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Speaker 1: Mister buying bones.

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Speaker 2: CMAS dropped their nominations yesterday, So I'll give you the

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Speaker 2: category and I'll tell you who, based on data, should win.

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Speaker 2: Not my pick or my favorite, but who I think

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Speaker 2: should win based on the reality of the landscape of

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Speaker 2: country music. That being said, you have to understand there

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Speaker 2: are thousands of people that vote in this. This is

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Speaker 2: not a board. The votes and alects, and so when

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Speaker 2: people get mad at the CMAS, it's not eleven people

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Speaker 2: in a boardroom. It's managers, agents, hundreds of people in radio,

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Speaker 2: it's any tour, all these people that work in the industry.

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Speaker 2: You can be a member of the CMA and you vote.

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Speaker 2: It's thousands of people. So it's not eleven people trying

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Speaker 2: to screw somebody over. There are those, but this is

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Speaker 2: not that. Entertainer of the Year nominees are Morgan wall

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Speaker 2: and Luke Combs, Landy Wilson, Cody Johnson, and Chris Stapleton.

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Speaker 2: Who should win Morgan Wallen. You never know who's gonna

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Speaker 2: win because different reasons, but Morgan Wallen should win. He

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Speaker 2: should be the Entertainer of the Year, Album of the Year,

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Speaker 2: and I don't really have a for sure on this

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Speaker 2: one something that I would go plant my flag in

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Speaker 2: because a lot of these could win. Megan Maroney, am

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Speaker 2: I okay, Zach Top, Cold Beer, Country Music, Post Malone,

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Speaker 2: F one trillion, Morgan Wallen, I'm the problem. Whe'll win,

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Speaker 2: Landy Wilson, probably Morgan Wallen. It's just streamed so much,

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Speaker 2: and he does. He was the first one to really

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Speaker 2: do seven hundred songs on an album and then you

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Speaker 2: have all those streams. Those all count because for a

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Speaker 2: long time he was like, we'll do an EP because

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Speaker 2: people don't care. He was like, well, why you're zigging.

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Speaker 2: I'm gonna zag and I'm gonna do forty two songs

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Speaker 2: on an album. It really worked out well for him. Obviously.

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Speaker 2: I saw yesterday he's playing in Canada. I think it's

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Speaker 2: tours up in Canada now and they open the merch

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Speaker 2: stand of day before the show's even start. Oh a

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Speaker 2: Talian demand. Yeah, He's like, the thing was the merch

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Speaker 2: boots will be opened twenty four hours before the show.

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Speaker 3: That's insane.

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Speaker 2: It's insane. Yeah.

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Speaker 3: Wow.

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Speaker 2: Male Vocalist of the Year, this award is not what

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Speaker 2: this award says, because if it were a male vocalist

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Speaker 2: of the year, it would just be about the male

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Speaker 2: that was the best singer. It's not that it's kind

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Speaker 2: of the Junior Varsity Award for Entertainer of the Year,

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Speaker 2: because female vocalist is the same Junior Varsity award for

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Speaker 2: Entertainer of the Year. So it's kind of like second place. Stapleton,

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Speaker 2: Morgan wall On, Luke Comb's, Cody Johnson, Zach Toobb who

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Speaker 2: I'm gonna take Morgan out because I think if you

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Speaker 2: want to entertainer, it's Luke Comb should probably win that

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Speaker 2: award or Stapleton. Now, obviously I like all those guys.

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Speaker 2: I like Cody Johnson a lot, but a female vocalist. Again,

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Speaker 2: this is if you don't want Entertainer of the Year,

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Speaker 2: you should probably win this one. Laney, Ella Langley, Meghan Marony,

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Speaker 2: Kelsey Ballerini, Miranda Lambert. Really probably Megan Marony. She's not

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Speaker 2: up for Entertainer of the Year, but she I mean,

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Speaker 2: if I were investing in an artist stock and well,

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Speaker 2: I won't even say female, but it could be female,

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Speaker 2: I would invest in Megan Roney the most, like she

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Speaker 2: is already a superstar. So Meghan and Maroney there Single

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Speaker 2: of the Year. This is just preference Lanny Wilson, four

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Speaker 2: by four by You, Luke Combs Aint No Love in Oklahoma,

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Speaker 2: Meghan Maroney, am I okay, Zach top I never lie,

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Speaker 2: you look like you love me? Ella Langley and Riley Green.

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Speaker 2: Now who will probably win? Ella Langley and Riley Green

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Speaker 2: because they have two voting basses? Oh yeah, two artists,

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Speaker 2: So you have both labels. I'm not eve sure if

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Speaker 2: it's on the same label, different imprints, different management companies,

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Speaker 2: different They're all going to vote for that, so that

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Speaker 2: those songs like that win a lot. And that's kind

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Speaker 2: of why one of the reasons she won all the awards,

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Speaker 2: I think maybe the ACMs last year, not that the

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Speaker 2: song was bad, but it does help when you have

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Speaker 2: two different groups all voting for you or two I

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Speaker 2: say fan bases, but because it's not fant it's a

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Speaker 2: fan awarded vote. Who should win Single of the Year Again,

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Speaker 2: don't really have a dog in this fight where I

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Speaker 2: would just plant the flag obviously, I'm big Meghan Maroney, Guy,

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Speaker 2: that lou Comb song was massive though it ain't No Love,

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Speaker 2: but also not my favorite from him. My preference, Yeah,

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Speaker 2: song of the Year. I don't even care a New

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Speaker 2: Artist of the Year, zachtop Ella, Langley, Stephen Wilson Junior.

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Speaker 2: Talking about more Shaboozy New Artists is weird because it's

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Speaker 2: kind of the junior junior varsity. It's the junior varsity

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Speaker 2: of like male and female and they cram them all together.

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Speaker 2: But it's also like, who's new.

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Speaker 4: Did Shaboozie win last year?

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Speaker 2: I don't know?

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Speaker 3: Uh his song maybe? Did you think he won New Artists?

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Speaker 2: You could argue four out of these five? Oh yeah, easy.

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Speaker 2: And I think Stephen Wilson Junior is great, but I

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Speaker 2: don't think he has the heart of a bunch of

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Speaker 2: uh major record label people. They're gonna put it put

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Speaker 2: it behind him.

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Speaker 3: Oh yeah, he didn't take home an award. He just

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Speaker 3: performed it.

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Speaker 2: Like I like Steven Wilson Junior a lot, and now

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Speaker 2: I would probably pick him if it was just personal preference,

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Speaker 2: But I don't think he has really the major label

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Speaker 2: support where they want their person to win so they

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Speaker 2: can sell more major label records. Yeah, and use that.

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Speaker 2: I mean probably zachtop wins that. Ellen Langley's one of

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Speaker 2: those two probably went in. I think Shaboozi has been

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Speaker 2: around a while now. Yeah, A little bit, and so

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Speaker 2: I think some of that stuff's not even success based.

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Speaker 2: It's okay, you've been around for like two and a

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Speaker 2: half years now. But Chaboozi can win it too. Uh

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Speaker 2: So Megan Maroni she won it last year, but she

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Speaker 2: not in it this year, right, Yeah, she won it

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Speaker 2: last year. Other nominees were Shaboozi, Nate Smith, Mitchell Tinpenny

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Speaker 2: Zactop and Bailey's Internment. I think if you lose, you

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Speaker 2: should be eliminated. When you win, you should be eliminated

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Speaker 2: from new artists, not from all categories. So you're not

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Speaker 2: new anymore. Issue you get one shot at new artists.

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Speaker 4: I feel like they got a couple of years though, right,

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Speaker 4: Like because.

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Speaker 2: You're not new anymore. Yeah, you're not new, you're new ish.

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Speaker 2: We should have a second category, new Ish Artist of

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Speaker 2: the Year. November nineteenth, ABC snubs Parmally. They had another

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Speaker 2: number one this year. All they do is put out

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Speaker 2: number ones. Caane Brown Low Cash they had another number

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Speaker 2: one this year. They have like a top five song

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Speaker 2: played and they didn't even make the duo list and there.

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Speaker 3: Are how do they not make the dual list?

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Speaker 4: That's crazy because there aren't a lot of duos.

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Speaker 3: That's why they should make the list.

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Speaker 4: I'm saying.

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Speaker 2: You answered that in a way that was the opposite.

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Speaker 4: Meant their tone was the opposite of what you said.

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Speaker 2: Interesting, we should make that list. Uh, yeah, it's weird

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Speaker 2: that low Cash didn't make the list all right. Also,

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Speaker 2: like there are just too many letters and too many

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Speaker 2: award shows letters. Yeah as cmas and yeah here I am.

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Speaker 2: I have to explain it a lot of the times.

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Speaker 2: And honestly, if I wasn't in the business, I wouldn't

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Speaker 2: know the difference. I wouldn't care. The cmas are old school,

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Speaker 2: a little more old money, the ACMs more new money. Uh,

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Speaker 2: a little more cutting edge, a little more not anymore.

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Speaker 2: But they started in California. Now they're obviously here, but

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Speaker 2: it's a little younger.

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Speaker 4: When I was younger, I would differentiate them with gold

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Speaker 4: and silver. Like ACM's got a gold tone to it.

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Speaker 4: Everything about ACM's, the trophies kind of gold. The graphics

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Speaker 4: are always golden, and the cmas are like silver, like clear,

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Speaker 4: the trophies like glass.

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Speaker 3: So our ACM awards are silver hats, and then the

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Speaker 3: CMA's are glass. And I know they're glass because I'm

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Speaker 3: broken too.

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Speaker 5: Well, good job anyway.

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Speaker 4: Yeah, man, that's just how I would remember. One is

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Speaker 4: silverish and one's goldish.

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Speaker 2: I didn't know the difference.

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Speaker 3: Maybe on the TV that's what they looked like.

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Speaker 2: I told my wife yesterday, you saying on the TV

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Speaker 2: reminds me of yesterday when I said check card. And

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Speaker 2: so my wife and I went to Sonic yesterday and

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Speaker 2: I said, hey, I was pulling in and I was like,

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Speaker 2: I don't have any cash and I don't have my

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Speaker 2: check card. And then I said, oh, I said check

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Speaker 2: card on the show, and they thought I was weird.

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Speaker 2: And she goes, yeah, who says that? And I'm like,

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Speaker 2: well why? I asked her, what was our association with

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Speaker 2: check card? She goes, old people say that, and I said, well,

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Speaker 2: she goes, well, yeah, but or people from extremely small towns.

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Speaker 2: She goes, and that makes sense where you're from, very

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Speaker 2: rural check card. But I said, it's in my it

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Speaker 2: connects to my checking account, it's my check card. She's like,

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Speaker 2: that's fine, Papaul, but most people call it a debit card.

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Speaker 2: So I asked her the same question. Now she didn't

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Speaker 2: come out and volunteer and like, strike me down. I

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Speaker 2: asked to be struck down because she doesn't really listen

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Speaker 2: to the show. She didn't know what we talked about. Yeah,

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Speaker 2: but I was like, what do you think about check card?

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Speaker 2: She goes old? People say that, I said, oh, got it.

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Speaker 2: Top five hundred crime scenes in the United States. It's

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Speaker 2: already SAPDT. Next month is freaking Halloween? Really? Gosh? Number five.

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Speaker 2: The Cecil Hotel in Los Angeles, infamous form multiple murder, suicides,

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Speaker 2: and the mysterious twenty thirteen death of Alisa Lamb. She

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Speaker 2: was one just found in the water tank. Hm, the

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Speaker 2: rooftop water tank. Oh yeah, Like, how long ago was that?

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Speaker 2: Uh twenty thirteen? Wow?

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Speaker 3: No ago, Its longer ago than us.

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Speaker 2: Also connected to the serial killer Richard Ramirez. The night Stalker.

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Speaker 2: Guess have reported eerie presences, unexplained noises, and shadowy figures.

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Speaker 2: Is The night Stalker the Jake John Hall movie? No,

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Speaker 2: that's night Crawler.

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Speaker 4: Oh great movie though.

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Speaker 1: That's a good one.

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Speaker 6: Yeah.

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Speaker 2: The Cameraman that's a good one.

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Speaker 4: No, none of the one with the game show one.

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Speaker 3: Oh it's a Woman of the Hour.

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Speaker 2: Yeah, but isn't that him? I never watched it.

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Speaker 5: That's such a good one.

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Speaker 2: The movie's good.

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Speaker 4: Oh yeah, it's good, dude.

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Speaker 7: Oh.

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Speaker 3: I couldn't finish it because I was getting too creeped out.

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Speaker 4: It's a creepy movie because it was real creepy.

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Speaker 2: So, like, is that it, Mike? Is that the guy Richard?

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Speaker 3: He was so nice, Like I see how these girls

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Speaker 3: were like, okay, fine, you can take my picture.

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Speaker 2: The guys Rodney, Rodney a kalas different Richard m Yeah, yeah, yeah,

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Speaker 2: well today is not your day, man, I'm just throwing dark.

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Speaker 2: Yeah yeah.

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Speaker 5: Movie one it was really good.

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Speaker 3: Well, I'm never going to a desert to have photographs taken.

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Speaker 2: You shouldn't photographs, car check card, You're not gonna get

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Speaker 2: photographs taken. Well, get your picture made.

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Speaker 3: Yeah, didn't get my picture made. No, she was clearly

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Speaker 3: he was a photographer. So that's why I said it

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Speaker 3: that way. It wasn't just like your friends taking pictures.

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Speaker 2: It was like, but even photographs, photo, not photographs, photographs.

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Speaker 2: I feel like that's an elevated I think check cards

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Speaker 2: elevated to losers. Okay, that's what we say, what people

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Speaker 2: make fun of us. It's an elevated version of the

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Speaker 2: things that you say. Yeah, well good, I agree, don't

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Speaker 2: go to the desert and have your photograph taken. Do

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Speaker 2: not do that.

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Speaker 3: Then there's just too vulnerable.

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Speaker 2: Number four the Lolori Mansion in New Orleans. In the

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Speaker 2: eighteen thirties, social light Madame Delphini Lalori had a house.

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Speaker 2: The house was discovered to whold tortured, enslave people in

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Speaker 2: horrific conditions. My goodness.

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Speaker 1: Wow.

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Speaker 2: Though not a single crime scene, the atrocities inside shocked

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Speaker 2: the city. The mansion is said to be one of

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Speaker 2: the most haunted spots in New Orleans. Holy crap. Do

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Speaker 2: you ever wonder, like in a neighborhood, like what basement's

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Speaker 2: got cracked? Like some crap going down in it? Yeah?

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Speaker 2: Do that and we just drive by all the time.

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Speaker 2: We don't even know. Number three The Lizzie Borden House.

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Speaker 2: You know Lizzie Borden, right, and the rhyme, the Lizzie

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Speaker 2: Bordon rhyme. You know the Lizzy Bordon rhyme. Nope. In

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Speaker 2: eighteen ninety two, Andrew and Abby Borden were hacked to

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Speaker 2: death with an axe. Daughter Lizzie was accused but acquitted,

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Speaker 2: and the case remains unsolved. The home is now a

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Speaker 2: bed and Breakfast with guests reporting footsteps, whispers, and shadowy figures.

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Speaker 5: I turned it into a bed and breakfast.

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Speaker 2: Lizzie Bordon took an axe and gave her mother forty wax.

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Speaker 2: When she saw what she had done, she gave her

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Speaker 2: father forty one.

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Speaker 3: Oh my gosh, it's terrible, but she ended up.

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Speaker 2: Not doing it. And I think anywhere you go, if

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Speaker 2: you say somebody was murdered here, or there were nineteen

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Speaker 2: people murdered here, if there weren't, and then you ask

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Speaker 2: people the next day, Hey, any shadowy figures, any sounds?

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Speaker 2: Oh yeah, yeah, crazy so haunted. The Vicilla Axe murder

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Speaker 2: house familiar. That's the one we sent lunchbox to. In

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Speaker 2: nineteen twelve, eight people, including six children, were brutally murdered

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Speaker 2: with an axe. The killer was never caught. Visitors today

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Speaker 2: report children's voices, moving objects, and doors opening on their own.

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Speaker 2: Think about this, Eight people, including six children, were murdered

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Speaker 2: with an axe. It doesn't seem that real because we

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Speaker 2: don't have like documentation of it, like a news story

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Speaker 2: about it. It seems like something from Christopher Columbus days.

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Speaker 2: But that that's brutal and sad and terrible. This is terrible.

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Speaker 2: The Amityville House. This is from the Amityville Horror Like

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Speaker 2: the movie nineteen seventy four, Ronald de Feo Junior murders

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Speaker 2: parents and four siblings inside the house. A year later,

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Speaker 2: the Lutz family moved in, claiming that were being tormented

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Speaker 2: by violent paranormal activity. The story inspired the Amityville Horror

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Speaker 2: book and films. Okay, so if there's a house and

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Speaker 2: one person was murdered in it, and they gave me

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Speaker 2: a great deal, I think I would take the house.

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Speaker 2: If there was a house where four people have been murdered,

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Speaker 2: like four siblings and a parent, no chance, no chance.

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Speaker 2: So four is the number for you, and maybe three

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Speaker 2: or two. I don't know. One I think I could do.

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Speaker 2: I think people get killed in a lot of places.

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Speaker 2: I don't know the story behind it. And maybe there

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Speaker 2: was some you know, some Menindez brother type stuff where

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Speaker 2: they came and did it because they were being tortured.

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Speaker 2: And I don't know the story. But four, that's a

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Speaker 2: psycho the win in it just did some murdering. I

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Speaker 2: couldn't do that house. I could do one. I think

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Speaker 2: people dye in houses all the time.

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Speaker 4: Yes, but not murdered.

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Speaker 5: YEA dying different.

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Speaker 2: It is a bit different. But I think dying is dying,

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Speaker 2: but like a slaughter of multiple people. Not there for that.

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Speaker 4: So you may not know the answer to this. But

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Speaker 4: if you get murdered in a house and you're a spirit,

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Speaker 4: you're a ghost.

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Speaker 2: I don't know the answer to this. He set up.

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Speaker 2: I'm not going to know the answer.

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Speaker 5: Because he's not a spirit.

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Speaker 4: But you may know the answer.

