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Speaker 1: What up, y'all. This is your main man, Memphis Bleak

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Speaker 1: right here.

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Speaker 2: Welcome to Rock Solid, a production of iHeart Radio and

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Speaker 2: the Black Effect Network in partnership with my guys over

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Speaker 2: at Drink.

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Speaker 1: Champs Big with the year Memphis. I'm back, Caddy niggas.

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Speaker 2: Notice the difference, just pron present no stones. Yeah, y'all,

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Speaker 2: we back with another episode of this rock Solid. And

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Speaker 2: like I told you before, if you see anybody on

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Speaker 2: this platform, it means one thing, a super solid. And

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Speaker 2: you know, my guy to my left, one of the

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Speaker 2: illness producers that ever step in the studio, one of

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Speaker 2: the illness niggas that I feel like in the game

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Speaker 2: I could call my bro.

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Speaker 1: You know what I'm saying.

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Speaker 2: And it's just like it's an honor to even work

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Speaker 2: with these kind of guys because only the legends get

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Speaker 2: the heat from them.

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Speaker 1: Guys on my level don't.

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Speaker 2: Really get that much heat from them, but the legends

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Speaker 2: they get the heat. So it's an honor that have

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Speaker 2: my brother Bink, the motherfucking humble Monster in the building.

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Speaker 1: That's something I.

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Speaker 3: My g and laying loads staying out the way, Nah man,

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Speaker 3: we don't need you laying loads staying out the way

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Speaker 3: we need you back, We need you back with the

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Speaker 3: MPC in the studio.

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Speaker 1: Oh no, that's always you know, yeah, man, like yo,

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Speaker 1: I always wanted to know.

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Speaker 2: This is a personal interview. This ain't for nobody else.

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Speaker 2: The fans, they gonna like it if they like it,

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Speaker 2: But this is for me because I want to just

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Speaker 2: get the science of the knowledge behind what make you

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Speaker 2: you like? So let's go back to the beginning. What

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Speaker 2: made Bink fall in love with music? They even feel like, yo,

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Speaker 2: I want to do that.

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Speaker 3: You know what's funny, bro, Like, the entire time I

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Speaker 3: was in school, in high school, that was never my dream,

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Speaker 3: no way ever, that was a regular country nigga.

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Speaker 1: I wanted to be along showman, merchant, seman, get out

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Speaker 1: or hit the railroad.

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Speaker 3: Regular you know, try to get a job at the

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Speaker 3: ship yard. Regular country nigga shit, because that's the guys

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Speaker 3: you seen get money. You know what I'm saying. Legally,

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Speaker 3: you know what I'm saying. They was one to get

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Speaker 3: into the money.

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Speaker 1: So I was never, you.

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Speaker 3: Know, aspiring to be a hip hop producer, but I

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Speaker 3: was always into music. You know what I'm saying. My mom,

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Speaker 3: you know, shout out to my mom. My mom had

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Speaker 3: me playing drums in.

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Speaker 1: Church when I was eight until I was probably about fourteen.

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Speaker 2: That's where the best ones get it from church. That

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Speaker 2: part right, the legends the church. Damn I should have went.

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Speaker 3: Back so that that's that's how it started, you know

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Speaker 3: what I'm saying. And then once you know, when hip

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Speaker 3: hop came out. You understand, I'm fifty three. Hip hop

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Speaker 3: is fifty three, you know what I'm saying, So we

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Speaker 3: pretty much, I mean I pretty much grew up with

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Speaker 3: the hip hop and the culture just it just took

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Speaker 3: me over.

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Speaker 1: Like I was just all in with the with the

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Speaker 1: hip hop. She's like, as far as break dancing and.

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Speaker 3: All that, Like I was like, you know what I'm saying,

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Speaker 3: Like I was in there, like I was trying to

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Speaker 3: do all that.

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Speaker 1: Yo.

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Speaker 2: You wasn't though you had the cardboard or the block

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Speaker 2: because then the boom box, Yo, that was the vibe.

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Speaker 1: Trying to spin on your ass. Put your D put

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Speaker 1: your D batteries in the freeze overnight, trying to get

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Speaker 1: them joints back, Yo, chill. The freezing the batteries was classic.

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Speaker 2: I don't know who put that room in the hood that, yo,

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Speaker 2: you freeze them to get and they worked thing low.

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Speaker 1: You know what the secret was through right what You

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Speaker 1: had to turn the base knob down.

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Speaker 4: H See that's that producer ship to because.

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Speaker 3: The more you had the base up, the more on

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Speaker 3: a drag you turn the base nob down. He'll start

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Speaker 3: playing back fast again, like, yo, let should take your

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Speaker 3: the base.

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Speaker 1: Took your batteries out, so we had to take the

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Speaker 1: base out.

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Speaker 2: These kids don't know nothing about batteries and the radio.

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Speaker 1: What's that? Or never?

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Speaker 2: Never themocal troll car maybe that's it. They probably don't

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Speaker 2: even know about that.

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Speaker 3: Man, they're still they still got a hobby cars. I

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Speaker 3: got I got like three of them join.

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Speaker 1: Yeah, but these kids don't play. They drill. They don't play.

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Speaker 2: When you've seen the last time you've seen a remote

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Speaker 2: control car whatever, you used to have to hop out

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Speaker 2: and be like, oh, ship look out, surely got the

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Speaker 2: car spinning through.

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Speaker 1: When the last time you jumped out the way for

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Speaker 1: remote truck car.

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Speaker 3: It was ninety two, my nigga, that's too early, ninety

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Speaker 3: five delayed. Now I'm going I'm gonna go eighty eighty eight.

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Speaker 1: Eight.

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Speaker 3: Yeah, that time I seen somebody like really like going

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Speaker 3: hard with them Jews like.

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Speaker 2: Kid remote control cars. Was the vibe my nigga that

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Speaker 2: was part of hip hop. Fuck that with theah levels.

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Speaker 2: So what was the first beat you made like that?

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Speaker 2: You made for somebody, like your first time when you like, man,

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Speaker 2: this is it, this ship, this shit could be it.

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Speaker 1: Listen shout out to my man Chris Perry.

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Speaker 3: We had a group back in the day, and the

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Speaker 3: first record I went to the studio with was was

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Speaker 3: actually the barge One more chance, no way I want,

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Speaker 3: I know how to produce. I just went to the

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Speaker 3: studio like, yo, I need you to loop this part.

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Speaker 3: And now you got some drums and the nigga drums

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Speaker 3: was wacky shit, but I picked some drums and tried

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Speaker 3: to put some drums on it.

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Speaker 1: But that's the loop I had, and you just was

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Speaker 1: piecing it together.

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Speaker 3: Back then, you know, when people doing beats for the

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Speaker 3: most part, they were just going to the studio with

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Speaker 3: the records and they would put the record and they

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Speaker 3: don't know what sex they want. They just tell the

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Speaker 3: engineer like, yo, from right here, I want you to

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Speaker 3: loop from right here right there, And then we just

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Speaker 3: pieced that shit together. And then remember the sp you

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Speaker 3: got an s p no. I started with the SR team.

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Speaker 3: Everybody from Virginia dre for real, not Chad. Yeah you

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Speaker 3: from I'm from Norfolk.

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Speaker 2: I'm from They trapping in North They trapping out there

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Speaker 2: cut playing fit at all.

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Speaker 1: Yo. Back in the day that.

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Speaker 2: Ship was bad. Always live like always Newport News the Beach.

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Speaker 1: And Norfolk half thing seven cities.

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Speaker 2: My g I, I asked some of the best times

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Speaker 2: I know growing up out there that like, like you said,

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Speaker 2: tembo forral fucking y'all got genuine missy if my MISTERI like.

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Speaker 3: Vir genuine from d C missy, uh danger hands like

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Speaker 3: Luca fucking.

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Speaker 2: Trey song Chris Chris Brown, like VA puts something ship

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Speaker 2: on the map.

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Speaker 1: Boy y, Then we don't get into sports. We ain't

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Speaker 1: gonna go there on you. You know that you ain't

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Speaker 1: got no team. We ain't got to do. We ain't

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Speaker 1: got a team.

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Speaker 2: But we got the guys that need a team, you know,

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Speaker 2: Like we make your team that part, that's what we do.

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Speaker 2: And they come back home with the raids that I

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Speaker 2: love it. That's the something they.

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Speaker 1: Won't get us. No team up for some reason.

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Speaker 4: Shit crazy, Yeah, I don't know why. Like word, that's crazy.

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Speaker 3: They don't want that type of traffic at the crib.

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Speaker 3: Y'all understand what type of money that generates when you

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Speaker 3: have an arena, what type of traffic?

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Speaker 1: You know, that's what you I would think that's what

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Speaker 1: they were wanting. They like their town quiet.

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Speaker 2: That's crazy, man, But dad, y'all produce some fucking major

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Speaker 2: heavy hitters in the game. Just to be even amongst

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Speaker 2: your name even mentioned with them? Man, how that feel

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Speaker 2: to beat Virginia making noise like that?

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Speaker 3: You know it's crazy because that's you know, it's a

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Speaker 3: conversation I've been having recently on Instagram just about trying

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Speaker 3: to do things your way.

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Speaker 1: You know what I'm saying.

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Speaker 3: All of us live within fifteen minutes of each other,

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Speaker 3: but none of us sound like that's crazy, you know

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Speaker 3: what I'm saying. So just think about that for a second.

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Speaker 3: We all hang around each other, we all live in

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Speaker 3: the same town, and nobody sounded.

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Speaker 1: Like nobody that was hip hop.

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Speaker 4: That's like somebody.

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Speaker 3: So you know we I think Virginia is pretty much

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Speaker 3: that's our stamp, because Missy, how do you put a name.

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Speaker 1: On what she was doing? You know, nobody was doing

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Speaker 1: what she was doing.

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Speaker 2: No, man, I feel like Missy revolutionized or busters.

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Speaker 3: That part, like she took from a girls bad, she

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Speaker 3: took you know what I'm saying, to the next but

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Speaker 3: even more risky, you know what I'm saying, even even

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Speaker 3: taking more chances, like musically, you know what I'm saying.

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Speaker 1: So I learned a lot from her working with her.

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Speaker 3: So that was like one of my highlights in my

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Speaker 3: career was working with her for like that month or

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Speaker 3: too much that we worked.

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Speaker 4: You did you produce some joints for Yeah.

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Speaker 3: We did, Like we did records for other people, like

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Speaker 3: we did Tamya together, we did total we did any

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Speaker 3: given Sunday soundtrack together, you know what I'm saying.

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Speaker 1: So we did. We did a few things.

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Speaker 2: See, I got said when you walked in us, Sassin,

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Speaker 2: it's certain like I always said, right, it's two types

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Speaker 2: of people. And when it comes down to producers, I

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Speaker 2: always say it's beat makers and then there's producer. For sure,

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Speaker 2: there's niggas who make beats. It's like, yeah, yeah, I

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Speaker 2: send you one hundred beats and they want you to

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Speaker 2: pick the best beats, Like my nigga, that's your job.

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Speaker 1: I mean. But that's that's the disconnect with artists now.

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Speaker 3: I see artists today think when you send them the beat,

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Speaker 3: you just need to get the funk out of the way,

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Speaker 3: and they just go do what they do and then

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Speaker 3: you hear you hear your beat again, you hear people

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Speaker 3: singing keys on, like what is this right? So they

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Speaker 3: just don't see the importance of allowing somebody to produce

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Speaker 3: the record fully from top to bottom, Like they don't

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Speaker 3: understand how the rulers back sounded at first opposed to

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Speaker 3: after the mix or all that shit.

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Speaker 1: You know ain't on front.

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Speaker 2: Man, you gave Hole some of his best beats, like

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Speaker 2: the world everybody critically acclaimed.

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Speaker 1: Of course they gonna say just Kanye he had volume though,

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Speaker 1: but just got volume.

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Speaker 2: And Kanye, But you gave Jay the ones that played

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Speaker 2: to this day. I feel like between you, God, Rest

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Speaker 2: is Soul, Earth, Gotti, y'all gave Hold the ones that stuck.

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Speaker 3: It was a I think it was a fire like

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Speaker 3: Wove had a real fever of producers like Tim Forrell

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Speaker 3: myself deserve, So that's like.

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Speaker 1: You know what I mean. He had Clark recipe so strong,

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Speaker 1: like a strong ten piece that.

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Speaker 2: Man, y'all boys, That y'all boys is putting up some numbers,

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Speaker 2: man like you did so many classics the rulers back,

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Speaker 2: man like, I think nine hundred hustler you me and

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Speaker 2: him at Hub, like, I remember that a lot of

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Speaker 2: people don't even know that you produced the joint with

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Speaker 2: me and Rihanna.

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Speaker 3: A lot of people know that was rihanna first time

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Speaker 3: being on the record and about that.

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Speaker 2: But I'm gonna tell you this. You you probably don't

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Speaker 2: even remember this story. You remember playing the beat for

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Speaker 2: me and I was like, nah, I don't like that beat.

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Speaker 2: I don't I don't think that one for me, And

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Speaker 2: you was like, and this is why I say it's

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Speaker 2: a difference between beat makers and producers, because you looked

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Speaker 2: at me like that same look. Like all came back

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Speaker 2: with the hook on it, like yeah, this is the

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Speaker 2: end Jay. You and Jay was in the studio like yeah,

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Speaker 2: this is the new girl they signed Rihanna. Man, listen

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Speaker 2: to it now played with the hook. I'm like, it's

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Speaker 2: it now God.

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Speaker 1: Which is the same sample from All I Need. That's crazy.

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Speaker 2: I never even knew that That's what I was saying

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Speaker 2: before when I was like, yo, I got drama with

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Speaker 2: y'all producers, Because producers be.

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Speaker 1: Loop and Ship and y'all never tell an artist where

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Speaker 1: you got the loop from.

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Speaker 2: I tell you later, but before that, I feel like

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Speaker 2: you should know before because you might listen. I'm the

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Speaker 2: same way you listened to the song and got that

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Speaker 2: little piece and was like ooh, I might listen to

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Speaker 2: the lyric to be like that's a huk.

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Speaker 1: Or this write the whole song, you know what I'm saying,

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Speaker 1: so you.

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Speaker 2: Could piece it together and make it as That's what

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Speaker 2: I feel like from my person me, I don't know if.

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Speaker 3: See most people don't want to dig beyond that. See

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Speaker 3: that's you going, that's that's extra. That's like taking a

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Speaker 3: thousand shots before the game.

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Speaker 1: You know what I mean? That's that? Yeah?

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Speaker 2: Yeah, so yeah, research because years later, like I remember

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Speaker 2: me and my guy Poozo were in the car and

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Speaker 2: he didn't know and I didn't know that in my

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Speaker 2: lifetime was a sample from what joint?

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Speaker 1: Was that.

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Speaker 2: In my lifetime? What look that up in my life?

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Speaker 2: That's from it's been heartache and pain in my life.

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Speaker 2: The Foreigners and the record came on the radio, Bro

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Speaker 2: and blew first of all.

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Speaker 1: Blew me and his mind away, like I'm like nigger

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Speaker 1: this is my record.

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Speaker 2: I had this record for twenty years and didn't know

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Speaker 2: it came from this, and that's in That's why I

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Speaker 2: say like I probably would have something else in the

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Speaker 2: verse or something that reflected or you know, wrote the

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Speaker 2: song about what that was about or something.

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Speaker 1: So I just gave you something, yeah, right to.

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Speaker 2: Like and you was always like, this is why I

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Speaker 2: want to know what it's like working with other artists

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Speaker 2: because one beat that you made that I always felt

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Speaker 2: like he didn't play that one for me.

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Speaker 1: Oh which one of the cheeks jo.

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Speaker 3: No, the reason why it's the story behind that though.

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Speaker 3: Now the story behind that. Remember I had that group,

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Speaker 3: Nam Brigade.

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Speaker 1: Yeah, yeah, that was one of their singles. You understand

283
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Speaker 1: that was one of the singles and All I Need

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Speaker 1: beat with the other single mmm hope.

