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Speaker 1: Bulet Cash Show, special guests in here, multiple time guests.

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Speaker 1: My guy, this is the drum Work Podcast, essentially, Conway,

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Speaker 1: the machine is here. It was good. Welcome, welcome, man, God,

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Speaker 1: don't make mistakes. You played me this album a year

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Speaker 1: and a half ago, August twenty twenty. That's crazy to

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Speaker 1: think about that. And a lot of the album is

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Speaker 1: pretty much kind of what you played me. Obviously, there

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Speaker 1: was some surprise features you got. I mean, we'll just

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Speaker 1: got Beanie Siegull on the fucking project, which I don't

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Speaker 1: think I remember hearing the first time you played it. Man,

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Speaker 1: this is the Shady Records. This is your Shady Records commitment.

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Speaker 1: You owe them one album. It's finally coming. How you

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Speaker 1: feeling He's your debut. Let's be honest, but it's your

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Speaker 1: Shady Records debut. Shady Records Interscope, my first album, I

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Speaker 1: got Interscope. People calling me about you, like, hey, would

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Speaker 1: you be interested in interviewing Conway? Do you know who

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Speaker 1: he is? I'm like, are you fucking getting me? A? Yeah?

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Speaker 1: That's fine. How you feeling them? Man? I'm excited for

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Speaker 1: the you know, finally be able to touch the streets. Man,

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Speaker 1: people can get a chance to you know, to hear

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Speaker 1: what I've been working on over the years. I mean,

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Speaker 1: like I think that you have obviously had the Streets

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Speaker 1: in your pocket all the Grisella has for the last

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Speaker 1: five six years. So knowing that this album was your

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Speaker 1: Shady Records debut, you had to have had like a

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Speaker 1: real vision as to what you wanted this to sound like.

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Speaker 1: Because it's kind of been done for a while and

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Speaker 1: you've put out so many other projects. What was like

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Speaker 1: the main goal with this album? Like what was like

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Speaker 1: when you were like, okay, like what what did a

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Speaker 1: song have to have for to make this the cut?

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Speaker 1: For this one? Just that pain, you know what I mean?

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Speaker 1: That feel you know what I'm saying. I wanted you

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Speaker 1: know what I mean, Like, I just wanted that pain

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Speaker 1: on the ship. You know records like you know the

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Speaker 1: Kyle that was from this album, Like the car record

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Speaker 1: was for God to make mistakes. Uh, you know, so

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Speaker 1: I was always in that bag, you know what I'm saying.

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Speaker 1: Just I just wanted to get niggast that pain the

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Speaker 1: cow originally was meant for this album. Yeah wow, Yeah,

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Speaker 1: that's crazy record of that ship. It was gonna be

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Speaker 1: the intro to my album and uh, you know what

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Speaker 1: I mean, I don't know what the fuck happened. I came,

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Speaker 1: when I came back, I left, and when I came

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Speaker 1: back to Damrense your house. And you know what I'm saying,

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Speaker 1: the little fuck played the play it for West and

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Speaker 1: he took it West and threw his verse song and

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Speaker 1: kept it for his album, his ship. You know what

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Speaker 1: I'm saying. That's why I you know what I mean,

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Speaker 1: when I when I make my ship with dren, try

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Speaker 1: I keep my ship secret, Like, don't tell that motherfucker West.

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Speaker 1: Don't what I'm doing. Don't play these ships for West.

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Speaker 1: You know what I'm saying. Right when I heard it beat,

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Speaker 1: I picked with Old You know what I mean? Bro Go, Yeah,

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Speaker 1: that did that happen a lot with this where you

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Speaker 1: would have you had stuff recorded for this project and

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Speaker 1: it ended up in other places like ship, Uh, Kyle

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Speaker 1: bang with Eminem you know that ain't that didn't make Uh?

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Speaker 1: You know that got leap and ship you Gotta City

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Speaker 1: on the map with Wow that was for this album. Wow.

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Speaker 1: I want to say, I don't know if y'all remember

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Speaker 1: that missed the Foogie ship that was for this album.

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Speaker 1: May store was for a lot of What was she

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Speaker 1: Gonna Do was for this album. Wow, it's crazy because

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Speaker 1: what you could do is you could put a record

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Speaker 1: like Bang as a bonus track. You gotta do the

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Speaker 1: major label game now, you know, kind of hack the

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Speaker 1: numbers a little bit, owners track action. Yeah, we're making

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Speaker 1: so much ship though. We don't be tricking out that

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Speaker 1: ship man, you know, like when we did the Cow,

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Speaker 1: Like you know what I'm saying. You got to fix

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Speaker 1: the Cow on DSPs though, because on Spotify it doesn't

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Speaker 1: say your name. Yeah, it's just west. Like when you

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Speaker 1: when I search up Conway to the Cow doesn't come up.

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Speaker 1: You gotta search up by side gun. Yeah, you guys

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Speaker 1: gotta fix that. Heavmpire fix it. You gotta be a

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Speaker 1: primary artist on that fucking record. You know. I'm used

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Speaker 1: to giving my flowers. Are you feel like you're finally

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Speaker 1: getting them? Though? Yeah's see, just in general, I feel

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Speaker 1: like the last couple of years you've I feel like

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Speaker 1: people have finally started to give you the recognition is

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Speaker 1: like top two three rap around Earth whenever you are

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Speaker 1: are in your bag, that's still an understatement. I know

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Speaker 1: how you feel. No, I know how you feel. No, no,

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Speaker 1: but I know how you feel you're in this ship

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Speaker 1: to be acknowledge is number one. But no, I'm just

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Speaker 1: joking around though, man. But yeah, i feel like I'm

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Speaker 1: starting to starting to you know what I mean. I mean,

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Speaker 1: I'm starting to see it more. I would say that

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Speaker 1: I feel like it's probably you know, it's been a

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Speaker 1: lot of guys, especially to me, the people that matter, Like,

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Speaker 1: you know, I've been hearing ship like this from you know,

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Speaker 1: early on, from like people like DJ Clark King, you know,

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Speaker 1: saying my nigga Raj and a King combat Jack, you know,

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Speaker 1: Nori and them, Wou tang Uh, you know Royce. You know,

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Speaker 1: I mean I'm signing the eminem uh, you know, just

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Speaker 1: like people like that. Like I've been hearing that I've

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Speaker 1: been getting my flowers from from you know, from them Buster. Yeah,

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Speaker 1: when you get flowers from all those guys. Yeah, So

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Speaker 1: you know, I'm a hip hop nigga, Like I'm a

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Speaker 1: hip hop head like from like the nineties though, like

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Speaker 1: the nineties, the Grammy nineties era, so like you know,

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Speaker 1: you know, I had like Product, he was my big brother,

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Speaker 1: feah me, like all all the people like that. You know,

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Speaker 1: I mean that you would identify with from that era

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Speaker 1: in the grimmy nineties. Fuck with me, woutang watch the DMX.

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Speaker 1: I was on DMX album personally to uh, you know

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Speaker 1: the locks kissing styles and them of my brothers. You

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Speaker 1: know what I'm saying, Like I said, p was my

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Speaker 1: brother have on my album, my last album, you know

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Speaker 1: what I'm saying. Method Man, Lemonade was a moment Math.

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Speaker 1: It's kind of dope to see Meth through Lemonade in

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Speaker 1: the verses too. Yeah, it was amazing to see I

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Speaker 1: comet believe he did that with shout out to Meth

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Speaker 1: for that. But you know, like I was saying, like,

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Speaker 1: you know, ship, like that is what mattered to me

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Speaker 1: the most. So I don't really care about you know, niggas.

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Speaker 1: You know niggas, I don't care about y'all listens, and

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Speaker 1: I don't care about none of that ship. I do

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Speaker 1: just from a competitor standpoint, just if because I'd just

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Speaker 1: be feeling like, you know, that's what anybody you think

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Speaker 1: niggas Look at the top seventy five NBA and like, man,

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Speaker 1: how I ain't forty nine? What crazy average? You know

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Speaker 1: what I'm saying? Right, twenty five points for the people

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Speaker 1: who did. I don't think they did that, and did

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Speaker 1: they do that shit in order? I don't know, but

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Speaker 1: I'm just nobody to hear you. Like, if you're Dwight Howard,

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Speaker 1: you're pissed off you didn't make the list because you're like,

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Speaker 1: what the fuck? Yeah, you probably don't make you lose

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Speaker 1: no sleep. It's like, I felt like I did enough

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Speaker 1: to deserve, you know, the type of recognition, But at

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Speaker 1: the same time, I really don't give a fuck about that,

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Speaker 1: like because I feel like I'm already validated, and I

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Speaker 1: wont because I got people like busting them niggas and

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Speaker 1: Ray and Royce and Meth and you know what I'm saying,

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Speaker 1: right like they told me I'm nice nas whole I mean, listen,

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Speaker 1: you get the whole record finally, which was a moment.

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Speaker 1: I feel like last year in general, you had so

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Speaker 1: many moments on when it came to just whether it

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Speaker 1: was Dondo, whether it was working with Hole, I mean,

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Speaker 1: just the DMX album, like just some real, just iconic

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Speaker 1: rap shit bucket list ship probably last year that you

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Speaker 1: could just check off, like Okay, we got a song

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Speaker 1: with Hoe, you know what I mean? Okay, you know

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Speaker 1: and Kanye shit. Okay, cool, you know what I'm saying,

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Speaker 1: Like these are this bucket list shit. Being on DMX's

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Speaker 1: last album, knowing that you were on his album. Yeah,

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Speaker 1: doing the BT Awards, knowing DMX wanted you. You know,

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Speaker 1: you could have been on like a you know, a

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Speaker 1: lot of times when people passed, we get an album afterwards,

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Speaker 1: and sometimes the features aren't authorized. But like DMX talked

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Speaker 1: about y'all's record, you know what I'm saying. So did

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Speaker 1: that feel good? Like last year? Obviously, like you know,

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Speaker 1: list aside all that shit, like just personally on some

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Speaker 1: like rap fan shit, the kind of shit you got

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Speaker 1: to be a part of last year had to be real.

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Speaker 1: Just had to feel good. Man, it felt amazing. I'm

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Speaker 1: just so thankful and grateful for everybody that you know,

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Speaker 1: play the part and and all of that. Like everything

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Speaker 1: you named and even the stuff you didn't name, you did. Man,

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Speaker 1: you did a lot last year. One of my favorite

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Speaker 1: records last year was the record DoD with j I D.

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Speaker 1: That ship is fucking crazy. Yeah, that had me on

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Speaker 1: fat and then obviously Scatterbrain came, but but just in general, yeah,

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Speaker 1: there's just so much, man, I can just you know,

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Speaker 1: it's just it's just truly truly amazing. Man. It's dope, Man,

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Speaker 1: it's dope. A lot of a lot of moments. Let's

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Speaker 1: go through some of them. So talk about the J

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Speaker 1: Record because obviously we always think about right before the

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Speaker 1: pandemic hit, you performing the cow hugging hole on the

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Speaker 1: side at Novo. I was at the show that was.

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Speaker 1: That was the last show I went to before everything

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Speaker 1: shut down. I think there was a lot of people's

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Speaker 1: last shows in l A at least was. But how

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Speaker 1: did the J Record end up finally happening, you know,

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Speaker 1: because that's obviously when you start running in those circles.

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Speaker 1: You know, man, you know the universe is. You know

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Speaker 1: what I'm saying is a motherfucker man. I just you know, man,

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Speaker 1: Chad like, yoh got a joint? I need you to knockout?

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Speaker 1: Is gonna be with you or Jay and kiss? I'm like,

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Speaker 1: what you feel me like, it's the fuck out of here,

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Speaker 1: Like not for real, bro, ship I did my verse

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Speaker 1: at that time, they verses wasn't on it, so you

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Speaker 1: just got the beat right. My huk was on right, right,

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Speaker 1: right right. You know what I'm saying. I'm just like yo,

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Speaker 1: but I didn't even know that Jay was gonna be

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Speaker 1: on it until after I did it. Let me take

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Speaker 1: that back, like cause like I think at first they

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Speaker 1: I'm thinking they was talking like me, Jay Electronica and Jadakiss,

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Speaker 1: they just said they said J So I was like, okay, okay,

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Speaker 1: and uh so I did this ship and damn, I

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Speaker 1: was wondering I wanted to hear it and shipn't like

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Speaker 1: waiting on the whole versus like ole getting on this too,

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Speaker 1: Like yeah, I told you j Jadakis you J and

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Speaker 1: Jadakiss and jay Z Nigga. I'm like, man, get the

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Speaker 1: fuck out of here, you know what I mean? That

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Speaker 1: shit just like that shit was just crazy to me,

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Speaker 1: you know what I mean? And then uh man, you know,

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Speaker 1: just shout out the whole. I don't want to say

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Speaker 1: too much, you know what I'm saying, Like, you know,

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Speaker 1: what was your reaction though when you first heard the

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Speaker 1: prop like when you first heard his verse next to

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Speaker 1: your verse on a record, Like was it did the

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Speaker 1: song already come out? Was it right before it came out?

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Speaker 1: Like yeah, nah, I ain't hear I ain't hear it,

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Speaker 1: mantil it came out honestly, I didn't hear it, so

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Speaker 1: it was available on dsp seah, and I was like

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Speaker 1: sharing the link in the bio and shit like that.

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Speaker 1: But man, that shit just was like, Man, I ain't

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Speaker 1: gonna lie like out of the pop up bottle of Champagne,

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Speaker 1: bottle of Spade, like and just on I was on

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Speaker 1: celebratory time, like like what the fuck, bro, I'm really,

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Speaker 1: god damn really doing this ship you know what I'm saying.

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Speaker 1: And uh, you know we chopped, you know, man, Me,

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Speaker 1: me and Brick bro talk all the time. I've seen

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Speaker 1: him at a I don't know y'all seeing the pictures

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Speaker 1: and stuff. At the it was like the premiere or whatever,

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Speaker 1: like the Harder They Fall premiere, and you know, I

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Speaker 1: may kind of had a little chop or a little conversation.

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Speaker 1: It was just like I couldn't believe, you know it

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Speaker 1: just it just was like wow, Like, man, I wish

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Speaker 1: I could share that convo with That's for y'all, though, Man,

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Speaker 1: you know that's big with obviously you you being on DONDA.

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Speaker 1: I remember when he did the second stream and like

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Speaker 1: that that song wasn't on there. I was like, what

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Speaker 1: the fuck is going on? I was like, no, I

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Speaker 1: was like, Jay, it ain't on the intro. I was,

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Speaker 1: But did that come from I mean obviously we talked

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Speaker 1: about how you and Gun went to Wyoming. Uh what

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Speaker 1: was that like two years ago? Now right, it's been

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Speaker 1: a minute. You want a couple of times? I want

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Speaker 1: a few times out there? That's crazy? He did that

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Speaker 1: record get made out there? Or was this something where

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Speaker 1: you had to be out there? So that was that

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Speaker 1: was a record that's been cut for a while. Then, Yeah,

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Speaker 1: a few cut a few that, Yeah, a few. I

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Speaker 1: think that was the only one. I'm not sure how

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Speaker 1: many like West did with him, but I'm not I

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Speaker 1: cut a few out there with him. Maybe get one

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Speaker 1: for the you know what, we'll see, we'll see, you

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Speaker 1: know what I'm saying, We'll see. No for sure were

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Speaker 1: you were you able to go to I know I

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Speaker 1: saw from I remember Gun was on the porch with

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Speaker 1: like Maryland man That ship was messed that one. That

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Speaker 1: ship was wild. I'm like the baby westside, Gun and

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Speaker 1: Maryland Manson are just sitting there fresh off the Baby

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Speaker 1: being canceled. Yeah, like what the fuck is going this

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Speaker 1: is crazy going on. I missed that one, but I

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Speaker 1: went to like the one in Atlanta, So you were

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Speaker 1: you had to go to Atlanta? Did you get to

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Speaker 1: like he had like the fucking he was like living there? Yeah? Yeah,

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Speaker 1: I ain't go all the way like I was. I

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Speaker 1: was in New York doing some stuff, so I was able.

