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Speaker 1: So as both of you probably know, I can't do

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Speaker 1: math numbers and I do not get along at all.

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Speaker 1: A calculated is a real thing, and my brain just

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Speaker 1: does not do math. You put numbers in front of

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Speaker 1: me and it swims around like Percy Jackson.

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Speaker 2: Now, I remember you had a brilliant invention back in

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Speaker 2: the nineties. Do you remember your invention that you want

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Speaker 2: to know? I want to know, very simple and you

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Speaker 2: probably would have made a lot of money before phones

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Speaker 2: were invented or calculators. Yeah, no, no, you wanted to

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Speaker 2: do remember do you remember you were like, why don't

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Speaker 2: restaurants have you know, because every restaurant has the the

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Speaker 2: bill like the billfold that, why don't you sell a

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Speaker 2: will fold with a calculating calculators?

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Speaker 3: Like that's a brilliant idea.

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Speaker 1: I was gonna call it a will fold, thank you

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Speaker 1: very much, which would have been brilliant, and that's still trademarked.

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Speaker 1: But occasionally something mathematical pops up that intrigues me and

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Speaker 1: is very strange. Have either of you ever heard of

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Speaker 1: capri cars constant?

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Speaker 4: No?

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Speaker 1: Okay, So Capricr's constant is any four digit number you pick,

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Speaker 1: no matter how random the number is as long as

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Speaker 1: two of the numbers are different. So like you can't

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Speaker 1: pick one one one one, but you can pick one

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Speaker 1: one one zero as long as two of the numbers

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Speaker 1: are different. If you take any random number, then you

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Speaker 1: take that number and you rewrite it in order of

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Speaker 1: descending numbers.

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Speaker 3: So I wrote it down. So for instance, if I

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Speaker 3: started with three and.

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Speaker 4: Fifty eight, okay, three five eight, if.

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Speaker 1: You then write it eight seven five three, so in

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Speaker 1: descending order as you're going, okay, okay, then you reverse

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Speaker 1: that number, so three five seven eight, and you subtract

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Speaker 1: it from the first number.

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Speaker 3: Does that make sense right?

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Speaker 5: Okay?

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Speaker 1: So seven three five eight becomes eight seven five three

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Speaker 1: minus three five seven eight, because you've taken that number

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Speaker 1: eight seven five three, and you reversed it and you

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Speaker 1: subtract it from itself.

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Speaker 4: Okay, okay.

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Speaker 1: Capricar's constant found out in nineteen forty was a mathematician

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Speaker 1: in nineteen forty. No matter what number you start with,

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Speaker 1: no matter how random you think it is, you always

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Speaker 1: get to six, one hundred and seventy four. I've now

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Speaker 1: done this thirty times over the weekend. And no matter

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Speaker 1: what four digits you start with, no matter how random

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Speaker 1: they are.

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Speaker 3: You always end up with six, one hundred and seventy four.

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Speaker 4: I did not know there would be math this morning.

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Speaker 3: I know it's fun though, in the kind of way.

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Speaker 3: But what if you're starting with hold on, if you're.

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Speaker 2: Starting with one, one thousand and two hundred, like okay,

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Speaker 2: and you go ahead, there you go.

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Speaker 3: You just picked it one thousand, two hundred, okay.

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Speaker 5: So when you one, you want to change to zero zero.

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Speaker 4: So now you write two starting zero.

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Speaker 3: One one hundred one zero zero, And then you're saying

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Speaker 3: it's going to end up being six thousand when I

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Speaker 3: subtract something from it.

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Speaker 1: When you then subtract, you'll get another number. You do

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Speaker 1: it again, you subtract, you get another number, You do

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Speaker 1: it again. Eventually you always get to six thousand, one

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Speaker 1: hundred and seventy.

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Speaker 5: Way, you have to keep subtracting.

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Speaker 3: Yeah, yeah, you have to keep you keep going.

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Speaker 4: So it feels like chem trails.

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Speaker 1: Yeah, this is here's for instance, what I started with,

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Speaker 1: So the eight seven five to three, then I got

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Speaker 1: five thousand, one hundred and seventy five. Okay, So I

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Speaker 1: did it again, seven five y five to one. I

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Speaker 1: got five thousand, nine ninety four. You keep going, so one, two, three, four, five,

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Speaker 1: six down. I ended up with six thousand, one hundred

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Speaker 1: and seventy four. Sometimes it takes three times, sometimes it

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Speaker 1: takes eight times. Sometimes it takes four times, but you

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Speaker 1: always end up with six and seventy four.

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Speaker 4: You just held up a notebook that looked like a

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Speaker 4: Unibomber manifesto.

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Speaker 3: Oh no, that's not that.

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Speaker 2: But if you just have to keep doing something to

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Speaker 2: reach something, doesn't it kind of.

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Speaker 1: Like that you'd always randomly reach the same for random

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Speaker 1: we're actually working to get to the same thing. Eight ones.

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Speaker 1: That didn't add up again. But it doesn't matter what

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Speaker 1: you start with. That's the randomness. If you, like you said,

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Speaker 1: you start with twelve hundred, or you start seven hundredatives right.

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Speaker 2: You're talking about getting so I started with twelve hundred.

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Speaker 2: I'm going to get into No, you wouldn't mean.

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Speaker 3: Okay, because you reverse to do it.

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Speaker 4: I don't care if this takes forty five minutes. I'm

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Speaker 4: doing it.

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Speaker 1: I want to keep twelve hundred twelve hundred zero zero

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Speaker 1: two one zero zero now reverse it, so zero zero

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Speaker 1: to one, okay, So you take I've got my nineteen

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Speaker 1: seventies calculator.

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Speaker 4: Okay, subtract zero zero one to two from two to

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Speaker 4: one zero one hundred huh minus.

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Speaker 3: Minus twenty one, because that's what it comes down to.

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Speaker 5: You end up.

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Speaker 1: It should be tw elf right, you reverse, you reverse it,

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Speaker 1: so two one zero zero one two corecting the reverse

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Speaker 1: hang on a second zero zero one zero zero, and

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Speaker 1: then you reverse it one two zero.

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Speaker 3: I'm sorry, it's twelve hundred. Excuse me, you're right. It's

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Speaker 3: because you reverse it one two zero.

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Speaker 4: Zero twelve hundred. I thought it's zero zero one.

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Speaker 3: No, No, you're right, you're it's early. You're right, it's no,

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Speaker 3: it's zero zero two zero zero two one.

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Speaker 5: You know what you could use right now? A will fold,

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Speaker 5: A willfold with hell.

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Speaker 4: No, you're right, it's so twelve hundred one zero zero

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Speaker 4: reversed is zero zero one two.

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Speaker 3: Correct? Right, So there you guys.

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Speaker 2: One of the main reasons I chose Columbia College is

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Speaker 2: they don't do university.

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Speaker 5: They do not have a math requirement. Science requirement, but

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Speaker 5: no math requirement.

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Speaker 3: There's no math requirement at all.

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Speaker 5: No, you have to have you have to.

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Speaker 3: It's everyone tasty school. We talked to test exactly.

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Speaker 2: You cannot graduate from from Colombia without being able to swim, or.

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Speaker 5: You know, you can get a special like you know,

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Speaker 5: if I still.

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Speaker 4: Need to understand, we have we just we're going to

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Speaker 4: subtract twelve from twenty one hundred.

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Speaker 1: Correct, twenty one hundred minus twelve equals two thousand.

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Speaker 4: Eighty eight eighty eight eighty eight.

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Speaker 3: Okay, so then you reverse.

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Speaker 1: So then now in's do the descending order again eight

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Speaker 1: eight zero are eight eight to two zero and then

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Speaker 1: reverse it zero to eight.

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Speaker 2: Do you know how many listeners are having a panic

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Speaker 2: attack right now, like they all they wanted was to

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Speaker 2: go back to the nineties for Boy Meets World and

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Speaker 2: instead they're having a math class.

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Speaker 3: It's just zero. And then there's like.

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Speaker 2: Our ten percent listeners who are actual mathematicians and scientists

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Speaker 2: out there who are like, yeah.

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Speaker 4: Ten percent, Wow, you're going to percentage out. Okay, percent

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Speaker 4: is a large percentage of our population.

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Speaker 3: People that work in like medicine or.

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Speaker 2: No, okay, maths, you're right, but like scientists, like people

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Speaker 2: who actually use math on the dealer.

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Speaker 4: Basis addition and subtraction. Yeah, you're right, it probably is

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Speaker 4: ten percent.

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Speaker 3: People have to.

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Speaker 2: Use Actually to accountant, you have to use no map.

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Speaker 2: There's lots of jobs out.

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Speaker 5: There that require math.

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Speaker 3: You guys keep talking, I'm just gonna keep doing the numbers.

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Speaker 4: Wait, I'm obsessed with this. This is truly wonderful and

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Speaker 4: I love that. He was like, listen, you guys know

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Speaker 4: I'm not good at math, but let me tell you

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Speaker 4: about this thing. And then had we spent we had

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Speaker 4: to spend a minute and a half talking about what

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Speaker 4: the reverse of.

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Speaker 3: Two exactly two? This is what I'm a calculia is

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Speaker 3: a real thing.

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Speaker 4: So then maybe you shouldn't teach us about maybe you

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Speaker 4: just stick to history.

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Speaker 3: So what does this mean?

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Speaker 6: Like?

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Speaker 1: What is?

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Speaker 6: What is?

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Speaker 3: That's the question?

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Speaker 1: That's what question for cars? Constant help you solve or

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Speaker 1: do for me? I think that maybe there's no such

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Speaker 1: thing as random. As much as you would think that

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Speaker 1: everything's random, there's actually some sort of a pattern even

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Speaker 1: in the randomness, which would be kind of fractal geometry,

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Speaker 1: I guess, but it's there's something interesting.

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Speaker 3: I just thought that was it's like, no matter what

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Speaker 3: you start with.

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Speaker 1: So wait, I'm at nine to nine six three minus

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Speaker 1: three six nine nine equals six two.

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Speaker 4: Six four, Okay, right close?

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Speaker 3: Six four to two minus two again. Sometimes it takes

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Speaker 3: a while discuss amongst yourself.

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Speaker 5: Did you know that if you take any episode of

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Speaker 5: Boy Meets World and you subtract the advertisements, you you

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Speaker 5: always get twenty two minutes.

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Speaker 4: YEA, sure, sometimes it's twenty one minutes and twenty seven seconds, but.

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Speaker 3: It's all I can't wait.

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Speaker 2: How long our scripts were at the beginning of the week,

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Speaker 2: You're right, sub the same.

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Speaker 4: Sometimes we get fifty five page scrip.

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Speaker 5: Fifty five page script? What were the longest scripts? Do

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Speaker 5: you guys remember?

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Speaker 4: I mean Goli World had some that were fifty eight

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Speaker 4: pages sixty But yeah, it would be get one and

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Speaker 4: we'd be like, yeah, it'd be on, it'd be this

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Speaker 4: big weeks it down ago. Here we go, we have

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Speaker 4: to tour, we have to trim half of this.

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Speaker 3: Do we should seven six?

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Speaker 1: Well, you've eventually end up with seven six four to

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Speaker 1: one minus one four six seven for six one seven

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Speaker 1: four you always get to six thousand, one hundred and

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Speaker 1: seventy four. And that was starting with writers twelve hundred.

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Speaker 2: What was Caapricard doing, like, you know, like he was

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Speaker 2: a mathematician, he was doing an understand.

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Speaker 3: But like, how do you decide it's.

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Speaker 1: Uh, the same way these people on Instagram make these

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Speaker 1: new kind of fangled dinners that my wife will have

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Speaker 1: me look at. Where it's like who decided to take

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Speaker 1: Sarachimeo and Oreos and make something out of it? The

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Speaker 1: Universe Rider it's chaos, well, but it's not. It's all

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Speaker 1: six and seventy four.

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Speaker 4: Welcome to pod meets Capricorn's Constant or whatever it was called.

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Speaker 4: Danielle offishal Capricorns.

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Speaker 3: I'm right strong and I'm Wilfredell.

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Speaker 4: Okay, I have an I have a little pre show

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Speaker 4: note here.

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Speaker 1: The O. J.

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Speaker 4: Simpson jersey that we talked about, Was it o J? Simpson?

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Speaker 3: Was it not?

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Speaker 1: O J?

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Speaker 4: Simpson? Easton super fan Easton Allen found a moment sometime,

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Speaker 4: super fan of lots of things.

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Speaker 3: Yeah, exactly, Yeah.

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Speaker 4: Found a moment in season two episode fifteen. Breaking up

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Speaker 4: is really really hard to do. That does prove the

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Speaker 4: number is thirty two. And this would have been taped

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Speaker 4: this one from season two episode fifteen would have been

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Speaker 4: taped like deep into the trial. Yes, and we have

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Speaker 4: a picture of that's.

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Speaker 5: The Old Man episode exactly else.

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Speaker 4: So we have a picture of Okay, you can see

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Speaker 4: there it is.

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Speaker 3: That's really O J. Simpsons?

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Speaker 4: Then we have been this picture over here, the thing

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Speaker 4: that very clearly looks like a jersey, So yeah, it

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Speaker 4: moved so that it could be featured.

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Speaker 3: God was it an OJ reference?

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Speaker 1: Like?

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Speaker 4: It also looks autographed? And that one does on the left,

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Speaker 4: does it looks autographed?

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Speaker 5: By the way, just scene now seen isolated?

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Speaker 2: That uh, pinball brings back so many memories like, yeah,

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Speaker 2: just that that helmet is that a real pinball game?

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Speaker 4: Is that one I mentioned to you was worth like

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Speaker 4: thirty seven hundred dollars or something?

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Speaker 5: Wow? Just seeing it brings back so many memories.

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Speaker 1: I wonder if what's worth more that or an autographed

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Speaker 1: OJ jersey that.

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Speaker 5: Was on the set of Boy Meets Were World throughout

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Speaker 5: the nineties. Jeez.

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Speaker 4: Anyway, I thought that was I thought that was pretty interesting.

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Speaker 4: So I don't know when we we get six one

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Speaker 4: seven four.

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Speaker 3: That's what it means.

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Speaker 4: Eventually you get it.

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Speaker 2: Eventually we do have to try from someone from art

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Speaker 2: department because we have not had any art department on

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Speaker 2: our show, and we need and prime.

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Speaker 3: Yeah, yeah, that's the.

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Speaker 2: Art department is everybody? So yeah, we got to bring

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Speaker 2: them all like set Deck, who was our product.

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Speaker 3: We've talked about Mark Papson so much on this on

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Speaker 3: this podcast.

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Speaker 2: It seems like we have to get amazing.

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Speaker 5: And then Hector, remember Hector the lst.

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Speaker 3: Of course, he'd always wear the vest he had.

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Speaker 1: I remember, he had everything on him all the time,

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Speaker 1: to the point where we would go and we would

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Speaker 1: test him, don't you remember, And we'd be like, all right,

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Speaker 1: paper clips and you boom where we go white at

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Speaker 1: boom bullets. He's like, oh here, yes, it's right here.

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Speaker 1: Anything you needed he had there. I'm sure the fake

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Speaker 1: prop ones, but it was anything you needed the guy

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Speaker 1: had on him.

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Speaker 3: It was inside.

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Speaker 7: Yeah.

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Speaker 4: Well, let's jump into our recap. We are here to

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Speaker 4: talk about season four, episode eight, Dangerous Secret. It originally

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Speaker 4: aired November eighth, nineteen ninety six. The synopsis Corey walks

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Speaker 4: in on Sean to find that he has a girl

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Speaker 4: staying at his trailer. When Shawn needs Corey to allow

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Speaker 4: Claire to stay at his house, he is forced to

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Speaker 4: tell Corey that Claire's father beats her. It was directed

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Speaker 4: by Jeff McCracken. It was written by Jeff Sherman and

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Speaker 4: guest starring just one person, Arianna Richards. As Claire Ferguson.

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Speaker 5: She is the only guest star.

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Speaker 3: Yes, yeah.

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Speaker 4: She is a legendary child actress who played Lex in

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Speaker 4: Jurassic Park and the Lost World sequel and Mindy in Tremors.

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Speaker 4: She has since retired from acting and she is a painter.

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Speaker 4: Mm hmm, what do you guys? What were your overall

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Speaker 4: thoughts memory?

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Speaker 5: Will loved this episode.

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Speaker 2: I am positive this is probably his favorite. You probably

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Speaker 2: probably all time best boy MIT's world. As far as Will, it's.

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Speaker 4: Too serious, focused on a person we're never going to

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Speaker 4: see again. I love a smile. What's the episode's whatever?

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Speaker 4: The thoughts?

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Speaker 3: Will? I thought it was amazing. I thought it was amazing.

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Speaker 3: That was a great episode. I thought it was amazing.

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Speaker 1: I thought this was this is absolutely what every quote

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Speaker 1: unquote very special episode should be like, because it's a

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Speaker 1: very special episode without it being a very special episode.

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Speaker 1: She killed it. I thought the acting was great. I

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Speaker 1: thought it was a great storyline.

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Speaker 3: I loved it.

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Speaker 2: I thought I thought you would hate it because it

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Speaker 2: really isn't funny, Like there's almost no humor.

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Speaker 1: It's not this one's not supposed to be. That's why

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Speaker 1: it's the quote unquote very special episode. And when you

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Speaker 1: come in with something like that, when it's when it

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Speaker 1: is uh, the and this is a reference you guys

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Speaker 1: won't get at all. But when it is the different

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Speaker 1: strokes with the bike shop, it's not supposed to be

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Speaker 1: funny totally.

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Speaker 3: That's the that's the point. And so no, it was.

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Speaker 2: And this was written by by Jeff Sherman and he

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Speaker 2: was called special Jeff, yes, because it always do the

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Speaker 2: special special episodes because he started with the Fugitive and

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Speaker 2: and it's amazing. I mean I remember being called into

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Speaker 2: Michael's office to be pitched this episode by Michael and

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Speaker 2: Jeff because they were like, you want to.

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Speaker 5: Do an episode about this? How do you feel about it?

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Speaker 2: And like I remember just looking at Jeff and Jeff

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Speaker 2: being like, yeah, I think this is really important that

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Speaker 2: we do.

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Speaker 1: That's nice that they brought you in and said we

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Speaker 1: do a very special episode and not brought you in

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Speaker 1: and said, hey, we're writing one where you're fat.

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Speaker 4: Thanks right node the ones I had.

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Speaker 2: I'm not even sure why they called me in exactly.

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Speaker 2: I guess maybe because you.

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Speaker 4: Were so cool. They wanted to make sure they had

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Speaker 4: your approval, right, They wanted to make sure you were like,

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Speaker 4: I'm on board with this.

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Speaker 2: Yeah, it is interesting, like why and also why is it?

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Speaker 2: It's it's interesting that it's Sean's relationship, you know what

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Speaker 2: I mean?

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Speaker 3: Like, did you like it, Daniel?

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Speaker 4: I did? I really liked it. Yeah, I thought it

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Speaker 4: was I thought it was great. I thought, you know,

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Speaker 4: as as special episodes tend to do, I definitely got emotional.

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Speaker 4: I loved the scene with Betsy and Rusty. Oh my gosh,

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Speaker 4: the scene with Betsy and Rusty and you and Ben

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Speaker 4: at the end right episode.

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Speaker 3: And Ben is great. Ben is great in this episode.

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Speaker 1: He goes it goes from one thing where you think

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Speaker 1: it's going to be about him just wanting sex or

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Speaker 1: moving that forward to that then becoming a completely different Thinganelle.

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Speaker 5: You're great in this episode.

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Speaker 2: A freaky set of scenes you have, Yeah, and like

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Speaker 2: to not come across as you know, like there's a

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Speaker 2: version where Tapanga is like either being too.

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Speaker 4: Mean to Cory or dismissive or.

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Speaker 2: Like just like judge of him, and instead it's like

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Speaker 2: it's a really it's a balancing act, and you guys

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Speaker 2: do well in those great they're weird scenes and they're

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Speaker 2: not as funny as I think they were.

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Speaker 5: Intended to be in some ways, right, that's okay, like

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Speaker 5: you know, it's it.

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Speaker 4: I think there was. I think there was a balance

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Speaker 4: there too. You also can't make light too much of

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Speaker 4: those scenes because then you have a big joke machine

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Speaker 4: about somebody pushing somebody else in a way where there

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Speaker 4: maybe they're not comfortable, and you're like, well, now we're

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Speaker 4: making light of something that it really is a very

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Speaker 4: sensitive topic for teens. So I thought everything about this

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Speaker 4: episode was handled very well. You're right that it isn't

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Speaker 4: a joke machine episode. And I really liked writer. I

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Speaker 4: thought you same thing for you. A bunch of tricky

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Speaker 4: scenes where either you could have come across like a

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Speaker 4: know it all you know, like I'm I'm a teenager

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Speaker 4: who knows everything and everybody's got to listen to me,

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Speaker 4: but really there was none of that. It felt very

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Speaker 4: much like you also didn't know, and you were comfortable

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Speaker 4: saying you didn't know. All you knew was that for

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Speaker 4: right now, you needed to protect this girl and you

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Speaker 4: were going to do it in this way and day,

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Speaker 4: one day at a time. Which yeah, and.

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Speaker 1: This to me I also thought was the quintessential episode

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Speaker 1: of how you watch it one way when you're younger

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Speaker 1: and another way when you're an adult.

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Speaker 2: Yeah.

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Speaker 1: Yeah, because when you're that age, it is like, no,

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Speaker 1: I can protect my friend.

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Speaker 3: I can do.

