WEBVTT - Halloween Special: The Mystery Show! 

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<v Speaker 1>Welcome to Part Time Genius, the production of I Heart Radio.

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<v Speaker 1>Guess what, Mango? What's that? Well? All right, so I

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<v Speaker 1>know you know FDR accomplished a lot in his lifetime.

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<v Speaker 1>You did know this, right, FDR was a pretty accomplished guy. Well,

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<v Speaker 1>I don't know if you do this, but he actually

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<v Speaker 1>once assembled a team of writers to help write his

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<v Speaker 1>own mystery novels. You know this. I actually did because

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<v Speaker 1>John Green told me this years and years ago when

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<v Speaker 1>when we used to work at Metaphlops. But I actually

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<v Speaker 1>don't remember any of the details. Good because I was

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<v Speaker 1>hoping I could teach you something. I'll refresh your memory here.

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<v Speaker 1>So Roosevelt was a big fan of detective stories, and

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<v Speaker 1>so towards the end of his first term, he held

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<v Speaker 1>this dinner at the White House and he and his

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<v Speaker 1>buddies picked apart their favorite mysteries. This must have been

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<v Speaker 1>such a fun conversation to listen in on. But so

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<v Speaker 1>one of the guests that evening was a man named

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<v Speaker 1>Fulton or Sler, and he was an editor of a

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<v Speaker 1>magazine called Liberty. They published all these miss three stories.

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<v Speaker 1>And during the dinner, he asked FDR if he'd ever

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<v Speaker 1>considered writing a mystery, And it turned out that the

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<v Speaker 1>President had been playing with this plot for a while,

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<v Speaker 1>just in his head, and so here was his idea.

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<v Speaker 1>The wealthy man named Jim Blake feels trapped in his

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<v Speaker 1>own life. He's bored by his job, on happy in

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<v Speaker 1>his marriage, and he thinks all people in his life

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<v Speaker 1>are superficial yes men. And so the story is about

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<v Speaker 1>Jim Blake's plan to escape, which is basically to run

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<v Speaker 1>off with five million dollars and start over with a

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<v Speaker 1>new identity. So I don't remember any of those details,

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<v Speaker 1>but it kind of sounds like Jim Blake is just

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<v Speaker 1>based on Roosevelt, right, Yeah, it kind of feels like

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<v Speaker 1>that might be the case. But the one thing that

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<v Speaker 1>Roosevelt couldn't figure out for his story was how a

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<v Speaker 1>well known man with five million dollars could ever disappear

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<v Speaker 1>without a trace. So he put the question to Oorsler

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<v Speaker 1>that night at the White House, and the editor suggested

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<v Speaker 1>they assemble this committee of mystery writers to solve the

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<v Speaker 1>problem together. And Roosevelt loved this idea, and Orsler put

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<v Speaker 1>togethers well known mystery writers, and you know, each of

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<v Speaker 1>them had to work on a different chapter of the story,

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<v Speaker 1>and that fall, the first installment was published in Liberty Magazine,

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<v Speaker 1>and before long the full story was released as a

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<v Speaker 1>book and then as a movie, both of which were

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<v Speaker 1>a pretty big hit with the public. I'm curious, what's

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<v Speaker 1>the solution to the President's mystery? Well, this is the

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<v Speaker 1>ridiculous part of the whole thing, Like none of the

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<v Speaker 1>writers actually managed to solve the mystery that Roosevelt had

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<v Speaker 1>laid out. And you know, the key problem of how

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<v Speaker 1>to disappear with five million dollars remain unaddressed in that novel,

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<v Speaker 1>or at least it did up until nineteen sixties seven,

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<v Speaker 1>And that's when the book was reissued with one additional chapter.

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<v Speaker 1>And it was written by Earl Stanley Gardner. Oh yeah,

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<v Speaker 1>he wrote the Harry Mason books. Yep. So it kind

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<v Speaker 1>of sounds like this book was put together kind of

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<v Speaker 1>like those exquisite corpse drawings where you kind of like

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<v Speaker 1>try to draw an animal and then you base your

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<v Speaker 1>drawing on the last squiggle someone drew. Was this book

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<v Speaker 1>any good or just popular? Because I kind of want

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<v Speaker 1>to track it down. Well, I was looking at some

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<v Speaker 1>of the comments I've seen it referred to as quote

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<v Speaker 1>one of the worst suspense novels ever written. So I'm

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<v Speaker 1>gonna go out a limb here and say it's probably

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<v Speaker 1>not worth the bother, or maybe that is why it's

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<v Speaker 1>absolutely worth the bother, because it is that bad. But

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<v Speaker 1>I do like the story behind the story, and you know,

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<v Speaker 1>since it's right around Halloween, I thought it'd be fun

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<v Speaker 1>to settle into a nice mystery episode from who were

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<v Speaker 1>the pioneers of the genre to how did Agatha Christie

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<v Speaker 1>crank out so many spooky stories? So let's dive in.

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<v Speaker 1>H Hey, their podcast listeners, Welcome to Part Time Genius.

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<v Speaker 1>I'm Will Pearson and it's always I'm joined by my

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<v Speaker 1>good friend Man Guesh Ticketer on the other side of

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<v Speaker 1>the soundproof glass trying to tape a magnifying glass to

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<v Speaker 1>this side of a pumpkin. It's pumpkin carving day here, mangoes.

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<v Speaker 1>So this is this is pretty exciting. That's our producer Lull.

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<v Speaker 1>He's been working so hard on this. I don't really

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<v Speaker 1>know what's going on with the magnifying glass and the pumpkin.

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<v Speaker 1>He's trying really really hard, so hopefully he'll focus on

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<v Speaker 1>this and I think what's going on is he may

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<v Speaker 1>have missed the memo about us doing a mystery episode

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<v Speaker 1>for Halloween this year, and this is kind of a

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<v Speaker 1>last minute attempt to get with the program. But anyway,

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<v Speaker 1>I'm excited about today's episode. Well, I do think it

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<v Speaker 1>would probably work better if he hadn't already carved Darth

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<v Speaker 1>Vader's mask into the front of it. But I do

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<v Speaker 1>appreciate the effort that Low is putting into it, because

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<v Speaker 1>he always put so much effort in you know, I

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<v Speaker 1>know you suggested doing the show on mysteries, and as

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<v Speaker 1>you might remember, I was obsessed with mysteries growing up.

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<v Speaker 1>I do remember that. And actually you dressed up as

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<v Speaker 1>Sherlock Holmes for a few Halloween's in a row third grade,

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<v Speaker 1>fourth grade. And I think Ruby has also gotten the bug,

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<v Speaker 1>because she's you know, she's six now, but she dressed

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<v Speaker 1>up as Inspector Clusseau from Pink Panther last year and

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<v Speaker 1>this year she went his night the grade, which is

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<v Speaker 1>basically the same costume without a mustache. But you know,

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<v Speaker 1>it's it's funny because like, my mom got me this

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<v Speaker 1>a Bridge Sherlock Holmes book in second grade, and I

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<v Speaker 1>kind of just went on a tear, like I had

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<v Speaker 1>already read a bunch of Hardy Boys and Cyclopedia Browns,

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<v Speaker 1>and then I got obsessed with Agatha Christie and Sherlock Holmes.

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<v Speaker 1>But what's funny is I was thinking about this yesterday.

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<v Speaker 1>I must have been so insufferable because at the time

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<v Speaker 1>I had always like wander around the neighborhood just looking

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<v Speaker 1>for dumb mysteries to solve. Yeah, I think it's pretty

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<v Speaker 1>safe that you probably were her. But what do you

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<v Speaker 1>mean by this? Well, like, there's this kid in my

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<v Speaker 1>neighborhood who just used to exaggerate and tell really dumb

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<v Speaker 1>wise all the time. Like I remember him claiming he

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<v Speaker 1>was the kid world boxing champion, Like I don't even

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<v Speaker 1>know what that is. But you know, instead of us

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<v Speaker 1>being like, oh, really shows the trophies or like shows

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<v Speaker 1>your punching bag or anything to that effect, I I

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<v Speaker 1>remember like walking up to him with like these other

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<v Speaker 1>kids and pointing out like, oh, well, you know, if

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<v Speaker 1>you'd really been around the world, you'd have a tan

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<v Speaker 1>here and here and here, just like I feel like

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<v Speaker 1>I got that from somewhere. But yeah, that's that's impresident.

