WEBVTT - Introducing The Park with Jim Wagner of Hanse Golf Course Design

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<v Speaker 1>I miss a green, for example, I'm already upset. When

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<v Speaker 1>I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my ball in a brid egg

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<v Speaker 1>Frida Egg, the dreaded Frida Egg, Frida Egg, fridagg bride

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<v Speaker 1>egg Lie, I'm about ready to run off the golf course.

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<v Speaker 2>Welcome back to another edition of the Frida Egg Podcast.

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<v Speaker 2>Today's episode is with Jim Wagner. Jim is a design

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<v Speaker 2>partner at Hands Golf Design. He is obviously Gill's right

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<v Speaker 2>hand guy, you know, deeply involved with every project that

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<v Speaker 2>UH Hands Golf Design is UH is doing, which is

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<v Speaker 2>right now, they have quite a few projects. We are

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<v Speaker 2>going to go into great detail on today's episode about

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<v Speaker 2>the park. The park is opening this week. It opened

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<v Speaker 2>on Monday, and it is a new public golf facility

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<v Speaker 2>in West Palm Beach. It is a mere ten minutes

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<v Speaker 2>from the airport, very close to Jupiter, Boyton Beach, Delray Beach,

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<v Speaker 2>all sorts of vacation spots down there in South Florida.

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<v Speaker 2>Obviously pretty close to Fort Lauderdale in Miami as well.

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<v Speaker 2>The park is a new development which was an old course,

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<v Speaker 2>so it was the West Palm Beach golf Course, which

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<v Speaker 2>was a Dick Wilson designed from about I think it

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<v Speaker 2>was nineteen forty seven. It was a golf course that

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<v Speaker 2>had gone out to pasture, so you know, it was

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<v Speaker 2>losing the city money and it closed down and had

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<v Speaker 2>been non operational for about five years. It was resurrected

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<v Speaker 2>by Sethwah, who obviously you know, is the CEO of

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<v Speaker 2>the PGA. He was doing this not as the PGA,

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<v Speaker 2>but as a citizen. His real partner in this is

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<v Speaker 2>a guy named Dirk Zif and a really neat model

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<v Speaker 2>what they did. Dirk is actually going to be listed

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<v Speaker 2>as a involved with the design, so it is a

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<v Speaker 2>Hans Wagner and Zif design. But they went around and

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<v Speaker 2>raised thirty million dollars. And what the way they set

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<v Speaker 2>this up is they have a long term lease with

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<v Speaker 2>the city of West Palm Beach. I think they lease

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<v Speaker 2>it for a dollar a year and obviously have a

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<v Speaker 2>revenue share back to the city. And they also have

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<v Speaker 2>effectively a nonprofit foundation where all this money sits in

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<v Speaker 2>to maintain this golf course and continue operating it for

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<v Speaker 2>years to come. So the park is you know, it'd

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<v Speaker 2>be really you know, remiss not to mention it's on

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<v Speaker 2>a beautiful site. It is a wonderful piece property for golf.

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<v Speaker 2>It was completely redone and it is brand new, effectively

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<v Speaker 2>a brand new golf course on this great site in

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<v Speaker 2>a city center. And I think, you know, from my perspective,

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<v Speaker 2>it is one of the very best golf courses in

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<v Speaker 2>Florida full stop. I think that if you are going

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<v Speaker 2>to compare it to golf courses in South Florida, I

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<v Speaker 2>think the course that you're going to compare this to

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<v Speaker 2>most is Seminole. It is in really elite company in

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<v Speaker 2>terms of this golf course, and you know, it's a

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<v Speaker 2>credit to all involved, and it really shows I think

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<v Speaker 2>this is going to be a landmark mark golf course

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<v Speaker 2>in the next era of municipal and public golf. It

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<v Speaker 2>shows that and hopefully we'll prove over time that public

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<v Speaker 2>golf architecture doesn't have to be boring, that you can

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<v Speaker 2>hire great architects to do public projects. You don't have

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<v Speaker 2>to just hire, you know, the guy that did the

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<v Speaker 2>course down the street. This is this is really an

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<v Speaker 2>exciting thing. I think the thing that I personally am

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<v Speaker 2>most impressed by is that they didn't take any shortcuts.

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<v Speaker 2>They didn't water anything down. This is an experience that

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<v Speaker 2>you would expect to have at a private club. From

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<v Speaker 2>a golf course perspective, it is a masterful design. Is

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<v Speaker 2>super fun to play from what I gather talking to

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<v Speaker 2>Seth and Dirk about the project. They kind of put

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<v Speaker 2>together a group and they pulled everybody. You know, most

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<v Speaker 2>people that invested in this are really into golf. They're

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<v Speaker 2>super golf nuts. Dirk and Seth certainly are. They played

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<v Speaker 2>a lot of the great golf courses and they wanted

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<v Speaker 2>this place to be fun and accessible. So they pulled

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<v Speaker 2>everybody involved on what fund meant, what fun golf meant,

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<v Speaker 2>and tried to, you know, put that into the design

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<v Speaker 2>and the effort around the golf course and the culture.

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<v Speaker 2>So it's going to be a welcoming place. It is

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<v Speaker 2>going to be relatively affordable. I think the greens feeds

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<v Speaker 2>run from sixty dollars for West Palm Beach residents to

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<v Speaker 2>about one hundred and twenty for Florida residents, and then

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<v Speaker 2>you know, if you're coming from out of town, you'll

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<v Speaker 2>get popped. But I think that's the right model. Let

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<v Speaker 2>locals come play at affordable rates and it also has

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<v Speaker 2>a short course, a lighted driving range, and a big

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<v Speaker 2>putting green, a place that is going to be ideal

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<v Speaker 2>for people to go learn the game. Along with the

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<v Speaker 2>golf course, there's a comprehensive programming, educational programs, really different

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<v Speaker 2>services to get kids interested in the game of golf.

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<v Speaker 2>So what do you think about projects? What courses you

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<v Speaker 2>should be most excited to go see? This is one

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<v Speaker 2>of them. I think there's obviously a lot of resort

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<v Speaker 2>development and a lot of private golf development that's going

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<v Speaker 2>to get a lot of headlines in the next few years.

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<v Speaker 2>But I can't think of any projects that are more

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<v Speaker 2>important in golf than the ones that are accessible, open

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<v Speaker 2>and close to people. And that's why I'm really excited

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<v Speaker 2>about this course and what it will do hopefully for

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<v Speaker 2>golf in the future. I think that this is obviously

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<v Speaker 2>a project that was undertaken by people with means as

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<v Speaker 2>well as people with connections. But it's not unrealistic for

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<v Speaker 2>most cities to have setups like this and be able

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<v Speaker 2>to invest in golf in a way that they can

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<v Speaker 2>improve their golf course through their community. And and this

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<v Speaker 2>is going to be a real credit to the community,

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<v Speaker 2>a real landmark for the community, and I can't say

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<v Speaker 2>enough about it. I'm thrilled that I got down to

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<v Speaker 2>see it. I didn't. I was happy I could squeeze

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<v Speaker 2>it in. I you know, I played this golf course

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<v Speaker 2>the day after Augusta National. I was really excited to

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<v Speaker 2>play Augusta And you know, that was obviously a surprise

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<v Speaker 2>on my trip, as if for anybody that listened to

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<v Speaker 2>the last podcast. But you know, I was almost equally

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<v Speaker 2>as excited to go see what they've been cooking up

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<v Speaker 2>at the park. I've seen a lot of Gill and

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<v Speaker 2>Jim's work over the years. I've seen most of their

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<v Speaker 2>American catalog of designs, and honestly, I would put this

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<v Speaker 2>up there near the top of their work. So really, uh,

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<v Speaker 2>really an awesome golf course. We're going to have more

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<v Speaker 2>stuff to come on it. We will, uh, we'll have

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<v Speaker 2>some visuals. We'll probably put together a video on the

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<v Speaker 2>golf course on the YouTube page. I'm in the process

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<v Speaker 2>of writing an article, and we'll have some photography and

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<v Speaker 2>social content around it. So check that out. But most

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<v Speaker 2>most importantly, book a trip down to the park. UH,

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<v Speaker 2>play the play that golf course. I would uh, I'd

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<v Speaker 2>be hard pressed to find a place that isn't more

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<v Speaker 2>you know, want to get back out and play more

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<v Speaker 2>golf at It's it's one of those places you're gonna

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<v Speaker 2>want to lap. And you know what a great place

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<v Speaker 2>to go visit, especially in the cold months of the winter.

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<v Speaker 2>It is a place that you can bring your entire family.

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<v Speaker 2>So Westbalm Beach now has an amazing golf course that

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<v Speaker 2>everybody can play that's better than the vast majority of

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<v Speaker 2>the private courses in town. So without further ado, here's

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<v Speaker 2>Jim Wagon all right, So tell me about the when

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<v Speaker 2>you first learned about the park and had you played

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<v Speaker 2>the previous course, the West Palm Beach MUNI no.

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<v Speaker 1>No, I never actually played the original version. I had

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<v Speaker 1>been down there several years ago when we first started

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<v Speaker 1>looking at moving down here. My brother owned a place

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<v Speaker 1>and his son played a lot of golf, but he

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<v Speaker 1>did not, so I actually set him up and him

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<v Speaker 1>and I went, you know, just to get him at

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<v Speaker 1>a deuced down to the park and took lessons with

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<v Speaker 1>and I forget what her name is now, but she

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<v Speaker 1>was an ex touring that had LPGA pro that had

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<v Speaker 1>taken up residents or given lessons and so I had

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<v Speaker 1>been exposed to it, but just not on the golf

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<v Speaker 1>course itself.

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<v Speaker 2>What were your first impressions when when you guys started

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<v Speaker 2>to plan out the park and what it is today

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<v Speaker 2>of the site, I mean, the.

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<v Speaker 1>Site is unbelievable when you think about it, right, I

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<v Speaker 1>mean when you compare everything to Florida. I mean we

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<v Speaker 1>all know Florida golf right for the most part, with

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<v Speaker 1>the exception of a very few, you know, courses, it's

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<v Speaker 1>just it's fairly flat. There's not a lot of movement

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<v Speaker 1>to it. But when you get to the park, I

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<v Speaker 1>mean that's the first striking element of the property, is

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<v Speaker 1>the amount of elevation change and the way the property rolls.

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<v Speaker 1>No water on the property, right, because I think it

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<v Speaker 1>was at one point, you know, from at least kind

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<v Speaker 1>of the rumors that we heard is you know, before

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<v Speaker 1>it was a golf course. That's you know, during hurricanes,

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<v Speaker 1>that's where a lot of the farmers and ranchers in

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<v Speaker 1>the area took the their cattle and their animals because

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<v Speaker 1>it was high and dry. And I believe it probably

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<v Speaker 1>sits on the same sand dune. It probably forms seminal, right,

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<v Speaker 1>because it's a crow flies I don't believe it's not

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<v Speaker 1>far from Seminal proper, but it's the same type of material, right,

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<v Speaker 1>It's kind of a beach, you know, a beach type

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<v Speaker 1>sand rounded sands that sit up on a on a

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<v Speaker 1>little bit of a bluff. So it's it's nothing like

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<v Speaker 1>you're used to seeing in the Florida mark with maybe

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<v Speaker 1>the exception of Seminal.

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<v Speaker 2>How uh nice?

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<v Speaker 1>Was it? Was it?

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<v Speaker 2>I mean I have to wonder was it refreshing to

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<v Speaker 2>build a golf course that's like for the people? I think?

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<v Speaker 2>You know, obviously in America a lot of the new

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<v Speaker 2>builds are are either high end resorts or you know,

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<v Speaker 2>private golf courses. Was it was there something exciting or

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<v Speaker 2>or different about building a golf course that's really you know,

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<v Speaker 2>municipal and locally focused in the place that you live.

