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Speaker 1: I Am All in again. Oh that's just you.

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Speaker 2: I Am All in Town meeting with Suzanne French and

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Speaker 2: Tara suit An iHeartRadio podcast.

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Speaker 3: Hey guys, welcome back to another episode of I'm All

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Speaker 3: in Town Meeting with myself, Tara and Suzanne.

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Speaker 4: Hello.

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Speaker 3: Hello, So we are today talking about season two, episode three,

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Speaker 3: Red Light on the Wedding Night, which aired October sixteenth,

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Speaker 3: two thousand and one. And there's something I want to

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Speaker 3: address before we get started, because you know, I feel like,

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Speaker 3: sometimes I'm so into these episodes names Susanna is as well,

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Speaker 3: and when I read the when I read the air dates,

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Speaker 3: I kind of just read them because I'm like, oh,

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Speaker 3: it aired this day. We had mentioned that season to

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Speaker 3: premiere for the first two episodes of season two, they

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Speaker 3: aired on October ninth, Yes, yeah, and they both are

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Speaker 3: on the same day, and we're like, oh, interesting, Like

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Speaker 3: you know they aired on this it was like a

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Speaker 3: double premiere night. Well, obviously we didn't take into consideration

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Speaker 3: that this is right after nine to eleven, and so

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Speaker 3: it someone mentioned that, and thank you for mentioning that. Again.

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Speaker 3: Sometimes we miss things and it happens.

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Speaker 4: Yeah, sometimes we just don't draw the connections.

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Speaker 3: Like, yeah, but you know, Susan and I were talking

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Speaker 3: right before this when I had mentioned it, and she's like,

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Speaker 3: you know, weirdly those two episodes connected and I was like,

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Speaker 3: you're right, like they did connect, so it did seem like,

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Speaker 3: you know, and us watching this back as a binge,

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Speaker 3: like I I mean, I remember nine to eleven very

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Speaker 3: well and like that day specifically. I remember I was

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Speaker 3: in elementary school, but like I don't remember like tuning

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Speaker 3: into Gilmore Girls like right out, you know what I mean,

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Speaker 3: Like I kind of watched sporadically back when it was on,

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Speaker 3: But yeah, I just wanted to address that that it

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Speaker 3: definitely I'm assuming that it was pushed a month because

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Speaker 3: of nine to eleven, so that could be.

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Speaker 4: And I didn't I mean, you were in elementary school,

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Speaker 4: you had a good excuse. I was old, grown adult,

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Speaker 4: and I just like made the connection with nine to

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Speaker 4: eleven in the date, but I just wasn't even thinking.

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Speaker 3: It's one of those things though that when you live it,

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Speaker 3: it's kind of like so in the past, do you

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Speaker 3: know what I mean? Like I don't know how to

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Speaker 3: explain it, but it's just, you know, I can't believe

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Speaker 3: Sometimes people mentioned twenty twelve, and I'm like, oh, it

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Speaker 3: was two years ago. No, that was thirteen years ago.

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Speaker 3: Like it's time flies. All these dates like blend into one.

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Speaker 3: So we apologize for not noting that last week, but

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Speaker 3: I just wanted to call that out now. All right,

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Speaker 3: but let's jump into this one red light on the

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Speaker 3: wedding Nights, which first and foremost I'd like to mention

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Speaker 3: in the opening scene, the angles of when they're taking

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Speaker 3: bites of cake did not line upperly because Rory's picking

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Speaker 3: at the cakes and on her side of the cake,

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Speaker 3: it is completely like like yeah, holes. And then when

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Speaker 3: you look at the what's her name, the woman who

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Speaker 3: work in the bakery, does you have a name? Fran friend. Yeah,

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Speaker 3: So when when it shows an angle from Fran, these

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Speaker 3: cakes have not been touched.

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Speaker 4: Yeah, it was a little Yeah, it was just from

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Speaker 4: the different angles. Whoever like set the shot up turned

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Speaker 4: the cake around so that like it didn't look like

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Speaker 4: she had taken any bites out of it, even though

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Speaker 4: she literally is talking about how good it tastes so well.

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Speaker 3: And then it's like there was one part where it's

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Speaker 3: like she's digging the spoon into the cake mid conversation,

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Speaker 3: and when it switches angles onto Bran, it's like there's

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Speaker 3: there's no touching of the cake. Likes so funny.

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Speaker 4: One other thing I did notice in this scene and

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Speaker 4: now this is this is just I think it's just

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Speaker 4: a coincidence. I really don't think this was intentional, but

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Speaker 4: Lorelei has I can't remember the context of the line,

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Speaker 4: but Loreley says something about it's not Guy Fox Day.

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Speaker 4: That is like, you know, we don't celebrate Guy Fox

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Speaker 4: Day here in the US, but they do in the UK,

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Speaker 4: and it's November fifth.

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Speaker 3: I don't even know what Guy Fox Day is.

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Speaker 4: I know that there's fireworks. I don't somebody's gonna have

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Speaker 4: to tell us in the comments because I forget the

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Speaker 4: exact meaning of the holiday.

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Speaker 3: It's on November fifth, to commemorate the failure of the

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Speaker 3: Gunpowder plot of sixteen oh five. Okay, that's what it

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Speaker 3: is already.

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Speaker 4: No, no, but she mentions in relation to the wedding.

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Speaker 4: She says something like, it's not Guy Fox Day. But

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Speaker 4: then when we get a year in the life and

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Speaker 4: we get the Luke and laurelized actual wedding, the sign

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Speaker 4: says that it's November fifth, so oh, I don't know

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Speaker 4: if they did that on purpose or not. But when

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Speaker 4: they do actually, when she does actually have a wedding, it's.

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Speaker 3: Off November fifth. Yeah, oh, I bet you Amy and

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Speaker 3: Dan not that they had planned that this early on,

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Speaker 3: but once they got to a Day in the Life

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Speaker 3: they referenced it back.

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Speaker 4: Yeah, that it could be and then but then there's

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Speaker 4: also some debate about that because we don't remember the

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Speaker 4: they in a Year in the Life. They get married

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Speaker 4: the night before the wedding, so they may have actually

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Speaker 4: been married on November November fourth, but the big thing

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Speaker 4: was planned for the fifth.

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Speaker 1: Yeah.

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Speaker 3: But I will say, like, this is a pretty big

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Speaker 3: episode where I feel like amiens It wasn't like a

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Speaker 3: throwaway filler episode. It was a pretty big you know,

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Speaker 3: like lorale I calls Christopher, which we'll get to and

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Speaker 3: you know, like this whole realization of should I marry Max?

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Speaker 3: So I'm I'm definitely sure that it was it was planned,

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Speaker 3: but I would have It's so funny because some of

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Speaker 3: the remind you of the reference I caught here was

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Speaker 3: the gay boy band thing, which I was like, hey,

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Speaker 3: I did not catch the guy Fox. It's at the

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Speaker 3: bakery right, Yes, yeah, didn't catch up. But so funny things,

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Speaker 3: things that they put in the script just go right

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Speaker 3: over my head.

