WEBVTT - Extra Frosting with Special Guest Host Andrea Barber

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<v Speaker 1>This is Frosted Tips with Lance Bass and iHeartRadio podcast.

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<v Speaker 2>Welcome to Frosted Tips. I'm your guest host Andrea Barber.

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<v Speaker 2>You may know me as Kimmy Gibbler on full House

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<v Speaker 2>and Fuller House, and I co host a full House

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<v Speaker 2>rewatch podcast with Jody Sweeten called How Rude Tanner Ritos.

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<v Speaker 2>If you know me, you know I have a huge

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<v Speaker 2>love of boy bands, specifically, I have been a new

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<v Speaker 2>Kids on the.

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<v Speaker 3>Block blockhead for thirty five years.

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<v Speaker 2>But today I'm going to do my best to channel

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<v Speaker 2>the charm and lovability of Lance Bass as I interview

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<v Speaker 2>our guests today, the fabulous Lisa Loebe. You all know

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<v Speaker 2>Lisa as the cute, angsty singer in a little black

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<v Speaker 2>dress and cat eye glasses in the infamous Stay video.

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<v Speaker 2>But that was just the beginning of an incredibly eclectic

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<v Speaker 2>career as a Grammy Award winning musician, actress, voiceover actress,

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<v Speaker 2>and entrepreneur with her own eyewear line, Naturally and coffee brand.

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<v Speaker 2>Not to mention, she is just the sweetest and smartest

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<v Speaker 2>person I've ever had the pleasure to meet and work with.

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<v Speaker 2>Lisa appeared on two episodes of Fuller House in our

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<v Speaker 2>fifth season, including our finale where she sang at DJ

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<v Speaker 2>Stephanie and Kimmy's triple wedding. I cannot wait to talk

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<v Speaker 2>to her about all of these things. So please welcome

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<v Speaker 2>Lisa loebe Hey, Hello.

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<v Speaker 4>Good morning, And am I gonna love your donut?

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<v Speaker 3>Oh yeah this. I have all my Kimmy Gibbler swag

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<v Speaker 3>behind me.

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<v Speaker 4>It's so good.

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<v Speaker 2>I gotta make use of it somehow. So I've just

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<v Speaker 2>nicked I should have behind me.

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<v Speaker 4>I should have put my Kimmy Gibbler mug and the

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<v Speaker 4>purple spandex leotard we had.

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<v Speaker 3>Wait, you had a Kimmy Gibbler.

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<v Speaker 4>My daughter dressed up as you one here.

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<v Speaker 5>Oh my gosh.

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<v Speaker 4>Halloween.

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<v Speaker 3>Oh my gosh, that's incredible. It's all coming back to me.

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<v Speaker 4>It's coming back to me now too.

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<v Speaker 3>That's incredible.

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<v Speaker 2>Right. I hosted a Kimmy Gibbler costume contest every Halloween

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<v Speaker 2>for ten years. I wish I would have picked her

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<v Speaker 2>to be a winner, because clearly, you know she's got

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<v Speaker 2>that Gibbler style.

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<v Speaker 3>So I love that.

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<v Speaker 2>Lisa, Thank you so much for joining me today on

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<v Speaker 2>Frosted Tips. I was so excited when iHeartRadio reached out

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<v Speaker 2>to me and asked me to be a guest host

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<v Speaker 2>today and they said you can interview anybody you want, Like,

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<v Speaker 2>who do you want to interview? And immediately came to mind,

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<v Speaker 2>Lisa Lobe. Oh, I love that socitm you just you

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<v Speaker 2>are so sweet and so talented and so smart, and

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<v Speaker 2>I loved meeting you on the set of Fuller House.

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<v Speaker 3>And I'm like, I just I want to talk to

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<v Speaker 3>her some more and get to know her some more.

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<v Speaker 2>And I've had such a great time diving into your

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<v Speaker 2>career and just living in Lisa Land all week. It's

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<v Speaker 2>just incredibly special and so I appreciate your time.

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<v Speaker 4>Thank you, I appreciate it. Let's go back.

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<v Speaker 2>Let's start with the reason why we met in twenty nineteen,

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<v Speaker 2>your two appearances on Fuller House. I've been so excited

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<v Speaker 2>to talk to you about this. Your first appearance was

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<v Speaker 2>on an episode called Five Dates with Kimmy Gibbler, but

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<v Speaker 2>unfortunately we didn't have any scenes together, which was very

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<v Speaker 2>disappointing to me.

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<v Speaker 3>But let's go back to that.

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<v Speaker 2>You played yourself, but you were a cat owner who

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<v Speaker 2>was bringing her cat to DJ's veterinary practice to get

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<v Speaker 2>the cat's teeth cleaned, and then you get roped into

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<v Speaker 2>hearing Stephanie sing her song for you, and then you

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<v Speaker 2>invite her to be an opener on your tour, which

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<v Speaker 2>is fantastic. Why didn't this show go more seasons? Because

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<v Speaker 2>I would have loved to have seen that, and we

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<v Speaker 2>definitely would have had you back in future seasons. How

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<v Speaker 2>did this appearance come up? I know that you went

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<v Speaker 2>to Brown University and our showrunners are Brown University alumni alumni,

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<v Speaker 2>so I don't know if you am and they reached

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<v Speaker 2>out or how did.

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<v Speaker 3>This get about?

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<v Speaker 4>You know, I think that must have been what happened.

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<v Speaker 4>I did grow up studying acting and doing lots of acting,

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<v Speaker 4>you know, summer programs and theater things and musical theater

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<v Speaker 4>all through high school and college. And I had wanted

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<v Speaker 4>to do it as my main job, I thought when

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<v Speaker 4>I was growing up. But music kept being the thing

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<v Speaker 4>that was more it just it was the thing that

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<v Speaker 4>that well a I could have more control over it.

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<v Speaker 4>You know, when you're an actor, you have to audition

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<v Speaker 4>and get the role and all of that. With music,

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<v Speaker 4>you just pick up a guitar and you play it.

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<v Speaker 4>I mean, you can work on a monologue, but with

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<v Speaker 4>a guitar, you can literally just pick it up and

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<v Speaker 4>play it. And I did get more gigs playing and

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<v Speaker 4>my audiences were great. I was getting some roles, some

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<v Speaker 4>good ones in high school. They tended to be me

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<v Speaker 4>as a child, like I was the child in the

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<v Speaker 4>Philadelphia story. I was the newsboy and working like I

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<v Speaker 4>would always be a child but anyway, so it was

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<v Speaker 4>something that always was interesting to me. And then as

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<v Speaker 4>I've became a successful musician, I started getting cameos and

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<v Speaker 4>different acting opportunities presented to me, playing myself in different shows.

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<v Speaker 4>And that was At first I was like, no, I'm

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<v Speaker 4>an actor. I don't you know, I don't want to

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<v Speaker 4>play myself in a show. And then I realized along

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<v Speaker 4>the way it was just such a great experience and

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<v Speaker 4>it was such an honor to be able to go

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<v Speaker 4>onto different sets. It was like a field trip too

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<v Speaker 4>in Los Angeles, you know, or wherever I was in

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<v Speaker 4>New York to get to go on a set and

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<v Speaker 4>meet the actors and see behind the scenes and you know,

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<v Speaker 4>and have a scene or two scenes playing some version

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<v Speaker 4>of myself. Luckily, especially over the last few of the

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<v Speaker 4>last like four or five years, I realized I could

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<v Speaker 4>really talk to the writers and the directors and producers

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<v Speaker 4>to say, hey, this is funny, or hey this is funny.

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<v Speaker 4>But I don't think Lisa Lobe, even in this version

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<v Speaker 4>of your show, would do X, Y or Z. Can

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<v Speaker 4>we change it a little bit? But so anyway, I

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<v Speaker 4>think because of that experience, and also because yes, I

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<v Speaker 4>knew Brian and I knew the guys who Brian Steve. Yeah,

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<v Speaker 4>Brian and Steve were the showrunners, I think that's I

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<v Speaker 4>think that's why they asked me to be a part

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<v Speaker 4>of it. But it was so great.

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<v Speaker 2>Were you nervous to walk onto the set because like

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<v Speaker 2>we were, you know, Ras Juggernaut full House has just

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<v Speaker 2>been Yeah, this is like crazy cult following for thirty

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<v Speaker 2>five years.

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<v Speaker 4>I know, it's amazing. It's like an entire world and

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<v Speaker 4>it's a whole culture, and luckily it's an amazing community.

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<v Speaker 4>It was like a family really, and because it was

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<v Speaker 4>the Fuller House, there was an ease, you know, there

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<v Speaker 4>was just an ease and a happiness for people to

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<v Speaker 4>be there. Everybody's just so happy to be a part

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<v Speaker 4>of it, and the actors were so every actor was

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<v Speaker 4>just so open and friendly and welcoming, so for me

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<v Speaker 4>as someone who would like to be doing more acting.

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<v Speaker 4>On the acting side, it was a very like it was.

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<v Speaker 4>It wasn't as nerve wracking because it was like, oh,

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<v Speaker 4>these are people were all working together. Plus the process

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<v Speaker 4>is you get to rehearse kind of like a play,

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<v Speaker 4>so it really is this like well oiled machine, but

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<v Speaker 4>it's not like you're popping in to do a high

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<v Speaker 4>energy scene. You get to actually rehearse and talk to

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<v Speaker 4>the other actors and work with everybody. And that was

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<v Speaker 4>really that was a great experience for me to be

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<v Speaker 4>able to do that. It made it more comfortable for me.

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<v Speaker 2>I agree, I prefer multiicam. I think single cam is

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<v Speaker 2>so uncomfortable as an actor.

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<v Speaker 3>Because there's no rehearsal time.

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<v Speaker 2>It's like you rehearse once and then boom you go.

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<v Speaker 2>And so I love I love sitcoms for that very reason.

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<v Speaker 2>Is because you get to rehearse for two or three

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<v Speaker 2>days before you're actually on camera. And I'm like, that's

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<v Speaker 2>how it should be. That's how you fine tune your performance.

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<v Speaker 4>So you find your character, yeah, and you get your

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<v Speaker 4>words in your brain and your mouth and you're there.

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<v Speaker 2>Actually, absolutely, and I think it's helpful for the writers too,

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<v Speaker 2>because they need to refine their words as well and

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<v Speaker 2>see what's working and what's not working. So I enjoy

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<v Speaker 2>that process very much. And I didn't know you were

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<v Speaker 2>such a great actress. I mean, you're so good. Even

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<v Speaker 2>when you're playing yourself, you're still kind of acting because

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<v Speaker 2>you have to memorize lines and remember you're blocking and everything.

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<v Speaker 2>But yeah, I saw. I watched Hankkah on Rye, which

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<v Speaker 2>is a Hallmark Christmas movie that you were in a

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<v Speaker 2>couple of years ago.

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<v Speaker 4>Oh, Hanikah, Hanika movie, one of their Hanukah movies, Hallmark

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<v Speaker 4>Christmas movie, Christmas time. It's like holiday time holiday movies.

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<v Speaker 3>Yes, yes, yes, but that was great.

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<v Speaker 2>You played a character like a music teacher who participates

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<v Speaker 2>in a contest, and you wrote a song.

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<v Speaker 4>For I did that movie, you know. I had written

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<v Speaker 4>a song called Light, which is a song about Hankah.

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<v Speaker 4>I wrote it. I had my friend Cliff Goldmach write

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<v Speaker 4>it with me. But I wanted I became as a

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<v Speaker 4>grown up, I became even more interested in my Judaism

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<v Speaker 4>because growing up I'm Jewish and I did all the

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<v Speaker 4>Jewish things and like went to synagogue when I was

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<v Speaker 4>supposed to do and had my bot Mitzvah and was

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<v Speaker 4>confirmed and did all the major holidays. But I was

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<v Speaker 4>always a big question ask her whether it was out

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<v Speaker 4>loud or in my head. And as I got older,

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<v Speaker 4>I was not married and I was looking for a

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<v Speaker 4>long term relationship. What I would call it is get

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<v Speaker 4>married and have kids. In retrospect, it turned out it

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<v Speaker 4>was really just like a deep relationship is what I

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<v Speaker 4>really wanted. Although I did have kids and now I'm

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<v Speaker 4>really excited I did. But part of that in my

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<v Speaker 4>head was like, oh, I should marry a Jewish guy,

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<v Speaker 4>like I'm supposed to marry a Jewish person because I'm Jewish.

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<v Speaker 4>And then I started thinking, why is that hanging over

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<v Speaker 4>my head? Why is that so important when Judaism doesn't

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<v Speaker 4>necessarily play some central place in my life? Like why,

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<v Speaker 4>you know, if it was yoga or what new diet

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<v Speaker 4>I might be on, even though I don't believe in diets,

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<v Speaker 4>but you know, what new food thing I'm doing, I

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<v Speaker 4>would be all in, like what am I going to eat?