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Speaker 2: Okay, go ahead, I give you my best guess. Would

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Speaker 2: you stay there? Like I don't want to stay where

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Speaker 2: I got murdered. Well, you are assuming that a spirit

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Speaker 2: or a ghost could only be in one place at

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Speaker 2: one time, like that is the movie assumption. You're basing

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Speaker 2: that on HM, So if one one spirit, one location,

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Speaker 2: that's kind of what I'm thinking. And you're also confining

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Speaker 2: the spirit to the physical restrictions that we have with

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Speaker 2: our organic bodies. Meaning if you're the spirit, you can

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Speaker 2: only be in one place. But if you're able to

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Speaker 2: like spread out and you could be in a thousand

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Speaker 2: places at once, I'd be awesome.

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Speaker 4: But no, if I has a spirit, I wouldn't want

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Speaker 4: to be in my house where I got murdered. I'd

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Speaker 4: be a freaking six flags exactly a lot of the

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Speaker 4: places I never got to go. So I don't know

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Speaker 4: the answer to it.

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Speaker 2: That's a good answer, thank you. Yeah. But there could

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Speaker 2: be a part of you we don't know the rules.

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Speaker 2: There could be a part of you that is that

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Speaker 2: one little part of you is always there while the

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Speaker 2: other parts of you are out doing all the things

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Speaker 2: you wanted to do. But you could be like tether

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Speaker 2: to the place you were murdered. We don't know the

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Speaker 2: spirit rules, Like that's a rule, you got it. Part

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Speaker 2: of you has to say, like.

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Speaker 4: You are tethered to the place where you died, or

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Speaker 4: what if you like you're tethered to the place every

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Speaker 4: place that you've been to in your life, you're tethered

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Speaker 4: there if you ever.

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Speaker 2: Went to go that. That's interesting. And you wrote that

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Speaker 2: roller coaster Texas Giant them all the way there for

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Speaker 2: the first as soon as they open, I was like

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Speaker 2: I got to the Texas Giant and I was like,

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Speaker 2: let's go. Waiting to do this my whole life. It sucked.

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Speaker 2: It didn't even go upside down. Yes, I have to

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Speaker 2: live that over and over again. That's part of your

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Speaker 2: The Orient Express that's a solid one at six flex Yeah,

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Speaker 2: that thing went upside down and I get really sick.

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Speaker 2: But I'll do a roller coaster. It's worth it. Yeah,

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Speaker 2: I don't know the rules on spirits. You know, we'll

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Speaker 2: find out shocking.

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Speaker 5: You don't know the answer to that, man, Yeah, it's weird.

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Speaker 2: You might not know the answer to this.

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Speaker 3: But in case, you do.

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Speaker 2: The morning routine that will help you live to one hundred.

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Speaker 2: There's seven things here, Amy, how many do you domber right?

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Speaker 2: Drink a glass of water? Yes, chick, purposefully.

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Speaker 3: Right when I wake up. I put it by my

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Speaker 3: all my bedside table for you.

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Speaker 2: I probably do most times, but I don't intention go

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Speaker 2: grab water to drink to check it off the list.

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Speaker 2: That's good that you do. Hydrating right away sits you

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Speaker 2: up for the day. It helps with digestion. A big

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Speaker 2: part of my A part, not big, a part of

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Speaker 2: my digestion issues. We're also not drinking enough water because

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Speaker 2: if you have enough water like lubrication for your food,

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Speaker 2: it doesn't digest well. Oh so that could be part

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Speaker 2: of a reason you're constipated, is you're not drinking enough water.

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Speaker 2: Oh yeah, which I didn't know that. Do you eat

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Speaker 2: a nutrient dense breakfast.

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Speaker 3: Not always if if if I have smoothies, then yes,

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Speaker 3: I feel like I'm getting a very nutrient dentse because

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Speaker 3: you can pack a lot of things in there.

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Speaker 2: Things like yogurtat Milberry's and nuts are great choices.

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Speaker 3: Oh, or smoothies. They didn't say that.

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Speaker 2: I think smoothie counts as all that because that smoothie

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Speaker 2: can be anything.

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Speaker 3: It can be all those things in a blender.

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Speaker 2: If there are nuts in your smoothie, yeah, I put.

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Speaker 2: Do you still travel with your little smoothie? No, of

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Speaker 2: course not. I don't travel with it.

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Speaker 1: Or do you ever use it?

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Speaker 2: Yeah? Every weekend. Margarita's opposite of what you're But I

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Speaker 2: don't have to plug it in. It's kind of cool.

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Speaker 2: I can watch TV and blend it right by the TV.

365
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Speaker 2: Some of my TikTok sometimes is that little machine Ninja

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Speaker 2: blast stretch your body.

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Speaker 3: M M. I need to do that. I mean, it's

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Speaker 3: on my list.

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Speaker 2: My back was killing me this morning. I slept hard

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Speaker 2: last night, and now the harder I sleep, the more

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Speaker 2: I wake up injured. Weird, I know, because I just

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Speaker 2: let my I just go and things hurt because they're

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Speaker 2: so relaxed. Woke up activating your nervous system. Something called

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Speaker 2: vaggal tapping.

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Speaker 3: Oh vagel? Is it vagal or vagel?

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Speaker 2: I don't know.

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Speaker 3: I don't know either, but I'm thinking like vegas.

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Speaker 4: I don't have a vegala.

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Speaker 3: I've done tapping before. I mean, I open up my limbs.

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Speaker 3: That probably helps my nervous system. Maybe because you do

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Speaker 3: breath work at the same time.

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Speaker 2: Why do you tap a PENI.

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00:18:00,359 --> 00:18:03,520
Speaker 3: Your penial land? I don't know.

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Speaker 2: That'll wake you up?

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Speaker 6: Uh?

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Speaker 2: So called vaguel vague According to the pronunciation uh some

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00:18:13,000 --> 00:18:16,040
Speaker 2: or somatic body tapping basically tap your body with your

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Speaker 2: fingers for a few minutes to wake your nervous system up.

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Speaker 2: Never hear that.

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00:18:18,520 --> 00:18:20,920
Speaker 3: Yeah, okay, so I guess I'm probably getting that. When

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Speaker 3: I open my limps.

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Speaker 5: She's limp.

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Speaker 2: She's limp, she's limp. She's in my head limp. Do

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Speaker 2: you know that song?

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Speaker 4: Yeah, it's not limp.

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Speaker 3: I know.

397
00:18:33,560 --> 00:18:37,320
Speaker 2: Practice mindfulness, Yes, I do that. How do you do that?

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00:18:37,520 --> 00:18:38,879
Speaker 3: I do a meditation every morning.

399
00:18:39,640 --> 00:18:42,280
Speaker 2: You need to play it problem you wake up. The problem.

400
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Speaker 3: A five minute meditation is sometimes I do five.

401
00:18:47,480 --> 00:18:51,960
Speaker 2: Sometimes Thanksgiving dinner tap in her body.

402
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Speaker 3: This stuff doesn't take very long, and you don't have

403
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Speaker 3: to make a smoothie. Like no, I said on the mornings,

404
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Speaker 3: I have a smoothie. I actually admitted that, like, oh shoot,

405
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Speaker 3: I haven't been doing that, so I don't always get

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Speaker 3: a nutrient. It's breakfast, but I certainly need to try.

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Speaker 5: Can you imagine, Hey, why were you lay oz doing

408
00:19:08,640 --> 00:19:10,080
Speaker 5: my tapping like you're going.

409
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Speaker 3: To tap in the car?

410
00:19:12,960 --> 00:19:14,919
Speaker 2: Sat intentions? Feels like a bit of mindfulness.

411
00:19:15,440 --> 00:19:16,080
Speaker 3: Yes it is.

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Speaker 2: And then number seven, enjoy your morning coffee. More and

413
00:19:18,640 --> 00:19:20,800
Speaker 2: more research shows it's good for us to Study of

414
00:19:20,840 --> 00:19:23,119
Speaker 2: November found helps promote good bacteria in your gut. If

415
00:19:23,160 --> 00:19:25,040
Speaker 2: you don't want the caffeine, even decap works.

416
00:19:24,840 --> 00:19:26,879
Speaker 3: Okay, simple check check.

417
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Speaker 2: I get that you are the most adjusted. Then in

418
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Speaker 2: the morning, I don't stretch. You do my stretch a

419
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Speaker 2: little bit.

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Speaker 3: You were doing it daily.

421
00:19:36,600 --> 00:19:38,719
Speaker 2: I probably stretch four days a week, four to five

422
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Speaker 2: days a week.

423
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Speaker 3: That's good. I'm telling you we need it. You're going

424
00:19:41,400 --> 00:19:45,800
Speaker 3: to be You're going to age better. I am okay.

425
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Speaker 3: I guess the other things I don't know.

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Speaker 2: I don't drink, Yeah, no drink and very little sun

427
00:19:49,560 --> 00:19:50,439
Speaker 2: and no smoke like that.

428
00:19:50,560 --> 00:19:53,360
Speaker 3: No drinking is going to come in hand.

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Speaker 2: I think so too, and I get to wear big

430
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Speaker 2: glasses to cover up the eyes I do. That's good stuff.

431
00:20:00,960 --> 00:20:03,600
Speaker 2: That's good what I just said.

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Speaker 3: The more we learn about alcohol, it's like.

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Speaker 5: It's not good for you.

434
00:20:06,880 --> 00:20:10,720
Speaker 2: It's poisoned, literally, I know, and we've always known that,

435
00:20:10,840 --> 00:20:11,280
Speaker 2: but we've.

436
00:20:11,119 --> 00:20:13,680
Speaker 3: Been conditioned to believe it's also a good time or

437
00:20:13,720 --> 00:20:16,159
Speaker 3: I needed to relax, and it's like, okay, no.

438
00:20:16,240 --> 00:20:16,640
Speaker 4: That's bad.

439
00:20:16,840 --> 00:20:20,880
Speaker 2: The alcohol pr people a plus last thirty years.

440
00:20:20,960 --> 00:20:24,479
Speaker 4: Yes, I feel like you shouldn't say I needed to relax.

441
00:20:24,560 --> 00:20:25,960
Speaker 4: That's that's well, that's problem.

442
00:20:26,359 --> 00:20:27,280
Speaker 3: No, I don't think.

443
00:20:27,359 --> 00:20:28,920
Speaker 2: No, I never have a good time.

444
00:20:28,960 --> 00:20:31,240
Speaker 4: Okay, I don't need it, but I have a good

445
00:20:31,240 --> 00:20:31,720
Speaker 4: time when.

446
00:20:31,560 --> 00:20:34,240
Speaker 3: I exactly, I guess, or if you want to relax

447
00:20:34,320 --> 00:20:37,439
Speaker 3: or you want to unwind, or just I know that

448
00:20:37,480 --> 00:20:40,760
Speaker 3: I've not had a problem with alcohol before, but there

449
00:20:40,760 --> 00:20:43,280
Speaker 3: are times where I think I was a little too,

450
00:20:43,760 --> 00:20:45,760
Speaker 3: like sort of like my coffee is comfort in the morning,

451
00:20:45,840 --> 00:20:48,399
Speaker 3: like a glass of wine was comfort in the evening.

452
00:20:48,440 --> 00:20:52,919
Speaker 3: But I didn't have an excessive problem like multiple in

453
00:20:53,000 --> 00:20:54,760
Speaker 3: a night, Like I could stop at one or the

454
00:20:54,760 --> 00:20:57,320
Speaker 3: next day if I needed to stop, I could. And

455
00:20:57,359 --> 00:21:00,359
Speaker 3: I've witnessed someone that cannot, so I know the difference,

456
00:21:00,400 --> 00:21:03,480
Speaker 3: and I'm like, okay, Thankfully my body is not chemically

457
00:21:04,600 --> 00:21:06,800
Speaker 3: attached to alcohol. But I do think you can get

458
00:21:06,840 --> 00:21:10,960
Speaker 3: in a routine of like wanting it to relax.

459
00:21:11,440 --> 00:21:18,240
Speaker 2: I think my copper comes from PENI tapping pinut every morning.

460
00:21:23,760 --> 00:21:30,399
Speaker 2: Go ahead. Man on Pollibus two busted over the shocking

461
00:21:30,440 --> 00:21:32,639
Speaker 2: theft of sixty thousand dollars in gifts during the wedding.

462
00:21:32,760 --> 00:21:34,920
Speaker 2: We talked about this, yes, yes, this is from the

463
00:21:34,920 --> 00:21:37,440
Speaker 2: New York Post follow up. A suspect has been arrested

464
00:21:37,520 --> 00:21:39,680
Speaker 2: over the theft of wedding gifts worth an estimated sixty

465
00:21:39,720 --> 00:21:44,080
Speaker 2: thousand dollars during the reception, along with the accused getaway driver.

466
00:21:45,040 --> 00:21:48,360
Speaker 2: This person's accused of being well dressed. That's an accusation.

467
00:21:48,400 --> 00:21:51,119
Speaker 2: I'd like, yeah, I accuse you of being well dressed.

468
00:21:51,800 --> 00:21:55,240
Speaker 2: Thank you. A well dressed wedding crasher caught on security

469
00:21:55,240 --> 00:21:57,680
Speaker 2: camera snatching a box of envelopes full of cash and

470
00:21:57,760 --> 00:22:03,320
Speaker 2: checks from the dance floor. That's so ballsy. You're vulnerable

471
00:22:03,359 --> 00:22:05,720
Speaker 2: in there. If one person sees you and knows what

472
00:22:05,760 --> 00:22:06,959
Speaker 2: you're up to, they're going to beat the crap out

473
00:22:06,960 --> 00:22:08,400
Speaker 2: of you. And you got to play it cool.

474
00:22:08,440 --> 00:22:09,720
Speaker 4: I won't beat the crap out of you.

475
00:22:09,800 --> 00:22:12,680
Speaker 2: If somebody sees you stealing something and they and they

476
00:22:12,720 --> 00:22:14,440
Speaker 2: know what's're stealing something, they're going to beat the crap

477
00:22:14,440 --> 00:22:16,480
Speaker 2: out of you. A drunk dude on a dance floor

478
00:22:16,520 --> 00:22:19,119
Speaker 2: in a reception, they're punching brides some wedding. You know,

479
00:22:19,240 --> 00:22:21,440
Speaker 2: they're going to punch somebody stealing a box of gifts.

480
00:22:23,040 --> 00:22:25,879
Speaker 2: Cops believe he just went into the wedding and grabbed it.

481
00:22:26,960 --> 00:22:29,920
Speaker 2: They got him though. New York Post with that story.

482
00:22:30,000 --> 00:22:32,160
Speaker 4: So I was telling my mom about this story, and

483
00:22:32,320 --> 00:22:36,399
Speaker 4: she was telling me that my cousin, she's not married anymore,

484
00:22:36,480 --> 00:22:39,720
Speaker 4: but when she was married, her in laws every Saturday

485
00:22:39,760 --> 00:22:42,720
Speaker 4: would go to this wedding venue that was right by

486
00:22:42,720 --> 00:22:45,360
Speaker 4: their house and just show up and dance all night.

487
00:22:45,520 --> 00:22:47,520
Speaker 2: So they would crash, but not steal. Yeah, they would

488
00:22:47,560 --> 00:22:49,160
Speaker 2: just go because it would be date.

489
00:22:49,119 --> 00:22:49,640
Speaker 4: Night for him.

490
00:22:50,160 --> 00:22:50,800
Speaker 2: That's funny.

491
00:22:50,960 --> 00:22:52,000
Speaker 5: Yeah, that's pretty good.

492
00:22:52,119 --> 00:22:53,639
Speaker 4: They did it all the time.

493
00:22:54,800 --> 00:22:55,560
Speaker 2: Yeah, that's funny.

494
00:22:55,680 --> 00:22:57,240
Speaker 4: This is like, why pay for a dinner?

495
00:22:57,400 --> 00:22:59,280
Speaker 3: I think maybe people that work at that venue are

496
00:22:59,320 --> 00:23:01,000
Speaker 3: like this couple. It's invited to every wedding.

497
00:23:01,320 --> 00:23:03,840
Speaker 2: You're a great point too, that's true. Or it's like

498
00:23:03,880 --> 00:23:06,480
Speaker 2: they know they're part of the wedding crashing crew so

499
00:23:06,520 --> 00:23:10,840
Speaker 2: they don't say anything. Let it go, Scuba, Can we

500
00:23:10,840 --> 00:23:11,840
Speaker 2: talk about your thing yet? Or no?

501
00:23:14,480 --> 00:23:17,320
Speaker 1: Oh sorry, I was doing something else. We cannot have

502
00:23:17,359 --> 00:23:19,439
Speaker 1: a meeting today, so I can give you an answer

503
00:23:19,600 --> 00:23:21,280
Speaker 1: this afternoon on when we can say it.

504
00:23:21,840 --> 00:23:24,600
Speaker 2: Okay, by the way, what team are you on?

505
00:23:25,520 --> 00:23:26,280
Speaker 1: But team my own?

506
00:23:26,400 --> 00:23:26,680
Speaker 2: Yeah?

507
00:23:27,240 --> 00:23:27,440
Speaker 8: For what?

508
00:23:29,000 --> 00:23:31,000
Speaker 2: Who wants to take this? I'll take it? Okay, go ahead?

509
00:23:31,000 --> 00:23:31,679
Speaker 4: What team are you on?

510
00:23:31,760 --> 00:23:31,960
Speaker 2: Dude?

511
00:23:31,960 --> 00:23:33,919
Speaker 4: Are you on the Bobby Bone Show team or are

512
00:23:33,920 --> 00:23:35,000
Speaker 4: you on your rock show team?

513
00:23:35,320 --> 00:23:37,760
Speaker 1: Oh my god, Eddie, I'm actually working on Bobby Bone

514
00:23:37,760 --> 00:23:38,280
Speaker 1: Show stuff.

515
00:23:38,359 --> 00:23:41,560
Speaker 2: Okay. In because we have a speaker in the break room,

516
00:23:41,840 --> 00:23:43,960
Speaker 2: and I was told that Scuba went in there and

517
00:23:44,040 --> 00:23:45,920
Speaker 2: changed it to the rock station when it was.

518
00:23:45,880 --> 00:23:47,280
Speaker 4: On our side. Who told you that?

