1 00:00:00,080 --> 00:00:03,880 Speaker 1: Hello, Avenger listeners, It's Steve Fishman and I'm really glad 2 00:00:03,880 --> 00:00:06,120 Speaker 1: you've tuned in. I hope you love this show as 3 00:00:06,200 --> 00:00:09,200 Speaker 1: much as we do. A quick word on an upcoming 4 00:00:09,280 --> 00:00:14,160 Speaker 1: bonus episode. We're doing a bonus with Miriam, the real Miriam. 5 00:00:14,440 --> 00:00:18,720 Speaker 1: We'll be asking her questions, your questions and getting answers. 6 00:00:19,040 --> 00:00:21,840 Speaker 1: She'll update us on what's going on in her world 7 00:00:21,880 --> 00:00:26,040 Speaker 1: and a lot has Please email your questions or thoughts 8 00:00:26,200 --> 00:00:32,840 Speaker 1: or comments too. Info at Orbitmedia dot fm. Oh and 9 00:00:33,120 --> 00:00:36,120 Speaker 1: Fisher Stevens can answer your questions too. He's our co 10 00:00:36,240 --> 00:00:39,639 Speaker 1: founder and resident Oscar winner. He's an actor you saw 11 00:00:39,680 --> 00:00:43,520 Speaker 1: him in Succession and director of actors like al Pacino 12 00:00:44,120 --> 00:00:48,760 Speaker 1: and Justin Timberlake. For Avenger, he directed Alexis Bledel, who 13 00:00:48,840 --> 00:00:52,720 Speaker 1: voices Miriam. If we're lucky, Alexis who was the star 14 00:00:52,760 --> 00:00:56,400 Speaker 1: of Gilmore Girls and Handmaid's Tale and is the daughter 15 00:00:56,440 --> 00:01:01,639 Speaker 1: of an Argentine. We'll chip in answers to so let 16 00:01:01,680 --> 00:01:05,600 Speaker 1: us know your thoughts and questions, hopes and prayers. Info 17 00:01:05,800 --> 00:01:12,399 Speaker 1: at Orbitmedia dot fm. Thanks a quick word on this production. 18 00:01:13,040 --> 00:01:17,080 Speaker 1: Orbit goes wherever we find great stories. This one happened 19 00:01:17,080 --> 00:01:20,360 Speaker 1: to be in Argentina. Which posts some challenges for our 20 00:01:20,480 --> 00:01:24,520 Speaker 1: small but powerful English dominant company. But we teamed with 21 00:01:24,560 --> 00:01:28,480 Speaker 1: Sonoro Media, a Spanish language podcast company, to do some interviews, 22 00:01:29,000 --> 00:01:34,320 Speaker 1: and we hired our own completely bilingual production staff, led 23 00:01:34,319 --> 00:01:38,320 Speaker 1: by the Great Andres Cabajero. In this episode, Gean Carlo 24 00:01:38,360 --> 00:01:41,440 Speaker 1: and Miriam meet the person who might complete their team. 25 00:01:42,800 --> 00:01:46,880 Speaker 1: A quick word about subscriptions. If you love ads, listen on. 26 00:01:47,440 --> 00:01:50,080 Speaker 1: If you're not so keen on ads, sign up for 27 00:01:50,160 --> 00:01:55,080 Speaker 1: True Crime Clubhouse on Apple Podcasts. That's our subscription channel. 28 00:01:55,520 --> 00:01:58,800 Speaker 1: You'll get no ads, and also you can binge the 29 00:01:59,080 --> 00:02:02,800 Speaker 1: entire event your series. It's just two ninety nine a month. 30 00:02:03,440 --> 00:02:04,480 Speaker 2: Thanks. 31 00:02:05,720 --> 00:02:08,880 Speaker 3: Before we begin, please note that for this story we 32 00:02:09,000 --> 00:02:13,000 Speaker 3: interviewed Medium and everyone else for dozens of hours in Spanish. 