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Speaker 1: This is Firefighter Raphael Poiriet for Firehouse Subs introducing new

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Speaker 1: firehouse pairs. Pair your favorite small sub with a signature

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Speaker 1: side like the awesome five cheese mac and Cheese, and

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Speaker 1: remember a portion of every purchase at Firehouse Subs goes

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Speaker 1: towards helping first responders. Firehouse subs enjoy more subs, save

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Speaker 1: more lives. Participating locations don't leave firehouse hubs, but don't

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Speaker 1: eat a minimum one million dollars in two thousand nineteens

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Speaker 1: to the Firehouse Subs publicly safe the foundation by don't

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Speaker 1: any point of every purchase. He's a legendary Queen's rapper.

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Speaker 1: E's a Miami hip hop pioneer. What up is d

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Speaker 1: J E f N? Together they drink it up with

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Speaker 1: some of the biggest players in music and sports, I mean,

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Speaker 1: the most professional, unprofessional podcast and your number one source

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Speaker 1: for drunk facts. This is drinks chat Radar to every

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Speaker 1: Day is New Year's Eve? Just hey, exactly over shot

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Speaker 1: being the super boy? What up? His DJ and the

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Speaker 1: podcast drink something? How how you putting ups that bear Mollo?

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Speaker 1: People drink that like tomato pussy juice right correct? Not

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Speaker 1: as juice clam it sounds so perverted. We'll see you. Yeah,

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Speaker 1: that's specially yeah. You know what, I'm excited for this

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Speaker 1: episode today. Early. We wanted to beat Revolt because last

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Speaker 1: time we uh dropped the Pup Daddy episode with all

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Speaker 1: got it first and we enjoyed that big to the

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Speaker 1: people with Vault Roman, everybody ever, Vould Zach, what up

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Speaker 1: that Revolt? He just assisted drink consulting consultant. He man,

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Speaker 1: he's always showing us love. What's the what's the check writer?

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Speaker 1: The guy with the ball head got with the money

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Speaker 1: he's like him too, but we don't know his name

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Speaker 1: was Derek is Derekfo and CFO. You gotta remember the

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Speaker 1: money man, Big up Derek Man, big up a mom

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Speaker 1: and everybody ever Volt Bis, people at CBS as well, Uh, Emily, Regina,

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Speaker 1: Brian greg you know what I'm saying, all them people

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Speaker 1: up there, big up to Randy, a pick up to Ali,

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Speaker 1: big up everybody Man, super engineer has it. It sounds

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Speaker 1: rich blond in the building and we're gonna vote man.

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Speaker 1: So just in cases people don't know, our first premiere

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Speaker 1: episode is this episode. We're giving a little something on

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Speaker 1: the audio. It's a little something extra you know, obviously

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Speaker 1: the intro and things like that. But we're on the

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Speaker 1: volt man. We know, and we're well aware that everybody

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Speaker 1: don't have a vote, But why don't you go out

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Speaker 1: there and get it? Because you know, why not? You know,

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Speaker 1: we got a Cuban guy on TV, we got a

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Speaker 1: black and Puerto Rican guy on TV, and we're making

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Speaker 1: hip hop news and today mental and probably now before

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Speaker 1: we get into our guests, which the people already know

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Speaker 1: we've been promoting it. They shouldn't know if they're real

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Speaker 1: Dream Champ's Army. But before we get into that, my

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Speaker 1: Boyfat Joe he got a video that today exclusively on

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Speaker 1: Remy Fat Joe. Remy Mall Money Showers featuring my boy

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Speaker 1: Todd Dollar Sound was also on the Drunk Uncle project

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Speaker 1: Go Out There and Get It singles off the forthcoming

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Speaker 1: album plot does Plumo watch on this show? First? All

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Speaker 1: the titles subscribed, as you know what I'm saying, go

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Speaker 1: check it out. The video was title dot com Money

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Speaker 1: Backslash Money, directed by my Boy for vera from Queens

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Speaker 1: you Know, Pick him Up, re ennasced the movie Players

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Speaker 1: Club and features a cameo from Anthony Johnson, who appeared

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Speaker 1: in the film Fat Joe and previously partnered with title

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Speaker 1: You Know what I'm Saying exclusively premier their cooking Country

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Speaker 1: joint and also the music video remix. Ray said the

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Speaker 1: music video as well as All the Way Up remix

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Speaker 1: not the video because Jay is not going to nobody's

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Speaker 1: So again, go to title dot com Ford Slash Money Shower,

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Speaker 1: Money Shows the video's exclusive on title. Man, that's our

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Speaker 1: hold me, that's our first first dude. I mean, we

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Speaker 1: we recorded Kenny Edison for and Fat Joe's second, but

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Speaker 1: he was our first episode and it was that black brother.

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Speaker 1: I already smoked ma yo. But yeah, big up Fat Joe,

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Speaker 1: you know what I'm saying, and this this title, so

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Speaker 1: it's out right now. You go to title again. Go

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Speaker 1: to title dot com Backslash Money Showers a boy Fat

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Speaker 1: Joe with me mall uh Todd Dollar signs just going down, man.

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Speaker 1: Go to make sure you go to title man um

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Speaker 1: and drink chats. We're trying to do something with title

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Speaker 1: as well. So big up title, big up a top

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Speaker 1: topic of shaka, big up myth bleak, big up a

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Speaker 1: big up you know the big homie hole uh and

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Speaker 1: everybody up there you know what I'm saying. So uh yeah, definitely, man,

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Speaker 1: I'll go to title. I'm gonna get him exclusion video

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Speaker 1: to as well. You know what I mean. But oh yeah,

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Speaker 1: the horn ain't working. This is a good sign to drink.

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Speaker 1: Champs are foul niggers when the horn don't work. In

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Speaker 1: my mind, it's going. But I'm my water ship right now,

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Speaker 1: I'm drinking a lot of water. I'm drinking. You're drinking

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Speaker 1: a lot of Morello lately. And also so yo man,

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Speaker 1: you know, like I said, we want to keep securing

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Speaker 1: these hip hop you know legends, these hip hop you

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Speaker 1: know icons we just had noted by nature hands down,

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Speaker 1: might translation might have took DMX award for the most

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Speaker 1: drunk people are asking, I think we might have to

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Speaker 1: do an award for that. Yeah, yeah, he was the

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Speaker 1: most drunkest. First start was DMX, and certain people said

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Speaker 1: they reminded the more DMX, you know, because of the energy.

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Speaker 1: I was joke though, man, big up trash, big up videos.

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Speaker 1: It was it was episode long episode. We had to

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Speaker 1: do it the two parts in the video correct in

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Speaker 1: the video. Yeah, it was two parts, two parts. But

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Speaker 1: we're breaking up our extremely long videos and for all

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Speaker 1: the people who think that we can only see us

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Speaker 1: on Revolt, that is a lie. You can see us

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Speaker 1: as well on the Revolt you know what I mean.

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Speaker 1: Go check us out on a vault. The videos are

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Speaker 1: eventually gonna come out on our Thursday Thursday, So we're

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Speaker 1: gonna let live on Revolt for a while and then

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Speaker 1: eventually they're gonna drop on you. Everything that you get

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Speaker 1: on a vault, including a Puff Daddy episode, will be

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Speaker 1: available for you for YouTube if your fans of us

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Speaker 1: should be following on how we do this process. And

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Speaker 1: we've been kind of dope once again. Big up to

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Speaker 1: a super engineer, has it a sound, Big up to

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Speaker 1: our super director, director Auto Banco, and um it's going

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Speaker 1: down man. So uh yeah. So, like I said, these

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Speaker 1: videos are not just on Revolt, these videos on Revote

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Speaker 1: as well. And I'm excited about this episode. No, this

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Speaker 1: is this is monumental we've been wanting we started. This

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Speaker 1: is what drink Champs was created for. And I think

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Speaker 1: I drink Patron. You drink everything everything regular to killer.

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Speaker 1: And you know what, I just realized whenever we've record

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Speaker 1: n l A at Apartment for you drink everything everything

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Speaker 1: that's gave you dirty piss water. Big up Apartment four

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Speaker 1: be for keeping me drunk over. Someone said, I just

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Speaker 1: noticed there's a there's a refrigerator in the background. Let's

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Speaker 1: apartment four be got a great aura to it. It

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Speaker 1: feels very hip hop guys from Queen's uh and so

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Speaker 1: you know, big it up, you know what I mean? Um,

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Speaker 1: so we will get into this episode. Man. You know again,

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Speaker 1: you know we just had Nordy by Nation and and

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Speaker 1: and for all those hip hop junkies. You know a

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Speaker 1: lot of people get you know, just you know, a

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Speaker 1: trench and KG or KG and Vinnie. There's very suddenly

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Speaker 1: you've got all three of them in the room. And

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Speaker 1: it was so excited. You know, God bless and dead

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Speaker 1: the first off Fife Dog, you know, he's he's resting

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Speaker 1: in peace. But the fact is Bust rhymes and cons

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Speaker 1: consequence Carns TV and bust a bus so some somewhat

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Speaker 1: like filled up Fif's you know, you know if it

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Speaker 1: could be it can't be filled obviously, but you know,

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Speaker 1: Bust of being a big major star, he is consequence

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Speaker 1: being a major star. He is They're coming in and

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Speaker 1: and and I would like they say pitch hitting that's

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Speaker 1: the way to say it. And sports we had DJ Scratch,

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Speaker 1: which scratch you Obama stake ilogize djch scratch her Toyd,

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Speaker 1: that's about the other DJ. But I just thought, you know,

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Speaker 1: I thought it was the same. I'm sorry. You know,

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Speaker 1: obviously I know the difference of DJ, but so big

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Speaker 1: up Scratch. I'm sorry. I was just so drunk that

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Speaker 1: day and so big up Scratch, and I think, I

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Speaker 1: guess what I know. Further, Ado man, le's get into

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Speaker 1: one of these commercials as we're blowing up. You know

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Speaker 1: what I'm saying, get into one of your Brian played

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Speaker 1: one of the commercials if just the way to go.

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Speaker 1: If it's it's not the way to go, edit me out,

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Speaker 1: and those are my name, Rocket Mortgage, my paper man

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Speaker 1: about to get another house. Just just just get down

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Speaker 1: with Rocket Mortgage. You know what I'm saying. So what

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Speaker 1: I know? Further, dude, Tripical Quest, Drink Champs, Let's get

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Speaker 1: into it. Michael bank balling you got the bank by

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Speaker 1: Hank said Green. I hope it's South Boy and his

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Speaker 1: DJ E f drink some motherfucking podcast, make something. And

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Speaker 1: right now we have we have a group that I

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Speaker 1: grew up personally. They personally raised me. They didn't know it,

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Speaker 1: but through their bars and through their lyrics, they personally

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Speaker 1: raised me. I lived my life according to them. They

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Speaker 1: made Queen so proud, They made Brooklyn so proud, They

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Speaker 1: made New York City so proud, They made the world

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Speaker 1: so proud. They was a dude that was from my borough.

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Speaker 1: That was kicking ship, that was for our borough. But

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Speaker 1: it went globally every time. And they got back together

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Speaker 1: and they made the most prolific, the most influential, the

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Speaker 1: most the craziest album. I didn't skip not one record

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Speaker 1: this new album, and they got the reil Fife. They

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Speaker 1: didn't get no, no, no no. I could tell they

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Speaker 1: was in the studio together. He didn't, he didn't email

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Speaker 1: those verses. And I'm a part of a group, so

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Speaker 1: I know how hard it is to stick together with

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Speaker 1: a group. So right now, what am I introducing is

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Speaker 1: the month fucking trial called Crest, And I need everybody

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Speaker 1: to make some mother fucking I gotta get I gotta

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Speaker 1: get straight to my back in the days in the

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Speaker 1: bunlet of water sometimes that being the doors down, trying

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Speaker 1: to work. Don't worry, don't worry. We don't work, y'all.

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Speaker 1: Boss the bosses balled up back in the day. You

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Speaker 1: gotta you gotta take us to that back in the

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Speaker 1: days in the bullet of water. Then you gotta take us,

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Speaker 1: I mean where that was. Like. First of all, thank you, man,

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Speaker 1: you know, fam my nigga. You know what I'm saying.

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Speaker 1: So man, gotta thank you. I really appreciated. And ship ship,

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Speaker 1: not only for having us here, but the ship you're

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Speaker 1: doing for the motherfucking coach, you know, saying, and just

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Speaker 1: keep the ship straight and now, But to your question

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Speaker 1: and ship, you know that was a joint that I mean,

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Speaker 1: first of all, just growing up how we did, like

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Speaker 1: real talk, like it's the real ship we grew up

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Speaker 1: in Jamaica, Queen the ship. You know what I'm saying.

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Speaker 1: He was right on the split between north and south

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Speaker 1: side of all that. You know, I'm saying, shouts of

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Speaker 1: American or that shot. Want the niggas over there brazy

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Speaker 1: and about it. You know what I'm saying, LT and

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Speaker 1: all that all that. You know what I'm saying. So

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Speaker 1: our whole ship when we're just coming up, you know

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Speaker 1: what I'm saying. You know how this is when you

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Speaker 1: were a little nigga round away. You either you either

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Speaker 1: come over, come on, squeeze, come on, We're gonna do it.

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Speaker 1: Come up. But like but like I was saying, you know,

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Speaker 1: you know how decision you grow up. It's either the

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Speaker 1: street ship, the ball ship, or if you had the

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Speaker 1: rap ship. But so the rap ship for us, you know,

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Speaker 1: we will always listen to the cold crushing niggas flashes

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Speaker 1: and or running them with running them lit it. That

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Speaker 1: was the that was the angle, and it was like

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Speaker 1: the trade off with the bars, with the with the routines.

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Speaker 1: So we always came up with routines like that. I

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Speaker 1: was a whole ship. So you know the back in

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Speaker 1: the days and the boulevard and linding was kind of

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Speaker 1: like that throwback, you know, that back and forth type

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Speaker 1: ship just within that whole tradition of m C and

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Speaker 1: so that that that's really where that came up with.

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Speaker 1: You know, we just stick it to the roots. Really,

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Speaker 1: you know, I'm gonna be honest, man, you guys, if

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Speaker 1: it wasn't for you, I'm gonna be honest. And this

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Speaker 1: is this, this, this this is how really, this is

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Speaker 1: how real it is. I want everybody to pay attention

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Speaker 1: to listen to what I'm about to say. In a

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Speaker 1: lot of ways, I wouldn't have been who I was

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Speaker 1: if it wasn't for for real, right right right, give

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Speaker 1: me credit for but with with a lot of people

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Speaker 1: don't know is I was eager. I was throwing up

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Speaker 1: to listen to this guy right right, right, right right,

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Speaker 1: and to see it. But Farrell is a direct descendant

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Speaker 1: of Trial direct right right. He's a direct child. He's

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Speaker 1: your stepson. Yeah, you remember he was, he was he

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Speaker 1: was supposed to be the Yeah Parrell was on got

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Speaker 1: a first um no mid named ron. But then he

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Speaker 1: came back from beach when when Tammy did um once again. Yeah,

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Speaker 1: I coached him to the joint battery. Yet the first

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Speaker 1: joint though with that with with Pharrell was man named Rogers.

