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Speaker 1: This is the Gangster Chronicles weekly podcast about the criminal

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Speaker 1: element in the streets, entertainment and politics, hosted by Reggie

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Speaker 1: Wright and James McDonald on the Digital Soapbox Network. Gangster

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Speaker 1: Chronicles with Reggie Wright Jr. Former head UH Security of

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Speaker 1: Death Row Records and uh former comfter police officer and

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Speaker 1: my partner um Mob James. I wish they head of

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Speaker 1: security before my brother took over. Um I did a

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Speaker 1: little bit of everything for sure. Night Yep, yep. So

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Speaker 1: you know what we're gonna do is we got this

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Speaker 1: little podcast go on, and our boy Norman Still, who's

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Speaker 1: our producer, He's gonna explain what's going on and what

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Speaker 1: we're gonna be doing. And so Norm go ahead and

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Speaker 1: tell the people what we're gonna be doing monthly every

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Speaker 1: other Thursday, once a week. We're gonna be coming to y'all.

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Speaker 1: So please please please want y'all check in and always coming.

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Speaker 1: Download our podcast and check us out or this against

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Speaker 1: the Chronicles. Let school cover all elements of crying from

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Speaker 1: the streets to entertainment, the politics, wherever, wherever, it's the

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Speaker 1: criminal element. Okay, okay, so let's go ahead and get started.

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Speaker 1: We're excited James and I are excited. This is something

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Speaker 1: new for us. So y'all bear with us. All we're

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Speaker 1: gonna get better with time. First. First, first, I want

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Speaker 1: to say this, my mother just passed and I was

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Speaker 1: I'm in the process of doing the book and I

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Speaker 1: dedicated that to it before she passed, and I wanted

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Speaker 1: to dedicate my first show to my mother. That's cool, Okay, Soles,

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Speaker 1: rest in peace. I love you. This one on you.

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Speaker 1: I love you, yep, and I hope we'll be able

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Speaker 1: to do uh number one hundred. Then we're gonna do

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Speaker 1: a special anniversary when we do our number one hundred

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Speaker 1: podcast for that we get there, alright, alright, So this

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Speaker 1: is what we're gonna deal with today on our first podcast,

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Speaker 1: and we're gonna give honor or respect to the reason

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Speaker 1: why you guys know us and know who we are,

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Speaker 1: and that's because of the Death Row error. Uh. And

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Speaker 1: so one of the most popular songs UH that was

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Speaker 1: done during the death Row era of Time to Live

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Speaker 1: the Die l A. We're gonna we're gonna talk about

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Speaker 1: some of the homies that are the gangsters, are ex

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Speaker 1: gangsters that was around that you all know from the

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Speaker 1: Living Dia l a song that Tupac did. Uh. So

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Speaker 1: we're gonna first start off with a big ship. We're

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Speaker 1: in the low low, y'all remember that verse that Park

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Speaker 1: put out. We're gonna do Park last. YEA. I don't

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Speaker 1: get mad as not talking about Park first. But we're

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Speaker 1: gonna talk about big ship. And so you know, James

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Speaker 1: and I both and I let James talk about him

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Speaker 1: in a little in a bit, but give us some

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Speaker 1: history on on big Ship. We all lived in the

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Speaker 1: same neighborhood. We all grew up in the uh it's

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Speaker 1: a it's a gang area behind the Compton Swap Meeting.

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Speaker 1: Uh you know the Compton Swap Meeting Long be so

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Speaker 1: Old Sears uh on on Bullets Road near Rosecrans. It's called, uh,

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Speaker 1: you know, the Conference Swap meet. So anyway, we grew

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Speaker 1: up in the neighborhood and that's a gang area called

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Speaker 1: the mob part Rule area. UM used to be affiliated

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Speaker 1: with some of your older heads with the Losers Park Parule.

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Speaker 1: But we lived in the mob Paru area. Man, That's

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Speaker 1: why James got his name mob from But I let

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Speaker 1: him get into that with you guys. But we grew up.

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Speaker 1: We both grew up right around the corner less than

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Speaker 1: um half of half a mile from Sugar Knight, who

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Speaker 1: you all know from being the you know, the one

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Speaker 1: of the co executive executives of death row records from

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Speaker 1: back in the day. Um, so you know, James was

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Speaker 1: the one that started off with Sugar. I mean, when

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Speaker 1: death row records open, James was there and he was

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Speaker 1: one of his head right hand dudes that was right

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Speaker 1: right with y that pretty much should have been and

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Speaker 1: the owner or have a percentage in death row because

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Speaker 1: all of the work that he put in with what

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Speaker 1: should to make it happen. But we'll get into those

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Speaker 1: stories over due time. And then I came around the

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Speaker 1: death row record because I was a cop in the

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Speaker 1: city of Compton that grew up what even want to

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Speaker 1: James and I both went to elementary, junior high and

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Speaker 1: high school with Shock. I played football with James is

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Speaker 1: a little hardheaded, so in high school he went another

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Speaker 1: route and then and then finished with us. But but

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Speaker 1: that's just me tapping at James. But um, anyway, so

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Speaker 1: I became a police officer, should went on and did

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Speaker 1: some things, play some football, and after you got through

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Speaker 1: playing football, he started working with al Hayman, the boxer

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Speaker 1: promoter doing some stuff for concerts. And that's when James

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Speaker 1: coming around. And so James go ahead and tell him

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Speaker 1: how you hooked up with Sugar and how you and

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Speaker 1: she pretty much started off. What's going on with everybody

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Speaker 1: out there? Um, me and sull U surrive our motorcycles together. Uh,

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Speaker 1: maybe he wants to try as his mother wouldn't let

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Speaker 1: him too much hang out with us, and uh we

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Speaker 1: snug and got out there a couple of times. Um,

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Speaker 1: after school, should win his way. I went my way.

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Speaker 1: I was incarcerated, got out of the penitentiary and and

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Speaker 1: uh should came and scooped the brother up and you know,

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Speaker 1: looked off of me. And next thing I know, you

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Speaker 1: know this, this cat right here was on on our

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Speaker 1: planes with him going out of town, you know, doing

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Speaker 1: the bud while the super Fess the whole nine, seeing

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Speaker 1: a lot of ship out there with ship. But then

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Speaker 1: after that we started putting Death Road together. And in

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Speaker 1: the process of putting Death Road together, we had to

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Speaker 1: get certain people to make Death Row happen, which is

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Speaker 1: drem Miss was our first. Uh. Contracts we had to

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Speaker 1: get from from Easy and Jerry Heller, So we went

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Speaker 1: up to Jerry Heller's office, Ruthless Records, and and we

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Speaker 1: got those contracts, and uh, jer and michel A came

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Speaker 1: with us, and you know, we had a guy named

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Speaker 1: Tom Klein from our previous but from shoots previous record company,

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Speaker 1: Parnier Records, and we took off from there. Okay, okay,

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Speaker 1: So that's where they that's where they started at, and

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Speaker 1: that's how Shill and James our relationship started. So I'll

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Speaker 1: jump a little fast forward a little hit and tell

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Speaker 1: you how I came around. So I was being a

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Speaker 1: copy in the city of Compton and my father and I, uh,

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Speaker 1: my father, Reginald Wright Senior, who was over the game

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Speaker 1: um unit and Compton and all of that. KA got

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Speaker 1: some mentel that uh some of the cats that was

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Speaker 1: working for ship probably mov James himself, but now, but

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Speaker 1: some of the cats were planning on taking that nigger

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Speaker 1: and tying him up and you know, extorting his family

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Speaker 1: for some money or David Kenner or whoever to get

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Speaker 1: give up some money to get him back. And so

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Speaker 1: uh we gave him that intail and that immediately, you know,

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Speaker 1: Sill was like, okay, okay, well that's why one of y'all.

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Speaker 1: Y'all need to be over here with me. I need

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Speaker 1: one of y'all over here to watch my back. Pops

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Speaker 1: immediately laughed at he men told him, man, I'm not

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Speaker 1: about that. I'm not coming over there to work working

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Speaker 1: with those guys. Most of the guys is working for you.

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Speaker 1: I'm trying to put in jail on on some cases

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Speaker 1: right now. But you know me years of age, a youngster,

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Speaker 1: and you know, knowing what Death Roll was about women,

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Speaker 1: I was like, man, I need to uh, I need

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Speaker 1: to be around that and also anyway, so I eventually

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Speaker 1: got hired by you know, Shug and started hanging out

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Speaker 1: with him and and yeah, so that's how we started

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Speaker 1: off with Sugar, and that's how we both got affiliated

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Speaker 1: from Ship got affiliated with Ship, and so that's our

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Speaker 1: story there. We'll get more detailed to things that we

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Speaker 1: deal with him and all of that. So that was

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Speaker 1: our relationship with Shell. So the next person that was

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Speaker 1: mentioned on To Live and Die the l A song,

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Speaker 1: and that's what we call in this episode to Live

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Speaker 1: and Die l A shown these are people that y'all

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Speaker 1: know that Park mentioned in that song. The next person

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Speaker 1: with big neck bomb neck Bomb Neckbone is still a lie.

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Speaker 1: It's not in jail. He's one of the few that

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Speaker 1: can say that that was mentioned on that song. He's

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Speaker 1: uh living out in the I area and raising his kids.

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Speaker 1: Y'all know Neckbone because he's the father and him and

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Speaker 1: raised the lady of Rage. They had a kid together

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Speaker 1: while they were stranded on Death Front. And yeah, so

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Speaker 1: that's some of my members about Big Neckbone. Uh, James

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Speaker 1: Big Neckbone is one of the one of the closest

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Speaker 1: homeboys we had in the hood. With the business. Uh,

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Speaker 1: you didn't never have to action for nothing twice or

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Speaker 1: do nothing twice. He was with it and and phrase guy,

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Speaker 1: he's still here with us. You know, we lost a

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Speaker 1: lot of brothers. I lost my brother also, but he's

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Speaker 1: still here. He's still doing his thing taking care of girls.

