1 00:00:00,720 --> 00:00:04,080 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:10,480 Speaker 2: Oh that's just you. 3 00:00:17,760 --> 00:00:21,160 Speaker 1: I Smell pop Culture with Eastern Allen and I Heart 4 00:00:21,239 --> 00:00:24,800 Speaker 1: Radio Podcast. Hey everybody, Easton Allen, I am all in Podcast, 5 00:00:24,880 --> 00:00:27,040 Speaker 1: one of the productions I Heart Radio, I Heart Media, 6 00:00:27,160 --> 00:00:30,840 Speaker 1: I heart podcasts. Hey listen, I got it. I got 7 00:00:30,840 --> 00:00:32,519 Speaker 1: a hot tip for you. I got it. 8 00:00:33,680 --> 00:00:33,880 Speaker 2: Okay. 9 00:00:33,920 --> 00:00:35,159 Speaker 1: They told me not to say this. They told me 10 00:00:35,200 --> 00:00:37,919 Speaker 1: not to say anything, but I gotta tell you. Get 11 00:00:38,040 --> 00:00:42,159 Speaker 1: really close to this is a secret. Okay. I smell 12 00:00:42,560 --> 00:00:46,920 Speaker 1: pop culture. Isn't that crazy. That's some hot gossip, baby, 13 00:00:46,960 --> 00:00:48,800 Speaker 1: I smell pop culture. That's what we do on this show. 14 00:00:49,320 --> 00:00:51,480 Speaker 1: Gilmore Girls. We love it. We love the Gilmore Girls. 15 00:00:51,520 --> 00:00:55,600 Speaker 1: And they talk. They reference pop culture every single episode 16 00:00:55,640 --> 00:00:59,120 Speaker 1: so many times. And we're going peace by piece. We 17 00:00:59,160 --> 00:01:02,560 Speaker 1: are scrolling through. We are digging like a guy in 18 00:01:02,600 --> 00:01:04,960 Speaker 1: a gold mine. We're looking for the gems. We're looking 19 00:01:05,000 --> 00:01:07,400 Speaker 1: for the dirt. We're looking for the pop culture nuggets. 20 00:01:07,400 --> 00:01:09,600 Speaker 1: We are going to explore them. We're gonna see what 21 00:01:09,760 --> 00:01:12,640 Speaker 1: makes them tick and talk to the people behind these 22 00:01:12,680 --> 00:01:17,880 Speaker 1: pop culture moments. Today we are talking to aj Benza. 23 00:01:18,280 --> 00:01:20,199 Speaker 1: If you don't know who aj Benza is, you should. 24 00:01:20,480 --> 00:01:25,080 Speaker 1: He is the king of gossip. He ran a gossip 25 00:01:25,120 --> 00:01:27,440 Speaker 1: column in the New York Daily News, he was on 26 00:01:27,480 --> 00:01:31,000 Speaker 1: the Gossip Show on E and most importantly, he was 27 00:01:31,040 --> 00:01:33,399 Speaker 1: mentioned in Gilmore Girls. That's why we're talking about today, 28 00:01:33,440 --> 00:01:37,240 Speaker 1: Season two, episode two, Hammers and Nails. Okay, so here 29 00:01:37,280 --> 00:01:38,839 Speaker 1: you go, close your eyes. I'm gonna set the scene 30 00:01:38,840 --> 00:01:41,279 Speaker 1: for you. It's right at the beginning of the episode. 31 00:01:41,319 --> 00:01:44,720 Speaker 1: The opening credits end. We're at Chilton. Louise, Paris, and 32 00:01:44,720 --> 00:01:49,240 Speaker 1: Madeline are talking about their academic performance. Madeline says, maybe 33 00:01:49,240 --> 00:01:51,560 Speaker 1: I won't go to college, and Louise says Princess Grace 34 00:01:51,560 --> 00:01:54,000 Speaker 1: didn't go to college, to which Paris adds, thanks for 35 00:01:54,040 --> 00:01:58,200 Speaker 1: the history lesson aj Benza. Aj Benza isn't a typical historian, 36 00:01:58,200 --> 00:02:00,160 Speaker 1: but he fits in right here on our journey through 37 00:02:00,200 --> 00:02:02,480 Speaker 1: pop culture. He as I said before, he ran a 38 00:02:02,520 --> 00:02:04,760 Speaker 1: gossip column in the New York Daily News. He had 39 00:02:04,760 --> 00:02:07,400 Speaker 1: a show on E called Mysteries and Scandals that I 40 00:02:07,440 --> 00:02:10,200 Speaker 1: loved growing up. Might I want to tell you get 41 00:02:10,240 --> 00:02:12,160 Speaker 1: something really quick about my life. I don't know. You 42 00:02:12,160 --> 00:02:13,919 Speaker 1: can skip ahead if you don't care about me, just 43 00:02:13,919 --> 00:02:18,640 Speaker 1: skip ahead. But my dad is a He is a 44 00:02:18,680 --> 00:02:22,280 Speaker 1: bodybuilder and he has a cop He's a very masculine person, 45 00:02:23,240 --> 00:02:26,560 Speaker 1: very tough guy. He's like so tall, this giant man. 46 00:02:27,120 --> 00:02:29,720 Speaker 1: He loved the E Channel. He was like obsessed with it. 47 00:02:29,720 --> 00:02:32,400 Speaker 1: He would watch the E Channel constantly when I was 48 00:02:32,440 --> 00:02:36,639 Speaker 1: growing up. He's loved The Gossip Show in particular. He 49 00:02:37,160 --> 00:02:39,880 Speaker 1: loved the Gossip Show. He would watch it constantly. And 50 00:02:40,639 --> 00:02:42,040 Speaker 1: I tell him about all the stuff I'm doing at 51 00:02:42,080 --> 00:02:45,200 Speaker 1: work and he it kind of doesn't really care. It's neither. 