33 00:02:13,120 --> 00:02:22,560 Speaker 3: We hired actors to voice their words in English between jokes, 34 00:02:22,720 --> 00:02:26,200 Speaker 3: pasta and coffee. The search for the planes used during 35 00:02:26,200 --> 00:02:30,880 Speaker 3: the dictatorship continues slowly, a lot slower than Medium and 36 00:02:30,919 --> 00:02:35,040 Speaker 3: jih Gadlo would like. They fall into a routine. After 37 00:02:35,160 --> 00:02:39,000 Speaker 3: Medium's day job, she goes straight to Jihangadlo's apartment. They 38 00:02:39,080 --> 00:02:44,080 Speaker 3: keep investigating with zero funding, zero outside help, even from 39 00:02:44,160 --> 00:02:48,400 Speaker 3: Canal Trece the TV channel Medium works for. At this point, 40 00:02:48,720 --> 00:02:51,280 Speaker 3: all Medium and Jihgadlo have is each other. 41 00:02:52,120 --> 00:02:54,840 Speaker 4: Every time we come across a new piece of information, 42 00:02:55,080 --> 00:02:57,400 Speaker 4: it's just pure joy. 43 00:02:59,120 --> 00:03:03,840 Speaker 3: Days become weak, then months it's dragging, and finding the 44 00:03:03,919 --> 00:03:08,520 Speaker 3: planes is getting harder. That initial burst of enthusiasm is 45 00:03:08,520 --> 00:03:11,520 Speaker 3: fading and their lives start getting in the way. 46 00:03:12,760 --> 00:03:16,200 Speaker 4: I was so busy at the newsroom. Sometimes I struggled 47 00:03:16,200 --> 00:03:19,480 Speaker 4: to make it to Giancarlo's apartment, or sometimes Giancarlo had 48 00:03:19,480 --> 00:03:21,080 Speaker 4: to leave for some assignment abroad. 49 00:03:21,840 --> 00:03:25,040 Speaker 3: Things start to fizzle. They're hitting a wall with sources 50 00:03:25,360 --> 00:03:26,399 Speaker 3: finding new information. 51 00:03:27,040 --> 00:03:30,120 Speaker 4: The last information we had come across was from the 52 00:03:30,200 --> 00:03:33,400 Speaker 4: nineteen eighties. By that point we knew the type of 53 00:03:33,480 --> 00:03:37,120 Speaker 4: planes that were used, the Electras and the sky Vans. 54 00:03:37,640 --> 00:03:40,320 Speaker 4: We had also identified how many they had bought of 55 00:03:40,480 --> 00:03:43,600 Speaker 4: each model, but we had no way to find where 56 00:03:43,640 --> 00:03:47,720 Speaker 4: they were now. We started losing hope. 57 00:03:47,760 --> 00:03:52,160 Speaker 3: One afternoon, the apartment is silent, just Medium and Giancarlo 58 00:03:52,200 --> 00:03:56,920 Speaker 3: scaring the internet again. Then they stumbled on this obscure 59 00:03:56,960 --> 00:03:57,760 Speaker 3: corner of the web. 60 00:03:59,400 --> 00:04:01,960 Speaker 4: We discovered word the spotters. 61 00:04:02,000 --> 00:04:05,360 Speaker 3: People who as a hobby, track specific planes around the world. 62 00:04:06,200 --> 00:04:09,360 Speaker 3: They build logs and websites mapping out their sightings. 63 00:04:10,080 --> 00:04:13,520 Speaker 4: These spotters were like our Hansel and Gretel. They left 64 00:04:13,520 --> 00:04:15,920 Speaker 4: behind breadcrumbs for us. 65 00:04:15,960 --> 00:04:19,320 Speaker 5: And we start finding the missing details about the planes. 66 00:04:21,360 --> 00:04:25,560 Speaker 3: From orbit media. I'm Andres Kaba Schedo. This is Avenger 67 00:04:26,000 --> 00:04:47,880 Speaker 3: the story of Medium Lewin Episode four the planes. As 68 00:04:47,960 --> 00:04:51,919 Speaker 3: Medium and Giancarlo continue with the investigation, they contemplate sharing 69 00:04:51,960 --> 00:04:54,720 Speaker 3: some of their findings with others, people who had also 70 00:04:54,880 --> 00:04:57,960 Speaker 3: dug into the death flights. One of the first people 71 00:04:58,000 --> 00:05:00,360 Speaker 3: that comes to gian Cardlo's mind is an act from 72 00:05:00,360 --> 00:05:03,600 Speaker 3: a movie he had seen about a young activist kidnapped 73 00:05:03,600 --> 00:05:12,919 Speaker 3: by the Junta. 