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Speaker 1: Yeah, that's why.

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Speaker 4: That's why it's fun to watch it several times, because

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Speaker 4: every single time, as many times as I've seen it,

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Speaker 4: every time I watch it, I hear something new that

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Speaker 4: I didn't even notice before. Yeah, it's just they just crammed.

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Speaker 3: So much see this time around, because last time, when

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Speaker 3: you were on with us and we all did together,

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Speaker 3: you were the one pointing out like the clown pillows

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Speaker 3: and like things like that. Now I find myself playing

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Speaker 3: a game of like what's that game where you like,

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Speaker 3: like you look for like things in the back. I really,

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Speaker 3: you know, I don't watch the actors anymore. I'm looking

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Speaker 3: in the background for things.

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Speaker 4: Yeah. Yeah, It's it's almost like a Where's Waldo.

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Speaker 3: Kind of where's Waldo?

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Speaker 4: There we go, thank you, look for the tiny the tiny.

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Speaker 3: Which speaking of, I know Suzanne has a bunch of

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Speaker 3: stuff for this episode. The only other thing I noticed,

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Speaker 3: which is kind of stupid, it's the scene where Dean

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Speaker 3: and Rory are walking in the town and there was

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Speaker 3: like toilet paper in the tree. Yeah, And at first

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Speaker 3: I was like did someone get teepeed? But it's it's

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Speaker 3: like it's toilet paper or it's like a piece of

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Speaker 3: plastic and it's literally like blowing in the tree as

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Speaker 3: they're walking and I'm just sitting there like some how

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Speaker 3: didn't catch that?

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Speaker 4: You tolerate that?

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Speaker 3: Well? It was it was like two things. I'm like,

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Speaker 3: one is it supposed to be like, Oh, it's just

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Speaker 3: like natural something stuck in the tree in the town.

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Speaker 3: But then the other part of me is like, did

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Speaker 3: no one catch that on set? Like it was accidentally there?

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Speaker 4: Yeah, like maybe they realized it was in the shot

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Speaker 4: or something. That's funny. I didn't even notice, but it's.

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Speaker 3: So obvious that like the director would have had to know.

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Speaker 3: And so that's why I'm thinking, like unless it was

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Speaker 3: just like the hundredths take and it was the best one, yeah,

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Speaker 3: and they were like, well, there's gonna be a piece

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Speaker 3: of plastic or toilet paper on the tree.

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Speaker 4: It almost makes you wonder like was there some something

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Speaker 4: else there that they had to cut for time, Like

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Speaker 4: maybe there was maybe there was some you know, scene

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Speaker 4: where something happened.

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Speaker 3: I wish they would release like all the uncut Like

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Speaker 3: I know, we've seen a couple like cut out scenes,

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Speaker 3: but I wish like per episode we could see whatever.

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Speaker 4: Y yeah, and the bloopers. We need more bloopers, like

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Speaker 4: we have a couple, but.

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Speaker 3: We yeah, you know. I was watching an interview I think,

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Speaker 3: I think Chad Michael Murray was doing interview for the

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Speaker 3: new season of their show. And then there was the

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Speaker 3: reason why I came up on my YouTube is because

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Speaker 3: it was like the headline was like, oh, Chad Michael

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Speaker 3: Murray talks about like Gilmore Girl. Like it was like,

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Speaker 3: so I clicked on it and he was saying, oh, yeah,

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Speaker 3: if you watched back bloopers whatever. And then I was like,

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Speaker 3: how many bloopers are there from Gilmore Girls? And so

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Speaker 3: then I goo. I went on YouTube and I'm like,

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Speaker 3: there's like three things.

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Speaker 1: Yeah, there's not much.

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Speaker 3: Yeah, unless they got the bloopers, you know. I do

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Speaker 3: have the DVD set and I'm I'm wondering. I think

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Speaker 3: it has it like one per season, like an end

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Speaker 3: of the year thing. I'm like, wow, did no one

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Speaker 3: really like transfer this?

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Speaker 4: Yeah? I know that a lot of those DVD extras

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Speaker 4: made it onto YouTube somehow.

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Speaker 3: I wonder if Warner Brothers took them down.

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Speaker 4: Oh, maybe that could be. I have the DVDs. I'll

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Speaker 4: have to dig them out now.

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Speaker 3: I have the DVDs, don't have a DVD player anymore,

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Speaker 3: but I feel like they're pretty cheap if I wanted

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Speaker 3: to buy one these.

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Speaker 4: Yeah, I feel I can't remember. I don't know, it's

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Speaker 4: been a while since I watched the DVDs. But yeah,

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Speaker 4: I feel like if the bloopers were there, because some

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Speaker 4: of them are.

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Speaker 3: There, some of them. Yeah, but I want more.

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Speaker 4: Yeah, yeah, agreed, agreed. So we had the clown pillow

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Speaker 4: in this episode.

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Speaker 3: Where was it?

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Speaker 4: It was in the It was in the first scene

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Speaker 4: after the opening where Kirk was there and they were

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Speaker 4: talking looking at like the photography, like looking at his pictures.

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Speaker 3: Okay, yeah, yeahographer.

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Speaker 4: It was like Clear's day right behind right behind Laura

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Speaker 4: Lai in the on the by the window.

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Speaker 3: I think I was looking I was looking behind Kirk

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Speaker 3: and I was looking behind Max, and I think I

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Speaker 3: missed it.

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Speaker 4: I was like, yeah, there were there were two different

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Speaker 4: shots you could see it. One it wasn't very good view.

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Speaker 4: But then when after Kirk laughed and Max and Lorlai

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Speaker 4: were standing there and she was telling him not to go,

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Speaker 4: Like when they were standing up you could see.

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Speaker 3: Him really clearly, and oh, okay, so that was good.

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Speaker 4: You know, we kind of missed it at the end

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Speaker 4: of season one, so I'm glad that.

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Speaker 3: We got a last episode too.

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Speaker 4: Yeah. I thought this scene was funny where they were

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Speaker 4: in the kitchen and Max was cooking, putting something in

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Speaker 4: the broiler, and Laura Lai is like, it's on fire.

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Speaker 3: And also when Rory walked in, she's like it smells

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Speaker 3: and like she's like that sounds good. It's just like

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Speaker 3: weird for this hell or sounds weird and like, yeah, literally.

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Speaker 4: Not familiar with cooking at home.

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Speaker 3: I thought that now I will say for they're not

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Speaker 3: the pickiest eaters, so I give them credit like they are,

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Speaker 3: but they're not because they seem like they ate everything

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Speaker 3: Max made vegetables and all.

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Speaker 4: Yeah, yeah in the living room sitting on the floor.

