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Speaker 1: Is it about Hooker number two?

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Speaker 2: No, that was my first job out of college. That

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Speaker 2: was my first Yes, dang.

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Speaker 1: It, everybody, it's Bobby on this Bobby Cast. I'm talking

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Speaker 1: to Melissa Peterman. You may know her as Barbara Jean

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Speaker 1: from Riba, which I think I've seen every episode at

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Speaker 1: least twice. Maybe you know her as Brenda and Young Sheldon.

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Speaker 1: Now she has reunited with one of her best friends,

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Speaker 1: Raeven McIntyre on the NBC comedy Happiest Place, which is

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Speaker 1: really cool. She's toured with the Country Legends, She's hosted

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Speaker 1: game shows, She's done it all. She's so funny. Here's

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Speaker 1: my conversation with Melissa Peterman. All right, Melissa Peterman's on

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Speaker 1: and she's so funny, and so we almost started talking

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Speaker 1: and then this started. So we haven't met, but we

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Speaker 1: were at the same place at the same time. Do

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Speaker 1: you know that place?

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Speaker 2: We were at? The Kennedy Center Awards. Was it twenty seventeen?

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Speaker 1: Yeah, my years are bad, but yeah, it was when

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Speaker 1: Riva got the award and we were both part of

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Speaker 1: the presentation for Riva.

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Speaker 2: Yeah, and it was absolutely so out of my box

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Speaker 2: and like zone, and I was so thrilled to be there.

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Speaker 2: I was one of the That was one of the

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Speaker 2: shows I would watch every every year because I just

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Speaker 2: love learning more about like artists and watching other artists

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Speaker 2: celebrate them. And it was the year that Share was there,

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Speaker 2: Linn Manuel, Miranda. Who else was there that year? Oh

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Speaker 2: my gosh, was it? I not Ira Glass? What was it?

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Speaker 1: I remember Linn Manuel, Miranda for sure, and Share because

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Speaker 1: I looked. So what I remember from that show was

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Speaker 1: I got a call from Riba going, hey, will you

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Speaker 1: come out and do the very beginning of my intro?

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Speaker 1: And so I'm like, sure, whatever he wants. I love

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Speaker 1: Riva and so yes, I'm in. Whatever you want. It's like,

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Speaker 1: go tell a couple jokes and do this lead in.

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Speaker 1: And I didn't know she was first off and that

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Speaker 1: and I do enough stand up that I'm not so

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Speaker 1: intimidated by people in the crowd. But there were like

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Speaker 1: Supreme Court judges Sharon Reeber were sitting right up there

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Speaker 1: in front of that to me was a heavy room.

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Speaker 2: Oh yes, and you know, I'll tell you another. On

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Speaker 2: my way there. As I landed in Washington or in DC,

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Speaker 2: I had an email that said, would you like to

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Speaker 2: do the presentation at the state dinner the night before.

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Speaker 2: You know, when they get when they get the necklace

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Speaker 2: and you have to go up and speak. And I

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Speaker 2: was I thought, oh, all right, and you know you're

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Speaker 2: in you know you're in the room. It was it

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Speaker 2: was like the Martha Washington bathroom was down the hall,

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Speaker 2: you know, which I probably stole some paper towels from

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Speaker 2: their share there. It's like, you know you're at you

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Speaker 2: recognize the room you're in. And I had no notes.

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Speaker 2: I just made it up and got up there. And

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Speaker 2: it was so terrifying. I believe. I said something like,

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Speaker 2: and Char's looking at me, and if I look at her,

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Speaker 2: it'll be like looking into an eclipse. And you know,

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Speaker 2: I just it was so much. It was just a

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Speaker 2: different room. And you know what you're Yeah, we've been

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Speaker 2: in rooms. I've been in front of a lot of people,

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Speaker 2: but it's a different thing.

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Speaker 1: You know.

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Speaker 2: People are like, oh, it's just like it's just like

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Speaker 2: the People's Choice. No it's not. It's not like the

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Speaker 2: People's Choice, not at all. There's somebody who just got

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Speaker 2: back from the G seven stummit. So no, it's not

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Speaker 2: the same thing. So it was this very strange mix

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Speaker 2: of just politics and entertainment. And then like, I was,

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Speaker 2: do you remember being downstairs before the actual the televised event,

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Speaker 2: were you down underneath it? I was there, and I

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Speaker 2: heard all of the Shuler sisters that were coming to

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Speaker 2: sing from the from Hamilton were warming up in like

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Speaker 2: a room next to me, and I thought, how why

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Speaker 2: am I here? How am I even in the same

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Speaker 2: or room as these amazing voices. I feel like I

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Speaker 2: should write them a check and just slip it under

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Speaker 2: the door, because that was just the price of admission

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Speaker 2: to hear them sing like that. It was just it

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Speaker 2: was very intimidating. It was an intimidating audience. But of

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Speaker 2: course you say yes because it's Reba, and I wanted

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Speaker 2: to honor her because she deserved it. And it was

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Speaker 2: a thrill. It was truly a thrill to be there.

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Speaker 1: Yeah, it was a special night. And then I think

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Speaker 1: if I were betting money, I think CBS piped in

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Speaker 1: laughter for a couple of my jokes, because I don't

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Speaker 1: remember getting the laughs that I got in the room.

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Speaker 1: I really don't. And I thought, man, I'm going to

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Speaker 1: be embarrassed because I went up and I told a

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Speaker 1: couple jokes and I thought, eh, opening stiff room and

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Speaker 1: also Supreme Court justices. And then they aired it back.

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Speaker 1: I swear to god, they piped in laughter, and I

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Speaker 1: was so thankful that they did that.

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Speaker 2: Well, you know what, I was there, and you were funny,

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Speaker 2: and you were great, and you were perfect, and you

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Speaker 2: were very funny and you probably don't know if you

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Speaker 2: got laughs because it was weird. It's just such an

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Speaker 2: odd it's just a weird room. But you were great,

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Speaker 2: you really were.

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Speaker 1: So you Riba go back to Riba. Is that when

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Speaker 1: you guys first started. Did you know each other pre

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Speaker 1: Riba the show in like two thousand and one.

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Speaker 2: No, we did not. The first time I met her

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Speaker 2: in person was the first day of the table read

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Speaker 2: for the show.

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Speaker 1: And so you didn't audition for her or with her.

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Speaker 2: No, I didn't. I had auditioned. When I auditioned, the

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Speaker 2: show was still called Sally, I believe because they didn't

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Speaker 2: know she wasn't attached yet. So at that point I

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Speaker 2: was auditioning for this show Sally, and I believe by

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Speaker 2: the time I got to like that callback where you're

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Speaker 2: in front of network, at that point she was attached

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Speaker 2: to it. And I thought, oh, my gosh, please let

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Speaker 2: her be attached to it, because I just feel like

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Speaker 2: it will. She's she's sort of like everything she does

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Speaker 2: sort of works and turns to golds, and like I

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Speaker 2: just wanted her to do it and I just wanted

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Speaker 2: to meet her. But I never auditioned with her. Nope,

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Speaker 2: I did not.

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Speaker 1: What was your process like even auditioning for Sally? Because

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Speaker 1: she's told that story before about how it wasn't about

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Speaker 1: her until you know, she accepted it. So was that

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Speaker 1: initially just a large casting where you went in with

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Speaker 1: a bunch of other people that look like you and

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Speaker 1: you know, had you had your characteristics?

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Speaker 2: Yeah, I mean you know I went in and to me,

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Speaker 2: it's it sticks in my mind because it was one

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Speaker 2: of those auditions where the script was really funny. I

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Speaker 2: love the idea of this character that they were creating,

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Speaker 2: of the other woman, the new wife, and I just

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Speaker 2: but I didn't quite know how to attack it.

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Speaker 1: You know.

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Speaker 2: I was like, gosh, I usually you know when you

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Speaker 2: you know this, when you have when you get it,

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Speaker 2: you're like, oh, I see who this person is. And

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Speaker 2: it wasn't until I was I remember sitting in the

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Speaker 2: parking lot about to go in and I just went, h,

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Speaker 2: I got it, I got it. I have to play

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Speaker 2: her that she has no idea that they are not

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Speaker 2: best friends. I have to play that I have no

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Speaker 2: idea that whatever insult or anything she throws, it's like,

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Speaker 2: I don't, I wouldn't. I it doesn't register with her

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Speaker 2: because I have to think that, of course we're going

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Speaker 2: to be best friends. We have so much in common,

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Speaker 2: you know, we like the same guys or whatever it was.

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Speaker 2: But I just go, you she has to be she

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Speaker 2: can't fight back. She has to just know, like, oh,

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Speaker 2: she we're going to be best friends anyway. So I

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Speaker 2: just remember having that click and go, oh, that's what

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Speaker 2: it is, and then going into the audition. I leave

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Speaker 2: and one of the producers followed came out after me,

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Speaker 2: which never happens unless they're like, oh, you know, we

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Speaker 2: don't validate. That's usually what it is. But he came

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Speaker 2: out and said, you know, he knew I was going

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Speaker 2: out of town, and I said, He's like, where are

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Speaker 2: you going and said, just going out of town for

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Speaker 2: the weekend and I'll be back in LA on Monday.

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Speaker 2: And again that doesn't happen, and I when I by

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Speaker 2: the time I landed in Seattle. I'd gotten a callback,

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Speaker 2: so I go back to I think a network callback,

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Speaker 2: and then it was studio. But if I'm remembering correctly,

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Speaker 2: and I feel like again, it's clear to the people

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Speaker 2: that we didn't, you know, research this before we talk,

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Speaker 2: because otherwise we'd have better idea of when the Kennedy

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Speaker 2: Center Honors was we were at, and I would remember this.

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Speaker 2: But I believe that that the three at the final

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Speaker 2: was Rachel Harris, who's a brilliant, funny comedian actress who's

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Speaker 2: very successful, and I think Suki who's married to Kevin

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Speaker 2: Neelan and I'm going to butcher her lasting Suki. It

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Speaker 2: was the three of us. I think we were the

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Speaker 2: three women that were last up for barbarageing and very

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Speaker 2: very funny and sort of just different flavors of that character.

