WEBVTT - Mini Crush #136

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Movie Crush twenty nine minute

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<v Speaker 1>edition here with Noel Brown. It's a it's a it's

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<v Speaker 1>a what's the word? I'm looking for A speed Mini

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<v Speaker 1>speed round, speed run. That's it. So no, we're just

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<v Speaker 1>gonna jump right into it, because we've got two things

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<v Speaker 1>to cover this week. Uh. And the first one is

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<v Speaker 1>something I would try to cover a few weeks ago

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<v Speaker 1>and it's since been on there a long time. Another

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<v Speaker 1>edition of Everyone's Favorite up with fird as a mug

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<v Speaker 1>up with fuck. This is when the movie crushers log

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<v Speaker 1>onto the old Facebook page tell us what their favorite

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<v Speaker 1>use of the F word is, their favorite F bomb.

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<v Speaker 1>And it's so funny old because I'm now noticing I

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<v Speaker 1>must have some sort of profanity filter set up. There

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<v Speaker 1>are probably a hundred comments that are hidden from the

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<v Speaker 1>page that I'm not able to even see. What because

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<v Speaker 1>it's too filthy? Well because as an F bomb in there,

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<v Speaker 1>I need to go into the settings and just say

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<v Speaker 1>that people can be as filthy as they want to.

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<v Speaker 1>Oh god, it's it's as I see, it's specifically for

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<v Speaker 1>the group. Yeah, it's it's some setting. I guess, um,

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<v Speaker 1>so I'm sorry to everyone whose comments are hidden, because

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<v Speaker 1>it looks like all the f bombs that made it

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<v Speaker 1>through are creative uses or fucking fucking like not just

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<v Speaker 1>straight up f bombs. So us up with this? Is

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<v Speaker 1>up with fucking then? I guess all right, it's very interesting.

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<v Speaker 1>Facebook is it could be very prudish sometimes nol it

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<v Speaker 1>can it's a it's a it's a very divisive place

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<v Speaker 1>to the least. Well, you think about your F bomb

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<v Speaker 1>that you like, and I'm gonna start bottom up with

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<v Speaker 1>Hans Bronzel says names I know, I'm fucking surfing man

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<v Speaker 1>from point break point break great great quote, love it,

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<v Speaker 1>wonderful Alfie Brady, Boy, this is a good one too,

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<v Speaker 1>from one of my favorite movies, The Lie Me Tell

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<v Speaker 1>Him I'm coming, You tell him I'm fucking coming. God,

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<v Speaker 1>what a great movie. That's a good one. What's that

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<v Speaker 1>guy's name? The main dude, Tarence Stamp, Terence Stamp. He's

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<v Speaker 1>not in enough stuff. I love him. I love Yeah,

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<v Speaker 1>he's amazing. He's in that really bad Eddie Murphy movie

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<v Speaker 1>The Haunted Mansion. He plays like the creepy butler. Wow, yeah,

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<v Speaker 1>I'm sure that check cleared though, you know what I mean,

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<v Speaker 1>no doubt. Matt la Montaigne says, fuck you, fuck you,

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<v Speaker 1>fuck you, you're cool and fuck you. I'm out. That

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<v Speaker 1>is half baked. Oh yeah, you remember that? Huh. Our

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<v Speaker 1>oldest of Pal's Stellin Carlson says, what's a funck ass

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<v Speaker 1>from Donnie Darko? And they also had another good funck

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<v Speaker 1>from that scene, sucker fuck? Yeah, how does how exactly

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<v Speaker 1>does one sucker fuck? That's right, that's right. I haven't

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<v Speaker 1>seen that in a while. Man. That was one of

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<v Speaker 1>my favorites. I had a conversation with some of my

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<v Speaker 1>my gamer buddies about whether it held up or not,

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<v Speaker 1>and they all, who are They're all very snobby hipster types.

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<v Speaker 1>They feel like it did for the most part, and um,

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<v Speaker 1>I need to rewatch it. But I loved I loved

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<v Speaker 1>that movie, added too, like I was a bona fide

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<v Speaker 1>Donnie Darko freak. Saw the director's cut when it came

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<v Speaker 1>out in the it or that wasn't so good though,

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<v Speaker 1>I had a lot of extra bullshit that I don't

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<v Speaker 1>think you needed. Didn't have a whole extra things like

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<v Speaker 1>He's digital kind of like yes, and it was kind

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<v Speaker 1>of odd. I feel like that the story was flushed

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<v Speaker 1>out a little more in terms of the book from

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<v Speaker 1>the Old Lady. But maybe I'm wrong. I can't really remember. Actually,

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<v Speaker 1>it was a long time ago. I was living in

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<v Speaker 1>l A when that came out. I love that movie.

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<v Speaker 1>And that was my first Jake Jillen Hall. Jam that

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<v Speaker 1>was everybody's first, wasn't it, I guess. I mean technically

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<v Speaker 1>the first was probably City Slickers too. He was a

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<v Speaker 1>little kid in that. But as far as real Jake

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<v Speaker 1>Jillen Hall, I love that guy. He can't be in

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<v Speaker 1>a too many movies as far as I'm concerned. He

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<v Speaker 1>makes interesting choices. Yeah, So I was about to say

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<v Speaker 1>he's evolved interestingly. He he knows how to kind of

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<v Speaker 1>pull off different looks. He never feels like he's the same.

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<v Speaker 1>He's not type cast like. He's really an interesting actor

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<v Speaker 1>and that and that's so cool that he started with

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<v Speaker 1>such an odd movie, and it really, you know, his

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<v Speaker 1>career is just progressed in in interesting directions. Talk about

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<v Speaker 1>not progressing. What happened with him? Man? Did you see

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<v Speaker 1>Southland Tales weird musical? Yeah? I heard? It's fun and

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<v Speaker 1>weird but not good. Uh, how did you what else

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<v Speaker 1>did he do? That? Was this? Not much? Dude? I mean,

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<v Speaker 1>how how can you like be that big of a

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<v Speaker 1>sort of it it guy as a filmmaker and then

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<v Speaker 1>fall away so quickly? Well, isn't it one of those

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<v Speaker 1>things where it's like you have your whole life up

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<v Speaker 1>to that point to make your first movie and then

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<v Speaker 1>you gotta just churn him out? You know, I don't know.

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<v Speaker 1>Maybe maybe he just had one real good idea in

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<v Speaker 1>him and and he'd been like cultivating it for a

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<v Speaker 1>very long time. And then I mean, I'm looking now.

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<v Speaker 1>He made Donnie Darko, he made Southland Tales, and then

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<v Speaker 1>he made The Box. The Box was like, uh kind

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<v Speaker 1>of a what's the word Twilight Zone et story that

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<v Speaker 1>I did? I heard it was not particular really anything

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<v Speaker 1>it which it was not very good too. And that

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<v Speaker 1>dude that was eleven years ago and a bummer. Apparently

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<v Speaker 1>he's he's making a Rod Serling biopic. It says that

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<v Speaker 1>he's that he's writing and directing, which would be interesting.

