WEBVTT - Honor w/ Aasif Mandvi

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 1>These are our stories.

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<v Speaker 3>Done done, Hello and welcome to That's Messed Up, an

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<v Speaker 3>SVU podcast.

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<v Speaker 1>I'm Kara Klank and.

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<v Speaker 2>I'm Li's a Trigger. We talk SVU true crime celebrity guests.

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<v Speaker 1>I'm up top.

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<v Speaker 3>We catch up, we see what's up, catch up and

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<v Speaker 3>chat and what has been going on. You've been on

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<v Speaker 3>the road. I just went away for a weekends. Tell

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<v Speaker 3>us about your camp weekend.

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<v Speaker 1>I am.

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<v Speaker 3>I do a little camp weekend with my girls every weekend,

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<v Speaker 3>and like last every weekend, every weekend, sorry, every weekend.

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<v Speaker 1>She's meeting up with the camps every weekend. I have

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<v Speaker 1>no other friends.

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<v Speaker 3>No. Every year and last year they actually incorporated it

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<v Speaker 3>with coming to see us on the road. So this

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<v Speaker 3>year I was like, I'll travel for you guys. So

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<v Speaker 3>I did go to I flew to New York and

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<v Speaker 3>then I drove up to Newport, Rhode Island and it

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<v Speaker 3>was fun. It's very beautiful up there, a lot of

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<v Speaker 3>old mansions and uh, we had a blast. I laughed

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<v Speaker 3>a lot and we had fun and yeah, I explained

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<v Speaker 3>podcasting to a bunch of people that don't really know

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<v Speaker 3>about it. You know, it was fun. And a lot

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<v Speaker 3>of them are fans of you. They're like, oh, she

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<v Speaker 3>comes up on my Instagram. She's so funny. I'm like,

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<v Speaker 3>I know, tell me about it.

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<v Speaker 2>I'm on the grand Baby. Well I'm what I'm looking for.

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<v Speaker 2>Because Taylor Swift has a home and Rhode Island, and I'm.

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<v Speaker 3>A Watch Hill. I believe she's in Watch Hill. Yeah,

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<v Speaker 3>high watch And you'll be very proud of me. Because

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<v Speaker 3>somebody in our group sent a photo that had obviously

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<v Speaker 3>come up on their Facebook or something of Taylor paddle

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<v Speaker 3>boarding with Tavy Gevinson in Rhode Island, and she was like,

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<v Speaker 3>she was there the same weekend as us and I go. Honestly,

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<v Speaker 3>the weather was not good for paddleboarding. It was cold,

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<v Speaker 3>and I don't think her and Tavy had been friends

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<v Speaker 3>for a while. I think this picture is old, like

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<v Speaker 3>I was like doing tailor like detective work. I was like,

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<v Speaker 3>I don't think this is a current picture. Like I'm

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<v Speaker 3>on Business Insider right now.

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<v Speaker 2>And she reportedly paid for the mansion by wiring seventeen

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<v Speaker 2>point seventy five million in cash to a realtor in

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<v Speaker 2>twenty thirteen.

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<v Speaker 3>Can you believe just the amounts the amounts, I'll take

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<v Speaker 3>it sending you money.

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<v Speaker 1>I'm sending you a venmo for seventeen million. Did you

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<v Speaker 1>get it? Well, it's so funny.

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<v Speaker 2>So it's like the dining room seats eight and the

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<v Speaker 2>kitchen comes with amenities like a sub zero fridge.

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<v Speaker 1>Yeah, of course it does. What are you talking about.

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<v Speaker 2>It's a seventeen million dollars home, you know, right, there's

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<v Speaker 2>a white refrigerator in there.

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<v Speaker 1>So like a dining room for eight.

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<v Speaker 3>It's like, show me where the indoor like pickleball is

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<v Speaker 3>or whatever, you know, there's got to be And now

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<v Speaker 3>you got to show me some shit.

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<v Speaker 2>Wait, so why were you guys in Rhode Island? Does

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<v Speaker 2>someone live there or no? And but you guys got

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<v Speaker 2>a vacation home.

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<v Speaker 1>Yeah, we got like a.

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<v Speaker 3>Vacation home, very kind of cheesy with like my heart

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<v Speaker 3>is at the beach, you know, follow the waves.

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<v Speaker 1>Of your you know, all the like beachy shit was

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<v Speaker 1>up in the house.

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<v Speaker 3>It was just kind of like everybody lives a little

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<v Speaker 3>bit spread and most people live in the Vermont area,

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<v Speaker 3>like near our camp, but it's just like that's really

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<v Speaker 3>far for me and my sister to go, and I'm

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<v Speaker 3>already flying across the country. So we just did something

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<v Speaker 3>that was mostly three hours for everybody to get there,

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<v Speaker 3>and so it was really fun.

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<v Speaker 1>But I also, you guys sing camp songs. No, but

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<v Speaker 1>we talk about camp a lot.

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<v Speaker 3>We talk about funny stories and like like just funny things,

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<v Speaker 3>and a lot of them are still involved and still

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<v Speaker 3>work there, and you know, like I work sometimes there

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<v Speaker 3>and you know, it's a lot of and like the

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<v Speaker 3>place has changed a lot. We talk about that and

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<v Speaker 3>how what changes we think are good and bad. You know,

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<v Speaker 3>we're in dilums, but they also are all very very funny,

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<v Speaker 3>and we have like a really funny time and just

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<v Speaker 3>like make fun of each other and we had some

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<v Speaker 3>fun dinners out and everything. But I also wanted to

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<v Speaker 3>say that I when I got to New York, I

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<v Speaker 3>flew on a red eye, so I got in at

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<v Speaker 3>like seven am. I went to my sister's house and

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<v Speaker 3>I was just gonna nap for a little bit, but

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<v Speaker 3>she had summerhouse on, so I was like, oh, I'll

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<v Speaker 3>watch a little summer house. I'll be able to talk

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<v Speaker 3>to Lisa, and it was this episode where first of all,

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<v Speaker 3>the girls all have a very very staged conversation in

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<v Speaker 3>an old Navy.

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<v Speaker 1>I'm like, girls, I don't think you're shopping at old Navy.

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<v Speaker 3>Like I remember seeing the clip online and going where

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<v Speaker 3>are they with plastic hangers? And then my sister's like,

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<v Speaker 3>they're at old Navy and I was like, this is crazy,

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<v Speaker 3>but you know, whatever, make the money. But this is

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<v Speaker 3>what blew my mind. And you're gonna think I'm such

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<v Speaker 3>a prude or something. I'm not prude. I just I

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<v Speaker 3>watch Housewives I have not seen I saw a scene

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<v Speaker 3>where Danielle gets naked and gets into bed with a

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<v Speaker 3>guy and they just show him going down on her

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<v Speaker 3>and I was like, they're just.

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<v Speaker 2>Showing them Bravo, Like I missed the go down, but

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<v Speaker 2>she was full as crap crawling on a bed.

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<v Speaker 3>Yes, and then he's under the covers and then he

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<v Speaker 3>comes up from under the covers.

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<v Speaker 2>See I miss that because I turned away and not

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<v Speaker 2>look at her, but crawling Because I do think she's

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<v Speaker 2>just like I mean, I don't want it's rude, but

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<v Speaker 2>like she's pathetic.

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<v Speaker 3>Yeah, I mean she seems like a troubled person. But

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<v Speaker 3>I just like was like, she knows cameras are on her,

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<v Speaker 3>and everybody's just wasted.

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<v Speaker 1>She's a blackout drunk. Yeah.

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<v Speaker 3>It just reminded me of real world shit, like, and

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<v Speaker 3>I just didn't think Bravo kind of had that stuff.

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<v Speaker 3>It's not like I'm oh my god, I've never seen

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<v Speaker 3>reality people get fucked up and have sex. I obviously

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<v Speaker 3>have seen it, and on like on Love Island and stuff,

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<v Speaker 3>people say that it's like.

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<v Speaker 1>Well and you yeah, because in Atlanta they flip the

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<v Speaker 1>cameras up.

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<v Speaker 2>Yeah, but even on Summer House, Jesse Solomon and it's

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<v Speaker 2>his first season, he brought home a girl and he

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<v Speaker 2>put a towel on the camera. Yeah, Like I saw

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<v Speaker 2>these so fucked up or if she wants people to

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<v Speaker 2>watch or she gets off on I don't really know,

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<v Speaker 2>but her and some game of like I need this

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<v Speaker 2>guy to choose me no matter what, And that's all

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<v Speaker 2>that all of this is about, like and not learning,

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<v Speaker 2>Like if I saw myself acting the way she's acted

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<v Speaker 2>in the past few seasons of Summer House and Winterhouse,

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<v Speaker 2>I would maybe question myself or like figure something out.

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<v Speaker 2>She sees nothing wrong with what she's done. No apology,

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<v Speaker 2>like no growth. She acted insane on Winterhouse this past season,

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<v Speaker 2>and she watched it and was like, no, no regrets.

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<v Speaker 3>I think there's like an illness that sets in with

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<v Speaker 3>like the fame or whatever like.

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<v Speaker 1>But there wasn't any But this is the thing.

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<v Speaker 2>Lindsay and her were friends, and so it was like

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<v Speaker 2>one of Lindsay's friends that she dragged along. And then

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<v Speaker 2>everyone because they hate Lindsay, took Danielle's side last year

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<v Speaker 2>and if you see Paige and Amanda are talking and

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<v Speaker 2>they're like, wait, Danielle's kooky, right, Like they finally are

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<v Speaker 2>realizing that she is a wacko that Lindsay kind of

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<v Speaker 2>pushed throughout all this.

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<v Speaker 3>Yeah, I was just like I felt like an old lady.

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<v Speaker 3>I was like to my sister, I go, did they

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<v Speaker 3>always show this much nudity? Like I just couldn't believe

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<v Speaker 3>I was seeing a butt crack and like, you know,

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<v Speaker 3>we just don't see that on the Housewives really, Like

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<v Speaker 3>definitely there's allusions to them having sex with pirates and

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<v Speaker 3>stuff like that.

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<v Speaker 1>We've seen them shit on the.

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<v Speaker 3>Floor, sure, I just hadn't seen like a full black

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<v Speaker 3>and white night cam someone getting eaten out on uh

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<v Speaker 3>on Bravo, and I guess I just didn't know that

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<v Speaker 3>we were there, but yeah.

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<v Speaker 1>Yeah, I guess.

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<v Speaker 2>So I'm just like, I want Sierra and West to work.

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<v Speaker 2>I want Wes to not be so annoyed with not

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<v Speaker 2>getting fucked.

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<v Speaker 3>Yeah, I mean, he is such a little star. I'm

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<v Speaker 3>getting the verb. I'm getting the vibe of the show. Like,

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<v Speaker 3>you know, I my sister goes So you don't watch

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<v Speaker 3>the show, you seem to know a lot about what's

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<v Speaker 3>going on.

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<v Speaker 1>I go, well, Lisa tells me a lot.

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<v Speaker 3>But also if you follow Bravo and Botox or Bravo

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<v Speaker 3>Bitches or whatever, like all the accounts you through osmosis,

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<v Speaker 3>I know about people that are below Deck. I know

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<v Speaker 3>about people that are on Summerhouse. You know, so I

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<v Speaker 3>kind of know the main drips and drops. But now

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<v Speaker 3>my big thing is like I like, I mean, I

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<v Speaker 3>was interviewing my sister, I was like, so, what do

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<v Speaker 3>you think about Lindsay and Carl?

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<v Speaker 1>Do you think Carl is gay?

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<v Speaker 3>Like I was just giving getting all of her opinions

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<v Speaker 3>on it, But I'm gonna watch I have it all

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<v Speaker 3>on my DVR for this season.

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<v Speaker 1>I'm gonna get into it now, yeah.

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<v Speaker 2>Because they are just so troubled in their relationship. But

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<v Speaker 2>this idea that Carl's an angel and Lindsay's a manipulative

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<v Speaker 2>psycho is just so played out and wrong and like

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<v Speaker 2>I don't know.