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Speaker 2: And by the time I went in, I did the

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Speaker 2: final test, which is nerve wracking, and when I was

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Speaker 2: driving out, I got a call from my agent that

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Speaker 2: I booked it, which I didn't think I would because

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Speaker 2: I was standing next to two other actresses who I

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Speaker 2: knew were hilarious and very funny.

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Speaker 1: At what point can you fill a shift in a

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Speaker 1: sitcom where you know it's being taken by the audience

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Speaker 1: and that there's probably a good chance that it gets renewed.

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Speaker 2: I don't think you. I don't. I don't think as

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Speaker 2: an actor you really know that because you sort of

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Speaker 2: do your thing and then you put it out there

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Speaker 2: and it's sort of up to the the other things

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Speaker 2: that you're out of your control. And also the time

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Speaker 2: we did that show, there wasn't a ton of and

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Speaker 2: like that initials feedback we can get now on social media.

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Speaker 2: It was there, but it wasn't quite like it was today.

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Speaker 2: So you know, you're doing this show and you kind

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Speaker 2: of put it out there. It felt right while we

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Speaker 2: were doing it, you know, it felt like there was

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Speaker 2: this chemistry there, and specifically for season two, I remember

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Speaker 2: there was this click with the cast and with the

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Speaker 2: characters of the Barbaradini and Reeb were like, oh, okay,

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Speaker 2: this is the show. But for me anyway, I don't

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Speaker 2: think I even understood what it was until we were

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Speaker 2: off the air for how many years, And it was

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Speaker 2: in being syndicated and the love that it got there

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Speaker 2: that's when I sort of went, oh, you know, I

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Speaker 2: truly sort of felt the the the audience loved for

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Speaker 2: and how people were taking it. So I think during

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Speaker 2: the actual shooting and running of it those first six seasons,

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Speaker 2: I don't know if I ever really had a grasp

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Speaker 2: of what it was going to be or what it

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Speaker 2: was to audience. I mean, obviously people liked it, they

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Speaker 2: loved meeting you in person and talking about reb I

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Speaker 2: felt the chemistry of the cast, and it felt like

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Speaker 2: we were doing really good work. But I don't know.

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Speaker 2: I was also just sort of it was my first

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Speaker 2: series regular, and I felt like my job was just

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Speaker 2: to come in and do my work. And you know,

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Speaker 2: I didn't know a lot either was I was really

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Speaker 2: young and naive too.

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Speaker 1: For me, I would watch the show, but I never

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Speaker 1: watched every episode until it was syndicated, and that's when

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Speaker 1: I really felt like I had a relationship with the show.

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Speaker 1: It was on USA, it was on CMT because it

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Speaker 1: was on a lot so you can catch all the episodes.

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Speaker 1: Did you feel that when it went into syndication that

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Speaker 1: you could feel the show's popularity and even your star

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Speaker 1: rise because it was just so present.

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Speaker 2: Yeah, I mean with somethings on every day and people

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Speaker 2: are consuming it. Yes, I definitely felt that and it

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Speaker 2: was it was you know, it was where you got

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Speaker 2: recognized a lot more. I felt like in that syndication

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Speaker 2: there was so much more love and consumption of the

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Speaker 2: show just because it was it was there all the time,

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Speaker 2: and then people really loved it. It was fun to

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Speaker 2: see that. And then TikTok when when they now cut

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Speaker 2: to you know, even years later, where there's this other

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Speaker 2: resurgence of it. And ultimately, I do think that all

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Speaker 2: of those things, if the writing wasn't great, if the

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Speaker 2: if the if they hadn't created these characters that people

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Speaker 2: wanted to be around, that wouldn't have mattered. But they did,

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Speaker 2: and I can watch it. I hate watching things that

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Speaker 2: I'm in unless I have distance from it.

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Speaker 3: You know.

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Speaker 2: Distance is a lot easier for me, And I can

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Speaker 2: watch those episodes now of that show and just think

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Speaker 2: it's really funny and a lot it holds up, and

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Speaker 2: it was. We did do some really fun and great things,

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Speaker 2: and I love watching the chemistry between everybody. So yeah,

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Speaker 2: it's it's been, it's it's sort of it's it's I

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Speaker 2: feel very grateful that, you know, I'm in one of

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Speaker 2: those shows that people still kind of watch today.

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Speaker 1: Can you educate me and us on especially that show,

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Speaker 1: because there's an audience what a week is like of

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Speaker 1: doing that show, and what would happen on a Monday

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Speaker 1: versus a Saturday, and what day it actually was recorded.

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Speaker 2: It's a multiicam, is a five day it's one episode

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Speaker 2: is in five days. And what we're doing right now

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Speaker 2: in Happiest Place is the exact same sort of schedule

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Speaker 2: we did on the original Reabis show, which is we're

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Speaker 2: Wednesday to Tuesday show, which means Wednesday is our table read.

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Speaker 2: We come in, that's our day, one of our five days.

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Speaker 2: So we come in and we do it our table

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Speaker 2: read in front of the studio and network, and we

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Speaker 2: read it out loud for everybody in the writers and

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Speaker 2: then we would go away and maybe go to a

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Speaker 2: costume fitting or hang out address room for a while

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Speaker 2: while they get notes from the studio and network, and

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Speaker 2: then we would come back in after they all give

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Speaker 2: their notes, and our director would usually say, all right,

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Speaker 2: this is going to change. This is going to change

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Speaker 2: some changes here, but we're going to put it on

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Speaker 2: its feet, and we'd have a light day of rehearsal

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Speaker 2: on that first table read day, so you know, we

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Speaker 2: got in there at ten o'clock for table read. We

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Speaker 2: were probably done by two, so it's a great schedule

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Speaker 2: for that way. And then the next day is come in.

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Speaker 2: They probably got a new script overnight they addressed the

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Speaker 2: changes from studio network. We get there at probably nine,

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Speaker 2: and if we need to, we might read it again,

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Speaker 2: just just for the writers, or maybe just for the

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Speaker 2: cast if there was a lot of changes, and then

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Speaker 2: we'd start rehearsing it. We'd start blocking it with our

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Speaker 2: director and we'd rehearse the whole show, have a lunch

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Speaker 2: and a break, maybe have fittings during that day, and

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Speaker 2: then you do a studio or which is first networker studio.

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Speaker 2: Oh my gosh, I've been doing this how many years?

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Speaker 2: I think it would be a studio run through that day.

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Speaker 2: So then the writers come down the studio and we'd

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Speaker 2: do the whole show as we rehearse it that day,

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Speaker 2: and then we would get notes. And Kevin Abbott, who

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Speaker 2: was our showrunner, him and Matt Barry were the two

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Speaker 2: leaders in the first rib show, and Kevinabbitt's our showrunner

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Speaker 2: this one, and Matt Barry's been there since the original

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Speaker 2: River show. And what's great about Kevin, is that a

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Speaker 2: lot of times you don't get to sit in with

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Speaker 2: the producers or have an opportunity to ask questions. So

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Speaker 2: after that first run through, we sit with the after

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Speaker 2: this network would leave, we'd sit and Kevin would say,

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Speaker 2: these are some of the changes, and maybe ask us

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Speaker 2: if we had any ideas or anything that was bumping us,

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Speaker 2: and blah blah blah, and then we would go home,

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Speaker 2: get a new script that night coming on Friday, read it,

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Speaker 2: rehearse it, and then do a network studio run through

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Speaker 2: with the writers, and then they would give maybe even

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Speaker 2: more notes, and then over the weekend the writers might

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Speaker 2: address those. Coming on Monday, you camera block the whole

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Speaker 2: show in front of the cameras so they know exactly

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Speaker 2: what we're going to do, and then you might do

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Speaker 2: some pre shoots. If there's a set that's way far

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Speaker 2: away from the studio audience, or a set that's only

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Speaker 2: there for a few days, or an outdoor scene, you

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Speaker 2: would do a pre shoot that day that you would

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Speaker 2: plug in in front of the studio audience. Is this boring?

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Speaker 2: This is so long? Now this down?

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Speaker 1: No? I won't cut it down it all. I'm super

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Speaker 1: interested in like all the nuance of it, So I'm

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Speaker 1: paying attention here, okay.

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Speaker 2: And then so Mondays is camera blocking, maybe some pre

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Speaker 2: shoot days, and then you go home. And then Tuesdays

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Speaker 2: or show day, we tape. But we're on a Tuesday

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Speaker 2: night show. You come in maybe later than the other days.

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Speaker 2: You come in and camera block refresh they call it

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Speaker 2: camera refreshed, so you refresh all the scenes that you're

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Speaker 2: going to do that night in front of the audience

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Speaker 2: with your camera guys, so you know where we're going

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Speaker 2: to be, where you need to get for your camera,

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Speaker 2: or how this is going to go. Then you would

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Speaker 2: cast would be sent away to hair and makeup. We'd

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Speaker 2: get ourselves glammed up and have dinner, and then we

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Speaker 2: would meet in the makeup room for touchups and we'd

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Speaker 2: usually do a quick spreed through of the script, which

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Speaker 2: is we just quick do it as fast as we

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Speaker 2: can off book and just do it as a cast.

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Speaker 2: And then we have a little cast and our director.

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Speaker 2: We have a little prayer, hands together, hands in pray,

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Speaker 2: We go out, have cast intros, and we tape that

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Speaker 2: show in front of a live studio audience. And usually

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Speaker 2: for us, Kevin Abbot's pretty that he keeps things running.

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Speaker 2: We usually do maybe two three takes per scene, sometimes

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Speaker 2: more if there's just a different something we need to

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Speaker 2: pick up, and we're usually we start at six o'clock

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Speaker 2: in front of the audience and we're usually done. We're

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Speaker 2: usually done by eight thirty or nine, and then maybe

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Speaker 2: you have a little glass of wine with the cast,

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Speaker 2: and then you go home and then you show up

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Speaker 2: the next day for your table read of next week's episode.

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Speaker 1: He just start all over again, start all over again.

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Speaker 3: Let's take a quick pause for a message from our sponsor,

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Speaker 3: and we're back on the Bobby Cast.

