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Speaker 1: Writer.

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Speaker 2: I did Magical rewind for Zombies too. Oh yes, it

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Speaker 2: was so much fun.

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Speaker 3: That's great, It really was. It was great. Yeah, that's

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Speaker 3: it's such a good franchise. Is you do another one

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Speaker 3: right there?

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Speaker 1: Coming out July tenth?

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Speaker 3: Yep? Is that what it is? Yeah?

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Speaker 2: June soth, No, July tenth, And I had said May

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Speaker 2: twenty third, and then I was like, well I wouldn't

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Speaker 2: get to it until July tenth.

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Speaker 4: Anyway. Also, did you guys see Wicked? No, the movie? Okay,

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Speaker 4: well it was so funny because indeed loved it and

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Speaker 4: he wanted me to watch it with him, and I

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Speaker 4: actually ended up only watching the first like half, but

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Speaker 4: I was like, wow, this it's it's good.

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Speaker 3: It was great.

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Speaker 4: But I was like, it's also the Descendants, like remember

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Speaker 4: It's like yes, like those Disney movies have actually become

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Speaker 4: like what Wicked is. Yeah, it was like the same thing.

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Speaker 4: I was like, it looks like a Disney movie or

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Speaker 4: like an old Disney TV. Wow, what's the word I'm

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Speaker 4: looking for? Disney Channel moviecom? Yeah? Yeah, I was like, wow,

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Speaker 4: the dcoms of like because when I don't know, I

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Speaker 4: feel like when we were.

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Speaker 3: And they were not also telling Danielle.

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Speaker 5: Zombies four had a budget of forty million dollars for

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Speaker 5: d com. I mean, it's crazy for a d coom

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Speaker 5: where that we were doing somewhere the budget was like

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Speaker 5: eight dollars and a half of back Eminem's go make

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Speaker 5: a movie.

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Speaker 4: Yeah, and the regular and the kids are so talented kids.

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Speaker 4: They're all like in their twenties now. But like that

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Speaker 4: first Zombies, I was blown away by their time.

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Speaker 3: And none of them were Disney Channel stars.

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Speaker 6: Yeah.

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Speaker 5: That's the other thing that was so different about this

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Speaker 5: franchise is none of them were like they're throwing in

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Speaker 5: all their stars.

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Speaker 3: It was just yeah, it was.

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Speaker 4: It was great.

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Speaker 2: I love it so much and I can't wait for

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Speaker 2: the fourth. I've got a my friend, Malika, who is

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Speaker 2: one of the kids I directed from Villains of Valley View.

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Speaker 2: He is in Zombies four, And when they made that

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Speaker 2: announcement that he was going to I.

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Speaker 1: Was like, Malachi, you're gonna be insolved.

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Speaker 4: Did Sabrina ever do one?

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Speaker 3: She did?

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Speaker 1: Yeah, she did some Adventures in Babysitting.

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Speaker 5: Which was their hundredth dcome ever they did. She did

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Speaker 5: Adventures and babysits.

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Speaker 1: Yeah, Yeah, she did adventures and babysitting.

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Speaker 3: And you never want Danielle never did one.

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Speaker 4: No, I mean I did the ABC. You know, I

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Speaker 4: did Summertime Switch, which was an ABC.

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Speaker 3: Yeah right, right, yeah, And.

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Speaker 4: Then they offered me one the next year and I

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Speaker 4: turned it down and I never got an offer again anymore.

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Speaker 3: Do you remember the one they offered you? I'm so curious.

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Speaker 4: No, I have no idea. I just know that I

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Speaker 4: it was. It was partly material because I remember I

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Speaker 4: had not had a good time on Summertime Switch. I

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Speaker 4: was just like, I don't want to do this. It

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Speaker 4: was also just not wanting I wanted to have the

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Speaker 4: summer like I remember correctly. It was like I just

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Speaker 4: wanted to have some free time because we were we

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Speaker 4: knew we were coming back from both.

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Speaker 5: They never asked me I, which doesn't make any doesn't

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Speaker 5: make any sense to me, doesn't make any sense to me.

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Speaker 3: I'm amazed that you are now not the go to

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Speaker 3: dcom mom.

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Speaker 1: I mean, why am I not?

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Speaker 3: That's what I'm saying.

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Speaker 5: I see, I think I'm perfect dcom dad age, and

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Speaker 5: so you and I as decom parents.

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Speaker 2: Listen, we may not be able to get Hallmark to

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Speaker 2: give us a movie, but maybe we could get Disney

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Speaker 2: to give.

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Speaker 1: Us a movie.

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Speaker 5: I think as long as we don't have to sing

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Speaker 5: or dances, gonna sings.

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Speaker 2: Probably don't listen with technology these days. I'm willing to

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Speaker 2: sing because they'll make me sound good.

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Speaker 3: Technology isn't going to do for my dancing. I can

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Speaker 3: tell you that true world. I'm daniel Fishel, I'm right

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Speaker 3: or Strong, and I'm Wilfordelle.

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Speaker 2: If our listeners have taken anything away from season six

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Speaker 2: so far, it might be that some of us were

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Speaker 2: already what we've called out of body. Some scenes, you're

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Speaker 2: seeing Sean and Tabanga on screen, they're saying the lines,

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Speaker 2: but Writer and Danielle they're somewhere else completely, most likely

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Speaker 2: reading a book or talking to their crush on the phone,

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Speaker 2: or maybe even reading a book while talking to their

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Speaker 2: crush on the phone. Who knows, well, I do know

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Speaker 2: one thing. Some episodes, some scenes of Boy Meets World

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Speaker 2: are completely new to us. We have never seen them.

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Speaker 2: We weren't in them. We have no idea they exist.

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Speaker 2: Some have live bears, some don't. And this week we

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Speaker 2: are bringing on a guest star, someone who was there

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Speaker 2: for our recent laps. We stumbled upon she was great

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Speaker 2: in the season six episode Cutting the Cord, playing Sean's

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Speaker 2: new possible girlfriend stuck on a double date, while unfortunately

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Speaker 2: Angela was just too fresh on his mind. And yes,

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Speaker 2: we are going to learn more about the karaoke scene.

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Speaker 2: She began her career as a child prodigy, dancing at three,

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Speaker 2: playing the cello at seven, and performing in local plays

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Speaker 2: at the thirteen. Lucky for us, she would come to

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Speaker 2: Hollywood for acting, appearing on California Dreams, Step by Step,

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Speaker 2: Pacific Blue, and Zoe Duncan, Jack and Jane. She'd also

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Speaker 2: continue showing off her dance skills and some pretty massive

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Speaker 2: movies that we will talk to her about. But you

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Speaker 2: might know her from the Office, where she appeared in

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Speaker 2: one of my favorite episodes, Andy's play in their local

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Speaker 2: production of Sweeney Todd as Missus Lovett. Just the best,

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Speaker 2: So welcome to Pod meets World. Not only the best

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Speaker 2: singing voice in that Boy Meets World episode, but also

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Speaker 2: the best singing voice on this Pod Meets World episode.

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Speaker 1: It's Heather Marie Marsden.

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Speaker 2: Oh my gosh, I can hear you.

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Speaker 6: Well, you know you gotta make an entrance.

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Speaker 1: I love it. Thank you so much for joining us.

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Speaker 2: We just recently watched Cutting the Cord, the season six

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Speaker 2: episode that you guest starred on, and you were great.

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Speaker 1: We have some questions because.

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Speaker 2: It appears as though Rider and I especially have blocked

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Speaker 2: out some things from this episode, like the episode, like I.

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Speaker 4: Remember, you literally didn't remember anything, Danielle, Yeah, I remember,

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Speaker 4: I remember working with Heather. I remember singing being nervous

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Speaker 4: like I did. Remember.

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Speaker 2: Yeah, you remembered some feelings of pressure and stress, and

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Speaker 2: so we're hoping Heather can enlighten us maybe by telling

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Speaker 2: us a little bit more about your experiences that week.

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Speaker 1: Is this too much pressure for me?

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Speaker 3: Yeah?

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Speaker 7: No?

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Speaker 1: Okay, great?

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Speaker 6: Oh my gosh, Rider, I feel so bad that this

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Speaker 6: was such a stressful thing for you, And I wanted

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Speaker 6: to say that you guys were kind enough to send

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Speaker 6: a link. Yeah, but I didn't need that because.

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Speaker 3: I have as Yes, what did they charge you for?

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Speaker 1: How much did they charge you exactly?

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Speaker 6: Let's see, Well, it's a company that I'm sure probably

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Speaker 6: doesn't exist anymore in the valley, but they probably charged

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Speaker 6: what twenty five dollars? Do you think for taping the air?

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Speaker 4: Do you still have a VCR to be able to

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Speaker 4: watch that?

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Speaker 6: Yes?

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Speaker 2: Good.

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Speaker 1: Good for you.

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Speaker 6: I'm in the of transferring all my VHS tapes to

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Speaker 6: digital and it's mortifying.

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Speaker 1: Yeah yeah, but this wasn't good. So you writer, when

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Speaker 1: was the last time you had seen the episode?

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Speaker 6: Yesterday?

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Speaker 2: Well before that, before we asked you to watch it,

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Speaker 2: when the last time you.

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Speaker 1: Had seen it? Watch it every day?

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Speaker 6: I watch it every day. I can play all the roles.

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Speaker 6: I will say that episode I learned, you know, I'm

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Speaker 6: a mom now, and I learned more about giving birth

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Speaker 6: from Will's storyline, Oh you're welcome.

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Speaker 1: I was like, oh yeah, and I used to hearing that.

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Speaker 2: Yeah, hears that all the time. He's very, very skilled

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Speaker 2: with the child labor.

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Speaker 4: I am.

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Speaker 3: I'm a lamas DA coach, so very skilled.

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Speaker 6: So funny. First of all, I don't know if you know,

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Speaker 6: and I don't know what order of scripts you guys got,

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Speaker 6: but when I auditioned for the role, the role is

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Speaker 6: actually very different. She was a very quiet, subdued girl

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Speaker 6: who's sag war the song that you say oh in

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Speaker 6: like crazy voices. Oh.

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Speaker 4: So the joke was like Sean's dating a crazy yeah,

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Speaker 4: crazy girl. Oh my god.

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Speaker 6: I remember something about they said, you know, be like

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Speaker 6: you're you like to go to church, and you're very

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Speaker 6: demure and everything, and I just and then you know

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Speaker 6: what you know? And they did all these like they

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Speaker 6: wanted to have crazy voices for the song, which I

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Speaker 6: wonder why.

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Speaker 2: Changing Maybe though the note was, can we not have

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Speaker 2: it be that the girl he's on the date with

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Speaker 2: is crazy or seems weird, that she's actually lovely and

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Speaker 2: he just can't get over you know what I mean? Like,

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Speaker 2: I can see that being an important note that we

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Speaker 2: shouldn't put him on a date with someone who people

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Speaker 2: are like, well, why would he like this girl when

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Speaker 2: he's when he clearly could be with Angela?

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Speaker 1: So I can I can.

