --> 00:24:33,239
Speaker 2: Maybe I don't know, maybe there maybe the writers were

519
00:24:33,240 --> 00:24:34,280
Speaker 2: pissed at them. I don't know.

520
00:24:34,600 --> 00:24:36,119
Speaker 1: Like it was bad.

521
00:24:36,800 --> 00:24:39,040
Speaker 3: It was it was really bad. I don't even know

522
00:24:39,040 --> 00:24:39,639
Speaker 3: if I wanted you.

523
00:24:39,680 --> 00:24:42,320
Speaker 2: Guys, if you can't, if you don't remember what we're

524
00:24:42,359 --> 00:24:44,840
Speaker 2: talking about, or you haven't watched it in a while,

525
00:24:45,760 --> 00:24:50,440
Speaker 2: pause the podcast, now, go back watch the dream sequence.

526
00:24:50,640 --> 00:24:54,240
Speaker 2: In season three, episode sixteen, and then come back to

527
00:24:54,280 --> 00:24:59,320
Speaker 2: the podcast and you will know why we are so terrified, Okay, terrifying, terrifying.

528
00:24:59,359 --> 00:25:10,320
Speaker 2: I literally he had nightmares last night. Suh. I uh yeah.

529
00:25:10,359 --> 00:25:13,880
Speaker 3: I couldn't figure out if they were supposed to be toys,

530
00:25:14,720 --> 00:25:18,159
Speaker 3: and that's why Michelle appears larger than them or like

531
00:25:18,200 --> 00:25:20,520
Speaker 3: the scale was really weird too. When she comes out

532
00:25:20,520 --> 00:25:24,040
Speaker 3: in her her Glinda dress, I don't know.

533
00:25:24,119 --> 00:25:27,200
Speaker 2: I'm like, are they toys? Are they friends? They were

534
00:25:27,200 --> 00:25:30,600
Speaker 2: trying to make it like the adults were kids size,

535
00:25:30,640 --> 00:25:34,159
Speaker 2: but Michelle was so much larger than them. It was

536
00:25:34,240 --> 00:25:36,720
Speaker 2: like it was like Godzilla or something coming out. I

537
00:25:36,800 --> 00:25:39,760
Speaker 2: was like, oh my, oh, Michelle's gonna crush all the

538
00:25:40,040 --> 00:25:42,840
Speaker 2: little weird animals, which I wasn't too disappointed by, but

539
00:25:42,880 --> 00:25:46,120
Speaker 2: I was actually more disappointed that it didn't happen. But man,

540
00:25:46,280 --> 00:25:51,440
Speaker 2: was that weird that I I have. I have been

541
00:25:51,480 --> 00:25:53,199
Speaker 2: in a lot of altered states in my life, but

542
00:25:53,240 --> 00:25:56,560
Speaker 2: never won that strange thank god, you know what I mean.

543
00:25:56,760 --> 00:25:59,520
Speaker 3: I don't know how I'd come back from that. No,

544
00:25:59,680 --> 00:26:02,680
Speaker 3: there's no recovery. There's no recovery from that. I'm scarred

545
00:26:02,680 --> 00:26:05,160
Speaker 3: from watching it and don't.

546
00:26:04,960 --> 00:26:06,800
Speaker 2: And now we're gonna and now we're gonna describe it,

547
00:26:06,840 --> 00:26:09,359
Speaker 2: you guys, But we just had to get that the

548
00:26:09,760 --> 00:26:12,439
Speaker 2: horror and the shock out of the way first, and

549
00:26:12,520 --> 00:26:16,840
Speaker 2: now now we're going to talk about exactly what was

550
00:26:16,880 --> 00:26:18,600
Speaker 2: so terrifying about it other than everything.

551
00:26:18,880 --> 00:26:22,480
Speaker 3: Okay, So first we see Becky in a sailor dress

552
00:26:22,600 --> 00:26:25,240
Speaker 3: similar to the one Jesse picked out a few minutes ago.

553
00:26:25,960 --> 00:26:28,719
Speaker 3: Her hair's in two pigtails, and she's got those freckles

554
00:26:28,760 --> 00:26:29,280
Speaker 3: like drawing.

555
00:26:29,840 --> 00:26:33,080
Speaker 2: She looks like Edith Ann who was played by Lily

556
00:26:33,160 --> 00:26:36,560
Speaker 2: Tomlin years ago on laughing those you probably don't remember

557
00:26:36,640 --> 00:26:39,240
Speaker 2: a lot of Yeah, anyway, that's what it looked like.

558
00:26:40,520 --> 00:26:42,520
Speaker 3: So she's counting to one hundred, but not in the

559
00:26:42,600 --> 00:26:45,320
Speaker 3: correct order. She looks around for a moment and is

560
00:26:45,359 --> 00:26:47,639
Speaker 3: stumped when she can't find where the others are hiding.

561
00:26:48,200 --> 00:26:51,400
Speaker 3: Danny pops out from behind a mushroom and reveals himself.

562
00:26:52,200 --> 00:26:56,040
Speaker 3: When Becky finds him, he lets out an awe. Nuts again.

563
00:26:56,160 --> 00:27:03,400
Speaker 3: Then Joey pops up from behind a group of circus

564
00:27:03,480 --> 00:27:05,320
Speaker 3: animals and let's out a big laugh.

565
00:27:07,960 --> 00:27:11,560
Speaker 2: Like I know. This is the too bad.

566
00:27:11,600 --> 00:27:15,119
Speaker 3: This isn't a visual podcast because you can see the absolutely.

567
00:27:14,640 --> 00:27:18,280
Speaker 2: No, thank god, it's not can't do people's it's just

568
00:27:18,440 --> 00:27:20,000
Speaker 2: how rude you know, we can't.

569
00:27:22,040 --> 00:27:25,360
Speaker 3: So that leaves just one person. Jesse pops his head

570
00:27:25,359 --> 00:27:28,240
Speaker 3: out from behind the life size fairy tale book and

571
00:27:28,320 --> 00:27:31,359
Speaker 3: proudly states, ha ha, you didn't find cowboy Jesse?

572
00:27:32,400 --> 00:27:35,120
Speaker 2: Was it proudly or was it it felt a little

573
00:27:35,160 --> 00:27:37,320
Speaker 2: under drest if he asked me, It felt a little

574
00:27:37,320 --> 00:27:39,840
Speaker 2: like he was like ah haha, yeah, Like he was like,

575
00:27:39,960 --> 00:27:42,680
Speaker 2: I'm gonna eat you want me to wear this costume?

576
00:27:43,280 --> 00:27:46,680
Speaker 2: It was like like at some point during that day

577
00:27:46,840 --> 00:27:48,480
Speaker 2: of shooting, I feel like he turned to Jeff and

578
00:27:48,600 --> 00:27:50,400
Speaker 2: was like, I'm gonna meet you out in the parking

579
00:27:50,440 --> 00:27:51,159
Speaker 2: lot after this.

580
00:27:51,160 --> 00:27:52,159
Speaker 1: This is ridiculous.

581
00:27:52,440 --> 00:27:54,560
Speaker 3: We got to talk about it next time we see

582
00:27:54,720 --> 00:27:56,800
Speaker 3: Jeff for any of these four adults, Like, we're gonna

583
00:27:56,800 --> 00:27:57,280
Speaker 3: be liked.

584
00:27:57,680 --> 00:27:58,960
Speaker 2: What how much.

585
00:27:58,800 --> 00:28:01,600
Speaker 3: Protesting did you put up? And why did you end

586
00:28:01,680 --> 00:28:03,040
Speaker 3: up doing it? I don't I don't know.

587
00:28:03,359 --> 00:28:04,720
Speaker 2: But okay.

588
00:28:06,000 --> 00:28:09,359
Speaker 3: So, so Jesse's in a cowboy costume, Danny's in a

589
00:28:09,359 --> 00:28:12,080
Speaker 3: little boy outfit, and Joey is wearing a stuffed horse

590
00:28:12,600 --> 00:28:16,040
Speaker 3: around his torso I don't even know. He's just a

591
00:28:16,080 --> 00:28:18,000
Speaker 3: boy riding a horse. I don't even know what the

592
00:28:18,000 --> 00:28:21,880
Speaker 3: point of this is. I don't know that there is one.

593
00:28:22,400 --> 00:28:24,160
Speaker 2: Yeah. I think they were like, what's the weirdest thing

594
00:28:24,160 --> 00:28:25,160
Speaker 2: we can do.

595
00:28:25,520 --> 00:28:29,080
Speaker 3: It's like it's like an Alice in Wonderland meets Disneyland

596
00:28:29,240 --> 00:28:30,320
Speaker 3: meets toy story.

597
00:28:30,880 --> 00:28:34,080
Speaker 2: It's more like did you ever see Return to Oz

598
00:28:36,359 --> 00:28:38,760
Speaker 2: with the Wheelers and the witch takes her head off?

599
00:28:38,800 --> 00:28:41,120
Speaker 2: It's more like that. It's more like one of those

600
00:28:41,120 --> 00:28:43,720
Speaker 2: things that you watch and you go, that was scary.

601
00:28:44,360 --> 00:28:47,719
Speaker 2: It's yeah, what did I just watch? Yeah?

602
00:28:48,280 --> 00:28:51,880
Speaker 3: So Becky announces that the Princess is coming, and Michelle,

603
00:28:51,920 --> 00:28:55,160
Speaker 3: who's dressed in a princess costume and has been made

604
00:28:55,320 --> 00:28:59,400
Speaker 3: much larger by some very bad special effects, waves to everyone.

605
00:28:59,480 --> 00:29:02,800
Speaker 2: Hi people, well, so, she says, high people. So I

606
00:29:02,800 --> 00:29:06,000
Speaker 2: don't think they're toys? Are they just imaginary friends?

607
00:29:06,040 --> 00:29:06,440
Speaker 3: I don't know.

608
00:29:06,760 --> 00:29:08,240
Speaker 2: I'm trying to apploy logic today.

609
00:29:08,240 --> 00:29:12,160
Speaker 1: Don't don't, don't. There is no logic.

610
00:29:12,280 --> 00:29:13,480
Speaker 2: There's nothing.

611
00:29:13,640 --> 00:29:14,680
Speaker 1: Nothing makes sense here.

612
00:29:14,960 --> 00:29:15,320
Speaker 2: Nothing.

613
00:29:16,440 --> 00:29:20,520
Speaker 3: So Danny admires you're the prettiest princess in all the land,

614
00:29:20,760 --> 00:29:22,240
Speaker 3: and she responds with the thumbs up.

615
00:29:22,280 --> 00:29:23,120
Speaker 2: You got it, dude.

616
00:29:23,240 --> 00:29:24,160
Speaker 1: That doesn't make sense.

617
00:29:25,080 --> 00:29:26,960
Speaker 2: That is not the response that you would give to

618
00:29:27,040 --> 00:29:31,480
Speaker 2: your the prettiest princess in all the land. You got it, dude.

619
00:29:31,520 --> 00:29:35,080
Speaker 2: What that doesn't you'd be like, thank you, you got it, dude.

620
00:29:35,640 --> 00:29:37,960
Speaker 2: That just I was like, oh my god, the catch

621
00:29:38,000 --> 00:29:41,680
Speaker 2: phrases and that they Yeah, it was everything. It's like everything,

622
00:29:41,720 --> 00:29:46,200
Speaker 2: like three minutes, throw everything at the script and see

623
00:29:46,280 --> 00:29:46,959
Speaker 2: what sticks.

624
00:29:46,960 --> 00:29:50,200
Speaker 3: And none of it stuck. But uh yeah, and what

625
00:29:50,320 --> 00:29:52,360
Speaker 3: why are the writers so hell bent on making her

626
00:29:52,360 --> 00:29:56,000
Speaker 3: prince princess Michelle princess, this princess that it's like because she's.

627
00:29:55,840 --> 00:29:56,920
Speaker 1: The baby of the family.

628
00:29:56,920 --> 00:29:58,720
Speaker 2: I guess, I don't know, I guess, but this is

629
00:29:58,720 --> 00:29:59,840
Speaker 2: her first day of preschool.

630
00:30:00,080 --> 00:30:01,840
Speaker 3: Talk about how smart she is or how many things

631
00:30:01,840 --> 00:30:03,640
Speaker 3: she's going to learn, or how many friends she's gonna make,

632
00:30:03,680 --> 00:30:06,120
Speaker 3: Not like you're a princess and deserve all of the

633
00:30:06,120 --> 00:30:09,280
Speaker 3: best treatment in the land and.

634
00:30:07,880 --> 00:30:10,520
Speaker 2: All that's that is.

635
00:30:11,520 --> 00:30:13,360
Speaker 3: It's they're setting up for later seasons.

636
00:30:13,400 --> 00:30:16,960
Speaker 1: I yes, exactly, I mean I don't. Yeah, we're not.

637
00:30:17,080 --> 00:30:20,120
Speaker 3: It's that's just kind of that's it's just the beginning.

638
00:30:20,640 --> 00:30:23,520
Speaker 3: So Michelle responds, I like that song, sing it again.

