WEBVTT - #147 - Conway The Machine

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<v Speaker 1>Bulet Cash Show, special guests in here, multiple time guests.

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<v Speaker 1>My guy, this is the drum Work Podcast, essentially, Conway,

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<v Speaker 1>the machine is here. It was good. Welcome, welcome, man, God,

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<v Speaker 1>don't make mistakes. You played me this album a year

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<v Speaker 1>and a half ago, August twenty twenty. That's crazy to

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<v Speaker 1>think about that. And a lot of the album is

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<v Speaker 1>pretty much kind of what you played me. Obviously, there

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<v Speaker 1>was some surprise features you got. I mean, we'll just

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<v Speaker 1>got Beanie Siegull on the fucking project, which I don't

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<v Speaker 1>think I remember hearing the first time you played it. Man,

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<v Speaker 1>this is the Shady Records. This is your Shady Records commitment.

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<v Speaker 1>You owe them one album. It's finally coming. How you

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<v Speaker 1>feeling He's your debut. Let's be honest, but it's your

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<v Speaker 1>Shady Records debut. Shady Records Interscope, my first album, I

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<v Speaker 1>got Interscope. People calling me about you, like, hey, would

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<v Speaker 1>you be interested in interviewing Conway? Do you know who

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<v Speaker 1>he is? I'm like, are you fucking getting me? A? Yeah?

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<v Speaker 1>That's fine. How you feeling them? Man? I'm excited for

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<v Speaker 1>the you know, finally be able to touch the streets. Man,

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<v Speaker 1>people can get a chance to you know, to hear

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<v Speaker 1>what I've been working on over the years. I mean,

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<v Speaker 1>like I think that you have obviously had the Streets

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<v Speaker 1>in your pocket all the Grisella has for the last

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<v Speaker 1>five six years. So knowing that this album was your

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<v Speaker 1>Shady Records debut, you had to have had like a

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<v Speaker 1>real vision as to what you wanted this to sound like.

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<v Speaker 1>Because it's kind of been done for a while and

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<v Speaker 1>you've put out so many other projects. What was like

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<v Speaker 1>the main goal with this album? Like what was like

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<v Speaker 1>when you were like, okay, like what what did a

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<v Speaker 1>song have to have for to make this the cut?

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<v Speaker 1>For this one? Just that pain, you know what I mean?

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<v Speaker 1>That feel you know what I'm saying. I wanted you

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<v Speaker 1>know what I mean, Like, I just wanted that pain

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<v Speaker 1>on the ship. You know records like you know the

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<v Speaker 1>Kyle that was from this album, Like the car record

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<v Speaker 1>was for God to make mistakes. Uh, you know, so

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<v Speaker 1>I was always in that bag, you know what I'm saying.

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<v Speaker 1>Just I just wanted to get niggast that pain the

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<v Speaker 1>cow originally was meant for this album. Yeah wow, Yeah,

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<v Speaker 1>that's crazy record of that ship. It was gonna be

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<v Speaker 1>the intro to my album and uh, you know what

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<v Speaker 1>I mean, I don't know what the fuck happened. I came,

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<v Speaker 1>when I came back, I left, and when I came

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<v Speaker 1>back to Damrense your house. And you know what I'm saying,

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<v Speaker 1>the little fuck played the play it for West and

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<v Speaker 1>he took it West and threw his verse song and

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<v Speaker 1>kept it for his album, his ship. You know what

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<v Speaker 1>I'm saying. That's why I you know what I mean,

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<v Speaker 1>when I when I make my ship with dren, try

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<v Speaker 1>I keep my ship secret, Like, don't tell that motherfucker West.

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<v Speaker 1>Don't what I'm doing. Don't play these ships for West.

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<v Speaker 1>You know what I'm saying. Right when I heard it beat,

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<v Speaker 1>I picked with Old You know what I mean? Bro Go, Yeah,

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<v Speaker 1>that did that happen a lot with this where you

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<v Speaker 1>would have you had stuff recorded for this project and

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<v Speaker 1>it ended up in other places like ship, Uh, Kyle

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<v Speaker 1>bang with Eminem you know that ain't that didn't make Uh?

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<v Speaker 1>You know that got leap and ship you Gotta City

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<v Speaker 1>on the map with Wow that was for this album. Wow.

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<v Speaker 1>I want to say, I don't know if y'all remember

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<v Speaker 1>that missed the Foogie ship that was for this album.

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<v Speaker 1>May store was for a lot of What was she

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<v Speaker 1>Gonna Do was for this album. Wow, it's crazy because

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<v Speaker 1>what you could do is you could put a record

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<v Speaker 1>like Bang as a bonus track. You gotta do the

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<v Speaker 1>major label game now, you know, kind of hack the

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<v Speaker 1>numbers a little bit, owners track action. Yeah, we're making

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<v Speaker 1>so much ship though. We don't be tricking out that

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<v Speaker 1>ship man, you know, like when we did the Cow,

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<v Speaker 1>Like you know what I'm saying. You got to fix

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<v Speaker 1>the Cow on DSPs though, because on Spotify it doesn't

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<v Speaker 1>say your name. Yeah, it's just west. Like when you

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<v Speaker 1>when I search up Conway to the Cow doesn't come up.

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<v Speaker 1>You gotta search up by side gun. Yeah, you guys

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<v Speaker 1>gotta fix that. Heavmpire fix it. You gotta be a

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<v Speaker 1>primary artist on that fucking record. You know. I'm used

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<v Speaker 1>to giving my flowers. Are you feel like you're finally

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<v Speaker 1>getting them? Though? Yeah's see, just in general, I feel

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<v Speaker 1>like the last couple of years you've I feel like

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<v Speaker 1>people have finally started to give you the recognition is

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<v Speaker 1>like top two three rap around Earth whenever you are

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<v Speaker 1>are in your bag, that's still an understatement. I know

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<v Speaker 1>how you feel. No, I know how you feel. No, no,

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<v Speaker 1>but I know how you feel you're in this ship

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<v Speaker 1>to be acknowledge is number one. But no, I'm just

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<v Speaker 1>joking around though, man. But yeah, i feel like I'm

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<v Speaker 1>starting to starting to you know what I mean. I mean,

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<v Speaker 1>I'm starting to see it more. I would say that

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<v Speaker 1>I feel like it's probably you know, it's been a

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<v Speaker 1>lot of guys, especially to me, the people that matter, Like,

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<v Speaker 1>you know, I've been hearing ship like this from you know,

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<v Speaker 1>early on, from like people like DJ Clark King, you know,

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<v Speaker 1>saying my nigga Raj and a King combat Jack, you know,

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<v Speaker 1>Nori and them, Wou tang Uh, you know Royce. You know,

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<v Speaker 1>I mean I'm signing the eminem uh, you know, just

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<v Speaker 1>like people like that. Like I've been hearing that I've

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<v Speaker 1>been getting my flowers from from you know, from them Buster. Yeah,

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<v Speaker 1>when you get flowers from all those guys. Yeah, So

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<v Speaker 1>you know, I'm a hip hop nigga, Like I'm a

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<v Speaker 1>hip hop head like from like the nineties though, like

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<v Speaker 1>the nineties, the Grammy nineties era, so like you know,

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<v Speaker 1>you know, I had like Product, he was my big brother,

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<v Speaker 1>feah me, like all all the people like that. You know,

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<v Speaker 1>I mean that you would identify with from that era

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<v Speaker 1>in the grimmy nineties. Fuck with me, woutang watch the DMX.

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<v Speaker 1>I was on DMX album personally to uh, you know

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<v Speaker 1>the locks kissing styles and them of my brothers. You

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<v Speaker 1>know what I'm saying, Like I said, p was my

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<v Speaker 1>brother have on my album, my last album, you know

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<v Speaker 1>what I'm saying. Method Man, Lemonade was a moment Math.

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<v Speaker 1>It's kind of dope to see Meth through Lemonade in

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<v Speaker 1>the verses too. Yeah, it was amazing to see I

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<v Speaker 1>comet believe he did that with shout out to Meth

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<v Speaker 1>for that. But you know, like I was saying, like,

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<v Speaker 1>you know, ship, like that is what mattered to me

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<v Speaker 1>the most. So I don't really care about you know, niggas.

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<v Speaker 1>You know niggas, I don't care about y'all listens, and

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<v Speaker 1>I don't care about none of that ship. I do

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<v Speaker 1>just from a competitor standpoint, just if because I'd just

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<v Speaker 1>be feeling like, you know, that's what anybody you think

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<v Speaker 1>niggas Look at the top seventy five NBA and like, man,

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<v Speaker 1>how I ain't forty nine? What crazy average? You know

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<v Speaker 1>what I'm saying? Right, twenty five points for the people

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<v Speaker 1>who did. I don't think they did that, and did

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<v Speaker 1>they do that shit in order? I don't know, but

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<v Speaker 1>I'm just nobody to hear you. Like, if you're Dwight Howard,

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<v Speaker 1>you're pissed off you didn't make the list because you're like,

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<v Speaker 1>what the fuck? Yeah, you probably don't make you lose

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<v Speaker 1>no sleep. It's like, I felt like I did enough

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<v Speaker 1>to deserve, you know, the type of recognition, But at

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<v Speaker 1>the same time, I really don't give a fuck about that,

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<v Speaker 1>like because I feel like I'm already validated, and I

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<v Speaker 1>wont because I got people like busting them niggas and

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<v Speaker 1>Ray and Royce and Meth and you know what I'm saying,

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<v Speaker 1>right like they told me I'm nice nas whole I mean, listen,

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<v Speaker 1>you get the whole record finally, which was a moment.

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<v Speaker 1>I feel like last year in general, you had so

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<v Speaker 1>many moments on when it came to just whether it

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<v Speaker 1>was Dondo, whether it was working with Hole, I mean,

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<v Speaker 1>just the DMX album, like just some real, just iconic

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<v Speaker 1>rap shit bucket list ship probably last year that you

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<v Speaker 1>could just check off, like Okay, we got a song

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<v Speaker 1>with Hoe, you know what I mean? Okay, you know

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<v Speaker 1>and Kanye shit. Okay, cool, you know what I'm saying,

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<v Speaker 1>Like these are this bucket list shit. Being on DMX's

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<v Speaker 1>last album, knowing that you were on his album. Yeah,

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<v Speaker 1>doing the BT Awards, knowing DMX wanted you. You know,

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<v Speaker 1>you could have been on like a you know, a

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<v Speaker 1>lot of times when people passed, we get an album afterwards,

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<v Speaker 1>and sometimes the features aren't authorized. But like DMX talked

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<v Speaker 1>about y'all's record, you know what I'm saying. So did

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<v Speaker 1>that feel good? Like last year? Obviously, like you know,

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<v Speaker 1>list aside all that shit, like just personally on some

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<v Speaker 1>like rap fan shit, the kind of shit you got

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<v Speaker 1>to be a part of last year had to be real.

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<v Speaker 1>Just had to feel good. Man, it felt amazing. I'm

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<v Speaker 1>just so thankful and grateful for everybody that you know,

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<v Speaker 1>play the part and and all of that. Like everything

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<v Speaker 1>you named and even the stuff you didn't name, you did. Man,

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<v Speaker 1>you did a lot last year. One of my favorite

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<v Speaker 1>records last year was the record DoD with j I D.

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<v Speaker 1>That ship is fucking crazy. Yeah, that had me on

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<v Speaker 1>fat and then obviously Scatterbrain came, but but just in general, yeah,

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<v Speaker 1>there's just so much, man, I can just you know,

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<v Speaker 1>it's just it's just truly truly amazing. Man. It's dope, Man,

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<v Speaker 1>it's dope. A lot of a lot of moments. Let's

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<v Speaker 1>go through some of them. So talk about the J

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<v Speaker 1>Record because obviously we always think about right before the

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<v Speaker 1>pandemic hit, you performing the cow hugging hole on the

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<v Speaker 1>side at Novo. I was at the show that was.

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<v Speaker 1>That was the last show I went to before everything

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<v Speaker 1>shut down. I think there was a lot of people's

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<v Speaker 1>last shows in l A at least was. But how

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<v Speaker 1>did the J Record end up finally happening, you know,

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<v Speaker 1>because that's obviously when you start running in those circles.

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<v Speaker 1>You know, man, you know the universe is. You know

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<v Speaker 1>what I'm saying is a motherfucker man. I just you know, man,

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<v Speaker 1>Chad like, yoh got a joint? I need you to knockout?

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<v Speaker 1>Is gonna be with you or Jay and kiss? I'm like,

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<v Speaker 1>what you feel me like, it's the fuck out of here,

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<v Speaker 1>Like not for real, bro, ship I did my verse

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<v Speaker 1>at that time, they verses wasn't on it, so you

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<v Speaker 1>just got the beat right. My huk was on right, right,

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<v Speaker 1>right right. You know what I'm saying. I'm just like yo,

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<v Speaker 1>but I didn't even know that Jay was gonna be

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<v Speaker 1>on it until after I did it. Let me take

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<v Speaker 1>that back, like cause like I think at first they

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<v Speaker 1>I'm thinking they was talking like me, Jay Electronica and Jadakiss,

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<v Speaker 1>they just said they said J So I was like, okay, okay,

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<v Speaker 1>and uh so I did this ship and damn, I

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<v Speaker 1>was wondering I wanted to hear it and shipn't like

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<v Speaker 1>waiting on the whole versus like ole getting on this too,

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<v Speaker 1>Like yeah, I told you j Jadakis you J and

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<v Speaker 1>Jadakiss and jay Z Nigga. I'm like, man, get the

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<v Speaker 1>fuck out of here, you know what I mean? That

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<v Speaker 1>shit just like that shit was just crazy to me,

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<v Speaker 1>you know what I mean? And then uh man, you know,

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<v Speaker 1>just shout out the whole. I don't want to say

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<v Speaker 1>too much, you know what I'm saying, Like, you know,

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<v Speaker 1>what was your reaction though when you first heard the

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<v Speaker 1>prop like when you first heard his verse next to

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<v Speaker 1>your verse on a record, Like was it did the

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<v Speaker 1>song already come out? Was it right before it came out?

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<v Speaker 1>Like yeah, nah, I ain't hear I ain't hear it,

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<v Speaker 1>mantil it came out honestly, I didn't hear it, so

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<v Speaker 1>it was available on dsp seah, and I was like

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<v Speaker 1>sharing the link in the bio and shit like that.

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<v Speaker 1>But man, that shit just was like, Man, I ain't

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<v Speaker 1>gonna lie like out of the pop up bottle of Champagne,

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<v Speaker 1>bottle of Spade, like and just on I was on

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<v Speaker 1>celebratory time, like like what the fuck, bro, I'm really,

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<v Speaker 1>god damn really doing this ship you know what I'm saying.

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<v Speaker 1>And uh, you know we chopped, you know, man, Me,

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<v Speaker 1>me and Brick bro talk all the time. I've seen

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<v Speaker 1>him at a I don't know y'all seeing the pictures

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<v Speaker 1>and stuff. At the it was like the premiere or whatever,

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<v Speaker 1>like the Harder They Fall premiere, and you know, I

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<v Speaker 1>may kind of had a little chop or a little conversation.

0:12:17.960 --> 0:12:21.360
<v Speaker 1>It was just like I couldn't believe, you know it

0:12:21.559 --> 0:12:24.240
<v Speaker 1>just it just was like wow, Like, man, I wish

0:12:24.320 --> 0:12:27.320
<v Speaker 1>I could share that convo with That's for y'all, though, Man,

0:12:27.960 --> 0:12:34.319
<v Speaker 1>you know that's big with obviously you you being on DONDA.