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<v Speaker 4>Like really into it. But with the Judaism thing, it

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<v Speaker 4>was just hanging over my head. So I started asking

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<v Speaker 4>questions to people, and I started. I met with a

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<v Speaker 4>few different rabbis actually, and I started understanding more about

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<v Speaker 4>Judaism and how it applies to day to day life

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<v Speaker 4>and why all religions could be can be important whatever,

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<v Speaker 4>like if they give you some kind of a system

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<v Speaker 4>or structure in your life. And it started making me interested,

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<v Speaker 4>not necessarily in in those like Hallmark I call them

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<v Speaker 4>Hallmark holidays, the ones that you do without thinking why

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<v Speaker 4>you're doing them, you know, and starting to find the

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<v Speaker 4>essence of the beauty. And you know, all religions have

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<v Speaker 4>issues for sure. That being said, it can also be

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<v Speaker 4>a really interesting way to connect with your your own culture,

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<v Speaker 4>which mine is Judaism and my religion. And also like

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<v Speaker 4>so specifically with Hanukkah, the rabbi would would talk about

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<v Speaker 4>the message of hope, the idea of hope in Hankah,

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<v Speaker 4>the idea that there's this this story that the lights

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<v Speaker 4>in the in the when the temple was destroyed, there

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<v Speaker 4>was only enough oil for one night, but actually it

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<v Speaker 4>lasted for eight nights, and that can be a symbol

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<v Speaker 4>of hope. And so I thought, well, that's a really

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<v Speaker 4>beautiful thing to write about, something that I would like

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<v Speaker 4>to pass on to my kids. It's not necessarily, you know,

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<v Speaker 4>I don't want to step on anyone's fots. But it's

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<v Speaker 4>not taking the Bible literally or that's just not But

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<v Speaker 4>I do think that there are amazing things you can

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<v Speaker 4>take from from your own holidays other people's holidays. I

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<v Speaker 4>was looking at my own holidays, and so I wrote

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<v Speaker 4>this song called Light, and then it found a home

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<v Speaker 4>in the Hallmark movie. And yes, I played a singer songwriter,

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<v Speaker 4>a singing teacher who is not myself, who wears glasses

0:11:25.080 --> 0:11:27.960
<v Speaker 4>exactly like mine and dresses mostly like me out of

0:11:27.960 --> 0:11:34.280
<v Speaker 4>the closet of the wardrobe director's stylist closet in Canada

0:11:34.400 --> 0:11:37.840
<v Speaker 4>for that day. And I played a music teacher. And

0:11:37.880 --> 0:11:39.400
<v Speaker 4>I think I was supposed to have a few more scenes,

0:11:39.400 --> 0:11:42.840
<v Speaker 4>but the time got changed around, I think because of

0:11:42.880 --> 0:11:45.040
<v Speaker 4>my own schedule or their schedule. But yeah, I got

0:11:45.040 --> 0:11:49.280
<v Speaker 4>to be in a Hallmark movie, which was as an

0:11:49.280 --> 0:11:53.959
<v Speaker 4>older person who's been doing entertainmenty things for a long time.

0:11:54.400 --> 0:11:57.800
<v Speaker 4>To be on the set, to be backstage hanging out,

0:11:57.840 --> 0:12:00.400
<v Speaker 4>getting to know the other actors, some of the who

0:12:00.400 --> 0:12:03.440
<v Speaker 4>are in a lot of those Hallmark movies, some who

0:12:03.520 --> 0:12:05.439
<v Speaker 4>are not. There was one of the guys is a

0:12:05.520 --> 0:12:08.480
<v Speaker 4>musical theater star. Like just being on the set, seeing

0:12:08.480 --> 0:12:11.560
<v Speaker 4>what the wardrobe people are doing, seeing you know, craft

0:12:11.559 --> 0:12:15.600
<v Speaker 4>services and the fake snow sorry it's fake snow, and

0:12:16.360 --> 0:12:19.120
<v Speaker 4>you know, all of those little pieces and just being

0:12:19.160 --> 0:12:21.000
<v Speaker 4>there and connecting with all these people, just like when

0:12:21.000 --> 0:12:23.559
<v Speaker 4>I was in Fuller House, like really getting to talk

0:12:23.600 --> 0:12:26.920
<v Speaker 4>to the props people and person and the seamstress and

0:12:27.600 --> 0:12:30.600
<v Speaker 4>it's just a being part of that community was really

0:12:30.640 --> 0:12:32.520
<v Speaker 4>special for me. And then also to say get to

0:12:32.520 --> 0:12:34.600
<v Speaker 4>say like I was on a Hallmark movie or I

0:12:34.640 --> 0:12:36.640
<v Speaker 4>was on Fuller House, like my That was one of

0:12:36.679 --> 0:12:38.640
<v Speaker 4>the other reasons I did it was because my daughter

0:12:38.720 --> 0:12:40.199
<v Speaker 4>is such a huge fan. I'm like, oh, my gosh,

0:12:40.200 --> 0:12:42.400
<v Speaker 4>this is going to be so cool. I'll get to go.

0:12:42.600 --> 0:12:44.839
<v Speaker 4>And then the kids got to come visit the set.

0:12:45.040 --> 0:12:46.040
<v Speaker 3>Oh they were so cute.

0:12:46.200 --> 0:12:48.840
<v Speaker 4>They were so cute, and the writers are so great.

0:12:48.840 --> 0:12:50.400
<v Speaker 4>You know, I was hearing, you know, I don't know

0:12:50.440 --> 0:12:52.640
<v Speaker 4>as the producers or whoever, they're like, oh, the kids

0:12:52.679 --> 0:12:56.040
<v Speaker 4>need to stay in the bleachers where the audiences. But

0:12:56.080 --> 0:12:57.640
<v Speaker 4>you know what, when the kids got on the set,

0:12:58.040 --> 0:12:59.840
<v Speaker 4>the writers said, no, no, no, come with us and go

0:12:59.840 --> 0:13:03.040
<v Speaker 4>to each different set where the actors are working and

0:13:03.440 --> 0:13:05.920
<v Speaker 4>sit here right near the camera and be in it

0:13:05.960 --> 0:13:07.280
<v Speaker 4>and like not be in it, but you know, like

0:13:07.360 --> 0:13:09.960
<v Speaker 4>be in the mix and really see what's happening and

0:13:10.040 --> 0:13:10.960
<v Speaker 4>experience it.

0:13:12.559 --> 0:13:14.800
<v Speaker 3>Special for them, it was really special.

0:13:15.080 --> 0:13:16.920
<v Speaker 4>I know. My son lost a tooth and a cast

0:13:17.000 --> 0:13:20.080
<v Speaker 4>member helped him, helped him put it in a a

0:13:20.120 --> 0:13:24.160
<v Speaker 4>mom moment, real life moment. Really, Oh my goodness, yes,

0:13:24.280 --> 0:13:26.960
<v Speaker 4>Candice helped him put it in a like a paper

0:13:27.000 --> 0:13:28.720
<v Speaker 4>towel and a ziplock to take home.

0:13:28.960 --> 0:13:30.080
<v Speaker 3>Oh that's so cute.

0:13:30.080 --> 0:13:32.360
<v Speaker 2>That is like, that's like a real life full House

0:13:32.400 --> 0:13:35.600
<v Speaker 2>moment right there now, DJ is helping the little boy

0:13:35.720 --> 0:13:36.160
<v Speaker 2>with his.

0:13:36.160 --> 0:13:37.800
<v Speaker 3>Lost tooth exactly.

0:13:38.960 --> 0:13:39.200
<v Speaker 1>I know.

0:13:39.240 --> 0:13:40.040
<v Speaker 3>Oh I'm so glad.

0:13:40.040 --> 0:13:40.240
<v Speaker 6>Okay.

0:13:40.240 --> 0:13:42.120
<v Speaker 2>I was gonna ask if your kids were big fans

0:13:42.120 --> 0:13:44.959
<v Speaker 2>of full did they watch Full House too? Or are

0:13:44.960 --> 0:13:46.920
<v Speaker 2>they just a Fuller House generation?

0:13:47.360 --> 0:13:50.040
<v Speaker 4>Fuller House generation? Okay, and I'm gonna be like, wait,

0:13:50.080 --> 0:13:50.800
<v Speaker 4>there's a prequel.

0:13:53.040 --> 0:13:57.080
<v Speaker 2>Well before Fuller House came out, I would be recognized,

0:13:57.280 --> 0:13:59.520
<v Speaker 2>but people, the kids would be like, you know what,

0:14:00.040 --> 0:14:02.360
<v Speaker 2>why do you look so old? Now? They think we're

0:14:02.400 --> 0:14:04.440
<v Speaker 2>expecting thirteen year old me, and I'm like, no, here's

0:14:04.480 --> 0:14:05.240
<v Speaker 2>forty year old me.

0:14:05.760 --> 0:14:08.040
<v Speaker 4>Yeah, Oh my gosh, that must be so wild to

0:14:08.080 --> 0:14:10.120
<v Speaker 4>grow up in front of the camera like that.

0:14:10.840 --> 0:14:11.480
<v Speaker 3>Yeah, it was.

0:14:12.160 --> 0:14:14.480
<v Speaker 2>I don't know anything different because I started acting at

0:14:14.520 --> 0:14:18.600
<v Speaker 2>age five, so it was normal for me. But yeah,

0:14:18.640 --> 0:14:21.120
<v Speaker 2>it's it's it's quite something to have all of your

0:14:21.160 --> 0:14:26.080
<v Speaker 2>awkward formative years captured forever on tape and broadcast to

0:14:26.240 --> 0:14:27.920
<v Speaker 2>millions and millions of people all.

0:14:27.800 --> 0:14:28.760
<v Speaker 3>Across the world.

0:14:29.840 --> 0:14:33.120
<v Speaker 2>You know, I'm surprised I'm not more crazy than I am.

0:14:33.400 --> 0:14:36.160
<v Speaker 4>I know, it was really Damber. You seem like you're

0:14:36.240 --> 0:14:38.920
<v Speaker 4>very grounded, and you've also had such a journey yourself,

0:14:39.120 --> 0:14:41.160
<v Speaker 4>you know, in your career and all the different things

0:14:41.160 --> 0:14:45.440
<v Speaker 4>that have informed your life and your career, which was

0:14:45.480 --> 0:14:47.400
<v Speaker 4>also so interesting to get to hang out and talk

0:14:47.440 --> 0:14:50.280
<v Speaker 4>to you all, and you know, get to know a

0:14:50.280 --> 0:14:54.200
<v Speaker 4>little bit the person behind behind the person, the person

0:14:54.240 --> 0:15:03.080
<v Speaker 4>behind that fullerhouse. Yeah. Yeah.

0:15:03.560 --> 0:15:07.120
<v Speaker 7>Jenny Garth, Jana Kramer, Amy Robock, and TJ. Holmes bring

0:15:07.200 --> 0:15:09.880
<v Speaker 7>You I Do Part two, a one of a kind

0:15:10.080 --> 0:15:13.200
<v Speaker 7>experiment in podcasting to help you find love again. If

0:15:13.200 --> 0:15:14.920
<v Speaker 7>you didn't get it right the first time, it's time

0:15:14.960 --> 0:15:17.120
<v Speaker 7>to try try again. As they guide you through this

0:15:17.200 --> 0:15:18.600
<v Speaker 7>podcast experiment in.

0:15:18.640 --> 0:15:22.000
<v Speaker 6>Dating, Hey I'm Jana Kramer. As they say, those that

0:15:22.200 --> 0:15:26.000
<v Speaker 6>cannot do teach. Actually, I think I finally got it right.

0:15:26.040 --> 0:15:29.080
<v Speaker 6>So take the failures I've had, the second or even

0:15:29.120 --> 0:15:31.320
<v Speaker 6>third whatever, maybe the fourth time around.

0:15:31.520 --> 0:15:35.200
<v Speaker 5>I'm Jenny Garth. Twenty nine years ago, Kelly Taylor said

0:15:35.240 --> 0:15:38.520
<v Speaker 5>these words, I choose me. She made her choice. She

0:15:38.720 --> 0:15:42.960
<v Speaker 5>chose herself. When it comes to love, choose you first.

0:15:43.240 --> 0:15:44.560
<v Speaker 8>Hi everyone, I'm Amy.

0:15:44.360 --> 0:15:47.040
<v Speaker 1>Robach and I'm TJ Holmes, and we are well not

0:15:47.080 --> 0:15:51.320
<v Speaker 1>necessarily relationship experts, if you're ready to dive back into

0:15:51.360 --> 0:15:55.440
<v Speaker 1>the dating pool and find lasting love. Finally, we want

0:15:55.440 --> 0:15:55.840
<v Speaker 1>to help.

0:15:55.960 --> 0:15:58.800
<v Speaker 6>Listen to I Do Part two starting September nineteenth on

0:15:58.920 --> 0:16:02.840
<v Speaker 6>the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

0:16:04.360 --> 0:16:07.440
<v Speaker 8>Hey everyone, Amy Robach here along with TJ Holmes, and

0:16:07.520 --> 0:16:10.600
<v Speaker 8>we have a very exciting announcement to make to all

0:16:10.600 --> 0:16:10.800
<v Speaker 8>of you.

0:16:11.120 --> 0:16:15.280
<v Speaker 1>We are expanding. We are now going to be coming

0:16:15.320 --> 0:16:19.520
<v Speaker 1>to you Monday through Friday for a new part of

0:16:19.560 --> 0:16:23.920
<v Speaker 1>our Amy and TJ franchise. If you will, the Morning Run.

0:16:23.920 --> 0:16:26.360
<v Speaker 1>We're going to help listeners navigate the busy news cycle

0:16:26.440 --> 0:16:29.640
<v Speaker 1>and the historic political season that the country is facing.

0:16:29.720 --> 0:16:31.640
<v Speaker 1>And we're going to do this now each and every day.

0:16:31.680 --> 0:16:33.880
<v Speaker 8>Wow, we have a news franchise now, I like the

0:16:33.880 --> 0:16:34.520
<v Speaker 8>way you put that.

0:16:34.760 --> 0:16:36.120
<v Speaker 4>We're going to be covering.

0:16:35.840 --> 0:16:37.880
<v Speaker 3>All the latest news headlines for all of you.

0:16:38.160 --> 0:16:41.280
<v Speaker 8>We'll have entertainment updates, and we'll even give some perspective

0:16:41.400 --> 0:16:43.920
<v Speaker 8>on the current events that are happening right now. And this,

0:16:44.040 --> 0:16:47.960
<v Speaker 8>by the way, is in addition to our already established

0:16:47.960 --> 0:16:50.120
<v Speaker 8>bi weekly podcasts that we hope you guys are tuning

0:16:50.160 --> 0:16:53.840
<v Speaker 8>into as well, with more in depth conversations and interviews.

