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Speaker 1: Two Teas in a Pod which Teddy Mellencamp and Cameridge Edge.

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Speaker 2: Hi, guys, welcome to another episode of Two Teas in

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Speaker 2: a Pod with myself, Teddy Mellencamp, and I have a

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Speaker 2: special guest co host, Jim Pestler.

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Speaker 3: Hi, Hi Warrior, how are you doing.

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Speaker 2: I'm good, I mean, I'm good, except my eye keeps

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Speaker 2: going to where it says Jeffrey Fessler on your.

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Speaker 3: Uh, like all things in my life. His name is

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Speaker 3: plastered everywhere.

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Speaker 2: Just it's on your zoo.

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Speaker 3: No, actually, I'm using I'm down at that. We have

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Speaker 3: a beach house in southern Jersey, so whatever, I'm using.

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Speaker 3: His computer minds a little messed up, So.

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Speaker 2: I feel, what's new with you? What's going on?

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Speaker 3: Oh, it's just really the weather sucks here in Jersey

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Speaker 3: at the beach, and it just feels like winter's coming

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Speaker 3: and it's depressing. It's cold and windy whatever.

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Speaker 2: But one hundred and six degrees here, I.

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Speaker 3: Don't know which is worse. I actually hate that telling

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Speaker 3: you I'm not interested in that either.

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Speaker 2: Hot. Yeah, I can't even take it.

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Speaker 3: So, yeah, well that's not for me either. So I

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Speaker 3: just have to say this to you because I've been

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Speaker 3: wanting to say it, and we don't talk all the time,

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Speaker 3: so I have this little opportunity. But so I have

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Speaker 3: probably four friends right now who are battling cancer, one

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Speaker 3: of whom is battling stage four. But it's hard obviously

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Speaker 3: on all four of them. But they all follow you,

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Speaker 3: and you have obviously inspired them in more ways than one,

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Speaker 3: but particularly your hair. So my friend Marcy Hers is

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Speaker 3: just now starting to grow back. Yeah, we spent hours

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Speaker 3: contemplating like pink, like teddy pink, teddy blonde. I don't know,

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Speaker 3: like when you started. And she's like, I'm not sure

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Speaker 3: I can actually start coloring it. She's asked. She's talking

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Speaker 3: to a doctor about using like vegg dye, Veggi dye

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Speaker 3: or whatever.

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Speaker 2: I use the one that you just like wash in

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Speaker 2: and then it's semi permanent.

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Speaker 3: I was hoping to get that information.

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Speaker 2: Yes, so it's a semi permanent I'll text you the

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Speaker 2: link of what it is. But it just goes in

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Speaker 2: and then it starts off super pink and then it

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Speaker 2: just fades out. The reason I have some days I

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Speaker 2: have wigs on, like today's a wig day because I

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Speaker 2: didn't want to put any makeup on. Yeah, so it's

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Speaker 2: the one the other right right.

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Speaker 3: I actually contemplated, I was like, this is my first

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Speaker 3: to tease podcast. Let me try to look human, a

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Speaker 3: little bit human, but you think better than human? Thank you,

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Speaker 3: thank you. Yeah. But I also do say to my

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Speaker 3: friends there are like Gurdi, for instance, she has a

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Speaker 3: perfect head. Her cranium is perfect and round, as is yours.

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Speaker 2: I have to be very grateful that I have a

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Speaker 2: good a good grand as you've got ahead.

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Speaker 4: I mean, I.

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Speaker 2: I don't know if I give it, but I have it.

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Speaker 3: Yeah, you got good head? Yep.

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Speaker 2: Also, what's the what's the scoop? I mean, there's been

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Speaker 2: so much discussion about Jersey. Have you heard anything?

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Speaker 3: I mean, I hear the rumors, I hear what you hear,

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Speaker 3: and nothing is confirmed. I don't know, I honestly, and

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Speaker 3: I people I probably wouldn't. I would say to you

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Speaker 3: offline if I did know, which I'm also not supposed

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Speaker 3: to do. But I really don't know. I got nothing.

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Speaker 2: Do you think if it does come back, you would

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Speaker 2: be going back?

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Speaker 3: I don't know. I mean I would like to I

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Speaker 3: would like at least to be asked. There were times

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Speaker 3: when I was filming where I was like, you know,

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Speaker 3: this is it. But I think you said at one point,

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Speaker 3: once you're in it and you've experienced it, it's an

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Speaker 3: interesting things, like transition to normal life. And so it

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Speaker 3: was an adventure for me, and at times it was hard,

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Speaker 3: but really, you know, housewives came knocking at my door

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Speaker 3: when I was fifty three years old. Nobody else was knocking.

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Speaker 3: So I mean, it's just the truth, right, And it's

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Speaker 3: been like yeah, times it's hard, but it has been

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Speaker 3: this incredible adventure and I'm I've had like this chance

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Speaker 3: to reinvent myself in this way, you know, right, kind

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Speaker 3: of when my kids were when I was empty nesting

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Speaker 3: and do things that I wouldn't. I mean, sitting here

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Speaker 3: with Teddy Mellencamp, my husband is downstairs. I said to him,

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Speaker 3: you can't come up because the fact that I'm even

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Speaker 3: talking to you. He's a Jersey boy like your dad is,

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Speaker 3: you know.

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Speaker 2: My dad is. I think farm Maid's coming up.

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Speaker 3: That's right. I saw that.

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Speaker 2: Yes, I think farm Maid's coming up. And I forget

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Speaker 2: exactly where it is, but I don't know that it's

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Speaker 2: too far from you guys.

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Speaker 3: Really, I'll tell Jeff you're gonna get us tickets? Yeah,

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Speaker 3: I will, thanks front, Yeah, backstage if you don't mind.

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Speaker 2: Yeah, don't. Actually, I'll have dress thing.

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Speaker 3: That's oh my god, Oh my god, you'll be sorry,

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Speaker 3: Oh my gosh.

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Speaker 5: Okay, I have to put you onto these leggings I've

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Speaker 5: and get this, the designer behind them also created Lululemon,

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Speaker 5: so they know what they're doing. These leggings are next

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Speaker 5: level think buttery soft, super flattering, and very comfortable. Also,

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Speaker 5: they're supportive in all the right places.

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Speaker 3: I started wearing them for my morning.

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Speaker 5: Workouts, but now I'm basically living in them. And here's

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Speaker 5: what makes them even better. Every pair you buy helps

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Speaker 5: fund a mental health counseling session for a teen in need.

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Speaker 5: which we think is so important and incredible, And we've

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Speaker 5: partnered with Tona to give you twenty percent off your

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Speaker 5: and use code iHeart for twenty percent off and free shipping.

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Speaker 2: So what are you thinking about? Are you liking Miami

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Speaker 2: this season?

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Speaker 3: Well? I loved this last episode. First of all, absolutely

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Speaker 3: loved it. I think Miami, like everybody says it, it's

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Speaker 3: not whatever, but it's just so underrated.

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Speaker 2: I mean visually, I love Miami. This episode I didn't

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Speaker 2: love as much.

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Speaker 3: So I know I loved it, loved it. I loved it. Well,

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Speaker 3: I love it. You know what, when I love I

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Speaker 3: love episodes that make me furious or make me laugh.