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<v Speaker 3>I don't yeah, Like I saw this conversation with his

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<v Speaker 3>parents where I was like, yeah, like they're sitting here

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<v Speaker 3>telling you not to get married, but like they're only

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<v Speaker 3>hearing your.

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<v Speaker 1>Side of it, Like I don't know, it just it didn't.

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<v Speaker 2>But also they shouldn't get married, but you should have

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<v Speaker 2>this conversation with your wife. Like It's just what I'm

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<v Speaker 2>seeing now online is that he was very much setting

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<v Speaker 2>this all up to leave her in this big way.

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<v Speaker 1>Like instead of talking to her.

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<v Speaker 2>It's kind of sand of all ish of like I'm

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<v Speaker 2>gonna win this breakup, right, to set it up in

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<v Speaker 2>the way I need it to look, so don't I

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<v Speaker 2>look good? Because it's also this idea is because he's

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<v Speaker 2>sober and he has gone through tragedy that he's suddenly

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<v Speaker 2>at this like great person and it's right. No, he's

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<v Speaker 2>been awful to women since season one, and we can

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<v Speaker 2>say it's just substance abuse, but it's not because we

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<v Speaker 2>know someone that sent me an apology email or DM

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<v Speaker 2>that's been like an asshole to me. And he was

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<v Speaker 2>very much like I'm getting sober, blah blah blah, can

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<v Speaker 2>you forgive me? And I was going to take a

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<v Speaker 2>few moments before responding, and I was gonna respond like, good.

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<v Speaker 1>Luck on sobriety. That's very hard.

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<v Speaker 2>I support you, but also I think you have a

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<v Speaker 2>regressive view on race and women that has nothing to

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<v Speaker 2>do with your alcoholism. Yeah, but before I can even respond,

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<v Speaker 2>he started contacting mutual friends of ours and trying to

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<v Speaker 2>get my phone number and relaying more apologies, and he

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<v Speaker 2>wanted to be forgiven right then and there. And I

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<v Speaker 2>was like, oh, that's actually not how sobriety or nine steps,

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<v Speaker 2>tens or whatever twelve steps work. And I talked to

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<v Speaker 2>someone else who's been sober for decades who's like, that's

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<v Speaker 2>not how this works. And I'm like, yeah, you can't

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<v Speaker 2>demand forgiveness. But then since then, I've gotten clips of

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<v Speaker 2>him in my explore page or like it showed something

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<v Speaker 2>showed up on my YouTube yesterday, and he does suck.

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<v Speaker 1>It's like alcohol or not, you suck.

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<v Speaker 2>It's him talking about how he hates Neil deGrasse Tyson

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<v Speaker 2>because he doesn't hate trans people.

0:10:22.360 --> 0:10:26.120
<v Speaker 3>It's like it's crazy, yeah, sober or not? I hate

0:10:26.120 --> 0:10:27.679
<v Speaker 3>your worldview, like you know.

0:10:28.120 --> 0:10:29.680
<v Speaker 1>Yeah so. And also like what.

0:10:30.240 --> 0:10:32.360
<v Speaker 2>Carl is mad at is lindsay going, can you please

0:10:32.400 --> 0:10:32.840
<v Speaker 2>make a job?

0:10:32.960 --> 0:10:33.440
<v Speaker 1>Have a job.

0:10:33.480 --> 0:10:35.080
<v Speaker 2>I need you to make money so if we have

0:10:35.120 --> 0:10:37.040
<v Speaker 2>a kid, I can like stay home for a little bit.

0:10:37.520 --> 0:10:40.280
<v Speaker 2>And he's like that crazy bitch wants me to work,

0:10:40.640 --> 0:10:44.080
<v Speaker 2>and it's like, you are actually in your forties and

0:10:44.720 --> 0:10:47.160
<v Speaker 2>why don't you have a job, Like she's not the

0:10:47.240 --> 0:10:49.520
<v Speaker 2>crazy one. But then also what the internet is saying

0:10:49.600 --> 0:10:51.280
<v Speaker 2>is like we're denying that they're not on this show

0:10:51.280 --> 0:10:53.199
<v Speaker 2>that they're making money for and that he is making

0:10:53.200 --> 0:10:54.959
<v Speaker 2>money off the internet and like deals.

0:10:54.960 --> 0:10:58.800
<v Speaker 1>So I don't know. But they also live in an

0:10:58.800 --> 0:10:59.959
<v Speaker 1>apartment that's ten grand a month.

0:11:01.160 --> 0:11:04.720
<v Speaker 3>Yeah, and Caitlin was saying Cage's place is like nine

0:11:04.760 --> 0:11:05.360
<v Speaker 3>grand a month.

0:11:05.400 --> 0:11:07.120
<v Speaker 1>I was like, damn, Page.

0:11:06.840 --> 0:11:10.000
<v Speaker 2>Has one of the top five podcasts in the world

0:11:10.160 --> 0:11:13.719
<v Speaker 2>right now, and she does fashion things with Amazon and

0:11:13.760 --> 0:11:20.440
<v Speaker 2>she does correspondence stuff like Age is making money, so

0:11:20.960 --> 0:11:24.120
<v Speaker 2>that's different. She can afford it, but Carl doesn't. Like

0:11:24.200 --> 0:11:26.800
<v Speaker 2>he's also not living there. I mean, I don't know. Yeah,

0:11:27.440 --> 0:11:29.400
<v Speaker 2>well I don't know, but it's so funny. So on

0:11:29.440 --> 0:11:32.080
<v Speaker 2>my little my trip with some friends, one of my

0:11:32.120 --> 0:11:36.440
<v Speaker 2>guy friends mentioned like, how Arianna it's to get over

0:11:36.520 --> 0:11:39.840
<v Speaker 2>Sandoval and not be angry, And I fucking lost it

0:11:39.920 --> 0:11:43.520
<v Speaker 2>on this motherfucker. I was just giving fact. After he goes, wait,

0:11:43.559 --> 0:11:45.360
<v Speaker 2>you know a lot more than I do. I go, yeah,

0:11:45.360 --> 0:11:47.839
<v Speaker 2>that's why it's confusing. You have dumb ass opinions like that,

0:11:48.000 --> 0:11:51.640
<v Speaker 2>you're way in and after I just I was like,

0:11:51.679 --> 0:11:53.480
<v Speaker 2>and then this and the house, and he goes, that's

0:11:53.520 --> 0:11:55.240
<v Speaker 2>his mom, and he's like, I don't know any of this.

0:11:55.480 --> 0:11:57.480
<v Speaker 1>I'm like, yeah, so stop it.

0:11:58.040 --> 0:12:01.840
<v Speaker 2>Stop fucking defending your shit when you know nothing about him.

0:12:01.840 --> 0:12:04.880
<v Speaker 2>He still owes his mother two hundred thousand dollars, Like fuck.

0:12:04.760 --> 0:12:05.800
<v Speaker 1>Off, he still does.

0:12:05.880 --> 0:12:06.559
<v Speaker 4>Oh my god.

0:12:07.280 --> 0:12:09.720
<v Speaker 3>Anyone being like Arianna, move on, it's like it's also

0:12:10.840 --> 0:12:14.000
<v Speaker 3>it's TV. So if it was a TV plot, yes,

0:12:14.080 --> 0:12:15.800
<v Speaker 3>you would want someone to move on. In a TV

0:12:15.880 --> 0:12:18.160
<v Speaker 3>plot of scripted characters, you'd be like, we've been on this.

0:12:18.080 --> 0:12:18.560
<v Speaker 1>For too long.

0:12:18.600 --> 0:12:20.880
<v Speaker 3>They're real people like this really happened to her in

0:12:20.880 --> 0:12:22.480
<v Speaker 3>front of the whole fuck three months ago.

0:12:22.880 --> 0:12:25.520
<v Speaker 2>Yeah, like she's gonna be unpacking it forever, and people

0:12:25.600 --> 0:12:29.440
<v Speaker 2>are using her like financial and like fame, success and

0:12:29.520 --> 0:12:32.120
<v Speaker 2>already dating someone as like reasons to like, well, then

0:12:32.160 --> 0:12:37.640
<v Speaker 2>you're over it, right, it's nine years. It took me like, yeah,

0:12:37.720 --> 0:12:41.600
<v Speaker 2>I don't know. It's misogyny everywhere. I guess, I don't know.

0:12:42.280 --> 0:12:45.840
<v Speaker 3>I went to a little party last week that I

0:12:46.120 --> 0:12:47.440
<v Speaker 3>know that I would have gone to with you if

0:12:47.440 --> 0:12:48.600
<v Speaker 3>you were still living in la.

0:12:48.840 --> 0:12:51.760
<v Speaker 1>But yeah, it was out there.

0:12:51.880 --> 0:12:53.400
<v Speaker 2>It was tough because I think it was in one

0:12:53.400 --> 0:12:55.240
<v Speaker 2>of the locations I've always dreamed of going.

0:12:56.040 --> 0:12:59.040
<v Speaker 3>Yes, So I was like, well, I can I think

0:12:59.040 --> 0:13:00.440
<v Speaker 3>I can say. I mean, I I went to the

0:13:00.640 --> 0:13:04.600
<v Speaker 3>Hack season three premiere party at the Chateau Marmont, and

0:13:04.679 --> 0:13:07.440
<v Speaker 3>I had only ever been to the Chateau Marmont one time,

0:13:07.640 --> 0:13:10.880
<v Speaker 3>to the bar when I brought my parents, which is

0:13:10.920 --> 0:13:14.520
<v Speaker 3>so crazy, but I lived up the street from it,

0:13:14.600 --> 0:13:16.480
<v Speaker 3>like I lived down the street from it for so long.

0:13:16.640 --> 0:13:18.800
<v Speaker 3>My parents were in town, and I was like, oh,

0:13:18.920 --> 0:13:20.720
<v Speaker 3>let's just go pop.

0:13:20.520 --> 0:13:21.600
<v Speaker 1>In there and have a drink at the bar.

0:13:21.640 --> 0:13:23.480
<v Speaker 3>And it was early, so they were like and it

0:13:23.559 --> 0:13:25.439
<v Speaker 3>was a Saturday, but they were like, yeah, you guys

0:13:25.480 --> 0:13:27.320
<v Speaker 3>can sit here, but like in ninety minutes, we have

0:13:27.360 --> 0:13:28.880
<v Speaker 3>to give your table away. We were like great, So

0:13:28.920 --> 0:13:31.280
<v Speaker 3>we just had like a drink and saw a little

0:13:31.320 --> 0:13:33.200
<v Speaker 3>bit of the bar, but I had never seen like

0:13:33.240 --> 0:13:35.760
<v Speaker 3>the hotel and everything. And when I first walked in,

0:13:36.120 --> 0:13:39.200
<v Speaker 3>people were smoking cigarettes, and I just remember thinking, that's weird,

0:13:39.280 --> 0:13:41.760
<v Speaker 3>Like La is a really anti cigarette town. It feels

0:13:41.800 --> 0:13:44.400
<v Speaker 3>like there's parts of LA like Burbank, where it is

0:13:44.400 --> 0:13:47.320
<v Speaker 3>completely illegal to smoke anywhere outside that's public, like you

0:13:47.320 --> 0:13:49.920
<v Speaker 3>have to smoke on your own property. And I just

0:13:50.120 --> 0:13:52.360
<v Speaker 3>was like surprised. And my friend that went with me

0:13:52.960 --> 0:13:56.439
<v Speaker 3>was like, he goes, well, it's the chateau. It's kind

0:13:56.440 --> 0:13:57.920
<v Speaker 3>of anything goes here. And I was like, oh, I

0:13:57.920 --> 0:14:00.040
<v Speaker 3>didn't even know. He knows everything about it.

0:14:00.240 --> 0:14:02.400
<v Speaker 1>Was a guy who was it. No, I did go

0:14:02.480 --> 0:14:02.880
<v Speaker 1>with Guy.

0:14:03.040 --> 0:14:06.280
<v Speaker 3>I drove Guy, but I brought my friend John Millheiser

0:14:06.360 --> 0:14:09.160
<v Speaker 3>as my h Okay, okay, it's a very funny comic.

0:14:09.200 --> 0:14:11.319
<v Speaker 1>Follow him on Instagram. He's so funny everybody.

