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Speaker 1: R and B Money.

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Speaker 2: We are.

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Speaker 1: Than take Valichi. We are the authorities R and B.

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Speaker 1: Lady is gentleman.

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Speaker 2: My name is Tank Valentine. This is the Ry Money

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Speaker 2: podcast authority on all things R and B. Yeah, okay,

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Speaker 2: old and new and in between and in between.

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Speaker 1: We tapped in, We.

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Speaker 2: Tapped in, We tapped into the culture.

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Speaker 3: Still brought all of it.

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Speaker 2: We brought some of the youth into the building tonight.

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Speaker 2: I mean, you know, we're talking about musicianship. We're talking

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Speaker 2: about sanging. We're talking about we're talking about you were

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Speaker 2: playing whatever instrument want to play?

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Speaker 1: Huh it's hair? Nice? Is that nice? Pants to thank y'all?

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Speaker 2: What man?

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Speaker 1: Some bro? How you feeling rather?

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Speaker 3: I'm blessed, but I can't complain.

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Speaker 4: About to drop a project?

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Speaker 3: Yes, sir, so everything is good.

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Speaker 1: You're about to drop a project.

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Speaker 4: I am about to drop a project.

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Speaker 1: And which project is the which number project is this?

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Speaker 3: This is so?

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Speaker 1: How many projects have you dropped?

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Speaker 3: I haven't dropped any official album?

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Speaker 1: And if number, how many projects have you dropped?

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Speaker 2: Mixed tapes that I like to call it, Tom It's

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Speaker 2: gonna be my fifth one, your fifth one? So so so, Jay,

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Speaker 2: let's just make a note of this. Okay, so be

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Speaker 2: his fifth uh entry into into the musical universe that

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Speaker 2: we are.

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Speaker 1: Not part of it anyway. Background something, yeah something, background snatch.

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Speaker 3: Even on records.

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Speaker 2: Literally like you look on a line of those niggasy

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Speaker 2: snap who sadly I'd like to be involved.

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Speaker 1: Bro, Well you already know. Sometimes so we.

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Speaker 4: Listen, you'll be out of the country though sometimes.

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Speaker 2: I'm only out of the country once a year.

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Speaker 1: It's in July. We can plan around.

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Speaker 4: I'm back, I'm back to tonight tomorrow.

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Speaker 1: Listen, listen, listen.

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Speaker 2: I think it's like and I think for what we

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Speaker 2: are is like we're you know, we're the bridges, and

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Speaker 2: we're always trying to just make and keep the connection.

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Speaker 1: You know what I'm saying.

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Speaker 2: As you are, as you are in the space where

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Speaker 2: you are building your new R and B career, we

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Speaker 2: are just guys that.

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Speaker 1: Would just love to help.

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Speaker 2: Yeah, that's it, that's all. We don't need nothing from you.

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Speaker 2: What we require is that.

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Speaker 3: You kill them.

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Speaker 2: Absolutely all we care about, Okay, and we're gonna put

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Speaker 2: the battery, the battery in your back.

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Speaker 3: Come on.

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Speaker 1: He was performing somewhere the other days.

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Speaker 3: Man, I want to go pull up on it, I said,

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Speaker 3: called it was a vibe.

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Speaker 1: It it was a vibe. I hit him.

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Speaker 3: I said he had he had posted that he was

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Speaker 3: gonna be in l A.

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Speaker 1: I hit him.

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Speaker 5: I said, send me the info. He send me the info.

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Speaker 5: It's like, Okay, this ship is far.

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Speaker 3: That's fun.

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Speaker 1: It's fun, you know what, for the love R and B.

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Speaker 1: For the love of R and B, I'm.

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Speaker 5: Gonna pull up on a young fella because for me,

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Speaker 5: I've been a fan from afar of just appreciating the

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Speaker 5: music that you were putting out, and just from having

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Speaker 5: conversations with other industry insiders as they would call him

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Speaker 5: that have always spoken so highly of you as well,

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Speaker 5: and and just and meeting you in past. I'm like, oh,

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Speaker 5: it's a really nice dude. I'm supporting you know what

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Speaker 5: I mean, I'm supporting him. So I was like, you

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Speaker 5: know what, I'm gonna take the ride. I'm go out

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Speaker 5: there and see what he do, and then you would

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Speaker 5: work the trip, appreciate short performance, you know what I

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Speaker 5: Mean's like, yeah, I'm just going up for you know,

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Speaker 5: about ten minutes, fifteen minutes. But I got to see

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Speaker 5: from stage presence to uh vocally the way you handled

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Speaker 5: the crowd, the whole thing.

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Speaker 1: I'm like, because it wasn't.

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Speaker 2: At first, I thought it was a show as well,

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Speaker 2: Like I didn't know, you know, I didn't know that

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Speaker 2: the full spectrum of you know, what the event.

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Speaker 1: Was going to be.

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Speaker 5: But that didn't matter to me because I was I

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Speaker 5: was coming to support some thinking I'm just I'm going

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Speaker 5: to a show. But then I'm like, okay, he's it's

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Speaker 5: like a.

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Speaker 2: Venue, outdoor vibe party, kick it, but some performance.

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Speaker 1: And that's not always easy for artists, absolutely, you.

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Speaker 2: Know what I mean, like having conversations, I mean like

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Speaker 2: like singing, why people are having conversations and parts of

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Speaker 2: the cabody right right, right right.

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Speaker 3: That's real that.

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Speaker 2: You were able to command that crowd. You were able

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Speaker 2: to zone in.

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Speaker 5: In into you know, into the audience and really locking

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Speaker 5: with them and and and get.

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Speaker 1: Your ship off.

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Speaker 5: And I just appreciated that, man, because I feel like

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Speaker 5: we're lacking, especially in mail R and B. We're lacking

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Speaker 5: presence and we're lacking man hours. M hm, okay, we're

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Speaker 5: lacking man hours because I because here's the other funny part.

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Speaker 1: I wasn't gonna tell you there. I take you today.

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Speaker 3: They made me pay what that made me pay?

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Speaker 1: I haven't paid for anything or any kind of meaning

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Speaker 1: stopping me and.

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Speaker 2: Podcast nigga the music you be doing niggah blah blah

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Speaker 2: blah blah blah.

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Speaker 1: Yeah, I get I.

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Speaker 5: Get to I get to the door, and the guy

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Speaker 5: I think I probably still have because I paid with

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Speaker 5: cash app, so I got that nigga name in my

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Speaker 5: phone charged me.

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Speaker 1: Are you serious? He said, yeah, you know the list

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Speaker 1: hasn't been working. Yo, No, this hasn't been working. It

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Speaker 1: hasn't been working. Why he thought that one? That's crazy.

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Speaker 1: I came to support I spent my money too. Bro.

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Speaker 3: You should have told me.

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Speaker 2: Bro, But that's lambing about it now, Like no, but

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Speaker 2: like no nigga, like I had a full thing, like

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Speaker 2: where I He's like, yeah, so it's gonna be oh yeah,

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Speaker 2: all right.

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Speaker 1: Cool, that's cool. Wow, that's cool.

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Speaker 5: But listen, Wow, I came to support you. I wasn't

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Speaker 5: gonna be like, yeah, well you let me hit to

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Speaker 5: right now. I'ven I got crazy.

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Speaker 1: You know what I'm saying? That just made.

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Speaker 4: Because I said, like, I can show you the list,

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Speaker 4: said it was prepared.

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Speaker 2: He said, he said that they was. They was having

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Speaker 2: a problem that's that's figured out right, and real niggas

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Speaker 2: don't hit you when they stuck outside, They're like, listen,

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Speaker 2: figure this thing out quick. And I hollered my guy

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Speaker 2: like what but like, hey man, you going on stage.

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Speaker 2: I'm not about to be.

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Speaker 3: Like hey man, they got me at the door, right right,

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Speaker 3: right right. I appreciate you with that.

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Speaker 1: I can't believe they charge Yeah, they charged me. They

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Speaker 1: charged me. I charged y'all, y'all hear this charge people

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Speaker 1: people that.

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Speaker 2: That's probably why I'm not shouting at the event either.

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Speaker 2: Niggas charged me, You're gonna do this to me?

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Speaker 6: To me.

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Speaker 4: From I'm from Jersey, from Jersey, yep, Marlton, New Jersey, Marlton.

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Speaker 4: That's that's in the trees, bro. I'm down south, like

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Speaker 4: thirty minutes from Philly, so.

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Speaker 1: Close to Philly. Yeah, okay, yeah yeah? Is that the roots?

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Speaker 2: Is that the is that the is that the starting

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Speaker 2: from from Philly?

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Speaker 4: My mom's from Burlington and I went to church in

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Speaker 4: Philly too, so I think that's.

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Speaker 1: That would drive to church?

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Speaker 4: Ye yeah, yeah, yep, minutes a whole another state, right right,

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Speaker 4: but it was it is right there.

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Speaker 3: It's a bridge away. But yeah, that's why I got

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Speaker 3: every thing from I grew.

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Speaker 4: Up in trial was always at church, Bro. I was

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Speaker 4: church Monday, Tuesday, Wednesday, Thursday. My mom worked at the

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Speaker 4: church and then was on the choir. So I was

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Speaker 4: there Saturday Sunday. Just I had no choice to be

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Speaker 4: around music and to learn.

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Speaker 1: So, so was your mother and father involved in the church?

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Speaker 1: Is just your mother?

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Speaker 4: So my dad he was a drummer for a while,

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Speaker 4: and then and then he stopped playing drums. And then

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Speaker 4: my mom she continued to sing on the choir and

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Speaker 4: then directed the choir.

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Speaker 3: So I was there, bro traveling.

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Speaker 1: On when did you get your solo?

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Speaker 4: When did you you know what's crazy? I was shy

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Speaker 4: as a kid. I did not want to sing in

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Speaker 4: front of nobody. I didn't even sing in front of her.

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Speaker 4: When she asked me, I'd be like, I'm good, I'm

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Speaker 4: gonna play the drums. So you're a drummer, Oh yeah,

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Speaker 4: I started that three.

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Speaker 1: That's your first? That my first love? Are you nice? Nice?

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Speaker 3: I'm nice?

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Speaker 1: I'm nice like Tony Royster nice.

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Speaker 3: See that's another level.

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Speaker 1: Are you better? Are you better than Anderson Pack?

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Speaker 4: He's a pocket?

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Speaker 1: You know what? Though?

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Speaker 3: I would like I would like for us to have

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Speaker 3: a drummer.

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Speaker 2: Off and and nice want the drum of Hey, I'm

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Speaker 2: not sacking down.

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Speaker 4: I'll off against anybody.

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Speaker 1: I played the drums too, but I'm out of practice.

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Speaker 1: How many histories do you play?

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Speaker 4: So I play, I play drums, bass, a little bit

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Speaker 4: of keys, guitar, and then the same.

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Speaker 1: So when did did you pick up all of these

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Speaker 1: in church? Yeah?

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Speaker 4: Yeah, like literally by ear too. No, nobody taught them.

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Speaker 5: Nobody, Like you're the kid that's literally in there, like okay,

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Speaker 5: let me see what I can do with this exactly,

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Speaker 5: and like people will people be playing in church and

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Speaker 5: and you know, you know how kids would be, you know,

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Speaker 5: like be crowding around, and then I'll have my little

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Speaker 5: sticks in my pocket wait for somebody be like, get

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Speaker 5: up on the play, play a little something something.

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Speaker 4: And then if you if you play and it was

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Speaker 4: kind of cool, they let you drop. But if you

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Speaker 4: was like making too much noise and it wasn't good,

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Speaker 4: all right, get your ass off the yeah, come on, yeah, yeah,

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Speaker 4: get down. So I would just be there watching everybody

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Speaker 4: do everything. In the moments that I wasn't playing the drums,

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Speaker 4: I was watching smart play the organ or somebody played

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Speaker 4: the keys.

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Speaker 3: This somebody played the guitar. I'm just like, okay, that's cool.

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Speaker 3: And then the first song I learned how to play

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Speaker 3: is a diary.

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Speaker 4: Who diary? At least diary? The first one you learn

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Speaker 4: key got the first.

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Speaker 3: Song len I'll play. I was watching it was just like, okay,

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Speaker 3: he's in the black keys. That's what it is.

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Speaker 4: Getting all the black kids.

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Speaker 1: Cool.

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Speaker 2: Okay, this ones I discovered, yeah, together, those are the

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Speaker 2: cool ones to me.

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Speaker 1: So like my first song was there it is God

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Speaker 1: in the Morning and such horized.

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Speaker 3: Like, yeah he stayed stay away from the white don't

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Speaker 3: know what.

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Speaker 2: And they scared me because one of my grandmother tried

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Speaker 2: to put me in music. She put me in music

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Speaker 2: and they were like okay middle c and I was

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Speaker 2: here with it.

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Speaker 1: I was like yeah, no, no good.

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Speaker 2: But once you start playing in church and play long enough,

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Speaker 2: and you have to catch people during devotional time starting

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Speaker 2: in a right right, you got to follow them in

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Speaker 2: a You got to pick it up. You got to

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Speaker 2: learn quickly how y'all to have perfect pitch. You can't

240
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Speaker 2: start no song in a Why are we singing in E?

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Speaker 1: Who does this right? Right? But that's So how fluent

242
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Speaker 1: are you in guitar.

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Speaker 4: I'm actually better in guitar than I am at keys,

244
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Speaker 4: And like I learned keys well enough to just produce,

245
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Speaker 4: Like I started producing it like eleven. But at eleven,

246
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Speaker 4: at eleven, how does that start?

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Speaker 1: Though? Like, dude, you ask your parents to get you equipment.

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Speaker 4: So okay, So I'll give you a rundown. So I

249
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Speaker 4: was in a group a long time ago and it

250
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Speaker 4: was my best friend, and he is like a genius

251
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Speaker 4: when it comes to just rigging stuff up and being

252
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Speaker 4: able to record. So we had he had like all

253
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Speaker 4: old gear from church, like the tape machines and things

254
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Speaker 4: like that.

255
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Speaker 1: He rigged it.

256
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Speaker 4: Up so that we could just be able to record.

257
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Speaker 4: And so he would just press record on I could.

258
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Speaker 4: I don't even know how to do it today, but

259
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Speaker 4: your press record on the tapes and stuff it was

260
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Speaker 4: wired to something else. He'd be like, all right, cool,

261
00:12:29,960 --> 00:12:33,360
Speaker 4: we live press play on the track, and we in

262
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Speaker 4: there singing temptations, my girl, my girl, my girl.

263
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Speaker 3: Talking about right. So we're doing that.

264
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Speaker 4: Play it back, No, we was off, then we all

265
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Speaker 4: do it again.

266
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Speaker 3: We wasn't sounding good.

267
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Speaker 4: Everything, Yeah, exactly, yep, yep, So back then we was

268
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Speaker 4: probably like the Crazy Party, were probably seven or eight,

269
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Speaker 4: seven and eight doing stuff like that.

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Speaker 3: So then I got my hands.

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Speaker 4: On fruity loops. I got my hands on fruity loops,

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Speaker 4: and that change my life. So he was like, Yo,

273
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Speaker 4: this is how you do that. That's how you make

274
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Speaker 4: the drums sounds, is how you do the patterns. Yeah,

275
00:13:06,840 --> 00:13:09,240
Speaker 4: and that was that bro, and I just fell down

276
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Speaker 4: the rabbit hole. And so my parents they was like,

277
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Speaker 4: all right, cool, We're just gonna baughtch your computer or

278
00:13:14,600 --> 00:13:17,760
Speaker 4: actually it was the family computer, and I just put

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Speaker 4: fruity loops on there.

280
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Speaker 3: I was taking a boll of storage and ship. They

281
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Speaker 3: had no memory and ship.

282
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Speaker 2: Why it's fifty beats right right right, but now it's

283
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Speaker 2: fruity loops.

284
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Speaker 1: Man was at eleven? Were you writing.

285
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Speaker 3: Songs to the beats too? Or you're just doing beats?

286
00:13:37,040 --> 00:13:38,320
Speaker 3: So no, that was a crazy prob. I was just

287
00:13:38,320 --> 00:13:41,360
Speaker 3: making beats. I didn't I was not thinking about your first.

288
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Speaker 1: Beats to me. I ain't gonna lie.

289
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Speaker 3: I thought it was kind of dope.

290
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Speaker 1: I thought it was kind of dope.

291
00:13:47,000 --> 00:13:49,040
Speaker 4: It was like, obviously you hearing back now, I'm like, oh,

292
00:13:49,080 --> 00:13:50,400
Speaker 4: that's cute.

293
00:13:50,600 --> 00:13:53,760
Speaker 2: But he's as crazy as a young beat maker, like

294
00:13:54,679 --> 00:13:57,840
Speaker 2: playing your beats like for people people.

295
00:14:00,640 --> 00:14:02,360
Speaker 1: I didn't know what those faces back then.

296
00:14:03,440 --> 00:14:06,160
Speaker 2: Everybody was just you know, I thought everybody liked it.

297
00:14:08,679 --> 00:14:15,240
Speaker 2: It's like, oh, you really are glass half for this.

298
00:14:15,679 --> 00:14:16,640
Speaker 4: He's got potential.

299
00:14:18,080 --> 00:14:21,240
Speaker 1: In my mind, I'm like, I'm killing these I'm.

300
00:14:21,080 --> 00:14:21,960
Speaker 3: Gonna get I'm gonna get it.

301
00:14:21,960 --> 00:14:25,200
Speaker 1: You know, you're talking to the swool chairs. I don't know.

302
00:14:25,240 --> 00:14:27,440
Speaker 2: I just didn't know my tracks with trash, I know,

303
00:14:28,240 --> 00:14:30,840
Speaker 2: because in my mind, I'm just using what I got.