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Speaker 3: So like I like when I get so riled up

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Speaker 3: about something, I know it's a good episode, Like I

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Speaker 3: just it's about the Stephanie of it all. We can

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Speaker 3: get to that. But where I'm just like, like, you

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Speaker 3: gotta be fucking kidding, like I have to find this

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Speaker 3: woman and and like have it out with her because

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Speaker 3: I'm losing my shit. But I feel like those are

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Speaker 3: the good episodes, right, are the good episodes.

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Speaker 2: I mean I think the beginning, it starts. It started

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Speaker 2: off a little slow for me, so that's hard, Like

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Speaker 2: I want it to take me right from the beginning,

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Speaker 2: and I feel like, right now we're kind of beating

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Speaker 2: a dead horse.

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Speaker 3: You feel like it's like a right, well, yeah, okay,

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Speaker 3: I can deal with the Lisa Larsa of it all.

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Speaker 2: Yeah, So I mean it starts out during dinner. Lars's

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Speaker 2: in the hallway and Jody is texting Larsa NonStop. Lisa

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Speaker 2: asks Larsa what the problem is. Larsa tells Lisa that

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Speaker 2: Jody is texting her things he shouldn't be texting. But

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Speaker 2: then so I thought it was like, listen, you fucking bitch, right,

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Speaker 2: shut your mouth, Like that's what I expected, obviously, like

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Speaker 2: I was.

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Speaker 3: I went there, that's what we all expected. Or like,

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Speaker 3: you know, meet me in the back alley somewhere, like

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Speaker 3: there was something selacious about it.

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Speaker 2: The whole thing.

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Speaker 3: It was so benign, it was ridiculous.

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Speaker 2: Yeah, and then we find out in the confessional, Lisa

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Speaker 2: reads Larsa, stop, I don't want this fight. You can't

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Speaker 2: point at the sky and tell me it's not blue.

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Speaker 2: Larsa responded, Listen, I don't want to argue with you.

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Speaker 2: What fight. Clearly we're not on the same page. Have

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Speaker 2: a good night, Jody says, we don't need to be

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Speaker 2: on the same page. It's in the past. If you'll

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Speaker 2: let it go. I'm sorry. This is a fine text

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Speaker 2: exchange for me.

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Speaker 3: I actually think it's very pleasant and nice. I don't

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Speaker 3: think he was in any way inappropriate not only that

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Speaker 3: this woman like tried to out him as a as

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Speaker 3: as coking it up whatever. I don't remember where he was,

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Speaker 3: but was showing up pure man with his saying that

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Speaker 3: his eyes were bulging out of his head. I think

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Speaker 3: he was perfectly pleasant. And their reaction, the girl's reaction

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Speaker 3: when they're like, look, Jody is texting Lar said, They're like, oh.

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Speaker 2: What I mean, one should Jody probably be texting a housewife.

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Speaker 2: I mean, if Jeff started texting housewives that he wasn't

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Speaker 2: close with, I would think it was weird. It's a

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Speaker 2: nice business.

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Speaker 3: Well Jeff doesn't. He doesn't text me, so it would

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Speaker 3: be weird my children for that matter. So I'm trying

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Speaker 3: to think if I text like a house husband, I

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Speaker 3: have not without like the housewife knowing, but just like

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Speaker 3: happy birthday, I don't know, it's.

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Speaker 2: I mean, I think it's weird. I think in general,

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Speaker 2: Jodie stay out of it. But I think he sees

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Speaker 2: that Lisa's in like such a fragile place. He's trying

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Speaker 2: to protect her. Yeah, but it's.

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Speaker 3: I mean, honestly it did. Yes, definitely stay out of it.

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Speaker 3: But the thing. The other piece is that he he

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Speaker 3: was brought into it like Larsa was trying to call

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Speaker 3: him out, like in a in a big way. His

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Speaker 3: eyes were bulging out, you know, he was screaming. He

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Speaker 3: was hard. Yeah, it's hard to stomach that ship.

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Speaker 2: Yeah. So I'm sure at the end of the day

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Speaker 2: when and I am slightly confused because I'm not a lawyer,

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Speaker 2: but do you have that short of a notice when

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Speaker 2: you have to do a notary type situation?

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Speaker 3: I have the same question. It seemed legit to me.

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Speaker 3: I mean, Gerty and her were back there, right and

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Speaker 3: Gertie was like, and I know this person and this woman,

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Speaker 3: and she's going to get on and she's going to

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Speaker 3: what she's gonna be able to notarize it. It felt

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Speaker 3: legit to me. It seems strange that anybody would say

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Speaker 3: you have to have this done in an hour, these

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Speaker 3: official documents.

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Speaker 2: She probably drops the ball maybe and then she's on

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Speaker 2: the trip and she's like, oh, you know, she was

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Speaker 2: on another trip right beforehand. She probably kind of forgot,

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Speaker 2: and then it was down to the deadline and oh shit,

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Speaker 2: here we go. And then you want to know whose

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Speaker 2: nightmare that probably really was Productions having to find a notary.

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Speaker 2: Productions like, shit, we have to find an online notary

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Speaker 2: who can do this right now on camera. Great. Yeah,

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Speaker 2: but I think two things can be true. Jody should

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Speaker 2: absolutely not be texting Larsa. But the women also seem

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Speaker 2: to be piling on Lisa.

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Speaker 3: Oh my god, one hundred percent. And here's the thing.

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Speaker 3: I mean, we can get to it later. But the

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Speaker 3: expectations around Lisa. I know that her divorce has been

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Speaker 3: going on for a minute, but the expectations, for instance,

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Speaker 3: for her to put her phone in a basket, they're

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Speaker 3: just they're not realistic.

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Speaker 2: Yeah, in my mind, let's once we get to the notes,

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Speaker 2: let's talk about the basket.

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Speaker 3: Okay.

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Speaker 2: But then the girls head out for their daytime adventures,

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Speaker 2: which you know I love the daytime adventures. Oh yes, Marisol, Alexia, Julia, Larsa,

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Speaker 2: and Stephanie. I'll go to ceramics class to make tiles.

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Speaker 2: Alexia asks Marisol to not paint a penis.

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Speaker 3: So what does Marisol do paints a penis? I have

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Speaker 3: to be honest with you. The penis is like the

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Speaker 3: eleventh character on Miami. It's a lot a lot of

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Speaker 3: penis talk. Maybe I'm just I'm fifty seven. I'm just

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Speaker 3: not that interested in penis anymore. But it's just it's

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Speaker 3: a lot of cock talk on Miami, don't you think.

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Speaker 2: Well, I think it's a lot of cock talk. And

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Speaker 2: it's all because they what else are they going to

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Speaker 2: talk about?

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Speaker 3: That's sad. That is sad, Teddy, that is a sad statement.

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Speaker 3: I hope there's more to talk about than just penis.

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Speaker 2: Well, I think in this that's.

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Speaker 3: The common denominator. That's what binds them.

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Speaker 2: Yeah, that's what's binding them together at this moment. They

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Speaker 2: love to talk about sex and penis.

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Speaker 3: Yeah, I guess that goes that's across the board. I

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Speaker 3: know that housewives do like to talk about sex, but

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Speaker 3: it just feels like and now, oh I know, Marisol

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Speaker 3: and yeah, the episode that don't find the penis particularly

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Speaker 3: appealing in person, much less drawings of it.