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<v Speaker 1>I think that could be interesting. That guy is sort

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<v Speaker 1>of a man of mystery to me. Uh, you know,

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<v Speaker 1>obviously he appears in in every episode of the original

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<v Speaker 1>Twilight Zone series. But I don't know a hell of

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<v Speaker 1>a lot about him, Like he created the show and

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<v Speaker 1>wrote a lot of the episodes, and a really interesting guy.

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<v Speaker 1>But I I that's that. I'm that's promising sounding, and

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<v Speaker 1>you know how I feel about biopics. But I don't

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<v Speaker 1>know nothing. I know nothing about this guy. I love that.

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<v Speaker 1>That's your movie, pet Peeve is a movie about something real.

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<v Speaker 1>It's so uh specific. It's not that I don't I

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<v Speaker 1>like I often like them. It's just like I said,

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<v Speaker 1>like I wouldn't like put one on on purpose, like

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<v Speaker 1>I I like, you know, you have to accidentally stumble

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<v Speaker 1>upon one and hit your head and not be able

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<v Speaker 1>to move for a little while the movie plays in

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<v Speaker 1>front of you, like with those clockwork orange lidlock things on,

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<v Speaker 1>and you know, like that's the only way I can

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<v Speaker 1>consume rom coms or biopics. All right, Uh, let me

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<v Speaker 1>go with Bill Ryan here, alright, Mr fucking Compassion. I'll

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<v Speaker 1>get him a doctor that is reservoir dogs. Nice guy,

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<v Speaker 1>Eddie hm boy. No one can deliver a funk line

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<v Speaker 1>like Harvey Kitel, one of one of the best. He's great,

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<v Speaker 1>he's he's got a certain gravitas to his fox. I

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<v Speaker 1>feel like we we've I know we've done this sevement before,

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<v Speaker 1>and I'm sure it had to have come up in

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<v Speaker 1>the in the previous uh addition. But this is what happens, Larry,

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<v Speaker 1>when you suck a stranger in the ass. That's good. Yeah,

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<v Speaker 1>this is what happens, Larry. Chrys La France. Fucking machine

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<v Speaker 1>took my quarter from slap shot. Uh. Michael McCord says

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<v Speaker 1>from in Bruges, Harry, it's an inanimate fucking object. You're

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<v Speaker 1>an inanimate fucking object. Only I bet he pronounced it

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<v Speaker 1>more like fucking yeah, fuking. I didn't try to do

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<v Speaker 1>the accent. I should have Shelby, Oh interesting, chicaliac. I

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<v Speaker 1>gotta love these bottom up names. No, nice fucking model.

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<v Speaker 1>Hong k Hock from Beetlejuice. I should I should have

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<v Speaker 1>stressed fucking there a little more so. The Beetle Juice

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<v Speaker 1>wasn't our. That was probably the one funk that it got.

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<v Speaker 1>It got that one fuck, and obviously it had some

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<v Speaker 1>like horror type makeup effects, but I believe Beetle Juice

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<v Speaker 1>was PG. Thirteen one of my favorite jokes. In that

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<v Speaker 1>movie is when he's in the waiting room and he's

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<v Speaker 1>sitting next to the guy with the shrunken head. So funny,

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<v Speaker 1>and let me ask you a question here, how are

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<v Speaker 1>you getting bound? So small? And then he switches tickets

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<v Speaker 1>and then he then he shrinks his head and it

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<v Speaker 1>gave us another action figure to have for that movie.

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<v Speaker 1>I guess. So, uh, where is that sequel? I think

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<v Speaker 1>that was gonna happen At one point I heard it was. Yeah,

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<v Speaker 1>there was definitely talk. I checked out. I would love that.

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<v Speaker 1>I'd love to see Tim Burton do literally anything interesting.

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<v Speaker 1>You know, Yeah, I agree. Did you see Dumbo? I

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<v Speaker 1>had no desire to see It's none, none, didn't none,

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<v Speaker 1>not even an inkling. It's been a while since I've

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<v Speaker 1>seen a Tim Burton movie. He's become this Disney shill dude.

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<v Speaker 1>It's just like, it's not me. I'm sure it's just

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<v Speaker 1>a money thing. I mean, big Eyes was cool. I

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<v Speaker 1>did like that. When we talked about this, you didn't

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<v Speaker 1>like it. No, you didn't like it. You thought he

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<v Speaker 1>thought the character was too SMARTMI, something rubbed you the

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<v Speaker 1>wrong way about that character. I think I didn't like

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<v Speaker 1>the movie at all. In The big thing that rubbed

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<v Speaker 1>me that was the casting, was that he cast Christoph

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<v Speaker 1>Faults to play a man from Oklahoma. It is true

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<v Speaker 1>that Christoph Volts can really only do that one thing.

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<v Speaker 1>I know. It's the only That's all I know, Chuck,

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<v Speaker 1>It's all I know. Uh yeah. I just could not

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<v Speaker 1>get over that accent as playing an American with a

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<v Speaker 1>clearly Austrian or German accent. That is true. It didn't

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<v Speaker 1>bother me as much as it did you. For some reason,

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<v Speaker 1>I kind of I didn't like it anyway. I just

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<v Speaker 1>didn't think it's very good. Let me see Jason are Browder,

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<v Speaker 1>says Monique, laughing your fucked in beer fest. I don't know.

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<v Speaker 1>I didn't see that one. I didn't see that either.

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<v Speaker 1>Those are from my guys, d Those are the Broken

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<v Speaker 1>Lizard fellas. Uh huh, yeah, for sure, I'll have to

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<v Speaker 1>check that out. I think she said, fec what's the

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<v Speaker 1>difference the letter you that's good almost famous from that's

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<v Speaker 1>it doesn't ring a bell. Zoe Deschanelle, she's an almost

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<v Speaker 1>famous she's the sister. Ah that's right. Yepp uh cat.

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<v Speaker 1>Jim Bruno, one of Earl pal says from the wedding singer.

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<v Speaker 1>But it was all bullshit. It was a goddamn joke.

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<v Speaker 1>And when I think of you, Linda, I hope you

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<v Speaker 1>fucking choke. Wow it rhymes too. Yeah, that might been

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<v Speaker 1>in a song, if I'm not mistaken. I haven't seen

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<v Speaker 1>that movie a long time though, and I think I've

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<v Speaker 1>only seen it once, if I'm being honest. David Rumor

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<v Speaker 1>says from Braveheart, my father says I'll be okay, but

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<v Speaker 1>he's pretty sure you're fucked. That's a good one, Uh,

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<v Speaker 1>Marissa Tommy is what the fun At the end of

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<v Speaker 1>Spider Man Homecoming. Sometimes the best Fox are almost fucks.