639
00:30:23,960 --> 00:30:26,239
Speaker 3: And the adults, of course, do as they're told and

640
00:30:26,320 --> 00:30:30,840
Speaker 3: chant again in unison the dream. Thank god, it slowly

641
00:30:30,880 --> 00:30:33,600
Speaker 3: starts to fade out while the chanting continues, and we

642
00:30:33,680 --> 00:30:34,080
Speaker 3: fade out.

643
00:30:34,120 --> 00:30:36,560
Speaker 1: In my mind, it's still very clear.

644
00:30:37,600 --> 00:30:42,000
Speaker 3: Michelle is still repeating this from her bed in real time. Yay, Yay,

645
00:30:42,200 --> 00:30:46,120
Speaker 3: Princess Michelle. Her eyes shoot open and she shouts, I

646
00:30:46,160 --> 00:30:49,240
Speaker 3: love preschool. I'm going now. She climbs out of bed

647
00:30:49,240 --> 00:30:53,440
Speaker 3: and stands there stumped, realizing I need a car. And

648
00:30:53,480 --> 00:30:57,280
Speaker 3: that's thankfully the end of that. That tortuous, tortuous, that

649
00:30:57,440 --> 00:30:57,960
Speaker 3: was brilliant.

650
00:30:58,280 --> 00:31:03,280
Speaker 2: I knew the second I was like, oh wait, a

651
00:31:03,360 --> 00:31:04,560
Speaker 2: Michelle dream sequence.

652
00:31:04,920 --> 00:31:07,520
Speaker 3: I've never seen that. I had never seen this episode before,

653
00:31:07,560 --> 00:31:09,400
Speaker 3: so I was legitimately horrified.

654
00:31:09,440 --> 00:31:12,800
Speaker 2: I was like, have you dremped the shark? I would

655
00:31:12,800 --> 00:31:14,880
Speaker 2: have preferred if a shark came and ate everybody in

656
00:31:14,920 --> 00:31:17,200
Speaker 2: that scene, just put us all out of our misery.

657
00:31:18,760 --> 00:31:20,520
Speaker 2: Speaking of there's a change. Do you hear the chains

658
00:31:20,560 --> 00:31:24,440
Speaker 2: on now? It's it's like, uh, it's like there's a

659
00:31:24,480 --> 00:31:26,040
Speaker 2: horror movie in my back.

660
00:31:27,600 --> 00:31:31,479
Speaker 3: I banging, So yeah, okay, right, they can't hear him

661
00:31:31,520 --> 00:31:34,400
Speaker 3: over here, thinks, So sorry, Manny, our editor is gonna

662
00:31:34,440 --> 00:31:39,160
Speaker 3: have a field day with with this episode, so thankfully.

663
00:31:39,200 --> 00:31:42,440
Speaker 3: We're now in the living room where stephan DJ are

664
00:31:42,520 --> 00:31:46,360
Speaker 3: hurrying down the stairs, and Stephanie stops DJ and asks,

665
00:31:46,400 --> 00:31:49,040
Speaker 3: why are you going to school so early? DJ doesn't

666
00:31:49,040 --> 00:31:52,080
Speaker 3: give her a clear answer because she's hiding something in

667
00:31:52,120 --> 00:31:53,120
Speaker 3: those shoulder pads.

668
00:31:55,080 --> 00:32:01,000
Speaker 2: My god, fashion like it's the should They were gigantic,

669
00:32:02,280 --> 00:32:07,320
Speaker 2: gi giantic shoulder pads on it like a on like

670
00:32:07,360 --> 00:32:09,360
Speaker 2: a T shirt, wasn't it. It was more like a

671
00:32:09,560 --> 00:32:14,360
Speaker 2: blouse sort of thing, but it was. I was like,

672
00:32:14,640 --> 00:32:18,880
Speaker 2: she's is she going to play football? She's like a lineback.

673
00:32:19,400 --> 00:32:22,160
Speaker 1: She's like, that's what goings early? We have practice before school.

674
00:32:23,200 --> 00:32:26,760
Speaker 3: Well, the color palettes are just they're so early nineties. Yeah,

675
00:32:26,800 --> 00:32:29,000
Speaker 3: I just I do I do love.

676
00:32:29,440 --> 00:32:35,520
Speaker 2: Oh yeah, she's hiding something, Yeah, several layers of builder pads.

677
00:32:36,600 --> 00:32:39,240
Speaker 3: So Stephanie is now in full detective mode trying to

678
00:32:39,240 --> 00:32:41,560
Speaker 3: figure out what the secret is. Are you meeting someone?

679
00:32:41,600 --> 00:32:43,720
Speaker 3: Is it Kevin? Is it Kimmy? Is it Kathy? Is

680
00:32:43,760 --> 00:32:45,080
Speaker 3: it anyone who starts with a K.

681
00:32:45,840 --> 00:32:48,240
Speaker 1: I never realized how many k names they were there.

682
00:32:48,320 --> 00:32:52,200
Speaker 3: Yeah, I didn't either until this moment. So DJ decides

683
00:32:52,240 --> 00:32:54,840
Speaker 3: to give her something that starts with a k keep

684
00:32:54,960 --> 00:32:58,480
Speaker 3: your nose out of my business. Steph gaffs how rude

685
00:32:58,680 --> 00:33:02,080
Speaker 3: and stomps away. Right, the catchphrases are already out of control.

686
00:33:02,120 --> 00:33:05,200
Speaker 3: We are only like two seams into the two scenes

687
00:33:05,240 --> 00:33:08,640
Speaker 3: in and we got seventeen of them. Yeah, I mean again,

688
00:33:08,760 --> 00:33:11,840
Speaker 3: we are very clear on what full house was, right, right?

689
00:33:13,400 --> 00:33:13,880
Speaker 2: So uh?

690
00:33:14,000 --> 00:33:17,720
Speaker 3: In the kitchen, Michelle, who is wearing her sailor dress backwards,

691
00:33:18,520 --> 00:33:21,280
Speaker 3: is carrying a full retisserie chicken from the fridge to

692
00:33:21,400 --> 00:33:22,520
Speaker 3: her giant lunch bag.

693
00:33:23,720 --> 00:33:27,600
Speaker 2: I'm sure it wasn't cold fried chicken. Yeah, why wasn't

694
00:33:27,640 --> 00:33:30,600
Speaker 2: it Jesse's cold fried chicken. This was just a nod,

695
00:33:30,920 --> 00:33:33,200
Speaker 2: a nod to it. Well, it's funnier if you have

696
00:33:33,280 --> 00:33:36,360
Speaker 2: an entire yeah, a small oh, that's chicken.

697
00:33:36,840 --> 00:33:39,520
Speaker 3: Yeah, it's funny because you have a small person carrying, right,

698
00:33:39,680 --> 00:33:42,720
Speaker 3: what is to her a large chicken. So she's packing

699
00:33:42,760 --> 00:33:45,960
Speaker 3: her lunch with other items such as tomatoes and one

700
00:33:46,040 --> 00:33:50,800
Speaker 3: big head of lettuce. DJ asks asks, or what are

701
00:33:50,840 --> 00:33:54,000
Speaker 3: you doing? And Michelle says she's packing her lunch for preschool.

702
00:33:54,800 --> 00:33:57,400
Speaker 3: DJ shows her that her dress is on backwards and

703
00:33:57,600 --> 00:34:01,200
Speaker 3: asks if she dressed herself this morning. Michelle nods yes,

704
00:34:01,280 --> 00:34:03,920
Speaker 3: I did, and DJ asks if she looked at herself

705
00:34:03,960 --> 00:34:07,080
Speaker 3: in the mirror and thought she looked good. Michelle states, yes,

706
00:34:07,160 --> 00:34:10,399
Speaker 3: I did. So DJ gives her a fashion tip, walk

707
00:34:10,480 --> 00:34:13,799
Speaker 3: backwards and maybe no one will notice. Michelle responds, that's

708
00:34:13,840 --> 00:34:17,480
Speaker 3: easy and begins to drag her lunch bag walking backwards,

709
00:34:17,840 --> 00:34:20,759
Speaker 3: and she says, see you later, and we're out of

710
00:34:20,880 --> 00:34:21,320
Speaker 3: that scene.

711
00:34:22,360 --> 00:34:23,320
Speaker 2: She's very independent.

712
00:34:23,400 --> 00:34:25,800
Speaker 3: She's learned I can't depend on these adults for anything

713
00:34:25,840 --> 00:34:30,160
Speaker 3: except for creepy dream sequences and or bear stories at bedtime.

714
00:34:30,480 --> 00:34:32,839
Speaker 1: Right. Other than that, she's on her own.

715
00:34:32,960 --> 00:34:35,720
Speaker 3: Son's got to dress herself, make her own lunch Friday

716
00:34:35,880 --> 00:34:39,040
Speaker 3: to preschool. Yeah, she's very resilient for, you know, a

717
00:34:39,160 --> 00:34:43,720
Speaker 3: child of the nineties. So next we are in stephan

718
00:34:43,800 --> 00:34:47,239
Speaker 3: DJ's room. Commet is lying on Steff's bed and she

719
00:34:47,360 --> 00:34:50,560
Speaker 3: tells him, I think our friend DJ is up to something.

720
00:34:51,160 --> 00:34:53,839
Speaker 3: So she decides to stroll over to DJ's secret hiding

721
00:34:53,920 --> 00:34:56,440
Speaker 3: place and take a peek at her diary just for fun.

722
00:34:57,760 --> 00:34:59,960
Speaker 3: She retrieves the diary and reads the note that's paid

723
00:35:00,080 --> 00:35:03,640
Speaker 3: stood on the front. It's meant for Steph and threatens

724
00:35:03,680 --> 00:35:05,600
Speaker 3: that if she reads the diary, she will be living

725
00:35:05,680 --> 00:35:06,400
Speaker 3: in the backyard.

726
00:35:07,680 --> 00:35:11,440
Speaker 2: Okay, so DJ's onto your tricks here. Oh yeah. Steph

727
00:35:11,560 --> 00:35:13,880
Speaker 2: realizes there must be something really.

728
00:35:13,719 --> 00:35:16,239
Speaker 3: Juicy in there, so she steps onto the bed so

729
00:35:16,360 --> 00:35:18,520
Speaker 3: she can reach the key that is hiding in its

730
00:35:18,600 --> 00:35:22,879
Speaker 3: hiding spot under Melvin the turtle's derby, which I guess

731
00:35:22,960 --> 00:35:25,200
Speaker 3: is a hat. I don't know this, yeah, like the

732
00:35:25,360 --> 00:35:30,320
Speaker 3: like the brown derby, the little brown that's a derby hat. Okay, yeah, Melvin.

733
00:35:30,480 --> 00:35:32,680
Speaker 3: It's crazy that he has a name like there's we

734
00:35:32,719 --> 00:35:34,520
Speaker 3: could have done the pillow person. We could have done

735
00:35:34,560 --> 00:35:38,200
Speaker 3: mister bear. But now Melvin is well Melvin. Yeah, yeah, okay,

736
00:35:39,400 --> 00:35:42,240
Speaker 3: So she takes the derby off of the stuffed animal,

737
00:35:42,560 --> 00:35:44,720
Speaker 3: but there's no key. She can't believe.

738
00:35:44,960 --> 00:35:50,320
Speaker 2: Sorry, my dog is what? What the what? Time for?

739
00:35:50,560 --> 00:35:53,600
Speaker 2: She's like this time for commercial break? Yeah? Hold on?

740
00:35:53,920 --> 00:35:56,560
Speaker 2: Did she need a potty or a true what she needs? No,

741
00:35:56,719 --> 00:35:57,400
Speaker 2: she's bored.

742
00:35:58,320 --> 00:36:04,839
Speaker 3: Come on, don't mind this momentary five minute break. Let's

743
00:36:04,880 --> 00:36:11,279
Speaker 3: go to commercial. I could keep going, we can. I

744
00:36:11,360 --> 00:36:11,640
Speaker 3: don't know.

745
00:36:13,400 --> 00:36:17,120
Speaker 2: It's just like I said, gets a circus like she had.

746
00:36:17,320 --> 00:36:19,799
Speaker 1: Yes, I can't even go'll be.

747
00:36:19,840 --> 00:36:20,719
Speaker 2: On the planets. I don't know.

748
00:36:23,000 --> 00:36:24,960
Speaker 3: Hey, you gotta do what you gotta do again, and

749
00:36:25,080 --> 00:36:27,960
Speaker 3: I've got podcasting to do right, right, this is more

750
00:36:28,000 --> 00:36:30,759
Speaker 3: important than the dog's bathroom needs. She can take care

751
00:36:30,760 --> 00:36:31,879
Speaker 3: of herself, just like the shell.

752
00:36:32,880 --> 00:36:35,520
Speaker 2: Uh, she's gonna go drag a vertisty chicken out of

753
00:36:35,520 --> 00:36:38,000
Speaker 2: the fridge table for sure. Oh man, that would make

754
00:36:38,080 --> 00:36:38,640
Speaker 2: her whole day.

755
00:36:40,239 --> 00:36:43,160
Speaker 3: So the Stephanie's determined to figure out another way to

756
00:36:43,280 --> 00:36:45,960
Speaker 3: open this diary. She tries to pull the lock off,

757
00:36:46,160 --> 00:36:48,120
Speaker 3: but instead she breaks it.