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Speaker 3: Well you have to get something Gilmorey in there. By

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Speaker 3: the way, speaking of the kitchen, in a scene later on,

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Speaker 3: it's after the the bachelorette party, it's like the next

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Speaker 3: morning when Rory's like, oh, Dad called me last night.

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Speaker 3: It took me. I had to rewind because I was like,

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Speaker 3: what angle of the kitchen. Is this We've never really

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Speaker 3: seen that angle with like the shelf behind her, because

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Speaker 3: I was like, oh, well, Rory's door is to the right,

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Speaker 3: and like it left. But it was the way they

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Speaker 3: angled that shot where I was like, where is this?

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Speaker 3: So it took me a second, but I didn't realize.

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Speaker 3: I mean, I'm not surprised they had more crap in

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Speaker 3: the corner, like there's just so much crap in this house,

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Speaker 3: but I was just like, where is this shelf and

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Speaker 3: where is this corner? But it was it was funny,

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Speaker 3: like I don't know, we've we've never seen that angle,

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Speaker 3: at least up until now.

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Speaker 4: Yeah, it was an unusual angle. I noticed it too

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Speaker 4: when they were at the inn and they were all

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Speaker 4: hung over and they were it was an unusual angle

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Speaker 4: there too. Yeah, there was like a desk which I

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Speaker 4: think we made I have seen before maybe once or twice.

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Speaker 4: It was later. I can't remember where we saw it,

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Speaker 4: but it was just kind of an unusual angle. And

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Speaker 4: there's like a refrigerator and Michelle it's like a sliding

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Speaker 4: door and he gets a drink out of the fridge.

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Speaker 4: It was just like, like you said, like it's just

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Speaker 4: we hadn't really like seen that.

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Speaker 3: It's just like too it was just like two notches

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Speaker 3: to the right or two like the same scene. But

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Speaker 3: I'm just it's like you know those memes going wrong

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Speaker 3: right now where it's like I know this place like

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Speaker 3: my home, or it's like I know my way around

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Speaker 3: this place. It's like I clearly know my way around

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Speaker 3: Lorealize has a little too well if I know we're

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Speaker 3: missing an angle.

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Speaker 4: Yeah, exactly. So the scene at Luke's where they all

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Speaker 4: go to breakfast. So this one, this one I see

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Speaker 4: mentioned a lot. Did you notice the cups how they

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Speaker 4: changed color.

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Speaker 3: Mid mid scene?

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Speaker 4: They must have had to like come back a different

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Speaker 4: day and shoot, like reshoot something, because when they first

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Speaker 4: sit down, I can't remember which one is first, but

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Speaker 4: the cups are red and then they're blue. Okay, like

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Speaker 4: there's big, they're big.

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Speaker 3: Oh, but they're both red at first, then they're both.

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Speaker 4: Yeah, there's there's because I think all three of them

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Speaker 4: have coffee. I didn't. I meant to bring my iPad

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Speaker 4: so I could pull it up in front of me,

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Speaker 4: and I forgot, But I think all three of them

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Speaker 4: are having coffee, So there's they all have cups and

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Speaker 4: then when it cuts back to them later in the scene,

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Speaker 4: the cups are all a completely different color. They just

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Speaker 4: reshot at a different day and screaming or somebody wasn't no.

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Speaker 3: But you know the other thing I was thinking about,

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Speaker 3: So you haven't done the full Warner Brothers tour right,

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Speaker 3: like on a normal day, right right. So I've done

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Speaker 3: it a couple of times because I feel like if

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Speaker 3: anyone came into town, I'd be like, sure, I'll go

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Speaker 3: with you, because I'm such a nerd for like behind

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Speaker 3: the scenes, that's like there's always something new to see, Yeah,

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Speaker 3: and for anyone who has done the tour hasn't like

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Speaker 3: every time I go, there's a little bit of something different,

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Speaker 3: which is fun. So one time when I did the tour,

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Speaker 3: and I specifically remember this because it was when Pre

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Speaker 3: Little Liars was filming, and we turned the corner into props,

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Speaker 3: and the guy who played Ezra and I'm blanking on

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Speaker 3: his real name, Tom something. He played Ezra in Pre Liars.

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Speaker 3: He was literally on the corner and like waved all

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Speaker 3: of us, which was kind of fun. But then we

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Speaker 3: got to go through the props and they note when

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Speaker 3: people check out, like prop items and there were stickers,

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Speaker 3: so they were showing us they were stickers. It was

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Speaker 3: like on this desk was pre lit liars on this desk.

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Speaker 3: I'm just making this up. Gilmore Girls friends like right,

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Speaker 3: Like they have little stickers and they have to check

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Speaker 3: it out, like you're checking out like a book from

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Speaker 3: a library. So it makes me think like, was there

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Speaker 3: no book that kept track of like the red cups

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Speaker 3: were checked out for Gilmore Girls on Tuesday and when

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Speaker 3: you come back, like, I don't know. It was just

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Speaker 3: an interesting thing where like I've always thought about this

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Speaker 3: for when people mess up. I'm like, isn't there like

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Speaker 3: a roster or like did another show have the red

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Speaker 3: cups that day and the only option was blue?

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Speaker 4: Yeah? Maybe, but yeah, you think like, especially if they

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Speaker 4: had to.

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Speaker 3: Go back, yeah, come back another day, you think.

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Speaker 4: They would pay extra attention to, you know, what the

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Speaker 4: original setup was.

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Speaker 3: But then again, by season two of this show, they're

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Speaker 3: not thinking that. Twenty years later, twenty five years later,

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Speaker 3: you have people like me and you sitting here and

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Speaker 3: analyzing the cups right right in the scene, you know,

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Speaker 3: like because I didn't even notice it. I'm just talking

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Speaker 3: about it because you told me.

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Speaker 4: Yeah, I think we should we should do a field trip.

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Speaker 4: We should maybe leverage our connections and try to get

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Speaker 4: like get into that prop room because I want to

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Speaker 4: find that pillow and I want to find I want

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Speaker 4: to find that ballerina lamp.

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Speaker 3: What about the monkey lamp?

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Speaker 4: And there's also there's another prop I'm not mentioning it

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Speaker 4: yet because it's gonna come up in another episode, but

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Speaker 4: there's a that I found. It's in both Gilmore and Friends.

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Speaker 3: So oh wait, does it come up this season? Or like,

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Speaker 3: how long do I have to wait until you can't remember?

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Speaker 4: I have to I have to find it again.

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Speaker 3: You're gonna be like it was a year in the life.

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Speaker 3: You have three more years. I'm not.

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Speaker 4: I don't want to give too much away. I can

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Speaker 4: picture the scene in my head. I just can't remember

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Speaker 4: what episode it was.

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Speaker 3: But you know, I'm probably gonna google it after we

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Speaker 3: get off this call, and then I'm sure.

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Speaker 4: Something is in a season. I think I'm almost positive.