74 00:05:13,080 --> 00:05:16,880 Speaker 5: This film had a huge impact on me. It really 75 00:05:16,920 --> 00:05:20,120 Speaker 5: helped me understand that part of Argentina's history at the 76 00:05:20,200 --> 00:05:21,160 Speaker 5: much deeper level. 77 00:05:21,880 --> 00:05:25,760 Speaker 3: The movie Gachio Limpo, named after a torture center, portrays 78 00:05:25,760 --> 00:05:30,360 Speaker 3: a key protagonist of the Junta, Jorge Eduardo Costa, nicknamed 79 00:05:30,400 --> 00:05:34,720 Speaker 3: Eltigre the Tiger. In real life, he was the head 80 00:05:34,760 --> 00:05:37,919 Speaker 3: of ESMA, the Navy's mechanics school where Medium was held, 81 00:05:38,800 --> 00:05:43,040 Speaker 3: and Eltigre is played by Enrique Pinedo, an Italian born 82 00:05:43,320 --> 00:05:44,640 Speaker 3: Argentine actor and producer. 83 00:05:46,200 --> 00:05:52,880 Speaker 6: Cambreea the acting for me was always a pseudo hobby. 84 00:05:52,920 --> 00:05:56,160 Speaker 6: It all started back in school. I was the lead 85 00:05:56,200 --> 00:06:01,240 Speaker 6: in a school play, school play that took itself very seriously. 86 00:06:05,040 --> 00:06:07,719 Speaker 3: Enrique was eighteen years old when the junta's ak over 87 00:06:08,600 --> 00:06:10,440 Speaker 3: almost medium's exact age. 88 00:06:11,040 --> 00:06:15,040 Speaker 6: I was studying medicine. He was three am when we 89 00:06:15,080 --> 00:06:18,640 Speaker 6: heard the first report about the coup. My dad was 90 00:06:18,680 --> 00:06:23,440 Speaker 6: away too. He was hopeful that something good would come 91 00:06:23,480 --> 00:06:26,839 Speaker 6: of it, but I told him, are you crazy? This 92 00:06:27,120 --> 00:06:30,119 Speaker 6: is going to be a slaughterhouse. At eighteen years old, 93 00:06:30,480 --> 00:06:31,480 Speaker 6: I had that hindsight. 94 00:06:32,760 --> 00:06:35,560 Speaker 3: Enrique was among the Argentines who were appalled by what 95 00:06:35,600 --> 00:06:38,760 Speaker 3: was happening, but who kept their heads low, and really 96 00:06:38,880 --> 00:06:42,360 Speaker 3: there weren't many options unless he wanted to risk being disappeared. 97 00:06:43,240 --> 00:06:45,640 Speaker 6: We are the ones that did not have the courage 98 00:06:45,680 --> 00:06:49,479 Speaker 6: to stick our heads out. Those who did got their 99 00:06:49,520 --> 00:06:54,760 Speaker 6: heads cut off. And everyone between the ages of eighteen 100 00:06:54,920 --> 00:06:58,880 Speaker 6: to twenty five was a target. And the fact is 101 00:06:58,960 --> 00:07:03,040 Speaker 6: all the crimes that during that period or not going away, 102 00:07:03,920 --> 00:07:07,920 Speaker 6: so any chance we have to announce them, we take it. 103 00:07:08,960 --> 00:07:11,800 Speaker 6: The film Garaje Olimpo was all about that. 104 00:07:12,720 --> 00:07:16,280 Speaker 3: About the relationship between capture and prisoner and the risk 105 00:07:16,360 --> 00:07:20,440 Speaker 3: of being put on a death flight. Enrique brought authenticity 106 00:07:20,480 --> 00:07:24,200 Speaker 3: to the production. He was a pilot. He knew all 107 00:07:24,360 --> 00:07:25,160 Speaker 3: about planes. 108 00:07:26,240 --> 00:07:30,360 Speaker 6: The thing is that my real passion has always been planes. 109 00:07:31,280 --> 00:07:34,920 Speaker 6: When I was three years old, I was already a pilot. 