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Speaker 1: I just kind of like flew out there for a

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Speaker 1: day and dipped, Like I just went out there for

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Speaker 1: like the like the concert or whatever. Right when he

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Speaker 1: was out there with like the red shit on and

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Speaker 1: all that. I remember that. Yeah, would you say how

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Speaker 1: would you say you and Kanye's relationship is at this point,

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Speaker 1: because like obviously if you've been to Wyoming a few times,

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Speaker 1: you got to have some report with him. I liked it, man,

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Speaker 1: It's dope. You know what I'm saying. I think we

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Speaker 1: got a you know, pretty good relationship. Like you know

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00:14:31,840 --> 00:14:34,880
Speaker 1: what I'm saying, if I need to, you know, tapping

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Speaker 1: with Brous that's nothing to do. He fooled me and

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Speaker 1: just the love the Man show. You know what I'm saying.

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Speaker 1: I'm forever grateful, Like WHN I slept on a man ranch,

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Speaker 1: you know what I'm saying. I was out there for

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Speaker 1: a week or two longer than that. Probably that's crazy.

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Speaker 1: I've been with him, and you know what I'm saying,

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Speaker 1: I've been to Doctor Dre House. Great fucking with Kanye

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Speaker 1: first time, Like you know what I'm saying, Fucking Yeah,

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Speaker 1: you had me at Doctor Dre like coming up with

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Speaker 1: hooks and ship for Doctor Dre, you know what I

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00:15:03,600 --> 00:15:07,000
Speaker 1: mean here and unreleased little music and ship like he

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Speaker 1: was playing he pressed play button on some fire like

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Speaker 1: I've heard I got a funny ass story about that night.

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Speaker 1: To please tell us the story. You can't give us

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Speaker 1: the Dre story, not yet. Yeah, I don't know if

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Speaker 1: that's it's okay. Niggas want that out there. But how

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Speaker 1: was dra dra? Cool ass dude man, And you know

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Speaker 1: it was so cool about it. He actually remembered me

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Speaker 1: and that ship like ship that remember me, like because

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Speaker 1: I get there, Like it's funny because I was. I was.

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Speaker 1: I've been on the ranch and I've been before I

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Speaker 1: went to the ranch like he had a yeah before

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Speaker 1: I was in Wyoming like yay had a studio, uh

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Speaker 1: in Calabasas somewhere somewhere out there, like you know what

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Speaker 1: I'm saying. And I was out there, you know, working

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Speaker 1: on some music and ship with him. But in Yay's studios,

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00:16:05,440 --> 00:16:07,840
Speaker 1: like real churchy vibes and shit, like you know what

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Speaker 1: I mean, Yay on this. You know you're a Christian

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00:16:09,960 --> 00:16:12,840
Speaker 1: and stuff, So it's not really the same type of

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Speaker 1: vibes that I may particularly be used to, Like we

295
00:16:15,440 --> 00:16:18,520
Speaker 1: ain't drinking and smoking in the lab and all the

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Speaker 1: homies and you know what I'm saying. It's like, you know,

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00:16:21,680 --> 00:16:24,600
Speaker 1: you got the choir in there, like people from like

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Speaker 1: church and stuff like this. So it's like it was

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00:16:27,400 --> 00:16:30,120
Speaker 1: kind of different from me too, because I never really

300
00:16:30,160 --> 00:16:33,320
Speaker 1: like worked on like you know what I mean, I

301
00:16:33,360 --> 00:16:37,360
Speaker 1: guess like Christian rap or stuff like that. Like you know,

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00:16:37,480 --> 00:16:39,880
Speaker 1: my my thing is, I'm grivy. It's all the time.

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00:16:40,040 --> 00:16:42,240
Speaker 1: You know what I'm saying, Like please never put please

304
00:16:42,480 --> 00:16:44,240
Speaker 1: the sidebar just quick. Don't never put out a Christian

305
00:16:44,280 --> 00:16:48,360
Speaker 1: rap album, please say you know what I'm saying. But no,

306
00:16:48,520 --> 00:16:50,960
Speaker 1: I'm just saying like I never I never, I never did,

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00:16:51,080 --> 00:16:53,040
Speaker 1: So it was kind of just new and stuff to me,

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00:16:53,240 --> 00:16:56,120
Speaker 1: right And uh so I'm out there and I'm out

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00:16:56,160 --> 00:16:58,840
Speaker 1: there for like a week, you know what I'm saying, recording,

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00:16:58,920 --> 00:17:02,880
Speaker 1: going there every day, and I just like, yo, man,

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00:17:03,680 --> 00:17:05,400
Speaker 1: so when we go to we go one day, I'm

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00:17:05,400 --> 00:17:09,359
Speaker 1: over there recording. Long story short, I'm over there at

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00:17:09,400 --> 00:17:12,480
Speaker 1: Ye Studio recording and we go to you know the

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00:17:12,520 --> 00:17:15,359
Speaker 1: engineer yay w wasn't there. The engineers stopped the beating,

315
00:17:15,520 --> 00:17:18,159
Speaker 1: like yo, I just got a text. Ya wants us

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00:17:18,200 --> 00:17:20,679
Speaker 1: to come over to Dre's because I think you know

317
00:17:20,760 --> 00:17:23,879
Speaker 1: him and Dre was working on some stuff for the album.

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00:17:24,119 --> 00:17:28,320
Speaker 1: I'm like, you want us, you know what I'm saying, Like, yeah,

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00:17:28,680 --> 00:17:30,840
Speaker 1: we're all going over there. So we go to dre house,

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00:17:31,840 --> 00:17:33,720
Speaker 1: going there and shit, I'm just sitting in there and

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00:17:33,720 --> 00:17:37,440
Speaker 1: it's like it's mad people in a room. Like I'm

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00:17:37,480 --> 00:17:40,320
Speaker 1: seeing people smoking and draking and shit. I'm like, oh,

323
00:17:40,440 --> 00:17:43,080
Speaker 1: this is why I'm This is where I needed to be.

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00:17:43,280 --> 00:17:45,720
Speaker 1: That's what I've been missing. You feel me like Ship,

325
00:17:45,800 --> 00:17:49,200
Speaker 1: I started rolling my backward up, you know what I'm saying,

326
00:17:49,240 --> 00:17:51,480
Speaker 1: And Drake kind of like stepped off from the border.

327
00:17:51,560 --> 00:17:55,080
Speaker 1: Ship turned around, you know what I'm saying, Look like, Okay,

328
00:17:55,359 --> 00:17:57,199
Speaker 1: I remember you because we I met him for the

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00:17:57,240 --> 00:18:02,160
Speaker 1: first time at the Star unveiling for fifty cent Yeah,

330
00:18:02,440 --> 00:18:04,840
Speaker 1: you guys were there, right, So that's when I met

331
00:18:04,920 --> 00:18:07,560
Speaker 1: him and he remembered me from that day. You know

332
00:18:07,600 --> 00:18:10,560
Speaker 1: that's bucketless shit for me all just for Dreda know

333
00:18:10,600 --> 00:18:13,600
Speaker 1: who you are, right, just for Dreda know who I am.

334
00:18:13,640 --> 00:18:15,920
Speaker 1: Like that shit just like different for me. I heard

335
00:18:15,960 --> 00:18:19,399
Speaker 1: the speakers at his house are crazy. This man's studios

336
00:18:19,480 --> 00:18:21,480
Speaker 1: don't real. I couldn't believe what I was saying. I

337
00:18:21,520 --> 00:18:23,800
Speaker 1: heard it so crazy. I heard like his speed, like

338
00:18:23,840 --> 00:18:26,320
Speaker 1: he got the craziest ever saying. Now, but I've heard

339
00:18:26,320 --> 00:18:27,600
Speaker 1: about it. I have a lot. I know a lot

340
00:18:27,600 --> 00:18:29,480
Speaker 1: of people who've been over there and they just say,

341
00:18:29,560 --> 00:18:32,320
Speaker 1: oh man, that was the I couldn't believe I was there.

342
00:18:32,680 --> 00:18:36,159
Speaker 1: I couldn't even believe I was there. Bro talk like

343
00:18:37,119 --> 00:18:39,399
Speaker 1: shout out to Dre. Man, he showed love. You know

344
00:18:39,440 --> 00:18:41,520
Speaker 1: what I'm saying in there? You know what I'm saying,

345
00:18:41,760 --> 00:18:46,280
Speaker 1: Uh with Snoop oldest son, a couple of Dre homies

346
00:18:46,280 --> 00:18:48,119
Speaker 1: and shit like that, like it was just love. Like

347
00:18:49,240 --> 00:18:53,520
Speaker 1: you know, we ended up working on some stuff actually, wow,

348
00:18:53,920 --> 00:18:56,800
Speaker 1: you know what I man, Hopefully we'll hear it, hope,

349
00:18:56,840 --> 00:18:59,960
Speaker 1: so hopefully hopefully we always hopefully y' all can work

350
00:19:00,240 --> 00:19:03,440
Speaker 1: more with him. Yeah, Like doctor Dre is like a

351
00:19:03,440 --> 00:19:05,760
Speaker 1: big inspiration, I mean, ship he just put out a

352
00:19:05,800 --> 00:19:10,400
Speaker 1: six pack of records last week off of GTA, which

353
00:19:10,440 --> 00:19:13,960
Speaker 1: was to work with Dre. Yeah. No, Dre learned from

354
00:19:14,000 --> 00:19:16,440
Speaker 1: him and just watch him. Yeah, his creator I heard

355
00:19:16,480 --> 00:19:19,399
Speaker 1: his creative process is like very meticulous, very bro. I

356
00:19:19,440 --> 00:19:21,920
Speaker 1: was watching that ship and I'm just like, bro, now

357
00:19:21,960 --> 00:19:25,920
Speaker 1: I get it, like his ear for like the frequencieson

358
00:19:26,480 --> 00:19:28,880
Speaker 1: it's so crazy bore, like the ship that you see

359
00:19:28,920 --> 00:19:31,160
Speaker 1: and like that maybe in the videos and stuff where

360
00:19:31,800 --> 00:19:33,560
Speaker 1: you know what I mean, now that I'm shooting videos

361
00:19:33,560 --> 00:19:36,560
Speaker 1: and stuff, you know how we might like pretending, yeah,

362
00:19:36,600 --> 00:19:40,760
Speaker 1: you might twist the now He's really he's really like

363
00:19:40,760 --> 00:19:45,280
Speaker 1: like that. He really liked that right, very in the

364
00:19:45,440 --> 00:19:50,240
Speaker 1: every little, the smallest detail, that's what I hear. Genius.

365
00:19:50,280 --> 00:19:52,720
Speaker 1: It's just amazing to watch in the studio that he

366
00:19:52,800 --> 00:19:56,399
Speaker 1: got set up. It's just so ill like I couldn't believe.

367
00:19:56,600 --> 00:20:02,479
Speaker 1: I couldn't believe that I was there, Bro. Creative process wise,

368
00:20:03,040 --> 00:20:06,080
Speaker 1: from what you witness from Dre to being in multiple

369
00:20:06,119 --> 00:20:09,240
Speaker 1: sessions with ya Ya seems more of like a on

370
00:20:09,280 --> 00:20:11,959
Speaker 1: the fly guy, like I've seen him recording everywhere from

371
00:20:12,000 --> 00:20:15,000
Speaker 1: some crazy studios a choirs to like a mic in

372
00:20:15,040 --> 00:20:17,560
Speaker 1: a hotel room, like a lot of like, uh, the

373
00:20:17,560 --> 00:20:20,399
Speaker 1: good the Cruel summer ship was like just in a

374
00:20:20,520 --> 00:20:23,400
Speaker 1: room with you know, so like what what what would

375
00:20:23,400 --> 00:20:26,040
Speaker 1: you say? Like Yay's creative processes that you kind of

376
00:20:26,080 --> 00:20:28,800
Speaker 1: took from that was like a little different. Nah, yay,

377
00:20:28,960 --> 00:20:31,280
Speaker 1: Yay liked that too, Like the same thing I was

378
00:20:31,280 --> 00:20:35,280
Speaker 1: saying about Dre Like every little detail he's you know,

379
00:20:35,320 --> 00:20:39,560
Speaker 1: it's very particular and very thought out. You know, he

380
00:20:39,680 --> 00:20:41,520
Speaker 1: know what he wants, you know, the direction he want.

381
00:20:41,640 --> 00:20:44,440
Speaker 1: It was crazy, like I was fortunate, like my first

382
00:20:44,520 --> 00:20:48,240
Speaker 1: day landing and out there and as soon as I

383
00:20:48,320 --> 00:20:51,159
Speaker 1: get there, go to the ranch, he already in the

384
00:20:51,200 --> 00:20:54,440
Speaker 1: studio and you got you know, we all in there

385
00:20:54,960 --> 00:20:57,840
Speaker 1: and the man made like seven beats in front of

386
00:20:57,840 --> 00:21:00,919
Speaker 1: a front of me and Benny asks, Benny, that's crazy,

387
00:21:01,240 --> 00:21:03,480
Speaker 1: Like just like quick we wanted it. Like it was

388
00:21:03,520 --> 00:21:07,080
Speaker 1: like we was in there all night. It was like

389
00:21:07,200 --> 00:21:09,640
Speaker 1: a couple of hours of that. Like the man made

390
00:21:09,840 --> 00:21:14,439
Speaker 1: seven beats, fast as hell. That's wow. Like I was

391
00:21:14,480 --> 00:21:16,480
Speaker 1: like when I got back to the you know where

392
00:21:16,520 --> 00:21:19,479
Speaker 1: I was staying after we left, like and mind you

393
00:21:19,480 --> 00:21:23,040
Speaker 1: we and his like in his personal space of it

394
00:21:23,160 --> 00:21:28,000
Speaker 1: like it's house or whatever this ship is. This is Wyoming. Yeah,

395
00:21:28,080 --> 00:21:30,680
Speaker 1: it's like this ship is crazy, like watching him the

396
00:21:30,720 --> 00:21:34,000
Speaker 1: whole how you doing? Like he how he like? It's

397
00:21:34,040 --> 00:21:37,879
Speaker 1: just dope. It's just it's just real dope man, to

398
00:21:37,920 --> 00:21:42,679
Speaker 1: be able to say, Yo, I watched Kanye create music

399
00:21:42,720 --> 00:21:46,240
Speaker 1: in the studio doctor Dre create, Like I'm watching Dre

400
00:21:46,480 --> 00:21:51,800
Speaker 1: make fucking a beat in the studio. It's crazy. That's

401
00:21:51,880 --> 00:21:54,199
Speaker 1: real ship. Not a lot of people on earth what

402
00:21:54,359 --> 00:21:56,959
Speaker 1: is dope to see? Like, I feel like quiet as

403
00:21:57,000 --> 00:21:59,600
Speaker 1: kept man. You're probably one of the very few people

404
00:21:59,640 --> 00:22:03,000
Speaker 1: on the play planet that can say Kanye's co sign me.

405
00:22:03,480 --> 00:22:07,120
Speaker 1: I've worked with him, Eminem's co sign me, jay Z's

406
00:22:07,160 --> 00:22:09,840
Speaker 1: co sign me, and we could go down the list.

