1 00:00:00,240 --> 00:00:03,720 Speaker 1: Hello the Internet, and welcome to this episode of trendle 2 00:00:03,880 --> 00:00:09,080 Speaker 1: Roy The Big All right guys, So today on the Rewatchable, 3 00:00:09,080 --> 00:00:11,320 Speaker 1: as we were talking about the winners and the losers 4 00:00:11,400 --> 00:00:16,279 Speaker 1: of the Succession finale, kendle Roy Big big l. 5 00:00:16,880 --> 00:00:21,400 Speaker 2: Big winner, he somehow turns out a big big winners. Yeah, 6 00:00:21,600 --> 00:00:23,079 Speaker 2: actually losing his winning as my. 7 00:00:23,320 --> 00:00:25,720 Speaker 1: I mean, if if you think about it, like if 8 00:00:25,760 --> 00:00:28,360 Speaker 1: they hadn't stuck that last bit on it with him 9 00:00:28,400 --> 00:00:30,080 Speaker 1: looking out of the river, I would have been like, well, 10 00:00:30,080 --> 00:00:32,280 Speaker 1: that's like probably better for him in the long run. 11 00:00:32,520 --> 00:00:34,320 Speaker 3: But they're like, Noah, this dude is just gonna be 12 00:00:34,479 --> 00:00:35,479 Speaker 3: like this. 13 00:00:36,800 --> 00:00:38,240 Speaker 2: Records town. 14 00:00:40,760 --> 00:00:46,280 Speaker 1: Hey, speaking of Motown, we've got another golden age of 15 00:00:46,400 --> 00:00:52,960 Speaker 1: music coming to us right now, courtesy of one for Giato. 16 00:00:53,200 --> 00:00:58,200 Speaker 1: Blow oh Jack, you don't know and you don't know 17 00:00:58,520 --> 00:01:00,960 Speaker 1: and you don't know, you're gone or hand me downs? 18 00:01:01,160 --> 00:01:05,120 Speaker 1: Uh this uh this fellow. 19 00:01:06,440 --> 00:01:09,720 Speaker 3: He released a song Boycott Target. 20 00:01:10,600 --> 00:01:13,160 Speaker 2: That is the sickest fucking name for a song. 21 00:01:13,280 --> 00:01:17,800 Speaker 3: So tight because it works on so many levels. 22 00:01:18,080 --> 00:01:20,320 Speaker 1: Sorry, no, it just works on a single level. 23 00:01:24,560 --> 00:01:25,160 Speaker 3: Call to action. 24 00:01:25,360 --> 00:01:28,119 Speaker 1: Put the call to action in your song title and 25 00:01:28,160 --> 00:01:31,400 Speaker 1: that's how you know it is good art. So this 26 00:01:31,480 --> 00:01:33,040 Speaker 1: is this is like a maga rapper. 27 00:01:33,600 --> 00:01:33,720 Speaker 2: Uh. 28 00:01:33,760 --> 00:01:37,959 Speaker 1: He shot a music video at the Capitol on six 29 00:01:38,319 --> 00:01:44,360 Speaker 1: and forget using that sort of scramble uh cinema verite 30 00:01:44,840 --> 00:01:48,120 Speaker 1: on the fly, stealing shots echos. He also to a 31 00:01:48,240 --> 00:01:52,440 Speaker 1: music video for Everything for boycott Target in a Target 32 00:01:54,240 --> 00:01:58,080 Speaker 1: and it supporters, his supporters. Trump's supporters have gotten the 33 00:01:58,120 --> 00:02:01,520 Speaker 1: song to the top of the iTunes charts, knocking Taylor 34 00:02:01,600 --> 00:02:06,560 Speaker 1: Swift out of the number one spot, and he's claiming 35 00:02:06,880 --> 00:02:08,720 Speaker 1: that Apple is shadow. 36 00:02:08,360 --> 00:02:09,160 Speaker 3: Banning the song. 37 00:02:10,040 --> 00:02:10,840 Speaker 2: I'm sorry. 38 00:02:11,000 --> 00:02:14,080 Speaker 1: The song that as if you you might remember from 39 00:02:14,760 --> 00:02:18,640 Speaker 1: ago is the the number one song on the charts 40 00:02:18,760 --> 00:02:19,559 Speaker 1: of iTunes. 41 00:02:19,800 --> 00:02:22,960 Speaker 2: I say, all these people do are talking these buzzwords 42 00:02:23,360 --> 00:02:25,840 Speaker 2: like because it's meaningless, like like we talked about the 43 00:02:25,880 --> 00:02:28,120 Speaker 2: default on the debt ceiling and tomorrow's ups Like they 44 00:02:28,160 --> 00:02:29,800 Speaker 2: just hear like a word and like, yeah, I'm gonna 45 00:02:29,800 --> 00:02:30,600 Speaker 2: bandy it about. 46 00:02:30,800 --> 00:02:35,160 Speaker 1: I'll tell you who's defaulting. It's default of Joe Biden 47 00:02:36,200 --> 00:02:39,639 Speaker 1: is who's default it is. But anyways, the reason it's 48 00:02:39,680 --> 00:02:44,240 Speaker 1: so popular is because it has an undeniable melody, and 49 00:02:45,120 --> 00:02:48,600 Speaker 1: I don't know, actually it's because people like Marjorie Taylor 50 00:02:48,720 --> 00:02:53,040 Speaker 1: Green is uh promoting it like everywhere. 