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<v Speaker 1>I can see that same quality in Ruby. That's pretty great.

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<v Speaker 1>I am I'm glad that you you managed. Did you

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<v Speaker 1>in fact crack the case on that one? Yeah, it

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<v Speaker 1>turns out he didn't win the kid boxing cham got

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<v Speaker 1>to the bottom of that one. All right, Well, let's

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<v Speaker 1>get to the episode. Where where do you think you

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<v Speaker 1>want to start today? So I actually really like that

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<v Speaker 1>you started with FDR and I kind of want to

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<v Speaker 1>go back to presidents for a minute, because one of

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<v Speaker 1>the things I noticed this week is that like a

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<v Speaker 1>ton of US presidents were self professed mystery buffs. Calvin

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<v Speaker 1>Coolidge was one, Herbert Hoover, jfk, Ronald Reagan, and and

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<v Speaker 1>the list goes on. Actually, we were looking at something

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<v Speaker 1>the other day. I think Bill Clinton was also into

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<v Speaker 1>mysteries too, wasn't he? Yeah he was when when when

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<v Speaker 1>he first took off, as he reportedly tried to finish

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<v Speaker 1>two serious books for every mystery he read. But you know,

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<v Speaker 1>as his term went on and the pressure mounted on him,

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<v Speaker 1>like that ratio ended up being more one to one.

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<v Speaker 1>But it's funny because like, wow, that was great escapism

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<v Speaker 1>for him. Then when he was in public office, he's

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<v Speaker 1>actually still really into mysteries and he co wrote a

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<v Speaker 1>thriller with James Patterson last year called the President is missing.

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<v Speaker 1>Oh that's right. So if you're going to rank these,

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<v Speaker 1>would you say Clinton was our biggest mystery fan turn

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<v Speaker 1>President I, I mean, I guess he's near the top

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<v Speaker 1>and uh an FDR two. But Woodrow Wilson would also

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<v Speaker 1>make the top spot because he's actually the president who

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<v Speaker 1>did the most to improve the genre's reputation. Wow, So

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<v Speaker 1>why why would you say that? Well, you know, for

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<v Speaker 1>a long time, mystery stories were kind of viewed as disposable.

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<v Speaker 1>They were entertaining, but they really lacked substance, or that's

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<v Speaker 1>what people thought, and most people actually relegated them to

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<v Speaker 1>almost like children's material or children's entertainment. But Wilson helped

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<v Speaker 1>change that perception. He was so open about his love

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<v Speaker 1>for detective stories that publishers actually used his endorsements in

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<v Speaker 1>office as ads when promoting their books. And Wilson was

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<v Speaker 1>actually pretty instrumental in convincing the public that detective stories

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<v Speaker 1>had merit. It's funny because in this book, critic wrote, quote,

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<v Speaker 1>two men are largely responsible for the present vogue of

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<v Speaker 1>mystery stories in America, Arthur and Doyle and Woodrow Wilson.

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<v Speaker 1>You've got the creator of Sherlock Holmes and the president.

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<v Speaker 1>That's that's pretty crazy. It's interesting though, that all the

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<v Speaker 1>examples we've given our twentieth century presidents, like, if you

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<v Speaker 1>think about it, were mystery books just not that popular

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<v Speaker 1>prior to the nineteen hundreds, or presidents just not reading

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<v Speaker 1>them yet or what what's the scoop on that? Yeah,

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<v Speaker 1>so the genre was still finding its footing in the

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<v Speaker 1>eighteen hundreds, which is something we can come back to.

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<v Speaker 1>But a lot of people in the nineteenth century weren't

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<v Speaker 1>sold on popular fiction in general. It was kind of

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<v Speaker 1>thought of as on savory or frivolous. But there was

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<v Speaker 1>at least one president who was on board the mystery

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<v Speaker 1>train from the very very start. It's good old Abe

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<v Speaker 1>Lincoln and uh apparently he was a huge fan of

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<v Speaker 1>Edgar Allan pose detective stories, and he loved the work

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<v Speaker 1>so much he could actually quote full passages from memory.

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<v Speaker 1>And it kind of makes you wonder what the draw

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<v Speaker 1>was for all of these presidents. I mean, what are

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<v Speaker 1>the odds that so many of them would be into

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<v Speaker 1>such a niche genre, Because you know, if if we're

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<v Speaker 1>simply talking about finding escapism, you know, why not read

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<v Speaker 1>adventure stories or sci fi or fantasy or some of

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<v Speaker 1>these other genres. You know, what's funny to me is

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<v Speaker 1>like that we keep talking about it as escapism because

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<v Speaker 1>mysteries are the one genre that you kind of have

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<v Speaker 1>to pay attention to every single sentence, right, Like every

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<v Speaker 1>sentence can have a clue, So you're almost like doubling

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<v Speaker 1>down on comprehension skills. Or maybe that's a that's a

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<v Speaker 1>good reason that people do escape in them. But you know,

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<v Speaker 1>in Lincoln's case, it was supposedly the logic of the

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<v Speaker 1>mystery stories that appeal to him, and in fact, one

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<v Speaker 1>of his contemporaries put it, quote, the absolute and logical

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<v Speaker 1>method of post tales appeal to his bent of mind.

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<v Speaker 1>And I'm sure it's a similar story for other presidents

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<v Speaker 1>who loved a good mystery. Like their job entails so

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<v Speaker 1>much problem solving, so it kind of makes sense that

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<v Speaker 1>they gravitate to this like form of entertainment where they

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<v Speaker 1>can sort of exercise that skill set. All right, Well,

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<v Speaker 1>since we're starting to dissect the genre a little bit,

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<v Speaker 1>I do think it would be helpful to clarify what

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<v Speaker 1>exactly a mystery is, because so far we've been using

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<v Speaker 1>a bunch of terms sort of interchangeably, but there are

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<v Speaker 1>actually some pretty key differences, you know, for instance, between

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<v Speaker 1>mystery and a thriller. So just just to start, we

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<v Speaker 1>should say that the kinds of stories we're talking about

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<v Speaker 1>today all technically fall under the larger genre of suspense,

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<v Speaker 1>so that includes mystery novels, crime novels, and thrillers. So

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<v Speaker 1>for a mystery, the drive action of the story is

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<v Speaker 1>the solution to a crime, like usually a murder, but

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<v Speaker 1>sometimes a theft or a kidnapping. So the story follows

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<v Speaker 1>some kind of detective or professional in the field as

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<v Speaker 1>they try to determine who did the crime and why.