0:16:53.880 --> 0:16:57.320
<v Speaker 8>So we're going to be with you Monday through Friday

0:16:57.440 --> 0:17:01.280
<v Speaker 8>with Morning Run. Listen to Morning Run on the iHeartRadio app,

0:17:01.320 --> 0:17:04.280
<v Speaker 8>Apple Podcasts, or wherever you listen to podcasts.

0:17:13.880 --> 0:17:18.879
<v Speaker 2>Talk to me about writing songs for shows. So, like,

0:17:18.920 --> 0:17:22.280
<v Speaker 2>you wrote the light song for the Hanka movie, and.

0:17:22.280 --> 0:17:24.879
<v Speaker 4>Actually did you? I wrote? I Luckily I wrote I

0:17:24.960 --> 0:17:26.680
<v Speaker 4>wrote that song and they ended up using it in

0:17:27.240 --> 0:17:31.800
<v Speaker 4>the show for the movie, and I'm really excited. Actually

0:17:32.280 --> 0:17:34.720
<v Speaker 4>we got choral arrangements made of it. So now choir

0:17:34.800 --> 0:17:37.399
<v Speaker 4>sing it both at schools, you know, they're always sliking

0:17:37.440 --> 0:17:40.640
<v Speaker 4>for a Hanka song, and then also sometimes people actually

0:17:40.680 --> 0:17:42.480
<v Speaker 4>sing it in synagogues and stuff like that. Like it's

0:17:42.520 --> 0:17:45.959
<v Speaker 4>a holiday time song. But yeah, and for Fuller House,

0:17:46.800 --> 0:17:50.879
<v Speaker 4>I also did a song that I had from my

0:17:50.920 --> 0:17:53.560
<v Speaker 4>newer record at the time. I got to sing, you know,

0:17:53.640 --> 0:17:55.440
<v Speaker 4>as you do in a pet shop and in a

0:17:55.480 --> 0:18:00.159
<v Speaker 4>vet office, you bring your guitar out, which, WHI is

0:18:00.200 --> 0:18:03.239
<v Speaker 4>also a sign of maturity because part of me is

0:18:04.840 --> 0:18:06.720
<v Speaker 4>you know, it happens to me at weddings where people

0:18:06.720 --> 0:18:08.800
<v Speaker 4>are like, oh, the band's up there playing, why don't

0:18:08.840 --> 0:18:10.919
<v Speaker 4>you get up and play with them? And I'm just like,

0:18:11.000 --> 0:18:12.840
<v Speaker 4>oh my gosh, I'm so embarrassed. I can't do that.

0:18:12.880 --> 0:18:15.439
<v Speaker 4>I'm shy. It's so weird. Why would I get up

0:18:15.440 --> 0:18:18.520
<v Speaker 4>at somebody's wedding and sing? That's so weird? And usually

0:18:18.520 --> 0:18:20.480
<v Speaker 4>the song they want me to sing is not appropriate

0:18:20.480 --> 0:18:21.320
<v Speaker 4>for a wedding.

0:18:21.359 --> 0:18:23.560
<v Speaker 3>And it's about a breakup probably, But.

0:18:23.600 --> 0:18:25.399
<v Speaker 4>You know now, I'm like, oh, yeah, of course like that.

0:18:25.480 --> 0:18:27.560
<v Speaker 4>If somebody's grandma wants you to do a thing, you

0:18:27.640 --> 0:18:30.399
<v Speaker 4>do the thing, or if you're in a veterinarian's office,

0:18:30.760 --> 0:18:32.280
<v Speaker 4>you do the thing that you're supposed to do.

0:18:33.720 --> 0:18:37.520
<v Speaker 2>So so you wrote the song that Stephanie sings in

0:18:37.600 --> 0:18:40.440
<v Speaker 2>the vet office, Yes.

0:18:39.960 --> 0:18:42.560
<v Speaker 4>I wrote that. I wrote that song. Oh no, she

0:18:42.680 --> 0:18:45.280
<v Speaker 4>wrote that song. That was song was her song.

0:18:45.080 --> 0:18:47.760
<v Speaker 3>That was her song, and it signed in on the end.

0:18:47.840 --> 0:18:50.800
<v Speaker 4>But yes, exactly, And I think I wrote my own

0:18:50.960 --> 0:18:55.439
<v Speaker 4>song for the wedding. Yeah, actually for the wedding. That

0:18:55.520 --> 0:18:59.160
<v Speaker 4>wasn't even my song either. That was a song by

0:18:59.520 --> 0:19:06.919
<v Speaker 4>Bright Eyes Bright Eyes that that my friend Gary for

0:19:07.040 --> 0:19:08.920
<v Speaker 4>his wedding. He wanted me to sing that song. It's

0:19:08.960 --> 0:19:11.080
<v Speaker 4>called First Day of My Life, and he wanted me

0:19:11.119 --> 0:19:14.040
<v Speaker 4>to sing it at his wedding to Justine, and so

0:19:14.119 --> 0:19:17.720
<v Speaker 4>I learned it and then as an anniversary present, I

0:19:17.800 --> 0:19:20.560
<v Speaker 4>recorded a simple version of it. And then I think

0:19:21.119 --> 0:19:24.200
<v Speaker 4>I feel like they knew that I had recorded that song,

0:19:24.480 --> 0:19:27.280
<v Speaker 4>so they asked me to sing it in the wedding,

0:19:27.320 --> 0:19:29.240
<v Speaker 4>which I was so nervous because I didn't know all

0:19:29.240 --> 0:19:31.280
<v Speaker 4>the words because it's not really my song. I don't

0:19:31.280 --> 0:19:33.119
<v Speaker 4>even know all the words to my own song sometimes.

0:19:33.440 --> 0:19:35.560
<v Speaker 4>And I thought, well, at least i'll have Q cards

0:19:35.600 --> 0:19:38.000
<v Speaker 4>and I'll be able to sort of see it off camera,

0:19:38.400 --> 0:19:40.919
<v Speaker 4>and they said I would, and then they're like, all right,

0:19:41.000 --> 0:19:43.840
<v Speaker 4>let's go, and there were no que cards. Yeah, and

0:19:44.440 --> 0:19:48.480
<v Speaker 4>I didn't really know my song, and I was so nervous.

0:19:48.520 --> 0:19:50.399
<v Speaker 4>In the end, they only used a snippet of it,

0:19:50.440 --> 0:19:53.080
<v Speaker 4>Thank the Lord, because I was so nervous. I was like,

0:19:53.080 --> 0:19:55.760
<v Speaker 4>oh my gosh, I knew I was going to be

0:19:56.720 --> 0:20:01.080
<v Speaker 4>cued by lyrics off camera, but there was lyrics on camera.

0:20:01.520 --> 0:20:04.280
<v Speaker 4>I was so nervous. But so I didn't write that either.

0:20:04.320 --> 0:20:07.439
<v Speaker 4>But I do write a lot of songs for shows,

0:20:07.480 --> 0:20:10.960
<v Speaker 4>Like there's an animated show called If You Give a

0:20:11.000 --> 0:20:13.399
<v Speaker 4>Mouse a Cookie, which is based on the book If

0:20:13.440 --> 0:20:16.000
<v Speaker 4>You Give a Mouse Cookie on Amazon, and my friend

0:20:16.000 --> 0:20:18.200
<v Speaker 4>and I wrote all the music that the characters sing

0:20:18.320 --> 0:20:22.439
<v Speaker 4>on that, and it's so much fun. Or movies like Twister,

0:20:22.520 --> 0:20:24.479
<v Speaker 4>the original Twister. I had a movie in that, and

0:20:24.640 --> 0:20:27.080
<v Speaker 4>rug Rats and a bunch of other movies. But it's

0:20:27.080 --> 0:20:29.479
<v Speaker 4>so fun when you write a song specifically for a

0:20:29.520 --> 0:20:33.640
<v Speaker 4>movie where you're really trying to it's like somebody else

0:20:33.680 --> 0:20:36.400
<v Speaker 4>replaces your brain. Like a lot of the a lot

0:20:36.400 --> 0:20:38.000
<v Speaker 4>of the work goes away because a lot of the

0:20:38.040 --> 0:20:40.520
<v Speaker 4>puzzle pieces and clues are given to you in advance,

0:20:40.600 --> 0:20:44.120
<v Speaker 4>Like we want a song that feels emotional, that has

0:20:45.760 --> 0:20:48.879
<v Speaker 4>you know, violins in it, and you're singing from the

0:20:48.920 --> 0:20:50.800
<v Speaker 4>point of view of the main character, and these are

0:20:50.800 --> 0:20:52.640
<v Speaker 4>some themes we want you to hit, So it's fun

0:20:52.680 --> 0:20:56.280
<v Speaker 4>to have that puzzle. Yeah, they are looking for something

0:20:56.359 --> 0:21:01.720
<v Speaker 4>specific for a scene. It makes it much more Yeah,

0:21:01.720 --> 0:21:04.920
<v Speaker 4>it's focused, and I like that structure. Structure and focus

0:21:05.080 --> 0:21:07.440
<v Speaker 4>is very good for the creative mind.

0:21:07.480 --> 0:21:10.840
<v Speaker 2>I think, is there a revision process? Like do you

0:21:10.880 --> 0:21:14.240
<v Speaker 2>have to go to the producers and the executive producers

0:21:14.240 --> 0:21:16.880
<v Speaker 2>and the hierarchy and then they say no, we want changes?

0:21:17.040 --> 0:21:20.800
<v Speaker 2>Is that the same in music as it is for yeah, exacting.

0:21:20.720 --> 0:21:24.520
<v Speaker 4>It's exactly the same, And luckily the song doesn't feel

0:21:24.560 --> 0:21:26.639
<v Speaker 4>as precious. It doesn't mean that I don't love it,

0:21:26.680 --> 0:21:28.239
<v Speaker 4>and I'm not trying to make the best song I

0:21:28.280 --> 0:21:30.760
<v Speaker 4>am trying to make, but I know that it's part

0:21:30.760 --> 0:21:33.760
<v Speaker 4>of a larger project that's not my own, and I'll

0:21:33.760 --> 0:21:36.040
<v Speaker 4>still fight for what I think is the best choice

0:21:36.400 --> 0:21:38.080
<v Speaker 4>for a melody or a lyric, or if I think

0:21:38.080 --> 0:21:39.840
<v Speaker 4>they're asking for something that I don't know if it's

0:21:39.880 --> 0:21:43.119
<v Speaker 4>a good idea. But that being said, it's a collaborative

0:21:43.119 --> 0:21:46.040
<v Speaker 4>process and I also love that especially well, especially when

0:21:46.080 --> 0:21:48.680
<v Speaker 4>I'm working with people who are I think are good

0:21:48.680 --> 0:21:51.280
<v Speaker 4>at their jobs. It's really fun to work with a

0:21:51.320 --> 0:21:57.560
<v Speaker 4>great music supervisor and people who know you know that

0:21:57.600 --> 0:22:01.879
<v Speaker 4>they want shorter phrases or more staccato or whatever it is.

0:22:02.040 --> 0:22:04.600
<v Speaker 4>It's I'm sure you've experienced the same thing that when

0:22:04.600 --> 0:22:07.000
<v Speaker 4>you're working with people who know what they want you

0:22:07.040 --> 0:22:11.119
<v Speaker 4>can you can feel more at ease and trust, trusting.

0:22:12.119 --> 0:22:14.560
<v Speaker 4>They have been situations I can't think of any specifically,

0:22:14.600 --> 0:22:17.919
<v Speaker 4>but there have definitely been a good number of situations

0:22:17.960 --> 0:22:21.600
<v Speaker 4>where you realize, like, the collaboration's not working. I don't

0:22:21.640 --> 0:22:23.640
<v Speaker 4>actually really want to wear those clothes that they want

0:22:23.680 --> 0:22:26.360
<v Speaker 4>me to wear in that photo shoot, or why did

0:22:26.359 --> 0:22:28.920
<v Speaker 4>I do this or that? Or why do they want

0:22:28.920 --> 0:22:33.760
<v Speaker 4>me to change the song? But in these situations where

0:22:33.760 --> 0:22:36.720
<v Speaker 4>you literally are writing for something, you know that's part

0:22:36.760 --> 0:22:37.160
<v Speaker 4>of the deal.

0:22:37.480 --> 0:22:39.760
<v Speaker 2>Yeah, yeah, you know, it's what you signed up for.

0:22:39.840 --> 0:22:41.920
<v Speaker 2>But in the back of my mind, I'm always like,

0:22:41.960 --> 0:22:44.000
<v Speaker 2>I wish people would just stay in their lanes. Because

0:22:44.200 --> 0:22:48.440
<v Speaker 2>you hire people based on their professional their professionals. So

0:22:48.480 --> 0:22:51.280
<v Speaker 2>whether it's hair and makeup or you know, musicians or whatever,

0:22:51.280 --> 0:22:53.520
<v Speaker 2>it's like, Okay, trust these professionals to do what they

0:22:53.560 --> 0:22:56.080
<v Speaker 2>do best. So when we get notes from you know,

0:22:56.119 --> 0:22:59.280
<v Speaker 2>the network or whatever, it's like, Okay, trust and trust

0:22:59.359 --> 0:23:02.880
<v Speaker 2>your people you've hired to make the best choices, but it's.

0:23:02.800 --> 0:23:05.040
<v Speaker 4>Hard when you didn't hire them. Like once I did

0:23:05.040 --> 0:23:07.760
<v Speaker 4>a Priceline commercial, and I hope the hair and makeup

0:23:07.760 --> 0:23:10.560
<v Speaker 4>person isn't listening and being offended by this story, because

0:23:11.000 --> 0:23:13.200
<v Speaker 4>but it was literally what happened. I was in this commercial.