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<v Speaker 1>Well, I mean yeah, I mean for me, it's the

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<v Speaker 1>excitement and the stuff because I think that all of

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<v Speaker 1>our golf courses have, you know, the same thought process.

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<v Speaker 1>We don't necessarily change it for public versus you know,

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<v Speaker 1>private or resorts. I mean sure we do, you know,

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<v Speaker 1>add some different elements to different things on a level

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<v Speaker 1>of who we think the client's going to be from

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<v Speaker 1>a design standpoint, but when you look at it from

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<v Speaker 1>the excitement of it to me, I mean, it kind

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<v Speaker 1>of means the world to me because that's what I

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<v Speaker 1>grew up on, right growing up in Philadelphia. You know,

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<v Speaker 1>I wasn't exposed to the private club, you know, lifestyle,

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<v Speaker 1>so it was public GoF and fortunately it was it

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<v Speaker 1>was really good public goth right with Cobbs Creek. You know,

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<v Speaker 1>I lived what fifteen minutes from Cobbs Creek, so played

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<v Speaker 1>a lot of golf on Cops Creek, which obviously has

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<v Speaker 1>the charm and background and design from Hugh Wilson right

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<v Speaker 1>at Marion. And then another golf course which is only

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<v Speaker 1>about maybe five minutes from Marian called Paxon Hollow, which

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<v Speaker 1>had you know, a huge and a lot of interesting

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<v Speaker 1>and unique off course architecture elements is part of it.

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<v Speaker 1>And uh, you know, we're talking to Bill Kittleman, who

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<v Speaker 1>does a lot of work with us and a mentor

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<v Speaker 1>of Gill and I and was the pro marian for

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<v Speaker 1>you know, every how many years, thirty thirty five years. Uh,

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<v Speaker 1>you know, he recalls that Joe Valentine had spent some

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<v Speaker 1>time over at Paxon Hollow, kind of helping them, you know,

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<v Speaker 1>build bunkers and things of that nature. And you can

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<v Speaker 1>kind of see that in the quality and the art

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<v Speaker 1>behind the architecture there. So you know, I was fortunate

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<v Speaker 1>to be able to you know, grow up in that

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<v Speaker 1>environment of great architecture. So bringing something like this to

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<v Speaker 1>you know, to Palm Beach and for all the kids

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<v Speaker 1>and everybody who you know doesn't have the ability to

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<v Speaker 1>play you know, uh, you know, high end public goth

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<v Speaker 1>or private golf. I mean, I think to me is

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<v Speaker 1>really the essence of the game and and and the

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<v Speaker 1>start for everybody. I mean, it's awesome. It's awesome to

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<v Speaker 1>be able to do something like that, whether it's you know,

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<v Speaker 1>at the park or eventually we get to much McCall

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<v Speaker 1>it the Cops Creek or even you know in DC

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<v Speaker 1>there's stuff and we're doing with the National Links Trust.

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<v Speaker 1>So it's all great stuff and very important.

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<v Speaker 2>I think you brought up seminoles as you know, similar land.

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<v Speaker 2>Do you have any other comparisons to two courses that

0:13:14.559 --> 0:13:17.520
<v Speaker 2>you've seen that it reminds you of maybe, I mean.

0:13:17.520 --> 0:13:19.959
<v Speaker 1>Yeah, there's a lot. I mean in Florida, I think

0:13:19.960 --> 0:13:23.200
<v Speaker 1>Seminol is probably the only one. I mean, maybe some

0:13:23.240 --> 0:13:25.240
<v Speaker 1>of the stuff that you know you see on the courses,

0:13:25.480 --> 0:13:28.840
<v Speaker 1>stream songs just because of the elevation change there and

0:13:28.880 --> 0:13:31.800
<v Speaker 1>the whole sand aspect to it. But you can go

0:13:31.840 --> 0:13:33.720
<v Speaker 1>around the world, you know, and if you look and

0:13:33.760 --> 0:13:36.319
<v Speaker 1>you go to you know, some of the stuff in Australia,

0:13:36.360 --> 0:13:38.520
<v Speaker 1>you know, which was kind of some of our conversations,

0:13:38.800 --> 0:13:41.000
<v Speaker 1>you've got elements because there is some flatness to the

0:13:41.040 --> 0:13:43.800
<v Speaker 1>property even though there's elevation change to it, right, So

0:13:44.280 --> 0:13:46.280
<v Speaker 1>there's things on the couple of the opening halls that

0:13:46.400 --> 0:13:49.040
<v Speaker 1>maybe feel more like a Kingston Heath which is kind

0:13:49.080 --> 0:13:51.760
<v Speaker 1>of flatish, you know, exposed sand. You know, you kind

0:13:51.760 --> 0:13:53.920
<v Speaker 1>of get that that sand belt environment. And then there's

0:13:53.960 --> 0:13:55.720
<v Speaker 1>aspects of it, you know, when you get to some

0:13:55.800 --> 0:13:59.440
<v Speaker 1>of the elevation change hall, like the part three number eleven,

0:13:59.520 --> 0:14:02.479
<v Speaker 1>that fels a little bit more like say Royal Melbourne.

0:14:02.760 --> 0:14:05.560
<v Speaker 1>So there's definitely elements of it. So it's unique in

0:14:05.559 --> 0:14:09.680
<v Speaker 1>that regard because it's Florida Golf elevation change, but you know,

0:14:09.679 --> 0:14:12.360
<v Speaker 1>it does have this feeling of, say like an Australian

0:14:12.400 --> 0:14:13.680
<v Speaker 1>sand milt environment.

0:14:14.200 --> 0:14:16.800
<v Speaker 2>When you went about the design process, you said, obviously

0:14:16.840 --> 0:14:19.600
<v Speaker 2>you don't you guys have kind of the same ethos,

0:14:19.640 --> 0:14:24.160
<v Speaker 2>the same design mindset for every type of golf course,

0:14:24.280 --> 0:14:27.400
<v Speaker 2>but you know, you you kind of tweak it for

0:14:28.120 --> 0:14:31.960
<v Speaker 2>unique sit you for each situation with the with the park,

0:14:32.000 --> 0:14:37.560
<v Speaker 2>obviously it's a you know, basically thirty investors all you know,

0:14:37.920 --> 0:14:42.680
<v Speaker 2>involved with it. How was that design process and environment

0:14:42.840 --> 0:14:45.760
<v Speaker 2>different than say, you know, where you're building for a

0:14:45.800 --> 0:14:46.440
<v Speaker 2>single owner.

0:14:47.240 --> 0:14:49.040
<v Speaker 1>I think from the single on a standpoint, and we've

0:14:49.080 --> 0:14:51.200
<v Speaker 1>been very fortunate with a lot of the single owners

0:14:51.200 --> 0:14:53.440
<v Speaker 1>that we've worked with. And you know, Michael, the HOOPI

0:14:53.560 --> 0:14:55.840
<v Speaker 1>was great, Right, It's just you know, kind of turn

0:14:55.920 --> 0:14:58.840
<v Speaker 1>us loose and let us do what that we do

0:14:59.360 --> 0:15:03.720
<v Speaker 1>and create something fun and interesting. Right. That obviously was

0:15:03.720 --> 0:15:05.000
<v Speaker 1>a little bit different because it was more of the

0:15:05.040 --> 0:15:07.720
<v Speaker 1>match play components. So that was kind of more of

0:15:07.760 --> 0:15:10.960
<v Speaker 1>our you know, philosophy and thought process and kind of

0:15:10.960 --> 0:15:13.760
<v Speaker 1>the vernacular that we were using when we did work

0:15:13.800 --> 0:15:16.720
<v Speaker 1>at a Hoopie. Whereas when we got to the park,

0:15:17.600 --> 0:15:19.880
<v Speaker 1>we're starting to look at and think about some other stuff, right,

0:15:19.960 --> 0:15:22.760
<v Speaker 1>is that sure? You know, we wanted to be fun,

0:15:23.240 --> 0:15:25.320
<v Speaker 1>that's always something that we use. We wanted to be challenging,

0:15:25.320 --> 0:15:28.600
<v Speaker 1>we wanted to be thought provoking. Right, They're all the

0:15:29.000 --> 0:15:31.360
<v Speaker 1>kind of the vernacular of the words we were using.

0:15:31.400 --> 0:15:33.840
<v Speaker 1>And then we kind of adopted one more, you know,

0:15:34.560 --> 0:15:37.200
<v Speaker 1>element to that, and that was bold. Right. We talked

0:15:37.240 --> 0:15:40.320
<v Speaker 1>a lot early on during the planning phases, Jill and

0:15:40.360 --> 0:15:42.560
<v Speaker 1>I and Dirk Ziff and you know, some of the

0:15:42.560 --> 0:15:45.640
<v Speaker 1>others that were involved, about the golf course being bold,

0:15:45.760 --> 0:15:47.680
<v Speaker 1>you know, and there's a lot of definitions of bold.

0:15:47.880 --> 0:15:50.360
<v Speaker 1>Bold doesn't need to be like, you know, kind of

0:15:50.360 --> 0:15:52.520
<v Speaker 1>a Yale bold, you know, where you've got a lot

0:15:52.520 --> 0:15:55.600
<v Speaker 1>of bold features. But bold can also mean taking chances,

0:15:56.040 --> 0:15:59.200
<v Speaker 1>you know, do things different. And you know, a small

0:15:59.240 --> 0:16:03.240
<v Speaker 1>green can be bold, you know. So there's stuff like

0:16:03.240 --> 0:16:06.800
<v Speaker 1>that that kind of changed our thought process. And also

0:16:06.840 --> 0:16:09.320
<v Speaker 1>we wanted to use the park as a way to

0:16:09.400 --> 0:16:13.040
<v Speaker 1>kind of showcase what good architecture is all about. Right,

0:16:13.680 --> 0:16:15.400
<v Speaker 1>And I actually think, you know, maybe I saw an

0:16:15.440 --> 0:16:19.080
<v Speaker 1>email or you know, some stuff that maybe you had said, Andy,

0:16:19.120 --> 0:16:21.280
<v Speaker 1>and believe it or not, you know, it was actually

0:16:21.560 --> 0:16:24.040
<v Speaker 1>kind of spot on, is that, you know? Why why

0:16:24.040 --> 0:16:27.120
<v Speaker 1>can't you know? Public? Of of course, architecture and public oth

0:16:27.720 --> 0:16:30.600
<v Speaker 1>be and I guess I'm paraphrasing a little bit, but

0:16:30.640 --> 0:16:33.160
<v Speaker 1>be you know, a showcase for what golf course architecture

0:16:33.200 --> 0:16:36.680
<v Speaker 1>can be. Right, it seems like a lot of public

0:16:36.720 --> 0:16:40.120
<v Speaker 1>goth is it starts out in a wad or down version,

0:16:40.520 --> 0:16:42.440
<v Speaker 1>you know, to get people interested in the game and

0:16:42.680 --> 0:16:45.240
<v Speaker 1>the move rounds through and for sake of ease of

0:16:45.240 --> 0:16:47.080
<v Speaker 1>maintenance and all the other stuff that comes in. But

0:16:47.360 --> 0:16:50.760
<v Speaker 1>why can't architecture that people are seeing for the first time,

0:16:50.840 --> 0:16:54.480
<v Speaker 1>or public architecture, that's call it. Why can't public architecture,

0:16:54.880 --> 0:16:58.119
<v Speaker 1>you know, match that that beauty of private club architecture

0:16:58.160 --> 0:17:00.320
<v Speaker 1>in the Golden Age architecture and all of this stuff

0:17:00.360 --> 0:17:02.800
<v Speaker 1>that you know, all of us that really love and

0:17:02.880 --> 0:17:06.760
<v Speaker 1>enjoy golf and golf course architecture like to see in golf,

0:17:07.200 --> 0:17:10.040
<v Speaker 1>and that kind of you know, spearheaded us to be

0:17:10.119 --> 0:17:12.080
<v Speaker 1>a little bit think, a little bit outside the box.

