WEBVTT - QLS Celebrates Black History Month Part 2

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>Good People. What's Up is Questlove?

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<v Speaker 1>And this is part two of qls's Black History Month celebration.

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<v Speaker 2>All right, this particular episode, we're focused on the media.

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<v Speaker 1>We got pioneers and innovators from radio, television, and theater.

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<v Speaker 1>Last season, we had two episodes that really touched on Black.

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<v Speaker 2>History from a media perspective.

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<v Speaker 1>In the first, you'll hear Erica Alexander speak about the

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<v Speaker 1>Freedom Theater in my hometown of Philadelphia, where she spent

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<v Speaker 1>time growing up, and I missed it so much. Shout

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<v Speaker 1>out to Dice Fral who's now one of the chair

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<v Speaker 1>people at the Freedom Theater. All right, here's Erica Alexander.

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<v Speaker 1>What part of Philadelphia? Where are you from?

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<v Speaker 3>Mound Area? Oh?

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<v Speaker 4>Nice?

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<v Speaker 5>He was nice part of town.

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<v Speaker 1>See, when you're from West Philly, I just think anything

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<v Speaker 1>that's north of City Hall is just n o RF

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<v Speaker 1>North Philly, even if it's Mount Area. So what was

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<v Speaker 1>your beginnings in the world of acting? Like, were you

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<v Speaker 1>a Freedom Theater kid? Or was this stuff in your school?

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<v Speaker 1>Did you not want to go to creative and performing arts.

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<v Speaker 6>Or well, you know, I think we had a conversation

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<v Speaker 6>in Mire and I know you've had plenty of them,

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<v Speaker 6>But you went to school with my little sister Charlanda. Yes,

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<v Speaker 6>he's the one who went to the School of the

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<v Speaker 6>Artists that you did. But I was discovered when I

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<v Speaker 6>was fourteen in the basement theater called new Freedom Theater.

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<v Speaker 6>The Freedom Theater closed. I talked to the council in

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<v Speaker 6>the other day.

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<v Speaker 4>We got to get that back.

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<v Speaker 5>That theater is beautiful.

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<v Speaker 6>It's beautiful, but it's stuffed in the middle of Temple

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<v Speaker 6>University and surrounded by I don't think people who understand

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<v Speaker 6>what it's.

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<v Speaker 7>Significant gentrification, what's going on with Howard University. I can

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<v Speaker 7>Roger that Roger that so discovered.

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<v Speaker 6>In the basement theater by a movie company, merch should

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<v Speaker 6>Ivory Film Independent Film came to Philadelphia. They were looking

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<v Speaker 6>for Little Girls Back and Brown to audition for this movie.

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<v Speaker 6>And after nearly twelve to thirteen auditions.

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<v Speaker 2>And for screen screen tests, screen.

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<v Speaker 6>Tests, yeah, I was the one they chose. When this

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<v Speaker 6>is both cleared, Wow, Okay.

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<v Speaker 2>What happened at Freedom Theater?

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<v Speaker 1>Like because that was one of the places where I

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<v Speaker 1>wanted to go, but instead my parents put me in

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<v Speaker 1>Settlement Music School and my sister went to Freedom Theater.

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<v Speaker 1>Like it was like, Okay, we're going to have her

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<v Speaker 1>act and he's going to do music. But we would

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<v Speaker 1>only pick her up afterwards. But I never knew like

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<v Speaker 1>what happened in there, Like what was what would they

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<v Speaker 1>teach you there?

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<v Speaker 6>Well, Johnny Allen Junior and his partner, they started it.

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<v Speaker 3>They started in the sixties.

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<v Speaker 6>Sixties famously were starting to try to train black children

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<v Speaker 6>the way the Black Panthers did. That they knew that

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<v Speaker 6>the schools that were primarily white weren't giving them any

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<v Speaker 6>sense of themselves. And you had people like the Great

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<v Speaker 6>Meanness Simone talking about young gifted in Black so that

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<v Speaker 6>that's really what was going on. There was some sort

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<v Speaker 6>of idea that if you infused a child with the

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<v Speaker 6>strong sense of themselves and you also gave them creative outlets,

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<v Speaker 6>got them in touch with their body, discipline, voice, sound, body,

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<v Speaker 6>all of those things, performance, speech, communication, that you could

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<v Speaker 6>influence the rest of their life. And they proved their point,

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<v Speaker 6>like a lot of the schools that were going around

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<v Speaker 6>the country at the time and new Freedom Theaters of

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<v Speaker 6>that kind of tradition.

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<v Speaker 1>How old were you when you started Freedom Theater, Like

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<v Speaker 1>at what age did you start?

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<v Speaker 3>Fourteen?

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<v Speaker 6>I only went there for the sixth week program, and

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<v Speaker 6>then I also did like two summers of a play

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<v Speaker 6>called under Pressure, which was their residents production that they

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<v Speaker 6>put on every year every summer.

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<v Speaker 1>Is the Hope where I guess the goal of the

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<v Speaker 1>school to draw people, notable people to see the kids

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<v Speaker 1>and have them work with someone notable or or is

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<v Speaker 1>it just like we teach you the craft of acting

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<v Speaker 1>and then you're out there in the world, like, are

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<v Speaker 1>they like this how you get an agent?

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<v Speaker 2>Or this is how you you know this?

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<v Speaker 1>This this commercial casting directors come into our thing tonight,

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<v Speaker 1>Like is it any of those things involved? No?

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<v Speaker 3>Not. When I was going it might have changed.

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<v Speaker 6>It really was about self love, self reverence, power, black power,

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<v Speaker 6>young gifted in black, A sense of yourself inside of

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<v Speaker 6>a white world.

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<v Speaker 3>How can you move through it? How do you stand?

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<v Speaker 6>Lifting your head, your skins, making the children go home

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<v Speaker 6>and get undressed and look at themselves in a mirror,

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<v Speaker 6>all parts of themselves, the lower parts of themselves, having

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<v Speaker 6>some kind of regard and respect for hygiene. The way

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<v Speaker 6>you spoke, the way you stepped up rammar, all of

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<v Speaker 6>those things. It was really more like a boot camp

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<v Speaker 6>for life for black kids.

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<v Speaker 1>Did you realize that immediately or is this like in hindsight,

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<v Speaker 1>like I hated going to Okay, I'm sorry. I did

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<v Speaker 1>not hate going to Settlement music school, but I hated

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<v Speaker 1>the homework assignments. However, I now realized, thank god, I

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<v Speaker 1>went to sell them in music school. That saved my life.

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<v Speaker 1>But you realize that stuff like when you're way older.

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<v Speaker 1>Did you realize that at the time, or because even

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<v Speaker 1>when we were doing those types of exercises at performing

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<v Speaker 1>art school whatever, like we'd be in the back laughing,

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<v Speaker 1>like you know, they want us to learn Elizabethan and

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<v Speaker 1>project with your voice, and you know.

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<v Speaker 2>We're just like that.

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<v Speaker 7>Settlement wasn't as black as freedom in that way though,

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<v Speaker 7>that's like a different experience, right right, that's true.

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<v Speaker 3>I think my sister went to Settlement to my baby's sister.

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<v Speaker 2>How many siblings do you have.

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<v Speaker 3>I'm one of six, and fourth there's too younger than me.

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<v Speaker 6>There's Charmanda, who you know, and then there's Mayesha, and

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<v Speaker 6>I think she went to Settlement.

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<v Speaker 2>And all of you have dabbled in the arts.

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<v Speaker 6>Yes, in some way. Although my sister, he was a

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<v Speaker 6>social worker, there in Philadelphia, and my brother's a Philly.

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<v Speaker 4>Copp Oh, so your family really stayed in Philadelphia?

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<v Speaker 3>They did, did we?

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<v Speaker 6>Both My parents were orphans, so we didn't necessarily have

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<v Speaker 6>a place to be. Wherever we were was where we

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<v Speaker 6>were at. But I think you were talking about did

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<v Speaker 6>I recognize what it was doing?

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<v Speaker 8>Then?

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<v Speaker 6>Yes, they were very over. They kept it was like

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<v Speaker 6>a boot camp. It was like an officer and a gentleman.

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<v Speaker 6>They were going to make you understand the power of

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<v Speaker 6>being black and blackness, and more importantly, the power of

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<v Speaker 6>self love. And we needed that because at the time

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<v Speaker 6>I was going in there, the streets were a battleground.

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<v Speaker 6>It was crack incarceration, Young women were getting pregnant. It

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<v Speaker 6>was really like some kind of weird pathology movie. And

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<v Speaker 6>I think they couldn't be soft about it. They had

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<v Speaker 6>to be over. They didn't have the privilege to set

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<v Speaker 6>back and not act like they were trying to do.

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<v Speaker 6>They were trying to radicalize you, and I think that.

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<v Speaker 3>It worked well.

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<v Speaker 1>When you said offers and a gentleman, I'm like, wait

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<v Speaker 1>a minute. I remember Lewis Gossig making it.

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<v Speaker 2>Cry in the right in the rain. I'm like, wait

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<v Speaker 2>a minute.

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<v Speaker 6>So yeah, a lot of people cried, but they were

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<v Speaker 6>crying because it was like church. You got in there

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<v Speaker 6>and you had real awakenings and you reckoned with even

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<v Speaker 6>though you might have thought a lot of people had

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<v Speaker 6>to confide events and didn't have. I guess the fears

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<v Speaker 6>that some children had, they all had that we weren't

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<v Speaker 6>allowed to be children. And there I think that they

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<v Speaker 6>knew they were different type of child and that they

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<v Speaker 6>needed to break us down so we could be vulnerable,

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<v Speaker 6>all right. Not me though, by the way, I'm a

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<v Speaker 6>preacher's daughter. I came in already vulnerable. I was scared

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<v Speaker 6>of Philadelphia and students and I wait, your dad was

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<v Speaker 6>a pretty different student.

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<v Speaker 3>Yeah, Church of God in Christ, baby, what's.

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<v Speaker 2>All a kojak kojak? Sure? Where where was the church?

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<v Speaker 6>Well, my parents are coming out of New Mexico, Carlsbad,

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<v Speaker 6>Las Cruses. They were Bible students. They traveled around in

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<v Speaker 6>the car, and that's why I spent the first eleven

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<v Speaker 6>years of my life in a hotel called Starlight off

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<v Speaker 6>a Root sixty six.

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<v Speaker 2>Wow, that was where you lived?

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<v Speaker 1>Yeah, all right, that was Erica Alexander h Part one.

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<v Speaker 1>Next up, we're gonna hear from Wayne Brady. In part

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<v Speaker 1>two of his interview, Wayne told the story of him

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<v Speaker 1>getting down with Chappelle's show, but not after his feelings

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<v Speaker 1>were hurt and something that have shaped his journey. So

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<v Speaker 1>my version of the story was when I was a

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<v Speaker 1>staff member of the Chappelle Show.

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<v Speaker 9>Sorry, I mean sorry sounds yeah, I don't want to

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<v Speaker 9>hear here.

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<v Speaker 10>What's your version is?

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<v Speaker 1>Okay, So I'm a staff member of Chappelle, I wouldn't

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<v Speaker 1>go on location with those guys. I did all the

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<v Speaker 1>music for season two, and so the roots just happened

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<v Speaker 1>to be in La at the time when we were

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<v Speaker 1>shooting a lot of the La Chappelle things. And what

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<v Speaker 1>you have to understand is that most shows are like

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<v Speaker 1>planned week in events.

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<v Speaker 2>They have a writing staff.

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<v Speaker 1>The genius of season two was the fact that Neil

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<v Speaker 1>Brennan and Dave Chappelle were pretty much just flying off

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<v Speaker 1>the seat of their pants, knowing that on there is

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<v Speaker 1>day night they had to turn in that tape the comedy.

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<v Speaker 1>Really you're supposed to turn in like the Tuesday before,

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<v Speaker 1>like days before. I mean there would be times where

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<v Speaker 1>like maybe a half hour before the show's on the air,

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<v Speaker 1>like the Sesame Street Q tip.

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<v Speaker 2>Thing, that snoop thing.

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<v Speaker 1>I happen to know that they finished the edit maybe

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<v Speaker 1>a half hour before airtime. Yeah, before airtime, like Comedy

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<v Speaker 1>Central has to like approve things were standings, like we

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<v Speaker 1>went down to the wire. So I do know that

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<v Speaker 1>we had went out to the Four Seasons because we

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<v Speaker 1>wanted to get our Sinio to do the whole cheese things.

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<v Speaker 2>Why don't you tell me the cheese was good, good.

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<v Speaker 1>Right, that whole thing, and also got Anthony Anderson to

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<v Speaker 1>do the Ashy.

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<v Speaker 2>Larry You remember the dream?

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<v Speaker 1>Yeah, what I remember was we have met Anthony Aji

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<v Speaker 1>and the hotel lobby, Anthony Jay the bar wash. He's

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<v Speaker 1>also the father Maya Rudolph's Fire and Bridesmaids and.

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<v Speaker 2>He's legendary comic.

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<v Speaker 1>We had spent so much time talking to him, and

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<v Speaker 1>our Senio was there like just comedian war stories from

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<v Speaker 1>the seventies or whatever. That I had to go so

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<v Speaker 1>I can go to the airport. So what Neil will

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<v Speaker 1>tell me when I landed? He says, dude, we just

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<v Speaker 1>created a masterpiece. Like the way they were describing how

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<v Speaker 1>the night was was like they had made Purple Rain

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<v Speaker 1>and thriller at once, and I'm thinking, like, wait, from

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<v Speaker 1>the whole.

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<v Speaker 2>From that sketch.

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<v Speaker 1>He says, no, man, He's like, so when you were

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<v Speaker 1>leaving and checking out at the last minute, guess who

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<v Speaker 1>we saw in the lobby. I was like, who it's

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<v Speaker 1>a dog. We saw Wayne Brady and I said, oh

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<v Speaker 1>my god, what happened? Because I instantly went back, Mooney,

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<v Speaker 1>ipect this is going to be like even broccoli.

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<v Speaker 2>I said, well, went down? What went down? He said, nah, man,

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<v Speaker 2>we shot something.

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<v Speaker 1>And so I'm under the belief that it was off

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<v Speaker 1>the cuff.

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<v Speaker 2>You just happened to be in the lobby.

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<v Speaker 10>You and Dave.

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<v Speaker 1>Had a meacopa kind of understanding moment thing, and then

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<v Speaker 1>it was like, so what are you doing?

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<v Speaker 2>Do you want to shoot something?

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<v Speaker 1>And it was very off the cuff, and I was

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<v Speaker 1>not prepared for any of those things.

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<v Speaker 10>Like oh no, no, no, no, no no. It was

0:12:26.679 --> 0:12:27.760
<v Speaker 10>so much different for you.

0:12:27.800 --> 0:12:29.200
<v Speaker 2>All Right, So what's your version of it?

0:12:29.360 --> 0:12:32.080
<v Speaker 9>Well, well, my version is, well, just going back to

0:12:32.160 --> 0:12:34.880
<v Speaker 9>when the sketch aired, and I'll do it really really fast.

0:12:35.480 --> 0:12:37.640
<v Speaker 9>And this isn't me complaining because I've said this before,

0:12:37.679 --> 0:12:40.040
<v Speaker 9>like on the Breakfast Club, and there's always an asshole

0:12:40.080 --> 0:12:42.280
<v Speaker 9>in the comments like like, well, you shouldn't have the

0:12:42.400 --> 0:12:44.559
<v Speaker 9>reason that the sketch bothered me. And I'll just say

0:12:44.559 --> 0:12:47.200
<v Speaker 9>it in the nutshell. Jokes are jokes. I do comedy.

0:12:47.240 --> 0:12:49.640
<v Speaker 9>Everything jokes. A joke's fine. I just happened to come

0:12:49.640 --> 0:12:51.640
<v Speaker 9>from a very, very particular place. And you can't tell

0:12:51.640 --> 0:12:55.120
<v Speaker 9>me what I can and can't feel. I feel Paul Mooney.

0:12:55.160 --> 0:12:58.079
<v Speaker 9>I worshiped at the shrine of Paul Mooney. I never

0:12:58.120 --> 0:13:01.000
<v Speaker 9>said that Paul Mooney wasn't funny or home. Mooney was

0:13:01.000 --> 0:13:03.760
<v Speaker 9>in a genius and a writer. I love Paul Mooney.

0:13:03.800 --> 0:13:07.280
<v Speaker 9>I love Dave. So imagine my shock. I'm sitting at home,

0:13:08.440 --> 0:13:12.200
<v Speaker 9>I'm getting my barber. Came over to my spot. He's

0:13:12.520 --> 0:13:15.000
<v Speaker 9>doing Da Da Da Da, and the Chappelle shows on.

0:13:15.480 --> 0:13:18.959
<v Speaker 9>I'm excited. I was like, okay, we can get through

0:13:18.960 --> 0:13:21.520
<v Speaker 9>the whole thing. And then and then boom, Negro was

0:13:22.400 --> 0:13:27.560
<v Speaker 9>Wayne Brady looked like him. I went, oh, oh, okay.

0:13:27.840 --> 0:13:29.679
<v Speaker 9>I didn't laugh at it, not because I was like,

0:13:29.800 --> 0:13:32.840
<v Speaker 9>I'm above being made fun of. If your joke is funny,

0:13:33.040 --> 0:13:35.160
<v Speaker 9>please make fun of me. That's what we do. But

0:13:35.280 --> 0:13:37.920
<v Speaker 9>to me, and now, because you saw me talk to

0:13:37.960 --> 0:13:43.400
<v Speaker 9>my bullies. Oh, also Kendra and Nicole and Nicole come

0:13:43.440 --> 0:13:52.000
<v Speaker 9>on now, it's Adams Jones, Johns Harris. Race has always

0:13:52.080 --> 0:13:54.640
<v Speaker 9>been a subject that has played because what does it

0:13:54.720 --> 0:13:57.560
<v Speaker 9>mean to be black? You know, the kid that grew

0:13:57.640 --> 0:14:00.600
<v Speaker 9>up watching certain things, doing certain things, like making certain

0:14:00.600 --> 0:14:03.319
<v Speaker 9>things that have died, so those things form you. So

0:14:03.679 --> 0:14:05.400
<v Speaker 9>I've always had that in the back of my mind

0:14:05.440 --> 0:14:07.480
<v Speaker 9>as a as a thing. So when I see that,

0:14:07.559 --> 0:14:10.320
<v Speaker 9>I'm like, the joke isn't funny to me, It doesn't

0:14:10.360 --> 0:14:17.080
<v Speaker 9>even scan because you're now making fun of Brian Gumbel, who, like,

0:14:17.240 --> 0:14:20.160
<v Speaker 9>say what you want to say. But Brian gumble this

0:14:20.240 --> 0:14:23.240
<v Speaker 9>incredibly successful man in his own right, doing this thing.

0:14:23.760 --> 0:14:27.040
<v Speaker 9>So now you're gonna use me to take down him

0:14:27.160 --> 0:14:29.120
<v Speaker 9>or him to meet And then that means that I'm

0:14:29.120 --> 0:14:30.920
<v Speaker 9>not black enough? And so does that mean that one

0:14:30.920 --> 0:14:33.920
<v Speaker 9>of my comedic heroes, Dave Chappelle, who I've rocked with

0:14:34.200 --> 0:14:37.080
<v Speaker 9>since Robin Hood Men in tights and watching him at

0:14:37.120 --> 0:14:40.120
<v Speaker 9>evenings at the Improv before he blew up, This dude

0:14:40.160 --> 0:14:42.280
<v Speaker 9>really knows who I am. Oh, that's awesome, but nothing

0:14:42.280 --> 0:14:44.240
<v Speaker 9>gonna shit on me. And Paul Mooney, who I love.

0:14:44.320 --> 0:14:48.280
<v Speaker 9>He doesn't think I'm black enough. That's really wow. That shakes,

0:14:48.720 --> 0:14:51.000
<v Speaker 9>which is why Wayne doesn't go out and talk to people,

0:14:51.040 --> 0:14:54.080
<v Speaker 9>because I don't want to deal with that shit sometimes.

0:14:54.320 --> 0:14:56.600
<v Speaker 9>So I was already in my feelings about it from

0:14:56.680 --> 0:14:58.720
<v Speaker 9>a race place and just from a joke point.

0:14:58.920 --> 0:15:00.720
<v Speaker 10>I didn't feel that it was a good joke. I

0:15:00.720 --> 0:15:03.920
<v Speaker 10>thought it was too easy, so blah blah blah blah blah.

0:15:03.960 --> 0:15:09.120
<v Speaker 9>So fuck those guys immediately, and I'm like, I don't

0:15:09.160 --> 0:15:11.360
<v Speaker 9>give sex second and third chances. I am a I'm

0:15:11.400 --> 0:15:14.520
<v Speaker 9>a very petty, angry person inside sometimes when it comes

0:15:14.560 --> 0:15:16.280
<v Speaker 9>to certain things. So I was already like, well, I

0:15:16.280 --> 0:15:19.280
<v Speaker 9>guess I can watch a Chappelle show. Click, I can't

0:15:19.400 --> 0:15:22.040
<v Speaker 9>enjoy the genius that is Dave Chappelle. Fast forward to

0:15:22.160 --> 0:15:25.040
<v Speaker 9>I forget what the show was. It was an award show.

0:15:25.040 --> 0:15:28.560
<v Speaker 9>It might have been the Hoodies Steve Steve Harvey's Hoodies

0:15:28.840 --> 0:15:34.480
<v Speaker 9>or something. But Donnelle was in the lobby bar. We

0:15:34.480 --> 0:15:37.880
<v Speaker 9>were in the bar. Donnelle was with somebody else, and

0:15:37.920 --> 0:15:40.400
<v Speaker 9>I recognize them immediately because I like the show. Oh

0:15:40.440 --> 0:15:48.040
<v Speaker 9>it's ashe laire, but you gonna drink my drink. He

0:15:48.160 --> 0:15:54.160
<v Speaker 9>comes over so wonderful and gracious, Wayne, Hey, I'm Donelle.

0:15:53.960 --> 0:15:54.640
<v Speaker 10>I play.

