1 00:00:00,720 --> 00:00:17,520 Speaker 1: I Am all In. Let's Kiss You, I Am all 2 00:00:17,600 --> 00:00:21,360 Speaker 1: In with Scott Patterson and I Heart Radio podcast Everybody. 3 00:00:21,400 --> 00:00:23,960 Speaker 1: Scott Patterson aim all on podcast We're Gonna Talk to 4 00:00:24,040 --> 00:00:29,080 Speaker 1: Olivia Hack, who portrayed Rory Gilmour's Yale sweet mate, Tanna Shrick. 5 00:00:29,800 --> 00:00:33,360 Speaker 1: She first appeared in season four episode two, The Laurelize 6 00:00:33,920 --> 00:00:36,440 Speaker 1: First Day at Yale, and last appearance was season four 7 00:00:36,440 --> 00:00:41,199 Speaker 1: episode one, Last Week Fights, This Week Tights. Tanna is 8 00:00:41,200 --> 00:00:43,680 Speaker 1: one of Rory's three sweet mates during her freshman year 9 00:00:43,720 --> 00:00:47,519 Speaker 1: at Yale. She's somewhat socially awkward and not good at 10 00:00:47,520 --> 00:00:51,800 Speaker 1: conversing without topics prepared beforehand. She's an adopted child, and 11 00:00:51,920 --> 00:00:54,440 Speaker 1: she was a fifteen year old when she first started 12 00:00:54,440 --> 00:00:58,160 Speaker 1: it Yale. She also appears exceptionally bright, able to focus 13 00:00:59,480 --> 00:01:03,160 Speaker 1: a great deal and in rich detail on task, perhaps 14 00:01:03,200 --> 00:01:07,840 Speaker 1: a more mathematical and logical mind than social and emotional. 15 00:01:07,959 --> 00:01:10,400 Speaker 1: She's born in Beverly Hills at a pretty young age. 16 00:01:10,440 --> 00:01:13,000 Speaker 1: You gotta start as an actress role as Captain mccard's 17 00:01:13,040 --> 00:01:16,200 Speaker 1: daughter and star Trek Generations followed up by Cindy Brady 18 00:01:16,400 --> 00:01:19,880 Speaker 1: in the first two films based in the nineteen sixties 19 00:01:19,920 --> 00:01:23,000 Speaker 1: sitcom The Brady Bunch, among other things. Let's bring her 20 00:01:23,000 --> 00:01:27,440 Speaker 1: in Olivia, Hack, Olivia. Hi, Hi, how's it going good? 21 00:01:27,440 --> 00:01:30,119 Speaker 1: How are you doing? I'm good, Thanks for coming on, 22 00:01:30,720 --> 00:01:35,039 Speaker 1: Thanks for having me. Where are you? I'm in Laguna Beach, baby, 23 00:01:35,040 --> 00:01:41,000 Speaker 1: Oh man, that's the place to be. I'm in a Nova, 24 00:01:41,040 --> 00:01:45,240 Speaker 1: Scotia shooting a TV series. Well that's not so bad either, 25 00:01:45,520 --> 00:01:48,080 Speaker 1: not not too bad. But I don't think it's going 26 00:01:48,120 --> 00:01:52,080 Speaker 1: to beach. But it's not too bad. Um, So how 27 00:01:52,080 --> 00:01:54,040 Speaker 1: are you doing. It's been it's been a long time. 28 00:01:54,080 --> 00:01:56,040 Speaker 1: I don't think I ever met you. I have no 29 00:01:56,760 --> 00:01:59,720 Speaker 1: We like cross paths briefly at that what do they 30 00:01:59,720 --> 00:02:04,200 Speaker 1: call it, Gilmore Girls fan fest or something? In Toronto? 31 00:02:04,320 --> 00:02:09,000 Speaker 1: And did that? Yeah, I was there, you know, I 32 00:02:09,040 --> 00:02:11,120 Speaker 1: did a I did a bunch of stuff one day 33 00:02:11,160 --> 00:02:12,680 Speaker 1: and I flew in and I flew out. It was 34 00:02:12,720 --> 00:02:15,120 Speaker 1: real fast, and yeah, I just I just remember it 35 00:02:15,160 --> 00:02:18,280 Speaker 1: was just a blurb the whole it was because it's 36 00:02:18,280 --> 00:02:20,040 Speaker 1: so funny because I tell people about it, because I 37 00:02:20,080 --> 00:02:22,040 Speaker 1: know they changed the location every year, and I'm like, 38 00:02:22,160 --> 00:02:24,440 Speaker 1: I can never remember where that actually was. So we 39 00:02:24,440 --> 00:02:27,840 Speaker 1: were in Toronto, Yes, it was in Unionville. They did 40 00:02:27,840 --> 00:02:30,760 Speaker 1: it in union Union where we shot where we shot 41 00:02:30,760 --> 00:02:36,119 Speaker 1: the pilot. Yeah, ok um, you joined season four as 42 00:02:36,520 --> 00:02:40,120 Speaker 1: Rory's Yale sweet mate ton of and you have been 43 00:02:40,160 --> 00:02:43,480 Speaker 1: watching the show? Had you been watching the show before? 44 00:02:44,120 --> 00:02:46,960 Speaker 1: I had, like I was the right age because I 45 00:02:46,960 --> 00:02:49,240 Speaker 1: think I was twenty when I did that, and so 46 00:02:49,480 --> 00:02:51,800 Speaker 1: I don't think I was completely caught up, but I 47 00:02:51,840 --> 00:02:54,720 Speaker 1: definitely seen like seasons one and two, So I was excited, 48 00:02:54,919 --> 00:02:59,280 Speaker 1: you know. Um, and uh, you know, did the audition, 49 00:02:59,600 --> 00:03:02,680 Speaker 1: did all that stuff, and weirdly enough, like I had, 50 00:03:03,040 --> 00:03:06,880 Speaker 1: uh kind of dated Slash, been a roommate to a 51 00:03:06,880 --> 00:03:09,320 Speaker 1: guy who was on that show as an a D 52 00:03:09,639 --> 00:03:15,040 Speaker 1: as an assistant director and he had done Alias as well, 53 00:03:15,080 --> 00:03:17,280 Speaker 1: which was a show where you know, night shoots and 54 00:03:17,280 --> 00:03:19,840 Speaker 1: they blew stuff up and he would come home and 55 00:03:19,880 --> 00:03:23,880 Speaker 1: have way worse hours on Gilmore Girls than he than 56 00:03:23,960 --> 00:03:27,560 Speaker 1: he did, you know, on this action show. Um, so 57 00:03:27,600 --> 00:03:29,400 Speaker 1: I kind of knew what I was getting into in 58 00:03:29,520 --> 00:03:32,280 Speaker 1: terms of of that, you know, but it had really 59 00:03:32,280 --> 00:03:35,600 Speaker 1: no idea, right right, Well, tell us about the audition process, 60 00:03:35,960 --> 00:03:38,720 Speaker 1: you know. I don't, I can't, I don't know. I mean, 61 00:03:38,720 --> 00:03:41,080 Speaker 1: I I remember it just being an audition like any 62 00:03:41,120 --> 00:03:43,600 Speaker 1: other you know, you're an actor in l A. You 63 00:03:43,680 --> 00:03:46,600 Speaker 1: go to two auditions a day and and hope one 64 00:03:46,680 --> 00:03:49,600 Speaker 1: hits and that one did right, so you know, you 65 00:03:49,640 --> 00:03:52,160 Speaker 1: go in a room and they laugh or they don't laugh, 66 00:03:52,240 --> 00:03:56,880 Speaker 1: and it means nothing, you know, um, and then I 67 00:03:56,920 --> 00:03:59,720 Speaker 1: got it. But but yeah, so that was kind of that. 68 00:04:00,360 --> 00:04:04,840 Speaker 1: So you you portrayed a fifteen year old she was fifteen. 