0:17:12.800 --> 0:17:17.280
<v Speaker 2>Yeah, that was my kind of takeaway from it. I mean,

0:17:17.440 --> 0:17:19.800
<v Speaker 2>on this podcast people have heard me talk about this

0:17:19.880 --> 0:17:24.080
<v Speaker 2>for years, but you know, where it doesn't make any

0:17:24.119 --> 0:17:27.240
<v Speaker 2>sense that the people people's entrance to the game of golf,

0:17:27.320 --> 0:17:31.920
<v Speaker 2>which happens at public and municipal golf courses, is the

0:17:32.000 --> 0:17:35.240
<v Speaker 2>least interesting version of golf there is, Like, if you

0:17:35.280 --> 0:17:38.960
<v Speaker 2>thought about it, with any food, any food variety, any

0:17:39.640 --> 0:17:43.560
<v Speaker 2>you know, really like any anything. Like if I said,

0:17:43.720 --> 0:17:46.000
<v Speaker 2>you know, I always use the coffee reference. Like if

0:17:46.040 --> 0:17:48.480
<v Speaker 2>I said to you and you say you didn't drink coffee,

0:17:48.480 --> 0:17:52.000
<v Speaker 2>and I said, hey, listen, I think you should drink coffee.

0:17:52.000 --> 0:17:54.359
<v Speaker 2>And I took you to like a gas station at

0:17:54.400 --> 0:17:56.280
<v Speaker 2>two in the morning and poured you a cup of

0:17:56.280 --> 0:17:59.200
<v Speaker 2>coffee and said, here you go. This is great. You're

0:17:59.200 --> 0:18:01.280
<v Speaker 2>going to love this. You'd be like, this is this

0:18:01.400 --> 0:18:04.679
<v Speaker 2>is awful. You know you and that's what we do

0:18:04.760 --> 0:18:07.199
<v Speaker 2>with golf. And I think you know the thing that

0:18:07.240 --> 0:18:09.639
<v Speaker 2>you hit on that I was super impressed by it.

0:18:09.720 --> 0:18:15.280
<v Speaker 2>I was curious. Is like to me, from what I've seen,

0:18:15.320 --> 0:18:17.320
<v Speaker 2>I haven't seen all the courses you guys have built.

0:18:18.040 --> 0:18:21.480
<v Speaker 2>I feel like I've seen a fair amount. The greens

0:18:21.760 --> 0:18:24.879
<v Speaker 2>were reminded me a lot of the greens that you

0:18:24.920 --> 0:18:28.760
<v Speaker 2>built at a hoopie match club where you where you

0:18:28.840 --> 0:18:31.400
<v Speaker 2>and Gil have talked about how when you're when it's

0:18:31.400 --> 0:18:35.360
<v Speaker 2>not a pencil in scorecard situation, you could felt more

0:18:35.440 --> 0:18:38.679
<v Speaker 2>liberated to build bold features. To me, the greens at

0:18:38.720 --> 0:18:40.480
<v Speaker 2>the park like you go to the first green and

0:18:40.520 --> 0:18:43.359
<v Speaker 2>you see this, you know, eight foot false front and

0:18:43.600 --> 0:18:46.359
<v Speaker 2>or maybe not eight probably six foot falls front and

0:18:46.400 --> 0:18:49.640
<v Speaker 2>you say, wow, like I did not expect to see this,

0:18:49.880 --> 0:18:52.119
<v Speaker 2>like you know, right off the bat, it's it. It

0:18:52.200 --> 0:18:55.200
<v Speaker 2>has you know, you use the word bold, but there

0:18:55.359 --> 0:18:59.000
<v Speaker 2>to me like very adventurous greens from from start to finish,

0:18:59.000 --> 0:19:01.879
<v Speaker 2>and oftentimes would say you can't have that at a

0:19:01.920 --> 0:19:05.159
<v Speaker 2>public course. Is is there anything with a hoopie and

0:19:05.200 --> 0:19:07.440
<v Speaker 2>the praise that a hoopie's gotten over the years that's

0:19:07.480 --> 0:19:10.719
<v Speaker 2>allowed you guys to feel more liberated on the greens

0:19:10.960 --> 0:19:11.840
<v Speaker 2>at future builds.

0:19:12.560 --> 0:19:14.760
<v Speaker 1>I mean, I don't. I don't think so. I mean

0:19:14.800 --> 0:19:16.040
<v Speaker 1>it could have a little bit in me. It was

0:19:16.119 --> 0:19:17.520
<v Speaker 1>kind of funny because when I was thinking of what

0:19:17.600 --> 0:19:20.639
<v Speaker 1>type of question you were going to ask me, uh,

0:19:21.200 --> 0:19:22.679
<v Speaker 1>you know, it kind of got towards you know, the

0:19:22.720 --> 0:19:24.840
<v Speaker 1>bold question and kind of what you just said, and

0:19:24.880 --> 0:19:27.119
<v Speaker 1>the first the first green was kind of in my

0:19:27.240 --> 0:19:30.240
<v Speaker 1>mind right. And it's scary that you're thinking like I

0:19:30.320 --> 0:19:34.639
<v Speaker 1>am or I'm thinking like you are, but it you know,

0:19:34.680 --> 0:19:36.399
<v Speaker 1>I was thinking about that and you're right like that

0:19:36.560 --> 0:19:39.359
<v Speaker 1>that is part of it, whether it ties into hoopie

0:19:39.440 --> 0:19:41.880
<v Speaker 1>or not, you know, I mean it could in some

0:19:42.080 --> 0:19:45.160
<v Speaker 1>in some regards but I think if it ties into

0:19:45.200 --> 0:19:47.399
<v Speaker 1>hoopy at least from my standpoint on kind of the

0:19:47.440 --> 0:19:50.800
<v Speaker 1>greens that that I worked on is that, you know,

0:19:50.840 --> 0:19:54.080
<v Speaker 1>I like to think more about the recovery shot, right,

0:19:54.480 --> 0:19:56.120
<v Speaker 1>and when you look at a hoopie, and if you're

0:19:56.200 --> 0:19:58.680
<v Speaker 1>going to kind of compare that fall process to the park,

0:19:58.760 --> 0:20:00.960
<v Speaker 1>then it would be the same because the match play.

0:20:01.280 --> 0:20:03.639
<v Speaker 1>The thought process at least that I had is that, Okay,

0:20:03.640 --> 0:20:06.240
<v Speaker 1>what are the recovery shots, like, you know, the recovery

0:20:06.240 --> 0:20:09.880
<v Speaker 1>shot or the guy who's getting a shot and he's

0:20:09.920 --> 0:20:13.280
<v Speaker 1>playing you know, match play and he's not on the green, Like,

0:20:13.359 --> 0:20:15.120
<v Speaker 1>what's the interest of that shot? How does he get

0:20:15.119 --> 0:20:17.560
<v Speaker 1>the ball closed? How does it then put pressure on

0:20:17.680 --> 0:20:21.880
<v Speaker 1>his playing opponent who may have a fifteen footer for birdie,

0:20:21.880 --> 0:20:23.480
<v Speaker 1>but he's not in the best part of the of

0:20:23.640 --> 0:20:25.600
<v Speaker 1>the of the green. So that was kind of the

0:20:25.600 --> 0:20:27.679
<v Speaker 1>thought process of the hoopie. Now it's kind of the

0:20:27.680 --> 0:20:30.520
<v Speaker 1>same thought process at the park because you're thinking a

0:20:30.560 --> 0:20:33.679
<v Speaker 1>lot about the average player, the higher handicapper, you know,

0:20:33.720 --> 0:20:36.720
<v Speaker 1>the people who are first out at and it's the

0:20:36.800 --> 0:20:40.919
<v Speaker 1>first you know, you know, experience on either playing the

0:20:40.960 --> 0:20:43.159
<v Speaker 1>park or golf in general. They're not going to hit

0:20:43.160 --> 0:20:44.560
<v Speaker 1>a lot of greens. They're going to miss a lot

0:20:44.600 --> 0:20:48.240
<v Speaker 1>of greens. So what's their recovery, what's their shot, third shot?

0:20:48.280 --> 0:20:50.800
<v Speaker 1>What's the fourth shot into the greens? And what's the

0:20:50.800 --> 0:20:52.840
<v Speaker 1>interest of that Being able to give them a place

0:20:52.920 --> 0:20:55.960
<v Speaker 1>that they feel that they can play a ball off of,

0:20:56.080 --> 0:20:58.399
<v Speaker 1>or a feature that can play you know around or

0:20:58.480 --> 0:21:00.280
<v Speaker 1>need to play around, but just a really to get

0:21:00.320 --> 0:21:03.560
<v Speaker 1>them thinking about what that shot looks like. I think

0:21:03.800 --> 0:21:06.119
<v Speaker 1>if you put all that together, I think it lends

0:21:06.160 --> 0:21:09.280
<v Speaker 1>you to feel that you can be more creative, you

0:21:09.280 --> 0:21:12.120
<v Speaker 1>can do some different stuff because it's a different thought process.

0:21:12.160 --> 0:21:15.960
<v Speaker 1>It's not solely about the approach shot into the green, right,

0:21:16.600 --> 0:21:19.760
<v Speaker 1>it's about the recovery of a mishit approach shot. And

0:21:19.800 --> 0:21:21.960
<v Speaker 1>then I think that leads to an element of fun

0:21:22.840 --> 0:21:24.520
<v Speaker 1>and a lot of stuff we've been hearing about the

0:21:24.520 --> 0:21:27.399
<v Speaker 1>park is exactly what you're bringing up. It's the greens.

0:21:27.400 --> 0:21:29.280
<v Speaker 1>It's the fun on the greens, it's the fun around

0:21:29.280 --> 0:21:31.960
<v Speaker 1>the greens, it's the green complexes. So I think that

0:21:32.000 --> 0:21:34.080
<v Speaker 1>would kind of be the only parallel between the two,

0:21:35.720 --> 0:21:37.920
<v Speaker 1>which is interesting and I'm glad you picked up on it.

0:21:50.000 --> 0:21:53.080
<v Speaker 2>Now for a quick word from our sponsor golf Genius.

0:21:53.280 --> 0:21:56.480
<v Speaker 2>Your club may use golf Genius Tournament Manager system for

0:21:56.640 --> 0:21:59.399
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0:21:59.520 --> 0:22:01.320
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0:22:01.359 --> 0:22:04.359
<v Speaker 2>worked really well for us. It's awesome. It's made it

0:22:04.400 --> 0:22:09.440
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0:22:09.840 --> 0:22:13.400
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0:22:13.440 --> 0:22:16.520
<v Speaker 2>it easy for Will. I would like to say that

0:22:16.600 --> 0:22:19.000
<v Speaker 2>I have a ton of involvement with that, but I don't.

0:22:19.040 --> 0:22:21.679
<v Speaker 2>It mostly makes it really easy for Will, makes his

0:22:21.720 --> 0:22:25.400
<v Speaker 2>life a lot easier at our events. Golf Genius also

0:22:25.480 --> 0:22:27.800
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0:22:43.520 --> 0:22:47.960
<v Speaker 2>club members. It's a great productivity tool that saves time, money,

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0:23:00.880 --> 0:23:03.879
<v Speaker 2>you check out golf Genius. Just go to golf genius

0:23:04.000 --> 0:23:07.280
<v Speaker 2>dot com to learn more. Now back to Jim Wagner.

0:23:09.720 --> 0:23:13.399
<v Speaker 2>One question I was thinking about is, like, obviously, one

0:23:13.440 --> 0:23:17.480
<v Speaker 2>of the big rebuttals to building interesting architecture at a

0:23:17.800 --> 0:23:20.560
<v Speaker 2>like what we're talking about with greens, for example, at

0:23:20.560 --> 0:23:23.840
<v Speaker 2>a public golf course would be immediately people would say

0:23:23.920 --> 0:23:25.600
<v Speaker 2>pace of play. This is going to be a pace

0:23:25.640 --> 0:23:29.560
<v Speaker 2>of play nightmare. How do you alleviate the pace of

0:23:29.640 --> 0:23:33.880
<v Speaker 2>play potential issue by building into like, what are some

0:23:33.880 --> 0:23:36.359
<v Speaker 2>some features of the park that are going to help

0:23:36.440 --> 0:23:38.520
<v Speaker 2>move people around the golf course quickly?