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Speaker 2: It's just enough penis, it's not And her drawing isn't

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Speaker 2: like a beautiful penis And no, it was no, it wasn't.

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Speaker 2: It wasn't great.

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Speaker 3: You want to put like hair on hers or something, No,

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Speaker 3: I don't know, something like that. I think she was

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Speaker 3: drawing little like prickly hairs. I don't know.

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Speaker 2: Oh, no, Stephanie, I know too much about your husband now.

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Speaker 3: A little bit, a little bit, a little bit, a

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Speaker 3: little bit.

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Speaker 2: Then Alexia asks, after she asked Marison not to pay

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Speaker 2: the penis, the girls discussed if Alicia should come on

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Speaker 2: the plane tomorrow.

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Speaker 3: I can't, Teddy, I can. I cannot with the fucking plane.

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Speaker 3: I can't. I am So that's I think. Well, I

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Speaker 3: told you I got riled up during the episode. If

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Speaker 3: I never hear the word private plane or again, it

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Speaker 3: will be too soon. And the girls just like go

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Speaker 3: with it like it's normal. I don't get it, Like

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Speaker 3: are these girls flying coach? Because I feel like they're

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Speaker 3: definitely being flown business class or first class for sure.

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Speaker 3: There's the big deal about the plane, and she is

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Speaker 3: just wielding it over everyone's head, like no one's going

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Speaker 3: home with the private plane. We're talking about two hours

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Speaker 3: or whatever.

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Speaker 2: It is, twenty two minutes.

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Speaker 3: Twenty two minutes, twenty and it's in my private plane.

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Speaker 3: I have a private plane. Who am I going to

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Speaker 3: invite on the plane? Who gives a fuck?

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Speaker 2: Who's who's gonna sit where on the private plane? I

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Speaker 2: can't just it gives me the ick. Me to sister

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Speaker 2: like it. It hits me off. And no one shuts

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Speaker 2: it down, right, but because they don't want to get

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Speaker 2: kicked off the private plane.

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Speaker 4: Oh my god, I can't an they don't want to

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Speaker 4: like all of a sudden, everybody's all fine about everything

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Speaker 4: that she's saying and doing because they But I'm like,

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Speaker 4: at some point, somebody's.

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Speaker 2: Got to give Lisa a little bit of a break here,

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Speaker 2: even though Lisa does things that drive me nuts too.

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Speaker 3: But of course, of course, but you don't say you

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Speaker 3: can't come on a twenty two minute What are you

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Speaker 3: talking about? Everybody? And it was Steppani that really decided that.

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Speaker 3: In the end, it wasn't even Larsa.

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Speaker 2: I know it's bananas. Then Lisa, Marisol, and Julia meet

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Speaker 2: on the roof. Marisol and Julia explain that everyone is

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Speaker 2: uncomfortable with the note taking. They tell Lisa that her

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Speaker 2: phone needs to go in a basket on the plane

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Speaker 2: that she may or may not be able to go on,

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Speaker 2: and then Lisa gets pissed and says she isn't going

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Speaker 2: to the dinner. The note taking seems to be taken

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Speaker 2: out of proportion.

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Speaker 3: Dieddie, we are so lined up. We probably shouldn't do

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Speaker 3: this together because one might have any conflicting views who

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Speaker 3: doesn't take notes, but also talking about.

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Speaker 2: She's taking notes of something they're filming on a reality telephone. Yes, exactly,

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Speaker 2: like it makes absolutely no sense why it is such

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Speaker 2: a big deal. And clearly if she's waiting till last

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Speaker 2: minute to do her notary, then she doesn't have the

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Speaker 2: best memory.

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Speaker 3: Okay, so exactly my point. If I got to lunch

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Speaker 3: with my best friend Iris, there's nothing really to take

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Speaker 3: notes on, is not I'm not gonna need to remember

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Speaker 3: that Jordan she forgot to pick Jordan up at at wrestling.

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Speaker 3: I don't give it right. Yeah, like you're on a

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Speaker 3: reality TV show, Do not think listeners? Because I do

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Speaker 3: know that people don't take notes. They go home, they

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Speaker 3: watch the episode's back, they write stuff down because you

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Speaker 3: want to be armed.

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Speaker 2: Yes, I mean I s may't probably take notes, but

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Speaker 2: at that point my memory was on point.

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Speaker 3: Yeah.

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Speaker 2: So but some people, I mean, Alexia made a good point.

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Speaker 2: She's like, I don't have to take notes because I

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Speaker 2: have a good memory. Some people don't. And I think

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Speaker 2: Lisa is a little flighty and forgets shit.

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Speaker 3: Yeah, and you know that shit's coming back at you.

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Speaker 3: You want to be able to have stuff at like

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Speaker 3: your fingertips, and when you miss.

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Speaker 2: Member speak and you say one wrong word that somebody

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Speaker 2: else said about you, they will beat that down correct

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Speaker 2: to the end. So she's like, I'm gonna maybe she

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Speaker 2: shouldn't do it at the table though.

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Speaker 3: Yeah, I mean only because you're gonna get shit about it.

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Speaker 3: But I just feel like everyone goes back after a

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Speaker 3: day of filming and tries to remember and thinking it

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Speaker 3: through and you know, talking about it with what did

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Speaker 3: she say? What did she say? Wait, let me write

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Speaker 3: that down. At least that's been my experience.

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Speaker 2: Yeah, I agree. Then the girls all head down to dinner,

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Speaker 2: but guess who's missing Lisa? Lisa. At this point, I

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Speaker 2: wish they would just break the fourth wall and say

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Speaker 2: if we can all get ready on film so and

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Speaker 2: just like take this seriously and be there at the

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Speaker 2: right time. That's what we're actually pissed about.

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Speaker 3: Yeah, I agree, And because I don't.

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Speaker 2: Think they would really care if you're going to dinner

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Speaker 2: with eight people and one person's like, you don't in

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Speaker 2: real life, you don't really care, do you.

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Speaker 3: We certainly don't take it personally. I wouldn't be like

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Speaker 3: like when they were on the sprinter van and she

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Speaker 3: was late and Stephanie laid into her. Yeah it's rude,

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Speaker 3: It is rude, but that's a normal life. You would

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Speaker 3: have just left, yeah, like and then say you're a

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Speaker 3: loser enough. But like, you know, I don't think maybe

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Speaker 3: they're trying to also right now, like paint a picture

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Speaker 3: of hers always being perpetually late and they're allowing it.

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Speaker 3: I don't know.

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Speaker 2: I think they're trying to paint a picture of her

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Speaker 2: being inconsiderate, yeah of other people, like I'm caring about herself. Yeah,

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Speaker 2: and I mean it is definitely coming off, but it

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Speaker 2: feels like they really think she's not taking her job

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Speaker 2: as seriously as all of us have tom and that

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Speaker 2: would piss I mean, that would probably piss me off too.

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Speaker 3: Well, this particular time, she wasn't going to go to

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Speaker 3: the dinner. It's I thought that, like she needed convincing,

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Speaker 3: so that's why she was like.

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Speaker 2: We didn't really even get any of the convincing.

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Speaker 3: Yeah, we didn't see Maybe could they have pulled that

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Speaker 3: out just so that it looked like.