519
00:23:47,600 --> 00:23:48,359
Speaker 2: Don't worry about that.

520
00:23:48,440 --> 00:23:50,439
Speaker 1: I like to know because that's actually false. I have

521
00:23:50,480 --> 00:23:51,960
Speaker 1: no way to get to that. That's on the rock

522
00:23:52,000 --> 00:23:53,639
Speaker 1: station now. But I didn't do that. It was on

523
00:23:53,680 --> 00:23:54,960
Speaker 1: the pop station a couple of days ago. And I

524
00:23:55,000 --> 00:23:55,800
Speaker 1: was bitching about that.

525
00:23:56,240 --> 00:23:59,119
Speaker 2: Everybody needs to understand every side project you have is

526
00:23:59,160 --> 00:24:02,479
Speaker 2: only because of this project. And if that becomes your

527
00:24:02,560 --> 00:24:05,440
Speaker 2: number one. That means this is no longer your number one,

528
00:24:05,440 --> 00:24:07,639
Speaker 2: and then you go away. I think I think I

529
00:24:07,640 --> 00:24:11,000
Speaker 2: would be the last person. I mean, I think somebody's

530
00:24:11,040 --> 00:24:14,240
Speaker 2: trying to have a little prep here.

531
00:24:14,440 --> 00:24:16,600
Speaker 4: I was excited. I was excited.

532
00:24:17,320 --> 00:24:19,520
Speaker 1: I can tell by his delivery. I would like to know,

533
00:24:21,160 --> 00:24:23,920
Speaker 1: are you on the oral culture tube or the rock tube?

534
00:24:24,640 --> 00:24:31,159
Speaker 4: Did I say, like Paul up and listen, listen, listen.

535
00:24:31,240 --> 00:24:31,920
Speaker 2: I was happy.

536
00:24:32,840 --> 00:24:35,959
Speaker 4: I was happy that it was changed because it's been

537
00:24:35,960 --> 00:24:37,480
Speaker 4: on the pop station from the beginning. I was like,

538
00:24:37,520 --> 00:24:39,760
Speaker 4: oh no, the company does not like us. But then

539
00:24:40,119 --> 00:24:42,560
Speaker 4: it changed the country station. Like this, now we're on

540
00:24:42,640 --> 00:24:45,760
Speaker 4: to it. It feels right. And then I saw it

541
00:24:45,800 --> 00:24:47,320
Speaker 4: was on the rock station. I said, who changes and

542
00:24:47,400 --> 00:24:48,639
Speaker 4: like Scuba changed it?

543
00:24:49,040 --> 00:24:51,560
Speaker 1: Who's that's such a lie? I don't have the I

544
00:24:52,080 --> 00:24:54,479
Speaker 1: change it. You're looking at there's an iPad that's at

545
00:24:54,480 --> 00:24:56,600
Speaker 1: the front desk. They change it. They said they rotated

546
00:24:56,600 --> 00:24:58,640
Speaker 1: every couple of days to a different station, So maybe

547
00:24:58,640 --> 00:25:00,720
Speaker 1: the rotation now is in the rock station or probably

548
00:25:00,760 --> 00:25:02,600
Speaker 1: flipped back to the pop station at some point.

549
00:25:03,040 --> 00:25:04,720
Speaker 3: I mean, that makes sense to rotate it, because your

550
00:25:04,840 --> 00:25:06,080
Speaker 3: building full of sense.

551
00:25:05,920 --> 00:25:07,560
Speaker 2: Makes actual sense, does make sense.

552
00:25:07,560 --> 00:25:09,440
Speaker 4: So do you want to just say that what.

553
00:25:09,400 --> 00:25:09,919
Speaker 2: Team are you on?

554
00:25:09,960 --> 00:25:10,520
Speaker 4: The team are you on?

555
00:25:10,560 --> 00:25:12,840
Speaker 1: I'm on the bibone Show team I've been since twenty nineteen.

556
00:25:13,280 --> 00:25:15,760
Speaker 2: Okay, all right, who told you?

557
00:25:16,440 --> 00:25:17,680
Speaker 1: I can't say Ryan McKitty.

558
00:25:17,800 --> 00:25:19,400
Speaker 3: Nope, he did himself.

559
00:25:20,760 --> 00:25:22,040
Speaker 4: He said he's not the one to put in the

560
00:25:22,080 --> 00:25:22,600
Speaker 4: country station.

561
00:25:22,920 --> 00:25:24,080
Speaker 2: Somebody else did.

562
00:25:25,000 --> 00:25:26,719
Speaker 1: There's no one. This is like, this is such a

563
00:25:26,760 --> 00:25:29,520
Speaker 1: non story. Okay, thank you for clarifying.

564
00:25:30,680 --> 00:25:32,240
Speaker 2: I saw your as a classic rock.

565
00:25:32,240 --> 00:25:35,919
Speaker 1: Yeah, I got notes. Okay, tell me please for the

566
00:25:35,960 --> 00:25:37,919
Speaker 1: TikTok version or the Instagram version, because I did two

567
00:25:37,960 --> 00:25:38,400
Speaker 1: different ones.

568
00:25:38,480 --> 00:25:40,560
Speaker 2: Yeah, TikTok. I took a screenshot.

569
00:25:41,040 --> 00:25:43,120
Speaker 1: I had a version up there, and apparently you can't

570
00:25:43,480 --> 00:25:46,000
Speaker 1: like directly record the song into it. It kills it.

571
00:25:46,200 --> 00:25:47,520
Speaker 1: So then I had to do the crappy thing where

572
00:25:47,560 --> 00:25:48,880
Speaker 1: you played in the speaker in the background.

573
00:25:49,359 --> 00:25:51,440
Speaker 2: Yeah, that's not the note to have. So he knows speakers,

574
00:25:51,520 --> 00:25:54,560
Speaker 2: because I, oh, that's a good one. The guy does

575
00:25:54,720 --> 00:25:55,240
Speaker 2: know speakers.

576
00:25:55,480 --> 00:25:57,240
Speaker 1: How you got it?

577
00:25:57,320 --> 00:26:03,960
Speaker 2: We trapped? I took a screenshot screwed up. Yeah, I

578
00:26:04,040 --> 00:26:06,200
Speaker 2: know you can't see this, but this is the screenshot

579
00:26:06,200 --> 00:26:10,200
Speaker 2: I took of your TikTok Uh huh, and you used

580
00:26:10,200 --> 00:26:13,840
Speaker 2: an effect called dark bloom. Yes, but dark bloom the

581
00:26:13,840 --> 00:26:16,000
Speaker 2: effect went over the name of the song. You can't

582
00:26:16,000 --> 00:26:17,800
Speaker 2: see the song because it's over the top of it.

583
00:26:18,400 --> 00:26:21,000
Speaker 1: Oh see, that's that's me being ignorant. Yes, So I

584
00:26:21,040 --> 00:26:23,560
Speaker 1: thought in my mind, let me pick a trending because

585
00:26:23,560 --> 00:26:25,520
Speaker 1: it was one of the trending filters. I was like, oh,

586
00:26:25,560 --> 00:26:27,320
Speaker 1: that's pretty smart. So how are you seeing it that way?

587
00:26:27,320 --> 00:26:27,760
Speaker 1: Because I don't.

588
00:26:27,800 --> 00:26:28,040
Speaker 2: I don't.

589
00:26:28,040 --> 00:26:31,480
Speaker 1: I guess I'm not seeing it that Maybe as a

590
00:26:31,480 --> 00:26:34,000
Speaker 1: consumer you see it differently versus the owner of the profile.

591
00:26:34,320 --> 00:26:37,560
Speaker 2: As a consumer. Probably. I was flipping through and I said, oh, cool,

592
00:26:37,600 --> 00:26:41,920
Speaker 2: let me watch this one because it's Chevelle lead that song. Yeah,

593
00:26:41,960 --> 00:26:43,159
Speaker 2: And he's like, is this classic rock? And I'm like,

594
00:26:43,160 --> 00:26:44,359
Speaker 2: why I can't see what the song is?

595
00:26:44,560 --> 00:26:46,120
Speaker 1: Oh, it's so weird on mine. I can see it clearly.

596
00:26:46,160 --> 00:26:47,880
Speaker 1: It says Chavelle the red. I know you can't see

597
00:26:47,880 --> 00:26:49,800
Speaker 1: it from there either, but like it's it's super clear.

598
00:26:50,359 --> 00:26:52,400
Speaker 1: It says it right there. Do you guys see my screenshot?

599
00:26:52,840 --> 00:26:55,080
Speaker 1: I mean, I don't get TikTok now the song.

600
00:26:54,920 --> 00:26:56,600
Speaker 2: Is under the I would put the song in the

601
00:26:56,600 --> 00:26:57,840
Speaker 2: more in the middle of the page though too.

602
00:26:57,840 --> 00:27:00,159
Speaker 1: Okay, should I just put it right below or it

603
00:27:00,160 --> 00:27:01,640
Speaker 1: says is a classic rock and then put the song

604
00:27:01,680 --> 00:27:02,199
Speaker 1: right next to that?

605
00:27:02,480 --> 00:27:04,320
Speaker 2: Maybe you could put it wherever. But I just thought

606
00:27:04,320 --> 00:27:04,920
Speaker 2: it was funny.

607
00:27:05,160 --> 00:27:07,080
Speaker 1: Okay, that did that's funny.

608
00:27:07,080 --> 00:27:11,000
Speaker 2: The name of the song was over the underneath the filter.

609
00:27:11,520 --> 00:27:12,600
Speaker 1: That's funny. I had no idea.

610
00:27:12,640 --> 00:27:12,840
Speaker 2: I don't.

611
00:27:12,960 --> 00:27:14,160
Speaker 1: I don't see it that way. It's funny.

612
00:27:14,160 --> 00:27:15,520
Speaker 2: And your Instagram didn't have the ny of the song

613
00:27:15,560 --> 00:27:18,000
Speaker 2: on it. Yeah, I put it and in the actual

614
00:27:18,040 --> 00:27:22,160
Speaker 2: like bile of the thing, nobody goes to the body.

615
00:27:22,560 --> 00:27:26,199
Speaker 2: What are you laughing? I notice all this stuff?

616
00:27:26,320 --> 00:27:30,640
Speaker 3: You nobody I do?

617
00:27:31,000 --> 00:27:33,360
Speaker 2: Yeah, you go if you care, you care enough about it,

618
00:27:33,760 --> 00:27:34,840
Speaker 2: you go to the second part.

619
00:27:35,160 --> 00:27:37,000
Speaker 4: But it's funny because like you love to say, like

620
00:27:37,040 --> 00:27:40,240
Speaker 4: nobody cares. But and you're not saying that nobody cares,

621
00:27:40,240 --> 00:27:41,160
Speaker 4: like you're not saying that one.

622
00:27:41,240 --> 00:27:43,919
Speaker 2: Dred doesn't care, right jimpop that they don't have a

623
00:27:43,960 --> 00:27:45,760
Speaker 2: relationship with you already if you come across the for

624
00:27:45,880 --> 00:27:47,040
Speaker 2: you page, they do not care to go to the

625
00:27:47,040 --> 00:27:49,080
Speaker 2: body unless you do something that makes them go to

626
00:27:49,080 --> 00:27:49,440
Speaker 2: the body.

627
00:27:49,480 --> 00:27:51,159
Speaker 1: And that's what I'm curious about. Hitting and that's why

628
00:27:51,160 --> 00:27:52,720
Speaker 1: I want to hit. So that's why this is super

629
00:27:52,800 --> 00:27:55,359
Speaker 1: valuable to me. But you know how like we can

630
00:27:55,760 --> 00:27:58,199
Speaker 1: get our feelings hurt. Though when you say like nobody cares, no,

631
00:27:58,240 --> 00:27:59,040
Speaker 1: I don't. I don't care.

632
00:27:59,359 --> 00:28:01,000
Speaker 2: I think nobody cares about a single thing that I

633
00:28:01,040 --> 00:28:04,600
Speaker 2: do unless I do it exactly right. And even people

634
00:28:04,600 --> 00:28:06,800
Speaker 2: that do care, I still have to breadcrumb them into places.

635
00:28:06,880 --> 00:28:08,359
Speaker 3: But I think you're also just trying to say, like

636
00:28:08,400 --> 00:28:12,040
Speaker 3: you do you like, do what feels right? Like, no, dude,

637
00:28:12,520 --> 00:28:13,959
Speaker 3: I don't want to be I take it.

638
00:28:14,200 --> 00:28:15,719
Speaker 1: I don't want soft love. I want the truth. I

639
00:28:15,720 --> 00:28:16,920
Speaker 1: want someone to go, hey, you're doing a great job

640
00:28:16,920 --> 00:28:18,399
Speaker 1: when I'm not. I'd rather know that I'm not doing

641
00:28:18,440 --> 00:28:18,800
Speaker 1: a good job.

642
00:28:18,800 --> 00:28:21,360
Speaker 2: And how can I fine job and a good job even?

643
00:28:21,720 --> 00:28:24,160
Speaker 3: But also, nobody cares about anything.

644
00:28:24,800 --> 00:28:27,639
Speaker 2: Nobody cares about anything, right, So that's what it's like,

645
00:28:27,920 --> 00:28:29,280
Speaker 2: nobody cares about anything at all.

646
00:28:29,359 --> 00:28:31,480
Speaker 4: But that's not true. People care about certain things.

647
00:28:31,600 --> 00:28:34,879
Speaker 2: Yeah, certain people care about certain things, but the idea

648
00:28:34,920 --> 00:28:36,600
Speaker 2: of there are things now that people just care about

649
00:28:36,640 --> 00:28:38,680
Speaker 2: generally because they're good and they exist, that does not

650
00:28:38,800 --> 00:28:41,680
Speaker 2: count anymore at all. There's not even social media anymore.

651
00:28:41,800 --> 00:28:44,160
Speaker 2: What's It's not social media, it's not people you follow,

652
00:28:44,240 --> 00:28:47,400
Speaker 2: it's now for you media. Like the way that you

653
00:28:47,440 --> 00:28:49,640
Speaker 2: grow is not your friends liking it, it's all the

654
00:28:49,680 --> 00:28:51,080
Speaker 2: things that you're doing that are fed to people that

655
00:28:51,200 --> 00:28:53,200
Speaker 2: like things that you're doing. Okay, so that's people that

656
00:28:53,280 --> 00:28:55,200
Speaker 2: don't know you. So you've got to let them know

657
00:28:55,280 --> 00:28:57,440
Speaker 2: immediately what they're getting or they're not going to take it.

658
00:28:57,680 --> 00:29:00,880
Speaker 2: Because look at every social media now now it's not

659
00:29:01,040 --> 00:29:03,000
Speaker 2: so much ar just our friends watching or people that

660
00:29:03,040 --> 00:29:06,320
Speaker 2: we follow. For our growth, it depends on us being

661
00:29:06,360 --> 00:29:08,760
Speaker 2: for you'd and those people don't know us or care

662
00:29:08,800 --> 00:29:11,400
Speaker 2: about us, we're being for you too, So we have

663
00:29:11,480 --> 00:29:14,200
Speaker 2: got to hook them in three seconds to care about us.

664
00:29:14,720 --> 00:29:16,800
Speaker 2: And so all those little things matter that way, nobody

665
00:29:16,840 --> 00:29:19,800
Speaker 2: cares about anything. Yeah, and if you go with that approach,

666
00:29:19,840 --> 00:29:21,360
Speaker 2: then you care about everything that you do to make

667
00:29:21,360 --> 00:29:22,840
Speaker 2: sure all the little things are right. So people then

668
00:29:22,920 --> 00:29:25,720
Speaker 2: do care. That's all.

669
00:29:25,840 --> 00:29:28,280
Speaker 1: I have a question. Do you are you familiar with

670
00:29:28,640 --> 00:29:30,520
Speaker 1: or do you see any value? Because I got TikTok

671
00:29:30,560 --> 00:29:32,240
Speaker 1: now want to give you twenty percent off to boost

672
00:29:32,280 --> 00:29:35,280
Speaker 1: your post? Is that is that stuff worth it? I

673
00:29:35,280 --> 00:29:36,600
Speaker 1: haven't done it. I don't know if you have any

674
00:29:36,640 --> 00:29:37,600
Speaker 1: thoughts on that good question.

675
00:29:37,720 --> 00:29:41,040
Speaker 2: Yes and no. So where people mess up like companies

676
00:29:41,120 --> 00:29:43,280
Speaker 2: is when they'll go like, ah, we don't really need

677
00:29:43,800 --> 00:29:46,280
Speaker 2: well just boost our posts. You shouldn't boost a post

678
00:29:46,320 --> 00:29:49,520
Speaker 2: unless it already has success, okay, because you can boost

679
00:29:49,560 --> 00:29:51,480
Speaker 2: a post and pay fifty bucks for it, and it's

680
00:29:51,480 --> 00:29:53,240
Speaker 2: going to get somewhere. It'll tell you between five thousand

681
00:29:53,240 --> 00:29:56,080
Speaker 2: and nineteen thousand views based on but you're just gonna

682
00:29:56,080 --> 00:29:57,600
Speaker 2: get five thousand if it's crappy, you're going to get

683
00:29:57,600 --> 00:30:00,480
Speaker 2: the very low of that. If people don't like it. Yeah,

684
00:30:00,520 --> 00:30:02,360
Speaker 2: if you have something that's succeeding, that's when.

685
00:30:02,200 --> 00:30:02,720
Speaker 1: You boost them.

686
00:30:02,880 --> 00:30:05,320
Speaker 2: Okay, something that's doing middle good to real good because

687
00:30:05,320 --> 00:30:07,240
Speaker 2: you know people like it and so you want to

688
00:30:07,240 --> 00:30:09,360
Speaker 2: get it to more people that will like it. So

689
00:30:09,520 --> 00:30:11,760
Speaker 2: I wouldn't boost things at the very beginning. I would

690
00:30:11,760 --> 00:30:12,680
Speaker 2: boost things that work.

691
00:30:12,960 --> 00:30:14,040
Speaker 1: Okay, that makes sense.

