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Speaker 1: Welcome back to More to It, to show that takes

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Speaker 1: a deep dive into the biggest stories in sports, entertainment,

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Speaker 1: and culture.

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Speaker 2: Start with headline news and then journey to.

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Speaker 1: Deeper conversations, always finding those life lessons that are presented

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Speaker 1: in every single story. I'm your host, Marcel Swally, that

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Speaker 1: dude love.

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Speaker 2: And support brinks reach iHeart.

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Speaker 1: I ain't get that email, but I got a little

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Speaker 1: love tap, like, hey, you're forgetting about your other partner

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Speaker 1: out there. I was like, all right, love to you

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Speaker 1: as well. While these world YouTube where you better hurry

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Speaker 1: up and sign up and get your Wily's World Friday

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Speaker 1: swag away this book right here on Friday.

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Speaker 2: I'm gonna keep the book going, but I got so many.

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Speaker 1: Jerseys and playing cards and all these other things like

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Speaker 1: limited items from all these teams and stuff. So I'm like,

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Speaker 1: gotta do the book all the time, but gotta switch

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Speaker 1: it up a little bit.

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Speaker 2: I know you guys want the book. Maybe we can

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Speaker 2: make them both happen. Let's see about that, all right,

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Speaker 2: y'all know how we start off every show with what's

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Speaker 2: up with that? Dude? Let me tell you what's up

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Speaker 2: with me?

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Speaker 1: Man Ah, I gotta tell y'all at all the good,

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Speaker 1: the bad, and the ugly. So last night my wife

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Speaker 1: was struggling, struggling to book a family trip to go

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Speaker 1: up to Canada to see her family, especially her mom,

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Speaker 1: who's not in the best of health right now.

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Speaker 2: Prayers up.

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Speaker 1: So one family that has three itty biddies and another

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Speaker 1: grown up.

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Speaker 2: So we six deep.

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Speaker 1: Going to see her sisters who also have their own

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Speaker 1: families as well, husbands and two kids each.

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Speaker 2: So do you understand what's going on? It's been now

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Speaker 2: three years running for us to go up there.

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Speaker 1: They've come down here, but us to go up there

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Speaker 1: is a whole different animal, because you know they once

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Speaker 1: the kids out of school, it gets wilder, not tamer,

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Speaker 1: and the kids gotta go to this camp kids over

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Speaker 1: here doing these golf lessons. Kids over here camping here

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Speaker 1: is just crazy. And that's just one family and then

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Speaker 1: you got three in the mix. Meanwhile, Mom's just sitting

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Speaker 1: there like y'all figure this out, hurry up, because I

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Speaker 1: need to see my grandbaby. So white's a little trigger

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Speaker 1: because when sisters are talking through stuff. This why boys

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Speaker 1: trips always happen and girls trips are epic because they

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Speaker 1: rarely happen. Let me tell you, girls, trips are epic

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Speaker 1: because of this. It's so hard for them to just.

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Speaker 2: Like get on the same page because they got so

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Speaker 2: much on their plate.

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Speaker 1: Wife Mama, I don't trust the house without me here,

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Speaker 1: and I'm like, y'all, y'all ain't gonna never make this

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Speaker 1: thing happen. So she triggered from childhood issues of them

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Speaker 1: never could argue and get on the same page. I'm like, baby, chill,

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Speaker 1: chill out. So we wake up this morning, it gets better.

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Speaker 1: So my wife's in a good place, not her best place,

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Speaker 1: but she's in a good place. And then supposedly a

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Speaker 1: car hits a power pole because our house goes dark,

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Speaker 1: but thankfully it was this morning, so we had the.

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Speaker 2: Sunlight coming in but no power. I'm like, damn, I

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Speaker 2: ain't gonna do the show.

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Speaker 1: All this stuff going crazy, right, kids getting dressed and

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Speaker 1: they like, I'm going in the closet. Daddy just don't

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Speaker 1: and I'm like, i ain't got no power, damn it.

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Speaker 1: So can't even heat up. They oatmeal waffles cold. I'm like, well,

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Speaker 1: these all the breaks, right. So we got that going

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Speaker 1: on with the wife who can't book her trips starting

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Speaker 1: to get a little annoyed.

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Speaker 2: And then my daughter took it to the top.

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Speaker 1: She locked us all out of her bedroom while I'm

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Speaker 1: trying to get her dressed.

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Speaker 2: Now, my wife gotta go to work. I gotta get all.

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Speaker 1: Three kids dressed, all the three kids ushered to school

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Speaker 1: to camp, and we're all locked out of her room.

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Speaker 1: And I'm just sitting there like, thank god I played football.

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Speaker 1: I swear to y'all. Without football, I wouldn't have been

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Speaker 1: able to deal with all this. Like it felt like

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Speaker 1: fourth in goal, like everything was just coming at me.

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Speaker 1: I was like, it's gonna be all right. So I

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Speaker 1: showed up like ten minutes late from a taping of

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Speaker 1: the show. Courtney's still mad at me, but she loves me,

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Speaker 1: and all is good. As my grandma used to say,

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Speaker 1: I can hear it right now, baby, that DEVI was

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Speaker 1: trying to steal your joy and I ain't gonna let

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Speaker 1: them all right now, speaking of stealing, let's talk about

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Speaker 1: Chad Johnson and he says he will steal Cameron shine

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Speaker 1: in sports media.

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Speaker 2: Ah.

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Speaker 1: Then Cameron went blah, no, you won't, Son. So Cameron,

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Speaker 1: who I love as a rapper, dup.

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Speaker 2: Ah damn. I love him doing a Oh, I gotta

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Speaker 2: tell you my cameraon story at the end. Make sure

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Speaker 2: I do.

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Speaker 1: I don't know how y'all gonna remind me, but make

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Speaker 1: sure I tell you my cameraonn story. Right, So he

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Speaker 1: issued a PSA to all the sports journalists and analysts

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Speaker 1: who are threatened by the success that him and Mace

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Speaker 1: have been having since they launched their show at the.

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Speaker 2: Top of the year. Can't lie that show got it going.

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Speaker 2: It is hilarious.

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Speaker 1: Cam is just gonna say whatever, Mace gonna laugh, and

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Speaker 1: then just punch you with some funny stuff. They look crazy,

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Speaker 1: they look great. They look just like out of place

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Speaker 1: but perfectly where they should be. It's just a weird combo,

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Speaker 1: but hilarious. So o Cho Senko. Chad Johnson is tweeting

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Speaker 1: at Cam and he wrote, Cam, you my man, But

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Speaker 1: once I finished fasting and get back in front of.

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Speaker 2: The camera, I'm gonna dominate that space. Now.

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Speaker 1: If you don't know Chad Johnson, or even if you

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Speaker 1: do know Chad Johnson, any response is falling into Chad

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Speaker 1: Johnson's trap. But Camron's certainly gonna blast his way through it.

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Speaker 1: So that prompted a vicious response from mister Harlem, who

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Speaker 1: in the Instagram video went in on the former wide

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Speaker 1: receiver talked about his mental health issues and his arrest

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Speaker 1: for allegedly head button his ex wife Evelyn Lozada, while

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Speaker 1: suggesting his fast is a cover for being in rehab.

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Speaker 2: I told you, Cam ain't tripping. See you doing sports

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Speaker 2: media now with a rapper.

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Speaker 1: He doesn't say that all already, right, so it's a

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Speaker 1: whole nother level coming. So he said, first of all,

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Speaker 1: Chad in words, wanted me to get you. Paulse a

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Speaker 1: long time ago. Cam always gonna say Paul's and Kim

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Speaker 1: always gonna say the N word. Just letting y'all know,

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Speaker 1: he said. I said, I ain't gonna s with Chad.

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Speaker 1: He going through his little to shit. Oh man, that's funny.

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Speaker 2: I don't know what it is exactly, but I said,

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Speaker 2: I'm gonna leave Chad alone. But you're effing with me.

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Speaker 1: So let me ask you this, Chad, all the NFL analysts,

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Speaker 1: whoever it is, Michael Strahan, ESPN Swag, Ghoul Dan Orlowski,

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Speaker 1: you coming after me, will come on in word. You're

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Speaker 1: talking about you fasting and you can fast and get

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Speaker 1: on TV and rehab I know a N word who'll

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Speaker 1: go to rehab and act like they fasting. Then he said,

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Speaker 1: second of all, and this dude, Caramon is silly, y'all.

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Speaker 1: He wanted me to get you a long time ago.

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Speaker 2: Chad, you moving appy, Oppy Shun, I said, listen, you

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Speaker 2: gotta be careful in words.

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Speaker 1: Who be head button B words? God, Cam, I can't

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Speaker 1: even play the video. Can't even talk about what you're saying. Damn,

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Speaker 1: he said, because Chad with head butter girl in a minute?

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Speaker 1: Oh man, so Cameron liking him to the R and

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Speaker 1: B star who's in car so rated R Kelly as well?

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Speaker 1: You moving Opy. I ain't gonna read no more because

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Speaker 1: I can't even get through it. But he clowned them

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Speaker 1: even more. Let me tell y'all what was going on

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Speaker 1: right here, which is hilarious to me because Chad Johnson

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Speaker 1: has yet to respond. I think this is amazing for

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Speaker 1: a many of reasons. But let me give you this.

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Speaker 1: This is good because Chad Johnson is back. I've been

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Speaker 1: waiting for Chad Johnson to come back because this is

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Speaker 1: just like how he was in his playing days. Remember

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Speaker 1: in his locker he have all the names of the

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Speaker 1: cornerbacks and He would send them gifts before the game,

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Speaker 1: saying I'm coming, and those guys some would respond, some wouldn't,

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Speaker 1: but they all got the business right. And I'm hoping

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Speaker 1: that the business of sports media gets Chad Johnson fully.

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Speaker 2: That dude was a character.

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Speaker 1: That dude's next level. Gotta tell you my story real quick.

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Speaker 1: When I met him, I was working out. I was

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Speaker 1: already in the league.

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Speaker 2: He was not.

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Speaker 1: I didn't know who he was. I was working out

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Speaker 1: with my NFL Cats where Dorsey High. I pulled up

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Speaker 1: real fancy in a Ferrari, nobody tripping. I'm from there,

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Speaker 1: so I'm in there. But that bade everybody go on,

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Speaker 1: notice Marcella's working out here. I'm working out and I'm

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Speaker 1: looking at our receivers and there was somebody in the

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Speaker 1: infield better than our ride receivers.

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Speaker 2: I was like, Oh, that dude right there, looking.

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Speaker 1: Silly, had on black tights that it dark as it gets,

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Speaker 1: black tights.

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Speaker 2: That's it getting it.

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Speaker 1: So nobody wanted to speak to him, cause we in

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Speaker 1: the league, we got the reputation. He comes speak to us,

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Speaker 1: and I was like, you know me, I'm like, dog

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Speaker 1: who that? And I went over there, said, what's your name, man,

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Speaker 1: he said, Chad, Chad Jomps. I was like, oh, nice men,

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Speaker 1: you mad respect to you? He say, oh, I know, y'all,

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Speaker 1: big gonna even respect to you too. I'm just trying

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Speaker 1: to get my grind. Think it was at West La

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Speaker 1: going to Oregon State somewhere in between.

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Speaker 2: Signed off like that.

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Speaker 1: Just gave him love, and he said respect for coming

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Speaker 1: over here and saying what's up means a lot to me.

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Speaker 2: Kept grinding and I was like, now that dude silly.

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Speaker 1: I don't know who is if he gonna make it,

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Speaker 1: but he deserved to be here right now. He better

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Speaker 1: than us right now. And turns out that's old chow

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Speaker 1: Sekl had that. Get that out. I love the fact that, hey,

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Speaker 1: we having all these silk of wars and sports media.

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Speaker 1: Why because you're gonna get a better product for it.

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Speaker 1: How everyone's gonna sharpen their swords. Chad gonna come in

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Speaker 1: here next level. Guess what, Cam and Mace already on

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Speaker 1: they level. They gonna sharpen up. Let's go, let's go

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Speaker 1: to war.

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Speaker 2: Feeling that love. Sending it back to you guys as

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Speaker 2: you send it to me.

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Speaker 1: Man Brinks, reach our heart, y'all, know that why this

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Speaker 1: world YouTube membership gonna get you this on a Friday

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Speaker 1: swag away, and we're gonna add to.

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Speaker 2: It going forward. But this is enough because it's a

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Speaker 2: lot of love in here. Man.

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Speaker 1: All right, Let's talk about Jayalen Green right now, because

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Speaker 1: it sounds like y'all ain't got.

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Speaker 2: No love for Jayleen Green. Man, y'all tripping on this dude?

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Speaker 2: Maybe maybe not.

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Speaker 1: Let's talk about the video that started the social media wildfire.

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Speaker 2: All right? You know how I do it. I don't wait,

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Speaker 2: I ain't scared. I pull no punches. Here's the video

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Speaker 2: right now, I am. I ain't okay. So look that

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Speaker 2: video is a blast from them past moments that got

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Speaker 2: him lit up on social media. To say the least

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Speaker 2: we saw it was just basically.

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Speaker 1: Him dry humping his teammate Josh Christopher, and everybody got.

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Speaker 2: Something to say about it, including me.

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Speaker 1: Now, a lot of people were left in shock about it,

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Speaker 1: and you know how the divide went. There was a

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Speaker 1: part of the population that sat there and said, Yo,

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Speaker 1: that's just a joke, that's this dude's.