0:15:54.720 --> 0:15:59.680
<v Speaker 9>Actually I know who you are. I've seen your little

0:15:59.680 --> 0:16:03.840
<v Speaker 9>play all right, just just through the energy. And he

0:16:03.920 --> 0:16:06.400
<v Speaker 9>was so sweet. He was waiting blah blah blah. I said, oh, yeah,

0:16:06.400 --> 0:16:10.520
<v Speaker 9>that's great. I love the show up until that whack

0:16:10.560 --> 0:16:12.400
<v Speaker 9>ass joke by Paul Mooney.

0:16:12.200 --> 0:16:13.600
<v Speaker 2>Blah dah da da da. But thanks.

0:16:13.600 --> 0:16:16.720
<v Speaker 9>He goes, Oh my god, I mean we you know,

0:16:16.800 --> 0:16:18.160
<v Speaker 9>we have love for you. I was like, I was like,

0:16:18.920 --> 0:16:21.120
<v Speaker 9>to be honest, I don't know. And I have to

0:16:21.120 --> 0:16:24.680
<v Speaker 9>preface it. I had been drinking. I had been drinking,

0:16:24.800 --> 0:16:27.480
<v Speaker 9>so I was like, really, was that how you love me?

0:16:27.600 --> 0:16:28.200
<v Speaker 9>Black man?

0:16:28.600 --> 0:16:29.280
<v Speaker 2>Is that really?

0:16:29.560 --> 0:16:32.760
<v Speaker 9>And so just going about my day, cut to the

0:16:32.800 --> 0:16:33.480
<v Speaker 9>next day.

0:16:33.640 --> 0:16:35.040
<v Speaker 2>This is how fast the shit did happen.

0:16:35.080 --> 0:16:36.640
<v Speaker 9>So I don't know the timeline that you're talking about

0:16:36.640 --> 0:16:38.560
<v Speaker 9>in terms of when you came out to LA, but

0:16:38.600 --> 0:16:39.320
<v Speaker 9>it happened where well.

0:16:39.360 --> 0:16:40.920
<v Speaker 2>I was at the fourth season hotel, so.

0:16:41.000 --> 0:16:43.840
<v Speaker 9>Okay, so that might have been so so whenever I

0:16:43.920 --> 0:16:47.080
<v Speaker 9>saw him. Then the next day I was doing my

0:16:47.160 --> 0:16:51.280
<v Speaker 9>talk show. I get my assistant comes as I'm in

0:16:51.280 --> 0:16:51.960
<v Speaker 9>the writer's room.

0:16:52.360 --> 0:16:56.840
<v Speaker 10>Wait, wait, got phone call, who take Chapelle? I was like,

0:16:57.600 --> 0:17:00.120
<v Speaker 10>why no, you're lying Tay Shamelle.

0:17:00.480 --> 0:17:06.440
<v Speaker 9>Okay, hello, hey man, it's Dave oh Man, just so

0:17:06.480 --> 0:17:08.640
<v Speaker 9>sweet as like, look, I didn't write that joke.

0:17:09.160 --> 0:17:10.320
<v Speaker 2>Mooney came up with it.

0:17:10.680 --> 0:17:12.879
<v Speaker 9>I really didn't like the shit either, but you know,

0:17:13.240 --> 0:17:15.800
<v Speaker 9>I like the character and da da da, no offense

0:17:15.960 --> 0:17:18.199
<v Speaker 9>was meant now the fact that and now we live

0:17:18.240 --> 0:17:20.119
<v Speaker 9>in a day and age, no one's gonna backtrack on

0:17:20.160 --> 0:17:22.080
<v Speaker 9>a joke for folks like I said what I said,

0:17:22.119 --> 0:17:24.200
<v Speaker 9>and I said it like like I said, Dave was

0:17:24.200 --> 0:17:27.159
<v Speaker 9>one of my guy He's one of my heroes. So

0:17:27.480 --> 0:17:29.680
<v Speaker 9>that itself, we could have just stopped it there. It

0:17:29.680 --> 0:17:32.960
<v Speaker 9>couldn't have gone any furthers like thank you, and I

0:17:32.960 --> 0:17:36.240
<v Speaker 9>mean you didn't. Thanks, It's fine, it's cool. He goes, Hey,

0:17:36.440 --> 0:17:38.480
<v Speaker 9>would you ever want to be on the show? Said,

0:17:38.560 --> 0:17:41.280
<v Speaker 9>are you kidding me? It would be a dream of it. Well, then,

0:17:41.480 --> 0:17:44.359
<v Speaker 9>what are you doing doing this weekend? Or if this

0:17:44.440 --> 0:17:46.960
<v Speaker 9>was a Friday or something. So I flew out. I said,

0:17:47.840 --> 0:17:50.520
<v Speaker 9>I'll come to New York immediately. Great, I'm gonna puts

0:17:50.520 --> 0:17:52.280
<v Speaker 9>you in touch with Neil and you guys decide what

0:17:52.320 --> 0:17:53.720
<v Speaker 9>we're gonna do, and we're gonna do something great with that.

0:17:54.080 --> 0:17:55.000
<v Speaker 2>Great. Thanks Dave.

0:17:55.160 --> 0:17:57.720
<v Speaker 9>I was on cloud nine, so I immediately started thinking

0:17:57.720 --> 0:17:59.920
<v Speaker 9>of ideas. And this is where it is so cool.

0:18:00.359 --> 0:18:03.680
<v Speaker 9>So I so I'm writing stuff on the plane. Neil

0:18:03.720 --> 0:18:05.400
<v Speaker 9>had already worked out some stuff. So when I get

0:18:05.400 --> 0:18:07.760
<v Speaker 9>to New York, it all happens like this. I get

0:18:07.760 --> 0:18:09.760
<v Speaker 9>off the plane, we go to where you guys shot

0:18:09.760 --> 0:18:11.320
<v Speaker 9>a think in Brooklyn or someplace whatever.

0:18:11.760 --> 0:18:13.160
<v Speaker 10>We get up. As soon as soon as I.

0:18:13.080 --> 0:18:15.960
<v Speaker 9>Get in, I go. Neil's waiting for me. He's like, so,

0:18:16.000 --> 0:18:17.320
<v Speaker 9>what do you want to do? Blah blah blah blah.

0:18:17.359 --> 0:18:20.680
<v Speaker 9>He goes, We've got this idea of like doing this

0:18:21.240 --> 0:18:24.159
<v Speaker 9>training day thing, because you know, like you do your

0:18:24.200 --> 0:18:26.520
<v Speaker 9>talk show. Oh and at this time, this is when

0:18:26.600 --> 0:18:28.400
<v Speaker 9>I was leaving my talk show because I found out

0:18:28.440 --> 0:18:31.360
<v Speaker 9>that because I told somebody off at Disney that they

0:18:31.400 --> 0:18:34.119
<v Speaker 9>that they threatened me and said said, oh, you know,

0:18:34.160 --> 0:18:36.359
<v Speaker 9>if you don't do this particular thing, we always can

0:18:36.400 --> 0:18:37.639
<v Speaker 9>find someone to do your show. And I said, oh,

0:18:37.640 --> 0:18:39.359
<v Speaker 9>if you can find another Wayne Brady to do the

0:18:39.400 --> 0:18:41.120
<v Speaker 9>Wayne Brady Show, please be my guest.

0:18:41.160 --> 0:18:43.240
<v Speaker 10>I come back in. Tony Danza's name is in the papers.

0:18:43.280 --> 0:18:45.720
<v Speaker 10>But that's cool. I was like, great, I'm out.

0:18:45.520 --> 0:18:47.320
<v Speaker 2>Of this bask the wrong goddamn question.

0:18:47.520 --> 0:18:51.120
<v Speaker 9>I'm handling all the black people because they they they

0:18:51.160 --> 0:18:53.640
<v Speaker 9>had a band, not a band, because they were gonna

0:18:53.640 --> 0:18:55.919
<v Speaker 9>say we never said that. Certain guests that I'd bring up,

0:18:55.960 --> 0:18:57.440
<v Speaker 9>they'd go, oh, no, you can't do that, blah blah

0:18:57.440 --> 0:18:59.200
<v Speaker 9>blah blah blah blah blah. So I was like, really,

0:18:59.320 --> 0:19:02.399
<v Speaker 9>I had Missy Elliot bust the rhymes if you were black,

0:19:02.440 --> 0:19:04.720
<v Speaker 9>and my favorite rapper. You were on that show you

0:19:04.840 --> 0:19:07.119
<v Speaker 9>show at that time, so this was great. I was

0:19:07.160 --> 0:19:09.159
<v Speaker 9>like yes. So in my mind, I was like, we

0:19:09.240 --> 0:19:12.080
<v Speaker 9>need to do something that will burn burn the house down.

0:19:12.240 --> 0:19:15.359
<v Speaker 9>Fuck it, let's go. So Neil's idea was the training

0:19:15.440 --> 0:19:18.600
<v Speaker 9>day thing, and I said, well, if we're doing training

0:19:18.640 --> 0:19:22.160
<v Speaker 9>day where I'm showing Dave through the neighborhood and doing shit,

0:19:22.440 --> 0:19:24.439
<v Speaker 9>then we really need to lean into the fact of

0:19:24.520 --> 0:19:26.879
<v Speaker 9>when folks are like, oh, Wayne, I love you because

0:19:26.880 --> 0:19:29.080
<v Speaker 9>I see your talk show where you're this you're everybody's

0:19:29.119 --> 0:19:31.359
<v Speaker 9>favorite black guy. Blah bah blah blah. I said, I

0:19:31.440 --> 0:19:33.240
<v Speaker 9>want to do a thing where a cop stops me.

0:19:33.600 --> 0:19:35.520
<v Speaker 9>And he started singing my jingle and I wrote that

0:19:35.680 --> 0:19:37.760
<v Speaker 9>and then I'm gonna go, but be behind him.

0:19:37.760 --> 0:19:40.040
<v Speaker 10>And I'm gonna kill him and that'll freak.

0:19:43.080 --> 0:19:43.840
<v Speaker 2>That'll rereak out.

0:19:43.920 --> 0:19:46.679
<v Speaker 9>Dave and I want a microphone to come down and go, great, well,

0:19:46.760 --> 0:19:48.680
<v Speaker 9>let's do that and then we'll do the other thing

0:19:48.760 --> 0:19:50.720
<v Speaker 9>with an ATM and you'll get your money. So like,

0:19:50.720 --> 0:19:52.960
<v Speaker 9>we'll follow the beats. I said, great, So we came

0:19:53.040 --> 0:19:55.320
<v Speaker 9>up with it. So we had these two ideas and

0:19:55.359 --> 0:19:58.960
<v Speaker 9>mushed them together. We shot it all night. We wrapped

0:19:59.000 --> 0:20:00.680
<v Speaker 9>like six in the morning. I had to get back

0:20:00.680 --> 0:20:03.440
<v Speaker 9>on a plane to go back to shoot and then

0:20:03.960 --> 0:20:09.000
<v Speaker 9>I get a call like Monday. He's like, dude, this

0:20:09.119 --> 0:20:12.000
<v Speaker 9>is amazing. You aren't going to be ready. I think

0:20:12.080 --> 0:20:16.119
<v Speaker 9>we I think we've made history. Yes, and I knew it,

0:20:16.240 --> 0:20:18.080
<v Speaker 9>like not often are you in the middle of something,

0:20:18.960 --> 0:20:20.840
<v Speaker 9>but I knew it as we're doing it, because there

0:20:20.920 --> 0:20:24.520
<v Speaker 9>was such desparate worlds right of Daving this and me

0:20:24.760 --> 0:20:26.840
<v Speaker 9>especially of that time, of what folks thought of me

0:20:26.880 --> 0:20:29.040
<v Speaker 9>and the gigs I was doing. It's like, well, wow,

0:20:29.080 --> 0:20:32.040
<v Speaker 9>does that all fit together? And we weren't doing a sketch.

0:20:32.080 --> 0:20:34.520
<v Speaker 9>In my mind, I was like, no, I'm really doing

0:20:34.560 --> 0:20:36.639
<v Speaker 9>this shit because I'm also showing you what I do

0:20:36.680 --> 0:20:38.960
<v Speaker 9>as an actor. It's like we're really doing this and

0:20:39.000 --> 0:20:41.439
<v Speaker 9>the way that he shot it. It was a beautiful

0:20:41.520 --> 0:20:43.480
<v Speaker 9>thing that came together. And I knew that we made

0:20:43.480 --> 0:20:44.119
<v Speaker 9>TV history.

0:20:44.160 --> 0:20:47.680
<v Speaker 2>I knew it. And I'm telling you this, like Rick James.

0:20:47.560 --> 0:20:51.560
<v Speaker 1>This we have a problem, right, Rick James and Prince

0:20:52.680 --> 0:20:55.280
<v Speaker 1>they were excited about but we were more excited about

0:20:55.320 --> 0:20:58.240
<v Speaker 1>the scripts because we had the scripts way before they

0:20:58.240 --> 0:21:02.080
<v Speaker 1>were shot. But I do remember we up until that

0:21:02.200 --> 0:21:04.960
<v Speaker 1>point they were really excited about the racial draft. But

0:21:05.880 --> 0:21:10.560
<v Speaker 1>the way they were talking about how quickly this thing

0:21:10.600 --> 0:21:15.639
<v Speaker 1>came together and how and I was I was disappointed

0:21:15.640 --> 0:21:18.520
<v Speaker 1>because I couldn't add music to it.

0:21:19.200 --> 0:21:20.199
<v Speaker 2>Like I was like, all right, so what am I

0:21:20.200 --> 0:21:22.680
<v Speaker 2>gonna do? What am I gonna do? They're like, it's done.

0:21:22.480 --> 0:21:25.040
<v Speaker 1>Already, man, you just you wait till it comes on

0:21:25.160 --> 0:21:28.119
<v Speaker 1>and literally okay. So I mean that was that was

0:21:28.160 --> 0:21:30.160
<v Speaker 1>the beginning of what we call like the viral phase.

0:21:30.240 --> 0:21:33.840
<v Speaker 1>How did your hour was perception of you or reaction?

0:21:35.240 --> 0:21:37.240
<v Speaker 1>How did that change after that episode?

0:21:37.600 --> 0:21:41.040
<v Speaker 9>It was instantaneous because at that point, you know, the

0:21:41.119 --> 0:21:42.159
<v Speaker 9>Chappelle Show.

0:21:42.280 --> 0:21:43.960
<v Speaker 10>Was everywhere all the time.

0:21:44.359 --> 0:21:48.320
<v Speaker 9>It was on a loop, so everywhere you went and

0:21:48.359 --> 0:21:51.640
<v Speaker 9>being on tour and going you know, to very various cities.

0:21:51.720 --> 0:21:54.560
<v Speaker 9>I could see the reactions like if and right after

0:21:54.600 --> 0:21:56.119
<v Speaker 9>that it was on tour, you know, like I was

0:21:56.160 --> 0:21:59.600
<v Speaker 9>in Philly and New York and and Atlanta and Chicago

0:21:59.720 --> 0:22:03.800
<v Speaker 9>and Troit, so I got to see firsthand black reaction

0:22:04.520 --> 0:22:07.880
<v Speaker 9>to the sketch. Now, the thing is that I never

0:22:07.920 --> 0:22:10.679
<v Speaker 9>wanted the narrative to be like all black people voted

0:22:10.800 --> 0:22:14.399
<v Speaker 9>unanimously that Wayne Brady was corny or whatever, because that

0:22:14.560 --> 0:22:15.399
<v Speaker 9>was not the case.

0:22:15.840 --> 0:22:17.639
<v Speaker 10>More black people rocked with me than not.

0:22:17.920 --> 0:22:18.239
<v Speaker 2>It was.

0:22:18.320 --> 0:22:20.720
<v Speaker 10>It was some fine, you couldn't say what you wanted to.

0:22:20.800 --> 0:22:23.680
<v Speaker 9>But I did notice as soon as that sketch hit,

0:22:24.080 --> 0:22:27.480
<v Speaker 9>this is the thing that I got, which I loathed

0:22:27.600 --> 0:22:29.679
<v Speaker 9>to this day. But I know where it comes from.

0:22:29.960 --> 0:22:35.000
<v Speaker 9>When like there's a particular cat comes up, Yo, Wayne, nigger,

0:22:37.119 --> 0:22:40.640
<v Speaker 9>that's that dude, i'mosa slap me a home. It's like, no, no, man,

0:22:40.680 --> 0:22:45.159
<v Speaker 9>it's actually it's actually it's actually it's actually choko.

0:22:46.520 --> 0:22:48.680
<v Speaker 2>That's what I meant. That's what I meant. I gotta

0:22:48.720 --> 0:22:49.399
<v Speaker 2>tell you something.

0:22:49.440 --> 0:22:52.000
<v Speaker 10>I gotta tell you something. I didn't fuck with you before.

0:22:52.000 --> 0:22:52.320
<v Speaker 2>I didn't.

0:22:52.359 --> 0:22:54.560
<v Speaker 9>I didn't fuck with you, honest, I didn't fuck with

0:22:54.640 --> 0:22:56.399
<v Speaker 9>you before. I was like well, thanks for telling me

0:22:56.440 --> 0:22:58.280
<v Speaker 9>you're in the thoughts I did. Really you didn't digest

0:22:58.280 --> 0:22:59.480
<v Speaker 9>my Okay, fine, but.

0:22:59.680 --> 0:23:01.280
<v Speaker 11>Now now.

0:23:02.600 --> 0:23:09.160
<v Speaker 9>Now now hug me, now, man now, And then I'm like, well,

0:23:09.200 --> 0:23:11.320
<v Speaker 9>thank you. But the funny thing is, oh, so you

0:23:11.359 --> 0:23:17.400
<v Speaker 9>love me now because I had hoes, made Dave take drugs,

0:23:17.720 --> 0:23:21.800
<v Speaker 9>and it was yeah, I get I get it, I

0:23:21.800 --> 0:23:23.520
<v Speaker 9>get it. But the thing that I loved the most

0:23:23.560 --> 0:23:26.320
<v Speaker 9>about it is whatever your reaction and whatever you felt,

0:23:26.359 --> 0:23:29.040
<v Speaker 9>and I feel it to this day. It's a classic sketch.

0:23:29.160 --> 0:23:32.400
<v Speaker 9>It's in the Museum of Television History. I love Dave,

0:23:32.440 --> 0:23:35.760
<v Speaker 9>and I thank Dave, and I thank Neil for and

0:23:35.880 --> 0:23:38.760
<v Speaker 9>I thank Donnelle for coming up to me because I

0:23:38.760 --> 0:23:40.920
<v Speaker 9>got a chance to do something that was so dope,

0:23:40.960 --> 0:23:43.840
<v Speaker 9>and I see the effects of it today that people

0:23:43.880 --> 0:23:46.960
<v Speaker 9>got to see because I was doing a Disney talk show,

0:23:46.960 --> 0:23:48.919
<v Speaker 9>I was doing an a ABC talk show. I was

0:23:48.960 --> 0:23:51.440
<v Speaker 9>on a Who's Line at night. I was doing those things. Now,

0:23:51.480 --> 0:23:53.760
<v Speaker 9>the people that followed my act, that saw me in

0:23:53.800 --> 0:23:56.800
<v Speaker 9>the comedy clubs and theaters, they knew that it's kind

0:23:56.800 --> 0:23:59.760
<v Speaker 9>of like the Bob Saget thing. My act is my acting,

0:24:00.280 --> 0:24:03.040
<v Speaker 9>and you tell you tell folks just because you watched

0:24:03.040 --> 0:24:05.600
<v Speaker 9>whose line or your kid likes Sophia the first, don't

0:24:05.600 --> 0:24:07.640
<v Speaker 9>bring your kids to my show because it's not that

0:24:07.760 --> 0:24:10.400
<v Speaker 9>kind of show. So it's not that. So I felt

0:24:10.440 --> 0:24:13.359
<v Speaker 9>that that began a shift where folks to your point earlier,

0:24:13.359 --> 0:24:15.000
<v Speaker 9>where folks say that they really don't know me, they

0:24:15.000 --> 0:24:17.080
<v Speaker 9>know the things that that I do. I feel that

0:24:17.240 --> 0:24:21.080
<v Speaker 9>was a step in people going Okay, I guess there's

0:24:21.119 --> 0:24:23.639
<v Speaker 9>more to the person than I thought. And if it

0:24:23.680 --> 0:24:25.960
<v Speaker 9>takes an event like that to make you open your mind,

0:24:25.960 --> 0:24:27.960
<v Speaker 9>then cool. I don't care where it comes from, as

0:24:28.040 --> 0:24:28.920
<v Speaker 9>as it comes.

0:24:29.160 --> 0:24:33.520
<v Speaker 8>Well, then I'll ask you something I thought. We're on

0:24:33.560 --> 0:24:37.720
<v Speaker 8>our way to being best friends. We started with we

0:24:37.760 --> 0:24:39.440
<v Speaker 8>wanted to be friends friends?

0:24:39.480 --> 0:24:47.280
<v Speaker 1>Is so excited, Yes, sir, And this is an objective question,

0:24:47.400 --> 0:24:49.040
<v Speaker 1>so I don't know if I can get a definitive answer.

0:24:49.080 --> 0:24:53.280
<v Speaker 2>Of course, is the grass greener on the other side.

0:24:54.400 --> 0:24:59.240
<v Speaker 9>Well, you know, I would not know still because and

0:24:59.280 --> 0:25:01.720
<v Speaker 9>this is a larger conversation for a thing I have

0:25:01.800 --> 0:25:07.680
<v Speaker 9>issues where I still feel where now it's mostly oddly enough,

0:25:07.760 --> 0:25:12.520
<v Speaker 9>ironically it's white Hollywood and white studio exects. And I'll

0:25:12.560 --> 0:25:15.240
<v Speaker 9>even say agents that I've had in the past and

0:25:15.280 --> 0:25:19.040
<v Speaker 9>people because black is black to me, we are not

0:25:19.119 --> 0:25:21.399
<v Speaker 9>a monolith. That's what Whiz is about. Come see the

0:25:21.400 --> 0:25:25.879
<v Speaker 9>Whiz until June tenth. So until oh no, no, but you

0:25:25.960 --> 0:25:27.520
<v Speaker 9>got a seed in general. But just know that's onory.