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<v Speaker 1>It's from Daniel McCoy. Yeah, that's true that that can

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<v Speaker 1>be played for for laughs, especially if it's like a

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<v Speaker 1>PG movie or something exactly. You think it's coming, you

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<v Speaker 1>stop short. Yeah, oh boy. This from Jake Nielsen Paul

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<v Speaker 1>Dano's earth shattering first word in Little Miss Sunshine when

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<v Speaker 1>he just screams fuck oh God. Yes, because he's a

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<v Speaker 1>he's like mute, like but for silence. Yeah, that's right.

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<v Speaker 1>Is Yeah, that's what happens. He brings it on. Something

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<v Speaker 1>traumatic happens, like where he like really has to respond

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<v Speaker 1>he feels he learns he can't become a pilot because

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<v Speaker 1>I think he's color blind. That's right, I'm not mistake right,

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<v Speaker 1>You're absolutely exactly what it was. Uh, Jim Crawford says

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<v Speaker 1>from Glen Gary Glen Ross Alec Baldwin's great line. Are

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<v Speaker 1>you interested? I know you are, because it's fucker walk.

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<v Speaker 1>That movie has got a lot of great folks in it,

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<v Speaker 1>a lot of them. I haven't seen that in a while, man,

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<v Speaker 1>that I haven't either, Stone Cold Classic. What's his name?

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<v Speaker 1>David Mamet? Right, yeah, man, boy, is it good? Uh

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<v Speaker 1>life aquatic from Grant Woody and it's just gonna change

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<v Speaker 1>that pronunciation every time. Huh, I might hen as he says,

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<v Speaker 1>this is this is my espresso machine. How did you

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<v Speaker 1>get my espresso machine? We fucking stole it, man, Amazing

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<v Speaker 1>Ray finds an embruges again. You're an inanimate fucking object

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<v Speaker 1>from sorrow Chili that's gotten a few votes. Actually, Uh,

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<v Speaker 1>let me see here, Elijah Hooper half of one from

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<v Speaker 1>Hamilton's Dear Sir, I hope this letter finds you in

0:12:58.760 --> 0:13:01.160
<v Speaker 1>good health and then a US versus enough position to

0:13:01.160 --> 0:13:04.480
<v Speaker 1>put wealth and the pockets of people like me down

0:13:04.480 --> 0:13:07.120
<v Speaker 1>on their luck. You see, that was my wife who

0:13:07.120 --> 0:13:11.560
<v Speaker 1>you decided to Oh wow, I'm a big fan of

0:13:11.559 --> 0:13:17.319
<v Speaker 1>the low fuck fuck that's good. Uh just watch seventh

0:13:17.320 --> 0:13:21.200
<v Speaker 1>son Jeff Bridges muttering fucking witches as he walks away.

0:13:21.280 --> 0:13:24.920
<v Speaker 1>Was pretty great. That is from caa Lynn Velderman. All right,

0:13:25.000 --> 0:13:26.480
<v Speaker 1>let's do a couple of more of these nol because

0:13:26.480 --> 0:13:31.240
<v Speaker 1>we gotta gotta move it along today. Opal Austin Deepsky says,

0:13:31.280 --> 0:13:35.280
<v Speaker 1>this a bunch of goddamn fucking hippies. Rick Dalton as

0:13:35.320 --> 0:13:37.840
<v Speaker 1>he stares and discuss out of his living room window

0:13:38.360 --> 0:13:42.120
<v Speaker 1>with her picture of margarite in his hand. So great, amazing,

0:13:42.800 --> 0:13:46.480
<v Speaker 1>classic classic movie already. No, oh yeah, I mean it's funny.

0:13:46.480 --> 0:13:48.480
<v Speaker 1>It was the little divisive though. I saw some folks

0:13:48.520 --> 0:13:51.120
<v Speaker 1>on the page, on the Crushers page talking about how

0:13:51.120 --> 0:13:52.600
<v Speaker 1>they thought it was boring or it was just like

0:13:52.640 --> 0:13:57.920
<v Speaker 1>a amalgam of like, you know, sixties stock footage beauty shots,

0:13:59.360 --> 0:14:01.960
<v Speaker 1>which I think this is the point entirely, but you know,

0:14:02.120 --> 0:14:05.640
<v Speaker 1>not to scream. People believe feel how they feel, and

0:14:05.679 --> 0:14:07.520
<v Speaker 1>I can understand that to a degree, because it is

0:14:07.559 --> 0:14:11.320
<v Speaker 1>a little slow, maybe it doesn't feel like much happens,

0:14:11.360 --> 0:14:13.600
<v Speaker 1>but uh, and then it just goes off the rails.

0:14:13.640 --> 0:14:16.200
<v Speaker 1>But I loved it, although I will say I walked

0:14:16.200 --> 0:14:18.400
<v Speaker 1>away from the first time being a little head scratchy,

0:14:18.480 --> 0:14:19.880
<v Speaker 1>And the more I thought about it, the more I

0:14:19.880 --> 0:14:22.240
<v Speaker 1>talked about it with you and Casey and others, the

0:14:22.280 --> 0:14:25.400
<v Speaker 1>more I really really enjoyed it, and watching the second time,

0:14:25.440 --> 0:14:27.960
<v Speaker 1>I was just I loved it. I think it's interesting

0:14:28.000 --> 0:14:30.480
<v Speaker 1>though from the last episode you did not know what

0:14:30.800 --> 0:14:34.040
<v Speaker 1>on rails meant, but you know what off the rails beans? Yeah,

0:14:34.080 --> 0:14:36.960
<v Speaker 1>you know, that's that's true. But but but but the

0:14:36.960 --> 0:14:39.640
<v Speaker 1>expression was cornering, like it's on rails. I don't think

0:14:39.640 --> 0:14:42.280
<v Speaker 1>of rails as being very cornery. I think of them

0:14:42.280 --> 0:14:45.479
<v Speaker 1>as being very straight. So that's why I was confusing,

0:14:45.600 --> 0:14:47.520
<v Speaker 1>Like I've ever heard of a train that takes a

0:14:47.560 --> 0:14:56.480
<v Speaker 1>hard left, you know, like, yeah, oh, I'm just picturing

0:14:56.480 --> 0:14:58.000
<v Speaker 1>a conductor being like, how do you get there? You

0:14:58.000 --> 0:14:59.440
<v Speaker 1>go up there to take a left, make another right,

0:14:59.480 --> 0:15:02.640
<v Speaker 1>make two low exactly, the conductor going, I can't do that.

