1 00:00:00,000 --> 00:00:01,520 Speaker 1: Hey, listen, are just a quick word to let you 2 00:00:01,560 --> 00:00:04,080 Speaker 1: know that Alchemy This will be performing live on stage 3 00:00:04,160 --> 00:00:07,520 Speaker 1: at the Dynasty Typewriter Theater on May seven. Go to 4 00:00:07,720 --> 00:00:11,360 Speaker 1: dynast Typewriter dot com for tickets. Were performing May seven. 5 00:00:11,760 --> 00:00:13,280 Speaker 1: We'd love to have you come out and join us 6 00:00:13,440 --> 00:00:15,280 Speaker 1: right to us in fact after the show and let 7 00:00:15,360 --> 00:00:17,320 Speaker 1: us know how much you enjoyed it. See you all 8 00:00:17,400 --> 00:00:21,160 Speaker 1: May seventh at Alchemy This live at the Donast Typewriter Theater. 9 00:00:23,400 --> 00:00:26,560 Speaker 1: Welcome back to another episode of Alchemy This. I'm your host, 10 00:00:26,640 --> 00:00:31,240 Speaker 1: Kevin Pollock. Yes that Kevin. Yes, I personally read all 11 00:00:31,280 --> 00:00:33,519 Speaker 1: of your emails and thank you for writing to us 12 00:00:33,600 --> 00:00:35,919 Speaker 1: at your name here at Alchemy This dot com. And 13 00:00:36,000 --> 00:00:39,680 Speaker 1: by personally, of course, I mean that my trained chimp 14 00:00:40,400 --> 00:00:43,400 Speaker 1: was in fact given the Christian name I personally, but 15 00:00:43,520 --> 00:00:46,960 Speaker 1: I digress, my dear, who has and what the f's? 16 00:00:47,360 --> 00:00:49,239 Speaker 1: I could not be happy to be back in a 17 00:00:49,240 --> 00:00:52,479 Speaker 1: studio with our alchemist for another episode up Alchemy This. 18 00:00:53,280 --> 00:00:55,960 Speaker 1: Let's meet our Alchemys, shall we? In no particular order 19 00:00:55,960 --> 00:00:59,320 Speaker 1: to say hello to Chris Alvarado Junior Bacon Cree. I 20 00:00:59,360 --> 00:01:03,520 Speaker 1: believe everyone's got one true superpower like you keep a 21 00:01:03,560 --> 00:01:07,120 Speaker 1: remarkably clean kitchen counter at all times, or you know 22 00:01:07,200 --> 00:01:09,880 Speaker 1: what all of your friends food allergies and eating habits are. 23 00:01:10,640 --> 00:01:13,119 Speaker 1: That's my better half, Jamie. You did what I'm saying, 24 00:01:13,160 --> 00:01:16,160 Speaker 1: so cree. Starting with you, If you had to name 25 00:01:16,240 --> 00:01:20,000 Speaker 1: your one superpower, what would it be? Uh? Fitted clothing, 26 00:01:20,520 --> 00:01:23,480 Speaker 1: fitted clothing. All my clothes fit very well. Thank you 27 00:01:23,520 --> 00:01:29,160 Speaker 1: for your honest tak Okay, what the hell's Craig at 28 00:01:29,160 --> 00:01:35,120 Speaker 1: CASKI scrambled Craig's What would you say is your one superpower? 29 00:01:35,280 --> 00:01:45,720 Speaker 1: Cross word in pen raise the price of peacans? It's 30 00:01:45,800 --> 00:01:51,160 Speaker 1: Vanessa raglan Vane. What is your one superpower? When I 31 00:01:51,200 --> 00:01:56,600 Speaker 1: think I'm really good at organizing small toys? Yeah, and 32 00:01:56,720 --> 00:02:00,760 Speaker 1: clean it up? These are all I'm so a little 33 00:02:00,760 --> 00:02:03,520 Speaker 1: too pleased with myself that I came up with this category. Hey, 34 00:02:03,600 --> 00:02:08,960 Speaker 1: now for your pal pal, it's Carla A. Cowski. Carla, 35 00:02:09,000 --> 00:02:12,399 Speaker 1: thanks for being with us again. What might your one superpower? Bay? 36 00:02:12,480 --> 00:02:18,120 Speaker 1: I would have to say layers in hot weather not easy, people, 37 00:02:18,840 --> 00:02:23,919 Speaker 1: not but but your tongue the next time you're eating 38 00:02:23,919 --> 00:02:26,440 Speaker 1: a sandwich too quickly. If you think him least, it's 39 00:02:26,520 --> 00:02:30,760 Speaker 1: James Heeney, Jimmy Juniper Sarah, what is your one superpower? 40 00:02:31,000 --> 00:02:33,799 Speaker 1: I have the ability to wake up one second before 41 00:02:33,840 --> 00:02:37,240 Speaker 1: my alarm every single day, every single day, it just 42 00:02:37,320 --> 00:02:44,480 Speaker 1: doesn't not happen. That's my favorite double negative. Your superpower, 43 00:02:45,760 --> 00:02:49,600 Speaker 1: know your damn business. That's I'm actually I'm actually the 44 00:02:49,680 --> 00:02:54,239 Speaker 1: clean counter guy. Yeah. I gave Jamie and my two Yeah, 45 00:02:54,280 --> 00:02:56,680 Speaker 1: I am annoyingly clean counter guy and it's the only 46 00:02:56,720 --> 00:02:59,200 Speaker 1: Areabo c D in my life. But since it has 47 00:02:59,240 --> 00:03:03,000 Speaker 1: taken over, you have a really great kitchen. Thank you too. 48 00:03:03,080 --> 00:03:07,280 Speaker 1: Good yea, all right, let's get to our first scene. 49 00:03:08,200 --> 00:03:11,519 Speaker 1: All of today's scene suggestions were gathered from our listener emails, 50 00:03:11,680 --> 00:03:13,480 Speaker 1: and if you'd like to submit yours, please write to 51 00:03:13,520 --> 00:03:16,680 Speaker 1: the podcast at your name here at alchemy this dot com. 52 00:03:16,720 --> 00:03:18,720 Speaker 1: Thank you so much. Let's go to our first which 53 00:03:18,680 --> 00:03:23,280 Speaker 1: were sent in by Tony M. Rodriguez, who wrote, Hey Alchemist, 54 00:03:23,520 --> 00:03:25,720 Speaker 1: y'all do a great job and help me get through long, 55 00:03:25,960 --> 00:03:30,080 Speaker 1: boring work days. I can only listen when I'm working 56 00:03:30,160 --> 00:03:33,919 Speaker 1: from home because I cannot stop myself from cackling. Oh, 57 00:03:34,000 --> 00:03:36,680 Speaker 1: I like that word. I would a scene where you 58 00:03:36,720 --> 00:03:40,240 Speaker 1: know on the Some TV shows have a group of performers, 59 00:03:40,280 --> 00:03:42,640 Speaker 1: usually singers or dancers that have to come up with 60 00:03:42,680 --> 00:03:45,720 Speaker 1: a whole new routine after advancing to the next level 61 00:03:45,840 --> 00:03:48,680 Speaker 1: minutes before they have to perform it. What would that 62 00:03:48,720 --> 00:03:52,400 Speaker 1: green room look like? Thanks so much for all the laughs, Vanessa, 63 00:03:52,480 --> 00:04:00,160 Speaker 1: you are the best. That's from Tony Tony with an eye. 64 00:04:01,960 --> 00:04:08,480 Speaker 1: Everybody temuts okay, okay, okay, okay, okay, okay, So stretching, stretching, okay, 65 00:04:08,480 --> 00:04:14,200 Speaker 1: stretching okay, okay, okay. Something we are the laser Pointers, Yes, 66 00:04:14,240 --> 00:04:16,479 Speaker 1: but what is our new what's the great next thing 67 00:04:16,560 --> 00:04:18,719 Speaker 1: going to be? I don't know, But wouldn't it be 68 00:04:18,760 --> 00:04:22,560 Speaker 1: easy if we just turned all of our costumes backwards? 69 00:04:22,680 --> 00:04:26,040 Speaker 1: To be easy? Elias, I'm just supposed to be good. 70 00:04:26,320 --> 00:04:28,400 Speaker 1: I'm just saying, there's not a lot of time, and 71 00:04:28,440 --> 00:04:30,680 Speaker 1: maybe we could do something we practiced a lot. If 72 00:04:30,680 --> 00:04:33,200 Speaker 1: we're closes were inside out, I'd love to break dance. 73 00:04:33,640 --> 00:04:35,559 Speaker 1: Oh wait a second, let's go with that for a moment. 74 00:04:35,600 --> 00:04:38,599 Speaker 1: What kind of breakdance are we talking? Um? Well, we 75 00:04:38,640 --> 00:04:40,440 Speaker 1: can take any kind of cardboard in front of what 76 00:04:40,480 --> 00:04:42,840 Speaker 1: I've seen. I can just spin around on it and 77 00:04:42,880 --> 00:04:46,360 Speaker 1: so the rest of us will do what's happened laser Point. Also, 78 00:04:46,480 --> 00:04:49,560 Speaker 1: I can eat cake while you're breaking. Oh my gosh, 79 00:04:49,560 --> 00:04:51,560 Speaker 1: where did you get that cake? I made? It looks 80 00:04:51,560 --> 00:04:56,200 Speaker 1: so good? Kenny? What do you got? Um? I just 81 00:04:56,240 --> 00:05:01,320 Speaker 1: got stuck on cake? Okay? Is an extra one just here? 82 00:05:04,520 --> 00:05:07,560 Speaker 1: Looks good? Okay. I don't want to bring negativity into 83 00:05:07,560 --> 00:05:09,320 Speaker 1: the space because we have been doing such a great 84 00:05:09,360 --> 00:05:13,120 Speaker 1: job until now. We advanced. But if we win this, 85 00:05:14,920 --> 00:05:17,960 Speaker 1: everything changes. You're right, So you're saying, get back to 86 00:05:18,000 --> 00:05:22,640 Speaker 1: the dancing, same, get back to the dancing like definitely, 87 00:05:22,800 --> 00:05:25,960 Speaker 1: I can like get a degree if we win this, 88 00:05:26,120 --> 00:05:28,159 Speaker 1: like I'll have a degree all that, right, No, I 89 00:05:28,160 --> 00:05:30,800 Speaker 1: don't think that's what he said. He said everything changed 90 00:05:30,800 --> 00:05:34,279 Speaker 1: that magic, So Jessica, it's not magic. Just like you know, 91 00:05:34,360 --> 00:05:36,240 Speaker 1: he just means we would get more, like so I 92 00:05:36,279 --> 00:05:39,920 Speaker 1: can like grow five inches. Okay, it's I'll put it 93 00:05:40,000 --> 00:05:42,000 Speaker 1: like this. You know how nobody knows you, Slash really 94 00:05:42,040 --> 00:05:44,640 Speaker 1: even likes you. Okay, but I have a blog. I 95 00:05:44,680 --> 00:05:46,360 Speaker 1: do have a blog, okay, right right, Well, all I'm 96 00:05:46,360 --> 00:05:49,440 Speaker 1: saying is it will change. Everybody will know you and 97 00:05:49,520 --> 00:05:52,480 Speaker 1: everybody will like you. Let's go with that. Let's go 98 00:05:52,480 --> 00:05:56,080 Speaker 1: with that. That's positive. That's good, okay. Is it gluten free? 99 00:05:56,560 --> 00:06:00,919 Speaker 1: Of course if I'm gonna eat cake. I wanted to 100 00:06:00,920 --> 00:06:03,120 Speaker 1: be the real deal. Okay, but we have the dance first. 