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Speaker 2: Horse playing, clowning around. And then there's the other side

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Speaker 2: that said, yo, what's up a dude, and they questioned

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Speaker 2: the sexual orientation, etc. And slammed them for it.

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Speaker 1: All right, let's talk through that because this is interesting

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Speaker 1: because I've had a lot of siloed conversations about like

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Speaker 1: the athletic world, and then girls were always saying, y'all

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Speaker 1: be playing too much, And I'm like, what do you

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Speaker 1: mean playing too much?

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Speaker 2: We play a sport. What the hell that means? Tell

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Speaker 2: the truth? Say what you mean? Oh, y'all be slapping

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Speaker 2: each other booties and y'all be acting all gay and

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Speaker 2: stuff like that.

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Speaker 1: And I said, oh, oh, now we're gonna talk about it.

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Speaker 2: Here we go.

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Speaker 1: So let me just start off the first thing. Preface

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Speaker 1: everything by this. You gotta get back to a balanced space.

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Speaker 1: And it's hard because a leaked video always l. As

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Speaker 1: soon as a video leaked, I don't give a damn

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Speaker 1: if it's you donating and serving at the church, people go,

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Speaker 1: they leaked it, We think we gotta gotcha. Moment we

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Speaker 1: looking at it like nah, nah nah, it wouldn't have

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Speaker 1: got leaked if it won's something wrong. Right, So, leaked

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Speaker 1: videos are always a l because you think that you

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Speaker 1: caught that person doing something they didn't.

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Speaker 2: Want us to know.

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Speaker 1: All right, anyway, acting gay, That's what I want to

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Speaker 1: talk about it. Don't act like y'all ain't never said it.

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Speaker 1: Don't act like ya ain't never heard it. All right,

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Speaker 1: So there's a danger in that. Let me tell you

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Speaker 1: the danger in that one. The flip of it just

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Speaker 1: kind of makes it obvious. Like no one ever says

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Speaker 1: you're acting heterosexual? Right, you know what I'm saying, Like,

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Speaker 1: what does that mean? Like acting hero's acting like I

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Speaker 1: like girls, acting like, oh, I'm acting like I'm gay,

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Speaker 1: I'm acting like boys.

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Speaker 2: Because gay is still perceived as devient behavior, so people

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Speaker 2: are looking for the indicators, the signals to sniff out.

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Speaker 2: Are you doing that, Devin behavior? Are you acting gay? Now?

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Speaker 2: I've always tripped off of people, and I have boys

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Speaker 2: like this who are hyper sensitive, like they're the ones

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Speaker 2: that's on a mission to see if somebody's gay.

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Speaker 1: And I'm like, dog, why you always talking about that?

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Speaker 1: The no homo crowd right out there, the Paul's crowd. Yeah,

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Speaker 1: I'm talking to y'all too. Everybody's like always that's on

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Speaker 1: a mission to finding somebody gay. When you know in

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Speaker 1: your own common sense that you can't tell everybody who's gay.

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Speaker 2: Don't believe me. Go to Atlanta. You ever go to

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Speaker 2: Atlanta and people always say that, and you're like, then

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Speaker 2: you get to Land and be like.

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Speaker 1: Yo, I ain't, no dude, it was gay, because there

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Speaker 1: is no such thing fully as acting gay.

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Speaker 2: All right, So now let's get to it, because we've

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Speaker 2: all seen it. It's sports. You clap, but if they

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Speaker 2: teammates like clap that butt? Right, what's that about? Is

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Speaker 2: that acting gay? People have always accused athletes why always

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Speaker 2: slapping each other on the butt?

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Speaker 1: And then we like, all right, you give that a pass. Correct,

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Speaker 1: So then you also seen it. Guys wrestle. Guys wrestle

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Speaker 1: all the time. Guys in the locker room really wrestle.

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Speaker 1: They go hard in the bank with no camera zon typically.

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Speaker 1: I remember when I was playing, I was like, oh,

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Speaker 1: I ain't with all that wrestling stuff because wrestling gets

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Speaker 1: you tired way too fast, and dudes know how to wrestle,

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Speaker 1: Like a lot of dudes in that locker room really

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Speaker 1: know that stuff. And I'm like, I ain't never wrestled,

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Speaker 1: for real, I just know how to slam somebody.

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Speaker 2: Girl. I got a muscle or two. So I was

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Speaker 2: like always thinking about this and then.

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Speaker 1: Finally had an epiphany. Y'all talk to me and walk

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Speaker 1: with me here. You guys have any kids, I hope

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Speaker 1: you do.

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Speaker 2: Do you have boys? I hope you do.

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Speaker 1: It's crazy to watch little boys mess around when they're

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Speaker 1: in their mindless behavior because they're young and they ain't

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Speaker 1: even thinking about it.

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Speaker 2: They play so many games that if.

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Speaker 1: You were to put an adult on that in terms

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Speaker 1: of label, it's acting gay, as you would say, my

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Speaker 1: boy and his friends. They play games like when they

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Speaker 1: hit each other and the butt and then they over

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Speaker 1: there and smack each other.

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Speaker 2: And the peckers, and I'm looking like doll, y'all a're

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Speaker 2: supposed to do?

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Speaker 1: I said, first of all, you gott to warn them

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Speaker 1: and let them know what privates are. Right, they don't

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Speaker 1: even respect what a private is. They like, what why

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Speaker 1: are you tripping? So these are socialized, learned behaviors, not

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Speaker 1: acting gay, but not acting quote unquote gay because little kids,

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Speaker 1: left to themselves are touching each other what no other thought,

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Speaker 1: playing with each other what no other thought like just

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Speaker 1: and as an adult you're like, hey, what's.

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Speaker 2: Up with that? And as a kid, they like, no,

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Speaker 2: what's up with you?

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Speaker 1: So it's kind of interesting how cats are walking around

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Speaker 1: here trying to prove no homo and pause when they

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Speaker 1: get older. But boy, if we got them little videos

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Speaker 1: or when they were four or five and six, left

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Speaker 1: to their own natural states, you know what they were

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Speaker 1: doing like we all were doing.

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Speaker 2: I was a booger eater, I remember. Let me stop.

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Speaker 2: I'm telling y'all too much. I used to be like

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Speaker 2: naturally left to myself until adults condition you gave you,

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Speaker 2: learned behaviors, trained you out of stuff. Man, we were

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Speaker 2: all acting crazy.

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Speaker 1: Now let me bring all that back to this because

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Speaker 1: I wonder what do you guys think when you see

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Speaker 1: that video. Do you think it's nothing, you think it's something,

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Speaker 1: or do you think it's everything?

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Speaker 2: For me? Because I've seen that even.

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Speaker 1: With adults, dudes in the locker room clowning, doing way

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Speaker 1: too much. I had a teammate duct tape to a

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Speaker 1: gold post, but naked with baby potter and baby oil

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Speaker 1: throwing on them.

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Speaker 2: Now all of that you can say, oh man, that's

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Speaker 2: just hazing, that's just hazy.

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Speaker 1: But let's get a little more details. Quinn at it

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Speaker 1: but naked. How do you get naked? And then when

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Speaker 1: you wrestling somebody against they will nugget.

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Speaker 2: Ain't they n neggad? Ain't you nuggad? That's all I'm saying.

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Speaker 1: So sometimes I think for us to just label to

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Speaker 1: associate with something, we go too far. I think this

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Speaker 1: Jalen Green video tells me nothing. It just tells me

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Speaker 1: that the dude's clowning around.

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Speaker 2: With his boy.

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Speaker 1: Now, if I'm wrong, I'm gonna read it in the comments.

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Speaker 1: But I know through my experience and through my eyes,

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Speaker 1: I know I'm not. Plus, I got a little boy,

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Speaker 1: and trust me, he don't know which way is up.

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Speaker 2: Just shit. Nah nah, oh no, no God, love for YouTube, y'all.

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Speaker 1: Remember that from nah? Now no no more than that.

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Speaker 1: Somebody hit me in there. Shut if y'all know a

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Speaker 1: movie that's from y'all my dog god.

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Speaker 2: Ah. All right, man, let's get into it.

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Speaker 1: But first I gotta give y'all that love for real

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Speaker 1: brings rich our heart while this world YouTube, this book

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Speaker 1: is gonna be yours Friday as a member Friday swagger

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Speaker 1: Away got love for you guys, all right.

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Speaker 2: This up about Chris Russo, who got love for Jeff.

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Speaker 1: Van Gundy so much that inspired him to go down

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Speaker 1: the conspiracy theory lane right, and he flows to theory

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Speaker 1: that Adam Silver made ESPN.

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Speaker 2: Fire Jeff Van Gundy. Yeah, I said it.

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Speaker 1: Russeo is of the belief that there is more than

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Speaker 1: meets the eye when it comes to Jeff Van Gundy

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Speaker 1: being let go by the four letters after seventeen years,

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Speaker 1: admitted everybody, if we had to have the one that

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Speaker 1: caught us most off guard of all of the firings,

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Speaker 1: everybody's gonna say the same name.

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Speaker 2: I think it's Jeff Van Gundy.

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Speaker 1: So Russo admitted that he may hold a little biased

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Speaker 1: that's his boy, former Knicks head coach for over thirty years,

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Speaker 1: and he's a guest on his show a ton So

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Speaker 1: he still said something smells fishing about this situation.

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Speaker 2: Quote, You're not gonna convince me that ESPN and Disney.

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Speaker 1: Boss Bob Iger woke up in the last two weeks,

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Speaker 1: looked at the budget sheet and said, we got to

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Speaker 1: fire Van Gundy because we gotta save some money.

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Speaker 2: Good point. So ESPN will never admit it. They're gonna

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Speaker 2: say it's our call.

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Speaker 1: Nonsense. Why would they get rid of a great team?

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Speaker 1: Team is a great team. Mike Breen, You're not gonna

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Speaker 1: convince me that that team that everybody likes, nobody doesn't

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Speaker 1: like that team. He said it twice and flip, I mean,

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Speaker 1: is it Al McGuire, Dick Enberg and Billy Packer. That's special,

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Speaker 1: that's an all timer. Ooh, that's going back. It's also

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Speaker 1: forty years ago? Is it John Madden in past summer raw?

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Speaker 1: In this day and age, that team is as good

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Speaker 1: as a team that you're gonna find doing broadcast television,

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Speaker 1: doing an event and not finding any team better, any

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Speaker 1: better team, I should say, you're not doing it. So

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Speaker 1: that leaves him with just one choice in his mind.

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Speaker 1: Because he can't make sense out of the nonsense, he

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Speaker 1: goes to conspiracy theory route. He said, that leads me

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Speaker 1: to the conclusion that someone in the league office must

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Speaker 1: have told ESPN, I want Van Gundy out. We all

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Speaker 1: know he's biting. We all know he gets on the officials.

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Speaker 1: We all know he doesn't hold back with his NBA opinions.

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Speaker 1: He tells you what he thinks, which is what a

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Speaker 1: great broadcaster is supposed to do. Anyways, what is going

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Speaker 1: on right now? And then to go sciation scenario, ESPN

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Speaker 1: and NBC and TNT, what are they doing. They're all

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Speaker 1: negotiating with Commissioner Adam Silver and the NBA. So if

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Speaker 1: you're asking me the little old talk show hosts who

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Speaker 1: may not know a thing, this is just my opinion.

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Speaker 2: Silver is the one who fired Van Gundy. Yeah, I

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Speaker 2: said it. I want him out.

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Speaker 1: You want to do the games in the next contract,

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Speaker 1: question mark, I don't want Van Gundy doing the games.

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Speaker 1: I don't want him knock in the league. I want

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Speaker 1: a Pom Pom guy in there.

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Speaker 2: Man, Wow, he said a lot, he said, im outful handful.

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Speaker 2: So do I believe this happened? Hmm? Let me explain,

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Speaker 2: because this does happen.

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Speaker 1: Absolutely, Yes, there is a vicious fight for TV rights,

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Speaker 1: and I'm not gonna bore you guys with the details

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Speaker 1: other than obviously it's in the billions of dollars to

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Speaker 1: impress one league that you deserve the rights.

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Speaker 2: Here's the problem.

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Speaker 1: Your competition also has billions of dollars to spend as well.

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Speaker 1: So I had a conversation one time at the Super

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Speaker 1: Bowl with an executive talking about TV rights and the

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Speaker 1: rights to carry the Super Bowl all bundled up. Right,

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Speaker 1: it's described as like the Hunger Games. Let me give

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Speaker 1: it to you like this, The networks will and have

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Speaker 1: to do everything to win it. It's not just your price,

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Speaker 1: because you're not gonna go out there and pay something

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Speaker 1: so crazy that it's not gonna make fiscal sense.

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Speaker 2: It turns on your books. So you're gonna see what

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Speaker 2: the competition is. Two billion, two point one, two point two,

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Speaker 2: but you're still in the billions and everybody got it.

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Speaker 2: So this is what they do.

433
00:20:40,760 --> 00:20:42,720
Speaker 1: You ever go to the Super Bowl, any of you guys,

434
00:20:42,960 --> 00:20:45,919
Speaker 1: you know it's a two week event, right, especially that

435
00:20:46,040 --> 00:20:50,600
Speaker 1: second week, the one leading into the game, Crazy events everywhere, spectacle.

436
00:20:50,680 --> 00:20:55,560
Speaker 2: You're like, dog, it's just another game more than anything else.