0:25:27.680 --> 0:25:30.720
<v Speaker 9>So black is all these beautiful things. But the problem

0:25:30.840 --> 0:25:33.000
<v Speaker 9>is that when we call each other out and we go, oh,

0:25:33.040 --> 0:25:35.000
<v Speaker 9>you're not black of this or your experiences in this,

0:25:35.320 --> 0:25:37.920
<v Speaker 9>there are people on the other side listening, like studio

0:25:37.960 --> 0:25:40.840
<v Speaker 9>execs and like other people that they're oh, so that's

0:25:40.880 --> 0:25:41.600
<v Speaker 9>not black enough.

0:25:41.600 --> 0:25:42.800
<v Speaker 2>So what is black?

0:25:42.880 --> 0:25:45.320
<v Speaker 9>Jamal tell me what is black? And he's like, well,

0:25:45.320 --> 0:25:48.080
<v Speaker 9>I don't mess with that, do But I think that dude, okay, great.

0:25:48.320 --> 0:25:52.159
<v Speaker 9>So my problem on the grass side isn't even with

0:25:52.359 --> 0:25:54.840
<v Speaker 9>my own folks. I love my folks, and my folks

0:25:54.840 --> 0:25:57.560
<v Speaker 9>mess with me. It's how I am perceived. I think

0:25:57.960 --> 0:26:01.359
<v Speaker 9>even for roles even in series that I know that

0:26:01.400 --> 0:26:04.560
<v Speaker 9>I would kill it, I am by by the gatekeeper

0:26:04.800 --> 0:26:07.720
<v Speaker 9>who maybe the show creators black, but the studio head

0:26:07.800 --> 0:26:10.000
<v Speaker 9>is like, oh no, I wouldn't consider Wayne Brady for that.

0:26:10.600 --> 0:26:12.160
<v Speaker 2>Are there three roles that got away?

0:26:12.840 --> 0:26:13.760
<v Speaker 10>Three roles that got away?

0:26:14.040 --> 0:26:17.919
<v Speaker 2>Three? Is there one? What role? Almost?

0:26:18.240 --> 0:26:18.359
<v Speaker 3>Well?

0:26:18.400 --> 0:26:20.679
<v Speaker 9>I have a few that I have almost had it

0:26:20.760 --> 0:26:24.160
<v Speaker 9>that that I'm not gonna blame on Race because maybe

0:26:24.200 --> 0:26:26.040
<v Speaker 9>I wasn't the dude on that day. But I was

0:26:26.080 --> 0:26:29.120
<v Speaker 9>offered some a couple of things, and then offers got oh,

0:26:29.160 --> 0:26:31.480
<v Speaker 9>because but the one that sticks out in my head

0:26:31.720 --> 0:26:34.320
<v Speaker 9>that and I feel it We're going so long, so

0:26:34.359 --> 0:26:37.280
<v Speaker 9>I'm trying to make things quol Okay, this is not

0:26:37.440 --> 0:26:41.440
<v Speaker 9>a great movie by any stretch, but it was one

0:26:41.520 --> 0:26:43.240
<v Speaker 9>of the ones. It was around the Chappelle things that

0:26:43.280 --> 0:26:45.800
<v Speaker 9>I was like, I'm gonna show folks what the fuck

0:26:45.920 --> 0:26:51.040
<v Speaker 9>I do. It was snakes on the plane and here's

0:26:51.040 --> 0:26:53.920
<v Speaker 9>the thing. It was for the role of the rapper. Now,

0:26:54.880 --> 0:26:56.800
<v Speaker 9>now the dude that got it, that's my boy Flex.

0:26:56.840 --> 0:26:59.080
<v Speaker 9>I did a movie with Flex. I love Flex. So

0:26:59.160 --> 0:27:04.159
<v Speaker 9>if I'm happy that, yeah, she said. I was like

0:27:04.320 --> 0:27:07.000
<v Speaker 9>doing another Flex, So if anybody got it, I was

0:27:07.000 --> 0:27:11.359
<v Speaker 9>happy because Flex, And yes, that's fam But what I

0:27:11.400 --> 0:27:15.120
<v Speaker 9>did and my audition was so genius. I have to say,

0:27:15.160 --> 0:27:18.480
<v Speaker 9>this ship was genius. It was for the rapper. I

0:27:18.520 --> 0:27:21.359
<v Speaker 9>looked at the script like, uh, not a great script.

0:27:21.400 --> 0:27:23.760
<v Speaker 9>The concept you said. I was like, screw it, I'm

0:27:23.760 --> 0:27:28.639
<v Speaker 9>going to go in. So I hired two actors to

0:27:28.680 --> 0:27:32.399
<v Speaker 9>play my bodyguards, and I hired a couple of girls

0:27:32.400 --> 0:27:36.240
<v Speaker 9>to be my video vixens, and I for the audition.

0:27:36.440 --> 0:27:40.440
<v Speaker 9>For the audition, I'll never forget, I drove in traffic.

0:27:40.680 --> 0:27:42.520
<v Speaker 9>Like if any of you were actors back in the

0:27:42.560 --> 0:27:44.600
<v Speaker 9>day in la if you had to go over to

0:27:44.640 --> 0:27:47.560
<v Speaker 9>Santa Monica to audition for this day, it was horrible

0:27:47.600 --> 0:27:49.359
<v Speaker 9>getting there. I spent about an hour and an hour

0:27:49.400 --> 0:27:51.520
<v Speaker 9>and a half in traffic, and I came up with

0:27:51.560 --> 0:27:54.600
<v Speaker 9>the idea. I said, I could do this script, but

0:27:54.680 --> 0:27:57.679
<v Speaker 9>what I'm gonna do is I'm going to be this

0:27:57.800 --> 0:28:01.480
<v Speaker 9>dude and then I'm in a freestyle what's in I'm

0:28:01.520 --> 0:28:05.199
<v Speaker 9>gonna freestyle the story of snakes on a plane, and

0:28:05.240 --> 0:28:09.600
<v Speaker 9>then I'm gonna walk out. So I get there. I

0:28:09.640 --> 0:28:11.239
<v Speaker 9>timed it so that my time was I don't even

0:28:11.280 --> 0:28:14.600
<v Speaker 9>know what time. My time was like four thirty. I

0:28:14.920 --> 0:28:17.040
<v Speaker 9>now keep keep in mind, I'm in full like I'm

0:28:17.040 --> 0:28:19.760
<v Speaker 9>in my Adidas thing. I've got chains, the whole nine,

0:28:19.760 --> 0:28:21.840
<v Speaker 9>I've got these rings, my shit to the side. I

0:28:21.880 --> 0:28:24.800
<v Speaker 9>walk in and the dude, the one of the bodyguards,

0:28:25.000 --> 0:28:27.800
<v Speaker 9>has a boombox. Were the track I walk in the

0:28:27.880 --> 0:28:32.360
<v Speaker 9>casting office click boom booms, boom boots, the boom booms.

0:28:32.480 --> 0:28:32.760
<v Speaker 2>Walking.

0:28:32.920 --> 0:28:37.640
<v Speaker 9>There are actors waiting. I walk right through. I walk

0:28:37.760 --> 0:28:42.680
<v Speaker 9>right through into the wait. Wait, you can't get a click. Hey,

0:28:42.720 --> 0:28:45.360
<v Speaker 9>how you doing? Oh wait is it yo? I'm not waiting.

0:28:45.360 --> 0:28:47.479
<v Speaker 9>I'm gonna read that shit. Blah blah blah. Went on

0:28:47.520 --> 0:28:50.120
<v Speaker 9>this whole thing about that script, like that script. Look,

0:28:50.760 --> 0:28:52.600
<v Speaker 9>he hit the thing and I did all. I can't

0:28:52.600 --> 0:28:54.560
<v Speaker 9>even remember what I said, but it was based basically,

0:28:54.720 --> 0:28:56.800
<v Speaker 9>because you want me to explain. I got snakes on

0:28:56.840 --> 0:28:58.840
<v Speaker 9>a plane that's up in their legs and the contempt,

0:28:58.920 --> 0:29:00.800
<v Speaker 9>and we got this dude, want to sit next guy?

0:29:00.840 --> 0:29:02.600
<v Speaker 9>And Sam Sam said, fuck these planes.

0:29:02.640 --> 0:29:04.120
<v Speaker 2>You know who I am. But I come and I

0:29:04.160 --> 0:29:05.200
<v Speaker 2>do this about a da da dad.

0:29:05.200 --> 0:29:06.000
<v Speaker 10>And when it's finished, like.

0:29:06.000 --> 0:29:10.520
<v Speaker 9>I I cleared their desk of these papy flash dance

0:29:10.800 --> 0:29:11.240
<v Speaker 9>of like the.

0:29:11.320 --> 0:29:12.560
<v Speaker 12>Good shots in the scripts.

0:29:12.800 --> 0:29:14.840
<v Speaker 10>I was like, because clear shit.

0:29:14.880 --> 0:29:16.960
<v Speaker 2>And I through the script because I reading this ship.

0:29:17.120 --> 0:29:17.479
<v Speaker 2>Let's go.

0:29:18.200 --> 0:29:22.040
<v Speaker 9>Walked right back out, walked out of the casting office,

0:29:22.440 --> 0:29:24.480
<v Speaker 9>went to my car and I was.

0:29:24.480 --> 0:29:27.400
<v Speaker 10>Like, oh, hey, thanks, here's fifty bucks. Thank you so much.

0:29:27.640 --> 0:29:28.480
<v Speaker 10>You guys were great.

0:29:29.120 --> 0:29:31.440
<v Speaker 9>I'm get as I'm driving home by the time I

0:29:31.480 --> 0:29:33.960
<v Speaker 9>get home, I have on my next tail.

0:29:34.440 --> 0:29:39.080
<v Speaker 2>I had a cease and desist.

0:29:38.560 --> 0:29:44.680
<v Speaker 9>I had a message from my agent call nine one

0:29:44.760 --> 0:29:51.440
<v Speaker 9>one oh. They wanted to offer me the role. They

0:29:51.560 --> 0:29:53.400
<v Speaker 9>really liked you for this role is. I was like,

0:29:54.680 --> 0:29:57.080
<v Speaker 9>I did it. It actually worked, and it was that

0:29:57.240 --> 0:29:59.920
<v Speaker 9>thing of I've got a name. You see me on

0:30:00.120 --> 0:30:02.200
<v Speaker 9>TV every day. Of these things, I'm still begging and

0:30:02.200 --> 0:30:04.640
<v Speaker 9>fighting people to get into rooms, and I'm even trying

0:30:04.640 --> 0:30:08.040
<v Speaker 9>to get into this whack movie. So at least I

0:30:08.200 --> 0:30:10.640
<v Speaker 9>was like, at least I know that I'm good, and

0:30:10.680 --> 0:30:13.400
<v Speaker 9>this thing happened, and now it pays off. Now here's

0:30:13.440 --> 0:30:16.240
<v Speaker 9>where I'm gonna be careful because all I know is

0:30:16.280 --> 0:30:18.680
<v Speaker 9>what I was told by my reps at this time.

0:30:18.960 --> 0:30:19.760
<v Speaker 10>So they get a call.

0:30:19.760 --> 0:30:21.840
<v Speaker 9>I'm not gonna name who the person was, but somebody

0:30:21.880 --> 0:30:25.880
<v Speaker 9>who was in a position of power at the studio. When,

0:30:26.000 --> 0:30:28.480
<v Speaker 9>of course these names are being run up the flag pole,

0:30:29.440 --> 0:30:33.840
<v Speaker 9>Wayne Brady's name comes up, and this white person says,

0:30:34.680 --> 0:30:40.560
<v Speaker 9>oh no, uh uh, not Wayne Brady. He's not black enough. No,

0:30:40.840 --> 0:30:45.400
<v Speaker 9>he's not black black, He's not black black black black.

0:30:45.720 --> 0:30:48.760
<v Speaker 2>There's always an expert air quotes, Yeah.

0:30:48.520 --> 0:30:50.560
<v Speaker 9>But I love how he hit black black, so I'm

0:30:50.600 --> 0:30:53.600
<v Speaker 9>not black black, but so so then flex gets it

0:30:53.640 --> 0:30:57.360
<v Speaker 9>and that's cool. And I found out this information because

0:30:57.600 --> 0:30:59.720
<v Speaker 9>I guess somebody at some point in the chain felt

0:30:59.720 --> 0:31:02.600
<v Speaker 9>so They're like, I just want want you to know.

0:31:03.040 --> 0:31:06.280
<v Speaker 9>So I was like, okay, So that one stung me,

0:31:06.760 --> 0:31:09.680
<v Speaker 9>not because I didn't do a great job, but because

0:31:09.760 --> 0:31:12.040
<v Speaker 9>I knew it would be something that i'd be facing

0:31:12.280 --> 0:31:14.520
<v Speaker 9>and I'm not gonna boohoo because it's something that just

0:31:14.600 --> 0:31:18.960
<v Speaker 9>as black actors, black people, black, black lawyers, black, we

0:31:19.080 --> 0:31:22.080
<v Speaker 9>face a certain thing. The naivete that I had up

0:31:22.120 --> 0:31:26.360
<v Speaker 9>until that point was, well, surely if I'm really dope

0:31:26.880 --> 0:31:30.720
<v Speaker 9>and you've seen me do things and I'm a great actor,

0:31:30.760 --> 0:31:34.680
<v Speaker 9>I do Broadway I do, surely I should.

0:31:34.320 --> 0:31:35.040
<v Speaker 2>Get the job.

0:31:35.480 --> 0:31:38.400
<v Speaker 9>Like Nope, because I don't think that you are based

0:31:38.400 --> 0:31:41.520
<v Speaker 9>on blah blah blah. I was like, oh, I'm an adult, now,

0:31:41.720 --> 0:31:46.320
<v Speaker 9>fuck it, I get it. So so that helped me understand. So,

0:31:46.320 --> 0:31:48.360
<v Speaker 9>so that's that's the one that got away that I

0:31:48.360 --> 0:31:50.400
<v Speaker 9>was disappointed in, not because of I didn't get it,

0:31:50.440 --> 0:31:51.680
<v Speaker 9>but because I was like.

0:31:51.760 --> 0:31:52.960
<v Speaker 2>Man, you're being judged.

0:31:53.120 --> 0:31:56.280
<v Speaker 9>If I'm dealing dealing with this, then that sucks for

0:31:56.360 --> 0:32:00.680
<v Speaker 9>the actor. Who is coming up and doesn't have any

0:32:00.720 --> 0:32:04.200
<v Speaker 9>cloud or doesn't have who's a thing to fall back on.

0:32:04.600 --> 0:32:06.760
<v Speaker 9>So so that made me very sympathetic to that.

0:32:07.880 --> 0:32:10.520
<v Speaker 1>Damn man, I'm sorry you didn't get that, and it's

0:32:10.720 --> 0:32:11.600
<v Speaker 1>this could have been.

0:32:11.760 --> 0:32:16.240
<v Speaker 2>That movie was terrible though, right, I mean it was a.

0:32:16.160 --> 0:32:19.760
<v Speaker 13>Commercial yeah, yeah, because it was actually one of the

0:32:19.800 --> 0:32:24.240
<v Speaker 13>first movies I remember like that really went viral, Like yeah,

0:32:24.560 --> 0:32:32.479
<v Speaker 13>the viral because the campaign that later later because they

0:32:32.640 --> 0:32:33.400
<v Speaker 13>was like people.

0:32:35.000 --> 0:32:37.120
<v Speaker 9>Right, I don't even say right, like, am I right?

0:32:37.280 --> 0:32:39.720
<v Speaker 9>Thinking that Sam was already doing this thing? Of course

0:32:39.760 --> 0:32:42.240
<v Speaker 9>he was Sam Jackson. But I feel like that line

0:32:42.840 --> 0:32:46.920
<v Speaker 9>in that membost kind of made the mythos of Sam

0:32:47.000 --> 0:32:51.800
<v Speaker 9>Jackson where in every movie motherfucker. That that and and

0:32:51.880 --> 0:32:54.320
<v Speaker 9>the Tarantin Tino joint, so like those are the two

0:32:54.360 --> 0:33:00.880
<v Speaker 9>that cemented Sam as that dude.

0:33:01.000 --> 0:33:04.200
<v Speaker 1>You know what, I made a promise on that episode.

0:33:04.960 --> 0:33:10.400
<v Speaker 1>Probably the one complaint that people have on me is

0:33:11.160 --> 0:33:16.240
<v Speaker 1>sometimes my non committal and not by choice. I'm not

0:33:16.280 --> 0:33:20.600
<v Speaker 1>saying noncommittal like as an I don't consciously choose to

0:33:20.680 --> 0:33:23.640
<v Speaker 1>not commit. But of course even I can acknowledge that

0:33:23.720 --> 0:33:31.040
<v Speaker 1>perhaps my love of work sometimes and maybe purposely keeps

0:33:31.080 --> 0:33:34.680
<v Speaker 1>me from having to interact with people. I know that

0:33:34.760 --> 0:33:38.480
<v Speaker 1>sounds mean to say, but I don't mean it in

0:33:38.120 --> 0:33:42.280
<v Speaker 1>a such a blatant way. But yeah, I'll acknowledge that

0:33:43.160 --> 0:33:47.000
<v Speaker 1>oftentimes when people are addicted to work and do long

0:33:47.120 --> 0:33:49.520
<v Speaker 1>work hours, it's often because.

0:33:50.600 --> 0:33:52.680
<v Speaker 2>Socially they lack in other area.

0:33:52.800 --> 0:33:57.160
<v Speaker 1>So, you know, I said I would stay in contact

0:33:57.360 --> 0:34:00.720
<v Speaker 1>and start a friendship with Wayne Brady. I have sort

0:34:00.720 --> 0:34:04.680
<v Speaker 1>of dropped the ball on my end. We text occasionally,

0:34:05.120 --> 0:34:07.560
<v Speaker 1>but yeah, we got to do that dinner. I just

0:34:07.560 --> 0:34:11.840
<v Speaker 1>think it's important for birds of a feather to flock together.

0:34:12.640 --> 0:34:14.360
<v Speaker 2>And if we take.

0:34:14.200 --> 0:34:18.000
<v Speaker 1>Time out, I think we will all notice that we

0:34:18.080 --> 0:34:24.040
<v Speaker 1>all have creative commonality, social anxiety commonality, a lot of

0:34:24.040 --> 0:34:26.719
<v Speaker 1>things in common, and if we sort of just took

0:34:26.760 --> 0:34:31.480
<v Speaker 1>time out to explore those things and share stories with

0:34:31.520 --> 0:34:34.439
<v Speaker 1>each other, war stories or common stories with each other,

0:34:35.520 --> 0:34:36.520
<v Speaker 1>we'll be better off.

0:34:36.880 --> 0:34:41.520
<v Speaker 2>So but yeah, Wayne, I love that guy. Man.

0:34:41.920 --> 0:34:46.359
<v Speaker 1>You know it's beautiful cat And I will hold up

0:34:46.400 --> 0:34:47.480
<v Speaker 1>my end of the bargain.

0:34:47.560 --> 0:34:50.399
<v Speaker 2>I'm saying this to the world, all right.

0:34:50.440 --> 0:34:54.920
<v Speaker 1>So here is Kathy Hughes, who pioneered the quiet store

0:34:55.640 --> 0:35:00.560
<v Speaker 1>format from her own record collection. Keep Mad that like

0:35:00.600 --> 0:35:02.680
<v Speaker 1>you run a radio station, you got to use your

0:35:02.719 --> 0:35:07.239
<v Speaker 1>own records to keep it afloat. So part one of

0:35:07.280 --> 0:35:12.160
<v Speaker 1>our interview, and this is from twenty twenty three, Kathy,

0:35:12.160 --> 0:35:15.680
<v Speaker 1>you shares a story and this is important history, so listen.

0:35:17.080 --> 0:35:19.040
<v Speaker 14>But one of the things that I've been proud is of,

0:35:19.120 --> 0:35:25.360
<v Speaker 14>quite frankly, was the assistance that we did provide for

0:35:25.480 --> 0:35:28.360
<v Speaker 14>the do wop groups and for the oldies but goodies

0:35:28.360 --> 0:35:31.040
<v Speaker 14>as they call them, because so many of these individuals

0:35:31.600 --> 0:35:36.399
<v Speaker 14>were starving. Okay, all right, I mean they loved the art,

0:35:36.480 --> 0:35:39.280
<v Speaker 14>they loved the music, but they couldn't work any longer,

0:35:39.280 --> 0:35:42.600
<v Speaker 14>and disco just killed so many of them off. And

0:35:42.640 --> 0:35:46.080
<v Speaker 14>it was not until we, during that same era, came

0:35:46.160 --> 0:35:50.279
<v Speaker 14>up with this concept of you know, basically oldies, but

0:35:50.440 --> 0:35:55.040
<v Speaker 14>we you know, put more sophisticated titles to it dealt contemporary.

0:35:55.280 --> 0:36:00.920
<v Speaker 1>Okay, So you help us here in like nostalgia.

0:36:00.840 --> 0:36:03.040
<v Speaker 4>Or the urban ac category.

0:36:03.080 --> 0:36:05.279
<v Speaker 7>I mean, I think she's saying that they created the

0:36:05.440 --> 0:36:07.640
<v Speaker 7>urban acne category.

0:36:07.160 --> 0:36:12.920
<v Speaker 14>No question, okay, And it was to really provide platforms

0:36:13.440 --> 0:36:16.640
<v Speaker 14>we have this had this event for years until it

0:36:16.760 --> 0:36:20.520
<v Speaker 14>became too big, quite frankly for us to handle. I

0:36:20.560 --> 0:36:23.160
<v Speaker 14>admired the fact that Philadelphia still is able to do.

0:36:23.160 --> 0:36:26.239
<v Speaker 14>There's called the Stone Soul Picnic, and the Stone Soul

0:36:26.360 --> 0:36:29.799
<v Speaker 14>Picnic was only these old groups that you know, the

0:36:29.840 --> 0:36:37.359
<v Speaker 14>Ohio players, Okay, all these groups that had been dormant. Okay,

0:36:37.640 --> 0:36:42.160
<v Speaker 14>nobody was buying them, nobody was sampling them, okay, nobody

0:36:42.320 --> 0:36:46.359
<v Speaker 14>was recognizing them for their their brilliance, and uh, we

0:36:46.400 --> 0:36:49.680
<v Speaker 14>started resurrecting them, Okay. And I kind of stumbled into

0:36:49.719 --> 0:36:52.840
<v Speaker 14>it after I had created the Quiet Storm, because the

0:36:52.920 --> 0:37:00.520
<v Speaker 14>Quiet Storm was love music, love was ballots, and I

0:37:00.600 --> 0:37:05.320
<v Speaker 14>had to really reach back, all right to eras where

0:37:06.320 --> 0:37:07.680
<v Speaker 14>lyrics told stories.