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Speaker 1: This crazy story about Pharrell and all those dudes was

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Speaker 1: we used to do shows like so back in the day, right,

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Speaker 1: it's almost you know, you just take me to the

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Speaker 1: I just gotta keeping a bucket, you know, back then,

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Speaker 1: right when he was in New York rap group, you

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Speaker 1: hit the circuit, get up and tap it, you know,

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Speaker 1: Connecticut or whatever. Like if it was a weekend, you

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Speaker 1: probably do a couple of joints in Connecticut, boll we

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Speaker 1: hit Jersey, didn't hit the joint in New York. You

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Speaker 1: could literally do like eight fucking shows in one night, right.

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Speaker 1: So the extension of that was the ninety five ship.

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Speaker 1: You hit the dc DMV ship the Carolina line, and

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Speaker 1: we was heavy down there back then. So we would

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Speaker 1: always be like in d c V area and Forrell

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Speaker 1: would be at the shows, shows backstage with motherfucking costume

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Speaker 1: jewelry on the shittage. We're like, y'all fathers like a

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Speaker 1: funk with this ni. So I was like, you'll come

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Speaker 1: come to the studio. So maybe a bunch of these

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Speaker 1: dudes like coming studio. He would be one of them

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Speaker 1: that would come to the studio. And no, he would

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Speaker 1: come from VA to New York. He was working just

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Speaker 1: started working with Teddy Teddy Riley because because a lot

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Speaker 1: of people don't know that dudes boxing all that. Yeah. Yeah,

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Speaker 1: So he was like on a comment with the ship.

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Speaker 1: So he actually first started he put a burst up

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Speaker 1: on a mid named Rotters consequence and correct, but CON's

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Speaker 1: actually his first verse was on the flip of you know,

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Speaker 1: the chase part two of them of them as a

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Speaker 1: lot of people say that cons was like beachs like,

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Speaker 1: but it was actually him and no name. You know

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Speaker 1: what I'm saying, all of that ship. So it's at

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Speaker 1: the same time, you know, what's the fun fact um?

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Speaker 1: The guy, my boy that created our logo. He did

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Speaker 1: he created a Yeah, that's my family, right, we need cups, brothers.

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Speaker 1: We're all been here looking very unperfective things, thinking my

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Speaker 1: book to the rescue because we celebrated Tribe album number

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Speaker 1: one and twenty one countries and my correct the tunnel,

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Speaker 1: thinking that no more that we take the bottom. Everybody

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Speaker 1: has a celebration. Yo, Well we got worried about the

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Speaker 1: rhymes might be here too, but listen the error. I'm

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Speaker 1: too old. I want a motherfucker cup that I don't

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Speaker 1: know clussom this one here about that? So how don't

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Speaker 1: do it? How the fund? Did you guys make a

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Speaker 1: nineteen nineties now album by staying them? I don't know

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Speaker 1: if you'll understand because it sounds like the nineties, but

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Speaker 1: it sounds like what the fun was you drinking timp

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Speaker 1: because I needed I need? I need to drink that too?

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Speaker 1: What what? And did you produce the whole album? Yeah?

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Speaker 1: I need, I need I needed to cute tipping. I

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Speaker 1: definitely you know I'm retired, right would you be retired?

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Speaker 1: What does that even mean? But hold on, We're gonna

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Speaker 1: stay on, y'all. How the fund is y'all? Yo? That

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00:17:04,280 --> 00:17:12,439
Speaker 1: ship sounds so old but so new? Yeah? The pocket?

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Speaker 1: What's y'all in? Please? I mean? And you wrapping jerobe

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Speaker 1: a lot? Yo? Complete describe described to me? Y'all feeling?

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Speaker 1: How how that I mean? You know, we have a

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Speaker 1: way of doing ship. You know what I'm saying. There's

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Speaker 1: a definite aesthetic, like a core of values and ship

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Speaker 1: that we will operate them. And it don't matter what

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Speaker 1: y'ere it is, that's what's gonna happen, you know what

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Speaker 1: I'm saying. Um. One of the things that we definitely

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Speaker 1: talked about on the top was like, Okay, we need

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Speaker 1: to make it sound familiar and ship, but not being

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Speaker 1: no throwback like you know what I'm saying, not being Yeah,

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Speaker 1: I'm trying to trying or try to fake in the

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Speaker 1: wave like you know what I'm saying, y'all, keep it

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Speaker 1: no only yeah win number one and twenty one countries?

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Speaker 1: Am I correct? Mighty seven? I don't know. I don't know. Yeah,

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00:18:13,359 --> 00:18:17,879
Speaker 1: just a lot again. Yeah, you know, because you know

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Speaker 1: he was on it from the beginning. Y'all hit me

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Speaker 1: that morning did I hate you like flock? In the morning,

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Speaker 1: I said, did you here try she could bust and

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Speaker 1: try to play me. I'll be honest about to say,

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Speaker 1: you'll pre ordered out? I said, album, what's what you made?

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Speaker 1: Like like he was, because because I hate buster, you

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Speaker 1: had did something. I forget what it was. And it

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Speaker 1: was together and it was like the first time y'all

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Speaker 1: kind of announced like you know, fighting out here. So

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Speaker 1: you know we're gonna we're gonna we're gonna have consequence.

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Speaker 1: We're gonna have bust. The rhymes be there and I

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Speaker 1: see something and I hate bust, and he said, you

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Speaker 1: better pre order that album. I said, I'll pre ordered

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Speaker 1: ship Nickel. I'm buying this as soon as it dropped

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Speaker 1: right back back. But boy, I ain't gonna lie to you.

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Speaker 1: This is why I know, This is why I know

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Speaker 1: the album is crazy because and this is listen all humblenesses.

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Speaker 1: Like all humblenesses. I was always a fan of trying.

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00:19:20,880 --> 00:19:23,120
Speaker 1: I always looked up to y'all and I always wanted

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Speaker 1: to follow what y'all did. But now I'm a grown

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00:19:26,080 --> 00:19:31,720
Speaker 1: ass man, right, So when I hear the album, I said, damn,

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00:19:31,720 --> 00:19:39,880
Speaker 1: I still want to follow the niggas. That's really I want.

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Speaker 1: I hate you six. I was just six slee about mind.

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Speaker 1: Why are you sleep? Just dropped that album? He's like,

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Speaker 1: I already know it's crazy. I didn't know it's crazy,

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00:19:52,200 --> 00:19:55,360
Speaker 1: and he thought it was crazy, And I wrote down

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Speaker 1: and started drain because Drain also told me he's Joy's

334
00:20:01,119 --> 00:20:04,760
Speaker 1: closest body. Big up Drain our camera guy, fucking staff.

335
00:20:04,960 --> 00:20:06,960
Speaker 1: And you was on it too early, so you stayed

336
00:20:07,040 --> 00:20:09,880
Speaker 1: up at midnight like I this generation and my brother

337
00:20:09,960 --> 00:20:21,480
Speaker 1: killed too. Who is sleep right out? Why sense trying?

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00:20:21,640 --> 00:20:25,560
Speaker 1: Dropped the nude Joy? Oh my god, you'll listen to me,

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00:20:25,640 --> 00:20:28,600
Speaker 1: my dude. That's how I know you guys got it

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00:20:29,000 --> 00:20:31,240
Speaker 1: still because not fu still got it? Because you know

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00:20:31,280 --> 00:20:32,720
Speaker 1: a lot of people, have you got ten years in

342
00:20:32,720 --> 00:20:34,160
Speaker 1: this game? They want to count you out, they want

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00:20:34,160 --> 00:20:37,960
Speaker 1: to call you old, But we transcend that. I don't

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00:20:37,960 --> 00:20:44,479
Speaker 1: even know what makes sense. Let's do. Let's do this?

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Speaker 1: Man take so much? Can how you say it transcended? Yes?

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00:20:59,000 --> 00:21:01,320
Speaker 1: Because you know why? You know why? Let me just

347
00:21:01,320 --> 00:21:06,280
Speaker 1: tell you something to you. Guys are the epitome of

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00:21:06,400 --> 00:21:10,439
Speaker 1: what hip hop is supposed to be. It epitom me.

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Speaker 1: I mean, I remember, I remember the first time I

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Speaker 1: was ever offended man, And I'm sorry I'm going into

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00:21:18,840 --> 00:21:25,480
Speaker 1: a little bit, but Loupe fiasco. They rehearsed what was it, Loupe,

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00:21:25,720 --> 00:21:28,800
Speaker 1: and then rehearsed your ship and then he came out

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00:21:28,880 --> 00:21:32,960
Speaker 1: and he didn't know the lyrics? Am I correct? Was

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00:21:33,000 --> 00:21:39,720
Speaker 1: that Loupe offended? I was so offended because he said, well,

355
00:21:39,760 --> 00:21:42,560
Speaker 1: I really wasn't a fan of tribe, stop it fly,

356
00:21:43,520 --> 00:21:48,120
Speaker 1: find your whole style, tribe, just say you was hot.

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00:21:49,520 --> 00:21:51,439
Speaker 1: I would have respected that, and I got love from

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Speaker 1: Loupe that moment. I love Loupe. I love Loupe. Please

359
00:22:00,119 --> 00:22:04,000
Speaker 1: hey going that that moment when they fucked up the

360
00:22:04,080 --> 00:22:10,040
Speaker 1: tribe vocals, I was so I was so mad. Did

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00:22:10,080 --> 00:22:12,560
Speaker 1: y'all discuss that? Yeah? Yeah, yea, just let me tell

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00:22:12,560 --> 00:22:17,560
Speaker 1: you tell you about that. So when we spoke about it,

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00:22:17,640 --> 00:22:20,480
Speaker 1: he I think, if my memory serves me correctly, I

364
00:22:20,520 --> 00:22:22,680
Speaker 1: think I could he could have reached out to me,

365
00:22:22,760 --> 00:22:24,080
Speaker 1: or I could have reached out to him because I

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00:22:24,080 --> 00:22:27,719
Speaker 1: saw niggas going, you know what, I'm saying, so I

367
00:22:27,760 --> 00:22:29,439
Speaker 1: was like, you know what. Yeah. I was like, you

368
00:22:29,480 --> 00:22:32,160
Speaker 1: know that's the young, young bro. So let me just

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00:22:32,200 --> 00:22:35,960
Speaker 1: reach out yo, Like it's so good. And he was talking.

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00:22:36,000 --> 00:22:38,080
Speaker 1: He was like, yo, I ain't I believe because it

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00:22:38,119 --> 00:22:40,159
Speaker 1: was such a long time ago, but the sentiment of

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00:22:40,200 --> 00:22:41,879
Speaker 1: it was like, Yo, I ain't never mean no offense,

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00:22:41,920 --> 00:22:44,159
Speaker 1: you know that, or I probably up. I was like,

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00:22:44,200 --> 00:22:46,199
Speaker 1: it's all good, brother. He's like, I never came up

375
00:22:46,200 --> 00:22:48,159
Speaker 1: on y'all. I came up on Spice one and I

376
00:22:48,200 --> 00:22:50,879
Speaker 1: came up on he was mad, mad ratchet ship. And

377
00:22:50,920 --> 00:22:53,760
Speaker 1: I was like, okay, I did because I'm like, you

378
00:22:53,760 --> 00:22:55,600
Speaker 1: know why, you know why, because I'm gonna take a

379
00:22:55,640 --> 00:22:57,920
Speaker 1: man for his birth. When he said to me initially,

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00:22:58,240 --> 00:23:00,080
Speaker 1: I'm not gonna give him a de mary, I'm not

381
00:23:00,119 --> 00:23:02,520
Speaker 1: gonna give him a demerit because he ain't never really

382
00:23:02,560 --> 00:23:06,040
Speaker 1: did nothing to me personally or otherwise for me to

383
00:23:06,040 --> 00:23:08,280
Speaker 1: too his worthful right. So he's a young boy at

384
00:23:08,320 --> 00:23:12,000
Speaker 1: the time. So I'm just talking and so he said.

385
00:23:12,040 --> 00:23:15,240
Speaker 1: At one point in the conversation, He's like, I see

386
00:23:15,280 --> 00:23:16,880
Speaker 1: you try to teach I see you try to teach

387
00:23:16,880 --> 00:23:18,840
Speaker 1: me a lesson. He laughed, and we both had a

388
00:23:18,840 --> 00:23:22,160
Speaker 1: little laugh, you know about it. It was just always

389
00:23:22,200 --> 00:23:25,399
Speaker 1: always cool with Bro. It was there. It was a problem,

390
00:23:25,440 --> 00:23:27,600
Speaker 1: but we spoke about it and he came up off

391
00:23:27,640 --> 00:23:30,120
Speaker 1: of it and shouts out to Loupe. Big up Loupe man,

392
00:23:30,119 --> 00:23:33,280
Speaker 1: because but I was mad at you that I think

393
00:23:33,400 --> 00:23:37,679
Speaker 1: you But let me just say the beautifulness about your album,

394
00:23:38,119 --> 00:23:42,280
Speaker 1: this new album. That's when I heard it. I heard

395
00:23:43,000 --> 00:23:47,240
Speaker 1: were Kanye Guy his ship wow. I heard with Frell

396
00:23:47,359 --> 00:23:50,880
Speaker 1: got his shipped from. I heard where Norijega got his ship.

397
00:23:51,720 --> 00:23:55,440
Speaker 1: I heard mob Deep Guy his ship from hearing nast

398
00:23:55,680 --> 00:23:58,000
Speaker 1: ship Like. I was like, damn, these things is the

399
00:23:58,000 --> 00:24:03,120
Speaker 1: fathers of everybody. And there's man layers to the album too.

400
00:24:05,800 --> 00:24:07,920
Speaker 1: You know what made me cry The Fife Dog song.

401
00:24:08,720 --> 00:24:11,320
Speaker 1: That that that made me. That made me cry because

402
00:24:11,359 --> 00:24:13,520
Speaker 1: I want a pig up Fife Dog. And I remember

403
00:24:13,560 --> 00:24:17,399
Speaker 1: one day q Tip, Yeah that's fine you. I remember

404
00:24:17,480 --> 00:24:20,560
Speaker 1: one day um que Tip and Fife is going through

405
00:24:20,600 --> 00:24:22,719
Speaker 1: some ship and me and Paul was going through at

406
00:24:22,760 --> 00:24:25,600
Speaker 1: the same exact time, and I called Tip and I

407
00:24:25,680 --> 00:24:27,640
Speaker 1: was like, what shop men? He said, You know how

408
00:24:27,680 --> 00:24:31,280
Speaker 1: it is being partners. Your partners crazy and guess what

409
00:24:31,359 --> 00:24:36,080
Speaker 1: you're crazy too, exactly it made someonech sense. Man, you

410
00:24:36,119 --> 00:24:37,680
Speaker 1: know what I'm saying, And I just want to thank

411
00:24:37,680 --> 00:24:41,760
Speaker 1: you guys for raising us in hip hop straight up.

412
00:24:41,800 --> 00:24:43,600
Speaker 1: You know what I'm saying. I tried to call quests

413
00:24:43,880 --> 00:24:52,400
Speaker 1: people who who who don't know, I feel sorry for them,

414
00:24:52,440 --> 00:24:55,640
Speaker 1: but people who do know. We need to celebrate y'all,

415
00:24:55,720 --> 00:24:59,560
Speaker 1: not just today but every day every day. We need

416
00:24:59,600 --> 00:25:02,479
Speaker 1: to sit back and safe. What the tribe did for

417
00:25:02,520 --> 00:25:09,359
Speaker 1: the culture and the community is is nobody don't know.