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Speaker 2: Remember she clayed down and said she was going to

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Speaker 2: be late, Yes, so we got a flashback of you know,

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Speaker 2: it happening.

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Speaker 3: Right, was convinced. First, I don't know if I were Okay,

363
00:18:07,400 --> 00:18:09,320
Speaker 3: I I were her, I would have been on high alert,

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Speaker 3: like like note to self, do not be late, be

365
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Speaker 3: on time, on time?

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Speaker 2: Ready, Yes. Then the girls all get to dinner. Adriana

367
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Speaker 2: tells the girls that Lisa unfollowed Marcus, and this blows

368
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Speaker 2: everything up, This blows stuff up.

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Speaker 3: You don't think that that was a great like Housewives,

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Speaker 3: see though it was so it was perfect Housewives, Like, I.

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Speaker 2: Mean the blow up was it got to those too much?

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Speaker 2: I thought it was too much because of what happened

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Speaker 2: with Kiki.

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Speaker 3: Yeah, yeah, Adriana.

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Speaker 2: Yeah. Once Kiki and Adriana kind of got involved in

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00:19:01,080 --> 00:19:03,159
Speaker 2: the fight escalated, That's when I was like, it was

377
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Speaker 2: too much.

378
00:19:03,680 --> 00:19:05,720
Speaker 3: It was the ratchet of it all. And clearly she

379
00:19:05,800 --> 00:19:09,600
Speaker 3: heard Lisa say please don't say anything because they flashed

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00:19:09,600 --> 00:19:11,600
Speaker 3: back to it, so she definitely got to it. But

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Speaker 3: I think she was trying to deliver good news.

382
00:19:13,560 --> 00:19:15,600
Speaker 2: Yeah, because they were all talking about Lisa in a

383
00:19:15,640 --> 00:19:17,800
Speaker 2: poor way, and she's like, but she unfollowed Marcus.

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Speaker 3: Right, Adriana was like spreading the good news. But I

385
00:19:22,040 --> 00:19:24,639
Speaker 3: don't know. Also, why Lisa would have wanted it to

386
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Speaker 3: be a secret. I would have thought that she would

387
00:19:26,520 --> 00:19:30,840
Speaker 3: have been like excited for Larsa to find out that

388
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Speaker 3: she finally unfollowed him.

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Speaker 2: Well, then it's like she's given in, I think, in

390
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Speaker 2: her opinion, and she just wanted it to be under

391
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Speaker 2: the rate, like she wanted to do the right thing,

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Speaker 2: but she also didn't want it to be a thing right,

393
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Speaker 2: or maybe she wanted to reveal it herself, Like did

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Speaker 2: you even notice that I unfollowed Marcus after making such

395
00:19:47,960 --> 00:19:49,360
Speaker 2: a big deal that I followed him?

396
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Speaker 3: Yeah, she didn't follow him, you bitch. Yeah, it was

397
00:19:54,040 --> 00:19:57,560
Speaker 3: her drop moment. Yeah, but but I didn't. I wasn't

398
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Speaker 3: mad at Adriana about it.

399
00:19:59,160 --> 00:20:01,040
Speaker 2: I wasn't mad at age, but I did get mad

400
00:20:01,040 --> 00:20:08,320
Speaker 2: at Adrana later on in the episode. And then Lisa

401
00:20:08,320 --> 00:20:12,280
Speaker 2: finally gets there. She walks in like she's solved world peace,

402
00:20:12,640 --> 00:20:21,719
Speaker 2: Like her, does she unfollowed Marcus? Or what she is?

403
00:20:21,760 --> 00:20:25,920
Speaker 2: Coming in hot? She's like, hey, everyone.

404
00:20:25,840 --> 00:20:29,000
Speaker 3: What's what's up? What's the gossip?

405
00:20:29,640 --> 00:20:30,920
Speaker 2: What's the four one one?

406
00:20:31,040 --> 00:20:34,680
Speaker 3: I love that, you know, going into a room like that,

407
00:20:34,800 --> 00:20:36,880
Speaker 3: you know you're going into the lions Den, right, So

408
00:20:36,920 --> 00:20:40,399
Speaker 3: she we've definitely established the fact that right now, like

409
00:20:40,560 --> 00:20:43,200
Speaker 3: she's the punching bag, right, everyone is out for Lisa,

410
00:20:43,240 --> 00:20:45,760
Speaker 3: so you're walking into that knowing what's coming. I think

411
00:20:45,760 --> 00:20:46,960
Speaker 3: she handled it beautifully.

412
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Speaker 2: What's up, guys?

413
00:20:49,920 --> 00:20:51,800
Speaker 3: I love it. Hey, I think it's brilliant.

414
00:20:51,800 --> 00:20:57,320
Speaker 2: Hey, how you doing? Yeah? Just whatever? And then Kiki

415
00:20:57,560 --> 00:21:02,920
Speaker 2: immediately is like Adriana was running her mouth. Yeah, and

416
00:21:03,080 --> 00:21:06,879
Speaker 2: Adriana tells Kiki this is where it goes south. Yes,

417
00:21:07,160 --> 00:21:13,000
Speaker 2: Adriana tells Kiki stop being so ratchet? Ratchet right when

418
00:21:13,040 --> 00:21:19,959
Speaker 2: that happens, when Adriana just says ratchet, it's so inappropriate.

419
00:21:20,520 --> 00:21:22,720
Speaker 2: And the fact that she's more offended about being old

420
00:21:22,840 --> 00:21:25,600
Speaker 2: is just banast to me because.

421
00:21:25,280 --> 00:21:28,320
Speaker 3: You could yeah, yeah, you could see Kiki the way

422
00:21:28,359 --> 00:21:32,800
Speaker 3: that she reacted. I feel like maybe she felt like

423
00:21:32,800 --> 00:21:33,840
Speaker 3: it was a microaggression.

424
00:21:34,280 --> 00:21:37,520
Speaker 2: I did too. And then when she blows up over

425
00:21:37,560 --> 00:21:40,200
Speaker 2: being called old, what the fuck is Stephanie doing? Why

426
00:21:40,240 --> 00:21:41,600
Speaker 2: is she crying? Why is she having a.

427
00:21:41,760 --> 00:21:46,119
Speaker 3: Okay, I'm telling you, I I can't with this woman.

428
00:21:46,440 --> 00:21:48,520
Speaker 3: I don't know, And I know it's funny because I

429
00:21:48,520 --> 00:21:51,240
Speaker 3: I this is someone else recently on a pod, Like

430
00:21:52,200 --> 00:21:56,400
Speaker 3: I know that viewers really love rich Housewise at least

431
00:21:56,400 --> 00:21:59,160
Speaker 3: that's what I hear, right, they love like that, they're

432
00:21:59,200 --> 00:22:05,000
Speaker 3: so aspiration I used to. I mean, I always died

433
00:22:05,040 --> 00:22:07,320
Speaker 3: from Lisa vander Pomp. I can't remember if that's a

434
00:22:07,320 --> 00:22:08,440
Speaker 3: good or bad thing to say to you. I just

435
00:22:08,440 --> 00:22:12,639
Speaker 3: always anyway, right, okay, okay. So I just loved watching

436
00:22:12,720 --> 00:22:17,080
Speaker 3: her and the way that she lived her life. But

437
00:22:17,240 --> 00:22:21,480
Speaker 3: for me, it's just obnoxious. There is this this woman

438
00:22:21,520 --> 00:22:23,240
Speaker 3: and this has nothing to really do I guess to

439
00:22:23,280 --> 00:22:25,000
Speaker 3: do with the crying all that that felt like it

440
00:22:25,040 --> 00:22:26,200
Speaker 3: was put on as well.