437
00:20:55,600 --> 00:20:57,879
Speaker 1: And y'all think it's just about brands over there and

438
00:20:57,920 --> 00:21:01,400
Speaker 1: sponsors spending money to make you come and buy their products.

439
00:21:01,480 --> 00:21:05,160
Speaker 1: Yeah yeah, yeah, but liquor companies and you know, going

440
00:21:05,200 --> 00:21:08,919
Speaker 1: to this venue in the club is peanuts compared to

441
00:21:08,960 --> 00:21:10,200
Speaker 1: what's really at stake.

442
00:21:10,600 --> 00:21:12,359
Speaker 2: What's really at steak at the.

443
00:21:12,280 --> 00:21:17,480
Speaker 1: Super Bowl is the team and the broadcasting team and

444
00:21:17,560 --> 00:21:20,879
Speaker 1: that network that is hosting that Super Bowl.

445
00:21:21,160 --> 00:21:23,280
Speaker 2: How they have to impress the NFL.

446
00:21:23,880 --> 00:21:26,600
Speaker 1: So during that week, let's say Fox has it right,

447
00:21:27,119 --> 00:21:30,119
Speaker 1: do you know how hard Fox has to do in

448
00:21:30,200 --> 00:21:34,199
Speaker 1: terms of their presentation of a spectacle, so that not

449
00:21:34,320 --> 00:21:36,800
Speaker 1: only are we in all like Yo, that super Bowl

450
00:21:36,880 --> 00:21:39,840
Speaker 1: was amazing, and then that carries over to the broadcast,

451
00:21:40,160 --> 00:21:43,639
Speaker 1: Oh they killed it. That whole experience ties in to

452
00:21:43,840 --> 00:21:47,480
Speaker 1: trying to break that tie between Fox.

453
00:21:47,600 --> 00:21:50,880
Speaker 2: A, CBS, ESPN, ABC, etc.

454
00:21:51,560 --> 00:21:54,639
Speaker 1: So you can't break the tie with the money because

455
00:21:54,680 --> 00:21:55,600
Speaker 1: we all got it.

456
00:21:55,960 --> 00:21:56,840
Speaker 2: So what do they do?

457
00:21:57,040 --> 00:21:59,760
Speaker 1: They go out there and compete in different ways. To

458
00:21:59,880 --> 00:22:03,320
Speaker 1: the point of what mad Dog is talking about, if

459
00:22:03,320 --> 00:22:06,399
Speaker 1: you're trying to impress just the commissioner, you trying to

460
00:22:06,400 --> 00:22:09,560
Speaker 1: impress Adam Silver, who has final say. If you're trying

461
00:22:09,560 --> 00:22:12,240
Speaker 1: to go out there and press and we are like, oh,

462
00:22:12,640 --> 00:22:15,520
Speaker 1: what do I do with Commissioner Goodell? What do you

463
00:22:15,680 --> 00:22:19,040
Speaker 1: do to what extent? To what end do you try

464
00:22:19,080 --> 00:22:22,480
Speaker 1: to impress him? Do you also get people out the

465
00:22:22,520 --> 00:22:26,040
Speaker 1: way that won't make it as easy of a negotiation

466
00:22:26,240 --> 00:22:28,760
Speaker 1: as it should be. Do you get people out the

467
00:22:28,800 --> 00:22:32,879
Speaker 1: way who can undermine and hurt those negotiations? Man, you

468
00:22:32,920 --> 00:22:36,679
Speaker 1: know that billion dollars negotiations and deals like this happening

469
00:22:36,720 --> 00:22:40,760
Speaker 1: over brunch at a cafe like Silver is there, you know,

470
00:22:41,119 --> 00:22:43,400
Speaker 1: and the head of Fox is sitting there and.

471
00:22:43,359 --> 00:22:47,080
Speaker 2: They just like and then you know, casually is just like, yeah,

472
00:22:47,160 --> 00:22:50,080
Speaker 2: so who who oh eat a French roll? Yeah? Yeah,

473
00:22:50,160 --> 00:22:52,520
Speaker 2: So who's who's gonna be on the broadcast team? The

474
00:22:52,600 --> 00:22:55,440
Speaker 2: A team still right? Oh? Okay? Van Gundy? Interesting?

475
00:22:55,560 --> 00:22:58,280
Speaker 1: Okay, Yeah, he has a lot to say about what

476
00:22:58,400 --> 00:22:59,720
Speaker 1: we're up to.

477
00:22:59,800 --> 00:23:04,240
Speaker 2: Man, very critical, y'all. Be an interesting broadcaster here, very

478
00:23:05,160 --> 00:23:09,320
Speaker 2: interesting music stops right there. That's it. You ain't gotta

479
00:23:09,359 --> 00:23:10,760
Speaker 2: say nothing. You ain't gotta say no more.

480
00:23:10,960 --> 00:23:13,440
Speaker 1: They know if we're gonna impress him, we know how

481
00:23:13,480 --> 00:23:14,680
Speaker 1: to impress him.

482
00:23:14,720 --> 00:23:17,560
Speaker 2: So I thought there was an interesting theory. I don't

483
00:23:17,600 --> 00:23:19,879
Speaker 2: know if it lands and where the rubber meets the

484
00:23:19,960 --> 00:23:23,920
Speaker 2: road exactly with Van Gundy, but shock factor of him

485
00:23:23,920 --> 00:23:27,439
Speaker 2: being released, him being on the top team and no

486
00:23:27,840 --> 00:23:31,440
Speaker 2: replacement in sight, and this is how they do business

487
00:23:31,520 --> 00:23:32,439
Speaker 2: beyond the money.

488
00:23:33,560 --> 00:23:36,320
Speaker 1: Mad Dog might know something to too. Mad Dog may

489
00:23:36,359 --> 00:23:39,800
Speaker 1: be barking and biting up the right tree over here, lying,

490
00:23:39,960 --> 00:23:42,439
Speaker 1: But that's an inside joke with Courtney and I she knows.

491
00:23:42,640 --> 00:23:44,639
Speaker 2: I'm sorry. I'm just trying to tell the truth in

492
00:23:44,680 --> 00:23:47,199
Speaker 2: a different way. Oh man, Thank you guys for all

493
00:23:47,280 --> 00:23:48,480
Speaker 2: y'all love out there.

494
00:23:48,400 --> 00:23:51,400
Speaker 1: Right here, right there, we got it breaks, we gotta reach,

495
00:23:51,440 --> 00:23:54,400
Speaker 1: we got iHeart, we got wilder World, we got YouTube.

496
00:23:53,960 --> 00:23:57,080
Speaker 2: We got love for this book right here, crack it open.

497
00:23:57,119 --> 00:23:59,439
Speaker 2: You gotta win it on Friday. Swag away.

498
00:23:59,720 --> 00:24:02,800
Speaker 1: Now, let's get into funking up some comments right here,

499
00:24:03,119 --> 00:24:06,199
Speaker 1: and let's start off with some of the responses to

500
00:24:06,359 --> 00:24:07,520
Speaker 1: yesterday's topics.

501
00:24:07,800 --> 00:24:10,800
Speaker 2: Pretty good segment right here. I agree with you right there, Mark,

502
00:24:11,200 --> 00:24:14,840
Speaker 2: Let's start with the NBA flopping rule. Is it good question? Mark?

503
00:24:16,359 --> 00:24:18,840
Speaker 1: No, says my man right here, This may be another

504
00:24:18,880 --> 00:24:23,240
Speaker 1: way for res to influence the game KYB four thirty three.

505
00:24:23,320 --> 00:24:26,760
Speaker 1: I hear you, and then Antwan says, don't like it.

506
00:24:26,920 --> 00:24:30,639
Speaker 1: Just get start taking game checks. Oh, just get start

507
00:24:30,680 --> 00:24:31,480
Speaker 1: taking game checks.

508
00:24:31,520 --> 00:24:31,920
Speaker 2: That's right.

509
00:24:32,280 --> 00:24:35,960
Speaker 1: Hit them where it will hurt the most. Look, ain't

510
00:24:36,000 --> 00:24:41,280
Speaker 1: nothing worse than losing the game. Check Right there with it, though,

511
00:24:41,440 --> 00:24:46,040
Speaker 1: is losing playing time. So you figure it out how

512
00:24:46,119 --> 00:24:49,000
Speaker 1: you gonna discipline them? Is it that damn serious? But

513
00:24:49,119 --> 00:24:51,639
Speaker 1: I do understand where you don't want the referees to

514
00:24:51,680 --> 00:24:54,879
Speaker 1: get into it as much as they already are into it.

515
00:24:55,160 --> 00:24:57,800
Speaker 2: Even more, here's the thing about being a referee.

516
00:24:57,800 --> 00:24:59,960
Speaker 1: We know it's an imperfect job, but we have perfect

517
00:25:00,080 --> 00:25:03,680
Speaker 1: expectations and then when they stop short of those, which

518
00:25:03,720 --> 00:25:07,280
Speaker 1: they always will fall short, we got an issue. Now

519
00:25:07,320 --> 00:25:10,840
Speaker 1: we're gonna give them even more leash, more opportunity to

520
00:25:10,920 --> 00:25:14,120
Speaker 1: have influence over the game. I think more bad than

521
00:25:14,200 --> 00:25:16,920
Speaker 1: good will come from that, because we're never gonna get

522
00:25:16,920 --> 00:25:17,760
Speaker 1: to a perfect place.

523
00:25:18,000 --> 00:25:21,760
Speaker 2: So all we're gonna look for are the issues, are

524
00:25:21,920 --> 00:25:25,040
Speaker 2: the letdowns, are the failures so good points.

525
00:25:25,200 --> 00:25:28,520
Speaker 1: Let's get to Doc rivers to ESPN where my man

526
00:25:28,560 --> 00:25:32,359
Speaker 1: gringo star member. I think it should be bring Mark

527
00:25:32,440 --> 00:25:36,320
Speaker 1: Jackson and alternating third, Oh, interesting people like Doris Burke,

528
00:25:36,640 --> 00:25:41,919
Speaker 1: Kevin Garnet, JJ Reddick, Dirt Sheenelgoomaca, Brent Barry, Chris Webber,

529
00:25:42,440 --> 00:25:46,320
Speaker 1: Jamal Crawford, Isaiah Thomas, the Og, Magic Johnson, Snoop dogg

530
00:25:46,359 --> 00:25:50,320
Speaker 1: ice Cube, et cetera, former players, coaches, entertainers, alternating that's

531
00:25:50,400 --> 00:25:53,840
Speaker 1: thirds all right, and the other one says from Stephen Carl,

532
00:25:53,960 --> 00:25:55,120
Speaker 1: no disrespect to Doc.

533
00:25:55,440 --> 00:25:57,399
Speaker 2: He is good. I don't think he could be a

534
00:25:57,440 --> 00:26:00,480
Speaker 2: fit in that role. However, if he is available, like

535
00:26:00,560 --> 00:26:03,840
Speaker 2: to see just brother stand takes that role. All right.

536
00:26:04,359 --> 00:26:06,760
Speaker 1: Now, you got all these people listed here and all

537
00:26:06,760 --> 00:26:07,720
Speaker 1: these different networks.

538
00:26:07,760 --> 00:26:09,480
Speaker 2: They're from in the contract.

539
00:26:09,000 --> 00:26:11,880
Speaker 1: You got crips banging with bloods talking about we peace

540
00:26:11,920 --> 00:26:14,439
Speaker 1: treating like all them people can't come together and do

541
00:26:14,520 --> 00:26:16,000
Speaker 1: this damn network broadcast.

542
00:26:16,400 --> 00:26:19,560
Speaker 2: But good thought. I love it in spirit, but nah,

543
00:26:19,880 --> 00:26:21,080
Speaker 2: it can't work that way.

544
00:26:21,800 --> 00:26:24,080
Speaker 1: Yeah, I could see all of them doing it because

545
00:26:24,119 --> 00:26:27,160
Speaker 1: it's already got two built in staples. Right, you got

546
00:26:27,200 --> 00:26:29,520
Speaker 1: Breen there, and you still got Mark Jackson, so the

547
00:26:29,560 --> 00:26:33,399
Speaker 1: other person chime in, not necessarily need you as the

548
00:26:33,640 --> 00:26:34,639
Speaker 1: co host.

549
00:26:34,920 --> 00:26:38,520
Speaker 2: I got that, now, Stan Van Gundy would be good too.

550
00:26:39,160 --> 00:26:41,720
Speaker 1: But these cats get coaches, get caught up in I'm

551
00:26:41,720 --> 00:26:45,159
Speaker 1: making money not coaching, or I'm making money waiting to coach,

552
00:26:45,400 --> 00:26:47,199
Speaker 1: and I just could chill with my feet up. So

553
00:26:47,240 --> 00:26:49,359
Speaker 1: a lot of guys don't want to go back to

554
00:26:49,480 --> 00:26:53,280
Speaker 1: the rigors of all that travel and just not being

555
00:26:53,320 --> 00:26:55,960
Speaker 1: at home when you already got money coming into the mailbox.

556
00:26:56,040 --> 00:26:58,280
Speaker 2: So I don't know if that's gonna happen. All right,

557
00:26:58,440 --> 00:26:59,960
Speaker 2: let's get to Stephen A. Smith next.

558
00:27:00,320 --> 00:27:06,440
Speaker 1: ESPN layoff with a question mark arn't buy creates. Ain't

559
00:27:06,480 --> 00:27:07,760
Speaker 1: no way they letting Stephen A.