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Speaker 2: So damn mister Cheeks was out here Sniper niggas too.

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Speaker 2: They say, oh for sniping, we ain't no cheap missed

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Speaker 2: the cheeks.

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Speaker 3: With Unfortunately, uh, like the start of the group, you down,

289
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Speaker 3: he got murdered. Oh ship that he was mixing so

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Speaker 3: with the album of actually came out. So but hip

291
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Speaker 3: hop was trying to buy All I Need the entire time.

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Speaker 3: From the first day I played. He was like, yo,

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Speaker 3: and I was like, the more you ask me for

294
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Speaker 3: this record, the more I need. I know I need

295
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Speaker 3: the holdlest bitch.

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Speaker 1: That's right.

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Speaker 3: So you you keep coming at me so I know

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Speaker 3: I got something. Yeah, No, I ain't raising no start.

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Speaker 3: I'm not giving it to you. I'm keeping this, you know,

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Speaker 3: for my niggas. So I know this's gonna blow himut

301
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Speaker 3: of the water because you want it real bad. So

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Speaker 3: I know this this is a great record.

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Speaker 1: Yo. Hip hop was an l A n R. You know,

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Speaker 1: he never end or nothing for me. He never gave

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Speaker 1: me one beat, never never. That ain't an accident. No,

306
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Speaker 1: that's my nigga.

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Speaker 2: We smoked mad Weed, playing mad Games, talk mad Ship,

308
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Speaker 2: and he'll walk right in that room and give Beans

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Speaker 2: and Jay the heat and Lenny.

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Speaker 1: Yes, that was it. That's why you got to But

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Speaker 1: you see you caught on. So you start come pulling

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Speaker 1: up at the crib. Yo, caught on. You're like, see

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Speaker 1: you know.

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Speaker 2: What, niggas you was future rested because I was still

315
00:14:01,360 --> 00:14:03,679
Speaker 2: on the come up back then, yass, when y'all producer

316
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Speaker 2: was getting one hundred grand a beat, these niggas is

317
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Speaker 2: charging through the roof.

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Speaker 1: I come to this nigga being cribbed.

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Speaker 2: This nigga was doing the whole ceiling over in some

320
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Speaker 2: moon texture.

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Speaker 1: This nigga looked at me and.

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Speaker 2: Said, yeah, five thousand for the texture. Just saw the

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Speaker 2: ceiling bleaking. I look at this nigga, like, five thousand

324
00:14:25,040 --> 00:14:27,320
Speaker 2: for the ceiling? How much for the beat?

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Speaker 1: How much for the beat? One hundred and fifty thousand?

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Speaker 1: Yeah you and so on. Our next level. The studio

327
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Speaker 1: at the crib was fire bro.

328
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Speaker 3: That's why nobody saw me on the Conye documentary because

329
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Speaker 3: I was always in the crib.

330
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Speaker 1: I ain't really hanging baseline like that. Yeah. No.

331
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Speaker 4: Once I finished and then it got too crowded, he

332
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Speaker 4: got crowded.

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Speaker 1: I ain't gonna it was too much traffic for me,

334
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Speaker 1: so I took it back over the water. M you better.

335
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Speaker 1: You never been in baseline for keeping.

336
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Speaker 2: You didn't have to, but you ever just came to

337
00:14:58,280 --> 00:15:00,640
Speaker 2: just observe or keep it real winds a session.

338
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Speaker 3: Remember the day I played my beat for Blueprint was

339
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Speaker 3: that night?

340
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Speaker 1: That was the first keeping real winnday on the first one.

341
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Speaker 3: This night I came, I'm about to funk you up.

342
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Speaker 3: The night I came, everybody was in the avey. He

343
00:15:15,640 --> 00:15:18,400
Speaker 3: had everybody over that night. I think Q Tipper just

344
00:15:18,480 --> 00:15:22,880
Speaker 3: did uh girls girls for that for him earlier that day.

345
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Speaker 1: So the room was packed.

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Speaker 3: And normally keep it real Wednesdays, you had to play

347
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Speaker 3: your beat in the front first before you could make

348
00:15:30,280 --> 00:15:33,080
Speaker 3: it to if it was Yeah, So they were already

349
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Speaker 3: in the bat and that's the last thing Hold said

350
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Speaker 3: to me before I played my beat. He's like all

351
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Speaker 3: right now, He's like, don't make no ass.

352
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Speaker 1: Out of me. You know you don't supposed to be

353
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Speaker 1: back here.

354
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Speaker 2: Ship he was with you, wasn't playing no beat the front, yo,

355
00:15:48,520 --> 00:15:50,840
Speaker 2: keep it real Wednesday. Got a lot of producers to

356
00:15:50,880 --> 00:15:54,600
Speaker 2: this day won't send me no beats, like niggas that

357
00:15:54,760 --> 00:15:56,920
Speaker 2: had heat and just showed up that day and they

358
00:15:57,040 --> 00:15:59,720
Speaker 2: had their best game. No, like it's basketball. You could

359
00:15:59,760 --> 00:16:02,560
Speaker 2: drop forty tonight tomorrow. Go in there and give them

360
00:16:02,560 --> 00:16:05,800
Speaker 2: a like ten. Don't mean you whack it, just mean yeah,

361
00:16:05,800 --> 00:16:06,560
Speaker 2: he just wasn't.

362
00:16:07,240 --> 00:16:07,960
Speaker 1: It was off the night.

363
00:16:08,120 --> 00:16:10,520
Speaker 2: Yeah, but it's certain producers who walked in there that

364
00:16:10,680 --> 00:16:13,840
Speaker 2: was off. That's still to this day, like, nah, fuck y'all, niggas,

365
00:16:14,080 --> 00:16:15,520
Speaker 2: don'ta fuck with your Rockefeller.

366
00:16:15,560 --> 00:16:18,120
Speaker 1: Niggas, man, that's because you know, niggas be sensitive, but

367
00:16:18,280 --> 00:16:21,480
Speaker 1: they art, Yo. That's that's real shit.

368
00:16:21,560 --> 00:16:24,880
Speaker 3: But at the same time, it's like niggas gotta understand

369
00:16:24,880 --> 00:16:26,720
Speaker 3: we re in there in the service, yo.

370
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Speaker 1: You know what I'm saying.

371
00:16:28,120 --> 00:16:32,840
Speaker 2: So today's today's producers, I don't even think they would

372
00:16:32,840 --> 00:16:35,040
Speaker 2: show up to keep it real Winnesday. These niggas are

373
00:16:35,040 --> 00:16:38,400
Speaker 2: so used to beat niggas a DM your.

374
00:16:38,320 --> 00:16:40,600
Speaker 3: Beat, plus they gonna come in there and they all

375
00:16:40,640 --> 00:16:41,560
Speaker 3: gonna play the same beat.

376
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Speaker 1: Any guy, Damn way, that's a fact. Keep it real Wednesday.

377
00:16:44,520 --> 00:16:48,000
Speaker 2: Just so y'all know what's something right where Dip Sat

378
00:16:48,000 --> 00:16:52,360
Speaker 2: would be there Skate Property, me and my crew hole

379
00:16:52,880 --> 00:16:56,560
Speaker 2: and everybody would call all their favorite top producers and

380
00:16:56,640 --> 00:16:59,920
Speaker 2: come to the studio to play some heat and we

381
00:17:00,200 --> 00:17:02,960
Speaker 2: had to keep it real. Either your beat was trash

382
00:17:03,200 --> 00:17:05,680
Speaker 2: or your beat was fire. And if you got your

383
00:17:05,680 --> 00:17:08,880
Speaker 2: beat with fire, some producers got that. I survived. Keep

384
00:17:08,880 --> 00:17:10,440
Speaker 2: it Real wins the T Shirt.

385
00:17:12,320 --> 00:17:16,520
Speaker 1: Man. Some producers just got sent home like the Sandman

386
00:17:16,680 --> 00:17:19,359
Speaker 1: came on stage. Some producers got worse.

387
00:17:19,680 --> 00:17:21,720
Speaker 4: Yeah, some producers have got worse.

388
00:17:21,960 --> 00:17:26,639
Speaker 2: And you staying with the like, you know, just authenticity

389
00:17:26,640 --> 00:17:28,919
Speaker 2: and originality and all that with the beat and just

390
00:17:29,000 --> 00:17:33,679
Speaker 2: protecting you know, your sound. I know you always felt

391
00:17:33,720 --> 00:17:37,520
Speaker 2: like a lot of niggas bit your shit man like.

392
00:17:38,520 --> 00:17:40,440
Speaker 3: I mean, like, this is a question I asked everybody

393
00:17:40,840 --> 00:17:42,800
Speaker 3: name would beat the sound like rules back before the

394
00:17:42,880 --> 00:17:48,080
Speaker 3: rules back? And I'll be quiet, however, because you can't

395
00:17:48,160 --> 00:17:49,119
Speaker 3: name nothing like that.

396
00:17:49,720 --> 00:17:50,120
Speaker 1: Nothing.

397
00:17:50,600 --> 00:17:52,520
Speaker 3: You can't name one beat that sound like all I

398
00:17:52,600 --> 00:17:56,879
Speaker 3: need or one now prior to them chicks coming, so

399
00:17:57,040 --> 00:18:00,280
Speaker 3: niggas could sit here and being their feelings all they onto.

400
00:18:00,359 --> 00:18:03,800
Speaker 3: You are obsessed with the sound. I get it. I understand.

401
00:18:04,600 --> 00:18:06,800
Speaker 3: Can't move on to some point, my nigga, find yourself,

402
00:18:07,680 --> 00:18:11,520
Speaker 3: you know what I'm saying, whoever, whoever that may, whoever

403
00:18:11,560 --> 00:18:14,600
Speaker 3: whoever I'm talking to, because a lot of them ship,

404
00:18:15,040 --> 00:18:17,159
Speaker 3: but it ain't just the thing is it's bigger than me.

405
00:18:17,240 --> 00:18:19,760
Speaker 3: I hear a lot of Travis Scott sound. So it's

406
00:18:19,800 --> 00:18:24,360
Speaker 3: like today kids think that being persatile is being able

407
00:18:24,359 --> 00:18:27,320
Speaker 3: to do a for real beat, timbling beats, that's a bitter.

408
00:18:28,480 --> 00:18:31,960
Speaker 3: Versatility means you can do reggae house em you know

409
00:18:32,000 --> 00:18:32,480
Speaker 3: what I'm saying.

410
00:18:32,520 --> 00:18:35,520
Speaker 1: That's versatility. Like when you go see.

411
00:18:35,359 --> 00:18:37,800
Speaker 3: Somebody playing beats, you don't be like what kind of

412
00:18:37,800 --> 00:18:38,600
Speaker 3: beat you're looking for?

413
00:18:39,760 --> 00:18:41,840
Speaker 1: Well, I mean you got them all, you did what

414
00:18:41,880 --> 00:18:44,600
Speaker 1: I'm saying, so what But so what's your ship? Though?

415
00:18:44,920 --> 00:18:47,439
Speaker 3: And that's the question that that's the question that these

416
00:18:47,520 --> 00:18:49,880
Speaker 3: kids run from, you know what I'm saying, And they get.

417
00:18:49,800 --> 00:18:51,840
Speaker 1: They get mad at me when I when I put

418
00:18:51,880 --> 00:18:52,879
Speaker 1: the mirror up, like, bro.

419
00:18:53,280 --> 00:18:57,440
Speaker 3: Yeah you sound you sound like adult metro Booman when

420
00:18:57,480 --> 00:18:59,560
Speaker 3: you played. I'm just saying, but when you when you

421
00:18:59,800 --> 00:19:02,480
Speaker 3: what's somebody has signature? Bro, you can't mistake a promo

422
00:19:02,560 --> 00:19:05,159
Speaker 3: beat when you're a premo beat. You know why you

423
00:19:05,240 --> 00:19:07,120
Speaker 3: think it's a premo beat. So if you take the

424
00:19:07,240 --> 00:19:10,880
Speaker 3: very things that promo do and do it in your ship,

425
00:19:10,920 --> 00:19:12,399
Speaker 3: then the first thing I'm thinking I hear it is

426
00:19:12,440 --> 00:19:16,360
Speaker 3: fucking primo. Oh oh that's some other dude. Oh that's

427
00:19:16,400 --> 00:19:18,359
Speaker 3: oh that's crazy sound like people. So my thing is

428
00:19:18,400 --> 00:19:21,400
Speaker 3: as a producer, do you want that for yourself? Because

429
00:19:21,400 --> 00:19:23,200
Speaker 3: if I play a beating, your first thing you say.

430
00:19:23,080 --> 00:19:25,280
Speaker 1: Is damn, that's some tumbling ship. I'm hot.

431
00:19:25,640 --> 00:19:28,640
Speaker 2: But that's how these producers pull up. Now, I'm like, yo,

432
00:19:28,680 --> 00:19:31,159
Speaker 2: you know, I just was working on the project. A

433
00:19:31,200 --> 00:19:33,960
Speaker 2: lot of producers pull up to the stew and that's

434
00:19:34,240 --> 00:19:37,480
Speaker 2: very same ship you saying. They say, Yo, you want

435
00:19:37,520 --> 00:19:40,000
Speaker 2: some metro sound and ship. You want some ship that

436
00:19:40,080 --> 00:19:42,720
Speaker 2: sound like Tiger. You want the ship that sounds like

437
00:19:42,800 --> 00:19:45,680
Speaker 2: Baby and Epp. And it's like, nah, nigga, I want

438
00:19:45,680 --> 00:19:47,520
Speaker 2: the ship that's gonna make me sound like me.

439
00:19:48,640 --> 00:19:54,680
Speaker 3: They don't know what that is, bro, So so it's

440
00:19:54,720 --> 00:19:58,000
Speaker 3: like that's the thing. So it's like I tell them,

441
00:19:58,160 --> 00:20:00,240
Speaker 3: you know, anything I tell you, I stand on because

442
00:20:00,240 --> 00:20:01,520
Speaker 3: anything I'm telling you I've done myself.

443
00:20:01,520 --> 00:20:03,399
Speaker 1: I've applied it to my own career.

444
00:20:03,880 --> 00:20:06,119
Speaker 3: So I'm like, Yo, I went out West and I

445
00:20:06,160 --> 00:20:10,920
Speaker 3: did Nate Dogg corrupt an exhibit without sounding like battle Cap,

446
00:20:11,440 --> 00:20:14,360
Speaker 3: Quick and Drake. I did all three of them. I

447
00:20:14,359 --> 00:20:17,800
Speaker 3: got loved, don't sound like Drake, girls, all Paul's don't

448
00:20:17,800 --> 00:20:18,680
Speaker 3: sound like battle Cap.

449
00:20:19,400 --> 00:20:20,560
Speaker 1: I forgot you.

450
00:20:20,520 --> 00:20:24,520
Speaker 2: Feel me, you got the bombs.

451
00:20:25,040 --> 00:20:28,960
Speaker 3: But I'm just telling niggas like, you gotta figure out, girl,

452
00:20:29,000 --> 00:20:31,280
Speaker 3: you gotta take you gotta take chances.

453
00:20:31,359 --> 00:20:32,159
Speaker 1: Bro r P.

454
00:20:32,440 --> 00:20:35,000
Speaker 2: Nate Dog you called me and got me a verse

455
00:20:35,040 --> 00:20:36,879
Speaker 2: with Nate. My first time ever me and Nate was

456
00:20:36,880 --> 00:20:39,119
Speaker 2: because of you. That was my You called me in

457
00:20:39,200 --> 00:20:41,440
Speaker 2: the studio just cooking out. You're like, bleek, I need

458
00:20:41,440 --> 00:20:42,040
Speaker 2: a verse for this.