758
00:36:48,200 --> 00:36:51,440
Speaker 2: Hold on, Sorry, my dog is barking incessantly, so I

759
00:36:51,480 --> 00:36:53,160
Speaker 2: think there, and I keep getting phone calls.

760
00:36:53,160 --> 00:36:55,160
Speaker 1: There's probably more shit being delivered to my house.

761
00:36:55,000 --> 00:36:56,839
Speaker 2: And I don't know it, and no one's home. We'll

762
00:36:56,880 --> 00:37:00,239
Speaker 2: take another five. Hold on a second, okay, And now

763
00:37:00,280 --> 00:37:03,120
Speaker 2: it's all the all the giant pots and some trees

764
00:37:03,400 --> 00:37:06,480
Speaker 2: and yeah, and he was in my backyard, so like,

765
00:37:06,600 --> 00:37:10,239
Speaker 2: oh the dog went out and oh yeah, that's it.

766
00:37:10,880 --> 00:37:14,279
Speaker 2: She's your guard dog. She's gonna protect you, eat somebody. Yeah,

767
00:37:14,400 --> 00:37:16,920
Speaker 2: thank you, dog, I appreciate you, not really, Okay.

768
00:37:16,840 --> 00:37:17,320
Speaker 3: So cute.

769
00:37:17,400 --> 00:37:21,280
Speaker 2: She's our studio audience today. Okay, all right, so cute.

770
00:37:22,840 --> 00:37:23,319
Speaker 2: He's too good.

771
00:37:23,400 --> 00:37:24,000
Speaker 3: You need a minute?

772
00:37:24,040 --> 00:37:27,120
Speaker 2: Do you need a potty break? Coffee break? No, we're

773
00:37:27,120 --> 00:37:29,280
Speaker 2: gonna be here. We're plowing, We're plowing ahead.

774
00:37:30,080 --> 00:37:32,560
Speaker 3: Okay, so you've just broken the lock off of the

775
00:37:32,680 --> 00:37:35,520
Speaker 3: diary and you're panicking when suddenly there's a knock on

776
00:37:35,560 --> 00:37:38,799
Speaker 3: the door and Stephanie quickly chucks the tierye under the bed.

777
00:37:39,480 --> 00:37:42,440
Speaker 3: Uncle Jesse walks in, asking Steff if she's ready, and

778
00:37:42,560 --> 00:37:47,360
Speaker 3: steph asks where they're going, and Jesse sarcastically says, uh, school,

779
00:37:48,160 --> 00:37:49,359
Speaker 3: and Stephanie gives a big laugh.

780
00:37:49,400 --> 00:37:50,839
Speaker 2: Oh yeah, that's right, I go there.

781
00:37:51,200 --> 00:37:53,800
Speaker 3: I'm like, why is Stephanie home? Like everyone else is

782
00:37:53,880 --> 00:37:55,279
Speaker 3: going to school? Like why are you?

783
00:37:55,840 --> 00:37:59,120
Speaker 2: Because no one is ever in a rush to get

784
00:37:59,160 --> 00:38:03,319
Speaker 2: out door in a sitcom house, because everyone must get

785
00:38:03,360 --> 00:38:07,560
Speaker 2: up at five am obviously to prep a gigantic breakfast

786
00:38:07,800 --> 00:38:11,640
Speaker 2: and uh be completely done, hair ready and everything. When

787
00:38:11,680 --> 00:38:14,800
Speaker 2: you just appear out of your room, yeah, without a

788
00:38:14,920 --> 00:38:17,319
Speaker 2: parent being like can you put your pants on? Yeah?

789
00:38:17,480 --> 00:38:20,399
Speaker 3: This is not real life. Yeah, normally there's they're screaming there.

790
00:38:20,760 --> 00:38:21,680
Speaker 2: Camp my shoes.

791
00:38:21,760 --> 00:38:24,239
Speaker 1: Yeah, you're like, come on, we're in the car.

792
00:38:24,520 --> 00:38:26,960
Speaker 2: The car's running, Yeah, you're honking, and the.

793
00:38:27,040 --> 00:38:28,840
Speaker 1: Kids like, I wait, my socks?

794
00:38:29,080 --> 00:38:29,279
Speaker 2: Yes?

795
00:38:29,800 --> 00:38:32,080
Speaker 3: This Yeah, this is so not true to life.

796
00:38:32,160 --> 00:38:32,440
Speaker 2: At all.

797
00:38:34,239 --> 00:38:37,200
Speaker 3: So Comet then hops onto the bed with the diary

798
00:38:37,400 --> 00:38:40,120
Speaker 3: in his mouth. Jesse walks over to the dog and

799
00:38:40,200 --> 00:38:43,400
Speaker 3: grabs the diary out of his mouth, realizing it's DJs.

800
00:38:44,400 --> 00:38:45,960
Speaker 3: He hands it to Stuff and tells her to put

801
00:38:46,000 --> 00:38:48,400
Speaker 3: it back in the secret hiding place, and he believes

802
00:38:48,440 --> 00:38:51,640
Speaker 3: it's in the pillowcase this week. Steph nods, telling him

803
00:38:51,640 --> 00:38:54,200
Speaker 3: he's right. She goes to put the diary back and

804
00:38:54,360 --> 00:38:56,279
Speaker 3: scolds Commet for being a rascal. Wow.

805
00:38:56,440 --> 00:39:01,279
Speaker 2: Yeah, that dog under the bus, it's I mean, you're

806
00:39:01,360 --> 00:39:03,640
Speaker 2: very Steph's very cunning. She's just like, oh, here's the

807
00:39:03,680 --> 00:39:06,640
Speaker 2: opportunity on it. You know, don't think there's being a

808
00:39:07,200 --> 00:39:09,279
Speaker 2: little rascal there, because now I can't read it. If

809
00:39:09,280 --> 00:39:17,759
Speaker 2: you chew it up, you know, I can't get the info. Okay, Yeah,

810
00:39:18,480 --> 00:39:19,720
Speaker 2: that's why she was going on a rascal.

811
00:39:21,200 --> 00:39:24,840
Speaker 3: Okay, So she's not like, Okay, I thought I assumed

812
00:39:24,920 --> 00:39:28,960
Speaker 3: she was like blaming the fact that Comet she's accusing

813
00:39:29,040 --> 00:39:31,360
Speaker 3: Commed of digging through DJ's pillows.

814
00:39:32,560 --> 00:39:36,080
Speaker 2: But I'm also but I'm also I'm telling myself that

815
00:39:36,239 --> 00:39:39,440
Speaker 2: Steph that that's what it was, was that Steph was

816
00:39:40,400 --> 00:39:42,680
Speaker 2: upset that you know, she was like oh, you a

817
00:39:42,719 --> 00:39:44,640
Speaker 2: little rascal, But really she meant it because like you

818
00:39:44,920 --> 00:39:46,480
Speaker 2: were going to chew up things. Now I can't read it.

819
00:39:47,120 --> 00:39:50,319
Speaker 3: She needs her intel and yeah, Commet is ruining them.

820
00:39:51,719 --> 00:39:55,320
Speaker 3: So now we're in the preschool set. Michelle is eagerly

821
00:39:55,440 --> 00:39:57,560
Speaker 3: leading her dad through the hallway of her new school.

822
00:39:57,960 --> 00:40:00,600
Speaker 3: She's urging him come on. She tries to pull him

823
00:40:00,600 --> 00:40:03,960
Speaker 3: in the classroom, but he's too busy being sentimental with no.

824
00:40:04,040 --> 00:40:07,279
Speaker 1: Other parents around. No, no, Michelle is a.

825
00:40:07,360 --> 00:40:10,440
Speaker 3: Mid year replacement, like she's just joining this. It's not

826
00:40:10,600 --> 00:40:15,080
Speaker 3: the first day of school. First's strolling in late. I mean, yeah,

827
00:40:15,560 --> 00:40:19,000
Speaker 3: wouldn't the parents be there? You remember preschool drop off

828
00:40:19,040 --> 00:40:22,560
Speaker 3: school that everyone's there and you know, yeah, no that is.

829
00:40:22,719 --> 00:40:25,360
Speaker 1: But that wouldn't that wouldn't make for a special moment.

830
00:40:25,480 --> 00:40:30,680
Speaker 3: So true, true. So Danny tells Michelle don't worry, she's

831
00:40:30,719 --> 00:40:33,239
Speaker 3: going to have fun and make new friends. When he

832
00:40:33,280 --> 00:40:36,160
Speaker 3: won't budge, she finally just says by daddy and walks

833
00:40:36,200 --> 00:40:40,200
Speaker 3: herself into the classroom. Danny rushes in behind her, and

834
00:40:40,320 --> 00:40:42,719
Speaker 3: now we're in this colorful classroom filled with a bunch

835
00:40:42,760 --> 00:40:46,920
Speaker 3: of toddlers. Danny spots Michelle's new teacher, Miss Petrie and

836
00:40:47,040 --> 00:40:50,280
Speaker 3: says hi. The teacher makes her way over to Michelle

837
00:40:50,400 --> 00:40:53,160
Speaker 3: and shakes her hand, saying nice to meet you. Then

838
00:40:53,200 --> 00:40:56,040
Speaker 3: Miss Petrie asks her students to greet Michelle, so the

839
00:40:56,160 --> 00:41:01,320
Speaker 3: toddlers say in unison, Hi Michelle. Michelle smiles and waves

840
00:41:01,400 --> 00:41:04,600
Speaker 3: high people, and one of her fellow classmates, who's wearing

841
00:41:04,640 --> 00:41:07,759
Speaker 3: a crown, walks up to her and declares, I'm the

842
00:41:07,960 --> 00:41:15,319
Speaker 3: King's and thus we have Aaron. I love this kid,

843
00:41:15,920 --> 00:41:19,200
Speaker 3: like he's just he's sassy, he's a good match for Michelle.

844
00:41:19,320 --> 00:41:22,240
Speaker 3: He's funny, and he's the king, she's the princess.

845
00:41:22,320 --> 00:41:22,680
Speaker 2: Like they're a.

846
00:41:22,680 --> 00:41:26,880
Speaker 1: Perfect So maybe he'll get his own dream sequence.

847
00:41:28,080 --> 00:41:28,960
Speaker 2: Please no, please no.

848
00:41:30,040 --> 00:41:33,080
Speaker 3: So the teacher introduces the boy as Aaron and explains

849
00:41:33,280 --> 00:41:36,320
Speaker 3: Aaron gets to wear the sharing crown because he shared

850
00:41:36,360 --> 00:41:40,520
Speaker 3: his toys today. Then Aaron asks Michelle if she'd like

851
00:41:40,640 --> 00:41:44,680
Speaker 3: to see Dave, who is the class pet bird. Just

852
00:41:44,719 --> 00:41:49,160
Speaker 3: look at they named it Dave. Dave, I mean between

853
00:41:49,280 --> 00:41:50,840
Speaker 3: Dave Coolier and like, I don't know.

854
00:41:50,880 --> 00:41:53,680
Speaker 2: I like animals that have real people names, you know,

855
00:41:54,200 --> 00:41:58,080
Speaker 2: but Bob had a dog named Alan. Yeah, I love it.

856
00:41:58,239 --> 00:42:02,800
Speaker 3: But the bird name Dave is it's so silly. His

857
00:42:03,120 --> 00:42:07,960
Speaker 3: name's David, but oh right, we're on a Dave. So yeah,

858
00:42:08,000 --> 00:42:13,000
Speaker 3: we know it, you know Dave. Okay, So Aaron takes

859
00:42:13,000 --> 00:42:14,960
Speaker 3: her over to the bird. They're checking out the bird.

860
00:42:15,040 --> 00:42:19,800
Speaker 3: The audience aws at this cute little exchange. Danny watches

861
00:42:19,880 --> 00:42:22,200
Speaker 3: them with a smile and tells Miss Petrie that he'll

862
00:42:22,320 --> 00:42:25,320
Speaker 3: just hang out there today. The teacher points out that

863
00:42:25,360 --> 00:42:28,479
Speaker 3: Michelle is adjusting very quickly, but if it makes Danny

864
00:42:28,520 --> 00:42:30,279
Speaker 3: feel better, he's more than welcome to stay and have

865
00:42:30,440 --> 00:42:34,520
Speaker 3: juice and cookies with them. Like, Danny, Danny's your third child,

866
00:42:34,760 --> 00:42:37,720
Speaker 3: Like just just go go home and enjoy the silence.

867
00:42:37,960 --> 00:42:38,439
Speaker 1: Right, Yeah.

868
00:42:38,520 --> 00:42:40,560
Speaker 2: Most of the time by parents that I've seen that,

869
00:42:40,560 --> 00:42:41,960
Speaker 2: by the time they get to the third kid, they're

870
00:42:42,040 --> 00:42:45,440
Speaker 2: like it's you know, just tuck and roll out of

871
00:42:45,480 --> 00:42:49,920
Speaker 2: the car. It's like, yeah, you can't get them into

872
00:42:49,960 --> 00:42:52,480
Speaker 2: preschool fasten us, right the third kid.

873
00:42:52,400 --> 00:42:56,120
Speaker 3: You're like whoo. So Danny first decides he's going to

874
00:42:56,200 --> 00:42:58,040
Speaker 3: check with Michelle because he can't make any sort of

875
00:42:58,040 --> 00:43:00,799
Speaker 3: adult decision without her permission for obviously.