0:37:07.880 --> 0:37:10.080
<v Speaker 4>You gotta tell that story. You need to tell the

0:37:10.160 --> 0:37:11.480
<v Speaker 4>Quiet Storm story.

0:37:11.840 --> 0:37:12.760
<v Speaker 2>Where's the name from?

0:37:12.920 --> 0:37:15.799
<v Speaker 1>Explain to us who Melvin Lindsay was and how you

0:37:15.840 --> 0:37:19.640
<v Speaker 1>guys invented. You guys basically helped triple the population.

0:37:21.400 --> 0:37:23.359
<v Speaker 14>And let me tell you that. The reason, the main

0:37:23.400 --> 0:37:25.839
<v Speaker 14>reason I want to write my book is because when

0:37:26.360 --> 0:37:30.040
<v Speaker 14>w h U R celebrated as anniversary, there were several

0:37:30.120 --> 0:37:35.360
<v Speaker 14>inaccurate accountings of the Quiet Storm. Number One, Melvin Lindsay

0:37:35.520 --> 0:37:39.040
<v Speaker 14>was not the originator. Melvin Lindsay was my third era

0:37:40.280 --> 0:37:43.480
<v Speaker 14>whoa not my first? He was my third. Okay, whoa

0:37:44.200 --> 0:37:49.240
<v Speaker 14>all right. First was a kid named Don Roberts, who

0:37:49.280 --> 0:37:52.439
<v Speaker 14>broke my heart because he was the most talented of

0:37:52.480 --> 0:37:56.960
<v Speaker 14>my first three. But he was good looking, and he

0:37:57.080 --> 0:37:59.520
<v Speaker 14>said to me, I got a face for television, missus

0:38:00.239 --> 0:38:03.080
<v Speaker 14>linccoln's okay, because I wasn't even married to do even,

0:38:03.400 --> 0:38:05.719
<v Speaker 14>He said, I don't want to be in at a

0:38:05.840 --> 0:38:08.560
<v Speaker 14>radio studio where no one could see me. Sure not

0:38:08.800 --> 0:38:12.560
<v Speaker 14>went on to be a big time anchor in Baltimore, Maryland. Okay,

0:38:13.080 --> 0:38:16.520
<v Speaker 14>Don robert My first. My second was a young man

0:38:16.640 --> 0:38:21.640
<v Speaker 14>named Jack Schuler. Jack Schuler was Melvin Lindsey's best friend.

0:38:22.480 --> 0:38:25.600
<v Speaker 14>Melvin Lindsey was my intern that I paid out of

0:38:25.640 --> 0:38:28.399
<v Speaker 14>my pocket. He picked my son up from school. He

0:38:28.480 --> 0:38:31.400
<v Speaker 14>came because Howard said that they didn't have a budget

0:38:31.400 --> 0:38:35.920
<v Speaker 14>for interns and I needed some of the students to

0:38:36.040 --> 0:38:40.040
<v Speaker 14>actually be in a position to earn some money. So

0:38:40.440 --> 0:38:45.080
<v Speaker 14>Jack Schuler was vomiting literally after each show or doing

0:38:45.120 --> 0:38:47.879
<v Speaker 14>the show. He was so nervous, he was trembling. He said,

0:38:47.920 --> 0:38:50.640
<v Speaker 14>please don't make me do this no more, missliggoans. Please

0:38:50.960 --> 0:38:54.600
<v Speaker 14>please Melvin to do it, Melvin to do it. So

0:38:54.760 --> 0:38:57.359
<v Speaker 14>Melvin told me he would do the Quiet Storm if

0:38:57.400 --> 0:39:01.200
<v Speaker 14>I didn't make him open the microphone. So if there

0:39:01.200 --> 0:39:05.080
<v Speaker 14>were any early tapes that you're looking for it, yeah,

0:39:05.120 --> 0:39:08.560
<v Speaker 14>he would say good evening and welcome to the Quiet Storm.

0:39:09.239 --> 0:39:11.560
<v Speaker 14>The next time you would hear Melvin Lindsay's voice, he

0:39:11.560 --> 0:39:15.000
<v Speaker 14>would say, thank you for listening to the Quiet Storm.

0:39:15.719 --> 0:39:20.880
<v Speaker 14>I'm Melvin Lindsay. There was nothing in between from Melbourne

0:39:21.280 --> 0:39:24.480
<v Speaker 14>except the music. Great taste in music. It was my

0:39:24.840 --> 0:39:29.120
<v Speaker 14>private music collection. And I started it out on Saturday

0:39:29.200 --> 0:39:34.239
<v Speaker 14>night and then on Sunday, and then I decided that

0:39:35.000 --> 0:39:39.480
<v Speaker 14>it was the conception of the Quiet Storm was for

0:39:39.640 --> 0:39:44.120
<v Speaker 14>a senior to be chosen by the faculty, two seniors

0:39:44.120 --> 0:39:46.719
<v Speaker 14>in fact, one for each semester, to give them a

0:39:46.800 --> 0:39:52.520
<v Speaker 14>commercial experience on their resume. Okay. It was never for

0:39:52.640 --> 0:39:55.480
<v Speaker 14>one person to host the show. It was never supprised.

0:39:55.520 --> 0:40:00.400
<v Speaker 14>It was supposed to be a rotation opportunity. As I

0:40:00.440 --> 0:40:04.000
<v Speaker 14>came to it was Milton Allen who was married to

0:40:04.040 --> 0:40:11.080
<v Speaker 14>Pat Prescott in La Sheila Eldritch and Franklin. Those were

0:40:11.120 --> 0:40:14.800
<v Speaker 14>my three, Okay, students that I was able to rotate. Okay,

0:40:15.080 --> 0:40:20.879
<v Speaker 14>nobody else rotated. Okay. People came and got stuck, including Melbourne. Well,

0:40:20.920 --> 0:40:27.799
<v Speaker 14>Melvin did so good that kys Kiss told him that

0:40:28.440 --> 0:40:30.799
<v Speaker 14>they would give him an opportunity if he would come

0:40:30.840 --> 0:40:33.920
<v Speaker 14>and be on the air at Kiss. So Melvin walks

0:40:33.920 --> 0:40:35.960
<v Speaker 14>into my office. Now, this is like I told you,

0:40:36.000 --> 0:40:41.120
<v Speaker 14>he said Jim Tern. I had literally supported him. Okay.

0:40:41.560 --> 0:40:43.560
<v Speaker 14>His parents would say to him, well, you need to

0:40:43.560 --> 0:40:46.040
<v Speaker 14>ask miss Liggans first before you do so. And so

0:40:46.120 --> 0:40:48.359
<v Speaker 14>I had picked his classes for him the whole nine years.

0:40:48.400 --> 0:40:50.840
<v Speaker 14>He tells me on a Friday that he's got an

0:40:50.920 --> 0:40:53.560
<v Speaker 14>offer and he's going to work at Kiss. And I'm

0:40:53.560 --> 0:40:56.399
<v Speaker 14>thinking he's somebody after graduation and all this. And I said,

0:40:56.440 --> 0:40:59.719
<v Speaker 14>when he said Monday, I was so irate. I told

0:40:59.760 --> 0:41:04.560
<v Speaker 14>him get out of my office. Hey, yes, So Dewey Hughes,

0:41:05.560 --> 0:41:10.200
<v Speaker 14>who at that time had fourteen Emmys for his productions

0:41:10.280 --> 0:41:14.640
<v Speaker 14>at the r City NBC fourteen Emmy's Okay, he created

0:41:14.680 --> 0:41:20.160
<v Speaker 14>youth News, he created music videos as Quiets as Kep. Anyway,

0:41:20.640 --> 0:41:23.279
<v Speaker 14>Dewey comes to my office and he tells me that

0:41:23.400 --> 0:41:27.120
<v Speaker 14>it's a setup, that NBC just wanted Melvin off the air,

0:41:27.560 --> 0:41:30.200
<v Speaker 14>and that they had him in the mill room and

0:41:30.239 --> 0:41:34.680
<v Speaker 14>would I please bring him back? And I said bring

0:41:34.800 --> 0:41:37.000
<v Speaker 14>him back, and he said, let me take you to

0:41:37.080 --> 0:41:40.600
<v Speaker 14>dinner and talk to you about this well ultimately doing,

0:41:40.640 --> 0:41:44.600
<v Speaker 14>and I got married and Melvin came back. Okay. And

0:41:44.880 --> 0:41:50.120
<v Speaker 14>years later, okay there and years later, I'll never well forget.

0:41:50.160 --> 0:41:52.759
<v Speaker 14>We were at this big affair and Melvin was being

0:41:52.840 --> 0:41:56.480
<v Speaker 14>honored and I was in the audience with Dewey and

0:41:56.520 --> 0:41:58.960
<v Speaker 14>Melvin didn't acknowledge the fact that I was even in

0:41:59.000 --> 0:42:03.920
<v Speaker 14>the audience. And Dewey had torn his achilles, attended to

0:42:04.120 --> 0:42:07.160
<v Speaker 14>play a basketball, he was crutches. He went up to

0:42:07.840 --> 0:42:12.439
<v Speaker 14>the head table. He grabbed Melvin Lindsey around the neck

0:42:12.880 --> 0:42:13.759
<v Speaker 14>and he said.

0:42:13.640 --> 0:42:23.600
<v Speaker 15>I'm married because of you, Okay, and then we went

0:42:23.640 --> 0:42:24.759
<v Speaker 15>back to the microphone.

0:42:24.840 --> 0:42:26.799
<v Speaker 14>Well, I'm so sorry. I didn't know she was here.

0:42:27.480 --> 0:42:29.799
<v Speaker 14>He grabbed her right in front of the whole room.

0:42:29.840 --> 0:42:32.839
<v Speaker 14>It was hilarious because that's how Juey and I ended

0:42:32.920 --> 0:42:35.600
<v Speaker 14>up getting married. The reason my name is Kathy Hughes.

0:42:35.960 --> 0:42:40.040
<v Speaker 1>How did you get Melvin out of his shyness? Because

0:42:40.280 --> 0:42:43.680
<v Speaker 1>I didn't know Melvin Lindsay as a radio personality. I

0:42:43.800 --> 0:42:48.520
<v Speaker 1>knew him as when we first got cable. I knew

0:42:48.520 --> 0:42:52.120
<v Speaker 1>Melvin Lindsay as a news personality. So he was like

0:42:52.160 --> 0:42:54.359
<v Speaker 1>Brian Gumbele is, and I'm like, wait a minute, you

0:42:54.480 --> 0:42:57.279
<v Speaker 1>were a quiet storm guy in so.

0:42:57.480 --> 0:43:00.520
<v Speaker 4>Sexy and I was too young to even know it all.

0:43:00.880 --> 0:43:03.320
<v Speaker 2>Yes, I was like, so how did you?

0:43:03.440 --> 0:43:05.120
<v Speaker 3>And did the song come afore the show?

0:43:05.520 --> 0:43:07.960
<v Speaker 14>I cannot take full credit for getting him out of

0:43:08.000 --> 0:43:14.760
<v Speaker 14>his shell. Number one, Melvin was introduced to the gay

0:43:14.800 --> 0:43:18.839
<v Speaker 14>lifestyle by I also had the distinction of hiring the

0:43:18.880 --> 0:43:25.800
<v Speaker 14>first openly gay air personality, Robin Holden in d C.

0:43:26.520 --> 0:43:29.440
<v Speaker 14>Robin Holden, I had to talk in code back in

0:43:29.480 --> 0:43:31.640
<v Speaker 14>those days. She said, the children will be meeting this

0:43:31.760 --> 0:43:34.400
<v Speaker 14>Friday night and so and so she was talking code

0:43:34.760 --> 0:43:38.600
<v Speaker 14>and Howard University was up my rear end. Okay, are

0:43:38.640 --> 0:43:39.800
<v Speaker 14>you out of your mind?

0:43:39.920 --> 0:43:40.520
<v Speaker 2>Conservative?

0:43:41.040 --> 0:43:46.400
<v Speaker 14>Okay, executive, conservative, homophobic, all of that, okay, and uh.

0:43:46.600 --> 0:43:50.200
<v Speaker 14>At the same time, I'm getting all these rave reviews

0:43:50.520 --> 0:43:55.880
<v Speaker 14>from the UH because d C, as quiet as it's kept, okay,

0:43:56.040 --> 0:44:00.600
<v Speaker 14>is a big gay and lesbian sick all right, okay,

0:44:00.719 --> 0:44:06.840
<v Speaker 14>all right, okay for many many decades and so okay.

0:44:06.920 --> 0:44:10.840
<v Speaker 14>So Robin was, and Robin was an incredible air personality,

0:44:11.000 --> 0:44:15.520
<v Speaker 14>incredible air personality, all right. And she helped Melvin come

0:44:15.600 --> 0:44:17.680
<v Speaker 14>out of his show because I think that she made

0:44:17.760 --> 0:44:22.120
<v Speaker 14>him comfortable with his sexuality. She made him feel that

0:44:22.200 --> 0:44:26.680
<v Speaker 14>it was okay because Melvin was very closeted at that time,

0:44:26.719 --> 0:44:31.520
<v Speaker 14>which contributed to his okay. He was engaged. I bought

0:44:31.520 --> 0:44:35.120
<v Speaker 14>the engagement ring for a young lady and she left

0:44:35.160 --> 0:44:41.440
<v Speaker 14>him because she recognized that he wasn't comfortable with her.

0:44:41.880 --> 0:44:44.920
<v Speaker 14>But during those times when Melvin was quiet and withdrawn

0:44:44.960 --> 0:44:49.320
<v Speaker 14>and went to open the microphone, his show was almost

0:44:49.360 --> 0:44:52.880
<v Speaker 14>like a black musac, and so it grew in popularity.

0:44:53.239 --> 0:44:57.560
<v Speaker 14>We didn't have any commercials because it was a student shift, okay,

0:44:57.840 --> 0:45:01.800
<v Speaker 14>so they popular. We became number one in a matter

0:45:01.920 --> 0:45:06.080
<v Speaker 14>of like eighteen months. We went from no listeners to

0:45:06.160 --> 0:45:09.439
<v Speaker 14>being number one in the market because Melvin wouldn't open

0:45:09.480 --> 0:45:11.440
<v Speaker 14>the mic and I had no commercials, so it was

0:45:11.680 --> 0:45:19.040
<v Speaker 14>NonStop love music. Wow, Okay, okay, okay music the theme

0:45:19.120 --> 0:45:22.680
<v Speaker 14>of Philly International. There's a message in our music. Okay.

0:45:22.760 --> 0:45:25.279
<v Speaker 14>We believed in that, and the message was one of

0:45:25.360 --> 0:45:29.920
<v Speaker 14>love and affection and attention. And so Melvin blossomed and

0:45:30.000 --> 0:45:36.319
<v Speaker 14>went on to become an incredible personality, incredible, He grew

0:45:36.360 --> 0:45:40.200
<v Speaker 14>into himself, He got comfortable with himself. Deanna Williams was

0:45:40.320 --> 0:45:43.480
<v Speaker 14>very much a part of his growth and development, okay,

0:45:43.520 --> 0:45:47.200
<v Speaker 14>because he realized that he could be loved regardless of, okay,

0:45:47.600 --> 0:45:52.120
<v Speaker 14>his sexuality. His sexual preference had no bearing on his talent.

0:45:52.640 --> 0:45:59.600
<v Speaker 14>And he really, really really blossomed and became this incredible,

0:46:00.040 --> 0:46:06.840
<v Speaker 14>credible television and radio personality and died too soon, too early,

0:46:07.480 --> 0:46:11.279
<v Speaker 14>and so age took him away, way too soon. But

0:46:11.440 --> 0:46:12.520
<v Speaker 14>he was he.

0:46:12.360 --> 0:46:13.920
<v Speaker 4>Was our first right like I felt like he was

0:46:13.920 --> 0:46:15.440
<v Speaker 4>our first major.

0:46:16.080 --> 0:46:16.400
<v Speaker 8>He was.

0:46:18.200 --> 0:46:21.120
<v Speaker 14>It just it just hurts me to my heart to

0:46:21.200 --> 0:46:24.360
<v Speaker 14>think what he could have been, what he could have

0:46:24.480 --> 0:46:29.400
<v Speaker 14>done had he not been discriminated against, had he not

0:46:29.600 --> 0:46:35.120
<v Speaker 14>been unable to be who he really was, because talent

0:46:35.440 --> 0:46:39.160
<v Speaker 14>personality galore, and once it started coming out, it was

0:46:39.200 --> 0:46:41.520
<v Speaker 14>only out for a short period of time and then

0:46:41.719 --> 0:46:42.960
<v Speaker 14>he was gone.

0:46:43.480 --> 0:46:44.880
<v Speaker 4>He still needs to be in the Radio Hall of

0:46:44.880 --> 0:46:45.480
<v Speaker 4>Fame somewhere.

0:46:46.360 --> 0:46:51.839
<v Speaker 14>Absolutely absolutely deserved it. He became my most popular, but

0:46:51.880 --> 0:46:54.040
<v Speaker 14>the most popular of all the hosts of the cliss

0:46:54.040 --> 0:46:58.520
<v Speaker 14>Starm was Von Harper in New York. Von Harper, let's.

0:46:58.320 --> 0:47:01.440
<v Speaker 7>Talk about the franchising, the franchising of the Quiet Storm.

0:47:01.480 --> 0:47:03.360
<v Speaker 4>Then, yes, I'm sorry, I don't mean interrupt you.

0:47:05.000 --> 0:47:07.319
<v Speaker 14>Howard wouldn't let me franchise it. They wouldn't let me

0:47:07.360 --> 0:47:10.359
<v Speaker 14>license it. And at one time it was on there

0:47:10.360 --> 0:47:13.680
<v Speaker 14>were stations that actually called themselves the Quiet Storm station.

0:47:14.719 --> 0:47:18.680
<v Speaker 14>Howard could have supported not just the School of Communications, Uh,

0:47:18.800 --> 0:47:24.360
<v Speaker 14>they could have supported the entire school off just licensing.

0:47:24.760 --> 0:47:25.600
<v Speaker 16>Yes, sounds like.

0:47:25.680 --> 0:47:30.799
<v Speaker 14>The reason I left Howard University was I realized that

0:47:30.880 --> 0:47:35.360
<v Speaker 14>they had taken a billion dollar baby that God had

0:47:35.840 --> 0:47:41.400
<v Speaker 14>given me, you know, uh, the motherhood of Okay, that

0:47:41.480 --> 0:47:44.400
<v Speaker 14>I had birthed a billion dollar baby for Howard University,

0:47:44.800 --> 0:47:47.080
<v Speaker 14>and they had thrown the baby the bath water and

0:47:47.239 --> 0:47:51.520
<v Speaker 14>me out of window. And so I resigned. Because I

0:47:51.680 --> 0:47:55.600
<v Speaker 14>resigned telling Doctor Cheek that I did not want to

0:47:55.640 --> 0:47:59.319
<v Speaker 14>miss the next billion dollar baby that God might impregnate

0:47:59.360 --> 0:48:02.840
<v Speaker 14>me with. I would not allow anyone else to be

0:48:02.920 --> 0:48:06.280
<v Speaker 14>in charge of my destiny. And that's what Radio one became.

0:48:06.440 --> 0:48:10.520
<v Speaker 14>They became that Okay, that that baby that God once

0:48:10.560 --> 0:48:14.799
<v Speaker 14>again blessed me with. Because before Howard they persecuted me.

0:48:14.880 --> 0:48:17.680
<v Speaker 14>They punished me for the Quiet Storm.

0:48:18.280 --> 0:48:20.640
<v Speaker 2>Really why terribly.

0:48:21.200 --> 0:48:26.960
<v Speaker 14>I was very very very provocative in my days at

0:48:27.040 --> 0:48:31.000
<v Speaker 14>Howard University. I stood up for the students. I you know,

0:48:31.600 --> 0:48:38.040
<v Speaker 14>opened doors, and it wasn't Howard's fault HBCUs only you know,

0:48:38.560 --> 0:48:42.840
<v Speaker 14>recently realized that education is a business. You have to

0:48:42.840 --> 0:48:48.440
<v Speaker 14>make money at it, Okay, and all this to be announced, books,

0:48:48.520 --> 0:48:52.120
<v Speaker 14>not being in classrooms, not being a signed, having to

0:48:52.160 --> 0:48:56.359
<v Speaker 14>stand in line for hours to register, Okay, all of.

0:48:56.320 --> 0:48:58.440
<v Speaker 12>That, that's that's part of the experience.

0:49:01.480 --> 0:49:05.680
<v Speaker 14>But Howard was very good to me. Howard sent me

0:49:05.719 --> 0:49:10.120
<v Speaker 14>to Harvard University for six weeks to learn broadcast management

0:49:10.360 --> 0:49:11.960
<v Speaker 14>because when they told me they wanted to put me

0:49:12.000 --> 0:49:16.640
<v Speaker 14>in the job as general manager first as sales manager.

0:49:17.000 --> 0:49:19.160
<v Speaker 14>I said, I don't know how to do it, and

0:49:19.200 --> 0:49:23.120
<v Speaker 14>they said, well, you know, you know some of the basics,

0:49:23.160 --> 0:49:29.359
<v Speaker 14>and they paid my tuition to the business school at

0:49:29.360 --> 0:49:32.640
<v Speaker 14>that time they had a six week course called broadcast Management.

0:49:32.800 --> 0:49:33.080
<v Speaker 11>Wow.