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Speaker 1: When you're an adult, you're in there yelling at the screen,

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Speaker 1: call the police. This is too big a seekert for

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Speaker 1: you to keep. But it's so different when you're watching

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Speaker 1: it as a young person.

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Speaker 2: But I also watching it now having you know, been

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Speaker 2: through the whole rest of Boybet's world and heard the

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Speaker 2: like potential that Chet was abusive to Sean or Di

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Speaker 2: abusive to Verna at one point, like the fact that

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Speaker 2: Sean is so keyed in on this girl and protecting

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Speaker 2: her is really there's a subtext there, Yeah, that Sean's

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Speaker 2: the person who knows like Corey has no clue, right,

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Speaker 2: Corey's like do do do? Like normal kid in everyday life,

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Speaker 2: and Sean's the one who has the radar, who's like, no, no, no,

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Speaker 2: I need to take care of this girl. And that

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Speaker 2: is like that was something I don't remember talking about

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Speaker 2: or like knowing, but you can feel it in Shawn's

401
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Speaker 2: character that he is like, I need to save this person.

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Speaker 2: I don't know how because I don't have the tools

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Speaker 2: yet I'm not an adult, but I need to be

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Speaker 2: there for this person in a way that is like

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Speaker 2: kind of intense, right like, And in retrospect, it seems

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Speaker 2: like the writers were already you know, whether Sean had

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Speaker 2: been abused or not, he just is tapped into family

408
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Speaker 2: situations that are not healthy and he is like he

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Speaker 2: is the one who can sort of be there for this.

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Speaker 2: I thought that was really cool and like that came

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Speaker 2: across and yeah, got me very emotional.

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Speaker 1: I also think the trailer park was using I got

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Speaker 1: so much they say, the kids say, ish, I just

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Speaker 1: say for the last that the Verna fishing for Verna,

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Speaker 1: where you know, I felt the balance was off. It

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Speaker 1: seemed like a weird Boy Meets World episode to me,

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Speaker 1: where this used the trailer park but still felt grounded

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Speaker 1: in Boy Mets World.

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Speaker 3: We were still going back to the house.

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Speaker 1: We were still still Corey's story, and that was It

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Speaker 1: was really nice to see Corey kind of driving the

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Speaker 1: story again this week as well.

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Speaker 3: It was a good balance I thought all the way around.

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Speaker 3: Very good episode.

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Speaker 2: So somebody that I kept thinking about and like I

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Speaker 2: want to talk about with you guys, and maybe now's

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Speaker 2: not the time, but I.

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Speaker 5: Don't know, Like, isn't it weird?

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Speaker 2: This could never exist anymore, this episode, this type of

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Speaker 2: episode doesn't happen anymore, Like we no longer you no

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Speaker 2: longer have sitcoms that veer into this territory because everything

432
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Speaker 2: has its lane now, Like you go to multi camera

433
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Speaker 2: sitcoms for comedy. If they were to stray from that now,

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Speaker 2: that would be like a betrayal of the audience, because

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Speaker 2: audiences now pick their content, whereas back then it was

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Speaker 2: just the format that was on on television at night,

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Speaker 2: and so there was more power within the show itself

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Speaker 2: to sort of stretch the form or test it or

439
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Speaker 2: push it and to do things like this, like really

440
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Speaker 2: take a risk. But back then sitcoms would do this often.

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Speaker 2: They would be like, this week is gonna just be

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Speaker 2: a completely different thing within the within the format. We're

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Speaker 2: still gonna you know, we're not gonna break the rules

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Speaker 2: of multi camera with an a live audience, but we're

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Speaker 2: gonna like go somewhere really interesting. Like that doesn't happen anymore.

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Speaker 2: And I don't know whether that's a good thing or

447
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Speaker 2: a bad thing, but it's super interesting that this specifically,

448
00:19:55,200 --> 00:19:57,680
Speaker 2: this type of episode would never exist.

449
00:19:57,320 --> 00:20:00,719
Speaker 4: Nowadays, Yeah, we got bring it back, so we can

450
00:20:00,760 --> 00:20:03,600
Speaker 4: do it. I agree, because I love it. I love

451
00:20:03,640 --> 00:20:04,240
Speaker 4: it well.

452
00:20:04,280 --> 00:20:06,439
Speaker 2: I think, well, I think what's what's lost in that

453
00:20:06,640 --> 00:20:09,600
Speaker 2: is that there were definitely children who this spoke to

454
00:20:10,480 --> 00:20:14,600
Speaker 2: so many families. You know, you just statistically there are abuse.

455
00:20:14,720 --> 00:20:17,440
Speaker 2: There is abuse going on all the time in families,

456
00:20:17,520 --> 00:20:21,199
Speaker 2: and so for kids to be watching a children's television

457
00:20:21,200 --> 00:20:23,040
Speaker 2: show that's supposed to be fun and entertaining with their

458
00:20:23,080 --> 00:20:27,280
Speaker 2: family and you know, potentially with their parents with their abuser,

459
00:20:27,359 --> 00:20:29,600
Speaker 2: to be able to see a show that contextualizes that

460
00:20:29,720 --> 00:20:32,440
Speaker 2: and says you go to the police, you reach out

461
00:20:32,440 --> 00:20:36,199
Speaker 2: for help. That is so powerful. That is such an

462
00:20:36,240 --> 00:20:37,720
Speaker 2: amazing thing that like.

463
00:20:38,000 --> 00:20:40,760
Speaker 5: Couldn't happen nowadays, I don't think, because.

464
00:20:40,520 --> 00:20:43,520
Speaker 3: I think it can happen again.

465
00:20:43,560 --> 00:20:45,600
Speaker 1: What you have to do is by this point in

466
00:20:45,640 --> 00:20:48,879
Speaker 1: season four, we'd earned our audience and we'd earn their trust.

467
00:20:49,080 --> 00:20:51,840
Speaker 1: There are Yeah, by that point, they're going to come

468
00:20:51,840 --> 00:20:53,640
Speaker 1: with us, and I think you can get that back again.

469
00:20:53,680 --> 00:20:56,879
Speaker 1: I think it's I think when when you've got again,

470
00:20:57,440 --> 00:21:00,280
Speaker 1: like if we can bring back the family sit calm

471
00:21:00,320 --> 00:21:02,040
Speaker 1: once people come, then you can kind.

472
00:21:01,880 --> 00:21:04,200
Speaker 3: Of do episodes like this again home Improvement did stuff

473
00:21:04,240 --> 00:21:04,359
Speaker 3: like this.

474
00:21:04,400 --> 00:21:06,879
Speaker 1: You know, Jonathan Taylor Thomas's did an episode where they

475
00:21:06,880 --> 00:21:08,679
Speaker 1: thought he had had cancer, and I mean there was

476
00:21:08,720 --> 00:21:09,360
Speaker 1: like all these things.

477
00:21:09,600 --> 00:21:10,920
Speaker 3: I think the sitcom.

478
00:21:10,560 --> 00:21:11,119
Speaker 5: Used to do this.

479
00:21:11,240 --> 00:21:14,399
Speaker 2: He used to veer into these territories regularly because they could.

480
00:21:14,600 --> 00:21:15,639
Speaker 2: But I just don't know if that.

481
00:21:15,840 --> 00:21:17,119
Speaker 3: I mean, I think we can do it.

482
00:21:17,160 --> 00:21:20,200
Speaker 4: If you don't know, well, let's jump into our recap.

483
00:21:20,280 --> 00:21:22,359
Speaker 4: We start in the trailer park. Corey has got bags

484
00:21:22,359 --> 00:21:24,560
Speaker 4: full of groceries. As he kicks on Sean's trailer door,

485
00:21:24,760 --> 00:21:27,720
Speaker 4: the light turns on. Seawan appears, You've got a cool

486
00:21:27,840 --> 00:21:29,399
Speaker 4: like hieroglyphics tea on.

487
00:21:29,800 --> 00:21:31,720
Speaker 5: Yeah, just terrible hair.

488
00:21:32,560 --> 00:21:34,439
Speaker 3: It's the middle of the night. It's supposed to be

489
00:21:34,720 --> 00:21:35,000
Speaker 3: my hair.

490
00:21:35,040 --> 00:21:36,920
Speaker 2: In this whole episode, I was like, what happened? Like

491
00:21:36,960 --> 00:21:39,480
Speaker 2: I had gotten a haircut and I don't know. Laurie

492
00:21:39,480 --> 00:21:41,640
Speaker 2: wasn't straightened in a something something off.

493
00:21:41,880 --> 00:21:47,680
Speaker 4: Something something off was like whoa, I did not notice?

494
00:21:47,720 --> 00:21:51,040
Speaker 4: So uh. Sean wants to know what Corey's doing there,

495
00:21:51,080 --> 00:21:53,000
Speaker 4: and Corey says, my best friend's sick. Be his folks

496
00:21:53,000 --> 00:21:54,439
Speaker 4: are out of town. I just thought i'd drop by

497
00:21:54,480 --> 00:21:56,680
Speaker 4: and check on you. He pushes past Sean and sets

498
00:21:56,680 --> 00:22:00,320
Speaker 4: his bags down in the kitchen, and I thought where where?

499
00:22:00,520 --> 00:22:02,439
Speaker 4: And Verna out of town? Like are they on a cruise?

500
00:22:04,520 --> 00:22:05,560
Speaker 4: Where they go?

501
00:22:05,680 --> 00:22:08,080
Speaker 1: Did anybody else notice also that all of that stuff

502
00:22:08,119 --> 00:22:10,720
Speaker 1: could have fit in one bag? Did you need to

503
00:22:10,720 --> 00:22:13,600
Speaker 1: bring all three bags that had at the bottom all.

504
00:22:13,600 --> 00:22:15,320
Speaker 4: So we could just charge right past him?

505
00:22:15,359 --> 00:22:17,520
Speaker 2: So what I remember about filming this episode is the

506
00:22:17,560 --> 00:22:20,840
Speaker 2: weirdness of the exterior trailer park being a separate set

507
00:22:21,000 --> 00:22:23,719
Speaker 2: than the interior trailer because you had to do two

508
00:22:23,800 --> 00:22:27,640
Speaker 2: different sets, so we had like around like back by

509
00:22:27,720 --> 00:22:31,240
Speaker 2: Craft Service, we had built the exterior trailer park which

510
00:22:31,240 --> 00:22:34,359
Speaker 2: has like just a little glimpse into this interior SETI

511
00:22:34,600 --> 00:22:36,760
Speaker 2: is not actually the trailer And I just remember it

512
00:22:36,800 --> 00:22:39,119
Speaker 2: being so weird because then we would shoot like outside

513
00:22:39,119 --> 00:22:40,800
Speaker 2: and then have to go to another set on the

514
00:22:40,840 --> 00:22:41,400
Speaker 2: other set.

515
00:22:41,240 --> 00:22:44,600
Speaker 4: Of repo reposition, all the cameras, everything down. So he

516
00:22:44,680 --> 00:22:48,200
Speaker 4: ended up shooting that little and that little entrance fifteen

517
00:22:48,240 --> 00:22:51,400
Speaker 4: times exactly and then going into the real scene.

518
00:22:51,480 --> 00:22:53,560
Speaker 5: That's like literally all I remember about filming this episode.

519
00:22:53,600 --> 00:22:55,400
Speaker 3: It was like in my mind, I was like, why

520
00:22:55,440 --> 00:22:57,400
Speaker 3: were well place?

521
00:22:57,440 --> 00:23:01,399
Speaker 4: Because then later Corey leaves and then comes out of

522
00:23:01,440 --> 00:23:04,679
Speaker 4: those right right, And of course we probably shot it

523
00:23:04,720 --> 00:23:06,760
Speaker 4: where all the exteriors were shot back to back to

524
00:23:06,800 --> 00:23:09,119
Speaker 4: avoid full repos down across stage.

525
00:23:09,359 --> 00:23:10,400
Speaker 3: That was done on Wednesday.

526
00:23:10,480 --> 00:23:12,400
Speaker 4: These little mini mini scenes.

527
00:23:12,560 --> 00:23:13,760
Speaker 3: I don't think we shot this in front of a

528
00:23:13,800 --> 00:23:14,359
Speaker 3: live audience.

529
00:23:14,359 --> 00:23:14,640
Speaker 5: I don't.

530
00:23:14,760 --> 00:23:17,679
Speaker 4: I don't think so. Episode doesn't feel like an audience

531
00:23:17,720 --> 00:23:19,800
Speaker 4: episode because then again, the scenes that would have been

532
00:23:19,840 --> 00:23:23,480
Speaker 4: in front of the audience were like the bedroom scenes.

533
00:23:23,600 --> 00:23:25,520
Speaker 3: Which the whole way, yeah, you wouldn't want to do

534
00:23:25,560 --> 00:23:26,919
Speaker 3: the bedroom. I think they pulled the audience.

535
00:23:27,040 --> 00:23:27,800
Speaker 5: I don't think. I think so.

536
00:23:28,359 --> 00:23:31,080
Speaker 4: It makes sense, definitely, probably we probably camera blocked this

537
00:23:31,240 --> 00:23:33,840
Speaker 4: entire week. So Corey has brought over a few little

538
00:23:33,840 --> 00:23:37,520
Speaker 4: sundryes for him. What a thoughtful friend. Sean jokingly asks,

539
00:23:37,600 --> 00:23:39,920
Speaker 4: you didn't bring me any flowers, and then Corey pulls

540
00:23:39,960 --> 00:23:42,000
Speaker 4: out a mini bouquet. I did. I just didn't know

541
00:23:42,000 --> 00:23:44,400
Speaker 4: if it was appropriate. Sean tells him it's not. Then

542
00:23:44,440 --> 00:23:46,440
Speaker 4: he fake coughs and says he's really tired and he

543
00:23:46,480 --> 00:23:47,359
Speaker 4: needs to do to sleep.

544
00:23:47,440 --> 00:23:50,680
Speaker 2: The beginning of the like col Sean bromance, like the

545
00:23:50,720 --> 00:23:53,560
Speaker 2: real like it is right, like because we haven't self

546
00:23:53,560 --> 00:23:55,560
Speaker 2: consciously made jokes like I didn't think it was appropriate,

547
00:23:55,560 --> 00:23:56,320
Speaker 2: but I did do it.

548
00:23:56,400 --> 00:23:57,879
Speaker 3: Like have we done that yet?

549
00:23:58,960 --> 00:24:01,760
Speaker 5: Well, There's and Sean are acting like lovers but.

550
00:24:02,240 --> 00:24:03,320
Speaker 4: Right, but they're like not sure.

551
00:24:03,800 --> 00:24:04,479
Speaker 3: Yeah, I don't know.

552
00:24:04,800 --> 00:24:06,639
Speaker 4: In some ways, I feel like this is maybe the

553
00:24:06,640 --> 00:24:08,840
Speaker 4: first one that's really on the nose, like I brought

554
00:24:08,880 --> 00:24:12,479
Speaker 4: you flowers but in the But with that said, I

555
00:24:12,520 --> 00:24:14,480
Speaker 4: also feel like that's kind of like one of the

556
00:24:14,520 --> 00:24:16,440
Speaker 4: things I remember that I loved so much is when

557
00:24:16,560 --> 00:24:18,960
Speaker 4: you were telling Corey to hold your hand the way

558
00:24:19,000 --> 00:24:24,400
Speaker 4: he was holding to Pega's hand the cans and then

559
00:24:24,440 --> 00:24:26,879
Speaker 4: somebody walks in and you guys aren't embarrassed that you

560
00:24:26,960 --> 00:24:30,439
Speaker 4: guys have been so in some sense, this feels like

561
00:24:30,520 --> 00:24:31,000
Speaker 4: the very first.

562
00:24:31,040 --> 00:24:34,320
Speaker 2: Yeah, this is the first like self conscious, like we're

563
00:24:34,359 --> 00:24:37,440
Speaker 2: kind of treating each other like like we're in a relationship.

564
00:24:37,520 --> 00:24:38,600
Speaker 5: Yeah, but yeah, this is.

565
00:24:38,640 --> 00:24:41,280
Speaker 2: And this is going to be like an ongoing joke

566
00:24:41,400 --> 00:24:43,000
Speaker 2: like this the next three years.

567
00:24:43,119 --> 00:24:46,560
Speaker 4: This love it as to Pengo would say, my whole life.

568
00:24:48,280 --> 00:24:50,280
Speaker 4: So he fake coughs and says he's really tired, he

569
00:24:50,320 --> 00:24:52,760
Speaker 4: needs to get some sleep. He tells Corey he's contagious.

570
00:24:52,840 --> 00:24:54,879
Speaker 4: So Corey gets ready to leave. I'll just plug in

571
00:24:54,880 --> 00:24:57,160
Speaker 4: the humidifire, and be on my way. As Corey makes

572
00:24:57,160 --> 00:24:59,280
Speaker 4: his way to Shawn's bedroom, a girl walks out into

573
00:24:59,320 --> 00:25:04,280
Speaker 4: the living room, where wearing Sean's robe. Corey looks at

574
00:25:04,280 --> 00:25:09,560
Speaker 4: her Claire, then turns to his best friend Sean. I'm

575
00:25:09,560 --> 00:25:11,479
Speaker 4: assuming Claire is a school friend.

576
00:25:12,000 --> 00:25:13,600
Speaker 3: Yeah, they've said they've that.

577
00:25:13,960 --> 00:25:17,720
Speaker 1: By the way that Corey says her name, yeah, they do.

578
00:25:17,800 --> 00:25:20,400
Speaker 1: With that one way he says that they've set up. Okay,

579
00:25:20,520 --> 00:25:22,120
Speaker 1: she's from school, they know her.

580
00:25:22,680 --> 00:25:23,320
Speaker 3: It's simple.

581
00:25:23,920 --> 00:25:28,680
Speaker 4: This is nitpicky, but I kind of wish somewhere that

582
00:25:28,880 --> 00:25:32,639
Speaker 4: could have been mentioned because I assume this is someone

583
00:25:32,640 --> 00:25:35,240
Speaker 4: because we've never seen her, the audience has never seen

584
00:25:35,280 --> 00:25:38,600
Speaker 4: her at school before. I assumed this was another girl

585
00:25:38,600 --> 00:25:42,360
Speaker 4: who lives in the trailer park. And then later when

586
00:25:42,400 --> 00:25:45,560
Speaker 4: she comes out of the trailer and they're having this conversation,

587
00:25:45,640 --> 00:25:48,080
Speaker 4: you're not going to tell anybody, I was like, you're

588
00:25:48,200 --> 00:25:49,159
Speaker 4: hiding her in.

589
00:25:51,680 --> 00:25:51,800
Speaker 1: Here.

590
00:25:52,440 --> 00:25:55,280
Speaker 4: I didn't know so I and it didn't bother me

591
00:25:55,640 --> 00:25:57,520
Speaker 4: so much that it changed the way I felt about

592
00:25:57,520 --> 00:26:00,720
Speaker 4: the episode. But I kind of just wish it would

593
00:26:00,720 --> 00:26:04,600
Speaker 4: have been casually mentioned somewhere that, like we see her

594
00:26:04,600 --> 00:26:06,320
Speaker 4: in the halls, and she goes to school with us.

595
00:26:06,320 --> 00:26:09,760
Speaker 4: I don't know, it was just something later I'm talking to.

596
00:26:09,760 --> 00:26:12,480
Speaker 3: Her, Yeah later, But yes, you're an established.

597
00:26:12,200 --> 00:26:13,720
Speaker 5: Without it being a shock that there was a girl

598
00:26:13,960 --> 00:26:14,840
Speaker 5: in the trailer room.

599
00:26:14,920 --> 00:26:16,920
Speaker 1: Here's here's the other thing though, which is which is

600
00:26:17,000 --> 00:26:19,280
Speaker 1: something that was interesting. So in the last couple of

601
00:26:19,320 --> 00:26:24,240
Speaker 1: trailer scenes, there's clearly a rollaway bed that is tucked

602
00:26:24,320 --> 00:26:27,000
Speaker 1: up against the wall, which is Sean's bed. So you

603
00:26:27,080 --> 00:26:30,680
Speaker 1: figure they have the parents have a bedroom, and then

604
00:26:30,720 --> 00:26:33,320
Speaker 1: Sean sleeps on the roll away probably there in the living.

605
00:26:33,160 --> 00:26:34,080
Speaker 3: Room where they have set up.

606
00:26:34,200 --> 00:26:37,800
Speaker 1: Never noticed that, ye roll away bed right there when

607
00:26:37,840 --> 00:26:40,960
Speaker 1: when he walks in. So if she's walking out of

608
00:26:40,960 --> 00:26:44,200
Speaker 1: the bedroom and it's night and the rollaway bed isn't

609
00:26:44,200 --> 00:26:46,160
Speaker 1: set up, then they are in fact sharing a bed.

610
00:26:46,640 --> 00:26:49,040
Speaker 3: She It could be completely platonic.

611
00:26:48,960 --> 00:26:50,879
Speaker 5: But I just assumed there were two bedrooms back there

612
00:26:50,880 --> 00:26:52,560
Speaker 5: in the room and the parents room.

613
00:26:53,000 --> 00:26:55,000
Speaker 1: I think they've set it up where there's only one,

614
00:26:55,040 --> 00:26:57,879
Speaker 1: because again, the rollaway bed was pretty prominent in the

615
00:26:57,920 --> 00:26:58,880
Speaker 1: last couple episodes.

616
00:26:58,920 --> 00:27:00,000
Speaker 4: Oh wow, I didn't even notice.