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Speaker 1: That was the big nack. Yep. Ye. Look, can we

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Speaker 1: go back to something real quick. You know, it's a

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Speaker 1: lot of mytholics around Death Row, a lot of stuff

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Speaker 1: that might have happened, a lot of stuff that probably

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Speaker 1: didn't happen. Just to go back a little bit, when

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Speaker 1: you guys first started off Death Row and you had

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Speaker 1: to go get the artist and you want to got

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Speaker 1: Micha LEI and you want to got dre was Eric

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Speaker 1: easy to eat right actually in the office when you

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Speaker 1: got I was there personally. I went. I was standing

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Speaker 1: there with the bodyguard against wall ship going off as

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Speaker 1: hand of your business. Uh me and a couple of

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Speaker 1: the other little hommies, three little hommies, and our purpose

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Speaker 1: was to go talk to Jerry checks that Jerry Oda

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Speaker 1: some money for something, okay, whatever, and we need to

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Speaker 1: get these contracts. We thought we was gonna catch Easy

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Speaker 1: up there and get at them both together. But Easy

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Speaker 1: wasn't there, so she'll win in the office and hand

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Speaker 1: of this business. He got a check before we left,

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Speaker 1: and he had the files permission and dreke, oh wow.

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Speaker 1: So they just signed them over that Easy. He gave

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Speaker 1: him up. He gave him to Shill. I don't know

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Speaker 1: how they signed it or do whatever. I didn't see

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Speaker 1: showed Jade okay, he signed it. When we left out

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Speaker 1: of roofless. We hopped in the car, shipped in the

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Speaker 1: car and we bounched. But she'll got a check and

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Speaker 1: she'll got the contract, so she got to check up

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Speaker 1: out of it. So he took his artist and got

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Speaker 1: to check up out of it. So the stuff in

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Speaker 1: the movie was pretty much shall myth with the whole

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Speaker 1: thing with Drake Colin easy up there and the dudes

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Speaker 1: just jumping on him. That's why we're here, and that's

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Speaker 1: why y'all got to tune into this podcast, because you're

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Speaker 1: gonna get the reil from here. A lot of them

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Speaker 1: from the Horses Mole exactly. A lot of that ship

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Speaker 1: is so watered down that that, you know, Dred don't

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Speaker 1: show what really happened to them, You know what I'm saying.

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Speaker 1: They had an episode in there with Dre was hidden

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Speaker 1: death row security would have got his ass whoop touching

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Speaker 1: on one of us or anybody that was affiliated with

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Speaker 1: the mob, and then everybody would have whipped his ass.

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Speaker 1: So a lot of that ship was was was it was.

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Speaker 1: It was fake. It was fake. And and but if

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Speaker 1: the guys want to tell it like that and make

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Speaker 1: it seem like they were the man. No. I remember

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Speaker 1: Dre at the skate ring. I remember Drake and all

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Speaker 1: gold and silver. You know, never was with the business. Never,

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Speaker 1: he wasn't a game banger. He was in a game

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Speaker 1: banger man. I took the dude sixty folk Chivy wouldn't

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Speaker 1: giving it back to him. I should And the only

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Speaker 1: thing he said to me is how you like to ride?

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Speaker 1: I'm digging it. I'm having to ball hitting switches all

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Speaker 1: over the place. And man, another myth that that's out

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Speaker 1: there the talk about because he even touched on Easy.

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Speaker 1: Everybody think Easy was this big high roller dealing with

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Speaker 1: cocaine and all of that. All Easy did was he

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Speaker 1: was a marijuana seller and y'all need it. If y'a

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Speaker 1: don't want to listen to me, go listen to Alonzo Wins.

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Speaker 1: He did a show what was on my YouTube channel

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Speaker 1: called bomb First, and he told it. He told the

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Speaker 1: story on that. He said all Easy was he knew

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Speaker 1: how to save money. He was real feudal with his money,

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Speaker 1: but he was the weed connect. He had a good

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Speaker 1: weed connect and he was selling the weed to all

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Speaker 1: of the different homies and stuff like that. So that's

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Speaker 1: all that Easy was as well. So those proceeds from

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Speaker 1: the weed sales did go on to formulate ruthless records

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Speaker 1: later on there exactly, but said he was good with

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Speaker 1: his money, was saving his money. So so you know,

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Speaker 1: let me go back now we're talking about Easy and

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Speaker 1: everything we would get back to the homies and the song, right,

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Speaker 1: But going back to Easy now legendary do He did

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Speaker 1: a lot of stuff West Coast music. He mean, you know,

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Speaker 1: Death for a Wood. There was very pivotal record companies

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Speaker 1: for the West Coast. Did you ever, guys, did you

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Speaker 1: guys ever run across Easy in the streets anything like that? Yeah, well,

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Speaker 1: it used to be this this amateur show on Sunset

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Speaker 1: and me and Sugar used to go there and we

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Speaker 1: used to see Easy there. That's when I knew it

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Speaker 1: was something wrong with Easy. But we ran across him

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Speaker 1: at the bubb Wise super Fast in the backstage, I

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Speaker 1: got a homeboy named Kenny tub Rest in peace. Uh

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Speaker 1: walked up joint, tapped his pockets. Easy moved his hand.

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Speaker 1: He tapped his pocket, told him, don't move, took his money.

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Speaker 1: Next day he went and brought him up callac. He

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Speaker 1: robbed Easy, Well, let's let's go back, not to cook

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Speaker 1: you off. You said, that's when you'll realized something wrong

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Speaker 1: with Easy. What do you mean you think he knew

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Speaker 1: when he when he when he had because he had

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Speaker 1: on two T shirts to sweatshirts and a T shirt

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Speaker 1: and he just didn't look right at that time. Well

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Speaker 1: that's you know, and that's a whole another story right there,

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Speaker 1: you know, just we're easy because that's the first time

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Speaker 1: ever I think somebody kicking HIV and don't know, baby

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Speaker 1: Mama's have it. Don't nobody else have it. But that's

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Speaker 1: a whole different story just going back. So as far

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Speaker 1: as him, it just wouldn't never no conflict or nothing

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Speaker 1: like that. He had no goons and nobody would have

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Speaker 1: well he's I mean, who got Drey Limb yellow. I

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Speaker 1: mean that's all I ever seen them with. I'm from Compton,

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Speaker 1: and those dudes wouldn't game bankers. Them dudes made a

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Speaker 1: lot of money offer, you know, for traying being crypts,

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Speaker 1: and they wouldn't factors in Compton. They never was. They

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Speaker 1: never was crypt just like that movie see before, that's

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Speaker 1: all them dudes was. And Easy was the only one

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Speaker 1: that had ties in Kelly Park, which is a crypt

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Speaker 1: neighborhood in Compton. But but Dre and the rest they

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Speaker 1: wasn't there, wasn't no, they would not there doing what

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Speaker 1: we was doing. We never ran into him and we

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Speaker 1: used to get into it all the time. So y'all

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Speaker 1: was pretty much just the wolves out there. Y'all, the

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Speaker 1: wolves are death from so y'all the reason everybody was

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Speaker 1: scared petro ye now y'all, Okay, you know when we

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Speaker 1: had firm here records, it was common, it was cool.

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Speaker 1: But then when my brother bunch got out of the penitentiary,

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Speaker 1: he hired some more than homies from the penitentiary as

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Speaker 1: they was getting out. So to hear, you got ten

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Speaker 1: guys from out of the penitentiary. They work out together

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Speaker 1: every day, and what bunch You had some twenties ones,

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Speaker 1: but the rest of them was exactly so you had

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Speaker 1: these guys and then now sheould wants this and want

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Speaker 1: to portray that. So that's where all that came from.

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Speaker 1: When when heavy d and all of them was seeing

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Speaker 1: should they've seen all these bloods behind it? Who was

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Speaker 1: this dude squad? And that's all they used to say,

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Speaker 1: and with the most second guess and Sugar when no

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Speaker 1: more talking back to Shugar, she pretty much did what

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Speaker 1: he wanted to because he had nothing but goons. Wow.

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Speaker 1: So so let me tell you this, let me ask

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Speaker 1: you this, and I promise we're not gonna keep dragging

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Speaker 1: along everything. But this is the stuff that people want

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Speaker 1: to hear and there's so many stories, you know what

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Speaker 1: I mean, It's just so much. This is what you

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Speaker 1: guys will get to tune into every week just to

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Speaker 1: hear the real stories from the horse's mouth, not no

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Speaker 1: water down stuff, not them on another show where they

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Speaker 1: just cutting off pieces of what they want to hear

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Speaker 1: to say, it's a fan fair. This is from these

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Speaker 1: guys mouth from their life. You know what I mean?

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Speaker 1: You know, so subscribe, leave a comment, let us know

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Speaker 1: what you think is. This is what's gonna be going

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Speaker 1: down every week. Going back to this, this whole thing

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Speaker 1: with Should, so Should. Did you notice a gradual change

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Speaker 1: in him from him having the most because you figured,

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Speaker 1: not only does he have one of the most fear

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Speaker 1: game in company, now he got the police with him too.

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Speaker 1: So did you guys noticed exchange in his demeanor? I

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Speaker 1: do this to change. When it first started, when we

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Speaker 1: was with Fernhill and Chill went to death Row, Sheill

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Speaker 1: was wearing brown suits, green suits, whatever color it wasn't red.

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Speaker 1: And then when we got the bunch ofies the ju

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Speaker 1: jus to have rhins, then okay, I got more than

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Speaker 1: a mile James now and I'm gonna step my game up.