407
00:22:09,920 --> 00:22:18,119
Speaker 1: But like we're talking like it's crazy. J Wayne, Hey,

408
00:22:18,160 --> 00:22:20,520
Speaker 1: we know we gotta stop the podcast real quick. Shout

409
00:22:20,520 --> 00:22:22,399
Speaker 1: out to my bookie. Man. Listen, if you know anything

410
00:22:22,400 --> 00:22:25,360
Speaker 1: about me, you know I like to gamble on sports

411
00:22:25,720 --> 00:22:27,720
Speaker 1: and I've been using my bookie for so long. Go

412
00:22:27,760 --> 00:22:29,800
Speaker 1: to my bookie dot ag. Check it out. They're doing

413
00:22:29,840 --> 00:22:34,119
Speaker 1: them my Bookie double deposit bonus. This is how this works.

414
00:22:34,960 --> 00:22:37,280
Speaker 1: You sign up, you make a deposit, you use the

415
00:22:37,280 --> 00:22:40,760
Speaker 1: promo code Bootleg, and you're gonna get double your money.

416
00:22:40,760 --> 00:22:43,240
Speaker 1: They're gonna match your deposit up to one thousand dollars.

417
00:22:43,240 --> 00:22:45,879
Speaker 1: There's so much action right now to the NBA season

418
00:22:46,200 --> 00:22:48,880
Speaker 1: is going crazy. Maybe you could do a future right

419
00:22:48,920 --> 00:22:50,440
Speaker 1: Who do you think is gonna win the MVP? I

420
00:22:50,440 --> 00:22:52,040
Speaker 1: don't know. Is it gonna be Honest? Is it gonna

421
00:22:52,040 --> 00:22:55,640
Speaker 1: be Devin Booker? Is it gonna be Yokic? Certainly ain't

422
00:22:55,640 --> 00:22:59,960
Speaker 1: gonna be motherfucker Russell Westbrook. Crazy odds that ain't gonna happen.

423
00:23:00,200 --> 00:23:02,639
Speaker 1: That's just burning money. With that being said, there's so

424
00:23:02,680 --> 00:23:04,439
Speaker 1: many different ways you can bet. You could bet on

425
00:23:04,480 --> 00:23:06,320
Speaker 1: your daily games. You could do the parlay. I like

426
00:23:06,359 --> 00:23:08,760
Speaker 1: doing moneyline parlays. I like to just do three or

427
00:23:08,800 --> 00:23:11,159
Speaker 1: four heavy favorites on that NBA schedule, throw them all

428
00:23:11,200 --> 00:23:13,480
Speaker 1: on one ticket and just try to hit. You know

429
00:23:13,520 --> 00:23:15,720
Speaker 1: what I'm saying. Whatever you're into my bookie, you could

430
00:23:15,720 --> 00:23:19,159
Speaker 1: bet on it anything. Go to MyBookie dot ag. They

431
00:23:19,160 --> 00:23:21,400
Speaker 1: got the double deposit bonus right now, this is important.

432
00:23:21,600 --> 00:23:24,239
Speaker 1: Sign up for an account, make a deposit and they

433
00:23:24,280 --> 00:23:26,760
Speaker 1: will match your deposit, double your money up to one

434
00:23:26,760 --> 00:23:29,679
Speaker 1: thousand dollars. Right now, that's free money. So what are

435
00:23:29,680 --> 00:23:33,359
Speaker 1: you doing use the promo code Bootleg when you sign up,

436
00:23:33,400 --> 00:23:35,560
Speaker 1: and you can double your money. Get in on some

437
00:23:35,640 --> 00:23:39,120
Speaker 1: of this NBA action. Man, it's NBA season All Star

438
00:23:39,160 --> 00:23:41,960
Speaker 1: Games this weekend so much. I mean, you could bet

439
00:23:42,000 --> 00:23:45,480
Speaker 1: on the three point contest, the motherfucking dunk contest, whatever

440
00:23:45,520 --> 00:23:48,119
Speaker 1: the fuck is going on. Who's gonna be the MVP

441
00:23:48,200 --> 00:23:50,159
Speaker 1: of the All Star Game. I don't know, but you

442
00:23:50,200 --> 00:23:52,119
Speaker 1: could bet on it. You could bet on anything. So

443
00:23:52,160 --> 00:23:54,920
Speaker 1: make sure one more time. That's my bookie. Double your

444
00:23:54,960 --> 00:23:58,120
Speaker 1: first deposit up two thousand dollars using that promo code Bootleg.

445
00:23:58,320 --> 00:24:01,800
Speaker 1: Place your bets. What do we doing bet on anything

446
00:24:01,840 --> 00:24:04,919
Speaker 1: anytime anywhere with my bookiey, motherfucker, let's go. You know

447
00:24:05,000 --> 00:24:07,040
Speaker 1: what song was hard that not a lot of people

448
00:24:07,040 --> 00:24:09,919
Speaker 1: are talking about is the record on the Burner album

449
00:24:10,040 --> 00:24:14,159
Speaker 1: Crazy Shout Out wown Man. That's bro. He put a

450
00:24:14,200 --> 00:24:17,080
Speaker 1: lot of people on a song because Mazzi was on

451
00:24:17,119 --> 00:24:23,040
Speaker 1: that right, Mozzi's on that record. It's funny because I like,

452
00:24:23,119 --> 00:24:26,160
Speaker 1: I know Benny and Mozzi were on like a Damian

453
00:24:26,160 --> 00:24:31,000
Speaker 1: Lillard remix together, but I always told Bennie, I was like, dude,

454
00:24:31,000 --> 00:24:32,440
Speaker 1: I just want to hear you and Mozzi like really

455
00:24:32,480 --> 00:24:34,160
Speaker 1: get down on some ship. Like I was like, Man,

456
00:24:34,160 --> 00:24:37,160
Speaker 1: Berner really a and r the fuck out of that record. Yeah,

457
00:24:37,240 --> 00:24:41,600
Speaker 1: Berner is too ill with it man. You know, I

458
00:24:41,640 --> 00:24:43,720
Speaker 1: think you know, a lot of that shit get kind

459
00:24:43,720 --> 00:24:48,080
Speaker 1: of overlooked for sure because he's so successful with his

460
00:24:48,280 --> 00:24:53,200
Speaker 1: other endeavors. Yeah, like his music, it's hard. Every tape,

461
00:24:53,280 --> 00:24:58,639
Speaker 1: everything he dropped, man is fucking man shout and a

462
00:24:58,720 --> 00:25:02,159
Speaker 1: good dude me. There's so much love I have to

463
00:25:02,240 --> 00:25:04,760
Speaker 1: I ain't going from a can of paint. And you

464
00:25:04,800 --> 00:25:07,200
Speaker 1: know what I'm saying, you go, I want you, want

465
00:25:07,200 --> 00:25:08,800
Speaker 1: to get you on some ship, got me on some ship,

466
00:25:08,800 --> 00:25:11,200
Speaker 1: will push you and then next you know, it's all

467
00:25:11,280 --> 00:25:14,280
Speaker 1: mad and the ship and all and ship play video

468
00:25:14,320 --> 00:25:17,119
Speaker 1: games like that ship. Just ever since then, I've just

469
00:25:17,160 --> 00:25:20,320
Speaker 1: been like, kind of it's forever grateful. You guys are

470
00:25:20,320 --> 00:25:23,840
Speaker 1: like I feel like you, like Griselda. All three of

471
00:25:23,920 --> 00:25:26,040
Speaker 1: y'all and Berner have a similar work ethic when it

472
00:25:26,080 --> 00:25:29,320
Speaker 1: comes to putting out music. Just catalog like burn up

473
00:25:29,560 --> 00:25:31,760
Speaker 1: around to drop four albums in a year. Two of

474
00:25:31,800 --> 00:25:34,320
Speaker 1: them will be collab albums with like Currency or Doll

475
00:25:35,040 --> 00:25:37,960
Speaker 1: God Rest all Soul, you know. But I feel like

476
00:25:38,000 --> 00:25:40,560
Speaker 1: y'all have similar work ethics and just on the independent ship.

477
00:25:40,680 --> 00:25:43,439
Speaker 1: Like a lot of times it could be niggas on

478
00:25:43,520 --> 00:25:45,560
Speaker 1: some lazy ship as artists, and then a lot of

479
00:25:45,600 --> 00:25:48,760
Speaker 1: times toos, everybody don't be having a freedom to kind

480
00:25:48,800 --> 00:25:51,879
Speaker 1: of release when they want, especially if they're on the major. Yeah, everybody,

481
00:25:51,960 --> 00:25:54,120
Speaker 1: you know, it's the beauty of being, you know, kind

482
00:25:54,119 --> 00:25:56,639
Speaker 1: of when you can do what you want. Berner can

483
00:25:56,680 --> 00:25:58,240
Speaker 1: do what the fuck you want to do. You drop

484
00:25:58,359 --> 00:26:01,560
Speaker 1: five albums this month if you want. Well, I was

485
00:26:01,600 --> 00:26:03,399
Speaker 1: just telling we just had Benny here last week, and

486
00:26:03,440 --> 00:26:07,240
Speaker 1: I was like, yo, there's something about the fact Benny

487
00:26:07,320 --> 00:26:09,760
Speaker 1: signed a death Jam and then tend to talk for

488
00:26:09,840 --> 00:26:13,560
Speaker 1: it's still independent on Griselda and Empire, and the fact

489
00:26:13,560 --> 00:26:16,480
Speaker 1: that y'all signed this whole shady fucking deal. Was it

490
00:26:16,640 --> 00:26:23,200
Speaker 1: seven years ago? Six years ago? It's been some years, right,

491
00:26:23,520 --> 00:26:26,280
Speaker 1: it's been a minute, and you guys were able to

492
00:26:26,600 --> 00:26:29,320
Speaker 1: just drop whatever the fuck you want while still being

493
00:26:29,320 --> 00:26:31,800
Speaker 1: on a major, but still technically being on a major

494
00:26:33,480 --> 00:26:36,520
Speaker 1: independently keep all of that and then picking you know, hey,

495
00:26:36,520 --> 00:26:39,800
Speaker 1: look this is a shady album, but everything else is separate.

496
00:26:39,840 --> 00:26:42,120
Speaker 1: Not a lot of people got that deal. Yeah, I mean,

497
00:26:42,400 --> 00:26:45,280
Speaker 1: just you know, we ain't really trying to like sign it,

498
00:26:46,480 --> 00:26:50,240
Speaker 1: uh like regular deal. Like if I can't when I'm

499
00:26:50,240 --> 00:26:52,560
Speaker 1: looking at going into Dell's, Like, if I can't at

500
00:26:52,680 --> 00:26:57,879
Speaker 1: least be partners, what are we doing? Right? Yeah? I

501
00:26:57,880 --> 00:27:00,520
Speaker 1: think that so like when I'm part know this, when

502
00:27:00,520 --> 00:27:03,080
Speaker 1: I have these partnerships, you know what I'm doing with

503
00:27:03,119 --> 00:27:06,200
Speaker 1: my other entities. Ship, don't got nothing to do it

504
00:27:06,720 --> 00:27:10,560
Speaker 1: this over here? You feeling shit? That's a drum work tape,

505
00:27:10,880 --> 00:27:13,439
Speaker 1: you know what I man, they work out kind of

506
00:27:13,680 --> 00:27:16,240
Speaker 1: kind of good when you just move like that. Like

507
00:27:16,480 --> 00:27:19,080
Speaker 1: I like to be partners, you know what I'm saying

508
00:27:19,600 --> 00:27:23,840
Speaker 1: on this album? Some great production. Let's go through. Who

509
00:27:23,880 --> 00:27:27,440
Speaker 1: else got beats on the album? I got Alchemists on there?

510
00:27:27,440 --> 00:27:31,760
Speaker 1: Of course, Automatic definitely got to have my brother Dan

511
00:27:31,920 --> 00:27:36,720
Speaker 1: darren S probably produced the most records on it. Only right,

512
00:27:38,400 --> 00:27:42,200
Speaker 1: Justice League. I got some shit with Justice League, justt

513
00:27:42,200 --> 00:27:46,080
Speaker 1: some ship with uh you know Cosmo, Yeah, Cosmo beats.

514
00:27:46,160 --> 00:27:48,640
Speaker 1: He did a lot of burnersh Cosmos burners right hand. Yeah,

515
00:27:48,640 --> 00:27:51,040
Speaker 1: they didn't know album together last year. Shots. That's my brother.

516
00:27:51,720 --> 00:27:54,440
Speaker 1: Shout out to Berner for connecting that. Cosmos A great

517
00:27:54,480 --> 00:27:59,359
Speaker 1: guy man. Absolutely, I got Bank on there. I have

518
00:28:00,560 --> 00:28:06,600
Speaker 1: hit boy on there. Of course, I want to think

519
00:28:06,720 --> 00:28:12,440
Speaker 1: that's I think that's about it. You getting Beanie on

520
00:28:12,520 --> 00:28:16,960
Speaker 1: the project had I mean, Beanie Tommy is probably like

521
00:28:17,119 --> 00:28:20,720
Speaker 1: top three or four smost slept on rappers ever. When

522
00:28:20,760 --> 00:28:22,640
Speaker 1: we think about just the respect that like, we don't

523
00:28:22,680 --> 00:28:24,800
Speaker 1: talk about Beanie like I think we should. And you know,

524
00:28:25,040 --> 00:28:27,679
Speaker 1: as far as being an all time great, I think

525
00:28:27,720 --> 00:28:32,840
Speaker 1: he's in those conversations and they Uh, that was one

526
00:28:32,840 --> 00:28:34,360
Speaker 1: of the features that I didn't hear when you played

527
00:28:34,400 --> 00:28:35,760
Speaker 1: me the album. So I'm assuming that was something that

528
00:28:35,760 --> 00:28:37,640
Speaker 1: probably happened the last I don't know what twelve months

529
00:28:37,680 --> 00:28:41,680
Speaker 1: or something. Yeah, that happened. That happened pretty recently. Beans

530
00:28:41,720 --> 00:28:45,000
Speaker 1: came to Buffalo and you know what I'm saying, Beans

531
00:28:45,040 --> 00:28:48,800
Speaker 1: in Buffalo. Yeah, he came to Buffalo and you know,

532
00:28:49,000 --> 00:28:51,000
Speaker 1: kind of getting next to me and ship and like

533
00:28:51,120 --> 00:28:53,320
Speaker 1: you all came to come fuck with you niggas, you

534
00:28:53,360 --> 00:28:56,960
Speaker 1: know what I'm saying. Like, and we asked some some

535
00:28:57,760 --> 00:29:03,000
Speaker 1: very very very dope conversations. Man, you know the stuff

536
00:29:03,080 --> 00:29:05,720
Speaker 1: that you know, he wanted to come to Buffalo and

537
00:29:06,240 --> 00:29:09,080
Speaker 1: just the conversations he wanted to have with me that

538
00:29:09,640 --> 00:29:13,120
Speaker 1: you know, I ain't gonna talk about on camera and shit.

539
00:29:13,200 --> 00:29:16,920
Speaker 1: But he's been through a lot, manop Man, just dope

540
00:29:17,080 --> 00:29:19,240
Speaker 1: that he came to me for that. You know what

541
00:29:19,280 --> 00:29:22,280
Speaker 1: I'm saying. It's different when someone comes to you, especially

542
00:29:22,440 --> 00:29:26,120
Speaker 1: in your hometown. You know what I mean. Man, that's different.

543
00:29:26,160 --> 00:29:28,240
Speaker 1: You could link up with someone in Atlanta or LA

544
00:29:28,480 --> 00:29:31,480
Speaker 1: that's easy. But like someone coming to Buffalo security and

545
00:29:31,560 --> 00:29:34,480
Speaker 1: none of that ship like just some regular shit. Man.

546
00:29:35,080 --> 00:29:37,360
Speaker 1: How long was he in Buffalo? A couple of days? Yeah?