617
00:27:00,280 --> 00:27:03,560
Speaker 2: Interesting either way, this is a cool story point, Like,

618
00:27:03,600 --> 00:27:07,440
Speaker 2: I love this idea. It seems a little early like, right,

619
00:27:07,520 --> 00:27:10,080
Speaker 2: we're fifteen, we're fifteen, which also.

620
00:27:09,960 --> 00:27:11,360
Speaker 5: Which is the point, I guess, but like.

621
00:27:11,400 --> 00:27:15,320
Speaker 4: But also, how are we fifteen and in eleventh grade?

622
00:27:15,520 --> 00:27:18,440
Speaker 3: So we were your juniors? Yeah you should be six.

623
00:27:18,480 --> 00:27:20,560
Speaker 4: They had a whole what grade are you in? Eleven?

624
00:27:20,920 --> 00:27:21,120
Speaker 3: Yeah?

625
00:27:21,160 --> 00:27:23,840
Speaker 4: How are we fifteen and in eleventh grade? I was

626
00:27:23,960 --> 00:27:25,199
Speaker 4: seventeen in eleven?

627
00:27:25,440 --> 00:27:28,879
Speaker 3: See a sure house, right, yeah, it's whatever it has.

628
00:27:29,040 --> 00:27:31,160
Speaker 1: But you're right, Well, the other thing you put people

629
00:27:31,160 --> 00:27:33,680
Speaker 1: don't know is everyone on Boy Meets World was held.

630
00:27:33,520 --> 00:27:34,760
Speaker 3: Back for being stupid.

631
00:27:35,480 --> 00:27:39,320
Speaker 4: We're not even the really smartest telling.

632
00:27:39,040 --> 00:27:41,560
Speaker 3: You that's Sagittarius is constant.

633
00:27:42,680 --> 00:27:45,000
Speaker 4: A writer, I like this as a point too as well,

634
00:27:45,320 --> 00:27:46,040
Speaker 4: then you too.

635
00:27:46,160 --> 00:27:49,119
Speaker 2: Yeah, but it's it just feels like even in the

636
00:27:49,160 --> 00:27:51,560
Speaker 2: whole storyline with Corey with you felt like, God, we're

637
00:27:51,720 --> 00:27:54,640
Speaker 2: young to be even having But you know, I guess

638
00:27:54,640 --> 00:27:57,440
Speaker 2: that's realistic. That's pretty I think it is pretty realistic. Well,

639
00:27:57,680 --> 00:28:00,000
Speaker 2: especially then because yeah, that no, then it was.

640
00:28:00,160 --> 00:28:04,040
Speaker 4: The topic of conversation about are you are you thinking

641
00:28:04,040 --> 00:28:06,040
Speaker 4: about it? Have you done it? Uh huh? That is

642
00:28:06,080 --> 00:28:10,040
Speaker 4: probably basically exactly where Corey is. Corey is probably the

643
00:28:10,119 --> 00:28:13,359
Speaker 4: quote unquote norm for that time has a girlfriend's been

644
00:28:13,400 --> 00:28:15,919
Speaker 4: making out with her, is starting to think about what's

645
00:28:16,080 --> 00:28:20,400
Speaker 4: the next step. And and for Sean, the whole point

646
00:28:20,440 --> 00:28:23,399
Speaker 4: of it is that Corey is like, what, You're already there?

647
00:28:23,720 --> 00:28:26,040
Speaker 4: How are you there? And I'm way back here. So

648
00:28:26,440 --> 00:28:29,119
Speaker 4: it kind of is the point is that, Wow, that's early,

649
00:28:29,200 --> 00:28:32,119
Speaker 4: but I'm really late apparently, you know, for Corey, I

650
00:28:32,200 --> 00:28:32,960
Speaker 4: need to move on.

651
00:28:33,880 --> 00:28:34,879
Speaker 3: Since we're discussing this now.

652
00:28:34,920 --> 00:28:37,040
Speaker 1: I was going to bring this up in the next scene,

653
00:28:37,040 --> 00:28:38,760
Speaker 1: but I have an honest question, and I'm not trying

654
00:28:38,760 --> 00:28:39,160
Speaker 1: to make light.

655
00:28:39,200 --> 00:28:40,160
Speaker 3: I'm honestly asking.

656
00:28:41,080 --> 00:28:44,080
Speaker 1: Do you think by the time Corey and Tipanga got

657
00:28:44,080 --> 00:28:46,160
Speaker 1: married they had only kissed.

658
00:28:48,800 --> 00:28:50,920
Speaker 5: Get as sick as you can get without actually dying.

659
00:28:51,440 --> 00:28:54,040
Speaker 1: That's you, right, right, But that's but he's you know,

660
00:28:54,120 --> 00:28:56,480
Speaker 1: he's got to let me touch something and all that stuff,

661
00:28:56,480 --> 00:28:59,040
Speaker 1: and that I mean, do you think they literally went

662
00:28:59,080 --> 00:29:01,600
Speaker 1: from kissing to married nothing in between?

663
00:29:01,960 --> 00:29:04,240
Speaker 4: I don't know. I do know that way later, when

664
00:29:04,440 --> 00:29:07,240
Speaker 4: when we're like in the college episodes, because I've seen

665
00:29:07,440 --> 00:29:09,800
Speaker 4: I've seen the meme of it, there is a scene

666
00:29:09,840 --> 00:29:15,840
Speaker 4: where uh, I say something like I showed him my butt, Okay,

667
00:29:16,040 --> 00:29:19,560
Speaker 4: so that would that would also imply something happened, so

668
00:29:19,880 --> 00:29:23,080
Speaker 4: that would or just truly that I showed him my butt,

669
00:29:23,120 --> 00:29:26,360
Speaker 4: in which case he has never seen my butt, right,

670
00:29:26,680 --> 00:29:30,000
Speaker 4: which I then would assume means we just went from

671
00:29:30,120 --> 00:29:31,240
Speaker 4: kissing kissing marriage.

672
00:29:31,800 --> 00:29:35,120
Speaker 1: Yeah, okay, again, no no judgment, just just curious if

673
00:29:35,160 --> 00:29:37,760
Speaker 1: that's how if that's how they were playing it, like

674
00:29:38,160 --> 00:29:39,280
Speaker 1: they had never fooled around.

675
00:29:39,320 --> 00:29:41,080
Speaker 3: They just kissed and then they got married.

676
00:29:41,280 --> 00:29:43,080
Speaker 4: Yep, I don't. I really don't know. I had not

677
00:29:43,120 --> 00:29:44,360
Speaker 4: thought about it too much, but.

678
00:29:45,080 --> 00:29:46,000
Speaker 3: That's all I think about.

679
00:29:46,280 --> 00:29:47,320
Speaker 5: It's all I was gonna say.

680
00:29:47,440 --> 00:29:50,000
Speaker 2: For some reason, I get very uncomfortable thinking about teenage

681
00:29:50,040 --> 00:29:52,440
Speaker 2: sex lives, even though they were like kind of ours

682
00:29:52,440 --> 00:29:53,080
Speaker 2: in a weird way.

683
00:29:53,120 --> 00:29:57,520
Speaker 4: It's so bizarre we had them, yeah, or we didn't

684
00:29:57,560 --> 00:29:59,320
Speaker 4: have them, depending on who were.

685
00:29:59,480 --> 00:30:01,640
Speaker 3: As a late I totally I was a late bloomer.

686
00:30:01,680 --> 00:30:02,920
Speaker 3: I totally totally get that.

687
00:30:03,000 --> 00:30:05,040
Speaker 1: I mean, I really do. I completely was. But I

688
00:30:05,080 --> 00:30:07,600
Speaker 1: was just curious if they went from extreme to extreme.

689
00:30:07,720 --> 00:30:11,040
Speaker 4: Yeah. Yeah, I mean we did get married at eighteen.

690
00:30:10,760 --> 00:30:14,440
Speaker 2: So yeah, right, you know you have to wait exactly wait,

691
00:30:14,480 --> 00:30:15,160
Speaker 2: and it was never.

692
00:30:15,080 --> 00:30:19,120
Speaker 3: Explicitly religious, right, Like it was never like a we're waiting.

693
00:30:18,840 --> 00:30:21,800
Speaker 4: For I didn't even say, the universe wants me to wait.

694
00:30:22,800 --> 00:30:23,680
Speaker 3: That's true.

695
00:30:23,920 --> 00:30:27,400
Speaker 4: It was just my my decision. Yeah, yeah, I don't

696
00:30:27,400 --> 00:30:30,600
Speaker 4: know it was. It was just as she was waiting

697
00:30:30,600 --> 00:30:31,160
Speaker 4: for marriage.

698
00:30:31,240 --> 00:30:32,280
Speaker 3: I hear Michael Jacobs.

699
00:30:32,320 --> 00:30:34,160
Speaker 1: I hear Michael Jacobs read after you said, the universe

700
00:30:34,200 --> 00:30:36,680
Speaker 1: want of Ben going, but the universe wants us naked

701
00:30:37,000 --> 00:30:37,880
Speaker 1: like something like that.

702
00:30:38,400 --> 00:30:39,080
Speaker 3: I don't know why.

703
00:30:39,240 --> 00:30:40,240
Speaker 5: Yeah.

704
00:30:40,280 --> 00:30:43,520
Speaker 4: So then we cut to commercial with some surf rock strings,

705
00:30:43,520 --> 00:30:45,640
Speaker 4: and then we're back at the trailer park. Corey is

706
00:30:45,720 --> 00:30:47,960
Speaker 4: quickly leaving, and Shawn chases after him. He doesn't have

707
00:30:48,000 --> 00:30:50,320
Speaker 4: to leave. Corey admits, like, I'm not embarrassed enough me

708
00:30:50,360 --> 00:30:53,800
Speaker 4: and my mentha lateam. If he had plans like this,

709
00:30:53,880 --> 00:30:56,280
Speaker 4: he says, Sean could have just told him. Sean asks

710
00:30:56,280 --> 00:30:58,640
Speaker 4: Corey to just trust him about this. Then Claire walks

711
00:30:58,640 --> 00:31:01,000
Speaker 4: out and begs Corey, you won't tell anyone I was here,

712
00:31:01,040 --> 00:31:03,640
Speaker 4: will you? He admits, normally I would have told Sean,

713
00:31:03,720 --> 00:31:06,440
Speaker 4: but he already knows unless he's just a complete idiot.

714
00:31:07,000 --> 00:31:09,000
Speaker 4: And then we got a nice little laugh from writer

715
00:31:09,160 --> 00:31:11,840
Speaker 4: Slash Sean. Corey takes off just as Sean puts his

716
00:31:11,920 --> 00:31:14,560
Speaker 4: arm around Claire and assures her she can trust Corey,

717
00:31:15,320 --> 00:31:17,920
Speaker 4: I like this too. This, I like this element of it,

718
00:31:17,960 --> 00:31:21,719
Speaker 4: which is like, this is the you're good with this person.

719
00:31:21,760 --> 00:31:24,280
Speaker 4: You don't have to worry about this. This person is trustworthy.

720
00:31:24,600 --> 00:31:24,840
Speaker 3: Yep.

721
00:31:25,400 --> 00:31:27,800
Speaker 4: And then we're into Chubbies. Sean and Corey are studying

722
00:31:28,000 --> 00:31:32,000
Speaker 4: a rare occasion on this show, but Corey is furiously

723
00:31:32,000 --> 00:31:35,640
Speaker 4: tapping his pencil, staring at Sean accusingly. Sean gets the hint. Yes,

724
00:31:35,960 --> 00:31:38,280
Speaker 4: Corey blurts out, We've always told each other everything, and

725
00:31:38,280 --> 00:31:40,240
Speaker 4: Sean quickly cuts him off, telling him to let it go.

726
00:31:40,600 --> 00:31:42,840
Speaker 4: Corey emphasizes, you and a girl spent the night together

727
00:31:43,040 --> 00:31:45,920
Speaker 4: without me. Sean tells him this isn't something you just

728
00:31:46,000 --> 00:31:48,680
Speaker 4: talk about. Corey continues, Is it because you've moved up

729
00:31:48,720 --> 00:31:50,600
Speaker 4: to a higher level of intimacy with women and I'm

730
00:31:50,600 --> 00:31:54,240
Speaker 4: still walking around with my address in my pocket? Sean says,

731
00:31:54,240 --> 00:31:56,360
Speaker 4: it is a tough address. Three to two one.

732
00:31:59,320 --> 00:32:02,800
Speaker 1: Wrote that down three two one, okay, two one something

733
00:32:03,400 --> 00:32:06,520
Speaker 1: something somewhere Vennsylvania.

734
00:32:07,000 --> 00:32:10,080
Speaker 4: Where everyone's either from the south, from New York.

735
00:32:10,000 --> 00:32:13,560
Speaker 3: From New York, or from down South. Everybody's side yard

736
00:32:13,600 --> 00:32:16,080
Speaker 3: is a backyard. We're at three two one something.

737
00:32:17,280 --> 00:32:20,080
Speaker 4: Sean tells him not to do anything just because of him.

738
00:32:20,080 --> 00:32:22,120
Speaker 4: But Corey emphasizes me and to Panga have been going

739
00:32:22,120 --> 00:32:24,360
Speaker 4: out since like the day I was born, and all

740
00:32:24,400 --> 00:32:24,920
Speaker 4: we've done is.

741
00:32:24,960 --> 00:32:26,800
Speaker 5: Kiss already that myth maker.

742
00:32:29,360 --> 00:32:33,560
Speaker 4: First reading revision probably or one of them. Yeah yeah,

743
00:32:33,600 --> 00:32:36,080
Speaker 4: I think he tells Sean it's time they take it

744
00:32:36,080 --> 00:32:38,640
Speaker 4: to the next step, and Sean hesitantly says okay, and

745
00:32:38,680 --> 00:32:41,120
Speaker 4: then Corey awkwardly asks, so what is the next step?

746
00:32:41,640 --> 00:32:43,720
Speaker 4: And then we're in the Matthews living room. Corey is

747
00:32:43,720 --> 00:32:46,880
Speaker 4: practicing for his big night with Tapanga, carrying a cheese tray.

748
00:32:47,200 --> 00:32:49,480
Speaker 2: I love that he's dressed like a forty five year

749
00:32:49,520 --> 00:32:57,200
Speaker 2: old man too, with a Boardard's sake, the flowers.

750
00:32:58,160 --> 00:33:01,440
Speaker 1: I know, but this is also still my favorite Corey.

751
00:33:01,520 --> 00:33:05,840
Speaker 1: Oh yeah, nervous but trying. It's like a false confidence

752
00:33:06,080 --> 00:33:08,320
Speaker 1: kind of Corey talking to himself as he's coming down

753
00:33:08,320 --> 00:33:10,120
Speaker 1: the stairs, and it's still my favorite Cory.

754
00:33:10,200 --> 00:33:12,440
Speaker 4: I also love that this feels very much like a

755
00:33:12,480 --> 00:33:15,880
Speaker 4: season one episode in the sense that Corey feels like

756
00:33:16,200 --> 00:33:20,560
Speaker 4: everyone else understands the world. How does everyone what to do?

757
00:33:20,880 --> 00:33:24,680
Speaker 4: I am just floundering, Like I love that. I think

758
00:33:24,680 --> 00:33:28,480
Speaker 4: it's so good. So by the way, these are the

759
00:33:28,520 --> 00:33:31,960
Speaker 4: same flowers he brought for Sean. They're in a different vase,

760
00:33:32,000 --> 00:33:33,520
Speaker 4: but I did want to point out they are. I

761
00:33:33,520 --> 00:33:35,479
Speaker 4: think they're yellow Dahlia's.

762
00:33:36,240 --> 00:33:37,800
Speaker 3: But he's regifting's.

763
00:33:37,920 --> 00:33:40,480
Speaker 4: They're either the exact same or he just bought quite a.

764
00:33:42,720 --> 00:33:43,040
Speaker 3: Buquet.

765
00:33:43,120 --> 00:33:44,640
Speaker 5: He did not know the secret.

766
00:33:44,320 --> 00:33:44,560
Speaker 1: Of the way.

767
00:33:44,600 --> 00:33:47,000
Speaker 4: He didn't know. No, I didn't understand.

768
00:33:47,040 --> 00:33:49,560
Speaker 2: No. I love that he's like practicing the coat thing,

769
00:33:49,640 --> 00:33:51,360
Speaker 2: like could take your coat or whatever. And then that

770
00:33:51,400 --> 00:33:55,680
Speaker 2: pays off when he takes exactly Claire's coat, and I

771
00:33:55,720 --> 00:33:58,520
Speaker 2: was like, such a.

772
00:33:58,600 --> 00:34:02,640
Speaker 4: Jeff Sherman touch little ribbon, you know. So yep, Corey

773
00:34:02,720 --> 00:34:05,040
Speaker 4: is saying to himself, Hello, may I take your coat?

774
00:34:05,160 --> 00:34:08,279
Speaker 4: You like my outfit? What these old things? Then the

775
00:34:08,320 --> 00:34:11,319
Speaker 4: doorbell rings and Corey continues to practice his dialogue. He

776
00:34:11,360 --> 00:34:14,160
Speaker 4: opens the door to Tapanga and recites his opening line, Hello,

777
00:34:14,280 --> 00:34:15,400
Speaker 4: may I take your coat now?

778
00:34:15,600 --> 00:34:16,239
Speaker 5: Danielle?

779
00:34:16,320 --> 00:34:20,080
Speaker 2: You seemed so tiny when that door opened. Did you

780
00:34:20,160 --> 00:34:24,719
Speaker 2: strike you, guys, how small you are? It was just

781
00:34:24,880 --> 00:34:28,000
Speaker 2: your whole existence. It was like you are so like tiny,

782
00:34:28,040 --> 00:34:32,200
Speaker 2: You're thin and little, Like my god, you.

783
00:34:32,120 --> 00:34:35,600
Speaker 4: Are small this whole time. So I'm I'm now only

784
00:34:35,640 --> 00:34:37,640
Speaker 4: still five to one, and I don't think I was

785
00:34:37,680 --> 00:34:39,520
Speaker 4: too much shorter, but I may have only been five

786
00:34:39,560 --> 00:34:41,200
Speaker 4: feet Like, that's a that's a.

787
00:34:41,120 --> 00:34:43,320
Speaker 3: Tiny Did you weigh seventy I weighed.

788
00:34:43,400 --> 00:34:46,960
Speaker 4: I weighed nine either ninety six or ninety eight pounds.

789
00:34:47,239 --> 00:34:48,359
Speaker 3: Geez, you just.

790
00:34:48,360 --> 00:34:50,839
Speaker 2: Look like shot the door open, and your face looks

791
00:34:50,960 --> 00:34:53,360
Speaker 2: very much you you actually look in this episode for

792
00:34:53,480 --> 00:34:56,719
Speaker 2: one of the first time you you really look. And

793
00:34:56,800 --> 00:34:59,399
Speaker 2: also the faces you make to Corey. I kept being like, oh,

794
00:34:59,440 --> 00:35:04,200
Speaker 2: that's Dan Danielle making me sort of like kind of

795
00:35:04,600 --> 00:35:07,600
Speaker 2: knowing mature. It was like it was cool, but like

796
00:35:07,719 --> 00:35:10,200
Speaker 2: at this moment, I was like, you are a child. Yeah,

797
00:35:10,280 --> 00:35:12,200
Speaker 2: I guess maybe because it's set up in this like

798
00:35:12,280 --> 00:35:14,200
Speaker 2: sexual date thing. And then to open the door, I

799
00:35:14,200 --> 00:35:17,080
Speaker 2: was like, no.

800
00:35:17,880 --> 00:35:17,960
Speaker 1: It.

801
00:35:19,680 --> 00:35:22,240
Speaker 4: Doesn't help that they put me in like a baby

802
00:35:22,360 --> 00:35:24,920
Speaker 4: pink car. Again, like they.

803
00:35:24,840 --> 00:35:26,560
Speaker 3: Dressed her very probably smart.

804
00:35:26,800 --> 00:35:30,719
Speaker 4: It was the way to Penga has been dressing, has

805
00:35:30,719 --> 00:35:33,440
Speaker 4: been dressing with tied up shirts and skin to little pants,

806
00:35:33,440 --> 00:35:35,080
Speaker 4: and then she comes over here and she's got like

807
00:35:35,080 --> 00:35:36,520
Speaker 4: a baby pink cardigan on.

808
00:35:36,840 --> 00:35:39,880
Speaker 3: Well, you're undercover from your seventies' spy team, so.

809
00:35:39,840 --> 00:35:44,440
Speaker 4: Exactly right to know that's exactly right, So she points

810
00:35:44,480 --> 00:35:46,600
Speaker 4: out that she's not wearing a coat, probably because I

811
00:35:46,640 --> 00:35:50,120
Speaker 4: can't act in a jacket and without hesitation, and robotically

812
00:35:50,120 --> 00:35:52,960
Speaker 4: he responds, ah, you like my out. She asks if

813
00:35:53,000 --> 00:35:55,560
Speaker 4: he's okay, and he finishes his dialogue in despair. What

814
00:35:55,880 --> 00:36:01,000
Speaker 4: these old things? So cute? Asks Cory what he wants

815
00:36:01,040 --> 00:36:02,600
Speaker 4: to do tonight, and he says they can go see

816
00:36:02,600 --> 00:36:04,640
Speaker 4: a movie, grab a burger, or just go up to

817
00:36:04,680 --> 00:36:07,480
Speaker 4: his room and just you know. She asks what they

818
00:36:07,520 --> 00:36:09,160
Speaker 4: do in his room, and he wonders if she's seen

819
00:36:09,160 --> 00:36:11,719
Speaker 4: his new CD changer. She reminds him she was there

820
00:36:11,719 --> 00:36:12,359
Speaker 4: when he bought it.