876
00:43:01,040 --> 00:43:03,400
Speaker 1: Yeah, Well, he's like do you yeah, you you know,

877
00:43:03,719 --> 00:43:04,839
Speaker 1: can I leave?

878
00:43:05,360 --> 00:43:06,319
Speaker 2: Is that okay? Right?

879
00:43:06,520 --> 00:43:10,839
Speaker 3: He needs Michelle to comfort him because he's having trouble leaving, right,

880
00:43:10,920 --> 00:43:14,239
Speaker 3: That's what it is, right. Uh, So he says, he

881
00:43:14,360 --> 00:43:16,520
Speaker 3: says to her, would you like me to stay? And

882
00:43:16,640 --> 00:43:18,839
Speaker 3: Michelle's like, no, no, no, I'm a big girl.

883
00:43:19,239 --> 00:43:23,000
Speaker 2: Yeah. Bye, listen to your therapist, Danny. She's telling you, yeah,

884
00:43:23,040 --> 00:43:27,040
Speaker 2: your therapist would would tell you to go home, and

885
00:43:27,320 --> 00:43:28,600
Speaker 2: she is yeah.

886
00:43:29,520 --> 00:43:31,719
Speaker 3: So Danny asks Miss Petrie what he's supposed to do

887
00:43:31,840 --> 00:43:34,880
Speaker 3: now he's cleared his whole day for this. Then he

888
00:43:34,960 --> 00:43:38,080
Speaker 3: realizes that's really not the teacher's problem, and she agrees

889
00:43:38,239 --> 00:43:40,120
Speaker 3: and says they'll see him in a couple hours. Get

890
00:43:40,160 --> 00:43:42,520
Speaker 3: the hint, get the hint in the room, Get out

891
00:43:42,520 --> 00:43:46,200
Speaker 3: of there, dah, Danny, Dan just has no social awareness.

892
00:43:46,600 --> 00:43:51,920
Speaker 3: He doesn't, This whole episode has no social awareness. He

893
00:43:52,080 --> 00:43:54,720
Speaker 3: exits with saying, oh, I can wax the kitchen floor,

894
00:43:54,840 --> 00:43:58,480
Speaker 3: all right, And he exits with that closing line, which

895
00:43:58,560 --> 00:44:02,520
Speaker 3: is just so very Danny. Yeah. Finally, Miss Petrie closes

896
00:44:02,560 --> 00:44:04,680
Speaker 3: the door and tells her students to gather on the

897
00:44:04,760 --> 00:44:07,960
Speaker 3: magic carpet for story time. All of the students gather,

898
00:44:08,280 --> 00:44:12,480
Speaker 3: besides Michelle, who's preoccupied with Dave the Bird. Miss Petrie

899
00:44:12,520 --> 00:44:15,279
Speaker 3: is about to begin. So Michelle tells Dave, come on,

900
00:44:15,640 --> 00:44:19,080
Speaker 3: it's story time. She unlocks his bird cage, and he

901
00:44:19,200 --> 00:44:24,399
Speaker 3: immediately flies out the window while Michelle watches in shock. Well,

902
00:44:24,400 --> 00:44:26,359
Speaker 3: what did you think was gonna happen? There's an open window,

903
00:44:26,400 --> 00:44:28,200
Speaker 3: there's a toddler, and there's a knot.

904
00:44:29,440 --> 00:44:32,880
Speaker 2: Would you have a preschool with an open window and

905
00:44:32,960 --> 00:44:35,120
Speaker 2: a bunch of toddlers running around? There would be toddlers

906
00:44:35,160 --> 00:44:38,080
Speaker 2: crawling out that window, right, there's so many things wrong

907
00:44:38,160 --> 00:44:40,800
Speaker 2: with this, And yeah, it's I don't know.

908
00:44:41,239 --> 00:44:43,600
Speaker 3: The preschool I sent my kids to had a pet turtle,

909
00:44:43,640 --> 00:44:46,520
Speaker 3: which I think is much better for preschoolers because they're slow,

910
00:44:47,000 --> 00:44:50,560
Speaker 3: they don't die anywhere. It was that amphibian right, like

911
00:44:50,800 --> 00:44:53,040
Speaker 3: a turtle in there. But then the joke has to work.

912
00:44:54,640 --> 00:44:56,839
Speaker 3: So Aaron turtle flew out the window. That would really

913
00:44:56,920 --> 00:45:00,400
Speaker 3: be that'd be cool, it would It would make more

914
00:45:00,440 --> 00:45:05,040
Speaker 3: sense than that dream sequence that right, I'd prefer that. Yeah, please,

915
00:45:06,080 --> 00:45:08,360
Speaker 3: So Aaron watched this whole thing go down and he

916
00:45:08,440 --> 00:45:11,040
Speaker 3: alerts the teacher to Dave's disappearance.

917
00:45:11,840 --> 00:45:15,800
Speaker 2: Snitch points to Michelle and says, she did it, cap.

918
00:45:16,239 --> 00:45:18,200
Speaker 1: Just tattletoe, give me that crown.

919
00:45:19,160 --> 00:45:21,680
Speaker 2: Yeah, he's but I know he's such a little snit,

920
00:45:21,840 --> 00:45:22,440
Speaker 2: but I love him.

921
00:45:22,760 --> 00:45:26,440
Speaker 3: He's so great. So Miss Petrie tells him it was

922
00:45:26,560 --> 00:45:30,040
Speaker 3: just an accident. Michelle didn't do it on purpose. But

923
00:45:30,200 --> 00:45:33,080
Speaker 3: Michelle frowns and says, I'm sorry. I'm a bad girl,

924
00:45:33,640 --> 00:45:36,719
Speaker 3: and Aaron chimes in says, yes, a very bad girl.

925
00:45:37,760 --> 00:45:39,080
Speaker 2: Michelle just repeats after.

926
00:45:38,960 --> 00:45:41,319
Speaker 3: Him, I'm a very bad girl, and she hives her

927
00:45:41,400 --> 00:45:42,680
Speaker 3: head as the violins play.

928
00:45:42,960 --> 00:45:47,120
Speaker 2: Okay, this child, this child has some issues. She's really

929
00:45:47,200 --> 00:45:48,800
Speaker 2: taking on a lot of shame.

930
00:45:49,239 --> 00:45:53,400
Speaker 3: Yeah, necessarily, Uh, I don't know what, but this was

931
00:45:53,560 --> 00:45:56,520
Speaker 3: I was like, oh, this was an abrupt switch. She

932
00:45:56,600 --> 00:45:58,360
Speaker 3: went from I don't need you Dad, get out of

933
00:45:58,400 --> 00:46:01,080
Speaker 3: here too, I'm a very bad girl girl and just.

934
00:46:01,160 --> 00:46:04,399
Speaker 2: Devastated, absolutely devastated. Yeah, and Aaron needs to settle down,

935
00:46:04,520 --> 00:46:08,280
Speaker 2: all right, Aaron, Aaron, focus on your crown.

936
00:46:08,560 --> 00:46:08,719
Speaker 3: Eric.

937
00:46:09,000 --> 00:46:10,920
Speaker 2: Ye, stop being to everybody else's business.

938
00:46:11,000 --> 00:46:15,520
Speaker 3: Yeah. So, later that day, in the backyard, Michelle is

939
00:46:15,560 --> 00:46:19,000
Speaker 3: holding a loaf of bread as she screams at the sky, Dave,

940
00:46:19,400 --> 00:46:22,520
Speaker 3: where are you. She throws a slice of bread into

941
00:46:22,560 --> 00:46:24,480
Speaker 3: the air and it lands by her feet, where there's

942
00:46:24,520 --> 00:46:28,400
Speaker 3: other slices of bread scattered around the guys are standing

943
00:46:28,440 --> 00:46:31,600
Speaker 3: to the side watching her, and Danny tells Joey and

944
00:46:31,680 --> 00:46:34,080
Speaker 3: Jesse that they should have seen Michelle at pre school today.

945
00:46:34,560 --> 00:46:36,840
Speaker 3: None of the other kids would play with her. She

946
00:46:36,920 --> 00:46:39,799
Speaker 3: sat in a corner by herself, saying I'm a bad girl.

947
00:46:40,440 --> 00:46:41,040
Speaker 2: Good lord.

948
00:46:41,239 --> 00:46:43,440
Speaker 3: The trauma, right, the trauma of this.

949
00:46:43,760 --> 00:46:46,040
Speaker 2: I'd be like, what is wrong all these other kids,

950
00:46:46,080 --> 00:46:48,160
Speaker 2: first of all, for a class from a preschool used

951
00:46:48,160 --> 00:46:51,760
Speaker 2: to hold onto something all day like that. They'd be like, anyway.

952
00:46:51,520 --> 00:46:54,919
Speaker 3: Next, Yeah, now their attention span isn't quite that long.

953
00:46:55,239 --> 00:46:58,080
Speaker 3: My god, this feels it's like a it's some sort

954
00:46:58,120 --> 00:46:59,759
Speaker 3: of like a.

955
00:47:01,719 --> 00:47:03,400
Speaker 1: Like I don't even know what it.

956
00:47:04,600 --> 00:47:06,480
Speaker 2: Punishment. It's not just sit in the corner.

957
00:47:06,600 --> 00:47:10,400
Speaker 1: It's she's we're going to ignore you, don't exist, but.

958
00:47:11,440 --> 00:47:12,319
Speaker 2: You're comforting her.

959
00:47:12,520 --> 00:47:15,239
Speaker 3: Yeah, this was the teacher needs a teacher's aid or

960
00:47:15,320 --> 00:47:18,080
Speaker 3: something to come in and help with this situation.

961
00:47:18,360 --> 00:47:19,640
Speaker 2: Yeah, she's just sitting there.

962
00:47:19,680 --> 00:47:21,360
Speaker 1: I'm a bad girl's creepy.

963
00:47:21,600 --> 00:47:21,799
Speaker 2: Yeah.

964
00:47:30,200 --> 00:47:32,520
Speaker 3: So Danny is distressed, telling the guys that they have

965
00:47:32,760 --> 00:47:35,160
Speaker 3: to do something. He tells Jesse to come with him

966
00:47:35,239 --> 00:47:38,560
Speaker 3: and asks Joey to please pick up the bread. Joey

967
00:47:38,640 --> 00:47:42,680
Speaker 3: walks onto the grass does his infamous seagull call towards

968
00:47:42,719 --> 00:47:44,839
Speaker 3: the sky. I don't know if we've seen this before

969
00:47:44,920 --> 00:47:46,920
Speaker 3: or if I'm just so used to seeing it do

970
00:47:47,040 --> 00:47:49,760
Speaker 3: it right, I'm like, I think he has done it before.

971
00:47:49,920 --> 00:47:53,000
Speaker 2: But okay, I think he did, and he did one

972
00:47:53,040 --> 00:47:53,640
Speaker 2: of the earlier ones.

973
00:47:54,200 --> 00:47:55,879
Speaker 3: He's so bit that's right, he has done.

974
00:47:55,880 --> 00:47:58,759
Speaker 2: But yeah, Dave would make that bird noise all the time.

975
00:47:58,960 --> 00:48:01,480
Speaker 3: Oh yeah, I loved it. So the two of them

976
00:48:01,520 --> 00:48:03,560
Speaker 3: continue to throw bread all over the ground with the

977
00:48:03,600 --> 00:48:06,480
Speaker 3: hopes that Dave will appear. That's no ways, Dave the bird.

978
00:48:07,120 --> 00:48:10,640
Speaker 3: Uh So, Now in DJ and Stuff's room, Stephanie is

979
00:48:10,719 --> 00:48:15,200
Speaker 3: gluing the lock back onto DJ's diary. She decides that

980
00:48:15,239 --> 00:48:17,560
Speaker 3: should do it, and then picks up the diary, only

981
00:48:17,640 --> 00:48:19,160
Speaker 3: to reveal that her palm.

982
00:48:19,239 --> 00:48:20,040
Speaker 2: Is stuck to it.

983
00:48:21,920 --> 00:48:23,680
Speaker 3: She tries to shake it off, but it won't budge.

984
00:48:24,880 --> 00:48:27,120
Speaker 3: She says, how they should they should put a warning

985
00:48:27,200 --> 00:48:29,600
Speaker 3: on this glue, and she picks up the bottle and realizes,

986
00:48:29,640 --> 00:48:31,480
Speaker 3: oh they did Okay.

987
00:48:31,280 --> 00:48:31,920
Speaker 2: How did they do this?

988
00:48:32,280 --> 00:48:34,759
Speaker 3: Did like were you just holding onto it or did

989
00:48:34,800 --> 00:48:35,160
Speaker 3: they have it?

990
00:48:35,600 --> 00:48:38,040
Speaker 2: Was? It was like there was like a sticky thing

991
00:48:38,239 --> 00:48:40,480
Speaker 2: on it and it was to my palm. You know,

992
00:48:40,600 --> 00:48:43,400
Speaker 2: I couldn't like really shake it or it would probably

993
00:48:43,400 --> 00:48:45,759
Speaker 2: come flying off. But I was stuck there, you know,

994
00:48:45,880 --> 00:48:49,480
Speaker 2: well enough there was enough stickage to make it look

995
00:48:49,560 --> 00:48:52,440
Speaker 2: really it actually puts some like snot tape on it.