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Speaker 2: See how they wanted to see your chops in the

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Speaker 2: room and to know whether or not you could play comedy,

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Speaker 2: but ultimately they wanted you to be a more believable,

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Speaker 2: truly datable partner for Sean right.

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Speaker 6: Well, you know, funny thing at that time, I was

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Speaker 6: brought in so many I played so many girls who

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Speaker 6: got dumped on TV. I thought if I sat and counted,

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Speaker 6: I just might be sad. But I was brought in

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Speaker 6: so many times to be the new girl, or the

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Speaker 6: new date, or the one to make the other one

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Speaker 6: jealous and et cetera, et cetera. And then I've been

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Speaker 6: dumped on TV a lot.

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Speaker 5: Who's the most famous, not person, but TV character that

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Speaker 5: you've ever been dumped by?

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Speaker 6: Well, I was just thinking about the fact that this

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Speaker 6: is so ridiculous. I do you guys remember suddenly Susan

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Speaker 6: of course Shields?

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Speaker 3: Yes, so lovely.

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Speaker 6: By the way, So, so she was dating, Uh the

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Speaker 6: actor was rob Estie's right, Their characters were dating. So

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Speaker 6: they broke up and then I was the new girlfriend.

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Speaker 6: That was like, wow, uh that's Brooke Shields. Yeah, uh okay,

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Speaker 6: but then he dumped me too.

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Speaker 2: Okay, So rob Esti's most famous character is the most

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Speaker 2: famous dumper, so dumper.

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Speaker 6: Yeah, so so that one.

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Speaker 1: For So you sang War for your audition?

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Speaker 6: Correct? And what is it good for getting a job

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Speaker 6: on Boy Meets World?

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Speaker 3: Yeah? Absolutely everything? Say yeah, so you got the job

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Speaker 3: based on that performance.

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Speaker 4: They didn't bring you back into singing something else?

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Speaker 6: No, wow, I know, so that was so different but

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Speaker 6: so different.

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Speaker 2: But did they know you were a singer? Did they

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Speaker 2: know you could really sing other than the War example?

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Speaker 2: Did they know you had an incredible voice?

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Speaker 6: Oh, you're so sweet? Danielle, Can I just put you

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Speaker 6: right here. That's a really sweet thing to say. It's around.

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Speaker 6: It's so true, Thank you. I don't know. I mean,

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Speaker 6: at that time, I was I was recording all the time,

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Speaker 6: and I was performing all the time as a singer.

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Speaker 6: So I'm sure on my resume and I'm saying on

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Speaker 6: TV and film a lot.

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Speaker 1: Okay, so I'm.

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Speaker 6: In the room it came up. But I just remember

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Speaker 6: that and then getting the script and going, oh my gosh,

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Speaker 6: I'm a totally different girl.

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Speaker 3: Yeah, yeah, geez, that's great.

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Speaker 2: So you had already made a brief stop on TGIF

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Speaker 2: in Step by Step.

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Speaker 1: But were you when you got the audition for Boy

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Speaker 1: Me World? Were you aware of what Boy Meets World was?

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Speaker 6: I remember you guys were everywhere at the time.

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Speaker 1: Okay, okay, but.

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Speaker 2: You weren't from You didn't watch the show yourself, but

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Speaker 2: you were aware of Like, okay, I know that show exists.

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Speaker 1: I've seen these faces. Yes, okay, oh for sure.

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Speaker 3: Who dumped you on Step by Step?

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Speaker 6: You know now that you're bringing it up. I hope

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Speaker 6: I wasn't dumped on Step by Step. I don't I

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Speaker 6: don't think I was dumped.

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Speaker 1: Up Okay, okay, you got to do something totally awesome.

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Speaker 6: I got to do I got to stretch.

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Speaker 1: Oh great, nice.

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Speaker 2: Well, as we mentioned, your history with music is pretty

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Speaker 2: mind blowing.

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Speaker 1: You grew up in Detroit, You.

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Speaker 2: Began dancing at three, playing the cello at seven, and

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Speaker 2: you played in the Detroit Civic Symphony Orchestra.

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Speaker 1: Were your parents musical? How did you How were you

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Speaker 1: just so musical at such a young age.

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Speaker 6: Well, first of all, the Civic is like a feeder orchestra, Okay,

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Speaker 6: like a training orchestra, so you know, you do. I

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Speaker 6: did have to do those blind auditions. I don't know

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Speaker 6: if you've ever seen them in a movie, but you

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Speaker 6: you play your instrument behind a wall and so they're

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Speaker 6: just listening, they can't see, are.

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Speaker 3: Trying to diminish the orchestra? You were part of no orchestra,

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Speaker 3: But I just I want to be clear.

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Speaker 6: I was not part of the professional Detroit Symphony orchestra.

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Speaker 6: The Civic was like the Detroit Civic, So I just

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Speaker 6: I just want to I never got that good, but

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Speaker 6: I did have the blind audition experience, which is absolutely.

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Speaker 1: And so what happened with that? You get up there?

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Speaker 6: I got into the civic. So I played in that

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Speaker 6: for a couple of years and and then you know, do.

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Speaker 3: You remember the piece? Do you remember what piece you were?

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Speaker 3: You were your audition piece was with the cello.

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Speaker 7: I'm curious, No, fair enough, you know, actually had war

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Speaker 7: now it was, but then they changed it when I

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Speaker 7: got there.

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Speaker 6: Actually I still do play live. It's fun. I play

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Speaker 6: in a band and I pull it out every once

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Speaker 6: in a while, but I play with people. I sing

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Speaker 6: with people who are much better cellis than me. So

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Speaker 6: you know, you let people do what.

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Speaker 2: They do, right, Yeah? Yeah, but how does a seven

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Speaker 2: year old pick up the cello? Like, both literally and figuratively,

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Speaker 2: it seems rather heavy. But also, how were your parents'

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Speaker 2: musical How did that come to you?

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Speaker 6: Yeah? So both of my parents were public school teachers,

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Speaker 6: and they were art teachers. So my mom was yay

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Speaker 6: public art school teachers. Yeah, we need you, we love you.

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Speaker 6: So my mom was taught band and orchestra and choir,

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Speaker 6: and then my dad was a theater teacher, and they

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Speaker 6: had art and drafting, photography. That goes back, but so

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Speaker 6: I grew up in that environment. But it was definitely

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Speaker 6: my mom had me and my sister both pick an

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Speaker 6: instrument at that age. So I picked cello. I just

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Speaker 6: like the sound of it.

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Speaker 1: Yeah, and I still do.

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Speaker 4: Yeah, Yeah, me too.

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Speaker 6: Do you do you play?

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Speaker 8: Will?

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Speaker 3: I don't.

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Speaker 5: I have no musical talent whatsoever, but I'm I've always

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Speaker 5: been drawn to the cello. And I think the first

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Speaker 5: time I heard yo yo ma do box prelude, I would,

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Speaker 5: That's where I was like, just it sucked in.

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Speaker 3: So yeah, it was.

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Speaker 6: It is.

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Speaker 3: It's an absolutely gorgeous instrument. It speaks to me.

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Speaker 5: I don't know why it sounds so crazy, but it

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Speaker 5: always has. It absolutely speaks to me.

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Speaker 1: The cello.

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Speaker 6: It's beautiful. Well, it's it's very similar to the human voice,

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Speaker 6: so I think we kind of absorb interesting, yeah, or

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Speaker 6: we relate to it or something.

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Speaker 2: So how do you transition then from cello to TV?

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Speaker 2: What's the what's the transition? When do you become an actor?

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Speaker 6: Oh?

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Speaker 4: My gosh?

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Speaker 6: So when well, really, in high school, you know, musicals

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Speaker 6: were my thing, and I was better at that than

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Speaker 6: my cello. There were many people much better than me

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Speaker 6: at that, so I started I started getting into acting

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Speaker 6: in high school. But my first professional job was a

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Speaker 6: was Sweet charity tour, which is a musical. Probably nobody

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Speaker 6: even now is anymore. It's an old Fosse show. But

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Speaker 6: that was my first, my first professional job, if you

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Speaker 6: don't count me thinking that I was a professional, like

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Speaker 6: in preschool standing in the aisle at kmart singing white people.

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Speaker 6: In my brain, I thought, I am supposed to be here.

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Speaker 6: I'm going to do a show for you know, you'll

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Speaker 6: get the blue Light special. I will sing a song

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Speaker 6: from Annie.

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Speaker 1: So how old were you then when you did the musical?

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Speaker 6: Oh my gosh, okay, so times were different. I was seventeen.

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Speaker 6: I graduated a year early from school from from school,

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Speaker 6: so anyway, so I was seventeen. I was, and I

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Speaker 6: we didn't.

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Speaker 4: Have like.

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Speaker 6: Those permits and stuff that kid that child, you know

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Speaker 6: actors have now and stuff. So I auditioned. I got

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Speaker 6: the job. My mom said go ahead, and I kid

348
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Speaker 6: you not. I carried around a permission slip case I

349
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Speaker 6: got injured, because you can't treat a minor at the hospital,

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Speaker 6: you know, so I had. This was before cell phones,

351
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Speaker 6: So yeah, I had a permission slip and a fake ID.

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Speaker 2: Oh my gosh, so that you could get treated in case, just.

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Speaker 5: In case, yeah, in case you needed a hospital once

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Speaker 5: to drink. It was in case you needed to like

355
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Speaker 5: set a forearm or something. You have a fake ID.

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Speaker 3: God, that's so funny.

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Speaker 6: Isn't that funny? And I think about it now, I

358
00:17:51,720 --> 00:17:55,760
Speaker 6: think that is so ridiculous. That wouldn't even that. What

359
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Speaker 6: would that fly? I don't even know, but.

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Speaker 3: It was back then it would have.

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Speaker 5: I mean, we talk about some stories here of things

362
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Speaker 5: we did or of getting injured on the set or

363
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Speaker 5: stuff like that, where it's kind of it's just a

364
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Speaker 5: whole different ballgame nowadays than when it was.

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Speaker 3: Back in the day.

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Speaker 4: It was kind of being like will will You were

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Speaker 4: never carted for cigarettes at yet, which is twelve, Yeah,

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Speaker 4: and then a Boy Meets World said maybe you shouldn't

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Speaker 4: be smoking kid. Now, I guess they did say it sometimes, right,

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Speaker 4: some people said it, but.

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Speaker 1: Maybe in a judgmental way.

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Speaker 6: Not so.

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Speaker 5: The only person, the only person who would do it

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Speaker 5: all the time was Bill. And it was always just

375
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Speaker 5: because I kept him in my breast pocket. He would always,

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Speaker 5: I've told the story, he would just tap them and go,

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Speaker 5: ah nice, keep them right near your heart. And he

378
00:18:36,840 --> 00:18:39,920
Speaker 5: would do that every single so whenever that's just tap

379
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Speaker 5: it right next to your heart, that's all he would do.

380
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Speaker 3: Uh so, yeah, but no one. I don't recall anybody ever.