0:12:34.720 --> 0:12:37.640
<v Speaker 1>I remember when he did the second stream and like

0:12:37.920 --> 0:12:40.000
<v Speaker 1>that that song wasn't on there. I was like, what

0:12:40.040 --> 0:12:43.640
<v Speaker 1>the fuck is going on? I was like, no, I

0:12:43.720 --> 0:12:45.800
<v Speaker 1>was like, Jay, it ain't on the intro. I was,

0:12:46.400 --> 0:12:49.640
<v Speaker 1>But did that come from I mean obviously we talked

0:12:49.640 --> 0:12:53.240
<v Speaker 1>about how you and Gun went to Wyoming. Uh what

0:12:53.360 --> 0:12:55.080
<v Speaker 1>was that like two years ago? Now right, it's been

0:12:55.080 --> 0:12:57.920
<v Speaker 1>a minute. You want a couple of times? I want

0:12:58.240 --> 0:13:00.960
<v Speaker 1>a few times out there? That's crazy? He did that

0:13:01.000 --> 0:13:03.560
<v Speaker 1>record get made out there? Or was this something where

0:13:03.559 --> 0:13:05.280
<v Speaker 1>you had to be out there? So that was that

0:13:05.320 --> 0:13:08.040
<v Speaker 1>was a record that's been cut for a while. Then, Yeah,

0:13:09.440 --> 0:13:13.560
<v Speaker 1>a few cut a few that, Yeah, a few. I

0:13:13.600 --> 0:13:15.520
<v Speaker 1>think that was the only one. I'm not sure how

0:13:15.520 --> 0:13:18.640
<v Speaker 1>many like West did with him, but I'm not I

0:13:18.720 --> 0:13:22.520
<v Speaker 1>cut a few out there with him. Maybe get one

0:13:22.520 --> 0:13:26.360
<v Speaker 1>for the you know what, we'll see, we'll see, you

0:13:26.400 --> 0:13:29.600
<v Speaker 1>know what I'm saying, We'll see. No for sure were

0:13:29.600 --> 0:13:32.280
<v Speaker 1>you were you able to go to I know I

0:13:32.320 --> 0:13:35.679
<v Speaker 1>saw from I remember Gun was on the porch with

0:13:35.760 --> 0:13:38.040
<v Speaker 1>like Maryland man That ship was messed that one. That

0:13:38.120 --> 0:13:42.199
<v Speaker 1>ship was wild. I'm like the baby westside, Gun and

0:13:42.240 --> 0:13:45.440
<v Speaker 1>Maryland Manson are just sitting there fresh off the Baby

0:13:45.440 --> 0:13:49.840
<v Speaker 1>being canceled. Yeah, like what the fuck is going this

0:13:49.920 --> 0:13:52.280
<v Speaker 1>is crazy going on. I missed that one, but I

0:13:52.320 --> 0:13:55.240
<v Speaker 1>went to like the one in Atlanta, So you were

0:13:55.400 --> 0:13:56.719
<v Speaker 1>you had to go to Atlanta? Did you get to

0:13:56.840 --> 0:14:00.559
<v Speaker 1>like he had like the fucking he was like living there? Yeah? Yeah,

0:14:00.960 --> 0:14:03.679
<v Speaker 1>I ain't go all the way like I was. I

0:14:03.760 --> 0:14:06.160
<v Speaker 1>was in New York doing some stuff, so I was able.

0:14:06.200 --> 0:14:08.000
<v Speaker 1>I just kind of like flew out there for a

0:14:08.120 --> 0:14:10.960
<v Speaker 1>day and dipped, Like I just went out there for

0:14:11.080 --> 0:14:14.760
<v Speaker 1>like the like the concert or whatever. Right when he

0:14:14.880 --> 0:14:16.600
<v Speaker 1>was out there with like the red shit on and

0:14:16.640 --> 0:14:19.880
<v Speaker 1>all that. I remember that. Yeah, would you say how

0:14:19.880 --> 0:14:22.120
<v Speaker 1>would you say you and Kanye's relationship is at this point,

0:14:22.160 --> 0:14:24.440
<v Speaker 1>because like obviously if you've been to Wyoming a few times,

0:14:24.440 --> 0:14:27.080
<v Speaker 1>you got to have some report with him. I liked it, man,

0:14:27.080 --> 0:14:28.880
<v Speaker 1>It's dope. You know what I'm saying. I think we

0:14:28.960 --> 0:14:31.840
<v Speaker 1>got a you know, pretty good relationship. Like you know

0:14:31.840 --> 0:14:34.880
<v Speaker 1>what I'm saying, if I need to, you know, tapping

0:14:34.960 --> 0:14:38.560
<v Speaker 1>with Brous that's nothing to do. He fooled me and

0:14:39.280 --> 0:14:42.120
<v Speaker 1>just the love the Man show. You know what I'm saying.

0:14:42.120 --> 0:14:44.760
<v Speaker 1>I'm forever grateful, Like WHN I slept on a man ranch,

0:14:45.400 --> 0:14:46.880
<v Speaker 1>you know what I'm saying. I was out there for

0:14:47.240 --> 0:14:50.480
<v Speaker 1>a week or two longer than that. Probably that's crazy.

0:14:50.520 --> 0:14:52.200
<v Speaker 1>I've been with him, and you know what I'm saying,

0:14:52.200 --> 0:14:55.240
<v Speaker 1>I've been to Doctor Dre House. Great fucking with Kanye

0:14:55.440 --> 0:14:59.000
<v Speaker 1>first time, Like you know what I'm saying, Fucking Yeah,

0:14:59.000 --> 0:15:01.520
<v Speaker 1>you had me at Doctor Dre like coming up with

0:15:01.600 --> 0:15:03.600
<v Speaker 1>hooks and ship for Doctor Dre, you know what I

0:15:03.600 --> 0:15:07.000
<v Speaker 1>mean here and unreleased little music and ship like he

0:15:07.080 --> 0:15:10.240
<v Speaker 1>was playing he pressed play button on some fire like

0:15:11.240 --> 0:15:14.520
<v Speaker 1>I've heard I got a funny ass story about that night.

0:15:14.600 --> 0:15:19.400
<v Speaker 1>To please tell us the story. You can't give us

0:15:19.400 --> 0:15:23.760
<v Speaker 1>the Dre story, not yet. Yeah, I don't know if

0:15:23.800 --> 0:15:28.360
<v Speaker 1>that's it's okay. Niggas want that out there. But how

0:15:28.480 --> 0:15:32.520
<v Speaker 1>was dra dra? Cool ass dude man, And you know

0:15:32.560 --> 0:15:36.000
<v Speaker 1>it was so cool about it. He actually remembered me

0:15:36.480 --> 0:15:40.080
<v Speaker 1>and that ship like ship that remember me, like because

0:15:40.120 --> 0:15:44.800
<v Speaker 1>I get there, Like it's funny because I was. I was.

0:15:44.840 --> 0:15:47.320
<v Speaker 1>I've been on the ranch and I've been before I

0:15:47.360 --> 0:15:50.960
<v Speaker 1>went to the ranch like he had a yeah before

0:15:50.960 --> 0:15:55.360
<v Speaker 1>I was in Wyoming like yay had a studio, uh

0:15:55.480 --> 0:15:58.720
<v Speaker 1>in Calabasas somewhere somewhere out there, like you know what

0:15:58.760 --> 0:16:01.440
<v Speaker 1>I'm saying. And I was out there, you know, working

0:16:01.440 --> 0:16:05.360
<v Speaker 1>on some music and ship with him. But in Yay's studios,

0:16:05.440 --> 0:16:07.840
<v Speaker 1>like real churchy vibes and shit, like you know what

0:16:07.880 --> 0:16:09.920
<v Speaker 1>I mean, Yay on this. You know you're a Christian

0:16:09.960 --> 0:16:12.840
<v Speaker 1>and stuff, So it's not really the same type of

0:16:12.960 --> 0:16:15.400
<v Speaker 1>vibes that I may particularly be used to, Like we

0:16:15.440 --> 0:16:18.520
<v Speaker 1>ain't drinking and smoking in the lab and all the

0:16:18.600 --> 0:16:21.640
<v Speaker 1>homies and you know what I'm saying. It's like, you know,

0:16:21.680 --> 0:16:24.600
<v Speaker 1>you got the choir in there, like people from like

0:16:24.760 --> 0:16:27.320
<v Speaker 1>church and stuff like this. So it's like it was

0:16:27.400 --> 0:16:30.120
<v Speaker 1>kind of different from me too, because I never really

0:16:30.160 --> 0:16:33.320
<v Speaker 1>like worked on like you know what I mean, I

0:16:33.360 --> 0:16:37.360
<v Speaker 1>guess like Christian rap or stuff like that. Like you know,

0:16:37.480 --> 0:16:39.880
<v Speaker 1>my my thing is, I'm grivy. It's all the time.

0:16:40.040 --> 0:16:42.240
<v Speaker 1>You know what I'm saying, Like please never put please

0:16:42.480 --> 0:16:44.240
<v Speaker 1>the sidebar just quick. Don't never put out a Christian

0:16:44.280 --> 0:16:48.360
<v Speaker 1>rap album, please say you know what I'm saying. But no,

0:16:48.520 --> 0:16:50.960
<v Speaker 1>I'm just saying like I never I never, I never did,

0:16:51.080 --> 0:16:53.040
<v Speaker 1>So it was kind of just new and stuff to me,

0:16:53.240 --> 0:16:56.120
<v Speaker 1>right And uh so I'm out there and I'm out

0:16:56.160 --> 0:16:58.840
<v Speaker 1>there for like a week, you know what I'm saying, recording,

0:16:58.920 --> 0:17:02.880
<v Speaker 1>going there every day, and I just like, yo, man,

0:17:03.680 --> 0:17:05.400
<v Speaker 1>so when we go to we go one day, I'm

0:17:05.400 --> 0:17:09.359
<v Speaker 1>over there recording. Long story short, I'm over there at

0:17:09.400 --> 0:17:12.480
<v Speaker 1>Ye Studio recording and we go to you know the

0:17:12.520 --> 0:17:15.359
<v Speaker 1>engineer yay w wasn't there. The engineers stopped the beating,

0:17:15.520 --> 0:17:18.159
<v Speaker 1>like yo, I just got a text. Ya wants us

0:17:18.200 --> 0:17:20.679
<v Speaker 1>to come over to Dre's because I think you know

0:17:20.760 --> 0:17:23.879
<v Speaker 1>him and Dre was working on some stuff for the album.

0:17:24.119 --> 0:17:28.320
<v Speaker 1>I'm like, you want us, you know what I'm saying, Like, yeah,

0:17:28.680 --> 0:17:30.840
<v Speaker 1>we're all going over there. So we go to dre house,

0:17:31.840 --> 0:17:33.720
<v Speaker 1>going there and shit, I'm just sitting in there and

0:17:33.720 --> 0:17:37.440
<v Speaker 1>it's like it's mad people in a room. Like I'm

0:17:37.480 --> 0:17:40.320
<v Speaker 1>seeing people smoking and draking and shit. I'm like, oh,

0:17:40.440 --> 0:17:43.080
<v Speaker 1>this is why I'm This is where I needed to be.

0:17:43.280 --> 0:17:45.720
<v Speaker 1>That's what I've been missing. You feel me like Ship,

0:17:45.800 --> 0:17:49.200
<v Speaker 1>I started rolling my backward up, you know what I'm saying,

0:17:49.240 --> 0:17:51.480
<v Speaker 1>And Drake kind of like stepped off from the border.

0:17:51.560 --> 0:17:55.080
<v Speaker 1>Ship turned around, you know what I'm saying, Look like, Okay,

0:17:55.359 --> 0:17:57.199
<v Speaker 1>I remember you because we I met him for the

0:17:57.240 --> 0:18:02.160
<v Speaker 1>first time at the Star unveiling for fifty cent Yeah,

0:18:02.440 --> 0:18:04.840
<v Speaker 1>you guys were there, right, So that's when I met

0:18:04.920 --> 0:18:07.560
<v Speaker 1>him and he remembered me from that day. You know

0:18:07.600 --> 0:18:10.560
<v Speaker 1>that's bucketless shit for me all just for Dreda know

0:18:10.600 --> 0:18:13.600
<v Speaker 1>who you are, right, just for Dreda know who I am.

0:18:13.640 --> 0:18:15.920
<v Speaker 1>Like that shit just like different for me. I heard

0:18:15.960 --> 0:18:19.399
<v Speaker 1>the speakers at his house are crazy. This man's studios

0:18:19.480 --> 0:18:21.480
<v Speaker 1>don't real. I couldn't believe what I was saying. I

0:18:21.520 --> 0:18:23.800
<v Speaker 1>heard it so crazy. I heard like his speed, like

0:18:23.840 --> 0:18:26.320
<v Speaker 1>he got the craziest ever saying. Now, but I've heard

0:18:26.320 --> 0:18:27.600
<v Speaker 1>about it. I have a lot. I know a lot

0:18:27.600 --> 0:18:29.480
<v Speaker 1>of people who've been over there and they just say,

0:18:29.560 --> 0:18:32.320
<v Speaker 1>oh man, that was the I couldn't believe I was there.

0:18:32.680 --> 0:18:36.159
<v Speaker 1>I couldn't even believe I was there. Bro talk like

0:18:37.119 --> 0:18:39.399
<v Speaker 1>shout out to Dre. Man, he showed love. You know

0:18:39.440 --> 0:18:41.520
<v Speaker 1>what I'm saying in there? You know what I'm saying,

0:18:41.760 --> 0:18:46.280
<v Speaker 1>Uh with Snoop oldest son, a couple of Dre homies

0:18:46.280 --> 0:18:48.119
<v Speaker 1>and shit like that, like it was just love. Like

0:18:49.240 --> 0:18:53.520
<v Speaker 1>you know, we ended up working on some stuff actually, wow,

0:18:53.920 --> 0:18:56.800
<v Speaker 1>you know what I man, Hopefully we'll hear it, hope,

0:18:56.840 --> 0:18:59.960
<v Speaker 1>so hopefully hopefully we always hopefully y' all can work

0:19:00.240 --> 0:19:03.440
<v Speaker 1>more with him. Yeah, Like doctor Dre is like a

0:19:03.440 --> 0:19:05.760
<v Speaker 1>big inspiration, I mean, ship he just put out a

0:19:05.800 --> 0:19:10.400
<v Speaker 1>six pack of records last week off of GTA, which

0:19:10.440 --> 0:19:13.960
<v Speaker 1>was to work with Dre. Yeah. No, Dre learned from

0:19:14.000 --> 0:19:16.440
<v Speaker 1>him and just watch him. Yeah, his creator I heard

0:19:16.480 --> 0:19:19.399
<v Speaker 1>his creative process is like very meticulous, very bro. I

0:19:19.440 --> 0:19:21.920
<v Speaker 1>was watching that ship and I'm just like, bro, now

0:19:21.960 --> 0:19:25.920
<v Speaker 1>I get it, like his ear for like the frequencieson

0:19:26.480 --> 0:19:28.880
<v Speaker 1>it's so crazy bore, like the ship that you see

0:19:28.920 --> 0:19:31.160
<v Speaker 1>and like that maybe in the videos and stuff where

0:19:31.800 --> 0:19:33.560
<v Speaker 1>you know what I mean, now that I'm shooting videos

0:19:33.560 --> 0:19:36.560
<v Speaker 1>and stuff, you know how we might like pretending, yeah,

0:19:36.600 --> 0:19:40.760
<v Speaker 1>you might twist the now He's really he's really like

0:19:40.760 --> 0:19:45.280
<v Speaker 1>like that. He really liked that right, very in the

0:19:45.440 --> 0:19:50.240
<v Speaker 1>every little, the smallest detail, that's what I hear. Genius.

0:19:50.280 --> 0:19:52.720
<v Speaker 1>It's just amazing to watch in the studio that he

0:19:52.800 --> 0:19:56.399
<v Speaker 1>got set up. It's just so ill like I couldn't believe.

0:19:56.600 --> 0:20:02.479
<v Speaker 1>I couldn't believe that I was there, Bro. Creative process wise,

0:20:03.040 --> 0:20:06.080
<v Speaker 1>from what you witness from Dre to being in multiple

0:20:06.119 --> 0:20:09.240
<v Speaker 1>sessions with ya Ya seems more of like a on

0:20:09.280 --> 0:20:11.959
<v Speaker 1>the fly guy, like I've seen him recording everywhere from

0:20:12.000 --> 0:20:15.000
<v Speaker 1>some crazy studios a choirs to like a mic in

0:20:15.040 --> 0:20:17.560
<v Speaker 1>a hotel room, like a lot of like, uh, the

0:20:17.560 --> 0:20:20.399
<v Speaker 1>good the Cruel summer ship was like just in a

0:20:20.520 --> 0:20:23.400
<v Speaker 1>room with you know, so like what what what would

0:20:23.400 --> 0:20:26.040
<v Speaker 1>you say? Like Yay's creative processes that you kind of

0:20:26.080 --> 0:20:28.800
<v Speaker 1>took from that was like a little different. Nah, yay,

0:20:28.960 --> 0:20:31.280
<v Speaker 1>Yay liked that too, Like the same thing I was

0:20:31.280 --> 0:20:35.280
<v Speaker 1>saying about Dre Like every little detail he's you know,

0:20:35.320 --> 0:20:39.560
<v Speaker 1>it's very particular and very thought out. You know, he

0:20:39.680 --> 0:20:41.520
<v Speaker 1>know what he wants, you know, the direction he want.