459
00:20:43,440 --> 00:20:48,120
Speaker 3: That niggas Nate was the funniest poker face, motherfucker you're

460
00:20:48,200 --> 00:20:50,840
Speaker 3: ever meeting your life. I think that's always he had

461
00:20:50,880 --> 00:20:54,240
Speaker 3: the rod Waller face with joke. This ship outside, that's

462
00:20:54,320 --> 00:20:57,159
Speaker 3: all West Coast. It just always got to be on

463
00:20:57,240 --> 00:21:01,440
Speaker 3: that A cut people nothing, People don't know how funny funny,

464
00:21:02,440 --> 00:21:03,040
Speaker 3: that's what's up.

465
00:21:03,040 --> 00:21:05,040
Speaker 2: You put in a lot of work with Nick, out

466
00:21:05,080 --> 00:21:07,359
Speaker 2: of all the artists that you work with, because boy

467
00:21:07,440 --> 00:21:09,959
Speaker 2: oh boy, one of my favorite beats right now, I

468
00:21:09,960 --> 00:21:15,640
Speaker 2: could say last ten years in music period. Bro Santorini,

469
00:21:15,720 --> 00:21:16,400
Speaker 2: grease man.

470
00:21:17,040 --> 00:21:19,920
Speaker 3: You know it's crazy about Santorini. That was me going

471
00:21:20,000 --> 00:21:22,760
Speaker 3: at myself out doing Devil with new dress.

472
00:21:23,480 --> 00:21:25,840
Speaker 2: That was me going to you did Devil was a

473
00:21:25,840 --> 00:21:30,480
Speaker 2: new dress too, Get yo, I fucking quick yo, you

474
00:21:30,840 --> 00:21:32,080
Speaker 2: fucking lion.

475
00:21:33,760 --> 00:21:38,840
Speaker 3: Yeah, neiggative, so you better than Yay on that one.

476
00:21:41,800 --> 00:21:47,199
Speaker 2: That's right, fuck back what my nigga? Yeah is a

477
00:21:47,240 --> 00:21:49,560
Speaker 2: beast like we look like he's a sample. He could

478
00:21:49,680 --> 00:21:52,600
Speaker 2: chop a sample up the way you listen, day.

479
00:21:52,760 --> 00:21:55,119
Speaker 3: Yay used to he caught the bust of my cribbing

480
00:21:55,200 --> 00:21:58,080
Speaker 3: jersey right, No, bullshit. You brought the bust of my

481
00:21:58,080 --> 00:22:01,520
Speaker 3: cribbing jersey and we played beats back for you, played

482
00:22:01,560 --> 00:22:04,879
Speaker 3: beasts back and forth and Ship, and I think he

483
00:22:05,040 --> 00:22:07,920
Speaker 3: was using me as a gauge as to you know

484
00:22:08,240 --> 00:22:09,679
Speaker 3: where he needs you know where he needs to be,

485
00:22:09,760 --> 00:22:11,560
Speaker 3: you know what I'm saying. So you know he would

486
00:22:11,560 --> 00:22:13,119
Speaker 3: ask me Ship, like how much I charged gonna be,

487
00:22:13,119 --> 00:22:15,159
Speaker 3: how much I think he should charge, or yo, what

488
00:22:15,240 --> 00:22:16,280
Speaker 3: I think he should add.

489
00:22:16,119 --> 00:22:16,480
Speaker 1: To the beat.

490
00:22:16,560 --> 00:22:19,240
Speaker 3: So that's why my bass player ended up playing on

491
00:22:20,200 --> 00:22:21,040
Speaker 3: Bonnie and Clyde.

492
00:22:21,720 --> 00:22:24,200
Speaker 1: You know what I'm saying. That's why, yo. You know

493
00:22:24,240 --> 00:22:26,199
Speaker 1: what I'm saying. All of that, You feel me? You

494
00:22:26,320 --> 00:22:29,879
Speaker 1: just fucked my head up, bro gang finish. Yeah, so

495
00:22:30,720 --> 00:22:33,160
Speaker 1: that's what I'm saying. So I didn't when I first

496
00:22:33,200 --> 00:22:33,560
Speaker 1: met Dre.

497
00:22:33,840 --> 00:22:37,720
Speaker 3: I remember you couldn't talk to his musicians, That's right,

498
00:22:38,359 --> 00:22:40,320
Speaker 3: and not just that. When you went in the studio

499
00:22:40,359 --> 00:22:42,840
Speaker 3: if he wasn't there, they had blankets over top of

500
00:22:42,840 --> 00:22:43,400
Speaker 3: the keyboards.

501
00:22:43,440 --> 00:22:49,159
Speaker 1: Monigg That's how real it was. You got go oh,

502
00:22:49,200 --> 00:22:50,960
Speaker 1: they gotta they gotta, okay, they gotta.

503
00:22:51,160 --> 00:22:51,240
Speaker 2: No.

504
00:22:51,440 --> 00:22:53,760
Speaker 1: You look in at the studio, it's blankets over top everything.

505
00:22:53,800 --> 00:22:56,879
Speaker 1: You can't see Ship that's crazy because everybody want to

506
00:22:56,880 --> 00:22:59,640
Speaker 1: know what is he getting these sounds? He's like, I'm

507
00:22:59,680 --> 00:23:02,280
Speaker 1: not gonna help you. That's right, you feel me? So

508
00:23:02,320 --> 00:23:06,119
Speaker 1: these kids will understand what the more you don't know

509
00:23:07,600 --> 00:23:09,880
Speaker 1: is the more of advantance that I know for myself.

510
00:23:10,280 --> 00:23:12,679
Speaker 3: So they think I supposed to give them that to

511
00:23:12,760 --> 00:23:14,000
Speaker 3: make the plan feel even.

512
00:23:14,119 --> 00:23:15,440
Speaker 1: No, that's that's not business.

513
00:23:16,080 --> 00:23:18,320
Speaker 3: That's what business is about is having some ship the

514
00:23:18,359 --> 00:23:21,280
Speaker 3: other person don't have, and having some information and applying

515
00:23:21,320 --> 00:23:23,000
Speaker 3: some shit to your ship that anybody else doing.

516
00:23:23,440 --> 00:23:25,320
Speaker 1: Keep separating us, right, you know what I'm saying.

517
00:23:25,320 --> 00:23:29,120
Speaker 3: So they accused me of being a gatekeeper for pushing like, Bro,

518
00:23:29,200 --> 00:23:30,320
Speaker 3: you gotta protect your sauce.

519
00:23:30,400 --> 00:23:30,560
Speaker 1: Bro.

520
00:23:30,680 --> 00:23:32,920
Speaker 3: Like I'm like, I tell him, I say, have you

521
00:23:33,000 --> 00:23:35,440
Speaker 3: ever seen David Blaine explain how you cut people in hair?

522
00:23:35,680 --> 00:23:36,240
Speaker 1: Exactly?

523
00:23:36,400 --> 00:23:39,800
Speaker 4: You'll never see, yo, David Blaine, he ain't from this planet.

524
00:23:39,400 --> 00:23:41,000
Speaker 1: Bro, But why would he show you?

525
00:23:41,080 --> 00:23:42,919
Speaker 3: It's something he doing that he could show somebody how

526
00:23:42,920 --> 00:23:44,520
Speaker 3: to do it, But why the fun would he show you.

527
00:23:44,680 --> 00:23:47,359
Speaker 1: I've seen that nigga do it direct, Bro, That now

528
00:23:47,720 --> 00:23:49,359
Speaker 1: make you walk out the room. Yeah he not, He

529
00:23:49,440 --> 00:23:52,400
Speaker 1: not from this plane, not from here, bro. He did not, yo, Bro.

530
00:23:52,520 --> 00:23:56,200
Speaker 2: We was in the crib in Miami. My gee, he yo,

531
00:23:56,280 --> 00:23:59,439
Speaker 2: lit's sen in the house with the cars. This is

532
00:23:59,440 --> 00:24:02,879
Speaker 2: an air and be we rented. He didn't like. We

533
00:24:02,920 --> 00:24:07,359
Speaker 2: went to his house. He came to our crib. Everybody

534
00:24:07,440 --> 00:24:10,120
Speaker 2: in there, bro, and this nigga doing a card trick.

535
00:24:10,640 --> 00:24:13,800
Speaker 2: And he told one of the homies to go outside

536
00:24:13,920 --> 00:24:17,199
Speaker 2: the window. Like that's like, I'm in your crib and

537
00:24:17,359 --> 00:24:19,480
Speaker 2: tell me, yo, bleek, just go outside the window.

538
00:24:19,720 --> 00:24:23,440
Speaker 1: I'm gonna throw this car through the glass.

539
00:24:23,480 --> 00:24:26,560
Speaker 2: And it's gonna stick to the window outside, Nigga, I'm

540
00:24:26,560 --> 00:24:31,199
Speaker 2: looking like, Bro. The snigga threw the cards against the

541
00:24:31,240 --> 00:24:34,680
Speaker 2: window and the car was stuck to the glass outside

542
00:24:34,840 --> 00:24:36,159
Speaker 2: the fucking house.

543
00:24:38,920 --> 00:24:42,800
Speaker 1: You different, yo, what I said. But my thing is

544
00:24:42,920 --> 00:24:46,040
Speaker 1: there's something behind it. He's not gonna teach me. But

545
00:24:46,160 --> 00:24:48,960
Speaker 1: why would he because he would be he would be No,

546
00:24:50,440 --> 00:24:53,080
Speaker 1: he's nothing. I'd be David. I'd be David Blair. To

547
00:24:57,119 --> 00:25:04,240
Speaker 1: you feel me that he David bla David McDonald's and McDonald's.

548
00:25:05,160 --> 00:25:09,520
Speaker 3: Right, come on, bro, Yeah, shipload of McDonald's out here, Bro,

549
00:25:09,600 --> 00:25:11,280
Speaker 3: I'm trying to tell you. And they and they wear

550
00:25:11,320 --> 00:25:13,760
Speaker 3: that bands like it's like they like.

551
00:25:14,840 --> 00:25:19,040
Speaker 2: Yeah, yeah, they suit the flight security or jacket your ship.

552
00:25:19,320 --> 00:25:21,960
Speaker 4: Listen, they took ice Q shiit jacket for beat.

553
00:25:22,080 --> 00:25:25,000
Speaker 1: Serious. Speaking of ice Q, I did the theme music

554
00:25:25,000 --> 00:25:25,880
Speaker 1: for the Big Three too.

555
00:25:27,080 --> 00:25:31,120
Speaker 2: God blessed and congrats congrats the ice early being the

556
00:25:31,200 --> 00:25:35,040
Speaker 2: first black sports owner in America.

557
00:25:35,160 --> 00:25:36,480
Speaker 1: Man, that's fucking the.

558
00:25:36,800 --> 00:25:40,600
Speaker 3: Lead, not just sports sports league word and they started

559
00:25:40,600 --> 00:25:43,119
Speaker 3: a fucking league on your that's different.

560
00:25:43,240 --> 00:25:43,919
Speaker 1: That's fire.

561
00:25:44,480 --> 00:25:46,600
Speaker 2: So out of all the artists who you would say

562
00:25:46,640 --> 00:25:52,080
Speaker 2: your favorite to work with in the stool, like miss

563
00:25:52,080 --> 00:25:56,520
Speaker 2: and Ja, Missy and j Jay quiet in the studough Jay,

564
00:25:56,520 --> 00:25:57,160
Speaker 2: don't say nothing.

565
00:25:57,240 --> 00:26:00,359
Speaker 1: Jane sit there right there in the corner for thirty

566
00:26:00,359 --> 00:26:02,560
Speaker 1: minutes to be like, Yo, I got it what they say.

567
00:26:03,040 --> 00:26:08,000
Speaker 1: Work smarter, Jay do playing this Stuart, let's get it.

568
00:26:08,160 --> 00:26:08,800
Speaker 1: They make it.

569
00:26:08,800 --> 00:26:10,960
Speaker 3: He make you feel like yo. I gave him a

570
00:26:11,000 --> 00:26:13,440
Speaker 3: hot beat. I left him alone. I came back and

571
00:26:13,520 --> 00:26:15,639
Speaker 3: heard a hot record. That's a great day in the office.

572
00:26:15,960 --> 00:26:18,760
Speaker 2: That's a fact, you know, Yo, It's crazy that I

573
00:26:18,760 --> 00:26:21,040
Speaker 2: have a record with Missy, shot a video with Missy

574
00:26:21,119 --> 00:26:22,119
Speaker 2: and never met Missy.

575
00:26:23,080 --> 00:26:24,960
Speaker 1: Even this shows with Missy when she.

576
00:26:25,000 --> 00:26:27,080
Speaker 2: Come out and performance, that's your chick with me and

577
00:26:27,119 --> 00:26:29,840
Speaker 2: I still never turned around. She ain't never say yo

578
00:26:29,840 --> 00:26:30,399
Speaker 2: without bleak.

579
00:26:31,320 --> 00:26:34,639
Speaker 1: Let me tell you something, man, Missy. I learned a

580
00:26:34,640 --> 00:26:35,200
Speaker 1: lot from her.

581
00:26:35,359 --> 00:26:42,280
Speaker 2: She gangster like super I love him business she showed.

582
00:26:42,400 --> 00:26:44,680
Speaker 3: She showed me that don't let the inn and she

583
00:26:44,760 --> 00:26:47,119
Speaker 3: play with you as far as especially when she do,

584
00:26:47,320 --> 00:26:48,840
Speaker 3: like if she did a video and she says she

585
00:26:48,880 --> 00:26:51,719
Speaker 3: won't five black suburbans if she get there in the three,

586
00:26:51,880 --> 00:26:53,000
Speaker 3: she ain't come out her trailer.

587
00:26:53,160 --> 00:26:56,119
Speaker 1: That's a fact to the other two. Get here, but

588
00:26:56,160 --> 00:26:58,040
Speaker 1: they'll talk to you another two being an hour you

589
00:26:58,480 --> 00:27:00,360
Speaker 1: shooting for you know what you face? I don't, man,

590
00:27:00,359 --> 00:27:02,159
Speaker 1: we just three, that's right, yo.

591
00:27:02,400 --> 00:27:06,679
Speaker 2: They will st SPINISHU fucking know, they will spin your ass.

592
00:27:06,720 --> 00:27:09,560
Speaker 3: So she she's alway or when we work in the studio,

593
00:27:09,920 --> 00:27:13,639
Speaker 3: she she the one got me on the the board

594
00:27:13,920 --> 00:27:16,080
Speaker 3: like raise a Monks. So she would have all the

595
00:27:16,160 --> 00:27:18,920
Speaker 3: songs on the board, and then she would have a

596
00:27:19,080 --> 00:27:22,520
Speaker 3: comment category and it would say if something needs to

597
00:27:22,520 --> 00:27:24,639
Speaker 3: be fixing the record, like high had too low or

598
00:27:24,920 --> 00:27:28,760
Speaker 3: knee backgrounds. So if it had a comment on the record,

599
00:27:29,119 --> 00:27:31,720
Speaker 3: she wouldn't play it for nobody if it didn't make

600
00:27:31,760 --> 00:27:36,040
Speaker 3: it over here, saying every all everything's checked off.

601
00:27:36,480 --> 00:27:37,600
Speaker 1: She's not gonna play it for you.

602
00:27:38,480 --> 00:27:40,600
Speaker 3: She could just be I'm talking about high the high

603
00:27:40,600 --> 00:27:42,639
Speaker 3: hair can be low, too low, and that just that

604
00:27:42,640 --> 00:27:43,520
Speaker 3: that's not if it's a.

605
00:27:43,440 --> 00:27:45,680
Speaker 1: Comment on that board and it ain't fixed it yet,

606
00:27:45,720 --> 00:27:49,360
Speaker 1: don't play that ship, yo, chill. She was that critical

607
00:27:49,520 --> 00:27:52,760
Speaker 1: her shelf, but it just bro She do three records

608
00:27:52,760 --> 00:27:54,440
Speaker 1: in the day on B Records.

609
00:27:54,680 --> 00:27:58,320
Speaker 2: She done wrote timeless records. That's you know, chapters to

610
00:27:58,440 --> 00:28:01,040
Speaker 2: some of these kids' lives, and iis man kidding me.