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Speaker 1: So now he's taking pictures. Now he's with the jury

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Speaker 1: and all of this ship. The big said, God, Sheil

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Speaker 1: never did that. He never did that until all of

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Speaker 1: these guys came. And when when everybody came, Sheill pretty

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Speaker 1: much felt like he was on top of the world

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Speaker 1: and everything about shook. His whole demeanor and everything changed.

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Speaker 1: The way he talked to people, all that change, and

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Speaker 1: it kind of ticked me off because he changed like that,

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Speaker 1: and that was one of our biggest reason and footballer

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Speaker 1: now and just me bagging away from me because he

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Speaker 1: turned into a total different person. Yeah, it's it's kind

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Speaker 1: of a sad thing, you know, and I um talk

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Speaker 1: about that all the time, you know, just with my

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Speaker 1: buddies and everything on how you had a company that

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Speaker 1: just made millions of dollars so quick, you know, black

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Speaker 1: owned company, you know, make millions of dollars and really,

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Speaker 1: you know, instead of just coming and perpetuating the negativity,

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Speaker 1: he could have really did some positives and changed a

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Speaker 1: lot of people's lives. You know. It was it was

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Speaker 1: so many things that positive that he did, but it

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Speaker 1: wasn't enough. Like Christmas, Eastern Mother Day, that's cool, but

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Speaker 1: you worth over five hundred and sixty five million dollars

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Speaker 1: at one point. And then here you are, you you

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Speaker 1: turning the record company into a game banging session. Now

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Speaker 1: we're talking about murder. Now we're talking about doing by

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Speaker 1: any mean its necessary to the person if anybody say no.

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Speaker 1: So now that change. Now you've got people that man,

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Speaker 1: I'm I'm just got out of prison and she was happening.

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Speaker 1: Why the whole staff was on PA and he was

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Speaker 1: manipulating and playing everybody against each other. That was the

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Speaker 1: main problem. He would be like, well if you do this,

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Speaker 1: or do this, or do this to most of the homies.

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Speaker 1: That and we'll get into later that when they started

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Speaker 1: beefing and dying. Behind was all behind the manipulation of

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Speaker 1: him playing everybody against each other. When we get into

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Speaker 1: the heron beef with George George Wells and all that

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Speaker 1: is all behind a motherfucking car where he tricked or

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Speaker 1: trying to convince heron and going and collecting this car.

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Speaker 1: How Big Rock who's in prison right now? That was

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Speaker 1: on the song. I think that he was put in

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Speaker 1: jail because he wouldn't turn over a car, which is untrue.

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Speaker 1: You know everything that you acting, it goes back to this.

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Speaker 1: You got fifteen penitenty motherfucker's with you. How is you

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Speaker 1: able to control thud cast them been to jail for

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Speaker 1: murder and everything else there've been to jail for, I mean,

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Speaker 1: slapping their mama, And how do you control that? And

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Speaker 1: that's one thing I give Shild. Shild took us and

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Speaker 1: and pretty much like a some some promising and then

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Speaker 1: at the end of the day we all wind back

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Speaker 1: in the neighborhood or in the grave or in prison.

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Speaker 1: And he did that and and you know a lot

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Speaker 1: of people say, well that's your fault. Damn show is it?

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Speaker 1: Damn show is But I mean he made his situation

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Speaker 1: happen to where, man, I can't fail if I got

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Speaker 1: all these guys on my tip and then I'm pan

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Speaker 1: them because everybody on Death Road never had a job,

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Speaker 1: none of them. So to actually see a check and

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Speaker 1: not rob nobody for it, that's what killed the whole game,

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Speaker 1: you know what I'm saying. So everybody by enemies necessary,

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Speaker 1: I'm gonna get my money, And that's what changed everything.

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Speaker 1: Everything flipped at that point. And people don't understand the

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Speaker 1: guy is gifted in a lot of ways, but at

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Speaker 1: the end of the day. Did nobody come out of

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Speaker 1: it a winner? Nobody? No, none of us? So none

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Speaker 1: of us? Wow, So let me ask you guys this.

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Speaker 1: Then I go back and then we go back to

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Speaker 1: Living Die in l A. That's the name of the show,

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Speaker 1: just name of the episode today. Do you guys at

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Speaker 1: every point, at any point, do you guys think should

383
00:21:40,640 --> 00:21:43,360
Speaker 1: was kind of scared a little bit? Is that why

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Speaker 1: he started with the trigger ration and everything? People against

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Speaker 1: each other? I got you on that one. When she

386
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Speaker 1: realized that he was dealing with some real cutthought, straight

387
00:21:55,000 --> 00:22:01,000
Speaker 1: up bloods. That was was undercover. I need this and

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Speaker 1: you better get it. And he didn't have no choice

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Speaker 1: but to do it. She'll tried to find a way

390
00:22:07,160 --> 00:22:10,280
Speaker 1: like myself, Like myself, he tried to find a way

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Speaker 1: to to cut you out the circle. So he was

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Speaker 1: scared a lot of times. A lot of times. Yeah,

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00:22:18,880 --> 00:22:22,119
Speaker 1: he was scared because and that's and what do you

394
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Speaker 1: what do you mean by that? As well? I'll try

395
00:22:23,640 --> 00:22:25,880
Speaker 1: to say he would play the money and that's when

396
00:22:25,920 --> 00:22:28,960
Speaker 1: he was going offer this guy this amount of money

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Speaker 1: to go and deal and go and deal with this,

398
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Speaker 1: and you know, he would dangle the money in front

399
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Speaker 1: of another person or this person that situation. He played it,

400
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Speaker 1: I said, and watched it. I said, and watch it.

401
00:22:43,960 --> 00:22:46,919
Speaker 1: But yeah, he was. He was afraid, you know. And

402
00:22:47,000 --> 00:22:50,000
Speaker 1: he and I had got so close to where he

403
00:22:49,600 --> 00:22:52,080
Speaker 1: he got a name that that that he used to

404
00:22:52,119 --> 00:22:57,800
Speaker 1: say call him, and that name was stunt Dummies. He's

405
00:22:57,840 --> 00:22:59,960
Speaker 1: telling me what it was in jail. Get the stunt

406
00:23:00,000 --> 00:23:01,679
Speaker 1: at me to do this. It stunted on me to

407
00:23:01,720 --> 00:23:05,160
Speaker 1: do that. That's he started looking looking at people. Wow.

408
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Speaker 1: So it was pretty much just a thing. So, and

409
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Speaker 1: just to get this straight, everybody grew up together. Yeah,

410
00:23:13,359 --> 00:23:18,719
Speaker 1: all of all of us were. My house was was

411
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Speaker 1: the the station. My house was every morning like clockwork. Uh,

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Speaker 1: walking to school together, walking home from school together, Uh, sleeping,

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Speaker 1: they showered, everything My house was was was home base

414
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Speaker 1: for many years, many years. Wow. So y'all was like, um,

415
00:23:45,280 --> 00:23:47,680
Speaker 1: so I just picture this man, and I think that's

416
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Speaker 1: the biggest thing. And that's what I was seeing earlier

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Speaker 1: when we was kind of off you know, off camera,

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Speaker 1: you know, off the show, off the air. Kind of

419
00:23:56,760 --> 00:23:59,119
Speaker 1: a gang ain't necessarily a bad thing. A gang is

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00:23:59,119 --> 00:24:01,800
Speaker 1: a collective of people that grew up together. So at

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00:24:01,840 --> 00:24:04,119
Speaker 1: one time, like you said, Joe was riding dirt bikes,

422
00:24:04,680 --> 00:24:08,320
Speaker 1: playing football, doing games, just normal kids, you know. And

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Speaker 1: let me interject there. I don't want to come off

424
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Speaker 1: because what with a lot of this negative stuff that

425
00:24:14,200 --> 00:24:18,040
Speaker 1: we're talking about. Now, I can tell you some good

426
00:24:18,080 --> 00:24:20,480
Speaker 1: stories as well. I can tell you about sitting on

427
00:24:20,520 --> 00:24:23,640
Speaker 1: the fifth yard line yard line at a Super Bowl game.

428
00:24:24,000 --> 00:24:25,879
Speaker 1: I can tell you a boy being laying in the

429
00:24:25,920 --> 00:24:29,159
Speaker 1: fourth season hotel. I can tell you about him sending

430
00:24:29,200 --> 00:24:32,600
Speaker 1: my mother some roses just because I can tell you, you

431
00:24:31,920 --> 00:24:35,399
Speaker 1: you know, uh, little things that he did for a

432
00:24:35,440 --> 00:24:38,760
Speaker 1: bunch of and their mother are out little things, you

433
00:24:38,800 --> 00:24:42,200
Speaker 1: know that, But you know he has done. It's some

434
00:24:42,280 --> 00:24:44,760
Speaker 1: good that's some bad with it that I experienced and

435
00:24:44,840 --> 00:24:47,320
Speaker 1: I saw, you know what we need to do. Let's

436
00:24:47,359 --> 00:24:49,480
Speaker 1: go back and play that Live and Die record a

437
00:24:49,480 --> 00:24:51,480
Speaker 1: little bit for the folks out there. We can play

438
00:24:51,480 --> 00:24:54,320
Speaker 1: the homies name on we hold on one second. It's

439
00:24:54,320 --> 00:24:57,280
Speaker 1: the Gangster Chronicles digital soapbox. Here he deals right here

440
00:25:00,040 --> 00:25:04,400
Speaker 1: are we back? Now We'll start from the top. Tupac

441
00:25:04,480 --> 00:25:06,639
Speaker 1: said they've got some hash, took the stairs, left the

442
00:25:06,680 --> 00:25:10,880
Speaker 1: wrist for me, nick Bone Tree, ear rum punch, Bountrey

443
00:25:10,920 --> 00:25:13,960
Speaker 1: to Big Rock, got nabis ones for you. We go

444
00:25:14,040 --> 00:25:16,280
Speaker 1: back from the top. We already talked about nick Bone, right,

445
00:25:16,520 --> 00:25:19,960
Speaker 1: we need to go into trade now, alright, we'll go

446
00:25:20,040 --> 00:25:22,760
Speaker 1: to Tray. I'll start off with Tray tray Vonn Lane,

447
00:25:22,880 --> 00:25:25,480
Speaker 1: we call him. I called him, She'll called him Youngster.