304
00:14:30,880 --> 00:14:35,480
Speaker 4: You know, I would like burn CDs and anytime I'll

305
00:14:35,480 --> 00:14:37,000
Speaker 4: go with my mom somewhere, I'll be like, yo, I'll

306
00:14:37,240 --> 00:14:40,000
Speaker 4: burn like ten beats on CD, right, and be like.

307
00:14:39,960 --> 00:14:41,920
Speaker 3: All right, mama, I got I got my CD and.

308
00:14:41,880 --> 00:14:45,000
Speaker 4: Sometimes all right, you know, put so you play the CD.

309
00:14:46,200 --> 00:14:49,480
Speaker 4: She would be very supportive on the ones that have potential,

310
00:14:50,120 --> 00:14:52,360
Speaker 4: and then on the ones that she didn't like it.

311
00:14:52,800 --> 00:14:54,800
Speaker 3: I realized that she would be on the phone.

312
00:14:56,440 --> 00:15:06,440
Speaker 4: She's turned down your first. She was honest, honest with it.

313
00:15:06,640 --> 00:15:08,360
Speaker 4: She was like, oh, why did you pick that sound?

314
00:15:08,400 --> 00:15:10,360
Speaker 4: But it's supportive though, you know, never be like oh

315
00:15:10,360 --> 00:15:12,400
Speaker 4: that was whack. But she was like okay, maybe you

316
00:15:12,400 --> 00:15:15,040
Speaker 4: should go back to the drawing board and change that.

317
00:15:15,120 --> 00:15:17,440
Speaker 3: But yeah, yeah, my mom, she was honest with it.

318
00:15:17,800 --> 00:15:18,520
Speaker 3: Was supporting me though.

319
00:15:18,600 --> 00:15:19,320
Speaker 1: That's super cool.

320
00:15:19,400 --> 00:15:23,240
Speaker 2: My parents didn't really know what that was, you know

321
00:15:23,280 --> 00:15:24,680
Speaker 2: what I'm saying. So they was like, all I hear

322
00:15:24,720 --> 00:15:27,400
Speaker 2: is a bunch of noise coming out your room. You

323
00:15:27,480 --> 00:15:31,240
Speaker 2: got to turn that down certain TV amp. Oh wow,

324
00:15:31,600 --> 00:15:33,960
Speaker 2: you know what I'm saying. And my my synthesize and

325
00:15:34,000 --> 00:15:37,320
Speaker 2: plugged up to the amp crazy and I'm literally.

326
00:15:36,960 --> 00:15:38,920
Speaker 1: Like sun up son down.

327
00:15:39,080 --> 00:15:41,520
Speaker 2: Oh yeah, I might have only eight once a day.

328
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Speaker 2: You just he was just noise.

329
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Speaker 1: I was just.

330
00:15:46,960 --> 00:15:50,760
Speaker 2: Yeah, making track because I had a discus. It was

331
00:15:50,760 --> 00:15:53,560
Speaker 2: a PV keyboard. Okay, most people don't know about that

332
00:15:53,760 --> 00:15:57,119
Speaker 2: p v D p M four. I got it, show

333
00:15:57,160 --> 00:16:00,000
Speaker 2: you put my disc in it, and then I don't

334
00:16:00,200 --> 00:16:01,760
Speaker 2: had But you still have the same exact one. You

335
00:16:01,800 --> 00:16:04,680
Speaker 2: still have it. That crazy you kept it some me mental.

336
00:16:05,560 --> 00:16:09,440
Speaker 2: It only had eight tracks to make music, so I

337
00:16:09,440 --> 00:16:13,360
Speaker 2: had to figure out my drums, my keys, my baby

338
00:16:14,080 --> 00:16:17,920
Speaker 2: figure all that out in eight tracks. So sometime I

339
00:16:17,920 --> 00:16:20,320
Speaker 2: had put the kick in the snare on the same track.

340
00:16:20,560 --> 00:16:26,440
Speaker 3: Didn't get to the.

341
00:16:24,080 --> 00:16:26,040
Speaker 2: Way I figured it out. Was kind of crazy. But

342
00:16:26,480 --> 00:16:31,600
Speaker 2: I didn't think my tracks were cool until I get

343
00:16:31,600 --> 00:16:35,880
Speaker 2: on the road with Genuine and I bring my keyboard,

344
00:16:36,600 --> 00:16:39,440
Speaker 2: maybe make some tracks or something, and I'm making tracks

345
00:16:39,440 --> 00:16:43,080
Speaker 2: and I'm just genuine like, that's just so, that's I

346
00:16:43,160 --> 00:16:44,480
Speaker 2: got something that sounds like something.

347
00:16:45,360 --> 00:16:47,320
Speaker 1: And come walking Timbling. Mm hmm.

348
00:16:48,680 --> 00:16:53,040
Speaker 2: I'm like, oh ship, So I meant Timberland for the

349
00:16:53,040 --> 00:16:56,680
Speaker 2: first time. He's riding our bus. He's what you got?

350
00:16:56,680 --> 00:16:57,320
Speaker 1: What did you do? What you do?

351
00:16:57,440 --> 00:17:00,360
Speaker 2: I said, I'm just making making some beats. So I

352
00:17:00,360 --> 00:17:03,560
Speaker 2: played him somebody he said is He's liked, let's make

353
00:17:03,560 --> 00:17:04,040
Speaker 2: one together.

354
00:17:04,680 --> 00:17:07,840
Speaker 1: That dope. That dope. Yeah, I never heard that story.

355
00:17:07,880 --> 00:17:08,600
Speaker 1: That's dope.

356
00:17:09,359 --> 00:17:14,440
Speaker 2: So me and Timbling making a big bobbing heads on

357
00:17:14,440 --> 00:17:16,600
Speaker 2: on the DP and four of course, you man, okay,

358
00:17:16,600 --> 00:17:17,800
Speaker 2: what I got to use my pen because I broke

359
00:17:17,800 --> 00:17:18,120
Speaker 2: that button.

360
00:17:18,200 --> 00:17:18,400
Speaker 1: Rre.

361
00:17:18,920 --> 00:17:20,919
Speaker 2: He an't even seen the ship she was working on,

362
00:17:21,960 --> 00:17:24,880
Speaker 2: Like what is this?

363
00:17:24,920 --> 00:17:27,320
Speaker 1: Is it? He's like okay, yeah? And Nick, that's when

364
00:17:27,359 --> 00:17:28,840
Speaker 1: I was he was like this, Yeah, I like that.

365
00:17:28,880 --> 00:17:29,600
Speaker 1: I like what you're doing.

366
00:17:29,880 --> 00:17:32,320
Speaker 5: And how many years of noise were you making in

367
00:17:32,359 --> 00:17:34,240
Speaker 5: your parents' basement before this moment?

368
00:17:34,320 --> 00:17:42,280
Speaker 2: At this at this point, I'm twenty one two. I've

369
00:17:42,320 --> 00:17:43,120
Speaker 2: been making.

370
00:17:42,920 --> 00:17:47,800
Speaker 3: Noise, making noise, crazy, making.

371
00:17:47,600 --> 00:17:53,840
Speaker 1: Noise since eighth seventh grade? What seventh eighth grade?

372
00:17:54,080 --> 00:17:57,840
Speaker 3: Just making noise. Oh yeah, you gotta you gotta pay

373
00:17:57,880 --> 00:17:58,960
Speaker 3: for every Vegans trip.

374
00:17:59,359 --> 00:18:03,520
Speaker 1: I want to go every No drum set in the house?

375
00:18:03,920 --> 00:18:04,520
Speaker 1: Hell no?

376
00:18:04,760 --> 00:18:04,920
Speaker 2: Yeah?

377
00:18:05,000 --> 00:18:07,760
Speaker 1: Yeah yeah yeah, no drum set in the house. Yeah,

378
00:18:07,920 --> 00:18:08,720
Speaker 1: and the keyboard.

379
00:18:09,200 --> 00:18:10,760
Speaker 3: So would you play the song and then play the

380
00:18:10,840 --> 00:18:12,200
Speaker 3: drums to the song that you made?

381
00:18:12,320 --> 00:18:13,919
Speaker 2: No, No, I was just I was just practice for

382
00:18:14,000 --> 00:18:15,720
Speaker 2: whatever I was going to play on Sunday. Okay, all right,

383
00:18:15,880 --> 00:18:17,960
Speaker 2: you know what I'm saying, practicing my chops and everything

384
00:18:18,440 --> 00:18:20,480
Speaker 2: house at the house. It was never both at the

385
00:18:20,520 --> 00:18:22,200
Speaker 2: same saying, like the drums were in the house or

386
00:18:22,240 --> 00:18:23,000
Speaker 2: in the garage in.

387
00:18:23,000 --> 00:18:35,879
Speaker 1: The house, in my bedroom like step brothers. Yeah, drums set.

388
00:18:36,920 --> 00:18:42,119
Speaker 2: Yes, yes, hell no, I wish I would my kids

389
00:18:42,119 --> 00:18:43,120
Speaker 2: have a drum set.

390
00:18:42,960 --> 00:18:43,560
Speaker 1: In the house.

391
00:18:43,760 --> 00:18:43,960
Speaker 2: Man.

392
00:18:44,560 --> 00:18:48,560
Speaker 7: You know that's why you get the electric my father, Yes, enough, yes, enough,

393
00:18:53,080 --> 00:18:54,920
Speaker 7: cut it out.

394
00:18:54,720 --> 00:19:00,879
Speaker 1: It's making noise, bro that long. It takes that. But

395
00:19:01,080 --> 00:19:02,760
Speaker 1: it's like they didn't know.

396
00:19:02,840 --> 00:19:04,720
Speaker 2: It was like when the new movies in Church, you know,

397
00:19:04,880 --> 00:19:06,920
Speaker 2: of course from the musician, and it all works out.

398
00:19:06,960 --> 00:19:07,359
Speaker 1: In church.

399
00:19:07,600 --> 00:19:09,240
Speaker 2: But in terms of what I was trying to be

400
00:19:09,640 --> 00:19:13,000
Speaker 2: m M or what even I didn't know what I

401
00:19:13,119 --> 00:19:15,200
Speaker 2: was working towards. I was just wanted to be good

402
00:19:15,200 --> 00:19:17,360
Speaker 2: at it's. In fact, I wanted to sound like Timberland.

403
00:19:17,760 --> 00:19:20,480
Speaker 2: I wanted to sound like commission shout out to the investors.

404
00:19:20,520 --> 00:19:24,439
Speaker 2: We always shout out the investors, yeah, meaning the supportive parents.

405
00:19:24,680 --> 00:19:27,879
Speaker 2: My mom bought synthesizers. Absolutely did not have the money

406
00:19:27,880 --> 00:19:30,520
Speaker 2: for it, and we was paying payment on.

407
00:19:31,200 --> 00:19:33,480
Speaker 3: Look at that synthesizers got you'all on now.

408
00:19:39,080 --> 00:19:48,080
Speaker 1: My little nigga, Y know that's crazy, that's great.

409
00:19:49,080 --> 00:19:51,800
Speaker 5: So you so you start yours at eleven, Start yours

410
00:19:51,800 --> 00:19:54,080
Speaker 5: at eleven where you got fruity loops, y'all got a

411
00:19:54,119 --> 00:19:56,840
Speaker 5: new computer. Guess because you didn't, you didn't burnt out

412
00:19:56,880 --> 00:20:00,639
Speaker 5: the house sample, it's time.

413
00:20:00,480 --> 00:20:00,920
Speaker 1: For you to make.

414
00:20:01,200 --> 00:20:03,600
Speaker 4: I was recording over my mom's consette tapes and ship

415
00:20:03,760 --> 00:20:05,560
Speaker 4: with my with my Ship and messing up.

416
00:20:06,400 --> 00:20:10,240
Speaker 2: Yeah, I was wilding. But were you in your mind?

417
00:20:10,320 --> 00:20:13,000
Speaker 2: Were you were you searching for this place or were

418
00:20:13,000 --> 00:20:14,760
Speaker 2: you just trying to Just.

419
00:20:14,200 --> 00:20:15,560
Speaker 3: Was just making music because I loved it.

420
00:20:16,280 --> 00:20:17,879
Speaker 1: Literally, it was very pure for you.

421
00:20:17,920 --> 00:20:22,879
Speaker 4: Pure pure ass can be like yeah, back then, I

422
00:20:22,920 --> 00:20:26,440
Speaker 4: wouldn't have told you, you know, it was here exactly.

423
00:20:26,680 --> 00:20:28,720
Speaker 4: It was just like, yo, I love this, Like there's

424
00:20:28,760 --> 00:20:31,080
Speaker 4: a feeling that I get when I do this I'm

425
00:20:31,080 --> 00:20:34,120
Speaker 4: not getting from anything else, So I'm gonna keep doing it.

426
00:20:34,240 --> 00:20:39,359
Speaker 2: How many years of noise are you making until you're yeah.

427
00:20:38,280 --> 00:20:40,200
Speaker 1: You know what? You know what?

428
00:20:40,440 --> 00:20:40,640
Speaker 2: Well?

429
00:20:41,880 --> 00:20:47,160
Speaker 4: I had a drum set, I'll say. Okay, I'll say

430
00:20:47,280 --> 00:20:50,679
Speaker 4: when I was eight nine, That's when I got my

431
00:20:50,720 --> 00:20:52,880
Speaker 4: first real drum set.

432
00:20:53,200 --> 00:20:54,520
Speaker 1: And then.

433
00:20:55,960 --> 00:20:57,080
Speaker 3: I would say up to.

434
00:20:59,480 --> 00:21:03,560
Speaker 4: Like twelve, I think nine to twelve I was making noise.

435
00:21:04,400 --> 00:21:07,120
Speaker 4: And then like thirteen and on is when it was like,

436
00:21:07,480 --> 00:21:08,880
Speaker 4: oh he kind of good.

437
00:21:09,080 --> 00:21:12,240
Speaker 1: You were sweet? Are you doing talent shows? Are you?

438
00:21:12,480 --> 00:21:14,040
Speaker 3: I'm in the band and you sang?

439
00:21:14,720 --> 00:21:18,280
Speaker 1: Have the girls okay discovered you yet? Yeah?

440
00:21:18,520 --> 00:21:21,119
Speaker 4: South Jersey absolutely. So this is what we would do.

441
00:21:21,359 --> 00:21:23,040
Speaker 3: We were in a group at the time, and this

442
00:21:23,080 --> 00:21:23,680
Speaker 3: is around.

443
00:21:23,640 --> 00:21:24,840
Speaker 1: The name of the group. We like to know the

444
00:21:24,920 --> 00:21:26,560
Speaker 1: names that this man.

445
00:21:26,680 --> 00:21:28,760
Speaker 4: This group had a few names because they had a

446
00:21:28,760 --> 00:21:30,280
Speaker 4: few members and it kept changing.

447
00:21:31,040 --> 00:21:33,159
Speaker 3: But first, we're not gonna let you get out of

448
00:21:33,160 --> 00:21:33,600
Speaker 3: telling this to no.

449
00:21:33,800 --> 00:21:34,439
Speaker 1: No, no, no, no.

450
00:21:34,200 --> 00:21:36,520
Speaker 3: No, no no, I'm gonna tell you i'm gonna tell you.

451
00:21:36,520 --> 00:21:38,240
Speaker 3: I'm gonna tell you so so.

452
00:21:39,400 --> 00:21:41,919
Speaker 4: I'm gonna just start here. We was it was a

453
00:21:41,960 --> 00:21:46,280
Speaker 4: new phase, new phase at one point. Then we changed

454
00:21:46,320 --> 00:21:47,560
Speaker 4: it to act one.

455
00:21:47,880 --> 00:21:50,720
Speaker 2: Act one okay, Act one started, start the movie. I

456
00:21:50,840 --> 00:21:53,639
Speaker 2: got okay, Acting one back one okay. And then it

457
00:21:53,760 --> 00:21:55,880
Speaker 2: changed to s J three South Jersey three.

458
00:21:56,760 --> 00:22:03,040
Speaker 1: It's straight three. Sounds like a sweatsuit, but I get it.

459
00:22:03,440 --> 00:22:09,960
Speaker 2: The new third edition drop next week. The boy edition

460
00:22:10,160 --> 00:22:15,120
Speaker 2: play belt swayed. So yeah, J three obviously was three.

461
00:22:15,160 --> 00:22:17,159
Speaker 3: You got yeah, three of us and we would go

462
00:22:17,200 --> 00:22:18,320
Speaker 3: around to the mall.

463
00:22:18,840 --> 00:22:21,480
Speaker 4: We were doing sweet sixteens, but we were in that

464
00:22:21,600 --> 00:22:26,720
Speaker 4: era of like passing out the sex tape like cards

465
00:22:26,760 --> 00:22:30,080
Speaker 4: and like go to the mall and sing and and

466
00:22:30,119 --> 00:22:32,879
Speaker 4: then sometimes you circle back around after being in the

467
00:22:32,920 --> 00:22:34,080
Speaker 4: mall all day and you see.

468
00:22:33,840 --> 00:22:35,639
Speaker 3: Your fly on the ground.

469
00:22:36,640 --> 00:22:38,960
Speaker 4: Yeah, I've been hanging out the trash be there.

470
00:22:39,040 --> 00:22:39,240
Speaker 2: Yeah.

471
00:22:39,280 --> 00:22:39,520
Speaker 1: Yeah.

472
00:22:39,640 --> 00:22:42,040
Speaker 4: So that was that was my childhood.

473
00:22:42,359 --> 00:22:44,080
Speaker 1: Were you making some money off of it? Were you're

474
00:22:44,080 --> 00:22:45,000
Speaker 1: getting a little bit of money?

475
00:22:45,080 --> 00:22:45,359
Speaker 2: No?

476
00:22:45,640 --> 00:22:46,879
Speaker 1: No, not even for the parties?

477
00:22:46,960 --> 00:22:49,840
Speaker 3: No, no, well no not really, not really.