101 00:06:03,120 --> 00:06:06,800 Speaker 1: We got to dance first that cake. So what dance first? Cake? Second? 102 00:06:06,920 --> 00:06:09,640 Speaker 1: Is there a cake dance? Is there a cake dance? 103 00:06:09,640 --> 00:06:11,520 Speaker 1: I can look it up on my foot. Yeah, So 104 00:06:11,560 --> 00:06:13,680 Speaker 1: basically we dance on top of the cake, is what 105 00:06:13,720 --> 00:06:16,040 Speaker 1: you're saying. I think it's important to think about O 106 00:06:16,200 --> 00:06:18,719 Speaker 1: kick walk. I wasn't thinking about that. I was thinking 107 00:06:18,720 --> 00:06:21,320 Speaker 1: the song traditionally played with cakes is the birthday song. 108 00:06:22,480 --> 00:06:24,520 Speaker 1: Jimmy is a popper to make it pop pop pop 109 00:06:24,560 --> 00:06:27,200 Speaker 1: pop all day. You guys know, I pop and I lock. 110 00:06:28,680 --> 00:06:36,080 Speaker 1: Cake will be a human cake. Okay, you pop out 111 00:06:36,720 --> 00:06:39,159 Speaker 1: poppy and then we eat each other. We eat each other. 112 00:06:40,480 --> 00:06:44,320 Speaker 1: Started that sounds great. I'm I'm out. I'm not gonna 113 00:06:44,400 --> 00:06:45,760 Speaker 1: do this. What do you mean you're part of the 114 00:06:46,360 --> 00:06:50,240 Speaker 1: which is silly. I'm a classically trained dancer out. I'm 115 00:06:50,279 --> 00:06:52,640 Speaker 1: taking this out for You're not that good. I might 116 00:06:52,680 --> 00:06:54,680 Speaker 1: be not that good, but I'm better than the cake 117 00:06:54,720 --> 00:06:59,440 Speaker 1: eaters and good luck. Idea of the cake thing, No, 118 00:07:01,320 --> 00:07:03,440 Speaker 1: should turn our close inside out so that we can 119 00:07:03,480 --> 00:07:06,800 Speaker 1: do one of the rehearsed dances that were something about 120 00:07:06,800 --> 00:07:09,880 Speaker 1: the birthdays. Well, when you said the cake, I was like, okay, 121 00:07:09,920 --> 00:07:12,360 Speaker 1: we can choreograph. See what's happening here. We have a 122 00:07:12,400 --> 00:07:15,000 Speaker 1: little taste of success, just a little bit, and we're 123 00:07:15,040 --> 00:07:18,760 Speaker 1: already at each other. My guys were like, the Beatles 124 00:07:18,760 --> 00:07:21,880 Speaker 1: not there yet, but we need to. This is when 125 00:07:21,920 --> 00:07:25,720 Speaker 1: we need to come together. This is the moment everything changes. 126 00:07:26,120 --> 00:07:28,560 Speaker 1: I won't leave yet. Thank you, Kenny. Please can we 127 00:07:28,600 --> 00:07:31,600 Speaker 1: at least dance? Yeah? I'm gonna dance. Oh man, are 128 00:07:31,640 --> 00:07:35,240 Speaker 1: we gonna dance? Kenny? Let's be honest. Nobody here moves 129 00:07:35,280 --> 00:07:39,040 Speaker 1: their hips like you do. So, so I think Kenny 130 00:07:39,080 --> 00:07:41,679 Speaker 1: should be the base okay, and so he'll be moving 131 00:07:41,720 --> 00:07:56,400 Speaker 1: his hips the base of the cake. I got a point. 132 00:07:57,760 --> 00:08:00,600 Speaker 1: Maybe I'm not better than both the cake eaters. Kenny's 133 00:08:00,600 --> 00:08:03,559 Speaker 1: pretty good, okay, um um, So we have the base 134 00:08:03,600 --> 00:08:06,560 Speaker 1: of the cake. I can't hold laser pointerers in my hands, 135 00:08:06,640 --> 00:08:08,480 Speaker 1: in my mouth and in my nose to be the candles. 136 00:08:09,120 --> 00:08:18,240 Speaker 1: Rhythm rhythm, yes, so string section, what are you gonna bring? 137 00:08:18,720 --> 00:08:23,440 Speaker 1: I mean, I wasn't classically. I was going to do ballet, right, 138 00:08:24,240 --> 00:08:27,960 Speaker 1: but that's not how we got here. It was dancing sure. 139 00:08:28,400 --> 00:08:30,560 Speaker 1: And if you guys want to bring popping and locking 140 00:08:30,600 --> 00:08:33,160 Speaker 1: and break dancing in, can I not bring my classically 141 00:08:33,200 --> 00:08:35,959 Speaker 1: trained ballet. Maybe it's a little Yeah, I think it's 142 00:08:35,960 --> 00:08:38,680 Speaker 1: a good idea. Let's do both. I always felt like 143 00:08:38,720 --> 00:08:41,760 Speaker 1: I was a great kick that were really organized over there. 144 00:08:41,960 --> 00:08:44,520 Speaker 1: Oh my god, they are. They're not going to be 145 00:08:44,559 --> 00:08:46,880 Speaker 1: turning their office inside. They're all doing the same move 146 00:08:46,960 --> 00:08:52,920 Speaker 1: at the same time, car wheels. Oh well, maybe we're 147 00:08:52,920 --> 00:08:57,319 Speaker 1: we lose in synchronicity, we can gain in originality. Originality 148 00:08:57,400 --> 00:09:00,000 Speaker 1: that I'll be a cake topper. I've always thought I'd 149 00:09:00,040 --> 00:09:03,000 Speaker 1: make a quick thanks for circling back to us, Elliott, 150 00:09:03,240 --> 00:09:06,280 Speaker 1: you wanted a scary journey. We were all a little upset. Well, 151 00:09:06,360 --> 00:09:10,360 Speaker 1: I was upset. I was going to start eating cake life. 152 00:09:10,760 --> 00:09:14,920 Speaker 1: I'm going to be the night Yeah, yeah, that can 153 00:09:14,960 --> 00:09:23,480 Speaker 1: it can start eating sooner and then we scatter. Nice Kenny, 154 00:09:23,520 --> 00:09:27,080 Speaker 1: I'm so attracted to you right now, not before we 155 00:09:27,120 --> 00:09:30,480 Speaker 1: go on. Let's keep it, profess. Oh my god, they're 156 00:09:30,480 --> 00:09:33,240 Speaker 1: all doing back clips at the same time. We have 157 00:09:33,320 --> 00:09:37,040 Speaker 1: no chance we do Okay, Elliot's right, hands in the middle, 158 00:09:37,240 --> 00:09:40,240 Speaker 1: All right, hands in the middle, Feed outside, feed outside, 159 00:09:40,880 --> 00:09:49,400 Speaker 1: Shake your heads around you. Guys. This looks good. Feed 160 00:09:49,760 --> 00:10:00,120 Speaker 1: shake looking at us so cool? O gosh, oh no this. 161 00:10:00,320 --> 00:10:02,680 Speaker 1: Don't you do this to us? What happens? I think 162 00:10:02,760 --> 00:10:10,000 Speaker 1: my bone crumble, but you're going to be in the 163 00:10:10,040 --> 00:10:14,959 Speaker 1: hospital for a week. I really wanted everything to cheat me. Huh. 164 00:10:15,440 --> 00:10:20,160 Speaker 1: You're dancing. Okay, you are dancing until every phone in 165 00:10:20,200 --> 00:10:22,640 Speaker 1: your body crumbles. I have an idea. You could get 166 00:10:22,640 --> 00:10:25,840 Speaker 1: on top of my shoulders. I'll be your base. Oh 167 00:10:25,880 --> 00:10:30,880 Speaker 1: my gosh, Jessica, yeah, thank you. Three. Okay, okay, I 168 00:10:30,960 --> 00:10:35,800 Speaker 1: like this idea. Get up because the crumble bone won't move. Okay, 169 00:10:35,920 --> 00:10:38,319 Speaker 1: I'll get down. I'll get between your legs. Here we go, 170 00:10:43,200 --> 00:10:45,120 Speaker 1: all right, Kenny lead us off again with you with 171 00:10:45,200 --> 00:10:53,200 Speaker 1: the hands up outside. Yeah feels good. Okay, that feels good. 172 00:10:53,240 --> 00:10:57,720 Speaker 1: Thats good. Do I get my cake now? After after 173 00:10:58,160 --> 00:11:02,360 Speaker 1: we gotta earn it. We gotta earn it. Okay, suck 174 00:11:02,400 --> 00:11:07,640 Speaker 1: it all. I'm sorry, sorry, suck you got it. You 175 00:11:07,679 --> 00:11:10,959 Speaker 1: can do this. It's just a crumbled bone. It I'm 176 00:11:11,000 --> 00:11:13,920 Speaker 1: excited for the show. Maybe I don't understand what a 177 00:11:13,960 --> 00:11:16,839 Speaker 1: crumbled bone is. Well, it's when a bone doesn't just crack, 178 00:11:16,920 --> 00:11:20,320 Speaker 1: it shatters like a new my knee. It just looks 179 00:11:20,320 --> 00:11:23,400 Speaker 1: like a sock full of jelly. It looks like sad. Yeah, 180 00:11:24,320 --> 00:11:27,679 Speaker 1: that happened in my nose. One. Oh my god. Yeah, 181 00:11:28,400 --> 00:11:31,760 Speaker 1: build up Gray and I love the parishing. Thank you 182 00:11:32,160 --> 00:11:35,679 Speaker 1: all right. Next up in America's favorite dance off. It's 183 00:11:35,800 --> 00:11:42,800 Speaker 1: the laser pointer your back, tout your back, cut your back, 184 00:11:43,440 --> 00:11:46,640 Speaker 1: and they just completed a comebackstage. That was no girl. 185 00:11:48,280 --> 00:11:50,600 Speaker 1: I can't believe why you said you go to hold Tina. 186 00:11:51,360 --> 00:11:54,400 Speaker 1: I thought I could, but I think I have a 187 