692
00:30:15,360 --> 00:30:17,080
Speaker 2: I think that right now is the answer. The thing

693
00:30:17,120 --> 00:30:21,080
Speaker 2: is that's so fluid, Like I read freaking articles on

694
00:30:21,120 --> 00:30:24,760
Speaker 2: this every week, and then I also were like, I

695
00:30:24,760 --> 00:30:28,640
Speaker 2: help people grow channels. We're growing channels. It is an

696
00:30:28,800 --> 00:30:31,480
Speaker 2: art and a science, except it never it's always fluid.

697
00:30:32,000 --> 00:30:33,720
Speaker 1: Yeah, I'm not. I said, there's no rhyme or reason

698
00:30:33,760 --> 00:30:36,880
Speaker 1: for especially between Instagram and TikTok. You think you figured

699
00:30:36,880 --> 00:30:37,920
Speaker 1: it out and then there's something else.

700
00:30:37,960 --> 00:30:41,040
Speaker 2: Now, Yeah, it's always changing. Yeah so that's okay, all right, cool,

701
00:30:41,040 --> 00:30:44,560
Speaker 2: thanks man, welcome anything else, good stuff. Man.

702
00:30:45,480 --> 00:30:47,440
Speaker 4: That boost question is great because I'm always wondering.

703
00:30:47,440 --> 00:30:49,160
Speaker 2: I'm like, oh, should I boost it? I don't know.

704
00:30:49,240 --> 00:30:52,320
Speaker 2: You should boost something that is already being organically boosted

705
00:30:52,360 --> 00:30:55,800
Speaker 2: because of the quality of what you're producing. Yeah, so

706
00:30:55,840 --> 00:30:57,400
Speaker 2: if you had a picture or a video that's working

707
00:30:57,440 --> 00:30:59,960
Speaker 2: really well, boost that mofo. But don't boost something that's

708
00:31:00,080 --> 00:31:02,200
Speaker 2: and crappy because you're like, oh, if I boosted, people

709
00:31:02,200 --> 00:31:03,600
Speaker 2: will like it. No, they've already showed you they didn't

710
00:31:03,640 --> 00:31:05,640
Speaker 2: like it on Instagram. Something I would recommend to our

711
00:31:05,640 --> 00:31:08,960
Speaker 2: trial reels. Trial reels, Yeah, especially if it's something you're like,

712
00:31:09,000 --> 00:31:10,680
Speaker 2: it's not normally what I do, but let's see if

713
00:31:10,720 --> 00:31:12,400
Speaker 2: it works, because it feeds it too people that aren't

714
00:31:12,400 --> 00:31:14,520
Speaker 2: normally your people, and it gives you an idea if

715
00:31:14,560 --> 00:31:15,360
Speaker 2: it's going to work.

716
00:31:16,720 --> 00:31:19,240
Speaker 1: Okay, it's trial reel, like a thing within there or

717
00:31:19,280 --> 00:31:20,680
Speaker 1: this is you trying a reel.

718
00:31:20,480 --> 00:31:22,040
Speaker 2: If you pay me fifty bucks. I can show you.

719
00:31:22,080 --> 00:31:24,920
Speaker 1: Okay, all right, cool, I found fifty bucks in the studio.

720
00:31:26,600 --> 00:31:26,880
Speaker 9: You did.

721
00:31:28,400 --> 00:31:29,120
Speaker 2: What was your question?

722
00:31:30,040 --> 00:31:32,120
Speaker 1: So it's is the trial reels? Is that like an

723
00:31:32,120 --> 00:31:35,160
Speaker 1: actual like feature within the app? Okay, so it's not Instagram? Yes, okay,

724
00:31:35,200 --> 00:31:36,560
Speaker 1: so okay, I never I didn't know about that.

725
00:31:36,840 --> 00:31:39,400
Speaker 3: Does everybody have that though? Does everybody have access to

726
00:31:39,440 --> 00:31:40,040
Speaker 3: trial reels?

727
00:31:40,600 --> 00:31:42,720
Speaker 2: I don't know what everybody has. I know, like the

728
00:31:42,800 --> 00:31:44,960
Speaker 2: six accounts that I have all have it, So I

729
00:31:44,960 --> 00:31:45,320
Speaker 2: don't know.

730
00:31:46,320 --> 00:31:47,040
Speaker 10: I think they all have it.

731
00:31:47,080 --> 00:31:49,040
Speaker 2: Now, you got Burner accounts with there? Oh no, I

732
00:31:49,040 --> 00:31:52,760
Speaker 2: got podcasts, I got I got mine, I got twenty

733
00:31:52,760 --> 00:31:54,640
Speaker 2: five whistles, I got Bible one sports.

734
00:31:54,680 --> 00:31:56,400
Speaker 4: I can find out. You're the one troll in all

735
00:31:56,400 --> 00:31:57,040
Speaker 4: of our posts.

736
00:31:59,120 --> 00:32:02,560
Speaker 2: I'm the an number. I'm a No number in catfish

737
00:32:02,560 --> 00:32:04,840
Speaker 2: mom and you guys.

738
00:32:03,920 --> 00:32:08,360
Speaker 4: See where do you even find that?

739
00:32:08,520 --> 00:32:10,800
Speaker 2: I think it's under.

740
00:32:13,600 --> 00:32:13,800
Speaker 8: Yeah.

741
00:32:13,840 --> 00:32:15,440
Speaker 3: I know at one point not everybody had it, but

742
00:32:15,480 --> 00:32:18,640
Speaker 3: maybe now they do. Morgan says, so, so she's she's

743
00:32:18,680 --> 00:32:20,160
Speaker 3: they typically do social.

744
00:32:22,640 --> 00:32:25,520
Speaker 10: I know everybody started getting the repost feature finally, so

745
00:32:25,640 --> 00:32:27,000
Speaker 10: that was a slow rollout too.

746
00:32:29,040 --> 00:32:31,680
Speaker 2: Yeah, So okay, there you go. Hey, I got a

747
00:32:31,720 --> 00:32:33,479
Speaker 2: new AI one. That'd be a couple of tips. What

748
00:32:34,000 --> 00:32:35,800
Speaker 2: I got a new AI? Like when you try to

749
00:32:35,840 --> 00:32:39,880
Speaker 2: post AI is an option, uh to say it's AI,

750
00:32:40,160 --> 00:32:43,440
Speaker 2: to say the contents probably AI, describe your AIH yeah,

751
00:32:43,440 --> 00:32:45,680
Speaker 2: that's what it is. Yeah. I never do that. Even

752
00:32:45,720 --> 00:32:48,600
Speaker 2: if I do something AI, I never say that I

753
00:32:48,920 --> 00:32:49,200
Speaker 2: did it.

754
00:32:49,240 --> 00:32:50,920
Speaker 4: I did one where I posted a picture of me

755
00:32:50,960 --> 00:32:53,400
Speaker 4: and Jerry Jones forgot to say that it was AI.

756
00:32:54,440 --> 00:32:54,920
Speaker 2: Was it AI?

757
00:32:55,520 --> 00:32:56,479
Speaker 1: Yeah? Stop?

758
00:32:57,080 --> 00:32:59,320
Speaker 2: Yes, it was me and Jerry Jones having coffee bake.

759
00:33:00,560 --> 00:33:02,360
Speaker 2: Photoshop and AI A two different things.

760
00:33:02,400 --> 00:33:03,440
Speaker 4: Now A I created it?

761
00:33:03,600 --> 00:33:07,440
Speaker 2: Oh they did? Yeah? Okay? Uh, you want to do

762
00:33:07,440 --> 00:33:10,520
Speaker 2: another old dramatic moment here? Yes, are you guys in

763
00:33:10,520 --> 00:33:13,760
Speaker 2: the mood for another little slightly dramatic yes, I'll go

764
00:33:13,800 --> 00:33:15,880
Speaker 2: over to Morgan for this, because she is preparing for

765
00:33:15,920 --> 00:33:19,680
Speaker 2: Lunchbox to be mad at her again, I guess. Speaking

766
00:33:19,720 --> 00:33:22,520
Speaker 2: of social media, she kind of went viral again. Oh

767
00:33:22,640 --> 00:33:24,560
Speaker 2: no twice? Yeah?

768
00:33:24,800 --> 00:33:25,360
Speaker 3: Oh for what.

769
00:33:27,000 --> 00:33:29,600
Speaker 10: I have a video that's that's going viral on TikTok

770
00:33:29,680 --> 00:33:30,760
Speaker 10: right now, it's over.

771
00:33:30,600 --> 00:33:31,480
Speaker 11: One million views.

772
00:33:31,480 --> 00:33:33,760
Speaker 10: And then I have one on Instagram that's about to

773
00:33:33,840 --> 00:33:34,880
Speaker 10: hit one million views.

774
00:33:35,160 --> 00:33:35,960
Speaker 2: And the video is.

775
00:33:36,320 --> 00:33:38,920
Speaker 10: The video on TikTok is of I was out walking

776
00:33:38,960 --> 00:33:42,680
Speaker 10: in Franklin and I saw a dog getting fed scrambled eggs.

777
00:33:42,960 --> 00:33:44,480
Speaker 3: So I posted it like I wanted.

778
00:33:44,280 --> 00:33:45,440
Speaker 2: To sitting outside.

779
00:33:45,520 --> 00:33:46,600
Speaker 4: Yeah that's pretty.

780
00:33:46,320 --> 00:33:47,600
Speaker 10: Cool, and I was like, I want to beat this

781
00:33:47,640 --> 00:33:50,200
Speaker 10: dog in another life. And then I posted one on

782
00:33:50,360 --> 00:33:53,000
Speaker 10: Instagram of my boyfriend giving me snacks that was like

783
00:33:53,040 --> 00:33:56,440
Speaker 10: our deal to watch NFL games. And apparently it's hit

784
00:33:56,440 --> 00:33:57,440
Speaker 10: with the NFL crowd.

785
00:33:57,920 --> 00:33:58,960
Speaker 3: Ooh nice.

786
00:33:59,520 --> 00:34:01,640
Speaker 4: Yeah that one, and I kind of like, was like silly,

787
00:34:01,880 --> 00:34:02,280
Speaker 4: moved on.

788
00:34:02,560 --> 00:34:04,440
Speaker 10: Well, it has almost a million views.

789
00:34:05,200 --> 00:34:05,680
Speaker 2: Wasn't for you?

790
00:34:06,920 --> 00:34:08,320
Speaker 4: The egg one though, that's funny.

791
00:34:08,480 --> 00:34:10,800
Speaker 2: Yeah, that was funny. Look, Spuds McKenzie, he does.

792
00:34:10,960 --> 00:34:13,239
Speaker 10: He has a little hat on and it's got sunglasses.

793
00:34:13,480 --> 00:34:15,400
Speaker 2: It was a cute moment. How you feel about that

794
00:34:15,440 --> 00:34:17,160
Speaker 2: Lunchparks double viral?

795
00:34:17,600 --> 00:34:20,520
Speaker 5: Ah, man, it's really annoying. It's pretty stupid. I mean,

796
00:34:20,880 --> 00:34:23,520
Speaker 5: but I guess if you post enough, something will click.

797
00:34:23,880 --> 00:34:25,080
Speaker 5: I mean she does post a lot.

798
00:34:25,120 --> 00:34:26,319
Speaker 4: It's not true you post a lot.

799
00:34:26,440 --> 00:34:29,160
Speaker 2: I don't post as much as her, Yeah, but that

800
00:34:29,200 --> 00:34:30,920
Speaker 2: means something to click with you just maybe a little slower,

801
00:34:30,920 --> 00:34:31,760
Speaker 2: but they still be clicking.

802
00:34:32,040 --> 00:34:36,200
Speaker 5: Yeah, that's annoying. Let me go to your TikTok. Let

803
00:34:36,239 --> 00:34:41,480
Speaker 5: me see the stupid dog. Dang? How many times you

804
00:34:41,480 --> 00:34:42,040
Speaker 5: have to shoot that?

805
00:34:42,760 --> 00:34:43,480
Speaker 3: The dog video?

806
00:34:43,640 --> 00:34:43,879
Speaker 5: Yeah?

807
00:34:43,960 --> 00:34:46,280
Speaker 2: One, I was just walking by hired.

808
00:34:48,160 --> 00:34:49,840
Speaker 5: Can you bring that fork back? I can't really see it.

809
00:34:49,880 --> 00:34:51,520
Speaker 5: Hold on, hold on, no, I don't need to see

810
00:34:51,560 --> 00:34:53,879
Speaker 5: whoever that person is. How do I go to you?

811
00:34:54,200 --> 00:34:55,759
Speaker 2: What was that? I don't know?

812
00:34:56,320 --> 00:34:57,080
Speaker 5: Where do I go to you?

813
00:34:57,560 --> 00:34:59,319
Speaker 2: Sound like something? He wanted off his phone? Quick?

814
00:34:59,560 --> 00:35:00,640
Speaker 5: Well, I don't who they were?

815
00:35:02,160 --> 00:35:04,480
Speaker 2: RAYMONDO. What's the deal with you? You said? Would you have

816
00:35:04,520 --> 00:35:07,120
Speaker 2: called police in this situation? Yeah? So I was curious.

817
00:35:07,160 --> 00:35:08,040
Speaker 2: So I was coming to work.

818
00:35:08,080 --> 00:35:10,680
Speaker 7: It was around one am, let's say, and there was

819
00:35:10,719 --> 00:35:14,240
Speaker 7: this drunk dude on our side street here and.

820
00:35:14,160 --> 00:35:15,200
Speaker 2: I hear cops right now.

821
00:35:15,280 --> 00:35:17,759
Speaker 5: Yeah, that dog is sitting at the.

822
00:35:17,760 --> 00:35:21,800
Speaker 2: Table ahead and lunch rount of the next story. Yeah,

823
00:35:22,080 --> 00:35:26,279
Speaker 2: we've moved on, moved on, go ahead, And this this

824
00:35:26,480 --> 00:35:30,040
Speaker 2: drunk man is stopping traffic and I was one of them.

825
00:35:30,080 --> 00:35:31,839
Speaker 2: So he stops me and he goes, hey, man, are

826
00:35:31,880 --> 00:35:33,080
Speaker 2: you good to drive? You've been drinking.

827
00:35:33,120 --> 00:35:34,840
Speaker 7: I go, no, dude, I'm just going to work. He was, Okay,

828
00:35:34,880 --> 00:35:36,480
Speaker 7: we're going to clear you through you're good to go.

829
00:35:36,560 --> 00:35:39,080
Speaker 7: Man starts waving his arms. His buddies are dying laughing.

830
00:35:39,239 --> 00:35:41,640
Speaker 7: Then the next vehicle comes. It's a semi semi like

831
00:35:41,719 --> 00:35:43,719
Speaker 7: kind of honks, like what is going on? He's like, hey, man,

832
00:35:43,760 --> 00:35:44,440
Speaker 7: are you good to drive?

833
00:35:44,520 --> 00:35:46,440
Speaker 2: Are you good? Let's go, Let's clear him through. So

834
00:35:46,480 --> 00:35:49,879
Speaker 2: he's in the middle of the street directing traffic, hammered.

835
00:35:50,120 --> 00:35:52,120
Speaker 2: He wasn't blackout, so I didn't think he was really

836
00:35:52,160 --> 00:35:53,000
Speaker 2: gonna get run over.

837
00:35:53,160 --> 00:35:55,319
Speaker 7: And we all know the traffic doesn't really travel that

838
00:35:55,400 --> 00:35:59,000
Speaker 7: fast on this side street. Is this a situation where

839
00:35:59,000 --> 00:36:02,040
Speaker 7: I would have notified authorities or just let the drunk

840
00:36:02,040 --> 00:36:04,520
Speaker 7: guy have some fun with his buddies directing traffic, acting

841
00:36:04,560 --> 00:36:05,720
Speaker 7: like he's a crossing garden.

842
00:36:05,920 --> 00:36:09,719
Speaker 2: I think that's a three to one one call. We

843
00:36:09,800 --> 00:36:13,919
Speaker 2: have that, yeah, the emergency Yeah, that's that's the non

844
00:36:13,920 --> 00:36:16,160
Speaker 2: emergency number call. Hey, we got a guy here, because

845
00:36:16,160 --> 00:36:18,239
Speaker 2: he also could be hurt by a car, right, See,

846
00:36:18,239 --> 00:36:20,000
Speaker 2: that's what I was gonna dumb truck came through and

847
00:36:20,040 --> 00:36:22,319
Speaker 2: didn't really stop. He could have gotten run over if

848
00:36:22,320 --> 00:36:23,680
Speaker 2: we checked the security cameras.

849
00:36:23,719 --> 00:36:25,239
Speaker 7: But I thought he was just having fun. It was

850
00:36:25,239 --> 00:36:27,000
Speaker 7: a good American moment. You know, just let it happen.

851
00:36:27,000 --> 00:36:29,320
Speaker 11: You know what I'm saying, Are you really seriously considering

852
00:36:29,400 --> 00:36:31,560
Speaker 11: calling the cops on that? That is hilarious. It's something

853
00:36:31,640 --> 00:36:35,680
Speaker 11: you would do. It's something you do when you're sowing.

854
00:36:35,120 --> 00:36:35,440
Speaker 2: When the.

855
00:36:37,200 --> 00:36:38,160
Speaker 3: Need to have the cops call.

856
00:36:38,320 --> 00:36:40,960
Speaker 2: Doesn't mean just guys, you did it. It's okay. I

857
00:36:40,960 --> 00:36:43,960
Speaker 2: think it's fun, but I would if you wanted to

858
00:36:43,960 --> 00:36:47,040
Speaker 2: call somebody, I wouldn't, but you could call whatever the

859
00:36:47,080 --> 00:36:48,120
Speaker 2: non emergency number is.

860
00:36:48,440 --> 00:36:48,680
Speaker 9: Yeah.

861
00:36:48,760 --> 00:36:50,760
Speaker 7: I just felt like he was walking that fine line.

862
00:36:50,920 --> 00:36:53,560
Speaker 7: You know what, man, it's pretty funny. I'm gonna let

863
00:36:53,600 --> 00:36:55,759
Speaker 7: you do it, but next time, next time you get

864
00:36:55,800 --> 00:36:58,000
Speaker 7: any more in in my vehicle's way, I'm gonna have

865
00:36:58,040 --> 00:36:58,840
Speaker 7: to call the cops.

866
00:36:59,400 --> 00:37:03,160
Speaker 2: Just hit him. I had no idea what was going on.