996
00:48:52,800 --> 00:48:54,840
Speaker 2: Snot tape is not actual snot. It is just a

997
00:48:54,920 --> 00:48:57,360
Speaker 2: really sticky thing that they use on set to like

998
00:48:58,239 --> 00:49:01,800
Speaker 2: stick things down. So yeah, it worked great, very believable.

999
00:49:03,120 --> 00:49:06,400
Speaker 3: So DJ walks in and says hi to Stephanie, asking

1000
00:49:06,520 --> 00:49:10,080
Speaker 3: what's going on. Steph tries to shield the diary as

1001
00:49:10,160 --> 00:49:13,600
Speaker 3: she swiftly walks to her bed, telling DJ nothing's going

1002
00:49:13,680 --> 00:49:17,880
Speaker 3: on at all. She hides her diary glued hand underneath

1003
00:49:17,880 --> 00:49:23,440
Speaker 3: a pillow and poses nonchalantly. It's very obvious nothing's going on.

1004
00:49:23,600 --> 00:49:26,560
Speaker 2: Of course, I feel like whenever you try and be nonchalant,

1005
00:49:26,640 --> 00:49:28,279
Speaker 2: you are the most chalant you've ever been.

1006
00:49:30,520 --> 00:49:34,520
Speaker 3: Lots of chalant not happening here. DJ responds, well, I

1007
00:49:34,640 --> 00:49:36,800
Speaker 3: was thinking we never hang out like we used to,

1008
00:49:37,080 --> 00:49:38,400
Speaker 3: So do you want to go to the mall with me?

1009
00:49:39,719 --> 00:49:42,800
Speaker 3: Poor Stephanie can't hide her excitement. This is cool, this

1010
00:49:43,000 --> 00:49:47,200
Speaker 3: is rad, this is and she realizes her predicament and states,

1011
00:49:47,760 --> 00:49:51,760
Speaker 3: a really bad time. She tells DJ, I am bushed

1012
00:49:51,920 --> 00:49:54,960
Speaker 3: and pretends to fall asleep or Steph like she finally

1013
00:49:55,040 --> 00:49:58,600
Speaker 3: got her sister's attention and she's stug with a diary

1014
00:49:58,920 --> 00:50:02,000
Speaker 3: on her hand for thing. So then Joey walks in.

1015
00:50:02,320 --> 00:50:04,600
Speaker 3: He tells the girls he's taking Michelle for ice cream

1016
00:50:04,800 --> 00:50:05,719
Speaker 3: and asks who.

1017
00:50:05,680 --> 00:50:06,960
Speaker 2: Wants to come, right?

1018
00:50:07,160 --> 00:50:10,600
Speaker 1: And then we're going to Disneyland, right, He's just I've

1019
00:50:10,640 --> 00:50:11,080
Speaker 1: never gone to.

1020
00:50:11,080 --> 00:50:12,160
Speaker 2: Visit a long time to do this.

1021
00:50:12,520 --> 00:50:17,800
Speaker 3: Yeah, Steph eagerly shouts, I do, and then she glances

1022
00:50:17,800 --> 00:50:20,479
Speaker 3: at her hand a hand and says at her hand,

1023
00:50:20,760 --> 00:50:22,960
Speaker 3: she glances at her hound, at her hand, who really

1024
00:50:23,080 --> 00:50:25,239
Speaker 3: was responsible for this in the first place? For chewing eight?

1025
00:50:25,719 --> 00:50:26,200
Speaker 2: It's yes.

1026
00:50:26,680 --> 00:50:30,080
Speaker 3: It all comes back to comment. So DJ thanks Joey

1027
00:50:30,160 --> 00:50:32,319
Speaker 3: for the offer, but tells him she's going to the mall,

1028
00:50:32,840 --> 00:50:35,840
Speaker 3: and she also warns him that Stephanie is acting very strange,

1029
00:50:36,160 --> 00:50:39,879
Speaker 3: even for her, and she leaves the room. Joey walks

1030
00:50:39,880 --> 00:50:42,040
Speaker 3: over to Steph with a smirk on his face. He

1031
00:50:42,200 --> 00:50:46,120
Speaker 3: asks what she's hiding under the pillow. She removes the

1032
00:50:46,160 --> 00:50:48,359
Speaker 3: pillow and her hand and shows him that she isn't

1033
00:50:48,440 --> 00:50:52,280
Speaker 3: hiding anything, but he removes the pillow to reveal DJ's diary,

1034
00:50:52,400 --> 00:50:55,719
Speaker 3: which is still stuck to Stephanie's hand. He tries to

1035
00:50:55,800 --> 00:50:57,920
Speaker 3: take the diary from her, but Steph is unable to

1036
00:50:58,000 --> 00:51:01,279
Speaker 3: let it go. She gives him an unconvincing giggle and

1037
00:51:01,400 --> 00:51:04,239
Speaker 3: he puts two and two together. Joey gives her a

1038
00:51:04,280 --> 00:51:08,080
Speaker 3: giggle right back and enthusiastically states, you're in big trouble.

1039
00:51:09,640 --> 00:51:13,719
Speaker 2: Thanks for stating the obvious, Joey. Yeah, wait to be helpful, Well,

1040
00:51:13,800 --> 00:51:16,000
Speaker 2: you've got to cut to commercial on something. Yeah, it's true,

1041
00:51:16,160 --> 00:51:16,600
Speaker 2: that's true.

1042
00:51:17,880 --> 00:51:20,560
Speaker 3: So in Michelle's room, Michelle is talking to her stuffed

1043
00:51:20,600 --> 00:51:24,719
Speaker 3: animal parrot, telling him to fly away and go find Dave.

1044
00:51:25,480 --> 00:51:27,320
Speaker 3: She throws him off the bed and he lands on

1045
00:51:27,400 --> 00:51:30,319
Speaker 3: the floor with a thud, and she sighs, you're no help.

1046
00:51:31,880 --> 00:51:34,879
Speaker 3: Danny and Jesse walk in, and Jesse reveals we got

1047
00:51:34,960 --> 00:51:38,239
Speaker 3: you a new birdie friend. They show Michelle the little

1048
00:51:38,280 --> 00:51:41,320
Speaker 3: parrot perched in the cage, but Michelle is not impressed.

1049
00:51:41,840 --> 00:51:46,120
Speaker 3: That's not Dave, she says, matter of factly. Jesse tells

1050
00:51:46,160 --> 00:51:48,560
Speaker 3: her that no, this is Sammy, and he asks Michelle

1051
00:51:48,600 --> 00:51:52,359
Speaker 3: to say hi to Sammy. She obliges, Hi, Sammy, where's Dave?

1052
00:51:53,920 --> 00:51:56,000
Speaker 3: She's got one track mind like hers. It was Howie,

1053
00:51:56,040 --> 00:51:56,640
Speaker 3: now it's Dave.

1054
00:51:56,760 --> 00:52:00,879
Speaker 2: Like she just wants to know where. Where's many? Where's Dave?

1055
00:52:00,960 --> 00:52:01,640
Speaker 1: Where's Howie?

1056
00:52:01,760 --> 00:52:02,239
Speaker 2: Where? Yeah?

1057
00:52:04,120 --> 00:52:06,760
Speaker 3: Danny assures her that all the kids will love Sammy

1058
00:52:06,880 --> 00:52:10,400
Speaker 3: when she brings him to preschool tomorrow, but Michelle argues,

1059
00:52:10,440 --> 00:52:12,800
Speaker 3: I'm not going to pre school. Danny tells her that

1060
00:52:12,880 --> 00:52:16,279
Speaker 3: she is, and Michelle pouts, no way, Jose, No one

1061
00:52:16,640 --> 00:52:21,879
Speaker 3: likes me. Another shoehorned, another shoe et. All the catch

1062
00:52:21,920 --> 00:52:24,000
Speaker 3: phrases like all of them are in there. It was

1063
00:52:24,080 --> 00:52:27,800
Speaker 3: the early nineties. So she hops off her bed and

1064
00:52:27,840 --> 00:52:31,160
Speaker 3: begins to leave, but Jesse stops her. He crouches down

1065
00:52:31,239 --> 00:52:33,440
Speaker 3: and reminds her that they love her very much, and

1066
00:52:33,520 --> 00:52:35,760
Speaker 3: if she doesn't want to go to preschool, she doesn't

1067
00:52:35,800 --> 00:52:38,960
Speaker 3: have to go to preschool. And Michelle cheered yay, thank

1068
00:52:39,040 --> 00:52:41,399
Speaker 3: you and gives him a kiss and runs away.

1069
00:52:41,480 --> 00:52:45,600
Speaker 2: Say no more school? What? No, this is terrible parenting.

1070
00:52:45,760 --> 00:52:47,400
Speaker 3: You don't tell them, Oh you don't want to go,

1071
00:52:47,960 --> 00:52:52,279
Speaker 3: you don't have to go, Jesse, Come on now. So

1072
00:52:52,440 --> 00:52:54,560
Speaker 3: Jesse pulls up a chair and proudly tells Danny that

1073
00:52:54,640 --> 00:52:58,480
Speaker 3: the problem is solved. Danny flatly tells him no problem

1074
00:52:58,640 --> 00:53:03,320
Speaker 3: made worse, Michelle has to go to preschool. Jesse questions

1075
00:53:03,360 --> 00:53:05,279
Speaker 3: why they would make her do that when the kids

1076
00:53:05,320 --> 00:53:07,960
Speaker 3: don't like her. Danny reminds him that they can't be

1077
00:53:08,040 --> 00:53:10,719
Speaker 3: by her side twenty four hours a day just to

1078
00:53:10,800 --> 00:53:13,120
Speaker 3: stop every bad thing that might happen. They need to

1079
00:53:13,200 --> 00:53:16,080
Speaker 3: help her get through it, not run away from it. Now.

1080
00:53:16,200 --> 00:53:20,680
Speaker 2: See this struck me as odd because just a couple

1081
00:53:20,880 --> 00:53:23,480
Speaker 2: scenes ago, Danny was the one that was like, I

1082
00:53:23,560 --> 00:53:26,280
Speaker 2: need to stay I need to stay right. It felt

1083
00:53:26,400 --> 00:53:29,160
Speaker 2: like a very like I don't know, I feels like

1084
00:53:29,760 --> 00:53:30,160
Speaker 2: or can't be.

1085
00:53:30,239 --> 00:53:31,759
Speaker 3: By her side twenty four hours a day. Well, that's

1086
00:53:31,760 --> 00:53:32,360
Speaker 3: what you were trying to do.

1087
00:53:32,560 --> 00:53:34,600
Speaker 2: It was like that's what, Yeah, that How did you

1088
00:53:35,520 --> 00:53:38,440
Speaker 2: come to that conclusion? I don't know, like within a

1089
00:53:38,480 --> 00:53:41,279
Speaker 2: couple hours when you were just you know, it just

1090
00:53:41,400 --> 00:53:43,960
Speaker 2: felt it felt weird. It felt like somebody else should

1091
00:53:44,040 --> 00:53:47,600
Speaker 2: have said that to Danny, you know what I mean.

1092
00:53:47,600 --> 00:53:49,640
Speaker 2: It felt like they should have switched. They should have

1093
00:53:49,760 --> 00:53:52,200
Speaker 2: switched right that Jesse should have that. Danny should have

1094
00:53:52,239 --> 00:53:53,640
Speaker 2: been like, Okay, you don't have to go, and Jesse

1095
00:53:53,760 --> 00:53:57,040
Speaker 2: would have been like, come on, man, you can't, Like yeah.

1096
00:53:57,440 --> 00:54:00,560
Speaker 3: You know, that's exactly they should have switched the roles here,

1097
00:54:01,880 --> 00:54:03,960
Speaker 3: and because that would have been more better continuity for

1098
00:54:04,080 --> 00:54:06,880
Speaker 3: Danny's character in this episode where he's calling your princess,

1099
00:54:06,920 --> 00:54:09,040
Speaker 3: he's building this up. He just wants her to be happy,

1100
00:54:09,120 --> 00:54:12,680
Speaker 3: and he's too emotionally connected at this point.

1101
00:54:12,719 --> 00:54:15,240
Speaker 2: But yeah, no, I completely agree.

1102
00:54:16,600 --> 00:54:20,279
Speaker 3: So Jesse, however, pushes Danny's comments aside, telling him he

1103
00:54:20,440 --> 00:54:23,520
Speaker 3: knows what Michelle is going through. In kindergarten, he was

1104
00:54:23,560 --> 00:54:26,279
Speaker 3: the goldfish monitor. Part of his job was to take

1105
00:54:26,320 --> 00:54:28,680
Speaker 3: the goldfish home on the weekends, and he learned a

1106
00:54:28,760 --> 00:54:31,840
Speaker 3: very important lesson when taking a goldfish home, take the

1107
00:54:31,920 --> 00:54:36,279
Speaker 3: bowl with you. But Jesse's parents made him go back

1108
00:54:36,320 --> 00:54:38,640
Speaker 3: to school after it happened, and all the kids teased him,

1109
00:54:38,719 --> 00:54:42,359
Speaker 3: calling him fish hater. Danny asks how long that went

1110
00:54:42,400 --> 00:54:45,160
Speaker 3: on for, and Jesse realizes it only went on until

1111
00:54:45,200 --> 00:54:48,120
Speaker 3: Show and Tell, and then luckily Barry Fox brought his

1112
00:54:48,400 --> 00:54:53,080
Speaker 3: toenail collection, so the kids turned on him. I mean

1113
00:54:53,560 --> 00:54:58,160
Speaker 3: this these there's filler scenes inside this filler episode, Like

1114
00:54:58,280 --> 00:55:01,400
Speaker 3: there's no need for this level of detail.