110 00:07:36,040 --> 00:07:38,880 Speaker 6: Had no license, of course, but I knew everything I 111 00:07:39,000 --> 00:07:43,040 Speaker 6: needed to know to be one. And if this sounds ludicrous, 112 00:07:43,600 --> 00:07:47,680 Speaker 6: just bear with me. Before getting deep into movies. Enrique 113 00:07:47,800 --> 00:07:51,000 Speaker 6: had become a pilot for Lappa, an Argentine airline. 114 00:07:51,480 --> 00:07:55,239 Speaker 5: During his time there, Rique had denounced ir regularities inside 115 00:07:55,240 --> 00:07:58,600 Speaker 5: the airline and then resigned. Two months later, one of 116 00:07:58,680 --> 00:08:02,320 Speaker 5: their planes crashed. Sixty seven people died. It is the 117 00:08:02,360 --> 00:08:05,760 Speaker 5: worst aviation accident of Argentine history. 118 00:08:07,200 --> 00:08:11,040 Speaker 3: Enrique isn't the type to let something go. He isn't passive, 119 00:08:11,480 --> 00:08:14,520 Speaker 3: so he writes and directs a film about the accident. 120 00:08:15,040 --> 00:08:18,240 Speaker 6: I wanted to tell the story about what led to 121 00:08:18,280 --> 00:08:22,480 Speaker 6: the accident. I was interested in showing what information the 122 00:08:22,520 --> 00:08:25,440 Speaker 6: airline was hiding. It wasn't fair to put all the 123 00:08:25,480 --> 00:08:27,040 Speaker 6: blame on the pilots. 124 00:08:27,640 --> 00:08:30,400 Speaker 5: He had a strong moral compass and his reasons to 125 00:08:30,440 --> 00:08:33,760 Speaker 5: make that film revealing what was behind the tragedy. You know, 126 00:08:34,360 --> 00:08:38,400 Speaker 5: but all that aside. Enric was an expert complanes. 127 00:08:38,760 --> 00:08:43,120 Speaker 3: And from a very wealthy family. In a recent newspaper interview, 128 00:08:43,480 --> 00:08:46,080 Speaker 3: Enrique was asked where his fortune came from. 129 00:08:46,679 --> 00:08:50,160 Speaker 6: Yes, well, I did well when I chose my grandfather. 130 00:08:50,880 --> 00:08:54,400 Speaker 3: His grandfather helped lead an Argentine conglomerate that's been around 131 00:08:54,400 --> 00:08:55,560 Speaker 3: for more than eight decades. 132 00:08:56,280 --> 00:09:00,760 Speaker 4: Enrique is the son of one of Argentina's rich families. 133 00:09:01,480 --> 00:09:06,120 Speaker 4: They'd start businesses and then turn them into multinational enterprises. 134 00:09:06,880 --> 00:09:09,480 Speaker 3: So for Medium and gian Carlo, if they could interest 135 00:09:09,520 --> 00:09:13,959 Speaker 3: in Enrique in their investigation, there might be a perk funding. 136 00:09:15,120 --> 00:09:18,680 Speaker 3: There was also a surprising link between Enrique and Medium. 137 00:09:19,160 --> 00:09:21,960 Speaker 4: When I watched his film about the plane crash, which 138 00:09:22,080 --> 00:09:26,160 Speaker 4: was very well made, I was surprised to see myself 139 00:09:26,200 --> 00:09:32,199 Speaker 4: in it. At the end of his film, Enrique used 140 00:09:32,320 --> 00:09:36,800 Speaker 4: archival footage, a clip of me confronting an airline executive, 141 00:09:37,080 --> 00:09:40,000 Speaker 4: you know, following him through the streets, asking the hard 142 00:09:40,080 --> 00:09:42,080 Speaker 4: questions about the plane crash. 143 00:09:45,200 --> 00:09:48,720 Speaker 3: Medium asks the executive if he thinks he's made any mistakes, 144 00:09:49,160 --> 00:09:50,600 Speaker 3: if he has regrets. 