867
00:37:03,239 --> 00:37:05,960
Speaker 2: I thought it was another gas leak, another gas leak.

868
00:37:06,719 --> 00:37:10,520
Speaker 2: There were firefighters in here there today, yeah, like an

869
00:37:10,520 --> 00:37:10,959
Speaker 2: hour ago.

870
00:37:11,360 --> 00:37:12,800
Speaker 3: I thought they were just expecting.

871
00:37:13,160 --> 00:37:14,360
Speaker 5: They were walking around our building.

872
00:37:14,360 --> 00:37:15,239
Speaker 2: Oh I don't leave this room.

873
00:37:15,560 --> 00:37:16,720
Speaker 5: They were walking around our floor.

874
00:37:17,239 --> 00:37:19,800
Speaker 2: You didn't see him leave this room. They might have

875
00:37:19,840 --> 00:37:24,359
Speaker 2: been looking for that guy. Still, somebody reported him down.

876
00:37:24,480 --> 00:37:27,680
Speaker 2: I saw two guys on a scooter, like one of

877
00:37:27,719 --> 00:37:31,640
Speaker 2: those line scooters on the interstate. Oh funny on Saturday

878
00:37:31,719 --> 00:37:32,319
Speaker 2: fast were they.

879
00:37:32,200 --> 00:37:35,520
Speaker 4: Going what's the maximum ten five miles for hour ten?

880
00:37:35,640 --> 00:37:38,000
Speaker 4: Like they were just and they were like dumb and dumber,

881
00:37:38,080 --> 00:37:39,520
Speaker 4: you know, like one was driving the other.

882
00:37:39,440 --> 00:37:42,080
Speaker 2: Day on the side side or they on the side

883
00:37:42,080 --> 00:37:44,319
Speaker 2: of one lane. No, they were on the interstate and

884
00:37:44,360 --> 00:37:47,320
Speaker 2: it was a ramp. So the interstate was like exiting

885
00:37:47,719 --> 00:37:49,239
Speaker 2: and it was a ramp and they were on the

886
00:37:49,360 --> 00:37:52,319
Speaker 2: side of the lane just trying, and one of them

887
00:37:52,320 --> 00:37:54,359
Speaker 2: had the phone up like take it right here. They

888
00:37:54,360 --> 00:37:57,040
Speaker 2: were mapping it. They were mapping the interstate on a line.

889
00:37:56,800 --> 00:37:59,200
Speaker 4: Which I had like, there's no I thought they would

890
00:37:59,239 --> 00:38:01,400
Speaker 4: shut down. I think they'll let you get on an interstate.

891
00:38:01,760 --> 00:38:04,120
Speaker 2: So they do. It's not that you can go or

892
00:38:04,160 --> 00:38:06,200
Speaker 2: not go on interstate, but they do have like, uh

893
00:38:06,480 --> 00:38:09,360
Speaker 2: perimeters you can't go. But that could be you may

894
00:38:09,440 --> 00:38:11,520
Speaker 2: it be on the other side of it. I don't know. Man,

895
00:38:11,600 --> 00:38:13,319
Speaker 2: they were on the inner state. It was crazy. They've

896
00:38:13,320 --> 00:38:15,440
Speaker 2: shut down on me before, but never because of an interstate.

897
00:38:16,200 --> 00:38:17,759
Speaker 2: They've shut down because I'm like near the water. I

898
00:38:17,800 --> 00:38:19,120
Speaker 2: saw a homelest gout throw a couple in the lake

899
00:38:19,160 --> 00:38:22,080
Speaker 2: ones through what throw a couple in the lake.

900
00:38:22,680 --> 00:38:25,200
Speaker 4: A couple scooter like a couple.

901
00:38:26,239 --> 00:38:31,320
Speaker 2: Yeah, now that there was, Yeah, I don't know, maybe they.

902
00:38:32,400 --> 00:38:34,640
Speaker 4: I just didn't think that was possible. And and and

903
00:38:34,680 --> 00:38:36,480
Speaker 4: the fact that they were just like you can tell

904
00:38:36,520 --> 00:38:38,399
Speaker 4: there's saying, oh crap, oh crap, oh crap, oh crap.

905
00:38:39,000 --> 00:38:40,960
Speaker 2: They wouldn't shut those down though, getting to an interstate

906
00:38:40,960 --> 00:38:42,360
Speaker 2: because there's really no reason you can get to the

907
00:38:42,440 --> 00:38:43,080
Speaker 2: other side of it.

908
00:38:43,280 --> 00:38:45,560
Speaker 4: Unless maybe it's a personal one. Maybe it was a

909
00:38:45,560 --> 00:38:46,040
Speaker 4: personal one.

910
00:38:46,440 --> 00:38:48,839
Speaker 2: Doesn't mean I own a personal line, no, no, no, they

911
00:38:48,840 --> 00:38:49,279
Speaker 2: own a person.

912
00:38:49,320 --> 00:38:51,040
Speaker 5: They have electric scooters though.

913
00:38:51,080 --> 00:38:53,080
Speaker 2: Yeah, but this was like a Lime scooter. Well, if

914
00:38:53,080 --> 00:38:55,759
Speaker 2: there's two people on it interstate, that's not somebody who

915
00:38:55,800 --> 00:38:58,120
Speaker 2: owns a scooter. That's somebody who's up new to town

916
00:38:58,320 --> 00:39:00,319
Speaker 2: and it's trying to figure out where they're going. Yeah,

917
00:39:00,400 --> 00:39:03,000
Speaker 2: that's weird. It's crazy because I could understand if it

918
00:39:03,120 --> 00:39:05,040
Speaker 2: was okay to not okay, But if it were inside

919
00:39:05,040 --> 00:39:08,319
Speaker 2: the perimeter, if there's like a bridge, because we have

920
00:39:08,360 --> 00:39:12,600
Speaker 2: bridges here in Nashville, they go over busy places. You

921
00:39:12,600 --> 00:39:14,480
Speaker 2: can take a scooter on that. So maybe that's why

922
00:39:14,480 --> 00:39:17,040
Speaker 2: they don't shut that area down. Yeah, like the GPS

923
00:39:17,080 --> 00:39:22,359
Speaker 2: just shows it above. Yeah, I don't know. Crazy. Well,

924
00:39:22,440 --> 00:39:24,600
Speaker 2: I'm watching somebody on a lampscot on the interstate.

925
00:39:24,640 --> 00:39:27,080
Speaker 3: Now I think you can get ticket in.

926
00:39:28,520 --> 00:39:29,320
Speaker 2: Man, that's death.

927
00:39:29,480 --> 00:39:32,440
Speaker 5: Yeah, yeah, that's no joke, Scoob.

928
00:39:32,480 --> 00:39:35,600
Speaker 2: But we have to get a screen in here. Oh,

929
00:39:35,640 --> 00:39:36,279
Speaker 2: we're working on it.

930
00:39:36,360 --> 00:39:38,400
Speaker 1: Okay. Sorry.

931
00:39:38,640 --> 00:39:40,680
Speaker 2: We went to barstool and did a munch shows up

932
00:39:40,719 --> 00:39:44,000
Speaker 2: there and they just go, yeah, put up on the

933
00:39:44,000 --> 00:39:46,040
Speaker 2: screen and they put the camera on the screen and

934
00:39:46,040 --> 00:39:47,880
Speaker 2: they have somebody running the screen, and I'm like, this

935
00:39:47,960 --> 00:39:49,719
Speaker 2: is like the simplest thing we should have this.

936
00:39:49,960 --> 00:39:51,120
Speaker 4: I just saw an email come in.

937
00:39:51,280 --> 00:39:51,480
Speaker 2: Yeah.

938
00:39:51,480 --> 00:39:53,320
Speaker 1: So we have the capability already because we put zooms

939
00:39:53,320 --> 00:39:55,200
Speaker 1: and stuff on that wall over there. So it's just

940
00:39:55,360 --> 00:39:57,239
Speaker 1: a matter of getting Mike's computer to go up there.

941
00:39:57,239 --> 00:39:59,760
Speaker 1: And so Zack's gonna come in either tomorrow or Thursday

942
00:40:00,120 --> 00:40:01,520
Speaker 1: on the big screen. Yes, well you can see it

943
00:40:01,560 --> 00:40:02,920
Speaker 1: there for camera and you guess.

944
00:40:02,600 --> 00:40:04,680
Speaker 2: Anything like den Mike could have brought that out. I'm

945
00:40:04,680 --> 00:40:06,480
Speaker 2: over here watching a guy in zoom on the interstate. Yeah,

946
00:40:06,480 --> 00:40:06,960
Speaker 2: you can all see it.

947
00:40:07,080 --> 00:40:08,200
Speaker 1: I think it's a great idea. So what we're going

948
00:40:08,280 --> 00:40:09,120
Speaker 1: to get that do for you this week?

949
00:40:09,120 --> 00:40:09,400
Speaker 2: Okay?

950
00:40:09,440 --> 00:40:10,280
Speaker 1: Thank you, welcome.

951
00:40:11,480 --> 00:40:12,960
Speaker 2: I lets see if there's anything else before I take

952
00:40:13,000 --> 00:40:21,240
Speaker 2: a break. I think it's it. Let's go to Michael

953
00:40:21,440 --> 00:40:23,759
Speaker 2: in Mississippi, who was on the phone. Michael, what's going on?

954
00:40:24,080 --> 00:40:28,640
Speaker 8: Good morning, Bobby, Morning, Morning, Cruise morning. Uh had a

955
00:40:28,680 --> 00:40:30,319
Speaker 8: little thing I was going to tell you on I've

956
00:40:30,320 --> 00:40:32,160
Speaker 8: got a great friend of mine. Y'all do the Tuesday

957
00:40:32,239 --> 00:40:34,080
Speaker 8: reviews day and I've got a great friend of mine

958
00:40:34,120 --> 00:40:37,680
Speaker 8: that was a firefighter and twenty four years ago he

959
00:40:37,760 --> 00:40:39,920
Speaker 8: went into a burning house and the house collapsed on

960
00:40:40,040 --> 00:40:44,560
Speaker 8: him and suffered major facial damages and everything, and no

961
00:40:44,719 --> 00:40:48,279
Speaker 8: doctor anybody really figured out how he lived out of it,

962
00:40:48,360 --> 00:40:50,000
Speaker 8: said he wasn't supposed to live out of it.

963
00:40:50,080 --> 00:40:50,239
Speaker 6: Well.

964
00:40:50,239 --> 00:40:53,920
Speaker 8: Ten years ago he had a life changing surgery that

965
00:40:54,080 --> 00:40:56,960
Speaker 8: was the first ever full face transplant in the world,

966
00:40:57,640 --> 00:41:00,279
Speaker 8: and he's lived through it. He's doing great. He just

967
00:41:00,320 --> 00:41:03,560
Speaker 8: released his new book. It's called Facing the Fire, and

968
00:41:04,080 --> 00:41:07,080
Speaker 8: I know how you support the firefighters and police officers,

969
00:41:07,080 --> 00:41:09,320
Speaker 8: and figured this may be something y'all would be interested

970
00:41:09,320 --> 00:41:11,799
Speaker 8: in reading. And it's a very touching story of his

971
00:41:11,840 --> 00:41:14,280
Speaker 8: life story, that's how everything happened.

972
00:41:14,520 --> 00:41:16,439
Speaker 2: Well, I check it out and I think I'm happy

973
00:41:16,440 --> 00:41:17,960
Speaker 2: you call it because you just said the name of it,

974
00:41:17,960 --> 00:41:19,560
Speaker 2: and our listeners can also go check it out too,

975
00:41:19,760 --> 00:41:22,919
Speaker 2: So that's that's that's super cool. He was able to, yeah,

976
00:41:22,960 --> 00:41:24,799
Speaker 2: survive that and thrive from that.

977
00:41:26,040 --> 00:41:26,239
Speaker 6: Yeah.

978
00:41:26,280 --> 00:41:28,680
Speaker 8: The guy's name is Pat Hardison. He's one of the

979
00:41:28,719 --> 00:41:31,319
Speaker 8: best people you'll ever meet. That he'll give you, give

980
00:41:31,360 --> 00:41:33,359
Speaker 8: you the shirt off of his back to this day.

981
00:41:33,880 --> 00:41:36,279
Speaker 8: And I mean just just his story and what he's

982
00:41:36,320 --> 00:41:39,400
Speaker 8: been through, and I mean he lost his nose, his eyes,

983
00:41:39,560 --> 00:41:42,759
Speaker 8: his ears, he had no eyelids, and I mean it

984
00:41:42,880 --> 00:41:46,000
Speaker 8: was the doctors were amazed that he even look through it. Said,

985
00:41:46,040 --> 00:41:48,000
Speaker 8: nobody was supposed to liep through anything like that.

986
00:41:48,600 --> 00:41:50,960
Speaker 2: I appreciate that facing the fire, Pat Harrison, I'm looking

987
00:41:50,960 --> 00:41:53,520
Speaker 2: at it now. Hope the book does wonderful things. Michael.

988
00:41:53,520 --> 00:41:54,319
Speaker 2: I appreciate you calling.

989
00:41:54,960 --> 00:41:57,399
Speaker 8: Yeah, thank you, and thank you for taking time take

990
00:41:57,440 --> 00:41:57,799
Speaker 8: his call.

991
00:41:57,920 --> 00:41:59,960
Speaker 2: Yeah, of course later, which by the way, reminds me,

992
00:42:00,120 --> 00:42:04,880
Speaker 2: I just don't believe in Helen Keller. Elaborate.

993
00:42:05,640 --> 00:42:06,879
Speaker 5: What do you mean you don't believe in her?

994
00:42:07,040 --> 00:42:09,480
Speaker 2: Well, I think she existed, but I think the stories

995
00:42:09,480 --> 00:42:13,640
Speaker 2: have been exaggerated. You're gonna tell me because you know

996
00:42:13,640 --> 00:42:14,479
Speaker 2: the story of Helen Keller.

997
00:42:14,520 --> 00:42:15,279
Speaker 5: I'm looking her up.

998
00:42:15,520 --> 00:42:20,440
Speaker 3: Yes, yeah, this actually well you don't even know this,

999
00:42:20,560 --> 00:42:22,479
Speaker 3: but therapy Kat and I talk about her a little

1000
00:42:22,480 --> 00:42:24,400
Speaker 3: bit on our podcast this week because she got genetic

1001
00:42:24,440 --> 00:42:25,160
Speaker 3: testing done.

1002
00:42:25,280 --> 00:42:27,400
Speaker 2: Helen Keller did no, oh, my friend Kat.

1003
00:42:27,480 --> 00:42:31,520
Speaker 3: And the person that was delivering her the news, she's like, like,

1004
00:42:31,560 --> 00:42:34,480
Speaker 3: in an excited tone, She's like, you're not gonna believe this,

1005
00:42:35,080 --> 00:42:38,680
Speaker 3: but you have talking to Kat, not her husband. She's like,

1006
00:42:38,760 --> 00:42:40,520
Speaker 3: you carry one of the genes that we call like

1007
00:42:40,520 --> 00:42:43,840
Speaker 3: the Helen Keller Jen and Kat's like, why are we

1008
00:42:43,880 --> 00:42:45,759
Speaker 3: sounding so excited right now? I mean, yes, I'm sure

1009
00:42:46,200 --> 00:42:48,239
Speaker 3: my child could still thrive and that's great, and there

1010
00:42:48,239 --> 00:42:50,600
Speaker 3: are people that may have this, but you're delivering news

1011
00:42:50,600 --> 00:42:53,080
Speaker 3: to me that like what if you so my child

1012
00:42:53,160 --> 00:42:56,520
Speaker 3: potentially could be blind, deaf and mute. You know, she

1013
00:42:56,640 --> 00:42:58,840
Speaker 3: just thought she's jial back the excitement because it's the

1014
00:42:58,920 --> 00:43:00,440
Speaker 3: level of challenges that make with that.

1015
00:43:00,600 --> 00:43:01,400
Speaker 2: Yeah.

1016
00:43:01,480 --> 00:43:03,400
Speaker 3: And then I was like, oh, there is a theory

1017
00:43:03,400 --> 00:43:05,000
Speaker 3: out there, and I told her and she had no idea.

1018
00:43:05,040 --> 00:43:08,319
Speaker 3: She never heard that potentially maybe some of it was exaggerated,

1019
00:43:08,400 --> 00:43:11,080
Speaker 3: not that she was blind, deaf, mute, but her accomplishments

1020
00:43:11,080 --> 00:43:11,960
Speaker 3: is that what you're referring to?

1021
00:43:12,080 --> 00:43:15,240
Speaker 4: Yeah, yeah, yeah, So she was blind, deaf mute?

1022
00:43:15,480 --> 00:43:17,960
Speaker 2: Well, Helen Keller was unable to see and hear due

1023
00:43:18,000 --> 00:43:20,560
Speaker 2: to an illness in nineteen months old. So again she

1024
00:43:20,600 --> 00:43:25,520
Speaker 2: couldn't see or hear because of her They call it

1025
00:43:25,560 --> 00:43:28,600
Speaker 2: deaf blindness. I've never heard of that term before. She

1026
00:43:28,640 --> 00:43:31,120
Speaker 2: could not easily communicate, which led to frustration and unruly

1027
00:43:31,200 --> 00:43:33,759
Speaker 2: behavior in her youth. However, she was not unable to

1028
00:43:33,760 --> 00:43:36,600
Speaker 2: do anything. With the help of her teacher and Sullivan,

1029
00:43:36,840 --> 00:43:38,880
Speaker 2: she learned to communicate, read, write, speak, and even ride

1030
00:43:38,920 --> 00:43:41,840
Speaker 2: a bicycle, ultimately becoming a college graduate or prolific author

1031
00:43:41,840 --> 00:43:44,359
Speaker 2: and a world around activist for people with disabilities. Got it?

1032
00:43:46,960 --> 00:43:48,040
Speaker 2: What don't you believe?

1033
00:43:49,600 --> 00:43:53,680
Speaker 11: How does she if she can't see or hear? Yeah,

1034
00:43:53,760 --> 00:43:55,719
Speaker 11: how would she know to do anything? Or how can

1035
00:43:55,880 --> 00:43:56,560
Speaker 11: she communicate?