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Speaker 1: Is there ever a moment where you're in front of

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Speaker 1: the studio audience it's and a joke really doesn't hit

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Speaker 1: and then you just you rewrite the joke or do

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Speaker 1: you just repair it and like post.

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Speaker 2: Oh yeah, you find out right away. That's the beauty

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Speaker 2: of this medium, which is why I love multi caam

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Speaker 2: so much. It's the closest thing to live theater you've got.

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Speaker 2: So they'll tell you, oh, that didn't work, and our

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Speaker 2: writers usually will have a line for you. Sometimes the

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Speaker 2: actors will have a pitch. And that's again what's so

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Speaker 2: great about Kevin is that he lets us pitch stuff

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Speaker 2: or try stuff. I love it when that happens. I mean,

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Speaker 2: I don't love it when a joke doesn't land, but

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Speaker 2: I do love it when you get to try five

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Speaker 2: different jokes in front of that same audience and see

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Speaker 2: which one lands. But yeah, they let you know if

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Speaker 2: something works, and they'll let you know if it doesn't either,

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Speaker 2: And I love that part. But yeah, the writers are

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Speaker 2: usually there with another blow ready to.

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Speaker 1: Go with threeven, with Happy's Place. Those are shot very similarly,

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Speaker 1: But Young Sheldon was not. Is that just a different

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Speaker 1: mindset going into a show like that? Are you prepared differently?

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Speaker 2: Yeah, because that's a single camera, so that's shot like

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Speaker 2: a movie, you know, so it's often you're not you know,

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Speaker 2: if you don't have a scene with an actor that day,

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Speaker 2: you might never see him, you know. Like the difference

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Speaker 2: between multiicam is you're with your cast all day usually

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Speaker 2: rehearsing and playing and playing around. So in single camp

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Speaker 2: it's a completely different mindset where you know, you you

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Speaker 2: know the writing is funny and there's a laugh there,

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Speaker 2: but you're not going to get that feedback from the

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Speaker 2: studio audience. I don't know my read is if you

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Speaker 2: see one of the gaffers or a camera guy, if

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Speaker 2: somebody maybe if you get a tiny little something, you're like,

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Speaker 2: all right, that worked. But yeah, it's as much smaller.

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Speaker 2: It's you know, it's everything's just a little bit smaller,

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Speaker 2: a little quieter, and you don't have to it's just

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Speaker 2: a different mind It is a different mindset.

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Speaker 1: Yeah, with happiest place and with Riba coming back and

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Speaker 1: you guys are all together again. How long ago did

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Speaker 1: this bubble up as an idea and did you think

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Speaker 1: it would manifest itself into like version two of you guys?

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Speaker 2: You know, after the Rebu show ended, immediately, I feel

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Speaker 2: like we knew we wanted to do something together again.

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Speaker 2: You know. She I think she made up jobs for

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Speaker 2: me sometimes just so we could hang out.

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Speaker 3: You know.

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Speaker 2: She took me on the road and I didn't stand up.

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Speaker 2: I opened for her and for her and Kelly Clarkson

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Speaker 2: then her and George Straight when they were on the road,

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Speaker 2: which was such a wonderful experience. But you know, we

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Speaker 2: were sort of always looking. It was sort of out

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Speaker 2: in the world and we'd love to, you know, some

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Speaker 2: time would pass. We'd love to do a project together

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Speaker 2: and some came and went. Some were like you know,

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Speaker 2: and the reboot was always sort of in that world too,

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Speaker 2: like could we get a reboot? And you know, that

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Speaker 2: never seemed to come to fruition, whether it was like

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Speaker 2: who owned the rights? Who was going to do this?

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Speaker 2: So that didn't come. And you know, you know Reba

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Speaker 2: and I always trust her because she's so great about

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Speaker 2: this business and she has such a great perspective of

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Speaker 2: you know, when the time is right, it'll happen when

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Speaker 2: the project's right, it's yours, don't if you don't lose

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Speaker 2: a job that wasn't yours to have, you know, So

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Speaker 2: she was very I just sort of trusted her that,

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Speaker 2: you know, it will come when it's supposed to. I mean,

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Speaker 2: I had no idea it would be this many years later,

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Speaker 2: but there were some ideas that were floated. They weren't

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Speaker 2: the right ones anyways. So Julie Abbott, Kevin Abbot's wife,

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Speaker 2: who is our original show runner the first show and

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Speaker 2: this show runner on Happiest Place, came to Kevin with

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Speaker 2: this idea about sisters, of someone finding out they didn't

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Speaker 2: have a sister. So Kevin took that and ran and

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Speaker 2: brought it to Reebe and I and we loved it.

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Speaker 2: I mean, I don't know how much sway my love happened,

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Speaker 2: but I loved it too. And and you know, we

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Speaker 2: sort of that's where it was born. It was Julie Abbot,

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Speaker 2: Kevin's Kevin's wife, who has been, you know, part of

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Speaker 2: We've all known each other for since the original Reader show.

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Speaker 2: And yeah, I had no idea. And even when that happens,

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Speaker 2: you know, even when that happens, yes, Kevin's going to

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Speaker 2: write this idea, Okay, great, Well that doesn't mean anything.

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Speaker 2: Well he's going to go pitch it. Great, that doesn't

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Speaker 2: mean anything. Tell someone buys it. Then someone does, and

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Speaker 2: then you make the pilot and then you know, you

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Speaker 2: don't know if that's going to get picked up. So

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Speaker 2: you know, another good thing that re was great about

431
00:21:09,480 --> 00:21:12,680
Speaker 2: is saying, you know, I'm excited, but I won't get excited. Yeah,

432
00:21:12,720 --> 00:21:15,480
Speaker 2: I'll get I'll get it as excited as need be

433
00:21:15,520 --> 00:21:18,320
Speaker 2: as every level is passed. So you sort of go, well,

434
00:21:18,320 --> 00:21:20,600
Speaker 2: that was great. That's one hurdle, and now we have

435
00:21:20,640 --> 00:21:23,359
Speaker 2: to get to that one. And here we are, you know,

436
00:21:23,440 --> 00:21:25,919
Speaker 2: here we are just in the middle of season two airing,

437
00:21:26,000 --> 00:21:29,919
Speaker 2: and and a pickup for season three, which is a

438
00:21:29,960 --> 00:21:32,639
Speaker 2: crazy sentence to say in this in this day and

439
00:21:32,680 --> 00:21:35,520
Speaker 2: age of you know where the industry's at and to

440
00:21:35,600 --> 00:21:38,879
Speaker 2: be working, and we are very grateful to be working

441
00:21:39,080 --> 00:21:40,000
Speaker 2: and doing what we love.

442
00:21:40,960 --> 00:21:43,800
Speaker 1: Your background is an improv When did you start doing

443
00:21:43,840 --> 00:21:45,560
Speaker 1: stand up? Like? What were you doing in high school?

444
00:21:46,960 --> 00:21:50,439
Speaker 2: High school, I was doing theater and some improv. Then

445
00:21:50,440 --> 00:21:52,720
Speaker 2: I went on to college and did got a theater degree,

446
00:21:52,880 --> 00:21:55,520
Speaker 2: and improv was part of my life there. And when

447
00:21:55,520 --> 00:21:58,920
Speaker 2: I graduated from college with a theater degree, I went

448
00:21:58,960 --> 00:22:01,640
Speaker 2: to Minneapolis, which is great theater town, and I did

449
00:22:02,040 --> 00:22:05,600
Speaker 2: improv at brand new workshop Dolly Riggs, which is very

450
00:22:05,640 --> 00:22:12,159
Speaker 2: similar to Second City, where you write five five or

451
00:22:12,400 --> 00:22:15,439
Speaker 2: five shows original shows a year and every night you

452
00:22:15,520 --> 00:22:18,399
Speaker 2: do improv with your with your cast. And then I

453
00:22:18,400 --> 00:22:21,040
Speaker 2: did Tony and Tina's wedding which was all improv, which

454
00:22:21,160 --> 00:22:25,639
Speaker 2: I did for I don't know how many performances in Minneapolis.

455
00:22:25,680 --> 00:22:29,879
Speaker 2: And then stand up where am I? I'm on a

456
00:22:29,960 --> 00:22:33,919
Speaker 2: tangent so many after college was doing improv, doing theater, uh,

457
00:22:34,119 --> 00:22:36,720
Speaker 2: and then it was a stand up really didn't come

458
00:22:36,800 --> 00:22:41,520
Speaker 2: into place until Rebus sort of gave me that chance

459
00:22:41,600 --> 00:22:43,439
Speaker 2: to do it. You know, I feel like, you know,

460
00:22:43,480 --> 00:22:46,120
Speaker 2: I would MC a lot of stuff, and in improv,

461
00:22:46,200 --> 00:22:48,880
Speaker 2: you know, you you learn to think on your feet.

462
00:22:48,920 --> 00:22:51,080
Speaker 2: I was always writing stuff too. Part of what we

463
00:22:51,119 --> 00:22:53,000
Speaker 2: did at where I was doing improv was you had

464
00:22:53,040 --> 00:22:56,440
Speaker 2: to write stuff all the time. And so she sort

465
00:22:56,440 --> 00:22:58,440
Speaker 2: of said after the Ribas show, said what you want

466
00:22:58,440 --> 00:22:59,879
Speaker 2: to do it? And I'm like, I say yes, and

467
00:23:00,119 --> 00:23:03,119
Speaker 2: you hang up and you go, oh my god, what did.

468
00:23:02,960 --> 00:23:04,800
Speaker 4: I I know I have to have twenty five minutes

469
00:23:04,840 --> 00:23:07,760
Speaker 4: and i'd have, you know, be ready to go and

470
00:23:08,480 --> 00:23:12,960
Speaker 4: sort of cut the luxury of a learning curve on

471
00:23:13,000 --> 00:23:15,440
Speaker 4: the road with her and Frankly and I know, you're

472
00:23:15,520 --> 00:23:17,080
Speaker 4: you're so good at it and you do it and

473
00:23:17,240 --> 00:23:18,400
Speaker 4: you have to do it all the time.

474
00:23:18,400 --> 00:23:23,240
Speaker 2: But there's nothing scarier to me. Improv does not terrify me.