0:23:39.160 --> 0:23:40.879
<v Speaker 1>Well, I mean think the pace of play, right, I mean,

0:23:41.240 --> 0:23:45.440
<v Speaker 1>that's that's an interesting conversation because you know, if you

0:23:45.480 --> 0:23:48.320
<v Speaker 1>look at public public goth and you talk about pace

0:23:48.359 --> 0:23:51.479
<v Speaker 1>of play regardless of how the golf course plays itself.

0:23:51.520 --> 0:23:55.200
<v Speaker 1>But let's talk about the use of carts and cart

0:23:55.280 --> 0:23:58.720
<v Speaker 1>paths and car pairs only on certain instances. Let's talk

0:23:58.760 --> 0:24:02.280
<v Speaker 1>about the beverage cut, and let's talk about the time

0:24:02.359 --> 0:24:04.920
<v Speaker 1>that people spend you know, you know, getting drinks and

0:24:04.920 --> 0:24:08.400
<v Speaker 1>doing all that stuff that are knocked off related, right,

0:24:09.400 --> 0:24:11.240
<v Speaker 1>I mean, that's probably going to add twenty minutes to

0:24:11.280 --> 0:24:13.399
<v Speaker 1>a round the golf right there, you know, because you're

0:24:13.400 --> 0:24:16.119
<v Speaker 1>stopping on the on the front nine and again on

0:24:16.160 --> 0:24:18.560
<v Speaker 1>the back nine, So you know, there's a pace of

0:24:18.600 --> 0:24:21.639
<v Speaker 1>play issue right there that starts with it. And I

0:24:21.640 --> 0:24:23.320
<v Speaker 1>think just from the way the park is going to

0:24:23.359 --> 0:24:27.280
<v Speaker 1>be a run, you know, with having a caddy program

0:24:27.400 --> 0:24:30.480
<v Speaker 1>and walking I think is mandatory before a certain time

0:24:30.480 --> 0:24:33.200
<v Speaker 1>in the morning. I think those elements are going to

0:24:33.359 --> 0:24:35.919
<v Speaker 1>help with the overall pace of play. But from a

0:24:35.920 --> 0:24:39.480
<v Speaker 1>play standpoint, it's just it's relying more on ground features

0:24:39.480 --> 0:24:42.520
<v Speaker 1>and contours as it is opposed to a lot of bunkering.

0:24:42.760 --> 0:24:44.720
<v Speaker 1>Right you know, you played the park. I mean even

0:24:44.760 --> 0:24:48.200
<v Speaker 1>look at number one and you said number one perfect example. Sure,

0:24:48.240 --> 0:24:49.960
<v Speaker 1>the left side of that green does have about a

0:24:49.960 --> 0:24:52.959
<v Speaker 1>five or six foot elevation change that could have been

0:24:53.040 --> 0:24:55.399
<v Speaker 1>fairway turf just as much it was as it was

0:24:55.440 --> 0:24:58.760
<v Speaker 1>green and still pretty much play the same way. The

0:24:58.760 --> 0:25:01.080
<v Speaker 1>rest of the green doesn't have as obviously as much

0:25:01.119 --> 0:25:03.320
<v Speaker 1>contour as that, But the front of that green is

0:25:03.320 --> 0:25:06.120
<v Speaker 1>wide open, you know what I mean. There's not bunkering

0:25:06.160 --> 0:25:07.880
<v Speaker 1>tight to the green. I think there's some bunkering off

0:25:07.880 --> 0:25:09.760
<v Speaker 1>to the right hand side, a little bit onto the

0:25:09.800 --> 0:25:11.720
<v Speaker 1>left hand side, which is pretty far out of play.

0:25:11.920 --> 0:25:14.240
<v Speaker 1>It's probably about one hundred feet maybe one hundred and

0:25:14.280 --> 0:25:17.000
<v Speaker 1>ten feet wide. The approach to that green, you know,

0:25:17.160 --> 0:25:20.280
<v Speaker 1>it's fairly significant. So things like that, and if you

0:25:20.400 --> 0:25:23.480
<v Speaker 1>make your way around the park probably you know, eighty

0:25:23.480 --> 0:25:26.280
<v Speaker 1>percent of the greens are that way. They have a

0:25:26.320 --> 0:25:28.800
<v Speaker 1>lot of interest in them, but they're very playable from

0:25:28.800 --> 0:25:31.960
<v Speaker 1>that standpoint. And on number one, since you're chatting about

0:25:32.400 --> 0:25:34.960
<v Speaker 1>you know, from a challenge from a better players standpoint,

0:25:34.960 --> 0:25:37.080
<v Speaker 1>they may try to get there into or if they

0:25:37.160 --> 0:25:39.080
<v Speaker 1>lay up, but you do still need to hit a

0:25:39.080 --> 0:25:41.480
<v Speaker 1>little bit of an exacting shot to get close to

0:25:41.480 --> 0:25:44.080
<v Speaker 1>be able to make birdie on that green. But it's

0:25:44.080 --> 0:25:47.040
<v Speaker 1>not penal for the average players, so they're still able

0:25:47.080 --> 0:25:49.920
<v Speaker 1>to make their way around the property. You know, relative

0:25:50.040 --> 0:25:52.320
<v Speaker 1>ease as opposed to being in bunkers. Are relying a

0:25:52.320 --> 0:25:55.200
<v Speaker 1>lot on bunkers, and you know, people playing ping pong

0:25:55.280 --> 0:25:56.919
<v Speaker 1>and two to get out of the bunker then knocking

0:25:56.920 --> 0:25:58.840
<v Speaker 1>it over the green. You know, So I think that

0:25:58.960 --> 0:26:01.160
<v Speaker 1>helps significt with the pace of play.

0:26:01.480 --> 0:26:04.040
<v Speaker 2>Yeah, I think one of the other things about it,

0:26:04.800 --> 0:26:07.639
<v Speaker 2>and I I played this, I played in a for

0:26:08.000 --> 0:26:10.680
<v Speaker 2>like a thirty to forty mile our wind. I mean

0:26:10.840 --> 0:26:14.480
<v Speaker 2>it was common. It was uh, it was not nice.

0:26:14.840 --> 0:26:17.680
<v Speaker 2>It was uh. And like when that wind got off

0:26:17.720 --> 0:26:19.280
<v Speaker 2>my left toward at the end of the round, I

0:26:19.320 --> 0:26:21.240
<v Speaker 2>was getting tired. I had been you know, I gotten

0:26:21.240 --> 0:26:24.199
<v Speaker 2>in late the night before. I was getting tired. My

0:26:24.320 --> 0:26:27.040
<v Speaker 2>legs were gone. I started hitting these whitey fades. And

0:26:27.040 --> 0:26:28.880
<v Speaker 2>when the wind was coming off my left, I mean,

0:26:28.880 --> 0:26:31.520
<v Speaker 2>the ball was going miles right. One of the things

0:26:31.600 --> 0:26:34.000
<v Speaker 2>I quickly picked up on is this very hard to

0:26:34.040 --> 0:26:35.919
<v Speaker 2>lose a golf ball out there. I mean, like I

0:26:35.960 --> 0:26:39.200
<v Speaker 2>think that, yeah, I can't. We used to. I used

0:26:39.200 --> 0:26:41.200
<v Speaker 2>to be before I started the Friday Egg. I used

0:26:41.240 --> 0:26:44.800
<v Speaker 2>to play you know, uh, all around Chicago. But one

0:26:44.800 --> 0:26:46.640
<v Speaker 2>of the places we would play is this course called

0:26:46.640 --> 0:26:48.800
<v Speaker 2>Harbor Side. It was on the South side of Chicago,

0:26:48.920 --> 0:26:52.119
<v Speaker 2>and and you know, they had this this this rough

0:26:52.160 --> 0:26:54.480
<v Speaker 2>and I have a buddy that was you know, it

0:26:54.600 --> 0:26:56.600
<v Speaker 2>was a little bit wild off the tee and we

0:26:56.760 --> 0:27:00.080
<v Speaker 2>I wouldn't play there anymore with him because like we

0:27:00.119 --> 0:27:02.280
<v Speaker 2>just spend all day looking for golf balls, and it

0:27:02.359 --> 0:27:04.879
<v Speaker 2>was you know, that was the time that we were spending,

0:27:05.200 --> 0:27:07.199
<v Speaker 2>you know, and that's why it would pile up to

0:27:07.320 --> 0:27:10.280
<v Speaker 2>a five hour round is because everybody on the golf

0:27:10.280 --> 0:27:12.919
<v Speaker 2>course is looking for golf balls, and that it seems

0:27:12.920 --> 0:27:16.520
<v Speaker 2>like it would be it's very challenging. I'm sure everybody

0:27:16.560 --> 0:27:18.359
<v Speaker 2>would be like, oh, you haven't seen me play, But

0:27:18.560 --> 0:27:23.040
<v Speaker 2>it is a place that it is almost difficult to

0:27:23.160 --> 0:27:24.080
<v Speaker 2>lose a golf ball.

0:27:24.440 --> 0:27:28.200
<v Speaker 1>Yes, yes, first two comments. First one, when you started

0:27:28.200 --> 0:27:31.359
<v Speaker 1>this question, you talked about your your wipey fae with

0:27:31.400 --> 0:27:33.680
<v Speaker 1>the wind coming off the left. The only reason why

0:27:33.720 --> 0:27:35.600
<v Speaker 1>it wasn't a whitey faide on the other holes is

0:27:35.600 --> 0:27:38.120
<v Speaker 1>because the wind was coming off your right. The ball

0:27:38.200 --> 0:27:42.560
<v Speaker 1>out either way, it's still a wipey thing. The wind

0:27:42.640 --> 0:27:45.240
<v Speaker 1>just helped you in a favorable manner in that case.

0:27:45.280 --> 0:27:48.000
<v Speaker 1>But no, you're right, you know. So that's a great point,

0:27:48.040 --> 0:27:49.560
<v Speaker 1>you know, is that it is hard to lose a

0:27:49.600 --> 0:27:53.479
<v Speaker 1>golf ball there. Right, The play courters are extremely wide.

0:27:54.280 --> 0:27:57.040
<v Speaker 1>Even when you get into the exposed sandi aras out

0:27:57.119 --> 0:28:03.000
<v Speaker 1>of play, there's enough vegetation to make the rough unpredictable.

0:28:03.440 --> 0:28:06.040
<v Speaker 1>But yet it's in more of an open habit form

0:28:06.080 --> 0:28:08.600
<v Speaker 1>where you can easily find your golf ball. You know,

0:28:09.200 --> 0:28:11.159
<v Speaker 1>I don't know. I've played there a handful times, and

0:28:11.280 --> 0:28:12.960
<v Speaker 1>I don't think I've ever lost the golf ball, and

0:28:13.000 --> 0:28:15.320
<v Speaker 1>I can hit some of those whitey fades as well.

0:28:16.200 --> 0:28:19.880
<v Speaker 1>But that's another important component that was part of our discussion. Point.