0:15:03.680 --> 0:15:07.800
<v Speaker 1>We go straight exactly. See of the rails. Have you

0:15:07.840 --> 0:15:11.520
<v Speaker 1>not heard the expression on the rails, off the rails,

0:15:11.560 --> 0:15:22.200
<v Speaker 1>Off the rails is good? I like that one. All right,

0:15:22.240 --> 0:15:24.520
<v Speaker 1>Now we're gonna move on to UH. Someone on the

0:15:24.520 --> 0:15:27.880
<v Speaker 1>Crushers page did a pole to see what the favorite

0:15:28.320 --> 0:15:32.200
<v Speaker 1>UH segments were, and Nole's Holes one. Oh cool, that

0:15:32.320 --> 0:15:34.960
<v Speaker 1>is the favorite UH segment that we do on the show.

0:15:35.040 --> 0:15:39.000
<v Speaker 1>Apparently get a lot of love from those nice people

0:15:39.000 --> 0:15:41.440
<v Speaker 1>on the movie Crushers page. So that's what we're gonna do. No,

0:15:41.600 --> 0:15:46.800
<v Speaker 1>it's been a minute since we know Holes it stands for?

0:15:50.880 --> 0:15:55.160
<v Speaker 1>Is that Kermit the Frog Boys. We're gonna go with

0:15:55.160 --> 0:15:57.480
<v Speaker 1>a thriller edition. And we may have done this before.

0:15:57.480 --> 0:16:01.040
<v Speaker 1>I'm not sure, but if you have the we it

0:16:01.080 --> 0:16:04.320
<v Speaker 1>may be repeaters, but it's hard to remember, you know.

0:16:04.320 --> 0:16:06.560
<v Speaker 1>I don't. I don't keep a spreadsheet of all of

0:16:06.600 --> 0:16:09.840
<v Speaker 1>our bits. I think it's fine, alright, No, I'm gonna

0:16:09.880 --> 0:16:12.880
<v Speaker 1>keep score. I don't shoot, I don't have my trustees, Sharpie,

0:16:13.640 --> 0:16:16.240
<v Speaker 1>What am I gonna do? You're gonna make two columns

0:16:16.280 --> 0:16:20.440
<v Speaker 1>with with hash marks. I'll just do it like I

0:16:20.560 --> 0:16:23.800
<v Speaker 1>used to. I know on the computer when you made

0:16:23.800 --> 0:16:27.040
<v Speaker 1>me keep score that one time and I didn't bizarre away.

0:16:27.320 --> 0:16:31.600
<v Speaker 1>That was almost avant garde. I loved it. You really

0:16:32.200 --> 0:16:34.800
<v Speaker 1>gave me some shit. I did no alright, so we're

0:16:34.800 --> 0:16:39.240
<v Speaker 1>gonna start with this one. A little thriller from Martin Scorsese,

0:16:40.080 --> 0:16:44.800
<v Speaker 1>Shutter Island. Uh m, eat, I know the twists. I

0:16:44.880 --> 0:16:48.000
<v Speaker 1>must have seen it, right, I must. I must have

0:16:48.040 --> 0:16:51.160
<v Speaker 1>seen it. Yeah, I saw it. I watched it on TV.

0:16:51.280 --> 0:16:53.920
<v Speaker 1>I remember, I wasn't blown away by it. I didn't

0:16:54.000 --> 0:16:58.960
<v Speaker 1>wasn't didn't leave an indelible impression upon me. Okay, I'll

0:16:59.000 --> 0:17:01.720
<v Speaker 1>count it, thank you. Number two NOL A recent thriller

0:17:01.920 --> 0:17:05.480
<v Speaker 1>with Jake Killen Hall. A pretty creepy, little great movie

0:17:05.520 --> 0:17:08.040
<v Speaker 1>called Nightcrawler. Yeah, I loved it. I really love that.

0:17:08.359 --> 0:17:10.800
<v Speaker 1>He he got real gaunt and like weird looking for

0:17:10.840 --> 0:17:13.600
<v Speaker 1>that one he has like uh, like he grew extra

0:17:13.680 --> 0:17:18.040
<v Speaker 1>cheekbones or something. It's weird, like his face got longer

0:17:18.119 --> 0:17:20.000
<v Speaker 1>or something. I don't know exactly how you do that,

0:17:20.080 --> 0:17:24.080
<v Speaker 1>what the term is. But love love Nightcrawler. Agreed. Great

0:17:24.080 --> 0:17:28.880
<v Speaker 1>movie or you know, really good movie. Number three NOL

0:17:29.080 --> 0:17:35.359
<v Speaker 1>A classic from thriller master Alfred Hitchcock. A little movie

0:17:35.400 --> 0:17:39.000
<v Speaker 1>called Rear Window. Yeah, of course, what a good trope.

0:17:40.119 --> 0:17:44.520
<v Speaker 1>Oh you know I'm witnessing the crime, you know, uh,

0:17:44.560 --> 0:17:46.920
<v Speaker 1>and then trying to solve it or it was. Yeah,

0:17:46.920 --> 0:17:49.199
<v Speaker 1>it was so fun, such a cool movie. All Right,

0:17:49.200 --> 0:17:51.879
<v Speaker 1>I think you're gonna crutch this one. I love. I

0:17:51.880 --> 0:17:53.879
<v Speaker 1>love a good thriller, if you love a thriller. I

0:17:53.960 --> 0:17:55.400
<v Speaker 1>knew this is sort of up here, Alley. I wasn't

0:17:55.400 --> 0:17:59.720
<v Speaker 1>trying to uh humiliate you this time. Next up, we

0:17:59.800 --> 0:18:02.120
<v Speaker 1>have of a movie that I'm pretty sure you've seen,

0:18:02.720 --> 0:18:09.439
<v Speaker 1>a movie called The Black Swan. Sure, Oh, Tarnovski, you're

0:18:09.520 --> 0:18:12.960
<v Speaker 1>killing it all I haven't seen it since it came out,

0:18:13.000 --> 0:18:16.240
<v Speaker 1>though I haven't either. I'd like to. I would too.

0:18:16.920 --> 0:18:19.880
<v Speaker 1>I saw in the theater even I did as well. Yeah,

0:18:20.720 --> 0:18:22.959
<v Speaker 1>no one can pull us pull the strings like Aeronovski,

0:18:23.080 --> 0:18:24.920
<v Speaker 1>you know, none can make you squirm in the seat

0:18:25.000 --> 0:18:28.600
<v Speaker 1>quite like a real divisive guy. Though. Man, I really

0:18:28.760 --> 0:18:33.400
<v Speaker 1>enjoyed that movie. Mother, I've still seen it. Very unpleasant.