00:11:54,440 --> 00:11:59,440 Speaker 1: crumbled back. I have a crumbled back. Now Tina has 188 00:12:00,280 --> 00:12:06,080 Speaker 1: is all one crumble bone. Kenny, what the hell you 189 00:12:08,600 --> 00:12:12,080 Speaker 1: performed that horribly? I guess I'm never going to get 190 00:12:12,120 --> 00:12:17,120 Speaker 1: my degree. We don't we don't know. If we've lost you, 191 00:12:19,080 --> 00:12:21,960 Speaker 1: there's no way. Well, the other team is out there. Now, 192 00:12:22,320 --> 00:12:26,040 Speaker 1: let's watch. Our score combined was forty three point two. 193 00:12:26,240 --> 00:12:31,559 Speaker 1: That's basically yeah, let's watch that. Let's get in. Let's 194 00:12:31,559 --> 00:12:37,560 Speaker 1: watch them and flip and flip and flip flip and 195 00:12:37,679 --> 00:12:41,760 Speaker 1: Curt wheel and Curt wheel and back flip. Wow, they're good. 196 00:12:42,440 --> 00:12:46,480 Speaker 1: Cake topper. Cake Topper's cap topper. How do they do 197 00:12:48,080 --> 00:12:57,800 Speaker 1: our clothes? And how do they knowing our tag ballet, ballet, ballet, guys, 198 00:12:57,800 --> 00:13:00,760 Speaker 1: such a good knife. Oh my gosh, all their bumets 199 00:13:00,800 --> 00:13:06,360 Speaker 1: are crumbling, and that levitating? Why do we think that 200 00:13:06,720 --> 00:13:09,640 Speaker 1: I can't even levitate if I thought of it, Let's try. 201 00:13:09,800 --> 00:13:12,320 Speaker 1: Let's try right now. Let's try right now. The judges 202 00:13:12,480 --> 00:13:26,640 Speaker 1: everyone comes trents. Oh god, Kenny, how you levitated? The 203 00:13:26,720 --> 00:13:34,200 Speaker 1: judges are scoring them cake, Let's see what they get. What? No, 204 00:13:34,240 --> 00:13:42,959 Speaker 1: we're not going to food and the final score is nights. 205 00:13:44,400 --> 00:13:48,720 Speaker 1: That's so close, guys, so close. All right, I'm gonna 206 00:13:48,720 --> 00:13:50,480 Speaker 1: make something very clear. I don't want to see you 207 00:13:50,520 --> 00:13:52,840 Speaker 1: guys ever again. N I go to subways. Anybody want anything. 208 00:13:53,440 --> 00:13:57,400 Speaker 1: I'm just gonna leave this pair of pants here. I 209 00:13:57,440 --> 00:13:59,880 Speaker 1: think I think we lost Tina. I'm gonna blog about 210 00:13:59,880 --> 00:14:03,439 Speaker 1: this experience. No one's going to read. It's going to 211 00:14:03,559 --> 00:14:07,880 Speaker 1: read it to call my mom. Let's all call your mom. 212 00:14:09,320 --> 00:14:11,800 Speaker 1: Kind of a private conversation. I told her I was 213 00:14:11,800 --> 00:14:18,920 Speaker 1: gonna win. Oh Mom, it's my laser pointer. We were 214 00:14:19,000 --> 00:14:21,520 Speaker 1: cheering you on, but there's a delay in the TV. 215 00:14:21,880 --> 00:14:26,760 Speaker 1: I'm here to Janet, Oh hello, what are you wearing? 216 00:14:27,680 --> 00:14:33,920 Speaker 1: Mostly pink? Okay, as you suggested, you should turn the 217 00:14:33,960 --> 00:14:37,240 Speaker 1: TV off. We failed, I don't know it failed. The 218 00:14:37,240 --> 00:14:40,680 Speaker 1: word got a feeling great. We got a bunch of 219 00:14:41,000 --> 00:14:45,400 Speaker 1: us a little bit. Yeah, my god, but we tried 220 00:14:45,400 --> 00:14:49,560 Speaker 1: our hardest. Damn it, Elliott, you're worth nothing. You know 221 00:14:49,560 --> 00:14:52,280 Speaker 1: how much we paid for ballet lessons. I know you 222 00:14:52,320 --> 00:14:55,720 Speaker 1: know how much we paid. I'd like to know dollars. 223 00:14:55,960 --> 00:14:58,640 Speaker 1: There's that number again, that's right, but that's that's not 224 00:14:58,680 --> 00:15:04,000 Speaker 1: an education. Down the down the drains a thousand bucks 225 00:15:04,000 --> 00:15:07,800 Speaker 1: for each point we scored. But if you could just 226 00:15:08,280 --> 00:15:11,440 Speaker 1: oh so mad, I'm gonna like a margarita? Could you 227 00:15:11,480 --> 00:15:14,000 Speaker 1: have Dad picked me up with the no, you're a 228 00:15:14,000 --> 00:15:17,400 Speaker 1: little worth like ship. Hey, welcome to Chase Bank. See 229 00:15:17,440 --> 00:15:20,880 Speaker 1: you are applying for a job. Yeah, I have experience 230 00:15:21,120 --> 00:15:24,760 Speaker 1: in personal like communication. I'm really good at one on 231 00:15:24,840 --> 00:15:28,560 Speaker 1: one conversation's uh, And I'm dexterious with my hands and 232 00:15:28,600 --> 00:15:31,960 Speaker 1: I'm quick on my feet. That's very helpful. Alright, let's 233 00:15:31,960 --> 00:15:35,720 Speaker 1: see what we have here. Okay, so no, so no 234 00:15:35,880 --> 00:15:39,920 Speaker 1: actual bank experience, banking experience so far, not yet. But 235 00:15:40,080 --> 00:15:42,960 Speaker 1: this is a new adventure for me kind of. I'm 236 00:15:43,040 --> 00:15:46,720 Speaker 1: changing careers. Okay, See you you did study for a 237 00:15:46,760 --> 00:15:52,480 Speaker 1: long time at the Bob Sager Ballet Company. Yes, the 238 00:15:52,480 --> 00:15:56,200 Speaker 1: Bob Sagert Ballet Company. It was. It was expensive, but 239 00:15:56,240 --> 00:15:59,960 Speaker 1: I feel like the education I want to the company. 240 00:16:00,280 --> 00:16:02,800 Speaker 1: Let's get two things straight. I am not Bob saying. 241 00:16:03,360 --> 00:16:06,920 Speaker 1: I'm not Bob Seger. Okay, So if you're here to 242 00:16:06,960 --> 00:16:10,160 Speaker 1: work on your night moves or to watch America's Funniest 243 00:16:10,200 --> 00:16:20,840 Speaker 1: home videos, you're the wrong place usually happens, is Bob 244 00:16:21,000 --> 00:16:29,920 Speaker 1: sark because I do not, sir, I do not. I'm oh, 245 00:16:30,000 --> 00:16:33,880 Speaker 1: you stayed. I've really trumped my whole life of being 246 00:16:33,920 --> 00:16:37,160 Speaker 1: able to study ballet with you, a strong male dancer 247 00:16:37,240 --> 00:16:39,120 Speaker 1: like yourself. I feel like I have so much to learn. 248 00:16:39,440 --> 00:16:46,960 Speaker 1: It's what for a single term with Bob grand Is 249 00:16:47,000 --> 00:16:50,320 Speaker 1: there some sort of like um internships I can get 250 00:16:50,320 --> 00:16:53,560 Speaker 1: signed and people like right now if you really sign up? Okay, 251 00:16:54,040 --> 00:16:55,920 Speaker 1: do you think for first of all, we're gonna have 252 00:16:55,960 --> 00:16:58,880 Speaker 1: to get my moms to Linla. Thanks for asking. My 253 00:16:58,920 --> 00:17:00,880 Speaker 1: mom and dad are going to be co signers on 254 00:17:00,920 --> 00:17:04,280 Speaker 1: this loan. Um, how would you guys suggest me pitching 255 00:17:05,560 --> 00:17:10,480 Speaker 1: dollar ballet class? The pitches? Do you believe in art? 256 00:17:11,400 --> 00:17:13,679 Speaker 1: Do you believe in talent? Oh? My god, this is 257 00:17:13,720 --> 00:17:18,440 Speaker 1: all or nothing. Okay, that's the pitch. That's the pitch. 258 00:17:18,960 --> 00:17:21,280 Speaker 1: I feel the way that you passionately pitched it to 259 00:17:21,320 --> 00:17:23,439 Speaker 1: me would be much better if you passionately pitched it 260 00:17:23,440 --> 00:17:28,960 Speaker 1: to my mother. I'll passionately pitch it to your parents. Well, 261 00:17:29,000 --> 00:17:32,639 Speaker 1: they're here, actually, if you don't know ry mom, Dad? 262 00:17:32,840 --> 00:17:36,720 Speaker 1: Do you believe in art? Are you're a funny video guys? No, 263 00:17:36,960 --> 00:17:41,800 Speaker 1: that's but out of my studio. Well, I don't see 264 00:17:41,800 --> 00:17:44,760 Speaker 1: how this so that you can't work at this bank. 265 00:17:44,800 --> 00:17:46,520 Speaker 1: Will hold on a second. Do you know how many 266 00:17:46,520 --> 00:17:50,359 Speaker 1: people graduated from the Bob Sager Ballet University? I don't 267 00:17:50,359 --> 00:17:53,440 Speaker 1: know that answer. It's extremely low. Most people don't even 268 00:17:53,480 --> 00:17:57,840 Speaker 1: make it into the class. I graduated. That's determination. It's 269 00:17:57,880 --> 00:18:03,560 Speaker 1: Tom Tart interrupting. Coming to happy hour today? Uh yeah, excellent. Okay, Hey, 270 00:18:03,600 --> 00:18:06,440 Speaker 1: new guy. He's a guy. He's not hired. Oh you 271 00:18:06,440 --> 00:18:09,919 Speaker 1: can't just say that. It's not bad. What's your name, Cheery? 272 00:18:10,720 --> 00:18:12,800 Speaker 1: You'll get to because he's not right? What's up? Oh? 273 00:18:13,000 --> 00:18:17,719 Speaker 1: So happy? Okay? See you we were close here at 274 00:18:17,720 --> 00:18:21,760 Speaker 1: this chase closed. I'm so sorry to interrupt you. I 275 00:18:21,800 --> 00:18:24,720 Speaker 1: was just looking at you from across the room. Are 276 00:18:24,800 --> 00:18:27,600 Speaker 1: you by any chance a part of that laser group 277 00:18:27,680 --> 00:18:30,240 Speaker 1: that was on television a few weeks ago, Laser Points 278 00:18:30,359 --> 00:18:33,480 Speaker 1: or yeah, yeah, we had a pretty rough rand. Oh 279 00:18:33,520 --> 00:18:38,200 Speaker 1: I love you changed my life, You specifically changed my life. 280 00:18:38,320 --> 00:18:42,040 Speaker 1: You're dancing skills? We could Would you mind telling that 281 00:18:42,119 --> 00:18:44,159 Speaker 1: I'm in the middle of an interview right now? Could you? 282 00:18:44,320 --> 00:18:46,439 Speaker 1: I don't need to hear anymore? This is you're hired. 