69 00:04:05,320 --> 00:04:08,160 Speaker 1: How old were you when you were filming? Yeah, fifteen 70 00:04:08,240 --> 00:04:11,280 Speaker 1: or sixteen. I was twenty, And that was like the 71 00:04:11,320 --> 00:04:17,800 Speaker 1: source of so much drama. So basically, I I did 72 00:04:17,839 --> 00:04:21,120 Speaker 1: my first day, you know, I was feeling good about it. 73 00:04:22,160 --> 00:04:24,640 Speaker 1: I went home and a few days later I got 74 00:04:24,680 --> 00:04:27,559 Speaker 1: a call at like six o'clock at night and they said, 75 00:04:27,680 --> 00:04:30,200 Speaker 1: how quick can you get to Warner Brothers. We want 76 00:04:30,240 --> 00:04:32,760 Speaker 1: to do a wardrobe test. And I lived right around 77 00:04:32,800 --> 00:04:35,479 Speaker 1: the corner from Warner Brothers at the time, and I said, 78 00:04:35,520 --> 00:04:36,880 Speaker 1: I can get I can get there, you know. So 79 00:04:37,080 --> 00:04:39,839 Speaker 1: so I got there and and they went, oh, we 80 00:04:39,839 --> 00:04:42,200 Speaker 1: didn't like how you looked in that first episode. You 81 00:04:42,200 --> 00:04:46,440 Speaker 1: look too old next to Alexis. Now Alexis in that scene, 82 00:04:46,480 --> 00:04:48,480 Speaker 1: and Alexis and I talked about this later. They had 83 00:04:48,480 --> 00:04:51,119 Speaker 1: put her in this like French brain that she never 84 00:04:51,120 --> 00:04:54,680 Speaker 1: wore again, but it made her look incredibly young, Like, 85 00:04:54,760 --> 00:04:56,479 Speaker 1: standing next to me, we look at the same age. 86 00:04:56,960 --> 00:04:59,920 Speaker 1: So they dressed me up and they did that thing 87 00:05:00,000 --> 00:05:01,919 Speaker 1: where they kind of cut you out in front of 88 00:05:02,120 --> 00:05:04,560 Speaker 1: ten people and and they're all looking at you, but 89 00:05:04,640 --> 00:05:06,279 Speaker 1: not at you in the eye. You know, you're just 90 00:05:06,320 --> 00:05:08,280 Speaker 1: like a piece of meat, your circus animal, and they're 91 00:05:08,320 --> 00:05:10,360 Speaker 1: staring at you. And they put you another outfit, and 92 00:05:10,960 --> 00:05:12,520 Speaker 1: so they went, okay, yeah, this is this is the 93 00:05:12,520 --> 00:05:14,040 Speaker 1: outfit we like, this is how we're going to do it. 94 00:05:14,080 --> 00:05:15,600 Speaker 1: They put my hair up and they said, okay, now, 95 00:05:15,640 --> 00:05:18,239 Speaker 1: let's shoot it. And I went It's like eight o'clock 96 00:05:18,279 --> 00:05:19,960 Speaker 1: at night at this point, right, I didn't know I 97 00:05:20,000 --> 00:05:22,160 Speaker 1: was gonna shoot anything that day. I'd already shot the 98 00:05:22,240 --> 00:05:24,760 Speaker 1: damn scene. And I went shoot it and they go, yeah, 99 00:05:24,760 --> 00:05:27,800 Speaker 1: we're gonna reshoot all your your first your first scene, 100 00:05:27,839 --> 00:05:34,440 Speaker 1: all right now. I went, oh, so okay. So I 101 00:05:34,480 --> 00:05:37,880 Speaker 1: go in there and and I go, what about this 102 00:05:37,880 --> 00:05:40,479 Speaker 1: this first scene where I'm kind of walking in this 103 00:05:40,560 --> 00:05:43,080 Speaker 1: room where there was a ton of extras and a 104 00:05:43,080 --> 00:05:44,760 Speaker 1: ton of stuff going on. They go, oh, we're just 105 00:05:44,800 --> 00:05:47,360 Speaker 1: gonna leave that. So if you watch that first scene 106 00:05:48,960 --> 00:05:53,520 Speaker 1: when I before I enter the room, I'm in a 107 00:05:53,520 --> 00:05:56,440 Speaker 1: group of people dressed totally different with totally different hair, 108 00:05:56,800 --> 00:05:59,040 Speaker 1: and they just kind of let that slide and then 109 00:05:59,080 --> 00:06:01,560 Speaker 1: I walk in whatever, and so I shoot this scene 110 00:06:01,560 --> 00:06:05,240 Speaker 1: and Alexis and Lauren they've already been there all day long, 111 00:06:05,279 --> 00:06:07,680 Speaker 1: so they kind of shot their establishing group stuff and 112 00:06:07,680 --> 00:06:11,520 Speaker 1: then left. So I did all my stuff with some 113 00:06:11,640 --> 00:06:17,359 Speaker 1: stand in and and weirdly enough, I I love that scene. 114 00:06:17,400 --> 00:06:19,240 Speaker 1: I love how it turned out. But I think it's 115 00:06:19,279 --> 00:06:22,600 Speaker 1: probably you know, she was chaotic and nervous and all 116 00:06:22,600 --> 00:06:26,400 Speaker 1: that stuff I hadn't probably just resonated from me because 117 00:06:26,400 --> 00:06:31,600 Speaker 1: that's exactly what I was feeling, like, what is going on? Yeah? Wow, Yeah, 118 00:06:31,640 --> 00:06:35,320 Speaker 1: well yeah, sometimes that happens. Yeah, you know that. That's 119 00:06:35,360 --> 00:06:38,280 Speaker 1: that's TV production right there in a nutshell. You gotta 120 00:06:38,360 --> 00:06:42,839 Speaker 1: you gotta be you gotta be very nimble. Um uh yeah, 121 00:06:42,880 --> 00:06:46,080 Speaker 1: it just happened to me. Actually, it just happened to me. Yes, 122 00:06:46,520 --> 00:06:49,280 Speaker 1: we they called me on an off day. I did 123 00:06:49,279 --> 00:06:52,360 Speaker 1: a big emotional scene and they just wanted to get 124 00:06:52,360 --> 00:06:54,880 Speaker 1: a close up of me that they forgot to get 125 00:06:54,920 --> 00:06:56,680 Speaker 1: and I had to go back in and we didn't 126 00:06:56,720 --> 00:06:58,160 Speaker 1: have to redo it, but it was like, God, how 127 00:06:58,160 --> 00:07:00,040 Speaker 1: am I supposed to do this again? Because you on 128 00:07:00,279 --> 00:07:03,719 Speaker 1: that mindset no no, no, no no no no, once you, 129 00:07:03,760 --> 00:07:06,360 Speaker 1: once you, once you get off that highway, you're gone, man, 130 00:07:06,880 --> 00:07:11,800 Speaker 1: just like I can't revisit that the next day emotionally speaking, right, 131 00:07:12,040 --> 00:07:16,840 Speaker 1: with no warning preparation, right exactly? I know. Well anyway, so, 132 00:07:17,040 --> 00:07:22,119 