52 00:02:45,240 --> 00:02:46,639 Speaker 1: You're norther there. I told him I was talking to 53 00:02:46,639 --> 00:02:49,440 Speaker 1: aj Benza. He lit up. He was so excited. But 54 00:02:49,680 --> 00:02:52,280 Speaker 1: Aj Benza hosted a show called Mysteries and Scandals that 55 00:02:52,320 --> 00:02:54,440 Speaker 1: I remember really liking when I was a little kid. 56 00:02:54,919 --> 00:02:58,120 Speaker 1: Had this opening of someone making the title card out 57 00:02:58,120 --> 00:03:00,280 Speaker 1: of like a ransom note. They was like, you know, 58 00:03:00,400 --> 00:03:03,400 Speaker 1: take the rubber cement and glue the little cutout letters 59 00:03:03,440 --> 00:03:05,560 Speaker 1: and say Mysteries and Scandals. I just thought that was cool. 60 00:03:05,840 --> 00:03:08,040 Speaker 1: Aj bens has got this cool slick back hair. He's 61 00:03:08,040 --> 00:03:11,040 Speaker 1: walking down a foggy alley. There's seem coming up. He's 62 00:03:11,040 --> 00:03:13,760 Speaker 1: next to an old Cadillac, and he's like, not every 63 00:03:13,800 --> 00:03:15,800 Speaker 1: story on the dark side of Hollywood ends with a 64 00:03:15,880 --> 00:03:18,000 Speaker 1: star in the sky. But this week we're going to 65 00:03:18,040 --> 00:03:20,400 Speaker 1: talk about Jane Mansfield or something like that. So cool, 66 00:03:21,440 --> 00:03:24,120 Speaker 1: and he's still doing it, baby. He has a podcast 67 00:03:24,120 --> 00:03:27,280 Speaker 1: out now called Fame Is a Bitch. That is a 68 00:03:27,280 --> 00:03:29,840 Speaker 1: phrase that he coined. Fame Ain't at a bitch is 69 00:03:30,320 --> 00:03:32,920 Speaker 1: a specific line. But he has a podcast down now. 70 00:03:32,960 --> 00:03:35,160 Speaker 1: We still talks about celebrity gossip. We're going to talk 71 00:03:35,200 --> 00:03:37,800 Speaker 1: to AJ Benza all about this. We're gonna find out 72 00:03:38,080 --> 00:03:40,480 Speaker 1: how to keep a secret, how to find a secret. 73 00:03:40,480 --> 00:03:43,120 Speaker 1: We're going to hear it all. He's coming up right 74 00:03:43,360 --> 00:03:55,400 Speaker 1: after this stay with us. AJ Benza, thank you so 75 00:03:55,520 --> 00:03:57,240 Speaker 1: much for doing this. We're so excited to talk to 76 00:03:57,240 --> 00:03:57,720 Speaker 1: you today. 77 00:03:58,040 --> 00:03:58,560 Speaker 2: Same here. 78 00:03:58,800 --> 00:04:01,440 Speaker 1: I'm I'm a longtime fan. I watched Mysteries and Scandals 79 00:04:01,440 --> 00:04:04,520 Speaker 1: on e I'm a big fan of yours. But I 80 00:04:04,560 --> 00:04:06,480 Speaker 1: want to go back to the beginning. How did you 81 00:04:06,760 --> 00:04:09,280 Speaker 1: get started as like a gossip columnist? How did that? 82 00:04:09,480 --> 00:04:13,720 Speaker 2: Wow? Well? I was I was a sportswriter to begin with, 83 00:04:14,120 --> 00:04:16,200 Speaker 2: and uh out on Long Island and a paper club 84 00:04:16,200 --> 00:04:18,840 Speaker 2: news day, and then I got my first divorce and 85 00:04:18,880 --> 00:04:21,040 Speaker 2: I began to go out at night and see all 86 00:04:21,080 --> 00:04:22,880 Speaker 2: the night life that I wasn't seeing while I was 87 00:04:22,920 --> 00:04:25,679 Speaker 2: married and a woman who was writing a gossip column 88 00:04:25,720 --> 00:04:29,119 Speaker 2: for the New York Daily News. Uh liked my style 89 00:04:29,160 --> 00:04:31,600 Speaker 2: because I was sending her tips here and there from nightclubs, 90 00:04:31,960 --> 00:04:34,080 Speaker 2: and I saw a lot of things that she never 91 00:04:34,160 --> 00:04:37,040 Speaker 2: had in her column. Supermodels making out together, I mean, 92 00:04:37,400 --> 00:04:40,479 Speaker 2: drug sex, I saw everything. So she hired me on 93 00:04:40,520 --> 00:04:43,320 Speaker 2: the spot. I became her partner on the gossip column 94 00:04:43,360 --> 00:04:45,760 Speaker 2: at the Daily News, and then she left the business 95 00:04:45,839 --> 00:04:48,600 Speaker 2: and I got the column, and that was another six 96 00:04:48,680 --> 00:04:51,640 Speaker 2: years of me and my partner, Michael Lewiitis. And then 97 00:04:51,720 --> 00:04:55,240 Speaker 2: came the E Gossip