547
00:29:37,680 --> 00:29:40,239
Speaker 1: Like a week? Oh? Ship? So he tapped in. How

548
00:29:40,320 --> 00:29:43,720
Speaker 1: he was cooking. We knocked a few ships out. Wow,

549
00:29:44,120 --> 00:29:46,280
Speaker 1: That's what I'm saying. Like we we we about to

550
00:29:46,520 --> 00:29:50,160
Speaker 1: we we got some something up our sleeve. Way, hold on,

551
00:29:50,160 --> 00:29:58,680
Speaker 1: hold on, Conway, Beanie project, more more than that, more

552
00:29:58,760 --> 00:30:04,640
Speaker 1: than that. Mm hmmm, Conway, are you bringing Beanie the

553
00:30:04,720 --> 00:30:09,560
Speaker 1: drum work? Well? See it, Beanie s going drum work.

554
00:30:11,680 --> 00:30:14,560
Speaker 1: I don't know, man, you know, I don't know. I

555
00:30:14,600 --> 00:30:17,320
Speaker 1: don't know what the future. But you know, we've been cooking.

556
00:30:17,760 --> 00:30:21,240
Speaker 1: You know what I would say, I love Beanie. I

557
00:30:21,280 --> 00:30:27,000
Speaker 1: would say to him, Yo, man, you're independent now. He

558
00:30:27,120 --> 00:30:29,880
Speaker 1: really being the goat that he is. He just got

559
00:30:30,000 --> 00:30:31,800
Speaker 1: to run up his his ship now because I feel

560
00:30:31,840 --> 00:30:33,880
Speaker 1: like finally, like you know, he's having a moment right now,

561
00:30:34,000 --> 00:30:36,720
Speaker 1: like yeah, you know I saw him in with Game.

562
00:30:37,040 --> 00:30:43,200
Speaker 1: Yeah that's all I'm telling. I heard some ship. Game

563
00:30:43,320 --> 00:30:45,200
Speaker 1: played me. I want to say, Game played me a

564
00:30:45,280 --> 00:30:48,760
Speaker 1: record that you were on that's unreleased. Yeah, yeah I

565
00:30:48,840 --> 00:30:50,680
Speaker 1: did some ship with Game. You know what I'm saying.

566
00:30:50,680 --> 00:30:52,640
Speaker 1: I was I was wondering was he keeping that or not?

567
00:30:52,840 --> 00:30:57,360
Speaker 1: But listen, he's got like seventy five songs. Yeah, so

568
00:30:58,000 --> 00:31:01,920
Speaker 1: yeah I did some ship with Game. You know what

569
00:31:02,000 --> 00:31:05,720
Speaker 1: I'm saying, shout out the homie, Game Man, you patched in, Like, Yo, bros,

570
00:31:06,240 --> 00:31:08,240
Speaker 1: let's get one in. Let's do it. You know what

571
00:31:08,280 --> 00:31:12,360
Speaker 1: I'm saying. I mean, you know, I fuck with everybody man,

572
00:31:12,480 --> 00:31:14,760
Speaker 1: like I just like to cook. Yeah, so it's just

573
00:31:14,840 --> 00:31:17,000
Speaker 1: be dope that niggas that I you know, I listened

574
00:31:17,040 --> 00:31:21,160
Speaker 1: to and when I was on the uprise of this shit,

575
00:31:22,240 --> 00:31:24,680
Speaker 1: you know, wanting to collaborate with me, that should be

576
00:31:24,800 --> 00:31:27,040
Speaker 1: meaning a lot. So when the homie patched then, like yo,

577
00:31:27,200 --> 00:31:30,160
Speaker 1: want to get one in. I'm let when you guys

578
00:31:30,200 --> 00:31:32,920
Speaker 1: first started out and you guys were getting some of

579
00:31:32,960 --> 00:31:34,880
Speaker 1: these features right, like wh where there was like bust

580
00:31:34,880 --> 00:31:36,680
Speaker 1: of rhymes. It's like some of the early like dope,

581
00:31:37,040 --> 00:31:39,720
Speaker 1: bigger features you guys were getting. Did you guys ever

582
00:31:39,800 --> 00:31:42,920
Speaker 1: have to pay for any of those features early on? Never? Never,

583
00:31:43,000 --> 00:31:46,240
Speaker 1: it was always a respect thing. Always it was organic,

584
00:31:46,720 --> 00:31:49,880
Speaker 1: especially for me. I don't even want to work with you,

585
00:31:50,680 --> 00:31:55,280
Speaker 1: no matter how uh talented you may be, none of

586
00:31:55,320 --> 00:31:57,240
Speaker 1: that shit or how lich you is or hot you

587
00:31:57,480 --> 00:31:59,920
Speaker 1: is on radio or none of it. Like, if it's

588
00:32:00,080 --> 00:32:03,200
Speaker 1: not organic, if I never like like we ain't never

589
00:32:04,480 --> 00:32:08,320
Speaker 1: cross paths or at least like even on the internet

590
00:32:08,400 --> 00:32:10,800
Speaker 1: way like you know, damn, Like, if it's not love,

591
00:32:11,200 --> 00:32:13,600
Speaker 1: the gotta just feel organic, like I'm not just I

592
00:32:13,680 --> 00:32:17,480
Speaker 1: don't care about the numbers, like perception and work with

593
00:32:17,600 --> 00:32:19,880
Speaker 1: nobody thinking like, oh, nigga, I get a song with him,

594
00:32:19,880 --> 00:32:22,040
Speaker 1: it's going I'm gonna blow. It's gonna be a hit.

595
00:32:22,200 --> 00:32:25,320
Speaker 1: Like I fuck with niggas that fuck with me. I

596
00:32:25,440 --> 00:32:27,920
Speaker 1: fuck with everybody, But when it comes to being, you know,

597
00:32:28,040 --> 00:32:31,800
Speaker 1: collabing and making music, I fuck with it. Gotta be organic, man,

598
00:32:31,920 --> 00:32:33,880
Speaker 1: real nigga ship like you know what I'm saying, so

599
00:32:34,080 --> 00:32:41,760
Speaker 1: like uh like saying that's big. Listen whatever y'all got coming,

600
00:32:42,400 --> 00:32:45,600
Speaker 1: Like Buster like I said, I'm in a stool bus

601
00:32:45,720 --> 00:32:50,600
Speaker 1: the nigga, I'm hugging buss like bus like nigga, I

602
00:32:50,800 --> 00:32:53,720
Speaker 1: love you king type ship. He took me in like

603
00:32:54,000 --> 00:32:57,760
Speaker 1: as a brother, as a little brother. Ray Kwan and

604
00:32:57,800 --> 00:33:01,440
Speaker 1: them niggas like I've been fucking with Chef, like even

605
00:33:01,520 --> 00:33:03,480
Speaker 1: before he even knew I rapped, like I just was

606
00:33:03,560 --> 00:33:05,560
Speaker 1: around him. He met me in Buffalo and ship for

607
00:33:05,640 --> 00:33:08,360
Speaker 1: the first time. So I'm at a couple of parties

608
00:33:08,400 --> 00:33:11,080
Speaker 1: and just you know, around and every time he would

609
00:33:11,080 --> 00:33:13,880
Speaker 1: be around me, just you know, I'm on my square.

610
00:33:14,000 --> 00:33:18,200
Speaker 1: You feel me. I'm flying. I'm always was a flying nigga,

611
00:33:18,720 --> 00:33:20,440
Speaker 1: you know what I'm saying, having a couple of dollars

612
00:33:20,480 --> 00:33:23,840
Speaker 1: and ship anyway. So but I never really brought up like, yeah,

613
00:33:24,160 --> 00:33:25,960
Speaker 1: I rap, I do music. You know what I'm saying.

614
00:33:26,560 --> 00:33:28,480
Speaker 1: You know this was this is for any of that.

615
00:33:29,680 --> 00:33:32,040
Speaker 1: You know what I'm saying. When he finally start hearing, man,

616
00:33:32,120 --> 00:33:38,560
Speaker 1: people like I know I've been around you say nothing.

617
00:33:39,280 --> 00:33:42,520
Speaker 1: You know what I'm saying. So it's just everything, It's

618
00:33:42,600 --> 00:33:46,520
Speaker 1: just all organic. Early on before a lot of them

619
00:33:46,560 --> 00:33:48,840
Speaker 1: niggas with suckers, man, they ain't funk with us. Saying,

620
00:33:49,120 --> 00:33:52,440
Speaker 1: I'm trying to like collab, Like you know what I'm saying,

621
00:33:52,760 --> 00:33:55,800
Speaker 1: They ain't want to collab either, like try to like

622
00:33:56,800 --> 00:34:00,440
Speaker 1: charge the niggas astronomical prices, or they just be on

623
00:34:00,520 --> 00:34:03,720
Speaker 1: some sucker. She's like, oh yeah, it's like my math,

624
00:34:03,800 --> 00:34:06,000
Speaker 1: and then you never hear it from him again. They'll reply,

625
00:34:06,240 --> 00:34:09,000
Speaker 1: they don't respond. A lot of fuck niggas like that.

626
00:34:09,280 --> 00:34:10,920
Speaker 1: You know what I'm saying. I feel like that's the

627
00:34:11,040 --> 00:34:13,960
Speaker 1: rap game in the nutshell that you just said, yea,

628
00:34:14,120 --> 00:34:16,440
Speaker 1: it is. It's a lot of people running into each

629
00:34:16,440 --> 00:34:19,719
Speaker 1: others and being like, Yo, let's work that should still

630
00:34:19,840 --> 00:34:22,719
Speaker 1: go on even in like people that's on in the

631
00:34:22,800 --> 00:34:26,520
Speaker 1: industry made this. I got records on on my album

632
00:34:26,600 --> 00:34:28,960
Speaker 1: right now. God, don't make mistakes that. You know what

633
00:34:28,960 --> 00:34:32,520
Speaker 1: I'm saying That I communicated, we kicked and chopped it

634
00:34:32,600 --> 00:34:34,200
Speaker 1: up with the roway and you know what I'm saying,

635
00:34:34,320 --> 00:34:36,800
Speaker 1: gonna say no names, but we do the song and

636
00:34:36,920 --> 00:34:40,320
Speaker 1: then you know they sit the managers and the lawyers

637
00:34:40,360 --> 00:34:42,960
Speaker 1: on you, and then they don't listen. You know, you know,

638
00:34:43,080 --> 00:34:45,879
Speaker 1: you you got a record you didn't they don't want

639
00:34:45,920 --> 00:34:49,280
Speaker 1: to clear it. You got a record that you've played

640
00:34:49,360 --> 00:34:53,160
Speaker 1: me exactly. You know the record exactly. That's that That's

641
00:34:53,160 --> 00:34:56,920
Speaker 1: a real hit record. That is the problem why we

642
00:34:57,040 --> 00:34:58,719
Speaker 1: probably were never gonna hear it is because of some

643
00:34:58,760 --> 00:35:01,279
Speaker 1: of the industry suck street, sucker ship and this is

644
00:35:01,320 --> 00:35:04,000
Speaker 1: a crazy record. This is a record that, like to me,

645
00:35:04,239 --> 00:35:08,520
Speaker 1: is like you could change your life type shit. It's

646
00:35:08,560 --> 00:35:10,200
Speaker 1: like wild to me, Like when I hear something like

647
00:35:10,280 --> 00:35:11,560
Speaker 1: that and I'm like, yo, how the fuck is this

648
00:35:11,680 --> 00:35:15,040
Speaker 1: not getting clear? Because like like imagine if that song

649
00:35:15,200 --> 00:35:16,880
Speaker 1: just never comes out, or that beat never comes out,

650
00:35:16,960 --> 00:35:19,399
Speaker 1: or that hook never comes out, It's like what, Yeah,

651
00:35:19,440 --> 00:35:21,520
Speaker 1: it's wild. I played you know, I play the game

652
00:35:21,640 --> 00:35:23,360
Speaker 1: wrong kind of you know what I mean. Sometimes you

653
00:35:23,440 --> 00:35:27,520
Speaker 1: gotta you gotta switch up your your strategies, you know

654
00:35:27,560 --> 00:35:30,680
Speaker 1: what I'm saying. In some situations, like in that situation,

655
00:35:30,840 --> 00:35:32,920
Speaker 1: I kind of like put it in a you know,

656
00:35:34,080 --> 00:35:38,120
Speaker 1: and and other people's hands to get that get it done. Yeah,

657
00:35:38,280 --> 00:35:40,680
Speaker 1: taken care of when I should have just went and

658
00:35:41,320 --> 00:35:43,719
Speaker 1: just with the shoe box and grabbed the money and

659
00:35:43,880 --> 00:35:50,920
Speaker 1: just handway as mine. I just get reinbursed later. Has

660
00:35:51,000 --> 00:35:53,040
Speaker 1: Drake ever reached out to you? Obviously, Drake and Bennigain,

661
00:35:54,440 --> 00:35:59,759
Speaker 1: that's my niggah. We chop it up, you know what

662
00:35:59,760 --> 00:36:02,279
Speaker 1: I'm saying. We chopped it up, and I ran between

663
00:36:02,320 --> 00:36:04,840
Speaker 1: him a couple of times in person and chopped it

664
00:36:04,920 --> 00:36:06,759
Speaker 1: up in the DMS and ship on the gram and

665
00:36:06,840 --> 00:36:09,279
Speaker 1: all that. But we ain't never do no music or

666
00:36:09,320 --> 00:36:12,280
Speaker 1: nothing together. But you know that's my niggas love. Like again,

667
00:36:12,400 --> 00:36:14,480
Speaker 1: like I'm not a nigga that like when I meet

668
00:36:14,560 --> 00:36:17,160
Speaker 1: niggas and I see niggas, Yo, let's do a fucking song. No,

669
00:36:17,520 --> 00:36:20,160
Speaker 1: if it happens, it happens, right, if it's organic, if

670
00:36:20,160 --> 00:36:22,600
Speaker 1: it's like you said, it's all about organic shit. And

671
00:36:23,040 --> 00:36:25,799
Speaker 1: you know, I just feel like from the conversations and shit,

672
00:36:25,880 --> 00:36:27,880
Speaker 1: and you know how we greet each other and you know,

673
00:36:28,320 --> 00:36:31,640
Speaker 1: I feel like that's not nothing that's would be difficult

674
00:36:31,719 --> 00:36:33,600
Speaker 1: to happen. Like if I if it just came into it,

675
00:36:33,640 --> 00:36:36,160
Speaker 1: like yo, let's cook one drizzy like nigga, let's go.

676
00:36:36,480 --> 00:36:38,200
Speaker 1: You know what I'm saying. I got you saying. Let's

677
00:36:38,480 --> 00:36:41,759
Speaker 1: working with Wayne on this album had to be that

678
00:36:41,920 --> 00:36:43,879
Speaker 1: was one of the features that has been on there

679
00:36:43,880 --> 00:36:45,440
Speaker 1: because I had heard it a couple, you know, a

680
00:36:45,520 --> 00:36:50,160
Speaker 1: while ago. So obviously Wayne is you know peak, Wayne

681
00:36:50,320 --> 00:36:54,000
Speaker 1: is up there with like Peak fifty Peak Snoop as

682
00:36:54,000 --> 00:36:56,359
Speaker 1: far as this most famous, biggest motherfucker's alive, as far

683
00:36:56,400 --> 00:37:01,120
Speaker 1: as like his run was just impeccable. Wayne, I feel

684
00:37:01,160 --> 00:37:03,200
Speaker 1: like it's always super tapped in when it comes to

685
00:37:03,360 --> 00:37:06,560
Speaker 1: like real lyrical shit, even when he was in jail,

686
00:37:06,800 --> 00:37:09,000
Speaker 1: Like he had an interview where he said, as soon

687
00:37:09,000 --> 00:37:10,400
Speaker 1: as he get it get out of Joey wanted to

688
00:37:10,440 --> 00:37:12,279
Speaker 1: work with Tech nine. That was like in twenty ten

689
00:37:12,400 --> 00:37:13,279
Speaker 1: or some shit, you know what I mean. But I

690
00:37:13,320 --> 00:37:15,600
Speaker 1: feel like he's always super tapped in, Like how did

691
00:37:15,600 --> 00:37:22,920
Speaker 1: the Wayne shit end up just happening? Honestly? Uh, my

692
00:37:23,040 --> 00:37:25,880
Speaker 1: nigga Too Chains trut out to change man. And I

693
00:37:26,040 --> 00:37:28,520
Speaker 1: never maybe I never at this point, I had never

694
00:37:28,640 --> 00:37:32,399
Speaker 1: even met Too Chains or nothing. I don't even think

695
00:37:32,480 --> 00:37:37,759
Speaker 1: we even did any music together or anything. It's just

696
00:37:38,120 --> 00:37:40,680
Speaker 1: and Wayne told this story like, man, you know, two

697
00:37:40,800 --> 00:37:43,000
Speaker 1: Chains was just hitting me. It was like, Yo, you

698
00:37:43,120 --> 00:37:45,680
Speaker 1: gotta hear this Gizelda shit, you gotta hear this nigga Conway,

699
00:37:45,800 --> 00:37:49,080
Speaker 1: you know what I'm saying and stuff. So and Wayne

700
00:37:49,239 --> 00:37:51,680
Speaker 1: was just tapped in and that's when he reached out

701
00:37:51,760 --> 00:37:55,040
Speaker 1: and like immediately like yo, I gotta do something with

702
00:37:55,120 --> 00:37:57,360
Speaker 1: them dudes. And that's when he had me and Benny

703
00:37:57,440 --> 00:38:03,560
Speaker 1: on a Roulette album. Uh on a funeral or whatever.