283 00:18:47,240 --> 00:18:49,680 Speaker 1: Oh my god. If you're changing people's lives, I don't 284 00:18:49,680 --> 00:18:52,440 Speaker 1: care if it's their dance or with numbers. We need 285 00:18:52,520 --> 00:18:54,439 Speaker 1: you here. How do you feel about getting drunk in 286 00:18:54,480 --> 00:18:57,400 Speaker 1: the in the early evening? Oh my god. I don't 287 00:18:57,480 --> 00:19:00,800 Speaker 1: usually drink, but today's a special day. Will I bring 288 00:19:00,800 --> 00:19:04,160 Speaker 1: my new friend? Yeah? Can I have an autograph? What's 289 00:19:04,560 --> 00:19:09,480 Speaker 1: and my name's Landon? Oh my lud. Will you come 290 00:19:09,520 --> 00:19:12,639 Speaker 1: out with me for drinks? Come out with you? Of 291 00:19:12,720 --> 00:19:15,439 Speaker 1: course I'll go out with him. Of course I'll be 292 00:19:15,480 --> 00:19:22,760 Speaker 1: your girlfriend. Landon, Honey, we're trying to get alone over here. Hi. Sorry, sorry, 293 00:19:22,800 --> 00:19:25,600 Speaker 1: my life has changed. What do you mean everything's different now? 294 00:19:25,920 --> 00:19:28,000 Speaker 1: Our kids are waiting first in the car. I never 295 00:19:28,040 --> 00:19:34,720 Speaker 1: really liked them. Oh it got weird. Why do I 296 00:19:34,800 --> 00:19:36,880 Speaker 1: need two forms of I d to cash a check. 297 00:19:37,400 --> 00:19:46,479 Speaker 1: That's just her apolo. Oh you did a video. Oh 298 00:19:46,520 --> 00:19:49,639 Speaker 1: that's a beautiful button for me. Let's get out to 299 00:19:49,680 --> 00:19:56,720 Speaker 1: our second scene. Oh man, Bob Sager to block Peter 300 00:19:57,680 --> 00:20:00,119 Speaker 1: al right. Next up is an email from Joe oh 301 00:20:00,240 --> 00:20:02,920 Speaker 1: Sep Kester, who wrote, good morning crew, how did you 302 00:20:03,000 --> 00:20:04,720 Speaker 1: over here in the morning? I love this guy is 303 00:20:04,760 --> 00:20:07,120 Speaker 1: seeing the other room. Thursday is not my favorite day 304 00:20:07,119 --> 00:20:09,359 Speaker 1: of the week because it's the last work day and 305 00:20:09,400 --> 00:20:12,520 Speaker 1: also a new episode day. Now, I just have to 306 00:20:12,520 --> 00:20:14,639 Speaker 1: find something to get me through the other days of 307 00:20:14,720 --> 00:20:17,600 Speaker 1: my contribution to society. Yeah. Yeah, so we can't help 308 00:20:17,600 --> 00:20:20,840 Speaker 1: you with every day Joseph, Jesus James. Don't let the 309 00:20:20,880 --> 00:20:23,440 Speaker 1: others bring you down. You are just as funny as 310 00:20:23,520 --> 00:20:30,240 Speaker 1: that before. Multiple people are worried about There's a lot 311 00:20:30,280 --> 00:20:33,800 Speaker 1: of worry about me, and you're my hero. This is 312 00:20:34,560 --> 00:20:39,840 Speaker 1: this unfamiliar? Did you do the two animal activists? Yes, 313 00:20:40,400 --> 00:20:44,240 Speaker 1: under date, undercover working out a zoo? Yes, good, good 314 00:20:44,280 --> 00:20:50,240 Speaker 1: good good? Okay great, uh let's try this one. Next, 315 00:20:51,080 --> 00:20:57,520 Speaker 1: fan emails from Jonathan Timball in Australia. Good day Alchemists again, 316 00:20:58,840 --> 00:21:02,040 Speaker 1: another one that we've heard. Holy crap, Okay, what does 317 00:21:02,119 --> 00:21:07,520 Speaker 1: he want? Us to do. Okay, let's see twins involves 318 00:21:07,560 --> 00:21:13,000 Speaker 1: twins that does a bell. We've we've had several from Australia, Australia. 319 00:21:13,400 --> 00:21:15,200 Speaker 1: We've done a couple of Australia. So let me get 320 00:21:15,200 --> 00:21:19,040 Speaker 1: through the set. I listened to you on the road 321 00:21:19,320 --> 00:21:21,240 Speaker 1: as I travel around the state for work. I'm on 322 00:21:21,280 --> 00:21:23,439 Speaker 1: the road of good four hours a day. I have 323 00:21:23,560 --> 00:21:26,080 Speaker 1: to say this podcast is top quality. I here, it's 324 00:21:26,119 --> 00:21:29,439 Speaker 1: the best podcast six states over. We'll take that this 325 00:21:29,560 --> 00:21:31,159 Speaker 1: scene that i'd love to hear. You guys take a 326 00:21:31,160 --> 00:21:35,120 Speaker 1: crack at as a therapy group for identical twins that 327 00:21:35,160 --> 00:21:37,600 Speaker 1: are mistaken for each other Constantly. They want to be 328 00:21:37,600 --> 00:21:40,400 Speaker 1: acknowledged as their own person, but can't because of their sibling. 329 00:21:40,720 --> 00:21:45,080 Speaker 1: The therapist has invited a special counselor. However, upon arrival, 330 00:21:45,160 --> 00:21:49,480 Speaker 1: this special counselor discovers that they too might be long 331 00:21:49,520 --> 00:21:52,320 Speaker 1: lost identical siblings. It'd be great to see what the 332 00:21:52,359 --> 00:21:54,280 Speaker 1: hell the team goes up with looking forward each episode. 333 00:21:54,280 --> 00:21:58,760 Speaker 1: Thank you so much, cheers Jonathan Timbo. Al Right, if 334 00:21:58,760 --> 00:22:01,000 Speaker 1: everyone just take a seat, please is wherever you can 335 00:22:01,040 --> 00:22:04,960 Speaker 1: find them. We don't have to sit by um your twin. 336 00:22:05,920 --> 00:22:09,120 Speaker 1: You don't have to I'm not going to ginger. Are 337 00:22:09,160 --> 00:22:13,560 Speaker 1: you ginger? I'm not I'm Ginger. Clearly ginger. I have 338 00:22:13,560 --> 00:22:16,320 Speaker 1: a same tag that says ginger. I am Cinnamon. I 339 00:22:16,320 --> 00:22:18,399 Speaker 1: didn't see that. It's okay, so centamon in Ginger, you 340 00:22:18,440 --> 00:22:21,040 Speaker 1: don't have to sit together. Great good. I'm gonna sit 341 00:22:21,080 --> 00:22:22,480 Speaker 1: on the other side of the room. I'm gonna sit 342 00:22:22,560 --> 00:22:27,639 Speaker 1: on this. It's going to make a noise. Not true. 343 00:22:28,000 --> 00:22:30,520 Speaker 1: Hey you too. Let's just welcome in the couple of 344 00:22:30,520 --> 00:22:36,679 Speaker 1: other twins if we could, Nick Nick and Mick Mick. 345 00:22:38,480 --> 00:22:41,560 Speaker 1: We don't like people call us mc nick. You don't know, 346 00:22:41,880 --> 00:22:44,560 Speaker 1: so let's just start that. Off's not gonna happen. Would 347 00:22:44,600 --> 00:22:47,280 Speaker 1: you mind sitting together? I mean, if they aren't sitting 348 00:22:47,320 --> 00:22:49,120 Speaker 1: next to each other, it's gonna be hard for us 349 00:22:49,160 --> 00:22:51,840 Speaker 1: not to precedents can set okay, next to you, you 350 00:22:51,880 --> 00:22:55,000 Speaker 1: can sit next to me neck Ginger and Cinnamon. Is 351 00:22:55,040 --> 00:22:58,200 Speaker 1: that right? Yeah? Sound off the close to you, said mcnick. 352 00:22:58,760 --> 00:23:01,160 Speaker 1: Yeah it did sound like that. It's not a funny joke. 353 00:23:01,200 --> 00:23:04,160 Speaker 1: I'll get into Nick and Mick Nick and yeah, I've 354 00:23:04,160 --> 00:23:08,840 Speaker 1: asked someone to join us today. I hope that's okay. Um, well, 355 00:23:09,200 --> 00:23:14,119 Speaker 1: we have another therapist someone I've been corresponding with for 356 00:23:14,119 --> 00:23:17,520 Speaker 1: for many years, and we finally decided to try a 357 00:23:17,560 --> 00:23:21,920 Speaker 1: couple of double therapy. So you are a real therapist. Yeah, 358 00:23:22,760 --> 00:23:24,520 Speaker 1: the plaque on the wall, I mean, I know you're 359 00:23:24,520 --> 00:23:27,480 Speaker 1: in our network, but yeah, what does that even mean? 360 00:23:28,040 --> 00:23:32,440 Speaker 1: The plaque on the wall. It means that you are you? 361 00:23:34,320 --> 00:23:37,280 Speaker 1: Wait a second, I know this guy. He looks familiar. 362 00:23:37,359 --> 00:23:41,320 Speaker 1: I've read your book. Man, Wait a second, I don't know. 363 00:23:41,760 --> 00:23:47,240 Speaker 1: That's weird. Hold on, wait a sec. Uh, you doctor, 364 00:23:47,680 --> 00:23:52,400 Speaker 1: we've never met double doctor Tim. I was adopted, so 365 00:23:53,040 --> 00:23:57,200 Speaker 1: I assumed I was what it? What is this happening? 366 00:23:57,320 --> 00:24:00,240 Speaker 1: You were adopted? I was adopted? Oh? Man, that line 367 00:24:00,320 --> 00:24:06,960 Speaker 1: so much? Right? This changes everything? Or nothing? No? It changes? 368 00:24:08,359 --> 00:24:13,080 Speaker 1: Is this a bit like a joke between people we've 369 00:24:13,080 --> 00:24:15,920 Speaker 1: never met before? And it is a weird? Looking into 370 00:24:16,280 --> 00:24:21,000 Speaker 1: mirror hired him. He didn't google his face, famous and 371 00:24:21,040 --> 00:24:24,760 Speaker 1: corresponding to emails for seven years. I just didn't think. 