Speaker 1: um uh, you started booking roles at a very young age, 133 00:07:22,120 --> 00:07:23,880 Speaker 1: and what made you want to get into acting in 134 00:07:23,920 --> 00:07:26,800 Speaker 1: the first place. You know, I'm not going to sit 135 00:07:26,800 --> 00:07:28,120 Speaker 1: here and lie to you and say it was like 136 00:07:28,160 --> 00:07:31,240 Speaker 1: an active choice because I started at like three, so 137 00:07:31,480 --> 00:07:33,800 Speaker 1: I was. I grew up in l A, right, and 138 00:07:33,840 --> 00:07:36,640 Speaker 1: so when you're a kid in l A, you're precocious, 139 00:07:36,760 --> 00:07:39,760 Speaker 1: you're cute enough, whatever, they go, Oh, let's stick you 140 00:07:39,760 --> 00:07:42,880 Speaker 1: in some commercials, right. Um. So it just kind of 141 00:07:42,920 --> 00:07:45,560 Speaker 1: started like that, as it does for all kids. We 142 00:07:45,600 --> 00:07:47,720 Speaker 1: all kind of starting commercials and then it just went 143 00:07:47,880 --> 00:07:51,120 Speaker 1: from there. So it wasn't like a mom I want 144 00:07:51,160 --> 00:07:54,480 Speaker 1: to be on TV thing. Um, but I also didn't 145 00:07:54,720 --> 00:07:56,480 Speaker 1: not want to be what not want to be doing 146 00:07:56,480 --> 00:07:58,800 Speaker 1: it once I started, So you know, it was always 147 00:07:58,800 --> 00:08:02,040 Speaker 1: an option to quit right right, right, which is good 148 00:08:02,080 --> 00:08:06,040 Speaker 1: because some trial. Actors don't have that option. No, they 149 00:08:06,080 --> 00:08:10,160 Speaker 1: do not. So you were in eight episodes when you 150 00:08:10,240 --> 00:08:13,520 Speaker 1: got the role, did they tell you how many episodes 151 00:08:13,560 --> 00:08:16,240 Speaker 1: you would be in. No. I think it was just 152 00:08:16,440 --> 00:08:21,680 Speaker 1: kind of a Rory's Roommate at Yale thing, right, Um, 153 00:08:21,800 --> 00:08:25,680 Speaker 1: so yeah, I just kept They just kept doing episodes, 154 00:08:25,760 --> 00:08:28,240 Speaker 1: and then in the for the finale, I think it 155 00:08:28,280 --> 00:08:30,120 Speaker 1: was like the second to last episode of the series, 156 00:08:30,520 --> 00:08:33,760 Speaker 1: they brought me and Katie Walter, who played Janet, who 157 00:08:33,840 --> 00:08:35,920 Speaker 1: I talked to her she wants to be on the show. Um, 158 00:08:36,440 --> 00:08:42,280 Speaker 1: oh Katie, sure, um. But they brought us both back 159 00:08:42,520 --> 00:08:46,360 Speaker 1: and they didn't ask me, like nobody asked my age. 160 00:08:46,360 --> 00:08:48,640 Speaker 1: And it's been a few years, like if I look different, 161 00:08:48,640 --> 00:08:50,440 Speaker 1: And at the time, I had cut off all my hair. 162 00:08:50,480 --> 00:08:53,120 Speaker 1: I had this like pixie cut. It was like bleach blonde. 163 00:08:53,679 --> 00:08:56,000 Speaker 1: And I showed up on set and I just the 164 00:08:56,080 --> 00:09:02,360 Speaker 1: collective like face drop where they were just like oh no, um, 165 00:09:02,400 --> 00:09:04,440 Speaker 1: And so they cut it all out. They cut out 166 00:09:04,440 --> 00:09:06,600 Speaker 1: all of our stuff, and Katie was like, this is 167 00:09:06,640 --> 00:09:10,040 Speaker 1: your fault, this is on you, you know. But we 168 00:09:10,160 --> 00:09:12,360 Speaker 1: shot it, but it just never it never made it. 169 00:09:12,400 --> 00:09:15,839 Speaker 1: And I think it's because I just looked completely different. Um, 170 00:09:17,000 --> 00:09:18,959 Speaker 1: what do you think of working with Alexis? What? How 171 00:09:18,960 --> 00:09:23,600 Speaker 1: did you like it? She's great. I mean I think Alexis, um, 172 00:09:23,640 --> 00:09:26,440 Speaker 1: you know, I don't know her personally, but like she's 173 00:09:26,679 --> 00:09:31,199 Speaker 1: very at least with me, and we got along well. Um, 174 00:09:31,240 --> 00:09:33,760 Speaker 1: you know, she's shy and reserved, and I think she 175 00:09:33,920 --> 00:09:38,040 Speaker 1: kind of was, Um, you know, I've been doing the 176 00:09:38,320 --> 00:09:41,079 Speaker 1: doing the actor dance for twenty years at that point, 177 00:09:41,160 --> 00:09:43,280 Speaker 1: and uh, you know, she kind of got plucked out 178 00:09:43,280 --> 00:09:47,839 Speaker 1: of college and rust yeah, and rust into that, and 179 00:09:47,920 --> 00:09:51,920 Speaker 1: so I think it was all just an adjustment, you know. Um. 180 00:09:51,960 --> 00:09:54,599 Speaker 1: I do remember her driving like the most beat to 181 00:09:54,960 --> 00:09:57,440 Speaker 1: car and just really kind of loving that. I was like, Oh, 182 00:09:57,520 --> 00:10:00,120 Speaker 1: you're on like season four of you know and or 183 00:10:00,200 --> 00:10:03,400 Speaker 1: TV show and you're driving this old like sedan and 184 00:10:03,400 --> 00:10:05,760 Speaker 1: and I don't know. I always think it's cool when 185 00:10:05,760 --> 00:10:08,880 Speaker 1: actors are a little low key like that. Lauren Alexis 186 00:10:08,920 --> 00:10:12,839 Speaker 1: share that they both were sort of car challenged. I 187 00:10:12,840 --> 00:10:14,800 Speaker 1: had to give Lauren a pep talk. It's like, like, 188 00:10:15,080 --> 00:10:19,360 Speaker 1: you know, you're projecting an image here and not not 189 00:10:19,480 --> 00:10:21,640 Speaker 1: Alexis's car. I don't remember her car. I do, I 190 00:10:21,679 --> 00:10:24,679 Speaker 1: do remember the collection of cars. Lauren had and they 191 00:10:24,720 --> 00:10:27,040 Speaker 1: just weren't up to snuff and I had to I 192 00:10:27,120 --> 00:10:28,560 Speaker 1: had to sit her down and talk to her. That's 193 00:10:28,640 --> 00:10:35,480 Speaker 1: nice of you. Yeah, good, Look at how Scott. I 194 00:10:35,520 --> 00:10:37,880 Speaker 1: think I got it with a deduction argument. You know 195 00:10:38,000 --> 00:10:49,160 Speaker 1: it deduction if you lease it, there's a lot of dialogue, 196 00:10:49,160 --> 00:10:52,480 Speaker 1: even in your first scene. How do you approach memorizing everything? 