51 00:02:53,200 --> 00:02:55,480 Speaker 2: It's I like, how even in like his like tweet 52 00:02:55,520 --> 00:02:57,520 Speaker 2: or whatever. It's like it's Shadow Band all over the 53 00:02:57,560 --> 00:03:01,359 Speaker 2: world right now. Literally what he said, like what what 54 00:03:01,360 --> 00:03:03,880 Speaker 2: the fuck does that mean? But yeah, I mean the 55 00:03:03,960 --> 00:03:07,040 Speaker 2: video itself is really something else. 56 00:03:07,400 --> 00:03:09,880 Speaker 1: First of all, I have to imagine something's happening behind 57 00:03:09,919 --> 00:03:13,360 Speaker 1: the scenes, like where a small number of people have 58 00:03:13,440 --> 00:03:16,120 Speaker 1: found a way to like game the system and also 59 00:03:16,240 --> 00:03:18,920 Speaker 1: just have the will, like they are in such desperate 60 00:03:19,000 --> 00:03:23,120 Speaker 1: need of a culture, a cultural win that I don't 61 00:03:23,200 --> 00:03:26,320 Speaker 1: doubt that they are, like they have something that is 62 00:03:26,680 --> 00:03:29,040 Speaker 1: triggering it, making it seem like this song is being 63 00:03:29,120 --> 00:03:33,720 Speaker 1: listened to more than it is because it's bad. The video, yeah, 64 00:03:33,800 --> 00:03:36,560 Speaker 1: as you were referencing, pretty great. 65 00:03:36,880 --> 00:03:40,120 Speaker 2: I mean he's going through Target and he's grabbing shit 66 00:03:40,320 --> 00:03:43,920 Speaker 2: like bud light, you know, from the shelves and like 67 00:03:44,360 --> 00:03:47,400 Speaker 2: taking off with it or like tam packs. 68 00:03:48,040 --> 00:03:52,240 Speaker 3: But what he's mad at tampacs. 69 00:03:52,160 --> 00:03:54,960 Speaker 2: I don't know, or it's probably for it's probably for liberals, 70 00:03:55,880 --> 00:04:00,560 Speaker 2: because soy men need here's your tampon lib And in 71 00:04:00,600 --> 00:04:03,200 Speaker 2: the screen cap, he does look like he's viewing a 72 00:04:03,960 --> 00:04:05,840 Speaker 2: like he's finding out about tampax. 73 00:04:05,880 --> 00:04:06,480 Speaker 3: For the first time. 74 00:04:06,560 --> 00:04:09,840 Speaker 2: Yeah, he looks like a discerning consumer. To be honest, 75 00:04:09,920 --> 00:04:12,440 Speaker 2: he's like, now, isn't a super kind of day? I 76 00:04:12,440 --> 00:04:13,320 Speaker 2: don't know the. 77 00:04:13,320 --> 00:04:16,480 Speaker 1: Video he is doing the exact opposite of what he's 78 00:04:16,480 --> 00:04:19,200 Speaker 1: telling people to be doing, because he's just not buying 79 00:04:19,480 --> 00:04:25,280 Speaker 1: so much bud light and pampons. He also is mad 80 00:04:25,320 --> 00:04:30,120 Speaker 1: at a toy featuring the only female Paw Patrol character 81 00:04:30,279 --> 00:04:34,200 Speaker 1: Sky I believe her name is Oh, which I don't 82 00:04:34,240 --> 00:04:37,440 Speaker 1: think that was a controversy, Like are they really these 83 00:04:37,440 --> 00:04:41,239 Speaker 1: are grown men who are really angry over the idea 84 00:04:41,360 --> 00:04:45,800 Speaker 1: of a girl dog existing in the world of adventure Bay. 85 00:04:45,839 --> 00:04:48,599 Speaker 2: I mean they they think tampons are an affront to 86 00:04:48,680 --> 00:04:52,159 Speaker 2: their fucking movement. Then I can see why they But 87 00:04:52,240 --> 00:04:54,279 Speaker 2: again I'm like, what why is that even? Like a like, 88 00:04:54,320 --> 00:04:57,039 Speaker 2: what is the occupation of that dog? Is it the cop? 89 00:04:57,760 --> 00:04:59,719 Speaker 3: No, she's a pilot? Sky? 90 00:05:00,040 --> 00:05:00,760 Speaker 2: What the fuck? 91 00:05:01,800 --> 00:05:03,320 Speaker 3: Level than this song? 92 00:05:03,800 --> 00:05:06,599 Speaker 2: Like his one like friend of Color who's willing to 93 00:05:06,600 --> 00:05:09,120 Speaker 2: debase himself and be in this video is looking at 94 00:05:09,120 --> 00:05:11,240 Speaker 2: the toy, so he's throwing his hands up, like the 95 00:05:11,279 --> 00:05:14,320 Speaker 2: fuck is this toyll? 96 00:05:15,360 --> 00:05:19,720 Speaker 1: Those aren't those aren't real, those aren't exist, Those aren't exist. 97 00:05:20,120 --> 00:05:23,120 Speaker 1: The the fact that like a a show that is 98 00:05:23,160 --> 00:05:26,440 Speaker 1: like all boys and a girl is like too much 99 00:05:26,560 --> 00:05:27,400 Speaker 1: girl for them. 100 00:05:27,880 --> 00:05:29,839 Speaker 2: Oh maybe that's what it is. He's like. You also 101 00:05:30,080 --> 00:05:33,640 Speaker 2: get rid of the April O'Neil character from Ninja Turtles. Okay, 102 00:05:34,040 --> 00:05:39,240 Speaker 2: just out of here. We're just all boys, just fucking turtles, bro, 103 00:05:40,040 --> 00:05:42,719 Speaker 2: that's it and a rat. Fine, But I think to 104 00:05:42,760 --> 00:05:44,880 Speaker 2: your point, right, like, the reason this shit takes off 105 00:05:44,960 --> 00:05:48,840 Speaker 2: is because all of their like homebrew conservative media is 106 00:05:48,880 --> 00:05:51,839 Speaker 2: like so bad. It always takes someone who started as 107 00:05:51,839 --> 00:05:55,000 Speaker 2: a liberal and then just turned or like wasn't always 108 00:05:55,000 --> 00:05:57,280 Speaker 2: in this world and then turned to it to like 109 00:05:57,440 --> 00:05:59,440 Speaker 2: give it the sort of like polish that looks like 110 00:05:59,480 --> 00:06:03,839 Speaker 2: professional content or something. Because this guy wasn't always maga rapping. 