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<v Speaker 1>And so you can have what's called a cozy mystery,

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<v Speaker 1>which are your Miss Marble stories or your Father Brown mysteries,

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<v Speaker 1>where the action is set in a sleepy small town,

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<v Speaker 1>making the violence of the crime, you know, all that

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<v Speaker 1>much more shocking. And in contrast to those cozy mysteries,

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<v Speaker 1>you've got these hard boiled mysteries. And these are the

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<v Speaker 1>ones where the hero is kind of a world weary

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<v Speaker 1>cop or a private investigator, like the Sam Spade character

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<v Speaker 1>and the National Hammett books or Raymond Chandler's Philip Marlowe character,

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<v Speaker 1>you know, both of whom were played on screen by

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<v Speaker 1>Humphrey Bogart. By the way, and as Chandler Wants explained,

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<v Speaker 1>a hard wild hero is someone who can quote walk

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<v Speaker 1>the main streets, but who is not himself mean, which

0:11:11.200 --> 0:11:13.600
<v Speaker 1>all makes sense. So what about a crime novel, Like,

0:11:13.679 --> 0:11:16.640
<v Speaker 1>what's the difference between that and a mystery? Well, technically,

0:11:16.640 --> 0:11:18.840
<v Speaker 1>in a crime novel, there really isn't much of a

0:11:19.000 --> 0:11:21.120
<v Speaker 1>mystery to solve. I mean a lot of the times

0:11:21.160 --> 0:11:23.840
<v Speaker 1>the identity of the criminal is known from the very beginning,

0:11:24.320 --> 0:11:27.080
<v Speaker 1>so the question is more about how the lawman hero

0:11:27.360 --> 0:11:30.160
<v Speaker 1>will catch them in the end. So, for example, the

0:11:30.200 --> 0:11:33.720
<v Speaker 1>movie Seven isn't really a mystery. It's a crime drama,

0:11:33.760 --> 0:11:36.440
<v Speaker 1>so we know who the killer is, and the bulk

0:11:36.480 --> 0:11:40.360
<v Speaker 1>of the film revolves around two detectives trying different tactics,

0:11:40.720 --> 0:11:42.720
<v Speaker 1>you know, to bring him in, right, you're sort of

0:11:42.760 --> 0:11:46.439
<v Speaker 1>like frustratingly watching their process and watching them figure it out.

0:11:46.520 --> 0:11:50.000
<v Speaker 1>So what about thrillers, Well, maybe the biggest distinction is

0:11:50.040 --> 0:11:54.120
<v Speaker 1>that ghosts, monsters, and these other supernatural elements are all

0:11:54.240 --> 0:11:57.400
<v Speaker 1>fair game for a thriller, Like they aren't required features

0:11:57.440 --> 0:11:59.839
<v Speaker 1>of the genre. But You're much more likely to come

0:11:59.840 --> 0:12:01.640
<v Speaker 1>a cross them in a thriller than you are and

0:12:01.720 --> 0:12:04.560
<v Speaker 1>say a mystery or a crime story. So just to

0:12:04.600 --> 0:12:06.480
<v Speaker 1>make sure we keep it all straight, you can think

0:12:06.520 --> 0:12:09.600
<v Speaker 1>of it like this, Mystery stories are the most cerebral

0:12:09.720 --> 0:12:13.400
<v Speaker 1>and least violent of the suspense genres. Crime stories are

0:12:13.440 --> 0:12:17.240
<v Speaker 1>the most dramatic, and thrillers are the most I guess emotional,

0:12:17.320 --> 0:12:20.559
<v Speaker 1>kind of playing up the fear and dread of the characters.

0:12:20.600 --> 0:12:23.240
<v Speaker 1>So each kind of story has shared elements, such as

0:12:23.280 --> 0:12:27.160
<v Speaker 1>crimes and detectives, but they each have distinctions that kind

0:12:27.160 --> 0:12:29.880
<v Speaker 1>of make them, you know, utilize their own unique things.

0:12:30.160 --> 0:12:32.959
<v Speaker 1>So I I know Edgar Allan post spedly wrote like

0:12:33.000 --> 0:12:35.679
<v Speaker 1>the first detective story, but were there suspense stories or

0:12:35.880 --> 0:12:38.440
<v Speaker 1>mystery novels before that? I mean, it's impossible to say

0:12:38.520 --> 0:12:41.400
<v Speaker 1>for certain, but who probably make the case for Oedipus

0:12:41.480 --> 0:12:44.440
<v Speaker 1>Rex being the first mystery story you know written by

0:12:44.559 --> 0:12:47.800
<v Speaker 1>Sophocles and it it deals with the title character trying

0:12:47.880 --> 0:12:51.160
<v Speaker 1>to solve the mystery of his origins and so to

0:12:51.320 --> 0:12:56.000
<v Speaker 1>do that, he questions witnesses, interprets clues, slowly pieces together

0:12:56.080 --> 0:12:59.800
<v Speaker 1>the tragic truth about his parentage. No spoilers here, and

0:13:00.160 --> 0:13:02.679
<v Speaker 1>you've managed to avoid them for the last few thousand

0:13:02.880 --> 0:13:07.440
<v Speaker 1>years exactly. But it isn't the only one, Like there

0:13:07.480 --> 0:13:10.720
<v Speaker 1>are examples of mysteries in early Chinese and Arabian fiction,

0:13:10.880 --> 0:13:13.480
<v Speaker 1>and probably countless others that we just don't know about.

0:13:13.559 --> 0:13:16.679
<v Speaker 1>But in terms of modern fiction, I think it's probably

0:13:16.720 --> 0:13:18.400
<v Speaker 1>fair to say. I mean, the one that's brought up

0:13:18.480 --> 0:13:22.760
<v Speaker 1>most is Edgar Allan posty one story The Murders and

0:13:22.920 --> 0:13:25.800
<v Speaker 1>Rue Morgue, and this is widely believed to be the

0:13:25.880 --> 0:13:28.640
<v Speaker 1>first modern story in which a character solves a mystery

0:13:28.720 --> 0:13:32.599
<v Speaker 1>by analyzing the facts and following the clues. So I

0:13:32.840 --> 0:13:35.480
<v Speaker 1>am curious. Did Poe consider his mystery stories to be

0:13:36.000 --> 0:13:38.000
<v Speaker 1>like a new kind of fiction, because it kind of

0:13:38.040 --> 0:13:40.680
<v Speaker 1>sounds like the groundwork was already laid by these earlier

0:13:40.760 --> 0:13:43.400
<v Speaker 1>authors and he just kind of reinvented it for the

0:13:43.480 --> 0:13:45.959
<v Speaker 1>modern age. Is that how he saw it? Or did

0:13:46.040 --> 0:13:48.000
<v Speaker 1>he feel like he just like completely invented this thing

0:13:48.040 --> 0:13:49.920
<v Speaker 1>from scratch? Yeah, I mean, I think he had a

0:13:49.960 --> 0:13:52.480
<v Speaker 1>pretty level head about his role in all this. You know,

0:13:52.600 --> 0:13:56.560
<v Speaker 1>Following the success of Rue Morgue, Popen further mystery stories,

0:13:56.600 --> 0:14:00.360
<v Speaker 1>including the Mystery of Marie Roge and and that was

0:14:00.400 --> 0:14:04.360
<v Speaker 1>in eighteen forty two, The Purloined Letter in eighteen forty four,

0:14:04.760 --> 0:14:06.319
<v Speaker 1>and a couple of years later he wrote a letter

0:14:06.400 --> 0:14:09.040
<v Speaker 1>to a friend explaining his take on the budding genre.

0:14:09.240 --> 0:14:12.079
<v Speaker 1>So here's what he said about it. These tales owe

0:14:12.200 --> 0:14:15.040
<v Speaker 1>most of their popularity to being something old in a

0:14:15.160 --> 0:14:17.400
<v Speaker 1>new key. I do not mean to say that they're

0:14:17.400 --> 0:14:20.520
<v Speaker 1>not ingenious, but people think them more ingenious than they

0:14:20.600 --> 0:14:23.520
<v Speaker 1>are on account of their method and air of method,

0:14:24.400 --> 0:14:26.440
<v Speaker 1>you know. But what Pope probably didn't know is that

0:14:26.600 --> 0:14:30.160
<v Speaker 1>he was establishing elements that would become trademarks of the genre,

0:14:30.600 --> 0:14:33.080
<v Speaker 1>just for example here, but was careful to lay out

0:14:33.120 --> 0:14:35.880
<v Speaker 1>the clues throughout the story so that his readers could

0:14:35.880 --> 0:14:38.400
<v Speaker 1>have a crack at solving the mystery themselves, which is

0:14:38.520 --> 0:14:40.640
<v Speaker 1>part of what makes them so much fun. And that

0:14:40.760 --> 0:14:43.320
<v Speaker 1>was a tactic that future writers like Agatha Christie would

0:14:43.360 --> 0:14:47.040
<v Speaker 1>later use. And then another defining feature that Poe introduced

0:14:47.160 --> 0:14:49.680
<v Speaker 1>was the idea of having a recurring detective, you know,

0:14:49.760 --> 0:14:53.160
<v Speaker 1>appeared in multiple stories, and that of course paved the

0:14:53.200 --> 0:14:56.720
<v Speaker 1>way for characters like Sherlock Holmes, Miss Marble and plenty

0:14:56.760 --> 0:14:58.480
<v Speaker 1>of others. Yeah, I mean, I have to say that

0:14:58.760 --> 0:15:01.560
<v Speaker 1>was much more of a definitive answer that I was expecting.