0:49:33.719 --> 0:49:37.200
<v Speaker 14>And then they paid my way for a two week

0:49:37.239 --> 0:49:41.160
<v Speaker 14>course at the University of Chicago called psychographic programming. That's

0:49:41.200 --> 0:49:44.160
<v Speaker 14>when I came back and created the Quiet Storm. So

0:49:44.320 --> 0:49:48.560
<v Speaker 14>both times, so you know, they say that, you know,

0:49:48.840 --> 0:49:53.920
<v Speaker 14>I was their best student that never matriculated at Howard University.

0:49:53.920 --> 0:49:57.360
<v Speaker 14>But Howard invested in me quite seriously. I would not be,

0:49:58.400 --> 0:50:01.520
<v Speaker 14>you know, professionally who I am or what I do

0:50:02.000 --> 0:50:05.440
<v Speaker 14>now were it not for university. And so it was

0:50:05.520 --> 0:50:08.160
<v Speaker 14>easy for me. When I found out that the School

0:50:08.160 --> 0:50:12.759
<v Speaker 14>of Communications was, you know, in a danger of not

0:50:13.160 --> 0:50:17.279
<v Speaker 14>losing his accreditation and perhaps having to close that, I

0:50:17.360 --> 0:50:19.880
<v Speaker 14>was like, oh, no, that cannot happen. I can't allow

0:50:19.920 --> 0:50:24.839
<v Speaker 14>that to happen, because they produced me. Okay, even though

0:50:24.880 --> 0:50:29.239
<v Speaker 14>I was never a student. Okay, Howard University produced who

0:50:29.280 --> 0:50:32.680
<v Speaker 14>I am professionally. You know, I think that that over

0:50:32.719 --> 0:50:35.120
<v Speaker 14>the years that some of the things that I wanted

0:50:35.160 --> 0:50:38.320
<v Speaker 14>for the students and for the university have come to fruition,

0:50:38.520 --> 0:50:40.440
<v Speaker 14>and for that I'm eternally grateful.

0:50:45.840 --> 0:50:50.799
<v Speaker 1>So the Quiet Storm. I lived in Philadelphia and we

0:50:50.800 --> 0:50:58.680
<v Speaker 1>were lucky to have the legendary Doug Henderson. Like even

0:50:58.680 --> 0:51:01.279
<v Speaker 1>when you talk about Doug Henderson and your voice goes

0:51:01.320 --> 0:51:05.560
<v Speaker 1>down a couple of octaves. So we had Doug Henderson

0:51:05.840 --> 0:51:11.200
<v Speaker 1>back in WDASFM one oh five point three. I believe

0:51:11.200 --> 0:51:14.839
<v Speaker 1>he also came to Did he come to Power ninety nine.

0:51:14.920 --> 0:51:19.400
<v Speaker 1>I'm not too sure I think he did, but yeah,

0:51:19.480 --> 0:51:22.479
<v Speaker 1>the Quiet Storm format. When I was young, I didn't

0:51:22.480 --> 0:51:27.400
<v Speaker 1>appreciate it. But you know, after they got rid of

0:51:27.400 --> 0:51:31.600
<v Speaker 1>the Quiet Storm format in nineteen ninety seven, and suddenly

0:51:32.440 --> 0:51:36.440
<v Speaker 1>I became the Quiet Storm format. So many of you

0:51:36.480 --> 0:51:39.000
<v Speaker 1>have heard me many times sort of name drop and

0:51:39.040 --> 0:51:43.799
<v Speaker 1>talk about all my illustrious friends that I make playlists for.

0:51:45.000 --> 0:51:46.360
<v Speaker 2>This February is no different.

0:51:47.080 --> 0:51:50.560
<v Speaker 1>Once a month I give over four hundred people my

0:51:50.920 --> 0:51:56.959
<v Speaker 1>mixes because music calms the soul sometimes and so yeah,

0:51:57.080 --> 0:52:00.440
<v Speaker 1>now I'm the guy that makes quiet Storm mixes. But

0:52:00.480 --> 0:52:03.319
<v Speaker 1>back in the day, you needed a platform that could

0:52:03.320 --> 0:52:06.960
<v Speaker 1>play slow songs all the time. If not, then you

0:52:07.040 --> 0:52:09.960
<v Speaker 1>had to take time out to make like a three

0:52:10.040 --> 0:52:16.800
<v Speaker 1>hour mixtape. So that way, when your loved one comes.

0:52:16.360 --> 0:52:20.719
<v Speaker 2>By the spot, you got a soundtrack. And that's important.

0:52:20.880 --> 0:52:22.000
<v Speaker 2>That's how we all got here.

0:52:23.000 --> 0:52:27.920
<v Speaker 1>So all right, So next up is the legendary Lady B,

0:52:28.719 --> 0:52:31.680
<v Speaker 1>the first woman on a rap record.

0:52:32.440 --> 0:52:34.480
<v Speaker 2>She released a single to the beat Y'all back in

0:52:34.480 --> 0:52:35.759
<v Speaker 2>the day. A little history for you.

0:52:36.520 --> 0:52:39.600
<v Speaker 1>She spoke about the power of black radio in Philadelphia

0:52:40.200 --> 0:52:43.320
<v Speaker 1>and how the legendary Mary Mason. If you're from the

0:52:43.360 --> 0:52:46.920
<v Speaker 1>Tri State area, especially Philly, you know the name Mary Mason.

0:52:47.360 --> 0:52:51.239
<v Speaker 2>Mary Mason shaped Lady B on air and off air.

0:52:51.880 --> 0:52:54.800
<v Speaker 1>And there's also a great story about Nancy Reagan in

0:52:54.880 --> 0:52:59.799
<v Speaker 1>there too, all right, enjoy for our listeners listening. She

0:52:59.840 --> 0:53:03.319
<v Speaker 1>may h a t w h A T was an

0:53:03.400 --> 0:53:06.560
<v Speaker 1>AM radio station. I knew as a kid. I knew

0:53:06.600 --> 0:53:09.760
<v Speaker 1>it because like my I mean the way that people

0:53:09.800 --> 0:53:13.160
<v Speaker 1>always listening to talk radio. Now, we had a woman

0:53:13.239 --> 0:53:17.239
<v Speaker 1>by the name of Mary Mason in Philadelphia, who I

0:53:17.280 --> 0:53:20.879
<v Speaker 1>owe grand mom, And I mean, I don't know how

0:53:20.920 --> 0:53:23.520
<v Speaker 1>typical it was for a black woman to have her

0:53:23.560 --> 0:53:31.000
<v Speaker 1>own platform to that of like, uh, I mean, who's

0:53:31.239 --> 0:53:32.560
<v Speaker 1>just can tell you something.

0:53:33.560 --> 0:53:35.680
<v Speaker 12>In terms of like Alex what's his name?

0:53:35.840 --> 0:53:39.200
<v Speaker 16>Like, let me let me just share one Mary Mason stories.

0:53:39.320 --> 0:53:39.600
<v Speaker 2>Please.

0:53:39.680 --> 0:53:45.440
<v Speaker 16>Yeah, I'm eighteen years old and Nancy Reagan walks into

0:53:45.440 --> 0:53:48.800
<v Speaker 16>the lobby the Secret Service with her blah blah blah.

0:53:48.840 --> 0:53:52.279
<v Speaker 16>She just doesn't pop up right, dude, stop by to

0:53:52.280 --> 0:53:55.239
<v Speaker 16>say how to marry? This is how politically strong she

0:53:55.520 --> 0:54:00.319
<v Speaker 16>was was. And she told me, and I quote, tell

0:54:00.360 --> 0:54:00.800
<v Speaker 16>that bitch.

0:54:00.840 --> 0:54:02.799
<v Speaker 14>I don't want what.

0:54:04.239 --> 0:54:05.200
<v Speaker 16>I'm trying to get.

0:54:05.000 --> 0:54:05.960
<v Speaker 4>Carter and off.

0:54:10.080 --> 0:54:13.360
<v Speaker 16>Here I am so here, I am, y'all eighteen Like

0:54:14.040 --> 0:54:14.879
<v Speaker 16>how do I.

0:54:15.239 --> 0:54:16.680
<v Speaker 4>Oh, she told you to tell that bitch.

0:54:16.840 --> 0:54:20.239
<v Speaker 16>Yes, So I gotta go out here and look this

0:54:20.320 --> 0:54:23.040
<v Speaker 16>lady in her face and like, ma'am, I'm so sorry,

0:54:23.080 --> 0:54:27.120
<v Speaker 16>but miss Mason, it's a flattered that you stopped by, however,

0:54:27.239 --> 0:54:28.759
<v Speaker 16>her schedule, you know, I had to go through the

0:54:28.800 --> 0:54:31.600
<v Speaker 16>whole shebang. But that's what she told me. I've heard

0:54:31.600 --> 0:54:33.799
<v Speaker 16>her hurst at the Mayor and hang up on them

0:54:33.840 --> 0:54:37.080
<v Speaker 16>about her Philly's tickets like she Miss Mason was to be.

0:54:37.280 --> 0:54:40.040
<v Speaker 16>She is the reason I have the backbone and that

0:54:40.200 --> 0:54:44.600
<v Speaker 16>my shoulders are back. And I've never let anyone talk

0:54:44.680 --> 0:54:47.120
<v Speaker 16>to me or or or try to get over at

0:54:47.160 --> 0:54:48.880
<v Speaker 16>least not knowing me. I mean they ended up a

0:54:48.920 --> 0:54:51.799
<v Speaker 16>couple of times anyway, but they had to sneak and

0:54:51.800 --> 0:54:56.680
<v Speaker 16>do it. No, I've never allowed anyone to be blatantly

0:54:56.760 --> 0:54:57.960
<v Speaker 16>disrespectful in my face.

0:54:58.000 --> 0:55:00.319
<v Speaker 4>If you will, Oh, I'm gonna talk about that to me.

0:55:00.480 --> 0:55:07.239
<v Speaker 1>She was like the original Russe Limbaugh like she's very

0:55:07.280 --> 0:55:10.960
<v Speaker 1>controversial also, like I know she supported like Frank brazil

0:55:11.400 --> 0:55:12.440
<v Speaker 1>Or she cried.

0:55:12.280 --> 0:55:15.400
<v Speaker 16>He was a politician on the radio. Is what Mary was.

0:55:15.560 --> 0:55:19.919
<v Speaker 16>And I will have to say that she walked her walk.

0:55:20.040 --> 0:55:25.280
<v Speaker 16>She was dedicated to this community of people. She got

0:55:25.320 --> 0:55:28.719
<v Speaker 16>on the air and talked about things that other people

0:55:28.800 --> 0:55:33.120
<v Speaker 16>wouldn't even touch and called people on it like she

0:55:33.120 --> 0:55:39.360
<v Speaker 16>she she may she I witnessed this woman changed lives.

0:55:39.840 --> 0:55:42.480
<v Speaker 12>Yeah, and she was something.

0:55:42.200 --> 0:55:44.080
<v Speaker 4>And then you took some baton and now you do

0:55:44.160 --> 0:55:45.719
<v Speaker 4>the same thing well.

0:55:46.239 --> 0:55:48.200
<v Speaker 16>Later, because I mean I didn't take the time from

0:55:48.239 --> 0:55:50.600
<v Speaker 16>her then, because we take it. I mean she when

0:55:50.600 --> 0:55:51.600
<v Speaker 16>she passed that the time.

0:55:51.480 --> 0:55:52.480
<v Speaker 5>To me, I was doing hip hop.

0:55:52.520 --> 0:55:53.719
<v Speaker 16>I was crazy. We was having fun.

0:55:53.840 --> 0:55:54.640
<v Speaker 5>Y'all was having fun.

0:55:54.719 --> 0:55:56.600
<v Speaker 16>You just said it. I was playing all that good

0:55:56.600 --> 0:55:59.279
<v Speaker 16>stuff with y'all. I just came. I just came into

0:55:59.320 --> 0:56:01.880
<v Speaker 16>my Mary Made vibe right now, That's.

0:56:01.760 --> 0:56:02.239
<v Speaker 1>What it is.

0:56:02.320 --> 0:56:05.160
<v Speaker 2>Yeah, okay.

0:56:05.320 --> 0:56:12.120
<v Speaker 1>So I remember like discovering your show around like late

0:56:12.360 --> 0:56:17.520
<v Speaker 1>nineteen eighty early eighty one, you know, every Saturday afternoon whatever,

0:56:17.640 --> 0:56:19.560
<v Speaker 1>we my brother and I would just record.

0:56:19.760 --> 0:56:24.120
<v Speaker 16>Like everybody says, I remind them of Paul's record. Paul's record.

0:56:24.160 --> 0:56:26.320
<v Speaker 16>Whenever I see Banie Sgual, he goes, Paul's record.

0:56:26.480 --> 0:56:29.520
<v Speaker 1>All right, No oh, you're world famous, fat get your part,

0:56:29.680 --> 0:56:33.520
<v Speaker 1>press your pause, press your pause button. But to have

0:56:33.680 --> 0:56:36.279
<v Speaker 1>a radio show, and you were on for like two

0:56:36.320 --> 0:56:39.680
<v Speaker 1>to three hours, But I'm thinking, like back in eighty one,

0:56:41.080 --> 0:56:44.040
<v Speaker 1>was there even two to three hours worth of quality

0:56:44.120 --> 0:56:45.439
<v Speaker 1>hip hop to play?

0:56:45.480 --> 0:56:48.399
<v Speaker 16>I like to explain it like this. I laugh every

0:56:48.480 --> 0:56:51.799
<v Speaker 16>time I hear the term digging into crates and that's

0:56:51.840 --> 0:56:55.479
<v Speaker 16>crates with an S. Because when I started playing hip

0:56:55.480 --> 0:56:58.720
<v Speaker 16>hop on the radio, there was a crate one crate.

0:56:59.719 --> 0:57:00.279
<v Speaker 4>Was it full?

0:57:01.080 --> 0:57:04.120
<v Speaker 16>It was full to the max. I mean not everything was.

0:57:04.960 --> 0:57:08.000
<v Speaker 16>I was picky. It was was good enough to play right.

0:57:09.160 --> 0:57:12.440
<v Speaker 16>You know when when we first started, when we realized

0:57:12.440 --> 0:57:14.360
<v Speaker 16>we could take what we were doing in our backyards,

0:57:14.360 --> 0:57:17.320
<v Speaker 16>in our neighborhoods and our courtyards and put it on

0:57:17.400 --> 0:57:22.240
<v Speaker 16>wax and that you know, this was possible. Everybody tried

0:57:22.280 --> 0:57:25.520
<v Speaker 16>to do it, whether they could rap or not, but

0:57:25.600 --> 0:57:30.000
<v Speaker 16>I was very I think the thing that number one,

0:57:30.000 --> 0:57:32.400
<v Speaker 16>you have to understand when hip hop started, it was

0:57:32.600 --> 0:57:36.680
<v Speaker 16>its purpose was to stop a terrible disease in the

0:57:36.720 --> 0:57:39.560
<v Speaker 16>black community that was full of violence and gang war,

0:57:39.680 --> 0:57:42.920
<v Speaker 16>and it was it was crazy. It was getting a

0:57:42.920 --> 0:57:45.439
<v Speaker 16>little out of hand with it. So hip hop gave

0:57:46.240 --> 0:57:47.800
<v Speaker 16>I mean, I'm sure if you spoke to an Africa

0:57:47.800 --> 0:57:49.840
<v Speaker 16>band body he would co sign this. But hip hop

0:57:49.880 --> 0:57:54.280
<v Speaker 16>gave us away to battle each other and represent our neighborhoods,

0:57:54.320 --> 0:57:57.000
<v Speaker 16>not with knives and guns, but with turntables and microphones.

0:57:57.080 --> 0:57:59.640
<v Speaker 16>And it became this thing like you had to wrap

0:57:59.640 --> 0:58:03.320
<v Speaker 16>your nameighborhood with your rhymes and God forbid. If you've

0:58:03.360 --> 0:58:05.400
<v Speaker 16>been to anybody else's rhyme, you had to come with

0:58:05.440 --> 0:58:06.760
<v Speaker 16>your shit and it had to be real and it

0:58:06.800 --> 0:58:09.080
<v Speaker 16>had to be raw, and it had to be authentic.

0:58:09.640 --> 0:58:11.680
<v Speaker 16>And everybody couldn't do that. Some people just thought they

0:58:11.680 --> 0:58:14.960
<v Speaker 16>could just get out a book of words that rhyme

0:58:15.000 --> 0:58:16.920
<v Speaker 16>and put some shit together and hand it to me

0:58:16.960 --> 0:58:18.880
<v Speaker 16>to get on the air, and that that happened a lot.

0:58:19.880 --> 0:58:24.880
<v Speaker 16>But if I couldn't understand number one, what you were saying,

0:58:25.000 --> 0:58:28.800
<v Speaker 16>like I no disrespect to what people like these kids

0:58:28.840 --> 0:58:32.280
<v Speaker 16>like today or whatever, but mumble rat was it just

0:58:32.400 --> 0:58:35.160
<v Speaker 16>makes my skin call because for me, a good MC

0:58:35.360 --> 0:58:38.200
<v Speaker 16>is very articulate. You can hear everywhere. I don't care

0:58:38.240 --> 0:58:40.840
<v Speaker 16>what if he's saying something wrong, disrespectful. I have to

0:58:40.920 --> 0:58:43.800
<v Speaker 16>hear what you're saying or why did you waste that

0:58:44.040 --> 0:58:46.720
<v Speaker 16>banging ass beat? Like why are you here?

0:58:47.120 --> 0:58:49.680
<v Speaker 7>B do you remember like your first show and the

0:58:49.720 --> 0:58:51.680
<v Speaker 7>records that you had to play out of the crate,

0:58:51.760 --> 0:58:53.040
<v Speaker 7>like all right, this is my first show.

0:58:53.160 --> 0:58:54.600
<v Speaker 4>I gotta get so well, you have.

0:58:54.600 --> 0:58:58.640
<v Speaker 16>To understand then we kind of got, you know, we didn't,

0:58:58.640 --> 0:59:00.560
<v Speaker 16>you know? I laugh when I see Jeff and Cash

0:59:00.600 --> 0:59:02.920
<v Speaker 16>and and Richard Dean and them Casts and U Quest

0:59:03.000 --> 0:59:05.760
<v Speaker 16>and and Biz. May he Rest in peace, go deep

0:59:05.800 --> 0:59:08.160
<v Speaker 16>into this this DJ thing. But you have to understand

0:59:08.160 --> 0:59:10.520
<v Speaker 16>when hip hop start is when we first learned how

0:59:10.520 --> 0:59:13.600
<v Speaker 16>to cut and scratch a brake beat. So that took

0:59:13.680 --> 0:59:16.040
<v Speaker 16>up so much time. And not only am I gonna

0:59:16.080 --> 0:59:17.520
<v Speaker 16>just take the train, but I'm gonna take the train

0:59:17.600 --> 0:59:20.840
<v Speaker 16>for about good twelve fourteen damn minutes, so that with

0:59:21.000 --> 0:59:21.400
<v Speaker 16>a lot of.

0:59:21.360 --> 0:59:24.120
<v Speaker 5>Time on the road, you know what I mean?

0:59:24.480 --> 0:59:28.160
<v Speaker 16>Yeah, you go, You're gonna cut that joke, what sucker

0:59:28.280 --> 0:59:30.240
<v Speaker 16>mcs And then you got the flip side, Then you

0:59:30.320 --> 0:59:32.640
<v Speaker 16>got the instrumental that you could cut in with that joint.

0:59:33.080 --> 0:59:35.120
<v Speaker 16>Then you got another DJ. At one time on Power

0:59:35.240 --> 0:59:38.560
<v Speaker 16>ninety nine, it was so dope, me and Jeff Mills.

0:59:38.560 --> 0:59:42.600
<v Speaker 16>May he Rest in peace. Had he got two turns, Yes,

0:59:42.720 --> 0:59:44.880
<v Speaker 16>he had two turntables on his side. I had two

0:59:44.920 --> 0:59:48.000
<v Speaker 16>turned turnative tables, and we had a reel to reel,

0:59:48.680 --> 0:59:51.840
<v Speaker 16>So we have six elements coing in. I'm cutting in

0:59:52.120 --> 0:59:54.120
<v Speaker 16>other songs in the minute people it was blowing People's

0:59:54.120 --> 0:59:55.800
<v Speaker 16>make Blueyna cross my mind.

0:59:55.840 --> 0:59:57.480
<v Speaker 7>I'm gonna just have a real dumb moment because I

0:59:57.520 --> 0:59:59.280
<v Speaker 7>know I'm not alone in this I don't think it

0:59:59.320 --> 1:00:00.000
<v Speaker 7>ever crossed my mind.

1:00:00.000 --> 1:00:02.000
<v Speaker 4>And as you were literally mixing records like that.

1:00:02.240 --> 1:00:04.840
<v Speaker 16>I remember run And and Dal coming to my studio

1:00:04.880 --> 1:00:06.840
<v Speaker 16>for the first time. They're like, so you're gonna mix

1:00:06.880 --> 1:00:09.440
<v Speaker 16>the record and interview us. I was like, yeah, right.

1:00:12.560 --> 1:00:15.080
<v Speaker 2>You were more than just a personality. It's like I

1:00:15.200 --> 1:00:16.160
<v Speaker 2>was a big.

1:00:15.920 --> 1:00:18.720
<v Speaker 16>Girl on a radio and I still am.

1:00:18.840 --> 1:00:20.080
<v Speaker 12>Yeah, I was gonna say that.

1:00:20.240 --> 1:00:25.120
<v Speaker 1>You also, you guys would at least on like the

1:00:25.280 --> 1:00:28.480
<v Speaker 1>like the midpoint or at least the last hour of

1:00:28.880 --> 1:00:31.600
<v Speaker 1>the w H a t portion of your show, like

1:00:31.680 --> 1:00:37.200
<v Speaker 1>you were also playing like craft work, like what would

1:00:37.240 --> 1:00:39.680
<v Speaker 1>become like b boy, you know, like it's time.

1:00:39.720 --> 1:00:42.480
<v Speaker 16>Well, you have to understand, break dancing was a major

1:00:42.520 --> 1:00:45.240
<v Speaker 16>element for us in the beginning of this thing, So

1:00:45.320 --> 1:00:47.920
<v Speaker 16>if you couldn't break to it, it definitely didn't get played.