611
00:28:01,160 --> 00:28:04,080
Speaker 2: Missy is one of the most talented females to even.

612
00:28:03,960 --> 00:28:06,800
Speaker 3: Touch music or in static man, Like some of the

613
00:28:06,840 --> 00:28:09,879
Speaker 3: most talented runs I ever worked with. You work with

614
00:28:09,920 --> 00:28:15,960
Speaker 3: static too, man, Yeah, blessed, blessed, super Kentucky Super from Kentucky.

615
00:28:16,240 --> 00:28:18,000
Speaker 1: What every time we got together. But you know what

616
00:28:18,119 --> 00:28:21,880
Speaker 1: this is he from the crib. He hard, He from

617
00:28:21,880 --> 00:28:26,360
Speaker 1: the crib. He was always always.

618
00:28:26,520 --> 00:28:29,920
Speaker 2: I'm gonna try with this othern accent, especially New Orleans.

619
00:28:29,960 --> 00:28:33,359
Speaker 1: That's my favorite, man, New Orleans and Baltimore kind of

620
00:28:33,440 --> 00:28:37,080
Speaker 1: they got that Twain. They got New Orleans. Is just

621
00:28:37,119 --> 00:28:39,840
Speaker 1: they make you feel like, damn, why wasn't I born here? Though?

622
00:28:40,520 --> 00:28:43,120
Speaker 2: Be like hey, baby, big move here, baby, what you

623
00:28:43,200 --> 00:28:46,040
Speaker 2: need man, like you shund like my aunt.

624
00:28:46,520 --> 00:28:48,640
Speaker 1: With that same bibby gets you shot in the back

625
00:28:48,680 --> 00:28:52,600
Speaker 1: of your ship. Yeah, city the same played with the baby.

626
00:28:52,800 --> 00:28:57,680
Speaker 2: Gonna get that, you get that same baby show.

627
00:28:57,960 --> 00:29:03,600
Speaker 1: As a fact. That's every city is up, every city man, Yo.

628
00:29:03,800 --> 00:29:07,520
Speaker 2: So I know you over the years watching all these

629
00:29:07,560 --> 00:29:12,600
Speaker 2: producers Swiss battle everybody, then they done created the league.

630
00:29:12,920 --> 00:29:15,400
Speaker 1: You feel like niggas don't want no smoke with the monster.

631
00:29:16,680 --> 00:29:19,440
Speaker 2: You're a smoke or who you wouldn't even want a

632
00:29:19,520 --> 00:29:22,120
Speaker 2: battle if it was a versus.

633
00:29:22,320 --> 00:29:23,840
Speaker 1: I had reached out to Havoc.

634
00:29:23,960 --> 00:29:28,760
Speaker 3: Actually, oh during the pandemic, he had way more you

635
00:29:28,760 --> 00:29:31,120
Speaker 3: know what I'm saying, hits, But I just like it

636
00:29:31,160 --> 00:29:33,960
Speaker 3: would still be dope, you know what I'm saying.

637
00:29:34,000 --> 00:29:35,280
Speaker 1: Like I'm a super Heavoc fan.

638
00:29:35,840 --> 00:29:38,480
Speaker 2: That's dope, man, That's a that's a good one because

639
00:29:38,560 --> 00:29:39,440
Speaker 2: having got them.

640
00:29:39,400 --> 00:29:42,520
Speaker 3: Joints joint so dope, you know what I'm saying, Just

641
00:29:42,520 --> 00:29:44,760
Speaker 3: going back and forth to playing the joints. He just

642
00:29:44,800 --> 00:29:48,360
Speaker 3: played the goddamn Marb Deep catalog. I gotta reach your heir.

643
00:29:51,120 --> 00:29:52,600
Speaker 1: I'm scrambling, yo.

644
00:29:52,720 --> 00:29:55,120
Speaker 2: He got some ship, damn. Yeah, you know I always

645
00:29:55,120 --> 00:29:57,920
Speaker 2: wanted to get a beat from having. Unfortunately, the bullshit

646
00:29:58,040 --> 00:30:00,120
Speaker 2: rap drama happened, so I never got a beat for

647
00:30:00,240 --> 00:30:00,600
Speaker 2: that part.

648
00:30:00,880 --> 00:30:03,400
Speaker 1: But we gotta fix that half need to beat cuh.

649
00:30:03,600 --> 00:30:05,920
Speaker 1: You know. I put you in punk word out no.

650
00:30:06,440 --> 00:30:09,520
Speaker 2: Me and you gotta lock in cut you send me

651
00:30:09,520 --> 00:30:10,880
Speaker 2: one joint for the new project.

652
00:30:10,920 --> 00:30:13,200
Speaker 4: I ain't gonna front. You sent me a smoker too.

653
00:30:13,520 --> 00:30:16,680
Speaker 2: That's why one thing about you big guys, adude say

654
00:30:16,760 --> 00:30:18,800
Speaker 2: you can hit you and be like you're big on

655
00:30:18,960 --> 00:30:20,120
Speaker 2: work and send me a joint.

656
00:30:20,400 --> 00:30:28,000
Speaker 1: Niggas sending you one one like the most. Nah.

657
00:30:29,120 --> 00:30:31,640
Speaker 2: I think I probably got two at the boats, and

658
00:30:31,680 --> 00:30:33,640
Speaker 2: I had to come to the crig. That's why I

659
00:30:33,640 --> 00:30:36,760
Speaker 2: asked you before we're telling I got come to the crig. Yeah,

660
00:30:36,800 --> 00:30:38,880
Speaker 2: because I did joints telling me for you. So that's

661
00:30:38,880 --> 00:30:40,960
Speaker 2: why you got one. It was like then the only.

662
00:30:40,800 --> 00:30:42,640
Speaker 1: Spot for you.

663
00:30:42,640 --> 00:30:44,880
Speaker 2: You definitely used to be like, yo, play me what

664
00:30:44,920 --> 00:30:46,880
Speaker 2: you got man? What you were wish? Where you going?

665
00:30:46,880 --> 00:30:49,560
Speaker 2: What's the vibe? I play at the good couple joints.

666
00:30:49,600 --> 00:30:52,400
Speaker 2: He'd be like, all right, go smoker a real quick.

667
00:30:52,720 --> 00:30:56,080
Speaker 2: I come back inside and they got into cookies.

668
00:30:56,160 --> 00:30:58,240
Speaker 1: Ready, like game time, it's game time.

669
00:30:58,360 --> 00:31:01,520
Speaker 2: Let's lock it God for yo, but damn you fucked

670
00:31:01,520 --> 00:31:04,479
Speaker 2: me up with the Devil with I ain't know you

671
00:31:04,520 --> 00:31:05,040
Speaker 2: produced that.

672
00:31:05,640 --> 00:31:08,040
Speaker 1: I mean it was crazy because when I went out to.

673
00:31:08,000 --> 00:31:14,080
Speaker 3: Hawaii, that's why you did that. But before I got

674
00:31:14,080 --> 00:31:16,200
Speaker 3: out there, I was hearing everybody was out there was

675
00:31:16,200 --> 00:31:20,080
Speaker 3: like Pete Rob he just find all these people to Hawaii.

676
00:31:20,160 --> 00:31:24,200
Speaker 3: So I'm like, damn the fuck. So I texted Nigga.

677
00:31:24,560 --> 00:31:27,320
Speaker 3: I said, bro, I heard everybody in Hawaii about that. Nigga,

678
00:31:29,120 --> 00:31:32,760
Speaker 3: what are you talking about? I said me. Nigga like

679
00:31:33,000 --> 00:31:35,280
Speaker 3: he was like, no, man, know, the travel budget been exhausted.

680
00:31:36,240 --> 00:31:39,640
Speaker 3: I said, okay, hold lit mm hmm, sent like five

681
00:31:39,720 --> 00:31:40,480
Speaker 3: joints over there.

682
00:31:41,640 --> 00:31:44,080
Speaker 1: But I always say, somebody about to contact you about

683
00:31:44,120 --> 00:31:44,560
Speaker 1: your travels.

684
00:31:46,240 --> 00:31:48,760
Speaker 3: I said, what I'm talking about that, that's right, So

685
00:31:48,960 --> 00:31:49,800
Speaker 3: got get over there.

686
00:31:50,880 --> 00:31:53,160
Speaker 1: That's crazy and I'm playing him joints. But the thing is,

687
00:31:53,200 --> 00:31:55,240
Speaker 1: you got you gotta think in that in that window.

688
00:31:55,400 --> 00:31:57,640
Speaker 3: As far as music concerned, if it ain't had eight

689
00:31:57,680 --> 00:31:59,640
Speaker 3: a ways and handclaps, all the niggas weren't really fucking

690
00:31:59,680 --> 00:32:02,360
Speaker 3: with it. So the boom bapshit was like. People was like,

691
00:32:02,520 --> 00:32:04,480
Speaker 3: that's it's done. That's how they was talking.

692
00:32:05,600 --> 00:32:08,480
Speaker 1: So But the thing was, I didn't play him that beat.

693
00:32:08,720 --> 00:32:10,560
Speaker 3: I was playing him another beat and I was holding

694
00:32:10,560 --> 00:32:13,080
Speaker 3: the laptop, was talking right for any board you know

695
00:32:13,240 --> 00:32:15,000
Speaker 3: itune when the beat go off, the next one.

696
00:32:14,840 --> 00:32:18,160
Speaker 1: Coming come on automatically. It came on and I was

697
00:32:18,160 --> 00:32:19,640
Speaker 1: about to stop it. He said, oh what is that?

698
00:32:20,320 --> 00:32:22,840
Speaker 1: And I was like, it's just no, no, I need

699
00:32:22,880 --> 00:32:24,880
Speaker 1: that right now.

700
00:32:25,200 --> 00:32:28,040
Speaker 3: What bro, that's one of my favorite I didn't think

701
00:32:28,040 --> 00:32:29,080
Speaker 3: he was on that page at all.

702
00:32:29,160 --> 00:32:31,320
Speaker 2: You know what I'm saying, one of my favorite y records. Man,

703
00:32:31,440 --> 00:32:34,360
Speaker 2: I ordered you jerks said you are with you anything

704
00:32:34,400 --> 00:32:36,320
Speaker 2: that day? He played me all the lights. He played

705
00:32:36,360 --> 00:32:38,719
Speaker 2: me all the Lights Monster like all that.

706
00:32:38,800 --> 00:32:40,520
Speaker 1: So why would I think? Why you think? Why would

707
00:32:40,560 --> 00:32:42,560
Speaker 1: I play him? Devil is just after hearing that? Because

708
00:32:42,560 --> 00:32:44,920
Speaker 1: that's better than all those other records.

709
00:32:44,640 --> 00:32:49,360
Speaker 3: That's what what I'm saying. Butsonically it's just over here, yo.

710
00:32:49,440 --> 00:32:53,120
Speaker 2: But it's always like that that y'all never think is

711
00:32:53,160 --> 00:32:55,160
Speaker 2: the one. It's even like that for artists, because there's

712
00:32:55,200 --> 00:32:58,440
Speaker 2: records that I swore, like, yeah, this one one smash

713
00:32:58,560 --> 00:33:01,560
Speaker 2: that should come out and be like what wom so

714
00:33:02,480 --> 00:33:06,920
Speaker 2: it'd be like that, bro, What's what's one opportunity that

715
00:33:06,960 --> 00:33:09,480
Speaker 2: you feel you missed in the game, that you feel like, damn,

716
00:33:09,520 --> 00:33:11,480
Speaker 2: I should have I should have took more advantage of that.

717
00:33:12,240 --> 00:33:13,800
Speaker 3: Just doing an artist should have press the gas and

718
00:33:13,840 --> 00:33:18,240
Speaker 3: the artists on signing the artists. Yeah, you ain't missing

719
00:33:18,320 --> 00:33:18,520
Speaker 3: with that.

720
00:33:19,280 --> 00:33:19,600
Speaker 1: Listen.

721
00:33:20,360 --> 00:33:24,760
Speaker 3: You know I tell you first shout out to Canada

722
00:33:24,880 --> 00:33:25,600
Speaker 3: Lake show.

723
00:33:27,120 --> 00:33:30,800
Speaker 1: Yo Lake. Oh my god, listen man, that's what Lake

724
00:33:30,880 --> 00:33:34,640
Speaker 1: did though. That's not Yo. That's what I'm trying to

725
00:33:34,640 --> 00:33:36,640
Speaker 1: tell you. That's not what I'm trying to sell you.

726
00:33:37,080 --> 00:33:39,200
Speaker 1: In order to get to that kind of red this

727
00:33:39,360 --> 00:33:42,560
Speaker 1: ship you got to endure is insane.

728
00:33:43,040 --> 00:33:47,520
Speaker 2: And but the kind of artists that Lake and Drama

729
00:33:48,480 --> 00:33:51,560
Speaker 2: lucked up on insane though, But they followed.

730
00:33:52,400 --> 00:33:55,520
Speaker 1: It's a it's a it's a team camaraderie.

731
00:33:55,560 --> 00:33:59,120
Speaker 2: They all in sync, these artists today, unless they don't

732
00:33:59,120 --> 00:33:59,760
Speaker 2: even back.

733
00:34:00,160 --> 00:34:01,720
Speaker 1: Be Hot said something.

734
00:34:01,520 --> 00:34:04,800
Speaker 2: Ill to me when I was younger, when he was like, Yo, Bleak,

735
00:34:05,200 --> 00:34:06,720
Speaker 2: when you grow up, I know you always wanted to

736
00:34:06,760 --> 00:34:08,719
Speaker 2: say you wanted to on the label or do all this.

737
00:34:08,880 --> 00:34:11,640
Speaker 2: But y'all gonna tell you this, Dealing with artists is

738
00:34:11,719 --> 00:34:15,560
Speaker 2: like having new kids, but instead of them being children,

739
00:34:15,640 --> 00:34:18,479
Speaker 2: they're grown children. And I ain't know what he meant

740
00:34:18,520 --> 00:34:21,520
Speaker 2: by that, And then when I got into the game myself,

741
00:34:21,560 --> 00:34:23,960
Speaker 2: it's like, Yeah, you're dealing with this emotion over here.

742
00:34:24,040 --> 00:34:26,719
Speaker 2: This one is crying about this, this one beefing about that.

743
00:34:27,080 --> 00:34:30,320
Speaker 2: It's a lot of shit. But then you saying to yourself, Nigga,

744
00:34:31,160 --> 00:34:34,759
Speaker 2: one thing cures all of this, the music you.

745
00:34:34,840 --> 00:34:35,480
Speaker 1: Make the hit.

746
00:34:35,560 --> 00:34:38,480
Speaker 2: There is no cries, There is nothing to riff about.

747
00:34:38,680 --> 00:34:42,360
Speaker 2: But all artists don't understand that. So back to Drama

748
00:34:42,480 --> 00:34:46,520
Speaker 2: and Lake, they found them an artist that understand that

749
00:34:46,600 --> 00:34:47,399
Speaker 2: and they push the.

750
00:34:47,400 --> 00:34:50,200
Speaker 1: Gas from That's not easy. They went through a lot.

751
00:34:51,560 --> 00:34:52,359
Speaker 1: That's what I'm trying to say.

752
00:34:52,360 --> 00:34:55,440
Speaker 3: Any any man, that's a show right there, just talking

753
00:34:55,480 --> 00:34:58,480
Speaker 3: to managers, tell us what the niggatoky.

754
00:34:58,719 --> 00:35:02,319
Speaker 2: Before y'all got to therapy show, Bro listening to me

755
00:35:02,520 --> 00:35:04,160
Speaker 2: some of these men that you just need.

756
00:35:03,920 --> 00:35:07,560
Speaker 3: To come here and talk to us about all this

757
00:35:07,680 --> 00:35:09,000
Speaker 3: ship that you're up with.