372 00:24:25,840 --> 00:24:29,359 Speaker 1: Where where are were you adopted? No? So where were 373 00:24:29,359 --> 00:24:32,080 Speaker 1: you raised? Excuse me, you guys, I'm sorry. Where were 374 00:24:32,080 --> 00:24:35,960 Speaker 1: you raised? Malibu, California? Oh no, it's a really pretty place. 375 00:24:36,080 --> 00:24:41,320 Speaker 1: Thank you, thank you. I know, let's not agree too much. 376 00:24:42,240 --> 00:24:44,240 Speaker 1: I'm not going to be shook by this. I have 377 00:24:44,280 --> 00:24:48,840 Speaker 1: a message to deliver today and maybe I can help me. Yeah, 378 00:24:49,320 --> 00:24:54,960 Speaker 1: let's try. You are you? I'm telling you he wrote 379 00:24:55,000 --> 00:24:59,880 Speaker 1: a book. Keep talking, it's good, keep talking. I don't 380 00:25:00,000 --> 00:25:02,720 Speaker 1: on me. I'll take care of you. They're fighting just 381 00:25:02,760 --> 00:25:04,960 Speaker 1: like us, Nick, you know, I mean we know we 382 00:25:05,119 --> 00:25:08,200 Speaker 1: just kind of met and now you're you're down my throat. Okay, 383 00:25:08,200 --> 00:25:09,919 Speaker 1: I was being encouraging, but if you want to be 384 00:25:09,920 --> 00:25:18,000 Speaker 1: a differen Ginger is like my cheerleader shooter and you 385 00:25:18,080 --> 00:25:21,120 Speaker 1: did you did shoot me that one time. You're fine? Yeah, well, 386 00:25:21,160 --> 00:25:26,200 Speaker 1: my legs not fine. I have a crushed bone. Leg crumble. 387 00:25:26,280 --> 00:25:29,680 Speaker 1: That's what I meant. It's been restructured. I have one question. 388 00:25:30,320 --> 00:25:32,600 Speaker 1: Raise your hand. I'm not a question. Yeah, I have 389 00:25:32,600 --> 00:25:36,120 Speaker 1: a demand. I have a request. Raise your hand. If 390 00:25:36,160 --> 00:25:42,760 Speaker 1: your name is Cinnamon, stupid, that should be pretty easy. Okay, 391 00:25:43,440 --> 00:25:45,800 Speaker 1: so wait, there's only one person with the with their 392 00:25:45,840 --> 00:25:50,560 Speaker 1: hand raised because I have a weird name. I never 393 00:25:50,680 --> 00:25:53,840 Speaker 1: met another Cinnamon in my life. Cinnamon always gets picked first. 394 00:25:54,440 --> 00:25:56,880 Speaker 1: That's not even true, Ginger, it is true. Okay, here's 395 00:25:56,880 --> 00:26:01,560 Speaker 1: the trick in sports. Because I'm not broken I'm only 396 00:26:01,600 --> 00:26:05,520 Speaker 1: broken because you shot me once. And I think the 397 00:26:05,560 --> 00:26:09,240 Speaker 1: point at my college relation is trying to make is 398 00:26:09,280 --> 00:26:12,920 Speaker 1: that you are an individual. You raised your hand in 399 00:26:12,960 --> 00:26:17,320 Speaker 1: your hand alone. Oh, you are your own person. That's true. 400 00:26:17,320 --> 00:26:19,760 Speaker 1: You didn't raise my hand. You are not connected in 401 00:26:19,800 --> 00:26:23,480 Speaker 1: any way, shape or form emotionally unless you choose to pay. 402 00:26:24,280 --> 00:26:28,280 Speaker 1: Is that what you're trying to say. Yeah, so that's 403 00:26:28,280 --> 00:26:31,040 Speaker 1: the big revelation. I'm not done. I have a I 404 00:26:31,080 --> 00:26:36,280 Speaker 1: have a crazier request. Raise your hand. If your name 405 00:26:36,320 --> 00:26:41,760 Speaker 1: is Mick, was that make or Nick? Raise your hand? 406 00:26:41,920 --> 00:26:46,160 Speaker 1: All right? Yeah that's my name. Look at that. Look around? Yeah, 407 00:26:46,200 --> 00:26:49,639 Speaker 1: I know, I know my name is around. No one 408 00:26:49,680 --> 00:26:53,960 Speaker 1: else's hands are raised. Yeah, you feel that, right? You 409 00:26:54,000 --> 00:26:56,000 Speaker 1: feel that. I just feel like you could have said 410 00:26:56,000 --> 00:26:57,800 Speaker 1: ginger at some point. By now, I was the only 411 00:26:57,800 --> 00:27:00,960 Speaker 1: one who knew you wrote a book. You haven't acknowledged 412 00:27:01,000 --> 00:27:03,359 Speaker 1: my sister. Ye, Mick. When you raised your hand and 413 00:27:03,520 --> 00:27:06,400 Speaker 1: looked around and saw that no one else's hand had 414 00:27:06,440 --> 00:27:08,720 Speaker 1: been raised, what does that feel like? I mean, it 415 00:27:08,720 --> 00:27:11,199 Speaker 1: feels like it's a small sample six people, like the 416 00:27:11,200 --> 00:27:13,159 Speaker 1: odds that they're too mixed in a group of So 417 00:27:13,200 --> 00:27:14,880 Speaker 1: that's what you felt when you raised your hand. Yeah, 418 00:27:14,880 --> 00:27:16,679 Speaker 1: that's exactly what I thought. I mean, do you do 419 00:27:16,760 --> 00:27:20,840 Speaker 1: this with bigger groups and John's rights? Great, because here's 420 00:27:20,840 --> 00:27:23,720 Speaker 1: how you should have felt. You should have felt very alone, 421 00:27:25,040 --> 00:27:28,760 Speaker 1: very very alone, like no one loves you alone, like 422 00:27:28,840 --> 00:27:32,360 Speaker 1: no one loves you alone, like you have no one 423 00:27:32,400 --> 00:27:35,280 Speaker 1: else in this world alone. Should have felt like that. 424 00:27:35,280 --> 00:27:43,320 Speaker 1: That's right. This seems counterproductive. What's this doctor Tim's name? Dr? Tim? 425 00:27:43,600 --> 00:27:45,480 Speaker 1: But what's the other one that looks like his name? 426 00:27:45,640 --> 00:27:48,840 Speaker 1: Don't you ask me? Just look at me. I can't ask. 427 00:27:48,960 --> 00:27:54,320 Speaker 1: I know his name. I read his book. Harry Harry, 428 00:27:54,520 --> 00:27:58,440 Speaker 1: Dr Harry. He looks like a doctor Tim. He looks 429 00:27:58,440 --> 00:28:03,040 Speaker 1: like Dr. You were all in, uh in, you will 430 00:28:03,080 --> 00:28:07,880 Speaker 1: have something that not everybody has, and that's another person, right, well, 431 00:28:07,920 --> 00:28:12,760 Speaker 1: you have another person defensive. Let me get this straight. 432 00:28:13,080 --> 00:28:17,560 Speaker 1: Years ago in Malibu, California, parent twins were born. One 433 00:28:17,600 --> 00:28:20,359 Speaker 1: of them, one of them was given up for adoption, 434 00:28:21,320 --> 00:28:23,600 Speaker 1: you know, the other was raised by his birth parents. 435 00:28:24,200 --> 00:28:28,200 Speaker 1: Both of them became world famous therapist specializing in identical twins, 436 00:28:28,280 --> 00:28:33,640 Speaker 1: and we've both written books for the record. Book You're 437 00:28:33,720 --> 00:28:37,119 Speaker 1: Not Me was the name of the book. You have 438 00:28:37,160 --> 00:28:45,360 Speaker 1: a more negative take your sad. Yeah. I just did 439 00:28:45,400 --> 00:28:47,680 Speaker 1: a quick Google search and it turns out that if 440 00:28:47,720 --> 00:28:50,280 Speaker 1: there's a sperm donor and an egg donor and it's 441 00:28:50,320 --> 00:28:52,840 Speaker 1: the same one, you guys are technically like twins. But 442 00:28:54,120 --> 00:28:56,480 Speaker 1: what are you talking about? Why do I have to 443 00:28:56,520 --> 00:28:59,280 Speaker 1: be don't know each other and one was adopted? It's 444 00:28:59,320 --> 00:29:03,160 Speaker 1: probably that your parents donated eggs and sperm to make money. No, 445 00:29:03,840 --> 00:29:08,360 Speaker 1: that's a weird conclusion and it must be. No, it 446 00:29:08,480 --> 00:29:11,080 Speaker 1: just means that when they were born, the parents were like, 447 00:29:11,120 --> 00:29:14,920 Speaker 1: we like this one that one can go. Parents are 448 00:29:14,960 --> 00:29:18,040 Speaker 1: like our parents. Nick, Nick, you're projecting just a little. 449 00:29:18,240 --> 00:29:20,360 Speaker 1: I just feel like the only answer I think enough 450 00:29:20,400 --> 00:29:28,160 Speaker 1: with the words I brought a bag. Couldn't want you 451 00:29:28,280 --> 00:29:33,440 Speaker 1: the same Thingamon say a weird You each have a choice. 452 00:29:34,000 --> 00:29:39,600 Speaker 1: You can pull out a knife seven and okay, cinnamon 453 00:29:39,640 --> 00:29:45,720 Speaker 1: stay you can or you can choose a duster knife, 454 00:29:45,760 --> 00:29:47,880 Speaker 1: a little feather duster. I'll take the duster. I'll take 455 00:29:47,880 --> 00:29:51,040 Speaker 1: the duster the bag and take what you wa get 456 00:29:51,040 --> 00:30:02,479 Speaker 1: more fun for me. Hap that's a sharp duster. All right, 457 00:30:02,520 --> 00:30:05,160 Speaker 1: Let me have a bandage somewhere. Hold on, okay, so 458 00:30:05,200 --> 00:30:07,920 Speaker 1: now look around, look around. What are you holding a knife? 459 00:30:08,160 --> 00:30:12,719 Speaker 1: A duster holding my hand, my bleeding hand in there yet, 460 00:30:12,760 --> 00:30:14,200 Speaker 1: but I'm not sure I want to What are you 461 00:30:14,200 --> 00:30:16,719 Speaker 1: waiting for? Nick? Well, my brother just stabbed his hand 462 00:30:16,800 --> 00:30:19,400 Speaker 1: with a duster. How he feels is none of your business. 