145 00:09:51,240 --> 00:09:57,520 Speaker 6: Sadly, Argentine journalism is very passive, but Miriam had this 146 00:09:57,600 --> 00:10:02,480 Speaker 6: interview that was just incredible. I had to include it 147 00:10:02,559 --> 00:10:03,160 Speaker 6: in the film. 148 00:10:04,040 --> 00:10:06,640 Speaker 4: Giancarlo convinced me it was a good idea to gauge 149 00:10:06,640 --> 00:10:10,280 Speaker 4: his reaction to our investigation, the information we had gathered, 150 00:10:10,640 --> 00:10:13,040 Speaker 4: see if he thought we were actually onto something. 151 00:10:16,160 --> 00:10:20,559 Speaker 3: So Giancarlo invites Endrique and Medium over for dinner and we. 152 00:10:20,559 --> 00:10:24,160 Speaker 4: Show up at Giancarlo's apartment at the same time. He 153 00:10:24,240 --> 00:10:27,280 Speaker 4: asked me what type of wine I had brought. I 154 00:10:27,360 --> 00:10:29,960 Speaker 4: showed it to him. It was a cheap bottle from 155 00:10:30,040 --> 00:10:33,960 Speaker 4: the supermarket. And then he shows me his bottle with 156 00:10:34,080 --> 00:10:38,040 Speaker 4: an elegant French label imported. I shrug and I say, 157 00:10:38,120 --> 00:10:41,840 Speaker 4: I guess I can't compete, and he laughs and says, 158 00:10:42,160 --> 00:10:42,880 Speaker 4: no chance. 159 00:10:44,559 --> 00:10:51,079 Speaker 6: I remember going to Giancarlo's apartment. He made pasta ala matriciana. 160 00:10:52,120 --> 00:10:56,040 Speaker 6: He thought it was fabulous, but I thought it lacks something. 161 00:10:56,880 --> 00:10:58,080 Speaker 6: It was fairly average. 162 00:10:58,720 --> 00:11:01,600 Speaker 3: He's obnoxious, but Jiancadlo sees beyond that. 163 00:11:02,880 --> 00:11:06,560 Speaker 5: Sure Rika has a huge ego, but it was always 164 00:11:06,559 --> 00:11:08,560 Speaker 5: so eager to put his own skin in the game. 165 00:11:09,320 --> 00:11:12,400 Speaker 3: Giancadlo greets them and they start talking about the planes 166 00:11:12,400 --> 00:11:16,760 Speaker 3: they had identified, three Lectras and three sky Vans. They 167 00:11:16,760 --> 00:11:19,240 Speaker 3: asked Enrique if they would have a chance at tracking 168 00:11:19,280 --> 00:11:21,680 Speaker 3: down the pilots of the dead flights with the intel 169 00:11:21,720 --> 00:11:22,360 Speaker 3: they've gathered. 170 00:11:23,920 --> 00:11:26,439 Speaker 5: I told Enrique, I really think we can get to 171 00:11:26,480 --> 00:11:30,240 Speaker 5: those planes, and then the pilots. The air force wasn't 172 00:11:30,280 --> 00:11:33,400 Speaker 5: that big. Plus how many pilots trying to fly those 173 00:11:33,400 --> 00:11:34,760 Speaker 5: specific planes could there be? 174 00:11:36,760 --> 00:11:38,600 Speaker 3: Enrique starts sipping his wine. 175 00:11:39,080 --> 00:11:42,160 Speaker 6: I told him he was right. Not every pilot can 176 00:11:42,200 --> 00:11:45,760 Speaker 6: fly any plane. They also have limited time that they're 177 00:11:45,800 --> 00:11:49,520 Speaker 6: able to fly. But the real challenge, the real key, 178 00:11:49,679 --> 00:11:54,400 Speaker 6: is finding a paper trail that links names planes and flights. 179 00:11:54,840 --> 00:11:57,600 Speaker 6: In other words, they needed to find an official list 180 00:11:57,720 --> 00:12:02,000 Speaker 6: of the pilots or any type of flight and technical log. 181 00:12:08,120 --> 00:12:11,240 Speaker 4: That night, and Rique made great points. I felt that 182 00:12:11,320 --> 00:12:14,200 Speaker 4: we were onto something, we were headed in the right direction, 183 00:12:14,679 --> 00:12:18,360 Speaker 4: and that he joined our team. But I was wrong. 