418
00:25:09,480 --> 00:25:13,120
Speaker 1: There's there's there's no other group that So this is

419
00:25:13,119 --> 00:25:16,840
Speaker 1: Is this the last tribal co Quest album? Because the

420
00:25:16,880 --> 00:25:19,800
Speaker 1: fact that fight is not here Western peace fright. I mean,

421
00:25:20,520 --> 00:25:23,960
Speaker 1: it's just I guess we're still kind of like you know,

422
00:25:24,760 --> 00:25:27,000
Speaker 1: is you can't even really think about another tribe without

423
00:25:27,800 --> 00:25:31,920
Speaker 1: that man, you know what I'm saying, Like that ship

424
00:25:31,960 --> 00:25:35,160
Speaker 1: wouldn't have to be something else, totally different what I'm saying,

425
00:25:35,480 --> 00:25:40,520
Speaker 1: because that man is just like he was the motive. Yeah, yeah, absolutely.

426
00:25:41,160 --> 00:25:42,680
Speaker 1: I feel like I feel like you want to talk ahead,

427
00:25:43,040 --> 00:25:47,359
Speaker 1: Oh no, You're like, no, you know, I missed my dude,

428
00:25:47,400 --> 00:25:50,560
Speaker 1: Like you know what I'm saying, Um Like for like,

429
00:25:51,080 --> 00:25:54,280
Speaker 1: at the same time, I'm so fucking proud dude because

430
00:25:54,480 --> 00:26:00,359
Speaker 1: the fucking way that he went out my chees spasm

431
00:26:00,400 --> 00:26:03,919
Speaker 1: and having fun you know what I'm saying, Like like

432
00:26:04,240 --> 00:26:05,840
Speaker 1: it's just funny because a lot of this ship were

433
00:26:05,840 --> 00:26:07,720
Speaker 1: talking about it's it's real and it's kind of dark

434
00:26:07,800 --> 00:26:12,200
Speaker 1: and ship. But at the same time it's not. This ship.

435
00:26:12,200 --> 00:26:14,280
Speaker 1: Don't sound oppressive. It could be a downer like you

436
00:26:14,359 --> 00:26:15,840
Speaker 1: know what I'm saying, but this ship is still like

437
00:26:15,880 --> 00:26:18,399
Speaker 1: you know what I'm saying. And Fife being a nigger

438
00:26:18,440 --> 00:26:21,439
Speaker 1: that he was is a big part of the reason.

439
00:26:21,480 --> 00:26:23,640
Speaker 1: The tone was so like you know what I'm saying,

440
00:26:23,680 --> 00:26:26,600
Speaker 1: like like like it is. A fan hit me on

441
00:26:26,600 --> 00:26:29,840
Speaker 1: on Twitter the other day and they heard um bone

442
00:26:29,880 --> 00:26:36,520
Speaker 1: those days Jack. They said, yo yo Fife to a

443
00:26:36,600 --> 00:26:44,480
Speaker 1: bit of a Nori. I said, but that's buddy, because

444
00:26:44,520 --> 00:26:49,959
Speaker 1: you know put it in my records. Is new now righting.

445
00:26:50,640 --> 00:26:54,200
Speaker 1: I just tell them, I said, this is I don't

446
00:26:54,240 --> 00:26:57,199
Speaker 1: know if you know, but they raised me those my

447
00:26:57,280 --> 00:27:04,760
Speaker 1: hip hop father. No, are you like going shopping and

448
00:27:04,760 --> 00:27:07,399
Speaker 1: buying all the food? Do you do it? Does your

449
00:27:07,440 --> 00:27:08,959
Speaker 1: wife do it? No? I do I like to go?

450
00:27:09,200 --> 00:27:10,760
Speaker 1: You like to go? Well? You know about Blue Apron.

451
00:27:11,080 --> 00:27:13,040
Speaker 1: I heard about Blue Apron. I heard his popping in.

452
00:27:13,320 --> 00:27:15,399
Speaker 1: Blue Apron is the number one fresh and green and

453
00:27:15,440 --> 00:27:19,240
Speaker 1: recipe delivery service in the country. Her Blue Apron's mission

454
00:27:19,280 --> 00:27:21,800
Speaker 1: is to make the incredible home cooking accessible to everyone.

455
00:27:22,000 --> 00:27:24,120
Speaker 1: And I heard his goal, mate, right, actually sounds incredible.

456
00:27:24,160 --> 00:27:26,719
Speaker 1: It's very gor mate, Blue Apron and cheese. This by

457
00:27:26,720 --> 00:27:29,960
Speaker 1: supporting a more sustainable food system, saying the highest standards

458
00:27:30,000 --> 00:27:33,040
Speaker 1: for ingredients, and building a community of home chefs sounds great.

459
00:27:33,119 --> 00:27:37,080
Speaker 1: Make me even sounds smart. Continue. Blue Apron has established

460
00:27:37,080 --> 00:27:40,720
Speaker 1: partnerships over a hundred fifty local farms, fisheries, and ranches

461
00:27:40,760 --> 00:27:43,280
Speaker 1: across the United States, and as a result, seafood is

462
00:27:43,320 --> 00:27:47,199
Speaker 1: sourced sustainably understandards developed in partnership with the Monterey Bay

463
00:27:47,200 --> 00:27:51,679
Speaker 1: Aquarium Seafood Watch. Those are your people's yep. Beef, chicken,

464
00:27:51,760 --> 00:27:57,080
Speaker 1: pork come from responsibly raised animals. Produces source from farms

465
00:27:57,119 --> 00:28:01,960
Speaker 1: that practice regenerative Farming's big word. Blue Apron can be

466
00:28:02,000 --> 00:28:07,040
Speaker 1: delivered to the continental US and pot five of food

467
00:28:07,080 --> 00:28:11,600
Speaker 1: desserts that because Blue Apron ships the exact amount of

468
00:28:11,600 --> 00:28:14,400
Speaker 1: each ingredient he required for the recipe, they are reducing

469
00:28:14,440 --> 00:28:17,320
Speaker 1: food waste and you're going to loose and weight too.

470
00:28:17,520 --> 00:28:21,080
Speaker 1: That's right. Cooking together build strong family bonds. Research shows

471
00:28:21,080 --> 00:28:24,080
Speaker 1: that Blue Apron families cook nearly three times more often together.

472
00:28:24,640 --> 00:28:26,760
Speaker 1: Ali was telling us that himself, yeah, friend of all

473
00:28:26,920 --> 00:28:29,159
Speaker 1: was saying that he'd been using it for two years straight. Definitely,

474
00:28:29,240 --> 00:28:31,720
Speaker 1: those who spend a lot at restaurants or at high

475
00:28:31,800 --> 00:28:34,600
Speaker 1: end grocery chains can now spend under ten per person

476
00:28:34,680 --> 00:28:37,560
Speaker 1: for delicious meals. I respect that. Now check out this

477
00:28:37,600 --> 00:28:40,320
Speaker 1: week's menu and get your first three meals free with

478
00:28:40,440 --> 00:28:43,120
Speaker 1: free shipping by going to Blue Apron dot COM's Forward

479
00:28:43,160 --> 00:28:45,920
Speaker 1: slash Drink. You will love how good it feels and

480
00:28:45,960 --> 00:28:48,680
Speaker 1: tastes to create incredible home cooked meals with Blue Apron.

481
00:28:48,720 --> 00:28:51,040
Speaker 1: So don't wait, go to Blue Apron dot com Forward

482
00:28:51,080 --> 00:28:54,800
Speaker 1: slash Drink. That's Blue Apron dot com Forward slash Drink

483
00:28:55,080 --> 00:28:59,080
Speaker 1: and Drinks is not included. Welcome to play a new

484
00:28:59,160 --> 00:29:04,720
Speaker 1: podcast now featuring radio and TV personalities talking business, sports, tech, entertainment,

485
00:29:04,760 --> 00:29:09,200
Speaker 1: and more. Play it at play dot It. We're back

486
00:29:09,280 --> 00:29:12,840
Speaker 1: to Drink Champs Radio with Rapper and R and d J.

487
00:29:13,480 --> 00:29:19,719
Speaker 1: Then const quest Man, what's going on? Man looking at

488
00:29:19,760 --> 00:29:22,600
Speaker 1: his own queens? All days? I know you've been doing

489
00:29:24,600 --> 00:29:27,560
Speaker 1: you've been out late, you've been you've been in contact

490
00:29:27,600 --> 00:29:30,280
Speaker 1: with ye. Is he okay? He good? He got blod

491
00:29:30,360 --> 00:29:32,760
Speaker 1: here now to us? Yeah, I mean you know we're

492
00:29:32,760 --> 00:29:37,920
Speaker 1: gonna yeah, you know, fresh out the out the fan. Huh?

493
00:29:38,040 --> 00:29:40,200
Speaker 1: Is he okay? He good? He got He's gonna be

494
00:29:40,400 --> 00:29:43,120
Speaker 1: we niggas. We don't beat the words nigga niggas spray

495
00:29:43,200 --> 00:29:54,200
Speaker 1: with water holders? Man like that? How real? Is that? So?

496
00:29:55,880 --> 00:30:01,080
Speaker 1: Been real? So I did you feel when he called

497
00:30:01,120 --> 00:30:05,880
Speaker 1: out jay Z? You thought it was a problem or

498
00:30:05,920 --> 00:30:09,760
Speaker 1: you thought that like, ah, listen, I mean look him

499
00:30:09,760 --> 00:30:12,320
Speaker 1: and you drunk with power because you have to drink

500
00:30:12,320 --> 00:30:15,960
Speaker 1: your chance. Look now you're calling the drinking chaps. No,

501
00:30:16,000 --> 00:30:21,000
Speaker 1: he said I was mad. You know, look him and

502
00:30:21,040 --> 00:30:23,320
Speaker 1: him and Jake say on relationship and that's that's that's

503
00:30:23,320 --> 00:30:26,320
Speaker 1: gonna walk, that's gonna itself out. And they've grown. Man. No,

504
00:30:26,640 --> 00:30:29,240
Speaker 1: I mean it's just we live in a damn time.

505
00:30:29,680 --> 00:30:33,720
Speaker 1: Were calls calls. I could be mad at you, but

506
00:30:33,720 --> 00:30:37,920
Speaker 1: I'm supposed to tell you, well, see the thing is

507
00:30:38,000 --> 00:30:40,680
Speaker 1: this when you ain't this drink chats, we have real talk. Yeah,

508
00:30:40,680 --> 00:30:42,680
Speaker 1: and see that sort of thing is like when you

509
00:30:42,800 --> 00:30:45,479
Speaker 1: curb certified, you live by a certain you live by

510
00:30:45,560 --> 00:30:49,160
Speaker 1: certain g code. We win a new when what did

511
00:30:49,160 --> 00:30:51,640
Speaker 1: he say? He said, Q? Tip, don't try to correct me.

512
00:30:51,680 --> 00:30:54,000
Speaker 1: He said something like that, Come on, Tip, I gotta

513
00:30:54,000 --> 00:30:57,280
Speaker 1: get to the bottom. Will he say? What do you say? Tests? Mike?

514
00:30:57,360 --> 00:31:00,000
Speaker 1: Right there? I'm sorry, Yeah, he said what you said?

515
00:31:00,200 --> 00:31:01,840
Speaker 1: He don't try to correct me? I love? What do

516
00:31:01,960 --> 00:31:06,280
Speaker 1: you mean by that? Though? I mean what you called

517
00:31:06,360 --> 00:31:09,960
Speaker 1: him and try to Yeah, man, I mean like real talk,

518
00:31:10,080 --> 00:31:13,280
Speaker 1: like you know that's my brother, you know, saying I

519
00:31:13,360 --> 00:31:17,320
Speaker 1: frunck with him the whole ship. So I said, the

520
00:31:17,400 --> 00:31:24,600
Speaker 1: police still police and you heard voices, you know, voices

521
00:31:24,720 --> 00:31:33,840
Speaker 1: find it down because he's voices ship every Christmas? Character?

522
00:31:34,920 --> 00:31:54,120
Speaker 1: What what have lemon? Yo? Up? Yeah you're hurried christ Yeah,

523
00:31:59,440 --> 00:32:04,480
Speaker 1: I don't tell time check time check time, check time

524
00:32:04,560 --> 00:32:13,640
Speaker 1: check how so so Tim drag let so shut up.

525
00:32:13,960 --> 00:32:17,760
Speaker 1: Scratches in the building the best motherfucking business. Scratch. We

526
00:32:17,920 --> 00:32:22,920
Speaker 1: had an apartment four by scratch scratched, but here we

527
00:32:22,960 --> 00:32:33,120
Speaker 1: got but scrash the best wait so reading, So here

528
00:32:33,160 --> 00:32:36,360
Speaker 1: we go. So you know what I'm saying, I've reached

529
00:32:36,400 --> 00:32:40,680
Speaker 1: out to the nigga or just the personal you know.

530
00:32:41,200 --> 00:32:43,400
Speaker 1: He got on stage he said, we got to say

531
00:32:43,680 --> 00:32:46,920
Speaker 1: you know what I'm saying, and I will continue to

532
00:32:47,080 --> 00:32:49,600
Speaker 1: reach and talk to my nigga's personal you know what

533
00:32:49,640 --> 00:32:53,080
Speaker 1: I'm saying. I'm never going to I'm not. We're not

534
00:32:53,240 --> 00:32:57,960
Speaker 1: from that pedigree that we talk up to niggas like

535
00:32:58,560 --> 00:33:01,320
Speaker 1: publicly and shoot out. Now that's my man, you know

536
00:33:01,320 --> 00:33:05,640
Speaker 1: what I'm saying. So and it's my family. So we're

537
00:33:05,640 --> 00:33:08,000
Speaker 1: gonna have our talk and we're gonna be all right

538
00:33:08,400 --> 00:33:10,960
Speaker 1: what I'm saying. So that's all. That's all it was.

539
00:33:11,080 --> 00:33:13,680
Speaker 1: It wasn't really you know. Now, you're a class you

540
00:33:13,720 --> 00:33:19,440
Speaker 1: know what I'm saying, classy nip I am a nigga

541
00:33:19,480 --> 00:33:21,880
Speaker 1: with class. You got a lot of I don't know

542
00:33:22,000 --> 00:33:24,320
Speaker 1: why he said that. He was like, Yo, jay Z,

543
00:33:24,440 --> 00:33:26,400
Speaker 1: don't stick your killers on me, and then he said

544
00:33:26,480 --> 00:33:28,560
Speaker 1: call it. He should have said that about you too.

545
00:33:29,400 --> 00:33:32,960
Speaker 1: We're gonna nigga dude, But I mean, I don't know,

546
00:33:34,160 --> 00:33:37,600
Speaker 1: but but my niggas, but we don't because we you know,

547
00:33:37,920 --> 00:33:42,280
Speaker 1: but you know what it is like, we just move over.

548
00:33:42,680 --> 00:33:48,560
Speaker 1: We just move one second. We just move as musicians.

549
00:33:48,640 --> 00:33:51,040
Speaker 1: My niggas, it's artists. Is niggas who got you. We

550
00:33:51,240 --> 00:33:55,400
Speaker 1: came from from the bottom all the way. Everybody know

551
00:33:55,480 --> 00:33:57,720
Speaker 1: what it is. You know what it is, you know

552
00:33:57,800 --> 00:33:59,920
Speaker 1: how we raised and all that, But there's no need

553
00:34:00,040 --> 00:34:02,240
Speaker 1: for nigga to stand on that and flaunt that. You

554
00:34:02,280 --> 00:34:04,720
Speaker 1: know what I'm saying, ain't nigga I know came from

555
00:34:04,800 --> 00:34:08,480
Speaker 1: that is trying to get up out there so you know,

556
00:34:08,600 --> 00:34:10,480
Speaker 1: you comfort you, you know you're experience and all that.