821
00:36:12,600 --> 00:36:15,560
Speaker 5: He explains, all right, let's let's talk about CD changers.

822
00:36:15,640 --> 00:36:17,560
Speaker 5: Can we just have a it's a CD changer? Do

823
00:36:17,560 --> 00:36:18,480
Speaker 5: you remember your CD?

824
00:36:19,440 --> 00:36:20,040
Speaker 3: Of course?

825
00:36:20,239 --> 00:36:21,880
Speaker 5: This was the biggest thing that I bought when I

826
00:36:21,920 --> 00:36:23,279
Speaker 5: was a teenager. Okay, go go go.

827
00:36:23,440 --> 00:36:28,000
Speaker 4: You tell when I booked my first ever job that commercial.

828
00:36:28,400 --> 00:36:28,760
Speaker 7: Huh.

829
00:36:28,840 --> 00:36:32,840
Speaker 4: My mom said, I'm gonna let you take five hundred

830
00:36:33,120 --> 00:36:38,280
Speaker 4: dollars and by anything you want. And I spent four

831
00:36:38,400 --> 00:36:41,880
Speaker 4: hundred and ninety nine dollars on a five disc.

832
00:36:42,719 --> 00:36:46,959
Speaker 3: The table ones, yes, and it's spent, you know, and it's.

833
00:36:46,920 --> 00:36:49,440
Speaker 4: Spun, put it on and they spin around and it

834
00:36:49,520 --> 00:36:52,959
Speaker 4: had knobs to adjust. Oh, it was glorious.

835
00:36:53,280 --> 00:36:56,759
Speaker 2: Okay, So then I remember in the car will did

836
00:36:56,760 --> 00:36:59,600
Speaker 2: you have one in your car too? Like the mask

837
00:37:00,719 --> 00:37:03,600
Speaker 2: ten disc magazine that went in the in the trunks

838
00:37:03,640 --> 00:37:05,759
Speaker 2: you had to loaded before you went on a road trip.

839
00:37:05,880 --> 00:37:07,439
Speaker 3: You loaded with the tents and road trucks.

840
00:37:07,480 --> 00:37:09,080
Speaker 4: You loaded that before you went to CVS.

841
00:37:09,160 --> 00:37:09,359
Speaker 2: Sure.

842
00:37:09,640 --> 00:37:11,040
Speaker 3: Sure, But then.

843
00:37:11,080 --> 00:37:13,440
Speaker 5: But then I went big.

844
00:37:13,520 --> 00:37:15,719
Speaker 2: When I was seventeen and I had my own apartment,

845
00:37:15,840 --> 00:37:17,920
Speaker 2: I got a hundred CD changer.

846
00:37:17,960 --> 00:37:18,959
Speaker 5: Do you guys remember these?

847
00:37:19,040 --> 00:37:21,120
Speaker 3: It was the norm? Was it a den on? It

848
00:37:21,160 --> 00:37:24,279
Speaker 3: was like, yeah, it was dead. It was.

849
00:37:24,360 --> 00:37:26,640
Speaker 4: It was a giant interchange of CD. Again.

850
00:37:26,719 --> 00:37:29,640
Speaker 3: Oh, I kept the thing until two thousand and three,

851
00:37:29,719 --> 00:37:30,520
Speaker 3: two thousand and four.

852
00:37:30,640 --> 00:37:32,400
Speaker 5: This was just it was a jukebox. I had a

853
00:37:32,440 --> 00:37:34,640
Speaker 5: jukebox at my house. It was the greatest.

854
00:37:34,840 --> 00:37:37,400
Speaker 2: Oh, unless somebody left on a CD in there that

855
00:37:37,400 --> 00:37:39,000
Speaker 2: I didn't want in there, and then like I'd hit

856
00:37:39,120 --> 00:37:41,920
Speaker 2: random and uh, some awful song would come on you.

857
00:37:42,480 --> 00:37:44,840
Speaker 4: I had one of those big CD books that you

858
00:37:44,920 --> 00:37:45,440
Speaker 4: kept in the car.

859
00:37:45,600 --> 00:37:48,279
Speaker 3: Yeah, I still have them.

860
00:37:48,440 --> 00:37:51,640
Speaker 4: Still have a you had case logic? Of course you

861
00:37:51,680 --> 00:37:53,759
Speaker 4: have the one that attached to your visor. You could

862
00:37:53,760 --> 00:37:56,480
Speaker 4: pull down the visor because you know safe you want

863
00:37:56,480 --> 00:37:58,280
Speaker 4: to pull down your visor and just slide a disco

864
00:37:58,239 --> 00:37:59,680
Speaker 4: out and then be able to put it in there.

865
00:37:59,680 --> 00:38:01,200
Speaker 4: But then you also have to have the big one

866
00:38:01,200 --> 00:38:04,160
Speaker 4: where everybody can flip through it and pick their music seedyoud.

867
00:38:04,200 --> 00:38:05,000
Speaker 5: You alphabetize it.

868
00:38:07,120 --> 00:38:07,319
Speaker 3: Rider.

869
00:38:07,400 --> 00:38:09,640
Speaker 1: Do you remember in my car, Daniel? You probably had

870
00:38:09,680 --> 00:38:11,239
Speaker 1: never been what we're never in my car, but I

871
00:38:11,280 --> 00:38:14,920
Speaker 1: don't right, it was I had the the the deck

872
00:38:15,320 --> 00:38:17,279
Speaker 1: was a CD player, but I could pull it out

873
00:38:17,360 --> 00:38:22,120
Speaker 1: and put in the tape player. You had to pull

874
00:38:22,760 --> 00:38:25,080
Speaker 1: full stereo. So you pull out a stereo and put

875
00:38:25,080 --> 00:38:27,239
Speaker 1: it under your seat and put in like the tape

876
00:38:27,680 --> 00:38:31,200
Speaker 1: stereo and lock it into place. Crazy stuff. These kids

877
00:38:31,239 --> 00:38:32,359
Speaker 1: do not know how good they happen.

878
00:38:32,640 --> 00:38:35,000
Speaker 2: But by the way, this is not a CD changer

879
00:38:35,040 --> 00:38:37,200
Speaker 2: in this episode, it's a boombox with.

880
00:38:37,160 --> 00:38:39,920
Speaker 5: A one CD player. It doesn't make any sense.

881
00:38:40,000 --> 00:38:41,240
Speaker 3: It doesn't it doesn't change.

882
00:38:41,520 --> 00:38:41,719
Speaker 1: No.

883
00:38:41,800 --> 00:38:44,480
Speaker 2: In the next scene, he ejects a tray which is

884
00:38:44,520 --> 00:38:47,839
Speaker 2: a single tray CD player. Really, yes, we our show

885
00:38:47,880 --> 00:38:50,800
Speaker 2: could not afford a CD changer. It doesn't make any sense.

886
00:38:51,160 --> 00:38:52,319
Speaker 4: This is embarrassing.

887
00:38:52,520 --> 00:38:53,640
Speaker 5: It's so embarrassing.

888
00:38:54,000 --> 00:38:57,440
Speaker 4: I didn't even notice it, but I'm embarrassed. I'm posthumously embarrassed.

889
00:38:57,520 --> 00:38:59,759
Speaker 2: Yeah, you should face it was either a turntable or

890
00:38:59,800 --> 00:39:02,959
Speaker 2: a magazine that eats like a slide in, and neither

891
00:39:03,000 --> 00:39:06,200
Speaker 2: one is true in this case. Our profit department, our

892
00:39:06,239 --> 00:39:08,839
Speaker 2: proft department are We're amazing most of the time. But

893
00:39:08,880 --> 00:39:09,839
Speaker 2: this they really let us.

894
00:39:09,920 --> 00:39:10,479
Speaker 4: This was a fail.

895
00:39:10,600 --> 00:39:10,880
Speaker 6: This was.

896
00:39:22,440 --> 00:39:24,400
Speaker 4: He explains. The CD player is set up now, so

897
00:39:24,440 --> 00:39:27,400
Speaker 4: they can go see it in his room. She says sure,

898
00:39:27,440 --> 00:39:29,520
Speaker 4: and she starts to make her way upstairs, and quietly

899
00:39:29,520 --> 00:39:32,280
Speaker 4: he quietly cheers himself on, but he walks back toward

900
00:39:32,320 --> 00:39:34,640
Speaker 4: the couch. She asks if he's coming, and he snaps

901
00:39:34,680 --> 00:39:37,960
Speaker 4: back to reality. Oh yeah, me. And then we're into

902
00:39:38,040 --> 00:39:41,560
Speaker 4: the boy's bedroom. Welcome back, this comfortable set.

903
00:39:41,680 --> 00:39:42,799
Speaker 5: It's nice too.

904
00:39:43,320 --> 00:39:46,200
Speaker 1: It's like he was having a woman upstairs, so make

905
00:39:46,239 --> 00:39:48,520
Speaker 1: sure it's all clean. And you don't ever see the

906
00:39:48,560 --> 00:39:50,839
Speaker 1: other bed. Do you just see Corey's bed this time?

907
00:39:50,920 --> 00:39:51,120
Speaker 6: Yeah?

908
00:39:51,200 --> 00:39:52,160
Speaker 3: Right, yeah.

909
00:39:53,160 --> 00:39:55,880
Speaker 4: Tepega walks into a room full of lit candles and

910
00:39:55,960 --> 00:39:59,440
Speaker 4: joke and Uh jokingly asks if Corey's having a seance.

911
00:39:59,520 --> 00:40:02,040
Speaker 4: He stutter, I love candles. The room is always like this.

912
00:40:02,560 --> 00:40:06,120
Speaker 4: Then she notices a book on Corey's bed, loves Sonnets

913
00:40:06,120 --> 00:40:09,479
Speaker 4: by Shelley. Corey gets nervous again. He loves poetry and

914
00:40:09,560 --> 00:40:13,279
Speaker 4: her use of romantic imagery is very sensual. Tapega tells

915
00:40:13,360 --> 00:40:16,440
Speaker 4: him that Shelley was a guy, and he drops the book, saying, yesh,

916
00:40:16,480 --> 00:40:19,760
Speaker 4: because in the nineties it was embarrassing to like poetry

917
00:40:19,800 --> 00:40:21,920
Speaker 4: by men.

918
00:40:23,520 --> 00:40:25,359
Speaker 2: Is that like, Yeah, can't be erotic if it's an

919
00:40:26,160 --> 00:40:27,680
Speaker 2: if a guy wrote it, it can't be erotic.

920
00:40:28,000 --> 00:40:33,239
Speaker 4: Yes, But also if men write poetry, it's just in

921
00:40:33,280 --> 00:40:36,680
Speaker 4: the nineties, that's no. She walks over to the CD

922
00:40:37,000 --> 00:40:41,719
Speaker 4: player not a changer A and he she asks if

923
00:40:41,760 --> 00:40:44,160
Speaker 4: they're going to play anything. He awkwardly explains that for

924
00:40:44,239 --> 00:40:46,560
Speaker 4: the best sound, she'll need to sit over there. He

925
00:40:46,680 --> 00:40:48,560
Speaker 4: motions to the bed. It has nothing to do with

926
00:40:48,600 --> 00:40:50,200
Speaker 4: the bed. It just has to do with the placement

927
00:40:50,239 --> 00:40:52,120
Speaker 4: of the speakers, in the placement of you on the

928
00:40:52,840 --> 00:40:55,880
Speaker 4: She finishes bed. She sits and he joins her, and

929
00:40:55,920 --> 00:41:00,000
Speaker 4: then turns on the CD player. It begins to play

930
00:41:00,080 --> 00:41:04,880
Speaker 4: a children's song, something that someone much younger than Morgan

931
00:41:05,000 --> 00:41:07,200
Speaker 4: would listen to. By the way, did she like ten

932
00:41:07,320 --> 00:41:07,879
Speaker 4: at this point.

933
00:41:08,200 --> 00:41:09,600
Speaker 5: Yeah, but it could still be left over.

934
00:41:09,640 --> 00:41:13,520
Speaker 3: I could see that left He just he just bought

935
00:41:13,520 --> 00:41:14,840
Speaker 3: the new CD changer.

936
00:41:14,719 --> 00:41:16,359
Speaker 5: Right, so she would have had to have put it in.

937
00:41:17,400 --> 00:41:22,319
Speaker 3: Specifically, have had to go on and say, like just

938
00:41:22,360 --> 00:41:23,440
Speaker 3: trying forcing her.

939
00:41:24,239 --> 00:41:25,000
Speaker 5: It's the parents.

940
00:41:25,080 --> 00:41:26,759
Speaker 1: We don't know the dark side of Amy and Allen.

941
00:41:26,800 --> 00:41:28,720
Speaker 1: They're just keeping their five.

942
00:41:29,000 --> 00:41:35,440
Speaker 3: You're always gonna listen to Barney again.

943
00:41:36,040 --> 00:41:38,840
Speaker 4: Good to Panga smiles. She used to listen to the

944
00:41:38,840 --> 00:41:40,920
Speaker 4: song when she was a kid. Corey quickly gets up

945
00:41:40,920 --> 00:41:42,920
Speaker 4: and ejects the CD, then throws it out the window.

946
00:41:43,040 --> 00:41:49,480
Speaker 4: I was really hoping for a phoenix. I wanted him

947
00:41:49,520 --> 00:41:51,960
Speaker 4: to be busy burying bodies in the backyard. But he

948
00:41:52,040 --> 00:41:54,239
Speaker 4: didn't say anything, so he must be eating.

949
00:41:54,440 --> 00:41:58,240
Speaker 2: It does come back, though, it does also.

950
00:41:58,560 --> 00:42:02,120
Speaker 4: Uh, this is where I noticed a hat hanging on

951
00:42:02,160 --> 00:42:05,320
Speaker 4: the wall in the back near the bed. It's a

952
00:42:05,400 --> 00:42:10,920
Speaker 4: logo athletic Philadelphia Eagles splash snapback hat. It's a very

953
00:42:10,960 --> 00:42:15,320
Speaker 4: specific looking at all. It is a very sought after

954
00:42:15,760 --> 00:42:16,960
Speaker 4: vintage hat.

955
00:42:16,920 --> 00:42:21,400
Speaker 5: More sought after than the OJ Simpson jersey sign jersey.

956
00:42:21,600 --> 00:42:23,960
Speaker 4: But I will tell you that hat is available on

957
00:42:24,000 --> 00:42:29,480
Speaker 4: eBay right now for four hundred dollars. Oh wow, so

958
00:42:29,840 --> 00:42:30,680
Speaker 4: very very serious.

959
00:42:30,800 --> 00:42:32,799
Speaker 2: It's you could have gotten a CD changer or that

960
00:42:32,840 --> 00:42:33,879
Speaker 2: hat or that hat.

961
00:42:35,040 --> 00:42:37,040
Speaker 4: What the time, that hat was probably only like twenty

962
00:42:37,040 --> 00:42:41,120
Speaker 4: five dollars. I had that fan smarter investment, totally totally.

963
00:42:42,440 --> 00:42:45,280
Speaker 4: He puts in a different CD and classical music starts

964
00:42:45,320 --> 00:42:48,120
Speaker 4: to play. Topanga asks, that's really pretty. What is it?

965
00:42:48,360 --> 00:42:51,280
Speaker 4: Corey admits, I don't know. It came with my mom's Volvo. Again,

966
00:42:51,719 --> 00:42:55,400
Speaker 4: just lout great, best and then Topenga starts to kiss him.

967
00:42:55,480 --> 00:42:57,880
Speaker 4: It's getting pretty hot and heavy, and then a man's

968
00:42:57,960 --> 00:43:01,080
Speaker 4: voice cuts in, Welcome to the safe and Secure world

969
00:43:01,320 --> 00:43:05,760
Speaker 4: Volvo ownership brilliant. He starts to describe the Volvo safety features,

970
00:43:05,760 --> 00:43:08,400
Speaker 4: and Corey tells Topanga we should get that car, before

971
00:43:08,440 --> 00:43:12,080
Speaker 4: swiftly changing the CD and then romantic music starts to

972
00:43:12,120 --> 00:43:14,480
Speaker 4: play and the two goat to making out. A few

973
00:43:14,480 --> 00:43:17,720
Speaker 4: seconds later, Corey fumbles around with the back of Tapanga's shirt.

974
00:43:17,880 --> 00:43:20,640
Speaker 1: She said, yeah, this is where I was like, whoa, yeah,

975
00:43:21,120 --> 00:43:25,880
Speaker 1: the shirt, it's I mean, yeah, do you remember shooting

976
00:43:25,920 --> 00:43:27,640
Speaker 1: this at all a little bit?

977
00:43:27,719 --> 00:43:29,400
Speaker 3: Yeah, I mean it was.

978
00:43:29,800 --> 00:43:31,719
Speaker 1: By this point, you and Ben are totally comfortable that

979
00:43:31,760 --> 00:43:34,040
Speaker 1: you've worked it all out, totally.

980
00:43:33,560 --> 00:43:37,239
Speaker 4: Comfortable with each other. I don't remember there being any awkwardness.

981
00:43:37,320 --> 00:43:39,359
Speaker 4: I also remember that I'm wearing like a tank top

982
00:43:39,440 --> 00:43:42,360
Speaker 4: under my sweater, and that sweat that tank top was

983
00:43:42,400 --> 00:43:46,279
Speaker 4: like tucked into my pants. So even if Ben, if

984
00:43:46,320 --> 00:43:48,319
Speaker 4: the sweater got lifted too much, I don't even think

985
00:43:48,320 --> 00:43:50,880
Speaker 4: you would have seen skin like I remember it being

986
00:43:51,120 --> 00:43:56,960
Speaker 4: it feeling very very PG like I didn't and Ben

987
00:43:56,960 --> 00:43:58,520
Speaker 4: and I were very comfortable with each other. And I

988
00:43:58,560 --> 00:44:01,160
Speaker 4: also know I'm no ninety nine point nine to nine

989
00:44:01,200 --> 00:44:03,200
Speaker 4: percent sure there was no audience, so there was no

990
00:44:03,280 --> 00:44:05,560
Speaker 4: awkward feeling of like there being a bunch of people

991
00:44:05,840 --> 00:44:08,600
Speaker 4: or you know, it was. It felt very safe.

992
00:44:08,880 --> 00:44:11,239
Speaker 1: Yeah, risk gay though, risk gay for boy meets wor

993
00:44:11,239 --> 00:44:12,040
Speaker 1: Old on a Friday night.

994
00:44:12,080 --> 00:44:16,960
Speaker 4: I know, look at us, She stops him Corey. He responds, yeah,

995
00:44:17,040 --> 00:44:19,759
Speaker 4: it's me. She continues, What exactly did you think was

996
00:44:19,800 --> 00:44:22,480
Speaker 4: going to happen here? Corey lies, Oh, you're talking to

997
00:44:22,520 --> 00:44:24,759
Speaker 4: me like I planned this. She points out the bowl

998
00:44:24,800 --> 00:44:29,440
Speaker 4: of grapes at the end of the bed. Defeated, he admits,

999
00:44:29,480 --> 00:44:32,040
Speaker 4: I'm trying so hard here. She says to do what

1000
00:44:32,640 --> 00:44:36,120
Speaker 4: Corey says, Well, I just think we're old enough. Tapanga says, again,

1001
00:44:36,680 --> 00:44:40,200
Speaker 4: old enough to do what? And then he says, I

1002
00:44:40,200 --> 00:44:42,799
Speaker 4: think we're old enough like I just think we're old

1003
00:44:42,920 --> 00:44:46,760
Speaker 4: enough like Sean. And that's when I love that. Topanga

1004
00:44:46,800 --> 00:44:49,640
Speaker 4: gets a little bit more upset, and she says, what

1005
00:44:49,800 --> 00:44:51,400
Speaker 4: does Sean have to do with this?

1006
00:44:51,680 --> 00:44:52,640
Speaker 1: Yeah?

1007
00:44:52,760 --> 00:44:54,839
Speaker 4: He then blurts out that Sean had a girl over

1008
00:44:54,960 --> 00:44:57,200
Speaker 4: last night that he hardly knows, but Corey and Tapanga

1009
00:44:57,239 --> 00:44:59,680
Speaker 4: have known each other their whole lives and that they

1010
00:44:59,760 --> 00:45:02,200
Speaker 4: love each other. He said we should be at like

1011
00:45:02,360 --> 00:45:06,040
Speaker 4: Ninth Base by now. Taffanga is visibly upset. Why so

1012
00:45:06,120 --> 00:45:08,480
Speaker 4: you can keep up with your buddy, Corey tells her no,

1013
00:45:08,680 --> 00:45:10,879
Speaker 4: he just thinks his buddy had a good idea. This time,

1014
00:45:11,360 --> 00:45:13,759
Speaker 4: Tapanga is bummed and she thinks she should probably go.

1015
00:45:13,840 --> 00:45:17,160
Speaker 4: Now Corey says, no, you stay, I'll go. I'm so pathetic.

1016
00:45:17,200 --> 00:45:20,600
Speaker 4: I'm throwing myself out, leaving Tapanga alone with the grapes.

1017
00:45:23,360 --> 00:45:25,759
Speaker 3: Good scene. I don't know what Ninth Base is.

1018
00:45:26,000 --> 00:45:28,880
Speaker 4: I don't either. He doesn't either. That's another thing. It

1019
00:45:28,880 --> 00:45:31,560
Speaker 4: doesn't exist. He doesn't know the basis right, it doesn't

1020
00:45:31,560 --> 00:45:33,960
Speaker 4: even I mean he had to ask Sean what comes after? Kissing.