381
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Speaker 5: Saying you should hey at sixteen, you shouldn't be smoking

382
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Speaker 5: the set of Boymen like that.

383
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Speaker 3: Never happened, Never happened. Yeah, different times, different times.

384
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Speaker 1: So at seventeen, when did the musical Sweet Charity?

385
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Speaker 6: Right?

386
00:18:57,840 --> 00:18:58,000
Speaker 5: Yeah?

387
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Speaker 1: Yeah, okay?

388
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Speaker 2: And then and you're living in Detroit, do you when

389
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Speaker 2: do you make the trek to Hollywood?

390
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Speaker 6: So somewhere in there, somewhere in there. I moved to

391
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Speaker 6: New York first, and then and because I wanted to

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Speaker 6: be on Broadway, and then I ended up making my

393
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Speaker 6: way to Los Angeles. And you know, at that time,

394
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Speaker 6: you they didn't like it if you had theater, especially

395
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Speaker 6: musical theater on your resume.

396
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Speaker 3: Yeah.

397
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Speaker 6: So I remember my first manager, she took them, She

398
00:19:34,960 --> 00:19:37,760
Speaker 6: took all that stuff off, and so that I could

399
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Speaker 6: start getting into film and TV, which I was totally

400
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Speaker 6: interested in. And that's and that's how it happened. But

401
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Speaker 6: the first job I did in LA was a chorus line, so,

402
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Speaker 6: you know, and I didn't have a car, and I

403
00:19:51,080 --> 00:19:53,480
Speaker 6: had a ten speed bike and I would ride my

404
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Speaker 6: bike to the theater and then stand on the line

405
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Speaker 6: in chorus line, they call it the line and you

406
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Speaker 6: and there's no intermission, so you're standing on the line

407
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Speaker 6: for two hours, and you know, my quads were like

408
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Speaker 6: huge from dancing and then riding my bike back to

409
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Speaker 6: the housing that they gave us for the theater.

410
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Speaker 2: Did you then, when you get the audition for Boy

411
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Speaker 2: Meets World and you book the job and you now

412
00:20:20,000 --> 00:20:22,800
Speaker 2: are working in Hollywood, did anyone ever mention to you

413
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Speaker 2: whether or not you were related to Jason Marsden.

414
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Speaker 6: Oh, my gosh, okay, so uh Jason and I. So

415
00:20:30,920 --> 00:20:33,560
Speaker 6: Jason was on Step by Step yes, and.

416
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Speaker 1: On Boy Meets World.

417
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Speaker 2: Oh that's right, he did a bunch of episodes.

418
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Speaker 6: Okay, So he and I did have a conversation one time,

419
00:20:43,359 --> 00:20:48,760
Speaker 6: and we think that we are related a couple generations back. Okay,

420
00:20:50,280 --> 00:20:51,880
Speaker 6: So that's.

421
00:20:51,560 --> 00:20:52,919
Speaker 3: But you know, do we know?

422
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Speaker 6: I mean, well twenty three he has not shown up

423
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Speaker 6: on my twenty three and me, okay, I.

424
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Speaker 1: Hope you've deleted that by now.

425
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Speaker 3: I was gonna say, yeah, the government will I know?

426
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Speaker 6: Right? Oh, I just got all my data.

427
00:21:05,720 --> 00:21:07,400
Speaker 1: Okay, good, I just got all my data.

428
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Speaker 6: I haven't gone and deleted it. That's a lot of

429
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Speaker 6: data to be sent.

430
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Speaker 3: I know it was.

431
00:21:12,640 --> 00:21:12,920
Speaker 4: Yes.

432
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Speaker 2: Okay, so you're in LA and one of your first

433
00:21:28,760 --> 00:21:33,000
Speaker 2: gigs was a three story arc on California Dreams. A

434
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Speaker 2: perfect mixture for your past and music and now your

435
00:21:36,760 --> 00:21:40,760
Speaker 2: journey in acting was jumping on a TV set?

436
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Speaker 1: Intimidating for you at all?

437
00:21:43,760 --> 00:21:46,640
Speaker 6: No, I loved it so much. And you know I

438
00:21:46,800 --> 00:21:54,240
Speaker 6: love sitcoms. I love sitcoms, and the the pacing of

439
00:21:54,280 --> 00:21:57,639
Speaker 6: a sitcom is so similar to musical anyways, right.

440
00:21:57,560 --> 00:21:59,160
Speaker 1: With Yeah, there's a rhythm.

441
00:21:59,280 --> 00:22:04,040
Speaker 6: Yeah, but California Dreams. Yeah, two lot of those three episodes,

442
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Speaker 6: I got dumped. I was a prom date.

443
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Speaker 3: Wait, how'd you get jumped?

444
00:22:08,080 --> 00:22:10,960
Speaker 5: Were you playing the same character that gets dumped twice?

445
00:22:11,119 --> 00:22:11,919
Speaker 6: Moving me around?

446
00:22:12,560 --> 00:22:14,399
Speaker 1: I think they dumped by different people.

447
00:22:14,720 --> 00:22:16,359
Speaker 3: You just keep getting dumped by that.

448
00:22:16,440 --> 00:22:20,680
Speaker 5: I was, wow, that's impressive to be dumped on multiple

449
00:22:20,720 --> 00:22:22,240
Speaker 5: episodes of the episode.

450
00:22:25,760 --> 00:22:29,359
Speaker 6: I think, when I haven't seen that thing in a

451
00:22:29,400 --> 00:22:32,560
Speaker 6: long time. But but I didn't play any instruments or anything.

452
00:22:32,600 --> 00:22:33,480
Speaker 6: I didn't sing on that.

453
00:22:34,840 --> 00:22:37,960
Speaker 5: Wait, you went on singing sitcom and you didn't sing

454
00:22:37,960 --> 00:22:38,480
Speaker 5: on the singing?

455
00:22:39,680 --> 00:22:43,360
Speaker 6: Yeah, you know, it's a really weird experience. Here's a

456
00:22:43,400 --> 00:22:47,200
Speaker 6: weird experience. So through the years, I've written a lot

457
00:22:47,200 --> 00:22:49,760
Speaker 6: of music that and songs that have been licensed by

458
00:22:50,240 --> 00:22:53,439
Speaker 6: film and TV. And there was an episode of Lawn

459
00:22:53,359 --> 00:22:56,399
Speaker 6: and Order see I and I had written the song

460
00:22:56,600 --> 00:22:59,440
Speaker 6: and it was my vocal on it, and it was

461
00:22:59,520 --> 00:23:03,000
Speaker 6: a story line where the pop star was the murderer

462
00:23:03,600 --> 00:23:05,840
Speaker 6: and they used my song to be her hit song

463
00:23:06,600 --> 00:23:09,240
Speaker 6: and my voice was coming out of her body in

464
00:23:09,280 --> 00:23:12,399
Speaker 6: the episode, which is so and she looked like me.

465
00:23:13,359 --> 00:23:15,679
Speaker 6: So that was so weird.

466
00:23:15,960 --> 00:23:18,760
Speaker 5: Did they give you at least the opportunity to audition

467
00:23:18,880 --> 00:23:22,040
Speaker 5: for the role of the possible killer on CI?

468
00:23:22,160 --> 00:23:22,679
Speaker 4: I mean is that?

469
00:23:22,760 --> 00:23:22,800
Speaker 5: No?

470
00:23:23,560 --> 00:23:25,040
Speaker 6: That was New York. I think they did that.

471
00:23:25,600 --> 00:23:29,199
Speaker 3: Yeah, they do. They do the stuff there. Yeah, okay, yeah, wow.

472
00:23:29,359 --> 00:23:33,040
Speaker 6: So life is funny, you know. I was thinking, this industry,

473
00:23:33,080 --> 00:23:35,760
Speaker 6: you start one way and you think you're going to

474
00:23:35,840 --> 00:23:39,160
Speaker 6: do something, and then these odd things come your way

475
00:23:39,240 --> 00:23:43,000
Speaker 6: and they're so cool, like some of the just some

476
00:23:43,119 --> 00:23:46,159
Speaker 6: of the I just feel like we're so lucky to

477
00:23:46,240 --> 00:23:50,240
Speaker 6: be able to be creative and meet all these different

478
00:23:50,240 --> 00:23:54,440
Speaker 6: people and have all these different experiences around the world. Arts.

479
00:23:54,800 --> 00:23:56,720
Speaker 6: It's just the best.

480
00:23:56,520 --> 00:24:00,640
Speaker 2: Well, especially for people like you who are good at

481
00:24:00,680 --> 00:24:03,320
Speaker 2: all of it. You're a good actor, You're a good singer,

482
00:24:03,400 --> 00:24:04,600
Speaker 2: You're a good dancer.

483
00:24:04,720 --> 00:24:07,200
Speaker 1: I mean, at this point now you're still dancing.

484
00:24:07,320 --> 00:24:11,040
Speaker 2: You got gigs in two classic movies, Austin Powers and

485
00:24:11,080 --> 00:24:11,920
Speaker 2: That Thing You Do?

486
00:24:12,600 --> 00:24:14,640
Speaker 3: Did you I watched that thing you do last night?

487
00:24:15,080 --> 00:24:17,879
Speaker 3: Did you really? I literally watched that thing you do

488
00:24:18,040 --> 00:24:20,520
Speaker 3: last night? That's so funny, you guys.

489
00:24:20,560 --> 00:24:24,040
Speaker 6: Okay, I have two stories for you if you want, yes, please,

490
00:24:24,480 --> 00:24:29,560
Speaker 6: So one, do you know that Tony Basil choreographed both

491
00:24:29,560 --> 00:24:34,840
Speaker 6: of those Well, she was the original choreographer for Austin Powers,

492
00:24:35,200 --> 00:24:38,199
Speaker 6: but she choreographed that Thing You Do. Do you know

493
00:24:38,200 --> 00:24:38,919
Speaker 6: who Tony is?

494
00:24:39,240 --> 00:24:40,960
Speaker 3: I know the name name?

495
00:24:41,440 --> 00:24:45,000
Speaker 1: Yes, yes, hey Nicky? Right, hey Niki?

496
00:24:45,160 --> 00:24:49,000
Speaker 6: Yes, yeah, So she choreographed both of those films, and

497
00:24:49,080 --> 00:24:52,560
Speaker 6: she was Bet Midler's choreographer for all those years.

498
00:24:52,840 --> 00:24:55,159
Speaker 3: Oh my gosh, where were you in that Thing You Do?

499
00:24:55,240 --> 00:24:57,159
Speaker 5: Were you one of the go Go dancers on the

500
00:24:57,160 --> 00:24:59,600
Speaker 5: stage when they were playing Now we were in.

501
00:24:59,560 --> 00:25:07,400
Speaker 3: The b and us.

502
00:25:04,560 --> 00:25:06,520
Speaker 6: In the there was a bunch of places.

503
00:25:06,800 --> 00:25:09,639
Speaker 5: You were Captain Geech in the Shrimp Shack Shooters, gotcha,

504
00:25:09,880 --> 00:25:10,800
Speaker 5: my gosh.