704
00:38:04,120 --> 00:38:09,400
Speaker 1: I think the song is Roulette, but yeah, that's how

705
00:38:09,440 --> 00:38:11,200
Speaker 1: that should happened. It reached out. We did the joint

706
00:38:11,600 --> 00:38:14,400
Speaker 1: swap like I got one for you. He was you know.

707
00:38:14,719 --> 00:38:17,480
Speaker 1: I think I went on his podcast and I remember

708
00:38:17,560 --> 00:38:20,520
Speaker 1: that like, yeah, you know you need anything, man, you

709
00:38:20,640 --> 00:38:24,840
Speaker 1: let me know. Man. As a matter of fact, I

710
00:38:25,000 --> 00:38:27,560
Speaker 1: got one. Yeah, I got one for you right now.

711
00:38:28,120 --> 00:38:30,120
Speaker 1: And he sent that ship back in the day. And

712
00:38:30,200 --> 00:38:33,240
Speaker 1: then we linked up more like it's always love. Like again,

713
00:38:33,360 --> 00:38:35,080
Speaker 1: like I said when I see him, was love. We

714
00:38:35,239 --> 00:38:40,200
Speaker 1: linked up again like in his studio. Miami. Yeah, Miami.

715
00:38:41,120 --> 00:38:43,160
Speaker 1: We cooked up some a bunch of ship and like

716
00:38:43,440 --> 00:38:46,839
Speaker 1: both you guys are sports heads too, just watching Wayne Cook.

717
00:38:47,040 --> 00:38:49,120
Speaker 1: We got some crazy ship. We got a joint where

718
00:38:49,120 --> 00:38:51,040
Speaker 1: we're going back and forth, like you know what I'm

719
00:38:51,040 --> 00:38:56,759
Speaker 1: saying in and out. I'm telling you what I'm telling you.

720
00:38:56,840 --> 00:38:58,840
Speaker 1: I don't know what's going on with that joint, but

721
00:38:59,040 --> 00:39:01,759
Speaker 1: you and Wayne just going back and forth crazy on

722
00:39:01,880 --> 00:39:07,000
Speaker 1: some some some some kiss style ship. Yeah. Wow, Yeah,

723
00:39:08,120 --> 00:39:10,279
Speaker 1: it's crazy because we always hear Wayne don't write and

724
00:39:10,360 --> 00:39:13,279
Speaker 1: ship right like, it's all shout out mac Maine. Mac

725
00:39:13,360 --> 00:39:14,879
Speaker 1: Maine is a great guy. A lot of that ship

726
00:39:14,960 --> 00:39:17,880
Speaker 1: for me too. That's my brother. Like we talk a

727
00:39:18,000 --> 00:39:21,400
Speaker 1: lot like man, Mac talk all the time. That's fucking crazy.

728
00:39:21,560 --> 00:39:24,719
Speaker 1: Back and forth, yeah, back and forth, some crazy shit.

729
00:39:24,760 --> 00:39:26,920
Speaker 1: I can't wait. I hope this ship come out man

730
00:39:27,360 --> 00:39:30,440
Speaker 1: Carter six or something cooking. I'm just watching them and

731
00:39:30,480 --> 00:39:32,160
Speaker 1: and cook. I was in there, that's the crazy shit.

732
00:39:32,200 --> 00:39:34,800
Speaker 1: I was there. I left Wayne and went to the

733
00:39:34,920 --> 00:39:40,560
Speaker 1: ranch with Yeah, just bucking this ship, bro, ship got

734
00:39:40,600 --> 00:39:43,560
Speaker 1: some real ship. Hey, we gotta stuff the podcast man

735
00:39:43,680 --> 00:39:46,960
Speaker 1: real quick. Appreciate y'all for watching, really mean mean it.

736
00:39:47,239 --> 00:39:49,920
Speaker 1: Subscribe like eave a comment, even if you're one of

737
00:39:49,920 --> 00:39:52,920
Speaker 1: those dickheadsh leave the comment. You're always interrupting the guests

738
00:39:52,960 --> 00:39:55,359
Speaker 1: because it's my fucking podcast, and I don't know i'd

739
00:39:55,440 --> 00:40:01,319
Speaker 1: like to talk to anyway. Hey, shout out to odd

740
00:40:01,400 --> 00:40:03,719
Speaker 1: Socks man, they've been our sponsor from day one. We

741
00:40:03,800 --> 00:40:07,279
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742
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Speaker 1: for my wife and I go hard for odd Socks

743
00:40:10,400 --> 00:40:12,920
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744
00:40:12,920 --> 00:40:15,360
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745
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746
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747
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748
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749
00:40:36,239 --> 00:40:38,520
Speaker 1: What are you into the odd socks? Basics are the

750
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751
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752
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756
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Speaker 1: Goo shows love and let's get back to the interview.

757
00:41:02,239 --> 00:41:04,080
Speaker 1: I will say this man, like I do feel like

758
00:41:06,000 --> 00:41:08,520
Speaker 1: we you know, we were talking about giving flowers earlier.

759
00:41:08,600 --> 00:41:10,440
Speaker 1: I do feel like it has to be said, like

760
00:41:11,200 --> 00:41:15,759
Speaker 1: you are probably the best. Like when we think of

761
00:41:15,960 --> 00:41:19,040
Speaker 1: eras of hip hop, and we think of like who

762
00:41:19,080 --> 00:41:21,839
Speaker 1: we grew up listening to and who was the best

763
00:41:21,880 --> 00:41:24,040
Speaker 1: when we were growing up, whether it was Nas, whether

764
00:41:24,120 --> 00:41:27,440
Speaker 1: it was Kiss, whether it was Hove, Big al whatever,

765
00:41:27,880 --> 00:41:31,120
Speaker 1: you're that guy right now, so like are like I

766
00:41:31,160 --> 00:41:33,480
Speaker 1: think in fifteen years, we're gonna look back and be like, man,

767
00:41:33,520 --> 00:41:36,719
Speaker 1: we was. Do you remember the Conway Griselda Era. Yeah,

768
00:41:36,960 --> 00:41:40,600
Speaker 1: that's dope, That's that's man. You know, And I know

769
00:41:40,640 --> 00:41:42,600
Speaker 1: how important that shit is to you because because you know,

770
00:41:42,640 --> 00:41:44,480
Speaker 1: I was talking to Benny, and like Benny's like very

771
00:41:45,600 --> 00:41:47,480
Speaker 1: kind of on the opposite end of the spectrum because

772
00:41:47,520 --> 00:41:50,480
Speaker 1: I know you give a fuck as far as like

773
00:41:50,840 --> 00:41:53,040
Speaker 1: you're going for that number one spot because it matters

774
00:41:53,080 --> 00:41:56,560
Speaker 1: to you. Benny's kind of nonchalant about it. He's like, look,

775
00:41:56,600 --> 00:41:58,640
Speaker 1: people are gonna give me say what they're gonna say,

776
00:41:58,680 --> 00:41:59,920
Speaker 1: or they're not gonna say with it. I know how

777
00:42:00,000 --> 00:42:02,839
Speaker 1: important that is to you to make sure motherfuckers really

778
00:42:02,880 --> 00:42:07,680
Speaker 1: put that on your name. Like I feel about this ship.

779
00:42:07,800 --> 00:42:10,080
Speaker 1: Any want to be the best. That's why I'm motherfucking

780
00:42:10,160 --> 00:42:16,520
Speaker 1: on sleep. And it's just NonStop. He is NonStop for sure,

781
00:42:16,800 --> 00:42:19,480
Speaker 1: Like he all over the place everywhere, Like Benny, I

782
00:42:19,600 --> 00:42:21,960
Speaker 1: know you guys did this and we talked about this

783
00:42:22,080 --> 00:42:24,040
Speaker 1: in the interview that him and I did. To just

784
00:42:24,080 --> 00:42:28,200
Speaker 1: drop music right now, Tan to talk four coming out,

785
00:42:28,280 --> 00:42:31,920
Speaker 1: I think March eleventh, you guys have a song called

786
00:42:31,960 --> 00:42:37,839
Speaker 1: Tyson Versa Ali that everyone will hear. That's I thought

787
00:42:37,920 --> 00:42:40,480
Speaker 1: an important record because I kind of feel like when

788
00:42:40,520 --> 00:42:43,040
Speaker 1: it comes to just like the Griselda fans and the

789
00:42:44,120 --> 00:42:47,440
Speaker 1: there's like a Griselda Reddit thread and like there's like,

790
00:42:47,560 --> 00:42:50,120
Speaker 1: you know, there's just this little world of like hardcore

791
00:42:50,200 --> 00:42:53,239
Speaker 1: Griselda fans, and I feel like you guys kind of

792
00:42:53,400 --> 00:42:56,640
Speaker 1: like put a lot of that, like some of the

793
00:42:56,760 --> 00:42:59,920
Speaker 1: dumb narratives that people create that is not non existing

794
00:43:00,120 --> 00:43:01,680
Speaker 1: kind of to sleep on that record in terms of

795
00:43:01,840 --> 00:43:04,960
Speaker 1: just being like, yo, like we're family. At the end

796
00:43:05,000 --> 00:43:06,960
Speaker 1: of the day. If you're doing good, I'm doing Like

797
00:43:07,040 --> 00:43:09,120
Speaker 1: we're happy for each other. Yeah, And at the end

798
00:43:09,120 --> 00:43:10,800
Speaker 1: of the day, that's really what it is, you know

799
00:43:10,840 --> 00:43:15,160
Speaker 1: what I'm saying. Like you know, you know, people tend

800
00:43:15,239 --> 00:43:18,600
Speaker 1: to love like, I don't know, like a story like

801
00:43:18,680 --> 00:43:22,919
Speaker 1: a they love a storyline like it's the wrestling ship. Yeah.

802
00:43:23,000 --> 00:43:25,879
Speaker 1: People want to be like, yo, what's that all that ship? Man?

803
00:43:26,080 --> 00:43:29,480
Speaker 1: You feel me like, we it's just it's just crazy

804
00:43:29,600 --> 00:43:32,680
Speaker 1: because all of our lives and our careers is taking

805
00:43:32,840 --> 00:43:37,279
Speaker 1: off and just at a trajectory that we didn't even plan.

806
00:43:37,760 --> 00:43:40,320
Speaker 1: I don't think you know what I'm saying. Like Benny

807
00:43:40,480 --> 00:43:42,880
Speaker 1: on top of the fucking world right now, you feel me.

808
00:43:43,000 --> 00:43:46,520
Speaker 1: He's doing a million things, doing his own ship west side,

809
00:43:46,960 --> 00:43:49,040
Speaker 1: the same way on the top of the world, doing

810
00:43:49,080 --> 00:43:51,880
Speaker 1: a million ship over here with it. I'm doing a

811
00:43:51,920 --> 00:43:54,040
Speaker 1: bunch of shit, you know what I'm saying. We all

812
00:43:54,239 --> 00:43:57,200
Speaker 1: just be coming, you know, we're growing. This is this

813
00:43:57,440 --> 00:43:59,759
Speaker 1: I mean, look at best case scenario. This should have

814
00:43:59,800 --> 00:44:02,920
Speaker 1: been the playing the whole time, right Yeah. Yeah, It's

815
00:44:03,000 --> 00:44:06,360
Speaker 1: like like, man, this is the best case scenario. Is

816
00:44:06,440 --> 00:44:11,600
Speaker 1: what's happening? Yeah? Man, you know absolutely, But now that

817
00:44:11,719 --> 00:44:16,200
Speaker 1: record is crazy. That ship Tyson versus Ali, I'm gonna say,

818
00:44:16,200 --> 00:44:18,439
Speaker 1: I'm gonna say you're Ali. Are we saying you're Ali

819
00:44:18,520 --> 00:44:21,040
Speaker 1: in this in the Tyson verse? Ali? I guess? So

820
00:44:22,880 --> 00:44:26,120
Speaker 1: you know what I mean? Shot shout out to Tanna

821
00:44:26,200 --> 00:44:29,160
Speaker 1: talk for though. Uh man, you guys are gonna have

822
00:44:29,239 --> 00:44:31,480
Speaker 1: a crazy, like three or four weeks as a crew

823
00:44:31,600 --> 00:44:36,640
Speaker 1: because between your ship and his ship. Man, it's good.

824
00:44:37,360 --> 00:44:39,680
Speaker 1: It's gonna start feeling like twenty twenty and this motherfucker

825
00:44:39,719 --> 00:44:44,160
Speaker 1: all over again. Time, man, take over. Talk to me

826
00:44:44,200 --> 00:44:48,360
Speaker 1: about drum work. You know, Jay just played some Crazy

827
00:44:48,440 --> 00:44:54,719
Speaker 1: Records Crazy. I know how much of like a hip

828
00:44:54,760 --> 00:44:57,960
Speaker 1: hop historian you are, And I kind of felt like

829
00:44:58,440 --> 00:45:02,680
Speaker 1: last year's project to me felt a little kind of

830
00:45:02,760 --> 00:45:05,520
Speaker 1: like Jay's Dynasty album in terms of like a great

831
00:45:05,560 --> 00:45:09,919
Speaker 1: way for you to introduce your roster in the form

832
00:45:10,000 --> 00:45:14,240
Speaker 1: of a Conway album. Will there be like an official

833
00:45:14,320 --> 00:45:18,520
Speaker 1: drum work project coming? Yeah, Yeah, we're doing, We're gonna,

834
00:45:18,520 --> 00:45:20,440
Speaker 1: We're gonna probably you know what I'm saying, fuck them

835
00:45:20,520 --> 00:45:23,800
Speaker 1: up with a compilation. We got about we got a

836
00:45:23,880 --> 00:45:26,200
Speaker 1: lot of songs done. We got some songs done for

837
00:45:26,320 --> 00:45:29,439
Speaker 1: that ship already. You know, It's just I've been having

838
00:45:29,560 --> 00:45:31,640
Speaker 1: so much shit going on right it kind of got

839
00:45:31,719 --> 00:45:36,319
Speaker 1: put on pause with uh, you know, everything that's been

840
00:45:36,400 --> 00:45:38,600
Speaker 1: happening for me, Like you know what I'm saying, Like

841
00:45:39,160 --> 00:45:44,640
Speaker 1: damn X album stuff, being on that and the BT Awards.