0:15:01.880 --> 0:15:06.120
<v Speaker 1>It does seem like Edgar Allan Poe invented the mystery genre,

0:15:06.440 --> 0:15:08.360
<v Speaker 1>is like how I was thinking about it before. I

0:15:08.400 --> 0:15:10.880
<v Speaker 1>feel like maybe there's a little bit more to unravel here.

0:15:10.920 --> 0:15:13.000
<v Speaker 1>But before we get into that, let's take a quick break.

0:15:27.120 --> 0:15:29.240
<v Speaker 1>You're listening to Part Time Genius, and you were talking

0:15:29.280 --> 0:15:31.840
<v Speaker 1>about all the twists and turns the mystery genre has

0:15:31.880 --> 0:15:34.320
<v Speaker 1>taken over the years. Okay, well, so it seems like

0:15:34.400 --> 0:15:37.000
<v Speaker 1>before the break you might have duped us like you

0:15:37.160 --> 0:15:39.800
<v Speaker 1>made it seemed like Poe invented mystery stories. But then

0:15:40.120 --> 0:15:44.160
<v Speaker 1>also maybe not. I don't know that duped to anybody,

0:15:44.240 --> 0:15:47.320
<v Speaker 1>but I mean there are important caveats to the Poe explanation.

0:15:47.760 --> 0:15:50.240
<v Speaker 1>So for starters, the mysteries that Poe wrote, they were

0:15:50.280 --> 0:15:53.000
<v Speaker 1>all short stories, as you know. And if you want

0:15:53.080 --> 0:15:56.160
<v Speaker 1>to know who wrote the first modern mystery novel, and

0:15:56.240 --> 0:15:59.560
<v Speaker 1>the person you're probably looking for is Wilkie Collins, who

0:15:59.600 --> 0:16:02.520
<v Speaker 1>wrote a brawling mystery called The Moonstone. Now this was

0:16:02.600 --> 0:16:06.400
<v Speaker 1>in eighteen sixty eight. Like post stories from a few

0:16:06.480 --> 0:16:09.600
<v Speaker 1>decades prior, collins book included a ton of elements that

0:16:09.640 --> 0:16:12.520
<v Speaker 1>have since come to define the mystery genre as well,

0:16:12.680 --> 0:16:14.480
<v Speaker 1>what are you talking about exactly here? Well, you know,

0:16:14.600 --> 0:16:18.560
<v Speaker 1>take the eccentric detective, the inept police force, some mannor

0:16:18.640 --> 0:16:22.200
<v Speaker 1>house setting, and of course a reenactment of the crime

0:16:22.320 --> 0:16:25.320
<v Speaker 1>to be solved. So like poets the credit for mystery

0:16:25.400 --> 0:16:28.280
<v Speaker 1>shorts laying out some of the clues, and and Collins

0:16:28.400 --> 0:16:31.400
<v Speaker 1>gets the nod for mystery novels. Well, even that is

0:16:31.600 --> 0:16:34.320
<v Speaker 1>a little bit murky. I know you're wanting these definitive answers.

0:16:35.080 --> 0:16:36.720
<v Speaker 1>We got, we got a drill in a little bit O.

0:16:36.760 --> 0:16:39.480
<v Speaker 1>For the last hundred years or so, Wilkie Collins was

0:16:39.600 --> 0:16:42.560
<v Speaker 1>the go to answer. But about a decade ago that

0:16:42.680 --> 0:16:44.920
<v Speaker 1>was a pretty big discovery made by a professor at

0:16:44.960 --> 0:16:48.800
<v Speaker 1>Portland State University, a guy named Paul Collins, no relation

0:16:48.920 --> 0:16:52.800
<v Speaker 1>to Wilkie. But it turns out that another writer's detective

0:16:52.880 --> 0:16:56.200
<v Speaker 1>novel had actually made it to market before The Moonstone.

0:16:56.960 --> 0:17:00.280
<v Speaker 1>Charles Felix debuted his story The notting Hill Miss Three

0:17:00.360 --> 0:17:04.520
<v Speaker 1>in eighteen sixty two, a full six years before Wilkie's novel.

0:17:05.080 --> 0:17:07.920
<v Speaker 1>The story initially ran as these eight installments in a

0:17:08.000 --> 0:17:10.760
<v Speaker 1>weekly magazine. Then it was published in book form a

0:17:10.800 --> 0:17:13.240
<v Speaker 1>few years later, where it was met with actually pretty

0:17:13.359 --> 0:17:17.440
<v Speaker 1>rave reviews. So, according to Professor Collins quote, the whole

0:17:17.520 --> 0:17:20.840
<v Speaker 1>idea of a detective novel was basically new to book critics,

0:17:21.240 --> 0:17:23.159
<v Speaker 1>and in fact, they almost didn't even know how to

0:17:23.280 --> 0:17:26.080
<v Speaker 1>react to it or explain it to their readers. One

0:17:26.119 --> 0:17:28.560
<v Speaker 1>of the reviews that came out said this is best

0:17:28.680 --> 0:17:31.760
<v Speaker 1>understood like a game of solitaire, or like a puzzle

0:17:31.920 --> 0:17:35.160
<v Speaker 1>that you've been handed to figure out. Collins was also

0:17:35.240 --> 0:17:38.320
<v Speaker 1>quoted saying the genre really didn't exist at that point,

0:17:38.440 --> 0:17:40.480
<v Speaker 1>so they had to explain to readers that the whole

0:17:40.560 --> 0:17:43.760
<v Speaker 1>idea behind this is that you've been handed a puzzle

0:17:44.200 --> 0:17:47.639
<v Speaker 1>that's pretty interesting. But you know, if Felix's mystery was

0:17:47.680 --> 0:17:49.879
<v Speaker 1>such a game changer, then how come no one seems

0:17:49.880 --> 0:17:52.560
<v Speaker 1>to remember it, or like even the author for that matter.

0:17:52.680 --> 0:17:54.480
<v Speaker 1>I mean, that's a good question. And the answer is,

0:17:54.520 --> 0:17:58.920
<v Speaker 1>Professor Collins found out, is that Charles Felix didn't actually exist.

0:17:59.119 --> 0:18:02.679
<v Speaker 1>And of course the another mystery, another twist for you here,

0:18:02.680 --> 0:18:04.879
<v Speaker 1>and that was a pen name coined by the author,

0:18:05.080 --> 0:18:08.760
<v Speaker 1>Charles Warren Adams. And this is something Collins discovered while

0:18:08.800 --> 0:18:12.040
<v Speaker 1>he was searching through the archives of the book's defunct publisher,

0:18:12.520 --> 0:18:15.040
<v Speaker 1>now The strange thing though, was that after searching through

0:18:15.160 --> 0:18:18.760
<v Speaker 1>hundreds and hundreds of documents, Collins couldn't find a single

0:18:18.840 --> 0:18:22.080
<v Speaker 1>word of correspondence between the author and the publisher, Like

0:18:22.160 --> 0:18:23.960
<v Speaker 1>you think there would have been a submission letter or

0:18:24.000 --> 0:18:27.040
<v Speaker 1>some kind of discussion of payment, but there was nothing

0:18:27.160 --> 0:18:30.399
<v Speaker 1>to be found. So then the mystery became, why was

0:18:30.480 --> 0:18:33.879
<v Speaker 1>there no correspondence between the publisher and the author? And

0:18:34.160 --> 0:18:37.440
<v Speaker 1>I'm guessing the answer was he was the publisher. Yeah, man, mango,

0:18:37.520 --> 0:18:39.359
<v Speaker 1>you've still got it. You're getting You're getting the hang

0:18:39.440 --> 0:18:44.320
<v Speaker 1>of this. Charles Warren Adams was the author and the publisher.