560
00:27:07,840 --> 00:27:08,280
Speaker 2: Smith go.

561
00:27:08,560 --> 00:27:10,120
Speaker 1: He low key the only reason a lot of people

562
00:27:10,160 --> 00:27:13,520
Speaker 1: watch ESPN every clip. He's in is getting clicked on.

563
00:27:13,720 --> 00:27:16,120
Speaker 1: Rather you agree or disagree with him, and I agree

564
00:27:16,200 --> 00:27:18,800
Speaker 1: with you everything. Steven A. Smith is gonna get clicked on.

565
00:27:19,240 --> 00:27:23,439
Speaker 1: I love it as well. Trey Morzy says ESPN's a graveyard.

566
00:27:23,720 --> 00:27:25,879
Speaker 1: I get what Stephen A. Smith was trying to say,

567
00:27:26,119 --> 00:27:29,200
Speaker 1: since he's been loyal once before like a lap dog

568
00:27:29,280 --> 00:27:33,080
Speaker 1: and was canned. He's seen the easier transition to other

569
00:27:33,119 --> 00:27:35,800
Speaker 1: gigs for his other coworkers and he not.

570
00:27:36,080 --> 00:27:39,240
Speaker 2: And he knew how much more of climb of a

571
00:27:39,320 --> 00:27:42,200
Speaker 2: climb it would have to be to bounce back.

572
00:27:42,600 --> 00:27:46,720
Speaker 1: He's paid higher than anyone at ESPN because he's basically

573
00:27:46,760 --> 00:27:50,159
Speaker 1: their mascot. I honestly don't even like Stephen A. Smith,

574
00:27:50,200 --> 00:27:53,719
Speaker 1: but I can't say anyone at ESPN works harder than

575
00:27:53,800 --> 00:27:55,920
Speaker 1: him as an on air personality.

576
00:27:56,280 --> 00:27:59,400
Speaker 2: I can't understand his paranoia, but to state he's being

577
00:27:59,440 --> 00:28:03,160
Speaker 2: in victim is a reach smells like a little panderin

578
00:28:03,200 --> 00:28:07,160
Speaker 2: for a particular sector of your audience. Ah. I felt

579
00:28:07,160 --> 00:28:08,359
Speaker 2: a little shot there at the N.

580
00:28:09,240 --> 00:28:11,840
Speaker 1: Ah, that shot went, Bobby, But let's talk through it,

581
00:28:11,840 --> 00:28:17,159
Speaker 1: because I saw that you blasted one. ESPN knows that

582
00:28:17,200 --> 00:28:20,520
Speaker 1: Stephen A. Smith is that dude, and he works like

583
00:28:20,600 --> 00:28:24,720
Speaker 1: he's that dude. There's no slight Espn or Stephen A.

584
00:28:24,800 --> 00:28:27,919
Speaker 1: Smith in terms of their relationship. And he was just

585
00:28:27,960 --> 00:28:30,879
Speaker 1: the highest paid due a year ago. And when his

586
00:28:30,920 --> 00:28:33,119
Speaker 1: next deal is up, he'll be able to leave frog

587
00:28:33,200 --> 00:28:34,840
Speaker 1: all them dudes if he desires.

588
00:28:35,000 --> 00:28:36,080
Speaker 2: I feel that way.

589
00:28:36,680 --> 00:28:40,600
Speaker 1: That said, the reason that I just said is a

590
00:28:40,680 --> 00:28:44,600
Speaker 1: victim mentality is because if we're gonna use color as

591
00:28:44,600 --> 00:28:47,720
Speaker 1: something that is hindering us or holding us back, or

592
00:28:47,720 --> 00:28:51,000
Speaker 1: it's gonna make us paranoid, then that same color should

593
00:28:51,040 --> 00:28:54,760
Speaker 1: stop short of being the same guy who's black, who

594
00:28:54,880 --> 00:28:57,040
Speaker 1: was able to get a white guy fired from his

595
00:28:57,120 --> 00:28:58,720
Speaker 1: show and did tell.

596
00:28:58,560 --> 00:29:01,520
Speaker 2: The world he did it. Damn, I thought something was

597
00:29:01,600 --> 00:29:02,320
Speaker 2: holding you back.

598
00:29:02,440 --> 00:29:05,520
Speaker 1: That's flexing, Like not only did you get rid of Max,

599
00:29:05,560 --> 00:29:08,680
Speaker 1: that's one thing, but you told cats, yeah I did it.

600
00:29:08,760 --> 00:29:13,640
Speaker 1: And then that's the same guy who's now saying, uh, well,

601
00:29:13,680 --> 00:29:15,560
Speaker 1: you know, being black, you gotta always watch your back

602
00:29:15,560 --> 00:29:18,080
Speaker 1: because you may get fired when more white people are

603
00:29:18,080 --> 00:29:21,800
Speaker 1: getting fired. And who cares more or less everybody getting fired? Like,

604
00:29:22,080 --> 00:29:26,160
Speaker 1: you know, it's crazy, like h Tucker.

605
00:29:25,840 --> 00:29:28,280
Speaker 2: Carson when he got fired, I ain't hear nothing about

606
00:29:28,280 --> 00:29:31,600
Speaker 2: his race, and Tucker Carson show. Do y'all know how

607
00:29:31,640 --> 00:29:35,120
Speaker 2: many people were watching Tucker Carlson like it's insane, number

608
00:29:35,120 --> 00:29:37,640
Speaker 2: one show on cable and gone.

609
00:29:37,880 --> 00:29:41,080
Speaker 1: And I just don't like when we get into like,

610
00:29:41,160 --> 00:29:44,000
Speaker 1: oh it's because of this. I'm like dog, if you

611
00:29:44,120 --> 00:29:49,440
Speaker 1: look around, you'll notice it's happening in everybody everywhere, no

612
00:29:49,440 --> 00:29:52,760
Speaker 1: matter who you are and what you are. So I

613
00:29:52,880 --> 00:29:57,920
Speaker 1: learned a long time ago, uh, to never like argue

614
00:29:58,280 --> 00:30:01,880
Speaker 1: race for people like this because they never see your side.

615
00:30:02,000 --> 00:30:05,400
Speaker 1: I'll discuss it, but I won't argue it right here.

616
00:30:05,560 --> 00:30:09,280
Speaker 2: It goes whether it's wrong or right.

617
00:30:09,800 --> 00:30:12,680
Speaker 1: I never argue with someone who sees the world in

618
00:30:12,880 --> 00:30:14,120
Speaker 1: black or white.

619
00:30:14,800 --> 00:30:16,200
Speaker 2: That's what my mindset is.

620
00:30:16,240 --> 00:30:18,320
Speaker 1: That's what my mantra is, because you're just gonna always

621
00:30:18,360 --> 00:30:20,800
Speaker 1: pick out what you need to select a perception and

622
00:30:20,880 --> 00:30:24,800
Speaker 1: not looking in at totality. Yo, everybody getting hit with this.

623
00:30:25,360 --> 00:30:28,600
Speaker 1: Everybody great comments though. Man always come at me, y'all

624
00:30:28,600 --> 00:30:31,400
Speaker 1: because I'm always gonna just respond. That's what we do

625
00:30:31,600 --> 00:30:35,200
Speaker 1: while this world warriors Jordan Poole drama. Ooh, let's see

626
00:30:35,240 --> 00:30:38,440
Speaker 1: what is going on? Sassy won. She says Clay's exactly right,

627
00:30:38,440 --> 00:30:41,720
Speaker 1: and everybody saw it last season. Pool hardy passed the

628
00:30:41,760 --> 00:30:45,360
Speaker 1: ball and made dumb shot making decisions at times. It

629
00:30:45,400 --> 00:30:49,240
Speaker 1: almost looked as if he were purposely throwing games because

630
00:30:49,240 --> 00:30:51,320
Speaker 1: he was in his feelings. Near the end of the

631
00:30:51,360 --> 00:30:54,320
Speaker 1: season when Steph reprimanded Pool on the sideline, should have

632
00:30:54,400 --> 00:30:55,440
Speaker 1: known he was out the door.

633
00:30:55,720 --> 00:30:56,000
Speaker 2: Yep.

634
00:30:56,400 --> 00:30:59,200
Speaker 1: People came down hard on Dre because of the punch

635
00:30:59,200 --> 00:31:01,600
Speaker 1: and practice at the again into the season, but always

636
00:31:01,640 --> 00:31:04,640
Speaker 1: said there was more than what met the eye in

637
00:31:04,840 --> 00:31:08,080
Speaker 1: that one. Pool was always the problem. And Rieke Tavoc

638
00:31:08,160 --> 00:31:11,640
Speaker 1: on the team chemistry Glad Golden State Warriors send them packing.

639
00:31:12,040 --> 00:31:16,440
Speaker 1: Damn Yes, I'm ninety some percent with you. But it's

640
00:31:16,480 --> 00:31:19,000
Speaker 1: funny like when things don't work out for a team

641
00:31:19,080 --> 00:31:22,160
Speaker 1: that has had such success like them. First thing we

642
00:31:22,160 --> 00:31:25,360
Speaker 1: look for skpegoat. We gotta blame somebody, right, it was

643
00:31:25,360 --> 00:31:27,800
Speaker 1: gonna beat Draymond for a minute there. You remember when

644
00:31:27,840 --> 00:31:30,960
Speaker 1: we blamed Draymond because he had the podcast last not

645
00:31:31,120 --> 00:31:33,120
Speaker 1: the last one that just happened, but the one that

646
00:31:33,160 --> 00:31:35,840
Speaker 1: they won, Oh Draymond, and they were down in the series,

647
00:31:35,880 --> 00:31:38,640
Speaker 1: Oh Draymond, in this podcast. We gotta blame somebody. It's

648
00:31:38,640 --> 00:31:41,960
Speaker 1: not going well. They win the championship, that's what we say, Oh,

649
00:31:42,840 --> 00:31:45,160
Speaker 1: that podcast didn't do nothing. Now, ain't nobody caught that?

650
00:31:45,320 --> 00:31:48,600
Speaker 1: Nobody even listening to that? Draymond? You keep talking, right, so.

651
00:31:48,520 --> 00:31:51,200
Speaker 2: This year is the punch and then if we blaming Draymond,

652
00:31:51,400 --> 00:31:53,840
Speaker 2: But then Jordan Poole just looked horrible in the playoffs.

653
00:31:54,040 --> 00:31:56,840
Speaker 2: Then he went and spent what a half a million

654
00:31:56,880 --> 00:31:59,600
Speaker 2: dollars on a date with Icy Spicer? Is that our name?

655
00:32:00,000 --> 00:32:02,320
Speaker 1: So I'm like, god, dang dog, and that's when all

656
00:32:02,320 --> 00:32:03,600
Speaker 1: of a sudden they went bad for him.

657
00:32:03,760 --> 00:32:05,000
Speaker 2: It's kind of like Dylan Brooks.

658
00:32:05,120 --> 00:32:08,360
Speaker 1: Dylan Brooks is a good player, great defensive player, good

659
00:32:08,400 --> 00:32:12,160
Speaker 1: overall player, and in his resume he's a shooter and

660
00:32:12,200 --> 00:32:15,800
Speaker 1: everybody like that dude sucked Why because he talked trash

661
00:32:16,000 --> 00:32:19,000
Speaker 1: to Lebron and looked horrible in the playoffs. Now he

662
00:32:19,040 --> 00:32:21,680
Speaker 1: got paid by Houston, and everybody like why he get

663
00:32:21,760 --> 00:32:25,680
Speaker 1: paid because y'all forgot in the process of scapegolding him

664
00:32:25,720 --> 00:32:28,640
Speaker 1: and blaming him for everything, y'all forgot that's a good player.

665
00:32:28,920 --> 00:32:30,800
Speaker 1: Just like I think with Jordan Poole, he ain't look

666
00:32:30,840 --> 00:32:32,440
Speaker 1: great at the end, we know, and he takes some

667
00:32:32,560 --> 00:32:34,520
Speaker 1: crazy shots because he's trying to be up there with

668
00:32:34,560 --> 00:32:35,400
Speaker 1: the Splash Brothers.

669
00:32:35,560 --> 00:32:37,920
Speaker 2: But don't forget he a good player. That's why he

670
00:32:37,960 --> 00:32:38,880
Speaker 2: got that big old deal.

671
00:32:39,280 --> 00:32:42,360
Speaker 1: Last one is why these world shams and his phone

672
00:32:42,400 --> 00:32:47,440
Speaker 1: screen time, he says. Adam Cooper says, yo, I actually

673
00:32:47,560 --> 00:32:53,000
Speaker 1: unexpectedly met Chefter in Indianapolis. Had an awesome steakhouse after

674
00:32:53,040 --> 00:32:56,320
Speaker 1: the combine. I know that spot, he says, no phone

675
00:32:56,360 --> 00:32:58,160
Speaker 1: in sight. I feel fortunate.

676
00:32:59,200 --> 00:33:01,520
Speaker 2: That's real. Like, I mean, look, he probably was with

677
00:33:01,520 --> 00:33:03,200
Speaker 2: some other gms. He's like, why I gotta be on

678
00:33:03,200 --> 00:33:04,560
Speaker 2: my phone? They right here? You know what I mean?

679
00:33:04,720 --> 00:33:06,760
Speaker 2: Who gonna text me? He right here? He ain't gonna

680
00:33:06,760 --> 00:33:08,920
Speaker 2: call me? He right here? Now that's love.