197 00:10:52,760 --> 00:10:55,959 Speaker 1: Wasn't it was a nightmare? I mean so. I it's 198 00:10:56,000 --> 00:11:00,160 Speaker 1: funny because after Gilmore Girls, I kind of segued into 199 00:11:00,200 --> 00:11:03,680 Speaker 1: primarily voice acting. And one of the wonderful things about 200 00:11:03,720 --> 00:11:05,559 Speaker 1: voice acting I always say, it's like you don't have 201 00:11:05,640 --> 00:11:10,439 Speaker 1: to memorize lines, right um, And Gilmore Girls was so 202 00:11:11,360 --> 00:11:13,160 Speaker 1: and I don't know if I don't know if they 203 00:11:13,200 --> 00:11:15,760 Speaker 1: just did if they did this a series regulars too. 204 00:11:15,880 --> 00:11:18,959 Speaker 1: I imagine they did, but maybe you were handled with 205 00:11:19,040 --> 00:11:21,760 Speaker 1: kid gloves. But they were so word perfect with it, 206 00:11:22,200 --> 00:11:26,160 Speaker 1: and you know, you'd get these big chunks of of dialogue. 207 00:11:26,200 --> 00:11:28,920 Speaker 1: And I do remember someone at one point going, because 208 00:11:28,960 --> 00:11:31,360 Speaker 1: you know, Gilmore Girls has that certain kind of like 209 00:11:31,440 --> 00:11:34,240 Speaker 1: it has its own little patois and it's really fast 210 00:11:34,280 --> 00:11:37,080 Speaker 1: and this, and someone was like, that's editing, so don't worry. 211 00:11:37,120 --> 00:11:41,120 Speaker 1: So much about that, but it they really wanted it 212 00:11:41,160 --> 00:11:43,200 Speaker 1: were perfect. So I remember doing a scene once and 213 00:11:43,240 --> 00:11:45,160 Speaker 1: they came back and they were like, that was all great, 214 00:11:45,559 --> 00:11:49,800 Speaker 1: but don't change it is too it's you know and 215 00:11:49,920 --> 00:11:53,480 Speaker 1: usually m No'll give you that sort of you know, leniency. 216 00:11:53,679 --> 00:11:56,520 Speaker 1: And there was one scene talk about how they would 217 00:11:56,559 --> 00:12:00,079 Speaker 1: change scheduling and stuff, and I had this real big monologu, 218 00:12:00,160 --> 00:12:02,640 Speaker 1: which is crazy because I it's the Scott. It is 219 00:12:02,679 --> 00:12:05,400 Speaker 1: the only thing to this day that I still remember, 220 00:12:05,480 --> 00:12:11,040 Speaker 1: like word perfect um. And I showed up and I 221 00:12:11,120 --> 00:12:14,440 Speaker 1: had it. I'd like memorized. It was like a medical jargon. 222 00:12:14,960 --> 00:12:17,040 Speaker 1: And I was like ready, it was I was game. 223 00:12:17,400 --> 00:12:20,280 Speaker 1: And then they went, oh it's ten am. Yeah, we've 224 00:12:20,320 --> 00:12:24,200 Speaker 1: moved this to like six pm. So I sat around 225 00:12:24,240 --> 00:12:27,120 Speaker 1: all day and by the time I got around to it, 226 00:12:27,120 --> 00:12:32,400 Speaker 1: it was gone. It was just term memory. Yes, And 227 00:12:32,520 --> 00:12:34,839 Speaker 1: I mean I've done a lot of TV, I've done movies, 228 00:12:34,880 --> 00:12:37,800 Speaker 1: I've done stuff. And it was one of two times 229 00:12:38,040 --> 00:12:41,079 Speaker 1: that I in my career that I ever just lost 230 00:12:41,120 --> 00:12:43,079 Speaker 1: something to the point where they came up and they 231 00:12:43,080 --> 00:12:46,920 Speaker 1: were like, would you like cue car, which is to 232 00:12:47,080 --> 00:12:52,679 Speaker 1: me like the biggest It's an the more you can't 233 00:12:52,720 --> 00:12:57,600 Speaker 1: get it. The more you're right out of your mind, 234 00:12:58,080 --> 00:13:02,760 Speaker 1: like so, yeah, so are you Scott? You're ready? This 235 00:13:02,840 --> 00:13:06,480 Speaker 1: is Are you ready? His father was instrumental in conducting 236 00:13:06,520 --> 00:13:09,520 Speaker 1: research showing that neurons in the brain fire actively during 237 00:13:09,559 --> 00:13:12,960 Speaker 1: rem sleep with the exception of serotonin and report effort. 238 00:13:13,440 --> 00:13:17,160 Speaker 1: To this day, I can remember it perfectly because I 239 00:13:17,240 --> 00:13:21,040 Speaker 1: was like so shamed in my head by it. You know, 240 00:13:21,240 --> 00:13:25,320 Speaker 1: it was awful to this day. Um, but yeah, it 241 00:13:25,440 --> 00:13:28,560 Speaker 1: was just it was yeah, it was hard. It wasn't tough. 242 00:13:29,280 --> 00:13:32,920 Speaker 1: I can't lie. I mean Gilmore girls was tough, like 243 00:13:33,440 --> 00:13:38,560 Speaker 1: they you know, have a vision and and obviously it 244 00:13:38,600 --> 00:13:41,160 Speaker 1: was correct and right and that's why the show is 245 00:13:41,280 --> 00:13:46,000 Speaker 1: everlasting and all that. Um, but you know, wasn't it 246 00:13:46,120 --> 00:13:50,200 Speaker 1: wasn't George Bell available to you? He was. He was 247 00:13:50,240 --> 00:13:53,640 Speaker 1: the one. He's like now now see the line is 248 00:13:53,760 --> 00:13:58,200 Speaker 1: instrument and conduct so remember that's like music and you 249 00:13:58,200 --> 00:14:00,280 Speaker 1: can I mean, I like remember his notes he was 250 00:14:00,320 --> 00:14:03,560 Speaker 1: giving me during this monologue and like no, so George Bow, 251 00:14:03,679 --> 00:14:06,439 Speaker 1: Yeah it was the dialogue coach. But didn't he come 252 00:14:06,480 --> 00:14:09,600 Speaker 1: to your trailer and just run it and run it? 253 00:14:09,600 --> 00:14:11,120 Speaker 1: I mean even at six pm when you were going 254 00:14:11,160 --> 00:14:12,559 Speaker 1: to do it. Didn't he come and run it and 255 00:14:12,640 --> 00:14:14,360 Speaker 1: run and run it with it. I thought I had it. 256 00:14:14,800 --> 00:14:16,360 Speaker 1: I thought I had it right because I had it 257 00:14:16,440 --> 00:14:19,240 Speaker 1: that morning. I didn't know by the until I got 258 00:14:19,280 --> 00:14:22,800 Speaker 1: to set that it was gone, just gone. You know what. 259 00:14:23,080 --> 00:14:26,240 Speaker 1: That dialogue was tough. I don't care. You're right it was. 260 00:14:26,600 --> 00:14:29,320 Speaker 1: It doesn't matter how prepared you were. It was still 261 00:14:29,400 --> 00:14:33,000 Speaker 1: challenging to execute. It really was. Yeah, And just the 262 00:14:33,040 --> 00:14:35,080 Speaker 1: fact that it had to be like to the to 263 00:14:35,200 --> 00:14:40,600 Speaker 1: the letter right is a whole other sort