111 00:06:04,279 --> 00:06:08,520 Speaker 2: He was just a plain old shitty rapper. Yeah, couldn't 112 00:06:08,520 --> 00:06:10,719 Speaker 2: get anybody fucking to listen to him. 113 00:06:11,040 --> 00:06:14,360 Speaker 1: I mean, who has many other maga maga rap songs, 114 00:06:14,400 --> 00:06:17,599 Speaker 1: such as one that samples you can Call Me Out 115 00:06:17,640 --> 00:06:21,400 Speaker 1: by Paul Simon called you can call Me Kyle m 116 00:06:22,800 --> 00:06:28,080 Speaker 1: That about Kyle Rittenhouse. Yeah, but this is the biggest hit. 117 00:06:28,839 --> 00:06:33,240 Speaker 1: His real name is not for Geato Blow, It is 118 00:06:33,560 --> 00:06:39,600 Speaker 1: Kurt Jance. Well, so you got Kurt Chance on the line. 119 00:06:40,800 --> 00:06:44,880 Speaker 1: He was just a failed white rapper whose songs about money, cars, guns, 120 00:06:44,920 --> 00:06:47,839 Speaker 1: and women never got any attention, so he pivoted to 121 00:06:48,240 --> 00:06:52,760 Speaker 1: uh rapping about Trump and developed a following of garbage people. 122 00:06:53,320 --> 00:06:57,359 Speaker 1: Kurt Chance should be a word for gene shorts. I think, 123 00:06:57,960 --> 00:07:00,920 Speaker 1: oh yeah, Kurt as in short, and then Jan says 124 00:07:01,000 --> 00:07:01,640 Speaker 1: in geen. 125 00:07:01,480 --> 00:07:04,279 Speaker 2: Pants right or like? Or like? Is it a skirt 126 00:07:04,400 --> 00:07:06,640 Speaker 2: with built in jean pants underneath? 127 00:07:06,960 --> 00:07:07,680 Speaker 3: Now we're talking. 128 00:07:08,360 --> 00:07:11,280 Speaker 2: Look man, hey for GIATO get at us? Man who 129 00:07:11,360 --> 00:07:14,000 Speaker 2: got ideas? One of them being end your career? Now? 130 00:07:14,360 --> 00:07:16,560 Speaker 1: He he has a tattoo of Trump on his leg 131 00:07:16,720 --> 00:07:20,960 Speaker 1: with the words self made, which obviously Trump is not 132 00:07:21,200 --> 00:07:21,720 Speaker 1: self made. 133 00:07:21,800 --> 00:07:24,440 Speaker 3: He like inherited millions and millions of. 134 00:07:24,400 --> 00:07:28,800 Speaker 1: Dollars like as a child. Chance's family are millionaires. His 135 00:07:28,880 --> 00:07:33,560 Speaker 1: grandfather started Auto Trader magazine. 136 00:07:35,640 --> 00:07:39,600 Speaker 2: Fucking NEPO failed rapper. Come on, man. 137 00:07:39,640 --> 00:07:40,280 Speaker 3: Come on. 138 00:07:40,560 --> 00:07:43,160 Speaker 1: He claims he's legitimate because he was homeless for over 139 00:07:43,160 --> 00:07:47,160 Speaker 1: a year because he was like briefly disinherited or something 140 00:07:47,480 --> 00:07:48,200 Speaker 1: the right. 141 00:07:48,240 --> 00:07:50,240 Speaker 2: Could you imagine He's like, yeah, my grandfather said I 142 00:07:50,280 --> 00:07:52,680 Speaker 2: was acting too black, so I kicked me out of 143 00:07:52,680 --> 00:07:55,560 Speaker 2: the family. And then then I was homeless for a year. 144 00:07:55,640 --> 00:07:58,960 Speaker 2: Now I'm a legit rapper because I was home I'm sorry, 145 00:07:59,040 --> 00:08:01,000 Speaker 2: what is hip hopics being homeless? 146 00:08:01,440 --> 00:08:02,520 Speaker 3: Right? Yeah, I guess so? 147 00:08:03,040 --> 00:08:05,720 Speaker 2: Or is that just like his way of saying like, look, 148 00:08:05,880 --> 00:08:08,200 Speaker 2: I know I've had everything handed to me on a 149 00:08:08,200 --> 00:08:12,400 Speaker 2: silver platter or spoon, but I barely spent my parents' 150 00:08:12,400 --> 00:08:13,440 Speaker 2: money for like one year. 151 00:08:14,000 --> 00:08:18,080 Speaker 1: There was a period where I was not a homeowner. 