463 00:30:19,560 --> 00:30:24,720 Speaker 1: You know, every injury sustains makes them less identical. In 464 00:30:24,840 --> 00:30:26,640 Speaker 1: just a minute, Ginger and I are just going to 465 00:30:26,680 --> 00:30:30,760 Speaker 1: be sisters. Please, everybody get between me and cent and 466 00:30:30,800 --> 00:30:33,200 Speaker 1: then right now, I think your bodies between me and 467 00:30:33,480 --> 00:30:36,640 Speaker 1: time for you to come close to But I picked 468 00:30:36,680 --> 00:30:40,680 Speaker 1: the duster. That's right, really close. Stare at each other. Now, 469 00:30:40,720 --> 00:30:43,360 Speaker 1: go ahead and use the instruments that you've chosen. What 470 00:30:43,400 --> 00:30:47,480 Speaker 1: are you saying? Just caress the person in front of you. 471 00:30:50,480 --> 00:30:55,400 Speaker 1: I'm caressing. It's not stop. Make an incision on Nick's 472 00:30:55,400 --> 00:30:57,520 Speaker 1: hand so it has a similar scar. Give me, give 473 00:30:57,520 --> 00:31:03,800 Speaker 1: me a utility knife. Thank too much. Good, it's a 474 00:31:03,840 --> 00:31:06,880 Speaker 1: good thing. You're so ticklish. Don't do it, Mick. Don't 475 00:31:06,920 --> 00:31:11,080 Speaker 1: do it. Mick, don't do it. Don't do what, don't 476 00:31:11,120 --> 00:31:15,480 Speaker 1: do anything. Just calm down. I am calm you're bleeding. 477 00:31:15,520 --> 00:31:18,760 Speaker 1: Put pressure on that. I am putting pressure on it. 478 00:31:18,960 --> 00:31:21,680 Speaker 1: You're putting pressure on me the night and isn't that 479 00:31:22,160 --> 00:31:26,880 Speaker 1: isn't that what's really happening here? I can't breathe. She 480 00:31:27,000 --> 00:31:29,120 Speaker 1: got my long. I'm pretty sure she got my long 481 00:31:29,240 --> 00:31:33,719 Speaker 1: this time you were tickling me. There's too much pressure 482 00:31:33,720 --> 00:31:37,960 Speaker 1: on you. Make nick, there's too much pressure on you. 483 00:31:38,080 --> 00:31:40,440 Speaker 1: I think he's mistaking us for each other. I am nick, 484 00:31:41,080 --> 00:31:43,760 Speaker 1: I am Mick. We know that you're nick because you 485 00:31:43,800 --> 00:31:46,640 Speaker 1: haven't been nicked by a knife. Oh my god, I'm 486 00:31:46,640 --> 00:31:53,560 Speaker 1: gonna call I am going to cut Dr Tim. Look 487 00:31:53,560 --> 00:31:57,040 Speaker 1: at Ginger. Here, Ginger is barely hanging on to her life. 488 00:31:57,880 --> 00:32:00,600 Speaker 1: He's fine, he's a fighter. You got too lungs. Use 489 00:32:00,640 --> 00:32:03,920 Speaker 1: the other one. I've always loved. I love you too. 490 00:32:04,120 --> 00:32:07,120 Speaker 1: You have a choice here. You can save her right now? 491 00:32:07,400 --> 00:32:13,040 Speaker 1: How a doctor? I am Dr Harry. Well then, oh 492 00:32:13,160 --> 00:32:15,000 Speaker 1: so it's your choice. We can let her die and 493 00:32:15,080 --> 00:32:18,000 Speaker 1: you can be you the one and only, or you 494 00:32:18,000 --> 00:32:21,280 Speaker 1: can keep her alive, keep alive. I don't want to murder. 495 00:32:21,360 --> 00:32:24,520 Speaker 1: Let me die, Let me used to keep her alive 496 00:32:24,600 --> 00:32:29,480 Speaker 1: or suffer. Not necessarily. You don't want to be a philanthropist. 497 00:32:29,640 --> 00:32:31,479 Speaker 1: So if I went to jail for murder, I wouldn't 498 00:32:31,480 --> 00:32:32,640 Speaker 1: be able to do all the good stuff I do 499 00:32:32,720 --> 00:32:36,120 Speaker 1: for things. Looking after others. Still, yeah, I like that. 500 00:32:36,280 --> 00:32:39,240 Speaker 1: I think Ginger has her own choice to make. Ginger, 501 00:32:39,280 --> 00:32:49,440 Speaker 1: do you want to die? Let me make this fun? Okay, 502 00:32:49,480 --> 00:32:54,320 Speaker 1: I'll live. Strong choice. Not everyone makes that choice. Abandage. 503 00:32:54,360 --> 00:33:00,720 Speaker 1: You appears a bandage because your injuries were life threatening, 504 00:33:00,720 --> 00:33:02,920 Speaker 1: but they might become. So you two stare at each other. 505 00:33:03,320 --> 00:33:05,400 Speaker 1: You've both chosen the knives. I needed to caress each 506 00:33:05,400 --> 00:33:08,280 Speaker 1: other with those knives. Why was that duster so sharp? 507 00:33:09,720 --> 00:33:13,360 Speaker 1: I don't know, Mick, I'm gonna retract my blade. What 508 00:33:13,400 --> 00:33:16,920 Speaker 1: happens if you? What happened if you too? Kiss? Kiss? 509 00:33:17,000 --> 00:33:20,440 Speaker 1: Let's see what that Jesus Christ. We haven't done it 510 00:33:20,440 --> 00:33:24,000 Speaker 1: since high school. Yeah, it's just like learning to kiss 511 00:33:24,000 --> 00:33:28,200 Speaker 1: on a mirror, but better. It's time to go back, 512 00:33:30,160 --> 00:33:32,880 Speaker 1: all right, am I? Right? It felt pretty good? Right about? What? 513 00:33:32,920 --> 00:33:35,480 Speaker 1: Of course it did? It's a kiss. Kisses feel great. 514 00:33:35,680 --> 00:33:38,880 Speaker 1: Kisses do feel great? Now? Kiss his hand? Why cut himself? Well, 515 00:33:38,880 --> 00:33:40,640 Speaker 1: of course I was that. I just didn't know if 516 00:33:40,640 --> 00:33:45,560 Speaker 1: it was an appropriate But kisses make everything not true. 517 00:33:46,720 --> 00:33:49,720 Speaker 1: You know what, my hand does feel better? Your booboo 518 00:33:49,720 --> 00:33:55,480 Speaker 1: feels better covered in blood? Okay, now and now, Sinnamon, 519 00:33:55,520 --> 00:33:57,560 Speaker 1: I'm gonna need you to choose to kiss other Mick 520 00:33:57,680 --> 00:34:06,440 Speaker 1: or Nick? What where you? Dr Harry? Yes, what's going on? Healing? 521 00:34:07,200 --> 00:34:09,839 Speaker 1: While I have the knife, I'd like to just take 522 00:34:09,880 --> 00:34:11,759 Speaker 1: things into my own hands for a second. Please do 523 00:34:12,040 --> 00:34:15,440 Speaker 1: What the hell is going on? Dr Tim? You and 524 00:34:15,520 --> 00:34:19,000 Speaker 1: Dr Harry are twins, and we're like not talking about it, 525 00:34:19,160 --> 00:34:23,200 Speaker 1: and yet you're staging a blood porn. I don't know. 526 00:34:24,320 --> 00:34:27,600 Speaker 1: Here's the thing encouraging. Doctor Harry has another book. It's 527 00:34:27,640 --> 00:34:32,000 Speaker 1: called blood Porn. I read it, Ginger. It is effective. 528 00:34:32,040 --> 00:34:35,400 Speaker 1: I think it's effective. You know, I have to admit 529 00:34:35,480 --> 00:34:40,360 Speaker 1: that I'm not a reader, and Ginger, you're not worthless. 530 00:34:40,880 --> 00:34:44,160 Speaker 1: Let's take a step back and ask this question. Mick 531 00:34:45,000 --> 00:34:49,319 Speaker 1: and Nick. I'm Nick, Nick, Yes, and Nick. If you 532 00:34:49,360 --> 00:34:54,240 Speaker 1: two could change one thing about your brother about him, 533 00:34:54,320 --> 00:34:57,640 Speaker 1: what would it be. Let's start with Nick. His face. 534 00:34:58,040 --> 00:35:01,399 Speaker 1: I would make his face look like someone else's face. Mick, 535 00:35:02,280 --> 00:35:05,440 Speaker 1: I would make his body look like somebody's body. Nobody 536 00:35:05,440 --> 00:35:08,359 Speaker 1: ever mistakes her body for each other, Mick, sometimes they do. 537 00:35:08,960 --> 00:35:12,760 Speaker 1: And sometimes somebody sees me from the back at the club. 538 00:35:13,000 --> 00:35:15,480 Speaker 1: At the club, they'll pat me on the bat on 539 00:35:15,520 --> 00:35:18,759 Speaker 1: the butt, thinking that you're thinking that it was Nick 540 00:35:19,239 --> 00:35:21,279 Speaker 1: and I'm not Wait, who patted you on the button? 541 00:35:21,280 --> 00:35:24,600 Speaker 1: Nobody's ever petting me on the butt? Big ted Well, 542 00:35:24,920 --> 00:35:27,680 Speaker 1: Petting on the butt is chapter ten of Dr Harry's 543 00:35:27,719 --> 00:35:32,040 Speaker 1: book Blood Porn. Yep, yeah, the history of Blood as 544 00:35:32,080 --> 00:35:36,360 Speaker 1: Porn is the petal of the book. Here's what I'm saying. 545 00:35:37,920 --> 00:35:39,640 Speaker 1: We need to go deep, and we need to get 546 00:35:39,680 --> 00:35:43,160 Speaker 1: there now. I mean, Ginger, almost died, twins are kissing, 547 00:35:43,239 --> 00:35:46,560 Speaker 1: you discovered your identical long lost it. How much deeper 548 00:35:46,640 --> 00:35:48,560 Speaker 1: is this going to go to? As deep as I 549 00:35:48,640 --> 00:35:54,239 Speaker 1: need to go? Cinnamon deep? As deep as you know 550 00:35:54,239 --> 00:35:57,400 Speaker 1: what I mean? Deep? Cinnamon Ginger? Have you ever wondered 551 00:35:57,440 --> 00:36:00,400 Speaker 1: why your parents gave you those ridiculous names? And I 552 00:36:00,400 --> 00:36:06,520 Speaker 1: always just thought they liked to cook? Yeah, spices, yes 553 00:36:06,560 --> 00:36:11,120 Speaker 1: they are, and they're like baking spices. They like to bake. Well, 554 00:36:11,160 --> 00:36:15,479 Speaker 1: I'm so fat, you're not you think? I also heard 555 00:36:15,480 --> 00:36:17,520 Speaker 1: earlier when you said I wasn't worthless. I didn't get 556 00:36:17,520 --> 00:36:19,040 Speaker 1: a chance to respond, but I just want to say 557 00:36:19,040 --> 00:36:21,719 Speaker 1: I heard you. Thank you, Okay, thank you, I love you. 558 00:36:21,840 --> 00:36:25,480 Speaker 1: I love give me a mcnick. Look how much better 559 00:36:25,520 --> 00:36:27,480 Speaker 1: things are going for these two. I just want you 560 00:36:27,520 --> 00:36:32,440 Speaker 1: to know you're not me Oh my god, you're not me, 561 00:36:32,600 --> 00:36:38,000 Speaker 1: said thank you. I'm sorry. I've shot and stabbed you 562 00:36:38,080 --> 00:36:40,400 Speaker 1: in the past. I've been trying to get a reaction. 