448
00:25:25,960 --> 00:25:28,320
Speaker 1: That's what we called him. He's the guy that's known

449
00:25:28,640 --> 00:25:35,080
Speaker 1: mainly for ah, some will say whispering into tupac ear

450
00:25:35,560 --> 00:25:37,840
Speaker 1: that made him go and jump on the Orlando Anderson.

451
00:25:38,160 --> 00:25:44,639
Speaker 1: He's also known for um uh for getting into the occation,

452
00:25:44,840 --> 00:25:48,480
Speaker 1: the altercation at the Lakewood Mall who they attempted to

453
00:25:48,480 --> 00:25:52,960
Speaker 1: take his uh his death row chain and what led

454
00:25:53,040 --> 00:25:57,320
Speaker 1: into the incident at the MGM. Um. So that's what

455
00:25:57,440 --> 00:26:00,479
Speaker 1: we know tray Vonn Lane for already. So you know

456
00:26:00,520 --> 00:26:02,640
Speaker 1: what since y'all got the show, now that's what I said.

457
00:26:02,720 --> 00:26:05,480
Speaker 1: This is you guys platform where y'all tell the stories

458
00:26:05,520 --> 00:26:08,520
Speaker 1: where we go kill and stuff. Just the rumors from

459
00:26:08,520 --> 00:26:11,440
Speaker 1: the people that was there. It's a lot of speculations.

460
00:26:11,440 --> 00:26:15,400
Speaker 1: So Trey actually kept the change kept. They didn't get

461
00:26:15,400 --> 00:26:17,440
Speaker 1: the change from them. They not get the change because

462
00:26:17,440 --> 00:26:19,080
Speaker 1: I heard that you know those different things that you

463
00:26:19,200 --> 00:26:23,280
Speaker 1: understand that they dollar Richard if he'd got it, and

464
00:26:23,320 --> 00:26:26,480
Speaker 1: they hadn't really been talking about that, so so that

465
00:26:28,480 --> 00:26:30,639
Speaker 1: if he would have got the change, that wasn't the rumors.

466
00:26:30,680 --> 00:26:33,840
Speaker 1: So that so they really had a ten thousand dollar

467
00:26:33,880 --> 00:26:37,600
Speaker 1: bounty on the death Road change. Yeah, who was that?

468
00:26:37,680 --> 00:26:41,359
Speaker 1: That was bad boys. He wanted to use it and

469
00:26:41,359 --> 00:26:43,719
Speaker 1: put it in a in a video. And you know

470
00:26:43,800 --> 00:26:48,120
Speaker 1: a lot of people don't don't even understand why Puffy

471
00:26:48,119 --> 00:26:50,480
Speaker 1: on the shotline. Right now, I'm gonna put you up

472
00:26:50,520 --> 00:26:54,440
Speaker 1: on something. Puffy was hanging in Compton Country, was hanging

473
00:26:54,480 --> 00:27:00,240
Speaker 1: on Burish or California, at keep you D's house, and

474
00:27:00,480 --> 00:27:04,000
Speaker 1: Puffy would come and my my daughter's mama is from

475
00:27:04,040 --> 00:27:07,160
Speaker 1: south Side, so Pam hung out with him and kicked

476
00:27:07,160 --> 00:27:09,240
Speaker 1: it with him and let me know that they was there,

477
00:27:10,000 --> 00:27:12,320
Speaker 1: and and Puffy was putting it out there and talking

478
00:27:12,320 --> 00:27:15,520
Speaker 1: about the neighborhood and this and that. But when the

479
00:27:15,560 --> 00:27:19,600
Speaker 1: homies went through there, they were gone. So punchy, I mean,

480
00:27:19,920 --> 00:27:25,119
Speaker 1: Puffy pretty much played a role like Shug. He hired

481
00:27:25,400 --> 00:27:29,080
Speaker 1: the South Side Cribs to protect him, knowing that they

482
00:27:29,119 --> 00:27:33,760
Speaker 1: are rivals, paying them a little something some same situation

483
00:27:33,800 --> 00:27:37,879
Speaker 1: should have had over their death row. But Puffy wanted

484
00:27:37,960 --> 00:27:42,399
Speaker 1: certain things done because of Shugar to prove to Shugar

485
00:27:42,480 --> 00:27:45,560
Speaker 1: that he wasn't this bitch ass and they go or whatever.

486
00:27:46,080 --> 00:27:49,840
Speaker 1: But when the ship got hot, Puffy disappeared. It's too

487
00:27:49,920 --> 00:27:53,920
Speaker 1: late for that. It was too late for that. So yeah,

488
00:27:54,040 --> 00:27:58,400
Speaker 1: Puffy played. He played a big part of and and

489
00:27:57,800 --> 00:28:01,440
Speaker 1: and what with Puffy though? And why it hurts us

490
00:28:01,640 --> 00:28:04,480
Speaker 1: so much? And she grew up with us, played in

491
00:28:04,520 --> 00:28:07,359
Speaker 1: the sandbox with us. He knows our mama's we know

492
00:28:07,720 --> 00:28:11,879
Speaker 1: his mama exactly what Puffy They were just niggas that

493
00:28:11,960 --> 00:28:14,639
Speaker 1: when he came in l A. He played what He

494
00:28:14,680 --> 00:28:16,720
Speaker 1: didn't go to school with him. He don't have no

495
00:28:16,840 --> 00:28:20,080
Speaker 1: tides with him, He didn't have They didn't know his family,

496
00:28:20,600 --> 00:28:23,119
Speaker 1: he didn't know their family. And so it hurts a

497
00:28:23,160 --> 00:28:26,560
Speaker 1: little bit more. People that's that's close with you hurt

498
00:28:26,640 --> 00:28:29,639
Speaker 1: you more than a person that has distance from you.

499
00:28:30,320 --> 00:28:35,240
Speaker 1: And so wow, so we got this classic Tupox song,

500
00:28:35,320 --> 00:28:37,360
Speaker 1: you know, and and that's the thing about music. All

501
00:28:37,480 --> 00:28:40,560
Speaker 1: these guys are pretty much mortalized now because this is

502
00:28:40,560 --> 00:28:43,760
Speaker 1: gonna be one thing about Tupos music. It's gonna be

503
00:28:43,800 --> 00:28:45,840
Speaker 1: here twenty years from now because he just had you know,

504
00:28:45,880 --> 00:28:47,800
Speaker 1: it's it's gonna be a twenty thirty years from now.

505
00:28:47,880 --> 00:28:51,200
Speaker 1: So these guys names gonna be mortalized too. So we

506
00:28:51,320 --> 00:28:54,320
Speaker 1: talked about neck bone, We talked about three. We got

507
00:28:54,360 --> 00:28:59,520
Speaker 1: the next one here on Big Haron Goadie, Mirv James

508
00:28:59,600 --> 00:29:08,000
Speaker 1: calls them super Flyer, Yeah, superflup. Uh. Smokey Robber was

509
00:29:08,040 --> 00:29:18,680
Speaker 1: the pretty pret I mean constantly in and out of prison. Uh.

510
00:29:19,000 --> 00:29:21,160
Speaker 1: He had them hands, he could fight. He I mean,

511
00:29:21,640 --> 00:29:26,240
Speaker 1: he was one of the homies that was very carismatic

512
00:29:25,240 --> 00:29:29,360
Speaker 1: and and just with the business. And you know, the

513
00:29:29,920 --> 00:29:33,440
Speaker 1: way he died was you know, it was sad because

514
00:29:33,840 --> 00:29:37,040
Speaker 1: this is our people. This is our people killing him,

515
00:29:37,560 --> 00:29:41,440
Speaker 1: you know what I'm saying, And and he didn't deserve that,

516
00:29:41,920 --> 00:29:44,800
Speaker 1: and the way things happened. I don't want to I

517
00:29:44,840 --> 00:29:47,160
Speaker 1: don't want to sound wrong, but I gotta keep in

518
00:29:47,240 --> 00:29:52,040
Speaker 1: one honey. Hard Run was a very big factor in

519
00:29:52,040 --> 00:29:56,760
Speaker 1: our in our neighborhood mob and lew this part. Uh.

520
00:29:56,920 --> 00:30:03,880
Speaker 1: He represented the penitentiary like like the Kings do. And

521
00:30:04,400 --> 00:30:06,440
Speaker 1: he just didn't deserve to die the way he died.