681
00:33:08,960 --> 00:33:13,400
Speaker 1: He's on his phone probably nineteen plus hours, especially doing

682
00:33:13,480 --> 00:33:17,720
Speaker 1: combine trade scenarios, but not twenty four.

683
00:33:17,520 --> 00:33:19,360
Speaker 2: Hours you call him in that other five.

684
00:33:19,680 --> 00:33:22,520
Speaker 1: All right, y'all, let's get into this Wiley's world with

685
00:33:22,640 --> 00:33:27,080
Speaker 1: our Hall of Fame members, you know, the esteemed members

686
00:33:27,120 --> 00:33:30,400
Speaker 1: of Wiley's World who get the opportunity to co host

687
00:33:30,440 --> 00:33:32,800
Speaker 1: the show with me. And now we got to bring

688
00:33:32,840 --> 00:33:36,520
Speaker 1: in a literal co host, like he's here more than me.

689
00:33:36,840 --> 00:33:42,280
Speaker 2: His name is Adrian. Bring it on, Adrian, What it do?

690
00:33:44,880 --> 00:33:47,200
Speaker 3: How you doing today man, salute brother.

691
00:33:47,280 --> 00:33:50,680
Speaker 2: I'm good after that rough start this morning, but gotta

692
00:33:50,720 --> 00:33:52,640
Speaker 2: be tough when it gets rough.

693
00:33:52,760 --> 00:33:57,000
Speaker 3: What's up, brother, We're coming in. We're not going too

694
00:33:57,000 --> 00:34:00,920
Speaker 3: deep today. Got some pretty like fun questions, kind of interesting.

695
00:34:01,400 --> 00:34:08,160
Speaker 2: So, okay, do you remember if you say so yourself, right? Yeah?

696
00:34:08,320 --> 00:34:10,960
Speaker 3: Do you remember to show detail that Kobe had on

697
00:34:10,960 --> 00:34:13,560
Speaker 3: on USPN plus damn?

698
00:34:13,800 --> 00:34:17,680
Speaker 1: I remember the like the slogan, I remember the font.

699
00:34:18,160 --> 00:34:20,120
Speaker 1: I remember seeing it and I never watched it.

700
00:34:20,160 --> 00:34:22,480
Speaker 2: What is detail? Okay?

701
00:34:22,520 --> 00:34:25,479
Speaker 3: So basically Kobe going over like old old game film

702
00:34:25,520 --> 00:34:28,319
Speaker 3: and stuff and basically broke it down like to like

703
00:34:28,880 --> 00:34:32,760
Speaker 3: a very like micro level and displaying everything his thought processes,

704
00:34:32,920 --> 00:34:35,399
Speaker 3: like basically broke out like a whole play. It spent

705
00:34:35,520 --> 00:34:39,000
Speaker 3: like about twenty minutes breaking it down thought processes while

706
00:34:39,000 --> 00:34:41,120
Speaker 3: he did this, like why he spent it, what he

707
00:34:41,120 --> 00:34:43,480
Speaker 3: expected them to do, and like kind of like breaking

708
00:34:43,520 --> 00:34:44,040
Speaker 3: down film.

709
00:34:44,040 --> 00:34:47,680
Speaker 2: Basically love that. Yeah, that's dope.

710
00:34:48,680 --> 00:34:52,080
Speaker 3: So I'm bringing up because is there a way to

711
00:34:52,320 --> 00:34:57,960
Speaker 3: make analytical content like that more appealing and more entertaining

712
00:34:58,160 --> 00:34:59,200
Speaker 3: to the masses?

713
00:35:00,600 --> 00:35:06,120
Speaker 2: Ah, A great point. Here's the thing I love that.

714
00:35:06,239 --> 00:35:08,799
Speaker 1: I mean, that's like a deeper version it sounds like

715
00:35:08,880 --> 00:35:10,839
Speaker 1: than what I would do with that Dude's Dudes, and

716
00:35:10,880 --> 00:35:15,360
Speaker 1: ours was lighthearted because to your point, the masses don't

717
00:35:15,400 --> 00:35:17,400
Speaker 1: like to take their medicine, and I think that when

718
00:35:17,440 --> 00:35:20,800
Speaker 1: you break the game down to its finer points, at times,

719
00:35:20,800 --> 00:35:23,080
Speaker 1: it can feel like you're taking your medicine because people

720
00:35:23,080 --> 00:35:24,040
Speaker 1: don't care about that.

721
00:35:24,120 --> 00:35:24,760
Speaker 2: Like the NFL.

722
00:35:24,840 --> 00:35:27,640
Speaker 1: When it's three yards in the cloud of dust and

723
00:35:27,680 --> 00:35:30,759
Speaker 1: it's a defensive battle and it's six to three and

724
00:35:30,880 --> 00:35:33,560
Speaker 1: guys are out there playing the best d in the world,

725
00:35:33,600 --> 00:35:37,280
Speaker 1: We're sitting there like boring, need to see somebody get burnt,

726
00:35:37,400 --> 00:35:40,279
Speaker 1: need to see thirty eight points up, or boring, like

727
00:35:40,320 --> 00:35:43,160
Speaker 1: we just like our fluff, right, I get it. I

728
00:35:43,200 --> 00:35:45,600
Speaker 1: think there's a way. I think it has to be

729
00:35:45,640 --> 00:35:48,719
Speaker 1: a hybrid. I don't think you can go exclusively just hey,

730
00:35:49,120 --> 00:35:52,160
Speaker 1: take you into this dark dungeon room, put the laser on,

731
00:35:52,239 --> 00:35:53,080
Speaker 1: and just go like this.

732
00:35:53,360 --> 00:35:56,040
Speaker 2: That's why I'm gonna do that Dude's Dudes again. But

733
00:35:56,120 --> 00:35:59,400
Speaker 2: I know how to make it light. Like casual fans

734
00:35:59,520 --> 00:36:02,960
Speaker 2: or even who are purists, we still want to feel

735
00:36:02,960 --> 00:36:06,000
Speaker 2: the entertainment value and engagement that comes from the game.

736
00:36:06,320 --> 00:36:08,720
Speaker 2: Because I got bored you to death. With some technical self.

737
00:36:08,719 --> 00:36:10,920
Speaker 1: You'd be like, God, Doc, who gives a damn where

738
00:36:10,960 --> 00:36:13,560
Speaker 1: your elbow is right? And I'm like, yeah, it matters

739
00:36:13,560 --> 00:36:16,040
Speaker 1: to me when I was playing the game. So you

740
00:36:16,160 --> 00:36:21,200
Speaker 1: gotta find that mix between I'm educating you and entertaining you.

741
00:36:21,280 --> 00:36:24,200
Speaker 1: But I'm gonna take a stab at at this fall.

742
00:36:24,520 --> 00:36:27,520
Speaker 1: I just need to get the licensing clearance from the NFL.

743
00:36:27,600 --> 00:36:30,200
Speaker 1: So Courtney Mikey p gotta work on that. But I

744
00:36:30,239 --> 00:36:33,400
Speaker 1: am gonna do high school and in high school and

745
00:36:33,440 --> 00:36:35,600
Speaker 1: Pop Warner for sure, because I can put that on

746
00:36:35,719 --> 00:36:38,120
Speaker 1: all day and ain't nobody gonna say it's copywritten.

747
00:36:39,880 --> 00:36:40,840
Speaker 2: So what about this?

748
00:36:41,080 --> 00:36:44,080
Speaker 3: What if you added like a music thing too, you know,

749
00:36:44,280 --> 00:36:46,520
Speaker 3: like you know Ice Chub and today was a good day,

750
00:36:46,600 --> 00:36:48,640
Speaker 3: Say he messed around and got a triple double. You know,

751
00:36:49,080 --> 00:36:51,600
Speaker 3: maybe like throwing some musical things in there until I

752
00:36:51,600 --> 00:36:55,520
Speaker 3: get people more attached to it, more like in and

753
00:36:55,520 --> 00:36:59,120
Speaker 3: that way doesn't feel more like school. It's like and

754
00:36:59,360 --> 00:37:05,240
Speaker 3: included learning or something or more like Yeah.

755
00:37:04,000 --> 00:37:06,000
Speaker 1: No, I get where you're going. I mean you're basically

756
00:37:06,040 --> 00:37:10,279
Speaker 1: put a soundtrack to it, another engaging element. I just

757
00:37:10,360 --> 00:37:13,279
Speaker 1: know on most of these broadcast channels, you're gonna get

758
00:37:13,280 --> 00:37:15,680
Speaker 1: copyright issues, so then you got to get into that

759
00:37:16,040 --> 00:37:17,879
Speaker 1: and then you know, there you go. So you gotta

760
00:37:17,880 --> 00:37:19,359
Speaker 1: make up your own music or you gotta go to

761
00:37:19,360 --> 00:37:22,239
Speaker 1: those safe sites that has the music that's kind of

762
00:37:22,239 --> 00:37:25,120
Speaker 1: off bar, that's a little different in melody that you

763
00:37:25,120 --> 00:37:25,759
Speaker 1: can get through.

764
00:37:25,800 --> 00:37:28,480
Speaker 2: But yet what you're talking about is the integration of

765
00:37:28,520 --> 00:37:28,960
Speaker 2: it all.

766
00:37:29,040 --> 00:37:32,520
Speaker 1: Like yo, at the baseline of all these sports, it's

767
00:37:32,560 --> 00:37:36,920
Speaker 1: some amazing chess being played with human bodies, and we

768
00:37:36,960 --> 00:37:39,120
Speaker 1: want to know what's going on, what made them, what

769
00:37:39,280 --> 00:37:42,560
Speaker 1: motivated him to make that move. So I'm gonna take

770
00:37:42,560 --> 00:37:44,719
Speaker 1: a stab at it, make sure that I stay within

771
00:37:44,760 --> 00:37:47,279
Speaker 1: the lines, because you can't get yourself in a little

772
00:37:47,320 --> 00:37:51,600
Speaker 1: bit of hardest way from the licensing, broadcasting, copywritten, and

773
00:37:51,640 --> 00:37:52,440
Speaker 1: all those kind.

774
00:37:52,280 --> 00:37:54,960
Speaker 2: Of rights got you.

775
00:37:55,640 --> 00:37:59,160
Speaker 3: And speaking of rap music, when you listen to rap music,

776
00:37:59,320 --> 00:38:01,239
Speaker 3: what are you looking for or are you looking for

777
00:38:01,440 --> 00:38:05,400
Speaker 3: like lyricist song who's lyrical? You're looking for the vibes to,

778
00:38:05,440 --> 00:38:07,960
Speaker 3: you know, like dance to and chill too, or are

779
00:38:07,960 --> 00:38:10,839
Speaker 3: you looking for like, oh, like so and so came

780
00:38:10,880 --> 00:38:14,000
Speaker 3: out new album, Let's see how they how they grew

781
00:38:14,080 --> 00:38:16,640
Speaker 3: and improved from the last album, or what do you

782
00:38:16,680 --> 00:38:19,000
Speaker 3: be listening for when listening to new albums.

783
00:38:19,160 --> 00:38:21,319
Speaker 1: Well one, I'm gonna sound like an old man hater,

784
00:38:21,440 --> 00:38:24,200
Speaker 1: but I don't love rap music now because I could

785
00:38:24,200 --> 00:38:26,239
Speaker 1: base it on what I used to love and the

786
00:38:26,280 --> 00:38:27,080
Speaker 1: way I used.

787
00:38:26,960 --> 00:38:30,160
Speaker 2: To love it. That era I still love, but now

788
00:38:30,239 --> 00:38:31,440
Speaker 2: I don't love this music.

789
00:38:31,480 --> 00:38:33,840
Speaker 1: And I'll tell you why. My first thing I listened

790
00:38:33,840 --> 00:38:37,680
Speaker 1: to and I've always did is beats. Like that's why

791
00:38:38,000 --> 00:38:40,719
Speaker 1: Doctor Dre had an era, That's why the Riza had

792
00:38:40,760 --> 00:38:43,640
Speaker 1: an era, right, that's why Swiss beats had like you

793
00:38:43,719 --> 00:38:47,680
Speaker 1: can say artists, but then that's a lot of dudes,

794
00:38:48,040 --> 00:38:51,279
Speaker 1: but then there's only so few producers, many.

795
00:38:51,080 --> 00:38:53,640
Speaker 2: Fresh like look how many people they touched. So I

796
00:38:53,800 --> 00:38:54,879
Speaker 2: was always about to beat.

797
00:38:55,200 --> 00:38:57,799
Speaker 1: Soon as I hear don't beat, I don't care what

798
00:38:57,960 --> 00:38:59,799
Speaker 1: lyrics going on there. We could go all the way

799
00:38:59,800 --> 00:39:02,560
Speaker 1: back to jj FAD when I was like, super Sonic

800
00:39:02,680 --> 00:39:05,319
Speaker 1: is not a great song in terms of lyrics, but the.

801
00:39:05,280 --> 00:39:08,000
Speaker 2: Beat boom boom, boom boom.

802
00:39:08,040 --> 00:39:10,520
Speaker 1: I was like, and Doctor Dray you know what I'm saying.

803
00:39:10,520 --> 00:39:12,720
Speaker 1: I was like, that's dope. And then you know Beeper,

804
00:39:12,840 --> 00:39:15,640
Speaker 1: so mix a lot. That was a little I'm rolling

805
00:39:15,640 --> 00:39:18,239
Speaker 1: down the street beat, beat, beat, just another page, just

806
00:39:18,239 --> 00:39:20,239
Speaker 1: another freak that ain't fresh like that.