0:18:33.440 --> 0:18:35.800
<v Speaker 1>You gotta watch it. Shock there's one you gotta. I

0:18:35.840 --> 0:18:37.879
<v Speaker 1>want you to watch that one and so we can

0:18:37.920 --> 0:18:41.280
<v Speaker 1>discuss it, because it's just it's so divisive, and I'm

0:18:41.320 --> 0:18:44.240
<v Speaker 1>really interested to see what you think, because some people

0:18:44.359 --> 0:18:47.320
<v Speaker 1>just hated it because it was promoted like a horror movie,

0:18:47.600 --> 0:18:50.480
<v Speaker 1>but it really is just a bonkers, mean spirited art

0:18:50.480 --> 0:18:52.680
<v Speaker 1>house flick. You know what I mean, Yeah, I'm gonna

0:18:52.720 --> 0:18:54.080
<v Speaker 1>it's been on the list, but it's one of those

0:18:54.119 --> 0:18:55.679
<v Speaker 1>that I know is a tough watch. So I've been

0:18:55.720 --> 0:18:58.840
<v Speaker 1>like not in the mood. Uh did you see his

0:18:58.880 --> 0:19:00.840
<v Speaker 1>Noah movie? He made a movie be about Noah from

0:19:00.880 --> 0:19:04.240
<v Speaker 1>the Bible. It's it's got rock monsters in it, dude.

0:19:04.640 --> 0:19:06.920
<v Speaker 1>Weird is that? It's real weird. They're like these weird,

0:19:07.000 --> 0:19:10.080
<v Speaker 1>stop motioning looking rock monsters, which I believe are in

0:19:10.119 --> 0:19:13.240
<v Speaker 1>the Bible. There there there's certain types of angels or

0:19:13.280 --> 0:19:15.840
<v Speaker 1>something like that, and they literally look like these transformers

0:19:15.880 --> 0:19:19.359
<v Speaker 1>that are made out of like boulders. It's real strange. No,

0:19:19.440 --> 0:19:21.359
<v Speaker 1>I didn't not. I just saw like some clips and stuff.

0:19:21.359 --> 0:19:24.440
<v Speaker 1>But al right, now we're gonna move on. A very

0:19:24.480 --> 0:19:27.200
<v Speaker 1>good sort of a little a little more brainy thriller.

0:19:27.240 --> 0:19:30.639
<v Speaker 1>I think the talented Mr Ripley mmmm saw that in

0:19:30.640 --> 0:19:33.840
<v Speaker 1>the theaters. Yeah, all right, I was hot off the

0:19:33.840 --> 0:19:36.200
<v Speaker 1>heels of Uh. I mean that was really when when

0:19:36.320 --> 0:19:39.600
<v Speaker 1>Damon started being a big deal. I mean, it was

0:19:39.640 --> 0:19:41.359
<v Speaker 1>obviously a big deal from the start, but it was

0:19:41.400 --> 0:19:45.000
<v Speaker 1>probably his next big movie after excuse me, after uh,

0:19:46.480 --> 0:19:51.000
<v Speaker 1>good Will Hunting. I think, so good movie. Alright, No,

0:19:51.240 --> 0:19:55.040
<v Speaker 1>the movie a pretty positive you seen really really good

0:19:55.040 --> 0:20:02.680
<v Speaker 1>movie called Prisoners. Oh yeah, ye, awesome movie with Paul Dano,

0:20:03.160 --> 0:20:07.399
<v Speaker 1>Right yeah, and that was that was actually filmed in Georgia.

0:20:07.680 --> 0:20:09.760
<v Speaker 1>And that's that's your boy, the director that you love

0:20:09.800 --> 0:20:12.080
<v Speaker 1>so much, that we all love so much. Vili. Yeah,

0:20:13.119 --> 0:20:16.840
<v Speaker 1>he's he's he's a treasure. I can't wait for his

0:20:17.080 --> 0:20:20.040
<v Speaker 1>uh his Dune movie. He's done good work with Jill

0:20:20.119 --> 0:20:21.840
<v Speaker 1>and Hall as well. He did the movie Enemy, which

0:20:21.880 --> 0:20:25.640
<v Speaker 1>I believe you you enjoyed as well. Yeah. Yeah, yeah,

0:20:25.720 --> 0:20:27.560
<v Speaker 1>he's great and he's one of the best. He really

0:20:27.600 --> 0:20:30.680
<v Speaker 1>is one of the new Master's truly truly. All right. No,

0:20:30.840 --> 0:20:32.880
<v Speaker 1>maybe you should shoot for our percent here. Maybe that's

0:20:34.760 --> 0:20:37.640
<v Speaker 1>is it? Is it possible? Well, I don't think so.

0:20:38.600 --> 0:20:39.960
<v Speaker 1>The next movie you have on the list is a

0:20:40.000 --> 0:20:45.399
<v Speaker 1>little thriller with Miss Cathy Bates called Misery. Misery, Yes,

0:20:45.680 --> 0:20:48.479
<v Speaker 1>I definitely have seen that one. Um, it's the one

0:20:48.480 --> 0:20:51.480
<v Speaker 1>where she's really stingy and won't she just won't give

0:20:51.800 --> 0:20:58.359
<v Speaker 1>anybody any money miser No. Oh yeah, that's the one

0:20:58.359 --> 0:21:02.760
<v Speaker 1>where she breaks James Conn's feet him. That's right, what

0:21:02.920 --> 0:21:07.560
<v Speaker 1>a too? That the whole movie was great? Uh? No,

0:21:07.800 --> 0:21:10.200
<v Speaker 1>you were seven for seven. My friend who directed Misery,

0:21:10.240 --> 0:21:12.880
<v Speaker 1>it was somebody's it was? Was it? It was? What's

0:21:12.880 --> 0:21:16.560
<v Speaker 1>his name is? Uh? Opie? Wasn't it? Opie? Was that

0:21:16.600 --> 0:21:18.960
<v Speaker 1>a round hammerd jam? I want to say, yes, that

0:21:19.040 --> 0:21:21.480
<v Speaker 1>sounds familiar because I think I remember it being like

0:21:21.520 --> 0:21:26.600
<v Speaker 1>a change of pace. Oh no, Rob Reiner. But again

0:21:26.640 --> 0:21:30.399
<v Speaker 1>a change of pace, yeah, because yeah, exactly, really well

0:21:30.560 --> 0:21:33.840
<v Speaker 1>well paced. And like Kathy didn't Cathy Bates win an

0:21:33.840 --> 0:21:36.720
<v Speaker 1>oscar for that because she's just so bonkers. I think

0:21:36.840 --> 0:21:40.680
<v Speaker 1>she did. If she didn't, then she was robbed. No,

0:21:40.840 --> 0:21:44.359
<v Speaker 1>she did Academy Award for Best Actress in a Leading Role. Yeah, boy,

0:21:44.440 --> 0:21:46.199
<v Speaker 1>she I mean she crushed it in that, and that

0:21:46.280 --> 0:21:47.600
<v Speaker 1>was the I mean she had been and stuff, but

0:21:47.640 --> 0:21:50.120
<v Speaker 1>that was I feel like her first, like a really big,

0:21:50.160 --> 0:21:55.520
<v Speaker 1>big thing. Yeah. I mean it's an actor's dream role.