522
00:30:06,960 --> 00:30:11,320
Speaker 1: You know, he was shot twenty sometimes at a stoplight

523
00:30:11,960 --> 00:30:17,320
Speaker 1: in in the in the neighborhood and Compton and Man

524
00:30:17,600 --> 00:30:20,240
Speaker 1: it was he shouldn't have he shouldn't have went out

525
00:30:20,280 --> 00:30:24,520
Speaker 1: like that. He was, he was solid. The question has

526
00:30:24,560 --> 00:30:27,840
Speaker 1: always asked on me when what was heron from? Was

527
00:30:28,040 --> 00:30:31,600
Speaker 1: the louds a mob? And I want James to answer

528
00:30:31,640 --> 00:30:37,400
Speaker 1: that Ron wasna be And and people get a twisted

529
00:30:37,480 --> 00:30:41,160
Speaker 1: because at one point the mob and Luters it was

530
00:30:41,280 --> 00:30:44,760
Speaker 1: Luters Park mob. And and if you go to prison,

531
00:30:45,080 --> 00:30:48,800
Speaker 1: whether mob James or not, I was lout as park

532
00:30:49,080 --> 00:30:51,840
Speaker 1: You know what I'm saying. That's that's the mothership, that's

533
00:30:51,960 --> 00:30:55,960
Speaker 1: that's the whole connect. So when this situation happened and

534
00:30:56,000 --> 00:30:58,680
Speaker 1: broke from that, Haron was still saying them gonna be

535
00:30:59,080 --> 00:31:01,920
Speaker 1: And I know he had a m ob peaky rainy

536
00:31:02,160 --> 00:31:04,800
Speaker 1: and the dudes that were from Louis didn't wear MLB

537
00:31:04,960 --> 00:31:10,400
Speaker 1: pinky ranking Oh wow. So you know, going back to

538
00:31:10,520 --> 00:31:13,800
Speaker 1: Lewis Parker, Mom, I got cousins this from. I don't

539
00:31:13,840 --> 00:31:17,000
Speaker 1: gang bang, but I got cousins from over there. Crawford

540
00:31:17,000 --> 00:31:21,120
Speaker 1: Wilkerson better known as high Sea from Tree Top Poker,

541
00:31:21,560 --> 00:31:24,920
Speaker 1: like my brother Tony Lane, good friend of mine. You know,

542
00:31:24,920 --> 00:31:26,640
Speaker 1: all these friends of mine, you know what I mean?

543
00:31:26,680 --> 00:31:29,360
Speaker 1: So I never you know, I came doing you know,

544
00:31:29,400 --> 00:31:31,560
Speaker 1: what he's doing a little bit better, man, Thank god, man,

545
00:31:31,560 --> 00:31:35,920
Speaker 1: he doing better. You know, he was sick and you know,

546
00:31:36,480 --> 00:31:38,760
Speaker 1: you know, I when I saw him in his hospital,

547
00:31:38,800 --> 00:31:40,760
Speaker 1: bid man for those for the people out there. We're

548
00:31:40,760 --> 00:31:45,520
Speaker 1: talking about Tony Lane, Black Tune, Sheffer Lane Records. You

549
00:31:45,600 --> 00:31:48,800
Speaker 1: might know him as the man behind Sugar Free, you know,

550
00:31:48,880 --> 00:31:51,800
Speaker 1: Big Marsburg, Resident Peace and many other records. You know,

551
00:31:52,160 --> 00:31:53,840
Speaker 1: you know, just texting on that. It's a lot of

552
00:31:53,880 --> 00:31:56,680
Speaker 1: talent comping man, a whole lot of challenge. If it

553
00:31:56,800 --> 00:32:01,040
Speaker 1: wasn't sports, it was it was the music. Me and

554
00:32:01,080 --> 00:32:04,560
Speaker 1: matter Ryan used to hang over there on Cherry I

555
00:32:04,640 --> 00:32:08,480
Speaker 1: believe where uh, DJ Quick you should spend his make

556
00:32:08,560 --> 00:32:14,280
Speaker 1: his little seats. Man grew up to be something and

557
00:32:14,280 --> 00:32:16,840
Speaker 1: and he took his music to a different level. And

558
00:32:16,920 --> 00:32:20,200
Speaker 1: DJ Quick is known all over the world now. And

559
00:32:20,280 --> 00:32:22,560
Speaker 1: but I remember when he was at Yarster, you know

560
00:32:22,640 --> 00:32:25,120
Speaker 1: what I'm saying. We used to hang over there, you know,

561
00:32:25,240 --> 00:32:29,480
Speaker 1: telling that little ship. And the guy grew up into

562
00:32:29,520 --> 00:32:31,680
Speaker 1: the music business and he made some money out of it.

563
00:32:32,360 --> 00:32:34,880
Speaker 1: So it's it's a lot of talent out there. Yes,

564
00:32:34,920 --> 00:32:37,280
Speaker 1: it's a whole lot of talent, you know. And then

565
00:32:38,320 --> 00:32:41,640
Speaker 1: you know, up next. The next man the two Bucks

566
00:32:41,640 --> 00:32:45,560
Speaker 1: said in this song was bunch bunty. I can't talk

567
00:32:45,640 --> 00:32:49,280
Speaker 1: on it. All of this A brother that had a

568
00:32:49,320 --> 00:32:51,880
Speaker 1: lot of respect for that I love like a brother.

569
00:32:52,320 --> 00:32:57,520
Speaker 1: But I let his real brother talk about him. I was,

570
00:32:57,640 --> 00:33:00,600
Speaker 1: I was doing the house. Uh, bunch of is my brother.

571
00:33:01,400 --> 00:33:06,120
Speaker 1: Uh a year younger than me. Uh he was in

572
00:33:06,160 --> 00:33:09,560
Speaker 1: the penitential when all this stuff got started, and Uh,

573
00:33:09,640 --> 00:33:11,280
Speaker 1: I told him, don't worry about nothing. I got a

574
00:33:11,320 --> 00:33:14,320
Speaker 1: spot for you when you come home. He came home.

575
00:33:15,120 --> 00:33:19,560
Speaker 1: I introduced a bunch of the Sugar. Bunch of started

576
00:33:19,600 --> 00:33:22,160
Speaker 1: working with Sugar. I was scared to fly, and a

577
00:33:22,240 --> 00:33:25,920
Speaker 1: bunch of started going out of time with Sugar, and

578
00:33:26,280 --> 00:33:29,120
Speaker 1: him and Chug got real close and became good friends.

579
00:33:29,760 --> 00:33:35,320
Speaker 1: And right now today I regret. I regret the fact

580
00:33:35,360 --> 00:33:40,000
Speaker 1: that I broke my brother into this or introduced him

581
00:33:40,040 --> 00:33:44,680
Speaker 1: to it. But he got killed at the at the

582
00:33:44,720 --> 00:33:56,760
Speaker 1: gas station in the neighborhood by Death Row members. And

583
00:33:57,400 --> 00:34:00,680
Speaker 1: it's hard talking about him. But my brother was, he was,

584
00:34:00,720 --> 00:34:02,600
Speaker 1: he was siding, he was he was solid, he was

585
00:34:02,680 --> 00:34:08,040
Speaker 1: one hunted. Uh. He became Shugar number one, and UH

586
00:34:08,120 --> 00:34:10,920
Speaker 1: he wouldn't letting nothing happen to sugar. It wasn't going

587
00:34:11,000 --> 00:34:15,560
Speaker 1: down on his watch. And and I the most stuff

588
00:34:15,600 --> 00:34:19,360
Speaker 1: to respect of most respect for my brother, and I

589
00:34:19,440 --> 00:34:25,439
Speaker 1: missed him. Rest from peace bunch, but real, oh wow, yeah,

590
00:34:25,719 --> 00:34:28,360
Speaker 1: I know that's got to be a sad situation. But

591
00:34:28,440 --> 00:34:30,880
Speaker 1: like we said, you know, to live and die in

592
00:34:30,880 --> 00:34:33,520
Speaker 1: that way, you know, you know, he's going through some

593
00:34:33,600 --> 00:34:36,960
Speaker 1: of the positive stuff. They had some of the coldest

594
00:34:37,080 --> 00:34:39,960
Speaker 1: music ever hit the music industry. It was almost like

595
00:34:39,960 --> 00:34:42,239
Speaker 1: the Motown hit, you know what I mean. It was

596
00:34:42,320 --> 00:34:44,160
Speaker 1: just the impact that had and everybody, you know what

597
00:34:44,160 --> 00:34:46,840
Speaker 1: I mean, would happened, you know, when the chronic dropped

598
00:34:46,880 --> 00:34:49,000
Speaker 1: and you know, just all that just you know, good

599
00:34:49,080 --> 00:34:51,480
Speaker 1: music everybody, you know, from all the careers. There was

600
00:34:51,560 --> 00:34:54,520
Speaker 1: lunch like you know, Snoop Dogg is going on twenty

601
00:34:54,560 --> 00:34:57,239
Speaker 1: some years now, you know what I mean. Just the

602
00:34:57,280 --> 00:35:00,839
Speaker 1: classic albums that was dropped over there. You know they're glad,

603
00:35:01,040 --> 00:35:05,279
Speaker 1: you know cutting its twenty five five years, you know,

604
00:35:05,360 --> 00:35:09,440
Speaker 1: from Tupac to the Dog Pound, Snoop Dogge, you know,

605
00:35:09,480 --> 00:35:12,480
Speaker 1: all this just beautiful music being made. Man, and you

606
00:35:12,520 --> 00:35:14,480
Speaker 1: know they got more to lives on records now. So

607
00:35:14,560 --> 00:35:17,680
Speaker 1: you know the thing is that's the dutiful thing about music.

608
00:35:18,520 --> 00:35:21,360
Speaker 1: You know, it's somebody over in Germany right now or

609
00:35:21,560 --> 00:35:24,400
Speaker 1: Japan now that's listening. And they knew all those names,

610
00:35:24,400 --> 00:35:26,279
Speaker 1: and they want to hear these stories like you know,

611
00:35:26,800 --> 00:35:28,919
Speaker 1: who was bountery, you know who was here round? Who

612
00:35:28,960 --> 00:35:30,839
Speaker 1: was neckbone? All of these guys, you know what I mean.