478
00:22:50,000 --> 00:22:53,280
Speaker 4: It was just like hey, call, we want to perform, Yeah,

479
00:22:53,640 --> 00:22:56,800
Speaker 4: have them boys pull up and perform boys. They're pretty

480
00:22:56,800 --> 00:23:00,040
Speaker 4: good and they're gonna do it for free, so we

481
00:23:00,040 --> 00:23:00,600
Speaker 4: we pulled up.

482
00:23:00,840 --> 00:23:01,560
Speaker 3: It is exposure.

483
00:23:01,880 --> 00:23:02,640
Speaker 1: Yeah.

484
00:23:02,800 --> 00:23:05,480
Speaker 4: I remember one time though, we pulled up because like

485
00:23:05,520 --> 00:23:07,680
Speaker 4: the music we was doing, right, we was never on

486
00:23:07,800 --> 00:23:08,920
Speaker 4: tho like hood ship.

487
00:23:09,000 --> 00:23:11,040
Speaker 3: We didn't. I didn't grow up like in the hood.

488
00:23:11,640 --> 00:23:14,639
Speaker 4: So the music we was doing was kind of like

489
00:23:14,720 --> 00:23:18,040
Speaker 4: mixed between like you know, we we loved and sync, you.

490
00:23:18,040 --> 00:23:18,520
Speaker 1: Know what I'm saying.

491
00:23:18,600 --> 00:23:21,280
Speaker 4: Obviously we loved like Boys to Men, we love New Edition,

492
00:23:21,960 --> 00:23:23,560
Speaker 4: but it was mixed.

493
00:23:34,880 --> 00:23:36,399
Speaker 1: We was getting our B two KO.

494
00:23:36,440 --> 00:23:38,960
Speaker 4: We were now and we were we were at some points,

495
00:23:38,960 --> 00:23:40,199
Speaker 4: but we would we would make B.

496
00:23:40,240 --> 00:23:41,440
Speaker 3: Two K sound and records.

497
00:23:41,720 --> 00:23:44,080
Speaker 4: But then we would make really pop sound and records too,

498
00:23:44,680 --> 00:23:47,639
Speaker 4: you know, because YouTube's around was trying to you know,

499
00:23:47,720 --> 00:23:49,520
Speaker 4: sometimes trying to go viral and stuff like that. It

500
00:23:49,560 --> 00:23:51,160
Speaker 4: was like, we need to cover these songs, man, these

501
00:23:51,160 --> 00:23:52,040
Speaker 4: pop songs going up.

502
00:23:52,040 --> 00:23:53,320
Speaker 1: So all y'all black yep.

503
00:23:54,040 --> 00:23:55,639
Speaker 3: So we would go to so all right.

504
00:23:55,680 --> 00:23:58,600
Speaker 4: There's one specific time I remember it was a sweet

505
00:23:58,600 --> 00:24:01,560
Speaker 4: sixteen and and we was pulling up and one of

506
00:24:01,560 --> 00:24:03,159
Speaker 4: the members like, yeah, I got this, you know, I

507
00:24:03,160 --> 00:24:05,520
Speaker 4: got this party, And they said we could perform. This

508
00:24:05,600 --> 00:24:08,000
Speaker 4: isn't that it's gonna be lit. We pull up and

509
00:24:08,040 --> 00:24:09,919
Speaker 4: I'm like, oh, ship, we in.

510
00:24:09,920 --> 00:24:12,040
Speaker 1: The hood, the hood.

511
00:24:12,040 --> 00:24:14,919
Speaker 4: We pull up, you know, niggas outside, you know, and

512
00:24:14,920 --> 00:24:18,320
Speaker 4: this is a sweet sixteen and there's niggas outside that

513
00:24:18,480 --> 00:24:19,600
Speaker 4: look grown.

514
00:24:19,800 --> 00:24:21,679
Speaker 3: I'm like, okay, this is the hood niggas.

515
00:24:22,760 --> 00:24:28,359
Speaker 4: Yeah, yeah, yeah, that's.

516
00:24:26,119 --> 00:24:27,359
Speaker 1: The niggas about to perform.

517
00:24:27,400 --> 00:24:31,600
Speaker 2: No strings at jahn what yo.

518
00:24:32,359 --> 00:24:34,879
Speaker 4: So we get up on stage and we're trying to

519
00:24:34,880 --> 00:24:37,360
Speaker 4: do our thing, and I just remember, and that's why

520
00:24:37,400 --> 00:24:40,840
Speaker 4: it built. It built character, because I remember niggas was

521
00:24:40,920 --> 00:24:44,879
Speaker 4: just like, man, turn that ship off, walking around like

522
00:24:44,920 --> 00:24:47,160
Speaker 4: so we was in formation, you know what I'm saying,

523
00:24:47,160 --> 00:24:52,000
Speaker 4: like the three member formation. Okay, somebody walked in between

524
00:24:52,480 --> 00:24:53,520
Speaker 4: our formation.

525
00:24:54,040 --> 00:24:56,560
Speaker 1: What you niggas gonna do? Right? We ain't?

526
00:24:57,080 --> 00:25:00,440
Speaker 4: We was like, and I'm a sing bro, I'm gonna

527
00:25:00,440 --> 00:25:03,040
Speaker 4: ahead and hit the dance moves around you. Y'all kept performing,

528
00:25:03,080 --> 00:25:03,960
Speaker 4: and we kept performing.

529
00:25:04,119 --> 00:25:04,520
Speaker 1: I love it.

530
00:25:04,520 --> 00:25:06,640
Speaker 4: We kept love them professional and the girl loved it.

531
00:25:06,880 --> 00:25:07,479
Speaker 4: She loved it.

532
00:25:07,560 --> 00:25:09,320
Speaker 3: The girl party that was for she loved it, and

533
00:25:09,359 --> 00:25:11,160
Speaker 3: that's all that matters. But I was like, yo, you're

534
00:25:11,160 --> 00:25:11,879
Speaker 3: gonna get jump.

535
00:25:13,320 --> 00:25:14,760
Speaker 1: Ain't gonna try to sing.

536
00:25:14,880 --> 00:25:16,720
Speaker 3: We're just trying to just trying to do music.

537
00:25:16,760 --> 00:25:19,480
Speaker 2: Bro. So we got we got we gotta do better

538
00:25:19,480 --> 00:25:22,119
Speaker 2: as the people we got so aggressive.

539
00:25:22,160 --> 00:25:24,880
Speaker 1: We gotta do better. Oh you niggas want to sing?

540
00:25:26,640 --> 00:25:27,280
Speaker 1: Can you fight?

541
00:25:27,520 --> 00:25:28,200
Speaker 4: Can you?

542
00:25:28,200 --> 00:25:30,800
Speaker 1: Can you fight? Can you? My good at the car?

543
00:25:32,800 --> 00:25:37,359
Speaker 1: I think you're sweet. We gotta stop thinking sweet? Like

544
00:25:38,200 --> 00:25:41,440
Speaker 1: going together? And she wanted us to perform.

545
00:25:43,080 --> 00:25:46,800
Speaker 2: His explanations are what why.

546
00:25:46,640 --> 00:25:49,000
Speaker 1: Are you here? Why you even here?

547
00:25:49,160 --> 00:25:49,320
Speaker 2: Bro?

548
00:25:49,440 --> 00:25:56,560
Speaker 1: It's the sweet sixteen man. This is to walk to

549
00:25:56,640 --> 00:26:02,159
Speaker 1: y'all said too, if y'all come in my neighborhood.

550
00:26:03,960 --> 00:26:07,000
Speaker 4: We wasn't we were doing originals, but like you know,

551
00:26:07,040 --> 00:26:08,280
Speaker 4: we were We weren't that crazy.

552
00:26:08,320 --> 00:26:09,520
Speaker 1: We wasn't about to go up there. But it had

553
00:26:09,520 --> 00:26:12,440
Speaker 1: a pop feel to it some of them. Yeah you

554
00:26:12,520 --> 00:26:13,160
Speaker 1: had a whole set.

555
00:26:13,280 --> 00:26:17,520
Speaker 4: Yeah, we had a little fifteen minutes. I'm gonna tell

556
00:26:17,520 --> 00:26:21,359
Speaker 4: you right now, out there dying for fifteen minutes, like,

557
00:26:21,440 --> 00:26:24,240
Speaker 4: oh my god, bro, ship can't get over fast enough.

558
00:26:24,320 --> 00:26:27,920
Speaker 3: I won't go home, go home.

559
00:26:27,920 --> 00:26:32,720
Speaker 1: Can't go home. But y'all stayed in it. That's good.

560
00:26:32,880 --> 00:26:33,360
Speaker 3: Yeah.

561
00:26:33,440 --> 00:26:35,680
Speaker 1: Yeah, So what happened to s J three?

562
00:26:36,440 --> 00:26:36,560
Speaker 6: So?

563
00:26:37,119 --> 00:26:39,720
Speaker 4: I mean we eventually we met I think around the

564
00:26:39,760 --> 00:26:41,320
Speaker 4: time none of no, no, no no. You met me

565
00:26:41,320 --> 00:26:45,000
Speaker 4: a little bit afterwards, but Jazz ended up signing the

566
00:26:45,000 --> 00:26:47,600
Speaker 4: group I'm familiar with. I'm familiar with s J three.

567
00:26:48,600 --> 00:26:53,520
Speaker 4: So I meet Jazz. I met Jazz through a Marion. Okay,

568
00:26:53,920 --> 00:26:55,639
Speaker 4: I don't know if you had already met Jazz before,

569
00:26:56,119 --> 00:26:58,520
Speaker 4: but I met Jazz through a Marion. We're working on

570
00:26:59,520 --> 00:27:02,120
Speaker 4: like the I Get It In and those records that we.

571
00:27:02,000 --> 00:27:02,439
Speaker 1: Were doing for.

572
00:27:02,520 --> 00:27:07,600
Speaker 2: Oh, and me and him got cool, and I remember

573
00:27:08,320 --> 00:27:11,720
Speaker 2: Tank and I started working with some young fellas from Houston,

574
00:27:11,960 --> 00:27:17,480
Speaker 2: from Beaumont called a twelve tier, and me and Jazz

575
00:27:17,600 --> 00:27:20,800
Speaker 2: was in the studio and he's like, man, I got

576
00:27:20,840 --> 00:27:22,720
Speaker 2: I got these I got these young niggas out of

577
00:27:22,800 --> 00:27:26,800
Speaker 2: out of out of Jersey. These niggas is cold, right,

578
00:27:27,440 --> 00:27:29,040
Speaker 2: And I'm like, Nigga, we got some young niggas we

579
00:27:29,080 --> 00:27:31,879
Speaker 2: fucking with, our nigga from your backyard.

580
00:27:31,880 --> 00:27:35,840
Speaker 1: He's like, oh, if they if they're from Texas, I know,

581
00:27:36,119 --> 00:27:39,119
Speaker 1: I know, I know. I found Drake. I'm like, that

582
00:27:39,240 --> 00:27:43,880
Speaker 1: does Drake has nothing? So what we're talking about.

583
00:27:43,680 --> 00:27:46,480
Speaker 3: Jazz, put Drake's up right right right right.

584
00:27:46,640 --> 00:27:48,240
Speaker 1: So we're going back and forth.

585
00:27:48,320 --> 00:27:49,919
Speaker 2: I'm like, nigga, why I'm gonna show you these niggas

586
00:27:49,960 --> 00:27:52,040
Speaker 2: YouTube the niggas used to do all the YouTube they

587
00:27:52,119 --> 00:27:52,520
Speaker 2: was cooking.

588
00:27:53,160 --> 00:27:58,240
Speaker 5: And then he showed me y'all and I said him,

589
00:27:58,520 --> 00:28:00,320
Speaker 5: so literally what I said to him, I said him,

590
00:28:00,640 --> 00:28:02,639
Speaker 5: what you mean him, M.

591
00:28:03,280 --> 00:28:06,720
Speaker 1: That's your guy? That's crazy. That was just my But

592
00:28:06,760 --> 00:28:08,160
Speaker 1: that was just my opinion, right.

593
00:28:08,160 --> 00:28:11,360
Speaker 2: This is because in this business is subjective, right, It's

594
00:28:11,400 --> 00:28:15,480
Speaker 2: all about opinions and what you know resonates to you

595
00:28:16,480 --> 00:28:19,760
Speaker 2: and what you see that you attached to first just

596
00:28:20,119 --> 00:28:21,560
Speaker 2: and I and it could have been the group for

597
00:28:21,600 --> 00:28:22,840
Speaker 2: some people, but.

598
00:28:22,680 --> 00:28:25,440
Speaker 1: For me personally, I saw you.

599
00:28:27,280 --> 00:28:27,879
Speaker 3: That's crazy.

600
00:28:28,359 --> 00:28:29,320
Speaker 1: That nigga called.

601
00:28:31,680 --> 00:28:34,040
Speaker 5: Fast forward to him being like you ever heard his

602
00:28:34,160 --> 00:28:39,200
Speaker 5: young nigga name? I said, nah, I never heard of him.

603
00:28:39,240 --> 00:28:39,920
Speaker 1: And he shows me.

604
00:28:40,000 --> 00:28:42,280
Speaker 3: I said, that's a nigga from the group.

605
00:28:43,520 --> 00:28:46,280
Speaker 1: He's like, yeah, he fucking with Jazz. I said, oh,

606
00:28:46,320 --> 00:28:47,240
Speaker 1: he took him out the group.

607
00:28:48,040 --> 00:28:49,120
Speaker 5: I don't know how, you know what I mean, I

608
00:28:49,160 --> 00:28:51,760
Speaker 5: don't know I transpired and what ended up happening, but

609
00:28:51,800 --> 00:28:54,880
Speaker 5: I'm like, it was him to me.

610
00:28:55,080 --> 00:28:56,640
Speaker 1: It's just my just my opinion.

611
00:28:56,800 --> 00:29:00,640
Speaker 4: And the crazy thing is I feel like everything happened

612
00:29:00,680 --> 00:29:03,280
Speaker 4: for a reason, of course, and they they my brothers.

613
00:29:03,400 --> 00:29:04,920
Speaker 3: We liked this to this day.

614
00:29:05,360 --> 00:29:09,160
Speaker 4: And Desmond, that's one of the other members, he blew

615
00:29:09,240 --> 00:29:11,480
Speaker 4: up on some whole different.

616
00:29:11,160 --> 00:29:14,560
Speaker 1: Ship, blew up big, just huge.

617
00:29:15,000 --> 00:29:17,720
Speaker 3: So did the other one on TikTok, And I'm like, see,

618
00:29:17,760 --> 00:29:18,960
Speaker 3: it was it was personality.

619
00:29:18,960 --> 00:29:20,560
Speaker 1: There was more about the personal and.

620
00:29:21,240 --> 00:29:23,520
Speaker 4: It was it was like it was supposed to happen

621
00:29:23,560 --> 00:29:25,360
Speaker 4: that way, you know what I'm saying, And for me

622
00:29:25,480 --> 00:29:28,080
Speaker 4: to just do my thing and everybody do their thing.

623
00:29:27,960 --> 00:29:30,400
Speaker 3: And that's how I mean it split up. But I

624
00:29:30,440 --> 00:29:32,360
Speaker 3: think it worked out for the for the better for sure.

625
00:29:32,520 --> 00:29:32,760
Speaker 1: Yeah.

626
00:29:32,920 --> 00:29:34,800
Speaker 3: Yeah, everybody got moving exactly.

627
00:29:34,920 --> 00:29:36,320
Speaker 1: So what did.

628
00:29:36,160 --> 00:29:38,520
Speaker 5: You guys, because I never knew it from a group standpoint,

629
00:29:38,520 --> 00:29:40,360
Speaker 5: did you guys ever put out music as a group?

630
00:29:40,920 --> 00:29:46,000
Speaker 4: We we put out maybe there's like one EP that

631
00:29:46,040 --> 00:29:49,600
Speaker 4: we did and and that was it, like like and

632
00:29:49,960 --> 00:29:52,680
Speaker 4: just for real iTunes and stuff like that on DSPs

633
00:29:52,720 --> 00:29:55,360
Speaker 4: and that was it. And then we had got signed

634
00:29:55,360 --> 00:29:58,840
Speaker 4: after that to Jazz, So we were working like we

635
00:29:58,880 --> 00:30:03,320
Speaker 4: was working and working for a few years and it

636
00:30:03,560 --> 00:30:07,320
Speaker 4: just didn't happen that way. And then you know, they

637
00:30:07,640 --> 00:30:10,640
Speaker 4: some of the members went back home to New Jersey. One

638
00:30:10,680 --> 00:30:12,360
Speaker 4: of the members had his son, so he had he

639
00:30:12,360 --> 00:30:15,280
Speaker 4: had to be a dad, and it just kind of

640
00:30:15,360 --> 00:30:16,840
Speaker 4: just naturally just took his course.

641
00:30:16,880 --> 00:30:19,560
Speaker 3: So I was still out here at the time.

642
00:30:19,680 --> 00:30:24,040
Speaker 4: This is probably like I say, like twenty fifteen, and

643
00:30:24,080 --> 00:30:27,000
Speaker 4: that's when I was just in my writing and producing bag.

644
00:30:27,040 --> 00:30:29,360
Speaker 4: Like twenty fourteen twenty fifteen, I was really just like

645
00:30:29,400 --> 00:30:31,760
Speaker 4: all right, you know, sometimes I'll be doing the group

646
00:30:31,760 --> 00:30:33,960
Speaker 4: stuff when he was a group, but I'll find time

647
00:30:34,240 --> 00:30:35,880
Speaker 4: when I was off and I'll just be like, yo,

648
00:30:36,280 --> 00:30:37,960
Speaker 4: I got this idea, I got the latest. I gotta

649
00:30:38,000 --> 00:30:41,240
Speaker 4: make this song, right. So I made a whole ton

650
00:30:41,280 --> 00:30:46,200
Speaker 4: of songs, and what happened in that batch of songs

651
00:30:46,200 --> 00:30:46,480
Speaker 4: that I.