1021
00:45:34,200 --> 00:45:37,240
Speaker 4: What do you do next? What's that? So he really

1022
00:45:37,280 --> 00:45:39,839
Speaker 4: doesn't know. And then we're at John Adams High. Sean

1023
00:45:39,840 --> 00:45:41,800
Speaker 4: and Claire are talking on a nearby bench as Topanga

1024
00:45:41,840 --> 00:45:44,839
Speaker 4: walks through the halls and greets Feoenie. Miss Laurence. Corey

1025
00:45:44,920 --> 00:45:47,320
Speaker 4: is slumped against his locker and says hi to Topanga

1026
00:45:47,320 --> 00:45:51,200
Speaker 4: and gets a very cold Corey. In response, Corey's sidebars

1027
00:45:51,200 --> 00:45:53,719
Speaker 4: with mister Phoene. She's obviously very busy, what with her

1028
00:45:53,719 --> 00:45:56,360
Speaker 4: classes and having to go to them. Phoene agrees, and

1029
00:45:56,400 --> 00:45:58,520
Speaker 4: eventually Corey shouts, are you blind in the eyes? Man?

1030
00:45:58,600 --> 00:45:59,160
Speaker 4: She hates me?

1031
00:46:01,719 --> 00:46:02,640
Speaker 5: It's so funny.

1032
00:46:03,239 --> 00:46:06,000
Speaker 4: Poenie admits I can see there's trouble in Paradise. Then

1033
00:46:06,040 --> 00:46:08,479
Speaker 4: he pulls something out of his pocket. On a happier note,

1034
00:46:08,520 --> 00:46:11,399
Speaker 4: this compact disc sailed into my living room last night

1035
00:46:11,480 --> 00:46:12,400
Speaker 4: and landed on.

1036
00:46:12,280 --> 00:46:19,960
Speaker 1: My wall, credenza, my wall.

1037
00:46:21,320 --> 00:46:28,200
Speaker 4: Costume jewels, Oh the best. Corey apologizes he was aiming

1038
00:46:28,280 --> 00:46:31,560
Speaker 4: for the moon. Feenie emphasizes he doesn't normally get involved

1039
00:46:31,560 --> 00:46:33,759
Speaker 4: in the personal affairs of his students, but the two

1040
00:46:33,840 --> 00:46:35,440
Speaker 4: of them are just so cute together.

1041
00:46:36,120 --> 00:46:38,000
Speaker 1: I thought this was going to be They were going

1042
00:46:38,080 --> 00:46:40,160
Speaker 1: to take it like a joke where FENI was going

1043
00:46:40,200 --> 00:46:41,719
Speaker 1: to say something like, oh, the two of you are

1044
00:46:41,719 --> 00:46:47,720
Speaker 1: so cute together, but.

1045
00:46:45,400 --> 00:46:47,239
Speaker 3: That's the thing he plays. It's so real.

1046
00:46:47,360 --> 00:46:50,279
Speaker 1: It's amazing, like, you guys are so cute together, and

1047
00:46:50,320 --> 00:46:52,759
Speaker 1: I just really wanted to work. And it's the thing

1048
00:46:52,800 --> 00:46:56,480
Speaker 1: that went through my head was Foeni knows everything, so

1049
00:46:56,560 --> 00:46:58,600
Speaker 1: he already knows they're going to end up together and

1050
00:46:58,600 --> 00:47:01,640
Speaker 1: get married. Yeah, he he knows everything, and he's like,

1051
00:47:01,640 --> 00:47:03,759
Speaker 1: you're so cute to get it was so such an

1052
00:47:04,040 --> 00:47:05,799
Speaker 1: I thought Bill was going to go one way with it.

1053
00:47:05,880 --> 00:47:09,520
Speaker 1: He went somewhere completely different and it was awesome. Yeah,

1054
00:47:09,600 --> 00:47:12,000
Speaker 1: it's very The lighter side of Phoenie was great.

1055
00:47:12,560 --> 00:47:15,880
Speaker 4: So Phoene asks what can I do? Corey says nothing.

1056
00:47:16,040 --> 00:47:17,759
Speaker 4: I'm not gonna come to her and she's not gonna

1057
00:47:17,800 --> 00:47:20,680
Speaker 4: come to me. Phoenie advises him that regardless of hurt feelings,

1058
00:47:20,719 --> 00:47:23,880
Speaker 4: he should keep the lines of communication open. Corey admits

1059
00:47:24,040 --> 00:47:26,160
Speaker 4: Phoenie does seem to know everything, so he'll try his

1060
00:47:26,200 --> 00:47:29,880
Speaker 4: little communication thing. Corey then walks over to Topanga and says,

1061
00:47:29,920 --> 00:47:31,680
Speaker 4: if what I did was out of line, I think

1062
00:47:31,719 --> 00:47:35,120
Speaker 4: we should be able to communicate. Tapega simply responds, I

1063
00:47:35,120 --> 00:47:37,680
Speaker 4: don't know what to say to you. Out of ideas,

1064
00:47:37,680 --> 00:47:40,879
Speaker 4: Corey whispers to Feenie, what else you got to which

1065
00:47:40,920 --> 00:47:43,840
Speaker 4: Phoene shakes his head in confusion and walks away. Tapega

1066
00:47:43,880 --> 00:47:46,800
Speaker 4: slams her locker shet and also walks away. Corey admits,

1067
00:47:47,040 --> 00:47:49,560
Speaker 4: on the upside, I can make everyone shake their head.

1068
00:47:51,040 --> 00:47:51,880
Speaker 5: It's just nice.

1069
00:47:52,200 --> 00:47:55,200
Speaker 4: Sean walks over, prompting and angry Corey. I hope you're happy.

1070
00:47:55,400 --> 00:47:57,680
Speaker 4: Sean's confused. I'm blown it with Tapanga and it's on

1071
00:47:57,760 --> 00:47:59,440
Speaker 4: your head. I made a move on Topanga and she

1072
00:47:59,480 --> 00:48:01,439
Speaker 4: got upset, like we're not supposed to be doing that,

1073
00:48:01,520 --> 00:48:03,160
Speaker 4: even though I told her that you had a girl

1074
00:48:03,160 --> 00:48:05,919
Speaker 4: spend the night at your place. Sean cuts him off.

1075
00:48:05,960 --> 00:48:07,160
Speaker 4: You told her about Claire.

1076
00:48:07,840 --> 00:48:08,239
Speaker 3: I'm sorry.

1077
00:48:08,280 --> 00:48:10,960
Speaker 1: Before before that, writer, you have a great beat the

1078
00:48:11,560 --> 00:48:14,759
Speaker 1: What and then yes, yes, let me get you know,

1079
00:48:14,880 --> 00:48:16,400
Speaker 1: let me get this, let me get let me get

1080
00:48:16,440 --> 00:48:21,680
Speaker 1: this straight what. That was a very good comedy beat.

1081
00:48:21,880 --> 00:48:24,640
Speaker 2: The which is also this scene is exactly when angry

1082
00:48:24,719 --> 00:48:27,879
Speaker 2: Corey is great, because it's like it's like he's self

1083
00:48:27,960 --> 00:48:30,520
Speaker 2: righteous in the worst possible way. We've seen why he

1084
00:48:30,600 --> 00:48:32,920
Speaker 2: feels this way. We were with him in that. We're like,

1085
00:48:33,200 --> 00:48:36,040
Speaker 2: oh man, everybody's upset with Corey. We don't, and yet

1086
00:48:36,160 --> 00:48:38,520
Speaker 2: he's made a mistake. He's put it, he's put himself

1087
00:48:38,520 --> 00:48:41,440
Speaker 2: in this position, so we're like rooting for him to

1088
00:48:41,440 --> 00:48:44,200
Speaker 2: get himself out. It's it's just great. And then like, yeah,

1089
00:48:44,320 --> 00:48:46,959
Speaker 2: that fact that Sean has, like that Corey has lived

1090
00:48:46,960 --> 00:48:50,719
Speaker 2: an entire television show without Sean knowing what is going on.

1091
00:48:51,200 --> 00:48:55,560
Speaker 4: Sean's like completely immediately you're talking about and next week,

1092
00:48:55,840 --> 00:48:58,320
Speaker 4: the following week, the trophy for school spirit is being awarded.

1093
00:48:59,120 --> 00:49:03,600
Speaker 1: There was a blood drive. Next week, somebody's getting a

1094
00:49:03,560 --> 00:49:04,280
Speaker 1: triple fat browy.

1095
00:49:04,719 --> 00:49:05,200
Speaker 3: So yeah, of.

1096
00:49:05,239 --> 00:49:08,759
Speaker 4: Course, of course, good good to know. So Corey sheepishly

1097
00:49:08,800 --> 00:49:11,800
Speaker 4: says yes, and Sean is furious. He promised he wouldn't

1098
00:49:11,800 --> 00:49:13,880
Speaker 4: tell anyone. Corey tells him it's just a panga, but

1099
00:49:13,920 --> 00:49:16,400
Speaker 4: Sean says, we're talking about trust, but you don't know

1100
00:49:16,440 --> 00:49:20,560
Speaker 4: what that means, do you. Also, Corey didn't mention Claire's

1101
00:49:20,640 --> 00:49:21,520
Speaker 4: name to tapanga.

1102
00:49:21,920 --> 00:49:24,920
Speaker 1: There's a lot that's weird with this, and it's all real,

1103
00:49:25,160 --> 00:49:25,760
Speaker 1: but it's weird.

1104
00:49:26,160 --> 00:49:27,719
Speaker 4: I feel like it's important.

1105
00:49:27,719 --> 00:49:31,959
Speaker 1: That's an important, no distinction, it is, but it's also

1106
00:49:33,120 --> 00:49:37,800
Speaker 1: your best friend doesn't tell you, doesn't have to say

1107
00:49:37,880 --> 00:49:38,440
Speaker 1: what's going on.

1108
00:49:38,520 --> 00:49:40,920
Speaker 3: He doesn't have to specifically say she's getting.

1109
00:49:40,640 --> 00:49:45,120
Speaker 1: Beaten by her father. But Corey, there's nothing going on

1110
00:49:45,120 --> 00:49:46,880
Speaker 1: between the two of us. I promise you. She just

1111
00:49:47,000 --> 00:49:48,399
Speaker 1: needs to get out of her house for a little while.

1112
00:49:48,480 --> 00:49:50,440
Speaker 1: Something like that is all a best friend needs to

1113
00:49:50,440 --> 00:49:53,400
Speaker 1: say to his buddy to make sure that this doesn't happen.

1114
00:49:53,880 --> 00:49:55,399
Speaker 3: And then after.

1115
00:49:55,120 --> 00:49:59,120
Speaker 1: That, your buddies also got to know that it's kind

1116
00:49:59,120 --> 00:50:03,080
Speaker 1: of marriage. The way they've now revised Corey in Topanga,

1117
00:50:03,360 --> 00:50:06,800
Speaker 1: where if you tell Corey something you know, Topanga is

1118
00:50:06,800 --> 00:50:09,960
Speaker 1: gonna find out no, yes, yes.

1119
00:50:09,840 --> 00:50:10,279
Speaker 3: It's Corey.

1120
00:50:10,320 --> 00:50:12,080
Speaker 1: They've now set that up where it's like, if you

1121
00:50:12,160 --> 00:50:16,120
Speaker 1: tell somebody something your girlfriend, your longtime girlfriend's gonna ask

1122
00:50:16,160 --> 00:50:19,480
Speaker 1: Corey to trust you know, yea, without saying what it was.

1123
00:50:19,640 --> 00:50:21,000
Speaker 5: But I don't think I don't.

1124
00:50:21,040 --> 00:50:23,720
Speaker 2: I'm not saying Sean's holy right either. I'm just saying,

1125
00:50:23,800 --> 00:50:26,240
Speaker 2: like I can understand everybody's issues.

1126
00:50:26,239 --> 00:50:27,680
Speaker 1: That's what I'm saying. No, I get it too, I

1127
00:50:27,719 --> 00:50:29,640
Speaker 1: get That's why I'm saying. It's very strange. You're getting

1128
00:50:29,640 --> 00:50:33,600
Speaker 1: everybody miscommunicated, is what I'm saying and yeah, it was

1129
00:50:33,719 --> 00:50:38,360
Speaker 1: very real betrayed, Like I mean, him deciding that it's

1130
00:50:38,400 --> 00:50:39,040
Speaker 1: that he's.

1131
00:50:39,680 --> 00:50:42,799
Speaker 3: Like deserves to go farther with Topanga because.

1132
00:50:43,800 --> 00:50:46,160
Speaker 1: Like Sean led him to believe, all he had to

1133
00:50:46,160 --> 00:50:49,640
Speaker 1: say was nothing happened. Sean did not dissuade him from

1134
00:50:49,680 --> 00:50:52,520
Speaker 1: the fact that he had slept with her, so had

1135
00:50:52,520 --> 00:50:54,839
Speaker 1: he just said, like they even have a conversation where

1136
00:50:54,840 --> 00:50:56,920
Speaker 1: he's like, don't do anything because of me. If he

1137
00:50:57,040 --> 00:50:59,680
Speaker 1: just added Corey, it's not what you think. Nothing happened

1138
00:50:59,680 --> 00:51:01,360
Speaker 1: between two of us. That's it's all you need, not

1139
00:51:01,400 --> 00:51:04,160
Speaker 1: anything specific, then none of this happens.

1140
00:51:04,440 --> 00:51:07,200
Speaker 4: I think Sean has too many Sean is really not

1141
00:51:07,320 --> 00:51:09,480
Speaker 4: even paying attention to the fact that that's too much

1142
00:51:09,520 --> 00:51:11,440
Speaker 4: what Corey is taking from it. I think he's so

1143
00:51:11,560 --> 00:51:15,239
Speaker 4: preoccupied with just like I have this big secret I need.

1144
00:51:15,280 --> 00:51:17,480
Speaker 4: I don't want to say any I literally just want

1145
00:51:17,480 --> 00:51:21,760
Speaker 4: to drop the conversation because too much talking about Claire

1146
00:51:22,280 --> 00:51:24,319
Speaker 4: feels like a light shined on the situation that he

1147
00:51:24,360 --> 00:51:28,160
Speaker 4: doesn't want right, but I do think it would. It's

1148
00:51:28,239 --> 00:51:31,560
Speaker 4: kind of important for Corey to mention like, oh, I

1149
00:51:31,600 --> 00:51:32,399
Speaker 4: didn't say her name.

1150
00:51:32,400 --> 00:51:34,600
Speaker 1: I didn't say her name. Yeah, she didn't. It didn't

1151
00:51:34,600 --> 00:51:37,120
Speaker 1: come up like that. It yeah, because the whole point is.

1152
00:51:37,080 --> 00:51:40,200
Speaker 4: That everybody to be protected from her parents knowing where

1153
00:51:40,239 --> 00:51:42,920
Speaker 4: she is, and if just randomly there being a girl

1154
00:51:42,960 --> 00:51:45,000
Speaker 4: who spent the night at Shawn's house is a little

1155
00:51:45,480 --> 00:51:47,600
Speaker 4: It feels like that could have helped Sean feel a

1156
00:51:47,640 --> 00:51:49,880
Speaker 4: little more comfortable. He could still have been upset. Like

1157
00:51:50,000 --> 00:51:52,800
Speaker 4: you said, you wouldn't say anything. Don't say anything. You

1158
00:51:52,840 --> 00:51:54,640
Speaker 4: could still be upset. But it is kind of an

1159
00:51:54,640 --> 00:51:56,160
Speaker 4: important thing that like, I didn't say her name. I

1160
00:51:56,160 --> 00:51:59,959
Speaker 4: didn't say her name. Nobody knows, nobody knows what happened. Yeah, Sean,

1161
00:52:00,120 --> 00:52:02,680
Speaker 4: a girl over, That's all I said. Yeah, So yeah, No, again,

1162
00:52:02,719 --> 00:52:04,520
Speaker 4: I'm not saying I dislike it. It's just it was a

1163
00:52:04,520 --> 00:52:07,319
Speaker 4: lot of people. Had they said one more little thing,

1164
00:52:08,239 --> 00:52:09,000
Speaker 4: everything would.

1165
00:52:10,880 --> 00:52:14,840
Speaker 2: That's always always like slight misunderstanding, the snowball change into everything.

1166
00:52:14,920 --> 00:52:16,360
Speaker 3: Yep, absolutely.

1167
00:52:26,920 --> 00:52:27,000
Speaker 1: So.

1168
00:52:27,120 --> 00:52:29,680
Speaker 4: Then we're in the Matthew's kitchen. The family minus Morgan

1169
00:52:29,760 --> 00:52:32,200
Speaker 4: is sitting at the dining table. When Corey comes downstairs.

1170
00:52:32,239 --> 00:52:34,719
Speaker 4: Amy innocently asks, it's Friday night, aren't you going out

1171
00:52:34,760 --> 00:52:37,360
Speaker 4: with Tepanga? Corey avoids the question, you know what this

1172
00:52:37,440 --> 00:52:41,680
Speaker 4: family hasn't done in a long time. Sing Alan is confused,

1173
00:52:41,840 --> 00:52:45,320
Speaker 4: how about Sean? Corey suggests they singing around. He sways

1174
00:52:45,320 --> 00:52:47,799
Speaker 4: his parents back and forth and seeing Michael row your

1175
00:52:47,840 --> 00:52:51,120
Speaker 4: boat ashore, and then points to Amy. Just the mommies.

1176
00:52:51,600 --> 00:52:55,040
Speaker 4: Alan asks what happened between him and Sean. Corey responds, okay,

1177
00:52:55,200 --> 00:52:58,520
Speaker 4: just the friendless, dateless, lonely boys. Cory starts singing, and

1178
00:52:58,680 --> 00:53:07,240
Speaker 4: Eric happilly joins, all right, here we go, that's so funny.

1179
00:53:07,600 --> 00:53:10,319
Speaker 4: Corey retreats upstairs and Alan asks Eric what's wrong with

1180
00:53:10,320 --> 00:53:12,319
Speaker 4: his brother. Eric tells him he's at that age where

1181
00:53:12,320 --> 00:53:14,359
Speaker 4: it could be almost anything. I wouldn't even know how

1182
00:53:14,400 --> 00:53:17,120
Speaker 4: to guess. Then we cut to the boy's bedroom. It's

1183
00:53:17,120 --> 00:53:19,400
Speaker 4: a little bit of an optical flip. Corey's laying in

1184
00:53:19,440 --> 00:53:22,200
Speaker 4: bed and Eric jumps on top of him. Sean's around

1185
00:53:22,200 --> 00:53:24,239
Speaker 4: in the bases, and you're still chucking peanuts up in

1186
00:53:24,239 --> 00:53:28,200
Speaker 4: the stands. Corey admits, I ain't even getting peanuts. Eric wonders,

1187
00:53:28,280 --> 00:53:30,960
Speaker 4: maybe you're moving too fast. This needs to happen naturally.

1188
00:53:32,080 --> 00:53:34,480
Speaker 4: Corey says that it comes naturally for guys like Sean

1189
00:53:34,520 --> 00:53:37,479
Speaker 4: and Eric. He never even heard about Eric's first time,

1190
00:53:37,680 --> 00:53:41,839
Speaker 4: Eric responds, remember Mitchell Davis. Corey smits, well, there's an

1191
00:53:41,880 --> 00:53:44,560
Speaker 4: unexpected surprise. How about you tell me about your second self?

1192
00:53:44,760 --> 00:53:47,399
Speaker 5: Funny. I mean, it's a little bit of a gay

1193
00:53:47,440 --> 00:53:49,520
Speaker 5: pant funny.

1194
00:53:49,719 --> 00:53:50,600
Speaker 3: It doesn't seem to be.

1195
00:53:52,320 --> 00:53:52,760
Speaker 5: Expected.

1196
00:53:54,200 --> 00:53:56,719
Speaker 4: And if I'm going to get details, I want details

1197
00:53:56,760 --> 00:53:58,759
Speaker 4: I can relate to, So tell me about.

1198
00:53:58,800 --> 00:54:01,319
Speaker 3: The other about the next time.

1199
00:54:01,520 --> 00:54:02,400
Speaker 4: So funny.

1200
00:54:02,400 --> 00:54:04,960
Speaker 5: And the kids wouldn't get it right.

1201
00:54:05,040 --> 00:54:06,960
Speaker 2: Kids would just be like, oh, they're just talking, but

1202
00:54:07,040 --> 00:54:09,240
Speaker 2: like the adults in the room are like, oh my god, that's.

1203
00:54:09,160 --> 00:54:10,600
Speaker 3: Right, exactly, very funny.

1204
00:54:10,719 --> 00:54:14,480
Speaker 4: I also love that we already by the end of

1205
00:54:14,520 --> 00:54:18,840
Speaker 4: the scene, we're sure that the relationship between Eric and

1206
00:54:18,840 --> 00:54:21,799
Speaker 4: and Corey has completely changed. But like, I love that

1207
00:54:21,880 --> 00:54:23,960
Speaker 4: already at the beginning of this what we just saw

1208
00:54:24,080 --> 00:54:25,719
Speaker 4: Eric say is I wouldn't even know how to guess

1209
00:54:25,719 --> 00:54:28,040
Speaker 4: what's wrong with him. But then one second later he

1210
00:54:28,120 --> 00:54:31,719
Speaker 4: knows exactly what's wrong with him. So he's protecting, he's

1211
00:54:31,880 --> 00:54:35,080
Speaker 4: he's pretending like, oh, I don't know, But then when

1212
00:54:35,080 --> 00:54:35,480
Speaker 4: he's in.