613
00:35:31,000 --> 00:35:32,960
Speaker 1: And that's what we're here for, you know. And at

614
00:35:32,960 --> 00:35:35,520
Speaker 1: the end of the day, guys, that's not just gangstert

615
00:35:35,600 --> 00:35:37,800
Speaker 1: but they meant exactly. You know, at the end of

616
00:35:37,800 --> 00:35:40,400
Speaker 1: the day, everybody's a man. You know, they got families

617
00:35:40,400 --> 00:35:42,759
Speaker 1: and everything. They talk to them. They didn't want to

618
00:35:42,760 --> 00:35:47,000
Speaker 1: be a gangsters. They were dealt that hand and dealt

619
00:35:47,040 --> 00:35:51,080
Speaker 1: with that. But it's not it's that's that's not what

620
00:35:51,120 --> 00:35:54,840
Speaker 1: it's about. You know, you're growing up in the neighborhood

621
00:35:55,000 --> 00:35:58,600
Speaker 1: and you got all these guys together and everybody pretty

622
00:35:58,680 --> 00:36:02,360
Speaker 1: much robbing people to eat and and and these dudes

623
00:36:02,440 --> 00:36:07,040
Speaker 1: doing this. My brother and all every other guy was

624
00:36:07,080 --> 00:36:11,280
Speaker 1: on death row was just excited to get a check

625
00:36:11,680 --> 00:36:14,360
Speaker 1: and didn't have to get out of prison and and

626
00:36:14,600 --> 00:36:18,839
Speaker 1: rob to feed their kids or to get them new

627
00:36:18,880 --> 00:36:22,040
Speaker 1: sneakers and keep up with the wear. So it was

628
00:36:22,080 --> 00:36:25,399
Speaker 1: it was just all about just like death Row brunt,

629
00:36:25,480 --> 00:36:30,200
Speaker 1: something new to everybody that was there, because ain't nobody

630
00:36:30,480 --> 00:36:32,640
Speaker 1: that was on death Row ever been out of Compton,

631
00:36:33,239 --> 00:36:36,200
Speaker 1: like flying on planes going to New York and ship,

632
00:36:36,560 --> 00:36:39,879
Speaker 1: so that ship made him feel good. We ain't gotta

633
00:36:39,920 --> 00:36:42,440
Speaker 1: get out here and do this. I got a chance

634
00:36:42,480 --> 00:36:46,000
Speaker 1: to get off for role. Excuse me. So that's what

635
00:36:46,080 --> 00:36:50,440
Speaker 1: it was about. It was they men, but at that

636
00:36:50,520 --> 00:36:54,040
Speaker 1: time we was young and and and we was full

637
00:36:54,040 --> 00:36:57,719
Speaker 1: of it, and we was getting paid to do what

638
00:36:57,840 --> 00:37:02,439
Speaker 1: we was doing in the neighborhood, just hotels and and

639
00:37:02,440 --> 00:37:04,480
Speaker 1: and getting at them that way. And that was the

640
00:37:04,520 --> 00:37:07,920
Speaker 1: cold part about it. People just don't understand. This is

641
00:37:07,960 --> 00:37:12,320
Speaker 1: from the street side, not from around the corner or whatever.

642
00:37:12,640 --> 00:37:17,000
Speaker 1: But every guy there was starving and did what they

643
00:37:17,040 --> 00:37:20,080
Speaker 1: had to do to get a check, whatever it took

644
00:37:21,120 --> 00:37:24,520
Speaker 1: to get a check, and to stay that's the cold part,

645
00:37:24,640 --> 00:37:28,400
Speaker 1: to stay on death Row, not to say here or

646
00:37:28,520 --> 00:37:32,440
Speaker 1: check because some catch we went to death Row. Gotta

647
00:37:32,560 --> 00:37:37,000
Speaker 1: check four hundred dollars. Man, I'm going back to my

648
00:37:37,680 --> 00:37:41,280
Speaker 1: what I was doing. And they made more money robbing people,

649
00:37:41,719 --> 00:37:44,880
Speaker 1: but then some made eight hundreds, some made twelve hunted

650
00:37:45,280 --> 00:37:48,879
Speaker 1: and man, I'm gonna sit here for that check. So

651
00:37:48,880 --> 00:37:50,680
Speaker 1: so some of the dude was getting four hundred dollars

652
00:37:50,680 --> 00:37:52,080
Speaker 1: a week and some of them was getting twelve hundred

653
00:37:52,080 --> 00:37:54,800
Speaker 1: dollars a week. Yeah, and when we're talking about the nineties.

654
00:37:55,440 --> 00:37:58,600
Speaker 1: But the point is he would have that when someone

655
00:37:58,680 --> 00:38:01,880
Speaker 1: was getting more and something was getting left, and and

656
00:38:01,880 --> 00:38:06,000
Speaker 1: and and he did that purpoctly to divide and conquer

657
00:38:06,640 --> 00:38:10,560
Speaker 1: to you know, to make me feel smaller than the

658
00:38:10,560 --> 00:38:14,040
Speaker 1: next man. And you don't do people like that. When

659
00:38:14,040 --> 00:38:16,160
Speaker 1: they all ride. It was all on the plane, set

660
00:38:16,239 --> 00:38:19,120
Speaker 1: next to each other and pretty much doing the same thing,

661
00:38:19,239 --> 00:38:23,400
Speaker 1: showing everybody they damn check so down they see a

662
00:38:23,400 --> 00:38:25,680
Speaker 1: bunch of getting thirty five hundred dollars. Damn why a

663
00:38:25,719 --> 00:38:28,120
Speaker 1: bunch of getting thirty And we're doing the same thing.

664
00:38:29,000 --> 00:38:33,600
Speaker 1: So I got nine hundred dollars, you got thirty hullars.

665
00:38:33,680 --> 00:38:37,520
Speaker 1: So now they now he has turned us against each other.

666
00:38:38,760 --> 00:38:42,200
Speaker 1: Now we're fighting each other because his check is bigger.

667
00:38:43,080 --> 00:38:45,400
Speaker 1: You know, let me ask you this before we go

668
00:38:45,440 --> 00:38:48,320
Speaker 1: over to the next guy. Wasn't there every any time

669
00:38:48,480 --> 00:38:50,800
Speaker 1: like when you was there, because I'm pretty sure you was.

670
00:38:51,480 --> 00:38:54,759
Speaker 1: You was there with him pretty much from the beginning. James. Yeah,

671
00:38:55,320 --> 00:38:57,920
Speaker 1: y'all probably learned enough about the music industry where y'all

672
00:38:57,920 --> 00:39:00,000
Speaker 1: could have probably when it started, y'all on coming, I'm

673
00:39:00,040 --> 00:39:02,160
Speaker 1: pretty sure you'll had all the context. And that was

674
00:39:02,239 --> 00:39:06,239
Speaker 1: another problem that that should have had. A couple of

675
00:39:07,200 --> 00:39:11,319
Speaker 1: the homies was was learning the music business and was

676
00:39:11,480 --> 00:39:17,359
Speaker 1: getting close to some of his contacts and whatnot. Uh

677
00:39:17,719 --> 00:39:21,080
Speaker 1: Big Jake we talked about another day, was was was

678
00:39:21,200 --> 00:39:24,799
Speaker 1: learning the business well to do his own thing. My

679
00:39:24,920 --> 00:39:30,479
Speaker 1: brother Buntrey had how many groups you have one too? Yeah,

680
00:39:30,560 --> 00:39:34,000
Speaker 1: but she was supposed to. He had always think, uh,

681
00:39:34,360 --> 00:39:37,080
Speaker 1: get those records and find out what they're supposed to

682
00:39:37,120 --> 00:39:39,839
Speaker 1: been called get old records? Was what do you told?

683
00:39:39,920 --> 00:39:44,400
Speaker 1: Bunchy was his record label. But he had Hub and

684
00:39:44,880 --> 00:39:47,280
Speaker 1: you know, he was managing O F TV and stuff

685
00:39:47,320 --> 00:39:50,120
Speaker 1: like that. But these the people you heard, uh, but

686
00:39:50,200 --> 00:39:53,759
Speaker 1: they never got a shot. Why didn't they? You know?

687
00:39:54,200 --> 00:39:56,200
Speaker 1: Kind of the same with Jake people. This is what

688
00:39:56,239 --> 00:39:58,880
Speaker 1: I'm saying. You know, this is a story that can go.

689
00:39:59,280 --> 00:40:00,960
Speaker 1: I can go for Yeah, we can go. I can

690
00:40:01,040 --> 00:40:03,799
Speaker 1: tell you. You know, I remember when he had Big

691
00:40:03,880 --> 00:40:07,400
Speaker 1: Jake thinking he was managing Quicken and second in the

692
00:40:07,480 --> 00:40:09,759
Speaker 1: nine we want the Profile records to talk to him

693
00:40:09,760 --> 00:40:13,520
Speaker 1: about some money that was old too quick, and the

694
00:40:13,560 --> 00:40:16,640
Speaker 1: executive said, well, I talked to Jake. Jake walks out

695
00:40:16,680 --> 00:40:18,920
Speaker 1: the room. What do you mean he talk to Jake

696
00:40:19,000 --> 00:40:22,520
Speaker 1: Jake ain't nobody who you know, the belittle man. As

697
00:40:22,520 --> 00:40:25,600
Speaker 1: soon as he leaves the record, you know, leads the

698
00:40:25,640 --> 00:40:30,840
Speaker 1: location my situation. I did do what you said. I

699
00:40:30,880 --> 00:40:33,359
Speaker 1: started to run the company and i'd be you know,

700
00:40:33,760 --> 00:40:36,680
Speaker 1: I ran the company from nineties seven to two thousand

701
00:40:36,719 --> 00:40:39,120
Speaker 1: and two. But as soon as he come home. The

702
00:40:39,120 --> 00:40:42,320
Speaker 1: reason why I had to get all of there, because

703
00:40:42,400 --> 00:40:46,520
Speaker 1: where's my role now? You know? Uh, Jimmy ivy and

704
00:40:46,760 --> 00:40:49,439
Speaker 1: just saying okay, sending Reggie over, we're getting it worked out,

705
00:40:50,280 --> 00:40:53,759
Speaker 1: sending Reggie over. No, I don't need Reggie. I'm home now.