652
00:30:46,480 --> 00:30:48,800
Speaker 1: Made was Liquor.

653
00:30:50,400 --> 00:30:55,520
Speaker 4: Make Love stuff that landed with Chris and even on

654
00:30:55,560 --> 00:30:58,480
Speaker 4: the mixtape this song he got called come Home to

655
00:30:58,600 --> 00:31:01,760
Speaker 4: Night that I did, Eat It Up. I simpled Jana

656
00:31:01,840 --> 00:31:05,320
Speaker 4: Jackson Escapade and like, those were those was the songs

657
00:31:05,320 --> 00:31:08,840
Speaker 4: that I was making, and.

658
00:31:07,960 --> 00:31:09,200
Speaker 1: Those are your first placements.

659
00:31:09,400 --> 00:31:13,880
Speaker 4: Yeah, how do you get to Chris Jazz Jazz? Yeah,

660
00:31:14,160 --> 00:31:17,600
Speaker 4: So it was it was one night. So we we

661
00:31:18,600 --> 00:31:21,920
Speaker 4: just had to be like twenty fourteen, you did the

662
00:31:21,920 --> 00:31:28,680
Speaker 4: beat on Liquor co produced nasty. Yeah. It me and

663
00:31:28,720 --> 00:31:32,680
Speaker 4: my bro the Acuarus Aquarius nasty Yeah.

664
00:31:33,120 --> 00:31:37,080
Speaker 3: And you wrote it yep, naturally my room in Jersey.

665
00:31:38,040 --> 00:31:39,800
Speaker 4: I was home at the time, but yeah, okay, Jersey,

666
00:31:39,880 --> 00:31:42,920
Speaker 4: Yeah yeah, right, appreciate you.

667
00:31:42,880 --> 00:31:43,720
Speaker 1: Bro man.

668
00:31:43,720 --> 00:31:45,120
Speaker 4: And that was the one man that was the one

669
00:31:45,160 --> 00:31:47,480
Speaker 4: that really changed and changed everything for me.

670
00:31:47,720 --> 00:31:51,360
Speaker 3: I'm sure you were you able to it was okay.

671
00:31:51,360 --> 00:31:54,240
Speaker 5: So when that happened for you, you get this record,

672
00:31:54,280 --> 00:31:55,800
Speaker 5: you get your you get a hit record, you get

673
00:31:55,800 --> 00:31:58,040
Speaker 5: a record that everybody knows and everybody now.

674
00:31:57,960 --> 00:32:03,240
Speaker 1: Knows you four. Do you feel like you fully.

675
00:32:04,920 --> 00:32:09,560
Speaker 5: Promoted that is in like, you know, going about making

676
00:32:09,560 --> 00:32:10,520
Speaker 5: a name for yourself.

677
00:32:10,320 --> 00:32:11,440
Speaker 1: Or did you just let it happen.

678
00:32:12,000 --> 00:32:15,680
Speaker 4: I didn't if I could rewind, because I don't regret anything,

679
00:32:15,760 --> 00:32:21,120
Speaker 4: But if I could rewind, I wish I did promote

680
00:32:21,360 --> 00:32:24,600
Speaker 4: in more of a business behind it, you know what

681
00:32:24,600 --> 00:32:27,600
Speaker 4: I'm saying. At the time, it was like, oh, things

682
00:32:27,680 --> 00:32:30,640
Speaker 4: is happening, Like this is crazy, this is great shit.

683
00:32:30,920 --> 00:32:32,760
Speaker 4: Let me keep creating, Let me keep creating, you know,

684
00:32:32,840 --> 00:32:36,880
Speaker 4: let me stay out studio rat, like studio Rat, y'are

685
00:32:37,240 --> 00:32:40,000
Speaker 4: sleeping in the studio just making music, like y'all. I

686
00:32:40,040 --> 00:32:42,000
Speaker 4: just got to make more music and then more things

687
00:32:42,040 --> 00:32:42,760
Speaker 4: like this will happen.

688
00:32:42,920 --> 00:32:45,360
Speaker 1: Did you do a publishing deal anything? Nothing?

689
00:32:46,200 --> 00:32:49,280
Speaker 4: Oh, pub deal nothing, Because in my mind I was like,

690
00:32:49,320 --> 00:32:51,360
Speaker 4: you know what, I'm gonna build up my catalog. I'm

691
00:32:51,360 --> 00:32:53,480
Speaker 4: gonna build up my worth and then I'll do a

692
00:32:53,480 --> 00:32:57,560
Speaker 4: publil okay. But I really do wish that at that

693
00:32:57,680 --> 00:33:01,120
Speaker 4: time though that I was really like on on that socially,

694
00:33:01,160 --> 00:33:01,680
Speaker 4: you know what I'm.

695
00:33:01,600 --> 00:33:05,160
Speaker 3: Saying, Like I did this on the business of it exactly.

696
00:33:05,160 --> 00:33:07,520
Speaker 3: I wish I was outside and like, you know what I'm.

697
00:33:07,360 --> 00:33:10,440
Speaker 2: Saying, because yeah, if you're if you're if if the

698
00:33:10,560 --> 00:33:16,240
Speaker 2: conversation has a face, not just the name, right, then

699
00:33:16,640 --> 00:33:19,720
Speaker 2: it makes the creative process in terms of getting to

700
00:33:19,920 --> 00:33:21,480
Speaker 2: artists and getting.

701
00:33:21,160 --> 00:33:22,640
Speaker 1: To A and R, is a whole lot easier.

702
00:33:23,040 --> 00:33:24,920
Speaker 3: I didn't know you did the record two years later.

703
00:33:25,440 --> 00:33:26,440
Speaker 1: Yeah, I didn't.

704
00:33:26,480 --> 00:33:29,520
Speaker 2: I didn't know initially that you did the record until later.

705
00:33:29,920 --> 00:33:31,760
Speaker 2: I was like, oh shit, they like you know, Tom

706
00:33:31,840 --> 00:33:34,680
Speaker 2: wrote like Nigga had no idea he.

707
00:33:34,800 --> 00:33:35,600
Speaker 1: Created that record.

708
00:33:35,680 --> 00:33:38,600
Speaker 4: Yeah, I would say, now I started, you know, start

709
00:33:38,640 --> 00:33:39,320
Speaker 4: promoting it now.

710
00:33:39,400 --> 00:33:42,560
Speaker 5: But you're still find it's still fine because it's you know,

711
00:33:42,560 --> 00:33:46,920
Speaker 5: it's about discovery and Rediscovery. But you know, I always

712
00:33:47,040 --> 00:33:51,240
Speaker 5: always wonder, you know, especially from for your generation, with

713
00:33:53,840 --> 00:33:57,720
Speaker 5: understanding what the self promotion is. You know, I and

714
00:33:57,840 --> 00:34:01,200
Speaker 5: I go, I go back to and I've mentioned him

715
00:34:01,200 --> 00:34:04,560
Speaker 5: a few times, Tyler the Creator when he's like, I

716
00:34:04,560 --> 00:34:08,120
Speaker 5: don't understand why people don't promote their stuff. You spend

717
00:34:08,160 --> 00:34:10,400
Speaker 5: all your time creating it, but then you only promote

718
00:34:10,440 --> 00:34:12,759
Speaker 5: it for the week that it's out, Like Nigga, No,

719
00:34:12,880 --> 00:34:14,720
Speaker 5: it doesn't go away that you did that record.

720
00:34:14,920 --> 00:34:18,000
Speaker 2: Right, I'll still talk about a record I did twenty

721
00:34:18,080 --> 00:34:20,480
Speaker 2: years ago because I did it.

722
00:34:20,760 --> 00:34:24,959
Speaker 5: I just did it, right, Yeah, why not? It's part

723
00:34:24,960 --> 00:34:27,960
Speaker 5: of you. It's your accomplishments. When we when we look

724
00:34:27,960 --> 00:34:30,560
Speaker 5: and see how many times Michael Jordan made the All

725
00:34:30,600 --> 00:34:34,359
Speaker 5: Star Game, they don't take away he still talk it's

726
00:34:34,360 --> 00:34:37,640
Speaker 5: a thirteen year All Star, it's fifteen whatever the lebron

727
00:34:37,719 --> 00:34:40,200
Speaker 5: been in the All Star Game twenty thousand times.

728
00:34:40,840 --> 00:34:43,360
Speaker 1: They all say name, right.

729
00:34:43,360 --> 00:34:45,479
Speaker 5: Right, I mean it's like I'm saying on you know,

730
00:34:45,680 --> 00:34:47,640
Speaker 5: they're talking about the Bubble Championship. I said, yeah, and

731
00:34:47,680 --> 00:34:52,799
Speaker 5: I also celebrate all my adult league championships too, right,

732
00:34:53,080 --> 00:34:57,840
Speaker 5: wins wins, brother, Yeah, exactly, exact. You have wins, promote

733
00:34:57,880 --> 00:35:01,600
Speaker 5: those wins and for the for the artists, for the writers,

734
00:35:01,600 --> 00:35:03,399
Speaker 5: for the people that are watching. It's like when you

735
00:35:03,440 --> 00:35:07,600
Speaker 5: get your wins, man, talk about your wins, bro absolutely,

736
00:35:08,120 --> 00:35:12,040
Speaker 5: because these people will talk about your losses fast fast.

737
00:35:12,120 --> 00:35:15,240
Speaker 1: They can't wait to tell to send your losses viral.

738
00:35:16,480 --> 00:35:20,799
Speaker 1: Look look at when you looking at it? Somebody, come

739
00:35:20,800 --> 00:35:22,399
Speaker 1: look at this, somebody, I'm looking at this. Nigga fell

740
00:35:22,440 --> 00:35:26,920
Speaker 1: off stage. Been on thousand stages and didn't fall. But

741
00:35:27,000 --> 00:35:32,680
Speaker 1: the one time you want to dance, you know what,

742
00:35:32,880 --> 00:35:33,520
Speaker 1: even doing.

743
00:35:33,440 --> 00:35:37,160
Speaker 2: Amazing dancing all his life, why did he pull the

744
00:35:37,160 --> 00:35:39,799
Speaker 2: white man down to He tried to pull it. The

745
00:35:39,840 --> 00:35:46,480
Speaker 2: white man's just a casualty. He's like, he's like I

746
00:35:46,520 --> 00:35:48,239
Speaker 2: was holding on to him. Then I realized I was

747
00:35:48,239 --> 00:35:49,840
Speaker 2: about to pull him down to it. I said, I

748
00:35:49,840 --> 00:35:54,600
Speaker 2: can't do that. I gotta let him go. I gotta

749
00:35:54,680 --> 00:35:55,239
Speaker 2: let him go.

750
00:35:57,760 --> 00:35:59,839
Speaker 1: You gotta you have you have to stand in front

751
00:35:59,840 --> 00:36:02,560
Speaker 1: of it. Yeah, that has That was a.

752
00:36:02,360 --> 00:36:04,360
Speaker 4: Huge and I mean, I'm glad you're telling me this

753
00:36:04,400 --> 00:36:06,839
Speaker 4: because that was a huge lesson that.

754
00:36:07,200 --> 00:36:11,560
Speaker 2: I still like, I'm like, damn, could outside and outside

755
00:36:11,640 --> 00:36:12,680
Speaker 2: would have been different?

756
00:36:13,320 --> 00:36:13,560
Speaker 1: Yeah?

757
00:36:13,800 --> 00:36:16,759
Speaker 5: For real, for real, it's the thing when niggas is

758
00:36:16,800 --> 00:36:18,600
Speaker 5: when you know when you when you do go like

759
00:36:18,600 --> 00:36:20,200
Speaker 5: you said, you've been outside a little more when you

760
00:36:20,239 --> 00:36:21,400
Speaker 5: go outside and nigga.

761
00:36:21,160 --> 00:36:23,600
Speaker 1: Like nigga, you wrote you're a liquor. That's the nigga

762
00:36:23,640 --> 00:36:24,279
Speaker 1: that wrote.

763
00:36:24,640 --> 00:36:26,839
Speaker 5: Because we don't understand sometimes too, when you put your

764
00:36:26,840 --> 00:36:30,759
Speaker 5: head down and you just work that those moments that

765
00:36:30,840 --> 00:36:34,120
Speaker 5: you may miss out by going to this such and

766
00:36:34,160 --> 00:36:38,319
Speaker 5: such event and you just happened to meet That's how

767
00:36:38,320 --> 00:36:40,080
Speaker 5: we end up meeting Cardiac.

768
00:36:40,600 --> 00:36:44,680
Speaker 2: Who produced when we for us just like that too randomly.

769
00:36:44,719 --> 00:36:45,919
Speaker 2: It wasn't even supposed to be there.

770
00:36:46,360 --> 00:36:48,680
Speaker 1: He don't even he didn't even make R and B beats.

771
00:36:48,920 --> 00:36:49,920
Speaker 3: That's crazy.

772
00:36:50,280 --> 00:36:51,920
Speaker 1: He made rap beats. Yeah.

773
00:36:52,320 --> 00:36:55,319
Speaker 2: I was like, I was like, I say, I said,

774
00:36:55,400 --> 00:36:57,560
Speaker 2: you can do R and B beats. Yeah, I make crazy.

775
00:36:57,600 --> 00:36:59,319
Speaker 2: I don't make a crazy R and B beat nigga.

776
00:36:59,440 --> 00:37:05,040
Speaker 5: I make a crazy Cardiacy through an introduction through mutual friends,

777
00:37:05,120 --> 00:37:09,239
Speaker 5: through through through chasing cash and Matt McNeil being like,

778
00:37:09,920 --> 00:37:13,520
Speaker 5: oh this is our this was our o g amen

779
00:37:13,640 --> 00:37:16,640
Speaker 5: me and then hyping him up and we take they

780
00:37:16,880 --> 00:37:18,719
Speaker 5: take their word for it. And then now he sent

781
00:37:18,840 --> 00:37:21,080
Speaker 5: us a B pack if he don't show up to

782
00:37:21,080 --> 00:37:22,839
Speaker 5: that event. And we don't show up to that event,

783
00:37:23,360 --> 00:37:25,800
Speaker 5: we never get win we that's crazy.

784
00:37:25,840 --> 00:37:30,400
Speaker 2: When we from outside, we from outside place e p

785
00:37:30,520 --> 00:37:33,320
Speaker 2: L B P L E L on the rooftop outside.

786
00:37:33,400 --> 00:37:37,160
Speaker 1: If we don't go, it never happened. That record.

787
00:37:38,080 --> 00:37:40,839
Speaker 5: That's a life changing record for us, not just for him,

788
00:37:41,120 --> 00:37:44,600
Speaker 5: for us, for our business, for what we do. If

789
00:37:44,640 --> 00:37:48,719
Speaker 5: we don't go there, that dyke, you never get win.

790
00:37:48,680 --> 00:37:53,080
Speaker 3: We that's crazy. That's crazy.

791
00:37:53,719 --> 00:37:55,320
Speaker 1: And I'm not saying you gotta be everywhere.

792
00:37:55,320 --> 00:37:59,880
Speaker 2: It's it's something that just outside outside, but you have to.

793
00:38:00,160 --> 00:38:02,280
Speaker 3: You have like you got to go to some stuff

794
00:38:02,320 --> 00:38:02,640
Speaker 3: for me.

795
00:38:03,239 --> 00:38:07,280
Speaker 4: Now, I'm really understanding that, Like I'm in full like okay,

796
00:38:07,520 --> 00:38:09,680
Speaker 4: oh there's an event going on. Cool, let's let's pull up,

797
00:38:09,719 --> 00:38:11,719
Speaker 4: you know, manager, Like, Yo, you need to be at

798
00:38:11,719 --> 00:38:14,120
Speaker 4: this cool, no problem, Like I'm there.

799
00:38:15,000 --> 00:38:15,280
Speaker 1: Man.

800
00:38:15,640 --> 00:38:18,120
Speaker 4: I wish because I was way younger back then too,

801
00:38:18,840 --> 00:38:20,640
Speaker 4: So it's just like, yo, I just really wish that

802
00:38:20,680 --> 00:38:20,960
Speaker 4: I was.

803
00:38:21,200 --> 00:38:27,080
Speaker 1: He's still twelve. I would have fruity loose. You couldn't get.

804
00:38:28,560 --> 00:38:32,560
Speaker 2: I had fruity loose for breakfast.

805
00:38:33,920 --> 00:38:35,160
Speaker 1: I was younger than.

806
00:38:36,719 --> 00:38:40,200
Speaker 2: You couldn't even get in the right we wouldn't even

807
00:38:40,239 --> 00:38:42,040
Speaker 2: being able to meet you because you get it, like,

808
00:38:43,320 --> 00:38:46,600
Speaker 2: let it me in Hollywood, and that is the thing.

809
00:38:46,760 --> 00:38:49,680
Speaker 1: Hollywood. Hollywood is like this right.

810
00:38:51,239 --> 00:38:53,879
Speaker 2: While you hot, while you you know, while you got

811
00:38:53,920 --> 00:38:57,040
Speaker 2: things cracking, like it's.

812
00:38:56,880 --> 00:38:58,600
Speaker 1: Just to pull up and you only got to do a.

813
00:38:58,560 --> 00:39:00,600
Speaker 3: Few of them.

814
00:39:00,960 --> 00:39:03,799
Speaker 2: You just got to pull up the right way, right

815
00:39:03,960 --> 00:39:09,400
Speaker 2: right to the right spots. Yeah, shake the right security

816
00:39:09,400 --> 00:39:12,879
Speaker 2: guys hand, shake the right club promoter's hand.

817
00:39:12,960 --> 00:39:15,360
Speaker 3: Be introduced by the right person, be introduced by the

818
00:39:15,400 --> 00:39:15,799
Speaker 3: right person.