Show, which ran in tandem with 98 00:04:55,279 --> 00:04:58,159 Speaker 2: the with the column, and and then after six or 99 00:04:58,160 --> 00:05:00,960 Speaker 2: seven years, I got well, that wasn't far and I 100 00:05:01,000 --> 00:05:02,919 Speaker 2: kind of I left because I got a TV opportunity 101 00:05:02,920 --> 00:05:05,640 Speaker 2: to do mysteries and scandals at E. And it's funny 102 00:05:05,640 --> 00:05:08,679 Speaker 2: because when I went out there, I still loved to write, 103 00:05:08,720 --> 00:05:11,160 Speaker 2: but I knew so much gossip that I knew everybody 104 00:05:11,200 --> 00:05:13,040 Speaker 2: in town, and they were kind of scared of me 105 00:05:13,080 --> 00:05:15,520 Speaker 2: because I had written things about them in the past 106 00:05:15,520 --> 00:05:18,560 Speaker 2: that maybe they weren't too you know, happy about. But 107 00:05:19,400 --> 00:05:22,400 Speaker 2: power is something in Hollywood that people tend to back 108 00:05:22,440 --> 00:05:24,960 Speaker 2: away from. And I kind of had some at that point. 109 00:05:25,560 --> 00:05:28,719 Speaker 2: So I got through the velvet rope, so to speak, 110 00:05:28,800 --> 00:05:32,440 Speaker 2: and I started getting TV shows. And it's funny because 111 00:05:32,560 --> 00:05:36,360 Speaker 2: the Gilmour Girls and my career in Hollywood kind of 112 00:05:36,400 --> 00:05:39,520 Speaker 2: took off at the same time. I was really busy. 113 00:05:39,680 --> 00:05:42,280 Speaker 2: I knew it was a really tippy top show, and 114 00:05:42,440 --> 00:05:46,040 Speaker 2: every girl I knew was watching it, including my nieces, 115 00:05:46,160 --> 00:05:49,279 Speaker 2: you know, and my sister, and I had chances to 116 00:05:49,279 --> 00:05:52,240 Speaker 2: see it in spots. But then when somebody told me 117 00:05:52,279 --> 00:05:54,400 Speaker 2: I was mentioned on it, it blew me away. I 118 00:05:54,440 --> 00:05:57,359 Speaker 2: had no idea that happened. So that was awesome. 119 00:05:57,800 --> 00:05:59,440 Speaker 1: Yeah, I was. I was going to ask how that felt. 120 00:05:59,440 --> 00:06:02,400 Speaker 1: I mean, in The Sopranos, Misters and scandala Is in 121 00:06:02,440 --> 00:06:04,280 Speaker 1: an episode of The Sopranos. I thought that was kind 122 00:06:04,279 --> 00:06:04,520 Speaker 1: of cool. 123 00:06:04,600 --> 00:06:07,800 Speaker 2: Yeah, that was around that time. Two thousand. I was 124 00:06:07,839 --> 00:06:12,000 Speaker 2: on SNL for that twentieth anniversary. I was on Family Guy, 125 00:06:12,080 --> 00:06:14,920 Speaker 2: I was on Sopranos. I had a movie coming out. 126 00:06:14,960 --> 00:06:17,480 Speaker 2: I had a book that just came out. It was crazy. 127 00:06:17,520 --> 00:06:20,240 Speaker 2: It was wonderful, but just really hectic. Not to mention. 128 00:06:20,680 --> 00:06:23,600 Speaker 2: Every night was you know, hitting the clubs, hitting the restaurants, 129 00:06:23,640 --> 00:06:26,560 Speaker 2: and just wearing you know, lighting the candle at both 130 00:06:26,680 --> 00:06:28,920 Speaker 2: ends and gasoline in the middle. It was wild. 131 00:06:29,760 --> 00:06:32,719 Speaker 1: So I'm curious, like when you're when you're out there 132 00:06:32,720 --> 00:06:35,840 Speaker 1: on the scene, getting the getting the dirt, you know, 133 00:06:35,920 --> 00:06:37,520 Speaker 1: there's a lot of people that want to share with you, 134 00:06:37,560 --> 00:06:38,640 Speaker 1: but then there's a lot of people that are going 135 00:06:38,680 --> 00:06:40,839 Speaker 1: to be obviously so guarded around you. How do you 136 00:06:41,400 --> 00:06:43,440 Speaker 1: how do you find the stuff that's verifiable? How do 137 00:06:43,520 --> 00:06:46,320 Speaker 1: you like what's your strategy for finding that kind of information? 