0:23:13.240 --> 0:23:15.000
<v Speaker 4>It was a two day shoot. It was a big

0:23:15.040 --> 0:23:18.360
<v Speaker 4>budget commercial price line with all these different musicians, and

0:23:18.680 --> 0:23:20.639
<v Speaker 4>I liked wearing my hair very, very straight. Now in

0:23:20.680 --> 0:23:23.119
<v Speaker 4>real life, my hair is really fluffy and frizzy, but

0:23:23.200 --> 0:23:26.399
<v Speaker 4>with a great blowout and a quick flat iron, it

0:23:26.440 --> 0:23:29.760
<v Speaker 4>looks like it's smooth and straight. So the gal starts

0:23:29.760 --> 0:23:33.040
<v Speaker 4>blow drawing my hair and then she's about to start

0:23:33.040 --> 0:23:34.639
<v Speaker 4>putting a flat iron through it, but my hair is

0:23:34.680 --> 0:23:38.399
<v Speaker 4>still damp. And this is an experienced person, and I'm like,

0:23:38.440 --> 0:23:41.640
<v Speaker 4>I'm so sorry, but can you We should completely dry

0:23:41.680 --> 0:23:43.440
<v Speaker 4>my hair before we put the flat iron. And they're like,

0:23:43.480 --> 0:23:45.200
<v Speaker 4>trust me, trust me, I do this all the time.

0:23:45.760 --> 0:23:48.040
<v Speaker 4>And it's taking so long and they can't get my

0:23:48.119 --> 0:23:50.040
<v Speaker 4>hair straight and they can't get it to look like

0:23:50.080 --> 0:23:52.439
<v Speaker 4>the way I look, which is why people have their

0:23:52.480 --> 0:23:54.960
<v Speaker 4>own hair and makeup people. But that's, you know, an extravagance.

0:23:54.960 --> 0:23:57.040
<v Speaker 4>And it was the nineties, so it was like thousands

0:23:57.119 --> 0:23:59.959
<v Speaker 4>and thousands of dollars. Now, some of us can get

0:24:00.040 --> 0:24:01.760
<v Speaker 4>at like a blowout before we go to a red

0:24:01.760 --> 0:24:05.400
<v Speaker 4>carpet event and it's you know, seventy five dollars place

0:24:05.560 --> 0:24:07.439
<v Speaker 4>or three hundred dollars or one hundred and fifty at

0:24:07.480 --> 0:24:09.960
<v Speaker 4>your house. You'll learn thousands and thousands. And I wasn't

0:24:09.960 --> 0:24:12.120
<v Speaker 4>going to hire my own people. And then and then

0:24:12.200 --> 0:24:13.879
<v Speaker 4>they barely had time to put on makeup, and then

0:24:13.880 --> 0:24:15.720
<v Speaker 4>the producers and directors are like, you got to get

0:24:15.760 --> 0:24:18.560
<v Speaker 4>on stage, We got to go. I'm like I'm not ready.

0:24:18.560 --> 0:24:20.680
<v Speaker 4>They're like, you look great. I'm like, I literally don't

0:24:20.720 --> 0:24:24.560
<v Speaker 4>have mascara on, oh much less eyelashes, but I can't.

0:24:25.320 --> 0:24:26.960
<v Speaker 4>And so I became this kind of pain in the

0:24:27.000 --> 0:24:28.720
<v Speaker 4>ass the first day of the shoot. And I didn't

0:24:28.720 --> 0:24:31.760
<v Speaker 4>mean to be. I just I just, you know, needed

0:24:31.800 --> 0:24:34.520
<v Speaker 4>people to do the job that I expected. So I

0:24:34.600 --> 0:24:37.080
<v Speaker 4>personally hired my own hair person for the next day

0:24:37.480 --> 0:24:42.720
<v Speaker 4>out of pocket, and in thirty minutes, bam, stick straight hair.

0:24:43.480 --> 0:24:46.480
<v Speaker 4>It was like natural. And then we did the makeup

0:24:46.520 --> 0:24:49.199
<v Speaker 4>and we were totally ready to go. But it was like, ah,

0:24:49.280 --> 0:24:51.520
<v Speaker 4>you want to be able to you know, you do

0:24:51.600 --> 0:24:53.160
<v Speaker 4>have to keep I think you know this too from

0:24:53.240 --> 0:24:55.160
<v Speaker 4>doing this for so long. You keep an eye out

0:24:55.160 --> 0:24:58.560
<v Speaker 4>for yourself as well, and if you're comfortable or not comfortable,

0:24:58.600 --> 0:25:00.440
<v Speaker 4>or your eyebrown needs to go the other direction.

0:25:01.920 --> 0:25:04.040
<v Speaker 2>You know yourself best and you try to be your

0:25:04.119 --> 0:25:06.920
<v Speaker 2>vestable And I don't think the sometimes I don't think

0:25:06.960 --> 0:25:10.040
<v Speaker 2>the people producing the commercial or the show or whatever

0:25:10.119 --> 0:25:13.440
<v Speaker 2>quite understand what it's like having to perform when you

0:25:13.520 --> 0:25:16.399
<v Speaker 2>feel uncomfortable with what you're wearing or your hair, and

0:25:16.440 --> 0:25:19.560
<v Speaker 2>you specifically have such a distinctive style that, yeah, you

0:25:19.560 --> 0:25:22.080
<v Speaker 2>want to feel like yourself or like your character if

0:25:22.080 --> 0:25:25.760
<v Speaker 2>you're acting exactly, and if you're uncomfortable, just it's it

0:25:25.880 --> 0:25:28.600
<v Speaker 2>just throws you for a loop and it's hard mentally

0:25:28.680 --> 0:25:31.800
<v Speaker 2>to get past that. So good for you for hiring

0:25:31.840 --> 0:25:33.639
<v Speaker 2>your own people. You know, it's a bummer you had

0:25:33.680 --> 0:25:36.080
<v Speaker 2>to do it, but yeah, you learn, you learn.

0:25:35.920 --> 0:25:38.399
<v Speaker 3>As you go along the tricks that you have.

0:25:38.320 --> 0:25:40.359
<v Speaker 4>To do in your secret flat iron.

0:25:40.880 --> 0:25:43.800
<v Speaker 2>Yeah, yeah, you know yourself best, so you got to

0:25:43.960 --> 0:25:45.040
<v Speaker 2>you gotta do what you gotta do.

0:25:45.480 --> 0:25:47.520
<v Speaker 4>The people in Fuller House, though, were so great. They

0:25:47.560 --> 0:25:51.360
<v Speaker 4>hair and makeup, they're garage and my outfit, the wardrobe

0:25:51.400 --> 0:25:54.760
<v Speaker 4>they gave me for the wedding was this gorgeous dress,

0:25:55.040 --> 0:25:57.240
<v Speaker 4>and they taught me something. Now I'm remembering. They taught

0:25:57.240 --> 0:25:59.679
<v Speaker 4>me two things. One, I got these great this is

0:25:59.760 --> 0:26:06.640
<v Speaker 4>very specific naturalizer, really comfortable heels that were platform beige heels,

0:26:07.160 --> 0:26:09.200
<v Speaker 4>and they were platforms, so they were comfortable, but they

0:26:09.240 --> 0:26:11.439
<v Speaker 4>made me look, you know, super tall. And I started

0:26:11.440 --> 0:26:14.000
<v Speaker 4>buying that brand of shoes because they were so comfortable,

0:26:14.080 --> 0:26:16.320
<v Speaker 4>but they looked like lady shoes, you know. And then

0:26:16.320 --> 0:26:18.960
<v Speaker 4>also I had one of my favorite style of dresses,

0:26:18.960 --> 0:26:21.680
<v Speaker 4>which is fit and flare. It's very nineteen fifties or

0:26:21.720 --> 0:26:24.720
<v Speaker 4>sixties looking. I love that so wet, it was so cute.

0:26:24.720 --> 0:26:27.720
<v Speaker 4>But they and oh my gosh, and the actually you

0:26:27.760 --> 0:26:30.199
<v Speaker 4>know what, I brought the dress, but the people who

0:26:30.240 --> 0:26:34.600
<v Speaker 4>are the tailor, the tailor there who'd been at the network,

0:26:35.200 --> 0:26:38.320
<v Speaker 4>oh my gosh, perfectly fit the dress first of all.

0:26:38.480 --> 0:26:41.760
<v Speaker 4>But then second of all, added somebody added a belt

0:26:41.840 --> 0:26:43.240
<v Speaker 4>and I had never I don't know why I hadn't

0:26:43.240 --> 0:26:45.280
<v Speaker 4>thought of this. They added a belt and it wasn't

0:26:45.280 --> 0:26:48.080
<v Speaker 4>a fancy belt, but on camera it looked really fancy.

0:26:48.760 --> 0:26:51.200
<v Speaker 4>And now and then from then on, I started adding

0:26:51.240 --> 0:26:54.400
<v Speaker 4>that extra little belt I'm not a big accessories for Sally,

0:26:54.480 --> 0:26:56.600
<v Speaker 4>but adding that extra belt, it made my waist look

0:26:56.680 --> 0:26:59.520
<v Speaker 4>so tiny. And then I always put a little like

0:26:59.560 --> 0:27:02.119
<v Speaker 4>a what's it called underneath it, like a crinoline, like

0:27:02.160 --> 0:27:04.600
<v Speaker 4>one of those like knife and fifties that'll poof it out,

0:27:04.640 --> 0:27:06.560
<v Speaker 4>and then it makes your waist look small because you've

0:27:06.600 --> 0:27:09.679
<v Speaker 4>poofed out the rest of it. But that belt, just

0:27:09.720 --> 0:27:12.240
<v Speaker 4>like the extra little things that they did on that show.

0:27:12.359 --> 0:27:14.280
<v Speaker 4>They knew how to make everything look great.

0:27:14.720 --> 0:27:15.719
<v Speaker 3>Oh it was.

0:27:15.840 --> 0:27:18.600
<v Speaker 2>It was a gorgeous dress. I was just like, where'd

0:27:18.640 --> 0:27:21.119
<v Speaker 2>you get that dress? Because it was so beautiful.

0:27:21.320 --> 0:27:22.320
<v Speaker 3>Oh, it was just it was.

0:27:22.440 --> 0:27:24.640
<v Speaker 2>That was such a hard day because it was such

0:27:24.640 --> 0:27:26.760
<v Speaker 2>a long day. We had like four am call times.

0:27:27.400 --> 0:27:29.399
<v Speaker 2>We shot for I don't know how many hours. We

0:27:29.400 --> 0:27:32.440
<v Speaker 2>were all emotional because it was the finale of Fuller House.

0:27:32.480 --> 0:27:33.080
<v Speaker 3>It was a very.

0:27:33.000 --> 0:27:36.840
<v Speaker 4>Important episode and a wedding, weddings and a wedding.

0:27:37.160 --> 0:27:37.960
<v Speaker 3>Yeah it was.

0:27:38.080 --> 0:27:41.120
<v Speaker 2>It was very stressful and emotional. But I'm so glad

0:27:41.160 --> 0:27:43.280
<v Speaker 2>you got to be a part of it and you were.

0:27:43.240 --> 0:27:44.960
<v Speaker 4>Just yeah, it'd be a fly on the wall there,

0:27:45.040 --> 0:27:46.720
<v Speaker 4>I mean, just to be just to be able to

0:27:46.760 --> 0:27:49.520
<v Speaker 4>see what was going on. Was really special.

0:27:49.960 --> 0:27:53.919
<v Speaker 2>Yeah, And Joey McIntyre was the minister for the wedding,

0:27:53.920 --> 0:27:55.919
<v Speaker 2>and I saw you guys chatting a little bit, you know,

0:27:56.000 --> 0:27:57.879
<v Speaker 2>in between takes, and I'm like, oh, the two the

0:27:57.920 --> 0:27:59.680
<v Speaker 2>two singers are together.

0:27:59.440 --> 0:27:59.600
<v Speaker 8>You know.

0:28:00.000 --> 0:28:02.440
<v Speaker 4>Wow, I got to meet Joey. It was so cute.

0:28:02.800 --> 0:28:04.320
<v Speaker 3>That was your first time meeting him?

0:28:04.440 --> 0:28:06.160
<v Speaker 4>Yeah, I think that was my first time meeting him,

0:28:06.200 --> 0:28:07.960
<v Speaker 4>and he was so cute and it was funny. Later

0:28:08.040 --> 0:28:11.160
<v Speaker 4>I interviewed him for my Where They Are Now segment

0:28:11.320 --> 0:28:14.480
<v Speaker 4>on my radio show on Series XM. But he I

0:28:14.480 --> 0:28:16.439
<v Speaker 4>went back and started looking at his videos from when

0:28:16.480 --> 0:28:18.240
<v Speaker 4>he was little, Like I was an age where I

0:28:18.280 --> 0:28:19.960
<v Speaker 4>think I was just a little old for some of

0:28:19.960 --> 0:28:21.919
<v Speaker 4>the boy bands. No offense to anybody, but I was

0:28:21.920 --> 0:28:24.280
<v Speaker 4>like a little bit old. And before that, I was

0:28:24.280 --> 0:28:28.040
<v Speaker 4>listening to like alternative music and led Zeppelin and David

0:28:28.040 --> 0:28:31.359
<v Speaker 4>Bowie and some other stuff, so I was familiarizing myself

0:28:31.400 --> 0:28:33.280
<v Speaker 4>with their music. But he was such a cute little boy.

0:28:33.320 --> 0:28:34.520
<v Speaker 4>He was a little boy.

0:28:35.320 --> 0:28:37.560
<v Speaker 3>Oh he was. He was twelve when he started and

0:28:37.600 --> 0:28:39.160
<v Speaker 3>it was yeah.

0:28:38.960 --> 0:28:41.760
<v Speaker 2>He was he had like the baby fat on his cheeks, like.

0:28:41.720 --> 0:28:43.320
<v Speaker 4>He was just little shorts.

0:28:43.720 --> 0:28:45.640
<v Speaker 2>He hadn't even hit puberty, yet like that time he

0:28:45.640 --> 0:28:48.080
<v Speaker 2>could hit all those high notes and please don't go girls.