563 00:36:40,440 --> 00:36:42,640 Speaker 1: I guess because you're so nice and I'm not nice. 564 00:36:42,760 --> 00:36:45,160 Speaker 1: We're not identical because I'm not nice, and that's okay. 565 00:36:45,239 --> 00:36:47,960 Speaker 1: I'm okay with having a not nice sister. But just 566 00:36:48,000 --> 00:36:51,640 Speaker 1: don't poison me. Okay, getting blurry, I feel light headed. 567 00:36:52,520 --> 00:36:56,520 Speaker 1: Dr Harry, could you please bambage up his hand, not yet, 568 00:36:57,719 --> 00:37:01,120 Speaker 1: stay with it, be present, Mick, Mick, stay with us 569 00:37:02,040 --> 00:37:04,720 Speaker 1: if it's if he wants to go, that's his choice. 570 00:37:05,239 --> 00:37:10,800 Speaker 1: This is a survivable injury. Just kill me. Nick is 571 00:37:10,840 --> 00:37:12,719 Speaker 1: the reason you haven't made an effort to patch up 572 00:37:12,760 --> 00:37:16,520 Speaker 1: your brother. Let's talk about that. Okay, I'll do it. 573 00:37:16,600 --> 00:37:20,520 Speaker 1: I'll do it. Can I have that first aig? Because 574 00:37:20,520 --> 00:37:23,239 Speaker 1: I've got two doctors in the room and I'm an accountant. 575 00:37:23,560 --> 00:37:26,160 Speaker 1: I didn't know I had to step up to the plate. Okay. 576 00:37:26,280 --> 00:37:27,839 Speaker 1: I want to do the math on how long it's 577 00:37:27,840 --> 00:37:30,120 Speaker 1: going to take for him to die. Use your sock, 578 00:37:30,400 --> 00:37:32,759 Speaker 1: take your sock off. Okay, okay, I'll take my sock off. 579 00:37:32,760 --> 00:37:36,120 Speaker 1: It's not the cleanest thing about ugly feet. They're not 580 00:37:36,200 --> 00:37:39,000 Speaker 1: that ugly. It's just a toenail. Is that a sixth toe? 581 00:37:39,280 --> 00:37:42,440 Speaker 1: It's not a sixth toe. It's a curly toenail. All right, 582 00:37:42,840 --> 00:37:44,759 Speaker 1: I'll just tie us really tight on his hand, the 583 00:37:44,800 --> 00:37:48,520 Speaker 1: same curly. But you could have clipped yours. You just 584 00:37:48,600 --> 00:37:52,440 Speaker 1: copied me. I love my brother. Who did you hear that? 585 00:37:53,000 --> 00:37:59,279 Speaker 1: I heard it? Ladies and gentlemen, Bye bye? Where is 586 00:37:59,320 --> 00:38:01,640 Speaker 1: he just walking away? And then he walked out the door. 587 00:38:02,000 --> 00:38:05,560 Speaker 1: Aren't you going to chase your brother? I'm not going to. 588 00:38:06,280 --> 00:38:09,759 Speaker 1: He came into my life as he did yours, and 589 00:38:09,800 --> 00:38:12,719 Speaker 1: it was magic and it'll come back. Was that just 590 00:38:12,760 --> 00:38:15,720 Speaker 1: like a hologram? Were you? That was just a hologram? 591 00:38:17,160 --> 00:38:21,919 Speaker 1: Damn it? Dr Team's pretty brilliant. That was a good one. 592 00:38:22,320 --> 00:38:25,600 Speaker 1: And then you enjoyed two of my books. Oh that 593 00:38:25,719 --> 00:38:29,560 Speaker 1: was my hologram? Brother? Oh? Whoa? We just went to 594 00:38:29,600 --> 00:38:33,120 Speaker 1: a new place, didn't we? Really? Have you been writing 595 00:38:33,160 --> 00:38:35,680 Speaker 1: books as a twin that you're not? It's called a 596 00:38:35,719 --> 00:38:41,200 Speaker 1: non plume, and yes I have. I've never heard of that. 597 00:38:43,320 --> 00:38:47,320 Speaker 1: You haven't heard of? No, I don't. I'm not entirely sure, Mick. 598 00:38:47,600 --> 00:38:50,239 Speaker 1: I made that with Big Ted in the larger room, Mick, 599 00:38:50,560 --> 00:38:57,640 Speaker 1: what I made that with boyfriend? Why that? Did he 600 00:38:57,680 --> 00:38:59,080 Speaker 1: know it was you? Or did he think it was 601 00:38:59,120 --> 00:39:03,399 Speaker 1: met care? He just spel good. I'm gonna take that 602 00:39:03,680 --> 00:39:05,600 Speaker 1: suck back. No, no, you don't take it back. He's 603 00:39:05,640 --> 00:39:07,800 Speaker 1: just starting to get a little more color in his cheeks. 604 00:39:08,200 --> 00:39:12,280 Speaker 1: Let's let's keep the blood from flowing. And mc nicol 605 00:39:12,520 --> 00:39:17,680 Speaker 1: and while you're feeling vulnerable, let's say, other than his body, 606 00:39:17,880 --> 00:39:19,720 Speaker 1: what is the one thing you'd like to change about 607 00:39:19,719 --> 00:39:24,760 Speaker 1: your brother? This is the hologram coming back. Just feels 608 00:39:24,760 --> 00:39:26,359 Speaker 1: like we've wrapped a session up a little bit ago, 609 00:39:27,480 --> 00:39:30,480 Speaker 1: Like now we're going down the city with that door 610 00:39:31,160 --> 00:39:32,759 Speaker 1: just you know what I mean. So it's like, I 611 00:39:32,800 --> 00:39:34,400 Speaker 1: don't know, I suppose we were we had a thing. 612 00:39:35,280 --> 00:39:41,400 Speaker 1: Dr Tim's hologram is Dr Tim's interacting with the How 613 00:39:41,400 --> 00:39:47,520 Speaker 1: many times if I tell you not? Oh man, blood bood? 614 00:39:49,440 --> 00:39:51,719 Speaker 1: All right, let's get back to my get back to 615 00:39:51,760 --> 00:39:55,600 Speaker 1: my moor. I think your holograms come sentient, Dr Tim. 616 00:39:55,640 --> 00:39:58,400 Speaker 1: I think you should mind your owning. Okay, okay, okay, okay, 617 00:39:58,440 --> 00:40:02,160 Speaker 1: all right, Mick, I was asking you a question, which 618 00:40:02,160 --> 00:40:03,480 Speaker 1: is the one thing, mother than his body you'd like 619 00:40:03,480 --> 00:40:06,279 Speaker 1: to change about your brother neck. I guess the fact 620 00:40:06,320 --> 00:40:09,600 Speaker 1: that he's dating Big Ted. Okay, let's try not to 621 00:40:09,680 --> 00:40:13,120 Speaker 1: keep it sexual. Let's go emotional, Let's go deeper. That 622 00:40:13,320 --> 00:40:17,440 Speaker 1: is pretty emotional. It's emotional. Is it love? Though? We've 623 00:40:17,480 --> 00:40:19,640 Speaker 1: been with Big Ted three years? And is there a 624 00:40:19,640 --> 00:40:23,440 Speaker 1: little tad? I mean no, why then the big we're 625 00:40:23,480 --> 00:40:26,520 Speaker 1: not married. It's just his nickname. I see, he's a 626 00:40:26,520 --> 00:40:32,960 Speaker 1: little guy. That's funny. The hologram's leg, it's just a leg. 627 00:40:33,600 --> 00:40:39,640 Speaker 1: It's a rogue leg. Oh my, oh god. You gotta 628 00:40:39,680 --> 00:40:42,680 Speaker 1: figure out how to do this ginger. We gotta make 629 00:40:43,560 --> 00:40:49,920 Speaker 1: so there can be four of us. Yeah, bad ones. Okay, 630 00:40:50,080 --> 00:40:53,040 Speaker 1: before I bring my brother back, we're going to take 631 00:40:53,080 --> 00:40:55,760 Speaker 1: a little break. His leg is here. Oh my goodness, 632 00:40:55,760 --> 00:41:00,600 Speaker 1: it is. How does that happen? It's jerking? Oh okay, 633 00:41:00,680 --> 00:41:03,719 Speaker 1: let me just see if I can begin kill me? 634 00:41:06,400 --> 00:41:10,160 Speaker 1: Said kill me right? You're okay, Harry, Harry, you're okay? 635 00:41:10,200 --> 00:41:12,520 Speaker 1: Does that mean we supposed to kill Dr Tim? He's 636 00:41:12,520 --> 00:41:17,360 Speaker 1: just supposed to kill yourself. I'm never killing my brother, 637 00:41:17,640 --> 00:41:19,759 Speaker 1: that's right. And that's the place we needed to get 638 00:41:19,760 --> 00:41:25,920 Speaker 1: to kill me. You killed me? Thank you? This is 639 00:41:25,920 --> 00:41:37,560 Speaker 1: the best Dr Button oh man that feels good. That 640 00:41:37,600 --> 00:41:43,759 Speaker 1: feels super good. Ohoh, so, so Harry was a hologram. 641 00:41:44,000 --> 00:41:53,560 Speaker 1: Hold on, that's exactly what Chris and tended when he out. Okay, 642 00:41:53,640 --> 00:41:55,520 Speaker 1: let's give thanks, I think right now for a couple 643 00:41:55,560 --> 00:41:58,839 Speaker 1: of things while we're wrapping up this particular episode. First 644 00:41:58,840 --> 00:42:00,560 Speaker 1: of all, let's give thanks to Joe gear. It wasn't 645 00:42:00,560 --> 00:42:03,520 Speaker 1: able to make it today, so that's super great. Why 646 00:42:03,560 --> 00:42:10,640 Speaker 1: are we thinking him that the odds were Oh yeah, 647 00:42:10,680 --> 00:42:13,719 Speaker 1: he wasn't able to join us. And also want to 648 00:42:13,719 --> 00:42:16,000 Speaker 1: thank everyone who came out to the West Side Comedy Theater. 