1036
00:43:57,840 --> 00:43:59,879
Speaker 2: She communicated through touch There we.

1037
00:43:59,840 --> 00:44:01,200
Speaker 5: Go, but she didn't know what anything is.

1038
00:44:01,280 --> 00:44:03,360
Speaker 2: And they also say that when you lose a sense,

1039
00:44:03,480 --> 00:44:06,160
Speaker 2: you get two more. She lost a lot of senses

1040
00:44:06,200 --> 00:44:08,600
Speaker 2: there we Go, So she has tons of other ones.

1041
00:44:08,920 --> 00:44:10,520
Speaker 5: And I'm on toward with Bobby. I don't even know

1042
00:44:10,560 --> 00:44:12,239
Speaker 5: anything about her, but I'm not believing it.

1043
00:44:12,400 --> 00:44:16,719
Speaker 2: I think it was probably exaggerated a bit. I think

1044
00:44:16,760 --> 00:44:20,680
Speaker 2: she did great things for what she was born into.

1045
00:44:20,920 --> 00:44:22,879
Speaker 2: Super tragic. She didn't have the ability to do that stuff.

1046
00:44:22,880 --> 00:44:27,719
Speaker 2: But I we didn't even have cameras back then, like

1047
00:44:27,760 --> 00:44:30,239
Speaker 2: my buddy Richie to record stuff. My buddy Richie.

1048
00:44:30,280 --> 00:44:32,520
Speaker 4: He was blind. He played football. He was a running

1049
00:44:32,560 --> 00:44:35,239
Speaker 4: back and like he played football for four years in

1050
00:44:35,320 --> 00:44:35,759
Speaker 4: high school.

1051
00:44:35,840 --> 00:44:36,880
Speaker 3: Yeah, that is kind of crazy.

1052
00:44:37,440 --> 00:44:38,840
Speaker 2: Was he illegally blind or blind?

1053
00:44:38,920 --> 00:44:39,600
Speaker 4: Legally blind?

1054
00:44:39,880 --> 00:44:40,080
Speaker 2: Blind?

1055
00:44:40,120 --> 00:44:41,920
Speaker 4: I had a stick and everything, couldn't see anything.

1056
00:44:43,520 --> 00:44:46,200
Speaker 2: Okay, but in football, though, this is what I would argue.

1057
00:44:46,640 --> 00:44:49,120
Speaker 2: You're a running back, you probably don't play a lot.

1058
00:44:49,320 --> 00:44:51,680
Speaker 2: You probably don't play a lot. He didn't start right, Yeah,

1059
00:44:51,680 --> 00:44:54,399
Speaker 2: I didn't play a lot of shocking, but he could hear.

1060
00:44:54,800 --> 00:44:57,160
Speaker 4: He could hear, and he would hold on to the blocker.

1061
00:44:57,440 --> 00:44:58,560
Speaker 1: Okay, that was kind.

1062
00:44:58,440 --> 00:45:01,040
Speaker 2: Of but that's probably an at a part of the

1063
00:45:01,120 --> 00:45:05,520
Speaker 2: game where it did or down a lot and the

1064
00:45:05,560 --> 00:45:08,640
Speaker 2: other team knew not to wipe them out. Right. And

1065
00:45:08,680 --> 00:45:10,600
Speaker 2: also if even if you're blind and you say you're

1066
00:45:10,600 --> 00:45:13,000
Speaker 2: strong in your fast just run forward. Yeah, and it's

1067
00:45:13,040 --> 00:45:14,760
Speaker 2: gonna hurt about one point two seconds.

1068
00:45:14,800 --> 00:45:16,359
Speaker 4: But I don't think any of us in here would

1069
00:45:16,520 --> 00:45:19,520
Speaker 4: run forward full speed. If we had our eyes closed,

1070
00:45:19,640 --> 00:45:21,040
Speaker 4: I'd feel like I'm not doing it.

1071
00:45:21,080 --> 00:45:22,360
Speaker 2: I don't want to run an I don't want to

1072
00:45:22,360 --> 00:45:24,800
Speaker 2: do with my eyes open. Like I played football and

1073
00:45:24,840 --> 00:45:29,080
Speaker 2: I was like wow, right, so uh yeah. I just

1074
00:45:29,120 --> 00:45:32,839
Speaker 2: think the saga of Helen Keller has been a bit exaggerated.

1075
00:45:32,840 --> 00:45:34,640
Speaker 2: I think it needed to be exaggerated. Though it gives

1076
00:45:34,640 --> 00:45:36,239
Speaker 2: a lot of people hope. Mm hmm. Thanks.

1077
00:45:36,560 --> 00:45:40,120
Speaker 3: But I mean, are you saying one hundred percent or

1078
00:45:40,120 --> 00:45:41,719
Speaker 3: you're saying there's still a chance she could have done

1079
00:45:41,719 --> 00:45:42,560
Speaker 3: all that? I don't know.

1080
00:45:42,840 --> 00:45:45,600
Speaker 2: I don't think. Again, this is me just going what

1081
00:45:45,800 --> 00:45:47,319
Speaker 2: basically this is what I think. So I don't know.

1082
00:45:47,320 --> 00:45:50,080
Speaker 4: I wasn't there, Nobody was there, nobody was How long

1083
00:45:50,080 --> 00:45:53,120
Speaker 4: ago was this eighteen eighteen hundred? Yeah, I mean there

1084
00:45:53,120 --> 00:45:54,520
Speaker 4: were people there, but we didn't record it. We don't

1085
00:45:54,520 --> 00:45:57,360
Speaker 4: have it on video. Nobody had their iPhones out. You

1086
00:45:57,360 --> 00:46:00,440
Speaker 4: can just make up whatever you wanted. Before, like nineteen

1087
00:46:00,680 --> 00:46:02,720
Speaker 4: thirty eight, you could just make up whatever you wanted

1088
00:46:02,800 --> 00:46:05,160
Speaker 4: and if enough people agreed with you, it became truth.

1089
00:46:06,360 --> 00:46:08,320
Speaker 4: All you had to do was convince enough people and

1090
00:46:08,360 --> 00:46:10,319
Speaker 4: they would pass it on. Anything Before that time, it

1091
00:46:10,400 --> 00:46:12,239
Speaker 4: just became truth. Get enough people to write it down,

1092
00:46:12,239 --> 00:46:14,919
Speaker 4: it's truth. I just don't think that.

1093
00:46:16,520 --> 00:46:20,280
Speaker 2: The story that they have convinced us can is completely accurate.

1094
00:46:20,000 --> 00:46:20,759
Speaker 1: But I could be wrong.

1095
00:46:20,880 --> 00:46:25,759
Speaker 3: It says you're like any great writer. Helen had editors too,

1096
00:46:24,000 --> 00:46:26,759
Speaker 3: yea and her companion.

1097
00:46:26,880 --> 00:46:28,439
Speaker 2: I also don't think Shakespeare was real.

1098
00:46:28,520 --> 00:46:29,880
Speaker 3: Who read her books?

1099
00:46:30,160 --> 00:46:30,760
Speaker 5: Oh wow?

1100
00:46:31,640 --> 00:46:33,560
Speaker 2: I also don't think Shakespeare was real. What I think

1101
00:46:33,560 --> 00:46:35,120
Speaker 2: there was a person, but I think there was other

1102
00:46:35,120 --> 00:46:37,000
Speaker 2: people writing for him. That Shakespeare never went to school,

1103
00:46:37,080 --> 00:46:40,000
Speaker 2: but William Shakespeare never had a formal education. William Shakespeare

1104
00:46:40,000 --> 00:46:41,920
Speaker 2: wrote about places that he was writing about that he

1105
00:46:41,920 --> 00:46:44,280
Speaker 2: had never even been. You don't write about foreign places

1106
00:46:44,320 --> 00:46:47,279
Speaker 2: that accurately that you've never been without an education, and

1107
00:46:47,320 --> 00:46:48,240
Speaker 2: it'd be that prolific.

1108
00:46:48,280 --> 00:46:49,719
Speaker 3: Why'd they choose him to be the face? And then

1109
00:46:49,760 --> 00:46:50,840
Speaker 3: he had like ghostwriters?

1110
00:46:51,360 --> 00:46:53,319
Speaker 2: Yeah, there are theories, a lot of theories like Mark

1111
00:46:53,320 --> 00:46:55,080
Speaker 2: Twain didn't believe in William Shakespeare.

1112
00:46:56,440 --> 00:46:59,000
Speaker 5: Interesting, it is bad. We went from Helen Keller to Shakespeare.

1113
00:46:59,040 --> 00:47:00,319
Speaker 5: Everything's getting crumble.

1114
00:47:00,080 --> 00:47:05,080
Speaker 2: Here well and listen, like is anything real? But you

1115
00:47:05,120 --> 00:47:06,960
Speaker 2: know what happened? There are no cameras. You can do

1116
00:47:07,040 --> 00:47:10,400
Speaker 2: whatever you want, just get enough people to agree to it,

1117
00:47:10,640 --> 00:47:13,080
Speaker 2: write it down, and it's now the truth. That's history.

1118
00:47:13,719 --> 00:47:16,200
Speaker 2: But does it really affect us? Like William Shakespeare, he

1119
00:47:16,239 --> 00:47:18,880
Speaker 2: didn't write any of that. No, let me ask my assistant.

1120
00:47:18,920 --> 00:47:20,800
Speaker 2: She can give me better. There we go. I didn't

1121
00:47:20,800 --> 00:47:26,200
Speaker 2: come in prepared for this conversation. Hello, good morning. Could

1122
00:47:26,239 --> 00:47:28,479
Speaker 2: you present to me the top five reasons people feel

1123
00:47:28,520 --> 00:47:30,680
Speaker 2: like William Shakespeare was fake or a fraud?

1124
00:47:33,360 --> 00:47:36,239
Speaker 12: Good morning? Absolutely, I can dive into that.

1125
00:47:36,880 --> 00:47:39,920
Speaker 13: So there's a whole area of speculation known as the

1126
00:47:40,120 --> 00:47:43,440
Speaker 13: Shakespeare authorship question, and it's been around for a long time.

1127
00:47:43,840 --> 00:47:46,320
Speaker 12: Here are probably five of the top.

1128
00:47:46,160 --> 00:47:49,040
Speaker 13: Reasons people argue that Shakespeare might not have been the

1129
00:47:49,080 --> 00:47:51,480
Speaker 13: actual author of all those famous plays.

1130
00:47:52,840 --> 00:47:54,640
Speaker 12: There's what people call the education argument.

1131
00:47:55,400 --> 00:47:59,480
Speaker 13: Basically, skeptics think that the historical William Shakespeare of Stratford

1132
00:47:59,560 --> 00:48:02,320
Speaker 13: upon av On didn't have the formal education or the

1133
00:48:02,360 --> 00:48:05,960
Speaker 13: aristocratic background they imagine someone would need to write such

1134
00:48:06,000 --> 00:48:10,600
Speaker 13: sophisticated works. Second, there's the idea that Shakespeare was a

1135
00:48:10,640 --> 00:48:13,640
Speaker 13: sort of frontman for another writer or a group of writers.

1136
00:48:14,680 --> 00:48:17,000
Speaker 12: Some folks think maybe an aristocrat.

1137
00:48:16,440 --> 00:48:19,440
Speaker 13: Like Edward de vere the Earl of Oxford, or Francis Bacon,

1138
00:48:19,640 --> 00:48:22,600
Speaker 13: or even Christopher Marlowe or at the place, but used

1139
00:48:22,600 --> 00:48:26,640
Speaker 13: the name Shakespeare for various personal or political reasons. There

1140
00:48:26,680 --> 00:48:29,360
Speaker 13: are people point to certain anomalies in the historical record.

1141
00:48:30,239 --> 00:48:32,240
Speaker 13: For example, they say there's not a lot of direct

1142
00:48:32,280 --> 00:48:35,680
Speaker 13: evidence linking the man from Stratford to the actual act

1143
00:48:35,719 --> 00:48:38,359
Speaker 13: of writing the plays. They think it's odd that there

1144
00:48:38,360 --> 00:48:41,640
Speaker 13: aren't surviving manuscripts in his own hand, or that the

1145
00:48:41,719 --> 00:48:44,680
Speaker 13: mentions of him in official documents don't really highlight him

1146
00:48:44,719 --> 00:48:48,080
Speaker 13: as a writer of great renown. Fourth there's a kind

1147
00:48:48,120 --> 00:48:51,359
Speaker 13: of class argument. Some people think that only someone who

1148
00:48:51,480 --> 00:48:54,320
Speaker 13: was more familiar with the royal court in high society

1149
00:48:54,360 --> 00:48:57,880
Speaker 13: could have written so insightfully about the lives of nobles and.

1150
00:48:57,840 --> 00:49:01,200
Speaker 12: The intricacies of politics and power. And finally, some folks

1151
00:49:01,280 --> 00:49:02,200
Speaker 12: just love a good mystery.

1152
00:49:02,680 --> 00:49:04,839
Speaker 13: The idea that Shakespeare might have been a pen name

1153
00:49:05,080 --> 00:49:08,560
Speaker 13: or a collective pseudonym is one of those literary conspiracies

1154
00:49:08,560 --> 00:49:11,080
Speaker 13: that keeps going because it's just a fun puzzle for

1155
00:49:11,080 --> 00:49:11,800
Speaker 13: people to debate.

1156
00:49:12,640 --> 00:49:15,840
Speaker 2: Can you give me the person that died around the

1157
00:49:15,840 --> 00:49:18,120
Speaker 2: time that Shakespeare stopped publishing work. So a lot of

1158
00:49:18,120 --> 00:49:20,360
Speaker 2: people feel like it was that particular person.

1159
00:49:21,680 --> 00:49:24,600
Speaker 13: Absolutely so One of the most famous candidates in that

1160
00:49:24,640 --> 00:49:28,120
Speaker 13: whole Shakespeare authorship debate is Edward de Vere, the seventeenth

1161
00:49:28,200 --> 00:49:29,000
Speaker 13: Earl of Oxford.

1162
00:49:29,680 --> 00:49:31,280
Speaker 12: He passed away in sixteen oh four.

1163
00:49:31,320 --> 00:49:34,080
Speaker 13: And a lot of the plays attributed to Shakespeare were

1164
00:49:34,280 --> 00:49:35,920
Speaker 13: published or performed after that.

1165
00:49:36,920 --> 00:49:38,680
Speaker 12: People who believe in the ox forty in.

1166
00:49:38,760 --> 00:49:42,160
Speaker 13: Theory, as it's called, think that maybe de Vere wrote

1167
00:49:42,160 --> 00:49:45,320
Speaker 13: the plays and they were released under Shakespeare's name, which

1168
00:49:45,520 --> 00:49:48,800
Speaker 13: will explain why the real Shakespeare stopped writing around the

1169
00:49:48,840 --> 00:49:49,839
Speaker 13: same time Devere died.

1170
00:49:51,480 --> 00:49:53,239
Speaker 2: So that's one of the big theories that so the

1171
00:49:53,280 --> 00:49:55,000
Speaker 2: guy died and Shakespeare never wrote another play.

1172
00:49:54,800 --> 00:49:56,480
Speaker 4: After interesting, but he was still alive for a little

1173
00:49:56,520 --> 00:50:00,000
Speaker 4: bit who Shakespeare Shakespeare was, but they didn't write anymore.

1174
00:50:00,200 --> 00:50:02,600
Speaker 2: Yeah, he just stopped writing when this other guy who

1175
00:50:02,640 --> 00:50:04,879
Speaker 2: they feel like was probably doing the writing for Shakespear died.

1176
00:50:04,960 --> 00:50:07,280
Speaker 2: They kept performing them, but they were alreadyritten. Shakespeare just retire.

1177
00:50:07,280 --> 00:50:09,319
Speaker 2: He seinfelded, you know what I'm done, Rob when that

1178
00:50:09,360 --> 00:50:11,520
Speaker 2: dude died. There's just a lot. There's a lot to that,

1179
00:50:11,600 --> 00:50:12,960
Speaker 2: And again we can't we didn't record it.

1180
00:50:13,000 --> 00:50:17,440
Speaker 4: So I don't like I don't like her. She annoys me.

1181
00:50:17,920 --> 00:50:21,440
Speaker 2: Who Amy and you know what. I like. Amy's been

1182
00:50:21,440 --> 00:50:23,440
Speaker 2: with me for twenty years, and you like her.

1183
00:50:23,320 --> 00:50:28,319
Speaker 4: Your AI isis, Oh, she's so annoyed. Why because she's

1184
00:50:28,400 --> 00:50:31,560
Speaker 4: just like, good morning, let me tell you everything I know,

1185
00:50:31,920 --> 00:50:34,640
Speaker 4: and it's all real. It's like, I don't know. She

1186
00:50:34,800 --> 00:50:37,120
Speaker 4: has a tone to her voice that's kind of annoying.

1187
00:50:37,160 --> 00:50:40,080
Speaker 2: She annoys my wife too. She's like she thinks she's

1188
00:50:40,160 --> 00:50:42,839
Speaker 2: just like better than us. She does. That's it, but

1189
00:50:42,920 --> 00:50:43,439
Speaker 2: she is.

1190
00:50:43,560 --> 00:50:44,880
Speaker 4: That's the way to say she is.

1191
00:50:46,600 --> 00:50:50,240
Speaker 2: But that's my Shakespeare thing. Because they can say whatever

1192
00:50:50,239 --> 00:50:53,319
Speaker 2: they want. We weren't alive. They can say whatever they want.

1193
00:50:53,360 --> 00:50:55,040
Speaker 2: They can pass anything down to us. And again, if

1194
00:50:55,120 --> 00:50:57,279
Speaker 2: enough people agree to it, even if they're in a

1195
00:50:57,360 --> 00:50:59,040
Speaker 2: room and go, we're all going to write this, and

1196
00:50:59,080 --> 00:51:01,200
Speaker 2: we're all gonna say it, and there's no way to

1197
00:51:01,200 --> 00:51:05,640
Speaker 2: disprove it. The truth is written word, except it's not

1198
00:51:05,640 --> 00:51:07,600
Speaker 2: really the truth. It's just what exists. And why would

1199
00:51:07,640 --> 00:51:10,000
Speaker 2: the Earl of Oxford not want the credit to write

1200
00:51:10,000 --> 00:51:11,920
Speaker 2: all this? I'm glad you asked a lot. It was political.