0:20:41.640 --> 0:20:44.440
<v Speaker 1>It was crazy, like I was fortunate, like my first

0:20:44.520 --> 0:20:48.240
<v Speaker 1>day landing and out there and as soon as I

0:20:48.320 --> 0:20:51.159
<v Speaker 1>get there, go to the ranch, he already in the

0:20:51.200 --> 0:20:54.440
<v Speaker 1>studio and you got you know, we all in there

0:20:54.960 --> 0:20:57.840
<v Speaker 1>and the man made like seven beats in front of

0:20:57.840 --> 0:21:00.919
<v Speaker 1>a front of me and Benny asks, Benny, that's crazy,

0:21:01.240 --> 0:21:03.480
<v Speaker 1>Like just like quick we wanted it. Like it was

0:21:03.520 --> 0:21:07.080
<v Speaker 1>like we was in there all night. It was like

0:21:07.200 --> 0:21:09.640
<v Speaker 1>a couple of hours of that. Like the man made

0:21:09.840 --> 0:21:14.439
<v Speaker 1>seven beats, fast as hell. That's wow. Like I was

0:21:14.480 --> 0:21:16.480
<v Speaker 1>like when I got back to the you know where

0:21:16.520 --> 0:21:19.479
<v Speaker 1>I was staying after we left, like and mind you

0:21:19.480 --> 0:21:23.040
<v Speaker 1>we and his like in his personal space of it

0:21:23.160 --> 0:21:28.000
<v Speaker 1>like it's house or whatever this ship is. This is Wyoming. Yeah,

0:21:28.080 --> 0:21:30.680
<v Speaker 1>it's like this ship is crazy, like watching him the

0:21:30.720 --> 0:21:34.000
<v Speaker 1>whole how you doing? Like he how he like? It's

0:21:34.040 --> 0:21:37.879
<v Speaker 1>just dope. It's just it's just real dope man, to

0:21:37.920 --> 0:21:42.679
<v Speaker 1>be able to say, Yo, I watched Kanye create music

0:21:42.720 --> 0:21:46.240
<v Speaker 1>in the studio doctor Dre create, Like I'm watching Dre

0:21:46.480 --> 0:21:51.800
<v Speaker 1>make fucking a beat in the studio. It's crazy. That's

0:21:51.880 --> 0:21:54.199
<v Speaker 1>real ship. Not a lot of people on earth what

0:21:54.359 --> 0:21:56.959
<v Speaker 1>is dope to see? Like, I feel like quiet as

0:21:57.000 --> 0:21:59.600
<v Speaker 1>kept man. You're probably one of the very few people

0:21:59.640 --> 0:22:03.000
<v Speaker 1>on the play planet that can say Kanye's co sign me.

0:22:03.480 --> 0:22:07.120
<v Speaker 1>I've worked with him, Eminem's co sign me, jay Z's

0:22:07.160 --> 0:22:09.840
<v Speaker 1>co sign me, and we could go down the list.

0:22:09.920 --> 0:22:18.119
<v Speaker 1>But like we're talking like it's crazy. J Wayne, Hey,

0:22:18.160 --> 0:22:20.520
<v Speaker 1>we know we gotta stop the podcast real quick. Shout

0:22:20.520 --> 0:22:22.399
<v Speaker 1>out to my bookie. Man. Listen, if you know anything

0:22:22.400 --> 0:22:25.360
<v Speaker 1>about me, you know I like to gamble on sports

0:22:25.720 --> 0:22:27.720
<v Speaker 1>and I've been using my bookie for so long. Go

0:22:27.760 --> 0:22:29.800
<v Speaker 1>to my bookie dot ag. Check it out. They're doing

0:22:29.840 --> 0:22:34.119
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0:22:34.960 --> 0:22:37.280
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0:22:37.280 --> 0:22:40.760
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0:22:40.760 --> 0:22:43.240
<v Speaker 1>They're gonna match your deposit up to one thousand dollars.

0:22:43.240 --> 0:22:45.879
<v Speaker 1>There's so much action right now to the NBA season

0:22:46.200 --> 0:22:48.880
<v Speaker 1>is going crazy. Maybe you could do a future right

0:22:48.920 --> 0:22:50.440
<v Speaker 1>Who do you think is gonna win the MVP? I

0:22:50.440 --> 0:22:52.040
<v Speaker 1>don't know. Is it gonna be Honest? Is it gonna

0:22:52.040 --> 0:22:55.640
<v Speaker 1>be Devin Booker? Is it gonna be Yokic? Certainly ain't

0:22:55.640 --> 0:22:59.960
<v Speaker 1>gonna be motherfucker Russell Westbrook. Crazy odds that ain't gonna happen.

0:23:00.200 --> 0:23:02.639
<v Speaker 1>That's just burning money. With that being said, there's so

0:23:02.680 --> 0:23:04.439
<v Speaker 1>many different ways you can bet. You could bet on

0:23:04.480 --> 0:23:06.320
<v Speaker 1>your daily games. You could do the parlay. I like

0:23:06.359 --> 0:23:08.760
<v Speaker 1>doing moneyline parlays. I like to just do three or

0:23:08.800 --> 0:23:11.159
<v Speaker 1>four heavy favorites on that NBA schedule, throw them all

0:23:11.200 --> 0:23:13.480
<v Speaker 1>on one ticket and just try to hit. You know

0:23:13.520 --> 0:23:15.720
<v Speaker 1>what I'm saying. Whatever you're into my bookie, you could

0:23:15.720 --> 0:23:19.159
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0:23:19.160 --> 0:23:21.400
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0:23:21.600 --> 0:23:24.239
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0:23:24.280 --> 0:23:26.760
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0:23:26.760 --> 0:23:29.679
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0:23:29.680 --> 0:23:33.359
<v Speaker 1>you doing use the promo code Bootleg when you sign up,

0:23:33.400 --> 0:23:35.560
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0:23:35.640 --> 0:23:39.120
<v Speaker 1>of this NBA action. Man, it's NBA season All Star

0:23:39.160 --> 0:23:41.960
<v Speaker 1>Games this weekend so much. I mean, you could bet

0:23:42.000 --> 0:23:45.480
<v Speaker 1>on the three point contest, the motherfucking dunk contest, whatever

0:23:45.520 --> 0:23:48.119
<v Speaker 1>the fuck is going on. Who's gonna be the MVP

0:23:48.200 --> 0:23:50.159
<v Speaker 1>of the All Star Game. I don't know, but you

0:23:50.200 --> 0:23:52.119
<v Speaker 1>could bet on it. You could bet on anything. So

0:23:52.160 --> 0:23:54.920
<v Speaker 1>make sure one more time. That's my bookie. Double your

0:23:54.960 --> 0:23:58.120
<v Speaker 1>first deposit up two thousand dollars using that promo code Bootleg.

0:23:58.320 --> 0:24:01.800
<v Speaker 1>Place your bets. What do we doing bet on anything

0:24:01.840 --> 0:24:04.919
<v Speaker 1>anytime anywhere with my bookiey, motherfucker, let's go. You know

0:24:05.000 --> 0:24:07.040
<v Speaker 1>what song was hard that not a lot of people

0:24:07.040 --> 0:24:09.919
<v Speaker 1>are talking about is the record on the Burner album

0:24:10.040 --> 0:24:14.159
<v Speaker 1>Crazy Shout Out wown Man. That's bro. He put a

0:24:14.200 --> 0:24:17.080
<v Speaker 1>lot of people on a song because Mazzi was on

0:24:17.119 --> 0:24:23.040
<v Speaker 1>that right, Mozzi's on that record. It's funny because I like,

0:24:23.119 --> 0:24:26.160
<v Speaker 1>I know Benny and Mozzi were on like a Damian

0:24:26.160 --> 0:24:31.000
<v Speaker 1>Lillard remix together, but I always told Bennie, I was like, dude,

0:24:31.000 --> 0:24:32.440
<v Speaker 1>I just want to hear you and Mozzi like really

0:24:32.480 --> 0:24:34.160
<v Speaker 1>get down on some ship. Like I was like, Man,

0:24:34.160 --> 0:24:37.160
<v Speaker 1>Berner really a and r the fuck out of that record. Yeah,

0:24:37.240 --> 0:24:41.600
<v Speaker 1>Berner is too ill with it man. You know, I

0:24:41.640 --> 0:24:43.720
<v Speaker 1>think you know, a lot of that shit get kind

0:24:43.720 --> 0:24:48.080
<v Speaker 1>of overlooked for sure because he's so successful with his

0:24:48.280 --> 0:24:53.200
<v Speaker 1>other endeavors. Yeah, like his music, it's hard. Every tape,

0:24:53.280 --> 0:24:58.639
<v Speaker 1>everything he dropped, man is fucking man shout and a

0:24:58.720 --> 0:25:02.159
<v Speaker 1>good dude me. There's so much love I have to

0:25:02.240 --> 0:25:04.760
<v Speaker 1>I ain't going from a can of paint. And you

0:25:04.800 --> 0:25:07.200
<v Speaker 1>know what I'm saying, you go, I want you, want

0:25:07.200 --> 0:25:08.800
<v Speaker 1>to get you on some ship, got me on some ship,

0:25:08.800 --> 0:25:11.200
<v Speaker 1>will push you and then next you know, it's all

0:25:11.280 --> 0:25:14.280
<v Speaker 1>mad and the ship and all and ship play video

0:25:14.320 --> 0:25:17.119
<v Speaker 1>games like that ship. Just ever since then, I've just

0:25:17.160 --> 0:25:20.320
<v Speaker 1>been like, kind of it's forever grateful. You guys are

0:25:20.320 --> 0:25:23.840
<v Speaker 1>like I feel like you, like Griselda. All three of

0:25:23.920 --> 0:25:26.040
<v Speaker 1>y'all and Berner have a similar work ethic when it

0:25:26.080 --> 0:25:29.320
<v Speaker 1>comes to putting out music. Just catalog like burn up

0:25:29.560 --> 0:25:31.760
<v Speaker 1>around to drop four albums in a year. Two of

0:25:31.800 --> 0:25:34.320
<v Speaker 1>them will be collab albums with like Currency or Doll

0:25:35.040 --> 0:25:37.960
<v Speaker 1>God Rest all Soul, you know. But I feel like

0:25:38.000 --> 0:25:40.560
<v Speaker 1>y'all have similar work ethics and just on the independent ship.

0:25:40.680 --> 0:25:43.439
<v Speaker 1>Like a lot of times it could be niggas on

0:25:43.520 --> 0:25:45.560
<v Speaker 1>some lazy ship as artists, and then a lot of

0:25:45.600 --> 0:25:48.760
<v Speaker 1>times toos, everybody don't be having a freedom to kind

0:25:48.800 --> 0:25:51.879
<v Speaker 1>of release when they want, especially if they're on the major. Yeah, everybody,

0:25:51.960 --> 0:25:54.120
<v Speaker 1>you know, it's the beauty of being, you know, kind

0:25:54.119 --> 0:25:56.639
<v Speaker 1>of when you can do what you want. Berner can

0:25:56.680 --> 0:25:58.240
<v Speaker 1>do what the fuck you want to do. You drop

0:25:58.359 --> 0:26:01.560
<v Speaker 1>five albums this month if you want. Well, I was

0:26:01.600 --> 0:26:03.399
<v Speaker 1>just telling we just had Benny here last week, and

0:26:03.440 --> 0:26:07.240
<v Speaker 1>I was like, yo, there's something about the fact Benny

0:26:07.320 --> 0:26:09.760
<v Speaker 1>signed a death Jam and then tend to talk for

0:26:09.840 --> 0:26:13.560
<v Speaker 1>it's still independent on Griselda and Empire, and the fact

0:26:13.560 --> 0:26:16.480
<v Speaker 1>that y'all signed this whole shady fucking deal. Was it

0:26:16.640 --> 0:26:23.200
<v Speaker 1>seven years ago? Six years ago? It's been some years, right,

0:26:23.520 --> 0:26:26.280
<v Speaker 1>it's been a minute, and you guys were able to

0:26:26.600 --> 0:26:29.320
<v Speaker 1>just drop whatever the fuck you want while still being

0:26:29.320 --> 0:26:31.800
<v Speaker 1>on a major, but still technically being on a major

0:26:33.480 --> 0:26:36.520
<v Speaker 1>independently keep all of that and then picking you know, hey,

0:26:36.520 --> 0:26:39.800
<v Speaker 1>look this is a shady album, but everything else is separate.

0:26:39.840 --> 0:26:42.120
<v Speaker 1>Not a lot of people got that deal. Yeah, I mean,

0:26:42.400 --> 0:26:45.280
<v Speaker 1>just you know, we ain't really trying to like sign it,

0:26:46.480 --> 0:26:50.240
<v Speaker 1>uh like regular deal. Like if I can't when I'm

0:26:50.240 --> 0:26:52.560
<v Speaker 1>looking at going into Dell's, Like, if I can't at

0:26:52.680 --> 0:26:57.879
<v Speaker 1>least be partners, what are we doing? Right? Yeah? I

0:26:57.880 --> 0:27:00.520
<v Speaker 1>think that so like when I'm part know this, when

0:27:00.520 --> 0:27:03.080
<v Speaker 1>I have these partnerships, you know what I'm doing with

0:27:03.119 --> 0:27:06.200
<v Speaker 1>my other entities. Ship, don't got nothing to do it

0:27:06.720 --> 0:27:10.560
<v Speaker 1>this over here? You feeling shit? That's a drum work tape,

0:27:10.880 --> 0:27:13.439
<v Speaker 1>you know what I man, they work out kind of

0:27:13.680 --> 0:27:16.240
<v Speaker 1>kind of good when you just move like that. Like

0:27:16.480 --> 0:27:19.080
<v Speaker 1>I like to be partners, you know what I'm saying

0:27:19.600 --> 0:27:23.840
<v Speaker 1>on this album? Some great production. Let's go through. Who

0:27:23.880 --> 0:27:27.440
<v Speaker 1>else got beats on the album? I got Alchemists on there?

0:27:27.440 --> 0:27:31.760
<v Speaker 1>Of course, Automatic definitely got to have my brother Dan

0:27:31.920 --> 0:27:36.720
<v Speaker 1>darren S probably produced the most records on it. Only right,

0:27:38.400 --> 0:27:42.200
<v Speaker 1>Justice League. I got some shit with Justice League, justt

0:27:42.200 --> 0:27:46.080
<v Speaker 1>some ship with uh you know Cosmo, Yeah, Cosmo beats.

0:27:46.160 --> 0:27:48.640
<v Speaker 1>He did a lot of burnersh Cosmos burners right hand. Yeah,

0:27:48.640 --> 0:27:51.040
<v Speaker 1>they didn't know album together last year. Shots. That's my brother.