184 00:12:19,160 --> 00:12:22,000 Speaker 6: The thing is, I'm not one to just throw my 185 00:12:22,200 --> 00:12:23,200 Speaker 6: money at stuff. 186 00:12:24,320 --> 00:12:29,240 Speaker 4: I remember a deep sigh from him, followed by a 187 00:12:29,440 --> 00:12:35,920 Speaker 4: gentle rejection. He just wasn't interested. We were really disappointed 188 00:12:35,960 --> 00:12:39,679 Speaker 4: that day, almost thought about just quitting the investigation. 189 00:12:45,440 --> 00:12:48,040 Speaker 5: On one list, there was a plane called Rio Grande. 190 00:12:48,400 --> 00:12:51,240 Speaker 5: He was one of the electors. When we started digging 191 00:12:51,240 --> 00:12:53,679 Speaker 5: into it, we found out that for more than a 192 00:12:53,720 --> 00:12:56,480 Speaker 5: decade he had just been sitting there, more or less 193 00:12:56,760 --> 00:12:59,160 Speaker 5: right under our noses here in Buenos Aires. 194 00:13:00,120 --> 00:13:03,359 Speaker 3: This was the third and final Electra on their list. 195 00:13:03,679 --> 00:13:06,720 Speaker 3: The other two one was in a military museum, the 196 00:13:06,760 --> 00:13:09,880 Speaker 3: other had been decommissioned and sold for parts in Patagonia. 197 00:13:11,000 --> 00:13:14,000 Speaker 3: So the plane in Buenos Aires was the only one 198 00:13:14,040 --> 00:13:17,280 Speaker 3: they had direct access to that may still hold clues 199 00:13:17,360 --> 00:13:20,720 Speaker 3: about its past, the death flights. They have to see 200 00:13:20,720 --> 00:13:25,280 Speaker 3: the plane for themselves, but there's a snag. Jianggadlo has 201 00:13:25,360 --> 00:13:28,800 Speaker 3: to go to Italy for an assignment. Medium will have 202 00:13:28,840 --> 00:13:29,480 Speaker 3: to go alone. 203 00:13:30,520 --> 00:13:36,360 Speaker 4: Just thinking about it made me dizzy noxious. It's like 204 00:13:36,440 --> 00:13:40,000 Speaker 4: my body was warning me, telling me, don't you dare 205 00:13:40,200 --> 00:13:45,520 Speaker 4: go look at that plane. But Giancarlo insisted. He called 206 00:13:45,559 --> 00:13:48,240 Speaker 4: me from Rome to make sure I went to see it, 207 00:13:48,320 --> 00:13:50,640 Speaker 4: and I promised him. 208 00:13:50,559 --> 00:13:54,960 Speaker 3: I'd go, and she does. But since Giancadlo isn't around, 209 00:13:55,360 --> 00:13:58,960 Speaker 3: they call a cab driver. They'd befriended Gustao. He and 210 00:13:59,040 --> 00:14:00,480 Speaker 3: Medium have a lot in common. 211 00:14:01,960 --> 00:14:04,880 Speaker 4: His brother was also a victim during the Dirty War 212 00:14:05,000 --> 00:14:09,559 Speaker 4: and kidnapped, just like me. The story was so familiar. 213 00:14:11,760 --> 00:14:14,840 Speaker 4: When we got closer to the plane, it was so weird, 214 00:14:15,679 --> 00:14:21,320 Speaker 4: Rusted pieces of metal everywhere and all sorts of industrial machinery. 215 00:14:22,520 --> 00:14:24,280 Speaker 3: It's striking to stow too. 216 00:14:25,120 --> 00:14:28,440 Speaker 2: I remember seeing a bunch of old pinball machines and 217 00:14:28,560 --> 00:14:30,920 Speaker 2: some pool tables in between the scraps. 218 00:14:31,880 --> 00:14:35,120 Speaker 3: The plane comes into view, or at least what's left 219 00:14:35,160 --> 00:14:38,800 Speaker 3: of it once it conquered the sky and now is 220 00:14:38,960 --> 00:14:41,080 Speaker 3: just a more or less carcass. 