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Speaker 3: Well, there's this one lamp, by the way, There's this

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Speaker 3: one lamp that I literally had when we used to

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Speaker 3: have like an office room when I was a kid,

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Speaker 3: and my parents got it from Ikia. That office lamp

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Speaker 3: was in every show I had ever seen. It was

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Speaker 3: in real Liars. I remember because my mom and I

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00:16:56,080 --> 00:16:58,920
Speaker 3: were watching were like, hey, it's a lamp in your room,

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Speaker 3: and so I'm like, you know they're just going to

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Speaker 3: Ikea and buying some furniture.

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Speaker 4: Yeah, yeah, you.

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Speaker 3: Know, like it was like this basic like green lamp,

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Speaker 3: Like the top was green. It has like one of

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Speaker 3: those like like little like levers you pull down, turn

356
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Speaker 3: it on and off. Okay, like a gold and had

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Speaker 3: like a gold like rim. It's the most basic like

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Speaker 3: office lamp. And everyone had it and I'm like, oh,

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00:17:21,720 --> 00:17:22,760
Speaker 3: it's my Ikea lamp.

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Speaker 4: That's funny. Yeah, there's there's an episode where Lorlai uh

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Speaker 4: picks up a clock and looks at it, and I

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Speaker 4: have the same.

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00:17:29,720 --> 00:17:31,439
Speaker 3: Clock probably Ikiara Target.

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Speaker 1: It's not.

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Speaker 4: It wasn't for my Kia, but yeah, it's funny. Just

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Speaker 4: how you know, stuff gets popular at the time and

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Speaker 4: then yeah, buy it. Okay, so let's see what else

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Speaker 4: do we have. Okay, what did you think about the

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Speaker 4: scene with where Max was on the porch with Rory

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Speaker 4: and Dean and he's like it's after eleven and then

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Speaker 4: he had kind of the argument with Laureli.

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Speaker 3: Yeah, so I guess let's talk about this all as

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Speaker 3: a whole. I think he has a point. However, I

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Speaker 3: think he has a point about wanting to be in

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Speaker 3: Rory's life because at the end of the day, they're

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Speaker 3: going to be a family. However, I think the approach

377
00:18:20,280 --> 00:18:25,639
Speaker 3: was terrible, and I think laurel I's response was terrible. Yeah, so,

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00:18:26,320 --> 00:18:29,440
Speaker 3: like I think, big picture thinking about it, I'm like, yeah,

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Speaker 3: like I think he does if he's going to be

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Speaker 3: her stepdad, not that he needs to like discipline her,

381
00:18:34,760 --> 00:18:37,960
Speaker 3: but like he does need to be involved in some way.

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Speaker 3: And like I kind of didn't like how Lorlai was like, well,

383
00:18:39,920 --> 00:18:41,679
Speaker 3: she's grown, you didn't need to do anything, And it's like, well,

384
00:18:41,680 --> 00:18:44,080
Speaker 3: that's not the point. Like she's still in high school,

385
00:18:44,840 --> 00:18:47,280
Speaker 3: and you know, if she gets in trouble, what is

386
00:18:47,320 --> 00:18:49,480
Speaker 3: Max supposed to say, Like, oh, well, I'm not gonna

387
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Speaker 3: help you because your mom told me that you're grown.

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00:18:51,640 --> 00:18:54,520
Speaker 3: I'm not responsible for you. So I think it just

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Speaker 3: shows Laureli's immaturity. But then I also think, like Max

390
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Speaker 3: Kiman hot.

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Speaker 4: Yeah, yeah, I can definitely see both sides on that.

392
00:19:03,160 --> 00:19:08,040
Speaker 4: I don't think I mean, clearly we see that Lorla

393
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Speaker 4: is avoiding thinking about the future, like she's she's bearded

394
00:19:13,040 --> 00:19:16,040
Speaker 4: out that there's a man in her bedroom. She's just

395
00:19:16,119 --> 00:19:19,760
Speaker 4: she's weirded out by the whole thing. And so when

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00:19:19,800 --> 00:19:23,200
Speaker 4: she tells Max that, like, oh no, I haven't thought

397
00:19:23,200 --> 00:19:26,760
Speaker 4: about our future, like, I can totally see hurt by that,

398
00:19:26,920 --> 00:19:28,760
Speaker 4: like absolutely.

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Speaker 3: And this is days before their wedding.

400
00:19:30,480 --> 00:19:35,199
Speaker 4: Right, so I totally get why he was upset. But

401
00:19:35,240 --> 00:19:36,879
Speaker 4: at the same time, I did kind of see her

402
00:19:36,920 --> 00:19:40,159
Speaker 4: point that you know, you know, Rory's not going to

403
00:19:40,280 --> 00:19:43,920
Speaker 4: come home drunk one day, that's just not who Rory is.

404
00:19:44,080 --> 00:19:46,760
Speaker 3: Well, but I do have to argue with that because

405
00:19:46,960 --> 00:19:50,080
Speaker 3: things change in college. Like I know people who were

406
00:19:51,200 --> 00:19:53,400
Speaker 3: goodie two shoes in high school and then college came

407
00:19:53,440 --> 00:19:55,320
Speaker 3: around and it was like who is that person? So

408
00:19:55,400 --> 00:19:59,320
Speaker 3: I actually personally don't agree with that, but like, I

409
00:19:59,359 --> 00:20:03,840
Speaker 3: get what you're saying is like, usually you don't see

410
00:20:03,840 --> 00:20:05,960
Speaker 3: that personality in Rory, So you're like, well, I'm not

411
00:20:06,000 --> 00:20:07,600
Speaker 3: gonna I'm not gonna worry about that right now.

412
00:20:08,040 --> 00:20:11,000
Speaker 4: Yeah, And I mean, yeah, people do definitely change, and

413
00:20:11,040 --> 00:20:13,600
Speaker 4: there's a difference between high school to college. But this

414
00:20:13,640 --> 00:20:15,800
Speaker 4: is only like the first day of her junior year,

415
00:20:15,880 --> 00:20:19,120
Speaker 4: so she's not even you know, she's still just this

416
00:20:19,760 --> 00:20:23,200
Speaker 4: goody two shoes high school kid. So I did kind

417
00:20:23,240 --> 00:20:24,960
Speaker 4: of see lorealized point.

418
00:20:24,760 --> 00:20:27,000
Speaker 3: That, you know, yeah, she has a boyfriend. They like

419
00:20:27,080 --> 00:20:27,960
Speaker 3: the boyfriend be.

420
00:20:28,200 --> 00:20:33,160
Speaker 4: Max's responsibility to provide any discipline. It would be something

421
00:20:33,520 --> 00:20:35,880
Speaker 4: that like he and Lorelai would discuss.

422
00:20:36,160 --> 00:20:38,199
Speaker 3: Well, that's the thing. It should be a discussion, like

423
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Speaker 3: the fact that he's like, why I should discipline her?