505
00:25:10,880 --> 00:25:14,840
Speaker 6: Yeah, that was Union where they made dancers.

506
00:25:14,920 --> 00:25:15,200
Speaker 4: Union.

507
00:25:15,240 --> 00:25:18,320
Speaker 6: That was the first one. I remember on the beach.

508
00:25:18,560 --> 00:25:24,720
Speaker 6: It was winter and it was cold, bathing suits and

509
00:25:25,720 --> 00:25:29,800
Speaker 6: dancing in the sand. You know. Tom Hanks at the

510
00:25:29,840 --> 00:25:33,640
Speaker 6: end of the day applauded everybody because he directed yes,

511
00:25:34,880 --> 00:25:36,399
Speaker 6: and I was so blown away.

512
00:25:36,680 --> 00:25:38,240
Speaker 3: Wow that Wow.

513
00:25:39,280 --> 00:25:42,119
Speaker 6: I worked with Colin to his son on a movie

514
00:25:42,640 --> 00:25:46,120
Speaker 6: in Iowa in the winter, So maybe I can only

515
00:25:46,119 --> 00:25:47,760
Speaker 6: work with the Hanks in the.

516
00:25:47,680 --> 00:25:51,680
Speaker 1: Winter under cold circumstances.

517
00:25:51,960 --> 00:25:55,399
Speaker 5: Everybody knows that, do you do you have one discipline

518
00:25:55,440 --> 00:25:58,200
Speaker 5: that you prefer? I mean, do you prefer dancing to singing?

519
00:25:58,240 --> 00:25:59,960
Speaker 5: You prefer acting to dancing and singing?

520
00:26:00,080 --> 00:26:02,080
Speaker 3: Is that if you had to focus on one, you're

521
00:26:02,119 --> 00:26:04,040
Speaker 3: only allowed to pick one? Which one would you do?

522
00:26:04,480 --> 00:26:06,880
Speaker 6: Well? I don't dance anymore and I have a very

523
00:26:06,920 --> 00:26:11,320
Speaker 6: long time, so that's easy that one out. So but

524
00:26:11,600 --> 00:26:14,240
Speaker 6: it's not like I'm out there, you know, hitting the boards.

525
00:26:15,800 --> 00:26:20,280
Speaker 6: No acting and singing. I can't ever pick. And that's

526
00:26:20,320 --> 00:26:23,400
Speaker 6: been that way for very, very very long time. I'm

527
00:26:23,480 --> 00:26:26,760
Speaker 6: I'm I'm fortunate enough that dance got me was a

528
00:26:27,440 --> 00:26:30,200
Speaker 6: point because you had access to that in Michigan.

529
00:26:30,680 --> 00:26:34,560
Speaker 2: Yeah, okay, I want to get into Boy Meets World. Yes,

530
00:26:34,800 --> 00:26:39,240
Speaker 2: you're playing Kelly the somewhat hesitant love interest of Sean

531
00:26:39,720 --> 00:26:45,280
Speaker 2: just post his breakup. Do you remember the first time

532
00:26:45,280 --> 00:26:47,879
Speaker 2: you met Writer and what working with him was like

533
00:26:47,920 --> 00:26:48,399
Speaker 2: that week?

534
00:26:48,680 --> 00:26:52,200
Speaker 6: Oh my god, I loved Writer. I still do. Hey, Writer,

535
00:26:52,920 --> 00:26:54,359
Speaker 6: I want your sour dough starter.

536
00:26:55,520 --> 00:26:56,120
Speaker 4: You'll be my hook.

537
00:26:58,280 --> 00:27:01,840
Speaker 6: I loved working with Writer. And can you say the

538
00:27:01,840 --> 00:27:05,840
Speaker 6: the Kelly my Date monologue? The Kelly my Date was brilliant.

539
00:27:06,240 --> 00:27:12,639
Speaker 6: Ye oh my god, I loved it.

540
00:27:12,640 --> 00:27:14,359
Speaker 1: It was so good, so cute.

541
00:27:14,560 --> 00:27:17,040
Speaker 6: You guys were also, you know, being when you come

542
00:27:17,080 --> 00:27:20,000
Speaker 6: on for one episode, you're a guest in somebody's house

543
00:27:20,720 --> 00:27:27,760
Speaker 6: and it is really nice and and you know the

544
00:27:27,760 --> 00:27:30,119
Speaker 6: series regular casts that have been you guys are a

545
00:27:30,160 --> 00:27:33,400
Speaker 6: machine and you've got it all down and you're a family.

546
00:27:33,600 --> 00:27:36,840
Speaker 6: And it was really nice coming onto this set. Everybody

547
00:27:36,920 --> 00:27:39,879
Speaker 6: was so warm and kind and it made it easy

548
00:27:39,880 --> 00:27:43,480
Speaker 6: because it's always like the first day of school. Yeah, yeah,

549
00:27:43,560 --> 00:27:45,400
Speaker 6: when you go onto a new.

550
00:27:45,280 --> 00:27:49,199
Speaker 2: Set, totally, there's so much to take in, all the

551
00:27:49,240 --> 00:27:54,680
Speaker 2: new people, the politics of it all, taking the relationships,

552
00:27:54,720 --> 00:27:56,879
Speaker 2: figuring out how to work with the director and the

553
00:27:56,880 --> 00:28:00,760
Speaker 2: producers and every out right.

554
00:28:00,880 --> 00:28:01,960
Speaker 6: But you guys are amazing.

555
00:28:02,600 --> 00:28:03,239
Speaker 1: Well, thank you.

556
00:28:03,359 --> 00:28:10,119
Speaker 6: I remember I remember the vocal coach on he goes uh,

557
00:28:10,520 --> 00:28:14,040
Speaker 6: he said something like sing average.

558
00:28:15,160 --> 00:28:17,080
Speaker 1: Oh, he didn't want you to be too good?

559
00:28:17,160 --> 00:28:21,800
Speaker 6: What does sing average mean? How do I interpret that note?

560
00:28:26,680 --> 00:28:29,160
Speaker 1: Did you not sound so good?

561
00:28:29,480 --> 00:28:29,720
Speaker 3: Yeah?

562
00:28:29,960 --> 00:28:31,520
Speaker 6: Writer, you sounded great.

563
00:28:31,800 --> 00:28:34,520
Speaker 4: You did sound I think it was digitally altered.

564
00:28:34,520 --> 00:28:40,080
Speaker 2: But there is a great moment where writer slash Sean

565
00:28:40,600 --> 00:28:44,400
Speaker 2: grabs your chair and swings you around the table. Do

566
00:28:44,440 --> 00:28:50,200
Speaker 2: you remember rehearsing that, working on it, finding that in rehearsal?

567
00:28:50,320 --> 00:28:53,560
Speaker 2: Do you remember any of the non singing rehearsal moments.

568
00:28:54,760 --> 00:28:58,320
Speaker 1: No, I'm glad.

569
00:28:58,360 --> 00:29:00,760
Speaker 4: It's not just what I remember that moment either. It's

570
00:29:00,760 --> 00:29:03,000
Speaker 4: a big move, like it makes sense that you're a

571
00:29:03,080 --> 00:29:05,840
Speaker 4: dancer like that that could you helped make.

572
00:29:05,720 --> 00:29:07,240
Speaker 1: Out her balance exactly?

573
00:29:07,400 --> 00:29:11,200
Speaker 4: Yeah, It's pretty remarkable how quick like and easy it worked,

574
00:29:11,240 --> 00:29:11,640
Speaker 4: like I was.

575
00:29:11,640 --> 00:29:14,080
Speaker 5: Like this also, I mean it was also violent enough

576
00:29:14,120 --> 00:29:15,760
Speaker 5: to where you could have thrown somebody off that chair.

577
00:29:16,000 --> 00:29:17,640
Speaker 1: No, and she was able to stay on it.

578
00:29:17,720 --> 00:29:21,720
Speaker 2: And like writer said, I'm sure she was helping substantially

579
00:29:21,960 --> 00:29:23,000
Speaker 2: make that move happen.

580
00:29:23,360 --> 00:29:24,080
Speaker 1: So anyway, I.

581
00:29:24,040 --> 00:29:26,200
Speaker 2: Can't believe neither of you or none of us remember it,

582
00:29:26,240 --> 00:29:28,320
Speaker 2: because it's it's really well done.

583
00:29:28,640 --> 00:29:31,080
Speaker 6: Yeah, oh, well that's all righter.

584
00:29:30,880 --> 00:29:35,720
Speaker 2: Then no, no, okay, So you are a part of

585
00:29:35,760 --> 00:29:38,600
Speaker 2: a pretty infamous scene for Boy Meets World, and this

586
00:29:38,720 --> 00:29:41,880
Speaker 2: is where we realized we may have been forgetting a lot.

587
00:29:41,960 --> 00:29:45,080
Speaker 2: But the karaoke scene, we have Trina and her date

588
00:29:45,240 --> 00:29:49,800
Speaker 2: or Angela and her date, myself and Corey are performing War,

589
00:29:49,880 --> 00:29:53,880
Speaker 2: which we now know you auditioned with, and then you

590
00:29:53,960 --> 00:29:57,480
Speaker 2: and Sean singing I Got you, babe. What do you

591
00:29:57,560 --> 00:30:03,280
Speaker 2: remember about the song the rehearsing of it. We remember

592
00:30:03,320 --> 00:30:06,040
Speaker 2: it feeling pretty like there was like it was high stakes,

593
00:30:06,400 --> 00:30:09,160
Speaker 2: but that also may have just been because for for

594
00:30:09,240 --> 00:30:13,240
Speaker 2: those of us who are not singers, it is super

595
00:30:13,320 --> 00:30:16,120
Speaker 2: high up on our anxiety list to feel then uncomfortable

596
00:30:16,160 --> 00:30:18,000
Speaker 2: singing in front of people. So maybe it was just

597
00:30:18,160 --> 00:30:20,720
Speaker 2: us and maybe you don't remember it feeling high stress.

598
00:30:21,040 --> 00:30:22,680
Speaker 1: What was it for you?

599
00:30:22,720 --> 00:30:27,160
Speaker 6: Wow? I love this conversation. It's so fascinating. Yeah, I know.

600
00:30:27,440 --> 00:30:29,440
Speaker 6: I just remember having a lot of fun.

601
00:30:29,880 --> 00:30:34,200
Speaker 2: Okay, good god, Yeah, fun is good.

602
00:30:34,920 --> 00:30:39,440
Speaker 3: Yeah, Writer was not was not having fun for writer.

603
00:30:39,760 --> 00:30:42,880
Speaker 4: But I remember you were so helpful for me. I

604
00:30:42,920 --> 00:30:45,120
Speaker 4: don't know if you remember, but you changed the key

605
00:30:45,120 --> 00:30:49,600
Speaker 4: of our song, you like we did the table read

606
00:30:50,040 --> 00:30:53,280
Speaker 4: and then the first day of rehearsal, and you were

607
00:30:53,320 --> 00:30:56,320
Speaker 4: so confident and you obviously you just had the musical background,

608
00:30:56,520 --> 00:30:59,560
Speaker 4: and I remember you were like, we should, we should

609
00:30:59,560 --> 00:31:03,200
Speaker 4: have a meeting with the Ray Colecord, the music supervisor,

610
00:31:03,440 --> 00:31:05,760
Speaker 4: And so we got we had a phone call with him.