0:27:51.720 --> 0:27:54.440
<v Speaker 1>Shout out to Berner for connecting that. Cosmos A great

0:27:54.480 --> 0:27:59.359
<v Speaker 1>guy man. Absolutely, I got Bank on there. I have

0:28:00.560 --> 0:28:06.600
<v Speaker 1>hit boy on there. Of course, I want to think

0:28:06.720 --> 0:28:12.440
<v Speaker 1>that's I think that's about it. You getting Beanie on

0:28:12.520 --> 0:28:16.960
<v Speaker 1>the project had I mean, Beanie Tommy is probably like

0:28:17.119 --> 0:28:20.720
<v Speaker 1>top three or four smost slept on rappers ever. When

0:28:20.760 --> 0:28:22.640
<v Speaker 1>we think about just the respect that like, we don't

0:28:22.680 --> 0:28:24.800
<v Speaker 1>talk about Beanie like I think we should. And you know,

0:28:25.040 --> 0:28:27.679
<v Speaker 1>as far as being an all time great, I think

0:28:27.720 --> 0:28:32.840
<v Speaker 1>he's in those conversations and they Uh, that was one

0:28:32.840 --> 0:28:34.360
<v Speaker 1>of the features that I didn't hear when you played

0:28:34.400 --> 0:28:35.760
<v Speaker 1>me the album. So I'm assuming that was something that

0:28:35.760 --> 0:28:37.640
<v Speaker 1>probably happened the last I don't know what twelve months

0:28:37.680 --> 0:28:41.680
<v Speaker 1>or something. Yeah, that happened. That happened pretty recently. Beans

0:28:41.720 --> 0:28:45.000
<v Speaker 1>came to Buffalo and you know what I'm saying, Beans

0:28:45.040 --> 0:28:48.800
<v Speaker 1>in Buffalo. Yeah, he came to Buffalo and you know,

0:28:49.000 --> 0:28:51.000
<v Speaker 1>kind of getting next to me and ship and like

0:28:51.120 --> 0:28:53.320
<v Speaker 1>you all came to come fuck with you niggas, you

0:28:53.360 --> 0:28:56.960
<v Speaker 1>know what I'm saying. Like, and we asked some some

0:28:57.760 --> 0:29:03.000
<v Speaker 1>very very very dope conversations. Man, you know the stuff

0:29:03.080 --> 0:29:05.720
<v Speaker 1>that you know, he wanted to come to Buffalo and

0:29:06.240 --> 0:29:09.080
<v Speaker 1>just the conversations he wanted to have with me that

0:29:09.640 --> 0:29:13.120
<v Speaker 1>you know, I ain't gonna talk about on camera and shit.

0:29:13.200 --> 0:29:16.920
<v Speaker 1>But he's been through a lot, manop Man, just dope

0:29:17.080 --> 0:29:19.240
<v Speaker 1>that he came to me for that. You know what

0:29:19.280 --> 0:29:22.280
<v Speaker 1>I'm saying. It's different when someone comes to you, especially

0:29:22.440 --> 0:29:26.120
<v Speaker 1>in your hometown. You know what I mean. Man, that's different.

0:29:26.160 --> 0:29:28.240
<v Speaker 1>You could link up with someone in Atlanta or LA

0:29:28.480 --> 0:29:31.480
<v Speaker 1>that's easy. But like someone coming to Buffalo security and

0:29:31.560 --> 0:29:34.480
<v Speaker 1>none of that ship like just some regular shit. Man.

0:29:35.080 --> 0:29:37.360
<v Speaker 1>How long was he in Buffalo? A couple of days? Yeah?

0:29:37.680 --> 0:29:40.239
<v Speaker 1>Like a week? Oh? Ship? So he tapped in. How

0:29:40.320 --> 0:29:43.720
<v Speaker 1>he was cooking. We knocked a few ships out. Wow,

0:29:44.120 --> 0:29:46.280
<v Speaker 1>That's what I'm saying. Like we we we about to

0:29:46.520 --> 0:29:50.160
<v Speaker 1>we we got some something up our sleeve. Way, hold on,

0:29:50.160 --> 0:29:58.680
<v Speaker 1>hold on, Conway, Beanie project, more more than that, more

0:29:58.760 --> 0:30:04.640
<v Speaker 1>than that. Mm hmmm, Conway, are you bringing Beanie the

0:30:04.720 --> 0:30:09.560
<v Speaker 1>drum work? Well? See it, Beanie s going drum work.

0:30:11.680 --> 0:30:14.560
<v Speaker 1>I don't know, man, you know, I don't know. I

0:30:14.600 --> 0:30:17.320
<v Speaker 1>don't know what the future. But you know, we've been cooking.

0:30:17.760 --> 0:30:21.240
<v Speaker 1>You know what I would say, I love Beanie. I

0:30:21.280 --> 0:30:27.000
<v Speaker 1>would say to him, Yo, man, you're independent now. He

0:30:27.120 --> 0:30:29.880
<v Speaker 1>really being the goat that he is. He just got

0:30:30.000 --> 0:30:31.800
<v Speaker 1>to run up his his ship now because I feel

0:30:31.840 --> 0:30:33.880
<v Speaker 1>like finally, like you know, he's having a moment right now,

0:30:34.000 --> 0:30:36.720
<v Speaker 1>like yeah, you know I saw him in with Game.

0:30:37.040 --> 0:30:43.200
<v Speaker 1>Yeah that's all I'm telling. I heard some ship. Game

0:30:43.320 --> 0:30:45.200
<v Speaker 1>played me. I want to say, Game played me a

0:30:45.280 --> 0:30:48.760
<v Speaker 1>record that you were on that's unreleased. Yeah, yeah I

0:30:48.840 --> 0:30:50.680
<v Speaker 1>did some ship with Game. You know what I'm saying.

0:30:50.680 --> 0:30:52.640
<v Speaker 1>I was I was wondering was he keeping that or not?

0:30:52.840 --> 0:30:57.360
<v Speaker 1>But listen, he's got like seventy five songs. Yeah, so

0:30:58.000 --> 0:31:01.920
<v Speaker 1>yeah I did some ship with Game. You know what

0:31:02.000 --> 0:31:05.720
<v Speaker 1>I'm saying, shout out the homie, Game Man, you patched in, Like, Yo, bros,

0:31:06.240 --> 0:31:08.240
<v Speaker 1>let's get one in. Let's do it. You know what

0:31:08.280 --> 0:31:12.360
<v Speaker 1>I'm saying. I mean, you know, I fuck with everybody man,

0:31:12.480 --> 0:31:14.760
<v Speaker 1>like I just like to cook. Yeah, so it's just

0:31:14.840 --> 0:31:17.000
<v Speaker 1>be dope that niggas that I you know, I listened

0:31:17.040 --> 0:31:21.160
<v Speaker 1>to and when I was on the uprise of this shit,

0:31:22.240 --> 0:31:24.680
<v Speaker 1>you know, wanting to collaborate with me, that should be

0:31:24.800 --> 0:31:27.040
<v Speaker 1>meaning a lot. So when the homie patched then, like yo,

0:31:27.200 --> 0:31:30.160
<v Speaker 1>want to get one in. I'm let when you guys

0:31:30.200 --> 0:31:32.920
<v Speaker 1>first started out and you guys were getting some of

0:31:32.960 --> 0:31:34.880
<v Speaker 1>these features right, like wh where there was like bust

0:31:34.880 --> 0:31:36.680
<v Speaker 1>of rhymes. It's like some of the early like dope,

0:31:37.040 --> 0:31:39.720
<v Speaker 1>bigger features you guys were getting. Did you guys ever

0:31:39.800 --> 0:31:42.920
<v Speaker 1>have to pay for any of those features early on? Never? Never,

0:31:43.000 --> 0:31:46.240
<v Speaker 1>it was always a respect thing. Always it was organic,

0:31:46.720 --> 0:31:49.880
<v Speaker 1>especially for me. I don't even want to work with you,

0:31:50.680 --> 0:31:55.280
<v Speaker 1>no matter how uh talented you may be, none of

0:31:55.320 --> 0:31:57.240
<v Speaker 1>that shit or how lich you is or hot you

0:31:57.480 --> 0:31:59.920
<v Speaker 1>is on radio or none of it. Like, if it's

0:32:00.080 --> 0:32:03.200
<v Speaker 1>not organic, if I never like like we ain't never

0:32:04.480 --> 0:32:08.320
<v Speaker 1>cross paths or at least like even on the internet

0:32:08.400 --> 0:32:10.800
<v Speaker 1>way like you know, damn, Like, if it's not love,

0:32:11.200 --> 0:32:13.600
<v Speaker 1>the gotta just feel organic, like I'm not just I

0:32:13.680 --> 0:32:17.480
<v Speaker 1>don't care about the numbers, like perception and work with

0:32:17.600 --> 0:32:19.880
<v Speaker 1>nobody thinking like, oh, nigga, I get a song with him,

0:32:19.880 --> 0:32:22.040
<v Speaker 1>it's going I'm gonna blow. It's gonna be a hit.

0:32:22.200 --> 0:32:25.320
<v Speaker 1>Like I fuck with niggas that fuck with me. I

0:32:25.440 --> 0:32:27.920
<v Speaker 1>fuck with everybody, But when it comes to being, you know,

0:32:28.040 --> 0:32:31.800
<v Speaker 1>collabing and making music, I fuck with it. Gotta be organic, man,

0:32:31.920 --> 0:32:33.880
<v Speaker 1>real nigga ship like you know what I'm saying, so

0:32:34.080 --> 0:32:41.760
<v Speaker 1>like uh like saying that's big. Listen whatever y'all got coming,

0:32:42.400 --> 0:32:45.600
<v Speaker 1>Like Buster like I said, I'm in a stool bus

0:32:45.720 --> 0:32:50.600
<v Speaker 1>the nigga, I'm hugging buss like bus like nigga, I

0:32:50.800 --> 0:32:53.720
<v Speaker 1>love you king type ship. He took me in like

0:32:54.000 --> 0:32:57.760
<v Speaker 1>as a brother, as a little brother. Ray Kwan and

0:32:57.800 --> 0:33:01.440
<v Speaker 1>them niggas like I've been fucking with Chef, like even

0:33:01.520 --> 0:33:03.480
<v Speaker 1>before he even knew I rapped, like I just was

0:33:03.560 --> 0:33:05.560
<v Speaker 1>around him. He met me in Buffalo and ship for

0:33:05.640 --> 0:33:08.360
<v Speaker 1>the first time. So I'm at a couple of parties

0:33:08.400 --> 0:33:11.080
<v Speaker 1>and just you know, around and every time he would

0:33:11.080 --> 0:33:13.880
<v Speaker 1>be around me, just you know, I'm on my square.

0:33:14.000 --> 0:33:18.200
<v Speaker 1>You feel me. I'm flying. I'm always was a flying nigga,

0:33:18.720 --> 0:33:20.440
<v Speaker 1>you know what I'm saying, having a couple of dollars

0:33:20.480 --> 0:33:23.840
<v Speaker 1>and ship anyway. So but I never really brought up like, yeah,

0:33:24.160 --> 0:33:25.960
<v Speaker 1>I rap, I do music. You know what I'm saying.

0:33:26.560 --> 0:33:28.480
<v Speaker 1>You know this was this is for any of that.

0:33:29.680 --> 0:33:32.040
<v Speaker 1>You know what I'm saying. When he finally start hearing, man,

0:33:32.120 --> 0:33:38.560
<v Speaker 1>people like I know I've been around you say nothing.

0:33:39.280 --> 0:33:42.520
<v Speaker 1>You know what I'm saying. So it's just everything, It's

0:33:42.600 --> 0:33:46.520
<v Speaker 1>just all organic. Early on before a lot of them

0:33:46.560 --> 0:33:48.840
<v Speaker 1>niggas with suckers, man, they ain't funk with us. Saying,

0:33:49.120 --> 0:33:52.440
<v Speaker 1>I'm trying to like collab, Like you know what I'm saying,

0:33:52.760 --> 0:33:55.800
<v Speaker 1>They ain't want to collab either, like try to like

0:33:56.800 --> 0:34:00.440
<v Speaker 1>charge the niggas astronomical prices, or they just be on

0:34:00.520 --> 0:34:03.720
<v Speaker 1>some sucker. She's like, oh yeah, it's like my math,

0:34:03.800 --> 0:34:06.000
<v Speaker 1>and then you never hear it from him again. They'll reply,

0:34:06.240 --> 0:34:09.000
<v Speaker 1>they don't respond. A lot of fuck niggas like that.

0:34:09.280 --> 0:34:10.920
<v Speaker 1>You know what I'm saying. I feel like that's the

0:34:11.040 --> 0:34:13.960
<v Speaker 1>rap game in the nutshell that you just said, yea,

0:34:14.120 --> 0:34:16.440
<v Speaker 1>it is. It's a lot of people running into each

0:34:16.440 --> 0:34:19.719
<v Speaker 1>others and being like, Yo, let's work that should still

0:34:19.840 --> 0:34:22.719
<v Speaker 1>go on even in like people that's on in the

0:34:22.800 --> 0:34:26.520
<v Speaker 1>industry made this. I got records on on my album

0:34:26.600 --> 0:34:28.960
<v Speaker 1>right now. God, don't make mistakes that. You know what

0:34:28.960 --> 0:34:32.520
<v Speaker 1>I'm saying That I communicated, we kicked and chopped it

0:34:32.600 --> 0:34:34.200
<v Speaker 1>up with the roway and you know what I'm saying,

0:34:34.320 --> 0:34:36.800
<v Speaker 1>gonna say no names, but we do the song and

0:34:36.920 --> 0:34:40.320
<v Speaker 1>then you know they sit the managers and the lawyers

0:34:40.360 --> 0:34:42.960
<v Speaker 1>on you, and then they don't listen. You know, you know,

0:34:43.080 --> 0:34:45.879
<v Speaker 1>you you got a record you didn't they don't want

0:34:45.920 --> 0:34:49.280
<v Speaker 1>to clear it. You got a record that you've played

0:34:49.360 --> 0:34:53.160
<v Speaker 1>me exactly. You know the record exactly. That's that That's

0:34:53.160 --> 0:34:56.920
<v Speaker 1>a real hit record. That is the problem why we

0:34:57.040 --> 0:34:58.719
<v Speaker 1>probably were never gonna hear it is because of some

0:34:58.760 --> 0:35:01.279
<v Speaker 1>of the industry suck street, sucker ship and this is

0:35:01.320 --> 0:35:04.000
<v Speaker 1>a crazy record. This is a record that, like to me,

0:35:04.239 --> 0:35:08.520
<v Speaker 1>is like you could change your life type shit. It's

0:35:08.560 --> 0:35:10.200
<v Speaker 1>like wild to me, Like when I hear something like

0:35:10.280 --> 0:35:11.560
<v Speaker 1>that and I'm like, yo, how the fuck is this

0:35:11.680 --> 0:35:15.040
<v Speaker 1>not getting clear? Because like like imagine if that song

0:35:15.200 --> 0:35:16.880
<v Speaker 1>just never comes out, or that beat never comes out,

0:35:16.960 --> 0:35:19.399
<v Speaker 1>or that hook never comes out, It's like what, Yeah,

0:35:19.440 --> 0:35:21.520
<v Speaker 1>it's wild. I played you know, I play the game

0:35:21.640 --> 0:35:23.360
<v Speaker 1>wrong kind of you know what I mean. Sometimes you

0:35:23.440 --> 0:35:27.520
<v Speaker 1>gotta you gotta switch up your your strategies, you know

0:35:27.560 --> 0:35:30.680
<v Speaker 1>what I'm saying. In some situations, like in that situation,

0:35:30.840 --> 0:35:32.920
<v Speaker 1>I kind of like put it in a you know,

0:35:34.080 --> 0:35:38.120
<v Speaker 1>and and other people's hands to get that get it done. Yeah,

0:35:38.280 --> 0:35:40.680
<v Speaker 1>taken care of when I should have just went and

0:35:41.320 --> 0:35:43.719
<v Speaker 1>just with the shoe box and grabbed the money and

0:35:43.880 --> 0:35:50.920
<v Speaker 1>just handway as mine. I just get reinbursed later. Has

0:35:51.000 --> 0:35:53.040
<v Speaker 1>Drake ever reached out to you? Obviously, Drake and Bennigain,

0:35:54.440 --> 0:35:59.759
<v Speaker 1>that's my niggah. We chop it up, you know what

0:35:59.760 --> 0:36:02.279
<v Speaker 1>I'm saying. We chopped it up, and I ran between

0:36:02.320 --> 0:36:04.840
<v Speaker 1>him a couple of times in person and chopped it

0:36:04.920 --> 0:36:06.759
<v Speaker 1>up in the DMS and ship on the gram and

0:36:06.840 --> 0:36:09.279
<v Speaker 1>all that. But we ain't never do no music or

0:36:09.320 --> 0:36:12.280
<v Speaker 1>nothing together. But you know that's my niggas love. Like again,

0:36:12.400 --> 0:36:14.480
<v Speaker 1>like I'm not a nigga that like when I meet

0:36:14.560 --> 0:36:17.160
<v Speaker 1>niggas and I see niggas, Yo, let's do a fucking song. No,

0:36:17.520 --> 0:36:20.160
<v Speaker 1>if it happens, it happens, right, if it's organic, if

0:36:20.160 --> 0:36:22.600
<v Speaker 1>it's like you said, it's all about organic shit. And

0:36:23.040 --> 0:36:25.799
<v Speaker 1>you know, I just feel like from the conversations and shit,

0:36:25.880 --> 0:36:27.880
<v Speaker 1>and you know how we greet each other and you know,

0:36:28.320 --> 0:36:31.640
<v Speaker 1>I feel like that's not nothing that's would be difficult

0:36:31.719 --> 0:36:33.600
<v Speaker 1>to happen. Like if I if it just came into it,

0:36:33.640 --> 0:36:36.160
<v Speaker 1>like yo, let's cook one drizzy like nigga, let's go.