152 00:08:18,880 --> 00:08:22,920 Speaker 1: I was just ranting, it's really hard. 153 00:08:23,400 --> 00:08:25,760 Speaker 2: So I know what it's like. It is a lot 154 00:08:25,760 --> 00:08:28,320 Speaker 2: of NWA. I've started connecting with the. 155 00:08:28,280 --> 00:08:33,640 Speaker 1: Streets all right. Al Pacino is expecting a new baby. 156 00:08:34,000 --> 00:08:37,760 Speaker 1: We recently learned that Robert de Niro had a seventh 157 00:08:37,880 --> 00:08:42,360 Speaker 1: child at the age of seventy nine. And yeah, I 158 00:08:42,400 --> 00:08:44,760 Speaker 1: don't know what they're putting in the drinking water on 159 00:08:44,760 --> 00:08:46,880 Speaker 1: the set of Heat. But now al Pacino is gonna 160 00:08:46,880 --> 00:08:49,240 Speaker 1: have a baby. At the age of eighty three with 161 00:08:49,360 --> 00:08:53,960 Speaker 1: his girlfriend nor Afala. He already had three children, the 162 00:08:54,000 --> 00:08:59,120 Speaker 1: youngest being his twenty two year old twins. And I 163 00:08:59,120 --> 00:09:02,600 Speaker 1: don't know, yes, so when the whole thing happened between 164 00:09:02,679 --> 00:09:06,120 Speaker 1: like Pacino versus De Niro, Young Pacino versus young de Niro, 165 00:09:06,559 --> 00:09:10,640 Speaker 1: like the showdown. There was something in me that was like, 166 00:09:10,920 --> 00:09:14,880 Speaker 1: they're paying attention to this, like they're because there was 167 00:09:15,200 --> 00:09:18,680 Speaker 1: there were always those rumors about like how on the 168 00:09:18,720 --> 00:09:22,920 Speaker 1: set of Heat, like they couldn't even like be on 169 00:09:23,160 --> 00:09:26,960 Speaker 1: set together, which is why like the whole movie, like 170 00:09:27,360 --> 00:09:29,760 Speaker 1: you know, when it first came out, the big promise 171 00:09:29,880 --> 00:09:32,720 Speaker 1: was like finally Pacino and de Niro in a movie, 172 00:09:33,160 --> 00:09:36,640 Speaker 1: in a scene together, and then there's never a shot 173 00:09:36,679 --> 00:09:40,360 Speaker 1: where they're like clearly there's a scene that they share 174 00:09:40,400 --> 00:09:42,800 Speaker 1: where they're like across from each other, but it's shot 175 00:09:42,840 --> 00:09:45,920 Speaker 1: with like over the shoulder shots. You never see them 176 00:09:45,960 --> 00:09:50,160 Speaker 1: like on framed up together, and I don't know, they 177 00:09:50,360 --> 00:09:55,240 Speaker 1: like kind of occupy this very similar position. And so 178 00:09:55,520 --> 00:09:59,440 Speaker 1: I'm wondering if this isn't baby is not at least 179 00:09:59,520 --> 00:10:06,880 Speaker 1: partially motivated by the Pacino de Niro hot so where 180 00:10:06,880 --> 00:10:10,240 Speaker 1: they were like fifty to fifty right down the middle. 181 00:10:10,400 --> 00:10:16,400 Speaker 1: But is that enough time for conception to occur from 182 00:10:16,440 --> 00:10:19,439 Speaker 1: al Pacino? Yeah, Like does it does it line up 183 00:10:19,679 --> 00:10:20,040 Speaker 1: with that? 184 00:10:20,440 --> 00:10:20,600 Speaker 3: Or? 185 00:10:21,000 --> 00:10:23,880 Speaker 2: I think overarchingly, I think to your point is probably 186 00:10:23,880 --> 00:10:25,600 Speaker 2: like he probably heard DeNiro was about to have another 187 00:10:25,720 --> 00:10:30,679 Speaker 2: kid a few months ago, and he's like, fuck, yeah, 188 00:10:31,040 --> 00:10:34,480 Speaker 2: maybe here. I've been told by my urologists that it 189 00:10:34,600 --> 00:10:38,600 Speaker 2: is not a good idea at all. Eighty three year 190 00:10:38,640 --> 00:10:41,959 Speaker 2: old sperms not quite what they used to be. Uh, 191 00:10:42,400 --> 00:10:45,120 Speaker 2: but hey, I guess yeah, go off, go off, al 192 00:10:45,600 --> 00:10:46,000 Speaker 2: do it too. 193 00:10:46,640 --> 00:10:47,640 Speaker 3: Truly, that just. 194 00:10:47,600 --> 00:10:50,720 Speaker 2: Makes it so funny to me, like if they part 195 00:10:50,760 --> 00:10:53,120 Speaker 2: of him is so he's just so pressed by the 196 00:10:53,200 --> 00:10:56,040 Speaker 2: idea of DeNiro any kid, like DeNiro had a kid. 197 00:10:56,080 --> 00:10:58,920 Speaker 1: And then there were all those memes about I'm not 198 00:10:59,160 --> 00:11:03,120 Speaker 1: assuming that our Chino is a very online person, but 199 00:11:03,800 --> 00:11:07,760 Speaker 1: you know, the it's in the cultural shared consciousness. People 200 00:11:07,800 --> 00:11:11,160 Speaker 1: were like, oh, de Niro still out here, fucking and 201 00:11:11,200 --> 00:11:15,400 Speaker 1: then that led to a poll about who which of 202 00:11:15,440 --> 00:11:19,000 Speaker 1: them was more attractive in their prime, and then that 203 00:11:19,120 --> 00:11:20,679 Speaker 1: led to al Pacino being like. 204 00:11:21,480 --> 00:11:22,880 Speaker 3: I'm still out here, babe. 205 00:11:23,360 --> 00:11:25,320 Speaker 2: Yeah, I don't worry. I just it's fine. Bro. You 206 00:11:25,360 --> 00:11:26,360 Speaker 2: eighty three, man. 207 00:11:26,600 --> 00:11:27,880 Speaker 3: Yeah, eighty three. 