0:21:55.680 --> 0:21:57.640
<v Speaker 1>You know. James conn was good too. It's very easy

0:21:57.640 --> 0:22:01.159
<v Speaker 1>to overlook him in that movie. I think I agree,

0:22:01.480 --> 0:22:05.480
<v Speaker 1>all right. Another movie from Martin Scorsese, Knoal, the remake

0:22:05.760 --> 0:22:13.440
<v Speaker 1>of Cape Fear Funny Chuck, I don't, I'm I started.

0:22:13.560 --> 0:22:17.680
<v Speaker 1>I watched it very recently, and I watched it in bed,

0:22:18.320 --> 0:22:21.239
<v Speaker 1>and I fell asleep and I woke up kind of

0:22:21.280 --> 0:22:24.439
<v Speaker 1>at the end. How much did you watch? I don't know.

0:22:24.520 --> 0:22:30.639
<v Speaker 1>I would say I'm gonna put that in the no

0:22:30.760 --> 0:22:34.360
<v Speaker 1>category there I think. I think I'm I'm failing now

0:22:34.359 --> 0:22:37.480
<v Speaker 1>at my one hundred. Hey, you're there are other ones

0:22:37.520 --> 0:22:38.960
<v Speaker 1>on here. I know you haven't seen that. It's a

0:22:39.040 --> 0:22:45.359
<v Speaker 1>real creepy scene though, where like, uh, super young and beautiful, um,

0:22:45.480 --> 0:22:50.720
<v Speaker 1>Juliette Lewis like is like forcibly tongue kissed by old

0:22:50.800 --> 0:22:55.160
<v Speaker 1>creepy fucking robertson Hero. He puts his thumb in her mouth.

0:22:55.680 --> 0:22:58.320
<v Speaker 1>That's it and then and then they tone kiss. It's

0:22:59.160 --> 0:23:03.720
<v Speaker 1>very very Uh it's a lot of your skin type

0:23:03.760 --> 0:23:09.760
<v Speaker 1>of yeah, but you know it definitely does its job

0:23:11.480 --> 0:23:14.720
<v Speaker 1>in that scene. Alright. A movie from Brian to Palma

0:23:14.720 --> 0:23:18.560
<v Speaker 1>starring John Travolta called The Blowout. I haven't seen it, Okay,

0:23:18.960 --> 0:23:21.240
<v Speaker 1>I haven't seen it. Um, have I talked? Have we

0:23:21.240 --> 0:23:24.119
<v Speaker 1>talked about Phantom of the Paradise Chuck that I mentioned

0:23:24.119 --> 0:23:25.840
<v Speaker 1>that on the show, Yeah, a couple of weeks ago.

0:23:26.560 --> 0:23:29.880
<v Speaker 1>It's check out. It's so cool. There's some music alone.

0:23:29.960 --> 0:23:32.360
<v Speaker 1>It's it's like if you like stuff like head VG

0:23:32.520 --> 0:23:36.880
<v Speaker 1>and in rocky horror and that kind of rock opera thing. Um,

0:23:37.080 --> 0:23:39.800
<v Speaker 1>it's it is, it's so that, and it's really weird

0:23:40.040 --> 0:23:42.000
<v Speaker 1>and and like it's it's so interesting that he made

0:23:42.040 --> 0:23:44.240
<v Speaker 1>that movie. It's none like anything else he's ever done.

0:23:45.280 --> 0:23:47.440
<v Speaker 1>Brian da Palmas is one of the masters. He's made

0:23:47.440 --> 0:23:49.879
<v Speaker 1>a lot of really bad movies, but a lot of

0:23:49.920 --> 0:23:52.520
<v Speaker 1>really great movies. He's it's sort of interesting career wise.

0:24:00.960 --> 0:24:03.800
<v Speaker 1>All right, now I'm gonna move on to a foreign film,

0:24:04.160 --> 0:24:07.560
<v Speaker 1>the Dutch version of the great great movie The Vanishing

0:24:10.000 --> 0:24:13.880
<v Speaker 1>Not So American remake, right right right with Yeah, Nick Milty,

0:24:14.080 --> 0:24:16.080
<v Speaker 1>wasn't he in the American? Who was in the American?

0:24:16.200 --> 0:24:18.440
<v Speaker 1>I don't I want to say key for Sutherland? Yeah,

0:24:18.480 --> 0:24:21.199
<v Speaker 1>it was totally right. It was definitely you know, I

0:24:21.240 --> 0:24:24.199
<v Speaker 1>can't remember. I I don't. I don't think so, I

0:24:24.200 --> 0:24:28.440
<v Speaker 1>don't think so. Okay, good movie. It's just about like

0:24:28.960 --> 0:24:31.520
<v Speaker 1>the guy's wife just disappears, right, and then he's like

0:24:32.000 --> 0:24:34.360
<v Speaker 1>frantically searching for her the whole time. And that's right,

0:24:34.520 --> 0:24:37.720
<v Speaker 1>and then there's a twist. I guess. Yeah, really good movie. Cool.

0:24:38.560 --> 0:24:42.560
<v Speaker 1>Check out the Dutch version, everybody will alright, No, a

0:24:42.560 --> 0:24:44.399
<v Speaker 1>movie that came out not too long ago from the

0:24:44.440 --> 0:24:53.160
<v Speaker 1>smash It book Storrying Emily Blunt. The Girl on the Train. Yeah, um, yeah, yeah, yeah.

0:24:53.160 --> 0:24:57.000
<v Speaker 1>I watched that. It was good. I like it sounded unsure,

0:24:57.560 --> 0:25:00.280
<v Speaker 1>and now I'm I'm thinking, I'm I'm conflated it with

0:25:00.400 --> 0:25:03.960
<v Speaker 1>Gone Girl in my head. Yeah, different movie, the Gone

0:25:03.960 --> 0:25:07.040
<v Speaker 1>Girl on the Train. There should be a mash up

0:25:07.080 --> 0:25:10.960
<v Speaker 1>of those two. Was it the same writer though? Uh No, No,

0:25:11.800 --> 0:25:15.600
<v Speaker 1>I don't think so. Got it. Another Hitchcock classic, nol

0:25:15.800 --> 0:25:18.840
<v Speaker 1>a little movie called Vertigo. Yeah, I love that one

0:25:19.520 --> 0:25:22.880
<v Speaker 1>with oh what's her name? Don't tell me? No, tell

0:25:22.920 --> 0:25:26.639
<v Speaker 1>me Kim Novak. Yeah, it's great. I don't want to

0:25:26.640 --> 0:25:30.000
<v Speaker 1>spoil anything. Is that I'm telling you, folks? If you

0:25:30.040 --> 0:25:33.240
<v Speaker 1>haven't dug into I know that Hedgecock was apparently a