611
00:31:05,800 --> 00:31:09,520
Speaker 4: We went over to the where the phone, the stage

612
00:31:09,520 --> 00:31:11,840
Speaker 4: phone was. There was always a desk on the stage

613
00:31:11,840 --> 00:31:15,960
Speaker 4: phone and called him on speaker and he had like

614
00:31:16,040 --> 00:31:19,600
Speaker 4: his keyboard on the other and and you guys figured

615
00:31:19,640 --> 00:31:21,680
Speaker 4: out the key that was best for you and me,

616
00:31:21,720 --> 00:31:23,840
Speaker 4: and you're like, no, no, writer, you should sing higher,

617
00:31:23,840 --> 00:31:26,360
Speaker 4: and you like had him change the key right there,

618
00:31:26,440 --> 00:31:28,200
Speaker 4: and then he was like and you I was like, oh,

619
00:31:28,240 --> 00:31:30,840
Speaker 4: thank god, somebody knows what they're doing. And you like yeah.

620
00:31:30,960 --> 00:31:32,400
Speaker 4: And then the rest of the week was just me

621
00:31:32,640 --> 00:31:34,800
Speaker 4: trying to harmonize and I couldn't do it because I

622
00:31:34,800 --> 00:31:37,760
Speaker 4: would just always match your pitch. I was supposed to

623
00:31:37,760 --> 00:31:40,800
Speaker 4: be harmonizing with you, and I couldn't. I just couldn't.

624
00:31:41,000 --> 00:31:43,640
Speaker 4: And the and then that singing coach was there. He

625
00:31:43,680 --> 00:31:45,360
Speaker 4: wasn't there the first day, but then he came the

626
00:31:45,400 --> 00:31:48,440
Speaker 4: next week, and I remember him just being like he

627
00:31:48,520 --> 00:31:50,160
Speaker 4: was super supportive. But he was like, writer, you're a

628
00:31:50,160 --> 00:31:52,560
Speaker 4: e lead singer because lead singers can never harmonize. It's great,

629
00:31:52,760 --> 00:31:54,760
Speaker 4: sound great, I don't worry about it. That was his advice.

630
00:31:54,800 --> 00:31:57,200
Speaker 4: He's like, a real lead singer never can harmonize. Well,

631
00:31:57,240 --> 00:31:58,680
Speaker 4: so you're that just means you're elite singer.

632
00:31:58,680 --> 00:32:11,960
Speaker 9: It's cool, dude, Okay, it's so funny.

633
00:32:14,400 --> 00:32:14,720
Speaker 1: Okay.

634
00:32:14,760 --> 00:32:17,160
Speaker 2: Another question for you that maybe you remember, because I

635
00:32:17,160 --> 00:32:22,720
Speaker 2: did not, the take of Ben and I singing war

636
00:32:23,840 --> 00:32:26,120
Speaker 2: that ends up being the tag of the episode where

637
00:32:26,160 --> 00:32:29,680
Speaker 2: we're laughing and we're breaking and we're clearly just having fun.

638
00:32:30,960 --> 00:32:34,320
Speaker 2: Was that one of the takes that we did in

639
00:32:34,400 --> 00:32:37,400
Speaker 2: the regular scene that just went off the rails and

640
00:32:37,400 --> 00:32:39,360
Speaker 2: they ended up using it as a tag.

641
00:32:39,800 --> 00:32:42,160
Speaker 1: Do you remember us? Do you remember watching.

642
00:32:41,840 --> 00:32:46,240
Speaker 2: Us do that and and and it being was it planned?

643
00:32:46,640 --> 00:32:48,320
Speaker 1: Was it off the cuff?

644
00:32:49,400 --> 00:32:53,760
Speaker 6: I think I think it was from you guys performing

645
00:32:54,120 --> 00:32:59,560
Speaker 6: and they had it. You guys were hilarious, We were

646
00:32:59,600 --> 00:33:00,600
Speaker 6: having a Larry.

647
00:33:02,280 --> 00:33:04,760
Speaker 1: I said, it looks like we were having a lot

648
00:33:05,040 --> 00:33:05,560
Speaker 1: of fun.

649
00:33:05,920 --> 00:33:09,120
Speaker 6: Oh my gosh, you were so funny in that thing.

650
00:33:09,760 --> 00:33:15,440
Speaker 6: That was brilliant. How many gold I remember thinking, don't

651
00:33:15,560 --> 00:33:19,320
Speaker 6: laugh because you know so that's why I think it

652
00:33:19,400 --> 00:33:21,800
Speaker 6: was part of the scene. Yeah, because if it wasn't

653
00:33:21,840 --> 00:33:23,760
Speaker 6: part of the scene, then I would have relaxed and.

654
00:33:23,800 --> 00:33:26,960
Speaker 2: Been like, exactly, I'm just gonna go are there they're laughing,

655
00:33:27,000 --> 00:33:27,840
Speaker 2: I'm just gonna laugh.

656
00:33:29,080 --> 00:33:32,920
Speaker 6: But Kelly would not, you know. So, so that's why

657
00:33:32,920 --> 00:33:33,440
Speaker 6: I think it.

658
00:33:33,360 --> 00:33:36,080
Speaker 2: Was part of the It was it was planned that way.

659
00:33:36,160 --> 00:33:39,360
Speaker 2: We were supposed to do that. Okay, good, that's cute,

660
00:33:39,400 --> 00:33:39,960
Speaker 2: that's fun.

661
00:33:40,320 --> 00:33:41,760
Speaker 6: It is, it's an awesome button.

662
00:33:43,560 --> 00:33:45,920
Speaker 2: Was that the first time you had ever performed in

663
00:33:45,920 --> 00:33:48,040
Speaker 2: front of a live studio audience on a sitcom? Or

664
00:33:48,080 --> 00:33:50,360
Speaker 2: was Step by Step also in front of a live

665
00:33:50,360 --> 00:33:51,080
Speaker 2: studio audience?

666
00:33:51,520 --> 00:33:56,400
Speaker 6: Actually, all the sitcoms up until up till then, well

667
00:33:56,480 --> 00:33:59,160
Speaker 6: at that time, all of them were live, all of them. Okay,

668
00:33:59,360 --> 00:34:02,479
Speaker 6: I loved I think I only did one that was

669
00:34:02,600 --> 00:34:03,280
Speaker 6: not live.

670
00:34:03,600 --> 00:34:06,520
Speaker 1: Okay, Baby Box it was.

671
00:34:06,680 --> 00:34:09,600
Speaker 6: There was no audience when I worked on that show,

672
00:34:09,680 --> 00:34:11,560
Speaker 6: but it was all live.

673
00:34:12,400 --> 00:34:14,200
Speaker 1: But everything else and did you love it?

674
00:34:14,280 --> 00:34:17,120
Speaker 2: Do we talk about those live studio audience nights as

675
00:34:17,160 --> 00:34:17,960
Speaker 2: just being magical?

676
00:34:18,560 --> 00:34:20,880
Speaker 3: It is magical, Yeah, it really is.

677
00:34:21,880 --> 00:34:23,520
Speaker 5: That's what I miss more than anything else, I think,

678
00:34:23,680 --> 00:34:27,719
Speaker 5: other than working with the cast like just the kind

679
00:34:27,760 --> 00:34:28,280
Speaker 5: of company.

680
00:34:29,360 --> 00:34:30,040
Speaker 8: Just show night.

681
00:34:30,160 --> 00:34:32,560
Speaker 5: I mean, how do you It didn't even matter what

682
00:34:32,600 --> 00:34:35,839
Speaker 5: the episode was, just that night is so oh god,

683
00:34:35,880 --> 00:34:37,319
Speaker 5: it's absolutely it is.

684
00:34:37,360 --> 00:34:38,719
Speaker 3: It's magical. It's the only word to use.

685
00:34:39,800 --> 00:34:42,239
Speaker 6: And another thing I love. I know a lot of

686
00:34:42,280 --> 00:34:45,759
Speaker 6: actors hate this, but I love it is when during

687
00:34:45,800 --> 00:34:48,160
Speaker 6: show night when you'll get a new line, you know,

688
00:34:48,280 --> 00:34:52,200
Speaker 6: you'll rewrite something or try something out. I think that's

689
00:34:52,239 --> 00:34:54,680
Speaker 6: so fun and exciting. Well, because you.

690
00:34:54,880 --> 00:34:56,360
Speaker 5: Don't know what to expect from the audience as a

691
00:34:56,400 --> 00:34:59,040
Speaker 5: whole new energy, you get another jolt because it's like, ooh,

692
00:34:59,080 --> 00:35:00,680
Speaker 5: I gotta I hope I hit new line that I

693
00:35:00,760 --> 00:35:02,920
Speaker 5: just a new beat that I just have. Yeah, it really,

694
00:35:03,040 --> 00:35:03,479
Speaker 5: it's great.

695
00:35:03,480 --> 00:35:04,840
Speaker 4: And now there were times on our show when it

696
00:35:04,840 --> 00:35:08,320
Speaker 4: would be a whole two pages that new scenes or

697
00:35:08,600 --> 00:35:11,200
Speaker 4: like yeah, I remember like sitting there and rewriting and

698
00:35:11,360 --> 00:35:14,040
Speaker 4: you say this and that, you know, and like literally Kathy,

699
00:35:14,200 --> 00:35:17,000
Speaker 4: our script supervisor, just writing out by hand on pencil

700
00:35:17,040 --> 00:35:18,759
Speaker 4: and then being like, oh so that would get a

701
00:35:18,760 --> 00:35:21,920
Speaker 4: little stressful, but I agree it was usually a positive thing.

702
00:35:21,960 --> 00:35:23,520
Speaker 4: It was usually like a high wire act that kind

703
00:35:23,520 --> 00:35:24,360
Speaker 4: of was exciting.

704
00:35:24,640 --> 00:35:26,759
Speaker 3: Yeah, you get that adrenaline rush it's cool.

705
00:35:27,440 --> 00:35:30,200
Speaker 1: You mentioned that you are a mom. You have a daughter?

706
00:35:30,920 --> 00:35:31,280
Speaker 6: Yeah?

707
00:35:31,600 --> 00:35:34,800
Speaker 1: Has she ever seen your episode of Boy Meets World?

708
00:35:36,719 --> 00:35:41,400
Speaker 6: No? I think she. She just asked me about it, okay,

709
00:35:41,520 --> 00:35:43,640
Speaker 6: and she's asked me about a couple of things that

710
00:35:43,960 --> 00:35:48,200
Speaker 6: you know, other kids have seen. But no, she hasn't

711
00:35:48,239 --> 00:35:49,480
Speaker 6: seen it yet.