0:14:11.320 --> 0:14:13.840
<v Speaker 2>He is the one who got us Marsha Gay Harden, Yes,

0:14:14.040 --> 0:14:17.880
<v Speaker 2>famously famously he was our connect to Marcia Gay and

0:14:17.960 --> 0:14:19.120
<v Speaker 2>he so Guy.

0:14:20.000 --> 0:14:22.080
<v Speaker 3>I ended up picking up Guy as well, so the

0:14:22.120 --> 0:14:23.120
<v Speaker 3>three of us showed up together.

0:14:23.200 --> 0:14:25.440
<v Speaker 1>We were kind of like a crew the whole time.

0:14:25.480 --> 0:14:28.360
<v Speaker 3>But I got to meet funny people I know from

0:14:28.400 --> 0:14:30.560
<v Speaker 3>the Internet that I that I got to be friend

0:14:30.800 --> 0:14:32.880
<v Speaker 3>and it was really fun and I saw a lot

0:14:32.880 --> 0:14:35.040
<v Speaker 3>of fun people, and I was like, this would have

0:14:35.040 --> 0:14:37.160
<v Speaker 3>been a really great Lisa moment if she was still

0:14:37.200 --> 0:14:37.720
<v Speaker 3>in LA.

0:14:37.640 --> 0:14:42.240
<v Speaker 1>But you know, it was you're having great moments.

0:14:41.720 --> 0:14:44.160
<v Speaker 2>Because I love that show and I've always wanted to

0:14:44.200 --> 0:14:44.920
<v Speaker 2>go to the Chateau.

0:14:45.000 --> 0:14:45.480
<v Speaker 1>So that was hard.

0:14:45.520 --> 0:14:46.960
<v Speaker 2>But I did get an invite, and I think I'm

0:14:46.960 --> 0:14:49.120
<v Speaker 2>going to go to the Tom Brady Roast.

0:14:49.360 --> 0:14:51.680
<v Speaker 3>Oh wait, where is that? It's here. It's gonna be

0:14:51.720 --> 0:14:53.960
<v Speaker 3>at the key of Forum. Yeah, that's like where I saw.

0:14:54.080 --> 0:14:58.040
<v Speaker 3>That's like where Madonna played. No, she was at Staples. No,

0:14:58.680 --> 0:14:59.480
<v Speaker 3>she was at the Forum.

0:14:59.760 --> 0:15:02.080
<v Speaker 1>Oh at the switch maybe because well we got tickets.

0:15:02.080 --> 0:15:04.840
<v Speaker 3>It was safe, I remember, but I but I actually

0:15:04.840 --> 0:15:07.720
<v Speaker 3>spoke to John Early at the Cans. I was talking

0:15:07.760 --> 0:15:09.800
<v Speaker 3>to John about the Madonna concert and he said it

0:15:09.840 --> 0:15:14.000
<v Speaker 3>was so awesome because the concert was just like this

0:15:14.120 --> 0:15:16.920
<v Speaker 3>isn't for kids, like Madonna is for adults.

0:15:17.000 --> 0:15:17.680
<v Speaker 1>And that's what I.

0:15:17.840 --> 0:15:20.080
<v Speaker 2>Like about, you know, I could I could have told

0:15:20.120 --> 0:15:22.240
<v Speaker 2>him that when I went with my family during the

0:15:22.360 --> 0:15:25.720
<v Speaker 2>Round World tour, I could have definitely told him it

0:15:25.800 --> 0:15:27.240
<v Speaker 2>was not a family.

0:15:26.840 --> 0:15:28.720
<v Speaker 1>Friendly concert, family event.

0:15:29.960 --> 0:15:32.720
<v Speaker 2>Yeah, John Earley was actually just on Watch What Happens Live.

0:15:33.280 --> 0:15:34.640
<v Speaker 1>It was really exciting.

0:15:34.920 --> 0:15:42.720
<v Speaker 2>Come now his Indian made Yeah, I guess I'll announce

0:15:42.720 --> 0:15:48.320
<v Speaker 2>I am going to film on Netflix our special. I'm

0:15:48.360 --> 0:15:53.080
<v Speaker 2>excitedly excited, and that's gonna be June fourth in New York.

0:15:53.200 --> 0:15:54.760
<v Speaker 2>You can go to my page if you'd like to

0:15:54.760 --> 0:15:57.240
<v Speaker 2>get tickets, but I'd like for it to sell out

0:15:57.280 --> 0:15:59.120
<v Speaker 2>sooner than later, so get to it.

0:15:59.600 --> 0:16:03.000
<v Speaker 3>And if you forget where she said to go, also,

0:16:03.160 --> 0:16:05.880
<v Speaker 3>that's messed up. Live dot com has a link that

0:16:05.920 --> 0:16:07.920
<v Speaker 3>says Lisa's website and that takes you to all of

0:16:07.960 --> 0:16:10.280
<v Speaker 3>her ticket links for all of her road stuff and

0:16:10.480 --> 0:16:13.920
<v Speaker 3>the Netflix thing. And we've already announced it on our Instagram,

0:16:13.920 --> 0:16:16.040
<v Speaker 3>but some of you aren't following us there, so you

0:16:16.080 --> 0:16:19.360
<v Speaker 3>know if you are, uh, if you already know, but

0:16:19.400 --> 0:16:21.480
<v Speaker 3>if you're in the New York area anywhere, get tickets.

0:16:21.520 --> 0:16:22.320
<v Speaker 1>There's two shows.

0:16:22.800 --> 0:16:25.560
<v Speaker 2>I think I'm gonna Yeah, it's gonna be a cool background,

0:16:25.600 --> 0:16:26.240
<v Speaker 2>cool outfit.

0:16:26.400 --> 0:16:28.359
<v Speaker 1>I gotta, you know, figure out my set.

0:16:28.280 --> 0:16:28.520
<v Speaker 4>But.

0:16:30.360 --> 0:16:33.880
<v Speaker 3>I'm like so pumped. I think it's gonna be amazing. Yeah,

0:16:34.000 --> 0:16:35.920
<v Speaker 3>she's a Netflix thoroughly everybody.

0:16:36.400 --> 0:16:38.320
<v Speaker 1>Yeah, the industry is fucksed right now.

0:16:38.400 --> 0:16:41.920
<v Speaker 2>So it does feel very you know, it feels like

0:16:41.960 --> 0:16:43.320
<v Speaker 2>a huge I.

0:16:43.280 --> 0:16:46.240
<v Speaker 3>Literally keep everybody keeps going how is everything? And I go, well,

0:16:46.440 --> 0:16:50.360
<v Speaker 3>La is kind of terrible and everybody is upset, but

0:16:50.880 --> 0:16:52.640
<v Speaker 3>Lisa's having the greatest year of all time.

0:16:52.800 --> 0:16:54.160
<v Speaker 1>Like I'm like, Lisa's doing great.

0:16:54.560 --> 0:16:55.280
<v Speaker 4>But no.

0:16:55.640 --> 0:16:57.920
<v Speaker 3>At this Hacks party, I was talking to people whose

0:16:58.000 --> 0:17:01.160
<v Speaker 3>names I will not mention, who are well known and

0:17:01.240 --> 0:17:05.920
<v Speaker 3>wealthy that were like, yeah, things are not looking good

0:17:05.920 --> 0:17:07.960
<v Speaker 3>out there right now, and I was like, you're struggling.

0:17:08.040 --> 0:17:11.480
<v Speaker 3>Oh no, Like so it's just it's just, you know what,

0:17:11.520 --> 0:17:13.920
<v Speaker 3>Ella is in a rebuilding year after some strikes, and

0:17:14.040 --> 0:17:16.800
<v Speaker 3>now twenty twenty five, you can expect to probably see

0:17:16.800 --> 0:17:19.440
<v Speaker 3>a lot of good shit. But in the meantime, Lisa's

0:17:19.440 --> 0:17:23.760
<v Speaker 3>crushing it. Go see her live and tape her Netflix.

0:17:24.080 --> 0:17:25.840
<v Speaker 1>Oh I okay, so sorry.

0:17:25.880 --> 0:17:27.840
<v Speaker 2>I keep talking about Soul Cycle as much as I do,

0:17:27.920 --> 0:17:29.680
<v Speaker 2>but I guess you know, that's what happens to me.

0:17:30.600 --> 0:17:33.720
<v Speaker 2>I went to the best class I have ever been

0:17:33.760 --> 0:17:37.840
<v Speaker 2>to the theme was well also, Jordan, this teacher was

0:17:37.840 --> 0:17:39.119
<v Speaker 2>out of this world. I think I have a new

0:17:39.119 --> 0:17:42.320
<v Speaker 2>favorite teacher in New York, Diego forever in La but

0:17:43.520 --> 0:17:45.560
<v Speaker 2>Tea Pain Pitbull Usher O.

0:17:46.280 --> 0:17:46.800
<v Speaker 1>I love that.

0:17:47.600 --> 0:17:49.840
<v Speaker 2>I don't think I've ever been so hyped in my life.

0:17:49.840 --> 0:17:51.800
<v Speaker 2>I was so tired afterwards. I did take a nap

0:17:51.920 --> 0:17:52.920
<v Speaker 2>till ten thirty at night.

0:17:53.000 --> 0:17:55.359
<v Speaker 1>Like it was because.

0:17:55.080 --> 0:17:56.800
<v Speaker 2>Even up top, she goes, listen, There's not going to

0:17:56.840 --> 0:18:00.679
<v Speaker 2>be any spiritual moments. We're just going hard and nothing

0:18:00.720 --> 0:18:02.280
<v Speaker 2>is better than t Paint Usher Pitbull.

0:18:02.320 --> 0:18:06.160
<v Speaker 1>I mean, I like it was electric. It was electric.

0:18:06.320 --> 0:18:06.520
<v Speaker 4>You know.

0:18:06.600 --> 0:18:08.560
<v Speaker 3>One of my favorite songs I used to work out

0:18:08.560 --> 0:18:10.720
<v Speaker 3>to was an Usher song called Without You that I

0:18:10.720 --> 0:18:13.360
<v Speaker 3>think is like with David Ghetta or something. It has

0:18:13.440 --> 0:18:16.679
<v Speaker 3>like slow moments and then it like really freaking pumps

0:18:16.760 --> 0:18:19.480
<v Speaker 3>up like and I think that's probably the vibe of

0:18:19.520 --> 0:18:23.600
<v Speaker 3>a lot of the Tea Paint mister worldwide Pitbull and uh.

0:18:23.720 --> 0:18:26.639
<v Speaker 2>Uh just electric. Tonight, I'm going into a Taylor Swift

0:18:26.720 --> 0:18:27.679
<v Speaker 2>Muna ride.

0:18:27.960 --> 0:18:30.840
<v Speaker 3>So I met one of the Muna's at the thing

0:18:30.920 --> 0:18:32.080
<v Speaker 3>and we talked about you.

0:18:32.080 --> 0:18:36.119
<v Speaker 1>Sure you did? Okay? Love that? Okay?

0:18:36.600 --> 0:18:38.959
<v Speaker 2>I was being mentioned at the Chateau, which is all

0:18:39.000 --> 0:18:40.600
<v Speaker 2>your air.

0:18:40.760 --> 0:18:42.320
<v Speaker 1>Your name was in the air at the chateau.

0:18:42.960 --> 0:18:46.720
<v Speaker 3>And the band number I met from MUNA was so

0:18:46.880 --> 0:18:49.040
<v Speaker 3>nice and was like, oh.

0:18:48.600 --> 0:18:50.679
<v Speaker 1>You owe that thing with Lisa she I love her,

0:18:50.720 --> 0:18:51.440
<v Speaker 1>blah blah blah.

0:18:51.480 --> 0:18:53.880
<v Speaker 3>So yeah, you are beloved by at least one third

0:18:53.920 --> 0:18:58.560
<v Speaker 3>of MUNA, which is very, very huge to me. Yeah,

0:18:58.600 --> 0:19:00.639
<v Speaker 3>that'll be a fun ride. The only other thing I

0:19:00.640 --> 0:19:02.480
<v Speaker 3>had written down on my little notes to talk to

0:19:02.520 --> 0:19:05.600
<v Speaker 3>you about was I did watch Mean Girls the musical

0:19:05.680 --> 0:19:06.840
<v Speaker 3>yesterday on my flight home.