0:28:19.880 --> 0:28:21.639
<v Speaker 1>I mean, a lot of things that had happened prior

0:28:21.960 --> 0:28:24.800
<v Speaker 1>on that property due to kind of the sugar rounded sands,

0:28:24.880 --> 0:28:28.040
<v Speaker 1>is that there was problems with windblow because there was

0:28:28.080 --> 0:28:31.080
<v Speaker 1>a lot of exposedand golf carts were getting stuck in

0:28:31.119 --> 0:28:34.280
<v Speaker 1>the exposed end. The sand was so white and blinding

0:28:34.320 --> 0:28:36.600
<v Speaker 1>that people were actually losing balls in the sand because

0:28:36.640 --> 0:28:39.080
<v Speaker 1>everything bled together. So we took a lot of that

0:28:39.160 --> 0:28:41.200
<v Speaker 1>into consideration, and that's why you kind of see some

0:28:41.280 --> 0:28:43.800
<v Speaker 1>of that natively rough stuff. We've actually planned in a

0:28:43.800 --> 0:28:46.520
<v Speaker 1>bunch more native so it holds the sand in place

0:28:46.560 --> 0:28:48.160
<v Speaker 1>for the most part. We're not going to have a

0:28:48.200 --> 0:28:50.280
<v Speaker 1>lot of car traffic, so the carts are going to

0:28:50.320 --> 0:28:53.360
<v Speaker 1>be minimal, and then it also helps you find golf balls.

0:28:53.400 --> 0:28:55.360
<v Speaker 1>But that was all part of it, and we did

0:28:55.360 --> 0:28:57.760
<v Speaker 1>and we removed and transplanted and moved a lot of

0:28:57.800 --> 0:29:01.080
<v Speaker 1>the native material around the property and kind of condensed

0:29:01.120 --> 0:29:03.280
<v Speaker 1>in the areas that we're out of play. There's nothing

0:29:03.280 --> 0:29:05.600
<v Speaker 1>worse in Florida golf than losing your ball and you

0:29:05.600 --> 0:29:08.640
<v Speaker 1>know those palmettos. Uh, you know, they're just they're they're

0:29:08.720 --> 0:29:11.040
<v Speaker 1>they're just it's horrible for the game of cough for

0:29:11.920 --> 0:29:12.200
<v Speaker 1>you know.

0:29:12.760 --> 0:29:15.240
<v Speaker 2>With the uh with the fairway lines. One thing I

0:29:15.320 --> 0:29:18.400
<v Speaker 2>was wondering about you talked about the kind of sandy areas.

0:29:18.480 --> 0:29:20.640
<v Speaker 2>I was out there obviously a day it was wind windy.

0:29:21.040 --> 0:29:24.000
<v Speaker 2>I saw sand moving in. Are you anticipating kind of

0:29:24.040 --> 0:29:27.400
<v Speaker 2>a I think, of course people would be most familiar

0:29:27.440 --> 0:29:30.200
<v Speaker 2>with would be like Pinehurst number two, where maybe those

0:29:30.240 --> 0:29:33.360
<v Speaker 2>fairway lines kind of move with the with the environment

0:29:33.440 --> 0:29:34.240
<v Speaker 2>over the years.

0:29:34.480 --> 0:29:36.320
<v Speaker 1>Yeah, and that's what we're open for andy, right, and

0:29:36.320 --> 0:29:37.840
<v Speaker 1>that's why we did it. I mean, one, I think

0:29:37.840 --> 0:29:40.480
<v Speaker 1>that helps some maintenance costs. And you're not hardlining it.

0:29:40.720 --> 0:29:43.239
<v Speaker 1>You know, it's just kind of a golf construction architecture term,

0:29:43.280 --> 0:29:45.120
<v Speaker 1>but you're not hardlighting the golf course that you see

0:29:45.160 --> 0:29:47.880
<v Speaker 1>in the desert where you're setting up irrigation. You're adding

0:29:47.920 --> 0:29:50.280
<v Speaker 1>irrigation heads and you're throwing half heads to go ahead

0:29:50.320 --> 0:29:53.280
<v Speaker 1>and control the water and and have this this line

0:29:53.320 --> 0:29:56.400
<v Speaker 1>of fairway slash rough that stays consistent, you know, for

0:29:56.520 --> 0:29:59.240
<v Speaker 1>the next twenty five thirty years. Whatever it is. You know,

0:29:59.280 --> 0:30:02.840
<v Speaker 1>we're set up so that whatever mother nature does, whether

0:30:02.880 --> 0:30:05.040
<v Speaker 1>it's the windblow moving things around, that's going to help

0:30:05.080 --> 0:30:08.200
<v Speaker 1>enhance the golf course. Whether it's you know, depending on

0:30:08.240 --> 0:30:10.280
<v Speaker 1>the time of year, right where you get more rain,

0:30:10.360 --> 0:30:13.040
<v Speaker 1>you make it some more run in the in the

0:30:13.080 --> 0:30:16.000
<v Speaker 1>spriggs and the Bermuda grass and make it more runners

0:30:16.000 --> 0:30:17.800
<v Speaker 1>that creep out, and then that turns into a little

0:30:17.840 --> 0:30:20.080
<v Speaker 1>bit more of a rough area and you may get

0:30:20.080 --> 0:30:22.880
<v Speaker 1>some areas that there's more die back. So yeah, we

0:30:22.920 --> 0:30:25.040
<v Speaker 1>hope it kind of moves back and forth. Pinehurst number

0:30:25.040 --> 0:30:27.200
<v Speaker 1>two or four is a good example. You know, there's

0:30:27.240 --> 0:30:29.880
<v Speaker 1>a lot of great examples in the warm season climates

0:30:29.880 --> 0:30:32.880
<v Speaker 1>of that happening. Stream Song is kind of the same way, right,

0:30:32.960 --> 0:30:35.560
<v Speaker 1>It's all the same thought processes. You know, we're focusing

0:30:35.600 --> 0:30:38.480
<v Speaker 1>more on the play areas, right, greens, teas, fairways of

0:30:38.560 --> 0:30:42.320
<v Speaker 1>being great, great condition, great from a play standpoint, but

0:30:42.360 --> 0:30:45.400
<v Speaker 1>as you get offline, things become a little bit more unpredictable.

0:30:45.640 --> 0:30:48.720
<v Speaker 1>They're allowed to move and kind of you know, go

0:30:48.800 --> 0:30:52.520
<v Speaker 1>back and forth really basically depending on what mother nature does.

0:30:52.840 --> 0:30:54.720
<v Speaker 1>You know, any given year, any given month.

0:30:55.320 --> 0:30:58.520
<v Speaker 2>Is there a stretch of holes out there that you

0:30:58.600 --> 0:31:02.560
<v Speaker 2>particularly think about or or you know a few single

0:31:02.640 --> 0:31:05.880
<v Speaker 2>holes scattered about. Is there you know a hole that

0:31:05.960 --> 0:31:10.080
<v Speaker 2>you love terms of you know what what was built

0:31:10.120 --> 0:31:12.800
<v Speaker 2>into the ground and maybe you know, maybe it's something

0:31:12.840 --> 0:31:15.720
<v Speaker 2>that's really loud, so maybe something that's really quiet from

0:31:15.840 --> 0:31:18.080
<v Speaker 2>you know, the intricacy standpoint.

0:31:18.320 --> 0:31:21.000
<v Speaker 1>Well, you know, my case is always a little bit

0:31:21.000 --> 0:31:23.000
<v Speaker 1>of a story behind you know, some of the stuff

0:31:23.040 --> 0:31:25.960
<v Speaker 1>that we do. But to me, it's the watch McCall.

0:31:25.960 --> 0:31:29.840
<v Speaker 1>It's the fifteenth hole, you know, part five uphill right,

0:31:29.880 --> 0:31:31.680
<v Speaker 1>It's it's not a long hole. So we had to

0:31:31.680 --> 0:31:33.560
<v Speaker 1>come up and kind of be creative on how we

0:31:33.560 --> 0:31:36.080
<v Speaker 1>were going to go ahead and do something around the

0:31:36.080 --> 0:31:39.480
<v Speaker 1>green that we weren't really you know, the premise wasn't bunkering, right,

0:31:39.600 --> 0:31:41.560
<v Speaker 1>we kind of we kind of did that. Eventually did

0:31:41.560 --> 0:31:43.680
<v Speaker 1>that on nine just so we could be a little

0:31:43.680 --> 0:31:46.760
<v Speaker 1>bit different. So nine has got a little bit more bunking.

0:31:46.800 --> 0:31:49.280
<v Speaker 1>But on fifteen we're trying to come up with a concept.

0:31:49.320 --> 0:31:52.920
<v Speaker 1>And you know, Jill and I were with with Dirk

0:31:52.960 --> 0:31:55.040
<v Speaker 1>and we were looking at some uh, you know, some

0:31:55.160 --> 0:31:58.760
<v Speaker 1>photos and we saw a photo of the Jockey Club

0:31:59.280 --> 0:32:01.720
<v Speaker 1>right Brandness Areas and it was a picture and you

0:32:01.760 --> 0:32:03.600
<v Speaker 1>know they used a lot of mounds in and around

0:32:03.920 --> 0:32:07.160
<v Speaker 1>the Jockey Club on creating their interest. So I was

0:32:07.160 --> 0:32:08.800
<v Speaker 1>looking at this picture and it kind of, you know,

0:32:08.920 --> 0:32:12.200
<v Speaker 1>kind of stuck in my head and then went and

0:32:12.240 --> 0:32:15.320
<v Speaker 1>recreated or what I thought was recreating that picture that

0:32:15.400 --> 0:32:17.840
<v Speaker 1>I saw. And that's how that big mound ended up

0:32:17.880 --> 0:32:20.240
<v Speaker 1>in front of the green, which is kind of really

0:32:20.280 --> 0:32:21.960
<v Speaker 1>a cool feature, right if you're trying to go forward

0:32:22.000 --> 0:32:24.600
<v Speaker 1>into and there's a lot of interest in and around

0:32:24.600 --> 0:32:27.320
<v Speaker 1>behind it. So that was really the premise for the

0:32:27.360 --> 0:32:29.360
<v Speaker 1>green side and how tied into the ridge. And then

0:32:29.400 --> 0:32:31.760
<v Speaker 1>the average player probably on their third shot if they

0:32:31.760 --> 0:32:33.360
<v Speaker 1>missed the green, they can miss it right, but then

0:32:33.400 --> 0:32:35.760
<v Speaker 1>they're looking right up at the mouth of the green,

0:32:36.600 --> 0:32:38.320
<v Speaker 1>and then they had the support of that big mound

0:32:38.360 --> 0:32:40.800
<v Speaker 1>on the left, and you know, there's a lot of

0:32:40.840 --> 0:32:42.920
<v Speaker 1>support for them as opposed to the guy who's going

0:32:42.960 --> 0:32:45.120
<v Speaker 1>forward into. You know, they got to contend with that.

0:32:45.200 --> 0:32:48.080
<v Speaker 1>The green's real narrow if you try to carry that knot,

0:32:48.120 --> 0:32:50.600
<v Speaker 1>and there's a little slot that you can play through,

0:32:50.720 --> 0:32:52.840
<v Speaker 1>you know, to help for the ball to be more

0:32:52.840 --> 0:32:54.840
<v Speaker 1>receptive if you're hitting a longer iron into it. So

0:32:55.280 --> 0:32:57.239
<v Speaker 1>built the whole thing kind of had it set up

0:32:57.240 --> 0:32:59.360
<v Speaker 1>and was kind of thinking about again and looking back,

0:32:59.360 --> 0:33:01.320
<v Speaker 1>and I brought it up up, you know, the whole

0:33:02.000 --> 0:33:04.880
<v Speaker 1>you know, the concept of the jockey club, and I forgot.

0:33:04.920 --> 0:33:06.680
<v Speaker 1>I was talking to him like, oh, yeah, I've played

0:33:06.680 --> 0:33:09.040
<v Speaker 1>down I remember that golf hole. And then they started

0:33:09.040 --> 0:33:12.560
<v Speaker 1>walking through the golf hole and lo and behold, like

0:33:12.600 --> 0:33:14.360
<v Speaker 1>the picture I was looking at, which I thought from

0:33:14.600 --> 0:33:16.680
<v Speaker 1>was from the fairway, was not actually from the fairway.