712
00:35:50,600 --> 00:35:52,880
Speaker 2: Does it do whenever somebody finds out you were on

713
00:35:52,920 --> 00:35:55,399
Speaker 2: Boy Meets World? Does anyone ever care? Is it ever

714
00:35:55,440 --> 00:35:57,280
Speaker 2: something that comes up in your life?

715
00:35:57,800 --> 00:35:58,880
Speaker 6: It makes me feel old.

716
00:36:00,200 --> 00:36:04,560
Speaker 1: I love that show, my mom, I love that show.

717
00:36:05,480 --> 00:36:06,399
Speaker 4: Kids love that show.

718
00:36:06,520 --> 00:36:06,640
Speaker 5: Now.

719
00:36:07,560 --> 00:36:12,160
Speaker 6: Yeah. Actually, my niece, Oh that's right. My niece just

720
00:36:12,200 --> 00:36:14,960
Speaker 6: sent me a text with a screenshot and went, Auntie,

721
00:36:15,000 --> 00:36:15,560
Speaker 6: is this you?

722
00:36:16,880 --> 00:36:17,279
Speaker 8: It is?

723
00:36:17,800 --> 00:36:19,200
Speaker 1: And it was from Boy Meets World.

724
00:36:19,280 --> 00:36:19,600
Speaker 2: Yeah.

725
00:36:19,680 --> 00:36:23,360
Speaker 6: Yeah, she's in her you know she's she's in the binge.

726
00:36:24,040 --> 00:36:25,760
Speaker 6: She's in the Boy Meets World binge.

727
00:36:25,960 --> 00:36:27,520
Speaker 1: Oh I love it. How old is she?

728
00:36:27,920 --> 00:36:29,560
Speaker 6: Ninth grade? Okay?

729
00:36:29,719 --> 00:36:30,000
Speaker 9: Wow?

730
00:36:30,200 --> 00:36:30,640
Speaker 7: See?

731
00:36:31,239 --> 00:36:31,520
Speaker 4: Yeah?

732
00:36:31,560 --> 00:36:35,840
Speaker 5: And does your daughter show any musical inclination or acting

733
00:36:35,920 --> 00:36:37,080
Speaker 5: inclination or.

734
00:36:37,440 --> 00:36:44,640
Speaker 6: You guys, she is so musical, she's got She did

735
00:36:44,680 --> 00:36:48,080
Speaker 6: a role with a very famous movie star and I'm

736
00:36:48,080 --> 00:36:49,839
Speaker 6: not sure if I can say quite yet, but in

737
00:36:49,880 --> 00:36:53,480
Speaker 6: a movie directed by Noah, bound Back that's coming out

738
00:36:53,480 --> 00:36:57,560
Speaker 6: this fall, amazing. I was on set watching her work

739
00:36:57,600 --> 00:37:03,439
Speaker 6: with this man and went, wow, wait till I tell

740
00:37:03,440 --> 00:37:05,920
Speaker 6: her who the person is.

741
00:37:06,360 --> 00:37:08,920
Speaker 3: She has no clue now, so we didn't know. She

742
00:37:08,920 --> 00:37:13,040
Speaker 3: didn't know Hugh Jackman very close. Okay, just throw him out.

743
00:37:13,040 --> 00:37:13,680
Speaker 3: See what happened.

744
00:37:16,320 --> 00:37:20,480
Speaker 6: And she also she's got a great voice. She's saying

745
00:37:20,480 --> 00:37:25,280
Speaker 6: on national commercials, and she's saying on Grammy Award winning

746
00:37:26,040 --> 00:37:28,719
Speaker 6: albums already, she's s session work.

747
00:37:29,320 --> 00:37:31,080
Speaker 1: Wow, old is she?

748
00:37:31,080 --> 00:37:31,880
Speaker 6: She's eleven?

749
00:37:32,440 --> 00:37:34,720
Speaker 1: Man, that's so cool.

750
00:37:35,000 --> 00:37:38,319
Speaker 6: I know it's nuts. And I just sit there. I'm

751
00:37:38,360 --> 00:37:41,279
Speaker 6: a studio mom, now you know. I I sit there

752
00:37:41,320 --> 00:37:42,880
Speaker 6: and have her do it again.

753
00:37:43,120 --> 00:37:45,920
Speaker 1: No, yeah, giving notes.

754
00:37:46,640 --> 00:37:49,960
Speaker 6: It's it's really it's it's really fun and exciting and

755
00:37:50,040 --> 00:37:51,720
Speaker 6: feels very full circle.

756
00:37:53,000 --> 00:37:53,280
Speaker 4: Together.

757
00:37:54,040 --> 00:37:55,880
Speaker 6: Well, I was gonna say, my goal is that we

758
00:37:55,960 --> 00:37:56,960
Speaker 6: do something together.

759
00:37:57,280 --> 00:38:01,719
Speaker 1: Ye right, of course, yeah, Oh that'd be so great.

760
00:38:01,800 --> 00:38:03,399
Speaker 4: I mean, you make the joke about giving her notes,

761
00:38:03,400 --> 00:38:06,120
Speaker 4: but you did teach her how to play music at first,

762
00:38:06,200 --> 00:38:07,080
Speaker 4: right when she was younger.

763
00:38:07,520 --> 00:38:12,080
Speaker 6: Oh you do you remember? Yeah, she's she's excellent little pianist,

764
00:38:12,360 --> 00:38:13,480
Speaker 6: right right.

765
00:38:13,320 --> 00:38:15,320
Speaker 4: And I remember because I remember asking you. I was

766
00:38:15,360 --> 00:38:17,360
Speaker 4: like how can I get my son to play? You're like,

767
00:38:17,400 --> 00:38:19,680
Speaker 4: you just got it. Is it the Suzuki method or whatever?

768
00:38:19,680 --> 00:38:21,200
Speaker 4: You like, you just got to do it. Yeah, you

769
00:38:21,239 --> 00:38:23,920
Speaker 4: just got to make them do it. At like three,

770
00:38:24,080 --> 00:38:25,799
Speaker 4: you were already like nope, you just got to sit

771
00:38:25,800 --> 00:38:28,000
Speaker 4: down and play. Yeah, you were like hardcore about it.

772
00:38:28,040 --> 00:38:29,080
Speaker 4: I loved it. It was awesome.

773
00:38:29,440 --> 00:38:30,080
Speaker 3: But it worked.

774
00:38:30,080 --> 00:38:31,759
Speaker 4: I mean yeah, no, totally. That was the thing. Your

775
00:38:31,760 --> 00:38:34,120
Speaker 4: whole point was like, they have to just always have

776
00:38:34,200 --> 00:38:36,839
Speaker 4: the instruments around, and you just do it, like every day,

777
00:38:36,920 --> 00:38:38,399
Speaker 4: like just get down or you know, at least once

778
00:38:38,440 --> 00:38:41,000
Speaker 4: a week or whatever, do it. And you were like yeah,

779
00:38:41,080 --> 00:38:42,400
Speaker 4: and it worked obviously.

780
00:38:42,760 --> 00:38:45,640
Speaker 6: Yeah, she's doing really well. We we do have a

781
00:38:45,640 --> 00:38:48,120
Speaker 6: lot of instruments around the house and I just lay

782
00:38:48,160 --> 00:38:51,200
Speaker 6: them out. I mean she's older now, but as a kid,

783
00:38:51,239 --> 00:38:52,640
Speaker 6: you know, you just lay them out and they just

784
00:38:52,840 --> 00:38:54,480
Speaker 6: twot on something or play on something.

785
00:38:54,800 --> 00:38:56,080
Speaker 1: Yeah, and you.

786
00:38:56,000 --> 00:38:59,799
Speaker 2: Know, Ada has really we have two friends that have

787
00:39:00,080 --> 00:39:05,000
Speaker 2: drum kits at their house, and Adler has really gravitated

788
00:39:05,160 --> 00:39:08,480
Speaker 2: to the drums. He wants to sit there and and

789
00:39:08,640 --> 00:39:11,680
Speaker 2: figure it out. And I'm like, I don't like noise.

790
00:39:14,000 --> 00:39:19,359
Speaker 5: He was drummer of the first band I was ever in. Yeah,

791
00:39:19,400 --> 00:39:21,359
Speaker 5: he played when we were all together.

792
00:39:21,160 --> 00:39:21,879
Speaker 4: Making our band.

793
00:39:21,960 --> 00:39:24,280
Speaker 3: So yeah, he's the first drummer. Definitely.

794
00:39:25,560 --> 00:39:28,440
Speaker 2: I forgot Uncle Will came over and Keating and Adler

795
00:39:28,480 --> 00:39:29,640
Speaker 2: and Will had a little band.

796
00:39:29,680 --> 00:39:30,600
Speaker 3: It was so cute.

797
00:39:30,680 --> 00:39:33,080
Speaker 5: Absolutely, yeah, that's my first drummer and I think my

798
00:39:33,080 --> 00:39:33,800
Speaker 5: first guitarist.

799
00:39:33,880 --> 00:39:36,560
Speaker 3: So we haven't we split up. I mean there's some

800
00:39:36,640 --> 00:39:39,440
Speaker 3: internal stuff, but mostly.

801
00:39:39,200 --> 00:39:40,759
Speaker 1: The fact that they were four time.

802
00:39:41,520 --> 00:39:43,520
Speaker 3: There might be it was mostly about nap time. And

803
00:39:43,600 --> 00:39:45,840
Speaker 3: honestly it was my nap time that was in the

804
00:39:45,880 --> 00:39:46,160
Speaker 3: way of.

805
00:39:46,160 --> 00:39:50,680
Speaker 2: Everything, exactly, kept getting in the way crazy. So I

806
00:39:50,840 --> 00:39:53,440
Speaker 2: cannot let you go before I talked to you about

807
00:39:53,560 --> 00:39:57,799
Speaker 2: the office where you got to be very meta and

808
00:39:57,840 --> 00:40:02,080
Speaker 2: you played an actress playing Miss love It in Sweeney

809
00:40:02,120 --> 00:40:05,160
Speaker 2: Todd in the episode Andy's play. This must have been

810
00:40:05,680 --> 00:40:06,440
Speaker 2: so much fun.

811
00:40:07,040 --> 00:40:08,640
Speaker 6: Oh my gosh, you guys, it was a great So

812
00:40:08,680 --> 00:40:10,520
Speaker 6: there's an another added thing.

813
00:40:10,840 --> 00:40:14,160
Speaker 1: Okay, so okay, so yes, so.

814
00:40:14,920 --> 00:40:19,480
Speaker 6: Uh we did we were we were a local theater company,

815
00:40:19,800 --> 00:40:25,320
Speaker 6: community theater. Yes, swing Sweeney Todd and Ed Helms's character

816
00:40:25,960 --> 00:40:28,839
Speaker 6: Andy was in the in the play. So we did

817
00:40:28,840 --> 00:40:32,400
Speaker 6: that play and originally they do you remember do you

818
00:40:32,440 --> 00:40:36,960
Speaker 6: know the character Kevin. Yeah, of course, okay, yeah, So

819
00:40:37,239 --> 00:40:43,840
Speaker 6: originally my character was Kevin's new girlfriend. Oh yeah, so

820
00:40:44,320 --> 00:40:47,600
Speaker 6: who was playing missus Lovett in the community theater production.