0:25:33.280 --> 0:25:36.720
<v Speaker 1>monster and treated his actors like shit and like abusive

0:25:36.760 --> 0:25:39.359
<v Speaker 1>and stuff, But damned if he didn't get results. And

0:25:39.440 --> 0:25:42.359
<v Speaker 1>a lot of those movies they hold up and they

0:25:42.400 --> 0:25:46.879
<v Speaker 1>have genuinely fascinating twists and and turns and they're just

0:25:47.000 --> 0:25:50.199
<v Speaker 1>real cool. Yeah, they're They're all great. He was. He

0:25:50.240 --> 0:25:53.000
<v Speaker 1>was a master for a reason. Right now, a little

0:25:53.040 --> 0:25:57.880
<v Speaker 1>Indian movie from the nineties, I think nineties called one

0:25:58.000 --> 0:26:02.040
<v Speaker 1>false move. No, I haven't even heard of it. It

0:26:02.119 --> 0:26:05.080
<v Speaker 1>was it was really good. It was. It was sort

0:26:05.119 --> 0:26:08.800
<v Speaker 1>of a smaller indie um written by are directed by

0:26:08.880 --> 0:26:12.440
<v Speaker 1>Carl Franklin, and it was starring and co written by

0:26:12.440 --> 0:26:15.040
<v Speaker 1>Billy Bob Thornton before he was a big deal. This

0:26:16.840 --> 0:26:20.360
<v Speaker 1>really good movie. Okay, okay, that's a no. Let's check

0:26:20.400 --> 0:26:24.760
<v Speaker 1>it out. Yeah, a movie. Another Scorsese movie, nohle. There's

0:26:24.760 --> 0:26:27.720
<v Speaker 1>three of those on here, called the Grifters. I have

0:26:27.880 --> 0:26:31.840
<v Speaker 1>not seen the Grifters. No, I haven't seen mean Streets either,

0:26:33.160 --> 0:26:37.160
<v Speaker 1>or uh, what's the America? One's America in the name,

0:26:37.480 --> 0:26:40.280
<v Speaker 1>Once upon a Time in America And that was not Scorsese,

0:26:40.600 --> 0:26:45.320
<v Speaker 1>it was it? Who was that? I think it was

0:26:46.240 --> 0:26:50.439
<v Speaker 1>Once upon a Time in America? Sergio Leone actually directed that.

0:26:50.520 --> 0:26:53.119
<v Speaker 1>I think Holy Ship, which is weird. I don't know

0:26:53.119 --> 0:26:56.320
<v Speaker 1>why I thought that, why I connected that with him. Um,

0:26:56.440 --> 0:26:58.520
<v Speaker 1>but I haven't seen a lot of his early, early,

0:26:58.600 --> 0:27:02.760
<v Speaker 1>early stuff. I've obviously seen seen Taxi Driver, which is

0:27:03.080 --> 0:27:05.480
<v Speaker 1>a classic. But I need to I need to see. Yeah,

0:27:05.480 --> 0:27:08.280
<v Speaker 1>the Grifters. It looks cool. Grifters is great in main Streets,

0:27:08.359 --> 0:27:12.360
<v Speaker 1>is stone cold classic, awesome, alright, nol uh, you are

0:27:13.200 --> 0:27:19.080
<v Speaker 1>nine to five your Dolly Parton right now, I'll take it,

0:27:20.400 --> 0:27:22.800
<v Speaker 1>so we're gonna move on it. I think you've seen

0:27:22.800 --> 0:27:25.240
<v Speaker 1>this you okay, Yeah, I'm good. Did you did you

0:27:25.240 --> 0:27:28.359
<v Speaker 1>hear about that horrible thing that that guy from squid

0:27:28.359 --> 0:27:31.200
<v Speaker 1>Billies said about Dolly Parton and he totally got fired

0:27:31.240 --> 0:27:34.200
<v Speaker 1>by your buddy? Who does that? Does that show? I did?

0:27:34.440 --> 0:27:37.640
<v Speaker 1>And I actually texted Dave Willis about that. I told

0:27:37.720 --> 0:27:41.400
<v Speaker 1>him I'm sorry he had to go through that. Yeah,

0:27:41.520 --> 0:27:45.919
<v Speaker 1>fucking idiot that weekend. I just really ship the bed man.

0:27:45.920 --> 0:27:48.560
<v Speaker 1>I don't just true colors. And you know, I saw

0:27:48.920 --> 0:27:50.480
<v Speaker 1>Henton play a couple of times and I always thought

0:27:50.480 --> 0:27:51.600
<v Speaker 1>it was just kind of a stick, and I think

0:27:51.640 --> 0:27:54.680
<v Speaker 1>everybody did. And then he realized like, oh buddy, this

0:27:54.720 --> 0:27:57.400
<v Speaker 1>guy right, yeah, well that's a good way to find

0:27:57.400 --> 0:28:00.240
<v Speaker 1>yourself out of a job that you had for here.

0:28:00.640 --> 0:28:03.080
<v Speaker 1>Yeah that that like you could literally still continue to

0:28:03.119 --> 0:28:06.719
<v Speaker 1>do during the pandemic and when you can't tour like

0:28:06.760 --> 0:28:11.879
<v Speaker 1>what I I hope you saved as shekels, uh basic instincts,

0:28:11.960 --> 0:28:15.480
<v Speaker 1>no is, Yeah, it's that was good man, that was

0:28:15.600 --> 0:28:18.880
<v Speaker 1>who directed. That's very Hoven jam and Vere Hooven. That's

0:28:18.880 --> 0:28:21.640
<v Speaker 1>exactly right. Yeah, Now, I really that's a good one.

0:28:22.080 --> 0:28:24.720
<v Speaker 1>Sort of set the tone for all these erotic thrillers

0:28:24.800 --> 0:28:27.119
<v Speaker 1>back in those days. There were so many because that

0:28:27.160 --> 0:28:29.800
<v Speaker 1>one did so well. No, the next one on the

0:28:29.840 --> 0:28:35.320
<v Speaker 1>list from Kevin Cottner, great great sort of intrigue thriller

0:28:35.840 --> 0:28:39.800
<v Speaker 1>called No Way Out. Ah, you get you're you're stumping me, man,

0:28:39.840 --> 0:28:41.480
<v Speaker 1>you're stumping me with some of these No Way Out.

0:28:41.480 --> 0:28:48.200
<v Speaker 1>Tell me about it. Uh, good movie, military intrigue. Um,

0:28:48.320 --> 0:28:51.280
<v Speaker 1>that's all I'm gonna say. Okay, got it. Very good movie.

0:28:51.960 --> 0:28:55.800
<v Speaker 1>Another Brian de Palma movie, very very kind of disturbing

0:28:55.800 --> 0:28:59.840
<v Speaker 1>and weird and cool movie called Body Double. M hm

0:29:00.440 --> 0:29:06.520
<v Speaker 1>noh of that period of his seventies seems seventies, eighties

0:29:07.400 --> 0:29:12.480
<v Speaker 1>and and very eighties. Have you seen Sisters with Kidder?