758
00:35:09,239 --> 00:35:11,680
Speaker 1: Bro, with this one, you ain't gonna say. Who is

759
00:35:11,719 --> 00:35:13,960
Speaker 1: I could get on the show? You want to start

760
00:35:13,960 --> 00:35:15,840
Speaker 1: that show? I'm for I interview me.

761
00:35:16,320 --> 00:35:18,480
Speaker 2: I got a few artists we could talk about. Remember

762
00:35:18,520 --> 00:35:21,240
Speaker 2: I haven't been throwing them all. I had artist sign

763
00:35:21,719 --> 00:35:24,480
Speaker 2: artists trying to get signed artists sign go to jail.

764
00:35:24,960 --> 00:35:27,920
Speaker 4: I think that, yo, bro, It's not easy.

765
00:35:28,000 --> 00:35:30,120
Speaker 3: And now you understand why the big wigs always had

766
00:35:30,120 --> 00:35:33,600
Speaker 3: a buffer between There's always somebody in between them and

767
00:35:33,640 --> 00:35:34,000
Speaker 3: the group.

768
00:35:34,960 --> 00:35:38,759
Speaker 1: You talk to me, you know what I'm saying. I'm

769
00:35:38,800 --> 00:35:40,080
Speaker 1: not telling but.

770
00:35:40,080 --> 00:35:42,120
Speaker 2: That shit don't work because then when you got a

771
00:35:42,120 --> 00:35:45,080
Speaker 2: bunch of hood niggas, because after you know, coming up,

772
00:35:45,080 --> 00:35:47,279
Speaker 2: you're gonna employ the niggas that you grow up with first.

773
00:35:47,880 --> 00:35:50,799
Speaker 2: All these other dudes, these niggas be ready to kill

774
00:35:50,920 --> 00:35:52,440
Speaker 2: like what you said, what you said to be.

775
00:35:52,440 --> 00:35:55,520
Speaker 1: Shorty, Like I'm telling you, I dealt with this.

776
00:35:55,640 --> 00:35:59,200
Speaker 2: We had to drop an artist because my partner wanted

777
00:35:59,239 --> 00:36:00,759
Speaker 2: to put my hands feet on him.

778
00:36:01,000 --> 00:36:02,680
Speaker 1: So it was like yo, we gotta let him go,

779
00:36:03,200 --> 00:36:04,720
Speaker 1: like for rip. Yeah.

780
00:36:05,960 --> 00:36:09,399
Speaker 2: So I'm telling you I think today it's worse than

781
00:36:09,480 --> 00:36:12,800
Speaker 2: having to be a father to the grandpa. You gotta

782
00:36:12,840 --> 00:36:17,439
Speaker 2: be a grandpa pa to deal with audience today.

783
00:36:17,880 --> 00:36:21,240
Speaker 1: You gotta add that bag. You gotta take him around town,

784
00:36:21,760 --> 00:36:23,239
Speaker 1: that shit adult day care man.

785
00:36:23,239 --> 00:36:25,440
Speaker 2: You gotta showed him with a little girl still horny

786
00:36:25,480 --> 00:36:34,000
Speaker 2: at I'm telling you, it's crazy out here, by gee,

787
00:36:34,239 --> 00:36:36,600
Speaker 2: so out of everything you feel like just signing the

788
00:36:36,719 --> 00:36:38,480
Speaker 2: artist is one of your biggest regrets.

789
00:36:41,160 --> 00:36:44,799
Speaker 3: Yeah, and just not putting out albums myself, like I saw,

790
00:36:44,840 --> 00:36:47,360
Speaker 3: I got so much respect for Alchemists.

791
00:36:47,160 --> 00:36:48,720
Speaker 1: You know what I'm saying, just because of the machine

792
00:36:48,760 --> 00:36:50,879
Speaker 1: that he's built. You know what I'm saying.

793
00:36:50,880 --> 00:36:55,680
Speaker 3: It's like quietly, quietly, but he absolutely maximized his opportunity

794
00:36:56,239 --> 00:36:58,840
Speaker 3: in that way, you know what I'm saying. So he

795
00:36:58,960 --> 00:37:02,600
Speaker 3: definitely to me, he's the he's the prototype too, with

796
00:37:02,760 --> 00:37:05,319
Speaker 3: the with the producers supposed to turn this ship into

797
00:37:07,040 --> 00:37:10,440
Speaker 3: you know what I mean, shout out Alchemists, man, Alchemists

798
00:37:10,440 --> 00:37:13,560
Speaker 3: for sure, And that's crazy. And it's said signing an artist,

799
00:37:13,600 --> 00:37:15,359
Speaker 3: I would have thought you that might have been like, Yo,

800
00:37:15,440 --> 00:37:18,000
Speaker 3: I had this opportunity to produce a scar Face.

801
00:37:20,880 --> 00:37:24,840
Speaker 4: It did scar Face the movie, Like huh, I don't.

802
00:37:24,600 --> 00:37:25,240
Speaker 1: Think I blew.

803
00:37:25,360 --> 00:37:28,919
Speaker 3: I don't think I blew anything in that in that way,

804
00:37:29,719 --> 00:37:31,320
Speaker 3: everything I did, they came.

805
00:37:31,200 --> 00:37:32,719
Speaker 1: To me back there. I made sure I was on

806
00:37:32,800 --> 00:37:33,160
Speaker 1: that ship.

807
00:37:33,520 --> 00:37:36,640
Speaker 2: He was on what me only I said, my one

808
00:37:37,200 --> 00:37:39,800
Speaker 2: is drum line. And I just had that conversation with you.

809
00:37:41,680 --> 00:37:44,480
Speaker 2: He wanted me to do that which part the lead.

810
00:37:46,560 --> 00:37:48,600
Speaker 1: I would have put you? You to play bass or something.

811
00:37:48,640 --> 00:37:53,480
Speaker 1: I wouldn't I want to out here.

812
00:37:56,600 --> 00:37:59,200
Speaker 4: I couldn't have came back to Marcia after that.

813
00:37:59,200 --> 00:38:06,759
Speaker 1: That's been tough. That'll be tought. Yeah, but that's Jay

814
00:38:06,880 --> 00:38:07,759
Speaker 1: was mad at me for that.

815
00:38:07,840 --> 00:38:10,040
Speaker 2: I think it would put me in acting classes after that,

816
00:38:10,440 --> 00:38:11,960
Speaker 2: and I think he wasted his money.

817
00:38:13,200 --> 00:38:16,080
Speaker 1: I still can't act this shit. Real, gun, you just

818
00:38:16,080 --> 00:38:17,200
Speaker 1: gotta build up your nerve.

819
00:38:18,360 --> 00:38:21,560
Speaker 2: No, it's just once you over that, that's the nerve,

820
00:38:22,719 --> 00:38:24,560
Speaker 2: nerd that that's white listen, Bro.

821
00:38:24,640 --> 00:38:25,719
Speaker 1: Most people used to be like this.

822
00:38:26,200 --> 00:38:28,920
Speaker 2: They scaled chill. That was the whole Brooklyn back in

823
00:38:29,040 --> 00:38:32,920
Speaker 2: ninety six. Everybody had low like nobody look at my

824
00:38:33,040 --> 00:38:35,719
Speaker 2: eye half behind the head, Dres. It's crazy, you know

825
00:38:35,760 --> 00:38:39,719
Speaker 2: what I mean. Did you ever feel like in this game,

826
00:38:39,840 --> 00:38:44,360
Speaker 2: like with all the big names like the Parrals, the Timberlands,

827
00:38:44,440 --> 00:38:47,040
Speaker 2: the Yays, that you feel like you didn't put in

828
00:38:47,160 --> 00:38:50,839
Speaker 2: enough work to get that accolades like them.

829
00:38:51,320 --> 00:38:52,759
Speaker 3: No, it's just, you know, like I said, when you

830
00:38:52,800 --> 00:38:56,840
Speaker 3: get with all this, bro, you can't question the chemistry.

831
00:38:57,120 --> 00:38:59,000
Speaker 3: You know what I'm saying. In the chemistry that Pharrell

832
00:39:00,040 --> 00:39:04,480
Speaker 3: and Jay had was just ideal, you know what I'm

833
00:39:04,480 --> 00:39:07,160
Speaker 3: saying for doing those type of records. You know what

834
00:39:07,160 --> 00:39:10,040
Speaker 3: I'm saying, Like the more like you know, Pharrell got

835
00:39:10,080 --> 00:39:12,680
Speaker 3: a knack for doing those hood pop records like old

836
00:39:12,719 --> 00:39:15,560
Speaker 3: hood crossover record like it still tends to cross over,

837
00:39:15,640 --> 00:39:18,520
Speaker 3: but still be the nigga shit, you know what I'm saying.

838
00:39:18,840 --> 00:39:20,880
Speaker 1: So it's like he you know, that was that was

839
00:39:20,920 --> 00:39:22,839
Speaker 1: his foretaste. So me, I'm the.

840
00:39:22,880 --> 00:39:27,479
Speaker 3: Sole street nigga intro outro, you know what I'm saying.

841
00:39:27,600 --> 00:39:29,279
Speaker 3: That's what I was really known for at that time.

842
00:39:29,760 --> 00:39:32,000
Speaker 3: But once I started opening my mind and being like,

843
00:39:32,040 --> 00:39:35,160
Speaker 3: you know what, you know, just do something that maybe.

844
00:39:34,920 --> 00:39:36,520
Speaker 1: A girl would like. M hmm.

845
00:39:37,320 --> 00:39:39,160
Speaker 3: It's easy for me to make a nigga like a

846
00:39:39,200 --> 00:39:43,120
Speaker 3: record like that. That's like take a can from a baby,

847
00:39:43,120 --> 00:39:43,600
Speaker 3: you know what I'm saying.

848
00:39:43,640 --> 00:39:45,799
Speaker 2: But for a girl to be like, I see, that's

849
00:39:45,840 --> 00:39:47,640
Speaker 2: where for you to say that, because me, I feel

850
00:39:47,680 --> 00:39:50,480
Speaker 2: like it's difficult anybody that like a record.

851
00:39:51,080 --> 00:39:54,719
Speaker 3: I mean, like, it's way easier to find a dude

852
00:39:54,760 --> 00:39:57,440
Speaker 3: that's gonna like a rap song than a girl. If

853
00:39:57,440 --> 00:39:59,160
Speaker 3: you could find a girl that like the rap song,

854
00:39:59,239 --> 00:40:01,600
Speaker 3: then you cook it. Yeah, you know what I'm saying,

855
00:40:01,680 --> 00:40:04,200
Speaker 3: you super cooking. Then when you can figure that out right.

856
00:40:04,280 --> 00:40:06,120
Speaker 3: You see what Drake saying. He said the show they

857
00:40:06,200 --> 00:40:08,719
Speaker 3: used to tell him, Man, put on tree songs. I

858
00:40:08,719 --> 00:40:10,560
Speaker 3: don't want to hear that right now. It's just said

859
00:40:10,560 --> 00:40:13,040
Speaker 3: when you mixed the two singing and rapping, it always

860
00:40:13,040 --> 00:40:16,279
Speaker 3: works putting some type of melody, which is Nelly, that's

861
00:40:16,360 --> 00:40:16,920
Speaker 3: just some melody.

862
00:40:16,920 --> 00:40:18,759
Speaker 1: He's not singing, but.

863
00:40:18,760 --> 00:40:20,720
Speaker 3: He ain't just rapping either, but he right in between

864
00:40:21,360 --> 00:40:25,240
Speaker 3: male so and always go ruve, same shit, got the melody.

865
00:40:25,360 --> 00:40:26,000
Speaker 1: I used to say.

866
00:40:26,200 --> 00:40:28,520
Speaker 4: I used to always say Joe was cheating with the singing.

867
00:40:28,920 --> 00:40:31,799
Speaker 2: But then right, Yo, it's crazy you break up John,

868
00:40:31,800 --> 00:40:34,080
Speaker 2: because I had recently called them. You know when I

869
00:40:34,120 --> 00:40:37,240
Speaker 2: was working on the project and I wrote the song

870
00:40:37,680 --> 00:40:40,840
Speaker 2: you know, uh, what song is that?

871
00:40:42,000 --> 00:40:42,520
Speaker 1: Choosing you?

872
00:40:42,680 --> 00:40:44,640
Speaker 2: Yeah, I couldn't think of the title right now, A

873
00:40:44,800 --> 00:40:47,680
Speaker 2: song choosing you. I wrote that song right and I

874
00:40:47,760 --> 00:40:50,239
Speaker 2: called John and I'm like, damn, all these years, my gee,

875
00:40:50,280 --> 00:40:52,560
Speaker 2: I never knew you had to cheat code right in

876
00:40:52,600 --> 00:40:54,400
Speaker 2: your crib, and he like what you're talking about.

877
00:40:54,680 --> 00:40:58,239
Speaker 1: I'm like, Nigga, all that, what would I be without you?

878
00:40:58,280 --> 00:40:59,200
Speaker 1: Put it on? Man?

879
00:40:59,320 --> 00:41:03,040
Speaker 2: And Nigga was I can write out his wife and

880
00:41:03,080 --> 00:41:06,240
Speaker 2: then just wrote those records bro. Even from the drama

881
00:41:06,320 --> 00:41:09,400
Speaker 2: perspectives too, even when you're dealing with drama in the household.

882
00:41:09,680 --> 00:41:12,760
Speaker 2: So when I wrote that record Choosing You, I'm staring

883
00:41:12,840 --> 00:41:15,440
Speaker 2: sitting there staring at my wife and wrote the record

884
00:41:15,760 --> 00:41:17,759
Speaker 2: and I called to him like, damn, bro, you had

885
00:41:17,760 --> 00:41:19,879
Speaker 2: the cheat code all this time. He's like, yeah, now

886
00:41:19,920 --> 00:41:22,799
Speaker 2: you're in the circle, you know. I was like, yeah, see,

887
00:41:22,840 --> 00:41:25,200
Speaker 2: we was starting. That's why is that your bitch? And

888
00:41:25,280 --> 00:41:27,480
Speaker 2: shit like that came out and the dicking your life

889
00:41:27,520 --> 00:41:32,760
Speaker 2: shit like come come on, Jay. And used to always

890
00:41:32,760 --> 00:41:34,440
Speaker 2: be like, yo, blieve you gotta talk to the girls,

891
00:41:34,480 --> 00:41:35,920
Speaker 2: do this and just be like nigga.

892
00:41:36,000 --> 00:41:38,320
Speaker 1: Y'all taught me to kick him out when we was done.

893
00:41:38,480 --> 00:41:39,600
Speaker 1: I don't know how to tell him.

894
00:41:39,640 --> 00:41:43,720
Speaker 3: I like you, yeah, man, I mean for real, every

895
00:41:44,880 --> 00:41:50,160
Speaker 3: every true artist, in order to really cross over into

896
00:41:50,160 --> 00:41:52,919
Speaker 3: the other world, you gotta show vulnerability and transparency.

897
00:41:53,840 --> 00:41:55,839
Speaker 1: With out those two things. It's just like you just

898
00:41:56,000 --> 00:41:59,320
Speaker 1: you just saying shit, that's a fact. Nobody's really connecting

899
00:41:59,360 --> 00:42:01,520
Speaker 1: because you ain't talking about ship. You know what I'm saying.

900
00:42:01,560 --> 00:42:03,560
Speaker 3: Because when you when you're writing that ship supposed to

901
00:42:03,560 --> 00:42:05,919
Speaker 3: come from a true place. So niggas trying to write

902
00:42:05,920 --> 00:42:08,960
Speaker 3: a happy record, and Sander's bitch like you wonder why

903
00:42:08,960 --> 00:42:12,920
Speaker 3: you ain't wrote ship.

904
00:42:11,320 --> 00:42:13,520
Speaker 1: Nigga right a sad record, and you get right, that's right.

905
00:42:13,640 --> 00:42:16,640
Speaker 1: You know what I'm saying, just right right exactly where

906
00:42:16,640 --> 00:42:16,960
Speaker 1: you are.