0:33:17.240 --> 0:33:18.880
<v Speaker 1>It was from like the back left of the green.

0:33:19.280 --> 0:33:21.520
<v Speaker 1>So the man in this case was not even like

0:33:21.920 --> 0:33:23.320
<v Speaker 1>in front of the green. It was off to the

0:33:23.320 --> 0:33:26.600
<v Speaker 1>back of the green. So I had envisioned it, you know,

0:33:26.680 --> 0:33:29.640
<v Speaker 1>probably my dyslexi is setting in envisioned it from a

0:33:29.680 --> 0:33:32.320
<v Speaker 1>totally different angle, and we ended up building you know,

0:33:32.440 --> 0:33:35.200
<v Speaker 1>the fifteenth hole, which ends up I think being really

0:33:35.200 --> 0:33:37.400
<v Speaker 1>fun and interesting and kind of a cool way to

0:33:37.400 --> 0:33:40.920
<v Speaker 1>handle a short part five. But you know, it was

0:33:40.960 --> 0:33:45.320
<v Speaker 1>something that, you know, my inspiration was totally opposite of

0:33:45.360 --> 0:33:46.360
<v Speaker 1>what was actually built.

0:33:47.040 --> 0:33:51.240
<v Speaker 2>So to be the fifteenth represents, like one of the

0:33:51.240 --> 0:33:55.440
<v Speaker 2>themes of the golf choruses is what you can do

0:33:56.240 --> 0:34:01.040
<v Speaker 2>with just simple green orientation and angles. Yes, you know,

0:34:01.120 --> 0:34:03.600
<v Speaker 2>I think everybody thinks about like you have to have

0:34:03.880 --> 0:34:05.920
<v Speaker 2>you know, obviously, like you have holes, you have a

0:34:05.960 --> 0:34:08.320
<v Speaker 2>lot of variety out there. There's a ton of different stuff.

0:34:08.320 --> 0:34:10.560
<v Speaker 2>You have a hole like nine where it's kind of

0:34:10.600 --> 0:34:12.759
<v Speaker 2>on the flatter part of the land where you have

0:34:12.840 --> 0:34:15.759
<v Speaker 2>a ton of ton of bunkering that I love that hole. Also,

0:34:16.680 --> 0:34:19.120
<v Speaker 2>that's a super fun shot in there if you're going

0:34:19.160 --> 0:34:21.400
<v Speaker 2>forward and two. But then you have a lot of

0:34:21.480 --> 0:34:25.400
<v Speaker 2>greens that are dictated by you know, just simple angles

0:34:25.520 --> 0:34:28.480
<v Speaker 2>and and contouring. Can you talk a little bit about,

0:34:28.640 --> 0:34:30.960
<v Speaker 2>you know, what you can do when you just when

0:34:30.960 --> 0:34:34.960
<v Speaker 2>you're just using angles to create strategy.

0:34:35.239 --> 0:34:37.680
<v Speaker 1>Yeah, I guess in this case we chatted about a

0:34:37.680 --> 0:34:39.920
<v Speaker 1>little bit earlier, is you know, really not using a

0:34:39.920 --> 0:34:42.440
<v Speaker 1>lot of bunkering other than just a few cases, is

0:34:42.480 --> 0:34:46.040
<v Speaker 1>what the defining strategy is around each individual golf hole, Right,

0:34:46.880 --> 0:34:48.880
<v Speaker 1>It's more along the lines of width. And if you

0:34:48.920 --> 0:34:51.640
<v Speaker 1>get the width and bunkering is not the key to everything,

0:34:51.719 --> 0:34:55.080
<v Speaker 1>then it comes down to when you're separating out the

0:34:55.080 --> 0:34:58.280
<v Speaker 1>better players and the higher handicappers. Right, the better players

0:34:58.600 --> 0:35:00.360
<v Speaker 1>need to learn how to play the golf course and

0:35:00.440 --> 0:35:03.520
<v Speaker 1>get themselves on the right part of the fairway where

0:35:03.360 --> 0:35:06.480
<v Speaker 1>they have the best angle into the green right, and

0:35:06.880 --> 0:35:10.200
<v Speaker 1>that's all over that golf course for the most point.

0:35:10.400 --> 0:35:12.560
<v Speaker 1>And number two has it well. One has it as well. Right,

0:35:12.640 --> 0:35:14.239
<v Speaker 1>if you're gonna play down well and you're playing your

0:35:14.239 --> 0:35:16.480
<v Speaker 1>second shot, you know you're gonna have to play it

0:35:16.480 --> 0:35:19.359
<v Speaker 1>down the right hand side of the green in order

0:35:19.400 --> 0:35:21.640
<v Speaker 1>to get the better role or the better angle into

0:35:21.640 --> 0:35:23.440
<v Speaker 1>the green. You miss it left and you've got to

0:35:23.480 --> 0:35:26.400
<v Speaker 1>come over that big bump. So angles were everywhere everywhere

0:35:27.040 --> 0:35:29.439
<v Speaker 1>on the property. It's on number two. Right. The way

0:35:29.440 --> 0:35:32.279
<v Speaker 1>that green is long and narrow, you know, front left

0:35:32.280 --> 0:35:34.600
<v Speaker 1>to kind of back rightish, you know, So playing down

0:35:34.600 --> 0:35:36.799
<v Speaker 1>the left is a better angle. But the average player

0:35:36.840 --> 0:35:40.000
<v Speaker 1>it doesn't matter, right, the average player, they keep the ball,

0:35:40.000 --> 0:35:42.239
<v Speaker 1>They find the ball, they keep it in play, even

0:35:42.360 --> 0:35:44.160
<v Speaker 1>no matter where they hit into the proach. Sure, the

0:35:44.200 --> 0:35:48.680
<v Speaker 1>angle the green is tougher, but they can play away

0:35:48.760 --> 0:35:51.080
<v Speaker 1>from you know, trying to be say on number two,

0:35:51.160 --> 0:35:54.160
<v Speaker 1>trying to get there in two. If they don't hit

0:35:54.200 --> 0:35:55.759
<v Speaker 1>a good drive, they can play up to the left

0:35:55.760 --> 0:35:57.759
<v Speaker 1>and be forty you are sure to the green and

0:35:57.800 --> 0:35:59.600
<v Speaker 1>then they'll be looking right down the whole length of

0:35:59.680 --> 0:36:01.799
<v Speaker 1>the green, you know what I mean. So there's a

0:36:01.800 --> 0:36:03.759
<v Speaker 1>lot of things like that out there, but angles do

0:36:03.880 --> 0:36:07.000
<v Speaker 1>help for sure. I mean it's all over in golf, right,

0:36:07.080 --> 0:36:09.320
<v Speaker 1>you know, all the great old architecture. You know, it's

0:36:09.360 --> 0:36:11.799
<v Speaker 1>all about angles and fun. But more so I think

0:36:12.040 --> 0:36:15.000
<v Speaker 1>in trying to create that difference for you know, public gofference,

0:36:15.040 --> 0:36:17.480
<v Speaker 1>trying to open things up. I think you look at

0:36:17.480 --> 0:36:20.200
<v Speaker 1>Augusta too. Augusta's abad angles, right, you were just there.

0:36:20.640 --> 0:36:22.520
<v Speaker 1>You know, there's a lot of angles into those greens,

0:36:22.520 --> 0:36:25.320
<v Speaker 1>and not so much maybe the angle, but the angle

0:36:25.360 --> 0:36:27.040
<v Speaker 1>of the shot shape that you hit in. For the

0:36:27.080 --> 0:36:29.840
<v Speaker 1>better players, right, you know, you have to shape shots

0:36:30.560 --> 0:36:32.359
<v Speaker 1>and I think that's probably the case at the park

0:36:32.400 --> 0:36:34.319
<v Speaker 1>as well, Right, you have to shape shots of a

0:36:34.320 --> 0:36:37.520
<v Speaker 1>certain angle to go ahead, to be more receptive into

0:36:37.520 --> 0:36:38.759
<v Speaker 1>the greens. Yeah.

0:36:38.840 --> 0:36:41.920
<v Speaker 2>I think one of the things too, with with what

0:36:41.960 --> 0:36:44.719
<v Speaker 2>you guys did there is like having like a lot

0:36:44.760 --> 0:36:51.040
<v Speaker 2>of long, narrow greens yep, set on different angles. What

0:36:51.120 --> 0:36:54.239
<v Speaker 2>it does I mean, like, good, the average player is

0:36:54.280 --> 0:36:57.239
<v Speaker 2>probably gonna hit what six greens around.

0:36:57.400 --> 0:36:58.640
<v Speaker 1>Yeah, I probably average five.

0:37:00.080 --> 0:37:03.399
<v Speaker 2>So it's like okay there, It's not like you could

0:37:03.480 --> 0:37:06.600
<v Speaker 2>design you could build huge greens and they probably might

0:37:06.719 --> 0:37:09.880
<v Speaker 2>hit two more. You know, it's not making like a

0:37:09.960 --> 0:37:13.680
<v Speaker 2>considerable difference, right, But when you set you know, so

0:37:13.719 --> 0:37:16.000
<v Speaker 2>they're gonna be chipping most of the time, right, And

0:37:16.880 --> 0:37:20.080
<v Speaker 2>for the better player, All of a sudden, when you

0:37:20.120 --> 0:37:23.239
<v Speaker 2>create those like good players misspin high right, and when

0:37:23.280 --> 0:37:26.680
<v Speaker 2>you have narrow greens set on hard angles, it becomes

0:37:26.800 --> 0:37:29.400
<v Speaker 2>very hard to miss pin high right. Like then you

0:37:29.440 --> 0:37:33.080
<v Speaker 2>start to catch those contours. Like I think about the fifteenth.

0:37:33.239 --> 0:37:37.400
<v Speaker 2>The fifteenth was like extremely disorienting. My range finder was

0:37:38.000 --> 0:37:41.640
<v Speaker 2>ran out of battery, so I I was I was

0:37:41.680 --> 0:37:44.279
<v Speaker 2>too lazy to go look at a sprinkler head. I

0:37:44.320 --> 0:37:46.239
<v Speaker 2>just kind of was eyeballing everything, and it was so

0:37:46.320 --> 0:37:48.480
<v Speaker 2>windy that it was like kind of an eyeball day,

0:37:48.600 --> 0:37:51.440
<v Speaker 2>you know, where you're just feeling shots and I just

0:37:51.640 --> 0:37:54.560
<v Speaker 2>I just shipped it way over the green, like you know,

0:37:54.640 --> 0:37:56.760
<v Speaker 2>I thought it was way further obviously with the mound

0:37:56.800 --> 0:38:00.040
<v Speaker 2>obscuring it. But like that's the thing I think that

0:38:00.120 --> 0:38:02.520
<v Speaker 2>kind of makes you want to keep going back there

0:38:02.640 --> 0:38:05.160
<v Speaker 2>is like there's a lot of shots out there that

0:38:05.239 --> 0:38:08.799
<v Speaker 2>are disorienting, and your eye leads you to believe one

0:38:08.840 --> 0:38:12.720
<v Speaker 2>thing then that's different than from what is actually happening.

0:38:13.080 --> 0:38:16.120
<v Speaker 1>Well, you're right, I mean to take much McCall five.

0:38:16.160 --> 0:38:19.000
<v Speaker 1>Take the Beer Rich for example, right, and Gil did

0:38:19.000 --> 0:38:21.160
<v Speaker 1>a great job on that because it's a lot of

0:38:21.160 --> 0:38:23.440
<v Speaker 1>different shots that you need to hit in there. If

0:38:23.480 --> 0:38:25.840
<v Speaker 1>that pin isn't in the front or in the middle swale,

0:38:26.080 --> 0:38:30.040
<v Speaker 1>you're not flying into the pin right that there says

0:38:30.080 --> 0:38:32.600
<v Speaker 1>it's probably like what two fifteen or something to the

0:38:32.600 --> 0:38:36.080
<v Speaker 1>middle of that green. But that's not the shot. You know.