208 00:11:27,920 --> 00:11:31,400 Speaker 2: You are eighty three, your partner was you were fifty 209 00:11:31,480 --> 00:11:35,360 Speaker 2: four when your partner was born. Fam, it's a bit 210 00:11:35,400 --> 00:11:37,880 Speaker 2: of an age gap. But again, apparently she's she's not, 211 00:11:38,240 --> 00:11:39,840 Speaker 2: she's not. She likes the older men. 212 00:11:40,080 --> 00:11:45,119 Speaker 1: Yeah, she's been romantically linked to Clint Eastwood, Mick. 213 00:11:45,160 --> 00:11:49,520 Speaker 2: Jaggar that Clint Eastwood, I'm sorry, that feels like a 214 00:11:49,559 --> 00:11:53,280 Speaker 2: bridge too far. I get you fucking with like old 215 00:11:53,320 --> 00:11:57,600 Speaker 2: al Pacino Mick Jagger got the swagger, but not get 216 00:11:57,640 --> 00:12:01,960 Speaker 2: off my lawn. Clint Eastwood. Hell no, but hey, look 217 00:12:02,200 --> 00:12:04,439 Speaker 2: do you I hope you're getting whatever you're looking for. 218 00:12:04,640 --> 00:12:09,840 Speaker 1: Whenever your type is that strong, you're gonna you're going 219 00:12:09,880 --> 00:12:15,560 Speaker 1: to make some exceptions. My type is extremely famous sex 220 00:12:15,600 --> 00:12:18,760 Speaker 1: symbol from the year nineteen seventy two. 221 00:12:21,080 --> 00:12:22,079 Speaker 2: That's what I'm looking for. 222 00:12:22,160 --> 00:12:24,440 Speaker 3: Yeah, yeah, all right, let's take a quick break. We'll 223 00:12:24,480 --> 00:12:36,560 Speaker 3: be right back, and we're back. We're back. 224 00:12:36,600 --> 00:12:40,160 Speaker 1: And this is just something a question that I've seen 225 00:12:40,240 --> 00:12:45,760 Speaker 1: trending on Twitter. Zephyr on Call tweeted, how is it 226 00:12:45,840 --> 00:12:48,920 Speaker 1: twenty twenty three? And nobody's come up with a satisfying 227 00:12:48,960 --> 00:12:51,440 Speaker 1: explanation as to why cell phones never show up in 228 00:12:51,480 --> 00:12:54,600 Speaker 1: their dreams if we're using them for twelve hours a day, 229 00:12:55,760 --> 00:12:59,240 Speaker 1: And then Jason Pargin just retweeted him, was like, so 230 00:12:59,360 --> 00:13:00,760 Speaker 1: have you ever had a phone in your dream? 231 00:13:00,840 --> 00:13:03,079 Speaker 3: I haven't. I also not. 232 00:13:03,840 --> 00:13:07,960 Speaker 2: Yeah, my I'm sorry, I got really distracted Jack, I 233 00:13:08,000 --> 00:13:10,920 Speaker 2: was looking at Nora. I'll follow his Instagram. Uh oh, 234 00:13:11,040 --> 00:13:13,959 Speaker 2: the last picture she posted with al Pacino is her 235 00:13:14,320 --> 00:13:17,400 Speaker 2: al Pacino, who looks this motherfucker look like he's mid 236 00:13:17,440 --> 00:13:22,120 Speaker 2: sentence saying where am I? And they're at an art gallery, 237 00:13:22,480 --> 00:13:25,160 Speaker 2: which I think. I feel like she's grifting this man. 238 00:13:25,880 --> 00:13:28,440 Speaker 2: She says, my friend Bennett Miller has an exhibition of 239 00:13:28,559 --> 00:13:32,480 Speaker 2: new prints produced using a doll E image generator. 240 00:13:32,720 --> 00:13:34,240 Speaker 3: Yes, so she tracked. 241 00:13:34,960 --> 00:13:38,920 Speaker 2: She dragged al Pacino's ass to lend some cred to 242 00:13:39,000 --> 00:13:41,120 Speaker 2: this man's AI art exhibit. 243 00:13:41,360 --> 00:13:44,400 Speaker 1: Oh hell no, yeah, al Pacino lost half of his 244 00:13:44,480 --> 00:13:47,280 Speaker 1: life savings on the bitcoin. 245 00:13:47,760 --> 00:13:50,640 Speaker 2: Oh look at him, he looks. This is this is 246 00:13:50,679 --> 00:13:51,679 Speaker 2: like some weekend at Bernie. 247 00:13:51,720 --> 00:13:51,920 Speaker 3: Shit. 248 00:13:52,040 --> 00:13:55,360 Speaker 1: Yeah, I think it's three, but for eighty three is 249 00:13:55,400 --> 00:13:56,600 Speaker 1: a big is doing a lot. 250 00:13:56,720 --> 00:13:59,640 Speaker 2: You would know what doll E was, Na, what the 251 00:13:59,640 --> 00:14:01,320 Speaker 2: fuck they telling him when they pulled up to the 252 00:14:01,360 --> 00:14:03,959 Speaker 2: Gogozian fucking gallery that came was just. 253 00:14:03,920 --> 00:14:06,199 Speaker 3: What you're telling me? You made that image? 254 00:14:06,600 --> 00:14:11,960 Speaker 4: Wow, Wow, these things are strong creative. But Gino, I 255 00:14:12,000 --> 00:14:15,240 Speaker 4: mean Picasso watch out. Okay, I'm sorry, but back to 256 00:14:15,280 --> 00:14:17,559 Speaker 4: the fucking phones thing. I've never had a. 257 00:14:17,480 --> 00:14:23,040 Speaker 2: Phone, no or in real life. You know that. I'm 258 00:14:23,040 --> 00:14:25,280 Speaker 2: like Bill Murray. You know, you call my my one 259 00:14:25,360 --> 00:14:27,080 Speaker 2: voicemail line and I and I hit you back. But 260 00:14:27,160 --> 00:14:31,680 Speaker 2: like in my dreams, the most technologically advanced it's ever 261 00:14:31,720 --> 00:14:34,560 Speaker 2: been has been like me flying a plane, but I 262 00:14:34,600 --> 00:14:36,080 Speaker 2: was trying to keep it from crashing. 