649 00:42:16,280 --> 00:42:19,239 Speaker 1: Yeah I was I was not here on our last 650 00:42:19,280 --> 00:42:21,680 Speaker 1: recording to to take that opportunity, and I like to 651 00:42:21,680 --> 00:42:24,880 Speaker 1: take now. It was a first live show. Um, you 652 00:42:24,920 --> 00:42:27,759 Speaker 1: all were there. I was patched in from New York. 653 00:42:27,920 --> 00:42:29,560 Speaker 1: What was the sense of the feeling in the room. 654 00:42:29,560 --> 00:42:31,440 Speaker 1: It seemed like it just went incredibly well. It was 655 00:42:31,480 --> 00:42:35,359 Speaker 1: super fun. Yeah, right, it was amazing. It was fun. 656 00:42:35,400 --> 00:42:37,160 Speaker 1: I don't know if you realized it, but your face 657 00:42:37,280 --> 00:42:39,680 Speaker 1: was up on TV. I didn't know a lot longer 658 00:42:39,719 --> 00:42:41,120 Speaker 1: than I had, I guess. I don't know if it 659 00:42:41,160 --> 00:42:42,719 Speaker 1: was my fault. I thought it was just on your 660 00:42:42,760 --> 00:42:47,080 Speaker 1: screen on the stool turns out a photo from the 661 00:42:47,080 --> 00:42:50,400 Speaker 1: back of the room. I was on the large monitor 662 00:42:50,560 --> 00:42:54,040 Speaker 1: the entire show, and so sometimes Doug ba Are wonderful 663 00:42:54,040 --> 00:42:56,040 Speaker 1: engineer was in the booth and he and I were 664 00:42:56,080 --> 00:42:58,239 Speaker 1: texting about how to take a break, how to get 665 00:42:58,280 --> 00:43:00,880 Speaker 1: you guys to take a break and go to the 666 00:43:00,880 --> 00:43:03,360 Speaker 1: next scene. So I probably looked on the big monitor 667 00:43:03,440 --> 00:43:07,320 Speaker 1: like I was just texting and during the show surfing 668 00:43:07,360 --> 00:43:12,040 Speaker 1: the West, catching up on emails. But our first live 669 00:43:12,080 --> 00:43:13,560 Speaker 1: show went great. It was sold out. It was like 670 00:43:15,120 --> 00:43:17,000 Speaker 1: fans of the show and not regulars, which is not 671 00:43:17,080 --> 00:43:20,080 Speaker 1: the norm for that at all. I got to talk 672 00:43:20,120 --> 00:43:22,320 Speaker 1: to a couple of the fans afterwards. Are really great 673 00:43:22,440 --> 00:43:24,719 Speaker 1: and it made me feel very like, uh, what's I 674 00:43:24,719 --> 00:43:28,839 Speaker 1: guess adored because there's a lot of gratitude people like 675 00:43:28,880 --> 00:43:30,919 Speaker 1: listen and they come out. I mean, it's pretty simple 676 00:43:30,960 --> 00:43:32,359 Speaker 1: to say, but it was just meant a lot. It's 677 00:43:32,400 --> 00:43:34,400 Speaker 1: the weirdness of doing a podcast where it just feels 678 00:43:34,400 --> 00:43:38,200 Speaker 1: like yelling at a bucket. Sometimes we're in a vacuum, yeah, 679 00:43:38,440 --> 00:43:43,840 Speaker 1: knowing that somebody, Yeah, that's the metaphor, was actually listening 680 00:43:43,840 --> 00:43:48,240 Speaker 1: to the bucket. Yeah, and I'm reading all your emails 681 00:43:48,280 --> 00:43:51,120 Speaker 1: and taking your subcene suggestions. So please continue to write 682 00:43:51,120 --> 00:43:52,920 Speaker 1: to us at your name here at alchemy this dot com. 683 00:43:52,960 --> 00:43:54,920 Speaker 1: We're getting such great love and support and we greatly 684 00:43:54,920 --> 00:43:57,719 Speaker 1: appreciate it. If you would continue tell tell everyone you've 685 00:43:57,760 --> 00:44:00,560 Speaker 1: ever met about us and subscribing review that's what's going 686 00:44:00,600 --> 00:44:02,880 Speaker 1: to help carry this to the next step. Let's go 687 00:44:02,920 --> 00:44:05,480 Speaker 1: around and thank all of our alchemists for today, starting 688 00:44:05,520 --> 00:44:11,520 Speaker 1: with a returning champion. Uh here at Double Jeopardy Carlakowsky. Carla, 689 00:44:12,080 --> 00:44:14,200 Speaker 1: thank you so very much, working folks find you and 690 00:44:14,960 --> 00:44:18,160 Speaker 1: for having things on the social media and your other podcast, 691 00:44:18,320 --> 00:44:21,680 Speaker 1: yeah at Carla Kakowski is my thing for all the things. 692 00:44:22,400 --> 00:44:25,640 Speaker 1: And also I do an improv podcast. It's a shop 693 00:44:25,640 --> 00:44:28,800 Speaker 1: talk improv podcast called Improv yak Um where I interview 694 00:44:28,960 --> 00:44:33,960 Speaker 1: improvisers about the art of IMPROVISU super medical, super fun 695 00:44:34,120 --> 00:44:37,839 Speaker 1: and then uh, Craig's List with my husband Craig Kowski, right, which, 696 00:44:38,760 --> 00:44:44,959 Speaker 1: uh he's Chris Alvarado. All right, that's me. Thankay, thanks 697 00:44:44,960 --> 00:44:48,319 Speaker 1: for having me. James heeney Um, thanks for having me. 698 00:44:48,400 --> 00:44:50,880 Speaker 1: It was so fantastic. If you'd like to find some 699 00:44:50,880 --> 00:44:54,160 Speaker 1: contentef Brief news Brief dot com, it's a website. I 700 00:44:54,200 --> 00:44:56,480 Speaker 1: made the website. It's pretty good. Or if you just 701 00:44:56,520 --> 00:44:58,480 Speaker 1: look the real James heeney up, I'm sure you will 702 00:44:58,520 --> 00:45:04,520 Speaker 1: find me or Chris Offer. May ten on Netflix a 703 00:45:04,560 --> 00:45:09,080 Speaker 1: movie called Wine Country. It's written by Emily Spivy and 704 00:45:09,160 --> 00:45:14,120 Speaker 1: Liz Kikowski My Sister and its stars and was directed 705 00:45:14,120 --> 00:45:17,960 Speaker 1: by Amy Poehler. Also Rachel Dretch, Maya, Rudolf. There's a 706 00:45:18,080 --> 00:45:22,160 Speaker 1: young talent as a Samoyerr here is a real breakout 707 00:45:23,520 --> 00:45:26,399 Speaker 1: in this. Should his scene make it into the movie, 708 00:45:26,680 --> 00:45:29,840 Speaker 1: we won't know until May ten. When you say young talent, 709 00:45:31,320 --> 00:45:34,480 Speaker 1: you mean a saying that the universe is very you 710 00:45:34,840 --> 00:45:39,719 Speaker 1: know what's it called? Wine Country? Wine Country? Fantastic? May 711 00:45:39,800 --> 00:45:47,200 Speaker 1: ten Um Dynasty Typewriter, Instagram. I think on Twitter to 712 00:45:47,280 --> 00:45:52,200 Speaker 1: join the Dynasty or me Vanessa Hope on Instagram and 713 00:45:53,040 --> 00:45:57,040 Speaker 1: just bluss to be here and that Joey gre isn't right. 714 00:45:57,120 --> 00:46:01,839 Speaker 1: Let's all continue to give things. He shined down on Yeah, 715 00:46:03,480 --> 00:46:07,440 Speaker 1: Rano man, I love the Dynasty Typewriter Um social media stuff. 716 00:46:07,800 --> 00:46:11,879 Speaker 1: It's like hip, cute, fun, informative and an out. It's 717 00:46:11,880 --> 00:46:14,040 Speaker 1: everything I want in a social media It is crazy, 718 00:46:14,120 --> 00:46:19,200 Speaker 1: hip and cool. It's it's funny. Yes, it's all those things. Also, 719 00:46:19,320 --> 00:46:21,719 Speaker 1: like the talent you have over there. It's just insane, 720 00:46:21,760 --> 00:46:23,399 Speaker 1: and then it's a cool theater and then you're cool. 721 00:46:23,480 --> 00:46:26,600 Speaker 1: It's just it's just crazy. So this is, this is 722 00:46:30,480 --> 00:46:32,759 Speaker 1: It's gonna sound very weird, just I don't think so. 723 00:46:33,800 --> 00:46:36,000 Speaker 1: We have a part of our ceiling in this studio 724 00:46:36,080 --> 00:46:43,520 Speaker 1: is glass for the second floor. And so has a 725 00:46:43,520 --> 00:46:46,520 Speaker 1: wonderful dog name named Anderson Cooper, and he just walked 726 00:46:46,520 --> 00:46:49,279 Speaker 1: over our heads and through the glass. We in fact 727 00:46:49,400 --> 00:46:51,719 Speaker 1: are on the other side of the looking glass and 728 00:46:51,920 --> 00:46:55,720 Speaker 1: to the undercarriage of I'm gonna say it again, Anderson. 729 00:46:57,800 --> 00:47:00,919 Speaker 1: I'm Kevin Pollock at it Kevin Pollock on Twitter, Kevin 730 00:47:00,920 --> 00:47:04,120 Speaker 1: pok one to three on the instagroom at Doug Babe, 731 00:47:05,520 --> 00:47:07,520 Speaker 1: Thank you again, Ductor doing a phenomenal job with our 732 00:47:07,520 --> 00:47:09,520 Speaker 1: first live recording. You really did save the day. You 733 00:47:09,560 --> 00:47:11,719 Speaker 1: and James Heney both rose to a very special level 734 00:47:12,040 --> 00:47:14,160 Speaker 1: and to make things possible, including keeping me on an 735 00:47:14,200 --> 00:47:17,000 Speaker 1: uncomfortable large monitor throughout the show. I'm gonna interrupt, this 736 00:47:17,040 --> 00:47:18,960 Speaker 1: is so crazy, just that I snapped a photo of 737 00:47:18,960 --> 00:47:23,319 Speaker 1: the undercarriage, so I'm gonna post that oncom Instagram. It's 738 00:47:23,360 --> 00:47:25,399 Speaker 1: important that people see what's going on. I think it's 739 00:47:25,480 --> 00:47:28,040 Speaker 1: very important and thank you for that. Chris all right 740 00:47:28,239 --> 00:47:30,080 Speaker 1: against thanks to us so if you look him at 741 00:47:30,120 --> 00:47:35,520 Speaker 1: our producer and the iHeart Radio Media network. Uh and 742 00:47:35,680 --> 00:47:42,600 Speaker 1: UM we give our condolences, Oh Raphael please, good catch. 743 00:47:42,640 --> 00:47:45,759 Speaker 1: Thank you so much, um, and again thank you all 744 00:47:45,840 --> 00:48:00,360 Speaker 1: very much for joining us. Until next time, happ