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Speaker 3: However he worded it, I was just like whoa whoah,

425
00:20:43,040 --> 00:20:43,800
Speaker 3: Like let's.

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Speaker 4: Yeah, he's like, what am I what do I do?

427
00:20:45,840 --> 00:20:47,240
Speaker 4: And she's like, you do nothing?

428
00:20:47,480 --> 00:20:51,879
Speaker 3: That part, yes, that part I you do nothing should

429
00:20:51,880 --> 00:20:55,240
Speaker 3: have been followed by you do nothing, you come back

430
00:20:55,280 --> 00:20:57,400
Speaker 3: to me, we have a talk together. Then we talked

431
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Speaker 3: to her together.

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Speaker 4: Right, exactly exactly.

433
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Speaker 3: I also, I'm glad. I also was thinking, like take

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00:21:03,040 --> 00:21:04,920
Speaker 3: Christopher out of it, But you would also be like, well,

435
00:21:04,920 --> 00:21:07,160
Speaker 3: her dad would also need to be involved in the conversation.

436
00:21:07,280 --> 00:21:10,720
Speaker 3: But with the Christopher, we know he's not involved, so

437
00:21:10,800 --> 00:21:13,159
Speaker 3: really would just be Laura I right, But if it

438
00:21:13,200 --> 00:21:16,280
Speaker 3: was a marriage or sorry, if it was a divorce,

439
00:21:16,359 --> 00:21:20,040
Speaker 3: that both parties were fully involved one hundred percent of

440
00:21:20,080 --> 00:21:22,240
Speaker 3: the time, it would be a conversation between the three of.

441
00:21:22,200 --> 00:21:24,040
Speaker 4: Them, right right for sure?

442
00:21:24,160 --> 00:21:27,080
Speaker 3: Which, now, can we jump over to Christopher while we're here?

443
00:21:27,240 --> 00:21:30,040
Speaker 1: Yes, I literally.

444
00:21:29,760 --> 00:21:32,200
Speaker 3: You know it's funny because I'm like this. By the way,

445
00:21:32,240 --> 00:21:34,320
Speaker 3: this episode came up a lot quicker in this season

446
00:21:34,320 --> 00:21:37,719
Speaker 3: than I expected. I was like, wow, episode three, we're already,

447
00:21:37,840 --> 00:21:40,840
Speaker 3: We're already here. The second they were in line for

448
00:21:40,880 --> 00:21:42,359
Speaker 3: that club, I was like, oh, this is when she

449
00:21:42,400 --> 00:21:46,119
Speaker 3: calls Christopher when I knew it was coming. And also

450
00:21:46,280 --> 00:21:49,840
Speaker 3: like it was the first time where I was like,

451
00:21:50,119 --> 00:21:53,320
Speaker 3: I'm really proud of Emily. Yeah, it was like Emily

452
00:21:53,480 --> 00:21:55,479
Speaker 3: was I mean, she was definitely Emily saying like, oh

453
00:21:55,480 --> 00:21:58,960
Speaker 3: you're late, blah blah. But she came, she had a cocktail.

454
00:21:59,119 --> 00:21:59,880
Speaker 4: Nice for her to come.

455
00:22:00,160 --> 00:22:01,080
Speaker 1: I thought it was cute.

456
00:22:01,480 --> 00:22:03,200
Speaker 3: Yeah, and there was Actually it was kind of nice

457
00:22:03,240 --> 00:22:06,520
Speaker 3: that there was no arguing between the two of them. Yes, yes,

458
00:22:06,920 --> 00:22:09,320
Speaker 3: And I thought the story with Richard was very like,

459
00:22:09,520 --> 00:22:12,399
Speaker 3: you know, very sweet, like's how he met but like

460
00:22:12,960 --> 00:22:17,080
Speaker 3: LORELEI like, you really were thinking of Christopher when Rory's

461
00:22:17,080 --> 00:22:21,720
Speaker 3: texting Dean and yeah, miss Patty's texting her eighth husband

462
00:22:21,800 --> 00:22:23,320
Speaker 3: or no, she does wasn't texting. It was Suki. He

463
00:22:23,359 --> 00:22:27,439
Speaker 3: was texting Jackson. Where did Christopher come from? Like, I

464
00:22:27,520 --> 00:22:30,160
Speaker 3: understand the storyline needed to be like jumbled up a bit,

465
00:22:30,240 --> 00:22:33,520
Speaker 3: but it was like, what, Yeah, here at your bachelorette

466
00:22:34,680 --> 00:22:39,560
Speaker 3: to Mary the wedding. You're going to Mary, Max and

467
00:22:39,600 --> 00:22:40,920
Speaker 3: you call Rory's dad.

468
00:22:42,119 --> 00:22:45,480
Speaker 4: Yeah. I My husband was watching you with me last

469
00:22:45,560 --> 00:22:47,120
Speaker 4: night and he said the same thing. He's like, why

470
00:22:47,200 --> 00:22:48,640
Speaker 4: is she calling Chris?

471
00:22:48,880 --> 00:22:50,280
Speaker 3: It was just so left field.

472
00:22:50,720 --> 00:22:53,800
Speaker 4: Yeah. The only thing I can think of is really

473
00:22:53,840 --> 00:22:58,320
Speaker 4: that they were just trying to show how she is.

474
00:22:59,040 --> 00:23:02,359
Speaker 4: She's having second thoughts, like deep down, she's feeling like

475
00:23:02,520 --> 00:23:06,080
Speaker 4: this isn't quite right. And I feel like she almost

476
00:23:06,160 --> 00:23:08,439
Speaker 4: called Christopher because she asked him. She's like, you can

477
00:23:08,480 --> 00:23:11,280
Speaker 4: picture me married, right, Like she's looking for some kind

478
00:23:11,320 --> 00:23:16,320
Speaker 4: of external reassurance that this is the right thing. I

479
00:23:16,920 --> 00:23:19,199
Speaker 4: don't know why she thought Christopher would provide that.

480
00:23:19,520 --> 00:23:23,440
Speaker 3: Also the fact that Christopher didn't even know Max, like, yeah,

481
00:23:23,480 --> 00:23:26,679
Speaker 3: he didn't know anything. Oh you're engaged. When did that happen?

482
00:23:26,760 --> 00:23:29,280
Speaker 3: And then but you know, we did need that part

483
00:23:29,320 --> 00:23:31,439
Speaker 3: for her to be like, oh, well we were dating

484
00:23:31,480 --> 00:23:33,119
Speaker 3: and then we broke up. Then we got back together

485
00:23:33,119 --> 00:23:34,800
Speaker 3: and suddenly we were engaged, and it was like when

486
00:23:34,800 --> 00:23:37,920
Speaker 3: you put in that timeline, you're like, yeah, she really

487
00:23:38,000 --> 00:23:40,280
Speaker 3: needed she needed that moment to say it out loud,

488
00:23:40,280 --> 00:23:44,719
Speaker 3: to actually realize, right, you jumped into this very quickly.