138 00:06:46,839 --> 00:06:50,320 Speaker 2: Well, you know, I'm a good reporter. I have good intuition, 139 00:06:50,400 --> 00:06:52,159 Speaker 2: and I made a lot of friends. I made it. 140 00:06:52,200 --> 00:06:54,200 Speaker 2: I shook so many hens in New York and then 141 00:06:54,400 --> 00:06:57,680 Speaker 2: la that somebody once told me, when you shake fifty 142 00:06:57,720 --> 00:07:00,000 Speaker 2: hands in one night, you're really meeting five hundred people 143 00:07:00,040 --> 00:07:02,760 Speaker 2: because they know people you can contact. So whatever there 144 00:07:02,760 --> 00:07:05,359 Speaker 2: was a roomor that floated across my phone or my desk, 145 00:07:05,839 --> 00:07:08,200 Speaker 2: I knew who to reach out to and say, Hey, 146 00:07:08,240 --> 00:07:11,120 Speaker 2: you know that guy who works in DC blah blah 147 00:07:11,120 --> 00:07:13,440 Speaker 2: blah or so and so at the hotel, can you 148 00:07:13,440 --> 00:07:14,640 Speaker 2: hook me up with so ow and so? Can Can 149 00:07:14,680 --> 00:07:16,160 Speaker 2: I talk to so and so? And that. I would 150 00:07:16,200 --> 00:07:18,880 Speaker 2: get closer and closer to gossip but there's no question 151 00:07:18,960 --> 00:07:21,680 Speaker 2: that when I was doing my job, I was both 152 00:07:21,760 --> 00:07:27,080 Speaker 2: feared and accepted. But I also had a really good knack, 153 00:07:27,280 --> 00:07:30,440 Speaker 2: especially in New York, to stay out as late as 154 00:07:30,720 --> 00:07:32,880 Speaker 2: later than any other gossip columns tod out. You know, 155 00:07:33,280 --> 00:07:36,520 Speaker 2: back then there were about fifteen gossip columns I think 156 00:07:36,520 --> 00:07:39,520 Speaker 2: in America. I swear there were none in maybe one 157 00:07:39,560 --> 00:07:44,240 Speaker 2: in California, Nikki Fink, who was great, But that said, 158 00:07:44,400 --> 00:07:47,600 Speaker 2: it was New York, and one person in La So 159 00:07:48,360 --> 00:07:50,840 Speaker 2: I just I knew so many people that when I 160 00:07:50,880 --> 00:07:54,920 Speaker 2: got there, I was very different. I wasn't gay, which 161 00:07:54,960 --> 00:07:57,360 Speaker 2: a lot of gossip commns saw. I wasn't some fund 162 00:07:57,400 --> 00:08:00,160 Speaker 2: me from England. I wasn't an older woman like a 163 00:08:00,160 --> 00:08:03,800 Speaker 2: Smith or Cindy Adams. I was a young, dashing, may 164 00:08:03,840 --> 00:08:07,320 Speaker 2: I say, you know, hot, temperate Sicilian kid in the streets, 165 00:08:07,400 --> 00:08:11,560 Speaker 2: dressing like the celebrities dating celebrities. I kind of fit in. 166 00:08:11,960 --> 00:08:13,720 Speaker 2: And then if I stayed out as late as they did, 167 00:08:13,760 --> 00:08:16,600 Speaker 2: which I always did, you know, loose lips sink ships. 168 00:08:16,600 --> 00:08:18,880 Speaker 2: You just somebody told me a long time ago, an 169 00:08:18,880 --> 00:08:22,080 Speaker 2: old journalist told me, listen with your eyes and here 170 00:08:22,120 --> 00:08:25,440 Speaker 2: with you. No, listen with your eyes and see with 171 00:08:25,520 --> 00:08:28,520 Speaker 2: your ears, all right, which is another way of saying, 172 00:08:28,960 --> 00:08:31,280 Speaker 2: be really sneaky about what you hear. Don't let them hear, 173 00:08:31,440 --> 00:08:33,960 Speaker 2: don't let them see you hearing what they say. So 174 00:08:34,120 --> 00:08:37,319 Speaker 2: once I heard some things and saw some things, there 175 00:08:37,360 --> 00:08:40,240 Speaker 2: was no stopping me. I wasn't afraid of anybody getting 176 00:08:40,240 --> 00:08:42,760 Speaker 2: angry me. I must have had maybe three or four 177 00:08:42,920 --> 00:08:46,959 Speaker 2: situations across fifteen years. One time I got punched out 178 00:08:47,000 --> 00:08:50,439 Speaker 2: by Chuck Siedo, the legendary Hell's Angel. Yeah that was 179 00:08:50,480 --> 00:08:51,960 Speaker 2: a bad one, but that was all because I was 180 00:08:52,000 --> 00:08:54,640 Speaker 2: misquoted in New York magazine article. But when it came 181 00:08:54,679 --> 00:08:58,080 Speaker 2: to gossip items, I mean maybe Ben Stiller got pissed 182 00:08:58,200 --> 00:09:01,360 Speaker 2: or Matt Damon one, it's like nothing big. It was 183 00:09:01,440 --> 00:09:03,360 Speaker 2: just like a sorry man, you know, I'm really sorry. 184 00:09:03,480 --> 00:09:05,840 Speaker 2: I know, big deal, and they just walked away. You know. 185 00:09:06,040 --> 00:09:08,640 Speaker 2: In fact, I think it helped me if i'd say, 186 00:09:08,679 --> 00:09:10,319 Speaker 2: I mean, I did study acting, so I don't want 187 00:09:10,320 --> 00:09:12,360 Speaker 2: to make out like I do nothing. But I got 188 00:09:12,440 --> 00:09:17,559 Speaker 2: film work because some directors or producers like my appearances 189 00:09:17,600 --> 00:09:20,120 Speaker 2: on television. They liked my personality. They thought, hey, he 190 00:09:20,120 --> 00:09:22,880 Speaker 2: could play this role. And I began to get some 191 00:09:22,920 --> 00:09:26,440 Speaker 2: film roles like that, which satisfied my acting bug. So 192 00:09:26,520 --> 00:09:28,120 Speaker 2: it was great. I mean, I had a really great time. 193 00:09:28,120 --> 00:09:30,280 Speaker 2: I'm still doing it on my podcast. I'm still doing 194 00:09:30,320 --> 00:09:32,920 Speaker 2: gossip to this day. It's been about thirty five years 195 00:09:33,480 --> 00:09:36,240 Speaker 2: of me, you know, still talking about movie stars and 196 00:09:36,280 --> 00:09:38,120 Speaker 2: models and all sorts of people. 