0:36:36.480 --> 0:36:38.200
<v Speaker 1>You know what I'm saying. I got you saying. Let's

0:36:38.480 --> 0:36:41.759
<v Speaker 1>working with Wayne on this album had to be that

0:36:41.920 --> 0:36:43.879
<v Speaker 1>was one of the features that has been on there

0:36:43.880 --> 0:36:45.440
<v Speaker 1>because I had heard it a couple, you know, a

0:36:45.520 --> 0:36:50.160
<v Speaker 1>while ago. So obviously Wayne is you know peak, Wayne

0:36:50.320 --> 0:36:54.000
<v Speaker 1>is up there with like Peak fifty Peak Snoop as

0:36:54.000 --> 0:36:56.359
<v Speaker 1>far as this most famous, biggest motherfucker's alive, as far

0:36:56.400 --> 0:37:01.120
<v Speaker 1>as like his run was just impeccable. Wayne, I feel

0:37:01.160 --> 0:37:03.200
<v Speaker 1>like it's always super tapped in when it comes to

0:37:03.360 --> 0:37:06.560
<v Speaker 1>like real lyrical shit, even when he was in jail,

0:37:06.800 --> 0:37:09.000
<v Speaker 1>Like he had an interview where he said, as soon

0:37:09.000 --> 0:37:10.400
<v Speaker 1>as he get it get out of Joey wanted to

0:37:10.440 --> 0:37:12.279
<v Speaker 1>work with Tech nine. That was like in twenty ten

0:37:12.400 --> 0:37:13.279
<v Speaker 1>or some shit, you know what I mean. But I

0:37:13.320 --> 0:37:15.600
<v Speaker 1>feel like he's always super tapped in, Like how did

0:37:15.600 --> 0:37:22.920
<v Speaker 1>the Wayne shit end up just happening? Honestly? Uh, my

0:37:23.040 --> 0:37:25.880
<v Speaker 1>nigga Too Chains trut out to change man. And I

0:37:26.040 --> 0:37:28.520
<v Speaker 1>never maybe I never at this point, I had never

0:37:28.640 --> 0:37:32.399
<v Speaker 1>even met Too Chains or nothing. I don't even think

0:37:32.480 --> 0:37:37.759
<v Speaker 1>we even did any music together or anything. It's just

0:37:38.120 --> 0:37:40.680
<v Speaker 1>and Wayne told this story like, man, you know, two

0:37:40.800 --> 0:37:43.000
<v Speaker 1>Chains was just hitting me. It was like, Yo, you

0:37:43.120 --> 0:37:45.680
<v Speaker 1>gotta hear this Gizelda shit, you gotta hear this nigga Conway,

0:37:45.800 --> 0:37:49.080
<v Speaker 1>you know what I'm saying and stuff. So and Wayne

0:37:49.239 --> 0:37:51.680
<v Speaker 1>was just tapped in and that's when he reached out

0:37:51.760 --> 0:37:55.040
<v Speaker 1>and like immediately like yo, I gotta do something with

0:37:55.120 --> 0:37:57.360
<v Speaker 1>them dudes. And that's when he had me and Benny

0:37:57.440 --> 0:38:03.560
<v Speaker 1>on a Roulette album. Uh on a funeral or whatever.

0:38:04.120 --> 0:38:09.400
<v Speaker 1>I think the song is Roulette, but yeah, that's how

0:38:09.440 --> 0:38:11.200
<v Speaker 1>that should happened. It reached out. We did the joint

0:38:11.600 --> 0:38:14.400
<v Speaker 1>swap like I got one for you. He was you know.

0:38:14.719 --> 0:38:17.480
<v Speaker 1>I think I went on his podcast and I remember

0:38:17.560 --> 0:38:20.520
<v Speaker 1>that like, yeah, you know you need anything, man, you

0:38:20.640 --> 0:38:24.840
<v Speaker 1>let me know. Man. As a matter of fact, I

0:38:25.000 --> 0:38:27.560
<v Speaker 1>got one. Yeah, I got one for you right now.

0:38:28.120 --> 0:38:30.120
<v Speaker 1>And he sent that ship back in the day. And

0:38:30.200 --> 0:38:33.240
<v Speaker 1>then we linked up more like it's always love. Like again,

0:38:33.360 --> 0:38:35.080
<v Speaker 1>like I said when I see him, was love. We

0:38:35.239 --> 0:38:40.200
<v Speaker 1>linked up again like in his studio. Miami. Yeah, Miami.

0:38:41.120 --> 0:38:43.160
<v Speaker 1>We cooked up some a bunch of ship and like

0:38:43.440 --> 0:38:46.839
<v Speaker 1>both you guys are sports heads too, just watching Wayne Cook.

0:38:47.040 --> 0:38:49.120
<v Speaker 1>We got some crazy ship. We got a joint where

0:38:49.120 --> 0:38:51.040
<v Speaker 1>we're going back and forth, like you know what I'm

0:38:51.040 --> 0:38:56.759
<v Speaker 1>saying in and out. I'm telling you what I'm telling you.

0:38:56.840 --> 0:38:58.840
<v Speaker 1>I don't know what's going on with that joint, but

0:38:59.040 --> 0:39:01.759
<v Speaker 1>you and Wayne just going back and forth crazy on

0:39:01.880 --> 0:39:07.000
<v Speaker 1>some some some some kiss style ship. Yeah. Wow, Yeah,

0:39:08.120 --> 0:39:10.279
<v Speaker 1>it's crazy because we always hear Wayne don't write and

0:39:10.360 --> 0:39:13.279
<v Speaker 1>ship right like, it's all shout out mac Maine. Mac

0:39:13.360 --> 0:39:14.879
<v Speaker 1>Maine is a great guy. A lot of that ship

0:39:14.960 --> 0:39:17.880
<v Speaker 1>for me too. That's my brother. Like we talk a

0:39:18.000 --> 0:39:21.400
<v Speaker 1>lot like man, Mac talk all the time. That's fucking crazy.

0:39:21.560 --> 0:39:24.719
<v Speaker 1>Back and forth, yeah, back and forth, some crazy shit.

0:39:24.760 --> 0:39:26.920
<v Speaker 1>I can't wait. I hope this ship come out man

0:39:27.360 --> 0:39:30.440
<v Speaker 1>Carter six or something cooking. I'm just watching them and

0:39:30.480 --> 0:39:32.160
<v Speaker 1>and cook. I was in there, that's the crazy shit.

0:39:32.200 --> 0:39:34.800
<v Speaker 1>I was there. I left Wayne and went to the

0:39:34.920 --> 0:39:40.560
<v Speaker 1>ranch with Yeah, just bucking this ship, bro, ship got

0:39:40.600 --> 0:39:43.560
<v Speaker 1>some real ship. Hey, we gotta stuff the podcast man

0:39:43.680 --> 0:39:46.960
<v Speaker 1>real quick. Appreciate y'all for watching, really mean mean it.

0:39:47.239 --> 0:39:49.920
<v Speaker 1>Subscribe like eave a comment, even if you're one of

0:39:49.920 --> 0:39:52.920
<v Speaker 1>those dickheadsh leave the comment. You're always interrupting the guests

0:39:52.960 --> 0:39:55.359
<v Speaker 1>because it's my fucking podcast, and I don't know i'd

0:39:55.440 --> 0:40:01.319
<v Speaker 1>like to talk to anyway. Hey, shout out to odd

0:40:01.400 --> 0:40:03.719
<v Speaker 1>Socks man, they've been our sponsor from day one. We

0:40:03.800 --> 0:40:07.279
<v Speaker 1>go hard for odd Socks always, man. Literally go hard

0:40:07.320 --> 0:40:09.320
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0:40:10.400 --> 0:40:12.920
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0:40:12.920 --> 0:40:15.360
<v Speaker 1>I'm saying, Because sometimes I go hard in odd socks.

0:40:17.880 --> 0:40:22.799
<v Speaker 1>They do make boxers, you feel me anyway. Listen. They

0:40:22.880 --> 0:40:25.600
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0:40:25.680 --> 0:40:28.000
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0:40:28.080 --> 0:40:35.800
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0:40:36.239 --> 0:40:38.520
<v Speaker 1>What are you into the odd socks? Basics are the

0:40:38.560 --> 0:40:40.560
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0:40:40.760 --> 0:40:44.160
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0:40:44.239 --> 0:40:47.360
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0:40:50.200 --> 0:40:54.160
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0:40:59.480 --> 0:41:01.680
<v Speaker 1>Goo shows love and let's get back to the interview.

0:41:02.239 --> 0:41:04.080
<v Speaker 1>I will say this man, like I do feel like

0:41:06.000 --> 0:41:08.520
<v Speaker 1>we you know, we were talking about giving flowers earlier.

0:41:08.600 --> 0:41:10.440
<v Speaker 1>I do feel like it has to be said, like

0:41:11.200 --> 0:41:15.759
<v Speaker 1>you are probably the best. Like when we think of

0:41:15.960 --> 0:41:19.040
<v Speaker 1>eras of hip hop, and we think of like who

0:41:19.080 --> 0:41:21.839
<v Speaker 1>we grew up listening to and who was the best

0:41:21.880 --> 0:41:24.040
<v Speaker 1>when we were growing up, whether it was Nas, whether

0:41:24.120 --> 0:41:27.440
<v Speaker 1>it was Kiss, whether it was Hove, Big al whatever,

0:41:27.880 --> 0:41:31.120
<v Speaker 1>you're that guy right now, so like are like I

0:41:31.160 --> 0:41:33.480
<v Speaker 1>think in fifteen years, we're gonna look back and be like, man,

0:41:33.520 --> 0:41:36.719
<v Speaker 1>we was. Do you remember the Conway Griselda Era. Yeah,

0:41:36.960 --> 0:41:40.600
<v Speaker 1>that's dope, That's that's man. You know, And I know

0:41:40.640 --> 0:41:42.600
<v Speaker 1>how important that shit is to you because because you know,

0:41:42.640 --> 0:41:44.480
<v Speaker 1>I was talking to Benny, and like Benny's like very

0:41:45.600 --> 0:41:47.480
<v Speaker 1>kind of on the opposite end of the spectrum because

0:41:47.520 --> 0:41:50.480
<v Speaker 1>I know you give a fuck as far as like

0:41:50.840 --> 0:41:53.040
<v Speaker 1>you're going for that number one spot because it matters

0:41:53.080 --> 0:41:56.560
<v Speaker 1>to you. Benny's kind of nonchalant about it. He's like, look,

0:41:56.600 --> 0:41:58.640
<v Speaker 1>people are gonna give me say what they're gonna say,

0:41:58.680 --> 0:41:59.920
<v Speaker 1>or they're not gonna say with it. I know how

0:42:00.000 --> 0:42:02.839
<v Speaker 1>important that is to you to make sure motherfuckers really

0:42:02.880 --> 0:42:07.680
<v Speaker 1>put that on your name. Like I feel about this ship.

0:42:07.800 --> 0:42:10.080
<v Speaker 1>Any want to be the best. That's why I'm motherfucking

0:42:10.160 --> 0:42:16.520
<v Speaker 1>on sleep. And it's just NonStop. He is NonStop for sure,

0:42:16.800 --> 0:42:19.480
<v Speaker 1>Like he all over the place everywhere, Like Benny, I

0:42:19.600 --> 0:42:21.960
<v Speaker 1>know you guys did this and we talked about this

0:42:22.080 --> 0:42:24.040
<v Speaker 1>in the interview that him and I did. To just

0:42:24.080 --> 0:42:28.200
<v Speaker 1>drop music right now, Tan to talk four coming out,

0:42:28.280 --> 0:42:31.920
<v Speaker 1>I think March eleventh, you guys have a song called

0:42:31.960 --> 0:42:37.839
<v Speaker 1>Tyson Versa Ali that everyone will hear. That's I thought

0:42:37.920 --> 0:42:40.480
<v Speaker 1>an important record because I kind of feel like when

0:42:40.520 --> 0:42:43.040
<v Speaker 1>it comes to just like the Griselda fans and the

0:42:44.120 --> 0:42:47.440
<v Speaker 1>there's like a Griselda Reddit thread and like there's like,

0:42:47.560 --> 0:42:50.120
<v Speaker 1>you know, there's just this little world of like hardcore

0:42:50.200 --> 0:42:53.239
<v Speaker 1>Griselda fans, and I feel like you guys kind of

0:42:53.400 --> 0:42:56.640
<v Speaker 1>like put a lot of that, like some of the

0:42:56.760 --> 0:42:59.920
<v Speaker 1>dumb narratives that people create that is not non existing

0:43:00.120 --> 0:43:01.680
<v Speaker 1>kind of to sleep on that record in terms of

0:43:01.840 --> 0:43:04.960
<v Speaker 1>just being like, yo, like we're family. At the end

0:43:05.000 --> 0:43:06.960
<v Speaker 1>of the day. If you're doing good, I'm doing Like

0:43:07.040 --> 0:43:09.120
<v Speaker 1>we're happy for each other. Yeah, And at the end

0:43:09.120 --> 0:43:10.800
<v Speaker 1>of the day, that's really what it is, you know

0:43:10.840 --> 0:43:15.160
<v Speaker 1>what I'm saying. Like you know, you know, people tend

0:43:15.239 --> 0:43:18.600
<v Speaker 1>to love like, I don't know, like a story like

0:43:18.680 --> 0:43:22.919
<v Speaker 1>a they love a storyline like it's the wrestling ship. Yeah.

0:43:23.000 --> 0:43:25.879
<v Speaker 1>People want to be like, yo, what's that all that ship? Man?

0:43:26.080 --> 0:43:29.480
<v Speaker 1>You feel me like, we it's just it's just crazy

0:43:29.600 --> 0:43:32.680
<v Speaker 1>because all of our lives and our careers is taking

0:43:32.840 --> 0:43:37.279
<v Speaker 1>off and just at a trajectory that we didn't even plan.

0:43:37.760 --> 0:43:40.320
<v Speaker 1>I don't think you know what I'm saying. Like Benny

0:43:40.480 --> 0:43:42.880
<v Speaker 1>on top of the fucking world right now, you feel me.

0:43:43.000 --> 0:43:46.520
<v Speaker 1>He's doing a million things, doing his own ship west side,

0:43:46.960 --> 0:43:49.040
<v Speaker 1>the same way on the top of the world, doing

0:43:49.080 --> 0:43:51.880
<v Speaker 1>a million ship over here with it. I'm doing a

0:43:51.920 --> 0:43:54.040
<v Speaker 1>bunch of shit, you know what I'm saying. We all

0:43:54.239 --> 0:43:57.200
<v Speaker 1>just be coming, you know, we're growing. This is this

0:43:57.440 --> 0:43:59.759
<v Speaker 1>I mean, look at best case scenario. This should have

0:43:59.800 --> 0:44:02.920
<v Speaker 1>been the playing the whole time, right Yeah. Yeah, It's

0:44:03.000 --> 0:44:06.360
<v Speaker 1>like like, man, this is the best case scenario. Is

0:44:06.440 --> 0:44:11.600
<v Speaker 1>what's happening? Yeah? Man, you know absolutely, But now that

0:44:11.719 --> 0:44:16.200
<v Speaker 1>record is crazy. That ship Tyson versus Ali, I'm gonna say,

0:44:16.200 --> 0:44:18.439
<v Speaker 1>I'm gonna say you're Ali. Are we saying you're Ali

0:44:18.520 --> 0:44:21.040
<v Speaker 1>in this in the Tyson verse? Ali? I guess? So

0:44:22.880 --> 0:44:26.120
<v Speaker 1>you know what I mean? Shot shout out to Tanna

0:44:26.200 --> 0:44:29.160
<v Speaker 1>talk for though. Uh man, you guys are gonna have

0:44:29.239 --> 0:44:31.480
<v Speaker 1>a crazy, like three or four weeks as a crew

0:44:31.600 --> 0:44:36.640
<v Speaker 1>because between your ship and his ship. Man, it's good.