907
00:42:18,000 --> 00:42:20,560
Speaker 3: And then you you know, eventually you start doing some

908
00:42:20,560 --> 00:42:22,520
Speaker 3: happy ship, but you're trying to come in and be happy.

909
00:42:22,600 --> 00:42:24,120
Speaker 1: You said that ship that sh ain't gonna.

910
00:42:23,960 --> 00:42:26,799
Speaker 2: Work, man, And that's how it was for me, man,

911
00:42:26,920 --> 00:42:29,600
Speaker 2: like I couldn't do it. Like it's like, Yo, write

912
00:42:29,600 --> 00:42:32,160
Speaker 2: these lover boy records like Nigga, that's not me.

913
00:42:32,440 --> 00:42:33,160
Speaker 1: We was on something.

914
00:42:33,200 --> 00:42:36,640
Speaker 2: It's that your chick shit still nigga, like we ain't loving,

915
00:42:36,840 --> 00:42:39,640
Speaker 2: we dugging, we still big pimping.

916
00:42:39,800 --> 00:42:40,000
Speaker 1: Huh.

917
00:42:40,120 --> 00:42:41,840
Speaker 3: Well, see that's why you got. That's when you go

918
00:42:41,920 --> 00:42:43,680
Speaker 3: and take the Fat Joe for me. See Fat Joe

919
00:42:43,680 --> 00:42:46,640
Speaker 3: always throw an R and B nigga on the hook, yo. Yeah,

920
00:42:46,680 --> 00:42:48,759
Speaker 3: and then then it goes into some then it's something else.

921
00:42:48,840 --> 00:42:52,000
Speaker 3: When she puts somebody singing on the beat, it automatically

922
00:42:52,040 --> 00:42:52,879
Speaker 3: terms of something else.

923
00:42:53,400 --> 00:42:58,560
Speaker 1: Then you got just still in the blanks. Fat Joe

924
00:42:58,600 --> 00:43:00,320
Speaker 1: got the cheat code too. He always kept it.

925
00:43:00,440 --> 00:43:04,240
Speaker 2: He kept a single, a nice dope single, to catch

926
00:43:04,239 --> 00:43:06,640
Speaker 2: you and SMA big R and.

927
00:43:06,560 --> 00:43:08,560
Speaker 1: B person on the hook. Think about it.

928
00:43:09,400 --> 00:43:14,279
Speaker 5: Pock did too, had he had rap hooks like Miss

929
00:43:14,440 --> 00:43:17,319
Speaker 5: Chief ste that's special, but no PoCA hit you with

930
00:43:17,360 --> 00:43:19,360
Speaker 5: an R and B hook for a single, for sure,

931
00:43:19,480 --> 00:43:22,160
Speaker 5: But for the most part, it's.

932
00:43:22,000 --> 00:43:24,560
Speaker 2: So crazy that his singles was the R and B

933
00:43:24,640 --> 00:43:27,040
Speaker 2: records with the songs that niggas loved from pop was

934
00:43:27,080 --> 00:43:27,720
Speaker 2: never a single.

935
00:43:28,200 --> 00:43:29,279
Speaker 1: Yeah, it's crazy, right.

936
00:43:29,360 --> 00:43:33,000
Speaker 2: Album joints, yep, straight album joints is all our pop

937
00:43:33,080 --> 00:43:36,080
Speaker 2: favorite joint relationship. I have a rope all that all

938
00:43:36,160 --> 00:43:38,880
Speaker 2: eyes on me, kidding me, nigga that I was the

939
00:43:38,960 --> 00:43:41,600
Speaker 2: one that's that ship right there that don't even talk

940
00:43:41,680 --> 00:43:44,560
Speaker 2: to me when that's playing, you might get slack. I

941
00:43:44,600 --> 00:43:48,640
Speaker 2: got on two PC late though, because I was super Biggie,

942
00:43:48,640 --> 00:43:50,600
Speaker 2: Like I was like team Biggie.

943
00:43:50,920 --> 00:43:52,640
Speaker 1: No way, that was team But you know.

944
00:43:52,719 --> 00:43:54,680
Speaker 2: I listened to all artists because I remember when he

945
00:43:54,719 --> 00:43:57,360
Speaker 2: was with Digital Underground. But I'm gonna tell you a

946
00:43:57,440 --> 00:44:01,759
Speaker 2: funny story about the pop ship, right so listen, this

947
00:44:01,840 --> 00:44:03,960
Speaker 2: is when the beef with Biggie and Pocket that was

948
00:44:04,000 --> 00:44:04,480
Speaker 2: going on.

949
00:44:04,520 --> 00:44:05,840
Speaker 1: Okay, so we in Miami.

950
00:44:06,040 --> 00:44:09,439
Speaker 2: This is where Hove was outside he wasn't even hove.

951
00:44:09,680 --> 00:44:13,160
Speaker 2: He probably wasn't even jigger. He was still j hyphen

952
00:44:13,239 --> 00:44:16,680
Speaker 2: in his z. He was still regular. And we was

953
00:44:16,800 --> 00:44:20,840
Speaker 2: leaving Cocoas in Miami Hood strip club.

954
00:44:20,880 --> 00:44:22,240
Speaker 1: Remember they used to have a bootleg.

955
00:44:22,560 --> 00:44:24,480
Speaker 2: See these niggas outside in the back of the van

956
00:44:24,640 --> 00:44:29,279
Speaker 2: selling cigars tapes every day, yo bro. And he't had

957
00:44:29,360 --> 00:44:32,560
Speaker 2: the Macavelli shit before a drop. So you know, I'm like, yo,

958
00:44:32,600 --> 00:44:34,359
Speaker 2: let me let me grab this ship. See what he's

959
00:44:34,360 --> 00:44:36,160
Speaker 2: talking about, because member, you know, he was talking about

960
00:44:36,200 --> 00:44:38,160
Speaker 2: b I. I wanted to see who he did it,

961
00:44:38,480 --> 00:44:40,360
Speaker 2: so I grab it. So Jan, I'm like, yo, what

962
00:44:40,400 --> 00:44:40,759
Speaker 2: you bought?

963
00:44:40,760 --> 00:44:41,160
Speaker 1: Fronaomi?

964
00:44:41,239 --> 00:44:43,840
Speaker 2: So I'm like, yoa, I bought this Macavelly shit, see whatever,

965
00:44:44,680 --> 00:44:47,200
Speaker 2: And they like, all right, put it in paus play it.

966
00:44:47,400 --> 00:44:50,720
Speaker 2: We put it in the man We ride off. First

967
00:44:50,760 --> 00:44:54,680
Speaker 2: thing come out Jay Z from Hawaiian Sophie Fang Big

968
00:44:54,719 --> 00:44:57,680
Speaker 2: Will whatever you had Gold was looking at me like, hey, yo,

969
00:44:57,800 --> 00:44:58,239
Speaker 2: what up.

970
00:45:00,880 --> 00:45:02,480
Speaker 1: Out the gate? Yo? Yo Bro.

971
00:45:02,960 --> 00:45:06,480
Speaker 2: I felt like the major crunch crunching munch in the van,

972
00:45:06,640 --> 00:45:09,640
Speaker 2: like what did I just do? Am I trying to

973
00:45:09,640 --> 00:45:12,640
Speaker 2: get kicked out the whip? Like yo, yo, inject that

974
00:45:12,760 --> 00:45:17,840
Speaker 2: CD you that you get that. This was in the

975
00:45:17,920 --> 00:45:24,680
Speaker 2: van looking like that's deep you ever you ever produced

976
00:45:24,680 --> 00:45:26,920
Speaker 2: in it? You said, you know I never met doctor Dre.

977
00:45:28,200 --> 00:45:30,279
Speaker 2: I was the guy you never met Doctor Dre.

978
00:45:30,440 --> 00:45:30,760
Speaker 1: Missy.

979
00:45:30,840 --> 00:45:33,279
Speaker 4: That's two that you you know, worked with I never

980
00:45:33,280 --> 00:45:33,759
Speaker 4: even met.

981
00:45:33,920 --> 00:45:34,480
Speaker 1: Yeah, we did.

982
00:45:35,600 --> 00:45:40,600
Speaker 3: I did Compting with him. Then I did the Grand

983
00:45:40,640 --> 00:45:41,240
Speaker 3: Theft Auto.

984
00:45:41,920 --> 00:45:46,839
Speaker 1: Yeah with him. Ship that's as of lately anyway. Man,

985
00:45:46,960 --> 00:45:50,200
Speaker 1: that's dope, man, that's dope fucking You never did no ship.

986
00:45:50,320 --> 00:45:50,480
Speaker 2: Yeah.

987
00:45:50,520 --> 00:45:53,799
Speaker 1: You never said you got on pot late, man, Yeah,

988
00:45:53,840 --> 00:45:54,759
Speaker 1: I got on pot late.

989
00:45:55,560 --> 00:45:57,600
Speaker 3: But that was always like I let them sing the

990
00:45:57,640 --> 00:46:00,000
Speaker 3: singles and ship like you know, you're fan of somebody,

991
00:46:00,360 --> 00:46:00,520
Speaker 3: but you.

992
00:46:00,520 --> 00:46:04,040
Speaker 2: Ain't bought the album dove into the whole. Yeah, I

993
00:46:04,080 --> 00:46:06,279
Speaker 2: didn't do what I'm saying listening to you singles. I

994
00:46:06,320 --> 00:46:08,240
Speaker 2: didn't know what was on that exactly.

995
00:46:08,600 --> 00:46:10,319
Speaker 3: It took me a long time to dive into the

996
00:46:10,360 --> 00:46:12,880
Speaker 3: album and just really listen to him.

997
00:46:13,960 --> 00:46:18,240
Speaker 2: That's dope, man. That's dope fucking yo. Is it any

998
00:46:18,280 --> 00:46:21,160
Speaker 2: anything that you produced that you think people would not

999
00:46:21,280 --> 00:46:23,680
Speaker 2: know that that's you, that you'd be like, yo, I

1000
00:46:23,680 --> 00:46:24,920
Speaker 2: don't think niggas No I did this.

1001
00:46:25,719 --> 00:46:29,239
Speaker 3: Yes, those John Legend who do we think we all

1002
00:46:29,320 --> 00:46:37,640
Speaker 3: did Chill Chill feature Rick Ross Chell joint, Uh Pride

1003
00:46:37,760 --> 00:46:39,600
Speaker 3: Enjoy In fact Joe with Kanye.

1004
00:46:39,800 --> 00:46:44,440
Speaker 1: I knew that. I knew that one. People didn't know

1005
00:46:44,440 --> 00:46:46,160
Speaker 1: what their girls all postal corrupt.

1006
00:46:46,560 --> 00:46:49,040
Speaker 2: Yeah, no, I had no clue. And that's one of

1007
00:46:49,040 --> 00:46:53,880
Speaker 2: my favorite corrupt joints. Man, Like niggas don't know the

1008
00:46:53,920 --> 00:46:57,560
Speaker 2: relationship I got with corrupt niggas like mister Cheeks, like

1009
00:46:57,680 --> 00:47:02,080
Speaker 2: these my niggas, bro, like sure my niggas. O niggas

1010
00:47:02,120 --> 00:47:03,080
Speaker 2: is one of us, for.

1011
00:47:03,040 --> 00:47:07,360
Speaker 1: Sure, for sure all day. The old niggas is crazy

1012
00:47:07,560 --> 00:47:09,040
Speaker 1: dazz all of niggas.

1013
00:47:09,040 --> 00:47:11,880
Speaker 2: Man, Damn, I ain't know you did you fucked me

1014
00:47:11,960 --> 00:47:13,240
Speaker 2: up with the girls all pause.

1015
00:47:13,320 --> 00:47:15,719
Speaker 3: Oh and my first joint out the gate A lot

1016
00:47:15,719 --> 00:47:20,359
Speaker 3: of people do did because don't leave Black Streak, Yo.

1017
00:47:20,920 --> 00:47:23,920
Speaker 2: That was your first joint that you ever produced personal

1018
00:47:24,520 --> 00:47:27,520
Speaker 2: right there, Yo, that has come on my gen your

1019
00:47:27,560 --> 00:47:29,719
Speaker 2: first song you ever produced that ship Then they went

1020
00:47:29,880 --> 00:47:35,600
Speaker 2: five million, six Yeah nigga.

1021
00:47:35,840 --> 00:47:38,520
Speaker 1: Did six, but he did six like man twenty years ago.

1022
00:47:38,719 --> 00:47:39,080
Speaker 1: I know.

1023
00:47:39,680 --> 00:47:42,359
Speaker 2: And when it matted with six million, people got up

1024
00:47:42,400 --> 00:47:44,960
Speaker 2: off they ass it, went to the store and actually

1025
00:47:45,040 --> 00:47:52,080
Speaker 2: bought the physical single like God, damn your first joint six,

1026
00:47:52,400 --> 00:47:55,480
Speaker 2: No wonder you had to seil in five thousand dollars.

1027
00:47:58,760 --> 00:48:00,400
Speaker 3: It was like I said back then, if he was

1028
00:48:00,440 --> 00:48:02,800
Speaker 3: in the studio, that means everybody got half their money already.

1029
00:48:03,840 --> 00:48:07,960
Speaker 1: That's what that meant. So everybody's ain't happy. Everybody were

1030
00:48:08,000 --> 00:48:09,440
Speaker 1: ready to work, that's a fact.

1031
00:48:09,840 --> 00:48:12,880
Speaker 3: Now it's like you're in the studio and they ain't

1032
00:48:12,920 --> 00:48:16,600
Speaker 3: spoke about a dollar. Nope, you want to keep asking

1033
00:48:16,600 --> 00:48:18,839
Speaker 3: you for beats like we don't get out my face?

1034
00:48:19,000 --> 00:48:20,640
Speaker 1: Yeah, how much you're paying what we're doing.

1035
00:48:21,760 --> 00:48:24,319
Speaker 3: I'm not gonna keep recording fifteen records with you and

1036
00:48:24,360 --> 00:48:25,920
Speaker 3: you ain't trying to lock down nothing.

1037
00:48:26,560 --> 00:48:28,799
Speaker 1: Damn. You know what I'm saying. That's you know what.

1038
00:48:28,880 --> 00:48:31,399
Speaker 1: Let's get a conversation. Let's go get out to because

1039
00:48:31,440 --> 00:48:32,680
Speaker 1: you said you had a beef with us.

1040
00:48:32,800 --> 00:48:35,359
Speaker 3: What's your We had a beef by the sample now

1041
00:48:35,640 --> 00:48:38,759
Speaker 3: now now listen to beef. We got whatnot not? But

1042
00:48:38,880 --> 00:48:41,960
Speaker 3: you was just artists, per se. I just I just

1043
00:48:42,000 --> 00:48:47,879
Speaker 3: wish y'all understood how much when the game changed, did

1044
00:48:47,880 --> 00:48:49,800
Speaker 3: it only affected the producer side.

1045
00:48:50,160 --> 00:48:53,839
Speaker 1: No, that's not true, hear me out. Go ahead, now

1046
00:48:54,560 --> 00:48:57,279
Speaker 1: consider them, bro, you know you guys do shows, we

1047
00:48:57,280 --> 00:48:58,879
Speaker 1: don't get. We don't get to touch that. You can.

1048
00:48:59,040 --> 00:49:00,799
Speaker 3: You can perform the same we're gonna produce for you

1049
00:49:01,080 --> 00:49:02,719
Speaker 3: eight hundred thousand times.

1050
00:49:03,000 --> 00:49:04,680
Speaker 1: And we don't get none of that.

1051
00:49:04,960 --> 00:49:07,440
Speaker 3: So that's just you hit us one time and you

1052
00:49:07,560 --> 00:49:09,480
Speaker 3: gone that ship paid for itself.

1053
00:49:09,680 --> 00:49:11,640
Speaker 1: But you know they changed that, right what you mean?