263 00:14:36,520 --> 00:14:39,000 Speaker 3: Oh, I have a lot of car dreams. Like some 264 00:14:39,160 --> 00:14:40,960 Speaker 3: of the earliest dreams are card. 265 00:14:40,800 --> 00:14:42,120 Speaker 2: Dreams of my earliest work. 266 00:14:42,760 --> 00:14:45,840 Speaker 1: Some of my earliest work were my uh the recurring 267 00:14:45,920 --> 00:14:47,880 Speaker 1: nightmare is about being in the backseat of the car 268 00:14:47,960 --> 00:14:50,440 Speaker 1: and my mom gets out to like run an errand 269 00:14:50,560 --> 00:14:53,480 Speaker 1: and the car takes off with me in it. 270 00:14:53,680 --> 00:14:55,520 Speaker 2: Like phantom driver style or. 271 00:14:55,480 --> 00:14:58,680 Speaker 3: Like drivers style, or you're like. 272 00:14:57,880 --> 00:14:59,440 Speaker 2: Like in the back getting thrown around. 273 00:14:59,520 --> 00:15:00,520 Speaker 3: Yeah, yeah, that was. 274 00:15:01,000 --> 00:15:05,000 Speaker 1: Oh it is weird, Like I have technology in my 275 00:15:05,160 --> 00:15:09,040 Speaker 1: dreams but not phones. Super producer Brian was pointing out 276 00:15:09,040 --> 00:15:11,480 Speaker 1: that like we can't really read in our dreams, Like 277 00:15:11,520 --> 00:15:16,680 Speaker 1: our dreaming brain isn't good at producing text, like readable text. 278 00:15:16,800 --> 00:15:20,040 Speaker 1: And I have experienced that where I'm like trying to 279 00:15:20,960 --> 00:15:24,960 Speaker 1: read something and realize like the letters aren't anything, and 280 00:15:25,000 --> 00:15:26,760 Speaker 1: I'm like, wait, what the fuck is. 281 00:15:28,360 --> 00:15:29,680 Speaker 2: I can't read? 282 00:15:30,280 --> 00:15:37,320 Speaker 1: But but anyways, that's something I'd be interested in hearing 283 00:15:37,320 --> 00:15:41,720 Speaker 1: from listeners about have you have you dreamt phones? Because 284 00:15:41,800 --> 00:15:46,400 Speaker 1: like the one In response to Jason's query, people were like, 285 00:15:46,520 --> 00:15:49,680 Speaker 1: I have had stress dreams where I'm trying to call 286 00:15:50,120 --> 00:15:52,320 Speaker 1: nine to one one because of something that's happening and 287 00:15:52,360 --> 00:15:54,800 Speaker 1: the phone doesn't work. Right, I'm sure I've had that, 288 00:15:54,840 --> 00:15:57,360 Speaker 1: but I'm sure it was just with like the phone 289 00:15:57,440 --> 00:15:58,440 Speaker 1: of my childhood. 290 00:15:58,720 --> 00:16:00,480 Speaker 2: It says a lot about you. I don't call nine 291 00:16:00,520 --> 00:16:00,920 Speaker 2: to one one? 292 00:16:01,160 --> 00:16:03,360 Speaker 3: Yeah, yeah, no, that's. 293 00:16:04,640 --> 00:16:09,920 Speaker 2: My problems. But yeah it's a nightmare. Who showed up 294 00:16:09,960 --> 00:16:13,480 Speaker 2: a murder squad? But yeah, I mean tech stuff. Yeah, 295 00:16:13,480 --> 00:16:15,440 Speaker 2: And I was telling you that right now my dreams. 296 00:16:15,600 --> 00:16:18,840 Speaker 2: The other big thing is smoking weed. That kind of 297 00:16:18,880 --> 00:16:21,040 Speaker 2: fucks up here. I've noticed that. Like when I'm not 298 00:16:21,120 --> 00:16:23,680 Speaker 2: smoking weed, then I'm like, what the fuck are these dreams? 299 00:16:23,680 --> 00:16:26,600 Speaker 2: But recently I've been having dreams, but they're all to 300 00:16:26,640 --> 00:16:30,320 Speaker 2: do with my baby becoming too tall and jumping out 301 00:16:30,320 --> 00:16:33,360 Speaker 2: the bassinet and I gotta like keep them from like 302 00:16:33,480 --> 00:16:34,360 Speaker 2: running out the house. 303 00:16:35,320 --> 00:16:38,600 Speaker 3: Those are no dream smiles, I know, I know. 304 00:16:40,480 --> 00:16:41,800 Speaker 2: Yeah, wait where do he go? 305 00:16:43,600 --> 00:16:43,680 Speaker 3: Uh? 306 00:16:43,840 --> 00:16:46,520 Speaker 1: Superducer Brian was saying that phones are essentially part of 307 00:16:46,560 --> 00:16:51,160 Speaker 1: our minds, so like it's like such an extension of you. 308 00:16:51,640 --> 00:16:53,680 Speaker 3: Yeah, because like I don't have car. 309 00:16:53,600 --> 00:16:57,000 Speaker 1: Dreams now that I can drive my car, right, because 310 00:16:57,080 --> 00:16:59,360 Speaker 1: once you're driving a car, your car just becomes an 311 00:16:59,360 --> 00:17:00,640 Speaker 1: extension of your body. 312 00:17:00,880 --> 00:17:04,560 Speaker 2: Oh so that's you said your earlier work was riving. 313 00:17:04,920 --> 00:17:07,440 Speaker 3: This was pre when I was in the back seat. 314 00:17:07,640 --> 00:17:09,680 Speaker 1: Like, my only experience of a car was like being 315 00:17:09,720 --> 00:17:12,760 Speaker 1: in the back seat, strapped in while my mom was 316 00:17:12,840 --> 00:17:16,160 Speaker 1: running into I think that was a lot more commons. 