475
00:23:23,760 --> 00:23:26,520
Speaker 2: Stand Up is to me the most terrifying of all

476
00:23:28,280 --> 00:23:31,440
Speaker 2: I'll wait all mediums at all, any sort of form

477
00:23:31,480 --> 00:23:34,159
Speaker 2: of The most terrifying form of entertaining ever is stand up.

478
00:23:34,800 --> 00:23:36,960
Speaker 1: When did you decide then from Minneapolis to move to

479
00:23:36,960 --> 00:23:39,679
Speaker 1: Los Angeles? What was it that triggered that I.

480
00:23:39,680 --> 00:23:41,240
Speaker 2: Always knew I was going to do it? I mean,

481
00:23:41,320 --> 00:23:45,159
Speaker 2: I felt I needed to try. I wanted to I

482
00:23:45,240 --> 00:23:47,000
Speaker 2: knew I was going to do. I sort of had

483
00:23:47,000 --> 00:23:50,240
Speaker 2: a New York or LA, but ultimately was LA. I

484
00:23:50,280 --> 00:23:52,639
Speaker 2: love TV. I wanted to be on a stickcom. I

485
00:23:52,640 --> 00:23:54,600
Speaker 2: wanted to make people laugh, and I thought LA was

486
00:23:54,600 --> 00:23:58,040
Speaker 2: a place to do it. So I knew as I

487
00:23:58,160 --> 00:24:01,359
Speaker 2: was doing improv and theater in Minneapolis, I was trying

488
00:24:01,400 --> 00:24:05,240
Speaker 2: to save money to move to LA. And within the

489
00:24:05,280 --> 00:24:07,720
Speaker 2: form of that improv troop, we came out to Los

490
00:24:07,800 --> 00:24:12,920
Speaker 2: Angeles to do a showcase at the HBO workspace, and

491
00:24:13,680 --> 00:24:17,080
Speaker 2: our improv troop did this showcase and I got some

492
00:24:18,280 --> 00:24:21,960
Speaker 2: interest in me there and some meetings were set up

493
00:24:21,960 --> 00:24:23,479
Speaker 2: and I was like, great, I have to go back

494
00:24:23,520 --> 00:24:26,560
Speaker 2: to Minnesota. I'm getting married. So I did that, married

495
00:24:26,640 --> 00:24:28,960
Speaker 2: John Brady, who was I did was doing improv with

496
00:24:28,960 --> 00:24:33,040
Speaker 2: Who's the Funniest Human, and got married to him and

497
00:24:33,800 --> 00:24:37,679
Speaker 2: put off those meetings, went to do Tony and Tina's

498
00:24:37,680 --> 00:24:40,080
Speaker 2: wedding in Baltimore to save up more money so I

499
00:24:40,080 --> 00:24:41,880
Speaker 2: could go we could go to LA. So we saved

500
00:24:41,920 --> 00:24:45,359
Speaker 2: up money, then went to LA and then followed up

501
00:24:45,359 --> 00:24:47,400
Speaker 2: on the people that wanted to have some meetings with

502
00:24:47,400 --> 00:24:49,479
Speaker 2: me there and then just started hitting the ground and

503
00:24:49,880 --> 00:24:53,080
Speaker 2: auditioning and trying to become an actor.

504
00:24:53,720 --> 00:24:57,120
Speaker 1: What was your first yes in La? Or in yeah?

505
00:24:57,200 --> 00:24:58,919
Speaker 1: In La? When you get to La, what is your

506
00:24:58,920 --> 00:24:59,400
Speaker 1: first yes?

507
00:25:00,040 --> 00:25:03,320
Speaker 2: I think it was a sketch show for Oxygen that

508
00:25:03,840 --> 00:25:05,800
Speaker 2: I don't think it ever aired, but it was really

509
00:25:05,840 --> 00:25:11,199
Speaker 2: funny and really funny people Maya, Rudolph Seth Rogan. I'm

510
00:25:11,200 --> 00:25:13,359
Speaker 2: trying to remember all of these. It was a sketch show,

511
00:25:13,680 --> 00:25:16,520
Speaker 2: and I maybe confusing two sketch shows that I was

512
00:25:16,560 --> 00:25:21,240
Speaker 2: casting called Running with Scissors, and that was my first yes,

513
00:25:21,280 --> 00:25:23,000
Speaker 2: and I knew that it was. It was really funny

514
00:25:23,000 --> 00:25:27,280
Speaker 2: people that are all working now, and that was my

515
00:25:27,320 --> 00:25:30,680
Speaker 2: first yes. And then it never aired. I don't know why.

516
00:25:30,840 --> 00:25:32,240
Speaker 2: I don't even know what happened to it, but I

517
00:25:32,320 --> 00:25:36,399
Speaker 2: know that it was really fun and yeah, that was

518
00:25:36,480 --> 00:25:38,720
Speaker 2: I guess. And then I got a keya commercial that

519
00:25:38,840 --> 00:25:45,159
Speaker 2: was another first yes. Oh my gosh, out guest spot

520
00:25:45,760 --> 00:25:47,000
Speaker 2: on just shoot me?

521
00:25:47,800 --> 00:25:49,160
Speaker 1: Oh nice? I love that show.

522
00:25:49,680 --> 00:25:51,800
Speaker 2: And I was living. I was sub letting at an

523
00:25:51,840 --> 00:25:54,879
Speaker 2: apartment right across the street called the Starlet And if

524
00:25:54,880 --> 00:25:56,879
Speaker 2: you're ever in La, you'll see it. It's still there.

525
00:25:57,520 --> 00:26:00,960
Speaker 2: And I was at we were where we still sub

526
00:26:01,080 --> 00:26:05,399
Speaker 2: wedding at this tiny apartment right across was Warner Brothers studio,

527
00:26:05,520 --> 00:26:07,400
Speaker 2: and you know, you could look out your little window

528
00:26:07,800 --> 00:26:10,000
Speaker 2: and you'd see, like, you know, like that's where they're

529
00:26:10,000 --> 00:26:15,439
Speaker 2: shooting friends. And I booked this guest spot on Just

530
00:26:15,480 --> 00:26:17,840
Speaker 2: Shoot Me and it was like one funny scene. I

531
00:26:17,840 --> 00:26:20,879
Speaker 2: think it was like the check and girl for somebody's

532
00:26:21,200 --> 00:26:26,320
Speaker 2: high school reunion. And I was terrified. I was so

533
00:26:26,359 --> 00:26:30,439
Speaker 2: excited to drive onto that lot and George Siegel, who

534
00:26:31,200 --> 00:26:33,680
Speaker 2: was so kind to me, and he was kind to

535
00:26:33,720 --> 00:26:35,520
Speaker 2: me twice in my career and in such a way

536
00:26:35,520 --> 00:26:37,320
Speaker 2: that I will never forget, and I hope it's what

537
00:26:37,359 --> 00:26:41,280
Speaker 2: I bring. I bring to every show I'm on. I

538
00:26:41,280 --> 00:26:43,000
Speaker 2: didn't even have a scene with him. I didn't have

539
00:26:43,000 --> 00:26:45,920
Speaker 2: a scene with him. I'm trying to remember who my

540
00:26:46,000 --> 00:26:49,520
Speaker 2: scene was with. I don't think it was David Spade.

541
00:26:51,320 --> 00:26:54,919
Speaker 2: Who was it. Anyway, everyone was very lovely. But he

542
00:26:54,920 --> 00:26:56,640
Speaker 2: made a point of walking up to me. He said,

543
00:26:56,680 --> 00:27:00,200
Speaker 2: is this your first like thing in la like front

544
00:27:00,200 --> 00:27:01,879
Speaker 2: of an audience, And they said yes, And he says,

545
00:27:02,160 --> 00:27:05,119
Speaker 2: you're really funny. Go out there and have fun tonight.

546
00:27:05,119 --> 00:27:07,960
Speaker 2: It's supposed to be fun. And he shook money and

547
00:27:07,960 --> 00:27:10,239
Speaker 2: he was so and I'll never forget that. And then

548
00:27:10,520 --> 00:27:13,200
Speaker 2: years later I did another show called Retired at thirty

549
00:27:13,240 --> 00:27:15,720
Speaker 2: five and he was on that show and I went

550
00:27:15,760 --> 00:27:18,520
Speaker 2: up to thank him, and I said, I was so terrified,

551
00:27:19,680 --> 00:27:22,040
Speaker 2: I was so nervous, and you were so nice to me,

552
00:27:22,080 --> 00:27:24,280
Speaker 2: and you and you reminded me that what we do

553
00:27:24,400 --> 00:27:26,879
Speaker 2: is really fun. And I was doing what I dreamed

554
00:27:26,880 --> 00:27:29,280
Speaker 2: of doing as a kid in Minnesota and it was

555
00:27:29,280 --> 00:27:31,639
Speaker 2: happening tonight. And it may have been a couple of lines,

556
00:27:31,680 --> 00:27:34,119
Speaker 2: but to have fun. And so I went up and

557
00:27:34,119 --> 00:27:36,160
Speaker 2: thanked him and he couldn't and I just said, I'll

558
00:27:36,200 --> 00:27:39,240
Speaker 2: never forget it. You just made that such a wonderful experience.

559
00:27:39,480 --> 00:27:40,960
Speaker 2: And he did the same thing for me on this show.

560
00:27:40,960 --> 00:27:43,280
Speaker 2: He just said, you were so funny, You're just and

561
00:27:43,400 --> 00:27:45,520
Speaker 2: he I don't know it. I'll never forget it.

562
00:27:46,640 --> 00:27:59,080
Speaker 5: The Bobby Cast will be right back. This is the

563
00:27:59,119 --> 00:27:59,840
Speaker 5: Bobby Cast.

564
00:28:00,880 --> 00:28:02,560
Speaker 1: When you were a kid, who did you look at

565
00:28:02,840 --> 00:28:05,359
Speaker 1: and either mimic or think I want to do something

566
00:28:05,440 --> 00:28:07,080
Speaker 1: like they do because they do it so well.