441
00:22:26,600 --> 00:22:29,240
Speaker 2: Like she's so humiliated, like you're on the show and

442
00:22:29,280 --> 00:22:32,480
Speaker 2: weren't like I feel like in a previous episode she

443
00:22:32,600 --> 00:22:36,720
Speaker 2: was at his table screaming at Alexia, like relax.

444
00:22:36,400 --> 00:22:39,280
Speaker 3: This is your job, now, come on, And what exactly

445
00:22:39,560 --> 00:22:42,280
Speaker 3: is she crying about? I mean, but we went from

446
00:22:42,320 --> 00:22:46,080
Speaker 3: the hysterical crying straight into the seat charts for the

447
00:22:46,640 --> 00:22:49,080
Speaker 3: what yeah with me Teddy plane?

448
00:22:49,680 --> 00:22:51,520
Speaker 2: Oh, for the plain seat charts.

449
00:22:51,640 --> 00:22:52,600
Speaker 3: I can't so.

450
00:22:52,760 --> 00:22:55,960
Speaker 2: But first Larsa, Stephanie, and Alexia and Marisol all go

451
00:22:56,040 --> 00:22:58,560
Speaker 2: back to the hotel. So the fighting has gotten to

452
00:22:58,600 --> 00:23:00,959
Speaker 2: the point where Stephanie is it and has to be

453
00:23:01,119 --> 00:23:04,280
Speaker 2: escorted out of the restaurant escorted in a way because

454
00:23:04,280 --> 00:23:07,320
Speaker 2: she's mentally can't take it. She's crying in the backseat,

455
00:23:09,160 --> 00:23:14,000
Speaker 2: and they lay out the seating Oh wait arrangement.

456
00:23:13,800 --> 00:23:15,280
Speaker 3: Teddy Wait. I'm sorry to interrupt you, but I have

457
00:23:15,320 --> 00:23:18,080
Speaker 3: to ask you something. Okay, Yes, not only you, you're

458
00:23:18,119 --> 00:23:21,400
Speaker 3: one of the people in the Baravo sphere who gave

459
00:23:21,400 --> 00:23:24,480
Speaker 3: me a lot of shit for leaving my finale yes

460
00:23:25,000 --> 00:23:28,399
Speaker 3: on Jersey. So I'm very I am hyper aware of

461
00:23:28,480 --> 00:23:31,840
Speaker 3: people leaving. People are leaving, getting up and walking away

462
00:23:31,920 --> 00:23:34,320
Speaker 3: Miami all the time.

463
00:23:34,960 --> 00:23:39,040
Speaker 2: It's exhausting because then it separates the group. That's why

464
00:23:39,080 --> 00:23:42,119
Speaker 2: I wish the whole point of Housewives is fighting and

465
00:23:42,119 --> 00:23:45,080
Speaker 2: then resolution, right, and that's what I enjoy.

466
00:23:45,240 --> 00:23:47,640
Speaker 3: So it staying to get the resolution.

467
00:23:48,000 --> 00:23:49,879
Speaker 2: Yeah, you have to stay in it. And you also

468
00:23:50,160 --> 00:23:53,840
Speaker 2: these could be learning opportunities. Yeah, walking out and leaving

469
00:23:53,920 --> 00:23:56,439
Speaker 2: and doing a seating chart, but also not just a

470
00:23:56,440 --> 00:24:00,840
Speaker 2: seating chart, deciding where and if that person is even

471
00:24:00,880 --> 00:24:02,359
Speaker 2: going to be able to sit on the plane, and

472
00:24:02,359 --> 00:24:05,800
Speaker 2: putting one person in a room by them side themselves.

473
00:24:06,320 --> 00:24:09,480
Speaker 3: Please, when why does the plane have one room for

474
00:24:09,560 --> 00:24:12,240
Speaker 3: a person to sit alone? Is it the bad?

475
00:24:12,760 --> 00:24:13,879
Speaker 2: I think it's the bedroom.

476
00:24:14,000 --> 00:24:17,760
Speaker 3: They have a bedroom on the It's weird, but I

477
00:24:17,840 --> 00:24:18,879
Speaker 3: would do that to someone.

478
00:24:19,200 --> 00:24:21,359
Speaker 2: This is how many times this season are we going

479
00:24:21,440 --> 00:24:24,800
Speaker 2: to see Stephanie tell us about her plane, use it

480
00:24:24,840 --> 00:24:27,760
Speaker 2: over everybody. Larsa never even said I don't care if

481
00:24:27,800 --> 00:24:28,879
Speaker 2: they come on the plane or not.

482
00:24:30,520 --> 00:24:33,440
Speaker 3: Never, It was all Stephanie and KEKs at this point.

483
00:24:33,520 --> 00:24:37,400
Speaker 2: Keiki hasn't said anything, Adriana hasn't said anything. Just this

484
00:24:37,480 --> 00:24:42,640
Speaker 2: is now another way for Stephanie to show I'm rich

485
00:24:42,960 --> 00:24:43,680
Speaker 2: and I'm making.

486
00:24:43,520 --> 00:24:46,320
Speaker 3: You forget it. Fair Yep, I'm rich and don't forget it.

487
00:24:46,640 --> 00:24:48,720
Speaker 3: The thing that annoys me, maybe even more than Stephanie

488
00:24:48,960 --> 00:24:52,160
Speaker 3: continuing to push that narrative, is the fact that none

489
00:24:52,200 --> 00:24:56,600
Speaker 3: of these women tell her enough like shut up about

490
00:24:56,600 --> 00:24:58,879
Speaker 3: your stupid fucking plane, shut.

491
00:24:58,680 --> 00:25:00,640
Speaker 2: Up about your stupid plane, and shut about a certain

492
00:25:00,720 --> 00:25:05,880
Speaker 2: cares here's and also in reality not to I'm not

493
00:25:05,920 --> 00:25:09,560
Speaker 2: to brag here, but my dad has a private jet.

494
00:25:10,040 --> 00:25:13,200
Speaker 3: Right This is the way it works for I would.

495
00:25:13,040 --> 00:25:15,280
Speaker 2: Say every private jet I've ever been on in my

496
00:25:15,480 --> 00:25:19,520
Speaker 2: entire life, of any human that has one, or he

497
00:25:19,640 --> 00:25:21,439
Speaker 2: charters one, or whatever it may be, I don't know,

498
00:25:21,840 --> 00:25:27,520
Speaker 2: but he has his spot where he always sits, and

499
00:25:27,560 --> 00:25:30,560
Speaker 2: then everybody else on the plane sits wherever.

500
00:25:30,600 --> 00:25:31,480
Speaker 3: We will figure it out.