317 00:17:16,359 --> 00:17:19,080 Speaker 1: Just be like, you wait out here for forty five minutes. 318 00:17:19,119 --> 00:17:20,960 Speaker 2: Oh yeah, my grandmother did that too, And I took 319 00:17:21,000 --> 00:17:22,680 Speaker 2: the e break off and the car started rolling down 320 00:17:22,680 --> 00:17:25,600 Speaker 2: the hill. Yeah, but it almost fucking killed myself. It 321 00:17:25,640 --> 00:17:26,960 Speaker 2: was pretty pretty bad. 322 00:17:27,160 --> 00:17:29,560 Speaker 1: But yeah, so he was pointing, I would be like 323 00:17:29,680 --> 00:17:33,160 Speaker 1: dreaming about your own brain, or like your eyes or you. 324 00:17:33,119 --> 00:17:34,280 Speaker 3: Know something like that. 325 00:17:34,800 --> 00:17:37,720 Speaker 1: My face eggs, your face eggs. 326 00:17:38,240 --> 00:17:40,160 Speaker 3: That is my big takeaway from the succession. 327 00:17:40,160 --> 00:17:43,879 Speaker 2: Finally, the best part of that, honestly was face eggs everything. 328 00:17:43,880 --> 00:17:45,560 Speaker 3: That's just a thing. They know. 329 00:17:45,600 --> 00:17:47,840 Speaker 1: They're like, I know you don't like eyes, a little 330 00:17:48,480 --> 00:17:51,960 Speaker 1: grotesque little face. Face eggs like to stick my thumbs 331 00:17:51,960 --> 00:17:58,399 Speaker 1: and that fella's face eggs. You know, Yeah, I'd see 332 00:17:58,680 --> 00:18:01,240 Speaker 1: Twitter might be worth one third what Elon Musk. 333 00:18:01,080 --> 00:18:03,640 Speaker 3: Paid for it last fall. Uh. 334 00:18:03,680 --> 00:18:07,000 Speaker 1: And that's that's not just like ship posting that his 335 00:18:07,080 --> 00:18:11,600 Speaker 1: fidelity has marked it down, marked down their investment to 336 00:18:11,720 --> 00:18:12,240 Speaker 1: that level. 337 00:18:15,000 --> 00:18:17,919 Speaker 2: I mean, who would have thought. I mean again, we've 338 00:18:17,960 --> 00:18:21,760 Speaker 2: been watching it kark a slow motion car crash every 339 00:18:21,800 --> 00:18:25,960 Speaker 2: fucking day or something, and especially after I'm reminded of 340 00:18:26,000 --> 00:18:29,120 Speaker 2: a scene from a Princess Bride. 341 00:18:29,600 --> 00:18:35,159 Speaker 1: Oh no, yeah, the fifteen seconds of silence and short 342 00:18:35,840 --> 00:18:36,120 Speaker 1: that came. 343 00:18:37,040 --> 00:18:39,640 Speaker 2: It was only thirteen seconds. Find a new angle. The 344 00:18:39,680 --> 00:18:42,920 Speaker 2: pause would have fit in an Instagram story. 345 00:18:43,960 --> 00:18:44,360 Speaker 3: Uh. 346 00:18:44,400 --> 00:18:49,760 Speaker 1: And finally there there's a new report from Vanity Fair 347 00:18:50,119 --> 00:18:53,919 Speaker 1: about the Lost Writer's Room and just what a fucking 348 00:18:54,240 --> 00:18:55,199 Speaker 1: disaster it was. 349 00:18:55,520 --> 00:19:02,760 Speaker 2: Yeo, like racist and sexistist, fucked up. Carlton Q's Damon 350 00:19:02,840 --> 00:19:06,240 Speaker 2: Lindeloff all got like they're getting I mean, they look 351 00:19:06,320 --> 00:19:09,840 Speaker 2: like shit after this this story. But like Harold Parrino, 352 00:19:10,520 --> 00:19:14,480 Speaker 2: the black man who plays Michael, he talks about like 353 00:19:14,520 --> 00:19:16,159 Speaker 2: in the thing, it's like, you know, he was featured, 354 00:19:16,200 --> 00:19:18,840 Speaker 2: you know, it kind of started. His appearances were lessening 355 00:19:19,359 --> 00:19:22,200 Speaker 2: as the seasons went along, And it turns out there 356 00:19:22,320 --> 00:19:25,640 Speaker 2: was absolutely like there was some shit going on because 357 00:19:25,640 --> 00:19:27,800 Speaker 2: he was like, oh yeah, me and Daniel day Kim, 358 00:19:27,880 --> 00:19:29,480 Speaker 2: we were reduced to like the black guy and the 359 00:19:29,520 --> 00:19:33,200 Speaker 2: Asian guy, and then you had the other the main characters, 360 00:19:33,200 --> 00:19:36,080 Speaker 2: which were Jack, Kate and Sawyer. And he goes on 361 00:19:36,160 --> 00:19:39,320 Speaker 2: to talk about how like Malcolm David Kelly, who played 362 00:19:39,359 --> 00:19:42,880 Speaker 2: Walt his son, had like a huge growth spurt between seasons, 363 00:19:43,200 --> 00:19:46,480 Speaker 2: and that completely fucked with like the showrunners who didn't 364 00:19:46,480 --> 00:19:48,280 Speaker 2: know how to like come up with I don't know, 365 00:19:48,359 --> 00:19:51,520 Speaker 2: like an explanation because you're already on this wacky motherfucking 366 00:19:51,560 --> 00:19:54,840 Speaker 2: island that they just decided, oh you know what, maybe 367 00:19:54,840 --> 00:19:57,760 Speaker 2: it was just have him, you know, disappeared by the others, 368 00:19:58,359 --> 00:19:59,480 Speaker 2: so we don't have a fucking. 