of exageration. Yeah, 264 00:14:41,240 --> 00:14:45,640 Speaker 1: it was hard for you to um sometimes not, I 265 00:14:45,640 --> 00:14:48,640 Speaker 1: mean after I don't know, the first couple of episodes, 266 00:14:48,680 --> 00:14:51,720 Speaker 1: it was just kind of there that you developed that muscle, 267 00:14:51,840 --> 00:14:55,080 Speaker 1: and I think we all did simultaneously, and it just 268 00:14:55,120 --> 00:14:59,280 Speaker 1: got easier and easier because and we we started getting jaded, 269 00:15:01,640 --> 00:15:05,120 Speaker 1: started playing games with ourselves about how much time it 270 00:15:05,160 --> 00:15:07,200 Speaker 1: would take to memorize it before we went and did it. 271 00:15:07,800 --> 00:15:10,280 Speaker 1: It's like, cut it really close before the scene. Did 272 00:15:10,280 --> 00:15:13,320 Speaker 1: they change it a lot before as it was going on, 273 00:15:13,440 --> 00:15:15,560 Speaker 1: or like, did did they kind of release the script 274 00:15:15,560 --> 00:15:18,120 Speaker 1: and that it was kind of done. We didn't get 275 00:15:18,160 --> 00:15:22,920 Speaker 1: scripts until sometimes, you know, not even twenty four hours 276 00:15:22,920 --> 00:15:25,000 Speaker 1: before you get it at your house kind of coming 277 00:15:25,040 --> 00:15:27,080 Speaker 1: in the next thing that was, but they were they 278 00:15:27,080 --> 00:15:29,680 Speaker 1: were always perfecting it. Amy and her team were always 279 00:15:29,680 --> 00:15:32,400 Speaker 1: and and Dan they were always perfecting it. You're always 280 00:15:32,560 --> 00:15:35,120 Speaker 1: we got listen, we got pages. I think on the 281 00:15:35,200 --> 00:15:38,440 Speaker 1: very first episode we did, which was after shooting a pilot, 282 00:15:38,440 --> 00:15:41,520 Speaker 1: we started up and Warner Brothers and Laura and I 283 00:15:41,560 --> 00:15:43,760 Speaker 1: were sitting in six AM five third Dame in the 284 00:15:43,760 --> 00:15:46,840 Speaker 1: makeup trailer and it was we hadn't even shot anything yet, 285 00:15:47,360 --> 00:15:49,680 Speaker 1: and they threw a ten page scene at us. They've 286 00:15:49,680 --> 00:15:52,920 Speaker 1: just written We're gonna do this. We panicked, we worked 287 00:15:52,920 --> 00:15:54,600 Speaker 1: on it, we did it, and after that we had 288 00:15:54,640 --> 00:15:57,080 Speaker 1: the confidence like, Okay, we can handle this, we can 289 00:15:57,120 --> 00:15:59,480 Speaker 1: do this. Yeah. Well, especially you guys were such a 290 00:15:59,480 --> 00:16:02,640 Speaker 1: good team together, which matters, you know with dialogue. But 291 00:16:02,680 --> 00:16:04,720 Speaker 1: it's but it's doing it right. You got to do 292 00:16:04,760 --> 00:16:06,400 Speaker 1: it over and over and over again, and we had 293 00:16:06,480 --> 00:16:09,200 Speaker 1: we kind of had that confidence. So confidence has allowed 294 00:16:09,240 --> 00:16:11,960 Speaker 1: to do with it. And it's totally just a muscle memory. 295 00:16:12,000 --> 00:16:13,960 Speaker 1: Like even being a voice actor now when I do 296 00:16:14,120 --> 00:16:16,920 Speaker 1: sometimes have to memorize lines, it's like, oh, it's just 297 00:16:17,040 --> 00:16:20,760 Speaker 1: not as crispy and easy as it once was. And 298 00:16:20,800 --> 00:16:22,760 Speaker 1: you didn't start out as an actor, right, weren't you 299 00:16:22,840 --> 00:16:25,880 Speaker 1: like you were like a baseball player, right I was. Yeah, 300 00:16:26,040 --> 00:16:31,760 Speaker 1: so I didn't have to memorize anything, just some hand signals, right, 301 00:16:33,520 --> 00:16:40,280 Speaker 1: I didn't even get those? Right. Um, the fans recognize 302 00:16:40,320 --> 00:16:44,960 Speaker 1: you from you know, yes, occasionally it's so weird. I mean, 303 00:16:45,160 --> 00:16:48,320 Speaker 1: I am it's the voice, isn't it well? And I've 304 00:16:48,360 --> 00:16:50,320 Speaker 1: aged like fine wine if I do have to say so, 305 00:16:50,600 --> 00:16:54,160 Speaker 1: so I'm just kidding you have no but so I 306 00:16:54,200 --> 00:16:58,080 Speaker 1: don't look too far off, you know. And yeah, well 307 00:16:58,120 --> 00:17:01,440 Speaker 1: also too, I think because the show is so this 308 00:17:01,600 --> 00:17:04,120 Speaker 1: literally happened to me last week. I had an interview 309 00:17:04,160 --> 00:17:06,679 Speaker 1: with somebody and they said, oh, before we start, I 310 00:17:06,720 --> 00:17:08,440 Speaker 1: just have to tell you my fourteen year old daughter 311 00:17:08,520 --> 00:17:10,840 Speaker 1: is a big Gilmore Girls fan. So I've I've seen 312 00:17:10,880 --> 00:17:14,960 Speaker 1: you in that, and so it's I get recognized because 313 00:17:15,200 --> 00:17:19,080 Speaker 1: the show is everlasting, right like it's still like as 314 00:17:19,119 --> 00:17:21,840 Speaker 1: you know, like there's a whole group of you know, 315 00:17:22,040 --> 00:17:25,080 Speaker 1: ten to sixteen year old girls who love it and 316 00:17:25,080 --> 00:17:27,720 Speaker 1: are rediscovering it all over again, which always kind of 317 00:17:27,720 --> 00:17:31,920 Speaker 1: blows my mind because to me, the show and the writing, 318 00:17:32,040 --> 00:17:35,320 Speaker 1: which is so sharp, and the jokes are all very topical, 319 00:17:36,000 --> 00:17:39,120 Speaker 1: so I feel like some of that stuff must go 320 00:17:39,240 --> 00:17:43,879 Speaker 1: over their heads. But there's an everlasting I don't know. 321 00:17:43,920 --> 00:17:46,720 Speaker 1: I think it's it's very rare that that mother daughter 322 00:17:46,800 --> 00:17:49,840 Speaker 1: dynamic is seen on TV and isn't really represented all 323 00:17:49,880 --> 00:17:53,160 Speaker 1: that much, So that in itself is unique and has 324 00:17:53,280 --> 00:17:57,840 Speaker 1: I think staying power as well. You know, Um, you 325 00:17:57,920 --> 00:18:00,399 Speaker 1: do a lot of voice of work, from Hey Arnold 326 00:18:00,440 --> 00:18:04,479 Speaker 1: to Bratt's Last Airbender more. Do you prefer that kind 327 00:18:04,520 --> 00:18:11,000 Speaker 1: of acting over any other. I feel very fortunate with 328 00:18:11,040 --> 00:18:13,199 Speaker 1: my voiceover career because, like I said, I don't have 329 00:18:13,240 --> 00:18:16,960 Speaker 1: to memorize lines, there's no blocking, there's no Um. I 330 00:18:16,960 --> 00:18:19,520 Speaker 1: get to go to comic cons, which I enjoy immensely. 