489
00:23:45,240 --> 00:23:46,600
Speaker 4: Yeah.

490
00:23:46,800 --> 00:23:48,959
Speaker 3: And it's still summer, by the way, like right, like

491
00:23:49,000 --> 00:23:50,040
Speaker 3: summer is about to end.

492
00:23:50,200 --> 00:23:53,000
Speaker 4: It's it's ending. Because that scene we were just talking

493
00:23:53,040 --> 00:23:56,720
Speaker 4: about in the kitchen with the weird angle, Rory says

494
00:23:56,760 --> 00:23:58,640
Speaker 4: something about it being the first day of school.

495
00:23:59,160 --> 00:24:00,840
Speaker 3: Well, no, it was about to be the first day

496
00:24:00,840 --> 00:24:03,520
Speaker 3: of school, right, She's not missing the first day of

497
00:24:03,560 --> 00:24:05,119
Speaker 3: school to go on this road trip with Laura La.

498
00:24:05,160 --> 00:24:08,160
Speaker 3: It's like a couple of days away. Oh maybe maybe, yeah,

499
00:24:08,480 --> 00:24:11,360
Speaker 3: I think it's about to be the first day of school. Yeah, yeah,

500
00:24:11,720 --> 00:24:13,520
Speaker 3: because yeah, because then she was like okay, well where

501
00:24:13,520 --> 00:24:17,200
Speaker 3: are we going and how long? And yeah, which isn't

502
00:24:17,240 --> 00:24:22,040
Speaker 3: that Sorry I'm jumping around, But the scene at the

503
00:24:22,119 --> 00:24:24,439
Speaker 3: traffic light when they're looking isn't that from one of

504
00:24:24,480 --> 00:24:29,920
Speaker 3: the show opens. Oh I think you're right, Yeah it was.

505
00:24:30,160 --> 00:24:34,359
Speaker 3: It was Rory's head tilt that got me. Maybe not now,

506
00:24:34,400 --> 00:24:35,720
Speaker 3: maybe like seasons down from.

507
00:24:35,800 --> 00:24:38,720
Speaker 4: Yeah, maybe later because I think the season one one

508
00:24:38,800 --> 00:24:40,600
Speaker 4: was from when they pulled up to Chilton.

509
00:24:41,000 --> 00:24:42,840
Speaker 3: Oh, but it was kind of the same if you

510
00:24:42,880 --> 00:24:44,320
Speaker 3: think about it was kind of like the same.

511
00:24:44,600 --> 00:24:46,560
Speaker 4: Yeah, it's kind of a repeat because they both were

512
00:24:46,640 --> 00:24:47,840
Speaker 4: leaning like out.

513
00:24:47,640 --> 00:24:52,360
Speaker 3: There, which, wait, maybe this is this is a stretch,

514
00:24:52,560 --> 00:24:55,840
Speaker 3: but hear me out, could that be like a like

515
00:24:56,080 --> 00:24:58,960
Speaker 3: sign of like that moment when she was looking out

516
00:24:58,960 --> 00:25:01,199
Speaker 3: and looking at Chilton kind of like her future and

517
00:25:01,240 --> 00:25:03,080
Speaker 3: then now it's kind of like the future of Loralai.

518
00:25:03,960 --> 00:25:06,680
Speaker 3: Oh maybe I don't know, this is a real stretch,

519
00:25:06,800 --> 00:25:12,120
Speaker 3: but trying to because it really was like the same way,

520
00:25:12,200 --> 00:25:16,040
Speaker 3: like the same. It was the same angle for sure. Yeah,

521
00:25:16,080 --> 00:25:19,120
Speaker 3: and then the way that Rory like tilts her head,

522
00:25:19,160 --> 00:25:20,000
Speaker 3: it was kind of the same.

523
00:25:20,520 --> 00:25:24,439
Speaker 4: Yeah, yeah, it could be who knows. Going back the

524
00:25:24,480 --> 00:25:27,280
Speaker 4: scene before they go to the club where they're standing

525
00:25:27,320 --> 00:25:31,280
Speaker 4: outside Luke's and the whole town is there and they're

526
00:25:31,320 --> 00:25:34,359
Speaker 4: doing the whole stoplight thing with the little lady crossing

527
00:25:34,400 --> 00:25:40,520
Speaker 4: the street. This is another one that I always laugh

528
00:25:40,560 --> 00:25:43,640
Speaker 4: when I see this. When they show when the camera

529
00:25:43,800 --> 00:25:47,680
Speaker 4: is facing Lauren, it's about I don't know, maybe halfway

530
00:25:47,720 --> 00:25:50,359
Speaker 4: into the scene. It's pretty far into the scene.

531
00:25:50,680 --> 00:25:51,920
Speaker 1: There are there are.

532
00:25:51,920 --> 00:25:56,040
Speaker 4: Shots where you can see the sound guy in the shot.

533
00:25:56,119 --> 00:25:59,439
Speaker 4: He's like kneeling on the ground in the crowd. Yeah,

534
00:25:59,680 --> 00:26:04,320
Speaker 4: Like they show Lauren and then to her to our right,

535
00:26:04,440 --> 00:26:07,560
Speaker 4: Lauren's left. Okay, there's a guy kneeling on the ground

536
00:26:07,600 --> 00:26:09,960
Speaker 4: that he's got like the headphones on, and you can

537
00:26:10,000 --> 00:26:12,560
Speaker 4: tell that he's like the sound guy.

538
00:26:12,800 --> 00:26:14,080
Speaker 3: Poor guy, he was just trying to hide.

539
00:26:14,520 --> 00:26:18,280
Speaker 4: I know, So how did nobody notice that he was

540
00:26:18,320 --> 00:26:18,840
Speaker 4: in the shot?

541
00:26:19,240 --> 00:26:21,879
Speaker 3: Honestly, if if I were that guy, that would be

542
00:26:21,920 --> 00:26:25,720
Speaker 3: like my profile picture on Instagram, Like it would be

543
00:26:25,800 --> 00:26:27,840
Speaker 3: like in my description, like I was the guy I

544
00:26:27,920 --> 00:26:32,160
Speaker 3: kneeled down Season two, episode three of Gilmore Girls. Honestly,

545
00:26:32,160 --> 00:26:35,639
Speaker 3: it's kind of iconic. Yeah, And why I did you

546
00:26:35,680 --> 00:26:37,439
Speaker 3: feel bad? Because most of the time those people, like

547
00:26:37,440 --> 00:26:39,440
Speaker 3: I've seen people with like the boom mics, like moving

548
00:26:39,560 --> 00:26:41,800
Speaker 3: of other shows and stuff. I'm like, man, they're just

549
00:26:41,840 --> 00:26:43,920
Speaker 3: trying to do their job and they actually get caught

550
00:26:43,960 --> 00:26:44,720
Speaker 3: into this frame.