0:29:12.960 --> 0:29:15.880
<v Speaker 1>It's great. It's one of his from the seventies. And Yeah,

0:29:15.880 --> 0:29:19.040
<v Speaker 1>another movie. It's real cool, dude. That's I highly recommend

0:29:19.120 --> 0:29:22.160
<v Speaker 1>that one. Yeah, I gotta check that out. Alright, No,

0:29:22.480 --> 0:29:27.440
<v Speaker 1>three more. It is seven to ten. So if you

0:29:27.600 --> 0:29:31.680
<v Speaker 1>with on all three of these, it's a tie. But

0:29:31.720 --> 0:29:33.160
<v Speaker 1>I don't think you're going to because I have a

0:29:33.200 --> 0:29:36.080
<v Speaker 1>feeling you've even seen this next movie and perhaps all

0:29:36.120 --> 0:29:39.560
<v Speaker 1>three we'll see a movie where Christian Bale loses a

0:29:39.560 --> 0:29:42.719
<v Speaker 1>lot of weight called The Machinist. I didn't see it.

0:29:42.760 --> 0:29:45.560
<v Speaker 1>I mean, I'm obviously familiar with it. Um, I know,

0:29:45.720 --> 0:29:49.160
<v Speaker 1>I know. I never watched it all the way through. Okay, yeah,

0:29:49.960 --> 0:29:52.480
<v Speaker 1>see it always ends up close, Noal, and it does well.

0:29:52.560 --> 0:29:56.240
<v Speaker 1>You you've always throw some some curveballs at Mecha. It

0:29:56.240 --> 0:29:58.240
<v Speaker 1>gives me stuff that to my list. Tend to eight

0:29:58.280 --> 0:30:01.200
<v Speaker 1>with two to go. I think you definitely saw this movie,

0:30:01.360 --> 0:30:06.200
<v Speaker 1>which is actually for a modern day sort of popcorn thriller,

0:30:07.080 --> 0:30:09.240
<v Speaker 1>not too bad. I think a movie called disturb You.

0:30:09.840 --> 0:30:11.600
<v Speaker 1>You we we've talked about this that you kind of

0:30:11.760 --> 0:30:14.880
<v Speaker 1>liked it, right you sort of? Yeah? Shla buff, shy,

0:30:15.120 --> 0:30:18.280
<v Speaker 1>Shyla buff. Yeah, I didnt see it. Isn't isn't it

0:30:18.360 --> 0:30:22.560
<v Speaker 1>a rear window trope kind of movie? It is? In fact? Yes,

0:30:23.280 --> 0:30:25.560
<v Speaker 1>like the man next door is he a killer or not?

0:30:25.880 --> 0:30:30.120
<v Speaker 1>That's right, that's right. No, I'm with a dude, I'm

0:30:30.160 --> 0:30:32.000
<v Speaker 1>with it. We'll look at this an old tend to nine.

0:30:32.080 --> 0:30:34.479
<v Speaker 1>It comes down to the last one. Oh god, I

0:30:34.520 --> 0:30:37.960
<v Speaker 1>think you've seen this A little movie from David Fincher,

0:30:38.760 --> 0:30:42.800
<v Speaker 1>starring Jodie Foster called Panic Room. I've seen Panic Room. Yeah,

0:30:43.040 --> 0:30:46.560
<v Speaker 1>look at you with Dwight Yoakum. That's who I always remember.

0:30:46.680 --> 0:30:48.680
<v Speaker 1>I wasn't crazy about it because I was such a

0:30:48.800 --> 0:30:52.920
<v Speaker 1>David Fincher stand was just okay, it was just okay, Yeah,

0:30:53.720 --> 0:30:58.520
<v Speaker 1>making a little nonplussed. It's a toothumb movie, alright, No.

0:30:58.800 --> 0:31:01.760
<v Speaker 1>Eleven to nine. He squeeked it out, You eked it out.

0:31:01.800 --> 0:31:03.960
<v Speaker 1>You were on rails, you were off the rails, and

0:31:03.960 --> 0:31:08.880
<v Speaker 1>then then thank rails. Good job. I appreciate it, man,

0:31:09.160 --> 0:31:11.120
<v Speaker 1>thank you for the photo confidence. I wish you hadn't

0:31:11.120 --> 0:31:13.760
<v Speaker 1>a floated this whole pie in the sky idea of

0:31:13.800 --> 0:31:17.640
<v Speaker 1>getting a hundred, because then it was, you know, well

0:31:17.720 --> 0:31:19.840
<v Speaker 1>there's no way. You know, there's no way. There's a

0:31:19.840 --> 0:31:22.520
<v Speaker 1>way where there's a will, there's a way. Chuck. All right,

0:31:22.560 --> 0:31:24.760
<v Speaker 1>everyone for thanks for tuning in. Sorry this one was

0:31:24.800 --> 0:31:26.840
<v Speaker 1>a little bit shorter than usual, but I've got an

0:31:26.840 --> 0:31:30.600
<v Speaker 1>interview the great Lauren foco Bomb coming up here very shortly.

0:31:30.880 --> 0:31:35.000
<v Speaker 1>What are you guys talking about video drome? Oh? Hell yeah, yeah, right,

0:31:35.240 --> 0:31:38.080
<v Speaker 1>hell yeah. That's a so it's real quick and you

0:31:38.160 --> 0:31:41.200
<v Speaker 1>gotta go. H did you see that David Cronenberg's son

0:31:41.720 --> 0:31:45.440
<v Speaker 1>has a real cool looking movie coming out called Possessor No.

0:31:45.600 --> 0:31:48.160
<v Speaker 1>But that does not surprise me. It's totally a crona

0:31:48.200 --> 0:31:50.960
<v Speaker 1>it could be a Cronenberg movie. It's about totally body horror.

0:31:51.520 --> 0:31:54.440
<v Speaker 1>But it looks real stylish, and uh, it looks really cool.

0:31:54.680 --> 0:31:57.400
<v Speaker 1>It's got Andrea Reeseberg in it, who I adore, and

0:31:57.680 --> 0:31:59.800
<v Speaker 1>I can't wait to see it. Well, I look forward

0:31:59.800 --> 0:32:00.960
<v Speaker 1>to that, and now look forward to talking to you

0:32:01.040 --> 0:32:04.240
<v Speaker 1>again next week, my friend same. All right, goodbye everybody.

0:32:18.520 --> 0:32:20.800
<v Speaker 1>For more podcasts for my Heart Radio, visit the I

0:32:20.880 --> 0:32:23.680
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you listen to

0:32:23.680 --> 0:32:24.480
<v Speaker 1>your favorite shows,