0:19:07.480 --> 0:19:09.920
<v Speaker 2>Okay, I've seen it. Did we talk about it at all?

0:19:10.040 --> 0:19:11.080
<v Speaker 2>I think, I don't think so.

0:19:11.480 --> 0:19:13.720
<v Speaker 3>I know you've seen the musical, so I wasn't sure

0:19:13.720 --> 0:19:14.760
<v Speaker 3>if you'd seen the movie yet.

0:19:14.760 --> 0:19:16.520
<v Speaker 1>I saw it on a plane as well. Okay.

0:19:17.440 --> 0:19:20.600
<v Speaker 2>And I think Renee Rap is so talented. She's like

0:19:21.160 --> 0:19:25.520
<v Speaker 2>a great talent. And I think Rachel McAdams is incredible.

0:19:25.560 --> 0:19:29.399
<v Speaker 2>But I think Amanda Seifried is a talent, and it

0:19:29.520 --> 0:19:32.200
<v Speaker 2>is very clear when you watch the updated version that

0:19:32.400 --> 0:19:35.240
<v Speaker 2>like what a master she is at what she does.

0:19:35.680 --> 0:19:37.640
<v Speaker 2>But with Renee Rap watching her, I'm like, oh, you're

0:19:37.680 --> 0:19:40.960
<v Speaker 2>fucking good every moment, every face to like, I just

0:19:41.080 --> 0:19:43.320
<v Speaker 2>am like a few can of hers. I thought it

0:19:43.359 --> 0:19:46.320
<v Speaker 2>was fun, awesome. Yeah, it was a good time. But

0:19:46.760 --> 0:19:48.840
<v Speaker 2>and I don't think it's trying to replace the original

0:19:48.960 --> 0:19:51.600
<v Speaker 2>in any capacity. So that's why we don't have to

0:19:51.640 --> 0:19:54.480
<v Speaker 2>fully compare it. But it doesn't compare it. But yes, it.

0:19:54.400 --> 0:19:58.960
<v Speaker 3>Doesn't compare the two. I would say the exact same thing.

0:19:59.000 --> 0:20:00.800
<v Speaker 3>I would like the two other girls, the Karen and

0:20:00.800 --> 0:20:03.720
<v Speaker 3>the Gretchen, were so sweet and cute girls, and I

0:20:03.760 --> 0:20:05.560
<v Speaker 3>would love to see them do more stuff. They just

0:20:05.600 --> 0:20:08.520
<v Speaker 3>don't really hold a candle, I think to the two originals.

0:20:08.600 --> 0:20:10.520
<v Speaker 3>But then Renee rap I was like, you do have

0:20:10.600 --> 0:20:13.640
<v Speaker 3>something that is a more modern mean girl thing going

0:20:13.720 --> 0:20:17.160
<v Speaker 3>on that I liked about her. You know, they aged

0:20:17.160 --> 0:20:20.280
<v Speaker 3>her into today, and yeah.

0:20:19.760 --> 0:20:20.440
<v Speaker 1>I love that.

0:20:20.480 --> 0:20:26.800
<v Speaker 2>To Meadows and Tina Fan, I love that. But this

0:20:26.960 --> 0:20:29.639
<v Speaker 2>is very It's taken the hair Spray journey, right. It

0:20:29.680 --> 0:20:31.479
<v Speaker 2>was like Hair Spray the movie, then the musical, than

0:20:31.480 --> 0:20:33.199
<v Speaker 2>the musical on Broadway, and then a movie based on

0:20:33.200 --> 0:20:34.199
<v Speaker 2>the musical from Broadway.

0:20:34.280 --> 0:20:36.880
<v Speaker 1>Like yeah, a lot of.

0:20:37.359 --> 0:20:39.520
<v Speaker 3>Yes, but I thought it was It was definitely a

0:20:39.520 --> 0:20:41.720
<v Speaker 3>great plain movie. I thought it was really fun and

0:20:41.840 --> 0:20:43.479
<v Speaker 3>I liked a lot of the music, and I had

0:20:43.480 --> 0:20:45.360
<v Speaker 3>never heard really any of it, except for I'd heard

0:20:45.359 --> 0:20:48.240
<v Speaker 3>that Apex Predator song a little bit somewhere, but I

0:20:48.280 --> 0:20:48.960
<v Speaker 3>really hadn't.

0:20:48.720 --> 0:20:50.720
<v Speaker 1>Heard any of the music. What did you think of

0:20:50.760 --> 0:20:53.560
<v Speaker 1>the main girl though, the Katie character.

0:20:53.680 --> 0:20:56.919
<v Speaker 2>Yeah, yeah, it was fine. Everything, everyone was fine. But

0:20:56.960 --> 0:20:59.240
<v Speaker 2>the thing is, I'm glad people can sing. I love

0:20:59.280 --> 0:21:02.119
<v Speaker 2>the music from I like the songs like I was

0:21:02.280 --> 0:21:05.719
<v Speaker 2>very into that that kind of element. I also have

0:21:05.800 --> 0:21:07.760
<v Speaker 2>to give a shout out to the person that did

0:21:07.800 --> 0:21:09.919
<v Speaker 2>come out of their way to come see me perform

0:21:09.960 --> 0:21:14.760
<v Speaker 2>at Springfield, Missouri for my friend Kenny's Funeral festival, and

0:21:16.200 --> 0:21:18.520
<v Speaker 2>I would say my set was unhinged and maybe people

0:21:18.560 --> 0:21:23.879
<v Speaker 2>shouldn't have come to see me there. But afterward she's like,

0:21:23.920 --> 0:21:26.800
<v Speaker 2>we traveled to Springfield to see you, and I was like, oh,

0:21:26.880 --> 0:21:27.600
<v Speaker 2>I forgot that.

0:21:27.720 --> 0:21:30.240
<v Speaker 1>Maybe I just do comedy. I did go last.

0:21:30.359 --> 0:21:33.920
<v Speaker 2>I was the last comedian of the whole festival, and

0:21:33.960 --> 0:21:36.040
<v Speaker 2>I would just say I wish I didn't have that pressure,

0:21:36.080 --> 0:21:38.560
<v Speaker 2>because I buckled under the pressure. Everyone else was so funny,

0:21:38.840 --> 0:21:43.560
<v Speaker 2>people were destroying, they were amazing, and I did call

0:21:43.600 --> 0:21:46.560
<v Speaker 2>a woman a cut in the front row listen, and I.

0:21:46.520 --> 0:21:48.440
<v Speaker 1>Think that's just what Kenny would have wanted.

0:21:48.480 --> 0:21:50.919
<v Speaker 3>I have to be honest, I think that's something he

0:21:50.920 --> 0:21:52.800
<v Speaker 3>would have been like classic Lisa.

0:21:53.760 --> 0:21:56.760
<v Speaker 2>Yeah, it was really it was a class it was

0:21:57.520 --> 0:21:59.840
<v Speaker 2>I mean it was fun, but I felt, you know,

0:22:00.760 --> 0:22:04.480
<v Speaker 2>a little like eh, but yeah, but it was funny

0:22:04.560 --> 0:22:06.720
<v Speaker 2>to then take a photo with someone who was excited

0:22:06.720 --> 0:22:08.680
<v Speaker 2>to come and I was like, you couldn't wait till

0:22:08.680 --> 0:22:12.440
<v Speaker 2>I was in Saint Louis. But if you are listening,

0:22:12.560 --> 0:22:14.840
<v Speaker 2>thank you for being there and you know coming to

0:22:14.880 --> 0:22:15.320
<v Speaker 2>that show.

0:22:15.640 --> 0:22:19.159
<v Speaker 3>Yeah, and we're gonna get started. But just wanted to

0:22:19.160 --> 0:22:22.360
<v Speaker 3>remind people that if you want to support our beautiful

0:22:22.400 --> 0:22:24.560
<v Speaker 3>little show and buy any of the products that we

0:22:24.600 --> 0:22:29.159
<v Speaker 3>talk about in our ads exactly rightmedia dot com forward

0:22:29.200 --> 0:22:32.560
<v Speaker 3>slash promos baby, you can find and also I'm posting

0:22:32.560 --> 0:22:35.320
<v Speaker 3>them actually, like today I'm going to post a story

0:22:35.440 --> 0:22:38.000
<v Speaker 3>with all the promo codes in it, so there will

0:22:38.040 --> 0:22:40.080
<v Speaker 3>be a highlight in our stories that has all of

0:22:40.080 --> 0:22:42.720
<v Speaker 3>our promo codes. Like, so if you are interested in

0:22:42.760 --> 0:22:44.880
<v Speaker 3>any of the stuff that we've talked about and you're like, wait,

0:22:44.880 --> 0:22:46.359
<v Speaker 3>what was the promo code, they're all going to live

0:22:46.400 --> 0:22:49.400
<v Speaker 3>there also available at a link at that's messed up

0:22:49.440 --> 0:22:52.919
<v Speaker 3>live dot com, as well as links to Lisa's stuff

0:22:52.920 --> 0:22:55.520
<v Speaker 3>links to my stuff, links to our shop where you

0:22:55.560 --> 0:22:57.200
<v Speaker 3>can buy some of our merch.

0:22:57.320 --> 0:22:59.560
<v Speaker 1>Well, and our new merch is so cute.

0:22:59.720 --> 0:23:01.560
<v Speaker 2>I just it's got the mug and the toe bag

0:23:01.600 --> 0:23:03.240
<v Speaker 2>and the mail so fucking cute.

0:23:03.280 --> 0:23:05.199
<v Speaker 3>So the T shirt and the mug are sold out

0:23:05.240 --> 0:23:07.000
<v Speaker 3>right now. The toe bag is still up there. There's

0:23:07.000 --> 0:23:09.760
<v Speaker 3>some smaller items, but also we're gonna be getting more

0:23:09.760 --> 0:23:11.600
<v Speaker 3>of the T shirts soon, so stay tuned for that.

0:23:12.640 --> 0:23:15.800
<v Speaker 3>And that's that's that. On match we get started. I

0:23:15.840 --> 0:23:18.480
<v Speaker 3>think we gotta we gotta here we go.

0:23:22.000 --> 0:23:25.119
<v Speaker 2>All right, I would say, yay, but this isn't it.

0:23:25.359 --> 0:23:30.280
<v Speaker 2>This isn't a YA episode. Okay, we're doing Honor season two, episode.

0:23:29.720 --> 0:23:31.840
<v Speaker 1>Two, not a YA episode.

0:23:32.040 --> 0:23:35.159
<v Speaker 2>No, I would say, I get ready to get very sad,

0:23:37.720 --> 0:23:38.000
<v Speaker 2>you know.

0:23:38.119 --> 0:23:41.280
<v Speaker 3>Get ready to be devastated, devastated, devastated.

0:23:42.400 --> 0:23:44.240
<v Speaker 2>So we're in a park and it's a full on

0:23:44.320 --> 0:23:47.119
<v Speaker 2>crime scene, and then a horse cop is telling Benson

0:23:47.160 --> 0:23:50.359
<v Speaker 2>and Stabler in a walk and talk that you know,

0:23:50.440 --> 0:23:54.239
<v Speaker 2>a woman was found moaning, bleeding and half naked and

0:23:54.280 --> 0:23:58.479
<v Speaker 2>the face and privates beaten. And early seasons and then

0:23:58.560 --> 0:24:01.800
<v Speaker 2>late seasons, I feel graph you know, we got like yeah,

0:24:02.080 --> 0:24:04.600
<v Speaker 2>fifteen years in the middle where it was not as

0:24:04.680 --> 0:24:06.920
<v Speaker 2>and then the first few and the last few.

0:24:07.000 --> 0:24:09.640
<v Speaker 1>Just they wanted to grab our attention.