567
00:28:08,280 --> 00:28:17,280
Speaker 2: Carol Burnette, Gilda Radner, Catherine O'Hara, Andrew Martin. Those were

568
00:28:17,320 --> 00:28:21,600
Speaker 2: my kid ones. That I would watch Second SCTV. I

569
00:28:21,600 --> 00:28:25,080
Speaker 2: would watch that. I believe it was on PBS is

570
00:28:25,119 --> 00:28:27,320
Speaker 2: when that aired for me, and i'd watch it on

571
00:28:27,359 --> 00:28:30,000
Speaker 2: the phone with my friend Jenny Howell because we both

572
00:28:30,040 --> 00:28:33,320
Speaker 2: would laugh together watching se our Second City TV SETV,

573
00:28:33,520 --> 00:28:36,560
Speaker 2: which is where I saw Katherine O'Hara and Andrew Martin.

574
00:28:36,880 --> 00:28:38,680
Speaker 2: And then I would stay over at my aunt's house

575
00:28:38,720 --> 00:28:41,360
Speaker 2: on Saturday nights when my parents were like gone, and

576
00:28:41,480 --> 00:28:43,240
Speaker 2: they would let me stayup and watch Saturday Aight Live.

577
00:28:43,280 --> 00:28:48,160
Speaker 2: And I loved Gilda Radner. I loved Jane Curtin, I

578
00:28:48,280 --> 00:28:50,480
Speaker 2: just knew. But Carol Burnette was one that I could

579
00:28:50,560 --> 00:28:53,200
Speaker 2: watch all the time and just knew that I wanted.

580
00:28:53,680 --> 00:28:55,560
Speaker 2: I didn't know what. I just wanted to do that

581
00:28:55,880 --> 00:28:56,800
Speaker 2: I wanted to do that.

582
00:28:57,200 --> 00:28:58,680
Speaker 1: You know, so much of what we turn into is

583
00:28:58,720 --> 00:29:01,000
Speaker 1: because of things that works bose to and I think

584
00:29:01,200 --> 00:29:02,880
Speaker 1: I grew up in the South, so I didn't get

585
00:29:02,880 --> 00:29:05,280
Speaker 1: to watch any Canadian and there were so many funny

586
00:29:05,320 --> 00:29:07,680
Speaker 1: things that as I got older, I was like, man,

587
00:29:07,720 --> 00:29:10,680
Speaker 1: I really missed out because I had no influence on

588
00:29:10,720 --> 00:29:12,960
Speaker 1: me was Canadian. However, you lived in Minnesota, where you

589
00:29:13,040 --> 00:29:15,600
Speaker 1: actually got the best of America. And you got the

590
00:29:15,680 --> 00:29:19,800
Speaker 1: Canadian like the SETV like that feels pretty fortunate looking back, right.

591
00:29:20,560 --> 00:29:24,880
Speaker 2: Oh yeah, absolutely. And by the way, how many people,

592
00:29:24,880 --> 00:29:28,320
Speaker 2: how most of the funny people we know are Canadian? Yeah,

593
00:29:28,400 --> 00:29:33,640
Speaker 2: Martin Short, John Candy, I think about that entire our

594
00:29:34,080 --> 00:29:38,200
Speaker 2: SETV cast was just geniusly funny. And then Mike Myers, like,

595
00:29:38,200 --> 00:29:40,440
Speaker 2: I think about it. But I feel very grateful that

596
00:29:40,520 --> 00:29:41,840
Speaker 2: I got that. And I don't even know how I

597
00:29:41,920 --> 00:29:44,520
Speaker 2: found it. I just I just remember finding even this

598
00:29:44,600 --> 00:29:47,600
Speaker 2: is the funniest thing I've ever seen, and I love

599
00:29:47,600 --> 00:29:50,600
Speaker 2: it so much, and I'm really grateful that I saw it.

600
00:29:50,840 --> 00:29:53,880
Speaker 2: And I'm grateful that my parents let me sleep over

601
00:29:53,920 --> 00:29:57,280
Speaker 2: at my aunt EXCUSEI and Kathy's and be unsupervised and

602
00:29:57,440 --> 00:30:00,560
Speaker 2: watch stay up way too late to watch and listen.

603
00:30:00,680 --> 00:30:03,040
Speaker 2: And my aunts too. By the way, we're very instrumental

604
00:30:03,440 --> 00:30:06,680
Speaker 2: because they had Steve Martin comedy album and I would

605
00:30:06,720 --> 00:30:09,600
Speaker 2: listen to that, and I they exposed me to a

606
00:30:09,640 --> 00:30:12,160
Speaker 2: lot of things that I would probably not have found

607
00:30:12,160 --> 00:30:14,880
Speaker 2: on my own, you know. And yeah, we are a

608
00:30:14,880 --> 00:30:17,920
Speaker 2: product of that. So I feel really lucky about that.

609
00:30:18,360 --> 00:30:20,560
Speaker 1: Did you ever have dreams or did you ever audition

610
00:30:20,600 --> 00:30:22,200
Speaker 1: for USNL?

611
00:30:22,600 --> 00:30:26,400
Speaker 2: No, but I will say that when I was doing

612
00:30:26,560 --> 00:30:31,640
Speaker 2: this sketch show that we were shooting and Maya Rudolph,

613
00:30:31,800 --> 00:30:33,680
Speaker 2: I remember we were doing a sketch and I think

614
00:30:33,840 --> 00:30:36,800
Speaker 2: this was at the time that she was maybe about

615
00:30:36,800 --> 00:30:42,080
Speaker 2: to fly out for her an audition, or maybe it

616
00:30:42,120 --> 00:30:43,520
Speaker 2: was there a call, but I'm not sure, but I

617
00:30:43,560 --> 00:30:45,480
Speaker 2: remember that that was in the process. I remember sitting

618
00:30:45,480 --> 00:30:47,760
Speaker 2: across from her and just thinking how funny she was,

619
00:30:47,800 --> 00:30:50,800
Speaker 2: and she had said something like, well, you're going to

620
00:30:50,840 --> 00:30:52,400
Speaker 2: be auditioning soon, aren't you. And I was just like,

621
00:30:52,440 --> 00:30:56,400
Speaker 2: I don't know. I thought who knew? And so no,

622
00:30:56,480 --> 00:30:58,720
Speaker 2: I never did. And then I remember about the time

623
00:30:58,760 --> 00:31:00,760
Speaker 2: that I had gotten maybe a few I believe, my

624
00:31:00,800 --> 00:31:03,720
Speaker 2: manager had said, you should get a tape together for

625
00:31:03,880 --> 00:31:06,000
Speaker 2: SNL that we can start sending in. And at that

626
00:31:06,040 --> 00:31:09,640
Speaker 2: point where we started thinking about that, I was maybe

627
00:31:10,720 --> 00:31:13,840
Speaker 2: in that sort of that window of time that that

628
00:31:13,880 --> 00:31:17,560
Speaker 2: would have been appropriate. I booked the sitcom, and once

629
00:31:17,560 --> 00:31:20,360
Speaker 2: you book a sitcom, you're no longer really they don't

630
00:31:20,400 --> 00:31:22,920
Speaker 2: really want to see you, I guess at that time.

631
00:31:23,600 --> 00:31:25,680
Speaker 2: But yeah, I was one of those who knows, and

632
00:31:25,840 --> 00:31:28,080
Speaker 2: I ended up where I was supposed to. But yeah,

633
00:31:28,120 --> 00:31:31,160
Speaker 2: I dreamed of SNL is. I mean, I don't know

634
00:31:31,160 --> 00:31:33,800
Speaker 2: if you can see behind me, that's still like I, oh,

635
00:31:33,880 --> 00:31:37,200
Speaker 2: that didn't turn off. I still have that the album,

636
00:31:37,200 --> 00:31:39,280
Speaker 2: and I still listen to my guilda Radner like Live

637
00:31:39,320 --> 00:31:42,480
Speaker 2: in New York album. But you know, I'm not dead.

638
00:31:42,600 --> 00:31:44,800
Speaker 2: Maybe someday they let me do a walk on. I

639
00:31:44,840 --> 00:31:47,360
Speaker 2: work for NBC Universal. I mean, I'd be happy if

640
00:31:47,360 --> 00:31:50,160
Speaker 2: they let me just sit, you know, I'd be I

641
00:31:50,280 --> 00:31:54,280
Speaker 2: do anything. I just that show is huge to me.

642
00:31:54,360 --> 00:31:57,480
Speaker 2: And I still fight with people who go, oh, it's

643
00:31:57,520 --> 00:31:59,920
Speaker 2: not good anymore, or this wasn't good, or now this cast.

644
00:32:00,160 --> 00:32:03,200
Speaker 2: I'm like, no, no, no, no, it is always it's

645
00:32:03,240 --> 00:32:05,520
Speaker 2: always good because what they are doing. Yes, there's ebbs

646
00:32:05,560 --> 00:32:08,120
Speaker 2: and flows, there's casts that you might connect with more,

647
00:32:08,240 --> 00:32:11,840
Speaker 2: and there's maybe years that there was more sketches that

648
00:32:11,880 --> 00:32:14,360
Speaker 2: you remember. But the reality is it's always good because

649
00:32:14,400 --> 00:32:16,760
Speaker 2: what they're doing is they're doing a live show and

650
00:32:16,800 --> 00:32:21,160
Speaker 2: they're creating like this amazing, this amazing variety show every week.

651
00:32:21,240 --> 00:32:24,160
Speaker 2: And you real fans, don't. You don't leave them in

652
00:32:24,200 --> 00:32:26,600
Speaker 2: any year. You watch it every year all the time,

653
00:32:27,000 --> 00:32:30,000
Speaker 2: and I love it because I love watching just how

654
00:32:30,160 --> 00:32:32,360
Speaker 2: things change. But yet they stay the same, and I'm

655
00:32:32,360 --> 00:32:36,320
Speaker 2: loving like Ashley Padilla in newcast I think is brilliant.

656
00:32:36,400 --> 00:32:40,880
Speaker 2: So I still dream of SNL even though I realize

657
00:32:40,920 --> 00:32:42,800
Speaker 2: that train has probably left the building.