706
00:40:54,280 --> 00:40:56,880
Speaker 1: You know, you don't need to talk to Reggie. And

707
00:40:56,920 --> 00:40:59,520
Speaker 1: so my point is what James was saying. He didn't

708
00:40:59,520 --> 00:41:02,040
Speaker 1: like that. So I took my talents to other places.

709
00:41:02,239 --> 00:41:04,480
Speaker 1: Well you know what, Yeah, let's talk about Jimmy yav

710
00:41:04,520 --> 00:41:06,359
Speaker 1: being real quick before you go on to the last one.

711
00:41:07,040 --> 00:41:09,440
Speaker 1: Jimmy vin seemed like he pretty much gave him the

712
00:41:09,520 --> 00:41:12,919
Speaker 1: keys to the kingdom. When you're making hits, you're gonna

713
00:41:12,920 --> 00:41:17,759
Speaker 1: do that. Uh, the guy in Cleveland when he loved

714
00:41:17,800 --> 00:41:21,720
Speaker 1: Lebron James, right, But as soon as Lebron James left,

715
00:41:21,960 --> 00:41:26,080
Speaker 1: what he started saying talking about it, talking about him,

716
00:41:26,440 --> 00:41:30,280
Speaker 1: hated him. It was mad came back he loved him.

717
00:41:30,320 --> 00:41:32,920
Speaker 1: So my point is, as long as you're making people money,

718
00:41:33,480 --> 00:41:36,000
Speaker 1: they act like they love you. They let you do

719
00:41:36,040 --> 00:41:38,640
Speaker 1: what you want. But at a point when she was

720
00:41:38,640 --> 00:41:41,040
Speaker 1: in jail, he was the first one to cut off

721
00:41:41,040 --> 00:41:45,200
Speaker 1: his water. Sugar was when Tupac was alive and Snoop

722
00:41:45,280 --> 00:41:47,560
Speaker 1: was happy and all that a million and a half

723
00:41:47,840 --> 00:41:53,759
Speaker 1: dollars monthly a month, sure goes to jail. Tupac no

724
00:41:53,840 --> 00:41:56,520
Speaker 1: long as within us, Snoop, Snoop want to leave. Dre's gone.

725
00:41:57,320 --> 00:41:59,719
Speaker 1: We don't no longer need you. We're gonna take this

726
00:42:00,040 --> 00:42:04,200
Speaker 1: love the contract because you was in jail. Now that uh,

727
00:42:05,239 --> 00:42:07,160
Speaker 1: we don't want you. We don't want your record company

728
00:42:07,200 --> 00:42:10,200
Speaker 1: no more. But we still do business with you. But

729
00:42:10,280 --> 00:42:12,960
Speaker 1: we pick what we want to do with you. And

730
00:42:13,040 --> 00:42:16,680
Speaker 1: all they picked was what two puck albums? Okay, what

731
00:42:16,719 --> 00:42:19,440
Speaker 1: was this strict from ninety seven on, everybody in the

732
00:42:19,520 --> 00:42:24,040
Speaker 1: scope just a two puck stuff. So it's it's business

733
00:42:24,080 --> 00:42:26,839
Speaker 1: so you know what we go back to that. Now,

734
00:42:26,920 --> 00:42:30,040
Speaker 1: let's go back to Drey real quick. You know the

735
00:42:30,480 --> 00:42:35,120
Speaker 1: possibly arguably the greatest rap producers, not just rap producer,

736
00:42:35,160 --> 00:42:38,000
Speaker 1: but produce a pere in the history of music. How

737
00:42:38,000 --> 00:42:39,680
Speaker 1: do you know? How do you let him go? How

738
00:42:39,680 --> 00:42:45,600
Speaker 1: do you not fix that situation? She figured he used

739
00:42:45,680 --> 00:42:49,480
Speaker 1: him enough, but shouldn't think Dre was gonna come back. Man,

740
00:42:49,520 --> 00:42:51,919
Speaker 1: you know this guy's telling them, this guy just made

741
00:42:51,960 --> 00:42:54,640
Speaker 1: you a lot of money, and then he let him go.

742
00:42:54,920 --> 00:42:58,120
Speaker 1: See that should problem he think before at a time

743
00:42:58,520 --> 00:43:01,880
Speaker 1: and he knew he messed like when he when he

744
00:43:02,000 --> 00:43:04,839
Speaker 1: went he in jail. Now should know that man don't

745
00:43:04,840 --> 00:43:08,080
Speaker 1: owe you no money. That man left broke. Now you're

746
00:43:08,080 --> 00:43:10,200
Speaker 1: gonna go up here and say he owed me money

747
00:43:10,480 --> 00:43:13,799
Speaker 1: and you get into an altercation. This was his This

748
00:43:13,960 --> 00:43:19,720
Speaker 1: his theme the whole time. So Dre say, holding his nuts,

749
00:43:20,680 --> 00:43:24,600
Speaker 1: I don't owe you nothing, talk to about people. I

750
00:43:24,600 --> 00:43:27,560
Speaker 1: don't owe you nothing. I ain't giving you nothing. And

751
00:43:27,600 --> 00:43:31,880
Speaker 1: that was what should think. Should figure that everybody know

752
00:43:32,040 --> 00:43:34,279
Speaker 1: him a bully. So all I gotta do is tell

753
00:43:34,360 --> 00:43:37,080
Speaker 1: you I want the womb like Van their lies and

754
00:43:37,160 --> 00:43:40,480
Speaker 1: everybody else that I want this, And they're gonna give

755
00:43:40,520 --> 00:43:44,000
Speaker 1: it to you, and most of them was, but Drey

756
00:43:44,120 --> 00:43:47,759
Speaker 1: when giving him nothing. Because Drey knew he didn't know ship,

757
00:43:48,120 --> 00:43:51,680
Speaker 1: Dre walked away with zero zero dollars of death row

758
00:43:52,280 --> 00:43:57,120
Speaker 1: to make sure he was just zero dollar. I swear

759
00:43:57,160 --> 00:44:01,120
Speaker 1: to God, the man made the best choice he ever

760
00:44:01,160 --> 00:44:04,000
Speaker 1: did in his life, because he already knew when he

761
00:44:04,080 --> 00:44:06,279
Speaker 1: was finning getting into now now that I ain't got

762
00:44:06,280 --> 00:44:08,359
Speaker 1: a worry about getting killed out of here. I ain't

763
00:44:08,360 --> 00:44:11,520
Speaker 1: got a worry about no death road security beating me up,

764
00:44:12,040 --> 00:44:15,240
Speaker 1: slapping on me. I ain't got a worry about should

765
00:44:15,600 --> 00:44:19,480
Speaker 1: believe me. So the day he left there bro the

766
00:44:19,600 --> 00:44:21,960
Speaker 1: day he went home, that's when he first got some

767
00:44:22,000 --> 00:44:25,200
Speaker 1: good sleep because I ain't gotta deal with you. And

768
00:44:25,239 --> 00:44:27,080
Speaker 1: I got a different take on that. I mean, I

769
00:44:27,120 --> 00:44:28,960
Speaker 1: hear what what James said, but I do have a

770
00:44:28,960 --> 00:44:35,520
Speaker 1: different take. Shill didn't want Dre to leave. Dre wanted

771
00:44:35,560 --> 00:44:37,960
Speaker 1: to leave because he found out he was working on

772
00:44:38,680 --> 00:44:42,000
Speaker 1: his baby mama, and that's why Drey insisted on leaving.

773
00:44:43,280 --> 00:44:46,279
Speaker 1: But Sill did not want Dre to leave. But he

774
00:44:46,440 --> 00:44:49,480
Speaker 1: didn't know how to be humble enough to make that

775
00:44:49,560 --> 00:44:55,320
Speaker 1: situation work. Now, Park was an instigator on it, and

776
00:44:56,360 --> 00:45:00,440
Speaker 1: but Park didn't know the whole story. So let me

777
00:45:00,480 --> 00:45:06,719
Speaker 1: ask you this. Now, we got a business, this podcast

778
00:45:06,760 --> 00:45:11,680
Speaker 1: blew up and making millions of dollars here, would you

779
00:45:11,920 --> 00:45:17,319
Speaker 1: risk that all about looking at somebody else's wife As

780
00:45:17,320 --> 00:45:19,160
Speaker 1: a man. You don't do that stuff no way. You know.

781
00:45:19,280 --> 00:45:22,560
Speaker 1: You know what I'm saying. Violation. I don't even speak

782
00:45:22,560 --> 00:45:25,200
Speaker 1: to nobody's wanting your violation. And we ain't making money together.

783
00:45:25,400 --> 00:45:27,759
Speaker 1: Exactly as long as I know you and you know me,

784
00:45:27,920 --> 00:45:32,400
Speaker 1: and you exactly this is regularly do it off the streets.

785
00:45:32,560 --> 00:45:35,080
Speaker 1: I have no words to say to you like this.

786
00:45:35,200 --> 00:45:37,640
Speaker 1: We're talking about manly principles now, then we talk about

787
00:45:37,640 --> 00:45:40,680
Speaker 1: the music. And exactly here you have a man that

788
00:45:40,719 --> 00:45:42,920
Speaker 1: never broke bread with you, but he deal with you

789
00:45:43,000 --> 00:45:46,759
Speaker 1: because it's about money. Now, need to see something that

790
00:45:46,800 --> 00:45:50,040
Speaker 1: you have, something that you got that he won't. That's

791
00:45:50,120 --> 00:45:53,360
Speaker 1: all it was about what should It's what we was

792
00:45:53,400 --> 00:45:57,319
Speaker 1: in North Carolina. I'm talking to a chick. He like

793
00:45:57,480 --> 00:46:01,000
Speaker 1: damn West said, man, don't take it to the room.