1213
00:54:35,440 --> 00:54:41,000
Speaker 3: It, they have their own special and I.

1214
00:54:41,000 --> 00:54:44,520
Speaker 4: Love it because they didn't have that before. And this

1215
00:54:44,760 --> 00:54:47,240
Speaker 4: road trip that they took over the scene changed everything

1216
00:54:47,280 --> 00:54:50,799
Speaker 4: really did change the way. Even every episode now has

1217
00:54:50,840 --> 00:54:52,839
Speaker 4: been written between the two of you, and it's really

1218
00:54:52,960 --> 00:54:53,439
Speaker 4: nice to see.

1219
00:54:53,520 --> 00:54:55,239
Speaker 1: I think so too. These were fun scenes to shoot you.

1220
00:54:55,239 --> 00:54:56,719
Speaker 1: Every time we had the boy's bedroom, just the two

1221
00:54:56,760 --> 00:54:58,239
Speaker 1: of us in the boys bedroom were just Ben and

1222
00:54:58,280 --> 00:54:58,960
Speaker 1: I had so much fun.

1223
00:54:59,000 --> 00:54:59,879
Speaker 3: These are really fun scenes.

1224
00:55:00,120 --> 00:55:03,400
Speaker 4: Fun So Eric explains that he and Mitch were always

1225
00:55:03,440 --> 00:55:05,799
Speaker 4: competitive and one day he shows up here with a

1226
00:55:05,800 --> 00:55:09,000
Speaker 4: brand new bike. Eric describes the bike and Corey remembers, wait,

1227
00:55:09,360 --> 00:55:12,239
Speaker 4: you had one just like that. Eric nods exactly. That's

1228
00:55:12,239 --> 00:55:15,200
Speaker 4: why Mitch got his but to one up Eric. Mitch

1229
00:55:15,239 --> 00:55:18,200
Speaker 4: didn't have training wheels, so Eric begged his dad to

1230
00:55:18,239 --> 00:55:20,880
Speaker 4: take his training wheels off, but Alan said he wasn't ready.

1231
00:55:21,160 --> 00:55:24,359
Speaker 4: Turns out Mitch wasn't ready either. The two boys were

1232
00:55:24,440 --> 00:55:26,919
Speaker 4: racing their bikes and Mitch fell off, slamming his head

1233
00:55:26,920 --> 00:55:29,840
Speaker 4: into some garbage cans. That's why Mitchell Davis repeated the

1234
00:55:29,880 --> 00:55:34,719
Speaker 4: sixth grade eleven and that whole run you do there

1235
00:55:35,000 --> 00:55:40,200
Speaker 4: will is so good, Oh thank you, natural easy performance,

1236
00:55:40,800 --> 00:55:43,680
Speaker 4: so funny. Corey asks what this could possibly have to

1237
00:55:43,719 --> 00:55:46,640
Speaker 4: do with his situation, and Eric explains, sex is like

1238
00:55:46,680 --> 00:55:49,279
Speaker 4: a bike without training wheels. If you try it before

1239
00:55:49,320 --> 00:55:51,959
Speaker 4: you're ready, you're going to fall off and break your head.

1240
00:55:53,080 --> 00:55:58,399
Speaker 1: I've heard this line from people over and over and over. Yeah,

1241
00:55:59,719 --> 00:56:01,600
Speaker 1: this is one that resonated with people where it was

1242
00:56:01,640 --> 00:56:01,880
Speaker 1: just and.

1243
00:56:01,880 --> 00:56:04,279
Speaker 3: It's true, it's true. It's not something you can jump into.

1244
00:56:04,320 --> 00:56:08,759
Speaker 1: It's can be a life altering experience, and it's it's

1245
00:56:09,120 --> 00:56:11,960
Speaker 1: hugely important. And that's the other thing I loved about

1246
00:56:12,320 --> 00:56:16,719
Speaker 1: this episode was it covered a lot of really important topics,

1247
00:56:16,880 --> 00:56:18,840
Speaker 1: you know, but but they.

1248
00:56:18,719 --> 00:56:22,840
Speaker 4: Were like covering covering losing your virginity as a teenager

1249
00:56:22,960 --> 00:56:27,920
Speaker 4: in the same episode they're covering child abusive exactly.

1250
00:56:28,200 --> 00:56:31,080
Speaker 3: And it worked, well, Yes, it worked.

1251
00:56:31,120 --> 00:56:35,239
Speaker 1: It's amazing to have those two topics not obviously not

1252
00:56:35,280 --> 00:56:37,239
Speaker 1: wrapped up, you can't wrap anything up like this, but

1253
00:56:37,520 --> 00:56:39,759
Speaker 1: to shine a light on both of them, to give

1254
00:56:39,800 --> 00:56:41,880
Speaker 1: good advice when it comes to both of them, to

1255
00:56:42,000 --> 00:56:43,759
Speaker 1: have the storylines intermingle.

1256
00:56:44,000 --> 00:56:46,759
Speaker 3: It's really good writing where you can you can pull

1257
00:56:46,800 --> 00:56:48,400
Speaker 3: both of those off. Yeah, amazing.

1258
00:56:49,480 --> 00:56:52,160
Speaker 4: So Eric throws a basketball backwards, landing it in the

1259
00:56:52,200 --> 00:56:54,640
Speaker 4: hoop as he walks out. Another one of those.

1260
00:56:54,560 --> 00:56:57,520
Speaker 2: Not one thing, oh, just thinking about just thinking about

1261
00:56:57,560 --> 00:57:01,400
Speaker 2: what you guys just said. This is following the episode right,

1262
00:57:03,080 --> 00:57:07,240
Speaker 2: and it's like when we just take the season four

1263
00:57:07,360 --> 00:57:10,520
Speaker 2: is amazing, like the way that it's it's you know,

1264
00:57:10,680 --> 00:57:15,400
Speaker 2: funny dating Eric issues and then this like and it

1265
00:57:15,440 --> 00:57:16,920
Speaker 2: doesn't it doesn't feel crazy.

1266
00:57:16,960 --> 00:57:20,560
Speaker 5: It's actually kind of working. What what a season? What

1267
00:57:20,680 --> 00:57:21,200
Speaker 5: a season.

1268
00:57:21,280 --> 00:57:24,080
Speaker 1: They're definitely expanding the world of boy meets world, which

1269
00:57:24,120 --> 00:57:26,640
Speaker 1: is which is fun to see, but it's uh.

1270
00:57:26,320 --> 00:57:29,280
Speaker 4: Yeah, nuts, that's this is the moment then where I

1271
00:57:29,400 --> 00:57:33,040
Speaker 4: was like, everything about their relationship has changed and adjusted

1272
00:57:33,080 --> 00:57:35,760
Speaker 4: and it just feels it feels really nice. So Eric

1273
00:57:35,880 --> 00:57:39,040
Speaker 4: leaves and the window opens, it's Sean. Corey says he

1274
00:57:39,080 --> 00:57:41,080
Speaker 4: doesn't always have to come in that way, but Sean says,

1275
00:57:41,120 --> 00:57:42,600
Speaker 4: I like it danger.

1276
00:57:43,160 --> 00:57:43,960
Speaker 5: That's the best.

1277
00:57:44,760 --> 00:57:47,480
Speaker 4: Sean nervously closes the bedroom door, and Corey begs for

1278
00:57:47,480 --> 00:57:50,760
Speaker 4: forgiveness about the cleare situation. Sean mindlessly says, yeah, friends

1279
00:57:50,760 --> 00:57:52,880
Speaker 4: for life, you know that. Corey reminds him, I want

1280
00:57:52,920 --> 00:57:55,240
Speaker 4: you to know you can always trust me. Sean immediately

1281
00:57:55,320 --> 00:57:57,320
Speaker 4: reveals my parents are back in town. Can I bring

1282
00:57:57,320 --> 00:58:00,080
Speaker 4: Claire here tonight? Corey responds, Oh, just throw it in

1283
00:58:00,160 --> 00:58:02,720
Speaker 4: my face. Sean tells him it's not like that. Corey

1284
00:58:02,760 --> 00:58:04,880
Speaker 4: doesn't believe him. Shawn asks, don't you think that if

1285
00:58:04,920 --> 00:58:07,400
Speaker 4: I could have told you something, I would have. Corey

1286
00:58:07,400 --> 00:58:09,720
Speaker 4: tells him he can always trust him with anything you

1287
00:58:09,800 --> 00:58:13,200
Speaker 4: swear you'll never tell. Sean asks, Cory nodds. Sean tells

1288
00:58:13,240 --> 00:58:16,200
Speaker 4: him that Claire and him have never done anything. The

1289
00:58:16,240 --> 00:58:18,760
Speaker 4: reason she's staying at his place is because her dad

1290
00:58:18,880 --> 00:58:22,880
Speaker 4: hits her. Corey is confused. Sewan explains, at nights sometimes

1291
00:58:22,960 --> 00:58:25,480
Speaker 4: he yells a lot and beats her up. Cory is shocked.

1292
00:58:25,640 --> 00:58:27,439
Speaker 4: But her dad is the vice president of a bank,

1293
00:58:27,560 --> 00:58:30,280
Speaker 4: and I love that they made that such a story point.

1294
00:58:30,480 --> 00:58:32,360
Speaker 3: Yes, agreed, one hundred.

1295
00:58:32,840 --> 00:58:37,400
Speaker 1: This was not some poor you know at the trailer

1296
00:58:37,400 --> 00:58:39,280
Speaker 1: park and he gets drunken beats her. No, that's that

1297
00:58:39,760 --> 00:58:42,880
Speaker 1: was a well respected white collar.

1298
00:58:42,760 --> 00:58:46,720
Speaker 3: Does not discriminate money. Yes, yes, important.

1299
00:58:46,720 --> 00:58:48,680
Speaker 5: Don't really strike me as that important, but you guys

1300
00:58:48,680 --> 00:58:49,000
Speaker 5: are right.

1301
00:58:49,160 --> 00:58:52,160
Speaker 4: It's very important. It's very important, especially with the points

1302
00:58:52,160 --> 00:58:54,760
Speaker 4: writer that you have mentioned about the portrayal of some

1303
00:58:55,360 --> 00:58:59,200
Speaker 4: you know, lower class or whatever you want to call him.

1304
00:59:00,000 --> 00:59:01,960
Speaker 5: I dismiss it. You can't say like, oh, that only

1305
00:59:02,040 --> 00:59:03,960
Speaker 5: happens to poor people who are like me, or.

1306
00:59:05,280 --> 00:59:08,919
Speaker 4: The whole point is that she is actually a very

1307
00:59:09,000 --> 00:59:11,200
Speaker 4: well off, fancy.

1308
00:59:10,760 --> 00:59:13,520
Speaker 1: House and he has power, which is one of the

1309
00:59:13,560 --> 00:59:18,280
Speaker 1: things where in Sean's mind, I can't go toned because.

1310
00:59:18,080 --> 00:59:20,960
Speaker 3: He's he's a guy who runs a bank. They're not

1311
00:59:20,960 --> 00:59:23,320
Speaker 3: going to believe me. I mean, yeah, super important.

1312
00:59:23,920 --> 00:59:26,840
Speaker 4: Sean shakes his head. Good job, fancy home, A low

1313
00:59:26,960 --> 00:59:30,080
Speaker 4: life creep. I just can't hide her at my place anymore.

1314
00:59:30,560 --> 00:59:32,440
Speaker 4: Corey says they should probably go to the police, but

1315
00:59:32,440 --> 00:59:34,200
Speaker 4: Sean says they won't believe him. He's a kid from

1316
00:59:34,240 --> 00:59:36,400
Speaker 4: a trailer park and Claire's dad is the vice president

1317
00:59:36,440 --> 00:59:38,480
Speaker 4: of a bank. Corey thinks they should at least tell

1318
00:59:38,480 --> 00:59:40,360
Speaker 4: his parents, but Sean cuts him off. He just swore

1319
00:59:40,400 --> 00:59:44,760
Speaker 4: he wouldn't tell anyone. Sean asks, one last time, can

1320
00:59:44,760 --> 00:59:47,800
Speaker 4: I bring Claire here tonight? Cory asks what about her dad?

1321
00:59:47,840 --> 00:59:49,560
Speaker 4: Won't he be upset if she's not there? What about

1322
00:59:49,560 --> 00:59:52,720
Speaker 4: her mom? Her mom's scared. She's just pretending it's not happening.

1323
00:59:53,000 --> 00:59:55,440
Speaker 4: And Claire has gotten really good at sneaking out and

1324
00:59:55,440 --> 00:59:58,240
Speaker 4: writer to your point before we started the episode where

1325
00:59:58,240 --> 01:00:01,800
Speaker 4: you said Sean just kind of understands where this kind

1326
01:00:01,840 --> 01:00:06,960
Speaker 4: of situation. Later, when we realize that Claire is even

1327
01:00:07,000 --> 01:00:12,520
Speaker 4: in denial. This line makes even it's even more impactful

1328
01:00:12,680 --> 01:00:15,880
Speaker 4: because you've get this. Claire didn't say to him, Yeah,

1329
01:00:15,920 --> 01:00:18,040
Speaker 4: my dad beats me. It's awful, and my mom's in

1330
01:00:18,080 --> 01:00:22,800
Speaker 4: denial and she's just pretending it's not happening. Sean knows that, yeah,

1331
01:00:23,240 --> 01:00:26,400
Speaker 4: from whatever his own way is. He knows what the

1332
01:00:26,480 --> 01:00:29,240
Speaker 4: parents are doing and how they're handling it, and it's

1333
01:00:29,360 --> 01:00:33,640
Speaker 4: just it's really great. Yep. And then Corey says okay,

1334
01:00:33,800 --> 01:00:35,920
Speaker 4: saying he'll call Sean when his parents go to sleep.

1335
01:00:36,480 --> 01:00:39,280
Speaker 4: And then we're in the dark Matthew's living room. Corey

1336
01:00:39,320 --> 01:00:41,240
Speaker 4: has brought down a pillow and a blanket for the couch,

1337
01:00:41,280 --> 01:00:43,200
Speaker 4: and then he lets Claire in. He gives her a

1338
01:00:43,200 --> 01:00:44,680
Speaker 4: brief lay out of the house and tells her he

1339
01:00:44,680 --> 01:00:47,080
Speaker 4: can grab more blankets if she needs them. Claire ensures

1340
01:00:47,120 --> 01:00:49,280
Speaker 4: him this is fine, she'll be out before Corey's parents

1341
01:00:49,280 --> 01:00:51,120
Speaker 4: get up. Corey tells her she doesn't need to do that.

1342
01:00:51,520 --> 01:00:54,360
Speaker 4: Claire smiles and notices the family portrait above the fireplace.

1343
01:00:54,680 --> 01:00:56,760
Speaker 4: She says Corey's parents look like nice people, and he

1344
01:00:56,800 --> 01:01:00,480
Speaker 4: agrees they are. Claire admires Corey's house as it reminds

1345
01:01:00,520 --> 01:01:06,640
Speaker 4: her from love to do it for this other girl

1346
01:01:06,680 --> 01:01:08,640
Speaker 4: here that we talk about.

1347
01:01:08,760 --> 01:01:10,680
Speaker 3: We don't talk about her. Now. We have a permanent

1348
01:01:10,720 --> 01:01:11,720
Speaker 3: five year old at home.

1349
01:01:13,440 --> 01:01:15,200
Speaker 4: And in this episode, we have neither of them.

1350
01:01:15,440 --> 01:01:16,000
Speaker 3: We have neither.

1351
01:01:16,560 --> 01:01:18,840
Speaker 4: Claire remembers this summer she spent at her aunt's house.

1352
01:01:18,880 --> 01:01:21,560
Speaker 4: There were flowers everywhere. You'd wake up in the morning

1353
01:01:21,640 --> 01:01:23,560
Speaker 4: and even before you opened your eyes, you could smell

1354
01:01:23,560 --> 01:01:26,080
Speaker 4: these flowers, and you just knew that everything was all right.

1355
01:01:26,680 --> 01:01:28,520
Speaker 4: Corey asks if he can take her coat, and Claire

1356
01:01:28,520 --> 01:01:30,680
Speaker 4: says that's okay, but when he takes it anyway, it

1357
01:01:30,720 --> 01:01:33,800
Speaker 4: reveals a big bruise on her arm. She says, I

1358
01:01:33,840 --> 01:01:36,840
Speaker 4: walked into my door. I'm kind of clumsy. Corey pretends

1359
01:01:36,840 --> 01:01:38,720
Speaker 4: like that happens to him all the time, making light

1360
01:01:38,720 --> 01:01:42,240
Speaker 4: of the situation, and Claire asks, Sean told you, huh.

1361
01:01:42,360 --> 01:01:44,680
Speaker 4: Corey responds, I know. It's not my place to tell

1362
01:01:44,680 --> 01:01:46,960
Speaker 4: you what to do. She interrupts him and asks if

1363
01:01:46,960 --> 01:01:48,840
Speaker 4: she can have a glass of milk. He walks into

1364
01:01:48,880 --> 01:01:50,880
Speaker 4: the kitchen and pours her a glass, but when he returns,

1365
01:01:51,040 --> 01:01:52,000
Speaker 4: she's already asleep.

1366
01:01:52,240 --> 01:01:54,640
Speaker 1: He covers her, I thought it since I didn't know

1367
01:01:54,640 --> 01:01:56,440
Speaker 1: where she was going I thought she was going to

1368
01:01:56,440 --> 01:01:57,680
Speaker 1: be gone, So I thought she was going to come

1369
01:01:57,720 --> 01:01:58,680
Speaker 1: back in, and she was gone.

1370
01:01:58,920 --> 01:02:00,680
Speaker 4: I thought if.

1371
01:02:00,200 --> 01:02:03,880
Speaker 3: That was an early draft or if it was but yeah.

1372
01:02:03,680 --> 01:02:05,400
Speaker 1: I mean again, it's like, kind of where would she go?

1373
01:02:05,640 --> 01:02:07,360
Speaker 1: But at the same time, I thought, the second she

1374
01:02:07,560 --> 01:02:12,840
Speaker 1: was exposed, exposed her Yeah, yeah, you know, thrown up

1375
01:02:12,840 --> 01:02:14,520
Speaker 1: in her face in any way, shape or form, she

1376
01:02:14,520 --> 01:02:17,000
Speaker 1: she's just gonna bade which is believable.

1377
01:02:17,240 --> 01:02:19,560
Speaker 4: Yeah, except for the idea that it's one of the

1378
01:02:19,600 --> 01:02:23,120
Speaker 4: reasons I love that very early on, Sean tells her

1379
01:02:23,440 --> 01:02:28,080
Speaker 4: you can trust him. I think she trusts Sean so much,

1380
01:02:28,520 --> 01:02:31,680
Speaker 4: and Sean has done nothing but do her right, make

1381
01:02:31,760 --> 01:02:36,200
Speaker 4: sure she's being protected. That if Sean told him and

1382
01:02:36,320 --> 01:02:39,280
Speaker 4: I'm here, I have to trust that this is still

1383
01:02:39,280 --> 01:02:41,400
Speaker 4: a safe place for me and she. I think she

1384
01:02:41,480 --> 01:02:43,760
Speaker 4: just trusts it so implicitly she feels comfortable enough to

1385
01:02:43,760 --> 01:02:45,560
Speaker 4: fall asleep in that second. But I agree with you

1386
01:02:45,640 --> 01:02:48,480
Speaker 4: that my first thought was she's gonna bolt, But I

1387
01:02:48,480 --> 01:02:50,520
Speaker 4: love that she didn't, and I really do think again,

1388
01:02:50,600 --> 01:02:52,720
Speaker 4: it all comes down to the fact that she trusts Sean,

1389
01:02:52,800 --> 01:02:56,600
Speaker 4: and Sean trusts Corey, so she's already asleep. Corey covers

1390
01:02:56,600 --> 01:02:58,440
Speaker 4: her with a blanket and grabs the small bouquet of

1391
01:02:58,440 --> 01:03:00,640
Speaker 4: flowers from his from his date with to Panga and

1392
01:03:00,680 --> 01:03:02,960
Speaker 4: he places them right by her head to remind her

1393
01:03:03,040 --> 01:03:06,160
Speaker 4: of her aunt's house. It's a touching little scene.

1394
01:03:06,240 --> 01:03:09,000
Speaker 1: It was so sweet, very very sweet, the whole, the

1395
01:03:09,040 --> 01:03:11,480
Speaker 1: whole little touch for Corey and.

1396
01:03:10,960 --> 01:03:14,040
Speaker 4: And great and again this is where those actors, oh.

1397
01:03:13,920 --> 01:03:14,720
Speaker 5: And it's so good.

1398
01:03:15,000 --> 01:03:16,960
Speaker 2: The lighting is different too, like when you turn down

1399
01:03:17,000 --> 01:03:20,640
Speaker 2: the lights in a set that you're.

1400
01:03:20,640 --> 01:03:21,240
Speaker 3: It's really great.

1401
01:03:21,320 --> 01:03:24,440
Speaker 1: But this is where the adult I started watching it

1402
01:03:24,440 --> 01:03:26,480
Speaker 1: as an adult, and this is where you start kind

1403
01:03:26,520 --> 01:03:28,720
Speaker 1: of yelling at the screen like, no, this is too big.

1404
01:03:28,520 --> 01:03:30,680
Speaker 3: A secret to keep, you can't keep this thing. And

1405
01:03:31,120 --> 01:03:32,480
Speaker 3: started to get riled up.