0:18:44.520 --> 0:18:47.880
<v Speaker 1>So Adams published his own mystery under the name Felix,

0:18:48.040 --> 0:18:50.640
<v Speaker 1>and you know, and then when the company went under

0:18:50.680 --> 0:18:53.280
<v Speaker 1>in the eighteen seventies, the first mystery novel and the

0:18:53.400 --> 0:18:56.080
<v Speaker 1>man who wrote it fell off the map. Now that

0:18:56.160 --> 0:18:59.320
<v Speaker 1>was until Collins finally cracked the case. That's pretty incredible

0:18:59.400 --> 0:19:02.280
<v Speaker 1>and and not sell Wilkie Collins or Charles Felix Shure.

0:19:02.359 --> 0:19:04.320
<v Speaker 1>But I do kind of want to go to bat

0:19:04.400 --> 0:19:07.920
<v Speaker 1>for our old friend Edgar Allan Pope, Like he may

0:19:08.000 --> 0:19:10.159
<v Speaker 1>not have written the world's first detective novel, but he

0:19:10.320 --> 0:19:12.840
<v Speaker 1>did directly inspire the creation of one of the genre's

0:19:12.920 --> 0:19:16.920
<v Speaker 1>most enduring characters, and that would be Sherlock Holmes. And

0:19:17.320 --> 0:19:21.439
<v Speaker 1>uh Sherlock's creator was not really that shy about crediting

0:19:21.480 --> 0:19:24.920
<v Speaker 1>the inspiration either. Conan Doyle once wrote, quote, each of

0:19:25.040 --> 0:19:27.440
<v Speaker 1>post detective stories is a route from which a whole

0:19:27.560 --> 0:19:31.080
<v Speaker 1>literature has developed. Where was the detective story until Pope

0:19:31.160 --> 0:19:33.639
<v Speaker 1>breathed the breath of life into it? Let's say it's

0:19:33.640 --> 0:19:36.439
<v Speaker 1>pretty nice tribute. It is. But but you know, if

0:19:36.480 --> 0:19:41.000
<v Speaker 1>you compare pose character with Sherlock, the similarities are pretty striking.

0:19:41.240 --> 0:19:45.200
<v Speaker 1>They're both armchair detectives, not professionals. They're both brought in

0:19:45.280 --> 0:19:48.439
<v Speaker 1>as consultants on cases that have the local police stumped.

0:19:48.760 --> 0:19:51.400
<v Speaker 1>They even both rely on on assuming sidekicks to help

0:19:51.440 --> 0:19:54.040
<v Speaker 1>with their cases. There's an unnamed narrator in in the

0:19:54.160 --> 0:19:57.359
<v Speaker 1>Pope book, and and uh Dr Watson for homes. But

0:19:57.960 --> 0:20:00.600
<v Speaker 1>you know, all of that said, there's at least one

0:20:00.720 --> 0:20:04.439
<v Speaker 1>famous detective trope for which Conan Doyle deserved soul credit,

0:20:04.800 --> 0:20:08.840
<v Speaker 1>and that is the magnifying glass. So apparently Shlock Holmes

0:20:08.960 --> 0:20:12.200
<v Speaker 1>is the first fictional character to ever use a magnifying

0:20:12.240 --> 0:20:14.399
<v Speaker 1>glass to help solve a mystery. I don't know. Lull's

0:20:14.400 --> 0:20:16.880
<v Speaker 1>shaking his head and he's mouthing Darth Vader. I think

0:20:16.920 --> 0:20:19.560
<v Speaker 1>he's putting in a different vote on this one. So

0:20:19.960 --> 0:20:22.840
<v Speaker 1>I wouldn't trust Litle on this one. But I do

0:20:23.000 --> 0:20:25.480
<v Speaker 1>want to mention though, that even though Post Detective was

0:20:25.520 --> 0:20:27.920
<v Speaker 1>a clear model for Conan Doyle's there was actually a

0:20:28.000 --> 0:20:31.200
<v Speaker 1>real life inspiration for Sherlock Holmes. So before settling on

0:20:31.280 --> 0:20:34.600
<v Speaker 1>a career in writing, Conan Doyle had studied medicine at

0:20:34.600 --> 0:20:37.359
<v Speaker 1>the University of Edinburgh and one of the professors he

0:20:37.440 --> 0:20:40.160
<v Speaker 1>clerked for at a local hospital was a man named

0:20:40.280 --> 0:20:44.320
<v Speaker 1>Dr Joseph Bell. And he was this renowned doctor. I

0:20:44.560 --> 0:20:47.280
<v Speaker 1>guess he had this ability to diagnose patients based on

0:20:47.560 --> 0:20:50.879
<v Speaker 1>like these super minute details. The signs of wear and

0:20:50.920 --> 0:20:53.399
<v Speaker 1>their clothing, or the way they walked, or the accent

0:20:53.520 --> 0:20:56.679
<v Speaker 1>they spoke with, or even the kind of tattoos they had,

0:20:56.760 --> 0:20:59.400
<v Speaker 1>played into the explanation for why they had some sort

0:20:59.400 --> 0:21:03.960
<v Speaker 1>of afflict. And as Bell explained, quote, all careful teachers

0:21:04.080 --> 0:21:07.320
<v Speaker 1>have first to show the student how to recognize accurately

0:21:07.400 --> 0:21:10.600
<v Speaker 1>the case. In fact, the student must be taught to observe.

0:21:10.960 --> 0:21:12.879
<v Speaker 1>I mean it seems like basically he took that approach

0:21:12.960 --> 0:21:16.880
<v Speaker 1>to medicine and just applied it to a crime scene. Right. Yeah,

0:21:17.000 --> 0:21:19.359
<v Speaker 1>So you know, historians weren't even the first ones to

0:21:19.480 --> 0:21:22.800
<v Speaker 1>make this connection. Apparently Robert Louis Stevenson, who you know

0:21:22.960 --> 0:21:26.120
<v Speaker 1>is also a famous author, also studied under Dr Bell

0:21:26.200 --> 0:21:29.240
<v Speaker 1>at the University of Edinburgh, and uh Stevenson was so

0:21:29.560 --> 0:21:33.640
<v Speaker 1>struck by the similarity between Bell and the fictional detective

0:21:34.040 --> 0:21:37.280
<v Speaker 1>that he actually wrote Conan Doyle a letter asking can

0:21:37.400 --> 0:21:40.000
<v Speaker 1>this be my old friend Joe Bell, which, of course

0:21:40.040 --> 0:21:41.720
<v Speaker 1>it was. Well, now that we've covered some of the

0:21:41.840 --> 0:21:44.680
<v Speaker 1>undisputed kings of the mystery genre, what do you say

0:21:44.720 --> 0:21:46.920
<v Speaker 1>we give the Queen her do and talk a little

0:21:46.920 --> 0:21:50.000
<v Speaker 1>bit about the one and only Agatha Christie. I love

0:21:50.040 --> 0:22:06.439
<v Speaker 1>that idea, But first we should take a quick break. Okay, Well,

0:22:06.520 --> 0:22:09.640
<v Speaker 1>so before we get into how prolific a writer Agatha

0:22:09.720 --> 0:22:11.639
<v Speaker 1>Christie was, I do have to tell you one of

0:22:11.720 --> 0:22:14.119
<v Speaker 1>my all time favorite facts about her, which is that

0:22:14.320 --> 0:22:16.680
<v Speaker 1>she and her first husband were among the very first

0:22:16.720 --> 0:22:19.000
<v Speaker 1>British people to ever go surfing. Play is that for?