557
00:34:10,680 --> 00:34:13,640
Speaker 1: But for us, it's like we're just trying to do

558
00:34:13,800 --> 00:34:15,840
Speaker 1: this music, Mo Nigga like, and that's it. All that

559
00:34:15,960 --> 00:34:18,200
Speaker 1: extra ship, all that extra ship is this extra ship,

560
00:34:18,320 --> 00:34:21,480
Speaker 1: my nigga. You know, there ain't nothing to be celebrated, posting, tweeting.

561
00:34:21,520 --> 00:34:24,600
Speaker 1: We're trying to get looks and vibes. That is corny. Yeah,

562
00:34:25,080 --> 00:34:27,239
Speaker 1: we don't. We don't rock like that. We said it is,

563
00:34:27,360 --> 00:34:29,040
Speaker 1: can'tot kick it, you know what I'm saying. It's like

564
00:34:30,520 --> 00:34:32,920
Speaker 1: this is we won't think of what It's almost like

565
00:34:33,040 --> 00:34:35,520
Speaker 1: Goats said, if I got a problem with a man,

566
00:34:35,960 --> 00:34:37,680
Speaker 1: I'm gonna see the man and we're gonna have a

567
00:34:37,760 --> 00:34:42,279
Speaker 1: conversation and it's gonna be hopefully one way, not another way.

568
00:34:42,360 --> 00:34:45,839
Speaker 1: Nobody wanted really the other way, nobody do. But we're

569
00:34:45,840 --> 00:34:48,279
Speaker 1: gonna definitely as men respect the man and be like, yo,

570
00:34:48,400 --> 00:34:50,600
Speaker 1: my nigga is it? This is how how are we

571
00:34:50,680 --> 00:34:54,879
Speaker 1: and we have a conversation. That's it. That's just that's

572
00:34:54,920 --> 00:34:59,560
Speaker 1: just the basic. Yeah, it goes back to the cold

573
00:34:59,640 --> 00:35:06,839
Speaker 1: and as the said, we you know, respect god run.

574
00:35:08,560 --> 00:35:12,479
Speaker 1: I'm gonna be honest. I'm gonna be honest. But listen

575
00:35:12,480 --> 00:35:15,799
Speaker 1: to Won't Be Hot. Yeah, there's nobody who sounded happy

576
00:35:15,880 --> 00:35:21,400
Speaker 1: on the album, and there was there was, There was

577
00:35:21,480 --> 00:35:25,920
Speaker 1: nobody on that ice and it yeah, we guys hot

578
00:35:26,360 --> 00:35:30,719
Speaker 1: my name. Nobody was kind of like yeo, but bus

579
00:35:31,960 --> 00:35:35,360
Speaker 1: you know, Fat Joe recently, Fat Joe recently gave me

580
00:35:35,440 --> 00:35:41,239
Speaker 1: my TS change. Small as a motherfucker, but you speak

581
00:35:41,280 --> 00:35:47,040
Speaker 1: to my cho watching around him up though, but so

582
00:35:47,160 --> 00:35:49,200
Speaker 1: he recently gave me my TS change. I've been down

583
00:35:49,239 --> 00:35:51,680
Speaker 1: with these niggas twenty years and I finally got a

584
00:35:51,760 --> 00:35:54,920
Speaker 1: TS change right in the building. I've seen a lot

585
00:35:54,960 --> 00:35:57,720
Speaker 1: of people that had TS change that really wasn't TS

586
00:35:57,880 --> 00:36:00,239
Speaker 1: and I used to, hey, there we go. But you know,

587
00:36:00,920 --> 00:36:05,600
Speaker 1: it feels like when Bust rhymes you you were officially

588
00:36:05,640 --> 00:36:09,880
Speaker 1: a tribe member ice now and then to me, it

589
00:36:10,000 --> 00:36:12,640
Speaker 1: felt like you're still a kid. Like in a sense,

590
00:36:12,800 --> 00:36:14,640
Speaker 1: but I didn't know this. You know, you're my brother,

591
00:36:15,000 --> 00:36:16,719
Speaker 1: but it was like you were still a kid. It's like,

592
00:36:17,200 --> 00:36:21,160
Speaker 1: this is what you wanted to be. And I'm a

593
00:36:21,239 --> 00:36:23,040
Speaker 1: correct on all Nick. You hit that ship in the

594
00:36:23,160 --> 00:36:30,560
Speaker 1: center of the bulls, Like, yeah, Remember it took him

595
00:36:30,600 --> 00:36:33,759
Speaker 1: twenty years. I took longer than that. Longer than that.

596
00:36:34,400 --> 00:36:36,319
Speaker 1: Ain't gonna lie. It took me like twenty five years

597
00:36:36,400 --> 00:36:41,799
Speaker 1: to get now. But the good ship about it, though,

598
00:36:41,880 --> 00:36:45,560
Speaker 1: was the good ship about it was they always made

599
00:36:45,600 --> 00:36:48,960
Speaker 1: me feel like I was in tribe any mother. And

600
00:36:49,040 --> 00:36:51,000
Speaker 1: that's why I ended up on so many tribe I kids,

601
00:36:52,040 --> 00:36:54,440
Speaker 1: because whenever me and leaders wasn't getting along, I'll come

602
00:36:54,560 --> 00:36:56,760
Speaker 1: right to their studio and be like all your niggers

603
00:36:57,200 --> 00:36:59,640
Speaker 1: when I had funny, the one funny, I think it's

604
00:36:59,640 --> 00:37:01,840
Speaker 1: one stunt on me. I'm going to my brothers and

605
00:37:01,880 --> 00:37:03,919
Speaker 1: they're gonna open the door without the red carpet. They're

606
00:37:03,920 --> 00:37:05,200
Speaker 1: gonna let me run. I'm gonna let me be record.

607
00:37:05,239 --> 00:37:06,959
Speaker 1: I don't want to get on. Even though they didn't

608
00:37:07,000 --> 00:37:09,920
Speaker 1: let me run. I want to be record. And you

609
00:37:10,040 --> 00:37:11,920
Speaker 1: know I was. I was made to feel like how

610
00:37:12,000 --> 00:37:14,880
Speaker 1: I wasn't made to feel in my own crew. But

611
00:37:15,000 --> 00:37:16,719
Speaker 1: the beautiful thing is ship is back right with me

612
00:37:16,800 --> 00:37:19,880
Speaker 1: and the whole crew. You know, leaders, everything is a cutable.

613
00:37:22,440 --> 00:37:27,239
Speaker 1: There's never maybe brother, let's do maybe, but but but

614
00:37:27,480 --> 00:37:32,120
Speaker 1: but I never felt happy in a group. Then I

615
00:37:32,239 --> 00:37:34,960
Speaker 1: felt we'll be in a part of my brothers at

616
00:37:35,000 --> 00:37:38,359
Speaker 1: this table. You know what I'm saying. And and tip,

617
00:37:38,600 --> 00:37:40,520
Speaker 1: I don't want to go back to why I was

618
00:37:40,520 --> 00:37:43,000
Speaker 1: getting ready to say what the mother? The mother is?

619
00:37:43,040 --> 00:37:44,640
Speaker 1: No no, no, no, no no no, how the sex.

620
00:37:44,800 --> 00:37:48,360
Speaker 1: You gotta hold you gotta hold something. I always like, okay,

621
00:37:48,360 --> 00:37:51,279
Speaker 1: you out there all right? Cool? You're no I do

622
00:37:51,440 --> 00:37:54,479
Speaker 1: talk a ball. I can't do no, no, no, no, listen,

623
00:37:54,840 --> 00:37:58,279
Speaker 1: I just black something gold up. Hold wait, wait, hold on,

624
00:37:58,480 --> 00:38:03,759
Speaker 1: hold on, wait where it get hold on? Hold on,

625
00:38:04,520 --> 00:38:12,480
Speaker 1: hold on. That's an emphatical, emphatically no side yeah. Fuck

626
00:38:12,520 --> 00:38:15,400
Speaker 1: you mean you making rules? How you drink, what you

627
00:38:15,520 --> 00:38:19,200
Speaker 1: could drink, what you can't drink? Your sound the crazy

628
00:38:19,239 --> 00:38:22,360
Speaker 1: shi it is? I can't even are you kill you that?

629
00:38:22,440 --> 00:38:23,839
Speaker 1: And you have to have a fraid where you can't

630
00:38:23,920 --> 00:38:29,200
Speaker 1: argue with me talking about the circle ouse Studio one

631
00:38:29,239 --> 00:38:32,200
Speaker 1: in the bathroom for two hours, I ain't come back

632
00:38:32,239 --> 00:38:36,160
Speaker 1: out of this bullshit. You not Wally. I went to

633
00:38:36,160 --> 00:38:38,960
Speaker 1: set on that motherfucker. You got your life together. It

634
00:38:39,040 --> 00:38:45,200
Speaker 1: just went to sleep off that fucking tiger bar. You ain't.

635
00:38:47,320 --> 00:38:49,080
Speaker 1: Now you know what I'm gonna sipping because we're gonna

636
00:38:49,080 --> 00:38:51,040
Speaker 1: make it to the drunk. We're gonna have the salute.

637
00:38:52,040 --> 00:38:54,399
Speaker 1: I can't believe your cute tip. I really love y'all.

638
00:38:54,440 --> 00:39:00,920
Speaker 1: You got it for me me cos that's what we do.

639
00:39:02,600 --> 00:39:05,200
Speaker 1: But don't you hate it because you do that. I

640
00:39:05,280 --> 00:39:07,120
Speaker 1: think you gotta sit that ship like a port. I'm

641
00:39:07,120 --> 00:39:12,160
Speaker 1: gonna be come on, babe, we're in California doing it.

642
00:39:12,880 --> 00:39:16,360
Speaker 1: We're in California And as a kid growing up from Queen's,

643
00:39:16,840 --> 00:39:25,240
Speaker 1: I never knew Elsa Gundo was a real place. Yo.

644
00:39:25,440 --> 00:39:29,640
Speaker 1: We didn't know either left your want it there? What

645
00:39:29,719 --> 00:39:34,680
Speaker 1: are you talking about y'all left y'all wallet and Elsa Gundo?

646
00:39:35,000 --> 00:39:39,319
Speaker 1: Why did y'all leave your water? Because Fred Sanford? That nigga?

647
00:39:41,239 --> 00:39:46,360
Speaker 1: What Fred Sanford? Listen, Caro, no, no, no, no, So

648
00:39:46,480 --> 00:39:49,359
Speaker 1: we stay for the sun. Right, you see that ship

649
00:39:49,480 --> 00:39:50,960
Speaker 1: like I don't know what the niggas know. That ship

650
00:39:51,719 --> 00:39:53,720
Speaker 1: would never saying for this, so no, like the niggas,

651
00:39:53,800 --> 00:40:00,200
Speaker 1: Red Fox would be like, um, son, your you gonna

652
00:40:00,239 --> 00:40:04,640
Speaker 1: stay home with me tonight. It's a great movie coming

653
00:40:04,680 --> 00:40:12,400
Speaker 1: on Channel five. Is Godzilla eight? Right? Yeah? Yeah, So

654
00:40:13,680 --> 00:40:18,040
Speaker 1: he would say the time the time nds like like

655
00:40:18,120 --> 00:40:25,520
Speaker 1: a seference to you, I'm gonna leave you and Elson

656
00:40:25,560 --> 00:40:27,600
Speaker 1: Gundo you keep coming. You know he always make it

657
00:40:27,640 --> 00:40:32,759
Speaker 1: else Gundo references on that ship. I say that, I

658
00:40:32,880 --> 00:40:35,880
Speaker 1: know what I mean, I've never heard of it. Sounds

659
00:40:37,239 --> 00:40:40,360
Speaker 1: of a bozo no no, you know you want that

660
00:40:40,400 --> 00:40:42,680
Speaker 1: actually is just like it was one of those things

661
00:40:43,239 --> 00:40:47,520
Speaker 1: you telling me the actual else Gundo at that time

662
00:40:47,560 --> 00:40:50,920
Speaker 1: where you're made nor no. So you like he just

663
00:40:51,000 --> 00:40:58,799
Speaker 1: crussed the ships child like you know, like we thought

664
00:40:58,800 --> 00:41:01,200
Speaker 1: it was like some imaginary ship. It sounds like some

665
00:41:01,320 --> 00:41:03,520
Speaker 1: wild bunk ship. Like what I'm saying, So like, yo,

666
00:41:03,800 --> 00:41:08,600
Speaker 1: Elsa Gundo, that's what Elsa Gundo like, you know what

667
00:41:08,600 --> 00:41:10,480
Speaker 1: I mean. That's what everybody in hip hop said when

668
00:41:10,520 --> 00:41:13,799
Speaker 1: y'all said where the fun else? Shout out Elsa gund

669
00:41:14,080 --> 00:41:16,600
Speaker 1: It's like I went. I went when the guy me

670
00:41:17,120 --> 00:41:22,040
Speaker 1: a party for Rancho Google Mango. I was like Bunny

671
00:41:22,120 --> 00:41:36,279
Speaker 1: to say that ship we cebready trying. Okay, now I

672
00:41:36,360 --> 00:41:41,680
Speaker 1: need to get into it. We need app bone need

673
00:41:41,760 --> 00:41:46,800
Speaker 1: that mom? Did you know what you did to Queens?

674
00:41:48,480 --> 00:41:50,800
Speaker 1: I'm just keeping the hunting. I'm sorry, bust because you

675
00:41:50,920 --> 00:41:55,719
Speaker 1: like half on Queens. You've got Long Island and you did.

676
00:41:55,840 --> 00:41:59,800
Speaker 1: Y'all know what that record did to the Coloseum, to

677
00:41:59,880 --> 00:42:03,840
Speaker 1: a talk call Sames Colle and some mysteries was poppable.

678
00:42:06,719 --> 00:42:10,800
Speaker 1: What you're seeing right now? So that's what's the vision?

679
00:42:10,840 --> 00:42:13,080
Speaker 1: What's the vision? What's thes what looked like? What's what

680
00:42:13,160 --> 00:42:15,520
Speaker 1: we're seeing? No? I think that's before the cute club.

681
00:42:16,360 --> 00:42:26,400
Speaker 1: This was not a was rockets on the new album?

682
00:42:26,480 --> 00:42:28,520
Speaker 1: You sampled a little bit of the album ball on

683
00:42:28,640 --> 00:42:36,000
Speaker 1: what was that? Enough? Break enough? Yeah? And you the producer.

684
00:42:39,200 --> 00:42:41,200
Speaker 1: I never had a cue, Tippy, I'm just starting out there.

685
00:42:41,480 --> 00:42:43,480
Speaker 1: But you wasn't gonna try album. You're gonna give it

686
00:42:43,600 --> 00:42:46,440
Speaker 1: wasn't a trip so it out. But but we can

687
00:42:46,600 --> 00:42:50,000
Speaker 1: let me just brace okay, Yes, yes, yes, sir? You

688
00:42:50,719 --> 00:43:01,399
Speaker 1: out for the bone too, Yo? It was in your mind?

689
00:43:01,880 --> 00:43:08,080
Speaker 1: Did you smoke drugs? It wasn't drugs. Te tellus what drugs? Yeah? How?