1:00:47.920 --> 1:00:51.440
<v Speaker 16>And they demanded it because you have to understand, I

1:00:51.480 --> 1:00:54.080
<v Speaker 16>am taping the only hip hop y'all gonna have for

1:00:54.120 --> 1:00:56.000
<v Speaker 16>the week, and then y'all with Jones until the next week.

1:00:56.040 --> 1:00:59.600
<v Speaker 16>Like I was the only one with PEPSI understand, I'm

1:00:59.640 --> 1:01:01.840
<v Speaker 16>the only only place you can get it. People were

1:01:01.960 --> 1:01:04.680
<v Speaker 16>driving you canna ask Chuck d they would drive down

1:01:04.720 --> 1:01:08.840
<v Speaker 16>to Philly to take my show. Yes, so it was

1:01:08.920 --> 1:01:10.520
<v Speaker 16>like that. It was it was like this thing and

1:01:10.600 --> 1:01:13.400
<v Speaker 16>everybody had to have it, and it was just so

1:01:13.520 --> 1:01:15.240
<v Speaker 16>much freaking fun doing and it.

1:01:15.160 --> 1:01:18.919
<v Speaker 7>Was so And Mary Mason never said she never pulled

1:01:18.920 --> 1:01:20.480
<v Speaker 7>your coat on anything, not a record.

1:01:20.480 --> 1:01:23.600
<v Speaker 4>Nobody ever said, listen, I can't be playing that no more.

1:01:23.600 --> 1:01:24.040
<v Speaker 4>It was never.

1:01:24.320 --> 1:01:25.120
<v Speaker 2>We won't even.

1:01:24.920 --> 1:01:26.680
<v Speaker 12>Mention the discombobulated boobulator.

1:01:26.880 --> 1:01:33.640
<v Speaker 16>No, I'd love this combined bulat you love that anymore?

1:01:38.560 --> 1:01:41.840
<v Speaker 1>That all right, I'll get the nineteen eighty six in

1:01:41.880 --> 1:01:45.280
<v Speaker 1>a second. Hang on, we had a small controversy with

1:01:45.520 --> 1:01:49.760
<v Speaker 1>mc breeze discoboblaated boobulator. But wait before before I go on,

1:01:49.800 --> 1:01:53.640
<v Speaker 1>there's two things I gotta ask you. One, how often

1:01:53.640 --> 1:01:56.640
<v Speaker 1>did you record your own shows on w h A t.

1:01:57.520 --> 1:01:58.320
<v Speaker 4>He wants them?

1:01:58.680 --> 1:02:02.880
<v Speaker 16>I know everybody tap money, every DJ has asked me

1:02:02.880 --> 1:02:05.360
<v Speaker 16>this question. So in my possession, I have not gone

1:02:05.400 --> 1:02:08.560
<v Speaker 16>through them. I do have some real deriels, but as

1:02:08.560 --> 1:02:11.600
<v Speaker 16>far as cassettes, people have been given them to me

1:02:11.680 --> 1:02:13.440
<v Speaker 16>over the years. I meet a listener on the air

1:02:13.480 --> 1:02:15.320
<v Speaker 16>and said that they used to take me and they

1:02:15.360 --> 1:02:17.400
<v Speaker 16>still have them. As a matter of fact, I've been

1:02:17.440 --> 1:02:19.920
<v Speaker 16>asking people to give them back or I can make

1:02:19.920 --> 1:02:21.960
<v Speaker 16>a copy off them of them and give them back

1:02:21.960 --> 1:02:24.840
<v Speaker 16>to them because and I didn't even have a cassette

1:02:24.840 --> 1:02:27.160
<v Speaker 16>player in the house, but my niece and nephews brought

1:02:27.160 --> 1:02:30.920
<v Speaker 16>me one last year. So it's fly little joint. It

1:02:30.920 --> 1:02:33.160
<v Speaker 16>looks like a boombox, but its Bluetooth compatible.

1:02:33.240 --> 1:02:33.880
<v Speaker 14>Is so cute.

1:02:34.000 --> 1:02:35.520
<v Speaker 16>But I have was sitting there here on my desk,

1:02:35.720 --> 1:02:37.480
<v Speaker 16>but I now want to get the cassettes so I

1:02:37.520 --> 1:02:39.439
<v Speaker 16>can hear them. But I do have, like I do

1:02:39.480 --> 1:02:40.840
<v Speaker 16>have some of those real to reels.

1:02:41.040 --> 1:02:43.360
<v Speaker 12>You got to convert those in like I have to.

1:02:43.680 --> 1:02:47.080
<v Speaker 16>I know I'm getting to the point. COVID did allow

1:02:47.200 --> 1:02:49.240
<v Speaker 16>me to do a lot of purging, so there is

1:02:49.400 --> 1:02:52.280
<v Speaker 16>a little order to my madness. So I'm getting it

1:02:52.320 --> 1:02:55.680
<v Speaker 16>all together. At least I know tapes are here, real

1:02:55.720 --> 1:02:57.520
<v Speaker 16>de reels are here, and now I just got to

1:02:57.560 --> 1:02:58.240
<v Speaker 16>dive into them.

1:02:58.640 --> 1:03:01.360
<v Speaker 1>Okay, I gotta ask a question. There's a record you

1:03:01.440 --> 1:03:03.160
<v Speaker 1>used to always play and I thought it was a

1:03:03.160 --> 1:03:06.840
<v Speaker 1>Philly record, and I'm just finding out that this guy

1:03:07.160 --> 1:03:12.280
<v Speaker 1>is from New York. But do you know the whereabouts

1:03:12.480 --> 1:03:15.960
<v Speaker 1>of our sela rock a ka the mic stro are.

1:03:15.840 --> 1:03:18.360
<v Speaker 16>You ready, hold your hat, hold your hand, because you're

1:03:18.360 --> 1:03:22.320
<v Speaker 16>not gonna believe it is right here. Hit me Sunday night.

1:03:22.960 --> 1:03:24.600
<v Speaker 16>My show was sold out, by the way at the

1:03:24.640 --> 1:03:26.160
<v Speaker 16>Dell Music Center. It's been sold.

1:03:28.920 --> 1:03:29.120
<v Speaker 7>It is.

1:03:30.880 --> 1:03:37.640
<v Speaker 16>It's my fortieth anniversary in radio and hitting the stage

1:03:37.680 --> 1:03:41.320
<v Speaker 16>for the very first time at the Dell. We'll see

1:03:41.880 --> 1:03:47.760
<v Speaker 16>everybody around the nation give you because I have to

1:03:47.760 --> 1:03:51.400
<v Speaker 16>fulfill my obligation and set you on a gutification.

1:03:51.680 --> 1:03:53.160
<v Speaker 5>But you don't need no vessel.

1:03:56.040 --> 1:03:59.720
<v Speaker 12>You found our sela rock the micstro Yo.

1:04:00.120 --> 1:04:02.280
<v Speaker 16>He's so hyped about doing this show that me and

1:04:02.360 --> 1:04:05.160
<v Speaker 16>Charlie Mack are like, I don't know how old is now?

1:04:05.160 --> 1:04:07.680
<v Speaker 16>And I'm like, does anybody told me he's gonna have

1:04:07.720 --> 1:04:09.280
<v Speaker 16>to put a track behind him because he's not going

1:04:09.360 --> 1:04:13.400
<v Speaker 16>to make her do all the lyrics.

1:04:11.720 --> 1:04:14.160
<v Speaker 1>Like, there's no way me and Turk will drive down

1:04:14.200 --> 1:04:15.440
<v Speaker 1>and do the lyrics for him.

1:04:18.280 --> 1:04:22.160
<v Speaker 12>Yo, this is nine d expecting.

1:04:21.720 --> 1:04:25.480
<v Speaker 16>Sunday night at the Dell. B there or B Square?

1:04:26.040 --> 1:04:27.360
<v Speaker 12>Who else?

1:04:28.200 --> 1:04:31.919
<v Speaker 16>Oh, you don't want to know you ain't ready. I've

1:04:31.960 --> 1:04:35.439
<v Speaker 16>never had EPMD. They will be in the building because

1:04:35.520 --> 1:04:37.320
<v Speaker 16>I've been doing this for ten years now. I've never

1:04:37.360 --> 1:04:39.200
<v Speaker 16>had nice and smooth. They will be in the building.

1:04:39.760 --> 1:04:42.640
<v Speaker 16>I have my iconic Sugarhill game Melo Email and his

1:04:42.840 --> 1:04:46.040
<v Speaker 16>crew I have I've said Shantee, I always trying to

1:04:46.120 --> 1:04:49.600
<v Speaker 16>have a female every year. She's my female. This year, EPMD,

1:04:49.840 --> 1:04:52.560
<v Speaker 16>nice and well CuMo d will be in the building.

1:04:53.160 --> 1:04:55.400
<v Speaker 16>And uh my headliner is Big Daddy King.

1:04:56.160 --> 1:05:00.160
<v Speaker 12>Oh man, Yo, you know where the mixtro is.

1:05:01.480 --> 1:05:04.120
<v Speaker 16>He's gonna be on my state. You gotta see this video.

1:05:04.280 --> 1:05:06.600
<v Speaker 16>I gotta. I'm gonna say, send me your number. I'm

1:05:06.600 --> 1:05:09.920
<v Speaker 16>gonna send you this video that he did. He is

1:05:10.280 --> 1:05:12.800
<v Speaker 16>he He's the mice trop That's all I can say.

1:05:12.880 --> 1:05:13.160
<v Speaker 6>Wow.

1:05:13.480 --> 1:05:16.280
<v Speaker 16>You can't want somebody old lady beatings your bull or

1:05:16.360 --> 1:05:19.400
<v Speaker 16>see the rock I'm coming down here to rock the joint.

1:05:19.440 --> 1:05:23.160
<v Speaker 7>Or it's making be the promo videos for everybody.

1:05:24.480 --> 1:05:26.840
<v Speaker 16>People were doing oh when you have to do one too.

1:05:27.800 --> 1:05:30.320
<v Speaker 16>People are doing happy forty aeth the anniversary videos. We're

1:05:30.320 --> 1:05:34.160
<v Speaker 16>trying to make happy fortieth Lady be. Spread the word,

1:05:34.160 --> 1:05:36.120
<v Speaker 16>get everybody to do it. Let's blow the spot up

1:05:36.880 --> 1:05:38.680
<v Speaker 16>hashtag happy fortieth Lady beat.

1:05:38.800 --> 1:05:40.120
<v Speaker 2>Let's go woo wow.

1:05:46.400 --> 1:05:49.680
<v Speaker 1>You know now, I think because we have the Internet,

1:05:50.280 --> 1:05:54.840
<v Speaker 1>there is a sense of community in the Internet, but

1:05:54.920 --> 1:06:01.160
<v Speaker 1>before the Internet, black radio was the Internet. It's where

1:06:01.320 --> 1:06:05.440
<v Speaker 1>you learn new music. And you know, they had a

1:06:05.480 --> 1:06:09.600
<v Speaker 1>trust in the DJ. The DJ was a taste maker.

1:06:10.640 --> 1:06:14.560
<v Speaker 1>You hired someone that had good taste. That's the one

1:06:14.680 --> 1:06:19.480
<v Speaker 1>thing I wish we could really, really truly grapple with

1:06:19.840 --> 1:06:25.120
<v Speaker 1>the issue of taste. Someone discerning, someone that can make

1:06:25.160 --> 1:06:27.040
<v Speaker 1>informed decisions on.

1:06:27.600 --> 1:06:29.760
<v Speaker 2>What is good, what is not good.

1:06:30.320 --> 1:06:33.920
<v Speaker 1>You know what needs work, what needs practice, what needs

1:06:33.960 --> 1:06:38.160
<v Speaker 1>to be upheld, what is getting too much time? And

1:06:38.200 --> 1:06:40.120
<v Speaker 1>that's what black radio was. You know, it was like

1:06:40.160 --> 1:06:44.440
<v Speaker 1>a community billboard. You learned about, you know, local gatherings.

1:06:44.440 --> 1:06:48.800
<v Speaker 1>You learned about like anything from like local inner city

1:06:48.880 --> 1:06:53.040
<v Speaker 1>farming on Saturdays, like a farmer's market type thing, or

1:06:53.640 --> 1:06:57.080
<v Speaker 1>an event happening at you know, local theater or that

1:06:57.120 --> 1:07:00.480
<v Speaker 1>sort of thing, or concerts coming up. Music should be on,

1:07:00.640 --> 1:07:04.480
<v Speaker 1>especially at nighttime. Radio would get more experimental. So that

1:07:04.600 --> 1:07:08.120
<v Speaker 1>lasted up until about like nineteen ninety seven, and then

1:07:08.400 --> 1:07:13.280
<v Speaker 1>you know, kind of the corporate arm of radio as

1:07:14.000 --> 1:07:17.720
<v Speaker 1>money tool sort of came into play. But yeah, man,

1:07:17.960 --> 1:07:21.680
<v Speaker 1>black radio was important for back in the day to

1:07:21.760 --> 1:07:25.160
<v Speaker 1>keep you abreast of all you needed to know, all

1:07:25.200 --> 1:07:29.520
<v Speaker 1>types of music. You needed to know, not just hit singles.

1:07:30.320 --> 1:07:35.640
<v Speaker 1>All right, So here is Donnie Simpson. If you are

1:07:35.880 --> 1:07:42.040
<v Speaker 1>my age slightly older living in America and you had

1:07:42.160 --> 1:07:44.360
<v Speaker 1>cable television, you.

1:07:44.400 --> 1:07:45.920
<v Speaker 2>Know who Donnie Simpson is.

1:07:46.520 --> 1:07:51.120
<v Speaker 1>Donnie Simpson is such a pioneering figure in black radio.

1:07:51.880 --> 1:07:54.200
<v Speaker 1>I believe on this show he shares with us that

1:07:54.280 --> 1:07:58.520
<v Speaker 1>he is the reason why you know the song Benny

1:07:59.080 --> 1:08:04.040
<v Speaker 1>and the Jets by Elton John. Having DJed in Detroit,

1:08:04.800 --> 1:08:09.680
<v Speaker 1>he premiered the song like around seven pm at night

1:08:10.680 --> 1:08:15.760
<v Speaker 1>on Detroit radio instant hit, and people just kept requesting

1:08:15.880 --> 1:08:19.519
<v Speaker 1>Benny and the Jets. And then suddenly Elton John got

1:08:19.560 --> 1:08:21.880
<v Speaker 1>word because you know, they heard that they were playing

1:08:21.960 --> 1:08:26.520
<v Speaker 1>Biddy and the Jets in Detroit, and then nearby territories

1:08:26.560 --> 1:08:33.360
<v Speaker 1>like Chicago, Ohio, Indiana, Pennsylvania, and then of course you

1:08:33.400 --> 1:08:34.600
<v Speaker 1>know the Tri State.

1:08:34.360 --> 1:08:36.639
<v Speaker 2>And d C, you know the DMV.

1:08:37.840 --> 1:08:42.839
<v Speaker 1>Suddenly the song just spread like wildfire, and Donnie Simpson

1:08:42.960 --> 1:08:44.559
<v Speaker 1>is the first domino that fell.

1:08:45.160 --> 1:08:46.840
<v Speaker 2>So yeah, man, Donnie.

1:08:46.479 --> 1:08:50.519
<v Speaker 1>Simpson such a legend of BT in its early days

1:08:50.520 --> 1:08:54.320
<v Speaker 1>with video soul. Such a hero is from back in

1:08:54.400 --> 1:08:58.200
<v Speaker 1>twenty seventeen, and Donnie's going to discuss his experience as

1:08:58.520 --> 1:09:03.639
<v Speaker 1>an ambassador of black culture on radio and television. How

1:09:03.640 --> 1:09:08.080
<v Speaker 1>are you convinced, uh to Well, you didn't totally abandon

1:09:08.200 --> 1:09:10.880
<v Speaker 1>radio when you did video solo. Oh no, you did both.

1:09:10.920 --> 1:09:15.120
<v Speaker 1>But did you figure that, Okay, it's time for the

1:09:15.120 --> 1:09:19.719
<v Speaker 1>black version of MTV too, uh to come to fruition

1:09:19.880 --> 1:09:20.880
<v Speaker 1>and I.

1:09:20.840 --> 1:09:21.960
<v Speaker 2>Want to be a part of history.

1:09:22.240 --> 1:09:24.040
<v Speaker 11>Now, Well, this has not happened. I mean, it wasn't

1:09:24.040 --> 1:09:30.640
<v Speaker 11>my creation. I got a call from Bob Johnson asking me,

1:09:31.000 --> 1:09:35.200
<v Speaker 11>or actually was Jeff Lee, his right hand man, said

1:09:35.240 --> 1:09:39.000
<v Speaker 11>we're starting this show called Video Soul, and we like

1:09:39.200 --> 1:09:43.280
<v Speaker 11>for you to host it. At the time, I was

1:09:43.320 --> 1:09:45.519
<v Speaker 11>still doing radio, of course, but I was also I

1:09:45.560 --> 1:09:46.360
<v Speaker 11>just started.

1:09:46.000 --> 1:09:48.599
<v Speaker 5>Doing TV locally in DC.

1:09:48.960 --> 1:09:51.559
<v Speaker 11>For the last two years, I was a sports anchor

1:09:51.880 --> 1:09:54.000
<v Speaker 11>George Michael, Yeah Michael.

1:09:54.080 --> 1:09:56.000
<v Speaker 5>Backup for George Michael Sports.

1:09:55.680 --> 1:10:00.080
<v Speaker 11>Machine, so you know, so yeah it was cool. I

1:10:00.120 --> 1:10:03.080
<v Speaker 11>mean I enjoyed that, but I like music, you know,

1:10:03.560 --> 1:10:04.720
<v Speaker 11>sports is not what I do.

1:10:05.000 --> 1:10:10.080
<v Speaker 5>So anyway, thank you, go ahead.

1:10:12.760 --> 1:10:17.160
<v Speaker 1>Sports that you're thinking, that's actually how how I know you.

1:10:17.360 --> 1:10:20.400
<v Speaker 17>I went to school down in College Park, Maryland in

1:10:20.960 --> 1:10:23.639
<v Speaker 17>late eighties early nineties, so I was watching the George

1:10:23.640 --> 1:10:25.120
<v Speaker 17>Michael sports.

1:10:24.800 --> 1:10:31.799
<v Speaker 1>Oh wow, cool dream machine sports, machine sports legend Donnie Simpson.

1:10:35.360 --> 1:10:38.599
<v Speaker 11>So so anyway, they said, wanted me to do this show,

1:10:38.840 --> 1:10:43.519
<v Speaker 11>and I'll be very honest with you, my first answer

1:10:43.720 --> 1:10:46.880
<v Speaker 11>was no. You know, no, I didn't want to do it.

1:10:48.200 --> 1:10:50.719
<v Speaker 11>I've always been very careful about what I get involved

1:10:50.720 --> 1:10:55.960
<v Speaker 11>in because all I have to sell is image, you know,

1:10:56.000 --> 1:10:58.960
<v Speaker 11>so I'm very protective of that. You know, it's got

1:10:58.960 --> 1:11:02.640
<v Speaker 11>to be right. And b e T in its infancy

1:11:03.360 --> 1:11:13.360
<v Speaker 11>wasn't a pretty baby exactly exactly right.

1:11:13.439 --> 1:11:15.120
<v Speaker 5>So I didn't want to do that, but I thought

1:11:15.120 --> 1:11:16.000
<v Speaker 5>about it for two.

1:11:15.920 --> 1:11:20.360
<v Speaker 11>Days and then finally the bottom line became this that

1:11:20.439 --> 1:11:24.280
<v Speaker 11>this is our first black television network.

1:11:24.680 --> 1:11:27.120
<v Speaker 5>If you have something to offer it, you have to

1:11:27.160 --> 1:11:27.439
<v Speaker 5>do that.

1:11:28.120 --> 1:11:29.360
<v Speaker 2>Period. Let's go.

1:11:29.920 --> 1:11:31.519
<v Speaker 5>And so I'm glad I did, man.

1:11:31.560 --> 1:11:33.920
<v Speaker 11>I mean it was, uh, you know, it was amazing.

1:11:33.960 --> 1:11:35.880
<v Speaker 11>When we first started, we were in one and a

1:11:35.880 --> 1:11:39.160
<v Speaker 11>half million homes. When I left, that number was like

1:11:39.280 --> 1:11:42.519
<v Speaker 11>forty five million, you know, now it's like one hundred

1:11:42.600 --> 1:11:42.920
<v Speaker 11>or something.

1:11:42.960 --> 1:11:44.640
<v Speaker 5>I mean, it's just crazy, you know.

1:11:44.840 --> 1:11:47.840
<v Speaker 11>And uh, you know, it put me in black houses

1:11:48.360 --> 1:11:49.519
<v Speaker 11>all across this country.

1:11:49.840 --> 1:11:51.280
<v Speaker 5>You know that.

1:11:51.920 --> 1:11:53.719
<v Speaker 2>Just know about your radio career.

1:11:53.760 --> 1:11:56.679
<v Speaker 5>I just yeah, most people around the country don't get

1:11:56.720 --> 1:11:57.599
<v Speaker 5>shocked when they find out.

1:11:57.600 --> 1:11:58.280
<v Speaker 10>How do radio?

1:11:59.200 --> 1:12:03.320
<v Speaker 5>Yeah? Yeah, but you know it was really something special, man.

1:12:03.400 --> 1:12:04.840
<v Speaker 2>It was you know.

1:12:06.000 --> 1:12:08.640
<v Speaker 11>Terry Lewis, we were talking about it recently and he

1:12:08.760 --> 1:12:12.920
<v Speaker 11>was saying how that I was just telling him about

1:12:12.920 --> 1:12:15.040
<v Speaker 11>the love and respect that I get and how it

1:12:15.200 --> 1:12:19.840
<v Speaker 11>just blows me away, you know every time. And he says,

1:12:19.920 --> 1:12:23.400
<v Speaker 11>it's because you mean something to people. You know that

1:12:23.439 --> 1:12:27.600
<v Speaker 11>you represented a time when music was fun. You know,

1:12:27.640 --> 1:12:29.880
<v Speaker 11>the videos were fun and.

1:12:29.800 --> 1:12:30.360
<v Speaker 5>All of that.