0:28:49.520 --> 0:28:52.520
<v Speaker 3>I was so special, so special to have both.

0:28:52.320 --> 0:28:55.040
<v Speaker 2>Of you on the finale, so I love that, and

0:28:55.080 --> 0:28:57.200
<v Speaker 2>having you on Fuller House was such a natural fit

0:28:57.640 --> 0:29:00.520
<v Speaker 2>for a lot of reasons, but none other than you

0:29:00.560 --> 0:29:04.080
<v Speaker 2>are a singer and songwriter of children's music, and you've

0:29:04.120 --> 0:29:07.080
<v Speaker 2>won a Grammy for one of your albums. What made

0:29:07.160 --> 0:29:10.480
<v Speaker 2>you want to explore music for kids?

0:29:10.840 --> 0:29:12.560
<v Speaker 4>You know, it's funny. It kind of reminds me of

0:29:12.600 --> 0:29:16.240
<v Speaker 4>Fuller House. Why Fuller House? You know, Fuller House happened

0:29:16.280 --> 0:29:19.480
<v Speaker 4>after full House. I am a really nostalgic person and

0:29:19.520 --> 0:29:21.680
<v Speaker 4>I am so connected with my childhood. When I see

0:29:21.680 --> 0:29:24.120
<v Speaker 4>your Kimmy Kibler stuff behind you, I'm like, love, I

0:29:24.120 --> 0:29:26.960
<v Speaker 4>love that you have Kimmi Gibler things, and like they're

0:29:27.000 --> 0:29:29.000
<v Speaker 4>nostalgic things, you know, and they remind you of a

0:29:29.000 --> 0:29:32.440
<v Speaker 4>certain time and place. And I started making kids music

0:29:32.480 --> 0:29:35.160
<v Speaker 4>before I had kids, before I even knew really about

0:29:35.360 --> 0:29:39.440
<v Speaker 4>kids or anything. I was just so nostalgic for the

0:29:39.440 --> 0:29:41.280
<v Speaker 4>seventies when I grew up. I mean, even on my

0:29:41.360 --> 0:29:44.080
<v Speaker 4>desk in front of me, I have my little dolls

0:29:44.200 --> 0:29:47.840
<v Speaker 4>like I've got I'm showing you now a doll thirty

0:29:47.880 --> 0:29:50.120
<v Speaker 4>one flavors basket robinstall from the seventies.

0:29:50.280 --> 0:29:51.920
<v Speaker 3>Oh wow, that's so cool.

0:29:52.040 --> 0:29:54.240
<v Speaker 4>I found the guy in my barbie case from my

0:29:54.280 --> 0:29:57.400
<v Speaker 4>old barbies that I still have. Here's the guy that

0:29:57.480 --> 0:30:00.480
<v Speaker 4>goes with the gal Oh thirty one flavors, the original

0:30:00.560 --> 0:30:03.080
<v Speaker 4>pink and brown and white colors, which it finally brought back.

0:30:04.240 --> 0:30:06.800
<v Speaker 4>But anyway, I'm a really nostalgic person, and I loved

0:30:06.880 --> 0:30:08.920
<v Speaker 4>the entertainment that I enjoyed when I was a kid.

0:30:09.320 --> 0:30:11.560
<v Speaker 4>I loved my record player. I had a little doll

0:30:11.600 --> 0:30:13.480
<v Speaker 4>that was there was a doll that you could buy

0:30:13.480 --> 0:30:17.080
<v Speaker 4>that came with records that would go around and play songs.

0:30:17.240 --> 0:30:20.040
<v Speaker 4>I loved my barbies. I loved Free to Be You

0:30:20.080 --> 0:30:24.760
<v Speaker 4>and Me this record. I loved Steve Martin and the

0:30:24.800 --> 0:30:26.960
<v Speaker 4>early Sesame Street and there was a lot of music

0:30:27.080 --> 0:30:31.600
<v Speaker 4>and storytelling and things were clever and silly and very heartfelt.

0:30:32.200 --> 0:30:35.480
<v Speaker 4>And when I was offered an opportunity to make kids music,

0:30:35.560 --> 0:30:37.960
<v Speaker 4>Barnes and Noble wanted me to make a record that

0:30:38.000 --> 0:30:40.760
<v Speaker 4>they would sell exclusively at Barnes and Noble, and they

0:30:40.800 --> 0:30:42.520
<v Speaker 4>thought of the idea of me doing a kid's record,

0:30:42.520 --> 0:30:45.040
<v Speaker 4>and it was a great idea because I kind of

0:30:45.040 --> 0:30:49.040
<v Speaker 4>wanted to just recapture my childhood and try out making

0:30:49.160 --> 0:30:51.920
<v Speaker 4>music like that. So I made a record with my

0:30:51.960 --> 0:30:53.800
<v Speaker 4>friend Liz Mitchell, who I was in a band with

0:30:53.880 --> 0:30:56.680
<v Speaker 4>in college, also at Brown University. She had made a

0:30:56.720 --> 0:30:59.960
<v Speaker 4>bunch of beautiful children's albums. Her name is Elizabeth Mitchell.

0:31:00.000 --> 0:31:02.600
<v Speaker 4>As the children's artist. We made an album called Catch

0:31:02.640 --> 0:31:06.200
<v Speaker 4>the Moon, which was a beautiful children's record. But from

0:31:06.240 --> 0:31:08.720
<v Speaker 4>there then I started making more of that nineteen seventies

0:31:08.720 --> 0:31:13.480
<v Speaker 4>feeling musician records, like the record feel What You Feel

0:31:13.480 --> 0:31:15.240
<v Speaker 4>that I got the Grammy four and it had a

0:31:15.280 --> 0:31:17.000
<v Speaker 4>lot of guests on it, kind of like feel what

0:31:17.000 --> 0:31:21.440
<v Speaker 4>you Like, kind of like Free to Be You and

0:31:21.480 --> 0:31:24.160
<v Speaker 4>Me had like Craig Robinson did a couple songs with

0:31:24.280 --> 0:31:26.840
<v Speaker 4>us and Steve no actually on a different record. Steve

0:31:26.840 --> 0:31:29.560
<v Speaker 4>Martin played on my Summer Camp Songs record, but it

0:31:29.600 --> 0:31:32.000
<v Speaker 4>was really children's music for such a long time. Really

0:31:32.000 --> 0:31:35.680
<v Speaker 4>has been a way for me to embrace my nostalgia,

0:31:35.720 --> 0:31:38.280
<v Speaker 4>to be to try out different genres of music and

0:31:38.320 --> 0:31:41.320
<v Speaker 4>different types of songs and tell different stories. I have

0:31:41.360 --> 0:31:43.440
<v Speaker 4>a little more knowledge about kids now that my kids

0:31:43.440 --> 0:31:46.840
<v Speaker 4>are twelve and fourteen, although now they really want you know,

0:31:46.880 --> 0:31:50.040
<v Speaker 4>they like the grown up music the best. But having

0:31:50.080 --> 0:31:53.400
<v Speaker 4>played a lot of children's shows and I started to

0:31:53.400 --> 0:31:56.440
<v Speaker 4>get a feel for what kids like. But it's really

0:31:56.720 --> 0:31:59.320
<v Speaker 4>a selfish way for me to think about, you know,

0:31:59.440 --> 0:32:03.240
<v Speaker 4>roller scale and rainbows and Teddy Bears in the first

0:32:03.320 --> 0:32:07.440
<v Speaker 4>day of school and go back there, and I just

0:32:08.320 --> 0:32:11.120
<v Speaker 4>I like connecting with that and making music in that world.

0:32:11.160 --> 0:32:15.120
<v Speaker 4>And like a lot of other children's artists, it's really

0:32:15.120 --> 0:32:17.720
<v Speaker 4>important to make music that just sounds like music. It

0:32:17.800 --> 0:32:21.160
<v Speaker 4>sounds like grown up music. There's no difference between grown

0:32:21.200 --> 0:32:25.680
<v Speaker 4>up in children's music. It's all done with intention and

0:32:26.400 --> 0:32:28.240
<v Speaker 4>to the best of our abilities. So a lot of

0:32:28.240 --> 0:32:30.280
<v Speaker 4>my friends who make children's music, they just make these

0:32:30.320 --> 0:32:32.920
<v Speaker 4>beautiful records that are family friendly. And they might be

0:32:32.960 --> 0:32:37.200
<v Speaker 4>silly or funny or kitchy. They may be dreamy or

0:32:37.280 --> 0:32:40.880
<v Speaker 4>you know, it can be a lot of different genres

0:32:40.880 --> 0:32:43.320
<v Speaker 4>and areas and styles of music to explore.

0:32:43.960 --> 0:32:46.760
<v Speaker 2>Yeah, well, you have such a melodic voice and such

0:32:46.800 --> 0:32:50.560
<v Speaker 2>a calming voice and presence, like it's almost asmr.

0:32:50.640 --> 0:32:52.880
<v Speaker 3>It's just very calming.

0:32:52.560 --> 0:32:55.560
<v Speaker 2>And so I can see why children are drawn to

0:32:55.720 --> 0:32:57.760
<v Speaker 2>your music because it's just so wonderful to listen to.

0:32:57.840 --> 0:33:00.600
<v Speaker 2>And then there's these messages like feel what you feel

0:33:01.160 --> 0:33:05.160
<v Speaker 2>is all about owning your feelings and respecting your feelings.

0:33:05.160 --> 0:33:07.880
<v Speaker 2>I think that's a great message to send to kids

0:33:07.880 --> 0:33:11.040
<v Speaker 2>as well. So this is a very well deserved Grammy

0:33:11.320 --> 0:33:12.320
<v Speaker 2>that you wont tell me?

0:33:12.360 --> 0:33:13.240
<v Speaker 3>What was that like?

0:33:13.240 --> 0:33:15.000
<v Speaker 2>Like, what is it like winning a Grammy? Like I

0:33:15.040 --> 0:33:17.040
<v Speaker 2>will I will never be in this position, So tell me.

0:33:17.040 --> 0:33:20.080
<v Speaker 4>I was so exciting. You know, when I was a kid,

0:33:20.160 --> 0:33:22.280
<v Speaker 4>I did watch the Grammys on TV. I remember like

0:33:22.320 --> 0:33:25.360
<v Speaker 4>the hippie those hippies like Fleetwood Mac getting up there.

0:33:25.360 --> 0:33:27.200
<v Speaker 4>I feel like people weren't wearing shoes, and they had

0:33:27.240 --> 0:33:31.000
<v Speaker 4>feathers hanging from their ears and all these great outfits,

0:33:31.040 --> 0:33:35.520
<v Speaker 4>you know, the Sonny and Share era. So I always

0:33:35.560 --> 0:33:37.479
<v Speaker 4>respected a Grammy. I thought it was really neat. As

0:33:37.480 --> 0:33:39.120
<v Speaker 4>I've gotten older and done this for a long time,

0:33:39.400 --> 0:33:41.440
<v Speaker 4>I feel like it's a cherry on top. It's it's

0:33:41.480 --> 0:33:44.280
<v Speaker 4>really nice to be recognized by my peers. I have

0:33:44.360 --> 0:33:47.480
<v Speaker 4>so many friends and family members who have not yet

0:33:47.520 --> 0:33:49.560
<v Speaker 4>won a Grammy there, but I still, you know, I

0:33:49.560 --> 0:33:51.400
<v Speaker 4>don't think of the Grammy as being like this must

0:33:51.400 --> 0:33:53.640
<v Speaker 4>be the best music ever, But I also still at

0:33:53.640 --> 0:33:56.120
<v Speaker 4>the same time really really respected and I really appreciate

0:33:56.160 --> 0:34:00.520
<v Speaker 4>the community of the folks who participate music, music, music education,

0:34:02.200 --> 0:34:05.120
<v Speaker 4>the rights for music, people who write music and perform

0:34:05.200 --> 0:34:07.880
<v Speaker 4>music to actually make a living doing that. Those are

0:34:08.000 --> 0:34:10.880
<v Speaker 4>all things that there's a lot of advocacy through the Grammy.

0:34:10.960 --> 0:34:13.400
<v Speaker 4>So it was nice to be in that community. But

0:34:13.480 --> 0:34:15.640
<v Speaker 4>it was I like really stepped it up. I had

0:34:15.680 --> 0:34:18.840
<v Speaker 4>a real good stylist who got me a really amazing dress.

0:34:19.360 --> 0:34:22.239
<v Speaker 4>It was so much structure, it could stand on its own.

0:34:22.280 --> 0:34:24.160
<v Speaker 4>It was like I had never really worn a lot

0:34:24.200 --> 0:34:26.160
<v Speaker 4>of gowns, Like even when I'd been to the Grammys before,

0:34:26.160 --> 0:34:29.120
<v Speaker 4>I wore like cool little mini dresses or I never

0:34:29.120 --> 0:34:31.799
<v Speaker 4>really got into the whole like gown thing. I never

0:34:31.920 --> 0:34:34.360
<v Speaker 4>did that. So I had like a makeup artist and

0:34:34.400 --> 0:34:36.640
<v Speaker 4>a hair stylist and a gown, and.

0:34:37.000 --> 0:34:38.600
<v Speaker 3>Oh they knocked it out of the park and.

0:34:38.719 --> 0:34:40.960
<v Speaker 4>It was really nice. And I went to all the

0:34:41.000 --> 0:34:43.680
<v Speaker 4>parties and I had a different gown for each party

0:34:43.800 --> 0:34:46.759
<v Speaker 4>for the different nights. And then winning the Grammy, I

0:34:47.640 --> 0:34:49.560
<v Speaker 4>was I was also especially dressed up because I was

0:34:49.560 --> 0:34:53.600
<v Speaker 4>one of the presenters in the non televised and the

0:34:53.600 --> 0:34:55.880
<v Speaker 4>there's a ton of Grammys that get that are given

0:34:55.880 --> 0:34:59.200
<v Speaker 4>out in a segment that's not televised, including the Children's

0:34:59.239 --> 0:35:01.520
<v Speaker 4>Music Grammy, and a lot of the classical music and

0:35:02.600 --> 0:35:04.160
<v Speaker 4>a lot of the music most of the music is

0:35:04.360 --> 0:35:08.280
<v Speaker 4>the awards are given out in the non televised parts.