0:44:37.360 --> 0:44:39.680
<v Speaker 1>It's gonna start feeling like twenty twenty and this motherfucker

0:44:39.719 --> 0:44:44.160
<v Speaker 1>all over again. Time, man, take over. Talk to me

0:44:44.200 --> 0:44:48.360
<v Speaker 1>about drum work. You know, Jay just played some Crazy

0:44:48.440 --> 0:44:54.719
<v Speaker 1>Records Crazy. I know how much of like a hip

0:44:54.760 --> 0:44:57.960
<v Speaker 1>hop historian you are, And I kind of felt like

0:44:58.440 --> 0:45:02.680
<v Speaker 1>last year's project to me felt a little kind of

0:45:02.760 --> 0:45:05.520
<v Speaker 1>like Jay's Dynasty album in terms of like a great

0:45:05.560 --> 0:45:09.919
<v Speaker 1>way for you to introduce your roster in the form

0:45:10.000 --> 0:45:14.240
<v Speaker 1>of a Conway album. Will there be like an official

0:45:14.320 --> 0:45:18.520
<v Speaker 1>drum work project coming? Yeah, Yeah, we're doing, We're gonna,

0:45:18.520 --> 0:45:20.440
<v Speaker 1>We're gonna probably you know what I'm saying, fuck them

0:45:20.520 --> 0:45:23.800
<v Speaker 1>up with a compilation. We got about we got a

0:45:23.880 --> 0:45:26.200
<v Speaker 1>lot of songs done. We got some songs done for

0:45:26.320 --> 0:45:29.439
<v Speaker 1>that ship already. You know, It's just I've been having

0:45:29.560 --> 0:45:31.640
<v Speaker 1>so much shit going on right it kind of got

0:45:31.719 --> 0:45:36.319
<v Speaker 1>put on pause with uh, you know, everything that's been

0:45:36.400 --> 0:45:38.600
<v Speaker 1>happening for me, Like you know what I'm saying, Like

0:45:39.160 --> 0:45:44.640
<v Speaker 1>damn X album stuff, being on that and the BT Awards.

0:45:45.719 --> 0:45:49.440
<v Speaker 1>The tour happened like right after that. Yeah, the tour

0:45:49.600 --> 0:45:53.000
<v Speaker 1>was lit. Now I'm an album circuit for my ship

0:45:53.120 --> 0:45:55.200
<v Speaker 1>for God to make my stores and I'm going on

0:45:55.280 --> 0:45:58.040
<v Speaker 1>the world tour stuff. So it's like kind of like,

0:45:58.880 --> 0:46:01.080
<v Speaker 1>are you excited for the world to our? Yeah? Yeah,

0:46:01.080 --> 0:46:04.640
<v Speaker 1>I ain't never been overseas man. Yeah, it's different. Over there.

0:46:04.920 --> 0:46:07.120
<v Speaker 1>I've only been to a couple of cities. Well since

0:46:07.160 --> 0:46:09.160
<v Speaker 1>I well, now that I've been touring, I've been to

0:46:09.200 --> 0:46:11.280
<v Speaker 1>a lot of a lot of shit. I've been on tours,

0:46:11.320 --> 0:46:13.920
<v Speaker 1>like my first time going, were you able like like obviously,

0:46:14.520 --> 0:46:16.239
<v Speaker 1>were you ever ever able to go to Canada? Because

0:46:16.280 --> 0:46:18.160
<v Speaker 1>it's tough to get into Canada if you have certain charges.

0:46:18.200 --> 0:46:21.720
<v Speaker 1>You know, before you know, nine to eleven, it was easy.

0:46:21.800 --> 0:46:24.080
<v Speaker 1>You could just go over there and even look, you

0:46:24.160 --> 0:46:26.839
<v Speaker 1>look at your idea and they just roll your wonder

0:46:26.920 --> 0:46:30.160
<v Speaker 1>not where you're from us and we're going We're going

0:46:30.200 --> 0:46:34.560
<v Speaker 1>to the mall switched up. Though now now it's it's tough.

0:46:35.200 --> 0:46:38.480
<v Speaker 1>It's tough. Could you even do shows over there? I

0:46:38.560 --> 0:46:41.320
<v Speaker 1>got shows booked over there for the tour, That's what

0:46:41.360 --> 0:46:45.480
<v Speaker 1>I'm saying. I got like a whole Canada, like Montreal.

0:46:46.760 --> 0:46:48.600
<v Speaker 1>It's just a I heard a week. I know certain

0:46:48.640 --> 0:46:50.600
<v Speaker 1>people like that. Man, I'd love to go to Canada.

0:46:50.600 --> 0:46:51.880
<v Speaker 1>I just can't. They want to be in the country

0:46:51.920 --> 0:46:58.439
<v Speaker 1>type ship. It's weird, but it's definitely strange when after

0:46:58.520 --> 0:47:00.960
<v Speaker 1>this project comes out, you got the world tour. We

0:47:01.080 --> 0:47:02.880
<v Speaker 1>know how active you are. We might fuck around and

0:47:02.920 --> 0:47:05.319
<v Speaker 1>get four fucking albums this year from you. Yeah, yeah,

0:47:06.680 --> 0:47:08.719
<v Speaker 1>it definitely is. Well. I would say, what's the playing

0:47:08.760 --> 0:47:11.319
<v Speaker 1>the rest of the year? Man? Then Alchemists cooking back

0:47:11.440 --> 0:47:14.640
<v Speaker 1>up again okay, and Chase is doing a nice little

0:47:14.680 --> 0:47:18.600
<v Speaker 1>ep for the streets. I'm doing something my nigga, Lord

0:47:18.680 --> 0:47:22.239
<v Speaker 1>Flee shout out to Flee. Uh stood me up when

0:47:22.239 --> 0:47:23.560
<v Speaker 1>he was in La was supposed to be on the show.

0:47:23.560 --> 0:47:27.160
<v Speaker 1>You didn't come doing one more little installment of the

0:47:27.239 --> 0:47:30.359
<v Speaker 1>Big Ghost trilogy. We got to figure out how Big

0:47:30.360 --> 0:47:35.320
<v Speaker 1>Ghost is. We do we big ghosts? Bro? Yeah, we

0:47:35.360 --> 0:47:37.120
<v Speaker 1>gotta get we gotta get hit on the fun. He's

0:47:37.200 --> 0:47:39.920
<v Speaker 1>just a mystery at this point. And I'm doing like

0:47:40.840 --> 0:47:44.360
<v Speaker 1>I'm doing some some some business with Empire too for

0:47:44.520 --> 0:47:48.239
<v Speaker 1>the next album. So let me ask you this, like,

0:47:49.040 --> 0:47:52.160
<v Speaker 1>would there ever be a point in time not to

0:47:52.239 --> 0:47:55.520
<v Speaker 1>be in the Griselda business? But were you like, obviously

0:47:55.600 --> 0:47:58.640
<v Speaker 1>it's always Griselda, But were you like leave the label

0:47:59.400 --> 0:48:01.480
<v Speaker 1>as far as like tractually or do you kind of

0:48:01.480 --> 0:48:07.279
<v Speaker 1>feel like you're always kind of be I'm contractually done now,

0:48:08.360 --> 0:48:14.960
<v Speaker 1>So any music moving forward is going to be drum work. Yeah, yeah,

0:48:15.120 --> 0:48:19.680
<v Speaker 1>drum work I mean as of right now. Yeah, like

0:48:19.920 --> 0:48:23.080
<v Speaker 1>sitting right here right now, like I'm not on a

0:48:23.560 --> 0:48:27.600
<v Speaker 1>contract with Griselda Shady none of that ship no more.

0:48:28.680 --> 0:48:30.680
<v Speaker 1>I mean ship. Is this the first time in your

0:48:30.719 --> 0:48:33.920
<v Speaker 1>career that it's free agency right now? You heard with

0:48:34.080 --> 0:48:36.880
<v Speaker 1>that being said, and we all need that man, I

0:48:36.920 --> 0:48:41.560
<v Speaker 1>need that super Max, Man, I need the yan Yana's bag. Yeah,

0:48:41.560 --> 0:48:43.400
<v Speaker 1>and even if that doesn't happen, it's still you know,

0:48:43.480 --> 0:48:45.759
<v Speaker 1>Griselda is still family. Gun is still family. Of course.

0:48:46.000 --> 0:48:48.160
<v Speaker 1>That's that's for life. You know what I'm saying, man

0:48:48.400 --> 0:48:50.080
<v Speaker 1>and me and Broke. You know what I'm saying, I

0:48:50.160 --> 0:48:52.759
<v Speaker 1>put that ship on my back, man, West took that

0:48:53.000 --> 0:48:55.520
<v Speaker 1>we've been No. I mean, the the analogy you had

0:48:55.600 --> 0:48:59.879
<v Speaker 1>about doing the construction and all that is very uh yeah,

0:49:00.080 --> 0:49:05.680
<v Speaker 1>that's some real ship. Are you guys trying to you know,

0:49:05.800 --> 0:49:08.120
<v Speaker 1>do the you know, do the extension or you just

0:49:08.239 --> 0:49:10.960
<v Speaker 1>kind of we haven't really talked about that. Who knows,

0:49:11.120 --> 0:49:14.719
<v Speaker 1>Like I'm sure you know what I mean. That's yeah,

0:49:15.160 --> 0:49:17.640
<v Speaker 1>all of our intentions, you know what I'm saying in

0:49:17.719 --> 0:49:20.439
<v Speaker 1>the perfect worldly minds, like you know what I'm saying.

0:49:21.400 --> 0:49:24.520
<v Speaker 1>I'm just saying that's right now, like it's the end,

0:49:24.680 --> 0:49:28.520
<v Speaker 1>Like you know, the paperwork I signed was it's been fulfilled.

0:49:28.680 --> 0:49:31.960
<v Speaker 1>It's been fulfilled as well as with it was all

0:49:32.080 --> 0:49:37.360
<v Speaker 1>in together like my Shady paperwork and Griselda paperwork. Everything

0:49:37.400 --> 0:49:40.520
<v Speaker 1>has been forfilled and it's been fulfilled. And now it's

0:49:40.600 --> 0:49:43.240
<v Speaker 1>time to sit back at the round table and figure

0:49:43.280 --> 0:49:46.200
<v Speaker 1>out the future. What it got in store for me?

0:49:46.520 --> 0:49:48.600
<v Speaker 1>And you know or just get or you know. Ghazi

0:49:48.640 --> 0:49:50.960
<v Speaker 1>will just give you that that drum work situation at

0:49:51.000 --> 0:49:55.640
<v Speaker 1>Empire and then and now you are, you got your

0:49:55.719 --> 0:49:59.360
<v Speaker 1>own man, you got just take the flight to San Francisco.

0:49:59.480 --> 0:50:02.080
<v Speaker 1>Figured it out, Ghazi and Nima and hey man, old

0:50:02.120 --> 0:50:04.040
<v Speaker 1>Ghazi gonna take good care of you. I want to

0:50:04.040 --> 0:50:07.879
<v Speaker 1>think about Old Ghazi one hundred per one hundred percent. Damn,

0:50:08.000 --> 0:50:09.880
<v Speaker 1>how much of the Alchemist project do you have finished?

0:50:10.600 --> 0:50:13.480
<v Speaker 1>We don't even start yet, you haven't. But it's in

0:50:13.520 --> 0:50:16.480
<v Speaker 1>the plan to do the sequel. Yeah, he on tour

0:50:17.040 --> 0:50:19.719
<v Speaker 1>right now now, I'm doing this ship, so he ain't

0:50:19.760 --> 0:50:22.640
<v Speaker 1>really had time for us to sit down together and

0:50:22.760 --> 0:50:25.879
<v Speaker 1>like calling through some beats or like family center batch

0:50:26.000 --> 0:50:30.480
<v Speaker 1>or shit or whatever. But it's definitely coming. Lulu too,

0:50:30.560 --> 0:50:32.319
<v Speaker 1>I don't know who my name that ship, Lulu too.

0:50:32.760 --> 0:50:34.319
<v Speaker 1>I think you give you a new name. I think

0:50:34.320 --> 0:50:36.759
<v Speaker 1>you have a new name, you know, I think I

0:50:36.840 --> 0:50:39.719
<v Speaker 1>still got more at that story of paint okay, but

0:50:40.560 --> 0:50:43.759
<v Speaker 1>who knows. It's not been named yet, and you know

0:50:43.800 --> 0:50:47.719
<v Speaker 1>what I'm saying, but it's definitely happening and coming out

0:50:47.760 --> 0:50:51.040
<v Speaker 1>in the very near future this year, like very very

0:50:51.760 --> 0:50:55.239
<v Speaker 1>So that's the next shit I'm working on. And then

0:50:55.280 --> 0:50:57.719
<v Speaker 1>hopefully we figure out what this Beanie Seagull mystery shit

0:50:57.840 --> 0:50:59.600
<v Speaker 1>is that you just that you just laid on us.

0:51:00.640 --> 0:51:04.439
<v Speaker 1>I mean, you know, listen, many just signing to trying

0:51:04.480 --> 0:51:09.640
<v Speaker 1>to think about for the for the people watching speculate, Hey,

0:51:09.760 --> 0:51:13.239
<v Speaker 1>if uh someone who's not affiliated with you currently, right,

0:51:13.640 --> 0:51:17.160
<v Speaker 1>taking out the Griselda roster, the drumwork roster, who would

0:51:17.160 --> 0:51:20.000
<v Speaker 1>be an artist if you could pick, and and let's

0:51:20.040 --> 0:51:22.800
<v Speaker 1>even take out like jay Z and Nas and Lil Wayne,

0:51:22.920 --> 0:51:26.719
<v Speaker 1>all these obvious answers, who's an artist that you could

0:51:26.880 --> 0:51:28.439
<v Speaker 1>that you if you could pick, to do a whole

0:51:28.520 --> 0:51:30.960
<v Speaker 1>album with. You know what I'm saying, that you think

0:51:31.000 --> 0:51:33.040
<v Speaker 1>could just hang with you with the bars that you

0:51:33.120 --> 0:51:39.080
<v Speaker 1>think would just be dope like semi mainstream, you know,

0:51:39.160 --> 0:51:40.880
<v Speaker 1>but like obviously you could be like I want to

0:51:40.880 --> 0:51:42.520
<v Speaker 1>do an album with Drake or jay Z And that's

0:51:42.560 --> 0:51:44.320
<v Speaker 1>like low hanging fruit, Like, give me, give me a

0:51:44.440 --> 0:51:47.239
<v Speaker 1>name signed out to the fire? Who? Like who I

0:51:47.280 --> 0:51:49.359
<v Speaker 1>would love to just who you think would be hard?

0:51:49.719 --> 0:51:53.080
<v Speaker 1>Who you think the fans would appreciate too? That's a

0:51:53.160 --> 0:52:01.520
<v Speaker 1>great question. Uh why? Oh that's a great question, man,

0:52:07.800 --> 0:52:12.360
<v Speaker 1>That's a great fucking question. Man. I don't know. I

0:52:12.440 --> 0:52:14.560
<v Speaker 1>really don't know who I can think you know what

0:52:14.600 --> 0:52:19.160
<v Speaker 1>I'm saying, Like, probably like who would I want to

0:52:19.239 --> 0:52:25.920
<v Speaker 1>do take with? Like that'll be crazy, man, I have

0:52:26.120 --> 0:52:31.960
<v Speaker 1>no idea, bro, something that might be random. Maybe Russ

0:52:34.040 --> 0:52:40.400
<v Speaker 1>Kiss or Styles would be hard. Yeah, low key Lemonade

0:52:40.520 --> 0:52:44.000
<v Speaker 1>was such a moment. You a method man, A little

0:52:44.000 --> 0:52:47.319
<v Speaker 1>six piece with meth might be crazy. That will be insane.

0:52:49.000 --> 0:52:55.880
<v Speaker 1>And me and Russ me in locks? Yeah, probably probably

0:52:56.000 --> 0:52:59.960
<v Speaker 1>mean math. How about this you and Mazi a fuck?

0:53:00.920 --> 0:53:02.960
<v Speaker 1>That would be crazy? I feel like on the just

0:53:03.040 --> 0:53:06.280
<v Speaker 1>on talking about the pain and the relatability and the bars.