658
00:32:43,720 --> 00:32:45,880
Speaker 1: I often will do a thing where I'll go through

659
00:32:45,920 --> 00:32:49,480
Speaker 1: and try to try to guess what the most asked

660
00:32:49,560 --> 00:32:52,400
Speaker 1: question is to the people that I talk to, and

661
00:32:53,480 --> 00:32:56,000
Speaker 1: I never really want to jump into the most asked questions?

662
00:32:56,000 --> 00:32:58,120
Speaker 1: But can I try to predict your most asked question?

663
00:32:58,720 --> 00:32:58,960
Speaker 2: Yeah?

664
00:32:59,560 --> 00:33:00,920
Speaker 1: Is it a hook? Her number two?

665
00:33:01,400 --> 00:33:01,600
Speaker 3: No?

666
00:33:02,040 --> 00:33:02,440
Speaker 1: It is it?

667
00:33:03,560 --> 00:33:03,760
Speaker 2: No?

668
00:33:04,400 --> 00:33:07,080
Speaker 1: Okay, So then I don't feel guilty asking it. So

669
00:33:07,200 --> 00:33:08,640
Speaker 1: I love Fargo I too.

670
00:33:08,840 --> 00:33:12,720
Speaker 2: I mean again, that was my first job out of college.

671
00:33:12,800 --> 00:33:19,840
Speaker 2: That was my first Yes, dang it. I need to

672
00:33:20,280 --> 00:33:22,440
Speaker 2: walk around with my mom or dad behind me, who

673
00:33:22,440 --> 00:33:25,680
Speaker 2: actually keep track of my career, Like, I have no idea.

674
00:33:25,920 --> 00:33:28,880
Speaker 2: I'm so bad at it. Tell me, Oh my gosh,

675
00:33:28,960 --> 00:33:33,200
Speaker 2: that's I was a kid. I was working at TJA Fridays.

676
00:33:33,240 --> 00:33:37,480
Speaker 2: I finished, I got my theater degree, and the Jane Brody,

677
00:33:37,520 --> 00:33:40,520
Speaker 2: an amazing casting casting agent who I believe is still

678
00:33:40,520 --> 00:33:43,520
Speaker 2: based in Chicago, came and taught a semester at my

679
00:33:43,600 --> 00:33:46,800
Speaker 2: college and I took her class. I think she was

680
00:33:46,840 --> 00:33:51,800
Speaker 2: teaching auditioning for film or maybe cold readings she took.

681
00:33:51,960 --> 00:33:54,360
Speaker 2: She was amazing. I took her classes. She liked me.

682
00:33:54,760 --> 00:33:58,320
Speaker 2: I graduate. She's in town in Minneapolis casting for Fargo,

683
00:33:59,640 --> 00:34:01,840
Speaker 2: and at first she hired me to run camera for

684
00:34:01,880 --> 00:34:04,440
Speaker 2: her too to earn some extra money, which was a

685
00:34:04,440 --> 00:34:07,240
Speaker 2: lovely skill to learn. I run camera for a few days,

686
00:34:07,280 --> 00:34:09,400
Speaker 2: but then she calls me into audition for the Coen

687
00:34:09,440 --> 00:34:13,080
Speaker 2: Brothers True story. I'm in the lobby. I want to

688
00:34:13,080 --> 00:34:16,800
Speaker 2: get a mountain dew before my audition. I don't have change.

689
00:34:17,239 --> 00:34:19,840
Speaker 2: I ask who I think is I don't know somebody

690
00:34:19,840 --> 00:34:22,480
Speaker 2: who works there. I asked for change for a dollar

691
00:34:23,239 --> 00:34:24,920
Speaker 2: so I can get a mountain dew. By the way,

692
00:34:24,960 --> 00:34:27,920
Speaker 2: all of those are poor decisions before an audition, drinking

693
00:34:27,960 --> 00:34:31,080
Speaker 2: a mountain dew. I don't know all of it. And

694
00:34:31,160 --> 00:34:33,120
Speaker 2: I get in the room and I had asked Joel

695
00:34:33,160 --> 00:34:37,880
Speaker 2: Cohen for change for the vending machine to get a

696
00:34:37,920 --> 00:34:42,200
Speaker 2: mountain two because I again this is pre social media.

697
00:34:42,640 --> 00:34:46,719
Speaker 2: I had seen, you know, raising Arizona. I knew who

698
00:34:46,760 --> 00:34:48,919
Speaker 2: the Coen Brothers were, but it wasn't like they had

699
00:34:48,960 --> 00:34:51,880
Speaker 2: like this, you know, hot instant like you know, I

700
00:34:51,880 --> 00:34:55,040
Speaker 2: didn't know what they actually looked like. So I go in,

701
00:34:55,080 --> 00:34:59,040
Speaker 2: I audition. I don't hear anything for quite some time,

702
00:34:59,680 --> 00:35:01,839
Speaker 2: and I think it's done and it's over. Because it's

703
00:35:01,840 --> 00:35:03,520
Speaker 2: a small town. You hear people that have been going

704
00:35:03,560 --> 00:35:07,040
Speaker 2: in for this big Cohen Brothers movie. I get called

705
00:35:07,080 --> 00:35:10,160
Speaker 2: back in maybe like I feel like it was a

706
00:35:10,200 --> 00:35:12,719
Speaker 2: month later. But again, don't trust me in any timeline,

707
00:35:12,960 --> 00:35:15,319
Speaker 2: because clearly I have no idea what I've done in

708
00:35:15,320 --> 00:35:18,319
Speaker 2: my life. I go back in, and this is for

709
00:35:18,560 --> 00:35:20,920
Speaker 2: hooker number. This is for the pair of hookers. And

710
00:35:20,920 --> 00:35:23,520
Speaker 2: when they start to match us up with other girls,

711
00:35:23,520 --> 00:35:25,440
Speaker 2: so I go in and read and I read with

712
00:35:25,440 --> 00:35:28,040
Speaker 2: a couple of different people, and then when they put

713
00:35:28,120 --> 00:35:31,960
Speaker 2: Larissa and I together, I felt like, oh this works.

714
00:35:32,200 --> 00:35:35,319
Speaker 2: It's that thing you know where like, oh, where this

715
00:35:35,360 --> 00:35:38,040
Speaker 2: is supposed to be. So once they paired us together

716
00:35:38,600 --> 00:35:41,319
Speaker 2: and we read this scene, I felt like, oh that

717
00:35:41,360 --> 00:35:43,440
Speaker 2: felt pretty good. That felt right. And then I leave

718
00:35:43,480 --> 00:35:45,440
Speaker 2: and I think I still don't think. I hear from

719
00:35:45,480 --> 00:35:48,759
Speaker 2: maybe another week that I got it. And then I

720
00:35:48,760 --> 00:35:52,439
Speaker 2: got it and I went in and my first day,

721
00:35:52,680 --> 00:35:56,400
Speaker 2: the first scene we shot was I believe this scene

722
00:35:56,400 --> 00:35:59,640
Speaker 2: where it's the oh yeah, we're at the scene with

723
00:35:59,680 --> 00:36:07,120
Speaker 2: France McDermott, which she's so was so even only in

724
00:36:07,200 --> 00:36:12,200
Speaker 2: hindsight when I realized how generous she was as an actor.

725
00:36:12,520 --> 00:36:15,080
Speaker 2: I just remember she treated Larissa and I both like

726
00:36:15,640 --> 00:36:19,279
Speaker 2: we were peers, which she we were. But in my head

727
00:36:19,360 --> 00:36:21,280
Speaker 2: I was just I was going I had to shift

728
00:36:21,280 --> 00:36:23,680
Speaker 2: at TJ. Friday's the next day, you know. And this

729
00:36:23,800 --> 00:36:26,600
Speaker 2: was Francis McDermott, who was well into her career but

730
00:36:26,680 --> 00:36:28,759
Speaker 2: also just such a brilliant actress. But she was so

731
00:36:30,400 --> 00:36:33,440
Speaker 2: kind and just I remember she I felt like we

732
00:36:33,440 --> 00:36:35,840
Speaker 2: were we were equals. We were equals in a scene,

733
00:36:36,239 --> 00:36:40,640
Speaker 2: which was just, in hindsight, a lovely gift to give

734
00:36:40,680 --> 00:36:44,080
Speaker 2: a really young new person who had no idea what

735
00:36:44,160 --> 00:36:48,080
Speaker 2: she was doing and who at the rat party at

736
00:36:48,120 --> 00:36:52,000
Speaker 2: the Bowling Alley asked William H. Macy what party was

737
00:36:52,040 --> 00:36:55,759
Speaker 2: in the movie because I hadn't I didn't know the

738
00:36:55,800 --> 00:36:59,759
Speaker 2: whole script. I mean, I just I asked. I asked

739
00:36:59,760 --> 00:37:03,120
Speaker 2: so many questions, and that in hindsight, I never would

740
00:37:03,160 --> 00:37:05,480
Speaker 2: have asked. I would have been too nervous to, Like

741
00:37:05,760 --> 00:37:07,759
Speaker 2: if I was doing a Coen Brothers movie today, I

742
00:37:07,800 --> 00:37:10,000
Speaker 2: would be nervous for I. But back then I'm like, hey,

743
00:37:10,000 --> 00:37:12,600
Speaker 2: Steve Bushmi, do you remember when you were mister pink?

744
00:37:12,640 --> 00:37:14,520
Speaker 2: I was like Chris Farley in that sketch. I was like,

745
00:37:14,520 --> 00:37:18,799
Speaker 2: remember when you were a goal? Like I was such

746
00:37:18,800 --> 00:37:22,160
Speaker 2: an idiot and Ethan Cohen people heard this story, but

747
00:37:22,200 --> 00:37:24,400
Speaker 2: true story. I just graduated. So I was living with

748
00:37:24,440 --> 00:37:27,680
Speaker 2: my parents while I saved money for my apartment and

749
00:37:27,760 --> 00:37:31,720
Speaker 2: Ethan Cohen called my house to talk about a scene

750
00:37:31,800 --> 00:37:34,960
Speaker 2: or something, and my mother answered and was screaming upstairs,

751
00:37:35,000 --> 00:37:38,080
Speaker 2: going Missy calling me Missy by the way, which I'm like,

752
00:37:38,280 --> 00:37:42,640
Speaker 2: I'm Melissa, I'm an actress, and Missy the phones for you,

753
00:37:42,719 --> 00:37:45,440
Speaker 2: and I'm like, who is it? And she said Ethan Cohen?