1115
00:55:03,000 --> 00:55:06,319
Speaker 2: But well, yeah, yeah, I mean Jesse is obviously traumatized.

1116
00:55:06,360 --> 00:55:09,200
Speaker 2: He should really talk to Michelle about this, about how

1117
00:55:09,280 --> 00:55:11,279
Speaker 2: to get through this. That's why he wants her to

1118
00:55:11,320 --> 00:55:16,320
Speaker 2: stay home, says some intense sessions to work through my

1119
00:55:16,600 --> 00:55:20,719
Speaker 2: problem that your problem is bringing up for me. That's

1120
00:55:20,960 --> 00:55:23,319
Speaker 2: and now it makes sense. Now it makes sense when

1121
00:55:23,400 --> 00:55:24,960
Speaker 2: Jesse wants her to stay home. Yeah.

1122
00:55:25,040 --> 00:55:30,440
Speaker 3: Yeah. But after this realization, he acknowledges that Danny was

1123
00:55:30,520 --> 00:55:33,200
Speaker 3: right and he was wrong. Michelle should go back to school.

1124
00:55:34,160 --> 00:55:36,000
Speaker 3: Glad we had a scene about that. I'm so glad

1125
00:55:36,040 --> 00:55:38,840
Speaker 3: we had a yeah, a multi page scene about that.

1126
00:55:40,000 --> 00:55:42,880
Speaker 3: So back in stephan DJ's room, Joey is wipe being

1127
00:55:43,000 --> 00:55:46,640
Speaker 3: Stephanie's now diary free hand of glue.

1128
00:55:46,480 --> 00:55:50,319
Speaker 2: That said dairy free by the way, really here, dairy free?

1129
00:55:50,520 --> 00:55:51,320
Speaker 2: Oh diary?

1130
00:55:51,840 --> 00:55:53,799
Speaker 3: Yeah I read it that way the first time too,

1131
00:55:53,840 --> 00:55:55,480
Speaker 3: and I was like, we lacto's intolerant.

1132
00:55:55,880 --> 00:55:57,880
Speaker 2: Yeah yeah, I was like dairy oh right.

1133
00:55:59,320 --> 00:56:02,680
Speaker 3: So Stephanie admits, thanks Joey, you saved my life. He

1134
00:56:02,760 --> 00:56:04,640
Speaker 3: starts to give her a lecture on being careful with

1135
00:56:04,760 --> 00:56:08,120
Speaker 3: the permanent glue, but he manages to get his hand

1136
00:56:08,280 --> 00:56:09,520
Speaker 3: stuck on the diary.

1137
00:56:09,320 --> 00:56:12,279
Speaker 2: During the process. Of course he did. Yep.

1138
00:56:12,880 --> 00:56:16,240
Speaker 3: DJ walks in and witnesses Joey's hand attached to her diary.

1139
00:56:16,680 --> 00:56:19,120
Speaker 3: She asks what he's doing with it and rips it

1140
00:56:19,200 --> 00:56:20,960
Speaker 3: out of his hand quite literally.

1141
00:56:21,520 --> 00:56:24,719
Speaker 1: Ow, Steph gives your skin.

1142
00:56:26,080 --> 00:56:28,400
Speaker 3: Steph gives a weary smile and tells them it was

1143
00:56:28,560 --> 00:56:31,759
Speaker 3: nice seeing them again. Joey stops her, asking if there's

1144
00:56:31,760 --> 00:56:34,440
Speaker 3: something she'd like to say to DJ about this diary.

1145
00:56:35,280 --> 00:56:38,040
Speaker 3: Steph nods and begins to tell her the truth. DJ,

1146
00:56:38,760 --> 00:56:43,480
Speaker 3: Joey did not steal your diary. Michelle did, and Steph's

1147
00:56:43,520 --> 00:56:45,040
Speaker 3: just blaming everybody but herself.

1148
00:56:45,120 --> 00:56:47,520
Speaker 2: You know this her path.

1149
00:56:47,800 --> 00:56:52,360
Speaker 3: Yeah, Joey not so subtly clears his throat and Steph winces,

1150
00:56:53,440 --> 00:56:55,640
Speaker 3: maybe it was me, you know how I am with names.

1151
00:56:56,880 --> 00:56:59,880
Speaker 3: DJ asks Joey for a moment alone with her nosy sister,

1152
00:57:00,239 --> 00:57:02,840
Speaker 3: and he gets up to leave. Stephanie begs him not

1153
00:57:02,960 --> 00:57:05,960
Speaker 3: to go, but Joey insists that he must. Then he

1154
00:57:06,040 --> 00:57:09,120
Speaker 3: accidentally puts his fingers together and they get stuck from

1155
00:57:09,160 --> 00:57:12,320
Speaker 3: the permanent glue. Just go wash your hands, right, Go

1156
00:57:12,560 --> 00:57:16,520
Speaker 3: wash your hands. DJ sits Stephanie down and prefaces I'm

1157
00:57:16,560 --> 00:57:18,560
Speaker 3: not going to yell at you. I'm just going to

1158
00:57:18,680 --> 00:57:22,080
Speaker 3: talk in a firm voice for a very long time. Now.

1159
00:57:22,400 --> 00:57:26,920
Speaker 3: Why are you always snooping around in my stuff? Stephanie shrugs,

1160
00:57:27,080 --> 00:57:29,080
Speaker 3: I can't help it. You fascinate me.

1161
00:57:29,960 --> 00:57:30,880
Speaker 2: DJ can study.

1162
00:57:31,040 --> 00:57:33,960
Speaker 3: Yeah, yeah, she is a fast Everyone in this house

1163
00:57:34,040 --> 00:57:35,720
Speaker 3: is a fascinating psychological set.

1164
00:57:35,920 --> 00:57:37,959
Speaker 1: And Steph's like, I need to start writing this down.

1165
00:57:38,320 --> 00:57:38,520
Speaker 2: Yeah.

1166
00:57:40,160 --> 00:57:42,800
Speaker 3: DJ starts to lecture her, but stops herself, and she

1167
00:57:42,920 --> 00:57:47,560
Speaker 3: smiles as she repeats, I fascinate you. Stephanie nods, of

1168
00:57:47,640 --> 00:57:50,400
Speaker 3: course you do. You go to school, dances, you have

1169
00:57:50,560 --> 00:57:53,560
Speaker 3: seven different teachers in the same day, and you carry

1170
00:57:53,600 --> 00:57:55,920
Speaker 3: a purse. You're a woman of the world.

1171
00:57:56,920 --> 00:58:00,760
Speaker 2: This is so sweet, Like that's true, making my heart melt.

1172
00:58:00,800 --> 00:58:04,520
Speaker 2: Stephanie loves her big. She's just like, you're so cool, right.

1173
00:58:04,720 --> 00:58:04,960
Speaker 2: I know.

1174
00:58:07,320 --> 00:58:10,640
Speaker 3: DJ agrees that she's a woman of the world, but

1175
00:58:10,960 --> 00:58:12,160
Speaker 3: she still needs her privacy.

1176
00:58:13,080 --> 00:58:13,520
Speaker 2: She cuts.

1177
00:58:13,560 --> 00:58:16,320
Speaker 3: Stephan deal, if you really promise that my diary is

1178
00:58:16,320 --> 00:58:18,720
Speaker 3: off limits, I'll try to tell you more about my

1179
00:58:18,880 --> 00:58:22,760
Speaker 3: fascinating life. So Stephanie promises. She gives her sister a

1180
00:58:22,800 --> 00:58:26,360
Speaker 3: big hug and asks forgive me. DJ pats her head

1181
00:58:26,400 --> 00:58:29,480
Speaker 3: and sighs, I guess, so, She gives Steph a smirk

1182
00:58:29,600 --> 00:58:33,600
Speaker 3: before revealing besides, I keep my really hot stories in

1183
00:58:33,720 --> 00:58:37,920
Speaker 3: my journal. Stephanie's eyes eyes bold before she shouts, you

1184
00:58:38,040 --> 00:58:38,680
Speaker 3: have a journal?

1185
00:58:39,000 --> 00:58:43,120
Speaker 2: Where is it? What does it look like? And Stephanie's

1186
00:58:43,200 --> 00:58:45,560
Speaker 2: right back in it, right back in it. Right. That's

1187
00:58:45,560 --> 00:58:47,720
Speaker 2: such a sister thing, though, Oh my gosh, I oh

1188
00:58:48,240 --> 00:58:52,440
Speaker 2: my two used to freak out about the same stuff. Yep, yep,

1189
00:58:52,560 --> 00:58:55,920
Speaker 2: lack of privacy, except I wish it got resolved that

1190
00:58:56,040 --> 00:58:58,200
Speaker 2: quickly and nicely, you know. And they were like, all right,

1191
00:58:58,280 --> 00:58:59,440
Speaker 2: let's come to an agreement. Yeah.

1192
00:58:59,480 --> 00:59:03,640
Speaker 3: Mine were like, yeah, well you didn't have an Olsen

1193
00:59:03,680 --> 00:59:06,560
Speaker 3: twin there to talk talk out the party. They never

1194
00:59:06,680 --> 00:59:09,360
Speaker 3: solved it. Yeah, and you didn't have a toddler thing.

1195
00:59:09,480 --> 00:59:11,200
Speaker 2: If only I would have parentified one of the kids

1196
00:59:11,200 --> 00:59:13,520
Speaker 2: when they were like three, really would have worked out well.

1197
00:59:15,760 --> 00:59:18,640
Speaker 3: So back at the preschool, Michelle is holding Sammy the

1198
00:59:18,680 --> 00:59:21,280
Speaker 3: Bird as she and her dad stand outside the classroom.

1199
00:59:21,480 --> 00:59:23,960
Speaker 3: Sammy the Bird sounds like an old gangster from like

1200
00:59:24,080 --> 00:59:28,320
Speaker 3: the Prohibition era, Sammy the Bird, Sammy the Bird, Say

1201
00:59:28,360 --> 00:59:33,439
Speaker 3: the Bird's in San Francisco, He's on Alcatraz. Yeah, sam

1202
00:59:33,640 --> 00:59:36,280
Speaker 3: Sammy's seen some things, you know, He's been around the

1203
00:59:36,320 --> 00:59:39,320
Speaker 3: block a few times. Did I use it right?

1204
00:59:39,360 --> 00:59:43,120
Speaker 2: Did I? Use it right, No, I mean yeah, yeah, yeah.

1205
00:59:43,760 --> 00:59:45,480
Speaker 2: I mean if you wanted to call the bird a whore,

1206
00:59:45,720 --> 00:59:49,160
Speaker 2: yeah sure, yeah, then you used it right. Well, he's

1207
00:59:49,200 --> 00:59:50,680
Speaker 2: been in prison. You don't know what goes on in

1208
00:59:50,760 --> 00:59:59,920
Speaker 2: those things. Oh wow, wow, abrom experience. I'm just guessing

1209
01:00:00,520 --> 01:00:02,520
Speaker 2: just what you know. So just get back to Sammy

1210
01:00:02,560 --> 01:00:06,320
Speaker 2: the Bird. Yeah right, I mean, is Sammy the Bird's

1211
01:00:06,360 --> 01:00:07,920
Speaker 2: bird prison is in a preschool?

1212
01:00:08,920 --> 01:00:11,160
Speaker 3: Yes, yes, bird, poor bird.

1213
01:00:11,400 --> 01:00:11,600
Speaker 2: Yeah.

1214
01:00:12,400 --> 01:00:14,960
Speaker 3: So Michelle is still very nervous. She wants Danny to

1215
01:00:15,000 --> 01:00:17,520
Speaker 3: stay with her all day, and Danny promises he won't

1216
01:00:17,600 --> 01:00:23,920
Speaker 3: leave unless she says it's all right, and Michelle says, yeah,

1217
01:00:24,040 --> 01:00:24,920
Speaker 3: he's right back to a.

1218
01:00:26,520 --> 01:00:26,720
Speaker 2: Yeah.

1219
01:00:27,040 --> 01:00:30,000
Speaker 3: Yeah, it's no continenty here, but that's you know, this

1220
01:00:30,120 --> 01:00:30,680
Speaker 3: is full house.

1221
01:00:30,800 --> 01:00:31,280
Speaker 2: That's what we do.

1222
01:00:32,240 --> 01:00:34,360
Speaker 3: So Danny walks into the classroom and says hello to

1223
01:00:34,400 --> 01:00:37,600
Speaker 3: Miss Petrie, who has the children gathered to hear him speak.