1:12:30.520 --> 1:12:32.639
<v Speaker 11>You know, it was clean fun, you know, and you

1:12:32.680 --> 1:12:34.800
<v Speaker 11>represent that time. It's like, well, I've never thought about

1:12:34.840 --> 1:12:41.880
<v Speaker 11>it like that, but you know, it's I remember one

1:12:42.000 --> 1:12:45.160
<v Speaker 11>night VH one did a series called Black in the

1:12:45.200 --> 1:12:48.479
<v Speaker 11>eighties and then he had interviewed me for it, and

1:12:49.800 --> 1:12:51.759
<v Speaker 11>so they told me it's coming on, So I watched

1:12:51.760 --> 1:12:54.040
<v Speaker 11>it that night. It was an hour long and the

1:12:54.080 --> 1:12:58.240
<v Speaker 11>first fifteen minutes they did Brian Gumble, the first black

1:12:58.320 --> 1:13:02.080
<v Speaker 11>to host the early morning national television show.

1:13:02.280 --> 1:13:05.920
<v Speaker 5>Then they did or Senel Hall, first black to host

1:13:06.040 --> 1:13:07.639
<v Speaker 5>late night talk show.

1:13:08.160 --> 1:13:12.880
<v Speaker 11>Then they did Cosby The Cosby Show and first black

1:13:12.920 --> 1:13:16.280
<v Speaker 11>TV show where uh, the mother and dad were doctor

1:13:16.320 --> 1:13:18.639
<v Speaker 11>and a lawyer, not a plumber and a Janitor or something,

1:13:18.840 --> 1:13:21.599
<v Speaker 11>you know, and then they did Donnie Simpson and Video

1:13:21.720 --> 1:13:25.080
<v Speaker 11>Soul and man, I'll never forget it. When the show ended,

1:13:25.120 --> 1:13:28.360
<v Speaker 11>all I could think was, well, how the hell am

1:13:28.360 --> 1:13:29.559
<v Speaker 11>I supposed to sleep tonight?

1:13:32.360 --> 1:13:32.759
<v Speaker 5>Seriously?

1:13:32.800 --> 1:13:35.280
<v Speaker 11>Because I never had it put in perspective like that,

1:13:35.360 --> 1:13:35.920
<v Speaker 11>you know what I mean.

1:13:36.439 --> 1:13:36.880
<v Speaker 2>It's like.

1:13:39.040 --> 1:13:42.800
<v Speaker 11>A line from that I've always loved from Elton John

1:13:42.960 --> 1:13:47.000
<v Speaker 11>rocket Love. Not rocket Love, that's Stevie Wonder Rocket ma

1:13:47.360 --> 1:13:50.160
<v Speaker 11>Man right when he says in all the science, I

1:13:50.200 --> 1:13:53.679
<v Speaker 11>don't understand it's just my job five days a week,

1:13:53.840 --> 1:13:54.040
<v Speaker 11>you know.

1:13:54.280 --> 1:13:56.880
<v Speaker 5>I mean, you think this is a rocketman an astronage.

1:13:56.920 --> 1:13:58.040
<v Speaker 5>It's like it's so glorious.

1:13:58.160 --> 1:14:01.880
<v Speaker 11>You know you were DJ's a glorious man.

1:14:02.000 --> 1:14:06.120
<v Speaker 5>I don't care who you are, what you do. It's

1:14:06.200 --> 1:14:06.920
<v Speaker 5>just what you do.

1:14:07.960 --> 1:14:11.439
<v Speaker 1>So at the time, you weren't thinking that you're doing

1:14:11.479 --> 1:14:15.920
<v Speaker 1>a historical service for mankind, that there's.

1:14:15.760 --> 1:14:17.720
<v Speaker 2>A bunch of eleven year olds watching.

1:14:17.400 --> 1:14:20.400
<v Speaker 1>You and recording this because we will record the show

1:14:21.360 --> 1:14:24.519
<v Speaker 1>and watch it over and over again.

1:14:24.640 --> 1:14:26.599
<v Speaker 5>Crazy to me, No, I never thought.

1:14:26.880 --> 1:14:29.960
<v Speaker 11>I've had three or four to ESPN anchors come up

1:14:29.960 --> 1:14:31.760
<v Speaker 11>to me and tell me you're the reason I do

1:14:31.920 --> 1:14:34.080
<v Speaker 11>TV because I used to watch you.

1:14:34.160 --> 1:14:34.599
<v Speaker 5>It's like.

1:14:36.280 --> 1:14:36.320
<v Speaker 3>That.

1:14:36.600 --> 1:14:38.800
<v Speaker 5>Man, that's mind blowing to me. Of course, I'm telling you.

1:14:38.840 --> 1:14:43.559
<v Speaker 1>Man, Between you and probably probably the only person that

1:14:43.600 --> 1:14:47.200
<v Speaker 1>could challenge or even match your cool might be Don Cornelius,

1:14:47.240 --> 1:14:50.759
<v Speaker 1>like you two are parents.

1:14:51.120 --> 1:14:55.320
<v Speaker 2>It was cool one the next. And that's the thing.

1:14:55.680 --> 1:15:02.720
<v Speaker 1>You always pervade, this, this level of of intelligence and

1:15:02.840 --> 1:15:09.479
<v Speaker 1>cool and knowledge no matter who the artist was. Like

1:15:09.720 --> 1:15:15.760
<v Speaker 1>if I were interviewing like Wild Animal era Vanity, I

1:15:15.760 --> 1:15:17.720
<v Speaker 1>would have been sweating profusely.

1:15:20.400 --> 1:15:23.240
<v Speaker 2>But you gave her the.

1:15:23.160 --> 1:15:28.519
<v Speaker 1>Same level of respect that you would have done for

1:15:28.800 --> 1:15:34.000
<v Speaker 1>Sergio Mendez or or Side Garrett or Quincy Jones or

1:15:34.040 --> 1:15:36.680
<v Speaker 1>I'll be short, like you know what I mean. Like that,

1:15:36.800 --> 1:15:39.960
<v Speaker 1>to me was was even more amazing. Like it's one

1:15:39.960 --> 1:15:43.639
<v Speaker 1>thing to interview someone that you love and that you're

1:15:44.040 --> 1:15:46.040
<v Speaker 1>you know that you have history of, Like I'm sure

1:15:46.080 --> 1:15:49.200
<v Speaker 1>that you know if a Motown luminary comes on the show,

1:15:49.280 --> 1:15:50.200
<v Speaker 1>then you know you're just.

1:15:50.160 --> 1:15:53.439
<v Speaker 2>Giddy about it. But how do you prepare yourself.

1:15:55.120 --> 1:15:58.320
<v Speaker 1>For an artist that you might not know of, Like say,

1:15:58.360 --> 1:16:01.200
<v Speaker 1>of first year Karen White comes on the show and

1:16:01.240 --> 1:16:03.160
<v Speaker 1>you might not know that much about her, but.

1:16:03.320 --> 1:16:04.320
<v Speaker 5>I ask her.

1:16:07.040 --> 1:16:07.559
<v Speaker 4>Like you did.

1:16:09.000 --> 1:16:12.840
<v Speaker 11>Seriously, that's how I prepare. There's no like ten years,

1:16:13.280 --> 1:16:16.599
<v Speaker 11>but there there's no preparation. I mean, every artist I've

1:16:16.640 --> 1:16:18.400
<v Speaker 11>ever had on Video Soul, they would give me a

1:16:18.479 --> 1:16:21.040
<v Speaker 11>bio and a list of questions and I would take

1:16:21.040 --> 1:16:22.920
<v Speaker 11>a car right set.

1:16:22.800 --> 1:16:23.599
<v Speaker 5>That on the side.

1:16:24.080 --> 1:16:28.120
<v Speaker 11>Seriously, I would never look at it because I felt

1:16:28.160 --> 1:16:30.840
<v Speaker 11>that there's nothing wrong with me not knowing you grew

1:16:30.920 --> 1:16:34.479
<v Speaker 11>up in Tuscaloosa that I can ask you that. I mean,

1:16:34.520 --> 1:16:37.120
<v Speaker 11>this is an interview, this is getting to know you.

1:16:37.200 --> 1:16:38.880
<v Speaker 11>What's wrong with that being the first so where you

1:16:38.960 --> 1:16:41.360
<v Speaker 11>grow up at? You know, Oh, I grew up in

1:16:41.400 --> 1:16:44.200
<v Speaker 11>Philip oh Man, what happened to the Sixers the other night?

1:16:44.600 --> 1:16:45.600
<v Speaker 11>That's conversation?

1:16:46.000 --> 1:16:47.360
<v Speaker 2>Okay, you know it.

1:16:48.960 --> 1:16:49.760
<v Speaker 5>That's just you know.

1:16:49.880 --> 1:16:52.600
<v Speaker 11>I mean, if it's somebody I knew, I'm telling you

1:16:52.640 --> 1:16:55.240
<v Speaker 11>this may be the depth of the preparation. I'd go,

1:16:56.040 --> 1:16:58.280
<v Speaker 11>all right, Luther's on this show today. I'm riding in

1:16:58.320 --> 1:16:59.800
<v Speaker 11>and I go, what is it you want to know

1:16:59.880 --> 1:17:03.800
<v Speaker 11>about Luther Man? Why you why does your weight keep

1:17:03.840 --> 1:17:04.719
<v Speaker 11>going up and down?

1:17:09.240 --> 1:17:11.120
<v Speaker 5>I said, all right, that's what I'm going to ask him.

1:17:11.200 --> 1:17:14.160
<v Speaker 13>And you know it's but you could ask him that

1:17:14.200 --> 1:17:15.760
<v Speaker 13>though I don't think nobody else could get away with.

1:17:16.520 --> 1:17:20.000
<v Speaker 5>But you know, and and that is a blessing for

1:17:20.040 --> 1:17:21.280
<v Speaker 5>you to say that you get.

1:17:21.080 --> 1:17:27.120
<v Speaker 11>It, that it's just like uh on, with all due respect,

1:17:27.160 --> 1:17:31.759
<v Speaker 11>I'm going back to Johnny Carson the Tonight Show that

1:17:32.400 --> 1:17:36.920
<v Speaker 11>when the conversation with Johnny was always different from any

1:17:37.000 --> 1:17:41.559
<v Speaker 11>other host I ever saw because they had so much

1:17:41.640 --> 1:17:42.439
<v Speaker 11>respect for him.

1:17:42.640 --> 1:17:45.400
<v Speaker 5>He could ask things that others might not because they

1:17:46.040 --> 1:17:49.439
<v Speaker 5>just lose. But but Jimmy's like that too, because he's

1:17:49.439 --> 1:17:50.080
<v Speaker 5>so cool.

1:17:50.240 --> 1:17:53.120
<v Speaker 11>You know, when you when you're cool with people like that, man,

1:17:53.200 --> 1:17:57.320
<v Speaker 11>and they feel you and it's real, it's not staged questions.

1:17:57.320 --> 1:17:59.639
<v Speaker 11>And you know, when you've read the bio, the chances

1:17:59.640 --> 1:18:02.479
<v Speaker 11>are I'm to ask you a question based on that bio.

1:18:02.520 --> 1:18:05.559
<v Speaker 5>It's something that you've been asked a thousand times already before.

1:18:06.200 --> 1:18:09.320
<v Speaker 1>What was your first interview on Do you remember your

1:18:09.400 --> 1:18:10.479
<v Speaker 1>very first interview on the show?

1:18:10.520 --> 1:18:13.559
<v Speaker 11>Who was your first My very first interview is with

1:18:13.600 --> 1:18:21.960
<v Speaker 11>the Fat Boys? Eighty three or eighty four? God, so

1:18:22.160 --> 1:18:24.280
<v Speaker 11>like that? Yeah, man, the Fat Boys.

1:18:24.560 --> 1:18:26.760
<v Speaker 5>Second one was with Rick James.

1:18:26.880 --> 1:18:33.759
<v Speaker 2>Bitch Okay, what was that like? Okay?

1:18:33.920 --> 1:18:38.200
<v Speaker 1>We have yet to have a potential off the chains

1:18:39.120 --> 1:18:41.840
<v Speaker 1>guests we're kind of entertaining that, like all of our

1:18:41.840 --> 1:18:45.160
<v Speaker 1>guests are either like super legend or we've worshiped them. Yeah,

1:18:45.240 --> 1:18:51.200
<v Speaker 1>but okay, Rick James a perfect example. If someone has

1:18:51.240 --> 1:18:53.280
<v Speaker 1>the potential disorder be off the.

1:18:53.320 --> 1:18:57.080
<v Speaker 2>Chains, Oh, how do you wheeld them in? How do

1:18:57.120 --> 1:18:59.280
<v Speaker 2>you how do you maintain how do.

1:18:59.200 --> 1:19:01.320
<v Speaker 12>You drive the car and not have them drive the car?

1:19:01.880 --> 1:19:04.520
<v Speaker 5>Wow? That's wow, what a great question.

1:19:04.360 --> 1:19:06.559
<v Speaker 12>Because you still have to steer and navigate.

1:19:06.680 --> 1:19:11.120
<v Speaker 11>Yeah, you still gotta steer and right.

1:19:11.880 --> 1:19:13.920
<v Speaker 1>And it was the eighties, so we know that Rick

1:19:14.040 --> 1:19:16.519
<v Speaker 1>might have been on that, you know, so you don't

1:19:16.560 --> 1:19:18.200
<v Speaker 1>know where the conversation was going to go.

1:19:18.200 --> 1:19:19.599
<v Speaker 5>But I've never had that problem.

1:19:19.640 --> 1:19:22.200
<v Speaker 11>I never had anybody, had anybody go rogue on me,

1:19:22.360 --> 1:19:26.799
<v Speaker 11>just you know, go crazy, go just it just never happened.

1:19:26.840 --> 1:19:28.600
<v Speaker 4>But a little left, you've had some people maybe go

1:19:28.600 --> 1:19:29.679
<v Speaker 4>a little because even.

1:19:29.520 --> 1:19:37.000
<v Speaker 5>That in every Everybody Left, you know, shoot.

1:19:38.160 --> 1:19:41.000
<v Speaker 1>You has an interview going a little weird, and you

1:19:41.040 --> 1:19:43.080
<v Speaker 1>guys had to do a lot of editing magic.

1:19:43.800 --> 1:19:46.840
<v Speaker 11>Well back in the day for like what interview was

1:19:46.880 --> 1:19:51.000
<v Speaker 11>like most of the years on Video Soul, we were live.

1:19:53.760 --> 1:19:55.920
<v Speaker 11>It was live until the last three or four years.

1:19:56.000 --> 1:20:00.479
<v Speaker 5>Really, Yeah, I never do that. Yeah, yeah, we used

1:20:00.479 --> 1:20:02.400
<v Speaker 5>to do it live Man Risky.

1:20:02.479 --> 1:20:05.120
<v Speaker 11>Well yeah, but today that's the way I liked it

1:20:05.560 --> 1:20:06.960
<v Speaker 11>because that made it like radio.

1:20:07.080 --> 1:20:07.400
<v Speaker 12>For me.

1:20:08.120 --> 1:20:09.160
<v Speaker 2>I hate tape.

1:20:09.520 --> 1:20:10.400
<v Speaker 5>I hate recording.

1:20:11.680 --> 1:20:15.080
<v Speaker 11>It's just it's a different pressure that you perform better

1:20:15.160 --> 1:20:17.800
<v Speaker 11>when it's live. For me, you know, when it's live,

1:20:17.840 --> 1:20:19.360
<v Speaker 11>and I know you don't get to back it up

1:20:19.439 --> 1:20:20.200
<v Speaker 11>and then it's real.

1:20:20.400 --> 1:20:21.320
<v Speaker 5>Because for me.

1:20:21.600 --> 1:20:25.040
<v Speaker 11>When you backing it up and editing, then you're trying

1:20:25.040 --> 1:20:28.400
<v Speaker 11>to make it perfect. And like I never ever ever

1:20:28.560 --> 1:20:32.080
<v Speaker 11>watched video soul. I don't listen to tapes of my

1:20:32.200 --> 1:20:35.720
<v Speaker 11>radio show because I feel like I'm trying to make

1:20:35.800 --> 1:20:37.679
<v Speaker 11>myself perfect and I'll never be that.

1:20:38.160 --> 1:20:39.960
<v Speaker 5>All I need to be is me.

1:20:40.680 --> 1:20:41.080
<v Speaker 2>That's it.

1:20:41.600 --> 1:20:42.400
<v Speaker 5>That's all I need to be.

1:20:42.439 --> 1:20:43.040
<v Speaker 4>Donnie Simpson.

1:20:43.080 --> 1:20:44.720
<v Speaker 7>Does that mean a programmer has never pulled you in

1:20:44.720 --> 1:20:46.080
<v Speaker 7>an air check meeting and it said.

1:20:45.920 --> 1:20:47.879
<v Speaker 5>Oh lord, no, since.

1:20:47.720 --> 1:20:49.800
<v Speaker 7>You were a teenager, there's never been a boss because

1:20:49.800 --> 1:20:52.200
<v Speaker 7>I meant people know this, but like in radio, usually

1:20:52.200 --> 1:20:54.000
<v Speaker 7>your boss will at some point at the end of

1:20:54.000 --> 1:20:55.400
<v Speaker 7>the week, pool you in a room and say let's

1:20:55.400 --> 1:20:56.400
<v Speaker 7>listen to what you did here.

1:20:57.280 --> 1:20:57.760
<v Speaker 5>You know what.

1:20:58.400 --> 1:21:03.120
<v Speaker 11>For one period when I moved to DC, in seventy seven,

1:21:04.280 --> 1:21:07.240
<v Speaker 11>we did have a program director and oh my goodness,

1:21:07.960 --> 1:21:09.840
<v Speaker 11>it was crazy for me. For a year and a

1:21:09.840 --> 1:21:13.000
<v Speaker 11>half I did live under that. I've forgotten that because

1:21:13.000 --> 1:21:14.639
<v Speaker 11>it was such you know, that's out of how many

1:21:14.720 --> 1:21:18.559
<v Speaker 11>years got I started in sixty nine, so you know,

1:21:18.600 --> 1:21:24.800
<v Speaker 11>one and a half years of slavery. But you know

1:21:24.920 --> 1:21:27.280
<v Speaker 11>where he would walk in with a stopwatch and go

1:21:27.720 --> 1:21:30.679
<v Speaker 11>that was seventeen seconds. You had to come in under

1:21:30.720 --> 1:21:33.160
<v Speaker 11>fifteen seconds on anything you said, you.

1:21:33.120 --> 1:21:36.320
<v Speaker 5>Know, I mean, it was just so finally I was gone.

1:21:36.720 --> 1:21:37.280
<v Speaker 2>I was gone.

1:21:37.320 --> 1:21:38.360
<v Speaker 5>I said I can't do this.

1:21:38.439 --> 1:21:38.960
<v Speaker 10>I'm leaving.

1:21:39.000 --> 1:21:42.280
<v Speaker 11>And I had a job offer in la and so

1:21:42.360 --> 1:21:46.680
<v Speaker 11>they offered me the music directorship to keep me. So

1:21:46.920 --> 1:21:50.519
<v Speaker 11>I stayed and then I worked under this music director.

1:21:50.560 --> 1:21:53.160
<v Speaker 11>My music director was he's a brother, but he had

1:21:53.200 --> 1:21:56.200
<v Speaker 11>so much or let me be careful.

1:21:56.439 --> 1:22:00.559
<v Speaker 2>Yeah, really we know when we get it.

1:22:00.720 --> 1:22:03.519
<v Speaker 5>Yeah, we need Muller to investigate this one.

1:22:07.439 --> 1:22:12.599
<v Speaker 11>But he we would have our record meetings or every week,

1:22:12.640 --> 1:22:15.000
<v Speaker 11>you know, the music meetings, and he'd go around the room.

1:22:15.120 --> 1:22:17.439
<v Speaker 11>I was the music director under him. He was the

1:22:17.439 --> 1:22:19.960
<v Speaker 11>program director, and I had two assistants and both of

1:22:19.960 --> 1:22:21.320
<v Speaker 11>them were political appointees.

1:22:21.360 --> 1:22:21.920
<v Speaker 5>This is DC.

1:22:22.400 --> 1:22:25.960
<v Speaker 11>One was David Brinkley's son, the other was his senator's son.

1:22:26.640 --> 1:22:28.519
<v Speaker 11>He go around the room, he play, Uh, I'll never

1:22:28.560 --> 1:22:31.920
<v Speaker 11>forget this. When he played Beast of Burden Rolling Stones,

1:22:32.520 --> 1:22:34.439
<v Speaker 11>you know, so he goes, so, John, what do you

1:22:34.439 --> 1:22:34.920
<v Speaker 11>think of that? Oh?

1:22:34.960 --> 1:22:36.000
<v Speaker 5>I love it. I think it's great.

1:22:36.080 --> 1:22:36.519
<v Speaker 10>David, what do you?

1:22:36.640 --> 1:22:38.439
<v Speaker 5>I think it is great? I think Donnie, what do

1:22:38.479 --> 1:22:39.320
<v Speaker 5>you think? I think it's great.

1:22:39.400 --> 1:22:40.800
<v Speaker 2>We can't play that ship you.

1:22:47.000 --> 1:22:49.320
<v Speaker 5>Right, you know, I mean I love it, but it's

1:22:49.320 --> 1:22:50.280
<v Speaker 5>got the fit brothers.

1:22:52.040 --> 1:22:54.680
<v Speaker 1>Can I assume that that was the single after Miss You?

1:22:54.880 --> 1:22:56.520
<v Speaker 1>Were you guys playing Miss You?

1:22:56.560 --> 1:22:56.720
<v Speaker 9>No?

1:22:56.880 --> 1:22:58.439
<v Speaker 5>That was that was before Miss You?

1:22:58.840 --> 1:23:01.560
<v Speaker 11>Because I Miss You came after, as I recall it,

1:23:01.600 --> 1:23:05.280
<v Speaker 11>because I played Miss You as a program director, so

1:23:05.320 --> 1:23:10.280
<v Speaker 11>I wasn't programming then. Yeah, I'm pretty sure we could.