197 00:09:38,679 --> 00:09:40,480 Speaker 1: I love it. The podcast is Fame as a Bitch 198 00:09:40,480 --> 00:09:44,640 Speaker 1: with aj Benza. It's a great show, updating multiple times 199 00:09:44,640 --> 00:09:46,240 Speaker 1: a week. I listened to it on the way to 200 00:09:46,240 --> 00:09:50,719 Speaker 1: work this morning. It's a really fantastic program. You've done 201 00:09:50,800 --> 00:09:55,240 Speaker 1: so many forms of media, I mean, print, radio, television, 202 00:09:55,280 --> 00:09:58,320 Speaker 1: the internet. How is podcasting different for you from all 203 00:09:58,320 --> 00:09:59,840 Speaker 1: those other methods? 204 00:10:00,320 --> 00:10:02,160 Speaker 2: I like a deadline. You know, a lot of a 205 00:10:02,160 --> 00:10:04,280 Speaker 2: lot of years in Hollywood, it's a lot of a 206 00:10:04,280 --> 00:10:07,440 Speaker 2: lot of years are slow. Some months and weeks just 207 00:10:07,520 --> 00:10:09,520 Speaker 2: fly by because you're so busy. Then there's a long 208 00:10:09,559 --> 00:10:12,160 Speaker 2: wait time, and that tends to bore me. When I 209 00:10:12,200 --> 00:10:15,480 Speaker 2: worked for a newspaper, deadline every day at the same time, 210 00:10:15,559 --> 00:10:18,199 Speaker 2: and you have to produce, you know, a thousand words 211 00:10:18,200 --> 00:10:22,439 Speaker 2: of gossip every day, no excuses. That's pressure. The podcast 212 00:10:22,520 --> 00:10:26,080 Speaker 2: is the first thing I've done since since the daily news, 213 00:10:26,320 --> 00:10:27,880 Speaker 2: where I know I've got to show up every day 214 00:10:27,880 --> 00:10:31,120 Speaker 2: at a certain time. My head's got to concoct, not concoct. 215 00:10:31,200 --> 00:10:33,079 Speaker 2: I've got to come up with the gossip I want 216 00:10:33,080 --> 00:10:35,600 Speaker 2: to talk about. But then again, I also want to 217 00:10:35,760 --> 00:10:38,520 Speaker 2: I also weave in my history with those people I'm 218 00:10:38,559 --> 00:10:41,440 Speaker 2: speaking about. If that's the case. Like this morning, I'm going, 219 00:10:41,640 --> 00:10:43,839 Speaker 2: what's tomorrow show going to be? I'm trying to figure 220 00:10:43,840 --> 00:10:46,400 Speaker 2: it out. I'm looking out Justin Bieber's having trouble. Okay, 221 00:10:46,440 --> 00:10:49,040 Speaker 2: that's I can start with that. Oh, Matt Perry had 222 00:10:49,080 --> 00:10:51,280 Speaker 2: twenty seventh injections to a kedemy in the last three days. 223 00:10:51,360 --> 00:10:55,280 Speaker 2: Was like, okay, wow, Tracktenberg died at thirty nine. Oh 224 00:10:55,280 --> 00:10:57,520 Speaker 2: my god. These are all young actors who Wan's in 225 00:10:57,600 --> 00:10:59,960 Speaker 2: trouble too are dead. And then I happen to see 226 00:10:59,960 --> 00:11:02,800 Speaker 2: the movie Lolita, the famous movies from sixty two a 227 00:11:02,800 --> 00:11:05,560 Speaker 2: few nights ago, and the young actress in that was 228 00:11:05,640 --> 00:11:08,760 Speaker 2: seventeen playing a fourteen year old, and later in life 229 00:11:08,800 --> 00:11:10,560 Speaker 2: she said it was the worst thing she ever did. 230 00:11:10,880 --> 00:11:13,440 Speaker 2: She developed a very bad case of bipolarism, and she 231 00:11:13,520 --> 00:11:16,679 Speaker 2: said that that movie destroyed my life. So I said, okay, 232 00:11:16,679 --> 00:11:19,920 Speaker 2: there's my show. Young actresses and actors just having all 233 00:11:19,960 --> 00:11:22,679 Speaker 2: the power. I think this is the greatest life in 234 00:11:22,720 --> 00:11:24,840 Speaker 2: the world, but no one really takes care of them 235 00:11:24,840 --> 00:11:25,600 Speaker 2: and looks over them. 236 00:11:25,679 --> 00:11:29,199 Speaker 1: It's a shame, it really is. What do you think 237 00:11:29,200 --> 00:11:33,280 Speaker 1: about the new generation of celebrity gossip like Crazy Days 238 00:11:33,280 --> 00:11:36,040 Speaker 1: and Nights Domois, these like blind item things. What do 239 00:11:36,080 --> 00:11:37,040 Speaker 1: you think of those sites? 