0:38:36.160 --> 0:38:37.640
<v Speaker 1>It's fine because at the front of the green is

0:38:37.680 --> 0:38:39.640
<v Speaker 1>wide open. The average player, they can hit a hybrid

0:38:39.719 --> 0:38:41.359
<v Speaker 1>or a three wood or whatever they want out there.

0:38:41.440 --> 0:38:43.160
<v Speaker 1>It's gonna end up somewhere in tight mo and they're

0:38:43.160 --> 0:38:46.280
<v Speaker 1>gonna have an interesting, you know, fun you know, approach,

0:38:46.400 --> 0:38:48.560
<v Speaker 1>recovery shot, whatever're going to call it into into that

0:38:48.640 --> 0:38:51.759
<v Speaker 1>pin location. But the better player who's finally learned how

0:38:51.760 --> 0:38:53.600
<v Speaker 1>to play, you're not going to know this right away,

0:38:53.920 --> 0:38:55.719
<v Speaker 1>is probably not trying to fly the ball to the pin.

0:38:56.080 --> 0:38:59.160
<v Speaker 1>You're probably knocking the ball twenty twenty five yards short,

0:38:59.280 --> 0:39:01.359
<v Speaker 1>right in to the bump that kind of comes off

0:39:01.360 --> 0:39:03.680
<v Speaker 1>the approach and ties into the right side of the green.

0:39:03.719 --> 0:39:05.560
<v Speaker 1>If you can hit a shot into there with a

0:39:05.560 --> 0:39:07.520
<v Speaker 1>little right to left action and take a little bit

0:39:07.560 --> 0:39:09.400
<v Speaker 1>of the heat off of it. You're most likely going

0:39:09.440 --> 0:39:11.080
<v Speaker 1>to come to rest you in the front or down

0:39:11.080 --> 0:39:13.239
<v Speaker 1>into the middle of that's whale, and it's going to

0:39:13.280 --> 0:39:16.600
<v Speaker 1>be very rewarding for you. But it's gonna take a while.

0:39:16.719 --> 0:39:19.680
<v Speaker 1>So it's out there and it does help, and I

0:39:19.680 --> 0:39:21.399
<v Speaker 1>mean that's kind of the beauty of it, I think.

0:39:21.960 --> 0:39:24.920
<v Speaker 2>Yeah, one of the unique aspects of this was you've

0:39:25.000 --> 0:39:27.880
<v Speaker 2>mentioned him a couple of times. Dirk Zeff, who was

0:39:28.000 --> 0:39:30.520
<v Speaker 2>a you know, part of your part of the investment

0:39:30.560 --> 0:39:35.080
<v Speaker 2>group of the golf course, but also longtime golf architecture nut,

0:39:35.080 --> 0:39:37.680
<v Speaker 2>who I believe you guys have kind of worked with

0:39:38.120 --> 0:39:42.080
<v Speaker 2>at a few other projects before. Talk about his involvement

0:39:42.120 --> 0:39:43.560
<v Speaker 2>with the with the project.

0:39:43.960 --> 0:39:47.400
<v Speaker 1>Yeah, sure, Yeah, So Dirk was one of the initial founders,

0:39:48.520 --> 0:39:51.160
<v Speaker 1>one part of the foundation, you know, and and him

0:39:51.200 --> 0:39:53.319
<v Speaker 1>and along with Dan Stanton and Sethwell and a couple

0:39:53.320 --> 0:39:56.279
<v Speaker 1>of the other guys you know, obviously did a great

0:39:56.360 --> 0:40:00.320
<v Speaker 1>job in raising the money. And Dirk's a huge architecture buff.

0:40:00.360 --> 0:40:02.080
<v Speaker 1>You know, we've known Dirk for a while. I think

0:40:02.080 --> 0:40:05.840
<v Speaker 1>Gil first met anyway where as a member you know,

0:40:05.960 --> 0:40:08.319
<v Speaker 1>years back, and we were working there and they kind

0:40:08.320 --> 0:40:12.080
<v Speaker 1>of struck up a relationship, friendship relationship, but also an

0:40:12.160 --> 0:40:17.960
<v Speaker 1>architectural relationship. Right. Dirk's extremely thoughtful, very knowledgeable, especially in

0:40:17.960 --> 0:40:21.520
<v Speaker 1>the golf course architecture. And he's also a member of

0:40:21.560 --> 0:40:23.319
<v Speaker 1>at the Vineyard Club. So when we did the work

0:40:23.360 --> 0:40:25.960
<v Speaker 1>up at the Vineyard Club and kind of moved stuff around,

0:40:26.920 --> 0:40:29.359
<v Speaker 1>you know, was he was out there with us, and

0:40:29.480 --> 0:40:32.200
<v Speaker 1>you know, again from another set of eyes and just

0:40:32.280 --> 0:40:34.480
<v Speaker 1>his knowledge and golf course architecture to be able to

0:40:34.480 --> 0:40:37.160
<v Speaker 1>see things and understand I mean, I think it was great.

0:40:37.360 --> 0:40:40.880
<v Speaker 1>It's always good to collaborate with folks, right and just

0:40:40.920 --> 0:40:43.320
<v Speaker 1>to get their their view and their opinion on stuff,

0:40:43.360 --> 0:40:46.160
<v Speaker 1>especially when they've they've got a good understanding of what

0:40:46.239 --> 0:40:50.080
<v Speaker 1>makes fun interesting architecture. And that's what Dirk does and

0:40:50.120 --> 0:40:52.440
<v Speaker 1>that's what he helped us do at the Vineyard Club.

0:40:52.840 --> 0:40:55.080
<v Speaker 1>And then you know, fast forward just you know, playing

0:40:55.080 --> 0:40:57.520
<v Speaker 1>some golf with him and getting to know him as well,

0:40:57.560 --> 0:40:59.960
<v Speaker 1>and then when this came up, you know, it was great,

0:41:00.239 --> 0:41:02.959
<v Speaker 1>and then his involvement was awesome. And again he's played

0:41:02.960 --> 0:41:04.600
<v Speaker 1>a lot of golf at a lot of great clubs

0:41:04.640 --> 0:41:07.960
<v Speaker 1>around the world, so helping you know, work you know

0:41:08.000 --> 0:41:09.600
<v Speaker 1>through the routing, and he had a lot of great

0:41:09.640 --> 0:41:11.960
<v Speaker 1>routing ideas and then you know a lot of the

0:41:12.000 --> 0:41:13.840
<v Speaker 1>discussions and to me that that was kind of the

0:41:13.880 --> 0:41:16.239
<v Speaker 1>best part about working with him, is just being able

0:41:16.239 --> 0:41:19.239
<v Speaker 1>to have those discussions, right, kicking ideas off of other

0:41:19.280 --> 0:41:23.279
<v Speaker 1>folks about what makes great, fun, interesting architecture because it

0:41:23.320 --> 0:41:25.520
<v Speaker 1>has to become thought provoking, right. I mean, we can

0:41:25.520 --> 0:41:27.319
<v Speaker 1>all get set in our ways and what we do

0:41:27.400 --> 0:41:29.400
<v Speaker 1>and how we look at stuff, and you know, to

0:41:29.440 --> 0:41:31.880
<v Speaker 1>be able to have you know, other folks and you know,

0:41:31.880 --> 0:41:33.840
<v Speaker 1>it's not just circu it's also all of our caveman

0:41:33.920 --> 0:41:35.520
<v Speaker 1>guys that work with us, and we're all, you know,

0:41:35.920 --> 0:41:39.120
<v Speaker 1>really strong architecturally, but just being able to have that

0:41:39.200 --> 0:41:41.840
<v Speaker 1>network of folks that you can talk about and what

0:41:42.000 --> 0:41:45.520
<v Speaker 1>makes cool architecture and another set of eyes sometimes, you know,

0:41:45.880 --> 0:41:48.040
<v Speaker 1>in life and just with what we all have going on.

0:41:48.360 --> 0:41:51.520
<v Speaker 1>You get really busy, right, and you're working on other

0:41:51.560 --> 0:41:53.600
<v Speaker 1>projects and you're working there, and sometimes you go out

0:41:53.600 --> 0:41:55.719
<v Speaker 1>there and you know, you've got interviews with you know,

0:41:55.760 --> 0:41:58.360
<v Speaker 1>the Friday Friday guys, you know, and it's you know,

0:41:58.800 --> 0:42:01.320
<v Speaker 1>now you're carving out some time, which is all great stuff,

0:42:01.360 --> 0:42:03.640
<v Speaker 1>but you know, you can miss stuff. So I think

0:42:03.719 --> 0:42:07.040
<v Speaker 1>you know, Dirk's knowledge and you know, and his enthusiasm

0:42:07.120 --> 0:42:11.080
<v Speaker 1>for architecture and his thoughtfulness and uh was was was

0:42:11.120 --> 0:42:12.920
<v Speaker 1>great for us. It was great for me personally, and

0:42:12.960 --> 0:42:14.239
<v Speaker 1>I know I can't speak for Gil, but it was

0:42:14.280 --> 0:42:15.520
<v Speaker 1>great for me. And I think it was great for

0:42:15.600 --> 0:42:19.560
<v Speaker 1>the project to have those conversations. You know, he was

0:42:19.600 --> 0:42:22.359
<v Speaker 1>one of the first ones we started talking to about boldness, right,

0:42:22.600 --> 0:42:25.359
<v Speaker 1>and what does bold mean? Uh? And I remember we were,

0:42:25.480 --> 0:42:27.000
<v Speaker 1>you know, we were playing golf and him and I

0:42:27.080 --> 0:42:29.600
<v Speaker 1>had that discussion and it was great. You know, mounds

0:42:29.640 --> 0:42:32.160
<v Speaker 1>like the mounds around eight Green and Augusta are bold.

0:42:32.880 --> 0:42:35.080
<v Speaker 1>Not only are the mounds somewhat bold, but the concept

0:42:35.120 --> 0:42:38.799
<v Speaker 1>is bold. Right. The Jockey Club mounds are bold, right,

0:42:38.840 --> 0:42:42.359
<v Speaker 1>which obviously would tie into Mackenzie, but it's all part

0:42:42.400 --> 0:42:45.320
<v Speaker 1>of it, right, And to have folks like that his involvement,

0:42:45.360 --> 0:42:47.520
<v Speaker 1>I think, you know, helped us make you know, the

0:42:47.560 --> 0:42:48.680
<v Speaker 1>park a much better place.

0:42:49.320 --> 0:42:53.240
<v Speaker 2>I imagine it seems like to be you know, most

0:42:53.280 --> 0:42:58.680
<v Speaker 2>of the foundation members are are just at their core

0:42:58.800 --> 0:43:04.399
<v Speaker 2>golf nuts, and that probably allowed this project to have

0:43:04.520 --> 0:43:07.439
<v Speaker 2>a little bit more of what you're calling boldness, where

0:43:07.600 --> 0:43:11.000
<v Speaker 2>if you have a bunch of people that love golf.

0:43:11.120 --> 0:43:13.240
<v Speaker 2>A lot of people that travel to play the greatest

0:43:13.280 --> 0:43:15.560
<v Speaker 2>golf courses in the world, they're going to be a

0:43:15.600 --> 0:43:20.799
<v Speaker 2>lot more open to ideas like the mounding of the fifteenth.