1054
00:49:12,080 --> 00:49:15,840
Speaker 2: Like, you know that producers and artists can get paid

1055
00:49:16,000 --> 00:49:21,319
Speaker 2: for live performances now for their songs. So all you

1056
00:49:21,360 --> 00:49:24,800
Speaker 2: have to do is register that song with BMil ASKAP

1057
00:49:24,880 --> 00:49:29,360
Speaker 2: or whoever your publisher is under live performances. So anytime

1058
00:49:29,400 --> 00:49:33,839
Speaker 2: that song is performed live, you get a check for that, bro.

1059
00:49:34,280 --> 00:49:36,880
Speaker 2: So as a producer, I don't know if you're doing that.

1060
00:49:37,000 --> 00:49:40,239
Speaker 2: Remember we have managers. I hate physically going into ass

1061
00:49:40,239 --> 00:49:41,400
Speaker 2: caap and doing shit myself.

1062
00:49:41,440 --> 00:49:44,640
Speaker 1: I feel like I fell off. But if we get

1063
00:49:44,680 --> 00:49:46,880
Speaker 1: money from streaming like that joke.

1064
00:49:47,760 --> 00:49:51,640
Speaker 2: I was just telling somebody like that, they these kids

1065
00:49:51,640 --> 00:49:55,719
Speaker 2: to where they believe a billion streams on any platform

1066
00:49:56,120 --> 00:49:58,719
Speaker 2: just because they send you that shiny plaque. You lin

1067
00:49:59,400 --> 00:50:04,640
Speaker 2: a billion streams on any platform, whether it's Apple, Spotify, YouTube.

1068
00:50:05,360 --> 00:50:07,879
Speaker 2: You can't even go buy a house. You couldn't buy

1069
00:50:08,320 --> 00:50:10,960
Speaker 2: you probably get enough money just to buy a Honda Cord,

1070
00:50:11,120 --> 00:50:14,239
Speaker 2: not the fully equipped one you get about twenty two

1071
00:50:14,480 --> 00:50:17,200
Speaker 2: probably twenty five thousand tops, So you gotta get the

1072
00:50:19,480 --> 00:50:22,160
Speaker 2: Enterprise or the Hurtz Honda, the when they rent to you,

1073
00:50:22,200 --> 00:50:25,120
Speaker 2: the rental car version, not the fully loaded with the

1074
00:50:25,160 --> 00:50:28,680
Speaker 2: sun roof leathers and see you know what I mean.

1075
00:50:30,000 --> 00:50:35,320
Speaker 2: But them stream same spins if you got a thousand strings.

1076
00:50:35,360 --> 00:50:37,920
Speaker 2: Let's just saying, if your record dropped and it was

1077
00:50:37,960 --> 00:50:40,080
Speaker 2: out for six months and you got ten thousand to

1078
00:50:40,120 --> 00:50:43,200
Speaker 2: twenty thousand spins on the radio, you know you'll make

1079
00:50:43,320 --> 00:50:46,319
Speaker 2: enough money to buy a house. Twenty thousand spins on

1080
00:50:46,360 --> 00:50:49,040
Speaker 2: the radio will pay you triple times the money a

1081
00:50:49,200 --> 00:50:50,920
Speaker 2: billion streams will pay you.

1082
00:50:51,600 --> 00:50:52,600
Speaker 1: That's why they get rid of it.

1083
00:50:53,840 --> 00:50:57,239
Speaker 2: That's insane that these kids believe streaming is the way

1084
00:50:57,320 --> 00:50:59,960
Speaker 2: where radio will never die, Radio airway.

1085
00:51:00,520 --> 00:51:03,600
Speaker 3: I was the only person on Instagram seven eight years

1086
00:51:03,640 --> 00:51:08,439
Speaker 3: ago saying this ship is wrong, and they was like, Yo, man,

1087
00:51:08,480 --> 00:51:11,520
Speaker 3: you just always better. Yo, what big man about now?

1088
00:51:11,600 --> 00:51:14,080
Speaker 3: And shit right, it was just easy to sell that.

1089
00:51:14,080 --> 00:51:16,759
Speaker 3: But I'm like, my nigga, this only makes sense to Spotify. Yeah,

1090
00:51:16,800 --> 00:51:18,399
Speaker 3: this don't make sense to nobody else.

1091
00:51:18,480 --> 00:51:21,719
Speaker 1: Money, but you know what I'm saying. So they was like, Yo,

1092
00:51:21,760 --> 00:51:23,920
Speaker 1: you gotta gotta you gotta understand I business is that now? Bro?

1093
00:51:23,960 --> 00:51:27,120
Speaker 3: I'm like, Bro, listen, all we did when we agreed

1094
00:51:27,120 --> 00:51:29,080
Speaker 3: to this, we basically said we won't need no more

1095
00:51:29,120 --> 00:51:33,719
Speaker 3: money for mechanicals. We gave on a mechanical. Gu we

1096
00:51:33,840 --> 00:51:35,040
Speaker 3: just do the streaming shit with y'all.

1097
00:51:35,640 --> 00:51:37,319
Speaker 2: You gave it all the way. You gave it it

1098
00:51:37,719 --> 00:51:39,640
Speaker 2: all to them. They make all the money, and tell you,

1099
00:51:39,800 --> 00:51:42,560
Speaker 2: think about it. You make the music, you pay the producer,

1100
00:51:42,640 --> 00:51:44,880
Speaker 2: you pay studio time, you pay to shoot the video.

1101
00:51:45,160 --> 00:51:47,880
Speaker 2: For somebody to tell you how much you make off yourself,

1102
00:51:50,080 --> 00:51:50,880
Speaker 2: that's insane.

1103
00:51:51,160 --> 00:51:51,799
Speaker 1: Think about it.

1104
00:51:51,840 --> 00:51:54,080
Speaker 2: If you started, if you went and printed a T shirt,

1105
00:51:54,200 --> 00:51:56,920
Speaker 2: put your logo on it, there's no store in this

1106
00:51:57,000 --> 00:51:58,200
Speaker 2: world that's gonna tell you.

1107
00:51:58,440 --> 00:51:58,600
Speaker 1: Yo.

1108
00:51:58,719 --> 00:52:00,840
Speaker 2: Yeah, I give you a doll for all these T

1109
00:52:01,000 --> 00:52:03,359
Speaker 2: shirts after you just spend ten dollars making one.

1110
00:52:04,040 --> 00:52:07,200
Speaker 1: There's no way, like the game is flipped.

1111
00:52:07,200 --> 00:52:09,839
Speaker 2: And then when you me I always said, from my perspective,

1112
00:52:10,320 --> 00:52:14,359
Speaker 2: the person who invented the streaming and the Apple ship

1113
00:52:14,560 --> 00:52:18,719
Speaker 2: all that shit, they never they never ever played the

1114
00:52:18,800 --> 00:52:20,760
Speaker 2: barter system ever.

1115
00:52:21,400 --> 00:52:22,879
Speaker 4: I mean you don't have to be a drug deal.

1116
00:52:22,880 --> 00:52:24,360
Speaker 4: All you have to do is barter.

1117
00:52:24,520 --> 00:52:28,840
Speaker 2: Sell something some goods for someone for something more.

1118
00:52:28,640 --> 00:52:31,240
Speaker 4: Than you purchased it for the barter system.

1119
00:52:31,239 --> 00:52:34,600
Speaker 3: When they when they pissed it to us when they

1120
00:52:34,680 --> 00:52:38,400
Speaker 3: first said, yo, you gotta have fifteen hundred streams to

1121
00:52:38,480 --> 00:52:43,440
Speaker 3: equal one sound right, and who was like okay?

1122
00:52:43,880 --> 00:52:48,640
Speaker 1: They were like, yo, back the truck up. Similarly, we

1123
00:52:48,719 --> 00:52:52,520
Speaker 1: got them fifteen. It's been it's been on her since yo,

1124
00:52:52,560 --> 00:52:53,520
Speaker 1: bro It's insane thing.

1125
00:52:53,560 --> 00:52:57,640
Speaker 2: But think about it, right when the album dropped, it

1126
00:52:57,640 --> 00:53:00,960
Speaker 2: could be ten songs, seventeen songs. Think of you only

1127
00:53:01,120 --> 00:53:05,000
Speaker 2: like six the eight records tops, even if it's that many,

1128
00:53:05,040 --> 00:53:07,680
Speaker 2: you might only like four, might like five. I think

1129
00:53:07,760 --> 00:53:10,440
Speaker 2: you can go buy those five records for five dollars.

1130
00:53:10,600 --> 00:53:12,880
Speaker 2: Where they're selling you the whole project for ten to

1131
00:53:12,960 --> 00:53:16,640
Speaker 2: twelve dollars. You go buy your favorite three two for

1132
00:53:17,239 --> 00:53:19,400
Speaker 2: one dollar, two dollars, three dollars.

1133
00:53:19,480 --> 00:53:20,200
Speaker 1: You know what I'm saying.

1134
00:53:20,239 --> 00:53:24,040
Speaker 2: Where those singles to me should have been five dollars,

1135
00:53:24,200 --> 00:53:26,799
Speaker 2: where the album is ten dollars, Where a person like,

1136
00:53:26,840 --> 00:53:29,080
Speaker 2: why I'm gonna spend ten dollars to buy two songs

1137
00:53:29,080 --> 00:53:30,719
Speaker 2: when I could get thirteen to ten.

1138
00:53:31,000 --> 00:53:34,279
Speaker 3: But then you think about this this ship Tory Lanez did. Right,

1139
00:53:35,280 --> 00:53:37,879
Speaker 3: If you're willing to give your music for point oh

1140
00:53:37,960 --> 00:53:40,520
Speaker 3: o o six, whether that shit is, then when I

1141
00:53:40,560 --> 00:53:41,319
Speaker 3: sell the whole ship for.

1142
00:53:41,320 --> 00:53:44,680
Speaker 1: A dollar, yep, that's a fact.

1143
00:53:44,800 --> 00:53:49,239
Speaker 3: If you if you will to see them, he killed them,

1144
00:53:49,239 --> 00:53:51,279
Speaker 3: at least that's your dollar. He killed them, you know

1145
00:53:51,280 --> 00:53:52,479
Speaker 3: what I'm saying, that's your dollar.

1146
00:53:52,760 --> 00:53:55,799
Speaker 2: Fucking right, you murdered them with that million dollars and

1147
00:53:55,840 --> 00:53:57,759
Speaker 2: one and one hour, I believe.

1148
00:53:57,560 --> 00:54:00,560
Speaker 3: Not even word up, not even so I'm trying to

1149
00:54:00,560 --> 00:54:03,480
Speaker 3: say so that right there, And people don't understand Prince

1150
00:54:03,600 --> 00:54:06,959
Speaker 3: was the first person to selling CD at the show,

1151
00:54:07,160 --> 00:54:10,040
Speaker 3: and he counted as a sound skin you know what

1152
00:54:10,040 --> 00:54:14,320
Speaker 3: I'm saying that. Yeah, like Prince was on stress, was disrupted,

1153
00:54:14,360 --> 00:54:16,959
Speaker 3: blessed what I was definitely you know what I'm saying.

1154
00:54:17,440 --> 00:54:19,080
Speaker 1: For sure, But that's genius.

1155
00:54:19,120 --> 00:54:22,160
Speaker 3: So if you got eight thousand people at your show,

1156
00:54:22,600 --> 00:54:27,040
Speaker 3: that's eight thousand so on the yone. So he put

1157
00:54:27,040 --> 00:54:28,400
Speaker 3: the price of the CD in the price of the

1158
00:54:28,440 --> 00:54:29,120
Speaker 3: concert ticket.

1159
00:54:30,360 --> 00:54:33,400
Speaker 1: You see what I'm saying. That's genius. But all this

1160
00:54:33,440 --> 00:54:34,800
Speaker 1: shit you can still do today.

1161
00:54:34,920 --> 00:54:38,640
Speaker 2: Yes, just imagine yo, chill man nigga like Drake was

1162
00:54:38,640 --> 00:54:41,360
Speaker 2: doing that right now, They think he cheats bro. Anybody

1163
00:54:41,360 --> 00:54:44,960
Speaker 2: with a flat nigga selling out one hundred thousand, sixty

1164
00:54:45,000 --> 00:54:46,440
Speaker 2: thousand seed, there's no problem.

1165
00:54:46,520 --> 00:54:47,640
Speaker 1: He's selling sixty.

1166
00:54:47,360 --> 00:54:50,480
Speaker 2: Thousand on top of his eight hundred thousand first weeks.

1167
00:54:50,840 --> 00:54:54,160
Speaker 1: See, But that's why you give that artist four hundred million.

1168
00:54:54,239 --> 00:54:57,000
Speaker 3: Who you get him four hundred million? He would never

1169
00:54:57,080 --> 00:54:58,680
Speaker 3: think about doing what you just said.

1170
00:54:59,360 --> 00:55:00,880
Speaker 2: He's gonna think of by the nag because we just

1171
00:55:00,880 --> 00:55:03,759
Speaker 2: said it. We just told them the game that gotta

1172
00:55:03,800 --> 00:55:04,560
Speaker 2: cut us in carr.

1173
00:55:04,800 --> 00:55:08,000
Speaker 3: But I'm just saying, it's like a nigga just gave

1174
00:55:08,040 --> 00:55:09,880
Speaker 3: you four hundred million, Like you ain't really tripping on

1175
00:55:09,880 --> 00:55:11,480
Speaker 3: each other stuff, you feel me?

1176
00:55:13,200 --> 00:55:15,440
Speaker 1: Yeah, you're right. You give a nigga fur nigga like

1177
00:55:16,080 --> 00:55:16,520
Speaker 1: you gotta.

1178
00:55:18,600 --> 00:55:21,760
Speaker 2: You don't worry about it over there over there today,

1179
00:55:23,880 --> 00:55:25,520
Speaker 2: God speak word up.

1180
00:55:26,200 --> 00:55:27,440
Speaker 1: If you ain't lying.

1181
00:55:27,200 --> 00:55:28,919
Speaker 4: You you haven't worked with Drinke.

1182
00:55:29,480 --> 00:55:33,160
Speaker 1: Yeah you did what you produced for the army. The uh,

1183
00:55:33,640 --> 00:55:35,600
Speaker 1: you don't live twice with him. We're also a little

1184
00:55:35,600 --> 00:55:40,359
Speaker 1: way the Josie Free style with him and j Cole.

1185
00:55:40,880 --> 00:55:44,680
Speaker 1: Mmm and my nigga.

1186
00:55:44,719 --> 00:55:48,680
Speaker 2: You got some fucking gems under your belt.

1187
00:55:48,280 --> 00:55:52,160
Speaker 1: You why you can't but you can't be banked the

1188
00:55:52,280 --> 00:55:53,280
Speaker 1: humble monster.

1189
00:55:53,880 --> 00:55:56,680
Speaker 2: You gotta we gotta be. We're gonna change that ship.

1190
00:55:56,680 --> 00:55:59,000
Speaker 2: We gonna let these niggas know cause we out here

1191
00:56:00,880 --> 00:56:03,400
Speaker 2: I didn't know that you humble. We gotta get that ship.

1192
00:56:03,440 --> 00:56:08,000
Speaker 2: No bing, just the fucking Monds, because that's what you are,

1193
00:56:08,120 --> 00:56:11,280
Speaker 2: my nigga. See, that's why the fucking Monds.

1194
00:56:11,320 --> 00:56:11,680
Speaker 1: That's why.

1195
00:56:12,480 --> 00:56:14,480
Speaker 3: That's why them young niggas be mad, because these young

1196
00:56:14,560 --> 00:56:16,480
Speaker 3: niggas is twenty six, twenty seven years.

1197
00:56:16,280 --> 00:56:18,200
Speaker 1: Old, and then then they put in that work and

1198
00:56:18,239 --> 00:56:19,200
Speaker 1: they think they know me.