0:35:08.320 --> 0:35:10.440
<v Speaker 4>But I was so dressed up because I was presenting.

0:35:10.719 --> 0:35:12.399
<v Speaker 4>But when they called my name, I was like, ah,

0:35:12.840 --> 0:35:15.640
<v Speaker 4>Like my whole body was shaking. I was, and I

0:35:15.640 --> 0:35:17.360
<v Speaker 4>did have a piece of paper because I wanted to

0:35:17.360 --> 0:35:19.319
<v Speaker 4>thank all the people because there were so many people

0:35:19.320 --> 0:35:22.760
<v Speaker 4>who collaborated on the record, and also people like babysitters

0:35:22.800 --> 0:35:25.480
<v Speaker 4>who had helped to make it possible to go work

0:35:26.120 --> 0:35:26.800
<v Speaker 4>so important.

0:35:27.239 --> 0:35:31.000
<v Speaker 2>I love that you acknowledged your sitters, that your village

0:35:31.440 --> 0:35:34.000
<v Speaker 2>that helped you take care of the kids while because

0:35:34.040 --> 0:35:36.920
<v Speaker 2>somebody's got to watch them while moms making music.

0:35:37.000 --> 0:35:39.280
<v Speaker 4>I know, And honestly it's usually the moms. No offense

0:35:39.320 --> 0:35:42.040
<v Speaker 4>to dads, but like in charge of the household and

0:35:42.080 --> 0:35:45.680
<v Speaker 4>the kids and that everything's really all we get to

0:35:45.680 --> 0:35:50.479
<v Speaker 4>fill out CEO, you know. So but it was really

0:35:50.520 --> 0:35:56.440
<v Speaker 4>exciting and it and after having won the Grammy, it

0:35:56.600 --> 0:35:59.480
<v Speaker 4>just it's a nice ex Like I said, it's a

0:35:59.560 --> 0:36:02.880
<v Speaker 4>cherry on. It's nice. It's you know, as an entertainer,

0:36:03.680 --> 0:36:05.840
<v Speaker 4>as a musician at all, there's often like, oh, what

0:36:05.880 --> 0:36:07.840
<v Speaker 4>are you working on? Oh, I'm working on a new album,

0:36:07.880 --> 0:36:10.439
<v Speaker 4>and everybody's like yeah, yeah, yeah, you know, I'm working

0:36:10.440 --> 0:36:13.800
<v Speaker 4>on this new idea, I'm writing this thing. Uh huh. Yeah.

0:36:13.840 --> 0:36:15.480
<v Speaker 4>But when you when all of a sudden, when you

0:36:15.480 --> 0:36:17.799
<v Speaker 4>put Grammy winning in front of it, people really buy

0:36:17.840 --> 0:36:19.560
<v Speaker 4>into it, you know, They're like, oh, yeah, this is

0:36:19.600 --> 0:36:22.560
<v Speaker 4>actually happening. I don't know if you've experienced that at

0:36:22.600 --> 0:36:23.360
<v Speaker 4>all with labels.

0:36:24.760 --> 0:36:26.160
<v Speaker 3>You know, I know what you mean. I know what

0:36:26.200 --> 0:36:26.400
<v Speaker 3>you mean.

0:36:26.440 --> 0:36:28.840
<v Speaker 2>It's like you're like, I haven't changed. I'm still me.

0:36:29.200 --> 0:36:32.400
<v Speaker 2>I'm writing what I love. But you just have the

0:36:32.440 --> 0:36:34.439
<v Speaker 2>public recognition, which is nice.

0:36:34.440 --> 0:36:35.440
<v Speaker 3>But you're like, I'm still me.

0:36:35.600 --> 0:36:38.200
<v Speaker 4>Yeah that's exactly, And people.

0:36:37.760 --> 0:36:38.880
<v Speaker 3>Perceive it differently.

0:36:39.160 --> 0:36:42.120
<v Speaker 2>It's an acceptance in a weird way because you don't

0:36:42.120 --> 0:36:43.799
<v Speaker 2>need an award to.

0:36:44.040 --> 0:36:45.239
<v Speaker 3>Be the best you.

0:36:45.560 --> 0:36:47.160
<v Speaker 4>But exactly, but it.

0:36:47.120 --> 0:36:49.000
<v Speaker 3>Matters to other people, I guess, is what I'm.

0:36:48.840 --> 0:36:51.120
<v Speaker 4>Trying to say. It really does, and even you know,

0:36:51.200 --> 0:36:54.000
<v Speaker 4>getting I still play a lot of concerts, both grown

0:36:54.080 --> 0:36:57.000
<v Speaker 4>up concerts and kids concerts, and I do, even as

0:36:57.000 --> 0:36:59.200
<v Speaker 4>an audience member myself. If I haven't heard of someone.

0:36:59.200 --> 0:37:02.399
<v Speaker 4>If I thought if it said Grammy winning, I'd be like, oh, well,

0:37:02.400 --> 0:37:05.160
<v Speaker 4>that might be really good, you know, like it's a

0:37:05.160 --> 0:37:08.000
<v Speaker 4>good seal of approval. But it's not. It's it's you

0:37:08.040 --> 0:37:10.799
<v Speaker 4>know again, like I, it's exactly what you said, You're

0:37:10.800 --> 0:37:11.200
<v Speaker 4>still you.

0:37:11.640 --> 0:37:22.920
<v Speaker 9>So yeah, if you watch Dancing with the Stars, I.

0:37:22.840 --> 0:37:24.919
<v Speaker 7>Can say this, and Karna will probably say the same thing.

0:37:25.040 --> 0:37:28.640
<v Speaker 3>I don't think that we had great dancing chemistry.

0:37:28.200 --> 0:37:30.520
<v Speaker 4>Then you need to be listening to sex lies and

0:37:30.600 --> 0:37:31.200
<v Speaker 4>spray tead.

0:37:31.400 --> 0:37:37.440
<v Speaker 2>My partner Ardam, he was so intense that meaning really nervous.

0:37:37.640 --> 0:37:40.480
<v Speaker 4>With Ceryl buck Ededa didn't wear a lot of clothes.

0:37:40.480 --> 0:37:41.200
<v Speaker 3>No, she was.

0:37:41.640 --> 0:37:43.839
<v Speaker 4>She did super ankles warm.

0:37:43.960 --> 0:37:46.520
<v Speaker 9>Get the behind the scenes of what goes down on

0:37:47.040 --> 0:37:48.439
<v Speaker 9>and off the dance floor.

0:37:48.800 --> 0:37:52.320
<v Speaker 8>Dancing with the Stars breaths body image issues for women.

0:37:52.560 --> 0:37:55.000
<v Speaker 3>The thinner you are, the more attention you end up

0:37:55.000 --> 0:37:55.800
<v Speaker 3>getting on that show.

0:37:56.000 --> 0:38:01.160
<v Speaker 9>Injuries my full wings, Hey Christian, suppose yeah, I saw

0:38:01.200 --> 0:38:02.160
<v Speaker 9>you're dancing with the start.

0:38:02.400 --> 0:38:04.440
<v Speaker 2>I saw what happened to your arm, and I have

0:38:04.480 --> 0:38:05.840
<v Speaker 2>the perfect guy to fix it.

0:38:06.080 --> 0:38:07.560
<v Speaker 8>Fleeing honestly got to the player.

0:38:07.600 --> 0:38:09.000
<v Speaker 7>I'm like, I'm just trying to survive again.

0:38:09.040 --> 0:38:10.680
<v Speaker 3>I'm just trying to like make it out out of

0:38:10.719 --> 0:38:11.240
<v Speaker 3>this season.

0:38:11.520 --> 0:38:14.279
<v Speaker 4>Ego, she wanted to kill me. It was real bad

0:38:14.480 --> 0:38:16.040
<v Speaker 4>insecurity on the show.

0:38:16.120 --> 0:38:18.319
<v Speaker 2>It was like everyone was talking about my weight and

0:38:18.400 --> 0:38:21.319
<v Speaker 2>it really affected my confidence so much.

0:38:21.160 --> 0:38:24.040
<v Speaker 3>For like years to come and betrayals.

0:38:24.280 --> 0:38:27.520
<v Speaker 5>Because of that one betrayal, I knew this is probably

0:38:27.600 --> 0:38:28.360
<v Speaker 5>my last season.

0:38:28.719 --> 0:38:31.560
<v Speaker 9>Listen to Sex Lies and Spray Sands with Ceryl Burke.

0:38:32.000 --> 0:38:34.400
<v Speaker 9>New episodes every Monday, Wednesday and Friday.

0:38:34.640 --> 0:38:41.520
<v Speaker 4>My name is Cheryl Burke, and I approved this message.

0:38:48.440 --> 0:38:51.000
<v Speaker 2>Are your kids impressed by your career or are they

0:38:51.040 --> 0:38:54.200
<v Speaker 2>like my kids where they're totally disinterested in anything I

0:38:54.200 --> 0:38:55.080
<v Speaker 2>do professionally?

0:38:55.120 --> 0:38:57.120
<v Speaker 4>Because Americans now, how old are they now?

0:38:57.120 --> 0:38:57.520
<v Speaker 3>They're older.

0:38:57.520 --> 0:38:59.680
<v Speaker 2>I have a twenty year old son and a seventeen

0:38:59.719 --> 0:39:03.160
<v Speaker 2>year old old daughter, and so yeah, they're just they're

0:39:03.239 --> 0:39:06.160
<v Speaker 2>the teenagers. There's like, you know, mom, you're embarrassing. What's

0:39:06.160 --> 0:39:08.200
<v Speaker 2>my curfew? Like that's all the y what's for dinner?

0:39:08.200 --> 0:39:10.520
<v Speaker 2>And what's my curfew? That's the only thing they care about.

0:39:10.719 --> 0:39:13.120
<v Speaker 4>You're the mainest mom. Why we're the only ones who

0:39:13.160 --> 0:39:16.600
<v Speaker 4>can't have this or that? Yeah, I forgot do you

0:39:16.600 --> 0:39:18.360
<v Speaker 4>live I live in Los Angeles, I'm.

0:39:18.200 --> 0:39:20.439
<v Speaker 2>In Orange County or actually no, I just moved, so yeah,

0:39:20.440 --> 0:39:23.400
<v Speaker 2>I'm in La County now closer, closer south.

0:39:23.920 --> 0:39:27.319
<v Speaker 4>I think that's part of it, is that I am

0:39:27.360 --> 0:39:30.640
<v Speaker 4>constantly using the word it's all relative, because you know,

0:39:30.719 --> 0:39:33.279
<v Speaker 4>my son was with me recently. He went on tour

0:39:33.360 --> 0:39:34.839
<v Speaker 4>with me for a little bit of the summer, which

0:39:34.880 --> 0:39:36.840
<v Speaker 4>was really fun. We got to go to Omaha, Nebraska

0:39:36.920 --> 0:39:40.160
<v Speaker 4>and like Okoboji, Iowa, and all these different places that

0:39:40.160 --> 0:39:43.360
<v Speaker 4>we haven't had an opportunity to go to, and definitely

0:39:43.400 --> 0:39:46.360
<v Speaker 4>he hasn't. And but you know, we went through TSA

0:39:46.440 --> 0:39:50.440
<v Speaker 4>at one of the airports, and this very stern, you know,

0:39:50.560 --> 0:39:54.239
<v Speaker 4>tough looking gal saw my id and looked up and

0:39:54.280 --> 0:39:56.120
<v Speaker 4>I was wearing a mask, probably took my mask down,

0:39:56.400 --> 0:39:58.479
<v Speaker 4>and she almost started crying, and she was just so

0:39:58.520 --> 0:40:00.200
<v Speaker 4>excited to meet me. She's like, oh, I'm such a

0:40:00.200 --> 0:40:02.480
<v Speaker 4>big fan. And my son kind of looked at her

0:40:02.520 --> 0:40:05.439
<v Speaker 4>and looked at me, and he had a moment of like, oh,

0:40:05.800 --> 0:40:09.200
<v Speaker 4>some people know who she is, you know, like you know,

0:40:09.239 --> 0:40:12.759
<v Speaker 4>they've seen a couple of concerts. But those moments are

0:40:12.840 --> 0:40:14.839
<v Speaker 4>very special when somebody really has a connection and they

0:40:14.840 --> 0:40:17.000
<v Speaker 4>get to see that, or when they're at a concert

0:40:17.000 --> 0:40:20.640
<v Speaker 4>and they hear people singing along. But it is very relative.

0:40:20.680 --> 0:40:23.240
<v Speaker 4>You know, we're at schools and in a community where

0:40:24.200 --> 0:40:28.360
<v Speaker 4>there's all different people in our community, writers, musicians, people

0:40:28.360 --> 0:40:32.480
<v Speaker 4>who work for the government, teachers, lawyers, mom's dads, you

0:40:32.600 --> 0:40:35.400
<v Speaker 4>name it. But there are also, yes, a lot of

0:40:35.440 --> 0:40:38.440
<v Speaker 4>actors and musicians, and some who are the most successful

0:40:38.520 --> 0:40:41.880
<v Speaker 4>musicians and the most successful actors, and they're just there.

0:40:41.960 --> 0:40:43.880
<v Speaker 4>So it's like, well, so and so is on a

0:40:43.880 --> 0:40:46.240
<v Speaker 4>private jet, or so and so is playing in that arena.

0:40:47.280 --> 0:40:51.480
<v Speaker 4>You know, you're playing in a theater for four hundred people.