501
00:25:32,080 --> 00:25:34,960
Speaker 2: And that's like, it's just like the same thing with

502
00:25:35,560 --> 00:25:37,760
Speaker 2: you're not late to a private jet. There's like certain

503
00:25:37,760 --> 00:25:42,640
Speaker 2: private jet etiquette. But talking about this, if I sat

504
00:25:42,720 --> 00:25:44,280
Speaker 2: down and I was going to go on a trip

505
00:25:44,280 --> 00:25:45,479
Speaker 2: with my dad and I was going to go on

506
00:25:45,480 --> 00:25:49,440
Speaker 2: his plane and he told me the seating chart, I'd

507
00:25:49,440 --> 00:25:52,040
Speaker 2: be like, are you kidding me? I know exactly where

508
00:25:52,080 --> 00:25:55,679
Speaker 2: he is. I know you sit the second row on

509
00:25:55,760 --> 00:25:58,160
Speaker 2: the right hand side facing this way. I got it.

510
00:25:58,720 --> 00:26:02,320
Speaker 3: I know you're not You could make that call, yes, yeah.

511
00:26:02,000 --> 00:26:04,480
Speaker 2: But other than that, don't try to tell me where

512
00:26:04,560 --> 00:26:06,000
Speaker 2: I can said if I'm going to sit on the

513
00:26:06,040 --> 00:26:08,960
Speaker 2: sideway seat, or if I'm going to sit like, I'm

514
00:26:09,080 --> 00:26:11,159
Speaker 2: just happy to be there and I'm happy that I

515
00:26:11,200 --> 00:26:12,600
Speaker 2: have the opportunity for Do you.

516
00:26:12,520 --> 00:26:14,399
Speaker 3: Think that it's that she just she just wants to

517
00:26:14,440 --> 00:26:17,720
Speaker 3: continue the conversation just in case anyone missed it. I

518
00:26:17,800 --> 00:26:20,280
Speaker 3: have a private jet. I have a private plane.

519
00:26:20,680 --> 00:26:22,960
Speaker 6: It's a shame because I think she's funny. I think

520
00:26:23,000 --> 00:26:25,320
Speaker 6: people are loving her. I feel a lott well now

521
00:26:25,320 --> 00:26:26,800
Speaker 6: I don't eymore. I feel like you're with me, but

522
00:26:26,880 --> 00:26:29,879
Speaker 6: like I kind of feel alone and I am. You know,

523
00:26:29,920 --> 00:26:32,199
Speaker 6: when I enjoyed her when she was talking about her

524
00:26:32,320 --> 00:26:35,320
Speaker 6: husband and she's like, I am obsessed with my husband.

525
00:26:35,520 --> 00:26:37,320
Speaker 6: I love him, I want to be around him. I

526
00:26:37,359 --> 00:26:39,840
Speaker 6: love his I thought that was he just seems sincere.

527
00:26:39,880 --> 00:26:43,400
Speaker 6: It was really really cute to me. But the posing

528
00:26:43,440 --> 00:26:45,399
Speaker 6: of it all is it's ruining it.

529
00:26:45,840 --> 00:26:48,879
Speaker 2: That's because I think she's funny. I like her confessionals.

530
00:26:49,240 --> 00:26:51,200
Speaker 2: I think she stands up to the women. I think

531
00:26:51,240 --> 00:26:53,840
Speaker 2: they need that agreed. But I do wish all the

532
00:26:53,840 --> 00:26:56,560
Speaker 2: women were like enough enough if you.

533
00:26:56,520 --> 00:26:59,800
Speaker 3: Want to do them for not like shutting it down already.

534
00:26:59,640 --> 00:27:03,159
Speaker 2: But that it's they're all. It's like when somebody's I know,

535
00:27:03,200 --> 00:27:04,920
Speaker 2: we're going to get into more penis talk, but when

536
00:27:04,920 --> 00:27:08,040
Speaker 2: somebody's addicted to the d it's like they're addicted to

537
00:27:08,080 --> 00:27:10,040
Speaker 2: the private jet the pis.

538
00:27:10,640 --> 00:27:13,359
Speaker 3: Yes, that's true. Well, it's like it's also like the

539
00:27:13,400 --> 00:27:17,480
Speaker 3: big dick energy, right. Yeah, She's like exerting and it's

540
00:27:19,359 --> 00:27:20,119
Speaker 3: it's a turnoff.

541
00:27:20,280 --> 00:27:23,840
Speaker 2: It's a turnoff for me, Like I'm like like.

542
00:27:23,880 --> 00:27:25,439
Speaker 3: The wall of Burkins or whatever.

543
00:27:27,080 --> 00:27:31,240
Speaker 2: I don't know, but I agree with Marisol on the point.

544
00:27:31,480 --> 00:27:34,600
Speaker 2: This is a twenty two minute plane ride, and I

545
00:27:34,600 --> 00:27:37,240
Speaker 2: mean I've said voice notes longer than twenty two minutes.

546
00:27:41,280 --> 00:27:42,560
Speaker 3: Okay, exactly.

547
00:27:42,840 --> 00:27:45,200
Speaker 2: Okay, so now, but we haven't really talked about how

548
00:27:45,200 --> 00:27:47,440
Speaker 2: we feel about the storing of the phones.

549
00:27:49,320 --> 00:27:53,399
Speaker 3: I feel like, if I'm Lisa, yeah, and I have

550
00:27:53,440 --> 00:27:56,400
Speaker 3: two young kids here, no, you know what, if I'm

551
00:27:56,440 --> 00:27:59,080
Speaker 3: any of them and I have two young kids, fuck

552
00:27:59,119 --> 00:28:00,240
Speaker 3: you, you ain't taking my phone?

553
00:28:00,640 --> 00:28:01,160
Speaker 2: Yeah.

554
00:28:01,200 --> 00:28:05,080
Speaker 3: And I have a daughter with type one diabetes.

555
00:28:05,560 --> 00:28:05,760
Speaker 2: Yeah.

556
00:28:05,800 --> 00:28:09,639
Speaker 3: And I remember being in situations like work situations and

557
00:28:09,760 --> 00:28:11,960
Speaker 3: my boss would say you can't have your phone or

558
00:28:12,000 --> 00:28:13,399
Speaker 3: you can't look at your phone. I'm like, well then

559
00:28:13,440 --> 00:28:15,840
Speaker 3: I quit. Yeah, it's very simple. There's it's a no

560
00:28:16,040 --> 00:28:18,560
Speaker 3: like and not just because she has diabetes, but it

561
00:28:18,560 --> 00:28:20,480
Speaker 3: was a non negotiable for me with little kids. It's

562
00:28:21,359 --> 00:28:24,240
Speaker 3: you need to have to feel like, yeah, sorry.

563
00:28:24,000 --> 00:28:26,800
Speaker 2: But they could say what why not just say no

564
00:28:26,960 --> 00:28:30,719
Speaker 2: taking notes on the phone, or that while we're in

565
00:28:30,760 --> 00:28:34,320
Speaker 2: the middle of a conversation, that let's just have common decency,

566
00:28:35,400 --> 00:28:38,440
Speaker 2: Like you're on your phone so much when we're all out,

567
00:28:38,480 --> 00:28:41,000
Speaker 2: we don't. It's like being late. It's all of these

568
00:28:41,040 --> 00:28:44,440
Speaker 2: things that are tied together. Lisa is showing this season

569
00:28:44,520 --> 00:28:46,880
Speaker 2: that she doesn't really care what the other women think,

570
00:28:47,240 --> 00:28:49,800
Speaker 2: and it's pissing them off. So they're turning it around

571
00:28:49,920 --> 00:28:53,120
Speaker 2: onto this being you know, taking notes, but really it's

572
00:28:53,160 --> 00:28:54,959
Speaker 2: just being inconsiderate of other people.