0:24:09.880 --> 0:24:12.520
<v Speaker 3>And then maybe like after Stabler life, no, like a

0:24:12.640 --> 0:24:14.840
<v Speaker 3>it was way after Stabler left that they started going

0:24:14.880 --> 0:24:16.080
<v Speaker 3>back into the violent stuff.

0:24:16.119 --> 0:24:17.359
<v Speaker 1>I don't know why, I don't know.

0:24:17.440 --> 0:24:20.440
<v Speaker 2>But and then so we see your body being put

0:24:20.480 --> 0:24:23.480
<v Speaker 2>on a stretcher, but there are also rocks that are bagged,

0:24:23.600 --> 0:24:27.639
<v Speaker 2>and so some cop goes an old fashioned stoning and

0:24:27.680 --> 0:24:30.679
<v Speaker 2>then it's a rape as well, stab wound on the

0:24:30.760 --> 0:24:34.639
<v Speaker 2>chest as like the left side so towards the heart.

0:24:34.920 --> 0:24:38.560
<v Speaker 2>And then the EMT New York accidents are so strong

0:24:38.680 --> 0:24:40.720
<v Speaker 2>it seems like they should be working at a pizza shop,

0:24:40.840 --> 0:24:44.639
<v Speaker 2>not with sensitive people. But you know, it happens. And

0:24:44.680 --> 0:24:49.480
<v Speaker 2>then they also Stabler says wilding is back in vogue,

0:24:49.600 --> 0:24:52.200
<v Speaker 2>and Benson does not like that at all. And also

0:24:52.359 --> 0:24:55.080
<v Speaker 2>I've never really they say wilding a lot in this

0:24:55.240 --> 0:24:56.680
<v Speaker 2>and I.

0:24:56.280 --> 0:25:00.040
<v Speaker 3>Yeah, it's a reference to the Central Park jogger ca

0:25:00.320 --> 0:25:05.040
<v Speaker 3>I think because that was called a wilding and that

0:25:05.080 --> 0:25:07.840
<v Speaker 3>happened in like like ten years earlier than this episode.

0:25:07.840 --> 0:25:10.600
<v Speaker 1>But it was like a pretty big thing in New York. Well,

0:25:10.680 --> 0:25:11.560
<v Speaker 1>I think in the world.

0:25:12.320 --> 0:25:15.359
<v Speaker 2>Yeah, because it came up, yeah again in the twenty

0:25:15.359 --> 0:25:17.920
<v Speaker 2>sixteen you know, elections and stuff like it was kind

0:25:17.920 --> 0:25:19.200
<v Speaker 2>of exactly.

0:25:19.480 --> 0:25:22.720
<v Speaker 1>But I don't know, like, well, we learned a really.

0:25:22.600 --> 0:25:24.800
<v Speaker 2>Good lesson, you know, like you don't be in the

0:25:24.840 --> 0:25:29.120
<v Speaker 2>park after dark and don't be black and alive, so that.

0:25:29.200 --> 0:25:29.840
<v Speaker 1>Yeah, exactly.

0:25:29.880 --> 0:25:31.879
<v Speaker 3>I was gonna say, like, I know, I'm not saying

0:25:31.880 --> 0:25:34.160
<v Speaker 3>like a wilding has never happened, but I do think

0:25:34.200 --> 0:25:38.159
<v Speaker 3>that they were exaggerated by racists and like people that

0:25:38.200 --> 0:25:41.119
<v Speaker 3>were like any group of boys hanging out together that

0:25:41.240 --> 0:25:44.240
<v Speaker 3>might not have white skin tone are getting ready to

0:25:44.400 --> 0:25:46.640
<v Speaker 3>just fully attack people like a pack of animals.

0:25:46.640 --> 0:25:48.280
<v Speaker 1>And that's just not factual.

0:25:48.400 --> 0:25:52.159
<v Speaker 2>So you know, yeah, not factual at all.

0:25:52.359 --> 0:25:53.399
<v Speaker 1>I mean, yeah, they.

0:25:53.400 --> 0:25:56.720
<v Speaker 3>Sat, I mean Central Park five, yes, which, yeah, I'm

0:25:56.720 --> 0:25:58.560
<v Speaker 3>going to touch on it later. I'm not actually covering

0:25:58.640 --> 0:26:00.439
<v Speaker 3>that today, but yeah, yeah, I.

0:26:00.400 --> 0:26:03.199
<v Speaker 1>Think that's one we're avoiding. I would feel like it

0:26:03.240 --> 0:26:06.440
<v Speaker 1>comes up a lot and we're like later, later, it's coming.

0:26:06.560 --> 0:26:09.800
<v Speaker 1>It's like William Lewis, it's coming. We're just avoiding it.

0:26:10.080 --> 0:26:12.359
<v Speaker 2>Yeah, I think we were avoiding this one, but I'll

0:26:12.359 --> 0:26:15.080
<v Speaker 2>be I'll do I'll do a coming up. We got

0:26:15.080 --> 0:26:16.760
<v Speaker 2>a great guess. We had to do it. Yeah, that

0:26:16.920 --> 0:26:23.160
<v Speaker 2>had to do it. So he stays behind. Stabler stays

0:26:23.160 --> 0:26:25.119
<v Speaker 2>behind to work the scene. She enters the bus to

0:26:25.119 --> 0:26:27.320
<v Speaker 2>go to the hospital with the victim, and then Cragan

0:26:27.480 --> 0:26:29.399
<v Speaker 2>is in full Oh my god, I didn't even write credits.

0:26:29.400 --> 0:26:32.240
<v Speaker 2>I always write credits in my notes, and I didn't

0:26:32.240 --> 0:26:34.240
<v Speaker 2>even write them in this. But that is where the

0:26:34.280 --> 0:26:38.760
<v Speaker 2>credits happen, so I do know scene by scene. So

0:26:38.800 --> 0:26:41.880
<v Speaker 2>then Cragan's in full suspender glory. He comes out annoyed

0:26:41.880 --> 0:26:44.159
<v Speaker 2>that the brass is calling him so much and he

0:26:44.240 --> 0:26:47.359
<v Speaker 2>has no information for them. And Benson's in a tank top,

0:26:47.480 --> 0:26:49.919
<v Speaker 2>so that's pretty exciting. And then she says, all we

0:26:49.960 --> 0:26:52.000
<v Speaker 2>have it's a female Jane do probably in her twenty

0:26:52.119 --> 0:26:55.200
<v Speaker 2>is no id, no knife. She was mumbling in the bus,

0:26:55.200 --> 0:26:58.919
<v Speaker 2>but Benson couldn't make anything out. Finn then hangs up

0:26:58.960 --> 0:27:00.679
<v Speaker 2>the phone and he looks silly as fuck. You know,

0:27:00.680 --> 0:27:03.040
<v Speaker 2>a blue and white striped shirt. This is his vest era.

0:27:03.440 --> 0:27:07.200
<v Speaker 2>But they he tells everyone, they poured four units into her,

0:27:07.320 --> 0:27:09.560
<v Speaker 2>and so that's of blood and that's a lot of

0:27:09.600 --> 0:27:12.600
<v Speaker 2>blood loss. You're a you're a blood donator. That's a lot, right, Yeah,

0:27:12.600 --> 0:27:15.520
<v Speaker 2>that's a lot that feels like a lot, so very

0:27:15.840 --> 0:27:18.960
<v Speaker 2>very touch and go the rape kit, you know everything

0:27:19.480 --> 0:27:23.800
<v Speaker 2>hair seaman, bruising and blood from a freshly ripped Timan.

0:27:25.280 --> 0:27:27.720
<v Speaker 1>So, yeah, I am not happy saying it. You're not

0:27:27.760 --> 0:27:28.439
<v Speaker 1>happy hearing it.

0:27:30.160 --> 0:27:36.000
<v Speaker 2>Craigan, Uh yeah, o case he's upset, Okay, Sogan. Craigan's

0:27:36.920 --> 0:27:39.600
<v Speaker 2>crossing guards everyone, and we end up with Benson and

0:27:39.600 --> 0:27:42.440
<v Speaker 2>Stable are talking to the park cop and he's defensive

0:27:42.520 --> 0:27:45.040
<v Speaker 2>as fuck. He's like, my park is safe, and then

0:27:45.520 --> 0:27:47.440
<v Speaker 2>again it's like, are you sure it's not a wilding

0:27:47.800 --> 0:27:50.480
<v Speaker 2>and he's like, it's an incident, it's an anomaly. He

0:27:50.560 --> 0:27:53.240
<v Speaker 2>keeps wagging his fingers. He's not being helpful, and they're

0:27:53.280 --> 0:27:55.320
<v Speaker 2>left in the dust. So then they go to the

0:27:55.320 --> 0:27:57.840
<v Speaker 2>horse cop and the horse cop talks about the park

0:27:57.880 --> 0:27:59.840
<v Speaker 2>cop and he's like, he gave you the knot in

0:27:59.880 --> 0:28:02.920
<v Speaker 2>mind park routine, huh, And he's like he's just worried

0:28:02.920 --> 0:28:05.199
<v Speaker 2>about his own ask getting dragged by the brass. And

0:28:05.200 --> 0:28:08.600
<v Speaker 2>then the horse cop says pretty young thing, which does

0:28:08.640 --> 0:28:12.639
<v Speaker 2>remind me of Stabler going, ain't no bad I heard you?

0:28:13.160 --> 0:28:17.119
<v Speaker 2>Wang is no big fang. Yeah, in the future, so

0:28:17.359 --> 0:28:19.840
<v Speaker 2>we kind of. I guess there was maybe one writer

0:28:19.960 --> 0:28:24.960
<v Speaker 2>who really love to write thang. He then says that

0:28:25.000 --> 0:28:27.800
<v Speaker 2>middle class kids on bikes are pretending to be gangsters

0:28:27.840 --> 0:28:30.240
<v Speaker 2>and they're bothering people in the park and it is

0:28:30.280 --> 0:28:33.800
<v Speaker 2>a pattern. But the park cop didn't realize it till yesterday,

0:28:33.840 --> 0:28:37.439
<v Speaker 2>so he's feeling like nervous about that and getting in trouble.

0:28:37.960 --> 0:28:40.280
<v Speaker 2>So then we go to the home of Chris Lyons,

0:28:40.320 --> 0:28:42.320
<v Speaker 2>you know, one of the suburban teens.

0:28:42.800 --> 0:28:45.040
<v Speaker 1>Well, I guess still a city kid, but whatever.

0:28:45.560 --> 0:28:47.880
<v Speaker 2>And then the dad answers and goes, ugh, what now,

0:28:47.960 --> 0:28:50.400
<v Speaker 2>So he knows his kid sucks, and the dad.

0:28:50.360 --> 0:28:51.480
<v Speaker 1>Is like totally used to it.

0:28:51.520 --> 0:28:53.560
<v Speaker 2>He goes, just call her attorney, hands over the card

0:28:53.600 --> 0:28:55.880
<v Speaker 2>and Benson's like, easy way or hard way? You want

0:28:55.920 --> 0:28:57.920
<v Speaker 2>to search warrant. He goes, fine, fine, we'll meet you

0:28:58.160 --> 0:29:01.360
<v Speaker 2>our attorney's office. So the boy has spikey gel hair,

0:29:01.440 --> 0:29:04.040
<v Speaker 2>like the some forty one lead singer Crispy and high.

0:29:04.560 --> 0:29:08.840
<v Speaker 1>The lawyer, yeah, yeah, that's a rough the one that

0:29:08.920 --> 0:29:09.800
<v Speaker 1>was married to Avril.

0:29:10.960 --> 0:29:16.000
<v Speaker 2>I didn't realize they were married, but yeah, yeah yeah.

0:29:16.040 --> 0:29:19.440
<v Speaker 2>The lawyer is like, that's just my quintessential hit, Like

0:29:19.480 --> 0:29:22.400
<v Speaker 2>what would you say, to compare that hair, what comes

0:29:22.440 --> 0:29:23.480
<v Speaker 2>to mind for you?

0:29:23.480 --> 0:29:29.600
<v Speaker 1>No, I that's correct, That is correct. I'm thinking like

0:29:29.640 --> 0:29:32.520
<v Speaker 1>that's the reference. Yeah, yeah, yeah, that's it.