690
00:43:08,520 --> 00:43:10,920
Speaker 1: Because I get it was a sample, But how did

691
00:43:11,000 --> 00:43:16,000
Speaker 1: you I have all you got me? I don't know nigga,

692
00:43:17,480 --> 00:43:19,719
Speaker 1: you know, like the South niggas. Tell them how yo

693
00:43:20,239 --> 00:43:23,520
Speaker 1: them chill? Tell him how old he was when you

694
00:43:23,560 --> 00:43:29,279
Speaker 1: were the first time he wrote that? Fifteen? Wait fifteen, Well,

695
00:43:29,280 --> 00:43:31,400
Speaker 1: I don't know what's going on right now? Great, and

696
00:43:31,440 --> 00:43:37,800
Speaker 1: these niggas is thirty making up dude? Yo, yo, you

697
00:43:37,880 --> 00:43:59,560
Speaker 1: see my funny things? What the song is that? All

698
00:43:59,640 --> 00:44:02,040
Speaker 1: of them? And you won't need that a phone at

699
00:44:02,080 --> 00:44:12,320
Speaker 1: fifteen quick thinking thinking tiger again for me the apple

700
00:44:12,480 --> 00:44:17,879
Speaker 1: bone to open up, Tiger bone up this hunt early.

701
00:44:20,719 --> 00:44:25,960
Speaker 1: You need to sip with that. That's not how does

702
00:44:26,000 --> 00:44:34,400
Speaker 1: it work? Everybody got keys in it. You know what

703
00:44:34,520 --> 00:44:41,480
Speaker 1: you're doing about again what you're doing it? I never care, right,

704
00:44:44,400 --> 00:44:45,959
Speaker 1: Let me tell you. Let me tell you about suthing

705
00:44:46,000 --> 00:44:47,640
Speaker 1: with y'all that. Let me tell you how song. Let

706
00:44:47,680 --> 00:44:50,720
Speaker 1: me tell you it's crazy with that day. I already

707
00:44:50,800 --> 00:44:52,799
Speaker 1: know what it is at the end of the day.

708
00:44:53,960 --> 00:44:55,120
Speaker 1: Let me let me. Let me just tell you how

709
00:44:55,200 --> 00:44:59,640
Speaker 1: something that is dangerous. On drink Chaps, lit'sten. Everybody focus

710
00:44:59,760 --> 00:45:04,160
Speaker 1: in on drink chat. No snapchat. We're gonna snuff your

711
00:45:04,239 --> 00:45:08,239
Speaker 1: snapchat at the end of the day. Drink Champs is

712
00:45:08,280 --> 00:45:13,360
Speaker 1: about giving the artists flowers when they can smell it,

713
00:45:14,280 --> 00:45:18,520
Speaker 1: and getting them trees when they're getting the hell. We

714
00:45:18,600 --> 00:45:22,160
Speaker 1: don't interview new niggas because I don't have new stories.

715
00:45:23,760 --> 00:45:29,000
Speaker 1: We interview legends. When we started this, the most requested

716
00:45:29,120 --> 00:45:35,840
Speaker 1: guest is your brothers. And what I wanna do is

717
00:45:35,960 --> 00:45:38,600
Speaker 1: this whole time that you're blessing us, what I want

718
00:45:38,640 --> 00:45:43,360
Speaker 1: to praise you brothers, because we ain't these other outlets.

719
00:45:44,120 --> 00:45:47,800
Speaker 1: These other outlets you can go. You can do the

720
00:45:47,960 --> 00:45:51,160
Speaker 1: outlet and you go and somebody step on your sneaker

721
00:45:51,200 --> 00:45:56,319
Speaker 1: and smack him. They gotta report on that. Don't got

722
00:45:56,360 --> 00:46:00,319
Speaker 1: a report on that. My father told me, you see

723
00:46:00,320 --> 00:46:04,200
Speaker 1: what you like in the person first, so if they

724
00:46:04,360 --> 00:46:08,600
Speaker 1: violate that, then they should be shot. But you see

725
00:46:08,960 --> 00:46:13,640
Speaker 1: liking the person first, you respect him on that. They

726
00:46:13,680 --> 00:46:16,640
Speaker 1: don't never have to cross that line. I've done this

727
00:46:16,840 --> 00:46:26,880
Speaker 1: business nineteen years more report dropped then, so I'm approaching

728
00:46:26,960 --> 00:46:31,960
Speaker 1: twenty years. And what I saw was what I saw

729
00:46:32,239 --> 00:46:35,400
Speaker 1: was there wasn't an outlet for us to salute us.

730
00:46:36,800 --> 00:46:40,680
Speaker 1: It wasn't. It just wasn't. I seen Charles Barkley, we've

731
00:46:40,719 --> 00:46:44,919
Speaker 1: seen Kinney Smith, we've seen Shaquille on now and I said, damn,

732
00:46:46,520 --> 00:46:51,160
Speaker 1: this is a DJ Miami's mixtape. Ken we had a

733
00:46:51,239 --> 00:46:55,680
Speaker 1: show and I said, let's do a show just saluting

734
00:46:55,760 --> 00:47:01,480
Speaker 1: the legends, m the legends. Let's keep this ship alive.

735
00:47:02,800 --> 00:47:05,120
Speaker 1: I don't even want to rhyme no more, but let's

736
00:47:05,200 --> 00:47:08,160
Speaker 1: keep this ship alive. This is kind of realized my

737
00:47:08,239 --> 00:47:12,719
Speaker 1: importance on the chessboard and I did so. I want

738
00:47:12,760 --> 00:47:15,960
Speaker 1: to get back to the culture. And there's nothing more

739
00:47:16,120 --> 00:47:18,239
Speaker 1: giving back to the culture of from what I'm doing

740
00:47:18,880 --> 00:47:25,600
Speaker 1: right now sitting down with you brother, breaking down how

741
00:47:25,760 --> 00:47:30,080
Speaker 1: this album came out, how this album came up, and

742
00:47:30,440 --> 00:47:33,319
Speaker 1: we're gonna have a shot. We don't have to if

743
00:47:33,320 --> 00:47:35,440
Speaker 1: we don't want to have a shot, because I want to.

744
00:47:35,640 --> 00:47:37,880
Speaker 1: I gotta dig in your because you didn't movie to

745
00:47:37,960 --> 00:47:49,800
Speaker 1: Janet Jackson ship like that, like but real quickly. But

746
00:47:50,160 --> 00:47:52,719
Speaker 1: that's but now that you spell about large, this is

747
00:47:52,800 --> 00:47:54,320
Speaker 1: what I want to ask you. This is a personal

748
00:47:54,440 --> 00:47:56,640
Speaker 1: direct question to you. And I'm gonna smoke a boat

749
00:47:56,680 --> 00:48:04,520
Speaker 1: were here and violate the whole atmosphere one love, h

750
00:48:06,000 --> 00:48:10,160
Speaker 1: I don't know, we just take it there shot. So

751
00:48:11,280 --> 00:48:17,760
Speaker 1: it was summer and I had already I already already

752
00:48:17,800 --> 00:48:21,520
Speaker 1: heard you know what I'm saying. Son and ship. I'm saying,

753
00:48:21,640 --> 00:48:25,520
Speaker 1: and you know me Paul and Pete. When you say Paul,

754
00:48:25,560 --> 00:48:28,719
Speaker 1: when I say Paul's lodge professors, please let's say Pete.

755
00:48:28,760 --> 00:48:33,520
Speaker 1: I say Pete Rock. That's a ridge. That was a

756
00:48:33,680 --> 00:48:44,040
Speaker 1: rich conversation. Listen, rich conversation. And everybody's sitting at the

757
00:48:44,080 --> 00:48:48,520
Speaker 1: table cause row bucks we all, you know, everybody wouldn't

758
00:48:48,520 --> 00:48:55,440
Speaker 1: better find so so so son he spas on barbecue

759
00:48:55,560 --> 00:48:59,160
Speaker 1: right now. Now, now, now, now here's the thing, like

760
00:48:59,480 --> 00:49:02,440
Speaker 1: if you get you go back to that period. Niggas

761
00:49:02,520 --> 00:49:04,920
Speaker 1: was talking about you know what, you know what I'm saying,

762
00:49:05,200 --> 00:49:07,560
Speaker 1: y'all like the nigga, but the nig it was unanimous

763
00:49:07,680 --> 00:49:12,160
Speaker 1: the sun. But nigs was still talking about the whole ship.

764
00:49:12,280 --> 00:49:14,400
Speaker 1: You know what I'm saying, yo, the nigga and I

765
00:49:14,520 --> 00:49:18,040
Speaker 1: like that's of ship. Oh we talked about bill blast right.

766
00:49:19,160 --> 00:49:22,200
Speaker 1: So I was just when I finally got up with

767
00:49:22,400 --> 00:49:25,520
Speaker 1: large professor and ship. You know, we just did a

768
00:49:25,600 --> 00:49:27,320
Speaker 1: lot of the a like ship, you know in the

769
00:49:27,440 --> 00:49:30,359
Speaker 1: beats and ship because we had because you know, looking

770
00:49:30,360 --> 00:49:32,239
Speaker 1: at the front door, we had did that ship foot

771
00:49:32,280 --> 00:49:34,879
Speaker 1: prints and all that ship. And also there's a couple

772
00:49:34,920 --> 00:49:37,160
Speaker 1: of beat ship like some beat geek ship we had

773
00:49:37,280 --> 00:49:40,160
Speaker 1: lined up or whatever. So he was like, yo, I

774
00:49:40,239 --> 00:49:43,240
Speaker 1: don't really want to take Sun around to too many niggas,

775
00:49:44,440 --> 00:49:46,960
Speaker 1: but I gotta, I gotta, he gotta come sick with you.

776
00:49:47,719 --> 00:49:52,480
Speaker 1: So now he's talking about nuns professors at it. I

777
00:49:52,560 --> 00:49:56,680
Speaker 1: was like, well all day. So we still, like my nigga,

778
00:49:56,680 --> 00:49:58,840
Speaker 1: were were still living in the hood, were still around

779
00:49:58,840 --> 00:50:01,680
Speaker 1: the way I was going with He was with me first.

780
00:50:02,920 --> 00:50:05,200
Speaker 1: Right here was when the first time he probably came

781
00:50:05,239 --> 00:50:10,960
Speaker 1: to the studio. The session was one. Were still were

782
00:50:10,960 --> 00:50:18,000
Speaker 1: still right right, I want to paint the picture. I

783
00:50:18,120 --> 00:50:20,439
Speaker 1: want to paint the picture. I want to paint the pitch.

784
00:50:20,520 --> 00:50:23,239
Speaker 1: I want to paint the picture because we still this

785
00:50:23,400 --> 00:50:35,719
Speaker 1: is what too kind of We're talking about New York

786
00:50:35,800 --> 00:50:40,040
Speaker 1: City and ninety one, right, that was the hottest share

787
00:50:40,800 --> 00:50:46,840
Speaker 1: recorded history. He murdered crime. It was crazy. Niggas just

788
00:50:46,920 --> 00:50:49,840
Speaker 1: getting left where they stood, left and right. My nigga like,

789
00:50:50,800 --> 00:50:53,799
Speaker 1: we're still living in the hoodie right, So I tell

790
00:50:54,120 --> 00:50:55,759
Speaker 1: so we right around the way. We got a little

791
00:50:55,840 --> 00:50:58,480
Speaker 1: foot you know, nigga's got we got our old ship

792
00:50:58,560 --> 00:51:01,719
Speaker 1: happening around there. Paul was coming, I mean, you know,

793
00:51:01,960 --> 00:51:03,560
Speaker 1: large was coming in and out so I was like yo,

794
00:51:04,160 --> 00:51:05,879
Speaker 1: he was like well, I was like, we're Bringham bio.

795
00:51:06,000 --> 00:51:08,960
Speaker 1: So we was at Fife House, but we were set

796
00:51:09,040 --> 00:51:11,319
Speaker 1: up in Fife House. Equipment was set up in fight

797
00:51:11,440 --> 00:51:14,160
Speaker 1: House in the basement. I heard him off of them

798
00:51:14,719 --> 00:51:17,560
Speaker 1: and then Large came to me specifically and asked me

799
00:51:18,160 --> 00:51:21,040
Speaker 1: if I had something for him, and that he was

800
00:51:21,160 --> 00:51:23,480
Speaker 1: a fan of one of the rounds. Like cool. So

801
00:51:24,480 --> 00:51:27,920
Speaker 1: that day Fife was at the crib. So you know,

802
00:51:28,040 --> 00:51:30,040
Speaker 1: his grandmother will always let me in the crib and ship.

803
00:51:30,120 --> 00:51:33,279
Speaker 1: Grandma l p Grandma, you know what I'm saying, And

804
00:51:33,680 --> 00:51:36,960
Speaker 1: Mr Grandma. We was down in the basement. It was

805
00:51:37,040 --> 00:51:39,560
Speaker 1: some of niggas outside. Ship was going on whatever. So

806
00:51:39,680 --> 00:51:44,440
Speaker 1: Paul came through Nelly and ours. So we end up

807
00:51:44,600 --> 00:51:47,160
Speaker 1: basement and ship and we foul. It was you there

808
00:51:47,400 --> 00:51:50,319
Speaker 1: like my nigga light show, shouts out, light show, best

809
00:51:51,680 --> 00:51:54,120
Speaker 1: lap bush and all that. Okay, I got you, boy,

810
00:51:54,600 --> 00:51:56,040
Speaker 1: so let me let me let me wrap this. So

811
00:51:57,040 --> 00:52:00,279
Speaker 1: niggas downstairs. So we go through and the first ship

812
00:52:00,320 --> 00:52:04,440
Speaker 1: I played was the one loved ship we were you know,

813
00:52:04,520 --> 00:52:07,920
Speaker 1: we moped out, we moped out whatever. That was the

814
00:52:08,000 --> 00:52:13,040
Speaker 1: first joint And so was just like so you played it,

815
00:52:13,200 --> 00:52:16,320
Speaker 1: now take us from there. He played it. His reaction

816
00:52:17,160 --> 00:52:22,480
Speaker 1: so love it. He's like, yo, played that ship again?

817
00:52:24,880 --> 00:52:29,080
Speaker 1: He played it? No ocus did we all robbing it?

818
00:52:29,160 --> 00:52:31,640
Speaker 1: And Paul was like, yo, that ship. He was like, Yo,

819
00:52:31,800 --> 00:52:34,800
Speaker 1: that's it. That's the We gotta just get right to that.

820
00:52:35,920 --> 00:52:38,360
Speaker 1: It wasn't even no more conversation. We stayed in h

821
00:52:38,520 --> 00:52:41,000
Speaker 1: it was he was recorded and hung out for a

822
00:52:41,040 --> 00:52:42,640
Speaker 1: little bit. We went to the store, went to no

823
00:52:42,840 --> 00:52:46,160
Speaker 1: Name or whatever, and then um the mis bounced and

824
00:52:46,400 --> 00:52:50,800
Speaker 1: that was it. And then like the next day played me.

825
00:52:50,960 --> 00:52:53,200
Speaker 1: He we exchanged. He was like, yo, got get we

826
00:52:53,239 --> 00:52:56,799
Speaker 1: gotta do that. That was the one he had described

827
00:52:56,800 --> 00:52:58,759
Speaker 1: the ship up. I gave it to him me and

828
00:52:59,120 --> 00:53:01,680
Speaker 1: that was it. We went to studio because came with me.