573
00:28:55,200 --> 00:28:56,960
Speaker 3: Correct Like she's late.

574
00:28:57,080 --> 00:28:59,760
Speaker 2: She's not engaging in any conversation that doesn't have to

575
00:28:59,760 --> 00:29:02,800
Speaker 2: do it herself, and she's.

576
00:29:02,280 --> 00:29:04,160
Speaker 3: And I may and I like Lisa, but she may

577
00:29:04,240 --> 00:29:07,560
Speaker 3: have that coming. Like it's been seasons of the one season.

578
00:29:07,560 --> 00:29:10,720
Speaker 3: Maybe it was the last season when they were they

579
00:29:10,720 --> 00:29:14,040
Speaker 3: were on that boat and they were all the animals.

580
00:29:14,080 --> 00:29:15,280
Speaker 3: Where were they not going to remember?

581
00:29:15,400 --> 00:29:15,760
Speaker 2: Oh?

582
00:29:15,840 --> 00:29:18,360
Speaker 3: Yes, I remember, and do you remember she was like

583
00:29:18,440 --> 00:29:22,200
Speaker 3: posing when who got sick? Julia? Yeah, Julia's are really sick,

584
00:29:22,200 --> 00:29:24,840
Speaker 3: and Lisa's in the background with the selfies as Julia

585
00:29:24,920 --> 00:29:26,200
Speaker 3: is like, right, it was Julia.

586
00:29:26,360 --> 00:29:29,200
Speaker 2: Yeah, it was Julia. Julia was getting sick. And then

587
00:29:29,240 --> 00:29:31,840
Speaker 2: they like go to fuck where did they go? They

588
00:29:31,880 --> 00:29:35,040
Speaker 2: went to like not a grave, like a cemetery graveyard with.

589
00:29:35,000 --> 00:29:36,600
Speaker 3: All that, yes, and she was getting sick and they

590
00:29:36,600 --> 00:29:38,040
Speaker 3: had the they had the dolls.

591
00:29:38,560 --> 00:29:40,680
Speaker 2: Yeah, and then they did the same thing. She was

592
00:29:40,720 --> 00:29:44,239
Speaker 2: doing the same thing at the narcissist event at the

593
00:29:44,280 --> 00:29:47,760
Speaker 2: selfies and the like there's a time and a place

594
00:29:47,840 --> 00:29:48,480
Speaker 2: for a selfie?

595
00:29:48,920 --> 00:29:50,960
Speaker 3: Yeah it was. And also was she did she lose

596
00:29:51,000 --> 00:29:52,800
Speaker 3: something on the way? All I remember is was Lisa

597
00:29:52,920 --> 00:29:53,800
Speaker 3: was just all about Lisa.

598
00:29:53,800 --> 00:29:55,080
Speaker 2: Did she lose lip gloss?

599
00:29:55,240 --> 00:29:58,520
Speaker 3: Yes, thank you? Maybe it was that. Maybe it was

600
00:29:58,600 --> 00:30:03,040
Speaker 3: lip gloss. Poor Julius over here like having a breakdown

601
00:30:03,360 --> 00:30:05,640
Speaker 3: and right, and that's how they showed it. And Lisa's

602
00:30:05,640 --> 00:30:07,760
Speaker 3: looking for her, all set about her lip gloss.

603
00:30:08,080 --> 00:30:10,200
Speaker 2: No, what else I'm over now that we've I remember

604
00:30:10,280 --> 00:30:19,000
Speaker 2: Julia's on the show. I so her trying to lighten

605
00:30:19,040 --> 00:30:23,680
Speaker 2: the mood by kissing everybody, especially bright red lipstick, Like

606
00:30:23,720 --> 00:30:25,760
Speaker 2: you're getting your lipstick on everybody?

607
00:30:25,920 --> 00:30:26,959
Speaker 3: What is with the kissing?

608
00:30:27,360 --> 00:30:31,040
Speaker 2: I don't understand it. You're not It's like we get

609
00:30:31,040 --> 00:30:35,280
Speaker 2: the shtick. You've already kissed the girls, like you're not,

610
00:30:35,480 --> 00:30:36,640
Speaker 2: Like nobody cares.

611
00:30:37,040 --> 00:30:39,120
Speaker 3: This is interesting. I couldn't give two shites.

612
00:30:39,160 --> 00:30:39,440
Speaker 2: I don't know.

613
00:30:39,480 --> 00:30:41,720
Speaker 3: It's it like, is she making a joke? So I

614
00:30:41,720 --> 00:30:43,440
Speaker 3: don't get it. What is the message here? Why is

615
00:30:43,480 --> 00:30:44,240
Speaker 3: she kissing everyone?

616
00:30:44,320 --> 00:30:47,240
Speaker 2: I think she's trying to say like instead because she

617
00:30:48,200 --> 00:30:51,440
Speaker 2: can't tell a joke. So she's like, Okay, maybe if

618
00:30:51,480 --> 00:30:54,240
Speaker 2: I go around and do this, everybody will start talking.

619
00:30:54,040 --> 00:30:56,640
Speaker 3: About me if it was funny. But it's not good.

620
00:30:56,800 --> 00:31:00,480
Speaker 2: That's my point. It's not funny. It's that they all

621
00:31:00,520 --> 00:31:04,760
Speaker 2: go on and on and on and she doesn't stop.

622
00:31:05,080 --> 00:31:09,080
Speaker 2: And also, we forgot to mention that this trip is

623
00:31:09,240 --> 00:31:14,320
Speaker 2: now for her. She's asking her best friends to be godparents.

624
00:31:15,760 --> 00:31:17,560
Speaker 2: But why are we just finding out about this now.

625
00:31:21,000 --> 00:31:23,080
Speaker 3: I don't know, because she just found out about it now.

626
00:31:23,120 --> 00:31:25,800
Speaker 3: She just thought of it in real time. Let's call

627
00:31:25,840 --> 00:31:28,760
Speaker 3: it what it is, you know. She's like, wait a second,

628
00:31:29,280 --> 00:31:29,960
Speaker 3: this will look good.

629
00:31:30,800 --> 00:31:34,080
Speaker 2: Yeah, but I mean the episode definitely. I feel like

630
00:31:34,200 --> 00:31:41,680
Speaker 2: Larsa wasn't that involved this episode. Yeah, probably because she's

631
00:31:41,720 --> 00:31:44,080
Speaker 2: sick of talking about the same thing over and over again.

632
00:31:44,600 --> 00:31:46,240
Speaker 2: I'm sick of watching well.

633
00:31:46,240 --> 00:31:48,120
Speaker 3: I mean, listen, there's a few things here that I

634
00:31:48,120 --> 00:31:55,400
Speaker 3: could never hear about again. The plane, yeah, the kissing correct,

635
00:31:55,440 --> 00:32:00,400
Speaker 3: and the just lost my train of thought. There was

636
00:32:00,400 --> 00:32:04,480
Speaker 3: something else that's just oh, the dick enough, take your plane,

637
00:32:05,120 --> 00:32:07,720
Speaker 3: put the dick on it, put the kissing on it,

638
00:32:07,920 --> 00:32:09,040
Speaker 3: fly away. It's enough.