0:40:52.320 --> 0:40:55.279
<v Speaker 4>So it's it's all very relative, right, you know. And

0:40:55.320 --> 0:40:58.920
<v Speaker 4>then sometimes when I think my daughter, who's fourteen and

0:40:58.960 --> 0:41:02.600
<v Speaker 4>a half, she's really I think getting a little bit

0:41:02.640 --> 0:41:08.000
<v Speaker 4>more in tune with the fact that, you know, you're

0:41:08.000 --> 0:41:09.560
<v Speaker 4>not just a singer who might have had a song

0:41:09.560 --> 0:41:12.440
<v Speaker 4>on the radio. You actually, like, I actually am writing songs,

0:41:12.800 --> 0:41:15.480
<v Speaker 4>like and there's like this whole process and this whole

0:41:15.640 --> 0:41:17.879
<v Speaker 4>dream and this whole magic of going into a room

0:41:17.880 --> 0:41:21.360
<v Speaker 4>and writing a song and ideas and the start to

0:41:21.360 --> 0:41:23.239
<v Speaker 4>finish and then all the stuff that goes around it,

0:41:23.360 --> 0:41:27.360
<v Speaker 4>like you know, making artwork for the working with the artwork,

0:41:27.560 --> 0:41:30.680
<v Speaker 4>the videos, directing the videos, getting the wardrobe together, and

0:41:30.719 --> 0:41:33.560
<v Speaker 4>it's all very hands on. It always has been. I've

0:41:33.560 --> 0:41:36.520
<v Speaker 4>got great collaborators, but it's it's a very hands on process.

0:41:36.560 --> 0:41:41.400
<v Speaker 4>So for them to see the reality of it in

0:41:41.440 --> 0:41:45.359
<v Speaker 4>a way, it gets even more appreciation. It also takes

0:41:45.400 --> 0:41:47.480
<v Speaker 4>away some of the magic, but it is also magical,

0:41:47.640 --> 0:41:51.200
<v Speaker 4>you know, like I think, and having the opportunities like

0:41:51.239 --> 0:41:53.319
<v Speaker 4>being on not to bring it back to Fuller House again,

0:41:53.440 --> 0:41:55.879
<v Speaker 4>but being able to go to Fuller House, like wow,

0:41:55.960 --> 0:42:00.360
<v Speaker 4>you have access to go do things that like you know,

0:42:00.480 --> 0:42:02.040
<v Speaker 4>I know myself, when I was a kid, I would

0:42:02.080 --> 0:42:05.000
<v Speaker 4>only dream of, like wow, to be an actor, to

0:42:05.080 --> 0:42:07.440
<v Speaker 4>be in a professional place with all these people who

0:42:07.520 --> 0:42:09.920
<v Speaker 4>know what they're doing in a successful project.

0:42:11.480 --> 0:42:11.680
<v Speaker 6>You know.

0:42:11.719 --> 0:42:13.920
<v Speaker 4>They they they're around that all the time. My husband

0:42:13.960 --> 0:42:16.120
<v Speaker 4>works in TV also, and so they've been around it

0:42:16.160 --> 0:42:20.279
<v Speaker 4>since they were kids. But for them to understand that

0:42:20.360 --> 0:42:23.759
<v Speaker 4>it's it is still exciting and special, Like I love it.

0:42:24.200 --> 0:42:26.879
<v Speaker 2>Yeah, I'm so glad that your son got to go

0:42:27.600 --> 0:42:29.480
<v Speaker 2>on tour with you, because I think it's so important

0:42:29.480 --> 0:42:32.839
<v Speaker 2>for kids to see their parents in their workplace and

0:42:32.840 --> 0:42:35.839
<v Speaker 2>what they do. And for me, that happened when you know,

0:42:36.280 --> 0:42:39.640
<v Speaker 2>when Fuller House started because I stopped acting for ten years,

0:42:39.680 --> 0:42:41.719
<v Speaker 2>so I was a child actor, took a long break,

0:42:41.840 --> 0:42:44.919
<v Speaker 2>raised my kids as toddlers, and then started Fuller House.

0:42:45.440 --> 0:42:47.600
<v Speaker 2>And that once my kids started coming to the set

0:42:47.640 --> 0:42:50.080
<v Speaker 2>with me, that's when they were like, Oh, this is

0:42:50.120 --> 0:42:52.600
<v Speaker 2>actual work, Like you don't just go play make believe

0:42:52.680 --> 0:42:53.319
<v Speaker 2>like go you know, and.

0:42:53.880 --> 0:42:57.280
<v Speaker 4>You don't just appear on TV like looking like that.

0:42:57.360 --> 0:43:00.319
<v Speaker 4>There's seven fittings for that sweatshirt, and you have to

0:43:00.360 --> 0:43:02.520
<v Speaker 4>learn your lines, and you have to get your blocking,

0:43:02.560 --> 0:43:03.239
<v Speaker 4>and there's.

0:43:03.440 --> 0:43:05.680
<v Speaker 2>Well and not just my not just my profession, but

0:43:05.840 --> 0:43:09.080
<v Speaker 2>it takes two hundred people to make a sitcom. And

0:43:09.080 --> 0:43:11.520
<v Speaker 2>so they were just blown away by just how much

0:43:11.520 --> 0:43:13.319
<v Speaker 2>work it is, not just for me, but for the

0:43:13.320 --> 0:43:16.120
<v Speaker 2>whole team that's involved in making a sitcom. So I

0:43:16.120 --> 0:43:19.200
<v Speaker 2>think that's when the respect came. Like first there was

0:43:19.600 --> 0:43:21.879
<v Speaker 2>my mom is so embarrassing, she's Kimi Giller, She's wearing

0:43:21.880 --> 0:43:24.400
<v Speaker 2>these crazy outfits. But once they came to set with me,

0:43:24.440 --> 0:43:26.360
<v Speaker 2>they were just like, wow, mom, this is really cool.

0:43:26.840 --> 0:43:29.080
<v Speaker 2>And then they became friends with the with the child

0:43:29.120 --> 0:43:31.960
<v Speaker 2>actors on set and hung out together and it was

0:43:32.040 --> 0:43:36.680
<v Speaker 2>just a very full circle moment for me. And that's

0:43:36.719 --> 0:43:38.640
<v Speaker 2>so cool, really glad that they got to be a

0:43:38.640 --> 0:43:41.800
<v Speaker 2>part of that. So I can appreciate your kids getting

0:43:41.800 --> 0:43:43.720
<v Speaker 2>to watch you do what you do best.

0:43:43.920 --> 0:43:46.120
<v Speaker 4>I think it's interesting too, though, when you're when you're

0:43:47.360 --> 0:43:50.759
<v Speaker 4>when you have a job and you're a human, like

0:43:50.800 --> 0:43:53.160
<v Speaker 4>we've gotten to be humans because we get to keep

0:43:53.200 --> 0:43:55.920
<v Speaker 4>our jobs or and you took a break and you

0:43:55.920 --> 0:43:59.240
<v Speaker 4>you know from that particular job that you're a human.

0:43:59.280 --> 0:44:03.880
<v Speaker 4>And that's that's often interesting too, that that going between

0:44:03.960 --> 0:44:06.840
<v Speaker 4>being a mom and also a human. But also sometimes

0:44:06.880 --> 0:44:09.480
<v Speaker 4>you're really in full mom mode, you know, like you're

0:44:09.520 --> 0:44:11.680
<v Speaker 4>fully like cleaning the countertop and trying to get the

0:44:11.719 --> 0:44:14.279
<v Speaker 4>kids to go to sleep on time, and wrap up

0:44:14.320 --> 0:44:17.560
<v Speaker 4>the food and get the pets fed, and you're true

0:44:17.840 --> 0:44:21.560
<v Speaker 4>in that mode. And then you know, you take your

0:44:21.640 --> 0:44:23.239
<v Speaker 4>kids to see a concert or go to a TV

0:44:23.280 --> 0:44:26.600
<v Speaker 4>show or whatever, and it's you're you're still in mom mode.

0:44:26.600 --> 0:44:29.000
<v Speaker 4>But then you're yourself, and sometimes the kids get embarrassing

0:44:29.080 --> 0:44:31.680
<v Speaker 4>you be a human. I think that can be embarrassing.

0:44:31.719 --> 0:44:34.040
<v Speaker 4>They're like, oh, Mom, don't wear that shirt.

0:44:34.920 --> 0:44:38.319
<v Speaker 2>You know it's funny what they find embarrassing And I'm like,

0:44:38.360 --> 0:44:41.640
<v Speaker 2>really like no you like you guys have no idea,

0:44:41.719 --> 0:44:43.719
<v Speaker 2>Like nobody is looking at you as carefully as you

0:44:43.800 --> 0:44:47.719
<v Speaker 2>are looking at yourself. So it's really not embarrassing my

0:44:47.800 --> 0:44:50.200
<v Speaker 2>outfits with the Kimmy Gibbler outfits, you got to own it,

0:44:50.320 --> 0:44:53.719
<v Speaker 2>you know, totally, and you don't feel embarrassed, just to be.

0:44:53.680 --> 0:44:55.040
<v Speaker 3>Like, yeah, this is me, this.

0:44:54.960 --> 0:44:57.879
<v Speaker 4>Is And also because you do that, I mean, because

0:44:57.920 --> 0:45:01.080
<v Speaker 4>of that character, it makes it more you know, it

0:45:01.120 --> 0:45:03.759
<v Speaker 4>makes it more regular for people to be themselves. And

0:45:03.760 --> 0:45:07.000
<v Speaker 4>that's just so so important. I think it's such a

0:45:07.000 --> 0:45:07.839
<v Speaker 4>big message.

0:45:08.000 --> 0:45:11.160
<v Speaker 2>Yeah, I want to ask about your eyewear line because

0:45:11.360 --> 0:45:14.960
<v Speaker 2>I'm forty eight. I just started wearing readers this year,

0:45:15.120 --> 0:45:20.120
<v Speaker 2>because that's it's unavoidable, and so talk to me about

0:45:20.400 --> 0:45:22.839
<v Speaker 2>I think I know why you started an eyewear line

0:45:22.880 --> 0:45:25.880
<v Speaker 2>because your glasses are so iconic. But what is that like,

0:45:26.480 --> 0:45:29.080
<v Speaker 2>starting the line and designing the glasses. And my next

0:45:29.160 --> 0:45:31.040
<v Speaker 2>question after this is going to be what do you

0:45:31.040 --> 0:45:32.879
<v Speaker 2>recommend for me? Because I'm headed to cost so right

0:45:32.920 --> 0:45:33.760
<v Speaker 2>after this to pick.

0:45:33.600 --> 0:45:34.560
<v Speaker 3>Out a pair of forces.

0:45:35.120 --> 0:45:36.840
<v Speaker 4>Well, first let's go backwards. First of all, when you

0:45:36.840 --> 0:45:38.480
<v Speaker 4>go to Costco. I do have my frames or at

0:45:38.480 --> 0:45:41.480
<v Speaker 4>Costco and some mom and pop stores and online. Lisa

0:45:41.520 --> 0:45:44.880
<v Speaker 4>lob By wear nice fine glasses that fit you. I

0:45:44.920 --> 0:45:46.879
<v Speaker 4>always like a lift on people. I'd have to see

0:45:46.920 --> 0:45:50.319
<v Speaker 4>you in different glasses. But since you have blonde hair,

0:45:50.400 --> 0:45:52.600
<v Speaker 4>Oh my gosh, you can wear black glasses. You can

0:45:52.640 --> 0:45:56.040
<v Speaker 4>wear dark glasses. What's also pretty? Because you've got light eyes,

0:45:56.080 --> 0:45:58.400
<v Speaker 4>you might want to find either a metal or a

0:45:59.080 --> 0:46:03.880
<v Speaker 4>tortoise that lets light through the materials themselves. Oh okay,

0:46:04.239 --> 0:46:08.239
<v Speaker 4>but still provide some structure because you're you're fair and

0:46:08.280 --> 0:46:12.239
<v Speaker 4>you've got blond hair. But the classes you're gonna look

0:46:12.280 --> 0:46:13.560
<v Speaker 4>cute on you, I would have to I would love

0:46:13.600 --> 0:46:15.080
<v Speaker 4>to go see them on you and see what you're

0:46:15.080 --> 0:46:18.520
<v Speaker 4>gonna wear. It was funny getting an eyewear line. You know,

0:46:18.560 --> 0:46:20.560
<v Speaker 4>at first, when I first started out and had some

0:46:20.600 --> 0:46:25.080
<v Speaker 4>songs on the radio, I used to people would always

0:46:25.320 --> 0:46:27.239
<v Speaker 4>I'd go on the radio and things that I thought

0:46:27.280 --> 0:46:29.840
<v Speaker 4>were like important, and I was I was a musician

0:46:29.880 --> 0:46:32.560
<v Speaker 4>and a songwriter and a guitarist. And then the first

0:46:32.600 --> 0:46:35.279
<v Speaker 4>thing people would ask me were was It wasn't usually

0:46:35.320 --> 0:46:37.840
<v Speaker 4>even a question. It was just like the glasses and

0:46:38.840 --> 0:46:41.720
<v Speaker 4>ask thank you, yeah, and I was so sort of about

0:46:41.680 --> 0:46:43.600
<v Speaker 4>my talent, I know, I was like, I was like,

0:46:43.640 --> 0:46:46.640
<v Speaker 4>why are they asking me about my glasses. That being said,

0:46:47.000 --> 0:46:49.279
<v Speaker 4>when I was growing up, I started wearing glasses. I

0:46:49.280 --> 0:46:51.520
<v Speaker 4>think in about six or seventh grade. I thought it

0:46:51.560 --> 0:46:53.520
<v Speaker 4>was eighth, but I saw some pictures of myself recently

0:46:53.520 --> 0:46:57.040
<v Speaker 4>and it might have been seventh or sixth I always

0:46:57.080 --> 0:46:59.400
<v Speaker 4>wanted glasses because my best friend had them since she

0:46:59.520 --> 0:47:01.319
<v Speaker 4>was little, so I always thought they were cool. I

0:47:01.360 --> 0:47:04.399
<v Speaker 4>never associated with them as being like a bad thing,

0:47:05.719 --> 0:47:07.640
<v Speaker 4>and then I thought they were. Being a kid of

0:47:07.680 --> 0:47:10.719
<v Speaker 4>the eighties, I would get glasses that were like alternative

0:47:10.800 --> 0:47:14.080
<v Speaker 4>and new wave and weird, and they weren't always cute

0:47:14.080 --> 0:47:16.800
<v Speaker 4>looking on me, but they were so fun to buy

0:47:16.880 --> 0:47:19.760
<v Speaker 4>and look at, and little by little I found myself

0:47:19.800 --> 0:47:22.239
<v Speaker 4>with more of a cat eye frame because it was flattering,

0:47:22.760 --> 0:47:25.839
<v Speaker 4>slightly kitchy. I try not to go to grandma too point,

0:47:26.640 --> 0:47:28.759
<v Speaker 4>but I've always loved glasses and they've been important to me,

0:47:28.800 --> 0:47:31.160
<v Speaker 4>and I'm very practical. I think it's so important to

0:47:31.160 --> 0:47:34.440
<v Speaker 4>be able to see if you need glasses wearing glasses, Like,

0:47:34.480 --> 0:47:35.799
<v Speaker 4>don't be one of these people who are like I

0:47:35.840 --> 0:47:37.839
<v Speaker 4>can't see anything because I wanted to look pretty because

0:47:37.840 --> 0:47:40.080
<v Speaker 4>I'm not worrying my glasses. But I'm at an event,

0:47:40.160 --> 0:47:44.600
<v Speaker 4>I'm like, what that doesn't you know, practicality always comes first.