807
00:39:20,520 --> 00:39:24,680
Speaker 2: But that beat boom beeper, no, no, no, that's what

808
00:39:24,760 --> 00:39:26,560
Speaker 2: got me. So I would like a song that people

809
00:39:26,560 --> 00:39:29,080
Speaker 2: thought was corny or whack just because the beat was

810
00:39:29,120 --> 00:39:31,520
Speaker 2: banging after beats. It is lyrics.

811
00:39:31,560 --> 00:39:33,960
Speaker 1: But you ain't gotta be a purist, like I ain't

812
00:39:33,960 --> 00:39:35,680
Speaker 1: gotta hear big Al all the time.

813
00:39:36,320 --> 00:39:40,279
Speaker 2: Respect to him in his greatness the dead, but I

814
00:39:40,320 --> 00:39:41,840
Speaker 2: didn't care like that much.

815
00:39:42,080 --> 00:39:43,840
Speaker 1: But I loved it when I had a beat with

816
00:39:43,960 --> 00:39:48,240
Speaker 1: somebody who was kicking knowledge ICEQE. Now I'm like in heaven.

817
00:39:48,600 --> 00:39:52,400
Speaker 1: But this is why I don't like rap today. Tone

818
00:39:53,040 --> 00:39:55,359
Speaker 1: like the exchange of energy like where are you taking me?

819
00:39:55,600 --> 00:39:59,439
Speaker 2: Like public enemy? Yes, the rhythm, the rebel like what

820
00:40:00,080 --> 00:40:03,840
Speaker 2: I'm in a positive space. I got courage, I'm strong

821
00:40:03,960 --> 00:40:06,480
Speaker 2: like it just takes me soone good when I hear it.

822
00:40:06,600 --> 00:40:09,680
Speaker 2: Now between everyone got the drink O come around here.

823
00:40:10,400 --> 00:40:11,800
Speaker 2: I look at them dumb dump I'm.

824
00:40:11,600 --> 00:40:17,120
Speaker 1: Like, maybe I'm old or maybe y'all story is getting old,

825
00:40:17,200 --> 00:40:19,440
Speaker 1: Like I just don't want to put on something that

826
00:40:19,560 --> 00:40:22,600
Speaker 1: I gotta think about losing my life all day, about

827
00:40:23,480 --> 00:40:25,919
Speaker 1: think about like senseless. I'm gonna take your girl cause

828
00:40:25,920 --> 00:40:29,040
Speaker 1: she out with me, Like I got more money than you,

829
00:40:29,160 --> 00:40:31,640
Speaker 1: and I know these dudes ain't got that much. I'm like, like,

830
00:40:31,680 --> 00:40:34,040
Speaker 1: I'm just too old, maybe too wise, or I'm overthinking it.

831
00:40:34,080 --> 00:40:37,319
Speaker 1: But the tone is the last thing I look for

832
00:40:37,600 --> 00:40:40,560
Speaker 1: right now, the tone of rap, other than the girl

833
00:40:40,640 --> 00:40:44,160
Speaker 1: rappers in general. City girls and make like the girl

834
00:40:44,239 --> 00:40:46,960
Speaker 1: rappers right now love them because they beats. They be

835
00:40:47,080 --> 00:40:49,319
Speaker 1: using all these old school beats and just be banging them.

836
00:40:49,360 --> 00:40:51,400
Speaker 1: So other than that, I'm kind of still stuck in

837
00:40:51,400 --> 00:40:52,000
Speaker 1: the old school.

838
00:40:54,480 --> 00:40:57,920
Speaker 3: So what do you think about Like the Drakes and

839
00:40:58,040 --> 00:41:01,120
Speaker 3: the like Kendricks and the j Coles who more are

840
00:41:01,840 --> 00:41:04,759
Speaker 3: well nactually they're all very different. But like people say,

841
00:41:04,800 --> 00:41:08,480
Speaker 3: like people who like Jake Cole aren't really feeling like

842
00:41:08,960 --> 00:41:10,080
Speaker 3: Kendrick all the time.

843
00:41:10,120 --> 00:41:10,319
Speaker 2: You know.

844
00:41:10,440 --> 00:41:14,320
Speaker 3: It feels like it's like a Jordan Lebron situation where

845
00:41:14,480 --> 00:41:16,440
Speaker 3: you're not allowed to like both because you're so different

846
00:41:16,480 --> 00:41:19,120
Speaker 3: from to Apple's from the same tree. But people don't

847
00:41:19,120 --> 00:41:19,719
Speaker 3: feel that way.

848
00:41:20,400 --> 00:41:23,040
Speaker 1: Yeah, yeah, look, I tell you how it go. Drake

849
00:41:23,160 --> 00:41:26,000
Speaker 1: is insane to me. You want to know how, just

850
00:41:26,120 --> 00:41:28,920
Speaker 1: go somewhere, lock yourself in the room and then just

851
00:41:29,040 --> 00:41:33,759
Speaker 1: imagine his entire catalog playing or just go to Drake Essentials,

852
00:41:34,040 --> 00:41:35,879
Speaker 1: And then when you get down the song thirty eight,

853
00:41:36,120 --> 00:41:37,120
Speaker 1: it's still banging.

854
00:41:37,480 --> 00:41:39,560
Speaker 2: You're like, don what are you gonna slow down? This

855
00:41:39,640 --> 00:41:40,600
Speaker 2: sucker's insane.

856
00:41:40,840 --> 00:41:44,319
Speaker 1: For me, Drake is tacos Like that's just like he's

857
00:41:44,360 --> 00:41:45,319
Speaker 1: on taco level.

858
00:41:45,360 --> 00:41:48,640
Speaker 2: Like I eat up every song Drake got going. It's sick.

859
00:41:49,520 --> 00:41:52,360
Speaker 2: Then I get to Kendrick and he likes steak like

860
00:41:52,440 --> 00:41:54,640
Speaker 2: I like, like it's good for me too, Like give

861
00:41:54,680 --> 00:41:57,160
Speaker 2: me lean if I eat steak on a lean, tough,

862
00:41:57,480 --> 00:41:58,520
Speaker 2: muscular fit.

863
00:41:59,560 --> 00:42:04,799
Speaker 1: But there's something about it that I'm like, doesn't have

864
00:42:04,840 --> 00:42:07,000
Speaker 1: a you know, it don't have that sugar element to it,

865
00:42:07,080 --> 00:42:08,799
Speaker 1: like something else that makes it. You know, that's why

866
00:42:08,840 --> 00:42:12,640
Speaker 1: you go steak and potatoes, right, steak and fries, you know,

867
00:42:12,719 --> 00:42:14,799
Speaker 1: seak and mac and cheese, Like steak gotta have something

868
00:42:14,800 --> 00:42:16,759
Speaker 1: else with it or you're gonna be like m And

869
00:42:16,800 --> 00:42:19,200
Speaker 1: I just like, well, Kendrick, I love it. But then

870
00:42:19,239 --> 00:42:20,799
Speaker 1: sometime I'll be like, damn, I just went to a

871
00:42:20,840 --> 00:42:22,000
Speaker 1: poetry slam or something.

872
00:42:22,120 --> 00:42:25,239
Speaker 2: Ja Cole is my meat loaf, Like I like it,

873
00:42:25,719 --> 00:42:26,319
Speaker 2: and I know.

874
00:42:26,239 --> 00:42:30,200
Speaker 1: Why everybody else loves it, But for me, I throw

875
00:42:30,200 --> 00:42:31,520
Speaker 1: a lot of ketchup on it, and then I'm like,

876
00:42:31,520 --> 00:42:32,279
Speaker 1: all right, that is cool.

877
00:42:32,280 --> 00:42:32,760
Speaker 2: It's cool.

878
00:42:32,800 --> 00:42:36,640
Speaker 1: But for me Ja Cole, he got songs.

879
00:42:36,320 --> 00:42:39,880
Speaker 2: He got bars, he spits, but he just doesn't hit me.

880
00:42:40,239 --> 00:42:43,440
Speaker 1: Why Because I'm a beats guy and Ja Cole, I

881
00:42:43,480 --> 00:42:45,840
Speaker 1: don't think he cares as much about his beats.

882
00:42:45,840 --> 00:42:48,360
Speaker 2: If so, he don't care enough about me liking his beats.

883
00:42:48,400 --> 00:42:48,879
Speaker 2: That's it.

884
00:42:50,680 --> 00:42:55,680
Speaker 3: Yeah, I agree with that. I'm you know, but my

885
00:42:55,760 --> 00:43:01,239
Speaker 3: last question is kind of then or not? Okay, So,

886
00:43:03,160 --> 00:43:05,399
Speaker 3: what do you think is the next evolution as far

887
00:43:05,440 --> 00:43:09,239
Speaker 3: as the NETS innovation and the four major sports, Like

888
00:43:09,320 --> 00:43:11,439
Speaker 3: we had the big point line a long time ago,

889
00:43:11,719 --> 00:43:17,000
Speaker 3: or in football actually don't know happened in football, or

890
00:43:17,320 --> 00:43:19,560
Speaker 3: baseball has the shot clock now or they have the

891
00:43:19,719 --> 00:43:22,680
Speaker 3: ditch clock thing. So like, what do you think it's

892
00:43:22,719 --> 00:43:26,120
Speaker 3: the NETT big thing as far as making sports more entertaining,

893
00:43:26,239 --> 00:43:29,200
Speaker 3: more watchable, and just a better product.

894
00:43:31,040 --> 00:43:33,360
Speaker 1: I think it's happening in the technology around it. Let

895
00:43:33,400 --> 00:43:36,759
Speaker 1: me start there, how we're digesting it. I mean, it's

896
00:43:36,840 --> 00:43:41,040
Speaker 1: kind of wild that one everyone goes to the games,

897
00:43:41,080 --> 00:43:42,120
Speaker 1: right attendance is up.

898
00:43:42,120 --> 00:43:42,680
Speaker 2: We can see it.

899
00:43:42,680 --> 00:43:44,719
Speaker 1: Everyone's at the game, but everyone at the game is

900
00:43:44,760 --> 00:43:47,640
Speaker 1: not there. For the game, you gotta have Wi Fi.

901
00:43:47,760 --> 00:43:50,200
Speaker 1: Your stadium so far has spent I think a million

902
00:43:50,239 --> 00:43:52,719
Speaker 1: dollars on their Wi Fi. No lot at so far

903
00:43:52,840 --> 00:43:55,799
Speaker 1: to Wi Fi so fast you don't even hit enter

904
00:43:56,160 --> 00:43:59,000
Speaker 1: into the website you want to see and you're already there. Dog,

905
00:43:59,040 --> 00:44:02,160
Speaker 1: you'd be like, like, I mean you you have to

906
00:44:02,719 --> 00:44:03,319
Speaker 1: witness it.

907
00:44:03,320 --> 00:44:06,160
Speaker 2: It's the fastest thing ever. But that's a part of

908
00:44:06,200 --> 00:44:06,880
Speaker 2: the experience.

909
00:44:07,239 --> 00:44:11,680
Speaker 1: All of those two hundred suites, it's just different experiences.

910
00:44:11,719 --> 00:44:14,279
Speaker 2: Like they literally say, come to the game, and the

911
00:44:14,360 --> 00:44:15,560
Speaker 2: game is the backdrop.

912
00:44:15,880 --> 00:44:18,200
Speaker 1: You know, just look up when it's a big, big play,

913
00:44:18,280 --> 00:44:19,880
Speaker 1: and look up when you want to know the score.

914
00:44:20,120 --> 00:44:21,960
Speaker 2: Other than that, entertain yourself.

915
00:44:22,640 --> 00:44:25,920
Speaker 1: Meanwhile, we're at home and now we've chopped it up

916
00:44:25,960 --> 00:44:28,839
Speaker 1: so many ways. Red Zone, I'm not watching the whole game.

917
00:44:28,920 --> 00:44:30,719
Speaker 1: Just give me all the games and the highlights, right

918
00:44:31,160 --> 00:44:34,200
Speaker 1: or if you're watching one game, you're getting robbed of

919
00:44:34,239 --> 00:44:36,960
Speaker 1: all the others. Unless you're into the multi mix, then

920
00:44:37,040 --> 00:44:39,359
Speaker 1: you ain't really watching anything because you're looking at that one,

921
00:44:39,360 --> 00:44:40,680
Speaker 1: then that one, that one, did that one?

922
00:44:40,719 --> 00:44:42,200
Speaker 2: What happened in that game? I don't know. I forgot

923
00:44:42,239 --> 00:44:45,360
Speaker 2: because I'm looking at that one. So that's what's happening

924
00:44:45,440 --> 00:44:49,520
Speaker 2: in technology. They're just slicing us up. They chunking us up.

925
00:44:49,920 --> 00:44:50,680
Speaker 2: On the field.

926
00:44:50,760 --> 00:44:54,040
Speaker 1: The biggest thing that has happened recently is what's happened

927
00:44:54,080 --> 00:44:55,719
Speaker 1: to the kickoff in football?

928
00:44:56,120 --> 00:44:57,120
Speaker 2: Like it's gone, Like.

929
00:44:57,040 --> 00:45:00,840
Speaker 1: That's a I made my way in in a first

930
00:45:00,920 --> 00:45:01,640
Speaker 1: on kickoff.