0:22:19.280 --> 0:22:21.960
<v Speaker 1>You're just making that up? Is that real? Yeah? So

0:22:22.720 --> 0:22:25.879
<v Speaker 1>she was actually an avid body boarder in her home country,

0:22:26.200 --> 0:22:29.360
<v Speaker 1>So when she and what's up? I said, nope, that's

0:22:29.359 --> 0:22:32.680
<v Speaker 1>it's not true. So when she and her husband went

0:22:32.840 --> 0:22:36.200
<v Speaker 1>on vacation to Hawaii and this is back in she

0:22:36.359 --> 0:22:38.520
<v Speaker 1>was eager to try out the hot news sport. And

0:22:39.040 --> 0:22:41.159
<v Speaker 1>at that point there was only one brit known to

0:22:41.200 --> 0:22:44.679
<v Speaker 1>have taken up surfing before her, and that was Prince Edward.

0:22:44.880 --> 0:22:48.200
<v Speaker 1>Which is funny because you know, surfing did start out

0:22:48.280 --> 0:22:50.360
<v Speaker 1>as the sport of kings. So do we have any

0:22:50.400 --> 0:22:52.680
<v Speaker 1>idea what Christie thought of the experience, Like, did she

0:22:52.760 --> 0:22:55.760
<v Speaker 1>have fun? Yeah, it seems like she did so. In

0:22:55.920 --> 0:22:59.840
<v Speaker 1>her autobiography, she later wrote, quote, I learned to become

0:23:00.040 --> 0:23:02.600
<v Speaker 1>expert at surfing, or at any rate expert from the

0:23:02.640 --> 0:23:05.800
<v Speaker 1>European point of view. The moment of complete triumph was

0:23:05.880 --> 0:23:08.359
<v Speaker 1>the day I kept my balance and came right into shore,

0:23:08.480 --> 0:23:12.560
<v Speaker 1>standing upright on my board, which is impressive. That is

0:23:12.600 --> 0:23:15.200
<v Speaker 1>pretty impressive. Although if you ask me, I feel like

0:23:15.320 --> 0:23:18.320
<v Speaker 1>Christie's real claim to fame is the staggering volume of

0:23:18.440 --> 0:23:20.760
<v Speaker 1>quality work she produced in her lifetime. I don't know

0:23:20.760 --> 0:23:23.440
<v Speaker 1>if you've heard much about this. All told, she wrote

0:23:23.560 --> 0:23:28.320
<v Speaker 1>sixties six mystery novels and fifteen short story collections, as

0:23:28.359 --> 0:23:32.639
<v Speaker 1>well as six romance novels under the name Mary West Maycott. Now,

0:23:32.760 --> 0:23:35.760
<v Speaker 1>her most famous novel is probably And Then There Were None,

0:23:36.160 --> 0:23:38.639
<v Speaker 1>which is typically considered to be the best selling mystery

0:23:38.720 --> 0:23:42.920
<v Speaker 1>novel of all times. There's an estimated one hundred million

0:23:43.119 --> 0:23:46.240
<v Speaker 1>copies sold. Now, as for Christie herself, the Guinness Book

0:23:46.240 --> 0:23:49.480
<v Speaker 1>of World Records recognizes her as the best selling novelist

0:23:49.560 --> 0:23:53.240
<v Speaker 1>of all time, with an estimated four billion books sold

0:23:53.320 --> 0:23:56.200
<v Speaker 1>to date. And as if all of that isn't enough,

0:23:56.480 --> 0:23:59.680
<v Speaker 1>Christie is also the third most widely translated author in

0:23:59.800 --> 0:24:03.720
<v Speaker 1>the world, just behind William Shakespeare and the Bible or

0:24:03.800 --> 0:24:06.760
<v Speaker 1>whoever wrote the Bible. So that's right. Uh, you know,

0:24:06.840 --> 0:24:09.040
<v Speaker 1>the thing that stuns me is how she actually cranked

0:24:09.080 --> 0:24:12.200
<v Speaker 1>out that many books. It's pretty crazy. Yeah, it's a

0:24:12.240 --> 0:24:14.520
<v Speaker 1>good question. But but before we try to answer that,

0:24:14.640 --> 0:24:16.400
<v Speaker 1>I do want to give a little bit of background

0:24:16.440 --> 0:24:19.600
<v Speaker 1>on how Christie got into writing in the first place. Now,

0:24:19.720 --> 0:24:22.080
<v Speaker 1>is the daughter of a wealthy family in late nineteenth

0:24:22.119 --> 0:24:26.040
<v Speaker 1>century England. One of Christie's earliest acts was actually one

0:24:26.200 --> 0:24:30.119
<v Speaker 1>of defiance, so against her mother's wishes, she actually taught

0:24:30.160 --> 0:24:34.720
<v Speaker 1>herself to read and write. That that's crazy. So she's

0:24:34.760 --> 0:24:36.639
<v Speaker 1>like the best selling novelist of all time. But she

0:24:36.720 --> 0:24:39.480
<v Speaker 1>didn't actually have like a formal education. Yeah, not until

0:24:39.560 --> 0:24:42.399
<v Speaker 1>she was fifteen or sixteen, when she finally convinced her

0:24:42.440 --> 0:24:45.879
<v Speaker 1>mother to let her attend finishing school in Paris. But

0:24:46.000 --> 0:24:49.720
<v Speaker 1>her literary talent actually manifested well before that. This was

0:24:49.760 --> 0:24:52.520
<v Speaker 1>in her early teens. Actually, at the age of eleven,

0:24:52.640 --> 0:24:55.280
<v Speaker 1>Christie made her print debut with a poem published in

0:24:55.359 --> 0:24:58.800
<v Speaker 1>a local London newspaper. By her late teens, she had

0:24:58.880 --> 0:25:02.119
<v Speaker 1>multiple poems public in the Poetry Review, and she had

0:25:02.160 --> 0:25:04.359
<v Speaker 1>a few short stories under her belt too by that

0:25:04.520 --> 0:25:07.359
<v Speaker 1>point where those mysteries actually they weren't. I mean, Christie

0:25:07.400 --> 0:25:10.560
<v Speaker 1>never thought about writing a detective story until one day

0:25:10.640 --> 0:25:14.280
<v Speaker 1>when her older sister, Margaret, basically dared her to try

0:25:14.400 --> 0:25:18.440
<v Speaker 1>one out. So, according to Margaret, mystery stories required complicated

0:25:18.480 --> 0:25:21.000
<v Speaker 1>plots and weaving all the pieces together would be just

0:25:21.200 --> 0:25:24.080
<v Speaker 1>too much for her little sister to handle. It feels

0:25:24.119 --> 0:25:26.560
<v Speaker 1>like such an older sibling like a thing to say,

0:25:26.720 --> 0:25:30.000
<v Speaker 1>But but she accepted that challenge. It seems like yes

0:25:30.080 --> 0:25:32.680
<v Speaker 1>she did, and just looking around, Christie found a wealth

0:25:32.760 --> 0:25:36.639
<v Speaker 1>of inspiration. I mean, they were lonely widows, small town doctors,

0:25:36.840 --> 0:25:41.119
<v Speaker 1>military gentleman, plus all the local feuds and family rivalries

0:25:41.200 --> 0:25:44.080
<v Speaker 1>that an avid people watcher would ever need to write

0:25:44.119 --> 0:25:47.520
<v Speaker 1>these stories. And so all of these casual observations of

0:25:47.640 --> 0:25:51.240
<v Speaker 1>village drama kind of sparked these ideas for new characters,

0:25:51.400 --> 0:25:54.520
<v Speaker 1>new plots, and so Christie doggedly recorded these in her

0:25:54.680 --> 0:25:58.879
<v Speaker 1>hundred plus notebooks. Then later on Christie would piece together,

0:25:59.119 --> 0:26:01.920
<v Speaker 1>you know, all of the these things into various plot ideas.