639
00:32:09,400 --> 00:32:11,920
Speaker 2: Can I also say something in Marisol, I love you

640
00:32:11,960 --> 00:32:15,560
Speaker 2: to death, and who else wore one. I'm kind of

641
00:32:15,600 --> 00:32:17,080
Speaker 2: done with headbands.

642
00:32:18,240 --> 00:32:22,760
Speaker 3: Because the headbands and the bows. What's up with the bows?

643
00:32:22,800 --> 00:32:23,520
Speaker 3: Did I don't know?

644
00:32:25,040 --> 00:32:29,360
Speaker 2: The other day too and Marisol with the headband, like

645
00:32:29,520 --> 00:32:32,040
Speaker 2: I is it because we're on day three of not

646
00:32:32,280 --> 00:32:34,800
Speaker 2: washing our hair, so we're just maybe the big headband on.

647
00:32:35,200 --> 00:32:36,800
Speaker 2: Maybe done with.

648
00:32:36,800 --> 00:32:40,080
Speaker 3: The headband, done with the head I done with the bows,

649
00:32:40,520 --> 00:32:42,520
Speaker 3: like these are grown? What is with the boat? It

650
00:32:42,560 --> 00:32:45,480
Speaker 3: was Stephanie and then it was Lisa. And they're not

651
00:32:45,640 --> 00:32:48,480
Speaker 3: like sophisticated bows. I'm not seeing them putting away that.

652
00:32:48,880 --> 00:32:51,000
Speaker 3: They're literally like I would used to put my daughter's

653
00:32:51,000 --> 00:32:54,560
Speaker 3: hair like in the back. With this happening, yeah.

654
00:32:55,040 --> 00:32:57,200
Speaker 2: No, I don't get it. I don't get it. But

655
00:32:57,240 --> 00:32:59,920
Speaker 2: granted I'll probably gonna like see you at somewhere like

656
00:33:01,440 --> 00:33:01,800
Speaker 2: a bow.

657
00:33:02,800 --> 00:33:05,040
Speaker 3: Well, I'm not going to allow it. I'll tell you

658
00:33:05,080 --> 00:33:09,280
Speaker 3: that right now. And you've done so well with your

659
00:33:09,360 --> 00:33:13,200
Speaker 3: hair and if you put a bow in it, everybody,

660
00:33:13,400 --> 00:33:14,240
Speaker 3: no you What if I.

661
00:33:14,280 --> 00:33:16,200
Speaker 2: Just put a little I have an idea, what if

662
00:33:16,200 --> 00:33:17,320
Speaker 2: I just put a little bow?

663
00:33:17,720 --> 00:33:22,320
Speaker 3: I love the blonde, hold on, I love the blonde.

664
00:33:22,600 --> 00:33:23,040
Speaker 2: Thank you.

665
00:33:23,400 --> 00:33:27,680
Speaker 3: I can put just a little and show teddy stop it.

666
00:33:28,120 --> 00:33:29,920
Speaker 2: I'm doing it. I'm thinking about it.

667
00:33:30,080 --> 00:33:31,760
Speaker 3: Can you imagine walking around with there's a pink bow

668
00:33:31,880 --> 00:33:34,280
Speaker 3: right here? You don't say anything. You just pretend like

669
00:33:34,320 --> 00:33:35,000
Speaker 3: it's not happening.

670
00:33:35,040 --> 00:33:36,560
Speaker 2: What? What? Who?

671
00:33:36,840 --> 00:33:40,200
Speaker 3: What's your point? I don't get. Oh my god, my love,

672
00:33:40,400 --> 00:33:41,920
Speaker 3: never put on a wig again. If I were you,

673
00:33:41,960 --> 00:33:44,360
Speaker 3: I would never put on a wig again.

674
00:33:44,440 --> 00:33:46,680
Speaker 2: My hair is so naturally dark. It's hot.

675
00:33:46,960 --> 00:33:49,880
Speaker 3: You look hot. I have one friend that always had

676
00:33:49,920 --> 00:33:55,240
Speaker 3: short hair like that, and she is the most beautiful

677
00:33:55,240 --> 00:33:57,520
Speaker 3: woman you've ever seen. And it's almost we always say

678
00:33:57,560 --> 00:33:59,880
Speaker 3: to her, it's almost like she's showing off, like you know,

679
00:34:00,120 --> 00:34:02,480
Speaker 3: people can't pull that off, and you've just been doing

680
00:34:02,480 --> 00:34:04,960
Speaker 3: it for years. It's like saying, listen, I can do

681
00:34:05,040 --> 00:34:06,960
Speaker 3: that and you can't. And that's what actually is going

682
00:34:07,000 --> 00:34:09,560
Speaker 3: on here. It's put the wig back on.

683
00:34:09,640 --> 00:34:11,759
Speaker 2: But you know what, I would put my wig back on,

684
00:34:11,840 --> 00:34:13,440
Speaker 2: but I have to go backwards beforewards.

685
00:34:13,480 --> 00:34:14,640
Speaker 3: It's a whole too much work.

686
00:34:14,800 --> 00:34:16,920
Speaker 2: It's too much work. And now we made it through

687
00:34:16,920 --> 00:34:20,360
Speaker 2: the episode, and I so appreciate you coming on and

688
00:34:20,400 --> 00:34:22,200
Speaker 2: talking with me, and this was fun.

689
00:34:22,000 --> 00:34:23,759
Speaker 3: It was really fun. I so appreciate your having me.

690
00:34:23,800 --> 00:34:25,759
Speaker 3: I have to say sort of a sort of a

691
00:34:25,840 --> 00:34:26,359
Speaker 3: dream of mine.

692
00:34:26,360 --> 00:34:29,640
Speaker 2: Here, I check it, Calcolic, I really really nailed it,

693
00:34:29,680 --> 00:34:32,160
Speaker 2: and you made me laugh and I appreciate it. And

694
00:34:32,200 --> 00:34:36,480
Speaker 2: you guys keep don't don't sleep on Miami. Guys, you

695
00:34:36,560 --> 00:34:39,239
Speaker 2: need to be watching it, don't.

696
00:34:39,800 --> 00:34:40,320
Speaker 3: It's good.

697
00:34:41,000 --> 00:34:44,160
Speaker 2: I hope Jian Fessler sends me some side information about

698
00:34:44,200 --> 00:34:46,719
Speaker 2: what she knows about Jersey, And don't worry. You know me,

699
00:34:47,520 --> 00:34:50,720
Speaker 2: never mention a thing. You're a vault. You're a vault.

700
00:34:51,440 --> 00:34:54,000
Speaker 3: I tried to trust vaults before. Vaults always seem to

701
00:34:54,080 --> 00:34:54,600
Speaker 3: open on me.

702
00:34:54,920 --> 00:34:57,680
Speaker 2: You know what, I have a I'm a revolving door vault.

703
00:34:57,960 --> 00:35:00,520
Speaker 3: Yeah, so much teddy.

704
00:35:00,560 --> 00:35:04,120
Speaker 2: Then, alright, bye, guys, thanks for tuning in for another

705
00:35:04,160 --> 00:35:05,439
Speaker 2: episode of to Teas in the Pod.

706
00:35:05,800 --> 00:35:06,400
Speaker 3: Thanks guys,