821
00:40:47,840 --> 00:40:51,680
Speaker 1: Okay, so we.

822
00:40:51,160 --> 00:40:54,239
Speaker 6: Started that and we shot that, and then the next

823
00:40:54,320 --> 00:40:58,000
Speaker 6: day I went and got new script saying you are

824
00:40:58,000 --> 00:41:01,839
Speaker 6: no longer his girlfriend, you're his sister her, and so

825
00:41:02,640 --> 00:41:07,600
Speaker 6: then we filmed some scenes of us doing sibling things

826
00:41:08,320 --> 00:41:10,240
Speaker 6: on top of filming.

827
00:41:13,200 --> 00:41:15,480
Speaker 2: I hate to point this out, but it's almost as

828
00:41:15,520 --> 00:41:20,040
Speaker 2: if you were dumped in that episode off camera against

829
00:41:21,040 --> 00:41:24,600
Speaker 2: I don't want to mention it, but it's kind of like, yike,

830
00:41:25,360 --> 00:41:32,799
Speaker 2: the actor. The writers were like, not the girlfriend someone,

831
00:41:32,400 --> 00:41:35,000
Speaker 2: you're now the sister.

832
00:41:37,640 --> 00:41:41,440
Speaker 6: That's hilarious. Oh my gosh, it's true.

833
00:41:41,960 --> 00:41:43,880
Speaker 3: Took They took you full and of cleaves.

834
00:41:43,960 --> 00:41:47,120
Speaker 5: Very interesting how they decided to do that from wife

835
00:41:47,160 --> 00:41:47,600
Speaker 5: to sister.

836
00:41:48,320 --> 00:41:48,520
Speaker 3: Now.

837
00:41:48,600 --> 00:41:50,160
Speaker 5: Is this one of the things where, because I know

838
00:41:50,360 --> 00:41:52,239
Speaker 5: I'm a big Office fan and Daniel's a big Office

839
00:41:52,239 --> 00:41:54,520
Speaker 5: fan too, when you get the DVDs a lot of

840
00:41:54,560 --> 00:41:56,759
Speaker 5: times there's all the bonus footage that they have.

841
00:41:56,960 --> 00:41:59,000
Speaker 3: Is this something where we can actually see the stuff

842
00:41:59,000 --> 00:41:59,520
Speaker 3: that they shot.

843
00:42:00,080 --> 00:42:04,000
Speaker 6: Yeah, one of the scenes, uh, one of our sibling

844
00:42:04,120 --> 00:42:09,400
Speaker 6: scenes is on the bonus cool but I I you know,

845
00:42:09,440 --> 00:42:11,960
Speaker 6: I got to wear these crazy wigs as missus love

846
00:42:12,000 --> 00:42:15,359
Speaker 6: it fun and oh my gosh, that were so cool.

847
00:42:16,320 --> 00:42:19,160
Speaker 6: And of course I got to sing in a local

848
00:42:19,440 --> 00:42:23,720
Speaker 6: community the my my version of a community theater Cockney accent.

849
00:42:25,040 --> 00:42:27,000
Speaker 4: You know, I got to see this. I've never seen

850
00:42:27,040 --> 00:42:27,520
Speaker 4: this episode.

851
00:42:27,600 --> 00:42:29,400
Speaker 3: Oh it's a great episode.

852
00:42:29,560 --> 00:42:32,640
Speaker 5: It is so funny how badly the play starts to

853
00:42:32,680 --> 00:42:34,200
Speaker 5: go in the middle, like it's doing really well, that

854
00:42:34,280 --> 00:42:36,000
Speaker 5: it starts to go really terribly.

855
00:42:35,640 --> 00:42:38,880
Speaker 3: And then Andy just starts ad libbing on stage. It

856
00:42:39,000 --> 00:42:40,400
Speaker 3: is really funny.

857
00:42:40,560 --> 00:42:43,160
Speaker 6: Yeah, I was gonna say, you know what, I've got

858
00:42:43,160 --> 00:42:46,200
Speaker 6: a prop over. I have a prop knife around here somewhere.

859
00:42:46,280 --> 00:42:48,280
Speaker 1: Yes, please, I'll get them knife.

860
00:42:48,640 --> 00:42:51,799
Speaker 6: I have all sorts of goodies around here. But that

861
00:42:52,080 --> 00:42:54,960
Speaker 6: was a blast, so cool, a blast.

862
00:42:55,200 --> 00:42:55,799
Speaker 1: I love that.

863
00:42:56,680 --> 00:42:59,880
Speaker 2: So since season one of us doing this podcast, we

864
00:43:00,200 --> 00:43:03,040
Speaker 2: have been talking about wanting to build a time machine,

865
00:43:03,280 --> 00:43:05,360
Speaker 2: and we there are many things we want to build

866
00:43:05,360 --> 00:43:06,920
Speaker 2: a time machine for. We want to go back, we

867
00:43:06,960 --> 00:43:10,200
Speaker 2: want to appreciate the show more. We want to appreciate

868
00:43:10,280 --> 00:43:13,239
Speaker 2: lots of things more. If you could go back in

869
00:43:13,320 --> 00:43:16,839
Speaker 2: time to see young Heather, Marie Marston on the set

870
00:43:16,840 --> 00:43:19,800
Speaker 2: of Boy Meets World and you could talk to yourself,

871
00:43:20,040 --> 00:43:21,239
Speaker 2: what would you say.

872
00:43:22,520 --> 00:43:25,040
Speaker 6: Wow, that's intense, Danielle.

873
00:43:25,200 --> 00:43:29,080
Speaker 1: Sorry, sorry, that's what we do here. We'd like to Wow.

874
00:43:29,239 --> 00:43:33,520
Speaker 6: What would I say? Oh, my gosh, I don't know.

875
00:43:34,080 --> 00:43:34,640
Speaker 3: I don't know.

876
00:43:35,520 --> 00:43:41,719
Speaker 6: This is gonna sound so but I one thing I

877
00:43:41,719 --> 00:43:46,000
Speaker 6: did learn young was to definitely appreciate things as I went,

878
00:43:47,320 --> 00:43:51,280
Speaker 6: and so I I do. I just remember having maybe

879
00:43:51,320 --> 00:43:54,360
Speaker 6: I would have maybe I would have not been I

880
00:43:54,400 --> 00:43:57,240
Speaker 6: wouldn't say that I was shy, but maybe I would

881
00:43:57,239 --> 00:44:03,880
Speaker 6: have talk to you guys more in a you know, yeah,

882
00:44:03,920 --> 00:44:07,000
Speaker 6: maybe like that. That just sounded like we didn't talk that,

883
00:44:07,080 --> 00:44:08,160
Speaker 6: which is not accurate.

884
00:44:08,760 --> 00:44:11,160
Speaker 2: No, but you were probably, like you said, when you

885
00:44:11,200 --> 00:44:12,719
Speaker 2: come on, when you're a guest star and you come

886
00:44:12,719 --> 00:44:16,319
Speaker 2: on to a show, your natural tendency is to just

887
00:44:16,480 --> 00:44:18,040
Speaker 2: sit back and watch.

888
00:44:18,360 --> 00:44:22,360
Speaker 1: And yeah, try to blend in. And I like that.

889
00:44:22,520 --> 00:44:27,879
Speaker 2: I like the idea of saying, you're there, you got

890
00:44:27,880 --> 00:44:31,839
Speaker 2: here here for a reason, join in, talk more, participate more,

891
00:44:32,719 --> 00:44:34,359
Speaker 2: act like you belong because you do.

892
00:44:35,480 --> 00:44:39,719
Speaker 6: Yeah. Yeah, but I just remember that was one of

893
00:44:39,760 --> 00:44:45,120
Speaker 6: the sets that was so fun and so nice. So

894
00:44:45,280 --> 00:44:48,080
Speaker 6: there's not a lot.

895
00:44:47,560 --> 00:44:48,799
Speaker 3: I'm glad to hear that. That's good.

896
00:44:49,040 --> 00:44:49,879
Speaker 1: Yeah, makes us.

897
00:44:49,800 --> 00:44:53,239
Speaker 6: Happy, you know, because you know it's not always like that.

898
00:44:53,840 --> 00:44:55,439
Speaker 1: Yeah, exactly, it's not.

899
00:44:57,360 --> 00:45:00,600
Speaker 6: Right, So there's not so it's it's all good.

900
00:45:01,880 --> 00:45:05,080
Speaker 2: You mentioned that you are now a stage mom for

901
00:45:05,239 --> 00:45:08,480
Speaker 2: your daughter, who's working and successful in her own right.

902
00:45:09,040 --> 00:45:11,400
Speaker 2: What else are you working on now? Where can people

903
00:45:11,480 --> 00:45:13,799
Speaker 2: find you? Where can people see you? What are you doing?

904
00:45:13,960 --> 00:45:14,920
Speaker 2: What do you want people to know?

905
00:45:16,239 --> 00:45:20,000
Speaker 6: Well, I'm still out there because I'm a Chiteau for life. Yeah,

906
00:45:20,320 --> 00:45:25,000
Speaker 6: a lifer. You're born that way, right. Sometimes you wish

907
00:45:25,040 --> 00:45:27,399
Speaker 6: you could just take it off. And the only time

908
00:45:27,440 --> 00:45:31,080
Speaker 6: that I ever wished there was one one moment that

909
00:45:31,160 --> 00:45:34,440
Speaker 6: I the only time in my life I ever thought

910
00:45:34,480 --> 00:45:36,880
Speaker 6: I don't have to be an actor anymore. And it

911
00:45:37,080 --> 00:45:41,240
Speaker 6: was a fleeting thought, was after I had my daughter,

912
00:45:41,560 --> 00:45:44,600
Speaker 6: and I thought, looking at this baby, I was just like, Wow,

913
00:45:45,200 --> 00:45:47,600
Speaker 6: I don't have to be anybody else. I don't have

914
00:45:47,640 --> 00:45:50,600
Speaker 6: to step into any other world. I can just be here.

915
00:45:50,719 --> 00:45:57,839
Speaker 6: But anyway I'm around. And also I fell into a

916
00:45:57,880 --> 00:46:00,719
Speaker 6: band with some amazing musicians. Do you guys you know

917
00:46:00,800 --> 00:46:03,880
Speaker 6: Game of Thrones? Right, of course we've heard of it. Okay,

918
00:46:03,960 --> 00:46:09,719
Speaker 6: So the cell is for that is my bandmate. We

919
00:46:09,800 --> 00:46:13,960
Speaker 6: play yeah, it's he plays electric cello, he plugs it

920
00:46:14,000 --> 00:46:17,359
Speaker 6: in so cello and guitar and drums and myself and

921
00:46:17,400 --> 00:46:20,520
Speaker 6: we play a lot of music festivals and wineries. We

922
00:46:20,640 --> 00:46:26,200
Speaker 6: played wineries. Now that's so cool, Jones House and we

923
00:46:26,239 --> 00:46:29,640
Speaker 6: release singles on you know the streamers.