1201
00:51:12,120 --> 00:51:14,880
Speaker 2: Another thing is being a playwright was not seen as

1202
00:51:14,880 --> 00:51:16,880
Speaker 2: something like it is now, like an actor is something

1203
00:51:16,880 --> 00:51:20,239
Speaker 2: that is held high esteem. That was a job that

1204
00:51:20,280 --> 00:51:23,640
Speaker 2: people made fun of. You're probably a weirdo. He writes plays,

1205
00:51:24,400 --> 00:51:28,600
Speaker 2: especially somebody that was royal or somebody that was well educated.

1206
00:51:28,640 --> 00:51:32,800
Speaker 2: You didn't write plays. You became a doctor, you studied science. Interesting.

1207
00:51:33,040 --> 00:51:35,480
Speaker 5: Who's more real, Helen Keller or Shakespeare.

1208
00:51:35,520 --> 00:51:37,120
Speaker 2: Helen Keller was for sure a real person.

1209
00:51:37,160 --> 00:51:39,279
Speaker 5: No, no, I get that. I understand. Oh so you

1210
00:51:39,280 --> 00:51:41,040
Speaker 5: don't even think Shakespeare was a real person.

1211
00:51:41,280 --> 00:51:46,759
Speaker 2: I think Shakespeare existed, yes, but some people think Shakespeare

1212
00:51:46,800 --> 00:51:48,520
Speaker 2: was just a dude they picked and you're going to

1213
00:51:48,560 --> 00:51:51,200
Speaker 2: be the guy that is now famous from this, but

1214
00:51:51,280 --> 00:51:54,279
Speaker 2: you're really not that person, Helen Keller. I think those

1215
00:51:54,320 --> 00:51:57,799
Speaker 2: people existed, both William Shakespeare and Helen Keller. I think

1216
00:51:57,840 --> 00:52:00,560
Speaker 2: Helen Keller was more of what we think of her,

1217
00:52:00,600 --> 00:52:03,839
Speaker 2: but definitely not to the level I think Shakespeare was

1218
00:52:07,000 --> 00:52:07,879
Speaker 2: used as a front man.

1219
00:52:09,440 --> 00:52:12,000
Speaker 4: There needs to be a movie on this, on that

1220
00:52:12,040 --> 00:52:14,400
Speaker 4: theory that Shakespeare was just a regular dude.

1221
00:52:14,400 --> 00:52:17,799
Speaker 2: People that I mean, I don't This isn't something that

1222
00:52:17,840 --> 00:52:20,440
Speaker 2: I'm like breaking news. No, that's good stuff.

1223
00:52:20,600 --> 00:52:23,759
Speaker 3: Maybe there is a documentary, Eddie, would you mind telling

1224
00:52:23,800 --> 00:52:27,440
Speaker 3: me about Mark Twain not believing in William Shakespeare?

1225
00:52:31,000 --> 00:52:33,279
Speaker 13: Not at all it's actually a pretty interesting little p

1226
00:52:33,400 --> 00:52:36,560
Speaker 13: Hill literary history. Zi Mark Twain, who was obviously a

1227
00:52:36,600 --> 00:52:38,759
Speaker 13: famous author in his own right, was one of the

1228
00:52:38,800 --> 00:52:40,080
Speaker 13: notable skeptics.

1229
00:52:39,600 --> 00:52:41,200
Speaker 12: Of the whole Shakespeare authorship question.

1230
00:52:41,719 --> 00:52:44,520
Speaker 13: He wrote about it in his essay called is Shakespeare Dead,

1231
00:52:44,560 --> 00:52:48,080
Speaker 13: which came out in nineteen oh nine. Twain basically found

1232
00:52:48,080 --> 00:52:50,080
Speaker 13: it hard to believe that the man from Stratford could

1233
00:52:50,080 --> 00:52:53,120
Speaker 13: have produced all of these incredible works given what we

1234
00:52:53,160 --> 00:52:56,839
Speaker 13: supposedly know about his background. Twain kind of approached it

1235
00:52:56,880 --> 00:52:59,440
Speaker 13: in a humorous way, but he definitely leaned into the

1236
00:52:59,480 --> 00:53:03,600
Speaker 13: idea that someone else, maybe Francis Bacon or someone of

1237
00:53:03,640 --> 00:53:06,280
Speaker 13: that arrow, was the true author behind the Shakespeare and Cannon.

1238
00:53:06,480 --> 00:53:08,799
Speaker 13: So yeah, Twain was definitely in that campus people who

1239
00:53:08,840 --> 00:53:12,120
Speaker 13: found the whole authorship question intriguing. And how does doubts

1240
00:53:12,160 --> 00:53:14,680
Speaker 13: about the man from Strafford pretty interesting?

1241
00:53:14,760 --> 00:53:14,960
Speaker 2: Huh?

1242
00:53:15,040 --> 00:53:16,200
Speaker 4: Yeah, it is for sure.

1243
00:53:16,280 --> 00:53:19,800
Speaker 2: Yeah, so that's what's up. Let's go over to Angie

1244
00:53:19,800 --> 00:53:23,520
Speaker 2: and Jackson, Mississippi. Let's talk to her. Angie, you're on

1245
00:53:23,560 --> 00:53:23,879
Speaker 2: the show.

1246
00:53:25,280 --> 00:53:26,640
Speaker 9: Hey, Bobby, how are you.

1247
00:53:26,480 --> 00:53:27,480
Speaker 2: Doing pretty good? What's going on?

1248
00:53:28,880 --> 00:53:29,120
Speaker 12: Well?

1249
00:53:29,200 --> 00:53:31,080
Speaker 9: I wanted to tell you why you should come to

1250
00:53:31,120 --> 00:53:32,400
Speaker 9: the Ole Miss game this weekend.

1251
00:53:32,760 --> 00:53:34,120
Speaker 2: Are you an ole Miss fan? You want to watch

1252
00:53:34,160 --> 00:53:35,240
Speaker 2: me cry after a loss?

1253
00:53:35,960 --> 00:53:39,080
Speaker 9: Oh, I'm an Ole Miss fan. My kids graduated from there.

1254
00:53:39,120 --> 00:53:42,359
Speaker 9: Most of our family went there. Archie and Eli side there,

1255
00:53:42,400 --> 00:53:46,200
Speaker 9: so that's you know, that's something. But we also have

1256
00:53:46,280 --> 00:53:49,440
Speaker 9: great restaurants if you're on into the bar scene. We

1257
00:53:49,520 --> 00:53:53,480
Speaker 9: have historical landmarks like Rowan where William Faulkner lives, so

1258
00:53:53,719 --> 00:53:56,000
Speaker 9: you know, if you're looking for something to do before

1259
00:53:56,120 --> 00:53:59,640
Speaker 9: tailgating starts, and those are some great options. But we

1260
00:53:59,760 --> 00:54:04,880
Speaker 9: have the fanciest tents. Not everybody you know decorates, but

1261
00:54:05,000 --> 00:54:08,600
Speaker 9: we have tents with Drake's and chandeliers and I'm actually

1262
00:54:08,680 --> 00:54:11,720
Speaker 9: part of the disco tant. I'm staring at a basket

1263
00:54:11,760 --> 00:54:14,000
Speaker 9: of disco balls that are going to win me this weekend.

1264
00:54:15,440 --> 00:54:17,359
Speaker 9: But you know, win or lose the game, we never

1265
00:54:17,400 --> 00:54:19,959
Speaker 9: lose a party. And I think you'll have a great time.

1266
00:54:20,400 --> 00:54:23,840
Speaker 9: You'll be treated with genuine Southern hospitality and you'll be

1267
00:54:23,880 --> 00:54:24,480
Speaker 9: glad you came.

1268
00:54:24,680 --> 00:54:26,600
Speaker 2: That's a bull crap about the hospitality. I think that

1269
00:54:26,680 --> 00:54:28,479
Speaker 2: I think I missed. The people are awesome, but after

1270
00:54:28,520 --> 00:54:33,360
Speaker 2: a game, it ain't always so hospitable. But I'll say again.

1271
00:54:33,400 --> 00:54:35,360
Speaker 2: I've been. It's awesome, but I wouldn't go in the

1272
00:54:35,480 --> 00:54:38,799
Speaker 2: night before, and I wouldn't do anything. I'm not going

1273
00:54:38,840 --> 00:54:41,200
Speaker 2: in trying to like find the ten hot spots in

1274
00:54:41,200 --> 00:54:45,319
Speaker 2: the town. I would go, I walk around, I go

1275
00:54:45,360 --> 00:54:48,680
Speaker 2: to the game, I come home. It's just quite the commitment.

1276
00:54:48,680 --> 00:54:49,320
Speaker 2: If you lose.

1277
00:54:51,880 --> 00:54:55,719
Speaker 4: I got four hours driving back after a loss. That'd

1278
00:54:55,719 --> 00:54:56,239
Speaker 4: be tough too.

1279
00:54:56,280 --> 00:54:58,640
Speaker 2: And I think it's it's probably four and a half.

1280
00:54:58,680 --> 00:55:00,759
Speaker 2: And then also track game tra I think out and

1281
00:55:00,800 --> 00:55:02,400
Speaker 2: I look at that and not game traffic.

1282
00:55:02,920 --> 00:55:05,640
Speaker 4: You guys are a seven point underdog. Yeah, that just

1283
00:55:05,640 --> 00:55:07,040
Speaker 4: looked up the odds. That's pretty terrible.

1284
00:55:07,800 --> 00:55:11,600
Speaker 2: A full touchdown, it's a whole touchdown, an extra point. Uh,

1285
00:55:11,880 --> 00:55:13,840
Speaker 2: I don't know. I'll think about it. Angie. Thank you

1286
00:55:13,840 --> 00:55:15,560
Speaker 2: for calling. I really appreciate that. Hey, you should work

1287
00:55:15,560 --> 00:55:18,200
Speaker 2: on the committee, the town committee where they call that

1288
00:55:18,200 --> 00:55:20,200
Speaker 2: the board commerce.

1289
00:55:21,600 --> 00:55:23,520
Speaker 9: I don't know. I don't know if I should or not,

1290
00:55:23,640 --> 00:55:25,360
Speaker 9: but I think you should come to the game. I

1291
00:55:25,680 --> 00:55:27,879
Speaker 9: promise you. I should come to the right tent. You'll

1292
00:55:27,920 --> 00:55:28,560
Speaker 9: have a great time.

1293
00:55:29,040 --> 00:55:31,000
Speaker 2: My history, though, is they call me mister go to

1294
00:55:31,000 --> 00:55:31,440
Speaker 2: the wrong tent.

1295
00:55:31,840 --> 00:55:33,000
Speaker 1: Oh yeah, yeah.

1296
00:55:33,040 --> 00:55:36,880
Speaker 2: If there's a wrong tent I go to it, and so, yeah,

1297
00:55:37,000 --> 00:55:39,200
Speaker 2: thank you, Angie, have a I hope you guys lose,

1298
00:55:39,200 --> 00:55:40,919
Speaker 2: but I hope it's a fun weekend for you. And

1299
00:55:41,080 --> 00:55:47,800
Speaker 2: if you we got three fifty seven four two hut. No,

1300
00:55:47,880 --> 00:55:48,759
Speaker 2: those are times.

1301
00:55:48,800 --> 00:55:50,560
Speaker 5: So what are you doing?

1302
00:55:50,800 --> 00:55:55,000
Speaker 3: This game is going to be let's see three.

1303
00:55:54,800 --> 00:55:58,000
Speaker 2: Hours fifty seven minutes if I drive right now, right now.

1304
00:55:58,160 --> 00:56:00,160
Speaker 3: Yeah, Pittman versus Kiss.

1305
00:56:01,400 --> 00:56:07,239
Speaker 2: Yes, the coaches, that's an easy one. Kiffy, Yeah, yeah, Well,

1306
00:56:07,320 --> 00:56:08,360
Speaker 2: Kive's also a lot younger.

1307
00:56:09,040 --> 00:56:12,440
Speaker 3: I haven't looked up their salaries yet, hope please, Kevin

1308
00:56:12,440 --> 00:56:15,480
Speaker 3: makes more, Oh, just because he's more seasoned.

1309
00:56:16,120 --> 00:56:17,200
Speaker 2: No, he's not more seasoned.

1310
00:56:17,719 --> 00:56:20,120
Speaker 3: Oh, Kiffin makes more than Sorry, I was flipping them

1311
00:56:20,160 --> 00:56:20,520
Speaker 3: real quick.

1312
00:56:21,000 --> 00:56:22,520
Speaker 2: Age thing. You don't just make my mine? No, I know,

1313
00:56:22,640 --> 00:56:23,400
Speaker 2: but I'm older.

1314
00:56:23,480 --> 00:56:25,800
Speaker 3: Well I figured with the age experience.

1315
00:56:25,960 --> 00:56:29,120
Speaker 2: Kevin's had more success really and other head coaching jobs. Yeah,

1316
00:56:29,239 --> 00:56:31,759
Speaker 2: he was head coach at Tennessee USC, He's head coach

1317
00:56:31,800 --> 00:56:34,839
Speaker 2: at the Raiders, head coach at ole Miss, went down

1318
00:56:34,840 --> 00:56:37,759
Speaker 2: to Florida for a bit, He's been everywhere. It's Johnny Cash.

1319
00:56:38,400 --> 00:56:42,400
Speaker 2: It's been oh what do you got? What's your salary?

1320
00:56:42,760 --> 00:56:46,959
Speaker 3: Well, that's his twenty twenty two salaries. So let's go.

1321
00:56:50,080 --> 00:56:50,480
Speaker 2: Wow.

1322
00:56:50,680 --> 00:56:52,799
Speaker 3: Okay, so he's over seven million a year.

1323
00:56:53,760 --> 00:56:56,080
Speaker 2: That's his current Kiffin, do you not have it up?

1324
00:56:56,880 --> 00:56:59,520
Speaker 3: Oh? Got it? Nine million? They kept showing me previous

1325
00:56:59,600 --> 00:57:01,320
Speaker 3: years and I'm like, I need the up to date.

1326
00:57:01,600 --> 00:57:04,759
Speaker 3: He's at nine million a year. Okay, starting this year

1327
00:57:04,840 --> 00:57:05,399
Speaker 3: he went up.

1328
00:57:05,360 --> 00:57:08,560
Speaker 2: To that, and what's Pittman app.

1329
00:57:09,680 --> 00:57:14,960
Speaker 3: Okay, Pittman got to change marks. I would imagine his

1330
00:57:15,080 --> 00:57:19,520
Speaker 3: is like five five mili ding ding ding, it's five million.

1331
00:57:19,800 --> 00:57:21,320
Speaker 2: Yeah, I know about that one.

1332
00:57:21,360 --> 00:57:25,440
Speaker 4: I'm sure you do pay it. I sure you know.

1333
00:57:25,520 --> 00:57:28,680
Speaker 2: I know about that one a little bit. So yeah, uh,

1334
00:57:28,800 --> 00:57:30,440
Speaker 2: let me do one more called Carolina Roy is on

1335
00:57:30,480 --> 00:57:35,800
Speaker 2: the phone. Hey, Carolina Roy, what's going on? Good morning, Bobby,

1336
00:57:35,880 --> 00:57:36,480
Speaker 2: morning buddy.

1337
00:57:38,240 --> 00:57:39,320
Speaker 6: Hey, how are you Bobby?

1338
00:57:39,400 --> 00:57:42,720
Speaker 2: We're doing pretty good. What can I do for you, buddy?

1339
00:57:42,720 --> 00:57:45,800
Speaker 6: Well, you see, I have to ask for stuff, so

1340
00:57:45,840 --> 00:57:47,800
Speaker 6: I don't want to win nothing from you. All right, Well,

1341
00:57:47,840 --> 00:57:51,240
Speaker 6: my birthday was this past Saturday on the sixth, And

1342
00:57:51,480 --> 00:57:54,800
Speaker 6: since you're a Carolina Panthers firing, now keep downing on

1343
00:57:54,960 --> 00:57:58,480
Speaker 6: like the Banco's poor Adam Starr. Addy. I was wondering

1344
00:57:58,480 --> 00:58:01,680
Speaker 6: whenever you go to Charlotte, would you want to maybe

1345
00:58:01,800 --> 00:58:04,439
Speaker 6: meet up so you can meet the real Carolina Roy.

1346
00:58:04,760 --> 00:58:06,400
Speaker 2: Yeah, if I come to Charlotte to a game, I'd

1347
00:58:06,440 --> 00:58:07,479
Speaker 2: love to meet Carolina Roy.

1348
00:58:10,040 --> 00:58:11,560
Speaker 6: But the only question is how would I know that

1349
00:58:11,640 --> 00:58:13,520
Speaker 6: you're coming? Would you say it on the radio, send

1350
00:58:13,560 --> 00:58:17,000
Speaker 6: me a dam or.

1351
00:58:16,000 --> 00:58:16,560
Speaker 5: He'll text you.

1352
00:58:16,600 --> 00:58:20,320
Speaker 2: Man, I'm gonna give you lunchbox of cellphone. He finds

1353
00:58:20,320 --> 00:58:22,600
Speaker 2: out I'm coming, he'll text you and let you know. No, no,

1354
00:58:23,000 --> 00:58:25,400
Speaker 2: we have do we have, Abbey? We have Carolina Roy's number. Yeah,

1355
00:58:25,400 --> 00:58:27,640
Speaker 2: we do. So if I do decide that I'm gonna

1356
00:58:27,640 --> 00:58:30,360
Speaker 2: go one weekend, I'll let Abby know and we'll reach

1357
00:58:30,360 --> 00:58:30,920
Speaker 2: out and let you know.

1358
00:58:32,200 --> 00:58:34,160
Speaker 6: All right, Well maybe I don't know. I get to

1359
00:58:34,240 --> 00:58:37,640
Speaker 6: some games occasionally, but maybe we can find a way

1360
00:58:37,960 --> 00:58:40,520
Speaker 6: to get into contact with somebody and you could probably

1361
00:58:40,520 --> 00:58:42,200
Speaker 6: be the drummer. You know how they do the drumming

1362
00:58:42,240 --> 00:58:42,919
Speaker 6: before the game.