931
00:45:01,960 --> 00:45:02,760
Speaker 2: Now that's gone.

932
00:45:02,960 --> 00:45:06,680
Speaker 1: It's just big old, strong dudes, fast dudes running down

933
00:45:06,680 --> 00:45:09,680
Speaker 1: the field, jogging basically like whatever, this play doesn't count.

934
00:45:09,840 --> 00:45:12,600
Speaker 1: They took away a play Like that's insane to me.

935
00:45:13,320 --> 00:45:18,360
Speaker 1: What would they do next? There's some rigging somehow to

936
00:45:18,440 --> 00:45:21,400
Speaker 1: get more offensive scoring. But they're in a good place

937
00:45:21,520 --> 00:45:24,480
Speaker 1: right now, so I don't think there's an issue. But somehow,

938
00:45:24,600 --> 00:45:29,640
Speaker 1: some way, just like in baseball the home runs, those moments,

939
00:45:29,840 --> 00:45:32,320
Speaker 1: we gotta have the big plays in football as well.

940
00:45:32,480 --> 00:45:34,920
Speaker 1: Whenever you see the big play go away, they gonna

941
00:45:34,920 --> 00:45:37,840
Speaker 1: make big changes to make sure that big play stays.

942
00:45:40,520 --> 00:45:40,800
Speaker 2: Okay.

943
00:45:40,840 --> 00:45:43,000
Speaker 3: So do you feel like the major sports are in

944
00:45:43,040 --> 00:45:46,359
Speaker 3: a good spot as they are, especially with baseball having

945
00:45:46,360 --> 00:45:48,279
Speaker 3: a pitch clock now and the game's taking a half

946
00:45:48,360 --> 00:45:49,960
Speaker 3: hour less than usual.

947
00:45:51,200 --> 00:45:51,919
Speaker 2: Yeah, I think.

948
00:45:54,080 --> 00:45:57,520
Speaker 1: Well, we know that the NFL is a national holiday

949
00:45:57,600 --> 00:46:00,279
Speaker 1: multiple times a week, you know what I mean, Like,

950
00:46:00,520 --> 00:46:02,240
Speaker 1: you know, we're talking about, oh, what's the next holiday,

951
00:46:02,280 --> 00:46:06,280
Speaker 1: Labor Day? And then oh, football starting, and we got Thursday,

952
00:46:06,920 --> 00:46:09,840
Speaker 1: we go, we have Saturday, sometimes Sunday, Monday.

953
00:46:10,120 --> 00:46:10,960
Speaker 2: It's a real thing.

954
00:46:12,200 --> 00:46:14,920
Speaker 1: Football is in an amazing spot because the line is

955
00:46:14,960 --> 00:46:16,839
Speaker 1: around the corner for people who want to play, all

956
00:46:16,840 --> 00:46:20,560
Speaker 1: these high school kids, and frankly, the lines around the

957
00:46:20,560 --> 00:46:23,960
Speaker 1: corner in terms of us as consumers wanting to be

958
00:46:24,000 --> 00:46:26,439
Speaker 1: at the games, watch the games at home, or buy

959
00:46:26,440 --> 00:46:29,200
Speaker 1: the merchant just root for your team, fantasy team. You know,

960
00:46:29,239 --> 00:46:31,319
Speaker 1: you got to get into your fantasy league, et cetera.

961
00:46:31,480 --> 00:46:37,880
Speaker 1: So football is an amazing place. NBA interesting, the transition

962
00:46:38,680 --> 00:46:40,480
Speaker 1: Lebron is you know, sooner or later it's gonna be

963
00:46:40,520 --> 00:46:44,239
Speaker 1: a rap. I think right now it's kind of like

964
00:46:44,280 --> 00:46:47,440
Speaker 1: feel like we're stabilized, not plateau, but just we're in

965
00:46:47,480 --> 00:46:48,879
Speaker 1: cruising altitude right now.

966
00:46:48,880 --> 00:46:50,320
Speaker 2: I don't think they're still soaring.

967
00:46:51,560 --> 00:46:53,520
Speaker 1: But even though there are some metrics that show there

968
00:46:53,640 --> 00:46:56,080
Speaker 1: was greater numbers, but I think it's like right now,

969
00:46:56,200 --> 00:46:56,759
Speaker 1: NBA is a.

970
00:46:58,239 --> 00:46:59,440
Speaker 2: Now let's get to baseball.

971
00:47:00,080 --> 00:47:02,200
Speaker 1: I'm not the expert to talk about it, but I

972
00:47:02,239 --> 00:47:04,880
Speaker 1: know it's been regionalized. I know it's for this segments

973
00:47:05,040 --> 00:47:08,520
Speaker 1: they're trying to appeal to who their locale is. Not

974
00:47:08,640 --> 00:47:11,720
Speaker 1: the national sport it used to be, not the national

975
00:47:11,800 --> 00:47:15,359
Speaker 1: pastime it used to be. But still making a ton

976
00:47:15,400 --> 00:47:18,040
Speaker 1: of money, so that's all that matters, all right, Adrian,

977
00:47:18,080 --> 00:47:20,600
Speaker 1: get off the damn get off the damn TV screen.

978
00:47:20,960 --> 00:47:23,080
Speaker 2: People don't think this is your show now, let me stop.

979
00:47:23,440 --> 00:47:27,840
Speaker 1: I appreciate you, brother, Your questions are always amazing, man, Cobra,

980
00:47:27,920 --> 00:47:30,279
Speaker 1: somewhere right down his question is right now because y'all

981
00:47:30,280 --> 00:47:33,799
Speaker 1: are in competition. All right, let's get Adrian out of

982
00:47:33,800 --> 00:47:37,960
Speaker 1: here and get Mikey p in here for the For

983
00:47:38,080 --> 00:47:40,200
Speaker 1: Mikey P with some Philadelphia shirt.

984
00:47:40,239 --> 00:47:40,720
Speaker 2: I'm sure.

985
00:47:41,160 --> 00:47:44,040
Speaker 1: If not, it's gonna be plain and simple. He either

986
00:47:44,080 --> 00:47:48,319
Speaker 1: it's a Philly shirt or nothing. Oh nothing, spot on,

987
00:47:49,520 --> 00:47:51,239
Speaker 1: spot on, man.

988
00:47:51,320 --> 00:47:54,960
Speaker 4: This Hall of Famer battle is something of greatness, right

989
00:47:55,600 --> 00:47:56,360
Speaker 4: that on anybody.

990
00:47:56,400 --> 00:47:58,560
Speaker 2: I don't care who you did. I love it. I

991
00:47:58,600 --> 00:47:58,960
Speaker 2: love it.

992
00:47:59,000 --> 00:48:02,359
Speaker 4: Go get it, man, spect Cobra tomorrow. But I'll keep

993
00:48:02,400 --> 00:48:05,160
Speaker 4: this brief for you, all right. I got another woj bomb,

994
00:48:05,880 --> 00:48:11,320
Speaker 4: all right, Adrian woj Naraski, Damian Lillard's agent told teams

995
00:48:11,360 --> 00:48:15,279
Speaker 4: not to trade for the Blazers point guard amidst heat

996
00:48:15,360 --> 00:48:20,520
Speaker 4: rumors per Woje. Dame's agent Aaron Goodwin has warned teams

997
00:48:20,560 --> 00:48:24,000
Speaker 4: other than the Miami Heat against trading for Lillard because

998
00:48:24,040 --> 00:48:30,160
Speaker 4: they would be acquiring an unhappy player. Uh oh, So

999
00:48:31,040 --> 00:48:33,520
Speaker 4: would you proceed with caution here? Or do you think

1000
00:48:33,560 --> 00:48:37,240
Speaker 4: this is just the quote unquote time honored agent maneuver

1001
00:48:37,320 --> 00:48:39,759
Speaker 4: where they try to get their guy to the destination

1002
00:48:39,880 --> 00:48:43,319
Speaker 4: they want. And do you think GM's are gonna have

1003
00:48:43,400 --> 00:48:45,400
Speaker 4: paws here making a deal for him?

1004
00:48:45,920 --> 00:48:46,120
Speaker 2: Yeah?

1005
00:48:46,160 --> 00:48:50,240
Speaker 1: I don't think any GM wants Damian Lillard his first

1006
00:48:50,280 --> 00:48:54,240
Speaker 1: shot in quote unquote free agency basically through trade though

1007
00:48:54,480 --> 00:48:57,400
Speaker 1: in a new landing spot, and he's not smiling from hello,

1008
00:48:57,960 --> 00:49:01,160
Speaker 1: like nobody's going Now, do you you buy the report?

1009
00:49:01,440 --> 00:49:04,680
Speaker 1: Is the only question because if you do, Hell nah,

1010
00:49:04,800 --> 00:49:07,239
Speaker 1: you can't bring him in here because you don't want

1011
00:49:07,320 --> 00:49:09,920
Speaker 1: him to get there, and you're gonna face adversity.

1012
00:49:10,000 --> 00:49:10,880
Speaker 2: I don't care where you go.

1013
00:49:11,040 --> 00:49:13,239
Speaker 1: You're not going eighty two and oh and then you

1014
00:49:13,280 --> 00:49:16,279
Speaker 1: guys go through a dry spell, and Damian Lillard is

1015
00:49:16,320 --> 00:49:19,000
Speaker 1: a notch off of full commitment because he don't want

1016
00:49:19,000 --> 00:49:21,719
Speaker 1: to be there, like he's a human being before all

1017
00:49:21,760 --> 00:49:25,560
Speaker 1: this baller and Dame Dollar stuff, and any of us

1018
00:49:26,280 --> 00:49:28,920
Speaker 1: in any situation we don't fully want to be in,

1019
00:49:29,440 --> 00:49:31,400
Speaker 1: are not the best version of ourselves.

1020
00:49:31,480 --> 00:49:33,880
Speaker 2: Let's just say that, right, you can be short, you

1021
00:49:34,000 --> 00:49:34,680
Speaker 2: short with your.

1022
00:49:34,600 --> 00:49:37,680
Speaker 1: Teammate and you're like yeah, man, yeah, instead of oh

1023
00:49:37,719 --> 00:49:39,680
Speaker 1: what do you need? What's going on? Do you don't

1024
00:49:39,719 --> 00:49:41,640
Speaker 1: know that play? You know it's a whole different animal.

1025
00:49:41,800 --> 00:49:44,799
Speaker 1: And that just starts to Domino. So look, we know

1026
00:49:44,920 --> 00:49:49,560
Speaker 1: that they're playing a negotiation tactic because Woa is like dog.

1027
00:49:50,320 --> 00:49:53,400
Speaker 1: It makes no sense for him to just say Miami

1028
00:49:53,600 --> 00:49:56,280
Speaker 1: and his agent is like, well it doesn't make sense,

1029
00:49:56,719 --> 00:49:58,640
Speaker 1: but it does because he already got his money and

1030
00:49:58,680 --> 00:49:59,760
Speaker 1: he gonna get his money.

1031
00:50:00,160 --> 00:50:02,399
Speaker 2: He wants to go there. Do not let all these

1032
00:50:02,400 --> 00:50:04,719
Speaker 2: other people think they got a shot at hauling that

1033
00:50:04,880 --> 00:50:07,000
Speaker 2: Dame Dollar. It ain't that kind of party.

1034
00:50:08,760 --> 00:50:11,680
Speaker 4: So then the follow up is this, because we love

1035
00:50:11,760 --> 00:50:15,840
Speaker 4: Dame here and he's your boy. So does this particular

1036
00:50:15,960 --> 00:50:20,440
Speaker 4: play by Dame's team upset you that he's playing like

1037
00:50:20,560 --> 00:50:22,160
Speaker 4: sour apples before he gets there?

1038
00:50:22,200 --> 00:50:25,319
Speaker 2: Thoughtle bit? No, do you buy the report? Really? Do

1039
00:50:25,400 --> 00:50:26,640
Speaker 2: you buy it? As you said?

1040
00:50:27,640 --> 00:50:30,440
Speaker 1: No, I mean I look at these reports and sports

1041
00:50:30,440 --> 00:50:34,360
Speaker 1: like I look at transactions in the real world business

1042
00:50:34,400 --> 00:50:37,839
Speaker 1: Wall Street, you know, like we don't, and I don't

1043
00:50:37,840 --> 00:50:43,080
Speaker 1: know why we don't. Like I know so many people, CEOs, managers, vps, execs.

1044
00:50:43,600 --> 00:50:45,960
Speaker 1: We'll wake up in the morning like, ah, it's trying

1045
00:50:46,000 --> 00:50:48,880
Speaker 1: to move on, trying to dust off the resume and

1046
00:50:48,960 --> 00:50:52,120
Speaker 1: see some new horizons. Right, And they do it, and

1047
00:50:52,239 --> 00:50:55,600
Speaker 1: they get a golden parachute when they do it, or

1048
00:50:55,680 --> 00:50:57,880
Speaker 1: if they retire just way go, Ah, I'm done with

1049
00:50:57,960 --> 00:51:01,080
Speaker 1: this too much work on a parachute.

1050
00:51:01,239 --> 00:51:04,120
Speaker 2: Oh, we loved you so much. But then an athlete

1051
00:51:04,160 --> 00:51:06,680
Speaker 2: wakes up like, man, we ain't doing nothing over here,

1052
00:51:07,040 --> 00:51:08,640
Speaker 2: and I've been here eleven years. This is a rap.