0:26:02.000 --> 0:26:04.680
<v Speaker 1>And this was a task she often enjoyed while snacking

0:26:04.760 --> 0:26:08.960
<v Speaker 1>on apples and relaxing in her huge Victorian bathtub. That's

0:26:08.960 --> 0:26:11.119
<v Speaker 1>how I prepped for all of our episodes. By the

0:26:11.200 --> 0:26:13.240
<v Speaker 1>less we have that in common. I know, I I

0:26:13.560 --> 0:26:15.399
<v Speaker 1>wish I could write like that. It's it's amazing. So

0:26:15.520 --> 0:26:17.800
<v Speaker 1>she dreamed up all these plots in her bathtub. Well,

0:26:17.800 --> 0:26:20.600
<v Speaker 1>the ones early in her career are probably the safest

0:26:20.680 --> 0:26:23.280
<v Speaker 1>bet for that, And as time went on, bathtubs got

0:26:23.359 --> 0:26:26.720
<v Speaker 1>smaller and smaller, until Christy finally ditched the tub for

0:26:27.000 --> 0:26:30.440
<v Speaker 1>a writing desk. As she once lamented, nowadays, they don't

0:26:30.480 --> 0:26:33.400
<v Speaker 1>build baths like that. I'd rather given up the practice.

0:26:33.960 --> 0:26:35.679
<v Speaker 1>It feels like a shame. It feels like between all

0:26:35.720 --> 0:26:38.120
<v Speaker 1>her family money and profit from her book, she could

0:26:38.119 --> 0:26:40.679
<v Speaker 1>have like afforded to get herself a bigger bathtub if

0:26:40.720 --> 0:26:43.399
<v Speaker 1>she wanted. But what do we know about her actual

0:26:43.480 --> 0:26:46.280
<v Speaker 1>writing process, Like, after she had all these notes assembled

0:26:46.359 --> 0:26:49.119
<v Speaker 1>and the plot mapped out, how fast was she at

0:26:49.119 --> 0:26:53.120
<v Speaker 1>actually writing the books are? According to Christie's grandson Matthew Pritchard,

0:26:53.359 --> 0:26:55.439
<v Speaker 1>she would spend about three months on a book at

0:26:55.480 --> 0:26:58.040
<v Speaker 1>the peak of her career, and that covered everything from

0:26:58.080 --> 0:27:00.800
<v Speaker 1>the first draft to the fine will edit that would

0:27:00.800 --> 0:27:03.480
<v Speaker 1>be sent off to the publisher. And as impressive a

0:27:03.560 --> 0:27:06.040
<v Speaker 1>turnaround as that is, it's even more impressive when you

0:27:06.080 --> 0:27:09.560
<v Speaker 1>consider that Christie typically worked on at least two books

0:27:09.600 --> 0:27:12.680
<v Speaker 1>at a time. And it may sound crazy, but that's

0:27:12.720 --> 0:27:14.800
<v Speaker 1>the kind of pace she had to maintain in order

0:27:14.840 --> 0:27:17.840
<v Speaker 1>to meet these deadlines. So for many years of her career,

0:27:17.960 --> 0:27:20.880
<v Speaker 1>Christie stuck to a schedule of two books per year,

0:27:21.480 --> 0:27:24.639
<v Speaker 1>including one that was always timed for the holiday season,

0:27:25.000 --> 0:27:28.359
<v Speaker 1>what the marketers called the Christie for Christmas book. And

0:27:28.480 --> 0:27:29.960
<v Speaker 1>you know the reason I bring up all of this

0:27:30.119 --> 0:27:33.920
<v Speaker 1>is because it perfectly teas up probably my favorite Agatha

0:27:34.040 --> 0:27:37.920
<v Speaker 1>Christie quote, the time that she credited her tremendous output

0:27:38.080 --> 0:27:41.720
<v Speaker 1>for being and I quote a sausage machine, a perfect

0:27:41.960 --> 0:27:45.840
<v Speaker 1>sausage machine. I like that quote. It feels like you

0:27:45.920 --> 0:27:48.680
<v Speaker 1>should have saved that for the fact off, Yeah, probably

0:27:48.680 --> 0:27:50.680
<v Speaker 1>should have. Well, So I don't want to make it

0:27:50.720 --> 0:27:53.760
<v Speaker 1>seem like all of this came super easy for Christie.

0:27:53.760 --> 0:27:57.080
<v Speaker 1>I mean, she was an incredibly disciplined writer, and it

0:27:57.240 --> 0:27:59.680
<v Speaker 1>clearly took a toll on her. In fact, there was

0:27:59.760 --> 0:28:02.440
<v Speaker 1>one time when a reporter asked about her writing process

0:28:02.960 --> 0:28:06.399
<v Speaker 1>and her response was, quote, there is no agony like it.

0:28:06.680 --> 0:28:09.880
<v Speaker 1>You sit in a room biting pencils, looking at a typewriter,

0:28:10.080 --> 0:28:13.760
<v Speaker 1>walking about, or casting yourself down on a sofa, feeling

0:28:13.880 --> 0:28:16.480
<v Speaker 1>like you want to cry your head off. Oh man,

0:28:16.640 --> 0:28:19.480
<v Speaker 1>So even a perfect sausage machine like breaks down every

0:28:19.520 --> 0:28:22.680
<v Speaker 1>once in a while. Yeah, it kind of seems like it. Well.

0:28:22.840 --> 0:28:24.760
<v Speaker 1>I do like the way you described her books as

0:28:24.800 --> 0:28:27.920
<v Speaker 1>clockwork mysteries, because the thing that always struck me about

0:28:27.960 --> 0:28:31.440
<v Speaker 1>our stories is how neatly everything fits together, Like the

0:28:31.520 --> 0:28:34.399
<v Speaker 1>solution to our mysteries is always straightforward and and based

0:28:34.440 --> 0:28:37.760
<v Speaker 1>on these simple observations that anyone can make. So it's

0:28:37.880 --> 0:28:40.560
<v Speaker 1>not like you need a fancy higher education to figure

0:28:40.600 --> 0:28:42.840
<v Speaker 1>it out, which I'm sure is a huge part of

0:28:42.880 --> 0:28:45.520
<v Speaker 1>the appeal. I I feel like you might look at

0:28:45.520 --> 0:28:47.400
<v Speaker 1>it and think, like, Christie fooled you the first time.

0:28:47.480 --> 0:28:50.240
<v Speaker 1>But there's this promise that if you're extra observant the

0:28:50.320 --> 0:28:52.760
<v Speaker 1>next time around, you might crack the case before Miss

0:28:52.840 --> 0:28:55.880
<v Speaker 1>Marble or or erkal Pro or whoever. Yeah, and you know,

0:28:55.960 --> 0:28:58.000
<v Speaker 1>if not, it's still fun to be fooled, I think.

0:28:58.080 --> 0:29:00.360
<v Speaker 1>I mean, that's after all, why we read Miss Trees

0:29:00.400 --> 0:29:03.560
<v Speaker 1>in the first place. Absolutely, But there is still one

0:29:03.640 --> 0:29:05.400
<v Speaker 1>last mystery we need to get to the bottom of.

0:29:05.680 --> 0:29:09.200
<v Speaker 1>Who's taking home today's fact off trophy. All right, let's

0:29:09.240 --> 0:29:21.760
<v Speaker 1>kick it off. Yeah, there's this great story about Sir

0:29:21.880 --> 0:29:24.320
<v Speaker 1>Arthur Conan Doyle, and I don't know if it's true,

0:29:24.360 --> 0:29:28.040
<v Speaker 1>but apparently he was a total prankster. He supposedly once

0:29:28.080 --> 0:29:30.640
<v Speaker 1>sent a telegram to twelve of his friends that said

0:29:31.080 --> 0:29:34.560
<v Speaker 1>flee at once the secret is discovered, and within a

0:29:34.680 --> 0:29:37.040
<v Speaker 1>day they'd all fled the country, which is something I'm

0:29:37.080 --> 0:29:39.440
<v Speaker 1>sure they'd all laughed about, you know, for years to

0:29:39.520 --> 0:29:43.120
<v Speaker 1>cub Yeah, those who can get back into the country.