331 00:18:19,800 --> 00:18:24,800 Speaker 1: Um Yeah, I got there. I literally booked into like 332 00:18:24,840 --> 00:18:28,760 Speaker 1: August of next year. Yeah. So you're doing You're doing 333 00:18:28,760 --> 00:18:32,640 Speaker 1: the Galaxy cons you Yeah? Every were you? Were you 334 00:18:32,760 --> 00:18:37,679 Speaker 1: at Raleigh Darham? No? I almost. Yeah, I'm doing all 335 00:18:37,720 --> 00:18:40,840 Speaker 1: these Fanboy Expo ones right now. And yeah, it's a 336 00:18:40,840 --> 00:18:47,200 Speaker 1: whole it's a whole circuit. So that's great. I love it. Yeah, 337 00:18:47,240 --> 00:18:49,199 Speaker 1: And I'm on a I mean, I do a lot 338 00:18:49,240 --> 00:18:51,879 Speaker 1: of cartoons, but there was a cartoon that during the pandemic. 339 00:18:51,920 --> 00:18:55,000 Speaker 1: I did called Avatar Last Airbender that blew up, that 340 00:18:55,080 --> 00:18:58,880 Speaker 1: was fifteen years old and blew up. And so it's 341 00:18:59,080 --> 00:19:01,800 Speaker 1: immensely popular are right now and it's affording me to 342 00:19:01,840 --> 00:19:04,280 Speaker 1: be able to I love travel, so to travel and 343 00:19:04,320 --> 00:19:07,320 Speaker 1: meet everybody, and and you know, you meet a lot 344 00:19:07,359 --> 00:19:11,760 Speaker 1: of people who are disenfranchised and don't always belong and 345 00:19:11,840 --> 00:19:14,040 Speaker 1: you get to meet them on their best day, right, 346 00:19:14,560 --> 00:19:18,440 Speaker 1: and everyone's having a good time, and you hear how 347 00:19:18,960 --> 00:19:21,320 Speaker 1: your work has touched people, and it's like I didn't 348 00:19:21,320 --> 00:19:23,280 Speaker 1: write this stuff. You did write this stuff, but it 349 00:19:23,320 --> 00:19:25,399 Speaker 1: means so but they act like you did, right, and 350 00:19:25,440 --> 00:19:27,760 Speaker 1: it means so much to them, and it's a privilege. 351 00:19:27,800 --> 00:19:30,840 Speaker 1: So yeah, I just feel I feel so lucky. So 352 00:19:31,400 --> 00:19:34,520 Speaker 1: I'll see you on the circuit. Yeah, yeah, I'm I'm 353 00:19:34,560 --> 00:19:37,679 Speaker 1: on that circuit. You know, I'm going to Germany and 354 00:19:37,760 --> 00:19:42,640 Speaker 1: December for Lucky that for that German German Comic Con 355 00:19:42,640 --> 00:19:46,120 Speaker 1: and dortmun Oh that's gonna be fun. Well December that's 356 00:19:46,119 --> 00:19:48,760 Speaker 1: gonna be freezing, right, But I mean I went. I 357 00:19:48,760 --> 00:19:50,720 Speaker 1: went a couple of Decembers to go to Berlin and 358 00:19:50,720 --> 00:19:54,200 Speaker 1: it was fantastic. Oh my god. So you, it's More 359 00:19:54,200 --> 00:19:58,680 Speaker 1: Girls big in Germany's it's kind of big everywhere. Everywhere 360 00:19:59,640 --> 00:20:02,680 Speaker 1: that's a lot, there's lines of people. It's it's amazing. 361 00:20:02,720 --> 00:20:05,480 Speaker 1: And you know, Gilmore Girls is not what you mean 362 00:20:05,560 --> 00:20:08,040 Speaker 1: what you do with the Last Airbender and and the 363 00:20:08,119 --> 00:20:10,760 Speaker 1: rats and the voiceover stuff that's big At comic cons, 364 00:20:11,080 --> 00:20:15,439 Speaker 1: I mean, they love it, they love it, but Gilmore Girls, 365 00:20:15,640 --> 00:20:17,480 Speaker 1: the promoters are like, I don't get it. You know, 366 00:20:17,520 --> 00:20:19,640 Speaker 1: it's not really our thing. We don't book people like that. 367 00:20:19,920 --> 00:20:23,080 Speaker 1: But the fans come out they do, and it's the 368 00:20:23,240 --> 00:20:26,280 Speaker 1: last con I was at like two weekends ago in Orlando. 369 00:20:26,320 --> 00:20:29,160 Speaker 1: I had a woman come over and she said, uh, 370 00:20:29,440 --> 00:20:31,359 Speaker 1: she said what because the only thing I really have 371 00:20:31,400 --> 00:20:33,280 Speaker 1: at my table that's on camera that I signed is 372 00:20:33,320 --> 00:20:36,399 Speaker 1: Cindy Brady. I was in the Brady Bunch with so 373 00:20:36,480 --> 00:20:37,960 Speaker 1: I have. I have like one eight by ten of 374 00:20:38,040 --> 00:20:39,920 Speaker 1: that and the rest of the animation. And she came 375 00:20:39,960 --> 00:20:42,720 Speaker 1: over and she said, what else have you done like this? 376 00:20:42,840 --> 00:20:45,120 Speaker 1: And she pointed to the Brady Bunch, like with your face? 377 00:20:45,200 --> 00:20:47,440 Speaker 1: What else have you done with your face? And I said, 378 00:20:47,920 --> 00:20:50,320 Speaker 1: I don't know. I said Gilmore Girls, and she went, 379 00:20:50,440 --> 00:20:54,440 Speaker 1: that's it. That's it. Okay, um, but I have people 380 00:20:54,480 --> 00:20:55,919 Speaker 1: come up all the time and they go, where's the 381 00:20:56,440 --> 00:20:58,720 Speaker 1: eight by tens of Gilmore girls design? And I go, 382 00:20:58,920 --> 00:21:02,400 Speaker 1: I don't have any. But it's a it's a thing, 383 00:21:02,560 --> 00:21:06,000 Speaker 1: you know, it's a thing. It lives. Sean and I 384 00:21:06,080 --> 00:21:09,600 Speaker 1: do cons together. We do our panels together. And the 385 00:21:09,680 --> 00:21:12,119 Speaker 1: places that standing room only. I mean they the fans 386 00:21:12,160 --> 00:21:15,240 Speaker 1: come out. They love it. And they're not necessarily convention people, 387 00:21:15,280 --> 00:21:17,960 Speaker 1: but they love it. They just come out and they say, hello, Yeah, 388 00:21:17,960 --> 00:21:23,840 Speaker 1: it's fantastic. Um uh yeah. So Brady Bunch, So you 389 00:21:23,920 --> 00:21:27,640 Speaker 1: worked with Deborah Kaplan? Was she on set? Yeah? Because 390 00:21:27,760 --> 00:21:30,520 Speaker 1: I did a movie in ninety four called Little Big League. 391 00:21:30,880 --> 00:21:33,480 Speaker 1: Oh I remember a Little Big She was an assistant 392 00:21:33,560 --> 00:21:37,600 Speaker 1: to the director and scheinman, and she was talking about 393 00:21:37,880 --> 00:21:41,600 Speaker 1: Brady Bunch deals she was making and this kind of thing. 