551
00:26:45,280 --> 00:26:45,639
Speaker 4: Yeah.

552
00:26:45,760 --> 00:26:49,760
Speaker 3: Yeah, it's also not really their fault because they're not

553
00:26:49,840 --> 00:26:55,199
Speaker 3: the one looking at the right the playback monitor, so

554
00:26:55,280 --> 00:26:56,760
Speaker 3: it's someone else who has to tell them, but no

555
00:26:56,800 --> 00:26:58,440
Speaker 3: one did so yeah.

556
00:26:58,240 --> 00:27:00,560
Speaker 4: Exactly, Like I don't know how they didn't. How could

557
00:27:00,560 --> 00:27:02,400
Speaker 4: they have been looking at the monitor and not see

558
00:27:02,440 --> 00:27:05,000
Speaker 4: the guy, like, because he's you could see like in

559
00:27:05,080 --> 00:27:07,760
Speaker 4: plain video. It's not even like part of him, it's

560
00:27:07,800 --> 00:27:09,720
Speaker 4: like his the whole side of his face.

561
00:27:10,320 --> 00:27:13,119
Speaker 3: I mean, as someone who didn't recognize it, I guess

562
00:27:13,760 --> 00:27:17,160
Speaker 3: the people on set. But it's probably like a long

563
00:27:17,240 --> 00:27:19,880
Speaker 3: day of shooting. Oh and again, also, it could come

564
00:27:19,880 --> 00:27:23,120
Speaker 3: back to that was the best scene and unfortunately he

565
00:27:23,200 --> 00:27:24,840
Speaker 3: was in it, and they were like, well, we're gonna

566
00:27:24,840 --> 00:27:25,600
Speaker 3: go with this, with this.

567
00:27:25,960 --> 00:27:28,720
Speaker 4: Yeah, they're like, probably no one in the lotus. It's fine.

568
00:27:28,840 --> 00:27:30,919
Speaker 3: Again twenty five years later, they never thought you and

569
00:27:30,920 --> 00:27:32,960
Speaker 3: I'd be sitting here talking about this poor man. I

570
00:27:32,960 --> 00:27:33,680
Speaker 3: wonder where he is.

571
00:27:33,800 --> 00:27:34,480
Speaker 4: We were coming.

572
00:27:34,800 --> 00:27:37,960
Speaker 3: Yeah, we should look up. This is a stretch again,

573
00:27:38,160 --> 00:27:41,040
Speaker 3: we should look up like the Sorry, was he a

574
00:27:41,040 --> 00:27:41,560
Speaker 3: sound guy?

575
00:27:42,040 --> 00:27:42,560
Speaker 4: I think so?

576
00:27:42,840 --> 00:27:43,399
Speaker 1: Yeah.

577
00:27:43,440 --> 00:27:47,320
Speaker 3: On IMDb, sound people are always listed. Oh yeah, I

578
00:27:47,359 --> 00:27:49,760
Speaker 3: wonder if I can find him, just because I want

579
00:27:49,760 --> 00:27:53,720
Speaker 3: to know what else he's working or Scott might know. True,

580
00:27:53,800 --> 00:27:56,040
Speaker 3: we do have a source and he was in the scene.

581
00:27:56,119 --> 00:27:57,879
Speaker 3: Scott's like, oh that's Bob, you know.

582
00:27:58,240 --> 00:27:59,840
Speaker 4: Yeah.

583
00:28:00,040 --> 00:28:04,040
Speaker 3: Scott's like I talked to them all the time, but no,

584
00:28:04,160 --> 00:28:07,680
Speaker 3: like it's always I always wonder, like what other show.

585
00:28:07,720 --> 00:28:09,159
Speaker 3: That's the thing is, like I'm such a nerd for

586
00:28:09,200 --> 00:28:10,679
Speaker 3: these things. I'm always like, what other show did you

587
00:28:10,680 --> 00:28:12,199
Speaker 3: work on? Because a lot of times these people have

588
00:28:12,200 --> 00:28:15,840
Speaker 3: worked on like hundreds of sets, oh with like the

589
00:28:15,920 --> 00:28:19,240
Speaker 3: coolest actors, and like you'll probably find out they worked

590
00:28:19,280 --> 00:28:22,800
Speaker 3: on some crazy movie like that is a classic, now,

591
00:28:22,880 --> 00:28:23,120
Speaker 3: you know.

592
00:28:23,240 --> 00:28:24,359
Speaker 1: Right right? Yeah.

593
00:28:24,440 --> 00:28:26,800
Speaker 4: I think I can't remember if I've mentioned it on

594
00:28:26,840 --> 00:28:30,399
Speaker 4: the podcast before or not, but my grandmother worked for

595
00:28:30,440 --> 00:28:34,720
Speaker 4: Warner Brothers back in the thirties and she did hair

596
00:28:34,760 --> 00:28:38,600
Speaker 4: and makeup, and so she knew everybody. And so those

597
00:28:38,840 --> 00:28:41,800
Speaker 4: those like behind the scenes people, like they they never

598
00:28:42,400 --> 00:28:45,040
Speaker 4: get recognition because they're not on camera and they're not

599
00:28:45,120 --> 00:28:48,080
Speaker 4: the big stars, but they know everyone.

600
00:28:48,640 --> 00:28:51,800
Speaker 3: That's It's funny, like I think people don't realize like

601
00:28:52,640 --> 00:28:55,960
Speaker 3: Hollywood is and I say Hollywood meaning like the entertainment

602
00:28:56,000 --> 00:29:00,720
Speaker 3: industry is very small. Yeah, Like I've run into people

603
00:29:00,840 --> 00:29:03,400
Speaker 3: who I'm like, oh, I've met you through this person

604
00:29:03,480 --> 00:29:06,320
Speaker 3: and this job, and like, mind you the talent, you

605
00:29:07,000 --> 00:29:10,440
Speaker 3: rarely will remember you or or they meet so many

606
00:29:10,440 --> 00:29:13,640
Speaker 3: people you work with someone even if it's like an email,

607
00:29:13,640 --> 00:29:17,280
Speaker 3: like I remember I met someone recently who I introduced

608
00:29:17,320 --> 00:29:19,080
Speaker 3: myself and she introduced herself and we both look at

609
00:29:19,080 --> 00:29:21,200
Speaker 3: each other were like, is this the first time we're

610
00:29:21,240 --> 00:29:23,160
Speaker 3: meeting what We've been on emails with each other since

611
00:29:23,200 --> 00:29:25,480
Speaker 3: like twenty nineteen, And she's like, oh my god, yeah,

612
00:29:25,520 --> 00:29:27,840
Speaker 3: and like but you know, she's like a normal name,

613
00:29:27,920 --> 00:29:30,920
Speaker 3: so it could be anyone, right, So but it's funny,

614
00:29:30,960 --> 00:29:33,720
Speaker 3: yuck like you you're right, like all these people behind

615
00:29:33,720 --> 00:29:36,160
Speaker 3: the scenes, like they all know each other, but yeah,

616
00:29:36,200 --> 00:29:40,160
Speaker 3: the actors are who is recognized on on screen.