1:23:10.760 --> 1:23:16.200
<v Speaker 11>We could check the records. Yeah, I think that's the

1:23:16.200 --> 1:23:18.759
<v Speaker 11>way it went. Because I played Miss You. That works,

1:23:19.240 --> 1:23:23.720
<v Speaker 11>Beast Burden does not. Little River Band reminiscing we can't.

1:23:23.439 --> 1:23:26.040
<v Speaker 5>Play that, man, you know. Yeah, it's it's.

1:23:29.240 --> 1:23:31.200
<v Speaker 7>Because you also got to consider the area, right, Like,

1:23:31.240 --> 1:23:32.520
<v Speaker 7>it's not just the people.

1:23:32.200 --> 1:23:34.639
<v Speaker 5>In the d C and go go baby.

1:23:35.200 --> 1:23:35.400
<v Speaker 6>You know.

1:23:36.000 --> 1:23:38.679
<v Speaker 5>It was hard, Yeah, that's my next question.

1:23:39.080 --> 1:23:45.519
<v Speaker 1>Okay, Now, as the the top taste maker of DC

1:23:45.720 --> 1:23:50.639
<v Speaker 1>that had the world's ears, how is such a beautiful

1:23:50.680 --> 1:23:57.560
<v Speaker 1>subculture like go Go, How's it meant so many obstacles

1:23:58.200 --> 1:24:04.000
<v Speaker 1>And I feel like the ripple never gets to expand.

1:24:03.600 --> 1:24:07.040
<v Speaker 2>West West more West than West Virginia or.

1:24:07.200 --> 1:24:10.400
<v Speaker 12>Ohio West Virginia or Okay.

1:24:11.920 --> 1:24:16.000
<v Speaker 1>It's like, let's let's just go back to Virginia. Yeah,

1:24:16.040 --> 1:24:19.760
<v Speaker 1>but it's You've lived in DC for decades and I

1:24:19.800 --> 1:24:24.120
<v Speaker 1>assume you still do oh yeah. How is black people's

1:24:24.240 --> 1:24:30.160
<v Speaker 1>jam bam music not resonated to the rest of the

1:24:30.320 --> 1:24:31.960
<v Speaker 1>United States of America at least?

1:24:32.200 --> 1:24:35.160
<v Speaker 5>I have no idea why that is.

1:24:35.560 --> 1:24:38.519
<v Speaker 11>It's like, I mean, we thought it was going to

1:24:38.600 --> 1:24:41.360
<v Speaker 11>break out when we've had Yeah.

1:24:41.200 --> 1:24:43.120
<v Speaker 2>Well and good to that movie came out.

1:24:43.320 --> 1:24:46.840
<v Speaker 11>Chuck was the first bust and Loose was the first

1:24:47.280 --> 1:24:49.439
<v Speaker 11>number one go Go song in the country. I mean

1:24:49.479 --> 1:24:51.200
<v Speaker 11>it was number one song in the country. That was

1:24:51.200 --> 1:24:54.000
<v Speaker 11>Go Go and uh. And then the second was the

1:24:54.040 --> 1:24:57.320
<v Speaker 11>Butt by EU with the help of the movie School Days.

1:24:57.400 --> 1:25:00.639
<v Speaker 11>You know, so we're thinking, man, it's great break out now,

1:25:00.800 --> 1:25:03.000
<v Speaker 11>and it never did. Those are the only two to

1:25:03.040 --> 1:25:05.479
<v Speaker 11>this day that ever went number one in the country.

1:25:05.640 --> 1:25:07.280
<v Speaker 5>You know, you had people like Grace Jones.

1:25:07.360 --> 1:25:10.439
<v Speaker 2>Some people used it, elements, yeah, I used.

1:25:10.320 --> 1:25:13.439
<v Speaker 11>Elements, yeah, but it just never broke out for some reason.

1:25:13.520 --> 1:25:16.280
<v Speaker 11>And I don't know, you know, I don't know why

1:25:16.479 --> 1:25:17.559
<v Speaker 11>Western world never.

1:25:17.400 --> 1:25:20.040
<v Speaker 5>Caught on to drop the bomb on the white boy.

1:25:21.360 --> 1:25:22.519
<v Speaker 14>You know, I just don't get that.

1:25:23.880 --> 1:25:35.120
<v Speaker 1>I wonder, all right, So that was Donnie Simpson back

1:25:35.160 --> 1:25:38.840
<v Speaker 1>in twenty seventeen, and now we are fittingly going to

1:25:38.960 --> 1:25:43.559
<v Speaker 1>Big Les in twenty twenty. So big Les came at

1:25:43.560 --> 1:25:47.679
<v Speaker 1>a time in which, you know, to see people pivot,

1:25:48.840 --> 1:25:54.040
<v Speaker 1>especially hip hop people pivot. You see the fresh Prince

1:25:54.840 --> 1:25:58.799
<v Speaker 1>morph into Will Smith. You see a rapper morph into

1:25:59.200 --> 1:26:00.960
<v Speaker 1>an accomplished actor.

1:26:01.880 --> 1:26:05.080
<v Speaker 2>That's important to see. You see Jay.

1:26:05.000 --> 1:26:12.240
<v Speaker 1>Z more from back of the trunk business to real

1:26:12.320 --> 1:26:17.360
<v Speaker 1>business and real is and quotes. And for me, you know,

1:26:17.439 --> 1:26:22.360
<v Speaker 1>big Les was such a pivotal figurehead and hip hop dancing,

1:26:22.360 --> 1:26:26.320
<v Speaker 1>which often doesn't get celebrated as much as MCN and

1:26:26.760 --> 1:26:31.760
<v Speaker 1>DJ and and graffiti art. So the fact that big

1:26:31.840 --> 1:26:37.280
<v Speaker 1>Les was taken street dancing to a higher level, and

1:26:37.439 --> 1:26:39.120
<v Speaker 1>you know, she became one of the most sought after

1:26:39.280 --> 1:26:45.640
<v Speaker 1>choreographers and dancers and kind of pivoted to media personality

1:26:45.960 --> 1:26:49.320
<v Speaker 1>and so yeah, such a legend to come on our

1:26:49.360 --> 1:26:54.439
<v Speaker 1>show and talks big less from twenty twenty. What was

1:26:54.479 --> 1:26:58.120
<v Speaker 1>the moment that led to you sort of ease out

1:26:58.240 --> 1:27:04.840
<v Speaker 1>of comfort zone and go into being a personality because

1:27:04.880 --> 1:27:07.960
<v Speaker 1>I've seen you on mini of Red Carpet doing Rap City,

1:27:08.120 --> 1:27:11.880
<v Speaker 1>Like was that your first job as a Like how

1:27:11.880 --> 1:27:13.920
<v Speaker 1>did you know that you had a personality? Because it's

1:27:14.080 --> 1:27:17.639
<v Speaker 1>it's you know, even even for me to ease into

1:27:17.680 --> 1:27:20.800
<v Speaker 1>this zone is a little weird, Like just because I'm

1:27:20.840 --> 1:27:24.360
<v Speaker 1>a public figure doesn't mean that you know, just because

1:27:24.400 --> 1:27:25.960
<v Speaker 1>you could do that doesn't mean that you can carry

1:27:25.960 --> 1:27:28.360
<v Speaker 1>a conversation, go to be engaging and all that stuffing.

1:27:28.920 --> 1:27:32.040
<v Speaker 1>You're really engaging, like you are a personality. It's almost like,

1:27:32.760 --> 1:27:34.720
<v Speaker 1>you know, when I when I saw that you first

1:27:34.800 --> 1:27:38.960
<v Speaker 1>started like doing red Carpet stuff and starting with Rap City,

1:27:39.479 --> 1:27:41.240
<v Speaker 1>I was like, Oh, she's a natural, Like she is

1:27:41.280 --> 1:27:44.120
<v Speaker 1>a personality, Like where did that come from?

1:27:44.320 --> 1:27:44.599
<v Speaker 14>Wow?

1:27:44.800 --> 1:27:48.479
<v Speaker 18>Thank you for saying that. Career, It's interesting the things

1:27:48.520 --> 1:27:50.639
<v Speaker 18>that you write in your diary have so much power.

1:27:50.960 --> 1:27:52.760
<v Speaker 18>When I was in high school, I was going to

1:27:52.800 --> 1:27:56.040
<v Speaker 18>study journalism and I took like three journalism classes, and

1:27:56.080 --> 1:27:57.880
<v Speaker 18>the last one I took I didn't like. So I

1:27:57.920 --> 1:28:00.479
<v Speaker 18>was like, I'm switching to sports medicine and athletic training

1:28:00.479 --> 1:28:03.479
<v Speaker 18>and all that other stuff. But I still always kept

1:28:03.520 --> 1:28:06.160
<v Speaker 18>a journal. I always still wrote short stories and always

1:28:06.240 --> 1:28:10.120
<v Speaker 18>kind of like been inquisitive by nature. Rahap City is

1:28:10.120 --> 1:28:12.439
<v Speaker 18>a blessing that came after I did not become a

1:28:12.439 --> 1:28:16.080
<v Speaker 18>fly girl, Like that's a whole other was curious audition.

1:28:16.439 --> 1:28:19.599
<v Speaker 16>I didn't want to ask, that's so okay, Oh yeah, what.

1:28:19.680 --> 1:28:21.200
<v Speaker 2>Gigs didn't you get that you wanted?

1:28:21.760 --> 1:28:24.680
<v Speaker 18>Well, being a fly girl was the gig that I

1:28:24.760 --> 1:28:29.000
<v Speaker 18>wanted more than anything. I literally did not get it.

1:28:29.280 --> 1:28:32.800
<v Speaker 18>And it was already like set up. I had the

1:28:32.840 --> 1:28:35.640
<v Speaker 18>best audition. All the local news channels are interviewing me.

1:28:35.720 --> 1:28:37.639
<v Speaker 18>I did all these flips and this, that and the other.

1:28:37.680 --> 1:28:38.519
<v Speaker 4>Everybody knew you.

1:28:38.600 --> 1:28:41.360
<v Speaker 7>It was the New York fan, the Wayans and Rosie

1:28:41.400 --> 1:28:42.559
<v Speaker 7>and yeah.

1:28:42.600 --> 1:28:44.840
<v Speaker 18>But Rosie came over to me side barbers like can

1:28:44.880 --> 1:28:47.599
<v Speaker 18>you lose ten pounds? And Jenn already been on the show,

1:28:47.640 --> 1:28:49.280
<v Speaker 18>and I'm like, but Jen at the time was bigger

1:28:49.320 --> 1:28:51.160
<v Speaker 18>than I was, Like I was really muscular, but she

1:28:51.320 --> 1:28:54.960
<v Speaker 18>was thicker. And then I found out that you know,

1:28:55.000 --> 1:28:58.120
<v Speaker 18>by Josie's own words, that she had been approached well

1:28:58.160 --> 1:29:00.880
<v Speaker 18>before the audition, by I guess one of the ways

1:29:00.920 --> 1:29:02.720
<v Speaker 18>called her and said, listen, we need you to show up,

1:29:02.760 --> 1:29:04.360
<v Speaker 18>but we want to know if you want the gig.

1:29:04.600 --> 1:29:06.600
<v Speaker 18>So she pretty much already had and just kind of

1:29:06.640 --> 1:29:09.840
<v Speaker 18>had to look like she had the audition. And you know,

1:29:09.960 --> 1:29:12.800
<v Speaker 18>usually they do what's called typecasting. You say you want

1:29:12.840 --> 1:29:16.320
<v Speaker 18>somebody likes in this tall, Latino women, black women, whatever.

1:29:16.120 --> 1:29:16.920
<v Speaker 14>You very specific.

1:29:17.040 --> 1:29:19.160
<v Speaker 18>This was an open audition, but they already knew who

1:29:19.160 --> 1:29:22.519
<v Speaker 18>they wanted and what they wanted. And Rosie years later

1:29:22.600 --> 1:29:26.120
<v Speaker 18>came and apologized for even asking me that question and

1:29:26.160 --> 1:29:28.720
<v Speaker 18>wishing that she had fought for me because she knew

1:29:28.760 --> 1:29:30.720
<v Speaker 18>that I was the baddest thing in the room at

1:29:30.720 --> 1:29:35.160
<v Speaker 18>that time. But rejection is God's protection. Right after I'm

1:29:35.160 --> 1:29:38.040
<v Speaker 18>flicking my wounds and I don't get flygirl, I go

1:29:38.120 --> 1:29:42.519
<v Speaker 18>on Madeline Woods Show video LP and dance on the show.

1:29:43.080 --> 1:29:45.280
<v Speaker 18>I'm talking about all these artists that I've worked with,

1:29:45.680 --> 1:29:48.120
<v Speaker 18>you know, as a dancer, that you spend time with

1:29:48.240 --> 1:29:50.040
<v Speaker 18>on the tour bus and in rehearsals, so you know

1:29:50.120 --> 1:29:52.320
<v Speaker 18>them more than the fans do, sometimes even better. Than

1:29:52.360 --> 1:29:55.080
<v Speaker 18>the family does. And so they're like, you know these people,

1:29:55.160 --> 1:29:56.920
<v Speaker 18>You've been around them even before some of them had

1:29:56.960 --> 1:29:59.960
<v Speaker 18>their deals, And would you like to audition for rhaps City?

1:30:00.640 --> 1:30:04.280
<v Speaker 18>And I auditioned, and the producer Keith Patchell and Sanita

1:30:04.280 --> 1:30:06.880
<v Speaker 18>Brooks and Eric Watson still had to fight with me,

1:30:07.479 --> 1:30:10.559
<v Speaker 18>had to fight for me with the producers upstairs, because one,

1:30:10.840 --> 1:30:14.160
<v Speaker 18>I didn't look a certain way right there goes our

1:30:14.240 --> 1:30:19.160
<v Speaker 18>lovely black on black colorism, and there wasn't a female

1:30:19.280 --> 1:30:21.880
<v Speaker 18>voice really in hip hop on that level other than

1:30:21.960 --> 1:30:25.559
<v Speaker 18>Dee Barnes who came before me. So once they were

1:30:25.600 --> 1:30:29.240
<v Speaker 18>able to give me a couple of episodes to prove myself,

1:30:29.280 --> 1:30:32.439
<v Speaker 18>I got the job. But they were gracious enough to

1:30:32.560 --> 1:30:34.679
<v Speaker 18>let me do the show while I was still dancing.

1:30:34.720 --> 1:30:36.559
<v Speaker 18>I think I was on tour with Heavy d And

1:30:36.600 --> 1:30:38.639
<v Speaker 18>it worked it to their benefit because now as we're

1:30:38.720 --> 1:30:41.439
<v Speaker 18>city to city, I could do interviews in city to

1:30:41.520 --> 1:30:43.799
<v Speaker 18>city and they didn't have to pay like any extra

1:30:43.840 --> 1:30:45.320
<v Speaker 18>for it, so I could catch up with Common in

1:30:45.400 --> 1:30:47.920
<v Speaker 18>Chicago and so and so and so and seem when

1:30:47.960 --> 1:30:50.320
<v Speaker 18>it became too much, they were like, you're gonna have

1:30:50.320 --> 1:30:52.040
<v Speaker 18>to choose. And by that time, you know, I had

1:30:52.080 --> 1:30:55.000
<v Speaker 18>already done like fifteen years of gymnastics, even though I

1:30:55.040 --> 1:30:58.160
<v Speaker 18>wasn't ready to quit dancing, but I had transitioned into choreography.

1:30:58.200 --> 1:31:00.439
<v Speaker 18>I was still doing more choreography and I could the tour,

1:31:00.800 --> 1:31:02.400
<v Speaker 18>so I just kind of was like, let me focus

1:31:02.439 --> 1:31:04.920
<v Speaker 18>on TV altogether. And that's kind of how that happened,

1:31:04.960 --> 1:31:06.880
<v Speaker 18>and then radio was born from that.

1:31:07.920 --> 1:31:09.840
<v Speaker 17>I think the thing I used to always like about

1:31:09.880 --> 1:31:12.280
<v Speaker 17>you hosting Rap City, I would notice how a lot

1:31:12.320 --> 1:31:14.920
<v Speaker 17>of times guests would change up who they were with

1:31:15.000 --> 1:31:17.840
<v Speaker 17>you in a way that they wouldn't with like d

1:31:18.320 --> 1:31:20.080
<v Speaker 17>or you know, Chris Thomas orhoever.

1:31:20.160 --> 1:31:22.360
<v Speaker 2>I remember it was a Boogie Monster's episode.

1:31:22.520 --> 1:31:25.840
<v Speaker 17>Hell shit, one of the guys he was trying, Yo,

1:31:25.960 --> 1:31:27.760
<v Speaker 17>he was trying so hard to kick it to you.

1:31:27.760 --> 1:31:30.960
<v Speaker 2>I can't remember which one it was. Yeah, Yo, man,

1:31:31.000 --> 1:31:31.400
<v Speaker 2>I'm sorry.

1:31:31.439 --> 1:31:33.559
<v Speaker 12>We all tried to kick it to Yeah.

1:31:34.240 --> 1:31:36.120
<v Speaker 2>I mean, but I was so obvious though.

1:31:36.120 --> 1:31:37.759
<v Speaker 5>He was like talking all my daughter.

1:31:37.640 --> 1:31:38.280
<v Speaker 2>Shirt that day.

1:31:38.320 --> 1:31:41.519
<v Speaker 1>I was like that first day of school feeling when

1:31:41.800 --> 1:31:44.760
<v Speaker 1>you standing at the outfit iron my shirt, you know,

1:31:44.920 --> 1:31:45.439
<v Speaker 1>iron shit.

1:31:45.479 --> 1:31:48.760
<v Speaker 2>I get out there, I was like, Yo, we doing

1:31:48.800 --> 1:31:49.519
<v Speaker 2>rap city today.

1:31:49.560 --> 1:31:50.679
<v Speaker 12>Let me use my good shirt.

1:31:52.720 --> 1:31:54.840
<v Speaker 18>The blessing that happened for me with that is that

1:31:54.920 --> 1:31:57.080
<v Speaker 18>a lot of the labels and the artists would request me,

1:31:57.400 --> 1:31:59.439
<v Speaker 18>and I think because they knew of me as a dancer,

1:31:59.560 --> 1:32:01.800
<v Speaker 18>they knew me from the clubs, they knew I had

1:32:01.840 --> 1:32:03.720
<v Speaker 18>been around and been in the trenches, and that they

1:32:03.760 --> 1:32:05.880
<v Speaker 18>could trust me with their story. And then I actually

1:32:06.000 --> 1:32:07.840
<v Speaker 18>knew the story, you know what I mean, because I

1:32:07.920 --> 1:32:10.519
<v Speaker 18>was there, I was part of it, So it was

1:32:10.560 --> 1:32:12.320
<v Speaker 18>easy for them to like come on the show and

1:32:12.400 --> 1:32:15.479
<v Speaker 18>us just have real conversations. And you know, if you

1:32:15.479 --> 1:32:17.880
<v Speaker 18>see my first episode to my like twentieth, yeah, I

1:32:17.920 --> 1:32:19.920
<v Speaker 18>grew a whole lot because I had real you know,

1:32:19.960 --> 1:32:22.160
<v Speaker 18>producers who would teach me how to talk and to

1:32:22.280 --> 1:32:25.080
<v Speaker 18>listen and this and that and stuff. So it made

1:32:25.080 --> 1:32:27.840
<v Speaker 18>a difference, and I felt really comfortable. I think when

1:32:27.840 --> 1:32:31.560
<v Speaker 18>you're a performer, and maybe it's a little different for you,

1:32:31.640 --> 1:32:33.760
<v Speaker 18>quest like there's certain things you're comfortable with or not.

1:32:33.880 --> 1:32:36.599
<v Speaker 18>Like I've always, as a gymnast, been comfortable on camera

1:32:36.640 --> 1:32:40.479
<v Speaker 18>and performing and being a show person. And I've always

1:32:40.520 --> 1:32:43.719
<v Speaker 18>been a talker and I'm always inquisitive, like I'm nosy,

1:32:43.760 --> 1:32:45.760
<v Speaker 18>and I can ask you like eight hundred questions and

1:32:46.000 --> 1:32:48.680
<v Speaker 18>without a que Card and just because I want to

1:32:48.680 --> 1:32:52.080
<v Speaker 18>hear your story and I have human interests love, Like,

1:32:52.120 --> 1:32:53.720
<v Speaker 18>I just really want to know how you got from

1:32:53.760 --> 1:32:56.400
<v Speaker 18>A to Z and I'm curious about it. So I

1:32:56.400 --> 1:32:59.840
<v Speaker 18>think you kind of get that and appreciate telling their story.

1:32:59.560 --> 1:33:00.160
<v Speaker 14>In that way.

1:33:01.640 --> 1:33:01.960
<v Speaker 3>All right.

1:33:02.000 --> 1:33:05.120
<v Speaker 1>I want to thank y'all for celebrating Black History Month

1:33:05.479 --> 1:33:08.559
<v Speaker 1>with Quest Love Supreme and stay tuned for more.

1:33:08.560 --> 1:33:09.960
<v Speaker 2>Episodes coming soon.

1:33:13.160 --> 1:33:16.320
<v Speaker 1>Thank you for listening to Quest Love Supreme. Hosted by

1:33:16.800 --> 1:33:21.599
<v Speaker 1>Amir Quest, Loft Thompson, Why You, Saint Clair, Sugar, Steve Mandel,

1:33:22.240 --> 1:33:27.799
<v Speaker 1>and Unpaid Bill Sherman. Executive producers are Mere Quest Love, Thompson,

1:33:28.720 --> 1:33:36.400
<v Speaker 1>Seanch and Brian Calvin. Produced by Brittany Benjamin Cousin, Jake Payne,

1:33:37.280 --> 1:33:43.200
<v Speaker 1>Eliah Saint Clair. Edited by Alex Conwod. Produced by iHeart

1:33:43.360 --> 1:33:52.680
<v Speaker 1>by Noel Brown. West Love Supreme is a production of

1:33:52.840 --> 1:33:59.519
<v Speaker 1>iHeart Radio. For more podcasts from iHeart Radio, visit the

1:33:59.560 --> 1:34:03.080
<v Speaker 1>iHeart Radio app, Apple Podcasts, or wherever you listen to

1:34:03.080 --> 1:34:03.880
<v Speaker 1>your favorite shows.