794
00:46:01,400 --> 00:46:03,319
Speaker 1: Next thing you know, she'll go over there talking to

795
00:46:03,320 --> 00:46:04,719
Speaker 1: it and told her something. I don't know what he

796
00:46:04,840 --> 00:46:07,560
Speaker 1: told her from this day on, but she she left

797
00:46:07,560 --> 00:46:10,279
Speaker 1: with him. He must have told her I'm the one

798
00:46:10,280 --> 00:46:13,480
Speaker 1: with the money, and will they just bean security or whatever,

799
00:46:14,120 --> 00:46:16,040
Speaker 1: and and left with him. That's the type of citty

800
00:46:16,120 --> 00:46:22,359
Speaker 1: due So Shugar is the type of guy that he

801
00:46:22,400 --> 00:46:26,840
Speaker 1: ain't got no friends. He gonna use any and everything

802
00:46:26,880 --> 00:46:32,520
Speaker 1: and everybody. Would you agree with me? Magether is him first?

803
00:46:33,360 --> 00:46:43,520
Speaker 1: Everybody else second? Thank you? Wow? Yeah, he's he's real deep. Wow.

804
00:46:43,600 --> 00:46:47,000
Speaker 1: That's crazy. So we gotta get to the last one

805
00:46:47,360 --> 00:46:50,839
Speaker 1: on the list. Last one make the song Big Rock.

806
00:46:51,120 --> 00:46:57,719
Speaker 1: Big Rock got not rockets in jail. He's he's on

807
00:46:57,800 --> 00:47:01,799
Speaker 1: one of the California laws, the flaws. He went to

808
00:47:01,840 --> 00:47:04,439
Speaker 1: jail for possession of a gun and got struck out

809
00:47:05,080 --> 00:47:08,040
Speaker 1: and doing twenty five life. Rock was a good dude.

810
00:47:08,680 --> 00:47:12,600
Speaker 1: I love the fight. Uh we'll ball up his fist.

811
00:47:12,680 --> 00:47:16,359
Speaker 1: I'll tell a story about Big Rock right quick. One

812
00:47:16,360 --> 00:47:22,360
Speaker 1: of the homies h from HollyHood named Donzelli. He uh

813
00:47:22,719 --> 00:47:28,080
Speaker 1: he got cart uh selling some some all eyes on

814
00:47:28,160 --> 00:47:32,640
Speaker 1: the album on a cassette up at this uh weed

815
00:47:32,719 --> 00:47:36,640
Speaker 1: spot in in Compater that was a car wash and

816
00:47:36,719 --> 00:47:39,440
Speaker 1: a sound place called Untouchable Sounds on the launder and

817
00:47:39,560 --> 00:47:43,520
Speaker 1: uh Washington. But everybody in the Launder in Atlantic, and

818
00:47:43,560 --> 00:47:46,840
Speaker 1: so some of the homies was up there holding the

819
00:47:46,920 --> 00:47:50,520
Speaker 1: music being played all eyes on me before it was released.

820
00:47:51,600 --> 00:47:55,040
Speaker 1: And well, of course they found out that don Zelli,

821
00:47:55,080 --> 00:47:59,160
Speaker 1: who was quick bodyguard, uh, dropped it off and left

822
00:47:59,200 --> 00:48:03,320
Speaker 1: it up there. So, you know, back then in the nineties,

823
00:48:03,480 --> 00:48:07,440
Speaker 1: it was taboo for your music to get released prior

824
00:48:07,480 --> 00:48:11,839
Speaker 1: to the street date. It was like taboo. And so

825
00:48:12,120 --> 00:48:14,960
Speaker 1: they all brought him in the office and took him

826
00:48:15,040 --> 00:48:19,200
Speaker 1: up in shed office at Candal Studio, and she was like,

827
00:48:19,280 --> 00:48:21,359
Speaker 1: you know, because he's a part Rule, he's a he's

828
00:48:21,440 --> 00:48:24,080
Speaker 1: one of the homies. He was like, you gotta take

829
00:48:24,120 --> 00:48:26,920
Speaker 1: a favor with one of the homies. You gotta take

830
00:48:26,920 --> 00:48:30,240
Speaker 1: a favorite with somebody in there. So, as I remember,

831
00:48:30,440 --> 00:48:37,040
Speaker 1: it was Rock Trade Bountry, uh and a couple other

832
00:48:37,120 --> 00:48:42,799
Speaker 1: the homies in there, and and so she was like,

833
00:48:42,880 --> 00:48:46,040
Speaker 1: you know who you want to take a favorite and

834
00:48:46,160 --> 00:48:51,640
Speaker 1: so Rock. So Donzelli was sizing up everybody looking around,

835
00:48:52,520 --> 00:48:55,920
Speaker 1: and so Rock, who's a small dude, short, you know

836
00:48:56,120 --> 00:48:59,919
Speaker 1: in stature, He's just like Funk that I'll take the face.

837
00:49:00,760 --> 00:49:03,399
Speaker 1: And he just went in and bombed on down delly

838
00:49:03,520 --> 00:49:06,799
Speaker 1: right quick. That was the type of dude that Rock was.

839
00:49:07,040 --> 00:49:12,480
Speaker 1: But I let, I mean, I had Rock. I had

840
00:49:12,480 --> 00:49:16,680
Speaker 1: the privilege of running the streets with him. Uh in

841
00:49:16,760 --> 00:49:21,720
Speaker 1: the all kind of things with Rock Chisholm. Rock chishom

842
00:49:21,800 --> 00:49:25,640
Speaker 1: was one of the solids that that walk Compton and

843
00:49:25,760 --> 00:49:29,560
Speaker 1: everybody know, if you mintioned a Chisholm, the first name

844
00:49:29,600 --> 00:49:32,719
Speaker 1: they're gonna say is Rock because he was active and

845
00:49:32,760 --> 00:49:36,600
Speaker 1: he was ready. I got a story about Rock and

846
00:49:36,640 --> 00:49:41,200
Speaker 1: what made me just laugh, like mug shuld went to

847
00:49:41,280 --> 00:49:45,560
Speaker 1: jail when she told everybody to take their cards to

848
00:49:45,600 --> 00:49:50,399
Speaker 1: the office and park them. Rock said this, nigga must

849
00:49:50,480 --> 00:49:54,720
Speaker 1: be crazy. Rock went downtown and got a pink slip

850
00:49:54,760 --> 00:49:59,279
Speaker 1: made to the car and sold the car. Chugon was mad.

851
00:49:59,360 --> 00:50:03,640
Speaker 1: He went to jail after that, right uh yeah, yeah yeah.

852
00:50:04,000 --> 00:50:06,840
Speaker 1: For the second time. Rock kind of felt that that

853
00:50:06,880 --> 00:50:10,120
Speaker 1: he was set up or whatever. But Rock was the

854
00:50:10,160 --> 00:50:14,320
Speaker 1: only one that said, nigga, fuck you, and I ain't

855
00:50:14,360 --> 00:50:17,279
Speaker 1: giving up my card. What I'm gonna do while you

856
00:50:17,400 --> 00:50:20,640
Speaker 1: and jail. So he did his thing and and and

857
00:50:22,440 --> 00:50:25,759
Speaker 1: that's the one hunting. That's that's like one hunt. You

858
00:50:25,800 --> 00:50:29,320
Speaker 1: know what I'm saying. Rock Chisholm solid is all our dudes.

859
00:50:29,880 --> 00:50:33,000
Speaker 1: And and man, big up. You can't wait till you

860
00:50:33,000 --> 00:50:36,600
Speaker 1: come home? And rock Rock is one that was wasn't

861
00:50:36,760 --> 00:50:39,040
Speaker 1: from either loaders of the mob that was mentioned that

862
00:50:40,160 --> 00:50:43,239
Speaker 1: he was from the um LM Street Paru, which is

863
00:50:44,440 --> 00:50:47,200
Speaker 1: half a block half a mile away from where they

864
00:50:47,239 --> 00:50:51,240
Speaker 1: grew up at where we grew up at. Alright, alright,

865
00:50:51,320 --> 00:50:55,440
Speaker 1: so I guess we're closing it down for the night

866
00:50:55,560 --> 00:51:00,520
Speaker 1: right now. Nice episode right there. Yeah, yeah, please tune in,

867
00:51:00,680 --> 00:51:06,920
Speaker 1: you guys, and you guys CAx us every week every Tuesday,

868
00:51:07,120 --> 00:51:11,120
Speaker 1: every Thursday, every Thursday on the Soapbox Network. Yeah. We

869
00:51:11,200 --> 00:51:13,359
Speaker 1: get some good feedback on this and get a lot

870
00:51:13,360 --> 00:51:16,120
Speaker 1: of questions. A lot of questions can be asked because

871
00:51:16,680 --> 00:51:19,799
Speaker 1: like being on his show, a lot of people, well

872
00:51:19,880 --> 00:51:23,279
Speaker 1: ask my this and that. So I believe a lot

873
00:51:23,280 --> 00:51:26,080
Speaker 1: of people are gonna ask questions about Okay, they say this,

874
00:51:26,400 --> 00:51:30,759
Speaker 1: what happened with that? So I think this is gonna

875
00:51:30,440 --> 00:51:32,839
Speaker 1: go leaking for a second. Yeah, exactly, And you hear

876
00:51:32,880 --> 00:51:35,040
Speaker 1: that you heard it out the man's mouth. You guys,

877
00:51:35,080 --> 00:51:37,920
Speaker 1: have any questions, hit him up on the Instagram Pigs

878
00:51:38,080 --> 00:51:41,919
Speaker 1: against the Chronicles that as well. If you got any

879
00:51:41,960 --> 00:51:44,480
Speaker 1: ideals for topics you want us to touch on we

880
00:51:44,600 --> 00:51:47,880
Speaker 1: open ideals as well for that and it's a gainst

881
00:51:48,000 --> 00:51:48,920
Speaker 1: Chronicles Peace