819
00:39:16,200 --> 00:39:16,319
Speaker 2: Up.

820
00:39:16,520 --> 00:39:20,799
Speaker 5: Yeah, yeah, like jazz is the right person, the perfect person,

821
00:39:20,840 --> 00:39:21,440
Speaker 5: perfect person.

822
00:39:22,400 --> 00:39:25,360
Speaker 1: Everybody with jazz, yeah, you know, everybody. And once you

823
00:39:25,440 --> 00:39:27,200
Speaker 1: do that and once they associated.

824
00:39:28,080 --> 00:39:28,959
Speaker 3: He good, he's good.

825
00:39:29,800 --> 00:39:31,040
Speaker 1: Yeah, whatever he wants.

826
00:39:31,920 --> 00:39:36,399
Speaker 2: And he's been hyping you from the beginning. Absolutely from

827
00:39:36,400 --> 00:39:39,799
Speaker 2: the beginning. He called me early that's my dog.

828
00:39:39,960 --> 00:39:45,680
Speaker 1: Yeah, I got this nigga exactly. Let's see what you're

829
00:39:45,680 --> 00:39:48,040
Speaker 1: talking about. Don't know RMB take you know, I know

830
00:39:48,200 --> 00:39:50,400
Speaker 1: R and B. I love R and B.

831
00:39:57,040 --> 00:39:58,480
Speaker 3: Man jazz R and B singer.

832
00:39:58,480 --> 00:40:02,120
Speaker 2: If you can say that what your whole RMV He

833
00:40:02,160 --> 00:40:03,440
Speaker 2: gets it, Yeah, understands it.

834
00:40:03,760 --> 00:40:05,120
Speaker 1: He knows his music. Yep.

835
00:40:05,480 --> 00:40:08,239
Speaker 5: Yeah, But that pull up is a different pull up

836
00:40:08,280 --> 00:40:11,080
Speaker 5: for you that you know and it's still you know

837
00:40:11,320 --> 00:40:14,239
Speaker 5: to this day, you can still utilize it. But for

838
00:40:14,360 --> 00:40:16,360
Speaker 5: the artists that are watching this and the writers that

839
00:40:16,360 --> 00:40:18,040
Speaker 5: are watching, it's like, yeah, when you get when you

840
00:40:18,040 --> 00:40:20,839
Speaker 5: get that win, go celebrate that win a little bit

841
00:40:21,400 --> 00:40:22,480
Speaker 5: up pull up, yeah.

842
00:40:22,640 --> 00:40:22,960
Speaker 1: Side.

843
00:40:23,320 --> 00:40:26,640
Speaker 2: So you got your fifth project coming out, right, So

844
00:40:27,680 --> 00:40:32,000
Speaker 2: let's just talk like exploration in terms of your first

845
00:40:32,000 --> 00:40:35,440
Speaker 2: four projects and what do you feel like you've learned.

846
00:40:35,520 --> 00:40:38,160
Speaker 2: How do you feel like you've grown starting from project one.

847
00:40:39,840 --> 00:40:44,239
Speaker 4: So my first project dropped in twenty seventeen. It was

848
00:40:44,280 --> 00:40:48,520
Speaker 4: called Can We Talk? And I actually think that project

849
00:40:48,800 --> 00:40:53,279
Speaker 4: organically did amazing for me, Like it really did put

850
00:40:53,320 --> 00:40:56,560
Speaker 4: me on the map. I remember Drake actually came to

851
00:40:56,600 --> 00:40:58,800
Speaker 4: one of my rehearsals when I was getting ready to

852
00:40:58,800 --> 00:41:00,000
Speaker 4: go on tour with August I've seen it.

853
00:41:00,560 --> 00:41:04,680
Speaker 3: He was like, Nigga, that's incredible, bro, I can't do that.

854
00:41:04,760 --> 00:41:07,520
Speaker 4: You killing it and ship. So it was a it was

855
00:41:07,560 --> 00:41:09,600
Speaker 4: a crazy moment. But I know, as far as making

856
00:41:09,640 --> 00:41:13,480
Speaker 4: that project, it was a lot of just let me

857
00:41:13,600 --> 00:41:17,560
Speaker 4: just try something new, let me try something different, and

858
00:41:17,640 --> 00:41:21,000
Speaker 4: really just trying to find myself in music. I know

859
00:41:21,239 --> 00:41:23,560
Speaker 4: I'm a huge fan of Michael a huge fan of Prince.

860
00:41:25,200 --> 00:41:27,400
Speaker 4: But I know at the time, you know, it was like,

861
00:41:27,560 --> 00:41:31,359
Speaker 4: you know, Bryson had that crazy run with trap soul, and.

862
00:41:31,600 --> 00:41:35,399
Speaker 3: I know in the industry that was the that was

863
00:41:35,440 --> 00:41:35,920
Speaker 3: the sound.

864
00:41:36,320 --> 00:41:39,120
Speaker 4: You know what I'm saying that if it wasn't if

865
00:41:39,160 --> 00:41:42,640
Speaker 4: it wasn't sounding like that, then you know, he wasn't

866
00:41:42,800 --> 00:41:46,920
Speaker 4: getting played. So just using that as a bass, I

867
00:41:46,960 --> 00:41:49,319
Speaker 4: was really just trying to create in that box but

868
00:41:49,440 --> 00:41:52,840
Speaker 4: still have those elements of Mike and Prince and the

869
00:41:52,880 --> 00:41:54,200
Speaker 4: things that I love about music.

870
00:41:54,640 --> 00:42:04,040
Speaker 3: And so it was really you know that's the word.

871
00:42:04,320 --> 00:42:04,600
Speaker 3: I don't know.

872
00:42:04,680 --> 00:42:08,880
Speaker 4: I was really just exploring a lot learning. And then

873
00:42:09,160 --> 00:42:11,680
Speaker 4: the second project I dropped is called uh.

874
00:42:13,719 --> 00:42:14,360
Speaker 3: Good Company.

875
00:42:15,360 --> 00:42:18,960
Speaker 4: And so after can We Talk, did this thing like

876
00:42:19,000 --> 00:42:21,319
Speaker 4: it made some noise and it was cool, and people

877
00:42:21,360 --> 00:42:25,080
Speaker 4: was like, Okay, Tony's on the radar. The singles would

878
00:42:25,160 --> 00:42:27,759
Speaker 4: let Me and I think the other song that did

879
00:42:27,840 --> 00:42:31,680
Speaker 4: really good was it's called Miss California, and so people

880
00:42:31,719 --> 00:42:33,480
Speaker 4: were like, all right, we heard them songs we love

881
00:42:33,560 --> 00:42:38,920
Speaker 4: let me, So then we do Good Company. And that's

882
00:42:38,960 --> 00:42:42,160
Speaker 4: the second second second yeap so I had I had

883
00:42:42,520 --> 00:42:47,280
Speaker 4: Sway Lee on that one, Quavo and Tie Dollar Sign,

884
00:42:47,600 --> 00:42:49,919
Speaker 4: which was dope and.

885
00:42:50,719 --> 00:42:52,600
Speaker 3: That one same thing.

886
00:42:52,600 --> 00:42:55,760
Speaker 4: It was like records that I had already and records

887
00:42:55,760 --> 00:42:58,880
Speaker 4: that we just created just randomly. But it was like, Okay,

888
00:42:59,080 --> 00:43:02,279
Speaker 4: this is sounding good as a group of music, you

889
00:43:02,360 --> 00:43:04,680
Speaker 4: know what I'm saying, Like, let's let's make a little

890
00:43:04,680 --> 00:43:06,880
Speaker 4: project out of this and call it Good Company.

891
00:43:06,920 --> 00:43:08,759
Speaker 3: And I ain't gonna lie though.

892
00:43:08,840 --> 00:43:11,000
Speaker 4: One of my favorite songs is on that song on

893
00:43:11,040 --> 00:43:14,920
Speaker 4: that project called ticket There, and that's what Tie Dollars signed,

894
00:43:15,440 --> 00:43:17,920
Speaker 4: And I think that one really, like I don't know,

895
00:43:17,960 --> 00:43:19,800
Speaker 4: it just had his own life, it still has his

896
00:43:19,880 --> 00:43:22,680
Speaker 4: own life. So that one was still still trying to

897
00:43:22,680 --> 00:43:25,520
Speaker 4: find myself, still growing still, like okay, I'm you know,

898
00:43:25,520 --> 00:43:28,160
Speaker 4: I'm still experimenting. I know you're putting these out through

899
00:43:28,200 --> 00:43:31,080
Speaker 4: the label YEP, it's all through RCA.

900
00:43:31,320 --> 00:43:33,759
Speaker 3: But their only mixtapes, Yeah, just.

901
00:43:33,600 --> 00:43:38,560
Speaker 4: EPs EP though EPs Yeah, yeah, not like but not official,

902
00:43:38,800 --> 00:43:39,760
Speaker 4: not official album.

903
00:43:39,880 --> 00:43:42,360
Speaker 2: Well could letting you build but not counting towards necessarily

904
00:43:42,360 --> 00:43:43,440
Speaker 2: your album exactly.

905
00:43:43,480 --> 00:43:45,839
Speaker 4: It was just like, let's let's let him figure it out,

906
00:43:45,920 --> 00:43:47,040
Speaker 4: let's let him find himself.

907
00:43:47,239 --> 00:43:49,080
Speaker 3: Okay, so put those out.

908
00:43:50,840 --> 00:43:51,480
Speaker 1: Yeah, it was good.

909
00:43:51,760 --> 00:43:54,600
Speaker 4: Good Company was twenty eighteen, so twenty seventeen twenty eighteen,

910
00:43:54,640 --> 00:43:55,160
Speaker 4: back to back.

911
00:43:56,360 --> 00:43:57,000
Speaker 1: So then.

912
00:43:58,960 --> 00:44:02,759
Speaker 4: Damn, I don't know if I shared it, I don't know, see,

913
00:44:03,400 --> 00:44:05,680
Speaker 4: but it was very it was real ironic that we

914
00:44:05,719 --> 00:44:11,800
Speaker 4: had that conversation with Sean and because in twenty nineteen,

915
00:44:11,880 --> 00:44:16,400
Speaker 4: I'll just say this, that year it almost felt like

916
00:44:16,640 --> 00:44:19,440
Speaker 4: everything was going like this, and then it just started

917
00:44:19,480 --> 00:44:22,600
Speaker 4: doing this, just like I was just like, what the

918
00:44:22,600 --> 00:44:25,360
Speaker 4: fuck is going on? Bro, shit, It's just feels stagnant.

919
00:44:25,440 --> 00:44:28,120
Speaker 4: It feels like I don't feel like I'm growing like

920
00:44:28,160 --> 00:44:29,880
Speaker 4: it just you know, in the business, it was a

921
00:44:29,920 --> 00:44:33,279
Speaker 4: lot of things going on, a lot of confusion, a

922
00:44:33,320 --> 00:44:37,239
Speaker 4: lot of new managers and management coming in and going out,

923
00:44:37,440 --> 00:44:39,239
Speaker 4: and I was like, just like, what the fuck? Like

924
00:44:39,360 --> 00:44:42,040
Speaker 4: that was probably one of the worst years that I had,

925
00:44:42,120 --> 00:44:45,360
Speaker 4: like twenty eighteen, twenty nineteen into twenty eighteen, twenty nineteen,

926
00:44:46,239 --> 00:44:49,799
Speaker 4: and I really felt like the label was gonna drop me.

927
00:44:50,880 --> 00:44:53,239
Speaker 4: I felt like they was gonna drop me twenty nineteen.

928
00:44:53,800 --> 00:44:54,040
Speaker 6: So.

929
00:44:56,200 --> 00:44:58,960
Speaker 4: I hit up so I go on tour with her

930
00:44:59,440 --> 00:45:03,440
Speaker 4: in twenty eight team So shout out Jeff and MBK.

931
00:45:04,840 --> 00:45:08,920
Speaker 4: They allowed me to go on tour with her, and I,

932
00:45:09,160 --> 00:45:10,759
Speaker 4: you know, really got to be around them. And be

933
00:45:10,840 --> 00:45:13,920
Speaker 4: around Jeff and see how everybody operate. They got to

934
00:45:14,000 --> 00:45:17,239
Speaker 4: learn about me and my situation and you know what

935
00:45:17,400 --> 00:45:20,880
Speaker 4: was going on. So when that moment hit in twenty nineteen,

936
00:45:21,400 --> 00:45:25,640
Speaker 4: I didn't have a manager anymore and my situation was

937
00:45:25,719 --> 00:45:26,600
Speaker 4: kind of just in the air.

938
00:45:26,760 --> 00:45:28,560
Speaker 3: I didn't know what the label was about to do me.

939
00:45:29,160 --> 00:45:33,000
Speaker 4: So I hit up Jeff and Jason and I'm just like, yo,

940
00:45:33,760 --> 00:45:36,680
Speaker 4: you know, I don't have any management. My back is

941
00:45:36,719 --> 00:45:39,520
Speaker 4: against the wall. I don't have a good feeling about

942
00:45:39,560 --> 00:45:41,319
Speaker 4: my situation. I don't know what's about to happen. I

943
00:45:41,320 --> 00:45:45,200
Speaker 4: feel like I'm about to get dropped and I need help.

944
00:45:45,920 --> 00:45:48,000
Speaker 4: And Jason was like, Okay, let me talk to Jeff,

945
00:45:48,840 --> 00:45:49,759
Speaker 4: let me see what's up.

946
00:45:50,640 --> 00:45:52,920
Speaker 3: And literally after that.

947
00:45:53,480 --> 00:45:55,759
Speaker 4: Came back to me and was like, yo, Jeff said

948
00:45:55,880 --> 00:45:59,360
Speaker 4: he's down to manage you. So from the end of

949
00:45:59,400 --> 00:46:05,120
Speaker 4: twenty nineteen till now you know, NBK got involved, Jason

950
00:46:05,120 --> 00:46:09,839
Speaker 4: got involved, Jazz still involved, and it just started doing this,

951
00:46:10,360 --> 00:46:13,840
Speaker 4: started going back up, we started getting traction again, and

952
00:46:13,840 --> 00:46:17,239
Speaker 4: then we dropped the project Fuck with Me. So Fuck

953
00:46:17,280 --> 00:46:20,319
Speaker 4: with Me was like it was cool because now I

954
00:46:20,400 --> 00:46:23,920
Speaker 4: felt like I had a team that was really taking

955
00:46:23,960 --> 00:46:25,960
Speaker 4: the time to make me.

956
00:46:26,040 --> 00:46:29,799
Speaker 3: Figure out who I was. Before that, I was just I.

957
00:46:29,719 --> 00:46:32,200
Speaker 4: Had the mindset of a writer and a producer, so

958
00:46:32,280 --> 00:46:35,560
Speaker 4: I was never really tapped into the artist artists mindset.

959
00:46:35,600 --> 00:46:37,840
Speaker 4: I didn't know how to be an artist until recently.

960
00:46:38,560 --> 00:46:41,520
Speaker 4: So it was like, Yo, just I'm gonna make songs.

961
00:46:41,520 --> 00:46:43,200
Speaker 4: I'm a studio, right, I'm gonna just make these songs.

962
00:46:43,200 --> 00:46:46,480
Speaker 4: I'm gonna make that one. But I wasn't being an artist,

963
00:46:46,840 --> 00:46:49,759
Speaker 4: and so when Fuck with Me came, it was.

964
00:46:49,719 --> 00:46:51,919
Speaker 3: Really like, Yo, what do you want to say? Who

965
00:46:51,920 --> 00:46:53,399
Speaker 3: do you want to be? Like you can?

966
00:46:53,520 --> 00:46:56,360
Speaker 4: You have this freedom? You got this freedom?

967
00:46:56,400 --> 00:46:58,520
Speaker 1: You just you gotta just do it.

968
00:46:58,880 --> 00:47:02,800
Speaker 4: So we dropped Fuck with Me. And it's crazy because

969
00:47:02,960 --> 00:47:05,959
Speaker 4: that record did really good for me. It like caught

970
00:47:06,040 --> 00:47:07,799
Speaker 4: on and people. That was the first time in my

971
00:47:07,840 --> 00:47:09,400
Speaker 4: life where I started to go out in public and

972
00:47:09,400 --> 00:47:11,960
Speaker 4: people be like, hey, you fuck with Me guy, like,

973
00:47:12,000 --> 00:47:16,040
Speaker 4: and I'm like, the fuck with the name of the song, guy,

974
00:47:16,280 --> 00:47:21,600
Speaker 4: it's crazy to me, Like I never got that, Like

975
00:47:21,600 --> 00:47:25,120
Speaker 4: you're the fuck with Me guy, and I'm like, that's new.

976
00:47:25,920 --> 00:47:27,759
Speaker 4: So we dropped Fuck with Me. Then we dropped in

977
00:47:27,840 --> 00:47:30,239
Speaker 4: that same year, we dropped the Part two. He was

978
00:47:30,280 --> 00:47:32,480
Speaker 4: like fuck it, let's just we got some songs together.

979
00:47:33,160 --> 00:47:35,680
Speaker 4: Fuck it, let's just keep going. We got this momentum going.

980
00:47:36,000 --> 00:47:38,799
Speaker 4: And what's crazy is me and Chris would do I Ever?

981
00:47:39,280 --> 00:47:41,839
Speaker 4: And you heard that song at Jazz's holl way back

982
00:47:42,080 --> 00:47:46,680
Speaker 4: in like twenty seventeen. We had cut this song a

983
00:47:46,719 --> 00:47:50,040
Speaker 4: while ago and never like could figure out the right

984
00:47:50,040 --> 00:47:50,799
Speaker 4: time to drop it.

985
00:47:51,160 --> 00:48:05,560
Speaker 8: Drop me, that's crazy, Brog about cash your name nigga?