1199
00:56:19,520 --> 00:56:22,319
Speaker 3: Like, nigga, I've been doing this since you had on Onesia, Yo,

1200
00:56:22,600 --> 00:56:25,719
Speaker 3: chill like literally like you was running around the Ones

1201
00:56:26,200 --> 00:56:28,719
Speaker 3: worried out. That's when I my sound was like that

1202
00:56:28,760 --> 00:56:30,160
Speaker 3: when you was in the Ones and you.

1203
00:56:30,120 --> 00:56:33,279
Speaker 4: Said your first joint is Backstreet, Black Street.

1204
00:56:33,080 --> 00:56:35,719
Speaker 3: Like come on, but that's Teddy. Then you understand I

1205
00:56:35,760 --> 00:56:39,000
Speaker 3: did it. I want to spot called triple play. Back

1206
00:56:39,000 --> 00:56:41,920
Speaker 3: in the day she was it was a barbershop, h

1207
00:56:42,120 --> 00:56:46,120
Speaker 3: car wash studio, so they call it triple play, right

1208
00:56:46,320 --> 00:56:48,080
Speaker 3: a right, So I'm gonna be in the studio park

1209
00:56:48,480 --> 00:56:53,759
Speaker 3: Teddy getting a haircut unherstand so he hear me. He

1210
00:56:53,880 --> 00:56:56,239
Speaker 3: come up like, Yo, you know, play with some more ship.

1211
00:56:57,200 --> 00:57:00,279
Speaker 3: I'm nervous as motherfucker. But I had the ASR tom

1212
00:57:00,280 --> 00:57:03,640
Speaker 3: so I floppy this then. So now I'm putting in

1213
00:57:03,640 --> 00:57:05,480
Speaker 3: the fly with this. I got a strike little conversation

1214
00:57:05,480 --> 00:57:06,680
Speaker 3: because that should takes for ever.

1215
00:57:06,520 --> 00:57:09,080
Speaker 1: To load up.

1216
00:57:09,960 --> 00:57:12,359
Speaker 3: I'm like, yeah, you know what, I'm trying to straight

1217
00:57:12,400 --> 00:57:16,240
Speaker 3: a little conversation. I finally played. I played about four

1218
00:57:16,280 --> 00:57:21,680
Speaker 3: or five records and I finally played that. He was like, Yo,

1219
00:57:23,000 --> 00:57:24,040
Speaker 3: go get such and such.

1220
00:57:24,760 --> 00:57:26,480
Speaker 1: So what you're doing tomorrow? I said, what you need

1221
00:57:26,560 --> 00:57:29,960
Speaker 1: me to be doing tomorrow? Word out was that nigga

1222
00:57:30,000 --> 00:57:33,640
Speaker 1: back then, but back then, but bro.

1223
00:57:33,640 --> 00:57:35,600
Speaker 3: You understand when he came and when he came and

1224
00:57:35,640 --> 00:57:40,080
Speaker 3: set up shopping in Virginia, he was like the main drag.

1225
00:57:40,400 --> 00:57:43,280
Speaker 1: Bro, I can't stand down in Virginia. Virginia. It's not

1226
00:57:43,320 --> 00:57:45,800
Speaker 1: like New York. So you don't see, for frison say,

1227
00:57:46,600 --> 00:57:48,840
Speaker 1: that's not normal. You know what I'm saying.

1228
00:57:49,120 --> 00:57:51,960
Speaker 3: When he moved out there and people start coming down

1229
00:57:52,000 --> 00:57:53,440
Speaker 3: to work with him and coming to town to work,

1230
00:57:53,840 --> 00:57:57,320
Speaker 3: you start seeing these machines and then his machines that

1231
00:57:57,400 --> 00:57:59,360
Speaker 3: he was because back then he had the Purple.

1232
00:57:59,520 --> 00:58:05,440
Speaker 1: MPV with the Purple Bbs. That ship was the one

1233
00:58:05,600 --> 00:58:09,160
Speaker 1: what you was definitely ahead of it. That was the one.

1234
00:58:09,240 --> 00:58:14,720
Speaker 3: You had the purple future jackets with the crazy.

1235
00:58:14,440 --> 00:58:17,320
Speaker 1: Jewe with the with the guys going up there. You know,

1236
00:58:17,640 --> 00:58:19,600
Speaker 1: you know, I know I got the hour, I had

1237
00:58:19,640 --> 00:58:23,760
Speaker 1: the album remember that. Yeah, the game was crazy. So

1238
00:58:23,800 --> 00:58:25,720
Speaker 1: you're seeing that, like, man, I want that.

1239
00:58:25,720 --> 00:58:28,680
Speaker 2: That's crazy, especially yeah, being in the quiet time like

1240
00:58:28,800 --> 00:58:29,920
Speaker 2: Van ain't pulling up.

1241
00:58:30,720 --> 00:58:33,400
Speaker 3: But the Crazy ship was his His studio was behind

1242
00:58:33,440 --> 00:58:36,880
Speaker 3: a Veterinarian, so it's on the main drag, but you

1243
00:58:36,920 --> 00:58:38,880
Speaker 3: can't just drive into the partlight. So when you driving

1244
00:58:38,960 --> 00:58:41,360
Speaker 3: me turn in the Veterinarian, he would have a security

1245
00:58:41,400 --> 00:58:43,440
Speaker 3: gud right in the driveway.

1246
00:58:44,360 --> 00:58:46,840
Speaker 1: So you go and you try to go past the Vtnarian.

1247
00:58:46,840 --> 00:58:50,959
Speaker 1: Here gonna step on the front, like hold on before

1248
00:58:51,000 --> 00:58:51,919
Speaker 1: you even get back there.

1249
00:58:52,360 --> 00:58:54,040
Speaker 3: So it was like, you know us, we're like, man,

1250
00:58:54,040 --> 00:58:57,480
Speaker 3: I gotta get in that building, like man, just getting

1251
00:58:57,480 --> 00:58:58,040
Speaker 3: that motherfucker.

1252
00:58:58,240 --> 00:59:00,240
Speaker 2: That's crazy to hear you say that, because in the

1253
00:59:00,280 --> 00:59:02,160
Speaker 2: for Real movie he was saying the same thing.

1254
00:59:02,600 --> 00:59:04,960
Speaker 3: Listen to gain that Bill, I gotta get in that

1255
00:59:05,000 --> 00:59:06,400
Speaker 3: pitch Man some kind of way.

1256
00:59:06,440 --> 00:59:08,200
Speaker 1: I gotta get in it. It's crazy.

1257
00:59:08,200 --> 00:59:10,080
Speaker 3: So I ended up getting there with my man chance

1258
00:59:12,240 --> 00:59:14,400
Speaker 3: due Christal. I think Christal is married to his sister,

1259
00:59:14,560 --> 00:59:17,000
Speaker 3: Tell your sister. So he was managing, so he took

1260
00:59:18,000 --> 00:59:20,480
Speaker 3: right there. But now I'm only in the writer's room

1261
00:59:20,480 --> 00:59:21,920
Speaker 3: though you know, it's a big difference from the room

1262
00:59:21,960 --> 00:59:22,360
Speaker 3: and the writers.

1263
00:59:22,920 --> 00:59:25,800
Speaker 1: Yeah grew so you in the building, but you're still

1264
00:59:25,800 --> 00:59:27,600
Speaker 1: in the building. Yeah, you know what I'm saying. You

1265
00:59:27,680 --> 00:59:29,560
Speaker 1: got one for you got one.

1266
00:59:31,200 --> 00:59:32,880
Speaker 3: So that's about as far as I made it. So

1267
00:59:32,920 --> 00:59:36,240
Speaker 3: when he said what am I doing, like, I'm with you.

1268
00:59:36,680 --> 00:59:38,120
Speaker 3: When I came to that fan, I came in that

1269
00:59:38,200 --> 00:59:40,120
Speaker 3: a room and seen his setup. It was just like

1270
00:59:40,200 --> 00:59:46,920
Speaker 3: this motherfuckers fucking geek man, like this insane to me.

1271
00:59:47,120 --> 00:59:51,760
Speaker 2: That's still to me, that's the best everror when it

1272
00:59:51,800 --> 00:59:53,280
Speaker 2: was tape in.

1273
00:59:53,280 --> 00:59:56,640
Speaker 1: The studio, and that was the best.

1274
00:59:56,680 --> 01:00:01,120
Speaker 2: The music hit harder, everything, everything, every drums was more

1275
01:00:01,200 --> 01:00:04,320
Speaker 2: crisp everything. I felt like when pro tools came out,

1276
01:00:04,720 --> 01:00:06,960
Speaker 2: everything started sounding a little bit compressed.

1277
01:00:07,320 --> 01:00:09,440
Speaker 1: But I feel we people that are so used to

1278
01:00:09,480 --> 01:00:11,640
Speaker 1: it they don't even remember. Whether you can't miss what

1279
01:00:11,680 --> 01:00:13,560
Speaker 1: you never had word up, man.

1280
01:00:13,400 --> 01:00:17,320
Speaker 2: You put somebody got some old forty five's or old

1281
01:00:17,400 --> 01:00:18,960
Speaker 2: real classic record player.

1282
01:00:19,040 --> 01:00:21,840
Speaker 1: But me and throwing the classic, you would hear the sound.

1283
01:00:21,880 --> 01:00:24,680
Speaker 1: Oh for sure, we went. We went the extra mount.

1284
01:00:25,040 --> 01:00:27,240
Speaker 3: I mean, don when we did Blueprint, we put the

1285
01:00:27,320 --> 01:00:29,440
Speaker 3: drums and based on half inch m.

1286
01:00:31,280 --> 01:00:33,960
Speaker 2: We bounced that shit downe half inch. Anything else was

1287
01:00:33,960 --> 01:00:36,600
Speaker 2: on too much. That's crazy. The only thing I didn't

1288
01:00:36,640 --> 01:00:39,360
Speaker 2: like about the rails was when they had to cut

1289
01:00:39,400 --> 01:00:43,160
Speaker 2: that bitch. That shit took forever they had to cut it,

1290
01:00:43,240 --> 01:00:45,200
Speaker 2: or they tell you they had to find the machine.

1291
01:00:45,520 --> 01:00:49,840
Speaker 2: Oh my god, you sitting there for ava like you motherfuckers.

1292
01:00:49,880 --> 01:00:53,040
Speaker 1: Wow, come here today. Alcohol the Q tips, yo yo,

1293
01:00:54,920 --> 01:00:55,680
Speaker 1: Alcohol Q.

1294
01:00:55,840 --> 01:00:58,320
Speaker 2: Tip trained up niggas just splicing that ship like that

1295
01:00:58,400 --> 01:01:02,280
Speaker 2: was a big tape word so yo. Out of everything

1296
01:01:02,360 --> 01:01:04,440
Speaker 2: you feel and that you're done in this game and

1297
01:01:04,480 --> 01:01:08,040
Speaker 2: you contributed, Like, what's the legacy that you want to leave?

1298
01:01:08,040 --> 01:01:11,360
Speaker 2: What you want people to remember, Bink the fucking monster,

1299
01:01:11,560 --> 01:01:13,640
Speaker 2: not the humble monster, no more, y'all.

1300
01:01:14,280 --> 01:01:16,240
Speaker 4: What you want them to remember being dog?

1301
01:01:17,440 --> 01:01:19,400
Speaker 3: I mean, I did it my way, you know what

1302
01:01:19,440 --> 01:01:23,360
Speaker 3: I'm saying to me, that's the ultimate flex for any artist,

1303
01:01:23,680 --> 01:01:27,120
Speaker 3: whether producer or rap or singer, to come in and

1304
01:01:27,480 --> 01:01:30,000
Speaker 3: put your own twist on ship and people recognize and

1305
01:01:30,320 --> 01:01:34,960
Speaker 3: identify with something different. I think that's that's the major flex.

1306
01:01:35,640 --> 01:01:38,960
Speaker 3: So I've done that. So I feel like I did

1307
01:01:38,960 --> 01:01:40,440
Speaker 3: what I was supposed to do in that regard.

1308
01:01:41,320 --> 01:01:45,360
Speaker 2: Got any any young talent you've been mentoring nowt here

1309
01:01:45,480 --> 01:01:46,280
Speaker 2: anything like that?

1310
01:01:46,640 --> 01:01:47,240
Speaker 1: Yes, a few?

1311
01:01:47,320 --> 01:01:49,520
Speaker 3: You know, a few producers, man, my man bags. I

1312
01:01:49,600 --> 01:01:53,120
Speaker 3: used to mentor mentor my man too high right now too.

1313
01:01:55,320 --> 01:01:58,760
Speaker 1: Or man nef. I got a few dudes. Man that

1314
01:01:59,440 --> 01:02:01,680
Speaker 1: my nephew, little d Okay.

1315
01:02:01,520 --> 01:02:06,480
Speaker 2: Now tifts in that he oh nehing that fact that's

1316
01:02:06,520 --> 01:02:10,680
Speaker 2: got ninety six prices town nefts in that he your uristic.

1317
01:02:11,920 --> 01:02:14,880
Speaker 1: Yeah that's me, No way, that's your fire.

1318
01:02:14,960 --> 01:02:16,520
Speaker 2: I had some ship, laid some ship to it, but

1319
01:02:16,520 --> 01:02:18,640
Speaker 2: I'm gonna redo it, you know, trying to get hold

1320
01:02:18,680 --> 01:02:21,560
Speaker 2: on that one. I already know that's the old, that's

1321
01:02:21,600 --> 01:02:24,720
Speaker 2: our vibe, that's the old, like nigga, you know what

1322
01:02:24,760 --> 01:02:25,280
Speaker 2: this is.

1323
01:02:26,680 --> 01:02:30,320
Speaker 1: You know what that is? So what's next for bank man?

1324
01:02:30,440 --> 01:02:31,120
Speaker 1: Like you know what I mean?

1325
01:02:31,160 --> 01:02:33,720
Speaker 4: What people should be looking out for? What's next for

1326
01:02:33,800 --> 01:02:34,200
Speaker 4: my guy?

1327
01:02:35,040 --> 01:02:38,680
Speaker 3: I'm producing an easy EP until Yeah, that's what I

1328
01:02:38,720 --> 01:02:40,919
Speaker 3: was finished with that, So shout out to my brother.

1329
01:02:41,440 --> 01:02:44,040
Speaker 2: So yeah, shout out a Z from Brooklyn to stop

1330
01:02:44,120 --> 01:02:44,920
Speaker 2: trying to steal him.

1331
01:02:46,480 --> 01:02:48,640
Speaker 1: So yeah, that's that's That's what's on the on the

1332
01:02:48,680 --> 01:02:51,200
Speaker 1: table right now. That's what's up. Man. I appreciate you

1333
01:02:51,280 --> 01:02:53,520
Speaker 1: coming through bank. You know you my fucking guy.

1334
01:02:53,960 --> 01:02:56,920
Speaker 2: Anything you ever need from me, dog, I'm always here

1335
01:02:57,400 --> 01:02:59,440
Speaker 2: my phone, My line is always open to you.

1336
01:02:59,520 --> 01:03:03,520
Speaker 1: Bro, been a real one. Love for life. Bro.

1337
01:03:04,000 --> 01:03:06,680
Speaker 2: You already know what it is. It's another episode of

1338
01:03:06,800 --> 01:03:10,720
Speaker 2: Rock Solid powered by Duce, the only drink that you

1339
01:03:10,760 --> 01:03:13,840
Speaker 2: should keep stocked and the only drink that's gonna make

1340
01:03:13,880 --> 01:03:21,920
Speaker 2: sure everything sid we out that pard. For more podcasts

1341
01:03:21,920 --> 01:03:26,560
Speaker 2: from iHeart Radio, visit iHeartRadio app, Apple Podcasts, or wherever

1342
01:03:26,640 --> 01:03:28,960
Speaker 2: you listen to your favorite shows app and you can

1343
01:03:29,040 --> 01:03:32,160
Speaker 2: follow me on any social media platform under the name

1344
01:03:32,240 --> 01:03:32,919
Speaker 2: Memphis Bleak.

1345
01:03:33,080 --> 01:03:35,240
Speaker 1: You see anybody fraud in Flagging