394 00:21:41,720 --> 00:21:46,120 Speaker 1: So and she turned out to be this fantastic comedy writer. Yeah, fantastic, 395 00:21:46,280 --> 00:21:47,840 Speaker 1: And she has a partner, I know that. So you 396 00:21:47,920 --> 00:21:50,920 Speaker 1: worked with her, worked with her, and yeah, that script 397 00:21:51,000 --> 00:21:54,280 Speaker 1: is so it really set the kind of tone for 398 00:21:54,320 --> 00:21:57,479 Speaker 1: a lot of like fish out of Water comedies later on, 399 00:21:58,040 --> 00:22:00,760 Speaker 1: you know. Um so yeah, I mean they did a 400 00:22:00,800 --> 00:22:05,240 Speaker 1: fantastic job at that And yeah, that movie is fun 401 00:22:05,280 --> 00:22:07,400 Speaker 1: to watch because we all had a lot of fun 402 00:22:07,520 --> 00:22:09,560 Speaker 1: making it. And I think sometimes you can tell that 403 00:22:09,680 --> 00:22:11,639 Speaker 1: when you watch certain things, you're like they're having a 404 00:22:11,640 --> 00:22:14,520 Speaker 1: good time, and we had a really really good time. Yeah, 405 00:22:14,960 --> 00:22:17,280 Speaker 1: great concept, you know, putting it in the present day, 406 00:22:17,320 --> 00:22:20,400 Speaker 1: it was just like brilliant, brilliant. Um. Would you want 407 00:22:20,400 --> 00:22:22,359 Speaker 1: to get back in front of the camera anytime soon? 408 00:22:22,680 --> 00:22:24,879 Speaker 1: Or do you really like the voiceover because it sounds 409 00:22:24,920 --> 00:22:28,080 Speaker 1: like you you really firmly entrenched in that world and 410 00:22:28,080 --> 00:22:30,760 Speaker 1: you love it. I do, and I do love it, 411 00:22:30,800 --> 00:22:34,600 Speaker 1: but I love all acting, you know. And and to me, 412 00:22:34,880 --> 00:22:37,240 Speaker 1: it's funny because people come up all the time, which 413 00:22:37,280 --> 00:22:39,480 Speaker 1: they never did when I was strictly an on camera actor, 414 00:22:39,480 --> 00:22:41,760 Speaker 1: and they say, I want to get into voice acting 415 00:22:42,119 --> 00:22:45,200 Speaker 1: because for them, for some reason, there's a line there 416 00:22:45,320 --> 00:22:47,480 Speaker 1: and they don't have to be good looking or they 417 00:22:47,520 --> 00:22:50,159 Speaker 1: just have to use their voice. But voice acting always 418 00:22:50,200 --> 00:22:52,960 Speaker 1: say like, you know, a little V big a right, 419 00:22:53,000 --> 00:22:56,280 Speaker 1: so like voice acting is still acting, right, and so yeah, 420 00:22:56,400 --> 00:22:57,879 Speaker 1: so I would love to be in front of the 421 00:22:57,920 --> 00:23:00,800 Speaker 1: camera and all that, because I just what I do 422 00:23:00,920 --> 00:23:04,240 Speaker 1: in general. So you know, I did I did a 423 00:23:04,960 --> 00:23:08,160 Speaker 1: god what was it a Warner Brothers thing, Gotham Batman, 424 00:23:08,280 --> 00:23:11,080 Speaker 1: Gotham by Gaslight? And I was two characters. I was 425 00:23:11,119 --> 00:23:14,359 Speaker 1: Commissioner Gordon and Jack the rip you were that's so 426 00:23:14,440 --> 00:23:16,640 Speaker 1: cool and it and it took you know how long 427 00:23:16,640 --> 00:23:21,040 Speaker 1: it took. It took maybe three or four hours. Yeah, 428 00:23:21,640 --> 00:23:23,960 Speaker 1: that's it. Yeah. And then all of a sudden, six 429 00:23:24,000 --> 00:23:26,320 Speaker 1: months later or nine months later, I got a call 430 00:23:26,320 --> 00:23:27,959 Speaker 1: as at, Oh, you know, a car is gonna pick up. 431 00:23:27,960 --> 00:23:29,919 Speaker 1: We're gonna do a premier in Washington, d CE this 432 00:23:30,320 --> 00:23:33,400 Speaker 1: the Smithsonian or whatever, and it was a whole big deal. 433 00:23:33,400 --> 00:23:35,320 Speaker 1: And I was like, I just did this for a 434 00:23:35,359 --> 00:23:38,560 Speaker 1: couple of hours. What is happening? And there's a there's 435 00:23:38,600 --> 00:23:41,879 Speaker 1: a whole world people. I mean, it was just and 436 00:23:41,960 --> 00:23:44,240 Speaker 1: people want to come and talk to you about it, like, oh, 437 00:23:44,280 --> 00:23:46,080 Speaker 1: I just did this thing for three hours. I don't 438 00:23:46,080 --> 00:23:48,600 Speaker 1: even I kind of don't even remember it, you know, 439 00:23:50,160 --> 00:23:52,480 Speaker 1: And you can kind of see their face drop. You're like, 440 00:23:52,640 --> 00:23:55,959 Speaker 1: I better make up a story about recording this or something. 441 00:23:56,000 --> 00:23:58,520 Speaker 1: But yeah, no, it's it's a it's a it's nice 442 00:23:58,520 --> 00:24:00,400 Speaker 1: work if you can get it, it's a good you're 443 00:24:00,520 --> 00:24:03,800 Speaker 1: it's really everybody wants to do it. Everybody wants to 444 00:24:03,800 --> 00:24:06,600 Speaker 1: do this because it doesn't take very much time, and 445 00:24:06,640 --> 00:24:09,879 Speaker 1: it's like it's great, pay very little time, you know, 446 00:24:10,000 --> 00:24:13,280 Speaker 1: it's it's it's and plus plus you get on the 447 00:24:13,280 --> 00:24:18,760 Speaker 1: car the comic con circuit. Yeah, hello, you'll be doing 448 00:24:18,760 --> 00:24:21,880 Speaker 1: that for years and years and years. I I hope, So, 449 00:24:22,000 --> 00:24:25,480 Speaker 1: I hope. So I love the cons and and yeah, 450 00:24:25,520 --> 00:24:28,120 Speaker 1: they've been good to me for sure. How many conventions 451 00:24:28,160 --> 00:24:32,440 Speaker 1: you do a year, I've done I think nineteen this year. 452 00:24:32,800 --> 00:24:36,720 Speaker 1: And yeah, I know, I know. Well again, this show 453 00:24:36,760 --> 00:24:39,479 Speaker 1: before I was doing two or three, you know, and 454 00:24:39,960 --> 00:24:44,800 Speaker 1: this show literally it's still the number one. It's the 455 00:24:44,800 --> 00:24:47,040 Speaker 1: longest running show in the top ten on Netflix still 456 00:24:47,600 --> 00:24:52,080 Speaker 1: and so uh, just like shattered some records and stuff, 457 00:24:52,119 --> 00:24:54,199 Speaker 1: and so yeah, so I'm just and they're making a 458 00:24:54,240 --> 00:24:56,600 Speaker 1: live action film and a live