0:29:32.880 --> 0:29:35.800
<v Speaker 2>So the lawyer is like, I mean, or people from

0:29:35.800 --> 0:29:37.400
<v Speaker 2>my high school, I can name name.

0:29:37.240 --> 0:29:42.480
<v Speaker 3>By name, specifically specifically Larry Jones, like his hair was ridiculous.

0:29:42.600 --> 0:29:43.440
<v Speaker 1>Yeah.

0:29:43.640 --> 0:29:46.120
<v Speaker 2>The lawyers like, why are you harassing my client? And

0:29:46.160 --> 0:29:48.200
<v Speaker 2>they're like, we hate him. And then they asked where

0:29:48.200 --> 0:29:50.200
<v Speaker 2>he was early that morning and the dad's like, you're sick.

0:29:50.240 --> 0:29:51.240
<v Speaker 1>We heard about that case.

0:29:51.280 --> 0:29:53.160
<v Speaker 2>There's no way my son is a poser, like he

0:29:53.200 --> 0:29:57.120
<v Speaker 2>didn't do this, he wasn't there. And the dad grabs

0:29:57.120 --> 0:30:00.240
<v Speaker 2>a son's arm and goes, don't you say another word,

0:30:00.480 --> 0:30:02.320
<v Speaker 2>And the detectives are like, shut up, we want him

0:30:02.360 --> 0:30:04.440
<v Speaker 2>to talk, and the dad's like, no, he's actually fifteen,

0:30:04.480 --> 0:30:07.440
<v Speaker 2>so shut the fuck up. Benson's beeper goes off, so

0:30:07.480 --> 0:30:10.040
<v Speaker 2>we can tell what time this really is. Is this pretty yeah?

0:30:10.080 --> 0:30:13.880
<v Speaker 2>Pre nine to eleven? Okay, so the beeper is buzzin'.

0:30:14.480 --> 0:30:18.040
<v Speaker 3>Also, besides beeper, the word poser was at its peak.

0:30:18.160 --> 0:30:20.640
<v Speaker 3>I would say at this time, oh really, like, oh

0:30:20.680 --> 0:30:23.600
<v Speaker 3>my gosh, when I was like, I mean, when I

0:30:23.680 --> 0:30:25.920
<v Speaker 3>was like in like high school, I feel like poser

0:30:26.040 --> 0:30:28.080
<v Speaker 3>was like a slur, like it was like the worst

0:30:28.120 --> 0:30:29.760
<v Speaker 3>thing you could call someone. You're like, I don't know,

0:30:29.920 --> 0:30:32.360
<v Speaker 3>she's kind of a poser, Like, oh, it was so

0:30:32.560 --> 0:30:34.720
<v Speaker 3>bad you never wanted to get called that.

0:30:35.320 --> 0:30:38.680
<v Speaker 2>No, And so then finally I do love this line

0:30:38.960 --> 0:30:42.480
<v Speaker 2>so much. The boy says, so we like to look

0:30:42.480 --> 0:30:44.880
<v Speaker 2>at the ladies, but what happened to that lady?

0:30:45.160 --> 0:30:46.200
<v Speaker 1>We're not down with that.

0:30:46.720 --> 0:30:49.000
<v Speaker 2>And he does have a librae piercing if you're wondering.

0:30:50.440 --> 0:30:53.600
<v Speaker 2>He was online till one am and it wasn't him.

0:30:53.640 --> 0:30:56.800
<v Speaker 2>So Benson's like, okay, we'll keep in touch, and they leave. Basically,

0:30:56.880 --> 0:30:58.880
<v Speaker 2>the beeper was the lab. It's not what we thought.

0:30:59.240 --> 0:31:02.000
<v Speaker 2>The victim only had one person's DNA inside of her.

0:31:02.120 --> 0:31:05.080
<v Speaker 2>She was dumped after she was stabbed because she lost

0:31:05.160 --> 0:31:06.920
<v Speaker 2>so much blood, but all that blood was not on

0:31:06.960 --> 0:31:07.400
<v Speaker 2>the scene.

0:31:07.960 --> 0:31:09.360
<v Speaker 1>And this Emmy is a blonde woman.

0:31:10.080 --> 0:31:12.600
<v Speaker 2>The fibers that we found were white caught and found

0:31:12.600 --> 0:31:15.880
<v Speaker 2>on the clothes, legs and genitals, and the attack followed

0:31:15.880 --> 0:31:18.840
<v Speaker 2>the rate by eight hours. And then there's one bloody

0:31:18.840 --> 0:31:21.720
<v Speaker 2>print on a rock, then on her clothes. There's so

0:31:21.840 --> 0:31:25.000
<v Speaker 2>much blood and it says Hanford University. So they obviously

0:31:25.040 --> 0:31:27.840
<v Speaker 2>go down to Hanford and they talk to an admissions

0:31:27.880 --> 0:31:30.240
<v Speaker 2>office and they're just like searching on a database for

0:31:30.320 --> 0:31:33.040
<v Speaker 2>women after woman after woman, and they think they find her.

0:31:33.080 --> 0:31:35.520
<v Speaker 2>Her name is Nafisa Amir and she's twenty three years old.

0:31:35.560 --> 0:31:37.840
<v Speaker 2>She's at the School of Journalism. She lives in the

0:31:37.880 --> 0:31:43.200
<v Speaker 2>East Village and they send over the photo ID to

0:31:43.320 --> 0:31:46.080
<v Speaker 2>Munch and so now Munch and Finn show up at

0:31:46.120 --> 0:31:48.720
<v Speaker 2>the address and a man with a bandage answers the door.

0:31:49.120 --> 0:31:52.160
<v Speaker 2>They ask for a mister Tarzi and he's like, oh,

0:31:52.200 --> 0:31:55.440
<v Speaker 2>he doesn't live here anymore. I'm David Hamoud and they

0:31:55.480 --> 0:31:57.600
<v Speaker 2>ask for an IDA. He's like, he only has a

0:31:57.600 --> 0:32:01.280
<v Speaker 2>Social Security card, his passports and a safety deposit box

0:32:01.280 --> 0:32:02.920
<v Speaker 2>and he doesn't drive, so he doesn't have an ID.

0:32:03.480 --> 0:32:05.760
<v Speaker 2>So they cut to the chase and show a photo

0:32:05.880 --> 0:32:07.840
<v Speaker 2>of a Fisa and he's like, nope, who is she?

0:32:08.040 --> 0:32:10.360
<v Speaker 2>I have no idea. They ask how long he's lived there.

0:32:10.360 --> 0:32:12.760
<v Speaker 2>He says he just moved in last week. So he

0:32:12.840 --> 0:32:15.040
<v Speaker 2>scurries off, but he says he'll be back at night

0:32:15.080 --> 0:32:17.600
<v Speaker 2>if they want to chat more. So Benson and Sabler

0:32:17.640 --> 0:32:19.400
<v Speaker 2>are still at the college and they show the photo

0:32:19.640 --> 0:32:21.800
<v Speaker 2>of the woman to someone else and a woman's like,

0:32:21.800 --> 0:32:23.120
<v Speaker 2>oh my god, but I don't know, I don't know.

0:32:23.040 --> 0:32:23.600
<v Speaker 1>If that's her.

0:32:24.320 --> 0:32:26.400
<v Speaker 2>She you know, if it is, she actually missed class

0:32:26.400 --> 0:32:29.000
<v Speaker 2>this morning, and she never misses class, so obviously it's her.

0:32:29.360 --> 0:32:31.360
<v Speaker 2>The professor talks to her all the time, and they

0:32:31.360 --> 0:32:33.320
<v Speaker 2>do have a bond, it seems like. And a Fisa

0:32:33.360 --> 0:32:35.760
<v Speaker 2>loves the freedom of the press and it doesn't exist

0:32:35.840 --> 0:32:39.000
<v Speaker 2>where she's from with the Taliban government. The professor is like,

0:32:39.120 --> 0:32:41.880
<v Speaker 2>unless she's snuck out of the country, her parents must

0:32:41.920 --> 0:32:45.800
<v Speaker 2>be here, like women can't just move about freely. And

0:32:45.880 --> 0:32:48.360
<v Speaker 2>she does know her best friend her her name is

0:32:48.360 --> 0:32:51.320
<v Speaker 2>Annette Fleming. They go to talk to her. Annette is

0:32:51.320 --> 0:32:53.880
<v Speaker 2>crying on a bench. She's so sad. She just saw

0:32:53.880 --> 0:32:56.400
<v Speaker 2>her in class yesterday. They ask if anything was wrong

0:32:56.400 --> 0:32:58.920
<v Speaker 2>in a FSA's life, and Annette goes, no, the opposite.

0:32:59.000 --> 0:33:00.000
<v Speaker 1>She was loving life.

0:33:00.160 --> 0:33:02.440
<v Speaker 2>She wouldn't talk about her boyfriend and it was a

0:33:02.440 --> 0:33:06.040
<v Speaker 2>way of protecting herself from her father, an Afghan diplomat,

0:33:06.480 --> 0:33:08.800
<v Speaker 2>and she thought he had been looking for her, so

0:33:08.840 --> 0:33:11.560
<v Speaker 2>she was a little freaked out and if he had

0:33:11.600 --> 0:33:14.400
<v Speaker 2>his way, she says, Annett wouldn't even be friends with

0:33:14.440 --> 0:33:17.600
<v Speaker 2>the FISA. He's a control freak, you know. She wouldn't.

0:33:17.960 --> 0:33:18.880
<v Speaker 2>She would leave.

0:33:18.720 --> 0:33:20.600
<v Speaker 1>With the full robes. She call it the robes.

0:33:20.640 --> 0:33:22.800
<v Speaker 2>It's obviously a full as Berka, and then she would

0:33:22.880 --> 0:33:23.520
<v Speaker 2>leave the house in that.

0:33:23.600 --> 0:33:24.840
<v Speaker 1>And at school she changed.

0:33:25.200 --> 0:33:27.200
<v Speaker 2>She hated so much that she had to live like that,

0:33:28.040 --> 0:33:31.000
<v Speaker 2>and she was talking to Professor Husseini who was helping

0:33:31.040 --> 0:33:34.120
<v Speaker 2>her to adjust, and she kept the clothing in her locker.

0:33:34.240 --> 0:33:36.479
<v Speaker 1>So that's the next stop. We go to the locker.

0:33:36.600 --> 0:33:39.440
<v Speaker 2>Benson starts going through the bag and they talk about

0:33:39.480 --> 0:33:41.600
<v Speaker 2>Kathleen and how pissed she would be if she couldn't

0:33:41.640 --> 0:33:44.480
<v Speaker 2>wear jeans. So they find a photo of a dude

0:33:44.960 --> 0:33:47.720
<v Speaker 2>and the address is on the east side and it

0:33:47.760 --> 0:33:51.000
<v Speaker 2>is the home of Salah and Aziza Amir and the

0:33:51.040 --> 0:33:54.240
<v Speaker 2>mom is only eyes visible Burka. She's sitting in silence

0:33:54.280 --> 0:33:56.160
<v Speaker 2>on the couch. And the dad, as a matter of fact,

0:33:56.200 --> 0:33:58.920
<v Speaker 2>he's not sad at all. They're like, she's in the

0:33:58.960 --> 0:34:01.800
<v Speaker 2>hospital and he's like, is she dead and they go, no,

0:34:02.000 --> 0:34:04.200
<v Speaker 2>she's in critical condition. He goes, h she did not

0:34:04.280 --> 0:34:09.239
<v Speaker 2>understand her place, And it's confusing that anyone thinks this

0:34:09.320 --> 0:34:11.719
<v Speaker 2>is actual strength, like not letting them do anything and

0:34:11.719 --> 0:34:14.480
<v Speaker 2>be like this is actually it's very powerful of me

0:34:14.600 --> 0:34:17.960
<v Speaker 2>to do this. It's like crazy. But this guy's a psychopath.

0:34:18.040 --> 0:34:20.400
<v Speaker 2>So she turns her back, like he goes, she turns

0:34:20.400 --> 0:34:24.040
<v Speaker 2>her back on traditions and again, yeah, why wouldn't.