0:43:20.000 --> 0:43:22.400
<v Speaker 1>Sure, exactly. Yeah, you have to have folks have to

0:43:22.440 --> 0:43:25.759
<v Speaker 1>have a little bit of an architectural IQ. We'll call

0:43:25.800 --> 0:43:30.120
<v Speaker 1>it right on what makes fun interesting golf. You know,

0:43:30.840 --> 0:43:33.200
<v Speaker 1>we've had in the past, we've had clients that, you know,

0:43:33.360 --> 0:43:36.200
<v Speaker 1>maybe don't understand as much about that. There's members of

0:43:36.239 --> 0:43:38.840
<v Speaker 1>clubs that we've gone in and restored and we built

0:43:38.840 --> 0:43:43.840
<v Speaker 1>that don't have as much architectural IQ. Or I shouldn't

0:43:43.840 --> 0:43:45.439
<v Speaker 1>say that. Maybe it's just the fact of what they're

0:43:45.520 --> 0:43:49.160
<v Speaker 1>used to playing and what their projects or their clubs

0:43:49.480 --> 0:43:52.080
<v Speaker 1>used to be, right. And Bill Killman says it all

0:43:52.120 --> 0:43:54.640
<v Speaker 1>the time. He's like, people want change, but they don't

0:43:54.640 --> 0:43:57.640
<v Speaker 1>want anything different, right, And how do you give them

0:43:57.680 --> 0:43:59.919
<v Speaker 1>that in the golf course? They want to change their current.

0:44:00.120 --> 0:44:02.040
<v Speaker 1>Of course, you make the changes in there, and then

0:44:02.080 --> 0:44:04.000
<v Speaker 1>they don't like it because it's different than what they're

0:44:04.080 --> 0:44:08.440
<v Speaker 1>used to and that kind of you know, makes people crazy. Uh.

0:44:08.480 --> 0:44:10.040
<v Speaker 1>And the fact that we were able to blow this

0:44:10.160 --> 0:44:13.120
<v Speaker 1>up and work with people that had the architectural IQ

0:44:13.280 --> 0:44:16.000
<v Speaker 1>with a willingness to be different right and create something

0:44:16.080 --> 0:44:18.399
<v Speaker 1>fun And what did that mean and take the time

0:44:18.440 --> 0:44:21.680
<v Speaker 1>to understand and research it. I think I think is important.

0:44:21.800 --> 0:44:25.320
<v Speaker 1>I mean, I think, you know, again, we're fortunate, uh,

0:44:25.360 --> 0:44:27.239
<v Speaker 1>you know, and who we've worked with early on in

0:44:27.239 --> 0:44:28.600
<v Speaker 1>our career. You know, we had a guy who thought

0:44:28.800 --> 0:44:31.520
<v Speaker 1>fun architecture was planning a lot of trees out on

0:44:31.560 --> 0:44:32.960
<v Speaker 1>the property so we had a place to go to

0:44:33.040 --> 0:44:36.520
<v Speaker 1>the bathroom. You know. So you get a lot of

0:44:36.560 --> 0:44:39.040
<v Speaker 1>weird stuff like that. You know, you get a lot

0:44:39.080 --> 0:44:41.040
<v Speaker 1>of guys that are more worried about the cost of

0:44:41.080 --> 0:44:44.560
<v Speaker 1>stuff or or what other people are doing right. And

0:44:44.640 --> 0:44:47.080
<v Speaker 1>and this becomes a big theme to become big theme

0:44:47.360 --> 0:44:50.120
<v Speaker 1>in our past couple of projects, whether it's in a

0:44:50.120 --> 0:44:52.840
<v Speaker 1>whoopie with with Michael, or it was out at Lader

0:44:52.960 --> 0:44:55.319
<v Speaker 1>or with Irving, or it was all the guys at

0:44:55.360 --> 0:44:59.600
<v Speaker 1>the park and the foundation just really is you know,

0:45:00.120 --> 0:45:04.640
<v Speaker 1>willingness to look at things differently, right, to do things differently.

0:45:04.880 --> 0:45:07.239
<v Speaker 1>It doesn't have to be about the marketplace. I mean

0:45:07.719 --> 0:45:09.680
<v Speaker 1>some of the projects you know we heard of other

0:45:09.719 --> 0:45:13.239
<v Speaker 1>people involved the outside of ownership was well, the marketplace

0:45:13.320 --> 0:45:16.719
<v Speaker 1>doesn't want that the marketplace place doesn't want this in

0:45:17.280 --> 0:45:20.480
<v Speaker 1>you know, Palm Springs, California. Well, you know what, you know,

0:45:20.640 --> 0:45:24.239
<v Speaker 1>maybe that marketplace is old and tired, right, maybe we

0:45:24.280 --> 0:45:26.680
<v Speaker 1>need to do something different and look at it differently.

0:45:27.000 --> 0:45:29.800
<v Speaker 1>And those three projects right there and really the park,

0:45:30.120 --> 0:45:32.800
<v Speaker 1>you know, we're willing to do that, and that becomes

0:45:32.840 --> 0:45:36.239
<v Speaker 1>extremely important in the success of the project because then

0:45:36.400 --> 0:45:39.160
<v Speaker 1>our thought process out on the job when we're designing

0:45:39.200 --> 0:45:42.080
<v Speaker 1>and making field changes in building is something totally different,

0:45:42.680 --> 0:45:44.600
<v Speaker 1>and I think that's important to be able to create

0:45:44.800 --> 0:45:46.200
<v Speaker 1>the interest that we did at the park.

0:45:46.719 --> 0:45:51.120
<v Speaker 2>Yeah, I think thinking outside the box is Obviously you're

0:45:51.400 --> 0:45:53.600
<v Speaker 2>in an art form. If everybody's doing the same thing,

0:45:53.680 --> 0:45:58.240
<v Speaker 2>it gets pretty boring. And being able to bring especially

0:45:58.280 --> 0:46:01.479
<v Speaker 2>this is a perfect example, bring a completely different type

0:46:01.520 --> 0:46:04.960
<v Speaker 2>of public golf course to the market than what exists there.

0:46:05.000 --> 0:46:08.200
<v Speaker 2>Having lived in the area, I can assure you there's

0:46:08.239 --> 0:46:12.319
<v Speaker 2>nothing like this golf course. Most have ponds all over

0:46:12.360 --> 0:46:15.480
<v Speaker 2>the place. You're gonna lose you know, I made a

0:46:15.600 --> 0:46:17.520
<v Speaker 2>joke with somebody. I was like, you know, I don't

0:46:17.520 --> 0:46:19.239
<v Speaker 2>lose a lot of golf balls, but when I'm in

0:46:19.480 --> 0:46:21.600
<v Speaker 2>South Florida, I lose a lot of golf balls no

0:46:21.640 --> 0:46:24.520
<v Speaker 2>matter where I'm playing, you know, the combination of wind

0:46:24.560 --> 0:46:25.279
<v Speaker 2>and water.

0:46:25.719 --> 0:46:28.160
<v Speaker 1>Yeah, quite frankly. And you may you may lose more

0:46:29.280 --> 0:46:31.920
<v Speaker 1>from a dollar I standpoint, more money and golf balls

0:46:31.920 --> 0:46:34.879
<v Speaker 1>and you paid for a green speed, Yeah you should.

0:46:34.960 --> 0:46:36.720
<v Speaker 1>You should do that. Do a little segment of different

0:46:36.760 --> 0:46:39.520
<v Speaker 1>golf courses and everybody's hometown where it costs more money

0:46:39.560 --> 0:46:42.920
<v Speaker 1>and golf balls, even even Kirklands from Wetchman call you

0:46:42.920 --> 0:46:45.320
<v Speaker 1>can lose two doan Kirklands. What's that thirty five dollars?

0:46:45.560 --> 0:46:48.040
<v Speaker 1>I mean that's some green fees for at some places.

0:46:48.200 --> 0:46:51.200
<v Speaker 2>Yeah, exactly. So it's a completely new golf course to

0:46:51.280 --> 0:46:54.640
<v Speaker 2>be like the park, and and we'll see. I think

0:46:54.840 --> 0:46:57.799
<v Speaker 2>it's set up to age extremely well. But you know,

0:46:57.880 --> 0:47:00.279
<v Speaker 2>the park reminds me of going to like a dream

0:47:00.320 --> 0:47:03.560
<v Speaker 2>song more so than playing golf at a municipal golf

0:47:03.600 --> 0:47:06.280
<v Speaker 2>course in a city. And I think that's the special

0:47:06.280 --> 0:47:08.840
<v Speaker 2>thing about it is that you're that you know, people

0:47:08.880 --> 0:47:10.759
<v Speaker 2>that go visit there are going to be treated to

0:47:10.920 --> 0:47:13.600
<v Speaker 2>a different type of public golf experience than they've ever

0:47:13.640 --> 0:47:19.360
<v Speaker 2>had before. And that's the it's really really exciting. Congratulations

0:47:19.440 --> 0:47:22.440
<v Speaker 2>on on the great job, and I'm looking forward to

0:47:22.480 --> 0:47:24.920
<v Speaker 2>seeing more of your guys work down the down the

0:47:24.960 --> 0:47:25.359
<v Speaker 2>road here.

0:47:25.480 --> 0:47:28.799
<v Speaker 1>All right, great, no, all good, nice chatting and when

0:47:28.840 --> 0:47:30.680
<v Speaker 1>you can finally get out of California and make your

0:47:30.680 --> 0:47:33.360
<v Speaker 1>way back down here, you know, well, we'll show you

0:47:33.400 --> 0:47:34.000
<v Speaker 1>some more stuff.

0:47:43.320 --> 0:47:47.319
<v Speaker 2>Thank you for listening to another edition of the Friday Podcast.

0:47:47.600 --> 0:47:53.400
<v Speaker 2>Today's episode was edited by Matt Ruce's Thank you, Matt, Yeah,

0:47:53.440 --> 0:47:57.120
<v Speaker 2>thanks Jim for coming on. We will be back next week.

0:47:57.160 --> 0:47:59.799
<v Speaker 2>This is a one episode week. I think Garrett might

0:48:00.040 --> 0:48:02.399
<v Speaker 2>equing out, but we had some you know, Garrett had

0:48:02.400 --> 0:48:04.640
<v Speaker 2>some travel, I had some travel. I've had a lot

0:48:04.640 --> 0:48:08.120
<v Speaker 2>of travel lately, and we just needed a little bit

0:48:08.120 --> 0:48:10.440
<v Speaker 2>of a week to regroup and we'll be back on

0:48:10.480 --> 0:48:15.600
<v Speaker 2>the two episode week schedule starting next week. In the meantime,

0:48:15.760 --> 0:48:18.160
<v Speaker 2>if you're interested in more golf course content from us,

0:48:18.239 --> 0:48:22.239
<v Speaker 2>we're humming in Club TFP. I just finished a write

0:48:22.320 --> 0:48:25.920
<v Speaker 2>up for Chicago Golf Club. That's the latest course review.

0:48:26.400 --> 0:48:30.359
<v Speaker 2>Last week was a hoopy match. Club next week is Belvidere.

0:48:31.200 --> 0:48:34.120
<v Speaker 2>On top of that, we've got We did a Club

0:48:34.160 --> 0:48:37.480
<v Speaker 2>tf hangout this week, which is basically like an hour

0:48:37.520 --> 0:48:41.719
<v Speaker 2>long podcast. We talked about the new Dream Golf project

0:48:41.760 --> 0:48:45.239
<v Speaker 2>in Colorado. You know the and what we expected from

0:48:45.320 --> 0:48:50.800
<v Speaker 2>Jimmy Craig there and much more so. Discounts, merchandise, early

0:48:50.840 --> 0:48:54.960
<v Speaker 2>access to events, all sorts of stuff. Visit theffride egg

0:48:55.040 --> 0:48:58.040
<v Speaker 2>dot com slash membership if you want to learn more.

0:48:58.080 --> 0:49:00.520
<v Speaker 2>It's one hundred and twenty dollars for the entire you're here,

0:49:00.880 --> 0:49:03.560
<v Speaker 2>and that gets you a ton of stuff. So thank

0:49:03.600 --> 0:49:05.760
<v Speaker 2>you guys for listening to another episode of the Friday.

0:49:06.040 --> 0:49:08.600
<v Speaker 2>We will be back next week and thank you to

0:49:08.680 --> 0:49:09.480
<v Speaker 2>Jim for joining