617
00:29:40,120 --> 00:29:43,200
Speaker 4: Right, right? So I know we're we're running a little

618
00:29:43,240 --> 00:29:44,040
Speaker 4: long here, but I want.

619
00:29:43,880 --> 00:29:46,200
Speaker 3: To sorry, we're being chatty Kathy's today.

620
00:29:47,800 --> 00:29:52,800
Speaker 4: Two more things. One, Luke bringing the hoopah, oh yeah,

621
00:29:52,920 --> 00:29:53,680
Speaker 4: cu'te a scene.

622
00:29:53,800 --> 00:29:56,160
Speaker 3: I just the detail on that thing. I was like,

623
00:29:56,200 --> 00:29:57,000
Speaker 3: good job, Luke.

624
00:29:57,400 --> 00:29:59,960
Speaker 4: Yeah, I mean it's just clear. Well, and you saw

625
00:30:00,920 --> 00:30:03,320
Speaker 4: in the scene at the diner when he was kind

626
00:30:03,320 --> 00:30:05,840
Speaker 4: of being snotty about the pancakes. You can see like

627
00:30:06,840 --> 00:30:09,200
Speaker 4: he's this isn't sitting well with him, like he's not

628
00:30:09,240 --> 00:30:12,840
Speaker 4: really excited about this marriage, but he's still he still

629
00:30:12,880 --> 00:30:16,320
Speaker 4: wants to support her, and so he goes to the

630
00:30:16,440 --> 00:30:18,400
Speaker 4: time to carve this.

631
00:30:18,880 --> 00:30:21,200
Speaker 3: When he was like, what was it? What wasn't in

632
00:30:21,240 --> 00:30:22,800
Speaker 3: the pictures? Like, oh, I made it anyway. It was

633
00:30:22,840 --> 00:30:26,840
Speaker 3: like a dove or something. Goat goa there we go.

634
00:30:26,960 --> 00:30:29,480
Speaker 3: I was like he said something, and I'm like the

635
00:30:29,600 --> 00:30:30,520
Speaker 3: detail on this thing.

636
00:30:31,120 --> 00:30:35,160
Speaker 4: Yeah, cute scene. And then the obviously the way that

637
00:30:35,240 --> 00:30:37,440
Speaker 4: it frames the very end of that scene where the

638
00:30:37,440 --> 00:30:41,360
Speaker 4: two of them are standing together under like, obviously we're

639
00:30:41,400 --> 00:30:44,480
Speaker 4: supposed to take note of that. But yeah. And then

640
00:30:44,520 --> 00:30:47,200
Speaker 4: the only other thing I noticed the very very very

641
00:30:47,600 --> 00:30:52,280
Speaker 4: end of the episode, literally the last shot there when

642
00:30:52,280 --> 00:30:55,360
Speaker 4: they're in the car and they're going and there's that

643
00:30:55,680 --> 00:30:58,200
Speaker 4: crane shot where you they're stopped at the stop light

644
00:30:58,240 --> 00:31:00,640
Speaker 4: and they're like waiting for the stoplight to turn. Yeah,

645
00:31:00,680 --> 00:31:03,680
Speaker 4: the door of Luke's Diner is wide open.

646
00:31:04,160 --> 00:31:06,400
Speaker 3: I did notice that actually, because I was trying to

647
00:31:06,440 --> 00:31:08,000
Speaker 3: look at the angle and I saw like the hardwork

648
00:31:08,000 --> 00:31:09,400
Speaker 3: store and I'm like, wait, the door's open.

649
00:31:09,640 --> 00:31:12,200
Speaker 4: Yeah, and it's supposed to be like they talk about

650
00:31:12,200 --> 00:31:14,040
Speaker 4: how there's nobody in town, like it's supposed to be

651
00:31:14,360 --> 00:31:17,280
Speaker 4: it's like five day. Yeah, it's not like it's open

652
00:31:17,360 --> 00:31:20,640
Speaker 4: because people are going in and out. Maybe it was

653
00:31:20,680 --> 00:31:23,600
Speaker 4: already opened I know he opens early, but I don't know.

654
00:31:23,720 --> 00:31:26,880
Speaker 4: Maybe it was Maybe it was symbolic.

655
00:31:27,320 --> 00:31:28,880
Speaker 3: I like to think, so we can say that, or

656
00:31:28,880 --> 00:31:30,520
Speaker 3: it was just someone who forgot to close the door.

657
00:31:30,480 --> 00:31:31,600
Speaker 4: Or someone forgot to close the door.

658
00:31:31,640 --> 00:31:35,840
Speaker 3: I don't know. Either way, we'll go with symbolic. Yeah,

659
00:31:36,080 --> 00:31:38,680
Speaker 3: doors open to Luke's always if you got to run away,

660
00:31:38,720 --> 00:31:42,880
Speaker 3: you gotta run to Luke. His heart's always open for

661
00:31:42,920 --> 00:31:47,760
Speaker 3: a Laura. I'm telling you, oh Man, Well, I mean basically,

662
00:31:47,840 --> 00:31:49,200
Speaker 3: this is a pretty good episode. We're off to a

663
00:31:49,240 --> 00:31:52,720
Speaker 3: good start season two. Yeah, and I know this next

664
00:31:52,720 --> 00:31:56,040
Speaker 3: episode very well. It's actually one of my favorites season

665
00:31:56,040 --> 00:31:59,360
Speaker 3: two episode four, the road Trip to Harvard. Yeah, I

666
00:31:59,440 --> 00:32:02,440
Speaker 3: was really realize that uh Rory is growing up.

667
00:32:03,160 --> 00:32:06,200
Speaker 4: Yeah, I like I like this, both of these episodes.

668
00:32:06,200 --> 00:32:06,440
Speaker 2: I like.

669
00:32:06,520 --> 00:32:07,160
Speaker 3: Yeah, they're great.

670
00:32:07,400 --> 00:32:09,040
Speaker 4: Red Light on the Wedding Night and road Trip to

671
00:32:09,040 --> 00:32:10,080
Speaker 4: Harvard this is great too.

672
00:32:10,160 --> 00:32:13,240
Speaker 3: Yeah, they're great. All right, we will see you next week.

673
00:32:13,360 --> 00:32:44,040
Speaker 1: Meeting adjourned, Everybody Insult Forget.

674
00:32:44,080 --> 00:32:48,120
Speaker 2: Follow us on Instagram at I Am all In podcast,

675
00:32:48,240 --> 00:33:00,000
Speaker 2: and email us at Gilmore at iHeartRadio dot com.

676
00:33:00,080 --> 00:33:02,240
Speaker 3: Eh