829
00:53:01,840 --> 00:53:05,000
Speaker 1: So he wasn't there when he laid their verses. Oh yeah,

830
00:53:05,000 --> 00:53:07,320
Speaker 1: hell yeah he went back and wrote the ship. I

831
00:53:07,360 --> 00:53:10,399
Speaker 1: guess he went back right away. Out dog he had

832
00:53:10,480 --> 00:53:15,279
Speaker 1: like he had like an ouncer princess black right there. Yea.

833
00:53:16,440 --> 00:53:19,319
Speaker 1: He smoked me out like he would, um he would come.

834
00:53:20,200 --> 00:53:24,799
Speaker 1: We was at the time. We just looked. Now at

835
00:53:24,840 --> 00:53:27,239
Speaker 1: the time me and Tim look next join each other.

836
00:53:27,680 --> 00:53:30,759
Speaker 1: I mean, so every morning he would get up like

837
00:53:30,800 --> 00:53:32,319
Speaker 1: he's about to make a move or whatever. So he'd

838
00:53:32,320 --> 00:53:34,520
Speaker 1: be like skill and then you know what I mean,

839
00:53:34,640 --> 00:53:36,600
Speaker 1: called me out the window and so so and make

840
00:53:36,800 --> 00:53:38,520
Speaker 1: you know he's about the motion to the city or whatever.

841
00:53:38,920 --> 00:53:42,080
Speaker 1: So he had been telling me about about nas or whatever.

842
00:53:42,160 --> 00:53:44,000
Speaker 1: He's like, y'all this kid naws and time and listen,

843
00:53:44,080 --> 00:53:46,800
Speaker 1: like Nicks has to have the tape and ain't that

844
00:53:46,880 --> 00:53:53,160
Speaker 1: still before back to the grill again. But it's not.

845
00:53:54,200 --> 00:53:57,040
Speaker 1: I'm telling you because I was in high school still

846
00:53:57,120 --> 00:54:01,560
Speaker 1: with the only so it's ninety three, Yeah, it's ninety three,

847
00:54:01,680 --> 00:54:05,400
Speaker 1: because that's what I'm saying. Ninety one nine, ninety one

848
00:54:05,480 --> 00:54:08,360
Speaker 1: to check the rhym not one a second, no not

849
00:54:08,840 --> 00:54:11,120
Speaker 1: not no, it didn not it wou matter come four

850
00:54:12,120 --> 00:54:16,480
Speaker 1: ninety four, don't don't ninety four an yeah not four,

851
00:54:16,520 --> 00:54:18,600
Speaker 1: trust me. I was like, yeah, I definitely not any

852
00:54:18,640 --> 00:54:28,440
Speaker 1: fo the first one, the second three yeah, yeah, no fook.

853
00:54:28,480 --> 00:54:30,879
Speaker 1: Look pee pee, look that's what I wanted to build

854
00:54:30,920 --> 00:54:32,800
Speaker 1: on what he was saying, like, Yo, we used to

855
00:54:32,840 --> 00:54:36,399
Speaker 1: have one on two in Linden like nothing you ever

856
00:54:36,520 --> 00:54:39,279
Speaker 1: saw before in life life, Like I mean, he used

857
00:54:39,280 --> 00:54:41,840
Speaker 1: to have Hericane, he'd have Hurricane g on the corner

858
00:54:42,000 --> 00:54:44,360
Speaker 1: with us, you know what I mean, because that's like actual,

859
00:54:44,440 --> 00:54:47,120
Speaker 1: you know, to be in the quarter like yeah, yeah, no,

860
00:54:47,280 --> 00:54:51,279
Speaker 1: no no, not with the muralist of the beautiful shit about. Yeah,

861
00:54:51,640 --> 00:54:55,960
Speaker 1: that's like, let's wait we literally where he stood out

862
00:54:56,000 --> 00:54:59,080
Speaker 1: to run. I'm about to run right with that. Want

863
00:54:59,120 --> 00:55:04,919
Speaker 1: to stop? Ye stop? You was you was not live?

864
00:55:05,280 --> 00:55:08,200
Speaker 1: Remember you was out live. You don't even know. I

865
00:55:08,280 --> 00:55:15,400
Speaker 1: don't even know. I wasn't to see that. I'll tell

866
00:55:15,400 --> 00:55:18,200
Speaker 1: you how, I tell you how I went down down,

867
00:55:18,719 --> 00:55:22,240
Speaker 1: because you remember that's what Cheeks fain want, the battle

868
00:55:22,320 --> 00:55:25,600
Speaker 1: fight fa want that he didn't know. You're gonna verify

869
00:55:25,719 --> 00:55:31,200
Speaker 1: what I'm saying him from the lost part spa, Yeah

870
00:55:31,200 --> 00:55:34,040
Speaker 1: you know what I mean, spaces from Ron Spake, nice

871
00:55:34,080 --> 00:55:37,160
Speaker 1: Spak's nice spa, both of them with this one. He

872
00:55:37,680 --> 00:55:39,799
Speaker 1: was a Mr cheafs coach. Cheeks, you know what I mean,

873
00:55:39,880 --> 00:55:42,480
Speaker 1: the organized raft, you know what I mean. So you

874
00:55:42,600 --> 00:55:44,719
Speaker 1: pulled up a rubble still skin when you said at

875
00:55:44,760 --> 00:55:47,759
Speaker 1: the pen, now man man run got out on my

876
00:55:47,960 --> 00:55:52,200
Speaker 1: block with the one with the one, but the gold one.

877
00:55:52,280 --> 00:55:54,799
Speaker 1: I did e and and this is how I even

878
00:55:54,920 --> 00:55:57,680
Speaker 1: ended up because you came back and told him what

879
00:55:57,840 --> 00:56:00,960
Speaker 1: I did. You don't even remember. I don't remember that

880
00:56:01,040 --> 00:56:04,360
Speaker 1: you talking about to run from run DMC. That's the

881
00:56:04,400 --> 00:56:10,919
Speaker 1: first I don't know he every like that. It wasn't

882
00:56:10,960 --> 00:56:15,000
Speaker 1: there wasn't. Yeah, I told you fight. We had the

883
00:56:15,040 --> 00:56:18,480
Speaker 1: apartment four B two. Throw that out here, still pick up.

884
00:56:19,120 --> 00:56:23,000
Speaker 1: That's my people names. I'm gonna tell you everybody wrong,

885
00:56:23,160 --> 00:56:26,000
Speaker 1: like in fact, that's how I was looking for fight.

886
00:56:26,080 --> 00:56:28,640
Speaker 1: But then the that's how I cut him with you

887
00:56:28,760 --> 00:56:31,440
Speaker 1: like they didn't it was. I don't know everybody was

888
00:56:31,480 --> 00:56:38,320
Speaker 1: doing it that. It was the battle went down with no. No,

889
00:56:38,440 --> 00:56:40,520
Speaker 1: they was looking for fight. They were looking for Yeah.

890
00:56:40,640 --> 00:56:46,319
Speaker 1: I was saying, they spake cat boy she yeah that night,

891
00:56:47,000 --> 00:56:49,200
Speaker 1: yeah yea yeah yeah yeah no no no no no

892
00:56:49,360 --> 00:56:51,680
Speaker 1: no yeah. So that's what I'm saying. So like now

893
00:56:51,719 --> 00:56:54,840
Speaker 1: we're just describing like how the bullet ball was, like

894
00:56:54,920 --> 00:56:57,600
Speaker 1: you when you like hurricane g through bringing a white

895
00:56:57,680 --> 00:57:02,240
Speaker 1: through like I'm never really rest her. Look, Roy Perez

896
00:57:02,560 --> 00:57:04,759
Speaker 1: knocked on my door. Look, don't worry if you miss

897
00:57:04,800 --> 00:57:09,880
Speaker 1: your flight. I got like right, I said, Rogy Perez

898
00:57:09,920 --> 00:57:21,880
Speaker 1: knocked on my door, and the titties out z came.

899
00:57:21,920 --> 00:57:30,560
Speaker 1: Look looking knocked on my door. Listen perspective. Ros all

900
00:57:30,600 --> 00:57:32,400
Speaker 1: love the rods, they all love the roles and kissing.

901
00:57:34,680 --> 00:57:37,680
Speaker 1: I do what the game like White Man Can't Jump

902
00:57:37,720 --> 00:57:49,120
Speaker 1: came to the crib. Welcome to Play, a new podcast

903
00:57:49,240 --> 00:57:54,160
Speaker 1: network featuring radio and TV personalities talking business, sports, tech, entertainment,

904
00:57:54,280 --> 00:57:58,840
Speaker 1: and more. Play it at play dot it. We're back

905
00:57:58,960 --> 00:58:02,520
Speaker 1: to Drink Champs Radio with Rapper and R and DJ.

906
00:58:06,640 --> 00:58:11,720
Speaker 1: How was it kissing Janet Jackson? I mean it was

907
00:58:11,800 --> 00:58:20,920
Speaker 1: great describing for he that's a Penny Man. That's Penny Man.

908
00:58:22,920 --> 00:58:26,080
Speaker 1: That's Penny Man. It's great, exactly, it's Penny. It's Penny.

909
00:58:26,600 --> 00:58:29,560
Speaker 1: And she made Pope take age test. But she did

910
00:58:29,640 --> 00:58:32,880
Speaker 1: not make you take a age test. Yeah. No. The ship.

911
00:58:33,040 --> 00:58:35,160
Speaker 1: So here's the thing, right, So we were doing a movie.

912
00:58:36,600 --> 00:58:40,680
Speaker 1: So let me clean it real quick because I gotta

913
00:58:40,680 --> 00:58:43,400
Speaker 1: bouncing the minute straight to it. All right there, I

914
00:58:43,440 --> 00:58:44,880
Speaker 1: got I gotta, I got it, give me, give you

915
00:58:44,920 --> 00:58:50,960
Speaker 1: a second. We're doing a poetic Justice ship. So we're

916
00:58:51,040 --> 00:58:54,160
Speaker 1: chilling and ship me and Pop I did were chilling

917
00:58:54,280 --> 00:58:58,160
Speaker 1: or whatever. So we did rehearsals or whatever, and I

918
00:58:58,280 --> 00:59:01,040
Speaker 1: forget with the album. I think it was all our No,

919
00:59:01,200 --> 00:59:05,720
Speaker 1: I think it was I can't remember which album. Yeah,

920
00:59:05,800 --> 00:59:08,080
Speaker 1: I think it was me against the world. Actually, So

921
00:59:08,240 --> 00:59:11,760
Speaker 1: we were out there were chilling and ship. So we

922
00:59:11,920 --> 00:59:14,120
Speaker 1: had a table reading and shipped to me and they

923
00:59:14,200 --> 00:59:16,920
Speaker 1: could be chilling, smoking whatever, whatever whatever. Then we was

924
00:59:17,080 --> 00:59:20,000
Speaker 1: all me and him. That's petty think. I was like,

925
00:59:20,080 --> 00:59:23,600
Speaker 1: I don't need it, sucking petty. We both go it

926
00:59:23,680 --> 00:59:27,440
Speaker 1: off like that. So whatever you said, yeah, I just

927
00:59:27,520 --> 00:59:38,000
Speaker 1: said yes, So so moved. So we are Simi Valley,

928
00:59:38,840 --> 00:59:43,440
Speaker 1: Semi value. You know the semi valley. Semi Valley is

929
00:59:43,480 --> 00:59:48,080
Speaker 1: where they made the decision or Rodney King. This is

930
00:59:48,120 --> 00:59:52,680
Speaker 1: the night the decision came in. Myga were SIMI value, Yeah,

931
00:59:52,800 --> 00:59:56,720
Speaker 1: SIMI value. No, no, no, this is I just gave

932
00:59:56,760 --> 01:00:00,200
Speaker 1: you a little precursor to how you know an me

933
01:00:00,840 --> 01:00:04,200
Speaker 1: and Penny and John Singleton and on the extras and

934
01:00:04,280 --> 01:00:08,760
Speaker 1: the gases and anybody's in motherfucker's smutally right. So we're

935
01:00:08,760 --> 01:00:11,280
Speaker 1: shooting the joint. So we go through the kids ship.

936
01:00:11,440 --> 01:00:13,640
Speaker 1: We do that ship ten eleven times. The ship is

937
01:00:13,720 --> 01:00:16,720
Speaker 1: cold out. Keep us on hold out there because now

938
01:00:17,200 --> 01:00:20,080
Speaker 1: niggas is starting to ride back in the city because

939
01:00:20,080 --> 01:00:23,040
Speaker 1: the decision came here and we're in Simi Valley. The

940
01:00:23,160 --> 01:00:26,240
Speaker 1: courthouse was like two miles up from where we were

941
01:00:26,280 --> 01:00:29,959
Speaker 1: shooting the fun so they didn't want us to move.

942
01:00:30,080 --> 01:00:32,800
Speaker 1: They wanted to keep the set kind of you know,

943
01:00:32,920 --> 01:00:35,160
Speaker 1: static until they got to read on what was happening

944
01:00:35,240 --> 01:00:39,320
Speaker 1: around because they riot started popular whatever. So we out there,

945
01:00:39,360 --> 01:00:42,920
Speaker 1: we keep just doing a scene, keep kissing and ship right,

946
01:00:43,440 --> 01:01:01,200
Speaker 1: so they Thomas touching, We check your hand again. She

947
01:01:01,320 --> 01:01:05,680
Speaker 1: went to the first base with Betty. We both get

948
01:01:05,720 --> 01:01:12,680
Speaker 1: the sniffles and all that ship. Sure thing, here we go.

949
01:01:13,320 --> 01:01:16,680
Speaker 1: I mean, that was my girl. That was my girl. Yeah,

950
01:01:17,000 --> 01:01:22,000
Speaker 1: I mean after one, I mean, everybody get you know,

951
01:01:22,080 --> 01:01:24,240
Speaker 1: you were smashing a lot of Hollywood things out there.

952
01:01:25,480 --> 01:01:32,600
Speaker 1: Who but that was my girl, don't it? But but

953
01:01:32,720 --> 01:01:35,800
Speaker 1: but anyway, but because I want to get to the

954
01:01:35,880 --> 01:01:39,680
Speaker 1: pot ship, so we caught a fucking cold ship or

955
01:01:39,680 --> 01:01:42,480
Speaker 1: everybody damn me this. But I definitely she was sick.

956
01:01:42,640 --> 01:01:46,880
Speaker 1: I was sick whatever. So I don't know what that

957
01:01:47,040 --> 01:01:49,240
Speaker 1: decision was on her part to be like he has

958
01:01:49,360 --> 01:01:52,439
Speaker 1: to get an age test, but she definitely was like, well,

959
01:01:52,640 --> 01:01:55,320
Speaker 1: if I'm gonna like kissing with him and he's gonna,

960
01:01:55,360 --> 01:01:58,400
Speaker 1: you know, I gotta make sure that And me and

961
01:01:58,440 --> 01:02:00,240
Speaker 1: the nigga was talking about it. I went to the chill.

962
01:02:00,320 --> 01:02:02,200
Speaker 1: He was like, Yo, don't you know they asked me

963
01:02:02,240 --> 01:02:06,640
Speaker 1: to take a muggle. Nigga was hot. He was hot.

964
01:02:07,520 --> 01:02:09,919
Speaker 1: I was like what And He's like I could see

965
01:02:09,920 --> 01:02:14,520
Speaker 1: if I was fucking did I understand? I just set even.