240 00:11:37,440 --> 00:11:40,280 Speaker 2: You know, I read them. I like Crazy Days and Nights. 241 00:11:40,280 --> 00:11:42,959 Speaker 2: Although it's tough to read that site there's so many ads, 242 00:11:43,200 --> 00:11:45,559 Speaker 2: but I do like it. I find myself. I actually 243 00:11:45,559 --> 00:11:46,880 Speaker 2: I was just looking at it bef waiting for you 244 00:11:46,920 --> 00:11:50,280 Speaker 2: to come on, just catching up on stuff. Dumois is 245 00:11:50,320 --> 00:11:52,840 Speaker 2: a different type of guy. I wasn't a Perez Hilton fan. 246 00:11:52,880 --> 00:11:56,160 Speaker 2: He did things very differently. He wasn't a journalist. When 247 00:11:56,200 --> 00:11:58,440 Speaker 2: you come out like I did and study journalism for 248 00:11:58,440 --> 00:12:00,280 Speaker 2: four years in college and you get your you know, 249 00:12:00,360 --> 00:12:03,680 Speaker 2: get a press pass to enter buildings or crime scenes, 250 00:12:04,320 --> 00:12:06,520 Speaker 2: I feel like I'm more equipped to write about this 251 00:12:06,520 --> 00:12:08,720 Speaker 2: stuff than just a kid who sits at a coffee 252 00:12:08,720 --> 00:12:11,600 Speaker 2: shop with the laptop and makes fun of Nicole Ritchie 253 00:12:11,640 --> 00:12:14,760 Speaker 2: and Paris Hilton. So it definitely changed. I think it 254 00:12:14,840 --> 00:12:18,880 Speaker 2: really changed a lot. A when Princess Diana died, and 255 00:12:18,920 --> 00:12:21,480 Speaker 2: then when the Internet hit. When the Internet hit. Now 256 00:12:21,520 --> 00:12:24,760 Speaker 2: we have about probably one point five gossip columnists in America, 257 00:12:25,200 --> 00:12:28,400 Speaker 2: and believe me, most of them don't know anything about 258 00:12:28,440 --> 00:12:31,520 Speaker 2: They're just taking other people's items and putting their opinion 259 00:12:31,559 --> 00:12:34,200 Speaker 2: on them. There's no one they can call and source 260 00:12:34,240 --> 00:12:37,080 Speaker 2: it out. They don't break stories. It's just a very 261 00:12:37,120 --> 00:12:38,080 Speaker 2: different world. 262 00:12:37,800 --> 00:12:43,640 Speaker 1: Now, it really is. Okay, let's say hypothetically, you're someone 263 00:12:43,679 --> 00:12:46,920 Speaker 1: who has information about themselves that they would like to 264 00:12:47,000 --> 00:12:48,240 Speaker 1: keep secret or private. 265 00:12:48,320 --> 00:12:51,280 Speaker 2: Oh, that's happened. I've had to fix stories a lot 266 00:12:50,960 --> 00:12:54,480 Speaker 2: for big shots. Yeah, yeah, I mean I think that's 267 00:12:54,520 --> 00:12:56,480 Speaker 2: where you're asking me, right, if I had information on me? 268 00:12:56,760 --> 00:12:57,120 Speaker 2: Is that right? 269 00:12:57,360 --> 00:12:59,240 Speaker 1: I mean I was gonna ask, like, how do you 270 00:12:59,640 --> 00:13:02,760 Speaker 1: how does one keep a secret about themselves? 271 00:13:04,400 --> 00:13:07,560 Speaker 2: Well, you know, I always there's a famous quote again, 272 00:13:07,640 --> 00:13:10,040 Speaker 2: you know, three can keep a secret if two are dead. 273 00:13:10,679 --> 00:13:15,000 Speaker 2: People people love to talk, you know, people just love 274 00:13:15,040 --> 00:13:16,959 Speaker 2: to be the per You can tell your best friend, 275 00:13:17,200 --> 00:13:20,000 Speaker 2: I gotta tell you something you can't tell anybody, of 276 00:13:20,040 --> 00:13:22,800 Speaker 2: course I would. Ever, within two weeks he's telling somebody, 277 00:13:22,880 --> 00:13:24,640 Speaker 2: he just said, And if he's got a reporter like 278 00:13:24,679 --> 00:13:26,319 Speaker 2: me on his back, he's gonna call it up in 279 00:13:26,360 --> 00:13:29,200 Speaker 2: a day because guess what, he needs a favor from me. 280 00:13:29,679 --> 00:13:32,360 Speaker 2: See what people don't get about gossip. In my day, 281 00:13:32,679 --> 00:13:36,840 Speaker 2: a lot of publicists, they were so significant because they 282 00:13:37,040 --> 00:13:40,880 Speaker 2: represented celebrities and businesses and rocket roll bands. They call 283 00:13:40,960 --> 00:13:44,040 Speaker 2: you because they have another little project at work where 284 00:13:44,040 --> 00:13:46,480 Speaker 2: they represent a shoe store. I need a shoe store 285 00:13:46,480 --> 00:13:47,920 Speaker 2: in your column. You got to say that you know 286 00:13:48,160 --> 