1224
01:00:38,920 --> 01:00:41,040
Speaker 3: He says hello to the kids and tells them he

1225
01:00:41,080 --> 01:00:44,080
Speaker 3: has a talk show called Wake Up San Francisco. They

1226
01:00:44,120 --> 01:00:47,360
Speaker 3: aren't easily impressed by this, so he moves on, telling

1227
01:00:47,400 --> 01:00:49,880
Speaker 3: the kids that Michelle has brought them something to keep

1228
01:00:50,040 --> 01:00:52,120
Speaker 3: in the class because she likes them all.

1229
01:00:52,400 --> 01:00:56,560
Speaker 2: So much. I just quickly, Yeah, if he's hosting a

1230
01:00:56,680 --> 01:01:02,440
Speaker 2: morning show, how does he have time to drop Michelle

1231
01:01:02,520 --> 01:01:05,160
Speaker 2: off at preschool when presumably that would.

1232
01:01:05,000 --> 01:01:08,360
Speaker 1: Be the same time. Yeah, eight eight thirty, if you're

1233
01:01:08,400 --> 01:01:09,000
Speaker 1: doing Wake.

1234
01:01:08,840 --> 01:01:11,800
Speaker 2: Up San Francisco, I feel like that's it's got to

1235
01:01:11,840 --> 01:01:13,440
Speaker 2: be a nine am show. You don't just roll in

1236
01:01:13,600 --> 01:01:14,400
Speaker 2: five minutes before.

1237
01:01:14,480 --> 01:01:16,840
Speaker 3: And no, you got to get into her makeup, you

1238
01:01:16,920 --> 01:01:18,240
Speaker 3: got to go over your notes, you gotta have a

1239
01:01:18,400 --> 01:01:21,040
Speaker 3: producer meeting, like, yeah, there's a lot of rep time.

1240
01:01:21,080 --> 01:01:22,280
Speaker 3: I mean, I know he took the first day of

1241
01:01:22,280 --> 01:01:25,280
Speaker 3: school off to be glued to Michelle's side, but now

1242
01:01:25,320 --> 01:01:27,240
Speaker 3: we're on the next day or two days later. I'm

1243
01:01:27,240 --> 01:01:30,440
Speaker 3: not obviously a weekday piece. So maybe he took the

1244
01:01:30,480 --> 01:01:32,960
Speaker 3: whole week off because of the trauma. He was fine

1245
01:01:33,400 --> 01:01:38,760
Speaker 3: right letting Michelle go to preschool. So Danny asks Michelle

1246
01:01:38,800 --> 01:01:41,560
Speaker 3: to come in, and she does, carrying the new bird

1247
01:01:41,640 --> 01:01:44,280
Speaker 3: with her. She tells her classmates that this is Sammy

1248
01:01:44,520 --> 01:01:46,920
Speaker 3: and he's a nice birdie, so she's giving him to

1249
01:01:47,040 --> 01:01:50,920
Speaker 3: the preschool. Miss Petrie admits that that's very generous, and

1250
01:01:51,040 --> 01:01:53,600
Speaker 3: she asks for students to thank Michelle by clapping their

1251
01:01:53,640 --> 01:01:58,280
Speaker 3: hands together and they do. I'm I don't know, I'm

1252
01:01:58,400 --> 01:01:59,280
Speaker 3: a little bothered by this.

1253
01:01:59,480 --> 01:02:03,040
Speaker 2: I'm like, I don't even know where to start with.

1254
01:02:03,240 --> 01:02:04,600
Speaker 2: What how weird this is?

1255
01:02:04,840 --> 01:02:06,640
Speaker 3: This is weird because I'm like, you should replace the

1256
01:02:06,680 --> 01:02:08,640
Speaker 3: bird because you lost the bird. I mean, that's called

1257
01:02:08,640 --> 01:02:11,440
Speaker 3: a natural consequence. You don't do it to win favor

1258
01:02:11,560 --> 01:02:14,800
Speaker 3: with friends. Make friends like, oh, look, how great I am.

1259
01:02:14,880 --> 01:02:16,760
Speaker 3: I've brought a new bird. It's like, well, yeah, you're

1260
01:02:16,760 --> 01:02:17,400
Speaker 3: the one that opened.

1261
01:02:18,520 --> 01:02:21,880
Speaker 2: Maybe they should have talked to the teacher first, you know,

1262
01:02:22,080 --> 01:02:23,680
Speaker 2: maybe she was like, you know what, this bird's a

1263
01:02:23,720 --> 01:02:24,200
Speaker 2: bad idea.

1264
01:02:24,280 --> 01:02:26,280
Speaker 1: We've this is the fourth one we've lost this month.

1265
01:02:26,440 --> 01:02:29,600
Speaker 2: You know, maybe she's like, we need something that is landlocked,

1266
01:02:29,640 --> 01:02:33,280
Speaker 2: like that is that is a terrestrial animal?

1267
01:02:33,480 --> 01:02:36,320
Speaker 3: Yeah, you know you need a turtle, amphibian and yeah.

1268
01:02:36,600 --> 01:02:38,920
Speaker 1: A bunny or I don't know, maybe close the window.

1269
01:02:39,120 --> 01:02:40,280
Speaker 1: That'd be the first place to start.

1270
01:02:40,400 --> 01:02:42,640
Speaker 3: But there's a lot of things that need to change

1271
01:02:42,720 --> 01:02:43,600
Speaker 3: in this classroom.

1272
01:02:44,000 --> 01:02:45,200
Speaker 1: Where did they find this preschool?

1273
01:02:45,400 --> 01:02:48,840
Speaker 3: Danny, I don't know. Danny crouches down by his daughter

1274
01:02:48,960 --> 01:02:51,720
Speaker 3: and points out, see, all your new friends are saying

1275
01:02:51,840 --> 01:02:55,000
Speaker 3: thank you very much, and Michelle tells the class welcome

1276
01:02:55,360 --> 01:02:58,560
Speaker 3: very much. Miss Petrie takes the new bird and places

1277
01:02:58,640 --> 01:03:01,120
Speaker 3: him on the stool where Day used to be so

1278
01:03:01,240 --> 01:03:05,480
Speaker 3: easily replaced. Yes, like Day was never there. Yeah, the

1279
01:03:05,520 --> 01:03:08,400
Speaker 3: whole class follows her, besides Aaron, who is still wearing

1280
01:03:08,480 --> 01:03:08,920
Speaker 3: this crown.

1281
01:03:09,600 --> 01:03:13,000
Speaker 2: Yeah, he's not sharing the sharing crown. Why the crown again,

1282
01:03:13,200 --> 01:03:14,880
Speaker 2: doesn't deserve it doesn't make any sense.

1283
01:03:15,400 --> 01:03:16,920
Speaker 1: We had the crown on last time. You have to

1284
01:03:17,000 --> 01:03:17,919
Speaker 1: share the sharing crown.

1285
01:03:17,960 --> 01:03:19,360
Speaker 2: You can't get the sharing crown every day.

1286
01:03:19,720 --> 01:03:22,200
Speaker 3: Yeah, has no has no one shared since Aaron got

1287
01:03:22,240 --> 01:03:24,600
Speaker 3: the crown, Like, what's what's going on? I don't I

1288
01:03:24,640 --> 01:03:28,120
Speaker 3: don't know. He gets it multiple days, I guess, but

1289
01:03:28,640 --> 01:03:31,680
Speaker 3: he walks up to Michelle and kindly says, here, Michelle,

1290
01:03:32,080 --> 01:03:34,720
Speaker 3: you can wear the sharing crown, and he places it

1291
01:03:34,840 --> 01:03:37,360
Speaker 3: on her head before walking away. Okay, that's why. That's

1292
01:03:37,360 --> 01:03:39,560
Speaker 3: why he gets the sharing crown multiple days in a row.

1293
01:03:39,600 --> 01:03:42,840
Speaker 3: Because of this bit. This bit has tour, which was sweet.

1294
01:03:42,920 --> 01:03:46,680
Speaker 3: I thought it was a sweet moment. Michelle proudly shows

1295
01:03:46,680 --> 01:03:49,560
Speaker 3: her dad the new crown, adding I'm a princess, and

1296
01:03:49,720 --> 01:03:51,480
Speaker 3: Danny agrees, you're my little princess.

1297
01:03:51,600 --> 01:03:53,360
Speaker 2: I thought we were gonna go back the dream sequence

1298
01:03:53,400 --> 01:03:56,320
Speaker 2: here and I was like, no, no, no, please, yeah,

1299
01:03:56,840 --> 01:03:58,600
Speaker 2: can we stop calling her a princess?

1300
01:03:58,720 --> 01:04:00,920
Speaker 3: Like maybe this is just the twenty twenty for me

1301
01:04:01,120 --> 01:04:04,600
Speaker 3: thinking of this, there was girls princesses.

1302
01:04:04,680 --> 01:04:06,800
Speaker 2: That's not the goal. Like, you want to be smart,

1303
01:04:06,920 --> 01:04:08,960
Speaker 2: you want to be you want to be Joan of

1304
01:04:09,120 --> 01:04:10,800
Speaker 2: Arc you know what I mean? You want yeah?

1305
01:04:10,880 --> 01:04:14,120
Speaker 3: Yeah, yeah, I know there's much better role models out there.

1306
01:04:16,000 --> 01:04:17,520
Speaker 2: But Danny, uh, you know.

1307
01:04:17,640 --> 01:04:19,480
Speaker 3: He says he's proud of her for being so brave

1308
01:04:19,680 --> 01:04:21,960
Speaker 3: and coming to preschool, and he asks, do you want

1309
01:04:22,000 --> 01:04:22,640
Speaker 3: me to stay.

1310
01:04:22,480 --> 01:04:25,560
Speaker 2: Here with you? No, we want to miss it. As Danny,

1311
01:04:25,640 --> 01:04:26,200
Speaker 2: you went over.

1312
01:04:26,200 --> 01:04:31,000
Speaker 3: This, this is deja vus. Michelle shakes her head, no,

1313
01:04:31,200 --> 01:04:34,080
Speaker 3: thank you. They like me now, and Danny smiles. I

1314
01:04:34,120 --> 01:04:36,240
Speaker 3: think you're gonna have a great time here at preschool,

1315
01:04:36,560 --> 01:04:40,240
Speaker 3: and Michelle nods, I like being a big girl. Danny

1316
01:04:40,280 --> 01:04:42,400
Speaker 3: gives her a big hug and kiss before encouraging her

1317
01:04:42,480 --> 01:04:45,000
Speaker 3: to go play with her new friends. Michelle walks away,

1318
01:04:45,040 --> 01:04:47,720
Speaker 3: and Miss Petree walks over to Danny asking if he's

1319
01:04:47,800 --> 01:04:51,160
Speaker 3: doing okay. Danny admits he'll be fine, but if she's

1320
01:04:51,200 --> 01:04:54,160
Speaker 3: ever crowned Miss America, he'll be crying like a baby.

1321
01:04:54,960 --> 01:04:57,800
Speaker 2: But I felt I was like, I felt like it

1322
01:04:57,880 --> 01:05:00,480
Speaker 2: could have again twenty twenty four me, it was like, yeah,

1323
01:05:00,640 --> 01:05:02,840
Speaker 2: Crown Miss America would have like you would be fine,

1324
01:05:02,880 --> 01:05:06,240
Speaker 2: but you know, like when she graduated, when she graduates

1325
01:05:06,400 --> 01:05:08,880
Speaker 2: or whatever, like that would have been because it would

1326
01:05:08,880 --> 01:05:11,800
Speaker 2: have made sense, like she's starting school, preschool, so yeah, so.

1327
01:05:11,880 --> 01:05:14,280
Speaker 3: You think of her high school graduation and that's when

1328
01:05:14,320 --> 01:05:16,439
Speaker 3: the parents are sobbing, like that would have been better.

1329
01:05:16,520 --> 01:05:20,960
Speaker 3: But oh well, huh. So we see Michelle over by

1330
01:05:21,040 --> 01:05:24,040
Speaker 3: the new bird cage, surrounded by her new friends. She

1331
01:05:24,200 --> 01:05:28,760
Speaker 3: warns them people don't open that door, remember, and that's

1332
01:05:28,840 --> 01:05:29,240
Speaker 3: our show.

1333
01:05:31,880 --> 01:05:32,120
Speaker 2: Wow?

1334
01:05:32,280 --> 01:05:36,920
Speaker 3: Okay, wow, So this wasn't my favorite episode. I mean,

1335
01:05:37,120 --> 01:05:39,400
Speaker 3: the first day of preschool is a milestone that should

1336
01:05:39,440 --> 01:05:42,120
Speaker 3: be acknowledged, but this was just a weird. They could

1337
01:05:42,160 --> 01:05:44,280
Speaker 3: have cut out so much of this and it would

1338
01:05:44,280 --> 01:05:45,000
Speaker 3: have been much better.

1339
01:05:45,360 --> 01:05:49,959
Speaker 2: I mean really, just cutting out the dream sequence would

1340
01:05:49,960 --> 01:05:53,600
Speaker 2: have improved it. Leaps and bounds, leaps and bounds. Yeah, yeah,

1341
01:05:53,720 --> 01:05:56,360
Speaker 2: I'm still stuck on that. I can't I can't unsee that.