754
00:37:45,680 --> 00:37:48,759
Speaker 2: And I was mortified. Mortified.

755
00:37:49,239 --> 00:37:50,640
Speaker 1: So that was your first yes?

756
00:37:50,880 --> 00:37:52,120
Speaker 2: That was my first yes?

757
00:37:53,000 --> 00:37:54,239
Speaker 1: What was your last yes?

758
00:37:56,520 --> 00:38:00,680
Speaker 2: My last yes? Well, getting a saying yes to a

759
00:38:00,719 --> 00:38:03,799
Speaker 2: third season of Happiest Place, I guess that's that's a

760
00:38:03,880 --> 00:38:08,800
Speaker 2: giant yes in today's world where you know TV's changing

761
00:38:08,880 --> 00:38:10,840
Speaker 2: and I know so many people not working. That's it

762
00:38:11,080 --> 00:38:14,680
Speaker 2: feels like a really really big yes that we get

763
00:38:14,719 --> 00:38:15,920
Speaker 2: to do a season three.

764
00:38:16,280 --> 00:38:17,080
Speaker 1: Do you still cook?

765
00:38:18,280 --> 00:38:19,000
Speaker 2: Oh? Yeah?

766
00:38:19,520 --> 00:38:22,080
Speaker 1: Oh? So you with your reaction, you must still cook

767
00:38:22,120 --> 00:38:22,399
Speaker 1: a lot.

768
00:38:23,600 --> 00:38:25,799
Speaker 2: Yeah, I mean, I'm just my reaction is, why do

769
00:38:25,800 --> 00:38:27,000
Speaker 2: you think I have someone cooked for me?

770
00:38:27,239 --> 00:38:30,359
Speaker 1: Well, I know you from cooking on television a bit,

771
00:38:30,840 --> 00:38:33,479
Speaker 1: so I didn't know if you really did that a lot,

772
00:38:33,760 --> 00:38:35,040
Speaker 1: or if you're just good at it and you kind

773
00:38:35,040 --> 00:38:36,480
Speaker 1: of break it down occasionally for on camera.

774
00:38:37,160 --> 00:38:38,960
Speaker 2: No, I like to cook. I mean I don't cook

775
00:38:39,000 --> 00:38:41,440
Speaker 2: as I mean, my husband actually cooks a lot of

776
00:38:41,480 --> 00:38:44,200
Speaker 2: the stuff. But I do like to cook. I love

777
00:38:44,280 --> 00:38:47,560
Speaker 2: to like be able and our my son is twenty

778
00:38:48,000 --> 00:38:49,799
Speaker 2: and so he's moved out of the house. He's actually

779
00:38:49,840 --> 00:38:52,680
Speaker 2: in going to culinary school, so hopefully he'll cook for me.

780
00:38:53,800 --> 00:38:55,879
Speaker 2: But yeah, I love to cook. I like to I'd rather,

781
00:38:56,400 --> 00:38:59,120
Speaker 2: you know, stay in and eat at home. Then I

782
00:38:59,120 --> 00:39:01,840
Speaker 2: don't want. I guess it's I like both. But I

783
00:39:01,880 --> 00:39:03,680
Speaker 2: do like to cook. Yeah, I like I like it

784
00:39:03,719 --> 00:39:05,360
Speaker 2: when I don't have to. I like it when I

785
00:39:05,360 --> 00:39:07,800
Speaker 2: can putter around and go, oh, I'm gonna make soup.

786
00:39:07,840 --> 00:39:10,080
Speaker 2: I love making things where I can just throw whatever

787
00:39:10,120 --> 00:39:12,160
Speaker 2: I have and see if it works, and it usually does.

788
00:39:12,400 --> 00:39:15,680
Speaker 1: Actually, what is your signature dish?

789
00:39:15,960 --> 00:39:21,960
Speaker 2: Hmmm? Oh wow, I make really good. This sounds like

790
00:39:22,000 --> 00:39:25,799
Speaker 2: a dumb one, but I make really good like I

791
00:39:25,840 --> 00:39:28,280
Speaker 2: can do like I make really good homemade like black

792
00:39:28,320 --> 00:39:30,160
Speaker 2: bean dip. I make really good soups. I make a

793
00:39:30,160 --> 00:39:32,520
Speaker 2: really good garden vegetable soup. I don't know if I

794
00:39:32,560 --> 00:39:36,400
Speaker 2: have a signature anymore. Oh, you know what this is

795
00:39:36,440 --> 00:39:39,000
Speaker 2: gonna make me very Midwestern. I can do a really

796
00:39:39,040 --> 00:39:42,399
Speaker 2: good hot dish. I can do a really good tater

797
00:39:42,480 --> 00:39:45,600
Speaker 2: tot hot dish. I'm really good at it. But as

798
00:39:45,680 --> 00:39:47,600
Speaker 2: far as like this, I don't know if I have

799
00:39:47,680 --> 00:39:50,799
Speaker 2: a signature. I mean, roast chicken, that's easy, But no,

800
00:39:50,880 --> 00:39:51,920
Speaker 2: I don't have a signature.

801
00:39:52,160 --> 00:39:54,399
Speaker 1: You got to talk me through a tater tot hot dish.

802
00:39:54,440 --> 00:39:55,919
Speaker 1: I'm from the South. I don't know what that means.

803
00:39:55,920 --> 00:39:57,680
Speaker 1: I know what tater tots are, but what's a hot dish?

804
00:39:58,040 --> 00:39:58,560
Speaker 1: Tater tot?

805
00:39:59,080 --> 00:40:03,040
Speaker 2: You'd call it casserole, right, yeah, you know it's the

806
00:40:03,080 --> 00:40:06,680
Speaker 2: same thing. It's where you take ground meat of any kind,

807
00:40:06,840 --> 00:40:10,640
Speaker 2: maybe a creama mushroom, soup, some green beans, some onions, whatever.

808
00:40:10,920 --> 00:40:13,200
Speaker 2: You mix that up. Maybe you put some cheese in it.

809
00:40:13,200 --> 00:40:16,040
Speaker 2: There's a debate between the cheese and it hot dish sometimes,

810
00:40:16,640 --> 00:40:19,719
Speaker 2: and then you would layer tater tots on top, so

811
00:40:19,760 --> 00:40:24,560
Speaker 2: ours would be ground beef, brown ground beef cream and

812
00:40:24,640 --> 00:40:27,600
Speaker 2: mushroom soup green beans. I like to go. I like

813
00:40:27,640 --> 00:40:32,479
Speaker 2: to sass it up with some onions, maybe some real

814
00:40:32,560 --> 00:40:35,560
Speaker 2: mushrooms in it. Then you put that line tatertops on time,

815
00:40:35,640 --> 00:40:37,399
Speaker 2: build it, bake it, and you've got a hot dish.

816
00:40:38,160 --> 00:40:42,719
Speaker 1: So hot dishes is Midwestern? Do people often think you're

817
00:40:42,760 --> 00:40:43,280
Speaker 1: from the South?

818
00:40:44,360 --> 00:40:44,840
Speaker 2: Yeah?

819
00:40:44,880 --> 00:40:46,880
Speaker 1: I did. It's funny until I started researching you.

820
00:40:48,440 --> 00:40:52,480
Speaker 2: I just met somebody actually yesterday somewhere that was like, so, wait,

821
00:40:52,520 --> 00:40:55,400
Speaker 2: you weren't from Texas. I'm like, no, I just I

822
00:40:55,440 --> 00:40:57,759
Speaker 2: did my barber Gane. I just did it. So I

823
00:40:57,760 --> 00:41:01,320
Speaker 2: think there's something like vibe wise that's very similar. I

824
00:41:01,400 --> 00:41:04,880
Speaker 2: think Midwest and South has a similar vibe that I

825
00:41:04,920 --> 00:41:07,719
Speaker 2: think connects people in a way where we like to

826
00:41:07,800 --> 00:41:10,760
Speaker 2: hang out with our friends and family, we like to eat,

827
00:41:10,880 --> 00:41:14,319
Speaker 2: we like to you know, we like our neighbors, we

828
00:41:14,440 --> 00:41:16,400
Speaker 2: you know, I don't know. I think there's a little

829
00:41:16,440 --> 00:41:18,799
Speaker 2: more of a laid back vibe that I connect with

830
00:41:18,920 --> 00:41:20,360
Speaker 2: people from the South. Maybe.

831
00:41:20,760 --> 00:41:23,640
Speaker 1: Well, congratulations on getting renewed for a third season again,

832
00:41:23,680 --> 00:41:25,560
Speaker 1: that is such a big deal. I bet it's so

833
00:41:25,640 --> 00:41:28,040
Speaker 1: fun to do Happy's Place because it's new.

834
00:41:28,160 --> 00:41:30,160
Speaker 2: People don't come out to a lot, you need to

835
00:41:30,200 --> 00:41:35,640
Speaker 2: come to a taping or be on it. Yeah, I

836
00:41:35,920 --> 00:41:38,480
Speaker 2: guess that was not the reaction I was hoping for.

837
00:41:38,719 --> 00:41:42,719
Speaker 1: Well, I just been Hollywood is so and I'm not

838
00:41:42,760 --> 00:41:45,799
Speaker 1: comparing you to this, but everybody in anytime I do

839
00:41:45,840 --> 00:41:47,799
Speaker 1: any meetings And I was talking to someone about this recently.

840
00:41:47,840 --> 00:41:49,560
Speaker 1: O they're still going Tom bergeron, who I love as

841
00:41:49,560 --> 00:41:52,080
Speaker 1: a host, right, and he's the greatest guy. And I

842
00:41:52,120 --> 00:41:53,799
Speaker 1: was like, every day, might come and do any meeting

843
00:41:53,800 --> 00:41:55,960
Speaker 1: in Los Angeles. They promised me the world. They tell

844
00:41:55,960 --> 00:41:57,399
Speaker 1: me they're going to make me the biggest thing ever.