986
00:48:05,719 --> 00:48:07,960
Speaker 1: Right now? How much price? Full price?

987
00:48:08,040 --> 00:48:09,080
Speaker 3: What's full price?

988
00:48:09,480 --> 00:48:10,319
Speaker 1: I don't worry about.

989
00:48:10,880 --> 00:48:12,440
Speaker 2: Just know when we full love, we're gonna do whatever

990
00:48:12,480 --> 00:48:15,200
Speaker 2: we got to do to get in there and support

991
00:48:15,239 --> 00:48:15,719
Speaker 2: our guy.

992
00:48:15,800 --> 00:48:21,080
Speaker 3: I appreciate y'all. Man, I don't know, man, Tank, he's

993
00:48:21,080 --> 00:48:21,799
Speaker 3: been rocking with me.

994
00:48:21,840 --> 00:48:22,000
Speaker 1: Man.

995
00:48:22,000 --> 00:48:25,440
Speaker 4: I remember playing Do I Ever for him in the

996
00:48:25,440 --> 00:48:26,560
Speaker 4: studio for the first time.

997
00:48:26,600 --> 00:48:29,239
Speaker 3: I remember you saying, what the fuck you doing?

998
00:48:29,280 --> 00:48:29,440
Speaker 2: Bro?

999
00:48:30,320 --> 00:48:32,040
Speaker 4: Literally that was that was it the you're doing, Bro,

1000
00:48:32,360 --> 00:48:33,520
Speaker 4: That's the biggest song in R and B.

1001
00:48:34,280 --> 00:48:37,960
Speaker 2: I just believe in and and like, you know, I know,

1002
00:48:38,120 --> 00:48:42,000
Speaker 2: I know you guys are I know the approach you're taking.

1003
00:48:42,960 --> 00:48:45,080
Speaker 2: You know what I'm saying. It's it's a stepping stones

1004
00:48:45,120 --> 00:48:48,760
Speaker 2: and building blocks. It's it's to grow in the audience

1005
00:48:49,000 --> 00:48:51,840
Speaker 2: and and and you know it's it's organic.

1006
00:48:52,840 --> 00:48:53,640
Speaker 1: I'm not mad at it.

1007
00:48:53,680 --> 00:48:58,640
Speaker 2: I love it. But that song right there could have

1008
00:48:58,640 --> 00:49:05,000
Speaker 2: had a budget behind it and went to radio mm

1009
00:49:05,040 --> 00:49:11,120
Speaker 2: hmmm mm hmmm, and went crazy. I know it. Can't

1010
00:49:11,120 --> 00:49:14,360
Speaker 2: tell me nothing different, can't tell me nothing different. I

1011
00:49:14,400 --> 00:49:16,440
Speaker 2: get it, I get me.

1012
00:49:16,480 --> 00:49:20,440
Speaker 1: I agree. I'm I'm gonna respect your process.

1013
00:49:20,040 --> 00:49:21,240
Speaker 4: Bro, I agree.

1014
00:49:21,920 --> 00:49:25,120
Speaker 2: But I'm telling you, I don't know who didn't hear it,

1015
00:49:27,320 --> 00:49:30,440
Speaker 2: who didn't see it? You said, I said, I said, right,

1016
00:49:30,480 --> 00:49:35,360
Speaker 2: I'll say this yep, yep, literally literally, are you holding

1017
00:49:35,520 --> 00:49:37,640
Speaker 2: this bomb?

1018
00:49:38,320 --> 00:49:40,960
Speaker 3: This bomb of a record bomb?

1019
00:49:41,520 --> 00:49:41,759
Speaker 1: Yep?

1020
00:49:42,360 --> 00:49:46,760
Speaker 2: Anyway, listen, listen, you're in the business of writing hit records.

1021
00:49:48,080 --> 00:49:50,960
Speaker 1: You will make another one that keep going, yes, keep going?

1022
00:49:50,960 --> 00:49:55,560
Speaker 2: What you got over there, chief, what I got like this?

1023
00:49:56,200 --> 00:49:56,399
Speaker 4: Yeah?

1024
00:50:06,239 --> 00:50:12,560
Speaker 3: Yeah? Come on now, come on now, brother.

1025
00:50:12,440 --> 00:50:19,400
Speaker 1: Tone You're young, but come on now.

1026
00:50:21,960 --> 00:50:23,880
Speaker 2: Your journeys from the church house to the R and

1027
00:50:23,920 --> 00:50:29,840
Speaker 2: B Club, you've been able to develop some favorites.

1028
00:50:33,680 --> 00:50:36,680
Speaker 1: Mm hmm. You R and B people want to know,

1029
00:50:37,040 --> 00:50:43,719
Speaker 1: if they want to want to know, come on, your.

1030
00:50:46,440 --> 00:51:01,000
Speaker 6: Top five, your top five, top five, your top five?

1031
00:51:04,520 --> 00:51:12,759
Speaker 1: Who else? All the songs we all to know? You

1032
00:51:13,120 --> 00:51:17,840
Speaker 1: got to show tell us you know, we want to

1033
00:51:18,080 --> 00:51:25,600
Speaker 1: love you. Top lujah.

1034
00:51:26,800 --> 00:51:53,680
Speaker 9: Wow your.

1035
00:51:48,280 --> 00:51:50,200
Speaker 1: Yeah yeah I was nasty.

1036
00:51:50,400 --> 00:51:56,400
Speaker 2: Yeah yeah yeah yeah that'st you, brother, Yeah yeah yeah.

1037
00:51:56,440 --> 00:52:02,600
Speaker 4: All right, your top five R and B singers. All right,

1038
00:52:03,280 --> 00:52:04,799
Speaker 4: can look at my list. I made a little list.

1039
00:52:05,160 --> 00:52:06,560
Speaker 1: You can talk at your list. What do you mean?

1040
00:52:07,120 --> 00:52:12,160
Speaker 1: What you know? Time? All right, your hour, dude, you

1041
00:52:12,160 --> 00:52:15,160
Speaker 1: want to do all right? So look.

1042
00:52:17,200 --> 00:52:25,120
Speaker 4: Top five artists. Mm hmmmm. At the five playing Center,

1043
00:52:27,239 --> 00:52:34,640
Speaker 4: I got Chris Brown. At the four power forward, I

1044
00:52:34,680 --> 00:52:35,560
Speaker 4: got Usher.

1045
00:52:38,400 --> 00:52:39,319
Speaker 1: At guard.

1046
00:52:41,120 --> 00:52:49,879
Speaker 3: Or small forward, I got Whitney Houston shooting guard. I'm

1047
00:52:49,880 --> 00:52:55,359
Speaker 3: Michael Jackson. And at the point I got Prince.

1048
00:52:56,960 --> 00:53:02,040
Speaker 4: Game Game and then and then the substitute. Six Man

1049
00:53:02,080 --> 00:53:03,840
Speaker 4: of the Year, six women of the Year. I should

1050
00:53:03,840 --> 00:53:06,240
Speaker 4: say it's Patty LaBelle.

1051
00:53:07,600 --> 00:53:08,560
Speaker 3: Six women of the Year.

1052
00:53:10,800 --> 00:53:13,560
Speaker 2: Yep, pattle the base to sing that somewhere over the

1053
00:53:13,640 --> 00:53:17,120
Speaker 2: rainbow m.

1054
00:53:16,600 --> 00:53:17,760
Speaker 1: I went on too paid LaBelle.

1055
00:53:17,920 --> 00:53:18,240
Speaker 3: Wow.

1056
00:53:18,400 --> 00:53:22,200
Speaker 1: Of course you did right, amazing, spilled a little champagne

1057
00:53:22,200 --> 00:53:24,479
Speaker 1: if you don't mind. It was baby Face.

1058
00:53:24,560 --> 00:53:27,600
Speaker 2: I opened for the baby Face Wow, the Old Jays

1059
00:53:28,560 --> 00:53:29,320
Speaker 2: and Petty Label.

1060
00:53:29,719 --> 00:53:32,920
Speaker 4: That's gold status bro, and the ghost called me to

1061
00:53:32,920 --> 00:53:34,439
Speaker 4: do it as a faith.

1062
00:53:34,880 --> 00:53:40,279
Speaker 1: Wow. That guy that guy. It's one of my my

1063
00:53:40,320 --> 00:53:41,200
Speaker 1: one flex for the night.

1064
00:53:42,000 --> 00:53:44,680
Speaker 2: It's a great five. Okay, go to your let's go

1065
00:53:44,719 --> 00:53:46,640
Speaker 2: to your top five R and B songs.

1066
00:53:47,320 --> 00:53:50,040
Speaker 1: M I like it. I did, I did.

1067
00:53:50,080 --> 00:53:51,360
Speaker 4: I was in the car, I was like, hold up

1068
00:53:52,040 --> 00:53:56,040
Speaker 4: to write this out all right at center M we

1069
00:53:56,160 --> 00:53:58,200
Speaker 4: Got Silly by Denise Williams.

1070
00:53:59,000 --> 00:54:00,360
Speaker 1: That's at the five in me.

1071
00:54:01,000 --> 00:54:06,600
Speaker 4: Wow, yep, oh yeah, that's the I don't know. Every

1072
00:54:06,640 --> 00:54:10,000
Speaker 4: time I hear that song, it hit me different. I'll say,

1073
00:54:11,560 --> 00:54:12,320
Speaker 4: I'll say this.

1074
00:54:12,920 --> 00:54:14,359
Speaker 3: Oh no, no, let me stay on track.

1075
00:54:15,520 --> 00:54:23,160
Speaker 4: Power Forward, love and Need and Want, Patti LaBelle, Yeah,

1076
00:54:24,040 --> 00:54:27,440
Speaker 4: small four, we got you Got It Bad? And I

1077
00:54:27,480 --> 00:54:30,600
Speaker 4: think with Usher you could put you could put you

1078
00:54:30,640 --> 00:54:34,560
Speaker 4: Got a Bad Burn superstar in that. You could just

1079
00:54:34,640 --> 00:54:41,080
Speaker 4: interchange them in that to me, okay, and I'm gonna

1080
00:54:41,120 --> 00:54:44,800
Speaker 4: keep it consistent. So after two like I want to

1081
00:54:44,800 --> 00:54:47,279
Speaker 4: be a lover Prince hm hmm, that's all.

1082
00:54:47,280 --> 00:54:51,680
Speaker 3: I changed, my life, changed my life. At what age

1083
00:54:51,719 --> 00:54:55,600
Speaker 3: do you discover I want to be a you know what?

1084
00:54:56,080 --> 00:54:57,759
Speaker 4: I first heard of Mike and Prince when I was

1085
00:54:57,760 --> 00:55:02,680
Speaker 4: eight years old. I knew I knew Mike's music before Prince,

1086
00:55:03,360 --> 00:55:05,759
Speaker 4: but the first thing that I've seen a Prince was

1087
00:55:05,800 --> 00:55:11,040
Speaker 4: is a Sign of the Times tour movie. So my

1088
00:55:11,120 --> 00:55:13,239
Speaker 4: dad used to watch that and when I'll you know

1089
00:55:13,440 --> 00:55:14,680
Speaker 4: that weekends, I'll be with him.

1090
00:55:15,239 --> 00:55:18,520
Speaker 1: Just it resonated with your soul.

1091
00:55:18,800 --> 00:55:21,480
Speaker 4: Yeah, bro, you didn't know.

1092
00:55:21,760 --> 00:55:22,920
Speaker 1: You didn't know why.

1093
00:55:23,160 --> 00:55:25,439
Speaker 4: I didn't know, no idea what I didn't know why

1094
00:55:25,640 --> 00:55:29,279
Speaker 4: he was like that man was up there going.

1095
00:55:30,400 --> 00:55:33,399
Speaker 2: Imagine going to school the next day Monday. You left

1096
00:55:33,440 --> 00:55:36,240
Speaker 2: your pops hops on Sunday on that Monday walking class.

1097
00:55:36,520 --> 00:55:44,600
Speaker 4: Hey girl, hot hot Dan, what's your fantasy.

1098
00:55:48,560 --> 00:55:52,080
Speaker 2: I wish one of them little niggas would running from

1099
00:55:52,120 --> 00:55:58,239
Speaker 2: my daughter singing that hot her daddy coming to the

1100
00:55:58,280 --> 00:56:00,680
Speaker 2: schoolhouse and I'll hit.

1101
00:56:00,600 --> 00:56:07,759
Speaker 1: A kid up shopping you up at number one.

1102
00:56:08,360 --> 00:56:11,799
Speaker 4: I got rocked with you, Michael Jackson. I think that's

1103
00:56:11,840 --> 00:56:13,759
Speaker 4: probably one of the greatest songs of all time.

1104
00:56:19,600 --> 00:56:26,920
Speaker 2: Yeah, yep, you saw a groove, a boogie, all of it,

1105
00:56:27,560 --> 00:56:33,840
Speaker 2: all of that girl.

1106
00:56:34,760 --> 00:56:35,720
Speaker 3: Closure rest.

1107
00:56:38,120 --> 00:56:40,560
Speaker 2: That's a code open line because I can go anywhere

1108
00:56:40,560 --> 00:56:45,960
Speaker 2: to anyway, hold on anywhere.

1109
00:56:46,000 --> 00:56:47,800
Speaker 1: Wait a minute, it's like go anywhere.

1110
00:56:47,800 --> 00:56:48,080
Speaker 6: Listen.

1111
00:56:48,280 --> 00:56:51,160
Speaker 1: I'm a I'm a lyric and I want to know

1112
00:56:51,160 --> 00:56:53,840
Speaker 1: where you're going with this. Hold on, watch.

1113
00:56:55,920 --> 00:57:03,719
Speaker 2: Whoa nothing nothing.

1114
00:57:04,040 --> 00:57:10,040
Speaker 1: Relaxed heads. Next to let's make your vote trying.

1115
00:57:11,520 --> 00:57:15,560
Speaker 3: Is let's uh hm hmm, let's make your super r

1116
00:57:15,640 --> 00:57:16,360
Speaker 3: and b artists.

1117
00:57:16,560 --> 00:57:19,320
Speaker 2: Who you're getting the vocal from, Who are you getting

1118
00:57:19,840 --> 00:57:22,960
Speaker 2: the performance style from? Who are you getting the styling from,

1119
00:57:23,240 --> 00:57:26,560
Speaker 2: Who are you getting the passion of the artists from,

1120
00:57:26,920 --> 00:57:31,920
Speaker 2: and who's writing and producing for that artist? Here we go,

1121
00:57:32,000 --> 00:57:34,840
Speaker 2: Let's start with the vocal. Who getting the vocal from?

1122
00:57:34,880 --> 00:57:35,760
Speaker 3: Getting the vocal from me?

1123
00:57:37,000 --> 00:57:44,280
Speaker 1: Come on, I'm gonna keep the vocal vocal. I want

1124
00:57:44,320 --> 00:57:45,200
Speaker 1: to sing the song.

1125
00:57:45,280 --> 00:57:47,880
Speaker 2: I want to sing the goddamn damn.

1126
00:57:52,120 --> 00:57:58,880
Speaker 1: Ladies and gentlemen. I'm David the Temptations.

1127
00:57:59,800 --> 00:58:00,960
Speaker 3: I'm gonna keep my voice.

1128
00:58:01,720 --> 00:58:08,720
Speaker 2: Performing style Mike, Yeah, Mike different, Mike different, electric.

1129
00:58:10,560 --> 00:58:14,200
Speaker 1: Styling, Prince, Prince, Now.

1130
00:58:14,120 --> 00:58:18,120
Speaker 3: I'm not gonna wear the ship with the ass cut out.

1131
00:58:18,160 --> 00:58:21,040
Speaker 1: You can't say that. I don't say that. Yes he can,

1132
00:58:21,360 --> 00:58:21,720
Speaker 1: he can't.

1133
00:58:22,360 --> 00:58:24,440
Speaker 3: Wait because it's there's there's different.

1134
00:58:24,480 --> 00:58:26,680
Speaker 1: You either won't, Prince, or you won't or you don't.

1135
00:58:26,960 --> 00:58:28,280
Speaker 3: There's different error.

1136
00:58:28,360 --> 00:58:30,760
Speaker 1: You just want to see be sitting button on the horse,

1137
00:58:31,440 --> 00:58:34,040
Speaker 1: or you don't. You could be you can be the slave.

1138
00:58:34,600 --> 00:58:37,680
Speaker 1: You can't pick a prince be the artist. You either

1139
00:58:37,800 --> 00:58:38,360
Speaker 1: prince or not.

1140
00:58:38,600 --> 00:58:40,360
Speaker 3: I'm talking about Sign of the Times. Prince.

1141
00:58:40,560 --> 00:58:44,640
Speaker 1: You can't pick a prince? Why not? I can't figure error?

1142
00:58:44,640 --> 00:58:45,840
Speaker 1: He picked the prince you want to be?

1143
00:58:46,200 --> 00:58:46,400
Speaker 2: What?

1144
00:58:46,600 --> 00:58:48,160
Speaker 1: He didn't get to pick the prince he wanted to

1145
00:58:48,200 --> 00:58:49,760
Speaker 1: be Prince the all time.

1146
00:58:50,400 --> 00:58:57,360
Speaker 4: Would be his artist, formally known as the eighty seven Prince.

1147
00:58:58,360 --> 00:59:03,080
Speaker 1: Bro course is crazy. You don't.

1148
00:59:04,760 --> 00:59:06,040
Speaker 4: I'm not wearing chaps.

1149
00:59:07,160 --> 00:59:08,280
Speaker 1: I'm not wearing.

1150
00:59:14,160 --> 00:59:14,280
Speaker 6: Who.

1151
00:59:14,320 --> 00:59:15,880
Speaker 1: You're getting the passion of the artists wrong?

1152
00:59:18,440 --> 00:59:22,960
Speaker 4: Yo, you know what passion? I'm gonna go with Aretha Franklin.