924
00:46:29,200 --> 00:46:31,080
Speaker 1: And do you have a website or in instagram?

925
00:46:31,680 --> 00:46:38,680
Speaker 6: Jones House band, Jones House, Instagram dot com. Love that

926
00:46:39,040 --> 00:46:41,839
Speaker 6: perfect and then look out for Sadie in.

927
00:46:44,440 --> 00:46:45,000
Speaker 1: What's her last?

928
00:46:45,040 --> 00:46:46,080
Speaker 6: Nadi Stall Cup.

929
00:46:45,920 --> 00:46:48,879
Speaker 2: Safdie Stall Cup. Okay, great, well, Heather, Thank you so

930
00:46:49,000 --> 00:46:50,920
Speaker 2: much for joining us today. It was a pleasure to

931
00:46:50,960 --> 00:46:53,080
Speaker 2: reconnect with you and to hear your experience. Thank you

932
00:46:53,120 --> 00:46:56,840
Speaker 2: for shining a light on some stuff we had otherwise forgotten.

933
00:46:56,880 --> 00:46:59,520
Speaker 2: And I still think it's so interesting now to know

934
00:46:59,640 --> 00:47:03,319
Speaker 2: that your audition sheet was war. I feel like now

935
00:47:03,320 --> 00:47:06,759
Speaker 2: we need to get to the bottom of that situation.

936
00:47:08,160 --> 00:47:10,440
Speaker 1: So cool. Thank you for being here with us. It

937
00:47:10,480 --> 00:47:11,440
Speaker 1: was a pleasure to talk to you.

938
00:47:11,719 --> 00:47:14,040
Speaker 6: Thank you guys so much. It's so good to see

939
00:47:14,080 --> 00:47:18,120
Speaker 6: all of you. You just everything, Thank.

940
00:47:17,840 --> 00:47:21,240
Speaker 2: You, Thank you, hugs to everybody.

941
00:47:21,040 --> 00:47:24,040
Speaker 3: Bye bye. So funny.

942
00:47:24,080 --> 00:47:26,320
Speaker 1: I wonder, I mean, I really do think.

943
00:47:26,200 --> 00:47:31,240
Speaker 2: My my thought that they originally maybe had her written

944
00:47:31,239 --> 00:47:32,280
Speaker 2: as a crazy woman.

945
00:47:32,960 --> 00:47:36,759
Speaker 4: That's what I think that was the joke. And then right,

946
00:47:36,880 --> 00:47:40,040
Speaker 4: it just doesn't. It makes sean storyline kind of lame

947
00:47:40,080 --> 00:47:41,879
Speaker 4: if he's just like on a date with a lame

948
00:47:42,120 --> 00:47:45,440
Speaker 4: like a crazy girl him. You know, it has to

949
00:47:45,480 --> 00:47:48,160
Speaker 4: be that Sean isn't ready to move on with somebod

950
00:47:48,160 --> 00:47:49,640
Speaker 4: who is actually good for him.

951
00:47:49,880 --> 00:47:51,399
Speaker 1: Exactly, she wasn't.

952
00:47:51,440 --> 00:47:53,879
Speaker 5: Does anybody remember she wasn't the quote unquote crazy girl

953
00:47:54,000 --> 00:47:56,359
Speaker 5: by table Read like they'd already switched it.

954
00:47:57,520 --> 00:47:59,640
Speaker 1: You think I remember this table Read.

955
00:48:00,160 --> 00:48:02,200
Speaker 4: Always singing I've got you babes.

956
00:48:02,320 --> 00:48:06,160
Speaker 3: Yeah, and they've got so what you it's a week prep.

957
00:48:06,239 --> 00:48:08,600
Speaker 5: Really, they're gonna they're gonna audition on a Tuesday Wednesday

958
00:48:08,640 --> 00:48:10,320
Speaker 5: for the following week's episode.

959
00:48:10,400 --> 00:48:10,760
Speaker 3: Correct.

960
00:48:11,120 --> 00:48:14,080
Speaker 2: Yes, Usually usually they've cast by the day before at

961
00:48:14,080 --> 00:48:16,919
Speaker 2: the very least, So they're probably auditioning, Like while we're

962
00:48:16,960 --> 00:48:20,800
Speaker 2: rehearsing for our Thursday night tape night, they're rehearsing that Monday.

963
00:48:21,360 --> 00:48:24,160
Speaker 2: I mean, they're auditioning that Monday, Tuesday, Wednesday for the

964
00:48:24,200 --> 00:48:26,640
Speaker 2: next one. Yeah, for the show that starts on Friday.

965
00:48:27,040 --> 00:48:30,200
Speaker 1: Makes sense, Yeah, I remember that I remember. It's funny.

966
00:48:30,239 --> 00:48:31,920
Speaker 2: I don't even think about it anymore because I don't

967
00:48:31,920 --> 00:48:35,280
Speaker 2: not ISSI for anything, but the idea of like booking

968
00:48:35,320 --> 00:48:39,680
Speaker 2: a job and then you start tomorrow, yeah okay, okay.

969
00:48:39,840 --> 00:48:43,000
Speaker 4: I used to remember. I remember auditioning it and being like, oh, okay,

970
00:48:43,000 --> 00:48:45,239
Speaker 4: they need you on stage now. Yeah, there's that too,

971
00:48:45,280 --> 00:48:47,440
Speaker 4: for you're gonna go right over to your especially during

972
00:48:47,520 --> 00:48:49,560
Speaker 4: stay calm, because if you're a guest star, they just

973
00:48:49,560 --> 00:48:51,600
Speaker 4: be like, oh great, well yeah, since you just got

974
00:48:51,960 --> 00:48:53,799
Speaker 4: like come back at three o'clock and go to the

975
00:48:53,800 --> 00:48:56,880
Speaker 4: stage and start rehearsing, like oh, okay.

976
00:48:56,840 --> 00:48:59,160
Speaker 1: Okay, I guess I guess I'm starting now.

977
00:48:59,200 --> 00:49:01,560
Speaker 4: I kind of always loved that though, because you have

978
00:49:01,600 --> 00:49:03,279
Speaker 4: to think about it and let you just do it,

979
00:49:03,400 --> 00:49:03,600
Speaker 4: you know.

980
00:49:03,680 --> 00:49:06,799
Speaker 2: I just think about now how much my life needs

981
00:49:06,840 --> 00:49:09,359
Speaker 2: to be, like my calendar and my organization, like it's

982
00:49:09,360 --> 00:49:10,480
Speaker 2: all on such a regiment.

983
00:49:10,560 --> 00:49:11,399
Speaker 3: The idea that.

984
00:49:11,320 --> 00:49:13,440
Speaker 1: It would just be like oh, for now for the next.

985
00:49:13,840 --> 00:49:16,399
Speaker 4: Of an actor is kind of crazy. Like you have

986
00:49:16,480 --> 00:49:18,880
Speaker 4: to be flexible because that it is, you know, you

987
00:49:18,920 --> 00:49:20,520
Speaker 4: have to just jump into something.

988
00:49:20,600 --> 00:49:23,719
Speaker 2: And why the joke always exists that if you need

989
00:49:23,760 --> 00:49:25,560
Speaker 2: to book a job, just plan a vacation.

990
00:49:25,800 --> 00:49:25,960
Speaker 6: Yep.

991
00:49:26,000 --> 00:49:29,800
Speaker 3: Because buy non refundable plane ticket somewhere you will.

992
00:49:29,600 --> 00:49:32,840
Speaker 1: Get that job your book for sure, way it works.

993
00:49:33,440 --> 00:49:35,239
Speaker 2: Thank you all for joining us for this episode of

994
00:49:35,239 --> 00:49:37,279
Speaker 2: Pod Meets World. As always, you can follow us on

995
00:49:37,320 --> 00:49:39,759
Speaker 2: Instagram pod meets World Show. You can send us your

996
00:49:39,800 --> 00:49:42,400
Speaker 2: emails pod meets World Show at gmail dot com.

997
00:49:42,440 --> 00:49:43,840
Speaker 1: And we've got merch.

998
00:49:44,440 --> 00:49:46,520
Speaker 8: So like the first time I sat down with Keaton

999
00:49:46,520 --> 00:49:49,759
Speaker 8: and Adler, right, and Keaton strums out this tune and

1000
00:49:49,800 --> 00:49:51,360
Speaker 8: I'm like, that's a hit record.

1001
00:49:51,760 --> 00:49:52,400
Speaker 1: That's merch.

1002
00:49:55,360 --> 00:49:57,280
Speaker 4: That was a tune we call merch.

1003
00:49:57,600 --> 00:49:57,920
Speaker 5: Merch.

1004
00:49:58,120 --> 00:50:00,480
Speaker 3: That's right. Merch is our first albums to when we've

1005
00:50:00,480 --> 00:50:01,000
Speaker 3: done so far.

1006
00:50:01,080 --> 00:50:02,839
Speaker 8: And there's a chance in the future we're getting back

1007
00:50:02,840 --> 00:50:05,560
Speaker 8: together again and let's go some stuff together. But we're

1008
00:50:05,600 --> 00:50:08,480
Speaker 8: gonna we're going to round about again and lay down

1009
00:50:08,600 --> 00:50:09,200
Speaker 8: some new tracks.

1010
00:50:09,239 --> 00:50:14,360
Speaker 1: You know, I will go watch this performance for sure.

1011
00:50:14,520 --> 00:50:16,360
Speaker 1: I could listen to twenty four hours of that.

1012
00:50:18,640 --> 00:50:21,960
Speaker 2: Pondmeetsworldshow dot com will send us out.

1013
00:50:22,280 --> 00:50:23,960
Speaker 3: We love you all, pod dismissed.

1014
00:50:25,400 --> 00:50:28,160
Speaker 5: Pod Meets World is nheart podcast producer and hosted by

1015
00:50:28,239 --> 00:50:32,359
Speaker 5: Danielle Fischel, Wilfredell and Ryder Strong. Executive producers Jensen Carp

1016
00:50:32,440 --> 00:50:35,720
Speaker 5: and Amy Sugarman, Executive in charge of production, Danielle Romo,

1017
00:50:36,040 --> 00:50:39,719
Speaker 5: producer and editor, Tara sudbachsch producer, Maddie Moore.

1018
00:50:39,760 --> 00:50:42,120
Speaker 3: Engineer and Boy Meets World super fan Easton Allen.

1019
00:50:42,360 --> 00:50:44,520
Speaker 5: Our theme song is by Kyle Morton of Typhoon and

1020
00:50:44,560 --> 00:50:47,000
Speaker 5: you can follow us on Instagram at Podmeets World Show

1021
00:50:47,280 --> 00:50:49,839
Speaker 5: or email us at Podmeats World Show at gmail dot

1022
00:50:49,840 --> 00:50:51,880
Speaker 5: com