0:53:07.120 --> 0:53:11.720
<v Speaker 1>Mazi is him on this side. And congrats to Mazi

0:53:11.760 --> 0:53:15.960
<v Speaker 1>who just signed with CMG. Yeah that's fire. I saw

0:53:16.080 --> 0:53:18.239
<v Speaker 1>that he got a nice situation too, so shout out

0:53:18.239 --> 0:53:22.759
<v Speaker 1>to MASI sweet situation. All right, So this album, man,

0:53:22.920 --> 0:53:25.719
<v Speaker 1>it's out bubble for ship. This probably will come out

0:53:25.800 --> 0:53:27.959
<v Speaker 1>right before the album drops. Albums out the twenty fifth,

0:53:28.480 --> 0:53:33.240
<v Speaker 1>the twenty fifth, twenty fifth, make mistakes. How much input

0:53:33.320 --> 0:53:38.359
<v Speaker 1>did M have on this project? If any? No? None?

0:53:38.719 --> 0:53:40.800
<v Speaker 1>You just sending the album. This is it him and

0:53:41.160 --> 0:53:43.640
<v Speaker 1>you know what about feedback? Wise did he get does

0:53:43.680 --> 0:53:47.839
<v Speaker 1>he give your feedback? Yeah? But it was I'm gonna

0:53:47.920 --> 0:53:51.040
<v Speaker 1>keep it on it. I Uh. I went to Detroit

0:53:52.000 --> 0:53:54.759
<v Speaker 1>and it was in you know, in the studio and

0:53:55.120 --> 0:53:59.680
<v Speaker 1>Paul Royce and blame them the album front and back

0:54:00.040 --> 0:54:02.680
<v Speaker 1>and he fucked with every record. I was like, this shit,

0:54:02.840 --> 0:54:06.600
<v Speaker 1>this is ready to go. And that's when like he

0:54:07.080 --> 0:54:11.200
<v Speaker 1>he jumped on a bang and fifty got on the

0:54:11.320 --> 0:54:14.920
<v Speaker 1>city on the map joint like that. Even though we

0:54:15.080 --> 0:54:18.319
<v Speaker 1>lost those records, but that's what I'm saying. I played

0:54:18.400 --> 0:54:21.440
<v Speaker 1>them in the tape. It was like I didn't have

0:54:21.920 --> 0:54:24.239
<v Speaker 1>it wasn't that was the critique, Like, Yo, this ship

0:54:24.360 --> 0:54:28.840
<v Speaker 1>is fucking amazing, this is ready, this is ready. Do

0:54:29.000 --> 0:54:33.520
<v Speaker 1>you even like have anyone who's critique you like or

0:54:33.880 --> 0:54:36.279
<v Speaker 1>like like who even has the power to tell you like, yeah,

0:54:36.360 --> 0:54:38.160
<v Speaker 1>this one ain't in take it off like or you

0:54:38.239 --> 0:54:40.600
<v Speaker 1>give you give a fuck? Like if whether it's gone

0:54:40.680 --> 0:54:44.279
<v Speaker 1>or Am or somebody everybody. If I respect them and

0:54:44.360 --> 0:54:46.800
<v Speaker 1>they like a pair of my craft, you know what

0:54:46.840 --> 0:54:49.279
<v Speaker 1>I'm saying. They give you input you're open to up right.

0:54:49.719 --> 0:54:52.680
<v Speaker 1>You know, if I'm a pilot and I fly planes

0:54:52.760 --> 0:54:56.000
<v Speaker 1>for a living, like somebody that just took a flight

0:54:56.120 --> 0:54:58.640
<v Speaker 1>here and there can't tell me how I should have

0:54:58.760 --> 0:55:01.239
<v Speaker 1>landed the flight, you know what I'm saying. But like

0:55:02.360 --> 0:55:05.480
<v Speaker 1>it's another pilot that flies to and been flying longer

0:55:05.560 --> 0:55:08.920
<v Speaker 1>than me or whatever, like I take I ain't one

0:55:08.960 --> 0:55:11.480
<v Speaker 1>of those type of dudes. I'm opening criticism, you know

0:55:11.480 --> 0:55:14.239
<v Speaker 1>what I'm saying, likes to be like, yeah, no, I

0:55:14.320 --> 0:55:17.160
<v Speaker 1>think you could have said that last line a little harder,

0:55:17.840 --> 0:55:20.480
<v Speaker 1>little little iller that you could have ended that better.

0:55:20.640 --> 0:55:24.240
<v Speaker 1>I could have You know, we we've done that. And Benny,

0:55:24.280 --> 0:55:27.759
<v Speaker 1>when we cook and stuff together, you know, maybe tell

0:55:27.800 --> 0:55:30.320
<v Speaker 1>each other like, nah, bro, say that little say that

0:55:30.480 --> 0:55:33.000
<v Speaker 1>last part a little better. You know what I'm saying,

0:55:33.080 --> 0:55:36.279
<v Speaker 1>Oh why are you talking about that last line? I

0:55:36.400 --> 0:55:40.520
<v Speaker 1>got you? You know what I'm saying, was that West?

0:55:40.719 --> 0:55:43.719
<v Speaker 1>Tell me? Like tell me you know what I'm saying.

0:55:44.400 --> 0:55:46.960
<v Speaker 1>You know that versus a Just just see I love

0:55:47.040 --> 0:55:52.279
<v Speaker 1>this impersonation oh you go a little crazier. Hey, were

0:55:52.320 --> 0:55:55.200
<v Speaker 1>you at the Chiefs game? Which one? The one? I

0:55:55.280 --> 0:55:58.239
<v Speaker 1>mean the one? No, I didn't go to that one,

0:55:58.400 --> 0:56:00.719
<v Speaker 1>you know what. I was saving my energy for the

0:56:00.800 --> 0:56:05.120
<v Speaker 1>super Bowl. I ain't going to that because the Bengals

0:56:05.160 --> 0:56:08.480
<v Speaker 1>had already handled their business. So I knew once we

0:56:08.640 --> 0:56:11.400
<v Speaker 1>beat the Chiefs, we had us another home game and

0:56:11.480 --> 0:56:14.080
<v Speaker 1>the playoff super Bowl and then the super Bowl. So

0:56:14.160 --> 0:56:16.520
<v Speaker 1>I'm like, I will go to that game. Yeah when

0:56:16.560 --> 0:56:19.239
<v Speaker 1>that confetti fall, so I can, you know, get on

0:56:19.320 --> 0:56:22.319
<v Speaker 1>the parade flow like Kevin Hart and all that shit.

0:56:22.840 --> 0:56:26.680
<v Speaker 1>You feel what? Unfortunately, you know what I'm saying. How

0:56:26.880 --> 0:56:29.760
<v Speaker 1>was you know? I can't imagine the emotional roller coaster

0:56:29.960 --> 0:56:32.120
<v Speaker 1>that that game was to be a Bills fan because

0:56:32.160 --> 0:56:35.400
<v Speaker 1>that ship as a as just a football fan, I

0:56:35.600 --> 0:56:38.319
<v Speaker 1>was on the that was probably the best game I've

0:56:38.360 --> 0:56:41.840
<v Speaker 1>ever watched, ever watched, Like I think Texas versus USC

0:56:42.040 --> 0:56:44.480
<v Speaker 1>when it was Vince Young and Matt Lioner was one

0:56:44.520 --> 0:56:46.399
<v Speaker 1>of them. You know what I'm saying. But NFL wise,

0:56:46.440 --> 0:56:50.879
<v Speaker 1>I can't think of a better game game man, perfect quarterbacks,

0:56:51.239 --> 0:56:57.279
<v Speaker 1>perfect ratings. Both had perfect games like for Patrick two

0:56:57.320 --> 0:57:01.400
<v Speaker 1>weeks to row perfect games, but job man, was I mean,

0:57:01.440 --> 0:57:03.839
<v Speaker 1>if not Patrick for Josh, for Josh, yeah for sure,

0:57:04.560 --> 0:57:08.680
<v Speaker 1>But for me personally, that kind of stung worse than

0:57:08.880 --> 0:57:13.000
<v Speaker 1>I was losing them Super Bowls man. Yeah, because you

0:57:13.080 --> 0:57:15.440
<v Speaker 1>were probably a lot younger at the time. I was guted.

0:57:15.560 --> 0:57:18.919
<v Speaker 1>I ain't gonna lie like you know, you know, watch

0:57:19.000 --> 0:57:22.680
<v Speaker 1>Josh March just down there score a two point version

0:57:23.520 --> 0:57:27.240
<v Speaker 1>thirty nine, thirty six. We you know, thirteen seconds left.

0:57:28.480 --> 0:57:31.200
<v Speaker 1>The coach and Josh they hugging, and it's just I'm

0:57:31.520 --> 0:57:34.400
<v Speaker 1>in my house. I remember what like me and everybody

0:57:34.480 --> 0:57:38.040
<v Speaker 1>in my house just running back and forth, going crazy

0:57:39.680 --> 0:57:42.440
<v Speaker 1>and too much time. I know it was. I know

0:57:43.240 --> 0:57:46.720
<v Speaker 1>we was in trouble. When they kicked the touchback and

0:57:46.840 --> 0:57:48.880
<v Speaker 1>they didn't just like let some of the less some

0:57:48.960 --> 0:57:52.200
<v Speaker 1>of the clock. I'm like, do the squire kick right,

0:57:52.400 --> 0:57:54.760
<v Speaker 1>I'm like, you take three four seconds off that clock.

0:57:54.800 --> 0:57:59.560
<v Speaker 1>It matters easily. So I'm like, wait a minute. And

0:57:59.640 --> 0:58:02.640
<v Speaker 1>then saw the defense like the whole middle of the

0:58:02.720 --> 0:58:05.240
<v Speaker 1>field and they got time out was left. I'm like,

0:58:06.280 --> 0:58:12.520
<v Speaker 1>scratch whitehead and that first first down I'm like, this

0:58:12.600 --> 0:58:16.720
<v Speaker 1>shit ain't over. And at least y'all got Josh Allen

0:58:16.760 --> 0:58:18.360
<v Speaker 1>for the rest of the fucking for the rest of

0:58:18.400 --> 0:58:22.160
<v Speaker 1>his career. He ain't going nowhere. Yeah, man, y'all got one. Yeah,

0:58:22.200 --> 0:58:25.240
<v Speaker 1>we got one. Man. I think Josh guy has to

0:58:25.360 --> 0:58:28.680
<v Speaker 1>be of course, outside of like the Brady's and the Errands,

0:58:29.600 --> 0:58:32.280
<v Speaker 1>I think I will take Josh Allen before any of

0:58:32.360 --> 0:58:36.080
<v Speaker 1>them niggas. I might agree with you. Give me Josh

0:58:36.160 --> 0:58:37.920
<v Speaker 1>Allen because you know what you got. You got the

0:58:38.040 --> 0:58:41.600
<v Speaker 1>threat of that run. Yeah, you got the heart. He's like,

0:58:41.680 --> 0:58:44.000
<v Speaker 1>who I wish Kyler Murray? Like, he's like who I

0:58:44.040 --> 0:58:47.439
<v Speaker 1>think Kyler Murray actually is? But Josh Allen is really him? Yeah?

0:58:47.920 --> 0:58:50.720
<v Speaker 1>Is Kyler Murray's five feet to Jackson? I love you

0:58:50.800 --> 0:58:55.400
<v Speaker 1>know what I'm saying. Patrick Mahomes, I love Burrow, Patrick Mahomes.

0:58:55.480 --> 0:58:57.600
<v Speaker 1>Fucking family annoys me. I can't deal with what's the

0:58:57.640 --> 0:59:02.280
<v Speaker 1>homie hout here? Stafford. Herbert's a beast. I love Herbert

0:59:05.360 --> 0:59:07.880
<v Speaker 1>and it's my time to pick. And I know what

0:59:08.000 --> 0:59:11.440
<v Speaker 1>I know why watching the why what I've seen so

0:59:11.640 --> 0:59:17.440
<v Speaker 1>far in their careers. Me, Josh, that's five to sixty

0:59:17.600 --> 0:59:20.200
<v Speaker 1>two seventy whatever it is, running and throwing like the

0:59:20.360 --> 0:59:24.840
<v Speaker 1>rocket iron with that heart and that dog getting like that.

0:59:26.680 --> 0:59:29.040
<v Speaker 1>Give me that one that's some real shit. Hey, you're

0:59:29.600 --> 0:59:32.360
<v Speaker 1>I think why people love you so much, man, is

0:59:32.400 --> 0:59:37.920
<v Speaker 1>because you are extremely transparent, You're extremely honest, You're extremely

0:59:38.040 --> 0:59:42.560
<v Speaker 1>vulnerable when you rap and when it comes to just

0:59:42.720 --> 0:59:45.960
<v Speaker 1>like everyday ship that everyone deals with that most rappers

0:59:46.000 --> 0:59:47.840
<v Speaker 1>are too cool to even talk about, whether it's being

0:59:47.880 --> 0:59:50.600
<v Speaker 1>depressed sometimes, whether it's being down at just down and out,

0:59:50.640 --> 0:59:52.480
<v Speaker 1>you know what I mean. That ship is something that

0:59:52.600 --> 0:59:55.560
<v Speaker 1>I think the big reason why a lot of people

0:59:55.640 --> 0:59:59.000
<v Speaker 1>relate to your ship for people who are going through

0:59:59.080 --> 1:00:02.040
<v Speaker 1>some shiit because it happens normal people. A lot of

1:00:02.080 --> 1:00:04.800
<v Speaker 1>your fans go through shit, man, Like when you're in

1:00:04.880 --> 1:00:07.360
<v Speaker 1>those spaces mentally, Like, what is some advice you could

1:00:07.400 --> 1:00:09.320
<v Speaker 1>give to people to try to get through it, man?

1:00:09.360 --> 1:00:11.960
<v Speaker 1>Because I know you've been in some dark places. Uh,

1:00:13.800 --> 1:00:16.160
<v Speaker 1>you know, talk to somebody, you know what I'm saying, Like,

1:00:16.480 --> 1:00:20.840
<v Speaker 1>you know, it's just it's it's better to talk to somebody,

1:00:20.920 --> 1:00:23.040
<v Speaker 1>you know what I'm saying. I was one of the

1:00:23.160 --> 1:00:25.040
<v Speaker 1>type of people that kind of like just keep ship

1:00:25.120 --> 1:00:28.440
<v Speaker 1>bottled in kind of you know, compartmentalize and keep that

1:00:28.560 --> 1:00:31.960
<v Speaker 1>ship like I'm good. You know what I'm saying. Yo,

1:00:32.000 --> 1:00:34.520
<v Speaker 1>Shit's good, bro, You good like yeah, I'm good. You

1:00:34.560 --> 1:00:38.000
<v Speaker 1>know what I'm saying. It's like it's better to just

1:00:38.120 --> 1:00:40.760
<v Speaker 1>have you somebody that you you fuck with, whether it's

1:00:40.800 --> 1:00:44.160
<v Speaker 1>like your girl or your your you know, your mom,

1:00:44.280 --> 1:00:48.080
<v Speaker 1>or your uncle, one of your homeboys, or somebody that

1:00:48.360 --> 1:00:52.000
<v Speaker 1>you know you trust, you trust that you know that

1:00:52.360 --> 1:00:55.800
<v Speaker 1>give a fuck about you unconditionally. Like you know what

1:00:55.840 --> 1:00:57.760
<v Speaker 1>I'm saying, I got love for you, regardless of what

1:00:57.840 --> 1:01:00.560
<v Speaker 1>you're going through. I'm gonna be here to support whatever decision.

1:01:01.240 --> 1:01:03.120
<v Speaker 1>And you know, as long as it ain't like bad

1:01:03.200 --> 1:01:05.520
<v Speaker 1>yo's negative ship, but like I'm here for you. You

1:01:06.680 --> 1:01:09.240
<v Speaker 1>got that. You know, we all got that one person

1:01:09.360 --> 1:01:12.160
<v Speaker 1>that you know, we always can get count on to

1:01:12.240 --> 1:01:15.280
<v Speaker 1>give us the ear and we feel like, you know,

1:01:15.960 --> 1:01:19.480
<v Speaker 1>talk to that person, hit that person up and just talk.