0:34:23.719 --> 0:34:24.920
<v Speaker 1>She love this great life?

0:34:25.360 --> 0:34:28.000
<v Speaker 2>So then he says, well, we have a son, Jalil,

0:34:28.040 --> 0:34:31.200
<v Speaker 2>but she's dead to me, and so now it's a

0:34:31.239 --> 0:34:35.120
<v Speaker 2>walk and talk. Craigan is really confused about this. He's like, whoa,

0:34:35.280 --> 0:34:38.040
<v Speaker 2>So it's her fault. She was raped, and Benson goes, yep,

0:34:38.080 --> 0:34:40.560
<v Speaker 2>she brought shame and dishonor to her family. They be

0:34:40.640 --> 0:34:43.000
<v Speaker 2>head women for that, he says. So Munch says, my

0:34:43.080 --> 0:34:45.200
<v Speaker 2>wife dishonored me, and all I have to pay her

0:34:45.280 --> 0:34:49.440
<v Speaker 2>is alimony. So that's nice, a nice little comedic break.

0:34:50.040 --> 0:34:52.799
<v Speaker 2>Then Stabler says, look what's in the knapsack? No one

0:34:52.800 --> 0:34:55.520
<v Speaker 2>calls it a knapsack? What the fuck you bloom our bitch,

0:34:56.360 --> 0:34:58.719
<v Speaker 2>it's a picture of a man. They're like, I wonder

0:34:58.760 --> 0:35:02.920
<v Speaker 2>who this man could be. But also these diplomats are

0:35:02.920 --> 0:35:06.440
<v Speaker 2>covered with immunity, so like, you know.

0:35:06.440 --> 0:35:07.080
<v Speaker 1>What do we do?

0:35:07.440 --> 0:35:09.520
<v Speaker 2>The only way we can contact them is updates on

0:35:09.560 --> 0:35:11.360
<v Speaker 2>the daughter, or we'll get in big trouble.

0:35:11.360 --> 0:35:12.680
<v Speaker 1>Crazy, Why do we have that?

0:35:13.080 --> 0:35:15.400
<v Speaker 3>Why is it like you're coming to another country to

0:35:15.440 --> 0:35:19.080
<v Speaker 3>do business in our country politically, so feel free to

0:35:19.200 --> 0:35:21.000
<v Speaker 3>just like violate whatever law and do whatever.

0:35:21.120 --> 0:35:23.200
<v Speaker 1>I just don't get it. I don't either.

0:35:23.600 --> 0:35:25.080
<v Speaker 3>I don't get why we were just like, oh, but

0:35:25.160 --> 0:35:28.719
<v Speaker 3>you're here on diplomatic business, Like, feel free to gamble,

0:35:28.800 --> 0:35:30.279
<v Speaker 3>kill someone, do what E's like.

0:35:30.320 --> 0:35:30.960
<v Speaker 1>I don't get it.

0:35:31.600 --> 0:35:34.480
<v Speaker 3>But if someone is a diplomat, let us know if

0:35:34.480 --> 0:35:37.400
<v Speaker 3>we have a diplomat listening to this podcasts, I mean, let's.

0:35:37.160 --> 0:35:38.319
<v Speaker 1>Call it a day. We did it.

0:35:39.000 --> 0:35:41.920
<v Speaker 2>Then Munch looks at the photo of the man and

0:35:41.960 --> 0:35:44.440
<v Speaker 2>it's the dude from earlier who said he's never heard

0:35:44.520 --> 0:35:44.759
<v Speaker 2>of her.

0:35:46.480 --> 0:35:49.200
<v Speaker 1>Yeah. Yeah, So they go pick him up, all hands

0:35:49.200 --> 0:35:49.600
<v Speaker 1>on deck.

0:35:49.719 --> 0:35:52.960
<v Speaker 2>The walkie talkies are so giant, and then he walks

0:35:52.960 --> 0:35:55.399
<v Speaker 2>and sees Fin and drops all the groceries. This guy

0:35:55.480 --> 0:35:58.160
<v Speaker 2>like on the street and he starts running, but Staylor

0:35:58.200 --> 0:36:00.800
<v Speaker 2>meets him on another side. He crosses a street, stable

0:36:00.920 --> 0:36:04.320
<v Speaker 2>runs over a taxi, Finn tackles him. Munch arrives and

0:36:04.360 --> 0:36:05.960
<v Speaker 2>then the guy goes, you will not find her. I

0:36:06.000 --> 0:36:07.960
<v Speaker 2>will never tell you where she is. You will never

0:36:08.040 --> 0:36:10.799
<v Speaker 2>find her. Okay, they read him his rights, they stuff

0:36:10.880 --> 0:36:13.120
<v Speaker 2>him in a car. His name is dau Tarzi. He's

0:36:13.160 --> 0:36:17.160
<v Speaker 2>thirty three, no priors, so Immigration said he got there

0:36:17.160 --> 0:36:19.479
<v Speaker 2>in eighty eight. He became a citizen in ninety three,

0:36:19.960 --> 0:36:24.399
<v Speaker 2>and he does exports and imports. Aka Seinfeld Costanza, Let's

0:36:24.440 --> 0:36:28.279
<v Speaker 2>go our vandal a. Yes, he asked how bad is she?

0:36:28.400 --> 0:36:31.279
<v Speaker 2>They say critical? He says, I'm responsible for this. I

0:36:31.400 --> 0:36:35.480
<v Speaker 2>love her, so he explains that we argued she ran out.

0:36:35.560 --> 0:36:38.160
<v Speaker 2>When asked what they were fighting about, he says, who cares.

0:36:38.200 --> 0:36:41.920
<v Speaker 2>Her father already won his twisted sense of honor revenge

0:36:42.000 --> 0:36:44.799
<v Speaker 2>for leaving home. And basically they were fighting because she

0:36:44.840 --> 0:36:47.240
<v Speaker 2>had a hard time letting that old school traditional shit

0:36:47.280 --> 0:36:50.640
<v Speaker 2>go and her family. And he's like, girl, like, let's

0:36:50.680 --> 0:36:54.319
<v Speaker 2>go be free together. And this is really interesting, you know,

0:36:54.760 --> 0:36:57.680
<v Speaker 2>like this type of lifestyle in any sort of super

0:36:57.680 --> 0:37:01.240
<v Speaker 2>religious sect where you're just subject, like your life doesn't

0:37:01.280 --> 0:37:04.600
<v Speaker 2>matter as a woman, You're like, why wouldn't you leave?

0:37:04.600 --> 0:37:07.040
<v Speaker 1>And it's like, yeah, you'll never see your family again.

0:37:07.120 --> 0:37:10.120
<v Speaker 2>You know, there is that connection, Like I understand why

0:37:10.120 --> 0:37:11.960
<v Speaker 2>it's so hard where you're like, fuck, like, I'm also

0:37:12.040 --> 0:37:15.200
<v Speaker 2>leaving my mom behind and you do still have this

0:37:15.360 --> 0:37:17.640
<v Speaker 2>love and it's it's hard.

0:37:17.680 --> 0:37:19.520
<v Speaker 1>I feel for all these kids that.

0:37:19.960 --> 0:37:23.839
<v Speaker 2>Yeah, have a hard time letting go even though they

0:37:23.920 --> 0:37:26.000
<v Speaker 2>know that's not the life they want to live, but

0:37:26.200 --> 0:37:29.680
<v Speaker 2>it is. It's basically saying you'll never see your family again.

0:37:30.640 --> 0:37:31.799
<v Speaker 1>Yeah, but I hate that.

0:37:31.960 --> 0:37:34.839
<v Speaker 3>And also, just going back a second, this man needs

0:37:34.880 --> 0:37:36.880
<v Speaker 3>to You just need to not say to the cops

0:37:37.000 --> 0:37:39.719
<v Speaker 3>this is my I'm responsible for this, or this is

0:37:39.760 --> 0:37:42.360
<v Speaker 3>all my faults. Just like, even if you feel the

0:37:42.400 --> 0:37:45.319
<v Speaker 3>immense weight of guilt because somebody ran out of your

0:37:45.520 --> 0:37:47.040
<v Speaker 3>fight with you and they got hit by a car,

0:37:47.160 --> 0:37:48.440
<v Speaker 3>please don't say that to the cops.

0:37:48.440 --> 0:37:50.520
<v Speaker 1>They are going to use it as a confession against you.

0:37:50.719 --> 0:37:53.640
<v Speaker 1>Well yeah, yeah, especially because they already mirandized you.

0:37:53.680 --> 0:37:59.880
<v Speaker 2>Bro. Yeah, So he goes, listen, I did overreact. Basically,

0:38:00.600 --> 0:38:02.880
<v Speaker 2>he dared her to leave like they were fighting, and

0:38:02.880 --> 0:38:05.680
<v Speaker 2>he's like, fine, then fucking leave. And he never thought

0:38:05.719 --> 0:38:07.719
<v Speaker 2>she would leave. He loves her so much he wanted

0:38:07.760 --> 0:38:10.200
<v Speaker 2>to marry her. Craigan tells Munch to go talk to

0:38:10.239 --> 0:38:13.279
<v Speaker 2>people who heard them fight. So we're talking to a

0:38:13.280 --> 0:38:15.800
<v Speaker 2>guy who seems to be a super of the building,

0:38:16.360 --> 0:38:18.279
<v Speaker 2>and he did hear the fight, but it was in

0:38:18.320 --> 0:38:20.960
<v Speaker 2>their language, which was gibberish to him, and so he

0:38:21.000 --> 0:38:23.719
<v Speaker 2>didn't know what they were fighting about. But you know,

0:38:23.760 --> 0:38:26.440
<v Speaker 2>one person ran out, another person stayed and turned the

0:38:26.440 --> 0:38:29.480
<v Speaker 2>TV on. They enter the home and there's a photo

0:38:29.800 --> 0:38:31.960
<v Speaker 2>and they grab the photo and they're like, wow, they

0:38:31.960 --> 0:38:33.920
<v Speaker 2>looked happy, you know. Benson goes, they look happy and

0:38:33.920 --> 0:38:36.239
<v Speaker 2>Sabler goes, yeah, they all look happy. So then they

0:38:36.239 --> 0:38:38.439
<v Speaker 2>find a bloody bed sheet. Uh oh, and the lab

0:38:38.440 --> 0:38:40.520
<v Speaker 2>says the blood is hers and the semen is his.

0:38:41.200 --> 0:38:44.480
<v Speaker 2>So but it's not a match to the stones, so

0:38:44.600 --> 0:38:46.759
<v Speaker 2>we don't know what's going on. Cabot is leaning on

0:38:46.760 --> 0:38:48.960
<v Speaker 2>a desk, Stabler is leaning on a door, and Benson's

0:38:49.000 --> 0:38:51.640
<v Speaker 2>leaning on the other side of the doorframe. Cabot says,

0:38:51.719 --> 0:38:54.200
<v Speaker 2>fuck the rocks, it's her blood, and his semen like

0:38:54.239 --> 0:38:58.160
<v Speaker 2>bing bing bong. Okay, And then we're at a raiment court,

0:38:58.239 --> 0:39:00.360
<v Speaker 2>Part sixty nine.

0:39:00.480 --> 0:39:00.800
<v Speaker 1>Okay.

0:39:02.520 --> 0:39:05.080
<v Speaker 2>He's being charged with one count of attempted murderer and

0:39:05.120 --> 0:39:07.000
<v Speaker 2>the second degree in one count of rape in the

0:39:07.000 --> 0:39:08.719
<v Speaker 2>first degree, you know, the drill.

0:39:08.840 --> 0:39:09.560
<v Speaker 1>So he's being.

0:39:09.440 --> 0:39:11.680
<v Speaker 2>Charged with one count of attempted murder and the second

0:39:11.680 --> 0:39:13.720
<v Speaker 2>degree and one count of rape in the first degree,

0:39:14.320 --> 0:39:14.879
<v Speaker 2>and you know the.

0:39:14.920 --> 0:39:17.279
<v Speaker 1>Drill remand remand no let him go.