845
00:41:57,560 --> 00:41:59,239
Speaker 1: They're going to give me millions of dollars right there

846
00:41:59,239 --> 00:42:01,040
Speaker 1: in the room. And I walk out and I never

847
00:42:01,080 --> 00:42:03,920
Speaker 1: hear from anybody, And so, you know, I just have

848
00:42:04,000 --> 00:42:06,560
Speaker 1: that association with anyone in Hollywood that's like you should

849
00:42:06,560 --> 00:42:08,279
Speaker 1: do this, and I just should react like this, Oh

850
00:42:08,320 --> 00:42:10,319
Speaker 1: thank you, that's so nice of you. But I have

851
00:42:10,400 --> 00:42:13,680
Speaker 1: this react get it? Yeah, you know right, it's.

852
00:42:13,600 --> 00:42:15,759
Speaker 2: I get it. I mean, I remember there's so many

853
00:42:15,800 --> 00:42:18,960
Speaker 2: times like oh my gosh, you are you are you

854
00:42:19,000 --> 00:42:21,600
Speaker 2: are the funniest, you know, the funniest person we've ever seen.

855
00:42:21,680 --> 00:42:23,560
Speaker 2: Today for this, and I'm like, great, we'll hire me

856
00:42:23,760 --> 00:42:26,640
Speaker 2: because that doesn't pay my rent? Or I get it.

857
00:42:26,680 --> 00:42:28,680
Speaker 2: I hear that all the time. People say that all

858
00:42:28,719 --> 00:42:31,960
Speaker 2: the time. They say, I get it. I believe in it.

859
00:42:32,000 --> 00:42:34,640
Speaker 2: That was you know what, that was a proper reaction.

860
00:42:38,640 --> 00:42:42,440
Speaker 2: But no, but no bullshit aside. You are beloved by Reeba.

861
00:42:42,640 --> 00:42:44,959
Speaker 2: I would I would like us to like I think

862
00:42:45,640 --> 00:42:48,400
Speaker 2: you know, I don't know, you know what, don't believe me,

863
00:42:48,520 --> 00:42:52,200
Speaker 2: but you should fair enough. But I get it. I

864
00:42:52,360 --> 00:42:53,839
Speaker 2: know you know what. I bet you hear that all

865
00:42:53,920 --> 00:42:55,839
Speaker 2: the time. Because you are so good at what you do.

866
00:42:56,120 --> 00:42:58,600
Speaker 2: You have this massive following. You can do many things.

867
00:42:58,760 --> 00:43:00,759
Speaker 2: You wear a lot of different hats. People say things

868
00:43:00,920 --> 00:43:02,120
Speaker 2: and it never comes true.

869
00:43:03,040 --> 00:43:05,000
Speaker 1: I should have reacted better, had that thing too.

870
00:43:04,840 --> 00:43:08,520
Speaker 2: Of like when people that all of these things don't

871
00:43:08,560 --> 00:43:10,520
Speaker 2: pay my rent, I.

872
00:43:10,480 --> 00:43:12,359
Speaker 1: Should have reacted to that better. I apologize.

873
00:43:12,440 --> 00:43:15,040
Speaker 2: I might, No, I no, I love that. This is

874
00:43:15,120 --> 00:43:18,280
Speaker 2: the best, most perfect reaction you should get to anybody

875
00:43:18,280 --> 00:43:21,040
Speaker 2: in Hollywood who says you should or you know what,

876
00:43:21,280 --> 00:43:23,640
Speaker 2: come out here. I've got something for you. Don't don't

877
00:43:23,640 --> 00:43:25,839
Speaker 2: believe them, because you know what, I didn't come till

878
00:43:25,880 --> 00:43:27,640
Speaker 2: i'd saved up a lot of money on my own

879
00:43:27,680 --> 00:43:29,600
Speaker 2: to pay my own rent, and I knew I could

880
00:43:29,600 --> 00:43:30,399
Speaker 2: try to make it here.

881
00:43:31,080 --> 00:43:34,040
Speaker 1: Well, congratulations again. I really love it for you guys.

882
00:43:34,200 --> 00:43:37,720
Speaker 1: I love it Forrieba. I love Reba obviously. She She's

883
00:43:37,760 --> 00:43:39,560
Speaker 1: been so kind to me over the years. And it's

884
00:43:39,560 --> 00:43:41,320
Speaker 1: so cool that you guys are real life friends. I

885
00:43:41,360 --> 00:43:44,120
Speaker 1: think that's cool because a lot of people are work

886
00:43:44,160 --> 00:43:46,160
Speaker 1: friends or we've done stuff together, but you guys are

887
00:43:46,160 --> 00:43:48,440
Speaker 1: like real life friends. And I love to work with

888
00:43:48,480 --> 00:43:50,239
Speaker 1: my real life friends, So that's got to be super

889
00:43:50,239 --> 00:43:51,040
Speaker 1: cool to be able to do that.

890
00:43:51,680 --> 00:43:54,400
Speaker 2: It is and people can tell it translates into the

891
00:43:54,400 --> 00:43:57,480
Speaker 2: final product. You know. People they maybe don't know what

892
00:43:57,520 --> 00:43:59,319
Speaker 2: it is or put the able to put their finger

893
00:43:59,360 --> 00:44:00,960
Speaker 2: on it, but they can tell when there's chemistry and

894
00:44:01,000 --> 00:44:04,920
Speaker 2: there's real friendship there. And yeah, and we have a

895
00:44:04,960 --> 00:44:07,040
Speaker 2: shorthand we don't have to explain stuff to each other

896
00:44:07,120 --> 00:44:09,000
Speaker 2: because we already know what.

897
00:44:08,840 --> 00:44:11,239
Speaker 1: Does Reba like to work with professionally?

898
00:44:13,200 --> 00:44:17,000
Speaker 2: She's a great example. You know, she is prepared, She

899
00:44:17,040 --> 00:44:21,240
Speaker 2: treats everybody with respect, and she likes to have fun.

900
00:44:21,640 --> 00:44:23,640
Speaker 2: You know, she doesn't need to do this right now,

901
00:44:23,719 --> 00:44:25,719
Speaker 2: and she wants to do it because she really she

902
00:44:25,800 --> 00:44:28,399
Speaker 2: loves it. She has so much fun, you know, Reeba,

903
00:44:28,480 --> 00:44:31,600
Speaker 2: She's lovely and she makes sure like my favorite. The

904
00:44:31,680 --> 00:44:34,760
Speaker 2: goal is that anybody who leaves that set, they walks away,

905
00:44:34,800 --> 00:44:38,360
Speaker 2: they walk away saying I had a great time, people

906
00:44:38,640 --> 00:44:41,359
Speaker 2: treated me great and I want to come back. And

907
00:44:41,400 --> 00:44:43,879
Speaker 2: she does that, and it's you know, it's really fun

908
00:44:43,920 --> 00:44:46,400
Speaker 2: watching her and Rex together. You would think that you

909
00:44:46,440 --> 00:44:49,000
Speaker 2: would get tired of, you know, seeing how much in

910
00:44:49,040 --> 00:44:51,000
Speaker 2: love they are and how cute they are, but I'm

911
00:44:51,040 --> 00:44:55,080
Speaker 2: not yet. And they really are quite fun together. And

912
00:44:55,280 --> 00:44:57,560
Speaker 2: he's great because I don't know how much time you've

913
00:44:57,560 --> 00:45:02,120
Speaker 2: spent with rexlnd, but he is such an actor's actor,

914
00:45:02,800 --> 00:45:05,080
Speaker 2: and he loves what he does so much, and he

915
00:45:05,120 --> 00:45:09,560
Speaker 2: loves to rehearse and he makes us all better, I think,

916
00:45:09,680 --> 00:45:14,759
Speaker 2: because he really respects that process so and he's he's

917
00:45:14,800 --> 00:45:17,799
Speaker 2: got stories you need. He's fun to talk to. He's

918
00:45:17,800 --> 00:45:19,040
Speaker 2: been doing this for a long time.

919
00:45:19,680 --> 00:45:21,319
Speaker 1: Melissa. Thank you so much for the time and thanks

920
00:45:21,360 --> 00:45:23,600
Speaker 1: for the generosity with your stories. I really appreciate it

921
00:45:23,640 --> 00:45:26,880
Speaker 1: and much much success. And hopefully someday we'll be in

922
00:45:26,880 --> 00:45:28,839
Speaker 1: the same room and we'll actually talk to each other.

923
00:45:29,000 --> 00:45:30,520
Speaker 1: That was a busy day we were together. We were

924
00:45:30,560 --> 00:45:32,759
Speaker 1: running all over the place, I know, and I was.

925
00:45:32,719 --> 00:45:34,640
Speaker 2: Really hoping to do this in person. So I hope

926
00:45:34,640 --> 00:45:37,840
Speaker 2: that you'll let me do it and listen. I like

927
00:45:37,920 --> 00:45:39,799
Speaker 2: to come out there and my folks are around there,

928
00:45:39,840 --> 00:45:40,560
Speaker 2: so I'll do it.

929
00:45:40,680 --> 00:45:42,680
Speaker 1: Please do next time you're in town. Please, hey, hey,

930
00:45:42,680 --> 00:45:44,080
Speaker 1: come on bye, next time you're in town. I hit

931
00:45:44,120 --> 00:45:45,680
Speaker 1: her with that. Can't wait to see him. We got

932
00:45:45,680 --> 00:45:46,680
Speaker 1: something for you. I got a show.

933
00:45:47,280 --> 00:45:53,640
Speaker 2: Here's my reaction. Okay, we bet I'll be there.

934
00:45:53,800 --> 00:45:55,719
Speaker 1: Thank you. Hey, great to see you. Thank you so much.

935
00:45:55,719 --> 00:45:57,080
Speaker 1: Hope you have a great rest of the day.

936
00:45:57,360 --> 00:45:58,040
Speaker 2: Thanks you too.

937
00:45:58,360 --> 00:46:02,360
Speaker 3: By Melissa, Thanks for listening to a Bobby Cast production.