action movie and all 459 00:24:56,680 --> 00:24:58,679 Speaker 1: sorts of things. So I'm they're trying to create a 460 00:24:58,680 --> 00:25:00,960 Speaker 1: whole kind of Star Wars universe out of avatars, and 461 00:25:00,960 --> 00:25:03,520 Speaker 1: you're gonna you're gonna be involved in all that. I 462 00:25:03,560 --> 00:25:06,480 Speaker 1: don't know. They're rebooting the animation and so we're all 463 00:25:06,480 --> 00:25:08,199 Speaker 1: just kind of waiting to hear. We hope we're going 464 00:25:08,240 --> 00:25:11,160 Speaker 1: to get our jobs back. We don't know. Um, so 465 00:25:11,960 --> 00:25:15,359 Speaker 1: you know, as actors were always the last to know, right, Well, 466 00:25:15,400 --> 00:25:17,040 Speaker 1: I hope it works out for it because that's just 467 00:25:17,280 --> 00:25:20,600 Speaker 1: what a what a very special gig to get. You know, 468 00:25:20,640 --> 00:25:22,639 Speaker 1: those are hard to get. Everybody wants to do this. 469 00:25:22,800 --> 00:25:25,760 Speaker 1: It's all luck right. You could do five d animated 470 00:25:25,760 --> 00:25:29,480 Speaker 1: series or five TV shows, but but it has to 471 00:25:29,520 --> 00:25:31,919 Speaker 1: be the one, right, the one that hits people in 472 00:25:32,000 --> 00:25:34,600 Speaker 1: their heart strings and the one that affects people, and 473 00:25:34,680 --> 00:25:36,879 Speaker 1: the one that's in the right genre to do comic 474 00:25:36,920 --> 00:25:39,359 Speaker 1: cons and so that's all just luck right. That is 475 00:25:39,400 --> 00:25:44,240 Speaker 1: so good. Um, So what's next for you? Uh well, 476 00:25:44,400 --> 00:25:48,200 Speaker 1: let's see um doing more brats Right now, We're making 477 00:25:48,200 --> 00:25:51,760 Speaker 1: a whole series for TikTok. I've got a new Harry 478 00:25:51,800 --> 00:25:54,680 Speaker 1: Potter video game coming out where I get to play 479 00:25:54,720 --> 00:25:58,560 Speaker 1: a cute little British girl. Uh, and I do a 480 00:25:58,640 --> 00:26:01,920 Speaker 1: video game called Persona ve So we're waiting for announcements 481 00:26:01,960 --> 00:26:06,239 Speaker 1: for Persona six and uh yeah, I just and then 482 00:26:06,280 --> 00:26:10,760 Speaker 1: more cons all the cons. You're busy. You are busy, 483 00:26:10,920 --> 00:26:18,760 Speaker 1: You're in demand. That's from trying all right. You ready 484 00:26:18,760 --> 00:26:21,160 Speaker 1: for rapid Fire. We're gonna play rapid Fire I'm gonna 485 00:26:21,200 --> 00:26:23,720 Speaker 1: I'm gonna fire questions that you gotta fireback the answer 486 00:26:23,720 --> 00:26:25,399 Speaker 1: to fast you can ready? How many comes to coffees 487 00:26:25,400 --> 00:26:28,399 Speaker 1: do you have in a day? Zero? Are your team Logan, 488 00:26:28,400 --> 00:26:32,720 Speaker 1: Team Jess, Team Dean, Milovna Meglean? Which one is that? 489 00:26:32,720 --> 00:26:37,240 Speaker 1: That's Jess? Who is your favorite Gilmore girl's character? Oh? Uh? Sorry? 490 00:26:37,920 --> 00:26:41,000 Speaker 1: What would you like to order it? Luke's Diner? Oh? 491 00:26:41,280 --> 00:26:43,280 Speaker 1: Tune them out? Would you rather go on a road 492 00:26:43,280 --> 00:26:48,000 Speaker 1: trip with Taylor or Michelle? Taylor? Finish the lyric and 493 00:26:48,040 --> 00:26:52,920 Speaker 1: where you lead? I will follow dot dot dot anywhere 494 00:26:53,240 --> 00:26:57,800 Speaker 1: that you tell me to write. Nailed it. You're the 495 00:26:57,840 --> 00:27:00,800 Speaker 1: first one. You're the first one. You're the first one. 496 00:27:01,200 --> 00:27:04,040 Speaker 1: I love Carol King. So people get people get close 497 00:27:04,119 --> 00:27:07,320 Speaker 1: to it, but they'll always flub one word or two. Yeah, 498 00:27:07,440 --> 00:27:12,240 Speaker 1: fantic congratulations. I feel like Convetti should be dropping down 499 00:27:13,480 --> 00:27:16,720 Speaker 1: people showing up at your house with ribbons and large scissors. 500 00:27:17,119 --> 00:27:23,800 Speaker 1: I don't uh. Jackson's vegetables are Suki's baked goods? Oh? Vegetables? 501 00:27:24,200 --> 00:27:28,880 Speaker 1: Would you rather listen to Drella's Harper, the Troubadours cover songs? 502 00:27:28,560 --> 00:27:35,560 Speaker 1: So children, Prepper stars hollow Hi? Oh uh stars? Hi? Yeah? 503 00:27:36,000 --> 00:27:39,480 Speaker 1: I didn't think you were going to go there. Wow. Anyway, Olivia, 504 00:27:39,520 --> 00:27:43,160 Speaker 1: it's been a delight. Um. Thank you so very very 505 00:27:43,240 --> 00:27:45,800 Speaker 1: very much, and I hope you come back and tell 506 00:27:45,880 --> 00:27:49,480 Speaker 1: us about your adventures on the comic con circuit and 507 00:27:49,600 --> 00:27:53,560 Speaker 1: as a very popular anime actress voice actress. Absolutely thank 508 00:27:53,560 --> 00:27:57,000 Speaker 1: you for having me. It's a pleasure. And really try 509 00:27:57,040 --> 00:27:59,199 Speaker 1: to get through the days in Laguna Beach. I know 510 00:27:59,240 --> 00:28:02,400 Speaker 1: it's rough stuff. It's a struggle. You know that beach 511 00:28:02,480 --> 00:28:04,639 Speaker 1: can get the waves can get loud when they pound 512 00:28:04,680 --> 00:28:08,159 Speaker 1: pound pound, right, so you gotta be careful. Just kidding. 513 00:28:08,840 --> 00:28:11,840 Speaker 1: All the best to you and uh and good luck 514 00:28:11,880 --> 00:28:13,720 Speaker 1: and we'll see you soon. Okay. Do you have fun 515 00:28:13,760 --> 00:28:47,480 Speaker 1: in Canada? Thank you, bye bye, hey everybody, and don't 516 00:28:47,520 --> 00:28:51,040 Speaker 1: forget follow us on Instagram at I Am all In 517 00:28:51,280 --> 00:28:55,560 Speaker 1: podcast and email us at Gilmore at I heart radio 518 00:28:55,920 --> 00:28:58,360 Speaker 1: dot com. Oh you gil More fans. If you're looking 519 00:28:58,360 --> 00:29:00,120 Speaker 1: for the best cup of coffee in the world, go 520 00:29:00,200 --> 00:29:04,000 Speaker 1: to my website for my company scott EP dot com, 521 00:29:04,120 --> 00:29:06,280 Speaker 1: s C O T. T y P dot com, scott 522 00:29:06,280 --> 00:29:19,240 Speaker 1: EP dot com Grade one Specialty Coffee. Yeah,