1:01:19.880 --> 1:01:23.200
<v Speaker 1>You know what I'm saying. Like I felt so much

1:01:23.400 --> 1:01:28.360
<v Speaker 1>relief when I talk to somebody for some reason, and

1:01:28.600 --> 1:01:30.880
<v Speaker 1>my whole life I was just was the total opposite.

1:01:31.000 --> 1:01:34.920
<v Speaker 1>Like I don't I bottle up, I don't talk. I

1:01:35.160 --> 1:01:39.400
<v Speaker 1>just like and then just like it's festers good. It's

1:01:39.520 --> 1:01:41.560
<v Speaker 1>like that ain't good you start dealing with it in

1:01:41.920 --> 1:01:44.200
<v Speaker 1>bad ways, you know what I'm saying. So like now

1:01:44.320 --> 1:01:46.080
<v Speaker 1>I have people. You know what I'm saying. I have

1:01:46.320 --> 1:01:49.680
<v Speaker 1>people like that I could, you know, just like even today,

1:01:50.000 --> 1:01:51.520
<v Speaker 1>you know what I'm saying. I'm gonna give you example,

1:01:51.560 --> 1:01:53.800
<v Speaker 1>like I'm gonna keep it a buck. Like I was

1:01:53.920 --> 1:01:56.800
<v Speaker 1>kind of like frustrated and shit about some ship that

1:01:56.960 --> 1:02:01.240
<v Speaker 1>kind of fucked with me, me out my zone, like

1:02:01.480 --> 1:02:03.960
<v Speaker 1>you know, me out my good energy, my good space,

1:02:04.920 --> 1:02:07.640
<v Speaker 1>and I'm like, fuck everything, I ain't doing metafit IMB,

1:02:07.920 --> 1:02:10.720
<v Speaker 1>I booked my flight. I'm going home. I ain't doing

1:02:10.800 --> 1:02:13.000
<v Speaker 1>none of the interviews, none of that ship is over.

1:02:13.280 --> 1:02:15.840
<v Speaker 1>Fuck that, you know. I just gotta tell you know

1:02:16.040 --> 1:02:19.080
<v Speaker 1>my old I just caught myself and I just like

1:02:19.960 --> 1:02:22.440
<v Speaker 1>wrote me up one and I called that person who

1:02:22.520 --> 1:02:25.240
<v Speaker 1>I was just talking about that you gotta have. I

1:02:25.360 --> 1:02:29.520
<v Speaker 1>called that person who's that for me and just talk

1:02:29.600 --> 1:02:33.040
<v Speaker 1>to them about like she gotta be mad as hell.

1:02:33.160 --> 1:02:37.680
<v Speaker 1>Oh man, I'm tired of like, no, you need you

1:02:37.760 --> 1:02:39.640
<v Speaker 1>know what I'm saying, and you go from there. You

1:02:39.720 --> 1:02:43.080
<v Speaker 1>don't have to just do what you know, you make

1:02:43.120 --> 1:02:46.439
<v Speaker 1>your own decision. At least you have someone that I'm

1:02:46.520 --> 1:02:49.120
<v Speaker 1>just gonna give you what I think. Now you listen

1:02:49.480 --> 1:02:52.000
<v Speaker 1>or you do it or whatever. That's on you, but

1:02:52.400 --> 1:02:55.960
<v Speaker 1>I don't think you should do that. That's not good,

1:02:56.080 --> 1:02:58.120
<v Speaker 1>like important to have that person out when you're doing

1:02:58.240 --> 1:03:01.400
<v Speaker 1>all this and that, like you say yourself back. You

1:03:01.480 --> 1:03:03.960
<v Speaker 1>know what I'm saying. That's important. You know, me and

1:03:04.000 --> 1:03:07.960
<v Speaker 1>you are both degenerous sports gamblers. Sports gambling is so

1:03:08.080 --> 1:03:12.400
<v Speaker 1>much fun. I love it, but I also hated I

1:03:12.560 --> 1:03:16.600
<v Speaker 1>hate it, but I love it. You've posted some amazing tickets.

1:03:17.000 --> 1:03:19.240
<v Speaker 1>You've had some fucking hints, especially when you started. You

1:03:19.280 --> 1:03:21.520
<v Speaker 1>were hitting some of those alternate lines where you were

1:03:21.880 --> 1:03:24.360
<v Speaker 1>between thirteen and sevente eight shit like that. You was

1:03:24.400 --> 1:03:28.000
<v Speaker 1>on a run. But we don't see the losses. I

1:03:28.160 --> 1:03:31.240
<v Speaker 1>had a really bad year last year. Bounce back, finally,

1:03:32.520 --> 1:03:34.960
<v Speaker 1>take me through the worst time as a sports gambler

1:03:35.000 --> 1:03:37.000
<v Speaker 1>you've been through, like just whether it was just because

1:03:37.040 --> 1:03:40.240
<v Speaker 1>when you take a big loss, there is no feeling

1:03:40.480 --> 1:03:44.240
<v Speaker 1>like that in the world. It sucks. Yes, I ain't

1:03:44.240 --> 1:03:46.760
<v Speaker 1>gonna like. The only thing that's worse than if I

1:03:46.920 --> 1:03:53.320
<v Speaker 1>like that big and I lose is if like, for example, recently,

1:03:53.440 --> 1:03:56.080
<v Speaker 1>this shit happened, I lost literally by like a half

1:03:56.120 --> 1:04:01.120
<v Speaker 1>a point, Like that's the worst, Like was it to parlay? Yeah,

1:04:02.640 --> 1:04:08.120
<v Speaker 1>Like it was like a six, pick, parlay everything, and

1:04:08.160 --> 1:04:12.280
<v Speaker 1>I would have won like double digit thousands of dollars.

1:04:13.480 --> 1:04:17.000
<v Speaker 1>And fucking for me, it was Mike White from the

1:04:17.120 --> 1:04:20.440
<v Speaker 1>fucking chest. It was uh, it was that fucked me

1:04:20.440 --> 1:04:25.320
<v Speaker 1>into But it was the Bucks. I had Giannis playing

1:04:25.440 --> 1:04:28.960
<v Speaker 1>special forty four and a half. He had forty four

1:04:29.160 --> 1:04:31.280
<v Speaker 1>in the third quarter. It was that rebounds and points

1:04:31.400 --> 1:04:34.600
<v Speaker 1>was winning by thirty, right and it was winning by thirty.

1:04:34.720 --> 1:04:36.920
<v Speaker 1>So he took him and played the old four. Just

1:04:37.040 --> 1:04:40.479
<v Speaker 1>needed a alf a fucking one, get a rebound, get something.

1:04:40.720 --> 1:04:44.960
<v Speaker 1>I was I was like, yo, that's the worst. You're like, yo,

1:04:45.000 --> 1:04:46.640
<v Speaker 1>Hopefully this team goes on a run. And they got

1:04:46.720 --> 1:04:49.120
<v Speaker 1>to put him back in. I've been there, I've been there.

1:04:49.240 --> 1:04:51.880
<v Speaker 1>I had, uh the Bills go to the super Bowl.

1:04:51.920 --> 1:04:53.800
<v Speaker 1>I put a ticket in eight grand would have played

1:04:53.840 --> 1:04:56.680
<v Speaker 1>me seventy two thousand. I did it at the beginning

1:04:56.720 --> 1:04:59.040
<v Speaker 1>of the season, and that was close because if y'all

1:04:59.040 --> 1:05:01.120
<v Speaker 1>would have got through that game, no way. The Bengals

1:05:01.160 --> 1:05:06.080
<v Speaker 1>are survival. Man, what will look like kittens? If someone

1:05:06.160 --> 1:05:08.360
<v Speaker 1>had to give you, let's say you had to put

1:05:09.000 --> 1:05:11.240
<v Speaker 1>you had to throw ten grand down on a future

1:05:11.280 --> 1:05:15.520
<v Speaker 1>for the NBA Championship, Who's making the finals right now,

1:05:15.840 --> 1:05:23.880
<v Speaker 1>right now, I'm gonna say, I gotta give it to Ukta.

1:05:23.920 --> 1:05:27.600
<v Speaker 1>I gotta say Phoenix. I want to say Golden State.

1:05:27.720 --> 1:05:33.680
<v Speaker 1>Man they not. I haven't seen finals yet, but you know,

1:05:34.040 --> 1:05:37.320
<v Speaker 1>motherfuckers could get warm every That's my mom. I think,

1:05:37.440 --> 1:05:39.560
<v Speaker 1>I think. I think Clay is not the same guy

1:05:40.040 --> 1:05:43.280
<v Speaker 1>defensively anymore, which I think is a problem. I think

1:05:43.320 --> 1:05:45.760
<v Speaker 1>that's the problem is defensively Clay is not who he

1:05:45.920 --> 1:05:48.880
<v Speaker 1>was three years ago. So who's gonna guard Devin Booker

1:05:48.880 --> 1:05:51.200
<v Speaker 1>and Chris Paul in the Western Conference finals. It's not

1:05:51.240 --> 1:05:54.520
<v Speaker 1>gonna be Clay and Steph Wiggans know they're gonna throw

1:05:54.560 --> 1:05:56.600
<v Speaker 1>Gary Payton in there. You know what I'm saying. But yeah,

1:05:56.920 --> 1:05:58.600
<v Speaker 1>then you got Then you leave mckil bridges open in

1:05:58.640 --> 1:06:02.680
<v Speaker 1>the corner. Jay Crowder, gam Johnson, thank you all right?

1:06:03.080 --> 1:06:06.480
<v Speaker 1>What about the East? What about the East? So you

1:06:06.640 --> 1:06:10.280
<v Speaker 1>like the trade? I love the trade. I think Brooklyn

1:06:10.600 --> 1:06:12.680
<v Speaker 1>should fuck around and try to get the seven seed

1:06:12.800 --> 1:06:16.000
<v Speaker 1>or eight seed so they have more games Kyrie can

1:06:16.080 --> 1:06:18.240
<v Speaker 1>play in in the playoffs, because if they got home

1:06:18.320 --> 1:06:24.120
<v Speaker 1>court advantage, he can only play in a certain he

1:06:24.200 --> 1:06:25.840
<v Speaker 1>can only play in three of the games. If it's

1:06:25.840 --> 1:06:27.840
<v Speaker 1>a seven game series because if they play at home,

1:06:27.920 --> 1:06:31.960
<v Speaker 1>he can't play. You'd almost rather go play away the

1:06:32.040 --> 1:06:35.640
<v Speaker 1>whole fucking playoffs, so Kyrie can play. As long as

1:06:35.680 --> 1:06:40.400
<v Speaker 1>we got old number seven. Man, Katie's a killer. We fine.

1:06:41.160 --> 1:06:42.840
<v Speaker 1>Did you see the Did you see the draft with

1:06:42.920 --> 1:06:49.440
<v Speaker 1>him and Lebron? The All Star drafts? Broy Lebron Purposely,

1:06:49.600 --> 1:06:51.920
<v Speaker 1>they purposely left hard and out there this is the

1:06:52.080 --> 1:06:56.480
<v Speaker 1>day of the trade. Purposely did no one took heart

1:06:56.520 --> 1:06:59.360
<v Speaker 1>at And Charles Barkley and Shack are roasting the ship

1:06:59.440 --> 1:07:02.920
<v Speaker 1>the whole time. Katie's just sitting there with a straight face,

1:07:03.000 --> 1:07:07.080
<v Speaker 1>annoyed as fuck. And it comes down to Rudy Gobert

1:07:07.120 --> 1:07:10.400
<v Speaker 1>and James Harden and Charles Barkley is like, let me

1:07:10.480 --> 1:07:16.360
<v Speaker 1>guess KD. You need some size right now. I gotta

1:07:16.520 --> 1:07:18.800
<v Speaker 1>check that. Yeah, it's crazy. We'll listen to the album. Man,

1:07:18.840 --> 1:07:20.240
<v Speaker 1>go run that ship up. It's gonna be a big

1:07:20.280 --> 1:07:21.680
<v Speaker 1>year for drum More. It's gonna be a big year

1:07:21.760 --> 1:07:27.200
<v Speaker 1>for you looking forward to what everything you got going on? Man,

1:07:28.240 --> 1:07:30.480
<v Speaker 1>do you have I know the weed Ship? Are you

1:07:30.560 --> 1:07:32.800
<v Speaker 1>still doing the weed Ship? Yeah? I'm still sucking a

1:07:32.840 --> 1:07:36.120
<v Speaker 1>little used to got the strain that I mean because

1:07:36.120 --> 1:07:38.600
<v Speaker 1>now the New York ship's legal. So yeah, it's kind

1:07:38.640 --> 1:07:40.320
<v Speaker 1>of you know, I got more in store for that,

1:07:40.640 --> 1:07:42.760
<v Speaker 1>you know what it's saying. I got a lot of

1:07:42.800 --> 1:07:44.880
<v Speaker 1>ship going on for this. What is the next you

1:07:44.960 --> 1:07:49.320
<v Speaker 1>know year? And the merchant is always booming. Yeah, merch

1:07:49.360 --> 1:07:51.560
<v Speaker 1>is going crazy. The merchant is going Do you have

1:07:51.720 --> 1:07:56.360
<v Speaker 1>a special drop coming for the album? Yes? Yeah, I

1:07:56.440 --> 1:07:59.720
<v Speaker 1>got some sneakers on the way. I got sneakers, some

1:08:00.280 --> 1:08:06.160
<v Speaker 1>Air Force ones. We just got ship going on custom

1:08:06.200 --> 1:08:09.200
<v Speaker 1>Air Forces. I got some ship going on. Okay, well

1:08:09.280 --> 1:08:12.800
<v Speaker 1>there it is. Man, the machine, the machine. How many?

1:08:12.920 --> 1:08:14.480
<v Speaker 1>How many times have we done this? We've done this

1:08:14.560 --> 1:08:19.000
<v Speaker 1>a lot. Now you already know. Hey, I will say this.

1:08:19.120 --> 1:08:21.000
<v Speaker 1>I was in Buffalo and I actually got to go.

1:08:21.800 --> 1:08:23.920
<v Speaker 1>We went went to the east side of Buffalo, went

1:08:23.920 --> 1:08:28.000
<v Speaker 1>to the street you grew up on your family's house.

1:08:29.800 --> 1:08:31.920
<v Speaker 1>Across the street was where the house used to be

1:08:32.000 --> 1:08:33.240
<v Speaker 1>that you used to trap out of it. But it

1:08:33.320 --> 1:08:36.679
<v Speaker 1>was an empty field. I think now, man, I would

1:08:36.720 --> 1:08:39.360
<v Speaker 1>just say this, Man, the hospitality showed me out there

1:08:39.479 --> 1:08:43.320
<v Speaker 1>was amazing. And I never I always say this, I've

1:08:43.360 --> 1:08:46.559
<v Speaker 1>never seen I've been there everywhere, right, I've been there Atlanta.

1:08:46.560 --> 1:08:50.400
<v Speaker 1>I've been to Florida, been everywhere. I've never seen somebody

1:08:50.760 --> 1:08:55.479
<v Speaker 1>really run their city like y'all got Buffalo. Wherever we went,

1:08:55.640 --> 1:09:00.400
<v Speaker 1>we saw the hoodies, the hats, the chains, the bill boards,

1:09:01.680 --> 1:09:04.920
<v Speaker 1>like everywhere everywhere you look, it's you ben your gun

1:09:05.280 --> 1:09:09.080
<v Speaker 1>in some capacity, and it's truly like a wild thing. Man.

1:09:09.120 --> 1:09:12.080
<v Speaker 1>And anybody who's never been to Buffalo, Yo, go chet

1:09:12.240 --> 1:09:15.400
<v Speaker 1>just go check, go check, go tap boff. Just don't

1:09:15.400 --> 1:09:17.040
<v Speaker 1>go to the New Era store thinking it's gonna be

1:09:17.040 --> 1:09:20.200
<v Speaker 1>some heat because that ship was weak. I thank god.

1:09:20.640 --> 1:09:23.280
<v Speaker 1>We were so excited when we found out New Era

1:09:23.479 --> 1:09:26.080
<v Speaker 1>started in Buffalo and our hotel was across the street

1:09:26.160 --> 1:09:28.840
<v Speaker 1>from the store. We walked in that bitch like we

1:09:28.920 --> 1:09:32.320
<v Speaker 1>about to come up on some heat. It was not

1:09:32.439 --> 1:09:35.280
<v Speaker 1>it anyway. Conway, the machine boom