221 00:14:42,760 --> 00:14:46,880 Speaker 2: We stood there for a minute in silence. That was 222 00:14:46,920 --> 00:14:51,160 Speaker 2: a death plane right there, Like with everything in Argentina, 223 00:14:51,360 --> 00:14:54,880 Speaker 2: where do you hide an elephant in a house of elephants? 224 00:14:56,040 --> 00:14:59,280 Speaker 2: There was so much junk in there, and a big plane. 225 00:15:00,040 --> 00:15:03,280 Speaker 2: I've passed by there more than ten times. I could 226 00:15:03,520 --> 00:15:04,600 Speaker 2: never have imagined this. 227 00:15:05,720 --> 00:15:08,720 Speaker 3: From the car, Medium can see the plane's cargo door. 228 00:15:09,320 --> 00:15:12,400 Speaker 3: She imagines people being shoved through it into the sea. 229 00:15:13,240 --> 00:15:17,480 Speaker 2: It was clear Medium was flooded with emotions. 230 00:15:17,880 --> 00:15:21,840 Speaker 3: Medium orders Gustavo to stop the car. He resists. 231 00:15:22,640 --> 00:15:25,160 Speaker 4: He was trying to convince me to go in, but 232 00:15:26,280 --> 00:15:30,080 Speaker 4: I couldn't do it. I told him to keep driving. 233 00:15:31,600 --> 00:15:34,600 Speaker 3: As they drive off, the plane seems to stare back 234 00:15:34,640 --> 00:15:39,280 Speaker 3: at Medium silently in the rear view mirror, hinting something like, 235 00:15:39,720 --> 00:15:41,240 Speaker 3: you got close, didn't you. 236 00:15:42,080 --> 00:15:46,240 Speaker 2: I was shocked. Medium had seen everything. She'd been in 237 00:15:46,280 --> 00:15:49,600 Speaker 2: the Argentine Auschwitz, you know, the worst place in all 238 00:15:49,640 --> 00:15:54,640 Speaker 2: of Argentina, and she simply could not go near that plane. 239 00:15:55,000 --> 00:15:58,600 Speaker 4: I couldn't help but think about how this plane had 240 00:15:58,760 --> 00:16:03,960 Speaker 4: carried people I had once embraced. 241 00:16:06,000 --> 00:16:08,840 Speaker 3: Even though medium couldn't force herself to go near the plane, 242 00:16:09,240 --> 00:16:12,760 Speaker 3: at least she was able to verify its existence. And 243 00:16:12,800 --> 00:16:15,640 Speaker 3: by then they had located all of the electors. 244 00:16:16,360 --> 00:16:19,440 Speaker 5: So with all the electors accounted for now we start 245 00:16:19,480 --> 00:16:20,600 Speaker 5: looking at the sky vents. 246 00:16:21,680 --> 00:16:25,040 Speaker 4: Then we see that one of the sky vents is 247 00:16:25,080 --> 00:16:30,360 Speaker 4: still active, still flying in for the Lauderdale, Florida. 248 00:16:30,760 --> 00:16:33,720 Speaker 3: This is the first plane they've identified that is still 249 00:16:33,800 --> 00:16:37,960 Speaker 3: flying and no longer owned by the Argentine military. It 250 00:16:38,000 --> 00:16:42,040 Speaker 3: could have logs information about its past. But the high 251 00:16:42,040 --> 00:16:44,160 Speaker 3: from the discovery doesn't last long. 252 00:16:44,760 --> 00:16:48,240 Speaker 4: So I am reading Parhinadose, a major newspaper, and I 253 00:16:48,320 --> 00:16:51,920 Speaker 4: see an article where this journalist had started looking for 254 00:16:51,960 --> 00:16:56,200 Speaker 4: the planes used in the death flights, and he had 255 00:16:56,240 --> 00:16:58,840 Speaker 4: done his homework. He had a lot of the same 256 00:16:58,960 --> 00:17:03,080 Speaker 4: information he had, not only