1342
01:05:56,640 --> 01:06:00,200
Speaker 2: That's like, I like, sandpaper for your eyeballs is what

1343
01:06:00,320 --> 01:06:03,720
Speaker 2: you wish you had? You know, just scratched my corny

1344
01:06:03,960 --> 01:06:06,200
Speaker 2: right off while I saw that, Yeah, that's a never

1345
01:06:06,440 --> 01:06:09,000
Speaker 2: like that'll be Now every time I see like John

1346
01:06:09,120 --> 01:06:11,320
Speaker 2: or Dave or Laurie, I'm gonna be like, oh my god,

1347
01:06:11,640 --> 01:06:14,640
Speaker 2: yeah you remember them in the Yeah, and they're probably

1348
01:06:14,680 --> 01:06:18,080
Speaker 2: gonna be like, yo, we haven't forgotten, we remember it

1349
01:06:18,240 --> 01:06:18,680
Speaker 2: very clearly.

1350
01:06:19,040 --> 01:06:22,840
Speaker 3: Yeah, oh that was that was terrifying. I don't know.

1351
01:06:22,880 --> 01:06:25,280
Speaker 3: If this was my least favorite of this season, i'd

1352
01:06:25,280 --> 01:06:25,600
Speaker 3: have to go.

1353
01:06:25,600 --> 01:06:29,200
Speaker 2: About lust in the Dust was still pretty you like

1354
01:06:29,240 --> 01:06:33,480
Speaker 2: a couple episodes now Lust in the Dust and Bye

1355
01:06:33,520 --> 01:06:36,520
Speaker 2: Bye Berdie that are yeah hanging out.

1356
01:06:36,760 --> 01:06:38,840
Speaker 3: I didn't lust in the Dust, but this one was

1357
01:06:38,960 --> 01:06:41,400
Speaker 3: just it had potential, but it would it just got

1358
01:06:41,480 --> 01:06:41,960
Speaker 3: too weird.

1359
01:06:42,320 --> 01:06:45,920
Speaker 2: Yeah, this one, this, I think this one takes. I

1360
01:06:46,000 --> 01:06:49,720
Speaker 2: think it takes the bottom position. Yeah. Yes, for now,

1361
01:06:49,920 --> 01:06:53,400
Speaker 2: they're going to crown it the worst episode of season

1362
01:06:53,440 --> 01:06:55,840
Speaker 2: three so far, so far, Right, there's we still have

1363
01:06:56,080 --> 01:07:01,000
Speaker 2: multiple episodes to go, so this, I'm that's it. I

1364
01:07:01,120 --> 01:07:03,800
Speaker 2: can't We're gonna have to switch to a different scene.

1365
01:07:03,800 --> 01:07:08,040
Speaker 2: I'm gonna write, I'm gonna have seen and yeah, oh boy,

1366
01:07:09,360 --> 01:07:10,360
Speaker 2: well yeah.

1367
01:07:10,200 --> 01:07:12,120
Speaker 3: I don't know. Do you have everywhere you looks like

1368
01:07:12,480 --> 01:07:14,200
Speaker 3: I almost don't want to. I didn't want to look.

1369
01:07:14,440 --> 01:07:16,640
Speaker 3: But everywhere you look was another dream.

1370
01:07:16,680 --> 01:07:20,480
Speaker 2: See right, everywhere you look is a creepy, weird caterpillar

1371
01:07:20,600 --> 01:07:24,360
Speaker 2: with human looking eyes and uh a strange shaped head.

1372
01:07:24,640 --> 01:07:26,200
Speaker 1: Yeah, and that's everywhere you look.

1373
01:07:27,680 --> 01:07:30,000
Speaker 2: No, I didn't really have I didn't really have an

1374
01:07:30,040 --> 01:07:33,479
Speaker 2: everywhere you look for this for this one, I don't think.

1375
01:07:33,960 --> 01:07:35,560
Speaker 1: No, I just know I didn't.

1376
01:07:35,640 --> 01:07:37,840
Speaker 2: I always write those down, and I did not see anything.

1377
01:07:38,120 --> 01:07:41,240
Speaker 3: You're checking your notes, I am checking. I don't really

1378
01:07:41,520 --> 01:07:43,840
Speaker 3: have a great one. Except in the last scene I noticed.

1379
01:07:44,960 --> 01:07:46,760
Speaker 3: I feel like they kept switching off between Mary, Kate

1380
01:07:46,800 --> 01:07:49,480
Speaker 3: and Ashley in the same scene, so like somebody must

1381
01:07:49,480 --> 01:07:51,720
Speaker 3: have had a tantrum or something, and so they're like, oh,

1382
01:07:52,160 --> 01:07:54,920
Speaker 3: bring in the next Olsen twin because they look the

1383
01:07:55,040 --> 01:07:56,960
Speaker 3: hair kind of changed a little bit, and the girls

1384
01:07:57,720 --> 01:08:01,360
Speaker 3: they looked like so that's my everyone.

1385
01:08:01,720 --> 01:08:02,360
Speaker 2: I didn't notice that.

1386
01:08:03,280 --> 01:08:06,240
Speaker 3: I'm so focused on the bird. There was a lot

1387
01:08:06,280 --> 01:08:08,600
Speaker 3: to focus on. So yeah, this was boy.

1388
01:08:08,760 --> 01:08:11,240
Speaker 2: Yeah, the thing that we watched. It was a thing

1389
01:08:11,360 --> 01:08:15,920
Speaker 2: that we watched and it was uh yep, yeah, we

1390
01:08:16,000 --> 01:08:18,840
Speaker 2: don't never have to watch it again. Jodie Sweeton is speechless.

1391
01:08:19,520 --> 01:08:21,640
Speaker 2: Spe I think everyone has heard what I had to

1392
01:08:21,720 --> 01:08:24,560
Speaker 2: say throughout this episode. It's more just that I'm like,

1393
01:08:24,720 --> 01:08:28,840
Speaker 2: what what more can be said about what a weird

1394
01:08:29,000 --> 01:08:33,240
Speaker 2: episode this was? This was it was like a it's

1395
01:08:33,360 --> 01:08:35,720
Speaker 2: just like you know those those things that you get

1396
01:08:35,760 --> 01:08:38,080
Speaker 2: in your Amazon packages that are just like the puffs

1397
01:08:38,120 --> 01:08:41,800
Speaker 2: of air in like plastic. That's what this episode was like.

1398
01:08:41,880 --> 01:08:46,040
Speaker 2: It was it was It was full but nothing but

1399
01:08:46,320 --> 01:08:50,200
Speaker 2: nothing meaningful. But it kept everything together, you know what

1400
01:08:50,240 --> 01:08:52,240
Speaker 2: I mean, which is the season. So it just was like,

1401
01:08:52,360 --> 01:08:54,760
Speaker 2: we're just gonna shove that in there and keep it going.

1402
01:08:55,000 --> 01:08:56,120
Speaker 3: That's a great analogy.

1403
01:08:56,240 --> 01:08:58,560
Speaker 2: Yes, it takes up a lot of space, but there's.

1404
01:08:58,240 --> 01:09:01,479
Speaker 1: A lot of space fills in the box of season three.

1405
01:09:02,200 --> 01:09:03,120
Speaker 1: But you don't need it.

1406
01:09:03,280 --> 01:09:05,960
Speaker 2: You throw it away, you you punch it opened, you

1407
01:09:06,240 --> 01:09:07,840
Speaker 2: you know, and then you go, well that's done.

1408
01:09:08,040 --> 01:09:10,400
Speaker 3: So I feel it about it. Yep, Yeah, I feel

1409
01:09:10,400 --> 01:09:12,759
Speaker 3: like that's what happened with So this is the Amazon packaging.

1410
01:09:13,520 --> 01:09:19,320
Speaker 2: It's the yeah, it's the plastic h off air packaging

1411
01:09:19,600 --> 01:09:20,960
Speaker 2: of non substance that.

1412
01:09:21,160 --> 01:09:24,680
Speaker 1: Yeah, it's necessary that you got to have, you know

1413
01:09:24,720 --> 01:09:25,560
Speaker 1: what I mean, Like you got it.

1414
01:09:26,040 --> 01:09:26,600
Speaker 2: It was do you have?

1415
01:09:26,720 --> 01:09:28,439
Speaker 1: Twenty two, Episode twenty four episode seasons.

1416
01:09:28,479 --> 01:09:32,080
Speaker 2: You had to have some just to have fluff in there,

1417
01:09:32,240 --> 01:09:34,439
Speaker 2: but this was this wasn't even fluff, this was this

1418
01:09:34,680 --> 01:09:38,600
Speaker 2: was empty space in my opinion. Yes, I don't have

1419
01:09:38,720 --> 01:09:41,400
Speaker 2: that dream sequence. So I and I love Lenny Rips

1420
01:09:41,439 --> 01:09:43,800
Speaker 2: and Jeff Franklin and I do what happened? Guys?

1421
01:09:43,840 --> 01:09:47,560
Speaker 3: You all the best episodes of the series, Remember we

1422
01:09:47,760 --> 01:09:48,360
Speaker 3: love Lenny.

1423
01:09:48,840 --> 01:09:51,000
Speaker 2: Yeah, there was also that incident of the Star Wars

1424
01:09:51,120 --> 01:09:54,679
Speaker 2: Christmas Special, so we sometimes things are hit or miss. Yeah,

1425
01:09:55,120 --> 01:09:56,760
Speaker 2: sometimes he's hit or missed.

1426
01:09:56,800 --> 01:09:57,280
Speaker 1: Its right.

1427
01:09:58,000 --> 01:10:01,120
Speaker 2: Sometimes you just you think, you think you're going for

1428
01:10:01,240 --> 01:10:03,360
Speaker 2: something and you do and it doesn't work.

1429
01:10:04,200 --> 01:10:05,920
Speaker 3: Yeah, you know, this was one of those times. This

1430
01:10:06,080 --> 01:10:10,080
Speaker 3: was Christmas Star Wars Special. Oh boy, season three of

1431
01:10:10,160 --> 01:10:14,439
Speaker 3: Full House. Yeah, I wish there was a Wookie involved. Yeah,

1432
01:10:14,560 --> 01:10:15,719
Speaker 3: I would have lost.

1433
01:10:16,080 --> 01:10:16,800
Speaker 2: That was what they lost.

1434
01:10:16,840 --> 01:10:19,120
Speaker 1: That was what she replaced the bird with was a giant.

1435
01:10:20,560 --> 01:10:24,960
Speaker 2: She brought an e walk much better, classic, much better.

1436
01:10:25,360 --> 01:10:27,599
Speaker 1: Well that's it for this episode.

1437
01:10:27,960 --> 01:10:32,639
Speaker 2: Next episode, though, is season three episode seventeen thirteen, Candles Woo,

1438
01:10:33,160 --> 01:10:36,439
Speaker 2: which is a great episode. Very excited for that one.

1439
01:10:37,400 --> 01:10:40,680
Speaker 2: So I will be excited to preview that one with you,

1440
01:10:40,800 --> 01:10:45,040
Speaker 2: But me too, Hey, We know you guys love these episodes,

1441
01:10:45,160 --> 01:10:48,120
Speaker 2: but we and we love them too, but sometimes, you know,

1442
01:10:48,320 --> 01:10:50,120
Speaker 2: they're a little weird. And I'm sure I'm sure our

1443
01:10:50,160 --> 01:10:52,040
Speaker 2: audience would also agree, like, yeah, this was the thing

1444
01:10:52,080 --> 01:10:53,519
Speaker 2: that kept me up at night when I watched it

1445
01:10:53,640 --> 01:10:58,760
Speaker 2: on a Friday night. But children across America, that's what

1446
01:10:58,880 --> 01:11:02,479
Speaker 2: we did. Thank you guys so much for listening. We

1447
01:11:02,600 --> 01:11:04,960
Speaker 2: love our fan of ritos. Make sure that you're following

1448
01:11:05,040 --> 01:11:07,639
Speaker 2: us on Instagram at Howard Podcasts, or you can send

1449
01:11:07,680 --> 01:11:10,280
Speaker 2: us an email at Howard podcast at gmail dot com.

1450
01:11:10,680 --> 01:11:13,040
Speaker 2: Make sure you're liking and subscribing to the podcast on

1451
01:11:13,280 --> 01:11:16,160
Speaker 2: whatever platform you're listening to to it on so that

1452
01:11:16,240 --> 01:11:18,200
Speaker 2: you can make sure and get all the new episodes

1453
01:11:18,240 --> 01:11:23,599
Speaker 2: right when we release them. And yeah, you guys, remember

1454
01:11:24,520 --> 01:11:28,400
Speaker 2: the world is small, but the house is full of

1455
01:11:29,479 --> 01:11:34,519
Speaker 2: horrific dream sequences. Horrific, Yeah, horrible.

1456
01:11:35,439 --> 01:11:41,080
Speaker 3: Oh yeah this the house was packed with nightmares. Yeah, nightmares.

1457
01:11:41,360 --> 01:11:41,559
Speaker 2: Yep.

1458
01:11:43,000 --> 01:11:44,760
Speaker 1: Well, you guys, see you next week.

1459
01:11:44,920 --> 01:11:46,639
Speaker 2: We're out. Bye.