1153
00:59:23,160 --> 00:59:32,439
Speaker 4: Why not Aretha Franklin, Bro Franklin sweating sweat all over

1154
00:59:32,480 --> 00:59:34,200
Speaker 4: that Piana Piana?

1155
00:59:34,800 --> 00:59:37,960
Speaker 1: Yeah? Yeah, a different type of passion? Yeah?

1156
00:59:38,000 --> 00:59:38,600
Speaker 3: Absolutely?

1157
00:59:38,680 --> 00:59:40,240
Speaker 1: Who's writing and producing for this artist?

1158
00:59:40,720 --> 00:59:44,920
Speaker 4: Can I split the right? I'm gonna take a different

1159
00:59:44,920 --> 00:59:48,440
Speaker 4: approach and I'm gonna I'm gonna be creative with I'm

1160
00:59:48,440 --> 00:59:52,280
Speaker 4: gonna say Frank Ocean as a writer, say Frank Ocean

1161
00:59:52,280 --> 01:00:03,200
Speaker 4: as a writer and then producer. I'm gonna say salam Remy.

1162
01:00:01,080 --> 01:00:05,920
Speaker 5: Michael Jackson dancing to some salame Remy written by Frank

1163
01:00:06,000 --> 01:00:07,800
Speaker 5: Ocean sang By you.

1164
01:00:07,960 --> 01:00:15,600
Speaker 2: Know, no, Clami, I'm gonna say Salam, salamis am. Come on,

1165
01:00:16,000 --> 01:00:19,960
Speaker 2: come onto the podcast, puld you know what it is.

1166
01:00:20,880 --> 01:00:22,040
Speaker 2: I will pull up to your villa.

1167
01:00:22,160 --> 01:00:25,000
Speaker 1: We'll pull up to you wherever you recorded all this amazing?

1168
01:00:27,200 --> 01:00:31,480
Speaker 3: Yeah yeah, yeah, fal trying. I like you, Yes, sir.

1169
01:00:33,280 --> 01:00:33,360
Speaker 6: H.

1170
01:00:37,040 --> 01:00:39,080
Speaker 3: Black kid, black kids.

1171
01:00:40,520 --> 01:00:41,160
Speaker 1: Heard a white kid.

1172
01:00:44,960 --> 01:00:48,439
Speaker 2: I ain't saying no nick, ain't saying no necks, ain't

1173
01:00:48,480 --> 01:00:50,840
Speaker 2: saying no names.

1174
01:00:51,280 --> 01:00:59,520
Speaker 9: Are what you mean? Don't say I ain't saying no.

1175
01:01:05,960 --> 01:01:11,400
Speaker 2: Yes, Oh man, I'm on we here, brother, Yeah, we

1176
01:01:11,480 --> 01:01:15,720
Speaker 2: know you watched the podcast. Yeah yeah, yeah, right now

1177
01:01:15,920 --> 01:01:18,960
Speaker 2: we needed we needed an important segment.

1178
01:01:19,640 --> 01:01:22,440
Speaker 5: I ain't saying no names. Will you tell us that

1179
01:01:22,520 --> 01:01:27,480
Speaker 5: story funny or fucked up? You know, maybe a R

1180
01:01:27,520 --> 01:01:30,000
Speaker 5: and B podcast nigga showed up to your show and

1181
01:01:30,040 --> 01:01:38,280
Speaker 5: had to pay Oh yeah.

1182
01:01:35,120 --> 01:01:38,800
Speaker 2: Alright, all right, but you don't say that nigga name. Yeah,

1183
01:01:38,800 --> 01:01:43,200
Speaker 2: because you know the litenants game. You don't say no names.

1184
01:01:43,400 --> 01:01:44,000
Speaker 1: You know what I mean?

1185
01:01:44,400 --> 01:01:46,320
Speaker 2: And our new thing is you can tell us one

1186
01:01:46,400 --> 01:01:48,560
Speaker 2: or two. It's up to you.

1187
01:01:49,200 --> 01:01:51,960
Speaker 4: Yeah, okay, okay, I'll start off with this.

1188
01:01:53,760 --> 01:01:55,040
Speaker 3: I got a d M.

1189
01:01:55,120 --> 01:01:59,840
Speaker 1: One day always starts there. Young niggas they get d M.

1190
01:02:00,440 --> 01:02:00,880
Speaker 1: I got it.

1191
01:02:00,920 --> 01:02:02,720
Speaker 3: I got a deal one day.

1192
01:02:04,120 --> 01:02:07,760
Speaker 1: And it was crazy.

1193
01:02:07,800 --> 01:02:09,960
Speaker 3: I mean for me. I was like, yo, you know

1194
01:02:10,000 --> 01:02:13,080
Speaker 3: this person hit me up. I mean she like certified,

1195
01:02:13,160 --> 01:02:14,720
Speaker 3: Like okay, okay, blue check.

1196
01:02:14,920 --> 01:02:15,400
Speaker 1: This is her?

1197
01:02:15,480 --> 01:02:18,240
Speaker 5: Yeah yeah blue check on social media and in real

1198
01:02:18,280 --> 01:02:20,720
Speaker 5: life and we're like, this is her, Okay, it's her,

1199
01:02:21,000 --> 01:02:25,680
Speaker 5: She's her, you know, pull up to the studio.

1200
01:02:26,640 --> 01:02:30,200
Speaker 3: I'm working on this song and I want you to

1201
01:02:30,240 --> 01:02:30,520
Speaker 3: be a.

1202
01:02:30,440 --> 01:02:30,880
Speaker 1: Part of it.

1203
01:02:30,960 --> 01:02:33,360
Speaker 3: I want you to help write it. So I'm like,

1204
01:02:33,720 --> 01:02:37,600
Speaker 3: oh shit, let's hell, yeah, I'm there.

1205
01:02:38,120 --> 01:02:40,920
Speaker 4: I just had copped the E thirty, you know, the

1206
01:02:41,120 --> 01:02:43,600
Speaker 4: nineteen ninety BMW drop top convertible.

1207
01:02:44,520 --> 01:02:45,080
Speaker 1: Just copped it.

1208
01:02:45,240 --> 01:02:47,800
Speaker 4: I was like, oh, let me put on. I'm coming

1209
01:02:47,840 --> 01:02:49,400
Speaker 4: to impress the pull up game.

1210
01:02:50,200 --> 01:02:51,080
Speaker 3: I was on my ship.

1211
01:02:51,160 --> 01:02:54,720
Speaker 4: Bro let me let me get my ship right. So

1212
01:02:54,760 --> 01:02:58,280
Speaker 4: I'm hopping in the car, got over three hundred thousand

1213
01:02:58,320 --> 01:02:58,840
Speaker 4: plus miles.

1214
01:02:58,840 --> 01:03:01,000
Speaker 3: I really shouldn't be driving this. It's not even registered

1215
01:03:01,040 --> 01:03:01,560
Speaker 3: in my name.

1216
01:03:01,720 --> 01:03:02,400
Speaker 1: I just bought it.

1217
01:03:02,400 --> 01:03:05,000
Speaker 4: I shouldn't should get the title and ship, but I'm driving.

1218
01:03:05,040 --> 01:03:06,360
Speaker 1: Got to impress. You gotta pull up.

1219
01:03:06,920 --> 01:03:09,000
Speaker 4: My license plates is connected to a nigga name.

1220
01:03:08,960 --> 01:03:14,200
Speaker 3: One so not even men. So you know I'm pulling

1221
01:03:14,280 --> 01:03:17,520
Speaker 3: up out here in Hollywood. You know what I'm saying.

1222
01:03:18,160 --> 01:03:21,240
Speaker 4: So I get down here, I'm here, I'm here.

1223
01:03:22,120 --> 01:03:22,640
Speaker 3: She hissed me.

1224
01:03:22,680 --> 01:03:24,920
Speaker 4: She's like, I'm not I'm not gonna be able to

1225
01:03:24,920 --> 01:03:25,280
Speaker 4: make it.

1226
01:03:25,600 --> 01:03:26,240
Speaker 1: And we're good.

1227
01:03:26,320 --> 01:03:28,600
Speaker 3: Me with me and this person good, there's nothing but good.

1228
01:03:29,240 --> 01:03:29,640
Speaker 1: We're good.

1229
01:03:30,240 --> 01:03:32,560
Speaker 4: I'm not gonna be able to make it today. But

1230
01:03:34,040 --> 01:03:38,040
Speaker 4: the producers there, so just going with him and y'all

1231
01:03:38,040 --> 01:03:40,120
Speaker 4: finished di record and I'm like, all right, perfect, cool,

1232
01:03:40,400 --> 01:03:42,480
Speaker 4: I'm not even tripping. All right, I'm not gonna see her.

1233
01:03:42,560 --> 01:03:45,400
Speaker 3: You put all your smell goods on for your you know,

1234
01:03:45,480 --> 01:03:46,360
Speaker 3: but you know what.

1235
01:03:48,240 --> 01:03:51,160
Speaker 1: You want to use half the bottle. It's about the sound.

1236
01:03:51,600 --> 01:03:57,000
Speaker 4: It's about it's about the end of the day, at

1237
01:03:57,040 --> 01:04:00,160
Speaker 4: the end of the beginning, because in the morning.

1238
01:04:00,120 --> 01:04:00,440
Speaker 1: And I was.

1239
01:04:02,080 --> 01:04:05,640
Speaker 3: Time, okay, go ahead, So you know, she sent me

1240
01:04:05,720 --> 01:04:08,120
Speaker 3: the producer. I'm gonna cool. Hit him up.

1241
01:04:08,200 --> 01:04:11,280
Speaker 4: Hey bro, I'm here, I'm at the I'm at the studio,

1242
01:04:11,440 --> 01:04:13,520
Speaker 4: you know, cool.

1243
01:04:13,600 --> 01:04:17,760
Speaker 3: Hit him. Ten minutes go by, Oh shit, no response.

1244
01:04:17,840 --> 01:04:18,680
Speaker 3: So I'm like, all right, you.

1245
01:04:18,640 --> 01:04:21,760
Speaker 4: Know, maybe maybe bro busy working, maybe eating lunch, I

1246
01:04:21,760 --> 01:04:25,760
Speaker 4: don't know. Twenty minutes, starting to think I'm like, all right,

1247
01:04:27,320 --> 01:04:29,320
Speaker 4: you know, it's a little weird, but I mean the

1248
01:04:29,360 --> 01:04:31,400
Speaker 4: opportunity is, the opportunity is great.

1249
01:04:31,960 --> 01:04:33,920
Speaker 3: So you know, I'm I'm gonna stick around, you know.

1250
01:04:34,520 --> 01:04:34,800
Speaker 1: Cool.

1251
01:04:36,840 --> 01:04:41,720
Speaker 4: Forty five minutes, I'm like, the fuck is going on?

1252
01:04:42,920 --> 01:04:46,480
Speaker 4: So at this point I'm just like, damn, bro, Like

1253
01:04:46,520 --> 01:04:47,200
Speaker 4: what's going on?

1254
01:04:47,280 --> 01:04:47,600
Speaker 3: All right?

1255
01:04:48,360 --> 01:04:50,760
Speaker 4: So I'm like, yo, hit him back. I'm like, I'm

1256
01:04:50,800 --> 01:04:52,840
Speaker 4: double texting now. You know, it's just me in the

1257
01:04:52,840 --> 01:04:56,320
Speaker 4: message now. So I'm like, hey, you know, if I'm

1258
01:04:56,320 --> 01:04:58,520
Speaker 4: gonna leave, you know what I'm saying. If you know

1259
01:04:58,720 --> 01:05:00,360
Speaker 4: you ain't saying nothing. You know, I'm I'm gonna go

1260
01:05:00,440 --> 01:05:02,680
Speaker 4: back to the valley, bro, Like you know, it's a

1261
01:05:02,680 --> 01:05:03,560
Speaker 4: long drive.

1262
01:05:04,800 --> 01:05:05,280
Speaker 1: Say shit.

1263
01:05:05,840 --> 01:05:10,160
Speaker 3: So I was there for an hour in my drop top, chilling.

1264
01:05:11,400 --> 01:05:14,480
Speaker 4: So I'm all right, cool, I'm leaving, bro, Get on

1265
01:05:14,480 --> 01:05:16,400
Speaker 4: the highway, get back on the one on one north.

1266
01:05:16,920 --> 01:05:20,880
Speaker 4: He assed me, like, oh, Bro, I didn't see I

1267
01:05:20,880 --> 01:05:24,000
Speaker 4: didn't see the text. I didn't see my phone go off.

1268
01:05:26,800 --> 01:05:30,919
Speaker 4: And I'm like, well, I'm going, Bro. I was down

1269
01:05:30,920 --> 01:05:34,680
Speaker 4: here for an hour, right. So then fast forward later

1270
01:05:34,720 --> 01:05:37,600
Speaker 4: on in the week, I talked to a certain A

1271
01:05:37,720 --> 01:05:40,360
Speaker 4: and R at the time, and I was like, yeah, I.

1272
01:05:40,280 --> 01:05:42,120
Speaker 3: Was supposed to do a session with so and so

1273
01:05:42,280 --> 01:05:42,840
Speaker 3: you know, she.

1274
01:05:42,760 --> 01:05:45,080
Speaker 4: Told me to pull up and you know, I was

1275
01:05:45,080 --> 01:05:46,840
Speaker 4: excited or whatever, and it was you know, it's cool,

1276
01:05:46,840 --> 01:05:49,880
Speaker 4: it didn't happen, but you know, this was this is

1277
01:05:49,920 --> 01:05:51,000
Speaker 4: probably I'm gonna just say that.

1278
01:05:51,120 --> 01:05:54,440
Speaker 3: This was like Thursday, and he was like, oh, that's crazy.

1279
01:05:55,080 --> 01:05:56,560
Speaker 3: Oh and let me rewind.

1280
01:05:57,320 --> 01:05:59,920
Speaker 4: She said, you know, I'm not feeling good, so you

1281
01:06:00,120 --> 01:06:01,880
Speaker 4: know that that was the reason why she didn't come.

1282
01:06:02,080 --> 01:06:03,400
Speaker 3: I was all right, cool, understandable.

1283
01:06:04,120 --> 01:06:04,640
Speaker 1: I kid it.

1284
01:06:05,520 --> 01:06:07,680
Speaker 4: So I see a certain day in r I'm like, yeah,

1285
01:06:07,760 --> 01:06:09,480
Speaker 4: she said she wasn't feeling good that day. He's like, Yo,

1286
01:06:09,520 --> 01:06:13,360
Speaker 4: that's funny because I seen her that same day eating

1287
01:06:13,440 --> 01:06:16,600
Speaker 4: chicken outside somewhere and I was like.

1288
01:06:17,480 --> 01:06:20,880
Speaker 3: Oh, okay, cool damn.

1289
01:06:21,440 --> 01:06:24,120
Speaker 4: So that's how it went. So that was that's just

1290
01:06:24,200 --> 01:06:25,400
Speaker 4: the that's one of the stories.

1291
01:06:25,440 --> 01:06:27,640
Speaker 3: And I'm like, damn, bro, that was weird.

1292
01:06:28,480 --> 01:06:30,720
Speaker 1: Did you ever connect with the producer.

1293
01:06:31,840 --> 01:06:36,400
Speaker 3: Never after after that? After I was there for an hour, bro?

1294
01:06:36,600 --> 01:06:39,640
Speaker 1: Yeah, yeah. Did she ever say like, oh, come back tomorrow?

1295
01:06:40,800 --> 01:06:40,960
Speaker 2: Nah?

1296
01:06:41,120 --> 01:06:41,280
Speaker 1: Bro?

1297
01:06:41,400 --> 01:06:44,200
Speaker 4: And then when the crazy part of the Dagger through

1298
01:06:44,200 --> 01:06:47,280
Speaker 4: the Heart was that the song came out and I

1299
01:06:47,360 --> 01:06:49,080
Speaker 4: was like that she was supposed to write on I

1300
01:06:49,120 --> 01:06:50,360
Speaker 4: was supposed to be on this song.

1301
01:06:50,560 --> 01:06:52,040
Speaker 3: Oh you knew the song that she was supposed to

1302
01:06:52,040 --> 01:06:54,600
Speaker 3: be on. Everything did it go big?

1303
01:06:55,120 --> 01:06:55,640
Speaker 1: It was? It was?

1304
01:06:55,680 --> 01:06:56,680
Speaker 4: It was?

1305
01:06:56,280 --> 01:07:00,000
Speaker 3: It was pretty good good. That was the dagger though.

1306
01:07:00,160 --> 01:07:00,520
Speaker 1: That was.

1307
01:07:02,240 --> 01:07:03,240
Speaker 3: I was like, what did I do?

1308
01:07:04,320 --> 01:07:05,280
Speaker 1: Did I do something?

1309
01:07:05,920 --> 01:07:08,720
Speaker 3: I pulled up and eat thirty brou.

1310
01:07:12,040 --> 01:07:13,120
Speaker 4: I was expected too much.

1311
01:07:13,240 --> 01:07:20,600
Speaker 1: Doing too much. Niggas looked at the little thing said, nah,

1312
01:07:20,640 --> 01:07:21,280
Speaker 1: he's trying to.

1313
01:07:22,120 --> 01:07:27,439
Speaker 2: Oh yeah, no, nah, he got his rig, James, Nah,

1314
01:07:30,520 --> 01:07:31,280
Speaker 2: he's trying to be.

1315
01:07:34,320 --> 01:07:34,920
Speaker 1: So that was one.

1316
01:07:34,960 --> 01:07:36,600
Speaker 3: But me and the person we cool.

1317
01:07:36,720 --> 01:07:36,960
Speaker 1: That was.