00:13:51,520 Speaker 2: so and so is buying a Paramanola bloncs. I'm like, okay, fine, 287 00:13:51,520 --> 00:13:53,480 Speaker 2: but I need a story from you. So you want 288 00:13:53,520 --> 00:13:55,760 Speaker 2: that little shoe store story, give me something big. They 289 00:13:55,840 --> 00:13:57,280 Speaker 2: call me back and I was like a you know, 290 00:13:57,400 --> 00:13:59,400 Speaker 2: kind of a tough guy, and they were like, young girls, 291 00:14:00,160 --> 00:14:02,520 Speaker 2: that's not good enough, goodbye boom. They would pad it. 292 00:14:02,760 --> 00:14:05,640 Speaker 2: Then they go, okay, look please, okay. Naomi Campbell's having 293 00:14:05,640 --> 00:14:07,520 Speaker 2: a big problem. She threw a phone and an assistant 294 00:14:07,920 --> 00:14:09,920 Speaker 2: says it's gonna sue. No one's gonna have to pay 295 00:14:09,920 --> 00:14:12,520 Speaker 2: her fifty thousands. So then I have these stories and 296 00:14:12,640 --> 00:14:16,240 Speaker 2: Naomi Campbell never thinks her publicist did this. So a 297 00:14:16,280 --> 00:14:20,040 Speaker 2: lot of it is quid pro quote. It's not as 298 00:14:20,160 --> 00:14:23,520 Speaker 2: much reporting and digging as you think as much as Hey, 299 00:14:23,520 --> 00:14:25,560 Speaker 2: I gotta tell you something you know and can someone 300 00:14:25,600 --> 00:14:28,320 Speaker 2: back that story? Yeah, I'll call so and so well 301 00:14:28,320 --> 00:14:30,240 Speaker 2: he can back it up, and then you have your item, 302 00:14:30,480 --> 00:14:33,000 Speaker 2: and that Adam could be a big story. I mean, look, 303 00:14:33,400 --> 00:14:36,000 Speaker 2: I always tell people that the Michael Jackson story, the 304 00:14:36,040 --> 00:14:39,800 Speaker 2: whole thing about sexual abuse of the kids. We had 305 00:14:39,800 --> 00:14:42,280 Speaker 2: a story because that old this is how thing's developed. 306 00:14:42,440 --> 00:14:45,920 Speaker 2: An old man who represented the clothing Storre Manhattan, Bernie Bennett. 307 00:14:45,960 --> 00:14:48,320 Speaker 2: He's long since gone. I think I have something you 308 00:14:48,400 --> 00:14:50,840 Speaker 2: might like. Aja, what's that? He goes, how'd you like 309 00:14:50,880 --> 00:14:53,400 Speaker 2: to hear about Michael Jackson taking a little teenage boy 310 00:14:53,480 --> 00:14:56,200 Speaker 2: to Disney World and staying with them in the hotel. 311 00:14:56,480 --> 00:14:58,560 Speaker 2: Are you kid? I said, Bernie, don't say another word. 312 00:14:58,600 --> 00:15:00,800 Speaker 2: Meet me at this place for lunch. We go there. 313 00:15:01,120 --> 00:15:03,680 Speaker 2: He finds out the story because his wife is friends 314 00:15:03,720 --> 00:15:06,920 Speaker 2: with a woman who's friends with the kid's mother. It's 315 00:15:06,920 --> 00:15:09,440 Speaker 2: so convoluted, but it all works out, and this woman 316 00:15:09,440 --> 00:15:12,640 Speaker 2: would tell Bernie's wife stories every night. So we had 317 00:15:12,640 --> 00:15:15,720 Speaker 2: the story. We broke the kid's name, Jordan Chandler. We 318 00:15:15,840 --> 00:15:18,680 Speaker 2: mentioned with hotel, Michael sticks to the kid. The parents 319 00:15:18,680 --> 00:15:21,280 Speaker 2: sleep in a different room, a different wing and suddenly 320 00:15:21,320 --> 00:15:25,120 Speaker 2: the whole story blows up. And you know that comes 321 00:15:25,120 --> 00:15:27,640 Speaker 2: from a little an old publicist who ran, you know, 322 00:15:27,720 --> 00:15:29,640 Speaker 2: a little business on the side, and it becomes the 323 00:15:29,680 --> 00:15:32,680 Speaker 2: biggest story in the world. So the more people you know, 324 00:15:34,080 --> 00:15:36,560 Speaker 2: there's always somebody out that that's got the big story. 325 00:15:36,680 --> 00:15:38,920 Speaker 2: So me, I always would meet as many people as 326 00:15:38,960 --> 00:15:41,800 Speaker 2: I could, get drunk with them, shake hands to them, 327 00:15:41,920 --> 00:15:44,400 Speaker 2: have a flame with them, whatever it took get me 328 00:15:44,480 --> 00:15:48,440 Speaker 2: in there. Like when Ronald Reagan was getting ill, this 329 00:15:48,640 --> 00:15:51,440 Speaker 2: is so bad, I had an opportunity to have an 330 00:15:51,440 --> 00:15:54,280 Speaker 2: affair with his daughter Patty Davis. Wow, and I'm weighing 331 00:15:54,320 --> 00:15:56,520 Speaker 2: the situation should I do it? And my editor Linda 332 00:15:56,560 --> 00:15:59,920 Speaker 2: Stacey said, you have to do it. Dig of the pig. 333 00:16:00,440 --> 00:16:03,000 Speaker 2: We need information on her father. So of course I 334 00:16:03,040 --> 00:16:06,000 Speaker 2: did it. You know, I mean, that wasn't too painful. 