1363
00:58:43,040 --> 00:58:45,439
Speaker 2: I do know that. Yeah, somebody pounds the drum, right.

1364
00:58:46,440 --> 00:58:48,960
Speaker 6: Yeah, that'd be pretty cool to have the Bobby Bone

1365
00:58:49,920 --> 00:58:51,840
Speaker 6: pound the drum before the game. So maybe we can

1366
00:58:51,880 --> 00:58:52,480
Speaker 6: work something out.

1367
00:58:52,680 --> 00:58:57,240
Speaker 2: Yeah, that would be cool. I have it, YEP. I

1368
00:58:57,280 --> 00:59:00,600
Speaker 2: mean I guess I confuse, like if I pound the drum.

1369
00:59:00,640 --> 00:59:01,520
Speaker 3: The we part is that.

1370
00:59:05,520 --> 00:59:06,880
Speaker 5: He'll get one stick and bang too.

1371
00:59:07,040 --> 00:59:10,200
Speaker 2: Yeah, Amy, Amy has taken the words from my mouth.

1372
00:59:10,440 --> 00:59:12,000
Speaker 2: What do you mean the we part when I pound

1373
00:59:12,040 --> 00:59:13,160
Speaker 2: the drum?

1374
00:59:13,560 --> 00:59:16,040
Speaker 6: Not me like you, but like you?

1375
00:59:16,040 --> 00:59:18,280
Speaker 3: Would you be next to him?

1376
00:59:18,560 --> 00:59:20,560
Speaker 6: I mean, I guess I don't know whatever happens. I

1377
00:59:20,560 --> 00:59:23,840
Speaker 6: don't know.

1378
00:59:22,440 --> 00:59:25,840
Speaker 2: Whatever happens happened. I feel that, Carolina Roy, I appreciate that.

1379
00:59:25,880 --> 00:59:27,200
Speaker 2: I will let you know if I'm coming to town.

1380
00:59:28,320 --> 00:59:31,800
Speaker 6: All right, I appreciate it. Happy birthday, buddy, I appreciate it.

1381
00:59:31,800 --> 00:59:33,160
Speaker 6: Can you do one favor before you go?

1382
00:59:33,680 --> 00:59:35,520
Speaker 2: You just said you won't getting asked for anything.

1383
00:59:36,960 --> 00:59:38,640
Speaker 6: Then you play Jason aren't.

1384
00:59:39,400 --> 00:59:42,280
Speaker 2: Well we're not in the air. We're talking right now.

1385
00:59:43,920 --> 00:59:45,000
Speaker 6: Well maybe tomorrow.

1386
00:59:45,080 --> 00:59:49,800
Speaker 2: Okay, all right, buddy, all right, I'll alright see Carolina

1387
00:59:49,880 --> 00:59:53,400
Speaker 2: Roy bye. I like old Roy. Good dude, good dude.

1388
00:59:53,440 --> 00:59:55,400
Speaker 2: He weed pretty quickly. Oh yeah.

1389
00:59:55,560 --> 00:59:56,760
Speaker 4: I think he just wants to be next to you

1390
00:59:56,800 --> 00:59:57,600
Speaker 4: while you pound the drum.

1391
00:59:57,760 --> 01:00:00,200
Speaker 2: Ye yeah, And you know what, I don't think anything

1392
01:00:00,240 --> 01:00:01,720
Speaker 2: wrong with that. I think if I pound the drum,

1393
01:00:01,800 --> 01:00:06,000
Speaker 2: maybe we can make that happen. Okay, cool. Be sure

1394
01:00:06,040 --> 01:00:08,840
Speaker 2: to go and watch on our YouTube page. We have

1395
01:00:10,720 --> 01:00:13,040
Speaker 2: the second round of quarterfinals today in our Jinga tournament.

1396
01:00:13,800 --> 01:00:16,720
Speaker 2: I'll be playing Abby. I'm like Amy, I don't know

1397
01:00:16,720 --> 01:00:20,440
Speaker 2: that I've ever played Jenga before. Really, I think casually.

1398
01:00:20,040 --> 01:00:22,640
Speaker 3: Like dinner, maybe somewhere if they had it, or.

1399
01:00:22,600 --> 01:00:24,680
Speaker 2: Like you know, like the big one, the human size.

1400
01:00:24,880 --> 01:00:27,720
Speaker 3: I've never been like one on one like the pressure.

1401
01:00:27,920 --> 01:00:28,960
Speaker 2: Abby. You ever played Jenga?

1402
01:00:29,520 --> 01:00:29,680
Speaker 3: Oh?

1403
01:00:29,760 --> 01:00:30,280
Speaker 7: Yeah, a lot?

1404
01:00:30,520 --> 01:00:33,120
Speaker 2: Okay, I think Abby's a favorite.

1405
01:00:33,560 --> 01:00:35,480
Speaker 4: Well, I don't think she'll freak out.

1406
01:00:36,520 --> 01:00:37,680
Speaker 2: I should really get in her head.

1407
01:00:38,160 --> 01:00:40,080
Speaker 3: No, can we do no talking?

1408
01:00:40,520 --> 01:00:42,680
Speaker 2: Are we gonna go live on this one? Sure?

1409
01:00:43,120 --> 01:00:43,440
Speaker 1: Okay?

1410
01:00:43,560 --> 01:00:46,840
Speaker 2: Yeah, so our YouTube page, it'll be live. Also, I

1411
01:00:46,960 --> 01:00:48,920
Speaker 2: watched both last night because I want to make the

1412
01:00:49,000 --> 01:00:52,440
Speaker 2: rolls a bit better. I think we got in a

1413
01:00:52,480 --> 01:00:54,840
Speaker 2: better place on the Eddie and scuba round, where it

1414
01:00:54,880 --> 01:00:58,200
Speaker 2: was a minute each with an with a chance to

1415
01:00:58,200 --> 01:01:03,120
Speaker 2: go thirty more with a one with one additional add on,

1416
01:01:03,160 --> 01:01:05,360
Speaker 2: which can be another minute. So we'll do a minute,

1417
01:01:05,360 --> 01:01:08,600
Speaker 2: eat another minute. Yeah, because it was just too fast

1418
01:01:08,640 --> 01:01:12,160
Speaker 2: and also well, Ami also died quick crast like somehow

1419
01:01:12,200 --> 01:01:14,120
Speaker 2: she grabbed me, she went to the bottom. She tried

1420
01:01:14,120 --> 01:01:16,280
Speaker 2: to karate chop all three out at once, it was amazing,

1421
01:01:16,840 --> 01:01:18,840
Speaker 2: So we'll do that. You can go to our YouTube

1422
01:01:18,840 --> 01:01:22,640
Speaker 2: page at Bobby Bone Show and follow over there for that. Okay,

1423
01:01:22,680 --> 01:01:25,800
Speaker 2: we'll see you guys tomorrow. I have a podcast up today,

1424
01:01:25,800 --> 01:01:27,680
Speaker 2: a new interview with Matthew Ramsey from Old Dominion. We

1425
01:01:27,720 --> 01:01:29,720
Speaker 2: did over an hour together at my house. Oh you

1426
01:01:29,760 --> 01:01:33,520
Speaker 2: know it's coming over today. No sing a song, hit Amy,

1427
01:01:34,280 --> 01:01:37,560
Speaker 2: hit Amy. I ain't no fortunate one?

1428
01:01:37,680 --> 01:01:38,680
Speaker 3: That was fortunate son?

1429
01:01:39,000 --> 01:01:42,160
Speaker 2: Yeah he has one, but son, Yes, fortunate soun fortunate one.

1430
01:01:42,840 --> 01:01:43,520
Speaker 4: That's the title.

1431
01:01:43,760 --> 01:01:50,720
Speaker 2: Yeah, okay, have it? Oh, sus a cute, Oh suits

1432
01:01:50,800 --> 01:01:52,960
Speaker 2: a cute baby. I love you.

1433
01:01:53,200 --> 01:01:53,960
Speaker 3: I don't know the name.

1434
01:01:54,040 --> 01:02:00,360
Speaker 2: I have a rolling, rolling, rolling, rolling, rolling. No, I

1435
01:02:00,360 --> 01:02:02,000
Speaker 2: don't know the name wrote that wrote that song?

1436
01:02:02,240 --> 01:02:04,640
Speaker 3: Okay did he write? My mom liked that SUSIEQ song?

1437
01:02:04,840 --> 01:02:05,280
Speaker 2: Who wrote that?

1438
01:02:07,000 --> 01:02:07,160
Speaker 8: Hey?

1439
01:02:07,160 --> 01:02:07,400
Speaker 6: What else?

1440
01:02:08,280 --> 01:02:11,360
Speaker 2: I got a lot? Actually? I got this a bad

1441
01:02:11,480 --> 01:02:12,640
Speaker 2: Moon on the Rise.

1442
01:02:14,120 --> 01:02:15,400
Speaker 3: He's got some good songs.

1443
01:02:15,200 --> 01:02:21,120
Speaker 2: I got uh. Okay, I want to know have you

1444
01:02:21,160 --> 01:02:27,440
Speaker 2: ever seen in the Rain or Willie and Playing?

1445
01:02:29,160 --> 01:02:32,280
Speaker 3: I know every single of these songs.

1446
01:02:32,880 --> 01:02:36,720
Speaker 5: Is can I guess Creden Creden's clear Water Revival guy.

1447
01:02:37,040 --> 01:02:38,480
Speaker 5: He's the guy that did all that do.

1448
01:02:38,480 --> 01:02:40,440
Speaker 2: You know the guy John Boggerty?

1449
01:02:40,840 --> 01:02:41,120
Speaker 12: Wow?

1450
01:02:42,640 --> 01:02:43,800
Speaker 4: Come from I don't know, man, I.

1451
01:02:43,800 --> 01:02:47,120
Speaker 2: Have a good job. Yeah, he's coming. I have I

1452
01:02:47,160 --> 01:02:49,120
Speaker 2: have two house interviews to I've Ben Jones, a former

1453
01:02:49,160 --> 01:02:53,000
Speaker 2: center for the Titans, coming over doing that for lots

1454
01:02:53,000 --> 01:02:55,160
Speaker 2: to say. And then John Fogerty is coming over. That's

1455
01:02:55,200 --> 01:02:58,080
Speaker 2: amazing for an hour doing that.

1456
01:02:58,240 --> 01:02:58,960
Speaker 3: Where does he live?

1457
01:03:00,320 --> 01:03:02,240
Speaker 2: Not here? Not here? Do you knew who I had

1458
01:03:02,240 --> 01:03:04,760
Speaker 2: lined up to come to the house? Not this weekend,

1459
01:03:04,800 --> 01:03:12,600
Speaker 2: but next Brian Bosworth the boys come on, Amy, and

1460
01:03:12,640 --> 01:03:13,920
Speaker 2: we're in Vegas for iHeart.

1461
01:03:14,680 --> 01:03:17,439
Speaker 3: Oh so you had him lined up though.

1462
01:03:17,920 --> 01:03:22,000
Speaker 2: I knew he was coming to town, so I had

1463
01:03:22,440 --> 01:03:24,840
Speaker 2: my agent reach out to his and he was like,

1464
01:03:24,840 --> 01:03:26,640
Speaker 2: we'd love to do it. And I was like, what

1465
01:03:26,800 --> 01:03:28,680
Speaker 2: day is he coming? And I was like always in town.

1466
01:03:28,760 --> 01:03:32,000
Speaker 2: I was like, oh, of course, it's when I'm yeah, no,

1467
01:03:32,040 --> 01:03:33,560
Speaker 2: wait a minute, it's when I'm in Notre Dame.

1468
01:03:33,640 --> 01:03:34,280
Speaker 1: That's what it is.

1469
01:03:34,800 --> 01:03:37,040
Speaker 2: Oh okay, yeah, Oh you know what I was going

1470
01:03:37,080 --> 01:03:38,240
Speaker 2: to do for you, Amy, I can't do it. I

1471
01:03:38,240 --> 01:03:39,480
Speaker 2: love when people say this to me, like, oh you

1472
01:03:39,480 --> 01:03:40,680
Speaker 2: know what I was going to do for you? Sure,

1473
01:03:41,160 --> 01:03:42,480
Speaker 2: I was going to take you to Russell Palooza.

1474
01:03:44,000 --> 01:03:49,520
Speaker 3: Uh Russell Dickerson Wreussell Palooza. Oh Russell, I thought I

1475
01:03:49,520 --> 01:03:51,360
Speaker 3: was seeing you WrestleMania Russell Ania.

1476
01:03:51,440 --> 01:03:53,120
Speaker 2: Yeahs Russe. I was gonna say, if you want to

1477
01:03:53,160 --> 01:03:55,360
Speaker 2: go to Indianapolis, but it's our iHeart weekend.

1478
01:03:55,600 --> 01:03:58,680
Speaker 3: Oh yeah, yeah, big event. And I was for the

1479
01:03:58,880 --> 01:04:00,520
Speaker 3: five minutes I was into wrestling.

1480
01:04:00,680 --> 01:04:02,080
Speaker 2: No, I think you'd enjoyed it if you went to

1481
01:04:02,080 --> 01:04:02,400
Speaker 2: the show.

1482
01:04:02,840 --> 01:04:05,000
Speaker 3: It did impact me emotionally. I bet I could tap

1483
01:04:05,000 --> 01:04:05,520
Speaker 3: back into that.

1484
01:04:06,280 --> 01:04:10,080
Speaker 2: Hey, and you'd love to tap so Brian Bosworth the Boss.

1485
01:04:10,920 --> 01:04:12,760
Speaker 3: Here's a big, big.

1486
01:04:12,600 --> 01:04:19,360
Speaker 2: Guy linebacker playing NFL two. Okay, that's I have Matthew

1487
01:04:19,440 --> 01:04:22,080
Speaker 2: Ramsey today on from Old Dominion. Go check that out. Amy.

1488
01:04:22,120 --> 01:04:22,960
Speaker 2: What do you have over there?

1489
01:04:23,080 --> 01:04:23,760
Speaker 3: Nothing today?

1490
01:04:24,480 --> 01:04:24,680
Speaker 4: Oh?

1491
01:04:24,840 --> 01:04:25,680
Speaker 3: I do have today?

1492
01:04:25,840 --> 01:04:26,200
Speaker 2: Yeah?

1493
01:04:26,320 --> 01:04:28,960
Speaker 3: Oh my bad? I have the thing. I think the

1494
01:04:29,000 --> 01:04:31,600
Speaker 3: title that we can up with is like the one

1495
01:04:31,640 --> 01:04:33,080
Speaker 3: thing I won't touch without protection.

1496
01:04:33,680 --> 01:04:38,960
Speaker 2: That's what is it? You have to listen, Amy, is

1497
01:04:39,000 --> 01:04:40,600
Speaker 2: it that.

1498
01:04:40,680 --> 01:04:44,440
Speaker 3: We thought that I don't know it was whatever, It's like, okay, fine,

1499
01:04:44,640 --> 01:04:46,880
Speaker 3: the simple things in life, it can really like a

1500
01:04:47,040 --> 01:04:51,040
Speaker 3: small change can really change the vibe. Like tiny things

1501
01:04:51,040 --> 01:04:52,479
Speaker 3: you can do that'll change your mood.

1502
01:04:53,000 --> 01:04:54,720
Speaker 2: Wait are you changing the title? And there's one thing

1503
01:04:54,760 --> 01:04:58,160
Speaker 2: that talk about a whole different show, but you touched.

1504
01:04:57,960 --> 01:05:00,920
Speaker 3: On something that I use, something that I use, and

1505
01:05:00,960 --> 01:05:03,520
Speaker 3: Kat thought it was really weird that I won't won't

1506
01:05:03,640 --> 01:05:05,640
Speaker 3: use it. It totally will change.

1507
01:05:05,480 --> 01:05:06,800
Speaker 2: The I don't care about the teaser.

1508
01:05:10,160 --> 01:05:10,880
Speaker 3: You have to listen.

1509
01:05:11,440 --> 01:05:17,560
Speaker 2: I'm not now now now a small thing. It's a

1510
01:05:17,560 --> 01:05:20,439
Speaker 2: small one. It's a small one and you can't touch

1511
01:05:20,440 --> 01:05:21,120
Speaker 2: it without protection.

1512
01:05:21,280 --> 01:05:23,720
Speaker 3: It is small. It's a little and we didn't even

1513
01:05:23,760 --> 01:05:26,040
Speaker 3: really know. Honestly, you never seen a penis how to

1514
01:05:26,160 --> 01:05:26,440
Speaker 3: use it?

1515
01:05:27,520 --> 01:05:28,520
Speaker 2: Okay, I say a video.

1516
01:05:30,760 --> 01:05:32,480
Speaker 3: I cant embarrass when y'all talk about that.

1517
01:05:34,920 --> 01:05:35,920
Speaker 4: You're the one that brings it up.

1518
01:05:35,920 --> 01:05:38,200
Speaker 2: All Yeah, we were doing a big yesterday and you're like, oh, burb,

1519
01:05:39,280 --> 01:05:41,280
Speaker 2: all right, we're out, thank you guys. Check out.

1520
01:05:41,520 --> 01:05:43,720
Speaker 3: What do I think today was Wednesday? That's weird because

1521
01:05:43,720 --> 01:05:45,280
Speaker 3: when you came to me, I was like, it's Wednesday.

1522
01:05:45,320 --> 01:05:49,200
Speaker 3: I don't have anything, but yeah, it's only Tuesday. That's surpressing.

1523
01:05:49,240 --> 01:05:51,280
Speaker 3: It's better when you think, oh, I thought it was

1524
01:05:51,360 --> 01:05:55,720
Speaker 3: Monday and then you find out it's Tuesday. But it's

1525
01:05:55,760 --> 01:05:57,160
Speaker 3: like I thought it was Wednesday and now I'm finding

1526
01:05:57,160 --> 01:05:58,160
Speaker 3: out it's Tuesday.

1527
01:05:58,440 --> 01:06:00,560
Speaker 2: Okay, we're going to go. Thank thank you guys. We

1528
01:06:00,600 --> 01:06:02,720
Speaker 2: will see you tomorrow, all right, by everybody,