369 00:19:59,320 --> 00:20:03,959 Speaker 1: Invented the beach from old like yeah, twenty years before 370 00:20:04,440 --> 00:20:07,800 Speaker 1: and yeah, I mean that could have been Ip. 371 00:20:08,040 --> 00:20:09,520 Speaker 3: That could have been lost Ip. 372 00:20:09,920 --> 00:20:11,119 Speaker 2: Locke was out here walking. 373 00:20:11,600 --> 00:20:13,000 Speaker 3: Yeah, you know what I mean. I think, come up 374 00:20:13,040 --> 00:20:15,000 Speaker 3: with a reason that this kid's getting the. 375 00:20:14,800 --> 00:20:17,439 Speaker 2: Boy got older. Yeah, I think we're all right. In 376 00:20:17,480 --> 00:20:18,879 Speaker 2: the beginning, you had a thing and there are polar 377 00:20:18,880 --> 00:20:20,679 Speaker 2: bears and shit running around, although we do know that 378 00:20:20,760 --> 00:20:23,080 Speaker 2: was because the darm initiative. All that to say is 379 00:20:23,560 --> 00:20:26,880 Speaker 2: Harold Paranno like pulled up to the writers show runners 380 00:20:26,920 --> 00:20:29,159 Speaker 2: and was basically like, yo, what's going on? Like my 381 00:20:29,280 --> 00:20:31,600 Speaker 2: character barely gives a fuck about his own son. And 382 00:20:31,640 --> 00:20:33,520 Speaker 2: he told him, quote, I don't think I can do that. 383 00:20:33,560 --> 00:20:35,960 Speaker 2: This is just furthering the narrative that nobody cares about 384 00:20:35,960 --> 00:20:40,080 Speaker 2: black boys, even black fathers. Yeah, and you know when this. 385 00:20:40,119 --> 00:20:41,760 Speaker 1: Is the reason why he said, I don't have to 386 00:20:41,800 --> 00:20:44,480 Speaker 1: be the first I don't have to have the most episodes, 387 00:20:44,520 --> 00:20:46,199 Speaker 1: but I'd like to be in the mix. But it 388 00:20:46,240 --> 00:20:48,359 Speaker 1: seems like this is now a story about Jack and 389 00:20:48,440 --> 00:20:51,240 Speaker 1: Cad and swear right. And then they were like, oh, 390 00:20:51,680 --> 00:20:53,080 Speaker 1: you're no longer on the show. 391 00:20:53,440 --> 00:20:56,600 Speaker 2: Yeah. And when that happened, apparently he was told Carlton 392 00:20:56,640 --> 00:20:58,679 Speaker 2: Q told him quote, well, you said to us, if 393 00:20:58,680 --> 00:21:00,439 Speaker 2: you don't have anything good for you, you want to go. 394 00:21:00,640 --> 00:21:03,679 Speaker 2: You said you don't have enough work here, so dude, 395 00:21:03,960 --> 00:21:06,760 Speaker 2: we're letting you go. And then in this book, like 396 00:21:06,800 --> 00:21:09,840 Speaker 2: there's also saying that Lindeloff also said quote he called 397 00:21:09,880 --> 00:21:11,520 Speaker 2: me racist, so I fired his ass. 398 00:21:11,880 --> 00:21:13,840 Speaker 3: Wow, yeah, cool man. 399 00:21:14,560 --> 00:21:16,280 Speaker 2: I mean like now he's like trying to be like, Yo, 400 00:21:16,359 --> 00:21:18,360 Speaker 2: that was a l like when I was running that room, 401 00:21:18,400 --> 00:21:23,000 Speaker 2: Like Lindeloff doesn't deny it, but god, I mean, why 402 00:21:23,040 --> 00:21:25,120 Speaker 2: am I surprised? Like this is this is this is 403 00:21:25,320 --> 00:21:29,200 Speaker 2: such the norm in Hollywood, especially when you have these 404 00:21:29,240 --> 00:21:31,520 Speaker 2: like rooms too, where like Lindeloff himself is like, Yeah, 405 00:21:31,560 --> 00:21:33,680 Speaker 2: I figured if I had like one person that wasn't 406 00:21:33,680 --> 00:21:35,560 Speaker 2: like a white guy or something, it would be good. 407 00:21:35,600 --> 00:21:37,480 Speaker 2: But I didn't realize how terrible it would be for 408 00:21:37,520 --> 00:21:39,600 Speaker 2: this black woman to be in a writer's room when 409 00:21:39,600 --> 00:21:42,760 Speaker 2: we're talking about like these like graphic lynching, lynching scenes 410 00:21:42,800 --> 00:21:46,400 Speaker 2: that won't make it into the show, right Jesus. 411 00:21:47,440 --> 00:21:50,040 Speaker 1: All right, those are some of the things that are 412 00:21:50,160 --> 00:21:56,639 Speaker 1: trending on this Wednesday, May thirty. First, we're back tomorrow 413 00:21:56,840 --> 00:22:00,960 Speaker 1: in June with a whole show. Until then, be kind 414 00:22:00,960 --> 00:22:04,119 Speaker 1: to each other, be kind to yourselves, get the vaccine, 415 00:22:04,280 --> 00:22:07,000 Speaker 1: don't do nothing about white supremacy, and we will talk 416 00:22:07,040 --> 00:22:07,680 Speaker 1: to you all tomorrow. 417 00:22:07,880 --> 00:22:13,280 Speaker 3: Bye bye,