1053
00:51:08,719 --> 00:51:11,960
Speaker 2: Let me go somewhere else. Who are you? You know why?

1054
00:51:12,000 --> 00:51:14,719
Speaker 1: Because people don't have a real deep respect for athletes,

1055
00:51:15,360 --> 00:51:17,439
Speaker 1: And I don't want to go too long winded. Even

1056
00:51:17,440 --> 00:51:20,480
Speaker 1: though everyone wants to be the athlete for the rewards

1057
00:51:20,480 --> 00:51:22,319
Speaker 1: and damn, look at you in shape, You're getting all

1058
00:51:22,320 --> 00:51:22,760
Speaker 1: that money.

1059
00:51:22,800 --> 00:51:24,000
Speaker 2: All the girls think you're cute.

1060
00:51:24,480 --> 00:51:27,560
Speaker 1: At the same time, people don't respect the athlete because

1061
00:51:27,560 --> 00:51:29,240
Speaker 1: they be like, he ain't smart.

1062
00:51:29,520 --> 00:51:31,760
Speaker 2: Like the whole dumb jock thing comes into play.

1063
00:51:32,000 --> 00:51:34,200
Speaker 1: When the guy tells you where he wants to go,

1064
00:51:34,520 --> 00:51:38,320
Speaker 1: you immediately undermine him because you were like, he don't.

1065
00:51:38,160 --> 00:51:40,840
Speaker 2: Know and who is he? And he had it too easy.

1066
00:51:40,960 --> 00:51:44,080
Speaker 1: All he did was drivele and like because there's like

1067
00:51:44,160 --> 00:51:47,160
Speaker 1: a ton of resentment and.

1068
00:51:46,840 --> 00:51:47,920
Speaker 2: A lack of respect.

1069
00:51:48,360 --> 00:51:51,319
Speaker 1: So I've always dealt with that largely why I went

1070
00:51:51,360 --> 00:51:54,319
Speaker 1: to Columbia's to shut up some of those people who

1071
00:51:54,440 --> 00:51:55,640
Speaker 1: was gonna be like you dumb jock?

1072
00:51:56,120 --> 00:51:59,440
Speaker 2: What oh what? What school? Will get? Like, yeah, fool,

1073
00:51:59,600 --> 00:52:01,480
Speaker 2: shut up, don't mean how smarter than you? And I

1074
00:52:01,480 --> 00:52:02,160
Speaker 2: don't even go there.

1075
00:52:02,160 --> 00:52:04,360
Speaker 1: I'll just be laughing at them choke on their own words,

1076
00:52:04,400 --> 00:52:07,120
Speaker 1: like yeah, dude, like what you're thinking.

1077
00:52:07,400 --> 00:52:11,000
Speaker 2: So I wish that fans would understand a little more

1078
00:52:11,280 --> 00:52:13,759
Speaker 2: that you do it in your life. Why can't Dame

1079
00:52:13,840 --> 00:52:15,160
Speaker 2: Dalla do it in his life?

1080
00:52:16,400 --> 00:52:18,160
Speaker 4: That's what we got you for, a big dog.

1081
00:52:18,800 --> 00:52:21,680
Speaker 1: That's right, that's right. Appreciate you monkey pe go get

1082
00:52:21,680 --> 00:52:22,920
Speaker 1: you some iron on letters.

1083
00:52:23,239 --> 00:52:25,360
Speaker 2: P H.

1084
00:52:25,120 --> 00:52:31,200
Speaker 4: I know, well what you expect when you work in sports, right,

1085
00:52:31,440 --> 00:52:34,080
Speaker 4: My whole wardrobe is Philly Temple and then generic.

1086
00:52:34,200 --> 00:52:34,520
Speaker 2: That's it.

1087
00:52:34,680 --> 00:52:37,920
Speaker 4: So now I gotta get some I gotta get you,

1088
00:52:38,000 --> 00:52:38,439
Speaker 4: that's right.

1089
00:52:38,880 --> 00:52:41,239
Speaker 2: Yeah, I think you get a discount. I think you do.

1090
00:52:41,440 --> 00:52:44,319
Speaker 2: So he's taking care of me. I hear. Oh man,

1091
00:52:44,400 --> 00:52:49,760
Speaker 2: appreciate you big dog. Oh man, you crazy? Uh? Y'all

1092
00:52:49,760 --> 00:52:51,759
Speaker 2: know how we finish every show? We finished with it?

1093
00:52:51,840 --> 00:52:55,719
Speaker 2: Why ley is some y'all remember them honeycomb? Do y'all

1094
00:52:55,719 --> 00:52:57,520
Speaker 2: remember that honeycomb cereal? Yeah?

1095
00:52:57,600 --> 00:53:01,239
Speaker 1: Yeah, yeah, it's not small, no, no, no, no, honeycumb's

1096
00:53:01,280 --> 00:53:02,600
Speaker 1: got a big, big taste.

1097
00:53:03,200 --> 00:53:04,799
Speaker 2: Something else is a big big bike. And then and

1098
00:53:04,880 --> 00:53:06,600
Speaker 2: you dig your hand in the bottle of that box

1099
00:53:06,680 --> 00:53:09,160
Speaker 2: you come out of there. You got them iron on letters.

1100
00:53:09,160 --> 00:53:10,799
Speaker 2: I used to hit my shirts all the time with

1101
00:53:10,840 --> 00:53:14,000
Speaker 2: them letters. All right, let's get into this waldism right now.

1102
00:53:14,040 --> 00:53:18,120
Speaker 1: Let's hit that good people are hard to find but

1103
00:53:18,320 --> 00:53:24,160
Speaker 1: easy to spot. M yes, man, who hasn't been here before,

1104
00:53:24,719 --> 00:53:26,960
Speaker 1: Like you get to a new situation. You know a

1105
00:53:27,000 --> 00:53:29,960
Speaker 1: lot of people come to LA and they stay in LA,

1106
00:53:30,040 --> 00:53:31,080
Speaker 1: but they're not from LA.

1107
00:53:31,160 --> 00:53:32,479
Speaker 2: And I'm like, all right, and.

1108
00:53:32,400 --> 00:53:36,319
Speaker 1: They always say the same lazy narratives, but they are

1109
00:53:36,400 --> 00:53:37,320
Speaker 1: tried and true.

1110
00:53:37,520 --> 00:53:40,560
Speaker 2: One of them is, oh, everybody in La at Hollywood.

1111
00:53:40,600 --> 00:53:42,719
Speaker 1: We know that's not true, but you hear that right,

1112
00:53:43,160 --> 00:53:45,920
Speaker 1: everybody in LA got money and everybody got a Mercedes,

1113
00:53:45,960 --> 00:53:47,600
Speaker 1: a BMW, a Taskla.

1114
00:53:48,200 --> 00:53:50,640
Speaker 2: That's not true, but everyone says that. Right.

1115
00:53:51,080 --> 00:53:53,319
Speaker 1: You know another thing, it's not true that they're no

1116
00:53:53,360 --> 00:53:56,359
Speaker 1: good people out here. First question I always ask when

1117
00:53:56,360 --> 00:53:58,200
Speaker 1: someone says that, and I'm like, are you a good person?

1118
00:53:58,560 --> 00:54:01,200
Speaker 1: We can't, but I'm like, here we go, so you.

1119
00:54:01,280 --> 00:54:03,839
Speaker 2: The only one. You're the only one that showed up

1120
00:54:04,000 --> 00:54:04,920
Speaker 2: that's a good person.

1121
00:54:04,960 --> 00:54:08,160
Speaker 1: They're out there. They're hard to find, but they're easy

1122
00:54:08,200 --> 00:54:10,759
Speaker 1: to spot. So maybe if you're not spotting them, you

1123
00:54:10,880 --> 00:54:14,400
Speaker 1: in the wrong spot. Ooh, you may be putting yourself

1124
00:54:14,400 --> 00:54:19,320
Speaker 1: in bad situations trying to find like people. Maybe those

1125
00:54:19,360 --> 00:54:22,239
Speaker 1: ain't the people that go there, or maybe you are

1126
00:54:22,360 --> 00:54:25,799
Speaker 1: keeping yourself reserved to a point where you don't even

1127
00:54:25,840 --> 00:54:28,799
Speaker 1: show how good a person you are. And guess what,

1128
00:54:29,360 --> 00:54:33,040
Speaker 1: everybody else around you doing the same damn thing. This

1129
00:54:33,120 --> 00:54:35,920
Speaker 1: is why I've always been the one that walks in, Hey,

1130
00:54:35,960 --> 00:54:38,440
Speaker 1: what's up y'all? Or shake a hand, or just break

1131
00:54:38,480 --> 00:54:42,120
Speaker 1: the whole ice of the room, because I know there

1132
00:54:42,160 --> 00:54:44,720
Speaker 1: are gems in there. I know there are good people

1133
00:54:44,760 --> 00:54:47,759
Speaker 1: in there. I know that there's an amazing experience to

1134
00:54:47,800 --> 00:54:51,520
Speaker 1: be had in there. But everybody waits up on the wall,

1135
00:54:51,719 --> 00:54:52,719
Speaker 1: like you know what I'm saying.

1136
00:54:52,520 --> 00:54:53,920
Speaker 2: Like waiting for the first person to go on the

1137
00:54:54,000 --> 00:54:54,399
Speaker 2: dance floor.

1138
00:54:54,440 --> 00:54:57,040
Speaker 1: And then like y'all seeing at every party, don't y'all,

1139
00:54:57,239 --> 00:55:00,320
Speaker 1: y'all gotta get two three drinks in. You sing on

1140
00:55:00,360 --> 00:55:03,520
Speaker 1: the outside doing this knowing that she pretty, but you're waiting.

1141
00:55:03,840 --> 00:55:05,319
Speaker 1: You're gonna wait too long, and wont of the NBA

1142
00:55:05,440 --> 00:55:07,280
Speaker 1: dudes gonna come in here? It's a rap, let me stop.

1143
00:55:07,400 --> 00:55:09,319
Speaker 2: And then you're just waiting, and then all of a sudden,

1144
00:55:09,320 --> 00:55:12,960
Speaker 2: there's one dude that just sitting there. He finished that

1145
00:55:13,040 --> 00:55:15,480
Speaker 2: long island and you know he started doing this, and

1146
00:55:15,520 --> 00:55:17,400
Speaker 2: he's just starting. You're like, oh, he out there, and

1147
00:55:17,440 --> 00:55:21,040
Speaker 2: then and there, and then some girl, some girl be like, oh,

1148
00:55:21,120 --> 00:55:23,560
Speaker 2: he ain't scaring me either. Then she out there, and

1149
00:55:23,600 --> 00:55:24,600
Speaker 2: then they friends come.

1150
00:55:24,680 --> 00:55:28,959
Speaker 1: I'm like, that's so typical. That's so typical. Good good

1151
00:55:28,960 --> 00:55:31,319
Speaker 1: for them too. But the rest of y'all, whack, Why

1152
00:55:31,440 --> 00:55:32,319
Speaker 1: y'all waiting for it?

1153
00:55:32,480 --> 00:55:33,200
Speaker 2: Just go out there.

1154
00:55:33,280 --> 00:55:36,319
Speaker 1: So just remember when you're in situations you don't like

1155
00:55:36,800 --> 00:55:39,040
Speaker 1: what you're seeing, you don't like what you're hearing, you

1156
00:55:39,040 --> 00:55:42,240
Speaker 1: don't like what you're feeling. Make sure you're displaying exactly

1157
00:55:42,280 --> 00:55:45,719
Speaker 1: what you want, displaying what you're like. A lot of

1158
00:55:45,760 --> 00:55:48,040
Speaker 1: times that doesn't happen. We all sit here on the

1159
00:55:48,080 --> 00:55:51,760
Speaker 1: wall and never get to dancing and exchanging that love.

1160
00:55:51,920 --> 00:55:55,080
Speaker 1: So remember when you're out in them screeks you anywhere.

1161
00:55:55,200 --> 00:55:59,000
Speaker 1: Good people are hard to find but easy to spot.

1162
00:55:59,239 --> 00:56:01,160
Speaker 1: Aln't y'all that to do it.

1163
00:56:01,160 --> 00:56:03,319
Speaker 2: For More to It? Chake the show notes for all

1164
00:56:03,320 --> 00:56:06,040
Speaker 2: the information on our topics today today. Want to keep

1165
00:56:06,080 --> 00:56:07,920
Speaker 2: the conversation go on, Let's talk find me on all

1166
00:56:08,000 --> 00:56:09,040
Speaker 2: socials at Marcel's.

1167
00:56:09,080 --> 00:56:11,960
Speaker 1: Wiley More Too is a production of Dan Patrick Production

1168
00:56:12,080 --> 00:56:15,160
Speaker 1: That Dude Entertainment and workhouse Media. Show is executive produced

1169
00:56:15,160 --> 00:56:18,120
Speaker 1: by Dan Patrick, Marcell's Wally, Paul Anderson, and Nick Panella.

1170
00:56:18,440 --> 00:56:22,640
Speaker 1: Thanks for all the love, rates and subscriptions and reviews,

1171
00:56:22,680 --> 00:56:25,799
Speaker 1: membership to Wiley's World on YouTube. Keep it coming because

1172
00:56:25,840 --> 00:56:27,759
Speaker 1: there's more coming from More to It. Talk to y'all

1173
00:56:27,800 --> 00:56:28,200
Speaker 1: HELLI soon