842
00:45:45,719 --> 00:45:49,440
Speaker 1: The tour happened like right after that. Yeah, the tour

843
00:45:49,600 --> 00:45:53,000
Speaker 1: was lit. Now I'm an album circuit for my ship

844
00:45:53,120 --> 00:45:55,200
Speaker 1: for God to make my stores and I'm going on

845
00:45:55,280 --> 00:45:58,040
Speaker 1: the world tour stuff. So it's like kind of like,

846
00:45:58,880 --> 00:46:01,080
Speaker 1: are you excited for the world to our? Yeah? Yeah,

847
00:46:01,080 --> 00:46:04,640
Speaker 1: I ain't never been overseas man. Yeah, it's different. Over there.

848
00:46:04,920 --> 00:46:07,120
Speaker 1: I've only been to a couple of cities. Well since

849
00:46:07,160 --> 00:46:09,160
Speaker 1: I well, now that I've been touring, I've been to

850
00:46:09,200 --> 00:46:11,280
Speaker 1: a lot of a lot of shit. I've been on tours,

851
00:46:11,320 --> 00:46:13,920
Speaker 1: like my first time going, were you able like like obviously,

852
00:46:14,520 --> 00:46:16,239
Speaker 1: were you ever ever able to go to Canada? Because

853
00:46:16,280 --> 00:46:18,160
Speaker 1: it's tough to get into Canada if you have certain charges.

854
00:46:18,200 --> 00:46:21,720
Speaker 1: You know, before you know, nine to eleven, it was easy.

855
00:46:21,800 --> 00:46:24,080
Speaker 1: You could just go over there and even look, you

856
00:46:24,160 --> 00:46:26,839
Speaker 1: look at your idea and they just roll your wonder

857
00:46:26,920 --> 00:46:30,160
Speaker 1: not where you're from us and we're going We're going

858
00:46:30,200 --> 00:46:34,560
Speaker 1: to the mall switched up. Though now now it's it's tough.

859
00:46:35,200 --> 00:46:38,480
Speaker 1: It's tough. Could you even do shows over there? I

860
00:46:38,560 --> 00:46:41,320
Speaker 1: got shows booked over there for the tour, That's what

861
00:46:41,360 --> 00:46:45,480
Speaker 1: I'm saying. I got like a whole Canada, like Montreal.

862
00:46:46,760 --> 00:46:48,600
Speaker 1: It's just a I heard a week. I know certain

863
00:46:48,640 --> 00:46:50,600
Speaker 1: people like that. Man, I'd love to go to Canada.

864
00:46:50,600 --> 00:46:51,880
Speaker 1: I just can't. They want to be in the country

865
00:46:51,920 --> 00:46:58,439
Speaker 1: type ship. It's weird, but it's definitely strange when after

866
00:46:58,520 --> 00:47:00,960
Speaker 1: this project comes out, you got the world tour. We

867
00:47:01,080 --> 00:47:02,880
Speaker 1: know how active you are. We might fuck around and

868
00:47:02,920 --> 00:47:05,319
Speaker 1: get four fucking albums this year from you. Yeah, yeah,

869
00:47:06,680 --> 00:47:08,719
Speaker 1: it definitely is. Well. I would say, what's the playing

870
00:47:08,760 --> 00:47:11,319
Speaker 1: the rest of the year? Man? Then Alchemists cooking back

871
00:47:11,440 --> 00:47:14,640
Speaker 1: up again okay, and Chase is doing a nice little

872
00:47:14,680 --> 00:47:18,600
Speaker 1: ep for the streets. I'm doing something my nigga, Lord

873
00:47:18,680 --> 00:47:22,239
Speaker 1: Flee shout out to Flee. Uh stood me up when

874
00:47:22,239 --> 00:47:23,560
Speaker 1: he was in La was supposed to be on the show.

875
00:47:23,560 --> 00:47:27,160
Speaker 1: You didn't come doing one more little installment of the

876
00:47:27,239 --> 00:47:30,359
Speaker 1: Big Ghost trilogy. We got to figure out how Big

877
00:47:30,360 --> 00:47:35,320
Speaker 1: Ghost is. We do we big ghosts? Bro? Yeah, we

878
00:47:35,360 --> 00:47:37,120
Speaker 1: gotta get we gotta get hit on the fun. He's

879
00:47:37,200 --> 00:47:39,920
Speaker 1: just a mystery at this point. And I'm doing like

880
00:47:40,840 --> 00:47:44,360
Speaker 1: I'm doing some some some business with Empire too for

881
00:47:44,520 --> 00:47:48,239
Speaker 1: the next album. So let me ask you this, like,

882
00:47:49,040 --> 00:47:52,160
Speaker 1: would there ever be a point in time not to

883
00:47:52,239 --> 00:47:55,520
Speaker 1: be in the Griselda business? But were you like, obviously

884
00:47:55,600 --> 00:47:58,640
Speaker 1: it's always Griselda, But were you like leave the label

885
00:47:59,400 --> 00:48:01,480
Speaker 1: as far as like tractually or do you kind of

886
00:48:01,480 --> 00:48:07,279
Speaker 1: feel like you're always kind of be I'm contractually done now,

887
00:48:08,360 --> 00:48:14,960
Speaker 1: So any music moving forward is going to be drum work. Yeah, yeah,

888
00:48:15,120 --> 00:48:19,680
Speaker 1: drum work I mean as of right now. Yeah, like

889
00:48:19,920 --> 00:48:23,080
Speaker 1: sitting right here right now, like I'm not on a

890
00:48:23,560 --> 00:48:27,600
Speaker 1: contract with Griselda Shady none of that ship no more.

891
00:48:28,680 --> 00:48:30,680
Speaker 1: I mean ship. Is this the first time in your

892
00:48:30,719 --> 00:48:33,920
Speaker 1: career that it's free agency right now? You heard with

893
00:48:34,080 --> 00:48:36,880
Speaker 1: that being said, and we all need that man, I

894
00:48:36,920 --> 00:48:41,560
Speaker 1: need that super Max, Man, I need the yan Yana's bag. Yeah,

895
00:48:41,560 --> 00:48:43,400
Speaker 1: and even if that doesn't happen, it's still you know,

896
00:48:43,480 --> 00:48:45,759
Speaker 1: Griselda is still family. Gun is still family. Of course.

897
00:48:46,000 --> 00:48:48,160
Speaker 1: That's that's for life. You know what I'm saying, man

898
00:48:48,400 --> 00:48:50,080
Speaker 1: and me and Broke. You know what I'm saying, I

899
00:48:50,160 --> 00:48:52,759
Speaker 1: put that ship on my back, man, West took that

900
00:48:53,000 --> 00:48:55,520
Speaker 1: we've been No. I mean, the the analogy you had

901
00:48:55,600 --> 00:48:59,879
Speaker 1: about doing the construction and all that is very uh yeah,

902
00:49:00,080 --> 00:49:05,680
Speaker 1: that's some real ship. Are you guys trying to you know,

903
00:49:05,800 --> 00:49:08,120
Speaker 1: do the you know, do the extension or you just

904
00:49:08,239 --> 00:49:10,960
Speaker 1: kind of we haven't really talked about that. Who knows,

905
00:49:11,120 --> 00:49:14,719
Speaker 1: Like I'm sure you know what I mean. That's yeah,

906
00:49:15,160 --> 00:49:17,640
Speaker 1: all of our intentions, you know what I'm saying in

907
00:49:17,719 --> 00:49:20,439
Speaker 1: the perfect worldly minds, like you know what I'm saying.

908
00:49:21,400 --> 00:49:24,520
Speaker 1: I'm just saying that's right now, like it's the end,

909
00:49:24,680 --> 00:49:28,520
Speaker 1: Like you know, the paperwork I signed was it's been fulfilled.

910
00:49:28,680 --> 00:49:31,960
Speaker 1: It's been fulfilled as well as with it was all

911
00:49:32,080 --> 00:49:37,360
Speaker 1: in together like my Shady paperwork and Griselda paperwork. Everything

912
00:49:37,400 --> 00:49:40,520
Speaker 1: has been forfilled and it's been fulfilled. And now it's

913
00:49:40,600 --> 00:49:43,240
Speaker 1: time to sit back at the round table and figure

914
00:49:43,280 --> 00:49:46,200
Speaker 1: out the future. What it got in store for me?

915
00:49:46,520 --> 00:49:48,600
Speaker 1: And you know or just get or you know. Ghazi

916
00:49:48,640 --> 00:49:50,960
Speaker 1: will just give you that that drum work situation at

917
00:49:51,000 --> 00:49:55,640
Speaker 1: Empire and then and now you are, you got your

918
00:49:55,719 --> 00:49:59,360
Speaker 1: own man, you got just take the flight to San Francisco.

919
00:49:59,480 --> 00:50:02,080
Speaker 1: Figured it out, Ghazi and Nima and hey man, old

920
00:50:02,120 --> 00:50:04,040
Speaker 1: Ghazi gonna take good care of you. I want to

921
00:50:04,040 --> 00:50:07,879
Speaker 1: think about Old Ghazi one hundred per one hundred percent. Damn,

922
00:50:08,000 --> 00:50:09,880
Speaker 1: how much of the Alchemist project do you have finished?

923
00:50:10,600 --> 00:50:13,480
Speaker 1: We don't even start yet, you haven't. But it's in

924
00:50:13,520 --> 00:50:16,480
Speaker 1: the plan to do the sequel. Yeah, he on tour

925
00:50:17,040 --> 00:50:19,719
Speaker 1: right now now, I'm doing this ship, so he ain't

926
00:50:19,760 --> 00:50:22,640
Speaker 1: really had time for us to sit down together and

927
00:50:22,760 --> 00:50:25,879
Speaker 1: like calling through some beats or like family center batch

928
00:50:26,000 --> 00:50:30,480
Speaker 1: or shit or whatever. But it's definitely coming. Lulu too,

929
00:50:30,560 --> 00:50:32,319
Speaker 1: I don't know who my name that ship, Lulu too.

930
00:50:32,760 --> 00:50:34,319
Speaker 1: I think you give you a new name. I think

931
00:50:34,320 --> 00:50:36,759
Speaker 1: you have a new name, you know, I think I

932
00:50:36,840 --> 00:50:39,719
Speaker 1: still got more at that story of paint okay, but

933
00:50:40,560 --> 00:50:43,759
Speaker 1: who knows. It's not been named yet, and you know

934
00:50:43,800 --> 00:50:47,719
Speaker 1: what I'm saying, but it's definitely happening and coming out

935
00:50:47,760 --> 00:50:51,040
Speaker 1: in the very near future this year, like very very

936
00:50:51,760 --> 00:50:55,239
Speaker 1: So that's the next shit I'm working on. And then

937
00:50:55,280 --> 00:50:57,719
Speaker 1: hopefully we figure out what this Beanie Seagull mystery shit

938
00:50:57,840 --> 00:50:59,600
Speaker 1: is that you just that you just laid on us.

939
00:51:00,640 --> 00:51:04,439
Speaker 1: I mean, you know, listen, many just signing to trying

940
00:51:04,480 --> 00:51:09,640
Speaker 1: to think about for the for the people watching speculate, Hey,

941
00:51:09,760 --> 00:51:13,239
Speaker 1: if uh someone who's not affiliated with you currently, right,

942
00:51:13,640 --> 00:51:17,160
Speaker 1: taking out the Griselda roster, the drumwork roster, who would

943
00:51:17,160 --> 00:51:20,000
Speaker 1: be an artist if you could pick, and and let's

944
00:51:20,040 --> 00:51:22,800
Speaker 1: even take out like jay Z and Nas and Lil Wayne,

945
00:51:22,920 --> 00:51:26,719
Speaker 1: all these obvious answers, who's an artist that you could

946
00:51:26,880 --> 00:51:28,439
Speaker 1: that you if you could pick, to do a whole

947
00:51:28,520 --> 00:51:30,960
Speaker 1: album with. You know what I'm saying, that you think

948
00:51:31,000 --> 00:51:33,040
Speaker 1: could just hang with you with the bars that you

949
00:51:33,120 --> 00:51:39,080
Speaker 1: think would just be dope like semi mainstream, you know,

950
00:51:39,160 --> 00:51:40,880
Speaker 1: but like obviously you could be like I want to

951
00:51:40,880 --> 00:51:42,520
Speaker 1: do an album with Drake or jay Z And that's

952
00:51:42,560 --> 00:51:44,320
Speaker 1: like low hanging fruit, Like, give me, give me a

953
00:51:44,440 --> 00:51:47,239
Speaker 1: name signed out to the fire? Who? Like who I

954
00:51:47,280 --> 00:51:49,359
Speaker 1: would love to just who you think would be hard?

955
00:51:49,719 --> 00:51:53,080
Speaker 1: Who you think the fans would appreciate too? That's a

956
00:51:53,160 --> 00:52:01,520
Speaker 1: great question. Uh why? Oh that's a great question, man,

957
00:52:07,800 --> 00:52:12,360
Speaker 1: That's a great fucking question. Man. I don't know. I

958
00:52:12,440 --> 00:52:14,560
Speaker 1: really don't know who I can think you know what

959
00:52:14,600 --> 00:52:19,160
Speaker 1: I'm saying, Like, probably like who would I want to

960
00:52:19,239 --> 00:52:25,920
Speaker 1: do take with? Like that'll be crazy, man, I have

961
00:52:26,120 --> 00:52:31,960
Speaker 1: no idea, bro, something that might be random. Maybe Russ

962
00:52:34,040 --> 00:52:40,400
Speaker 1: Kiss or Styles would be hard. Yeah, low key Lemonade

963
00:52:40,520 --> 00:52:44,000
Speaker 1: was such a moment. You a method man, A little

964
00:52:44,000 --> 00:52:47,319
Speaker 1: six piece with meth might be crazy. That will be insane.

965
00:52:49,000 --> 00:52:55,880
Speaker 1: And me and Russ me in locks? Yeah, probably probably

966
00:52:56,000 --> 00:52:59,960
Speaker 1: mean math. How about this you and Mazi a fuck?

967
00:53:00,920 --> 00:53:02,960
Speaker 1: That would be crazy? I feel like on the just

968
00:53:03,040 --> 00:53:06,280
Speaker 1: on talking about the pain and the relatability and the bars.

969
00:53:07,120 --> 00:53:11,720
Speaker 1: Mazi is him on this side. And congrats to Mazi

970
00:53:11,760 --> 00:53:15,960
Speaker 1: who just signed with CMG. Yeah that's fire. I saw

971
00:53:16,080 --> 00:53:18,239
Speaker 1: that he got a nice situation too, so shout out

972
00:53:18,239 --> 00:53:22,759
Speaker 1: to MASI sweet situation. All right, So this album, man,

973
00:53:22,920 --> 00:53:25,719
Speaker 1: it's out bubble for ship. This probably will come out

974
00:53:25,800 --> 00:53:27,959
Speaker 1: right before the album drops. Albums out the twenty fifth,

975
00:53:28,480 --> 00:53:33,240
Speaker 1: the twenty fifth, twenty fifth, make mistakes. How much input

976
00:53:33,320 --> 00:53:38,359
Speaker 1: did M have on this project? If any? No? None?