1406
01:03:32,520 --> 01:03:36,280
Speaker 1: You get emotional because you're you're sitting there watching almost

1407
01:03:36,280 --> 01:03:40,640
Speaker 1: you're we're watching ourselves make mistakes as young people. So

1408
01:03:40,680 --> 01:03:43,360
Speaker 1: you go you want to yell at yourself when you're fourteen, like, no,

1409
01:03:43,480 --> 01:03:44,360
Speaker 1: you're not doing the right thing.

1410
01:03:44,560 --> 01:03:46,160
Speaker 3: You know you're not doing the right thing right now.

1411
01:03:47,040 --> 01:03:49,360
Speaker 3: So yeah, this was I thought this whole scene was amazing.

1412
01:03:49,960 --> 01:03:52,320
Speaker 4: And then we're in John Adams high Sean runs to

1413
01:03:52,400 --> 01:03:54,480
Speaker 4: Corey at his locker. Did clear leave before his parents

1414
01:03:54,480 --> 01:03:57,400
Speaker 4: woke up. Correy says, yes, his plan of protecting Claire

1415
01:03:57,600 --> 01:04:01,080
Speaker 4: one night at a time worked for one night. Sean's happy,

1416
01:04:01,120 --> 01:04:03,000
Speaker 4: but now he's wondering if Corey can leave his door

1417
01:04:03,040 --> 01:04:05,520
Speaker 4: unlocked again. Corey tries to argue, but Sean says, she

1418
01:04:05,640 --> 01:04:07,920
Speaker 4: likes your place, she feels safe. There can't you just

1419
01:04:07,960 --> 01:04:10,480
Speaker 4: do this? Corey tells him you can't just move from

1420
01:04:10,480 --> 01:04:13,200
Speaker 4: place to place because it feels safe, and then he

1421
01:04:13,240 --> 01:04:15,240
Speaker 4: feels unsafe in the hall, so he grabs Sean and

1422
01:04:15,240 --> 01:04:17,880
Speaker 4: walks with them to Turner's class, which prompts a laugh

1423
01:04:18,000 --> 01:04:22,000
Speaker 4: from the audience, which feels totally out of place. It's

1424
01:04:22,080 --> 01:04:24,240
Speaker 4: just I know that it was a joke about you

1425
01:04:24,240 --> 01:04:25,160
Speaker 4: can't just kick.

1426
01:04:25,160 --> 01:04:26,880
Speaker 1: Move place to place, and then we're going to go

1427
01:04:26,880 --> 01:04:29,560
Speaker 1: to this place, but it was an obscure joke at best,

1428
01:04:29,720 --> 01:04:30,720
Speaker 1: and probable.

1429
01:04:30,680 --> 01:04:34,720
Speaker 4: There have been so few laughs in the episode that

1430
01:04:34,760 --> 01:04:36,920
Speaker 4: then this one getting a laugh. It actually took me

1431
01:04:37,000 --> 01:04:39,440
Speaker 4: a second. I was like, wait, why are they laughing?

1432
01:04:39,560 --> 01:04:41,480
Speaker 4: And then I went back and was like, oh, because

1433
01:04:41,520 --> 01:04:43,760
Speaker 4: they're making a joke about what he's doing. But it

1434
01:04:43,920 --> 01:04:45,920
Speaker 4: just I would have almost It just kind of took me.

1435
01:04:46,000 --> 01:04:48,760
Speaker 3: I was a strange I agree.

1436
01:04:49,040 --> 01:04:51,240
Speaker 4: Corey asks, did you see what that jerk did to

1437
01:04:51,280 --> 01:04:53,840
Speaker 4: her arm? We gotta go to the police, Sean refutes,

1438
01:04:53,880 --> 01:04:56,760
Speaker 4: cops just make things worse. Corey reminds Sean when you

1439
01:04:56,800 --> 01:04:59,760
Speaker 4: put a cherry bomb in a mailbox and made things

1440
01:04:59,800 --> 01:05:00,560
Speaker 4: work for him.

1441
01:05:00,880 --> 01:05:04,920
Speaker 5: Short episode number one exactly, probably the second one.

1442
01:05:05,480 --> 01:05:09,919
Speaker 4: Sean stole Turner's bike. More cops, more worse, Sean says,

1443
01:05:09,960 --> 01:05:11,120
Speaker 4: then you see my point.

1444
01:05:11,400 --> 01:05:12,080
Speaker 7: I love this.

1445
01:05:15,680 --> 01:05:15,960
Speaker 2: Job.

1446
01:05:19,120 --> 01:05:22,439
Speaker 4: You're a criminal. The cops were doing their job. We're

1447
01:05:22,480 --> 01:05:27,160
Speaker 4: going to the police. And although this is a little oversimplified,

1448
01:05:27,520 --> 01:05:31,720
Speaker 4: I do like that, Yeah, cops make situations worse when

1449
01:05:31,800 --> 01:05:34,720
Speaker 4: you're a criminal. What they did in that case, and

1450
01:05:34,800 --> 01:05:37,600
Speaker 4: in this case, the criminal is the dad, and so

1451
01:05:38,160 --> 01:05:41,400
Speaker 4: the very oversimplified idea is that they'll make it worse

1452
01:05:41,680 --> 01:05:43,920
Speaker 4: for the person who deserves it.

1453
01:05:43,920 --> 01:05:46,400
Speaker 2: It is interesting that we went to cops. The cops

1454
01:05:46,400 --> 01:05:49,240
Speaker 2: are the source in this entire episode, whereas, like you know,

1455
01:05:49,360 --> 01:05:52,560
Speaker 2: in most situations, it would be child protective services, right

1456
01:05:52,560 --> 01:05:55,240
Speaker 2: like you just make a phone call to There are

1457
01:05:55,280 --> 01:06:00,880
Speaker 2: social services before cops. It's interesting that we never reference

1458
01:06:00,920 --> 01:06:01,600
Speaker 2: any of that.

1459
01:06:01,680 --> 01:06:02,960
Speaker 4: We just sort of tell a teacher.

1460
01:06:03,160 --> 01:06:07,840
Speaker 1: Actually, I think if she's that beaten up, I think

1461
01:06:07,880 --> 01:06:10,800
Speaker 1: cops would probably be first, and then the police would

1462
01:06:10,840 --> 01:06:12,840
Speaker 1: involve CPS or something like that.

1463
01:06:12,840 --> 01:06:14,800
Speaker 4: That is that is true that like say she's over

1464
01:06:14,840 --> 01:06:17,160
Speaker 4: at Corey's house or at Shawn's house by the time,

1465
01:06:17,160 --> 01:06:19,200
Speaker 4: if you call CPS, they're probably not going to send

1466
01:06:19,200 --> 01:06:21,520
Speaker 4: somebody out at one o'clock in the morning. The cops

1467
01:06:21,520 --> 01:06:23,480
Speaker 4: are probably more immediately.

1468
01:06:23,200 --> 01:06:25,280
Speaker 5: Respond immediately to a black guy or a bruce.

1469
01:06:25,360 --> 01:06:28,160
Speaker 2: Yeah, sure, yes, yeah, yeah, I guess it just it

1470
01:06:28,240 --> 01:06:31,480
Speaker 2: just seems pretty extreme, you know, Like I mean, I

1471
01:06:31,520 --> 01:06:33,800
Speaker 2: guess you have to be sort of obvious in a

1472
01:06:33,840 --> 01:06:36,080
Speaker 2: sitcom context or in a television show context.

1473
01:06:36,120 --> 01:06:38,440
Speaker 5: But yeah, I mean.

1474
01:06:38,320 --> 01:06:42,440
Speaker 2: What's so great about this episode is that by using

1475
01:06:43,040 --> 01:06:47,080
Speaker 2: the Sean Corey relationship and the sort of childish approach

1476
01:06:47,120 --> 01:06:48,960
Speaker 2: that Shawn is taking to like I can just keep

1477
01:06:49,040 --> 01:06:51,479
Speaker 2: you know, going back by night. You know, like there's

1478
01:06:51,680 --> 01:06:55,080
Speaker 2: the the most insidious part about abuse is like the

1479
01:06:55,160 --> 01:06:57,960
Speaker 2: confusing line. The line is getting blurred, right, like a

1480
01:06:58,080 --> 01:07:01,680
Speaker 2: parent suddenly being on being the person that's hurting you.

1481
01:07:02,000 --> 01:07:05,600
Speaker 2: And like the fact that Sean and Corey don't know

1482
01:07:05,640 --> 01:07:08,960
Speaker 2: who to like where there's no easy answer, you know,

1483
01:07:09,120 --> 01:07:09,960
Speaker 2: like that there's all this.

1484
01:07:10,360 --> 01:07:11,120
Speaker 5: I just love that.

1485
01:07:11,120 --> 01:07:14,120
Speaker 2: That's so good, it's so it's such a great way

1486
01:07:14,160 --> 01:07:19,479
Speaker 2: to like put the audience into the mindset of when

1487
01:07:19,520 --> 01:07:21,800
Speaker 2: you are a kid or you're going through something like

1488
01:07:21,800 --> 01:07:23,680
Speaker 2: this where you suddenly you don't know who to trust,

1489
01:07:23,720 --> 01:07:24,200
Speaker 2: where to go.

1490
01:07:24,280 --> 01:07:25,520
Speaker 5: It's it's really great.

1491
01:07:25,720 --> 01:07:28,840
Speaker 2: It's it's you know, like that the show is reflecting

1492
01:07:29,320 --> 01:07:32,000
Speaker 2: the mental state of a child who doesn't know where

1493
01:07:32,040 --> 01:07:36,240
Speaker 2: to turn, you know, It's created a dramatic intercara intra

1494
01:07:36,480 --> 01:07:40,720
Speaker 2: character situation where that confusion is the story and like,

1495
01:07:41,080 --> 01:07:44,120
Speaker 2: and that confusion reflects the way an individual feels when

1496
01:07:44,120 --> 01:07:46,320
Speaker 2: they don't know who to turn to. It's it's brilliant.

1497
01:07:46,320 --> 01:07:49,240
Speaker 4: It's brilliant also by the fact that she comes right

1498
01:07:49,280 --> 01:07:51,280
Speaker 4: out right here in the scene and she says, if

1499
01:07:51,320 --> 01:07:52,800
Speaker 4: you go to the cops.

1500
01:07:52,480 --> 01:07:55,560
Speaker 3: I'll just lie, I'll just lie. Exactly what can you do?

1501
01:07:56,160 --> 01:08:00,400
Speaker 4: She herself knows what will happen and doesn't want it

1502
01:08:00,440 --> 01:08:03,240
Speaker 4: to happen, doesn't want to be hurt anymore, but doesn't

1503
01:08:03,240 --> 01:08:05,640
Speaker 4: want to be taken away, and yet being taken away

1504
01:08:05,720 --> 01:08:07,640
Speaker 4: is the only way to make sure this doesn't happen again,

1505
01:08:08,400 --> 01:08:12,000
Speaker 4: and she doesn't want that either, which is exactly what

1506
01:08:12,480 --> 01:08:13,400
Speaker 4: kids feel.

1507
01:08:13,360 --> 01:08:15,240
Speaker 1: Is well, yeah, the last thing you want to think

1508
01:08:15,320 --> 01:08:18,080
Speaker 1: is that your parents, one of your parents actually doesn't

1509
01:08:18,160 --> 01:08:21,920
Speaker 1: love you or can't show doesn't matter how to love

1510
01:08:21,960 --> 01:08:24,360
Speaker 1: you or somebody sure, So you have to sit there

1511
01:08:24,360 --> 01:08:26,080
Speaker 1: and come up with some idea. But I think it

1512
01:08:26,160 --> 01:08:28,680
Speaker 1: also the thing I loved about this episode two. It

1513
01:08:28,800 --> 01:08:32,160
Speaker 1: also so shows the dynamic between Corey and Sean, the

1514
01:08:32,200 --> 01:08:35,439
Speaker 1: power they have as the team. Where Sean is problem

1515
01:08:35,520 --> 01:08:37,280
Speaker 1: in front of me, fixed problem in front of me,

1516
01:08:37,800 --> 01:08:41,280
Speaker 1: and Corey is big picture where it's like, okay, but

1517
01:08:41,400 --> 01:08:43,800
Speaker 1: what's the overall that we have to worry about to

1518
01:08:43,840 --> 01:08:46,200
Speaker 1: make this problem go away entirely?

1519
01:08:46,520 --> 01:08:48,599
Speaker 3: And the two of them together and that's what's.

1520
01:08:48,640 --> 01:08:51,200
Speaker 2: Sean is also like break rules, who cares, do whatever

1521
01:08:51,240 --> 01:08:51,719
Speaker 2: it takes.

1522
01:08:52,120 --> 01:08:54,080
Speaker 3: Corey's like, let's do it right, but I don't know

1523
01:08:54,120 --> 01:08:55,120
Speaker 3: what's right, so we have to.

1524
01:08:55,040 --> 01:08:55,760
Speaker 5: Brag that out.

1525
01:08:55,840 --> 01:08:57,559
Speaker 1: It's just that the two of them together, it just

1526
01:08:57,600 --> 01:08:59,639
Speaker 1: works so well in this in this episode's great.

1527
01:08:59,720 --> 01:09:02,320
Speaker 4: Yeah, so Claire says, if you call the cops, I'll

1528
01:09:02,360 --> 01:09:05,360
Speaker 4: just lie. Corey begs her to do something, and Claire explains,

1529
01:09:05,520 --> 01:09:07,320
Speaker 4: you come home to the people in that picture and

1530
01:09:07,360 --> 01:09:09,760
Speaker 4: you know they love you, and my dad loves me too.

1531
01:09:10,160 --> 01:09:11,840
Speaker 4: He just has all the stress at work and I

1532
01:09:11,880 --> 01:09:13,240
Speaker 4: get in his way at the wrong times.

1533
01:09:13,439 --> 01:09:14,640
Speaker 5: Rory's killed me.

1534
01:09:14,800 --> 01:09:18,639
Speaker 1: Oh that crushed me when she her delivery was so good,

1535
01:09:19,000 --> 01:09:21,320
Speaker 1: and she blames herself, and it's so kind of earnest

1536
01:09:21,320 --> 01:09:22,360
Speaker 1: the way she blames herself.

1537
01:09:22,360 --> 01:09:23,560
Speaker 3: Oh, it was heartbreaking.

1538
01:09:23,560 --> 01:09:24,360
Speaker 4: A watch so good.

1539
01:09:24,479 --> 01:09:24,720
Speaker 2: I know.

1540
01:09:25,280 --> 01:09:28,200
Speaker 4: Corey's angry. What he's doing to you is wrong. Sean

1541
01:09:28,240 --> 01:09:30,439
Speaker 4: tries to calm him down, and they zoom in on

1542
01:09:30,479 --> 01:09:34,760
Speaker 4: Claire's worried face. Corey sighs, yeah, I'll unlock my door.

1543
01:09:35,320 --> 01:09:37,360
Speaker 4: Sean is relieved and puts his arm around Claire as

1544
01:09:37,360 --> 01:09:39,599
Speaker 4: they leave the room. And then we're in the trailer park.

1545
01:09:39,640 --> 01:09:41,400
Speaker 4: It's the middle of the night, and Corey pounds on

1546
01:09:41,400 --> 01:09:45,040
Speaker 4: the trailer door. Sean answers, didn't Claire show up? Corey says, yes,

1547
01:09:45,360 --> 01:09:48,000
Speaker 4: but we revealed Claire behind him with a huge black

1548
01:09:48,040 --> 01:09:49,439
Speaker 4: eye and a bruised lip.

1549
01:09:49,600 --> 01:09:51,400
Speaker 3: Ough the makeup.

1550
01:09:51,520 --> 01:09:53,639
Speaker 1: I mean, just just to talk about the makeup, because

1551
01:09:53,680 --> 01:09:54,719
Speaker 1: the second you see.

1552
01:09:54,479 --> 01:09:56,240
Speaker 3: Her you are gutted.

1553
01:09:56,600 --> 01:09:59,240
Speaker 1: Yeah, I mean, it's this is what they didn't make

1554
01:09:59,280 --> 01:10:00,760
Speaker 1: a you know, we've we all seen kind of the

1555
01:10:00,800 --> 01:10:02,280
Speaker 1: small black eyes they can give you.

1556
01:10:02,320 --> 01:10:04,800
Speaker 3: I mean they look like they beat the hell out

1557
01:10:04,840 --> 01:10:05,320
Speaker 3: of this girl.

1558
01:10:05,360 --> 01:10:06,320
Speaker 5: It was horrible.

1559
01:10:07,120 --> 01:10:08,960
Speaker 4: A grown man, yeah.

1560
01:10:08,600 --> 01:10:10,800
Speaker 1: Punching somebody, and that's what they did. They did not

1561
01:10:10,880 --> 01:10:13,760
Speaker 1: hold back. It wasn't a slight little caught on her

1562
01:10:13,800 --> 01:10:16,040
Speaker 1: lip or something like that. I mean, they went for it,

1563
01:10:16,640 --> 01:10:19,759
Speaker 1: and it is. It's a gut punch. You can see.

1564
01:10:20,439 --> 01:10:22,719
Speaker 3: It's. Oh yeah, it was brutal, brutal.

1565
01:10:24,040 --> 01:10:26,240
Speaker 4: She says she's fine, It's not as bad as it looks.

1566
01:10:26,400 --> 01:10:28,640
Speaker 4: Sean runs to hugger. He's so sorry he should have

1567
01:10:28,680 --> 01:10:31,320
Speaker 4: been there. He leads Claire into the trailer, promising her

1568
01:10:31,360 --> 01:10:34,200
Speaker 4: dad will never do this again. Corey says, Sean can't

1569
01:10:34,240 --> 01:10:36,320
Speaker 4: promise a thing like that. He knows Sean wants to

1570
01:10:36,360 --> 01:10:38,759
Speaker 4: do the right thing, but he's been wrong this entire time.

1571
01:10:39,320 --> 01:10:41,240
Speaker 4: Claire pleads, listen, in a year and a half, I'll

1572
01:10:41,240 --> 01:10:43,400
Speaker 4: be off at college. Until then, I'll just stay out

1573
01:10:43,439 --> 01:10:45,880
Speaker 4: of his way. Sean says, you haven't been doing a

1574
01:10:45,880 --> 01:10:48,679
Speaker 4: real good job of that so far. Claire asks, see,

1575
01:10:48,680 --> 01:10:51,680
Speaker 4: you're against me now too. Sean says she doesn't deserve this.

1576
01:10:51,920 --> 01:10:54,920
Speaker 4: Nobody does. She sits down and her voice gets shaky.

1577
01:10:55,240 --> 01:10:58,599
Speaker 4: I didn't do anything to him? Why did he have me? Oh?

1578
01:10:59,240 --> 01:11:00,599
Speaker 5: Ugh yeah, ugh.

1579
01:11:01,720 --> 01:11:04,599
Speaker 3: She was so good in this episode. M so good

1580
01:11:04,640 --> 01:11:05,480
Speaker 3: in this episode.

1581
01:11:05,600 --> 01:11:07,840
Speaker 4: And I would like to point out that these are

1582
01:11:07,880 --> 01:11:12,040
Speaker 4: the moments that people really seem to ignore when they

1583
01:11:12,040 --> 01:11:15,919
Speaker 4: comment on our Instagram or you know, in our emails

1584
01:11:15,960 --> 01:11:18,880
Speaker 4: about it's just a kid's sitcom and it shouldn't be

1585
01:11:18,920 --> 01:11:25,720
Speaker 4: taken too seriously wrong. There are so many moments like

1586
01:11:25,960 --> 01:11:30,160
Speaker 4: this that happen over the course of the seven seasons

1587
01:11:30,160 --> 01:11:34,320
Speaker 4: of Boy Meets World that we take the show seriously

1588
01:11:34,600 --> 01:11:38,360
Speaker 4: because the show is good enough to be taken seriously yep.

1589
01:11:38,479 --> 01:11:41,519
Speaker 4: And sometimes that means there are times when we think

1590
01:11:41,560 --> 01:11:43,920
Speaker 4: it's missed the mark a little bit because we know

1591
01:11:44,120 --> 01:11:47,800
Speaker 4: what it's capable of. And now, granted, I'm not saying

1592
01:11:47,840 --> 01:11:49,800
Speaker 4: every episode should be like this. As a matter of fact,

1593
01:11:49,800 --> 01:11:53,120
Speaker 4: this would be a terrible show if every episode was

1594
01:11:53,320 --> 01:11:58,040
Speaker 4: like this. But this is something more than just your

1595
01:11:58,160 --> 01:12:02,360
Speaker 4: normal Friday night sitcom, and it should be treated and

1596
01:12:02,400 --> 01:12:07,280
Speaker 4: looked at as something more important than just that. So

1597
01:12:07,360 --> 01:12:21,040
Speaker 4: just a brilliant show. And then we're in the Matthews

1598
01:12:21,040 --> 01:12:23,160
Speaker 4: living room. Sean and Corey walk into the house, cleaning

1599
01:12:23,240 --> 01:12:25,840
Speaker 4: up the pillows and blankets left on the couch. Corey admits,

1600
01:12:25,840 --> 01:12:27,720
Speaker 4: it's a good thing my parents aren't up yet, and

1601
01:12:27,720 --> 01:12:30,200
Speaker 4: then Alan's voice appears, Yeah, it's a good thing we're

1602
01:12:30,200 --> 01:12:32,880
Speaker 4: still asleep. Amy turns on the lights to reveal both

1603
01:12:32,880 --> 01:12:35,360
Speaker 4: of them sitting on the stairs. Corey panics, handing Sean

1604
01:12:35,360 --> 01:12:37,200
Speaker 4: the blanket and pillow, saying it's nice to see them.