that he had actually visited 257 00:17:03,120 --> 00:17:08,200 Speaker 4: the Elektra at the Junkyard. I was furious. I couldn't 258 00:17:08,200 --> 00:17:10,800 Speaker 4: believe it. Giancarlo and I had been working on this 259 00:17:10,880 --> 00:17:14,919 Speaker 4: story in secret for so long, and then another publication 260 00:17:15,080 --> 00:17:18,400 Speaker 4: comes out with this story. I knew we had. 261 00:17:18,240 --> 00:17:19,000 Speaker 5: To act fast. 262 00:17:24,760 --> 00:17:28,720 Speaker 4: In the next episode, I storm into my boss's office, 263 00:17:28,720 --> 00:17:31,760 Speaker 4: a Canaldre, I hand him the article and tell him 264 00:17:32,080 --> 00:18:03,520 Speaker 4: we're getting scooped on a huge story. 265 00:17:49,800 --> 00:17:54,200 Speaker 3: From Orbit Media. This is Avenger, the story of Medium Luin. 266 00:17:54,880 --> 00:17:58,480 Speaker 3: I'm your host and senior producer andres CAAA Schedo. The 267 00:17:58,560 --> 00:18:02,360 Speaker 3: series was produced by Seguiel Rodrie Sandino and edited by 268 00:18:02,400 --> 00:18:08,400 Speaker 3: Monica Campbell. Original score Nicolas Paschela, mixing and mastering Christopher 269 00:18:08,440 --> 00:18:14,160 Speaker 3: Hoff and Austin Smith. Assistant producers Andres Feschtenholz and Eleanna Gillespi. 270 00:18:14,680 --> 00:18:19,880 Speaker 3: FactCheck Alejandro Marinelli and leonardos Canone. Legal review Neil Rossini, 271 00:18:20,400 --> 00:18:25,160 Speaker 3: Casting director Paula Gammon Wilson. The executive producers from Orbit 272 00:18:25,200 --> 00:18:30,600 Speaker 3: Media are Steve Fishman Fisher, Stevens, Marcy Wiseman, and Katie Springer. 273 00:18:31,240 --> 00:18:35,879 Speaker 3: The voice actors in Avenger include Alexis Blodel as Mediam Lewin, 274 00:18:36,359 --> 00:18:40,399 Speaker 3: Fulvio de la Volta as Giancarlo Siraudo, Gonzalo Vargas as 275 00:18:40,520 --> 00:18:45,200 Speaker 3: Enrique Pinedo, Edgardo Manono Castro as Bruno Vain and Tom 276 00:18:45,240 --> 00:18:50,800 Speaker 3: Schubert as Carlos Macosmiliana and Gustavo. This podcast was produced 277 00:18:50,880 --> 00:18:56,240 Speaker 3: in association with Sonodo. The Sonoto executive producers are Camilla Victoriano, 278 00:18:56,520 --> 00:18:59,960 Speaker 3: Joshua Weinstein and Jasmine Bromedo. The rest of the Sonoda 279 00:19:00,080 --> 00:19:05,560 Speaker 3: production team includes Senior producer Carmen Gratol, editor Rodrigo Crespo, 280 00:19:05,720 --> 00:19:11,600 Speaker 3: Producer Paloma Navarro, Nicoletti, Evelyn Uribe, Marianna Cornello, Sara Mota, 281 00:19:11,960 --> 00:19:17,000 Speaker 3: Manuel Para, Hanna Baram and Tasha Sandoval. Special thanks to 282 00:19:17,160 --> 00:19:21,000 Speaker 3: Radio and Casa and Pomeraanec Recording Studios in Buenos Aires, 283 00:19:21,280 --> 00:19:24,920 Speaker 3: and to Medium Lewin and Giancarlo Serraldo for letting us 284 00:19:24,920 --> 00:19:26,919 Speaker 3: tell their story. Thank you for listening. 285 00:19:49,760 --> 00:19:53,440 Speaker 1: A quick word about subscriptions. If you love ads, listen on. 286 00:19:53,960 --> 00:19:56,480 Speaker 1: If you're not so keen on ads, sign up for 287 00:19:56,560 --> 00:20:03,280 Speaker 1: True Crime Clubhouse on Apple Podcasts no Ads and also bingeability. 288 00:20:03,600 --> 00:20:07,240 Speaker 1: You can hear the entire Avenger series all at once. 289 00:20:07,800 --> 00:20:09,320 Speaker 1: It's just two ninety nine a month.