335 00:16:06,040 --> 00:16:08,080 Speaker 2: But sometimes you're gonna do things you don't want to do, 336 00:16:08,160 --> 00:16:09,400 Speaker 2: but that one I enjoy doing. 337 00:16:10,720 --> 00:16:15,440 Speaker 1: Now, especially with stories about these big celebrities, you're gonna 338 00:16:15,480 --> 00:16:18,240 Speaker 1: get a lot of negative backlash from fans, from the 339 00:16:18,280 --> 00:16:20,400 Speaker 1: general public. You have to deal with that a lot, 340 00:16:20,440 --> 00:16:22,680 Speaker 1: I'm sure of the years. What keeps you coming back 341 00:16:22,720 --> 00:16:25,120 Speaker 1: to this to this profession that must be so hard 342 00:16:25,160 --> 00:16:25,560 Speaker 1: to deal. 343 00:16:25,480 --> 00:16:28,080 Speaker 2: With the older I'm sixty two now, and I kind 344 00:16:28,080 --> 00:16:31,080 Speaker 2: of feel silly sometimes talking about, you know, Sabrina Carpenter. 345 00:16:31,400 --> 00:16:33,680 Speaker 2: It's just like, what are you doing? Your friends are 346 00:16:33,720 --> 00:16:36,240 Speaker 2: millionaires with big houses and boats, and you're talking about 347 00:16:36,240 --> 00:16:40,680 Speaker 2: Sabrina Carpenter. But I'm just good at it. Look, if 348 00:16:40,720 --> 00:16:42,720 Speaker 2: you can wake up every morning and love to do 349 00:16:42,840 --> 00:16:45,600 Speaker 2: what you do and it can support you and your family, 350 00:16:46,160 --> 00:16:48,120 Speaker 2: there's no shame in that, I mean, and it freezes. 351 00:16:48,200 --> 00:16:49,360 Speaker 2: We have to do a lot of other things on 352 00:16:49,400 --> 00:16:51,480 Speaker 2: the side, like hosting a poker show in Las Vegas, 353 00:16:51,560 --> 00:16:53,800 Speaker 2: writing my third book. You know, if there's a film, 354 00:16:54,040 --> 00:16:56,520 Speaker 2: I can work my podcast in any part. Like I'm 355 00:16:56,520 --> 00:16:59,040 Speaker 2: in Chicago now, I live in La I go to 356 00:16:59,120 --> 00:17:01,840 Speaker 2: Vegas a lot. Just take my laptop, my headset my mic, 357 00:17:01,880 --> 00:17:04,800 Speaker 2: and I'm ready to go. It's just a hard gun. 358 00:17:05,280 --> 00:17:08,040 Speaker 2: So I come back to it because I really enjoy it. 359 00:17:08,440 --> 00:17:10,240 Speaker 2: And even my friends are like, why do you know 360 00:17:10,359 --> 00:17:13,480 Speaker 2: so much about these people? Because I'm just a voracious reader. 361 00:17:13,560 --> 00:17:16,600 Speaker 2: I'm always interested in celebrity, and since I was there, 362 00:17:17,040 --> 00:17:19,280 Speaker 2: I don't consider myself a celebrity, but I was in 363 00:17:19,280 --> 00:17:21,760 Speaker 2: that pack. I ran with them, I did movies with them, 364 00:17:22,040 --> 00:17:25,439 Speaker 2: Mel Gibson, sliced alone, Ron Howard, Julia Roberts. I was 365 00:17:25,480 --> 00:17:27,400 Speaker 2: all around all of them, Bob, I've lived with Robert 366 00:17:27,440 --> 00:17:29,680 Speaker 2: Evans and Beverly Hills for a while. Oh my god, 367 00:17:29,800 --> 00:17:33,000 Speaker 2: So why not just, you know, expound on all those 368 00:17:33,040 --> 00:17:36,640 Speaker 2: stories and legends and lore and the keep the good 369 00:17:36,640 --> 00:17:37,240 Speaker 2: times rolling. 370 00:17:37,720 --> 00:17:39,400 Speaker 1: I love it and the good times? Do you continue 371 00:17:39,400 --> 00:17:41,320 Speaker 1: to roll on? Famous a bitch with aj Benza. You 372 00:17:41,359 --> 00:17:43,399 Speaker 1: can get it anywhere you listen to podcasts. Thank you 373 00:17:43,440 --> 00:17:45,080 Speaker 1: so much for your time today, a J's It's been 374 00:17:45,119 --> 00:17:47,199 Speaker 1: so fun hearing your stories and getting to know you. 375 00:17:47,600 --> 00:17:49,760 Speaker 2: Thank you very much. I talk to you man, have 376 00:17:49,840 --> 00:17:51,040 Speaker 2: a good one. Take care of you too. 377 00:17:51,359 --> 00:17:59,360 Speaker 1: Thank you. 378 00:18:00,080 --> 00:18:23,280 Speaker 2: That game everybody, and don't forget. Follow us on Instagram 379 00:18:23,280 --> 00:18:27,080 Speaker 2: at I Am All In podcast and email us at 380 00:18:27,240 --> 00:18:38,840 Speaker 2: Gilmore at iHeartRadio dot com.