977
00:53:38,719 --> 00:53:40,800
Speaker 1: You just sending the album. This is it him and

978
00:53:41,160 --> 00:53:43,640
Speaker 1: you know what about feedback? Wise did he get does

979
00:53:43,680 --> 00:53:47,839
Speaker 1: he give your feedback? Yeah? But it was I'm gonna

980
00:53:47,920 --> 00:53:51,040
Speaker 1: keep it on it. I Uh. I went to Detroit

981
00:53:52,000 --> 00:53:54,759
Speaker 1: and it was in you know, in the studio and

982
00:53:55,120 --> 00:53:59,680
Speaker 1: Paul Royce and blame them the album front and back

983
00:54:00,040 --> 00:54:02,680
Speaker 1: and he fucked with every record. I was like, this shit,

984
00:54:02,840 --> 00:54:06,600
Speaker 1: this is ready to go. And that's when like he

985
00:54:07,080 --> 00:54:11,200
Speaker 1: he jumped on a bang and fifty got on the

986
00:54:11,320 --> 00:54:14,920
Speaker 1: city on the map joint like that. Even though we

987
00:54:15,080 --> 00:54:18,319
Speaker 1: lost those records, but that's what I'm saying. I played

988
00:54:18,400 --> 00:54:21,440
Speaker 1: them in the tape. It was like I didn't have

989
00:54:21,920 --> 00:54:24,239
Speaker 1: it wasn't that was the critique, Like, Yo, this ship

990
00:54:24,360 --> 00:54:28,840
Speaker 1: is fucking amazing, this is ready, this is ready. Do

991
00:54:29,000 --> 00:54:33,520
Speaker 1: you even like have anyone who's critique you like or

992
00:54:33,880 --> 00:54:36,279
Speaker 1: like like who even has the power to tell you like, yeah,

993
00:54:36,360 --> 00:54:38,160
Speaker 1: this one ain't in take it off like or you

994
00:54:38,239 --> 00:54:40,600
Speaker 1: give you give a fuck? Like if whether it's gone

995
00:54:40,680 --> 00:54:44,279
Speaker 1: or Am or somebody everybody. If I respect them and

996
00:54:44,360 --> 00:54:46,800
Speaker 1: they like a pair of my craft, you know what

997
00:54:46,840 --> 00:54:49,279
Speaker 1: I'm saying. They give you input you're open to up right.

998
00:54:49,719 --> 00:54:52,680
Speaker 1: You know, if I'm a pilot and I fly planes

999
00:54:52,760 --> 00:54:56,000
Speaker 1: for a living, like somebody that just took a flight

1000
00:54:56,120 --> 00:54:58,640
Speaker 1: here and there can't tell me how I should have

1001
00:54:58,760 --> 00:55:01,239
Speaker 1: landed the flight, you know what I'm saying. But like

1002
00:55:02,360 --> 00:55:05,480
Speaker 1: it's another pilot that flies to and been flying longer

1003
00:55:05,560 --> 00:55:08,920
Speaker 1: than me or whatever, like I take I ain't one

1004
00:55:08,960 --> 00:55:11,480
Speaker 1: of those type of dudes. I'm opening criticism, you know

1005
00:55:11,480 --> 00:55:14,239
Speaker 1: what I'm saying, likes to be like, yeah, no, I

1006
00:55:14,320 --> 00:55:17,160
Speaker 1: think you could have said that last line a little harder,

1007
00:55:17,840 --> 00:55:20,480
Speaker 1: little little iller that you could have ended that better.

1008
00:55:20,640 --> 00:55:24,240
Speaker 1: I could have You know, we we've done that. And Benny,

1009
00:55:24,280 --> 00:55:27,759
Speaker 1: when we cook and stuff together, you know, maybe tell

1010
00:55:27,800 --> 00:55:30,320
Speaker 1: each other like, nah, bro, say that little say that

1011
00:55:30,480 --> 00:55:33,000
Speaker 1: last part a little better. You know what I'm saying,

1012
00:55:33,080 --> 00:55:36,279
Speaker 1: Oh why are you talking about that last line? I

1013
00:55:36,400 --> 00:55:40,520
Speaker 1: got you? You know what I'm saying, was that West?

1014
00:55:40,719 --> 00:55:43,719
Speaker 1: Tell me? Like tell me you know what I'm saying.

1015
00:55:44,400 --> 00:55:46,960
Speaker 1: You know that versus a Just just see I love

1016
00:55:47,040 --> 00:55:52,279
Speaker 1: this impersonation oh you go a little crazier. Hey, were

1017
00:55:52,320 --> 00:55:55,200
Speaker 1: you at the Chiefs game? Which one? The one? I

1018
00:55:55,280 --> 00:55:58,239
Speaker 1: mean the one? No, I didn't go to that one,

1019
00:55:58,400 --> 00:56:00,719
Speaker 1: you know what. I was saving my energy for the

1020
00:56:00,800 --> 00:56:05,120
Speaker 1: super Bowl. I ain't going to that because the Bengals

1021
00:56:05,160 --> 00:56:08,480
Speaker 1: had already handled their business. So I knew once we

1022
00:56:08,640 --> 00:56:11,400
Speaker 1: beat the Chiefs, we had us another home game and

1023
00:56:11,480 --> 00:56:14,080
Speaker 1: the playoff super Bowl and then the super Bowl. So

1024
00:56:14,160 --> 00:56:16,520
Speaker 1: I'm like, I will go to that game. Yeah when

1025
00:56:16,560 --> 00:56:19,239
Speaker 1: that confetti fall, so I can, you know, get on

1026
00:56:19,320 --> 00:56:22,319
Speaker 1: the parade flow like Kevin Hart and all that shit.

1027
00:56:22,840 --> 00:56:26,680
Speaker 1: You feel what? Unfortunately, you know what I'm saying. How

1028
00:56:26,880 --> 00:56:29,760
Speaker 1: was you know? I can't imagine the emotional roller coaster

1029
00:56:29,960 --> 00:56:32,120
Speaker 1: that that game was to be a Bills fan because

1030
00:56:32,160 --> 00:56:35,400
Speaker 1: that ship as a as just a football fan, I

1031
00:56:35,600 --> 00:56:38,319
Speaker 1: was on the that was probably the best game I've

1032
00:56:38,360 --> 00:56:41,840
Speaker 1: ever watched, ever watched, Like I think Texas versus USC

1033
00:56:42,040 --> 00:56:44,480
Speaker 1: when it was Vince Young and Matt Lioner was one

1034
00:56:44,520 --> 00:56:46,399
Speaker 1: of them. You know what I'm saying. But NFL wise,

1035
00:56:46,440 --> 00:56:50,879
Speaker 1: I can't think of a better game game man, perfect quarterbacks,

1036
00:56:51,239 --> 00:56:57,279
Speaker 1: perfect ratings. Both had perfect games like for Patrick two

1037
00:56:57,320 --> 00:57:01,400
Speaker 1: weeks to row perfect games, but job man, was I mean,

1038
00:57:01,440 --> 00:57:03,839
Speaker 1: if not Patrick for Josh, for Josh, yeah for sure,

1039
00:57:04,560 --> 00:57:08,680
Speaker 1: But for me personally, that kind of stung worse than

1040
00:57:08,880 --> 00:57:13,000
Speaker 1: I was losing them Super Bowls man. Yeah, because you

1041
00:57:13,080 --> 00:57:15,440
Speaker 1: were probably a lot younger at the time. I was guted.

1042
00:57:15,560 --> 00:57:18,919
Speaker 1: I ain't gonna lie like you know, you know, watch

1043
00:57:19,000 --> 00:57:22,680
Speaker 1: Josh March just down there score a two point version

1044
00:57:23,520 --> 00:57:27,240
Speaker 1: thirty nine, thirty six. We you know, thirteen seconds left.

1045
00:57:28,480 --> 00:57:31,200
Speaker 1: The coach and Josh they hugging, and it's just I'm

1046
00:57:31,520 --> 00:57:34,400
Speaker 1: in my house. I remember what like me and everybody

1047
00:57:34,480 --> 00:57:38,040
Speaker 1: in my house just running back and forth, going crazy

1048
00:57:39,680 --> 00:57:42,440
Speaker 1: and too much time. I know it was. I know

1049
00:57:43,240 --> 00:57:46,720
Speaker 1: we was in trouble. When they kicked the touchback and

1050
00:57:46,840 --> 00:57:48,880
Speaker 1: they didn't just like let some of the less some

1051
00:57:48,960 --> 00:57:52,200
Speaker 1: of the clock. I'm like, do the squire kick right,

1052
00:57:52,400 --> 00:57:54,760
Speaker 1: I'm like, you take three four seconds off that clock.

1053
00:57:54,800 --> 00:57:59,560
Speaker 1: It matters easily. So I'm like, wait a minute. And

1054
00:57:59,640 --> 00:58:02,640
Speaker 1: then saw the defense like the whole middle of the

1055
00:58:02,720 --> 00:58:05,240
Speaker 1: field and they got time out was left. I'm like,

1056
00:58:06,280 --> 00:58:12,520
Speaker 1: scratch whitehead and that first first down I'm like, this

1057
00:58:12,600 --> 00:58:16,720
Speaker 1: shit ain't over. And at least y'all got Josh Allen

1058
00:58:16,760 --> 00:58:18,360
Speaker 1: for the rest of the fucking for the rest of

1059
00:58:18,400 --> 00:58:22,160
Speaker 1: his career. He ain't going nowhere. Yeah, man, y'all got one. Yeah,

1060
00:58:22,200 --> 00:58:25,240
Speaker 1: we got one. Man. I think Josh guy has to

1061
00:58:25,360 --> 00:58:28,680
Speaker 1: be of course, outside of like the Brady's and the Errands,

1062
00:58:29,600 --> 00:58:32,280
Speaker 1: I think I will take Josh Allen before any of

1063
00:58:32,360 --> 00:58:36,080
Speaker 1: them niggas. I might agree with you. Give me Josh

1064
00:58:36,160 --> 00:58:37,920
Speaker 1: Allen because you know what you got. You got the

1065
00:58:38,040 --> 00:58:41,600
Speaker 1: threat of that run. Yeah, you got the heart. He's like,

1066
00:58:41,680 --> 00:58:44,000
Speaker 1: who I wish Kyler Murray? Like, he's like who I

1067
00:58:44,040 --> 00:58:47,439
Speaker 1: think Kyler Murray actually is? But Josh Allen is really him? Yeah?

1068
00:58:47,920 --> 00:58:50,720
Speaker 1: Is Kyler Murray's five feet to Jackson? I love you

1069
00:58:50,800 --> 00:58:55,400
Speaker 1: know what I'm saying. Patrick Mahomes, I love Burrow, Patrick Mahomes.

1070
00:58:55,480 --> 00:58:57,600
Speaker 1: Fucking family annoys me. I can't deal with what's the

1071
00:58:57,640 --> 00:59:02,280
Speaker 1: homie hout here? Stafford. Herbert's a beast. I love Herbert

1072
00:59:05,360 --> 00:59:07,880
Speaker 1: and it's my time to pick. And I know what

1073
00:59:08,000 --> 00:59:11,440
Speaker 1: I know why watching the why what I've seen so

1074
00:59:11,640 --> 00:59:17,440
Speaker 1: far in their careers. Me, Josh, that's five to sixty

1075
00:59:17,600 --> 00:59:20,200
Speaker 1: two seventy whatever it is, running and throwing like the

1076
00:59:20,360 --> 00:59:24,840
Speaker 1: rocket iron with that heart and that dog getting like that.

1077
00:59:26,680 --> 00:59:29,040
Speaker 1: Give me that one that's some real shit. Hey, you're

1078
00:59:29,600 --> 00:59:32,360
Speaker 1: I think why people love you so much, man, is

1079
00:59:32,400 --> 00:59:37,920
Speaker 1: because you are extremely transparent, You're extremely honest, You're extremely

1080
00:59:38,040 --> 00:59:42,560
Speaker 1: vulnerable when you rap and when it comes to just

1081
00:59:42,720 --> 00:59:45,960
Speaker 1: like everyday ship that everyone deals with that most rappers

1082
00:59:46,000 --> 00:59:47,840
Speaker 1: are too cool to even talk about, whether it's being

1083
00:59:47,880 --> 00:59:50,600
Speaker 1: depressed sometimes, whether it's being down at just down and out,

1084
00:59:50,640 --> 00:59:52,480
Speaker 1: you know what I mean. That ship is something that

1085
00:59:52,600 --> 00:59:55,560
Speaker 1: I think the big reason why a lot of people

1086
00:59:55,640 --> 00:59:59,000
Speaker 1: relate to your ship for people who are going through

1087
00:59:59,080 --> 01:00:02,040
Speaker 1: some shiit because it happens normal people. A lot of

1088
01:00:02,080 --> 01:00:04,800
Speaker 1: your fans go through shit, man, Like when you're in

1089
01:00:04,880 --> 01:00:07,360
Speaker 1: those spaces mentally, Like, what is some advice you could

1090
01:00:07,400 --> 01:00:09,320
Speaker 1: give to people to try to get through it, man?

1091
01:00:09,360 --> 01:00:11,960
Speaker 1: Because I know you've been in some dark places. Uh,

1092
01:00:13,800 --> 01:00:16,160
Speaker 1: you know, talk to somebody, you know what I'm saying, Like,

1093
01:00:16,480 --> 01:00:20,840
Speaker 1: you know, it's just it's it's better to talk to somebody,

1094
01:00:20,920 --> 01:00:23,040
Speaker 1: you know what I'm saying. I was one of the

1095
01:00:23,160 --> 01:00:25,040
Speaker 1: type of people that kind of like just keep ship

1096
01:00:25,120 --> 01:00:28,440
Speaker 1: bottled in kind of you know, compartmentalize and keep that

1097
01:00:28,560 --> 01:00:31,960
Speaker 1: ship like I'm good. You know what I'm saying. Yo,

1098
01:00:32,000 --> 01:00:34,520
Speaker 1: Shit's good, bro, You good like yeah, I'm good. You

1099
01:00:34,560 --> 01:00:38,000
Speaker 1: know what I'm saying. It's like it's better to just

1100
01:00:38,120 --> 01:00:40,760
Speaker 1: have you somebody that you you fuck with, whether it's

1101
01:00:40,800 --> 01:00:44,160
Speaker 1: like your girl or your your you know, your mom,

1102
01:00:44,280 --> 01:00:48,080
Speaker 1: or your uncle, one of your homeboys, or somebody that

1103
01:00:48,360 --> 01:00:52,000
Speaker 1: you know you trust, you trust that you know that

1104
01:00:52,360 --> 01:00:55,800
Speaker 1: give a fuck about you unconditionally. Like you know what

1105
01:00:55,840 --> 01:00:57,760
Speaker 1: I'm saying, I got love for you, regardless of what

1106
01:00:57,840 --> 01:01:00,560
Speaker 1: you're going through. I'm gonna be here to support whatever decision.

1107
01:01:01,240 --> 01:01:03,120
Speaker 1: And you know, as long as it ain't like bad

1108
01:01:03,200 --> 01:01:05,520
Speaker 1: yo's negative ship, but like I'm here for you. You

1109
01:01:06,680 --> 01:01:09,240
Speaker 1: got that. You know, we all got that one person

1110
01:01:09,360 --> 01:01:12,160
Speaker 1: that you know, we always can get count on to

1111
01:01:12,240 --> 01:01:15,280
Speaker 1: give us the ear and we feel like, you know,

1112
01:01:15,960 --> 01:01:19,480
Speaker 1: talk to that person, hit that person up and just talk.

1113
01:01:19,880 --> 01:01:23,200
Speaker 1: You know what I'm saying. Like I felt so much

1114
01:01:23,400 --> 01:01:28,360
Speaker 1: relief when I talk to somebody for some reason, and

1115
01:01:28,600 --> 01:01:30,880
Speaker 1: my whole life I was just was the total opposite.