966
01:02:14,880 --> 01:02:20,240
Speaker 1: You know, That's how you never met him. That's how

967
01:02:20,280 --> 01:02:22,840
Speaker 1: the nigga was Buster used to rock with him. What

968
01:02:23,800 --> 01:02:28,760
Speaker 1: he was before that was before. This is before again. Yeah,

969
01:02:29,400 --> 01:02:32,480
Speaker 1: And the Surf of War's incident was just like it

970
01:02:32,640 --> 01:02:35,200
Speaker 1: was just it was a miss It was a miss

971
01:02:35,240 --> 01:02:41,000
Speaker 1: communication in the backstage. So we won an award or whatever,

972
01:02:42,680 --> 01:02:44,520
Speaker 1: and we're going on an accept the award and they

973
01:02:44,600 --> 01:02:46,040
Speaker 1: gave and they get a green light to go on

974
01:02:46,120 --> 01:02:49,560
Speaker 1: and perform. So he comes on the perform. Now nas

975
01:02:49,600 --> 01:02:54,560
Speaker 1: had just put out the Almatic Ship and um, you know,

976
01:02:55,040 --> 01:02:57,240
Speaker 1: people looked at at the time in New York as

977
01:02:57,280 --> 01:03:04,440
Speaker 1: like kind of but the nigga was he was. He was.

978
01:03:04,880 --> 01:03:08,200
Speaker 1: His mother used to ripe around alway, so he had

979
01:03:08,280 --> 01:03:12,800
Speaker 1: deep ties around always, like deep, deep deep ties. Like

980
01:03:12,960 --> 01:03:15,160
Speaker 1: his mother was, you know, black panther. They had a

981
01:03:15,160 --> 01:03:18,920
Speaker 1: black panther set up around all way. Joey chest Martel

982
01:03:18,920 --> 01:03:20,840
Speaker 1: all that. You know what I'm saying, so he had

983
01:03:20,960 --> 01:03:24,240
Speaker 1: deep ties around the way. So anyway, they nigger around stage.

984
01:03:25,520 --> 01:03:29,120
Speaker 1: You know, the niggas was hot and nigga's looking niggas boring. Um,

985
01:03:29,120 --> 01:03:31,360
Speaker 1: he was like fucking you know he was with niggas

986
01:03:31,440 --> 01:03:39,800
Speaker 1: from around alway on stage. Yeah, yeah, exactly so so

987
01:03:40,000 --> 01:03:46,680
Speaker 1: then um it got a little ugly. So but when

988
01:03:46,760 --> 01:03:49,360
Speaker 1: but but but but here's the thing pox saw alive.

989
01:03:49,920 --> 01:03:54,040
Speaker 1: Alive was tight. It shouts out to um, what's some name? Who?

990
01:03:54,280 --> 01:03:58,920
Speaker 1: Um does the source? It shouts out to Benzino that

991
01:03:59,000 --> 01:04:01,000
Speaker 1: he's always treated me. Were spect I saw some ship

992
01:04:01,080 --> 01:04:03,240
Speaker 1: flowing online. He was like talking about old as their cue.

993
01:04:03,280 --> 01:04:05,439
Speaker 1: Tip was crying. He was going, I didn't even see

994
01:04:05,520 --> 01:04:11,640
Speaker 1: this nigga back. Nobody was crying. That was okay, yeah,

995
01:04:12,080 --> 01:04:16,760
Speaker 1: come on, but it wasn't enough. It wasn't say it

996
01:04:16,840 --> 01:04:20,120
Speaker 1: wasn't it wasn't crazy. It wasn't crazy. We was just saying.

997
01:04:20,160 --> 01:04:22,520
Speaker 1: The niggas was crying. Held they told the story on

998
01:04:22,600 --> 01:04:26,680
Speaker 1: our stage and niggas was like and teary eye or whatever.

999
01:04:27,160 --> 01:04:29,800
Speaker 1: It was kind of stop, no, no, because I gotta go.

1000
01:04:30,160 --> 01:04:33,040
Speaker 1: Let me when I leave, chop it up. But let

1001
01:04:33,080 --> 01:04:37,600
Speaker 1: me just have my peace. Thank you. So was I

1002
01:04:37,720 --> 01:04:40,400
Speaker 1: really do these ships? You know what I'm saying. But um,

1003
01:04:41,160 --> 01:04:44,200
Speaker 1: so we're on stage or whatever, and niggas was hot

1004
01:04:45,200 --> 01:04:49,960
Speaker 1: straight up and we was we was we was up

1005
01:04:50,120 --> 01:04:55,600
Speaker 1: out there new pod at the time. Yeah, okay, I'm sorry.

1006
01:04:55,720 --> 01:05:01,520
Speaker 1: So we trying to get to the trying to get

1007
01:05:01,560 --> 01:05:03,960
Speaker 1: to this nigga. See what it was, you know what

1008
01:05:03,960 --> 01:05:07,920
Speaker 1: I'm saying. So Ali would have his Brooklyn niggas or

1009
01:05:07,960 --> 01:05:11,800
Speaker 1: whatever he would have we with, I mean, alive was

1010
01:05:11,840 --> 01:05:14,360
Speaker 1: with Brooklyn. We was with our whole fucking crewe. Everybody

1011
01:05:14,440 --> 01:05:18,880
Speaker 1: was trying to see what that was. And um, we

1012
01:05:19,000 --> 01:05:22,040
Speaker 1: had a little incident, me and a couple of my niggas.

1013
01:05:23,080 --> 01:05:25,200
Speaker 1: I had to go sit down. You know what I'm

1014
01:05:25,200 --> 01:05:28,560
Speaker 1: saying that it's the fucking tunes for a couple of nights.

1015
01:05:28,680 --> 01:05:35,160
Speaker 1: Whatever it is off I mean, I mean, my nigga,

1016
01:05:35,280 --> 01:05:40,880
Speaker 1: look anyway, let's continue until we sit down. Whatever Alie

1017
01:05:40,920 --> 01:05:43,800
Speaker 1: saw a pot pok was like, yo, I never meant

1018
01:05:43,880 --> 01:05:46,960
Speaker 1: no disrespects. You know. I loved y'all niggas. Are you crazy?

1019
01:05:48,480 --> 01:05:53,000
Speaker 1: That was? That was just Buster hit me And Bust

1020
01:05:53,080 --> 01:05:55,479
Speaker 1: was like, Yo, you're coming to l a right because

1021
01:05:55,480 --> 01:05:56,680
Speaker 1: you told me he was coming to l A and

1022
01:05:56,720 --> 01:05:58,080
Speaker 1: I was like, yeah. He was like, y'all spoke to

1023
01:05:58,080 --> 01:06:00,760
Speaker 1: the nigga pot you get out when you get out

1024
01:06:00,800 --> 01:06:03,560
Speaker 1: here this, I was like, cool. There was at the St.

1025
01:06:03,640 --> 01:06:07,040
Speaker 1: James apartments. I hit bus, but it's like we're over

1026
01:06:07,120 --> 01:06:10,000
Speaker 1: here there smoking whatever, drinking whatever, nigga park. I was like,

1027
01:06:10,080 --> 01:06:12,920
Speaker 1: of course, So we went over there. We all fucked

1028
01:06:13,000 --> 01:06:15,040
Speaker 1: up and parks are cool and nig you know cool.

1029
01:06:15,400 --> 01:06:17,640
Speaker 1: It's me and you. I love you, nig That's pretty

1030
01:06:17,640 --> 01:06:22,720
Speaker 1: deathrow post. Yeah, this is pretty. This is when I was.

1031
01:06:22,760 --> 01:06:26,320
Speaker 1: I was shooting High Learning at the time, and I

1032
01:06:26,480 --> 01:06:30,240
Speaker 1: was this before this, this before, this is doing this

1033
01:06:30,520 --> 01:06:34,040
Speaker 1: before everything. No, no, no, this is doing this is

1034
01:06:34,160 --> 01:06:36,360
Speaker 1: doing the same time fame when he went and popped

1035
01:06:36,400 --> 01:06:40,040
Speaker 1: the two off duty go leages. Right, so so we

1036
01:06:40,400 --> 01:06:43,720
Speaker 1: me me o, my absolutely daddy Shane was staying in

1037
01:06:44,200 --> 01:06:47,120
Speaker 1: the same James. Yeah, that's fully with the departments because

1038
01:06:47,160 --> 01:06:49,840
Speaker 1: we were shooting the movie and at the time, what's

1039
01:06:49,880 --> 01:06:52,680
Speaker 1: the light brown dude that used to be on BT's

1040
01:06:52,720 --> 01:07:03,479
Speaker 1: Hunt Johnny when Pop God with come on. He told

1041
01:07:03,560 --> 01:07:05,520
Speaker 1: me he wanted to speak to him because he knew

1042
01:07:05,560 --> 01:07:08,320
Speaker 1: that I was the closest thing to Coo tim at

1043
01:07:08,360 --> 01:07:11,840
Speaker 1: the time. So when he talked to me, he was

1044
01:07:11,920 --> 01:07:14,640
Speaker 1: just explaining to me because back then niggas was performing

1045
01:07:14,680 --> 01:07:18,280
Speaker 1: on for dad tapes. So when you perform on for

1046
01:07:18,400 --> 01:07:20,800
Speaker 1: dad tape, it ain't like the fucking 's to replay

1047
01:07:21,120 --> 01:07:22,560
Speaker 1: and it ain't like the serato, and it ain't like

1048
01:07:22,600 --> 01:07:25,040
Speaker 1: none of these every wife, you gotta if you if

1049
01:07:25,080 --> 01:07:30,040
Speaker 1: a nigga, press play, because you're gonna lose your placement.

1050
01:07:31,040 --> 01:07:35,600
Speaker 1: So so he was saying, the person that was assigned

1051
01:07:35,640 --> 01:07:39,440
Speaker 1: to trigger his DAD tape pressed the play while they

1052
01:07:39,600 --> 01:07:43,320
Speaker 1: was dealing with their acceptance speech. He had to go.

1053
01:07:43,520 --> 01:07:45,880
Speaker 1: He had to go, So he it looked like he

1054
01:07:46,080 --> 01:07:49,120
Speaker 1: just was on some fun they accept the speech, I'm

1055
01:07:49,160 --> 01:07:51,480
Speaker 1: just gonna come my hand and rhyme over these niggas.

1056
01:07:51,720 --> 01:07:53,680
Speaker 1: And he said to me like that at all. That

1057
01:07:54,000 --> 01:07:56,120
Speaker 1: was not what that had nothing to do with me.

1058
01:07:57,280 --> 01:07:59,040
Speaker 1: He was like, I wouldn't never dis tribe. As a

1059
01:07:59,080 --> 01:08:00,680
Speaker 1: matter of fact, I want to do it public truth

1060
01:08:01,360 --> 01:08:06,720
Speaker 1: on BET that. So they came together to to to

1061
01:08:08,640 --> 01:08:14,240
Speaker 1: clarify and organize the public truths on BT and unfortunately

1062
01:08:14,760 --> 01:08:17,120
Speaker 1: he passed before that got to happen. Yeah, a lot

1063
01:08:17,160 --> 01:08:20,840
Speaker 1: of ships passed or before we actually got to to

1064
01:08:21,000 --> 01:08:30,840
Speaker 1: get that right. But because well come on, now, how

1065
01:08:30,960 --> 01:08:35,600
Speaker 1: did you fail? And there's two little queen's duels to you,

1066
01:08:38,160 --> 01:08:42,640
Speaker 1: prodes and happen, and then they come to you and

1067
01:08:42,760 --> 01:08:46,640
Speaker 1: then you say, yeah, nink, this is great and let

1068
01:08:46,680 --> 01:08:50,120
Speaker 1: me shape and mold it a little better. Because we

1069
01:08:50,240 --> 01:08:53,320
Speaker 1: had to have it on Drink Champion. He said that personally. Yeah,

1070
01:08:53,439 --> 01:08:56,240
Speaker 1: he said, we had the album, he had it, almost

1071
01:08:56,320 --> 01:09:00,120
Speaker 1: done it, but we wanted to see the allegic m

1072
01:09:01,360 --> 01:09:05,200
Speaker 1: and you tweaked their autuma and then Drink Champs Classic

1073
01:09:05,280 --> 01:09:10,479
Speaker 1: on the song that hen he joined. Yeah, that was

1074
01:09:10,560 --> 01:09:14,160
Speaker 1: crazy because the first time we met there was me

1075
01:09:14,240 --> 01:09:16,679
Speaker 1: and I leave right. We was up at least rush

1076
01:09:17,000 --> 01:09:23,640
Speaker 1: a Lee to ninety eight. Listen, I've never been there.

1077
01:09:25,320 --> 01:09:31,679
Speaker 1: That's that's when chrish Lighty was a management rep floors.

1078
01:09:35,920 --> 01:09:41,080
Speaker 1: So so so we ship me and I lead or whatever.

1079
01:09:41,720 --> 01:09:45,040
Speaker 1: So we see the two little kings and then ship whatever.

1080
01:09:46,280 --> 01:09:49,560
Speaker 1: And there was a brother that worked in the you know,

1081
01:09:49,680 --> 01:09:52,760
Speaker 1: real diligent brother whatever whatever and have it. Pe must

1082
01:09:52,800 --> 01:09:55,160
Speaker 1: have been about how long was it when he put

1083
01:09:55,240 --> 01:09:57,360
Speaker 1: up the fridge hitter for the bat No No No

1084
01:09:58,840 --> 01:10:02,800
Speaker 1: album project? They must have been about fifty it was

1085
01:10:05,120 --> 01:10:08,000
Speaker 1: very first one. It was like fifteen, so it was

1086
01:10:08,200 --> 01:10:12,960
Speaker 1: right there, right n when when yeah, when I was so,

1087
01:10:13,040 --> 01:10:16,240
Speaker 1: it was right there. So they're young and ship I

1088
01:10:16,360 --> 01:10:25,160
Speaker 1: thinks already out seasons in the ground. What the premier

1089
01:10:25,360 --> 01:10:27,639
Speaker 1: executive produced that the day they're all about to sprout

1090
01:10:27,760 --> 01:10:31,880
Speaker 1: up seasons in the ground. So we had rush. I

1091
01:10:31,920 --> 01:10:36,360
Speaker 1: think it's Eric right, Why Eric right? You're the girl?

1092
01:10:36,760 --> 01:10:41,880
Speaker 1: Huh Eric, Yeah, there you go, that's trade. Why break there?

1093
01:10:41,960 --> 01:10:48,040
Speaker 1: So but so we so so so so we're in there,

1094
01:10:48,120 --> 01:10:52,439
Speaker 1: we go, we see them and he had the joy.

1095
01:10:52,520 --> 01:10:54,560
Speaker 1: He was sucking with it in the office. He was

1096
01:10:54,920 --> 01:10:58,240
Speaker 1: nobody everything, but he hit Yeah, it was you know

1097
01:10:58,680 --> 01:11:00,800
Speaker 1: it let off. You know that I let off by

1098
01:11:00,840 --> 01:11:13,920
Speaker 1: accident in the niggas office. I mean, you know, my nigga.

1099
01:11:14,160 --> 01:11:16,439
Speaker 1: But I'll just tell you I'm not thinking I have

1100
01:11:16,479 --> 01:11:24,400
Speaker 1: to say what it is a boy and he's like stupid. Sorry.

1101
01:11:24,760 --> 01:11:28,000
Speaker 1: So that's what it was. That's how we first nigga.