1318
01:07:37,040 --> 01:07:40,880
Speaker 4: That was years ago. It's just funny now. And then alright,

1319
01:07:40,880 --> 01:07:45,520
Speaker 4: so another crazy story. This then happened to me, but

1320
01:07:45,720 --> 01:07:49,080
Speaker 4: it was it was crazy to witness this. So there

1321
01:07:49,160 --> 01:07:51,760
Speaker 4: is a certain somebody that I was on tour with

1322
01:07:52,920 --> 01:07:56,680
Speaker 4: and I'm not gonna lie, bro. This person was just

1323
01:07:56,800 --> 01:07:59,880
Speaker 4: he was just mean. Bro, he was just mean. Like

1324
01:08:00,480 --> 01:08:03,120
Speaker 4: I was on the whole tour and never met the man.

1325
01:08:04,200 --> 01:08:08,200
Speaker 4: Hhmm crazy. So one of these days, I don't know

1326
01:08:08,200 --> 01:08:11,280
Speaker 4: what city we was in, but you know it was cool.

1327
01:08:11,320 --> 01:08:14,600
Speaker 4: We always in the like the little hall loading dock,

1328
01:08:14,960 --> 01:08:19,880
Speaker 4: loading dock hallway and there's all this commotion going on outside,

1329
01:08:19,920 --> 01:08:21,639
Speaker 4: so we like, what the fuck is going on?

1330
01:08:22,800 --> 01:08:27,640
Speaker 3: So we see him, the person walk in, and he's like,

1331
01:08:28,000 --> 01:08:28,639
Speaker 3: you know, he's mad.

1332
01:08:28,680 --> 01:08:32,240
Speaker 4: He pushing everybody fuck out my way and this, this

1333
01:08:32,280 --> 01:08:35,400
Speaker 4: and that and calling people bitches and holes and.

1334
01:08:35,920 --> 01:08:38,880
Speaker 3: To funk out my way. And I kid you not.

1335
01:08:40,040 --> 01:08:44,640
Speaker 4: I seen this person spit on a woman security guard

1336
01:08:45,240 --> 01:08:48,599
Speaker 4: and I was like, bro, I used to look up

1337
01:08:48,600 --> 01:08:52,120
Speaker 4: to you, and I don't care how bad the situation is.

1338
01:08:52,720 --> 01:08:56,360
Speaker 4: I'm not spitting on no woman like that's just for

1339
01:08:56,720 --> 01:09:01,160
Speaker 4: just she doing her job. And that's That's just one

1340
01:09:01,200 --> 01:09:03,720
Speaker 4: of them fucked up stories that I was like, Wow,

1341
01:09:04,000 --> 01:09:08,320
Speaker 4: I will never act like that ever, ever, ever.

1342
01:09:09,120 --> 01:09:11,320
Speaker 3: So that's why people be like, don't change, don't change.

1343
01:09:11,320 --> 01:09:13,920
Speaker 4: I'm like, trust me, don't worry about it, because I've

1344
01:09:13,920 --> 01:09:15,680
Speaker 4: seen some ship that I did not want to be.

1345
01:09:16,240 --> 01:09:18,800
Speaker 4: I know what that's like, and I've seen how everybody

1346
01:09:18,800 --> 01:09:22,559
Speaker 4: in the room is just kind of like the fuck, like,

1347
01:09:23,760 --> 01:09:27,000
Speaker 4: so shit, I'm gonna leave it at that.

1348
01:09:27,280 --> 01:09:30,040
Speaker 2: Yeah, I ain't saying names on that.

1349
01:09:30,800 --> 01:09:32,799
Speaker 3: Yeah that's real. Yeah m hmm.

1350
01:09:35,800 --> 01:09:39,240
Speaker 4: Right, Look, I'll do one more. I'll do one more

1351
01:09:39,280 --> 01:09:44,040
Speaker 4: to get rid of that one so this one's kind

1352
01:09:44,080 --> 01:09:48,080
Speaker 4: of funny though. I was on tour with another person

1353
01:09:48,680 --> 01:09:52,439
Speaker 4: and this is around the time where they was they

1354
01:09:52,560 --> 01:09:56,320
Speaker 4: was blowing up, there was popping, and this was like

1355
01:09:56,400 --> 01:10:00,719
Speaker 4: my first solo gig away from the group, first show.

1356
01:10:01,479 --> 01:10:05,080
Speaker 4: So we're down in Houston and it's crazy because, like

1357
01:10:05,160 --> 01:10:08,960
Speaker 4: you know, I dance, So I was training at this

1358
01:10:08,960 --> 01:10:13,120
Speaker 4: this dance studio called so Real Dance Studio, and we

1359
01:10:13,120 --> 01:10:14,120
Speaker 4: were prepping for this show.

1360
01:10:14,160 --> 01:10:18,080
Speaker 3: And I'm the opening act, but we like prepping and it's.

1361
01:10:17,960 --> 01:10:18,840
Speaker 1: That Warehouse Live.

1362
01:10:18,920 --> 01:10:20,360
Speaker 4: So you know, I don't know if you know Warehouse

1363
01:10:20,400 --> 01:10:22,439
Speaker 4: Live or how big the stage is, but it's pretty big.

1364
01:10:23,200 --> 01:10:25,040
Speaker 4: And I'm the opening act. But we prepping have like

1365
01:10:25,120 --> 01:10:29,000
Speaker 4: thirty dancers on stage. Like it's like, oh, we're gonna

1366
01:10:29,000 --> 01:10:31,160
Speaker 4: go crazy. We're gonna go all out. We in Houston,

1367
01:10:31,640 --> 01:10:34,759
Speaker 4: we jazz, you know, we in the city. We're gonna

1368
01:10:34,800 --> 01:10:37,080
Speaker 4: go crazy. Ooh, We're going all out.

1369
01:10:37,160 --> 01:10:37,360
Speaker 2: Man.

1370
01:10:37,400 --> 01:10:40,479
Speaker 4: It was you know, so that week and rehearsal week,

1371
01:10:42,600 --> 01:10:45,080
Speaker 4: hitting the ship. You know what I'm saying, combinations, you

1372
01:10:45,120 --> 01:10:48,519
Speaker 4: got girls coming over here, you got the dudes coming over.

1373
01:10:50,160 --> 01:10:52,639
Speaker 3: You know, big, this big production right.

1374
01:10:54,439 --> 01:10:56,679
Speaker 4: Right, So we get we get to the show, date.

1375
01:10:57,960 --> 01:11:01,720
Speaker 4: Everything is amazing. Before the show, sound check incredible, Oh tone,

1376
01:11:01,800 --> 01:11:04,160
Speaker 4: you sound good. People coming up, Oh my god, bro,

1377
01:11:04,240 --> 01:11:08,320
Speaker 4: who are you? Drake sends me a gift and that's

1378
01:11:08,320 --> 01:11:10,160
Speaker 4: not the name drop, but Drake sends me a gift.

1379
01:11:10,200 --> 01:11:14,280
Speaker 4: He sends me some some Ovo Ovo tens.

1380
01:11:14,600 --> 01:11:16,960
Speaker 3: Signed it, wrote a note. I'm like, damn, this is

1381
01:11:17,360 --> 01:11:18,160
Speaker 3: fucking dope.

1382
01:11:18,240 --> 01:11:18,400
Speaker 1: Bro.

1383
01:11:18,479 --> 01:11:21,599
Speaker 3: I'm like this, my life is changing. My life is changing.

1384
01:11:22,680 --> 01:11:24,720
Speaker 3: Get on stage, and.

1385
01:11:26,760 --> 01:11:29,439
Speaker 4: A certain somebody there's there's two people in the story

1386
01:11:29,439 --> 01:11:32,040
Speaker 4: that I'm not gonna name. For A certain somebody from

1387
01:11:32,040 --> 01:11:35,640
Speaker 4: an R and B group that's very well known, advised me,

1388
01:11:36,160 --> 01:11:37,000
Speaker 4: and you know who you are.

1389
01:11:37,800 --> 01:11:38,439
Speaker 3: I love you, though.

1390
01:11:39,000 --> 01:11:43,080
Speaker 4: Advised me to drink olive oil before before my set.

1391
01:11:43,120 --> 01:11:45,840
Speaker 4: He said, just drink drink some olive oil. It's going

1392
01:11:45,960 --> 01:11:46,599
Speaker 4: it's gonna.

1393
01:11:46,360 --> 01:11:46,960
Speaker 3: Clear you up.

1394
01:11:48,960 --> 01:11:50,960
Speaker 4: And you know me, it's just the first time without

1395
01:11:50,960 --> 01:11:53,600
Speaker 4: the group. I'm nervous, you know what I'm saying. I'm like,

1396
01:11:53,600 --> 01:11:55,800
Speaker 4: fuck it, I want to be at my top of

1397
01:11:55,880 --> 01:11:56,360
Speaker 4: my game.

1398
01:11:58,120 --> 01:12:01,120
Speaker 3: Drank the olive oil. So it comes down to perform.

1399
01:12:01,160 --> 01:12:04,240
Speaker 4: I'm like, all right, my throat feel hot, Paul, my

1400
01:12:04,240 --> 01:12:08,200
Speaker 4: throat feel hot. I'm just like, all right, cool, whatever.

1401
01:12:08,400 --> 01:12:11,519
Speaker 4: So I'm out there, you're performing. I tell you, I

1402
01:12:11,600 --> 01:12:13,439
Speaker 4: was not hitting my notes, bro.

1403
01:12:13,840 --> 01:12:14,000
Speaker 1: Like.

1404
01:12:14,200 --> 01:12:17,000
Speaker 4: It was like I was trying and it was slipping.

1405
01:12:17,200 --> 01:12:21,320
Speaker 4: Like I wasn't catching no good notes. Man Like, it

1406
01:12:21,439 --> 01:12:24,719
Speaker 4: just wasn't happening for me. We out there, all the dances,

1407
01:12:24,760 --> 01:12:27,000
Speaker 4: come out, performing and.

1408
01:12:27,160 --> 01:12:28,920
Speaker 3: Trying to just do it a lot.

1409
01:12:29,360 --> 01:12:31,160
Speaker 4: I get to this break in my set, probably had

1410
01:12:31,200 --> 01:12:32,920
Speaker 4: like twenty minutes, get to this breaking my set and

1411
01:12:32,960 --> 01:12:35,759
Speaker 4: the crowd. I'm just talking and trying to introduce myself.

1412
01:12:36,280 --> 01:12:38,839
Speaker 4: The crowd starts cheering the person's name that I'm opening

1413
01:12:38,920 --> 01:12:45,639
Speaker 4: up for. It's too syllable, so they're like, Dad, it's

1414
01:12:45,680 --> 01:12:46,240
Speaker 4: like a movie.

1415
01:12:46,320 --> 01:12:46,519
Speaker 1: Bro.

1416
01:12:46,600 --> 01:12:49,120
Speaker 3: I'm like, I can't fucking believe this shit.

1417
01:12:49,920 --> 01:12:51,400
Speaker 1: So I was.

1418
01:12:51,520 --> 01:12:54,280
Speaker 4: I was like, as much as I was nervous that

1419
01:12:54,280 --> 01:12:57,639
Speaker 4: that was happening, I got upset and I was like,

1420
01:12:57,880 --> 01:12:59,920
Speaker 4: y'all gonna see so and so after I'm done performing,

1421
01:13:01,160 --> 01:13:02,479
Speaker 4: I know who y'all came to see.

1422
01:13:03,600 --> 01:13:05,080
Speaker 1: Did not see this ship.

1423
01:13:06,680 --> 01:13:14,360
Speaker 4: Thirty answers, which finished, gave me these he nailed.

1424
01:13:18,080 --> 01:13:22,920
Speaker 3: Yo, and they let me finish my set. They let

1425
01:13:22,960 --> 01:13:24,559
Speaker 3: me let me finish my set.

1426
01:13:25,600 --> 01:13:29,040
Speaker 4: But yeah, bro, that was a that was a crazy

1427
01:13:29,080 --> 01:13:32,240
Speaker 4: experience gave me the gave this is great.

1428
01:13:32,560 --> 01:13:35,519
Speaker 3: Drake gave me these man y'all, y'all let me finish.

1429
01:13:35,640 --> 01:13:37,639
Speaker 4: Y'all not understand what happened for me today.

1430
01:13:37,760 --> 01:13:38,800
Speaker 3: But yeah, I got upset.

1431
01:13:38,840 --> 01:13:42,120
Speaker 4: They didn't you they didn't boom me. But but that's

1432
01:13:42,240 --> 01:13:46,800
Speaker 4: not a boom. Yes, but it's just it's kind of

1433
01:13:46,880 --> 01:13:49,320
Speaker 4: just a bad kind of a book. It's just as

1434
01:13:49,320 --> 01:13:51,800
Speaker 4: bad kind of you start said, it's and it's a

1435
01:13:51,800 --> 01:13:54,280
Speaker 4: two syllable name, like you could really get a chair.

1436
01:13:54,040 --> 01:13:54,680
Speaker 1: On like that, like.

1437
01:13:59,240 --> 01:14:02,120
Speaker 4: Yeah, like getting off the stage.

1438
01:14:02,200 --> 01:14:06,240
Speaker 1: They were like, yeah, bro, I've been there, brother. Yeah,

1439
01:14:06,439 --> 01:14:10,040
Speaker 1: that's great, that's great. I love it happens to the

1440
01:14:10,080 --> 01:14:15,599
Speaker 1: best of us. Bill's character Bill, oh no, tests your character.

1441
01:14:15,720 --> 01:14:17,960
Speaker 7: Yeah, if I got your health character there, it is

1442
01:14:18,280 --> 01:14:20,800
Speaker 7: turned you into a villain in that moment.

1443
01:14:21,000 --> 01:14:23,240
Speaker 4: I remember when we were performing for that Sweet sixteen

1444
01:14:23,280 --> 01:14:26,479
Speaker 4: and Niggas O ship. So I said, that can't be

1445
01:14:26,520 --> 01:14:27,480
Speaker 4: worse than that.

1446
01:14:27,680 --> 01:14:30,200
Speaker 2: It can't be working at least I know I'm going

1447
01:14:30,240 --> 01:14:33,840
Speaker 2: to make it home right right, right, you're right niggas

1448
01:14:33,880 --> 01:14:36,200
Speaker 2: walking to your get on stage and walk through your.

1449
01:14:36,479 --> 01:14:39,880
Speaker 1: Yeah fifty, when the Niggas walked to your it's crazy bro.

1450
01:14:39,960 --> 01:14:43,240
Speaker 2: I was like, oh no, brother Tom, listen, man, you

1451
01:14:43,280 --> 01:14:45,840
Speaker 2: know we love you, man, Man, thank you God, I

1452
01:14:45,920 --> 01:14:46,160
Speaker 2: love you.

1453
01:14:46,680 --> 01:14:47,680
Speaker 1: Thank you for pulling up.

1454
01:14:48,600 --> 01:14:50,840
Speaker 2: Yeah, I got to pull up in here with the

1455
01:14:50,920 --> 01:14:57,000
Speaker 2: new you know, with the new pop already, man that

1456
01:14:57,680 --> 01:15:00,080
Speaker 2: I'm excited for that. I'm excited for you. Man, Man,

1457
01:15:00,160 --> 01:15:03,320
Speaker 2: I'm excited. You know, You're just You're just, You're just

1458
01:15:03,360 --> 01:15:06,000
Speaker 2: adopt It was an amazing talent man and a great

1459
01:15:06,080 --> 01:15:09,479
Speaker 2: human being. It starts there, so you know, in terms

1460
01:15:09,479 --> 01:15:13,360
Speaker 2: of you know, in terms of this business that goes

1461
01:15:13,360 --> 01:15:17,040
Speaker 2: a long way. Yes, it's gonna go a lot further.

1462
01:15:16,840 --> 01:15:20,360
Speaker 1: Than your records. Gotch being a good guy. It will

1463
01:15:20,360 --> 01:15:26,320
Speaker 1: sustain you. When you're not the hottest, they will prefer you.

1464
01:15:26,960 --> 01:15:27,360
Speaker 3: Gotcha.

1465
01:15:27,880 --> 01:15:28,760
Speaker 1: It's good though.

1466
01:15:28,760 --> 01:15:35,559
Speaker 2: I like him piece Yeah yeah, trust me, stay there,

1467
01:15:36,760 --> 01:15:37,439
Speaker 2: I'm there.

1468
01:15:37,880 --> 01:15:40,559
Speaker 3: You don't got worried about me doing stuff.

1469
01:15:42,520 --> 01:15:43,439
Speaker 1: I'm Valentine.

1470
01:15:43,640 --> 01:15:46,519
Speaker 2: This is the Army Money podcast, the authority on all

1471
01:15:46,640 --> 01:15:47,920
Speaker 2: things R and B.

1472
01:15:48,400 --> 01:15:52,320
Speaker 1: H youth a cooking. He's right here and it's evidence

1473
01:15:52,400 --> 01:15:54,120
Speaker 1: of it. Next the nights, mister Tumbstick.

1474
01:15:54,360 --> 01:15:56,080
Speaker 2: Yeah.

1475
01:16:01,600 --> 01:16:03,439
Speaker 5: R and B Money is a production of the Black

1476
01:16:03,439 --> 01:16:08,280
Speaker 5: Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1477
01:16:08,320 --> 01:16:12,120
Speaker 5: iHeartRadio app, Apple Podcasts, or wherever you listen to your

1478
01:16:12,200 --> 01:16:16,080
Speaker 5: favorite shows. Don't forget to subscribe to and rate our show,

1479
01:16:16,400 --> 01:16:19,000
Speaker 5: and you can connect with us on social media at

1480
01:16:19,080 --> 01:16:23,360
Speaker 5: Jay Valentine and at the Real Tank. For the extended episode,

1481
01:16:23,439 --> 01:16:27,640
Speaker 5: subscribe to YouTube, dot com, Forward, slash r, and b

1482
01:16:27,760 --> 01:16:28,480
Speaker 5: Money