1605
01:12:37,560 --> 01:12:40,080
Speaker 4: Alan asks anything we need to know before we wake up.

1606
01:12:40,880 --> 01:12:43,160
Speaker 4: Sewn assures them it has nothing to do with the

1607
01:12:43,560 --> 01:12:46,240
Speaker 4: pillow and blanket he's holding. Corey says, we were taking

1608
01:12:46,280 --> 01:12:47,880
Speaker 4: care of a friend who was being roughed up by

1609
01:12:47,880 --> 01:12:51,519
Speaker 4: her dad. Alan asks Claire Ferguson and Sean can't believe

1610
01:12:51,520 --> 01:12:54,599
Speaker 4: it you told them. Alan responds, he didn't tell us.

1611
01:12:54,600 --> 01:12:57,080
Speaker 4: Sean Amy continues, she left her book here.

1612
01:12:57,600 --> 01:12:58,120
Speaker 3: Can I say?

1613
01:12:58,160 --> 01:13:02,040
Speaker 1: I'm so glad they did this because they easily could

1614
01:13:02,080 --> 01:13:06,360
Speaker 1: have done. Corey told his parents, which you know, at

1615
01:13:06,360 --> 01:13:07,800
Speaker 1: the end of the day, is the right thing to do,

1616
01:13:08,360 --> 01:13:12,040
Speaker 1: but he still was loyal to Sean totally, and at

1617
01:13:12,080 --> 01:13:14,040
Speaker 1: the end of the day, he didn't that the parents

1618
01:13:14,080 --> 01:13:16,439
Speaker 1: found out on their own. They again easily could have

1619
01:13:16,439 --> 01:13:19,160
Speaker 1: written it. Where they walk in and Corey's like, I'm sorry, Sean,

1620
01:13:19,200 --> 01:13:20,280
Speaker 1: this was too big a secret.

1621
01:13:20,880 --> 01:13:22,960
Speaker 3: I had to tell my parents. But they didn't do that.

1622
01:13:23,160 --> 01:13:25,599
Speaker 1: He's stuck by Sean the whole way, and they found

1623
01:13:25,640 --> 01:13:27,200
Speaker 1: out on their own, and I thought that was a

1624
01:13:27,280 --> 01:13:28,439
Speaker 1: kind of a cool way to go about it. You

1625
01:13:28,479 --> 01:13:31,400
Speaker 1: don't think it's kind of a cheet No, I don't

1626
01:13:31,560 --> 01:13:34,679
Speaker 1: I to have your cake and eat it too exactly.

1627
01:13:35,840 --> 01:13:39,000
Speaker 1: But it's also there's also the layer of as much

1628
01:13:39,080 --> 01:13:40,720
Speaker 1: as you think you can pull the wool over your

1629
01:13:40,720 --> 01:13:42,479
Speaker 1: eyes of your parents, a lot of times they know

1630
01:13:43,000 --> 01:13:46,320
Speaker 1: something's up totally. And so there is that kind of

1631
01:13:46,400 --> 01:13:48,760
Speaker 1: layer of I'm going to stick with Sean. I'm I'm

1632
01:13:48,880 --> 01:13:50,760
Speaker 1: he doesn't want me to say anything. I promised I

1633
01:13:50,760 --> 01:13:53,479
Speaker 1: wouldn't say anything. We told each other now four times

1634
01:13:53,479 --> 01:13:56,240
Speaker 1: in this episode you can trust me or I've got

1635
01:13:56,280 --> 01:13:58,639
Speaker 1: to trust you, or something like that. So they they

1636
01:13:58,680 --> 01:14:00,960
Speaker 1: paid that off where or he didn't tell his parents.

1637
01:14:01,000 --> 01:14:03,320
Speaker 1: I know they came up with an idea together.

1638
01:14:03,640 --> 01:14:04,840
Speaker 5: It's not necessarily bumping me.

1639
01:14:04,880 --> 01:14:07,599
Speaker 2: It's just it's very convenient, you know, Like I think

1640
01:14:07,640 --> 01:14:10,599
Speaker 2: it's avoiding the issue that you're bringing up, which is.

1641
01:14:11,439 --> 01:14:12,840
Speaker 5: Sean, you know, the trust.

1642
01:14:14,360 --> 01:14:16,759
Speaker 2: At some point, Corey is going to have to violate

1643
01:14:16,800 --> 01:14:19,439
Speaker 2: either his relationship with Sean or his relationship with his parents,

1644
01:14:19,520 --> 01:14:22,760
Speaker 2: right Like he's he's being he's being forced into that

1645
01:14:22,800 --> 01:14:23,759
Speaker 2: position by Sean.

1646
01:14:24,240 --> 01:14:28,040
Speaker 3: So yeah, But the.

1647
01:14:28,400 --> 01:14:32,439
Speaker 4: The alternative thing, the see option is that Corey is

1648
01:14:32,479 --> 01:14:36,479
Speaker 4: going to to continue to push Sean until Sean makes

1649
01:14:36,479 --> 01:14:39,240
Speaker 4: the right the right thing, the same way Phoene does

1650
01:14:39,360 --> 01:14:43,800
Speaker 4: to Sean in Janitor Dad. Sure, and I so I think,

1651
01:14:43,840 --> 01:14:46,000
Speaker 4: and I think that's that's a good way of going

1652
01:14:46,000 --> 01:14:47,680
Speaker 4: about it. You know, if you you don't have to

1653
01:14:47,680 --> 01:14:50,320
Speaker 4: tell your friend what they have to do, but you

1654
01:14:50,360 --> 01:14:52,960
Speaker 4: can continue to encourage them to do the right thing.

1655
01:14:53,280 --> 01:14:55,400
Speaker 4: And I think that's ultimately what Corey was going to do,

1656
01:14:55,479 --> 01:14:58,280
Speaker 4: Like I'll keep your secret for you, but ultimately you're

1657
01:14:58,280 --> 01:14:59,800
Speaker 4: going to have to come to this decision on your own.

1658
01:15:00,120 --> 01:15:03,280
Speaker 1: Keeps pressuring him correctly, and then they come up with

1659
01:15:03,920 --> 01:15:05,719
Speaker 1: and they they then they come up with a solution,

1660
01:15:05,840 --> 01:15:08,720
Speaker 1: which at the end of the day is still very childish,

1661
01:15:09,040 --> 01:15:11,920
Speaker 1: and it takes the adult to walk in and go no, no, no, no, no,

1662
01:15:11,960 --> 01:15:14,320
Speaker 1: this is I get what you guys are doing, not

1663
01:15:14,439 --> 01:15:17,280
Speaker 1: how we're going to play this. So the kids still

1664
01:15:17,280 --> 01:15:20,200
Speaker 1: didn't at the end of the day, kind of come

1665
01:15:20,240 --> 01:15:22,280
Speaker 1: to that, to come to that realization and make that

1666
01:15:22,320 --> 01:15:24,599
Speaker 1: decision themselves. It still took the adult to step in

1667
01:15:24,640 --> 01:15:27,080
Speaker 1: and go, yeah, I get what your guys are doing not.

1668
01:15:27,040 --> 01:15:27,479
Speaker 5: Going to work.

1669
01:15:27,600 --> 01:15:30,040
Speaker 4: But they did still leave it up to Sean, and

1670
01:15:30,040 --> 01:15:33,120
Speaker 4: and Sean does make the decision himself.

1671
01:15:33,520 --> 01:15:35,160
Speaker 3: Right, I'm going to the.

1672
01:15:35,160 --> 01:15:37,240
Speaker 4: Police, and they say, great, we'll drive you.

1673
01:15:37,760 --> 01:15:39,439
Speaker 1: Alan would have got you know, they would have gone

1674
01:15:39,479 --> 01:15:41,040
Speaker 1: anyway at that point, but they didn't.

1675
01:15:40,840 --> 01:15:42,880
Speaker 5: Have such good dialogue.

1676
01:15:42,920 --> 01:15:45,400
Speaker 3: Oh, it's so great the fact that it's like, what

1677
01:15:45,439 --> 01:15:47,120
Speaker 3: are you going to do? What are you going to do?

1678
01:15:47,280 --> 01:15:48,240
Speaker 3: How are you going to do it?

1679
01:15:48,320 --> 01:15:50,880
Speaker 2: And it's just Sean saying I'm going to do the

1680
01:15:50,920 --> 01:15:52,160
Speaker 2: right thing because I'm choosing to.

1681
01:15:52,200 --> 01:15:54,600
Speaker 5: And they're like, great, we will just let's go help you.

1682
01:15:54,920 --> 01:15:57,320
Speaker 4: Yeah, but Sean explains she wanted to keep it a secret.

1683
01:15:57,400 --> 01:15:59,640
Speaker 4: We decided to respect that. Alan tells them, if you've

1684
01:15:59,640 --> 01:16:01,720
Speaker 4: got a and in serious trouble, the only thing you

1685
01:16:01,720 --> 01:16:03,360
Speaker 4: have to respect is how to get her the right

1686
01:16:03,439 --> 01:16:06,400
Speaker 4: kind of help. Sean assures them that they did. Sean

1687
01:16:06,439 --> 01:16:08,400
Speaker 4: tells them we put Claire on a bus to Vermont.

1688
01:16:08,400 --> 01:16:10,000
Speaker 4: She's going to stay with her aunt who lives there.

1689
01:16:10,080 --> 01:16:12,519
Speaker 4: Corey assures them it's a really nice place with flowers,

1690
01:16:12,520 --> 01:16:14,360
Speaker 4: and it's where she wants to be, So we did

1691
01:16:14,360 --> 01:16:17,080
Speaker 4: the right thing. Alan wants to know, and what's going

1692
01:16:17,120 --> 01:16:18,880
Speaker 4: to stop her dad from bringing her back? Who's going

1693
01:16:18,960 --> 01:16:20,240
Speaker 4: to stop him? Are you going to stop him?

1694
01:16:20,240 --> 01:16:20,479
Speaker 1: Sean?

1695
01:16:20,560 --> 01:16:22,519
Speaker 4: Is her aunt going to stop him? Because the distance

1696
01:16:22,560 --> 01:16:24,840
Speaker 4: is not going to be what stops him. Sean takes

1697
01:16:24,840 --> 01:16:28,320
Speaker 4: his time before saying I'm going to stop him. Alan

1698
01:16:28,360 --> 01:16:31,080
Speaker 4: asks how, and Sean says, I'm going to the police.

1699
01:16:31,520 --> 01:16:34,680
Speaker 4: Alan nods in approval. They'll drive him. Sean looks at

1700
01:16:34,680 --> 01:16:37,400
Speaker 4: Corey and says, I promised Claire I'd take care of her.

1701
01:16:37,479 --> 01:16:40,880
Speaker 4: I'm going I'm gonna get emotional reading. Corey nods, now

1702
01:16:40,920 --> 01:16:42,599
Speaker 4: you really are, and I cry.

1703
01:16:42,960 --> 01:16:45,320
Speaker 3: Yeah, it was very sweet. I didn't cry, but I

1704
01:16:45,560 --> 01:16:46,280
Speaker 3: probably could have.

1705
01:16:47,240 --> 01:16:49,599
Speaker 2: I didn't know, Honestly, I didn't remember, and I didn't

1706
01:16:49,680 --> 01:16:52,120
Speaker 2: know what Sean was going to say. Yes, I didn't

1707
01:16:52,120 --> 01:16:54,479
Speaker 2: want to stop him. I was like, what how we're

1708
01:16:54,600 --> 01:16:57,320
Speaker 2: going to stop I I'm going to fight him. I'm

1709
01:16:57,320 --> 01:16:59,439
Speaker 2: gonna you know the way that Sean is, the way

1710
01:16:59,479 --> 01:17:02,200
Speaker 2: that I was del Sean is so like passionate. I

1711
01:17:02,200 --> 01:17:03,720
Speaker 2: was like, where's this going and then he's like, I'm

1712
01:17:03,760 --> 01:17:06,960
Speaker 2: going to the police. He's like, that's awesome, what great,

1713
01:17:07,000 --> 01:17:08,520
Speaker 2: What a well written scene.

1714
01:17:08,720 --> 01:17:11,280
Speaker 1: Yeah, and god, Rusty, We've talked about it a thousand times,

1715
01:17:11,280 --> 01:17:14,080
Speaker 1: but Rusty's so good well.

1716
01:17:14,120 --> 01:17:15,519
Speaker 4: And one of the things that does make me so

1717
01:17:15,560 --> 01:17:18,559
Speaker 4: emotional about it is that, like again talking about the

1718
01:17:18,600 --> 01:17:21,360
Speaker 4: other layers of this relationship and what it means to

1719
01:17:21,400 --> 01:17:24,519
Speaker 4: Sean and what Shawn's history. Is Sean being able to

1720
01:17:24,520 --> 01:17:27,519
Speaker 4: step in and make the right choice to protect her

1721
01:17:27,760 --> 01:17:31,760
Speaker 4: has to have in some way healed something. There's got

1722
01:17:31,800 --> 01:17:35,160
Speaker 4: to be something for him that's like something I'm able

1723
01:17:35,200 --> 01:17:38,800
Speaker 4: to do for somebody else that maybe if that's the

1724
01:17:38,840 --> 01:17:41,200
Speaker 4: subtext we're supposed to pick up on, he wasn't able

1725
01:17:41,240 --> 01:17:43,360
Speaker 4: to do for himself, or he wasn't able to do

1726
01:17:43,439 --> 01:17:45,280
Speaker 4: for his mother, or I think.

1727
01:17:45,160 --> 01:17:48,160
Speaker 2: All Sean wants is somebody like him in this episode

1728
01:17:48,240 --> 01:17:50,400
Speaker 2: standing up for him, yes, you know, which is what

1729
01:17:50,439 --> 01:17:54,800
Speaker 2: Turner did in season two, Season three, Yeah, yeah, yeah,

1730
01:17:54,840 --> 01:17:57,120
Speaker 2: and then I think Alan will do in the cult

1731
01:17:57,160 --> 01:17:59,840
Speaker 2: fiction episode which is coming up this season.

1732
01:18:00,320 --> 01:18:02,360
Speaker 4: We're in Corey's room to Panga and Corey are looking

1733
01:18:02,360 --> 01:18:05,160
Speaker 4: at pictures. To Panga comments it looks really pretty there.

1734
01:18:05,240 --> 01:18:08,080
Speaker 4: Claire says she's really happy and Vermont. Corey reveals she

1735
01:18:08,160 --> 01:18:10,800
Speaker 4: started a new school, she's making new friends. Her dad's

1736
01:18:10,840 --> 01:18:12,920
Speaker 4: in a therapy program, and she says maybe they'll see

1737
01:18:12,960 --> 01:18:15,559
Speaker 4: each other again someday. To Pega smiles and says she

1738
01:18:15,600 --> 01:18:18,360
Speaker 4: hopes everything works out for her. To Pega asks why

1739
01:18:18,360 --> 01:18:20,200
Speaker 4: the house is so quiet tonight, and Corey says mom

1740
01:18:20,240 --> 01:18:22,080
Speaker 4: and dad are at Morgan's soccer game and Eric's at

1741
01:18:22,080 --> 01:18:25,960
Speaker 4: the store. Penga smiles, here we are again alone in

1742
01:18:26,040 --> 01:18:28,960
Speaker 4: your bedroom. Corey tells her yes, but if she noticed

1743
01:18:29,040 --> 01:18:31,519
Speaker 4: there are no candles. She smiles and looks at his bed.

1744
01:18:31,840 --> 01:18:35,120
Speaker 4: What about the grapes? Corey responds, I just like grapes.

1745
01:18:35,720 --> 01:18:45,080
Speaker 3: And I bought it every single He's got Cory Graving too.

1746
01:18:45,560 --> 01:18:47,920
Speaker 4: He continues this thing with Claire. She had to grow

1747
01:18:48,000 --> 01:18:50,840
Speaker 4: up so fast. I just like being fifteen here with you.

1748
01:18:51,400 --> 01:18:54,880
Speaker 4: To Panga asks just kissing. Corey nods, Kissing's good, and

1749
01:18:54,920 --> 01:18:56,599
Speaker 4: I want you to know I would never want to

1750
01:18:56,640 --> 01:18:59,400
Speaker 4: abuse our relationship. To Panga pulls them in for a

1751
01:18:59,400 --> 01:19:01,800
Speaker 4: little makeout session, and he asks what was that for.

1752
01:19:02,280 --> 01:19:03,880
Speaker 4: She tells him just because we're not going to ninth

1753
01:19:03,920 --> 01:19:05,760
Speaker 4: base doesn't mean we can't take a little lead off

1754
01:19:05,760 --> 01:19:09,160
Speaker 4: of first Corey's eyes get wide. Baseball has been very

1755
01:19:09,280 --> 01:19:12,000
Speaker 4: very good to me. So they returned to kissing, and

1756
01:19:12,000 --> 01:19:14,600
Speaker 4: to Panga presses play on the CD player begins to

1757
01:19:14,640 --> 01:19:17,320
Speaker 4: once again play Morgan's Little Kiddie Song to Panga and

1758
01:19:17,360 --> 01:19:20,320
Speaker 4: Corey smile and sing along with it, booping each other's noses.

1759
01:19:20,800 --> 01:19:24,479
Speaker 4: And I thought it was very cute ending yes, and

1760
01:19:24,560 --> 01:19:28,680
Speaker 4: a very nice nod to tying up all of the

1761
01:19:28,720 --> 01:19:31,240
Speaker 4: elements of this episode.

1762
01:19:30,760 --> 01:19:35,280
Speaker 2: About episode just growing up too fast, Yes, staying you know,

1763
01:19:35,320 --> 01:19:37,360
Speaker 2: appreciating staying young when you have it.

1764
01:19:37,520 --> 01:19:39,400
Speaker 5: Yeah, And then like, yeah.

1765
01:19:39,240 --> 01:19:43,320
Speaker 2: It's it's a really perfect thematic little button and it's cute.

1766
01:19:43,320 --> 01:19:44,800
Speaker 5: It's not you guys are like connecting.

1767
01:19:45,080 --> 01:19:49,000
Speaker 4: Yeah, yes, kids, so cute. I love it. So join

1768
01:19:49,080 --> 01:19:51,880
Speaker 4: us for our next episode. It is season four, episode nine,

1769
01:19:52,120 --> 01:19:55,360
Speaker 4: sixteen Candles and four hundred pound Men.

1770
01:19:55,960 --> 01:20:00,439
Speaker 6: It's the sixteenth the rest of the episode, Oh God,

1771
01:20:00,520 --> 01:20:05,640
Speaker 6: to remember this, this is where you go to the Okay, wow,

1772
01:20:06,160 --> 01:20:09,440
Speaker 6: is this is this Ethan's final episode?

1773
01:20:09,800 --> 01:20:12,800
Speaker 4: Maybe maybe Ethan's And I think it's and it's and

1774
01:20:12,840 --> 01:20:13,519
Speaker 4: it's another.

1775
01:20:13,320 --> 01:20:15,800
Speaker 5: One with say he came back for the graduation.

1776
01:20:16,200 --> 01:20:17,759
Speaker 3: Oh right, right right, oh right right? Okay.

1777
01:20:18,880 --> 01:20:22,280
Speaker 4: So it originally aired November fifteenth, nineteen ninety six. As always,

1778
01:20:22,320 --> 01:20:24,320
Speaker 4: you can follow us on Instagram pod Meets World Show.

1779
01:20:24,360 --> 01:20:26,280
Speaker 4: You can send us your emails pod Meets World Show

1780
01:20:26,320 --> 01:20:29,120
Speaker 4: at gmail dot com. And we have merch.

1781
01:20:29,600 --> 01:20:32,320
Speaker 1: If you take merch and you reverse it and you

1782
01:20:32,320 --> 01:20:35,200
Speaker 1: subtract it from itself, you still end up with six

1783
01:20:36,080 --> 01:20:36,760
Speaker 1: and seventy four.

1784
01:20:38,840 --> 01:20:40,760
Speaker 5: That's a Sagittarius law, right it is?

1785
01:20:41,920 --> 01:20:45,320
Speaker 1: I thought it was six seven one four noventy four?

1786
01:20:45,360 --> 01:20:51,479
Speaker 4: Okay, all right, Pod Meets Worldshow dot com will send

1787
01:20:51,520 --> 01:20:51,880
Speaker 4: us out.

1788
01:20:52,360 --> 01:20:54,200
Speaker 3: We love you all, pod dismissed.

1789
01:20:55,520 --> 01:20:58,240
Speaker 1: Pod Meats World is nheart podcast produced and hosted by

1790
01:20:58,320 --> 01:21:02,200
Speaker 1: Danielle Fischel, Wilfredell and right Or Strong. Executive producers Jensen

1791
01:21:02,240 --> 01:21:05,799
Speaker 1: Carp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1792
01:21:06,120 --> 01:21:10,400
Speaker 1: producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and

1793
01:21:10,400 --> 01:21:13,200
Speaker 1: Boy Meets World superfan Easton Allen. Our theme song is

1794
01:21:13,200 --> 01:21:15,320
Speaker 1: by Kyle Morton of Typhoon and you can follow us

1795
01:21:15,360 --> 01:21:18,120
Speaker 1: on Instagram at Podmeets World Show or email us at

1796
01:21:18,120 --> 01:21:21,960
Speaker 1: Podmets Worldshow at gmail dot com,