1102
01:11:28,680 --> 01:11:31,880
Speaker 1: That's when we first met them. Though honestly, so after that,

1103
01:11:32,040 --> 01:11:35,240
Speaker 1: like a year too transpired or whatever, and then they

1104
01:11:35,320 --> 01:11:40,600
Speaker 1: reached out. Scott Um, Scott Free and Maddie c and

1105
01:11:40,800 --> 01:11:43,720
Speaker 1: Loud reached out. It was like yo, they really want

1106
01:11:43,760 --> 01:11:45,559
Speaker 1: to sit with you. And then we got and then

1107
01:11:45,640 --> 01:11:47,360
Speaker 1: I heard a lot of this ship and I was like, yeah,

1108
01:11:47,360 --> 01:11:50,479
Speaker 1: I could, I could fix this here and do this,

1109
01:11:50,640 --> 01:11:52,360
Speaker 1: and they wanted more. Bet So we just sat in

1110
01:11:52,439 --> 01:11:55,160
Speaker 1: and we went over the whole album and we just

1111
01:11:55,240 --> 01:11:57,280
Speaker 1: pieced it together. We cut some of the fat off,

1112
01:11:57,360 --> 01:12:00,280
Speaker 1: we linked them, we shaped it up, got the sound

1113
01:12:00,439 --> 01:12:03,880
Speaker 1: right and ship, which didn't really need much because Having

1114
01:12:04,000 --> 01:12:12,639
Speaker 1: is a motherfucker. Let's just get it clear. I don't

1115
01:12:12,840 --> 01:12:15,200
Speaker 1: I don't want to make it underrated. I don't want

1116
01:12:15,200 --> 01:12:17,040
Speaker 1: to think the thing that I came in and fucking

1117
01:12:17,080 --> 01:12:22,080
Speaker 1: did uh tell you what that nigga Having, he's a monster.

1118
01:12:22,360 --> 01:12:25,000
Speaker 1: Having said he had the whole album downpacked, but he

1119
01:12:25,080 --> 01:12:28,559
Speaker 1: said I needed to to highlight Q tip to make

1120
01:12:28,720 --> 01:12:31,600
Speaker 1: sure because you know, I don't know if you realize this,

1121
01:12:32,280 --> 01:12:35,840
Speaker 1: and I'm gonna say it to your face, you are

1122
01:12:35,880 --> 01:12:40,200
Speaker 1: the East Coast Dr Dreg And if you don't realize that,

1123
01:12:41,320 --> 01:12:44,519
Speaker 1: I'm gonna just tell you I've been said that about you.

1124
01:12:45,200 --> 01:12:49,680
Speaker 1: But when I heard that new album, I reiterated what

1125
01:12:49,800 --> 01:12:53,760
Speaker 1: I'm looking at you, nigga, and I don't use big

1126
01:12:55,200 --> 01:13:01,680
Speaker 1: excuse me. The prophet needs to just let the manifestation

1127
01:13:01,800 --> 01:13:11,400
Speaker 1: of the prophecy transpired. Oh my absence returned. I don't

1128
01:13:11,439 --> 01:13:14,200
Speaker 1: know if you know, but you are the East Coast

1129
01:13:14,360 --> 01:13:17,479
Speaker 1: Dr Dre and you gotta claim we didn't even talk

1130
01:13:17,479 --> 01:13:22,920
Speaker 1: about jaller. It's all good. I mean you d like

1131
01:13:23,160 --> 01:13:26,160
Speaker 1: I'll say I said it before, sit down, just saying

1132
01:13:26,200 --> 01:13:28,400
Speaker 1: same way you sit down. But but but the niggas,

1133
01:13:28,800 --> 01:13:31,559
Speaker 1: And then I got to really make it so nigga

1134
01:13:31,640 --> 01:13:37,120
Speaker 1: Drey did the um straight out of competition ship, So

1135
01:13:38,240 --> 01:13:44,519
Speaker 1: being Ali DJ scratch pick J scratch M did all that.

1136
01:13:44,680 --> 01:13:48,080
Speaker 1: You know what I'm saying, it's gone. So Boston took

1137
01:13:48,120 --> 01:13:52,880
Speaker 1: the bottom. Not this is I'm not lying about talking

1138
01:13:52,880 --> 01:13:57,880
Speaker 1: about Right there before I go, I think another Yeah,

1139
01:13:58,040 --> 01:14:02,320
Speaker 1: so um Drey, when Drey did straight out of Compton,

1140
01:14:03,280 --> 01:14:05,360
Speaker 1: me and I leaves to ride around listening to that

1141
01:14:05,400 --> 01:14:08,040
Speaker 1: ship crazy like you'll know, you know what I'm saying.

1142
01:14:08,560 --> 01:14:10,519
Speaker 1: We was New York niggas. We will be listening to

1143
01:14:10,680 --> 01:14:17,160
Speaker 1: ghetto boys really need scared face early w We'll be

1144
01:14:17,680 --> 01:14:20,040
Speaker 1: he know, we'd be adul be like, what's that your

1145
01:14:20,160 --> 01:14:23,200
Speaker 1: nigga is listening to? Out of Compton? We eat? I'm

1146
01:14:23,280 --> 01:14:27,519
Speaker 1: so sorry, So wait, wait wait wait, I just gotta

1147
01:14:27,560 --> 01:14:32,559
Speaker 1: say this because the niggas ship made me think about

1148
01:14:32,800 --> 01:14:35,559
Speaker 1: low went theory, and then the nigga would be like, yo,

1149
01:14:35,640 --> 01:14:38,320
Speaker 1: when you did that ship, that ship made you think

1150
01:14:38,360 --> 01:14:47,320
Speaker 1: about the climbate. That's like like like to us, it's

1151
01:14:47,360 --> 01:14:52,880
Speaker 1: really yours co doctr dre and the thing about it

1152
01:14:53,160 --> 01:14:55,920
Speaker 1: is what we want you to do. So as a fan, sir,

1153
01:14:56,880 --> 01:14:58,960
Speaker 1: I want you to do a track for eight Boogie.

1154
01:14:59,400 --> 01:15:01,680
Speaker 1: We want you to to do a track for younger man. Yes,

1155
01:15:01,880 --> 01:15:03,720
Speaker 1: I want you to do a track for the young

1156
01:15:03,840 --> 01:15:07,360
Speaker 1: generations and you bring them and you teach them trying

1157
01:15:07,360 --> 01:15:10,840
Speaker 1: to gain with bird. Don't have the guide them, but

1158
01:15:10,880 --> 01:15:18,280
Speaker 1: I want to. Yeah, get that's the New York hip hop.

1159
01:15:18,640 --> 01:15:21,240
Speaker 1: Because I don't. I'm gonna get a que two beat.

1160
01:15:22,600 --> 01:15:25,640
Speaker 1: Let's go get. You give me a beat. I gave me,

1161
01:15:25,720 --> 01:15:28,240
Speaker 1: You gave me a half ask joint. Wait wait wait

1162
01:15:28,280 --> 01:15:30,600
Speaker 1: wait wait wait. It was dope, but I felt like

1163
01:15:30,760 --> 01:15:32,680
Speaker 1: you wanted my vocals first. But I was like you,

1164
01:15:37,200 --> 01:15:39,880
Speaker 1: I'm dyslexic. You gotta let me get away with it. Listen,

1165
01:15:40,360 --> 01:15:45,240
Speaker 1: listen to my brothers. That's how you do it. Shouldn't listen.

1166
01:15:46,760 --> 01:15:50,160
Speaker 1: I know that's why that's what you should do to me,

1167
01:15:50,479 --> 01:15:56,719
Speaker 1: and that's how that's how I got it. So but listen,

1168
01:15:56,920 --> 01:16:00,479
Speaker 1: it's nothing more. I want to respect you, brothers. I

1169
01:16:00,720 --> 01:16:04,000
Speaker 1: love the album you brothers put together. I love how

1170
01:16:04,080 --> 01:16:06,800
Speaker 1: you stuck together to think. And then I know this

1171
01:16:07,600 --> 01:16:11,600
Speaker 1: fucking bu photos and foot reeds that came along with that.

1172
01:16:12,080 --> 01:16:14,080
Speaker 1: Guess what we're gonna talk about that because that's how

1173
01:16:14,120 --> 01:16:17,280
Speaker 1: we do here. Drink chaps at drink chance. We celebrate

1174
01:16:17,320 --> 01:16:20,040
Speaker 1: our nickas consequence. I don't know what kind of glasses

1175
01:16:20,080 --> 01:16:22,519
Speaker 1: those are, but I need to borrow them at some point.

1176
01:16:23,280 --> 01:16:25,439
Speaker 1: Those is fly. I don't let me see. Let me

1177
01:16:25,600 --> 01:16:27,920
Speaker 1: check you out, Let me check you out. Come on.

1178
01:16:29,640 --> 01:16:34,560
Speaker 1: I'm trying to see these nights. I don't know what

1179
01:16:34,680 --> 01:16:39,320
Speaker 1: there is all alright, but listen, thank you so much

1180
01:16:39,320 --> 01:16:41,360
Speaker 1: for my brother head. We're gonna say say goodbye to

1181
01:16:41,400 --> 01:16:45,080
Speaker 1: your fans. Your fans. You can't just get just walking away. Question.

1182
01:16:46,400 --> 01:16:54,720
Speaker 1: Yeah all these just taor love. You gotta shot gotta

1183
01:16:54,720 --> 01:16:59,920
Speaker 1: shot out roots to fifes Man. You know what I'm saying.

1184
01:17:00,120 --> 01:17:04,759
Speaker 1: He health, He helped down, Yeah, helped down. Just Jimmy

1185
01:17:04,840 --> 01:17:14,000
Speaker 1: Kimblig move. I just did like Saturday, no doubt no doubt. Na,

1186
01:17:14,560 --> 01:17:18,439
Speaker 1: I got five million niggas. Listen, I'm making five people. No, no,

1187
01:17:19,080 --> 01:17:24,840
Speaker 1: don't be modified dog dog rescipe Yo, thank y'all so much.

1188
01:17:24,920 --> 01:17:31,160
Speaker 1: I pologize. I kept y'all. No, No, we great, this,

1189
01:17:31,400 --> 01:17:34,640
Speaker 1: this is what we do. We will we will keep

1190
01:17:34,680 --> 01:17:36,320
Speaker 1: it going. I don't want to that's just me my.

1191
01:17:37,200 --> 01:17:40,000
Speaker 1: But you definitely smashed Janet Jaction. I gotta check your

1192
01:17:40,000 --> 01:17:43,000
Speaker 1: hand again. I gotta shake your hand again. It wasn't

1193
01:17:43,000 --> 01:17:45,680
Speaker 1: wonderful like I thought it would be. Was it? Was

1194
01:17:45,760 --> 01:17:51,599
Speaker 1: it wonderful? Come on, look at Mike movie Michael. All right,

1195
01:17:51,640 --> 01:17:53,960
Speaker 1: I have to go now. I was wonderful, right, it

1196
01:17:54,040 --> 01:17:57,880
Speaker 1: was wonderful. That was my girl, Penny, Penny. You had

1197
01:17:57,880 --> 01:18:02,639
Speaker 1: a lot of good girls, not a lot. Yo. I want,

1198
01:18:02,720 --> 01:18:05,519
Speaker 1: I want, I want one wife. Do you miss Penny?

1199
01:18:06,200 --> 01:18:08,720
Speaker 1: Do you miss Penny? No, she's good, she's good, she

1200
01:18:08,800 --> 01:18:12,080
Speaker 1: got a life. Keep her as Penny. That was hardest way,

1201
01:18:15,520 --> 01:18:30,760
Speaker 1: even Christ. We gotta take one your has hold up

1202
01:18:30,800 --> 01:18:32,960
Speaker 1: one second while everybody know they could Check us at

1203
01:18:33,000 --> 01:18:37,360
Speaker 1: drink champs dot com. Follow us at Drink Champs on Twitter, Instagram,

1204
01:18:37,479 --> 01:18:41,320
Speaker 1: and Facebook. Check Noriatta at the Real Norieg on Instagram.

1205
01:18:41,640 --> 01:18:44,760
Speaker 1: At Noriega on Twitter and New Year Nori on Snapchat.

1206
01:18:45,120 --> 01:18:47,120
Speaker 1: You can check me d j e f at at

1207
01:18:47,200 --> 01:18:50,160
Speaker 1: Who's Crazy Instagram at d j e f n on

1208
01:18:50,240 --> 01:18:54,080
Speaker 1: Twitter at Who's Crazy on Snapchat. Make sure you follow

1209
01:18:54,120 --> 01:18:57,680
Speaker 1: the team. Our visual media manager Rich Blanco at Rich

1210
01:18:57,840 --> 01:19:01,400
Speaker 1: Underscore Blanco on Instagram and Twitter. Our engineer has it

1211
01:19:01,479 --> 01:19:04,760
Speaker 1: Its Sounds at Hazardous Sounds on Instagram and Twitter. Our

1212
01:19:04,840 --> 01:19:08,800
Speaker 1: photographer Big Drain at Drain on Instagram and at Big

1213
01:19:08,880 --> 01:19:13,760
Speaker 1: Drain on Twitter. Are graphic artists Akz at Akz on

1214
01:19:13,880 --> 01:19:17,280
Speaker 1: Instagram and Twitter. Also shout out the whole CBS play

1215
01:19:17,360 --> 01:19:20,479
Speaker 1: dot It team. Follow them at at play it on Twitter,

1216
01:19:20,880 --> 01:19:22,960
Speaker 1: and make sure you grab yourself some Drink Champs shirts,

1217
01:19:23,280 --> 01:19:25,800
Speaker 1: shot glasses and cups and all that merch at drink

1218
01:19:25,880 --> 01:19:28,479
Speaker 1: Champs dot com or check our homies at eight nine

1219
01:19:28,560 --> 01:19:31,280
Speaker 1: dot com. Head over to iTunes and pick up the

1220
01:19:31,360 --> 01:19:34,280
Speaker 1: singles for the Win Moguls and Petty, as well as

1221
01:19:34,280 --> 01:19:37,599
Speaker 1: a Drunk Uncle project from Norri. Also, my album Another

1222
01:19:37,680 --> 01:19:40,880
Speaker 1: Time is out now available on iTunes, Spotify, Google Play

1223
01:19:41,000 --> 01:19:44,080
Speaker 1: or physicals at Crazyhood dot com. Check has it as

1224
01:19:44,080 --> 01:19:46,600
Speaker 1: Sounds projects Save the Culture, and you can check that

1225
01:19:46,680 --> 01:19:49,160
Speaker 1: at has its Sounds dot com or check it on

1226
01:19:49,200 --> 01:19:52,400
Speaker 1: all digital platforms. Also look out for Norri's cooking show

1227
01:19:52,479 --> 01:19:55,840
Speaker 1: coming very soon and My Coming Home Vietnam film which

1228
01:19:55,880 --> 01:19:58,360
Speaker 1: you can see the previous films about Haiti, Cuba and

1229
01:19:58,400 --> 01:20:01,720
Speaker 1: Peru currently on revolti V Shout out the whole dream

1230
01:20:01,800 --> 01:20:04,920
Speaker 1: Chats Army. We really appreciate your support and we out

1231
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Speaker 1: of here. Find all your favorite movies and shows factor

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Speaker 1: search across live CV on demand, even Netflix and Prime Video.

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Speaker 1: Now that's simple, easy, awesome. Switched to Axcenity today and

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Speaker 1: get a great offer. You'll enjoy Infinity x one, which

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Speaker 1: could you access to your favorite streaming apps like Netflix,

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Speaker 1: YouTube and now Prime Video. Go to Axcinity dot com,

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Speaker 1: call one Exinity or visit the store today to learn

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Speaker 1: more restrictions supply