0:47:44.880 --> 0:47:47.360
<v Speaker 4>So it did make sense along the way when I

0:47:47.400 --> 0:47:49.560
<v Speaker 4>finally did get an opportunity to have an eyewear line,

0:47:49.600 --> 0:47:52.319
<v Speaker 4>to do it, because at first I rejected it. I'm like,

0:47:52.600 --> 0:47:55.640
<v Speaker 4>think about my music, not my glasses. Yeah, And then

0:47:55.640 --> 0:47:57.759
<v Speaker 4>I started thinking, you know, I'm a huge fan of

0:47:57.880 --> 0:48:01.400
<v Speaker 4>Elton John and David Bowie and oh yeah, Queen and

0:48:02.120 --> 0:48:04.839
<v Speaker 4>Dolly Parton and all these people share who are known

0:48:05.000 --> 0:48:10.200
<v Speaker 4>for their looks and their signature looks, which they have

0:48:10.239 --> 0:48:12.520
<v Speaker 4>a lot of fun with, but they're also known seriously

0:48:12.560 --> 0:48:14.759
<v Speaker 4>for their music. So it's not an either or, And

0:48:14.800 --> 0:48:18.440
<v Speaker 4>so I finally came to terms with that and also realized,

0:48:19.320 --> 0:48:21.440
<v Speaker 4>just like I was saying about your character and your show,

0:48:22.080 --> 0:48:25.239
<v Speaker 4>people looked up to me. Little kids would say, you know,

0:48:25.280 --> 0:48:27.680
<v Speaker 4>moms would say, my daughter wears her glasses because you

0:48:27.719 --> 0:48:30.480
<v Speaker 4>wear your glasses on TV. Or I wear glasses and

0:48:30.480 --> 0:48:32.719
<v Speaker 4>feel comfortable in them, even though I used to feel

0:48:32.760 --> 0:48:35.120
<v Speaker 4>shy about wearing them. Now I wear them and I'm

0:48:35.160 --> 0:48:39.160
<v Speaker 4>proud to wear them. So that empowerment and the fact

0:48:39.160 --> 0:48:41.640
<v Speaker 4>that they can see, you know, I thought that would

0:48:41.640 --> 0:48:43.640
<v Speaker 4>be a great reason to have an eyewear line. And

0:48:43.719 --> 0:48:46.680
<v Speaker 4>I do have a professional designer who designs the frames,

0:48:47.000 --> 0:48:49.360
<v Speaker 4>but I do have regular meetings with them at my

0:48:49.440 --> 0:48:51.239
<v Speaker 4>kitchen table where we go through all the frames, we

0:48:51.280 --> 0:48:53.640
<v Speaker 4>go through the materials, we talk about what we like,

0:48:53.680 --> 0:48:55.960
<v Speaker 4>what we don't like, different adjustments that need to be

0:48:56.040 --> 0:48:59.440
<v Speaker 4>made to get the glasses and the frames to be

0:48:59.480 --> 0:49:01.920
<v Speaker 4>where they want to be. So I'm lucky to get

0:49:01.960 --> 0:49:04.000
<v Speaker 4>to be a collaborator in that process as well.

0:49:05.120 --> 0:49:08.600
<v Speaker 2>I just got chills, like that was such a meaningful answer,

0:49:08.840 --> 0:49:10.919
<v Speaker 2>and I didn't know what you would say. I didn't

0:49:11.239 --> 0:49:13.160
<v Speaker 2>be like, well, I just wanted more cash, so I

0:49:13.200 --> 0:49:14.080
<v Speaker 2>thought I do felt.

0:49:13.880 --> 0:49:15.319
<v Speaker 4>More cash as a mom.

0:49:15.719 --> 0:49:19.279
<v Speaker 2>But to talk about empower making, helping people feel empowered

0:49:19.680 --> 0:49:23.160
<v Speaker 2>with an accessory or what you know, whatever it is,

0:49:23.520 --> 0:49:26.480
<v Speaker 2>I think that is just a lovely, wonderful reason to

0:49:27.000 --> 0:49:27.799
<v Speaker 2>have an eyeray line.

0:49:27.880 --> 0:49:29.160
<v Speaker 3>That's that's great And I.

0:49:29.120 --> 0:49:32.160
<v Speaker 2>Can't wait to have my own pair of Lisa Lobe glasses.

0:49:32.280 --> 0:49:34.640
<v Speaker 4>Yes, I mean, it's funny when you do so many

0:49:34.640 --> 0:49:36.200
<v Speaker 4>different things, and I know both of us do a

0:49:36.239 --> 0:49:39.880
<v Speaker 4>lot of different things, and definitely making a living is important.

0:49:40.480 --> 0:49:42.680
<v Speaker 4>It makes life easier and it makes it so that

0:49:43.200 --> 0:49:44.960
<v Speaker 4>you have the freedom to do what you want. But

0:49:45.000 --> 0:49:47.120
<v Speaker 4>when I'm trying to choose what I like early on

0:49:47.719 --> 0:49:50.160
<v Speaker 4>and then in the late nineties, I really took a

0:49:50.200 --> 0:49:52.960
<v Speaker 4>minute to figure out, like why am I being a musician?

0:49:53.239 --> 0:49:55.600
<v Speaker 4>Because there was a lot of time putting on makeup

0:49:55.600 --> 0:49:58.719
<v Speaker 4>and hair and all that stuff, the vanity stuff that's

0:49:58.800 --> 0:50:02.160
<v Speaker 4>just it can be really tough ireso and clothes and whatever.

0:50:02.200 --> 0:50:03.919
<v Speaker 4>But I'm from Dallas, so I wanted to look nice

0:50:04.320 --> 0:50:09.080
<v Speaker 4>or look whatever, like something, And I real I took

0:50:09.080 --> 0:50:11.560
<v Speaker 4>a step back, and you know, even thinking about what

0:50:11.560 --> 0:50:13.080
<v Speaker 4>other jobs do I want? What do I want to

0:50:13.080 --> 0:50:14.920
<v Speaker 4>do when I grow up? Even though I already was

0:50:14.960 --> 0:50:20.160
<v Speaker 4>doing something, I realized I found the value of Yeah,

0:50:20.200 --> 0:50:24.920
<v Speaker 4>that connection with people and being able to hear what

0:50:24.960 --> 0:50:26.799
<v Speaker 4>people have to say about their own lives, being able

0:50:26.840 --> 0:50:30.240
<v Speaker 4>to communicate, hang out with other people, relate to other people.

0:50:31.719 --> 0:50:34.719
<v Speaker 4>When you start looking at the values behind the opportunities

0:50:34.719 --> 0:50:37.919
<v Speaker 4>you get or that you create for yourself, it makes

0:50:37.920 --> 0:50:39.920
<v Speaker 4>everything so much more enjoyable and it makes it so

0:50:39.960 --> 0:50:43.239
<v Speaker 4>much easier to understand what to focus on, so that

0:50:43.360 --> 0:50:45.040
<v Speaker 4>was one of the reasons that you know, it's easy.

0:50:45.320 --> 0:50:47.000
<v Speaker 4>I was like, yeah, you know what this fits right

0:50:47.040 --> 0:50:50.759
<v Speaker 4>in having an eyewear line or continuing to make music.

0:50:50.800 --> 0:50:52.520
<v Speaker 4>I get to meet people and go do things and

0:50:52.640 --> 0:50:55.239
<v Speaker 4>travel and it's really great.

0:50:55.719 --> 0:50:58.880
<v Speaker 2>Oh, you're such a great role model, and you're just

0:50:58.960 --> 0:51:01.240
<v Speaker 2>You're such a great friend and role model in person,

0:51:01.280 --> 0:51:04.359
<v Speaker 2>and I'm so glad that we got this opportunity to talk.

0:51:04.560 --> 0:51:06.200
<v Speaker 2>I have so many other questions for you, but I

0:51:06.239 --> 0:51:09.520
<v Speaker 2>have to wrap this up. Are there any upcoming projects

0:51:09.560 --> 0:51:10.600
<v Speaker 2>that you want to tell.

0:51:10.480 --> 0:51:12.280
<v Speaker 3>Us about or you want to plug?

0:51:12.600 --> 0:51:14.880
<v Speaker 4>But I will plug a brand new record I have

0:51:14.960 --> 0:51:17.560
<v Speaker 4>that came out a few weeks ago. Came out meaning digitally,

0:51:17.920 --> 0:51:20.480
<v Speaker 4>and also you can go to my Lisa Lobe official

0:51:20.600 --> 0:51:23.759
<v Speaker 4>YouTube channel and subscribe. My kids want me to have

0:51:23.920 --> 0:51:26.759
<v Speaker 4>more frewers. Subscribe, subscribe and like. But we have brand

0:51:26.800 --> 0:51:28.920
<v Speaker 4>new videos on there. It's an album called That's what

0:51:28.960 --> 0:51:31.480
<v Speaker 4>It's All About. I made it with a band called

0:51:31.480 --> 0:51:34.440
<v Speaker 4>The Hollow Trees, which is a really cute and kitchy

0:51:34.480 --> 0:51:38.360
<v Speaker 4>and authentic old timey band. We collaborated on this record

0:51:38.400 --> 0:51:40.240
<v Speaker 4>of a bunch of songs that I listened to growing

0:51:40.320 --> 0:51:43.239
<v Speaker 4>up with my parents and grandparents, like if I knew

0:51:43.239 --> 0:51:46.480
<v Speaker 4>you were coming, I to bake a cake or Marsy dotes.

0:51:46.640 --> 0:51:48.360
<v Speaker 4>There's a song called the doodle In Song which I

0:51:48.400 --> 0:51:51.600
<v Speaker 4>do a tap dance solo on which you have to

0:51:51.719 --> 0:51:56.400
<v Speaker 4>check out. It's not a very you know, super complicated,

0:51:56.440 --> 0:51:58.160
<v Speaker 4>but I do wings, which is a hard thing to do.

0:51:58.800 --> 0:52:02.040
<v Speaker 4>But anyway, that record is just out and it's family friendly.

0:52:02.840 --> 0:52:05.080
<v Speaker 4>Some might say for children, but also it's for your

0:52:05.120 --> 0:52:08.160
<v Speaker 4>grandparents and for you, and it's called That's what it's

0:52:08.160 --> 0:52:10.800
<v Speaker 4>all about. So as you know that Hokey Pokey's on

0:52:10.840 --> 0:52:11.600
<v Speaker 4>the record as well.

0:52:11.800 --> 0:52:14.960
<v Speaker 2>Oh oh, I'm going to download this on my way

0:52:14.960 --> 0:52:17.279
<v Speaker 2>to Costco to go get my Lisa Lope glasses.

0:52:17.719 --> 0:52:19.359
<v Speaker 4>Yes, definitely do listen to it.

0:52:19.480 --> 0:52:20.600
<v Speaker 3>I feel very complete.

0:52:20.680 --> 0:52:23.920
<v Speaker 2>That is so wonderful and I am so appreciative again

0:52:24.480 --> 0:52:26.799
<v Speaker 2>of your time that you've given me today. And what

0:52:26.840 --> 0:52:28.920
<v Speaker 2>an honor to be able to talk to you and

0:52:29.080 --> 0:52:32.799
<v Speaker 2>learn more about you and your wonderful career and you're

0:52:32.840 --> 0:52:35.439
<v Speaker 2>just very special to me. So thank you for doing this.

0:52:35.880 --> 0:52:40.120
<v Speaker 4>Thank you so much. I appreciate it. Good to see you, hey.

0:52:40.000 --> 0:52:41.040
<v Speaker 7>Thanks for listening.

0:52:41.120 --> 0:52:43.799
<v Speaker 4>Follow us on Instagram at Frosted Tips.

0:52:43.440 --> 0:52:47.000
<v Speaker 9>With Lance and Michael Turchinard and at Lance bas for

0:52:47.040 --> 0:52:48.320
<v Speaker 9>all your pop culture needs

0:52:48.640 --> 0:52:50.359
<v Speaker 1>And make sure to write us a review and leave

0:52:50.440 --> 0:52:53.040
<v Speaker 1>us five stars six if you can see you next time.