1116
01:01:31,000 --> 01:01:34,920
Speaker 1: Like I don't I bottle up, I don't talk. I

1117
01:01:35,160 --> 01:01:39,400
Speaker 1: just like and then just like it's festers good. It's

1118
01:01:39,520 --> 01:01:41,560
Speaker 1: like that ain't good you start dealing with it in

1119
01:01:41,920 --> 01:01:44,200
Speaker 1: bad ways, you know what I'm saying. So like now

1120
01:01:44,320 --> 01:01:46,080
Speaker 1: I have people. You know what I'm saying. I have

1121
01:01:46,320 --> 01:01:49,680
Speaker 1: people like that I could, you know, just like even today,

1122
01:01:50,000 --> 01:01:51,520
Speaker 1: you know what I'm saying. I'm gonna give you example,

1123
01:01:51,560 --> 01:01:53,800
Speaker 1: like I'm gonna keep it a buck. Like I was

1124
01:01:53,920 --> 01:01:56,800
Speaker 1: kind of like frustrated and shit about some ship that

1125
01:01:56,960 --> 01:02:01,240
Speaker 1: kind of fucked with me, me out my zone, like

1126
01:02:01,480 --> 01:02:03,960
Speaker 1: you know, me out my good energy, my good space,

1127
01:02:04,920 --> 01:02:07,640
Speaker 1: and I'm like, fuck everything, I ain't doing metafit IMB,

1128
01:02:07,920 --> 01:02:10,720
Speaker 1: I booked my flight. I'm going home. I ain't doing

1129
01:02:10,800 --> 01:02:13,000
Speaker 1: none of the interviews, none of that ship is over.

1130
01:02:13,280 --> 01:02:15,840
Speaker 1: Fuck that, you know. I just gotta tell you know

1131
01:02:16,040 --> 01:02:19,080
Speaker 1: my old I just caught myself and I just like

1132
01:02:19,960 --> 01:02:22,440
Speaker 1: wrote me up one and I called that person who

1133
01:02:22,520 --> 01:02:25,240
Speaker 1: I was just talking about that you gotta have. I

1134
01:02:25,360 --> 01:02:29,520
Speaker 1: called that person who's that for me and just talk

1135
01:02:29,600 --> 01:02:33,040
Speaker 1: to them about like she gotta be mad as hell.

1136
01:02:33,160 --> 01:02:37,680
Speaker 1: Oh man, I'm tired of like, no, you need you

1137
01:02:37,760 --> 01:02:39,640
Speaker 1: know what I'm saying, and you go from there. You

1138
01:02:39,720 --> 01:02:43,080
Speaker 1: don't have to just do what you know, you make

1139
01:02:43,120 --> 01:02:46,439
Speaker 1: your own decision. At least you have someone that I'm

1140
01:02:46,520 --> 01:02:49,120
Speaker 1: just gonna give you what I think. Now you listen

1141
01:02:49,480 --> 01:02:52,000
Speaker 1: or you do it or whatever. That's on you, but

1142
01:02:52,400 --> 01:02:55,960
Speaker 1: I don't think you should do that. That's not good,

1143
01:02:56,080 --> 01:02:58,120
Speaker 1: like important to have that person out when you're doing

1144
01:02:58,240 --> 01:03:01,400
Speaker 1: all this and that, like you say yourself back. You

1145
01:03:01,480 --> 01:03:03,960
Speaker 1: know what I'm saying. That's important. You know, me and

1146
01:03:04,000 --> 01:03:07,960
Speaker 1: you are both degenerous sports gamblers. Sports gambling is so

1147
01:03:08,080 --> 01:03:12,400
Speaker 1: much fun. I love it, but I also hated I

1148
01:03:12,560 --> 01:03:16,600
Speaker 1: hate it, but I love it. You've posted some amazing tickets.

1149
01:03:17,000 --> 01:03:19,240
Speaker 1: You've had some fucking hints, especially when you started. You

1150
01:03:19,280 --> 01:03:21,520
Speaker 1: were hitting some of those alternate lines where you were

1151
01:03:21,880 --> 01:03:24,360
Speaker 1: between thirteen and sevente eight shit like that. You was

1152
01:03:24,400 --> 01:03:28,000
Speaker 1: on a run. But we don't see the losses. I

1153
01:03:28,160 --> 01:03:31,240
Speaker 1: had a really bad year last year. Bounce back, finally,

1154
01:03:32,520 --> 01:03:34,960
Speaker 1: take me through the worst time as a sports gambler

1155
01:03:35,000 --> 01:03:37,000
Speaker 1: you've been through, like just whether it was just because

1156
01:03:37,040 --> 01:03:40,240
Speaker 1: when you take a big loss, there is no feeling

1157
01:03:40,480 --> 01:03:44,240
Speaker 1: like that in the world. It sucks. Yes, I ain't

1158
01:03:44,240 --> 01:03:46,760
Speaker 1: gonna like. The only thing that's worse than if I

1159
01:03:46,920 --> 01:03:53,320
Speaker 1: like that big and I lose is if like, for example, recently,

1160
01:03:53,440 --> 01:03:56,080
Speaker 1: this shit happened, I lost literally by like a half

1161
01:03:56,120 --> 01:04:01,120
Speaker 1: a point, Like that's the worst, Like was it to parlay? Yeah,

1162
01:04:02,640 --> 01:04:08,120
Speaker 1: Like it was like a six, pick, parlay everything, and

1163
01:04:08,160 --> 01:04:12,280
Speaker 1: I would have won like double digit thousands of dollars.

1164
01:04:13,480 --> 01:04:17,000
Speaker 1: And fucking for me, it was Mike White from the

1165
01:04:17,120 --> 01:04:20,440
Speaker 1: fucking chest. It was uh, it was that fucked me

1166
01:04:20,440 --> 01:04:25,320
Speaker 1: into But it was the Bucks. I had Giannis playing

1167
01:04:25,440 --> 01:04:28,960
Speaker 1: special forty four and a half. He had forty four

1168
01:04:29,160 --> 01:04:31,280
Speaker 1: in the third quarter. It was that rebounds and points

1169
01:04:31,400 --> 01:04:34,600
Speaker 1: was winning by thirty, right and it was winning by thirty.

1170
01:04:34,720 --> 01:04:36,920
Speaker 1: So he took him and played the old four. Just

1171
01:04:37,040 --> 01:04:40,479
Speaker 1: needed a alf a fucking one, get a rebound, get something.

1172
01:04:40,720 --> 01:04:44,960
Speaker 1: I was I was like, yo, that's the worst. You're like, yo,

1173
01:04:45,000 --> 01:04:46,640
Speaker 1: Hopefully this team goes on a run. And they got

1174
01:04:46,720 --> 01:04:49,120
Speaker 1: to put him back in. I've been there, I've been there.

1175
01:04:49,240 --> 01:04:51,880
Speaker 1: I had, uh the Bills go to the super Bowl.

1176
01:04:51,920 --> 01:04:53,800
Speaker 1: I put a ticket in eight grand would have played

1177
01:04:53,840 --> 01:04:56,680
Speaker 1: me seventy two thousand. I did it at the beginning

1178
01:04:56,720 --> 01:04:59,040
Speaker 1: of the season, and that was close because if y'all

1179
01:04:59,040 --> 01:05:01,120
Speaker 1: would have got through that game, no way. The Bengals

1180
01:05:01,160 --> 01:05:06,080
Speaker 1: are survival. Man, what will look like kittens? If someone

1181
01:05:06,160 --> 01:05:08,360
Speaker 1: had to give you, let's say you had to put

1182
01:05:09,000 --> 01:05:11,240
Speaker 1: you had to throw ten grand down on a future

1183
01:05:11,280 --> 01:05:15,520
Speaker 1: for the NBA Championship, Who's making the finals right now,

1184
01:05:15,840 --> 01:05:23,880
Speaker 1: right now, I'm gonna say, I gotta give it to Ukta.

1185
01:05:23,920 --> 01:05:27,600
Speaker 1: I gotta say Phoenix. I want to say Golden State.

1186
01:05:27,720 --> 01:05:33,680
Speaker 1: Man they not. I haven't seen finals yet, but you know,

1187
01:05:34,040 --> 01:05:37,320
Speaker 1: motherfuckers could get warm every That's my mom. I think,

1188
01:05:37,440 --> 01:05:39,560
Speaker 1: I think. I think Clay is not the same guy

1189
01:05:40,040 --> 01:05:43,280
Speaker 1: defensively anymore, which I think is a problem. I think

1190
01:05:43,320 --> 01:05:45,760
Speaker 1: that's the problem is defensively Clay is not who he

1191
01:05:45,920 --> 01:05:48,880
Speaker 1: was three years ago. So who's gonna guard Devin Booker

1192
01:05:48,880 --> 01:05:51,200
Speaker 1: and Chris Paul in the Western Conference finals. It's not

1193
01:05:51,240 --> 01:05:54,520
Speaker 1: gonna be Clay and Steph Wiggans know they're gonna throw

1194
01:05:54,560 --> 01:05:56,600
Speaker 1: Gary Payton in there. You know what I'm saying. But yeah,

1195
01:05:56,920 --> 01:05:58,600
Speaker 1: then you got Then you leave mckil bridges open in

1196
01:05:58,640 --> 01:06:02,680
Speaker 1: the corner. Jay Crowder, gam Johnson, thank you all right?

1197
01:06:03,080 --> 01:06:06,480
Speaker 1: What about the East? What about the East? So you

1198
01:06:06,640 --> 01:06:10,280
Speaker 1: like the trade? I love the trade. I think Brooklyn

1199
01:06:10,600 --> 01:06:12,680
Speaker 1: should fuck around and try to get the seven seed

1200
01:06:12,800 --> 01:06:16,000
Speaker 1: or eight seed so they have more games Kyrie can

1201
01:06:16,080 --> 01:06:18,240
Speaker 1: play in in the playoffs, because if they got home

1202
01:06:18,320 --> 01:06:24,120
Speaker 1: court advantage, he can only play in a certain he

1203
01:06:24,200 --> 01:06:25,840
Speaker 1: can only play in three of the games. If it's

1204
01:06:25,840 --> 01:06:27,840
Speaker 1: a seven game series because if they play at home,

1205
01:06:27,920 --> 01:06:31,960
Speaker 1: he can't play. You'd almost rather go play away the

1206
01:06:32,040 --> 01:06:35,640
Speaker 1: whole fucking playoffs, so Kyrie can play. As long as

1207
01:06:35,680 --> 01:06:40,400
Speaker 1: we got old number seven. Man, Katie's a killer. We fine.

1208
01:06:41,160 --> 01:06:42,840
Speaker 1: Did you see the Did you see the draft with

1209
01:06:42,920 --> 01:06:49,440
Speaker 1: him and Lebron? The All Star drafts? Broy Lebron Purposely,

1210
01:06:49,600 --> 01:06:51,920
Speaker 1: they purposely left hard and out there this is the

1211
01:06:52,080 --> 01:06:56,480
Speaker 1: day of the trade. Purposely did no one took heart

1212
01:06:56,520 --> 01:06:59,360
Speaker 1: at And Charles Barkley and Shack are roasting the ship

1213
01:06:59,440 --> 01:07:02,920
Speaker 1: the whole time. Katie's just sitting there with a straight face,

1214
01:07:03,000 --> 01:07:07,080
Speaker 1: annoyed as fuck. And it comes down to Rudy Gobert

1215
01:07:07,120 --> 01:07:10,400
Speaker 1: and James Harden and Charles Barkley is like, let me

1216
01:07:10,480 --> 01:07:16,360
Speaker 1: guess KD. You need some size right now. I gotta

1217
01:07:16,520 --> 01:07:18,800
Speaker 1: check that. Yeah, it's crazy. We'll listen to the album. Man,

1218
01:07:18,840 --> 01:07:20,240
Speaker 1: go run that ship up. It's gonna be a big

1219
01:07:20,280 --> 01:07:21,680
Speaker 1: year for drum More. It's gonna be a big year

1220
01:07:21,760 --> 01:07:27,200
Speaker 1: for you looking forward to what everything you got going on? Man,

1221
01:07:28,240 --> 01:07:30,480
Speaker 1: do you have I know the weed Ship? Are you

1222
01:07:30,560 --> 01:07:32,800
Speaker 1: still doing the weed Ship? Yeah? I'm still sucking a

1223
01:07:32,840 --> 01:07:36,120
Speaker 1: little used to got the strain that I mean because

1224
01:07:36,120 --> 01:07:38,600
Speaker 1: now the New York ship's legal. So yeah, it's kind

1225
01:07:38,640 --> 01:07:40,320
Speaker 1: of you know, I got more in store for that,

1226
01:07:40,640 --> 01:07:42,760
Speaker 1: you know what it's saying. I got a lot of

1227
01:07:42,800 --> 01:07:44,880
Speaker 1: ship going on for this. What is the next you

1228
01:07:44,960 --> 01:07:49,320
Speaker 1: know year? And the merchant is always booming. Yeah, merch

1229
01:07:49,360 --> 01:07:51,560
Speaker 1: is going crazy. The merchant is going Do you have

1230
01:07:51,720 --> 01:07:56,360
Speaker 1: a special drop coming for the album? Yes? Yeah, I

1231
01:07:56,440 --> 01:07:59,720
Speaker 1: got some sneakers on the way. I got sneakers, some

1232
01:08:00,280 --> 01:08:06,160
Speaker 1: Air Force ones. We just got ship going on custom

1233
01:08:06,200 --> 01:08:09,200
Speaker 1: Air Forces. I got some ship going on. Okay, well

1234
01:08:09,280 --> 01:08:12,800
Speaker 1: there it is. Man, the machine, the machine. How many?

1235
01:08:12,920 --> 01:08:14,480
Speaker 1: How many times have we done this? We've done this

1236
01:08:14,560 --> 01:08:19,000
Speaker 1: a lot. Now you already know. Hey, I will say this.

1237
01:08:19,120 --> 01:08:21,000
Speaker 1: I was in Buffalo and I actually got to go.

1238
01:08:21,800 --> 01:08:23,920
Speaker 1: We went went to the east side of Buffalo, went

1239
01:08:23,920 --> 01:08:28,000
Speaker 1: to the street you grew up on your family's house.

1240
01:08:29,800 --> 01:08:31,920
Speaker 1: Across the street was where the house used to be

1241
01:08:32,000 --> 01:08:33,240
Speaker 1: that you used to trap out of it. But it

1242
01:08:33,320 --> 01:08:36,679
Speaker 1: was an empty field. I think now, man, I would

1243
01:08:36,720 --> 01:08:39,360
Speaker 1: just say this, Man, the hospitality showed me out there

1244
01:08:39,479 --> 01:08:43,320
Speaker 1: was amazing. And I never I always say this, I've

1245
01:08:43,360 --> 01:08:46,559
Speaker 1: never seen I've been there everywhere, right, I've been there Atlanta.

1246
01:08:46,560 --> 01:08:50,400
Speaker 1: I've been to Florida, been everywhere. I've never seen somebody

1247
01:08:50,760 --> 01:08:55,479
Speaker 1: really run their city like y'all got Buffalo. Wherever we went,

1248
01:08:55,640 --> 01:09:00,400
Speaker 1: we saw the hoodies, the hats, the chains, the bill boards,

1249
01:09:01,680 --> 01:09:04,920
Speaker 1: like everywhere everywhere you look, it's you ben your gun

1250
01:09:05,280 --> 01:09:09,080
Speaker 1: in some capacity, and it's truly like a wild thing. Man.

1251
01:09:09,120 --> 01:09:12,080
Speaker 1: And anybody who's never been to Buffalo, Yo, go chet

1252
01:09:12,240 --> 01:09:15,400
Speaker 1: just go check, go check, go tap boff. Just don't

1253
01:09:15,400 --> 01:09:17,040
Speaker 1: go to the New Era store thinking it's gonna be

1254
01:09:17,040 --> 01:09:20,200
Speaker 1: some heat because that ship was weak. I thank god.

1255
01:09:20,640 --> 01:09:23,280
Speaker 1: We were so excited when we found out New Era

1256
01:09:23,479 --> 01:09:26,080
Speaker 1: started in Buffalo and our hotel was across the street

1257
01:09:26,160 --> 01:09:28,840
Speaker 1: from the store. We walked in that bitch like we

1258
01:09:28,920 --> 01:09:32,320
Speaker 1: about to come up on some heat. It was not

1259
01:09:32,439 --> 01:09:35,280
Speaker 1: it anyway. Conway, the machine boom