0:29:43.600 --> 0:29:45.360
<v Speaker 1>So I'm gonna start off with an act that Christie

0:29:45.400 --> 0:29:47.880
<v Speaker 1>fact It turns out one of her most famous characters,

0:29:48.360 --> 0:29:51.680
<v Speaker 1>the Belgian detective Ericiell poiro was the first and so

0:29:51.840 --> 0:29:54.680
<v Speaker 1>far only fictional character to receive an obituary in The

0:29:54.760 --> 0:29:57.440
<v Speaker 1>New York Times, And the funny part is that Poirot's

0:29:57.480 --> 0:30:00.040
<v Speaker 1>creator was far less broken up about his passing in

0:30:00.080 --> 0:30:02.880
<v Speaker 1>The New York Times. Was the detective metas fate in

0:30:03.160 --> 0:30:06.720
<v Speaker 1>a book called Curtains Poirot's Last Case, which was released

0:30:06.760 --> 0:30:09.640
<v Speaker 1>in the US and nineteen five. But Christie had actually

0:30:09.720 --> 0:30:12.480
<v Speaker 1>written the manuscript for Pero's Last Case way back in

0:30:12.680 --> 0:30:16.200
<v Speaker 1>the nineteen forties, largely because she'd grown so bored and

0:30:16.320 --> 0:30:18.640
<v Speaker 1>tired of the character that she was already dreaming of

0:30:18.760 --> 0:30:22.400
<v Speaker 1>killing him off. You know, I know Conan Doyle, you know,

0:30:22.560 --> 0:30:25.000
<v Speaker 1>tried to kill off Sherlock at one point for the

0:30:25.080 --> 0:30:27.840
<v Speaker 1>same reason. But I actually didn't know that Christie hated

0:30:27.880 --> 0:30:30.800
<v Speaker 1>Paros so much. What what what did she dislike about him? Well,

0:30:31.000 --> 0:30:36.520
<v Speaker 1>she called him quote detestable, bombastic, tiresome, egocentric, little creep.

0:30:36.680 --> 0:30:39.560
<v Speaker 1>So it sounds like she pretty much disliked everything about

0:30:40.160 --> 0:30:42.720
<v Speaker 1>sounds like it, alright. The next fact is one of

0:30:42.840 --> 0:30:46.440
<v Speaker 1>the great unsolved mysteries that Conan Doyle left behind for us,

0:30:46.520 --> 0:30:49.640
<v Speaker 1>and that's the true location of Sherlock's famous London apartment

0:30:50.240 --> 0:30:54.480
<v Speaker 1>at b Baker Street. Now you might assume the address

0:30:54.760 --> 0:30:57.640
<v Speaker 1>is the location, but that is sadly not the case.

0:30:58.440 --> 0:31:01.240
<v Speaker 1>Back when mysteries were written, Bake Street addresses didn't go

0:31:01.440 --> 0:31:04.160
<v Speaker 1>as high as two twenty one, and con Into a

0:31:04.240 --> 0:31:07.800
<v Speaker 1>flat out refused to reveal his inspiration for the apartment.

0:31:08.560 --> 0:31:10.800
<v Speaker 1>So for going on a hundred years now, scholars have

0:31:10.880 --> 0:31:13.840
<v Speaker 1>been trying to track it down for themselves. You've got

0:31:13.880 --> 0:31:16.920
<v Speaker 1>these dedicated fans who have scrutinized every number mentioned in

0:31:16.960 --> 0:31:19.920
<v Speaker 1>the Holmes books for clues, and some of even mapped

0:31:19.920 --> 0:31:22.600
<v Speaker 1>out all the backyards on Baker Street, hoping that one

0:31:22.680 --> 0:31:25.080
<v Speaker 1>of them will match up these details, you know, that

0:31:25.160 --> 0:31:27.920
<v Speaker 1>were mentioned in the stories. No locus of yet, but

0:31:28.040 --> 0:31:30.840
<v Speaker 1>you can be sure that someone will keep trying. So

0:31:31.200 --> 0:31:32.960
<v Speaker 1>here's a fun one. I found out about one of

0:31:33.040 --> 0:31:37.800
<v Speaker 1>my favorite TV detectives, and that's Inspector Gadget. So accordin

0:31:37.880 --> 0:31:40.480
<v Speaker 1>to i g N, Inspector Gadget was originally meant to

0:31:40.560 --> 0:31:44.440
<v Speaker 1>have a big, bushy mustache, and he actually does have

0:31:44.600 --> 0:31:47.920
<v Speaker 1>one in the pilot episode. But after someone at MGM

0:31:48.080 --> 0:31:51.320
<v Speaker 1>viewed that first episode, the studio called the producers and

0:31:51.360 --> 0:31:54.640
<v Speaker 1>complained that Gadget looked too much like Inspector Clusseau from

0:31:54.680 --> 0:31:58.240
<v Speaker 1>the Pink Panther movies. So in order to avoid a lawsuit,

0:31:58.440 --> 0:32:01.640
<v Speaker 1>Inspector Gadget shaved off mustache. All right, so weirdly actually

0:32:01.680 --> 0:32:04.560
<v Speaker 1>looked up some Inspector Gadget trivia too, And one of

0:32:04.640 --> 0:32:06.880
<v Speaker 1>the things I've always wondered is how did he become

0:32:07.080 --> 0:32:10.960
<v Speaker 1>this halfman, half machine hybrid that we all know and love.

0:32:11.080 --> 0:32:13.320
<v Speaker 1>And it's a mystery that was never addressed in the

0:32:13.400 --> 0:32:17.960
<v Speaker 1>original show. But according to an official Inspector Gadget trading card,

0:32:18.280 --> 0:32:20.960
<v Speaker 1>from which, as you know, I always keep in my

0:32:21.040 --> 0:32:24.720
<v Speaker 1>wallet at all times, Inspector Gadget was an average police

0:32:24.800 --> 0:32:28.560
<v Speaker 1>inspector named John Brown until one fateful day when he

0:32:28.720 --> 0:32:31.480
<v Speaker 1>slipped on a banana peal well right down a flight

0:32:31.560 --> 0:32:34.000
<v Speaker 1>of stairs. The next day, he woke up from an

0:32:34.040 --> 0:32:37.240
<v Speaker 1>operation only to find that now he had and I quote,

0:32:37.600 --> 0:32:41.920
<v Speaker 1>more than thirteen hundred crime fighting gadgets attached to his body,

0:32:42.320 --> 0:32:45.640
<v Speaker 1>which is kind of a dark origin story. It is

0:32:45.840 --> 0:32:48.040
<v Speaker 1>I can't wait for like Todd Phillips to direct that,

0:32:48.280 --> 0:32:51.440
<v Speaker 1>But it also solves the mystery I've always wondered about

0:32:51.880 --> 0:32:54.560
<v Speaker 1>and today is Halloween, so I think you win the

0:32:54.640 --> 0:32:58.720
<v Speaker 1>trophy this week. Congratulations, you out gadgeted me, all right

0:32:58.920 --> 0:33:01.680
<v Speaker 1>after all these years. So all right, well that's gonna

0:33:01.720 --> 0:33:04.120
<v Speaker 1>do it for today's Part Time Genius from Gabe Lowell,

0:33:04.160 --> 0:33:06.480
<v Speaker 1>Mango and me. Thanks so much for listening, have a

0:33:06.560 --> 0:33:09.160
<v Speaker 1>happy Halloween, and we'll be back soon with another episode.

0:33:23.920 --> 0:33:26.080
<v Speaker 1>Part Time Genius is a production of I Heart Radio.

0:33:26.360 --> 0:33:28.400
<v Speaker 1>For more podcasts from my heart Radio, visit the i

0:33:28.520 --> 0:33:31.200
<v Speaker 1>heart Radio app, Apple podcast, or wherever you listen to

0:33:31.240 --> 0:33:31.960
<v Speaker 1>your favorite show.