0:39:17.480 --> 0:39:19.920
<v Speaker 2>Okay, So the judge puts them in remand and her

0:39:19.960 --> 0:39:22.040
<v Speaker 2>parents are in the back of the courtroom, and his

0:39:22.160 --> 0:39:24.759
<v Speaker 2>lawyer runs and tells Cabot like dell Wood wanted me

0:39:24.840 --> 0:39:26.240
<v Speaker 2>to tell you that that his parents.

0:39:26.480 --> 0:39:30.000
<v Speaker 3>Her parents are here, And why are they there? Like

0:39:30.080 --> 0:39:31.560
<v Speaker 3>they didn't even give a shit if she was dead

0:39:31.640 --> 0:39:33.359
<v Speaker 3>or not, Like, why are they there? I don't really

0:39:33.400 --> 0:39:33.719
<v Speaker 3>get it.

0:39:33.760 --> 0:39:35.920
<v Speaker 2>Well, I have a theory, but that'll give away some

0:39:36.360 --> 0:39:40.200
<v Speaker 2>information from later, okay. And also he is willing to

0:39:40.239 --> 0:39:42.080
<v Speaker 2>do a lie detector test, So they go to the

0:39:42.120 --> 0:39:44.840
<v Speaker 2>lie detector test and he passes, and Saber's like, so

0:39:44.920 --> 0:39:46.960
<v Speaker 2>he fooled a box. Who gives a shit in Cabits like, okay,

0:39:46.960 --> 0:39:48.439
<v Speaker 2>But if he can fool a box, he can fool

0:39:48.440 --> 0:39:51.960
<v Speaker 2>a jury. So and then she has a wild idea

0:39:52.760 --> 0:39:55.600
<v Speaker 2>maybe he's telling the truth. Who would a thunk give?

0:39:56.239 --> 0:39:58.600
<v Speaker 2>So they're like, well, who else knew about this relationship?

0:39:58.640 --> 0:40:01.200
<v Speaker 2>And Stabler remembers about a professor who is helping a

0:40:01.280 --> 0:40:03.400
<v Speaker 2>visa adapt to America. So we're gonna go chat with

0:40:03.480 --> 0:40:06.799
<v Speaker 2>him and we find as if Mondvy and he's had

0:40:06.800 --> 0:40:09.239
<v Speaker 2>an illustrious career, but to me, he's always just the

0:40:09.280 --> 0:40:11.560
<v Speaker 2>sad Mac guy from Sex and the City.

0:40:11.680 --> 0:40:12.800
<v Speaker 1>Sad sad Mac.

0:40:13.400 --> 0:40:16.840
<v Speaker 3>Oh my gosh, that's what he was in Sex and

0:40:16.920 --> 0:40:17.320
<v Speaker 3>the City.

0:40:17.400 --> 0:40:22.080
<v Speaker 1>Oh yeah, you got sad maced Oh my god, yes, yes.

0:40:22.239 --> 0:40:26.120
<v Speaker 2>I also can Apple please bring back the colorful laptops?

0:40:26.120 --> 0:40:27.160
<v Speaker 1>Like why won't they do it?

0:40:27.600 --> 0:40:31.960
<v Speaker 2>Nostalgia is in that's all we want, Like like I

0:40:32.000 --> 0:40:34.880
<v Speaker 2>don't understand why I can't have a fun, little, clear

0:40:34.920 --> 0:40:36.840
<v Speaker 2>and colorful little laptop.

0:40:37.760 --> 0:40:40.560
<v Speaker 1>They gotta figure it out. They just boring.

0:40:40.600 --> 0:40:43.880
<v Speaker 3>It's it's silver, black, rose gold, right, that's like all

0:40:43.880 --> 0:40:44.480
<v Speaker 3>we have right now.

0:40:44.600 --> 0:40:46.799
<v Speaker 2>Or they'll be like it's midnight and it's like it's

0:40:46.800 --> 0:40:50.279
<v Speaker 2>fucking black, shut up, charcoal.

0:40:50.760 --> 0:40:52.160
<v Speaker 1>Yeah it's yeah.

0:40:53.000 --> 0:40:59.120
<v Speaker 2>I just it's just Nostalgia's so in everybodys does.

0:40:58.560 --> 0:40:59.640
<v Speaker 1>It want to go away from.

0:40:59.680 --> 0:41:03.120
<v Speaker 3>Like their aesthetic is so clean, it's so sterile, Like

0:41:03.160 --> 0:41:05.439
<v Speaker 3>they're not just they're just like I know we did

0:41:05.520 --> 0:41:08.040
<v Speaker 3>have the big colorful Max, but I feel like now

0:41:08.120 --> 0:41:11.120
<v Speaker 3>their whole thing is just like the headphones are only white,

0:41:11.200 --> 0:41:15.160
<v Speaker 3>you know, like everything is a mid century modern flat I.

0:41:15.200 --> 0:41:18.840
<v Speaker 2>Wonder if you're someone like super rich, famous, maybe a billionaire.

0:41:18.920 --> 0:41:21.040
<v Speaker 2>I wonder who I'm thinking of, Like, I wonder if

0:41:21.080 --> 0:41:22.719
<v Speaker 2>you can go to Mac and be like, build me

0:41:22.800 --> 0:41:23.360
<v Speaker 2>this computer.

0:41:24.000 --> 0:41:26.880
<v Speaker 1>Probably yeah, custom.

0:41:28.600 --> 0:41:30.400
<v Speaker 3>All right, or even if Mac won't do it, some

0:41:30.520 --> 0:41:31.800
<v Speaker 3>door will do it for you.

0:41:31.800 --> 0:41:34.719
<v Speaker 1>Who know how, Like you know, my friend Crystal just.

0:41:34.640 --> 0:41:36.400
<v Speaker 3>Took a part of computer and put it back together

0:41:36.440 --> 0:41:40.239
<v Speaker 3>for fun, you know, like people can do all kinds

0:41:40.280 --> 0:41:40.600
<v Speaker 3>of shit.

0:41:40.800 --> 0:41:45.400
<v Speaker 2>So it's a walk and talk and basically the professor

0:41:45.520 --> 0:41:48.600
<v Speaker 2>is saying, and they're like outside in the college campus,

0:41:48.640 --> 0:41:50.879
<v Speaker 2>and he's like, it's tough to assimilate. There's so many

0:41:50.960 --> 0:41:53.480
<v Speaker 2>new things, like even leaving the house alone as a woman,

0:41:53.960 --> 0:41:56.200
<v Speaker 2>she wouldn't be able to do that. And then Benson

0:41:56.200 --> 0:41:58.719
<v Speaker 2>calls the tally Ben thugs, and I like that. And

0:41:58.840 --> 0:42:01.520
<v Speaker 2>also he explains that the actually from the old regime,

0:42:02.280 --> 0:42:08.480
<v Speaker 2>like like there the Taliban happened after they left the country,

0:42:09.160 --> 0:42:11.799
<v Speaker 2>so that's kind of wild. The Psycho has been in

0:42:11.840 --> 0:42:15.799
<v Speaker 2>America for years, so it's strange. But then the professor goes,

0:42:15.800 --> 0:42:17.520
<v Speaker 2>but he could be like a tally Ban mole, like

0:42:17.560 --> 0:42:20.719
<v Speaker 2>we don't really know what his beliefs are or anything,

0:42:21.400 --> 0:42:24.600
<v Speaker 2>but yeah, weird. Just because he doesn't wear the colors

0:42:24.600 --> 0:42:27.640
<v Speaker 2>doesn't mean he's not with the team. So she wanted

0:42:27.680 --> 0:42:29.799
<v Speaker 2>to live as a modern woman, he explains, and she

0:42:29.840 --> 0:42:32.239
<v Speaker 2>had to choose family or her future, and she had

0:42:32.239 --> 0:42:35.799
<v Speaker 2>to leave her parents home. And there's a reason to

0:42:35.960 --> 0:42:38.720
<v Speaker 2>like hide and everything because you could be fully murdered.

0:42:39.200 --> 0:42:41.840
<v Speaker 2>So this is all very good information from the professor,

0:42:41.880 --> 0:42:44.200
<v Speaker 2>and Cabot meets with da Wud and the defense attorney

0:42:44.239 --> 0:42:44.640
<v Speaker 2>in jail.

0:42:45.000 --> 0:42:46.440
<v Speaker 1>She says, listen, you confessed.

0:42:46.480 --> 0:42:48.680
<v Speaker 2>He goes, no, I didn't, and she's like, I'm responsible

0:42:48.680 --> 0:42:51.600
<v Speaker 2>for this, and he's like, I feel responsible and not

0:42:51.800 --> 0:42:54.080
<v Speaker 2>that I attacked her. This is not a therapy session, Cirta.

0:42:54.160 --> 0:42:57.759
<v Speaker 2>No one cares what your feelings. There's no DNA and

0:42:57.800 --> 0:43:00.040
<v Speaker 2>the stones, his lawyer says, And she's like, well he

0:43:00.239 --> 0:43:03.080
<v Speaker 2>was inside her. And he gets up frustrated as he

0:43:03.120 --> 0:43:05.200
<v Speaker 2>holds the bars in the cement room, and we find

0:43:05.200 --> 0:43:07.800
<v Speaker 2>out that they fell in love, but they couldn't tell anyone.

0:43:07.880 --> 0:43:09.719
<v Speaker 2>She didn't want her dad to find out, so they

0:43:09.760 --> 0:43:12.520
<v Speaker 2>had to hide all the time. And then he explains

0:43:12.600 --> 0:43:15.719
<v Speaker 2>the dad only has his job, apartment, the car with

0:43:15.800 --> 0:43:18.000
<v Speaker 2>the driver, all of that, and all of his power

0:43:18.080 --> 0:43:21.279
<v Speaker 2>because of her, because she was promised to wait to

0:43:21.360 --> 0:43:25.160
<v Speaker 2>some government minister and her turning back on that is

0:43:25.200 --> 0:43:29.400
<v Speaker 2>like spitting in her father's face. So basically he sold

0:43:29.440 --> 0:43:33.319
<v Speaker 2>his daughter to have a driver, and the night she

0:43:33.480 --> 0:43:36.600
<v Speaker 2>was attacked, he actually asked her to marry him and

0:43:36.640 --> 0:43:38.719
<v Speaker 2>he gave her a diamond. She said yes, she was

0:43:38.760 --> 0:43:41.839
<v Speaker 2>a virgin, and then Cabot's like, you forced her. He goes, no,

0:43:42.000 --> 0:43:44.120
<v Speaker 2>she didn't say no, but I shouldn't have pushed her.

0:43:44.560 --> 0:43:46.959
<v Speaker 2>And then she said he was trying to dominate her

0:43:47.040 --> 0:43:48.879
<v Speaker 2>and threw the ring in her face and he tried

0:43:48.880 --> 0:43:51.239
<v Speaker 2>to stop her, and now he knows he should have

0:43:51.239 --> 0:43:54.320
<v Speaker 2>tried harder to stop her. Cabot's like, why all the lies,

0:43:54.400 --> 0:43:56.200
<v Speaker 2>and he points to a cut in his face and goes, well,

0:43:56.239 --> 0:43:58.120
<v Speaker 2>this was from a cop who came looking for an

0:43:58.160 --> 0:44:01.000
<v Speaker 2>afisa and I knew for a back that her father

0:44:01.040 --> 0:44:03.759
<v Speaker 2>had sent him. And so we find this PI guy

0:44:03.960 --> 0:44:06.359
<v Speaker 2>and he knows Finn from back in the day. They're

0:44:06.440 --> 0:44:10.880
<v Speaker 2>chit chatting and like, the thing is, he's a cop

0:44:10.920 --> 0:44:13.440
<v Speaker 2>and cops aren't supposed to moonlight as a PI. So

0:44:13.560 --> 0:44:16.160
<v Speaker 2>basically they threatened to tell iab on him if they

0:44:16.200 --> 0:44:19.400
<v Speaker 2>if he doesn't spill the tea. So basically the PI

0:44:19.600 --> 0:44:23.640
<v Speaker 2>slash Cop. He gets a call from a diplomat who's

0:44:23.680 --> 0:44:27.040
<v Speaker 2>looking for his missing daughter. He says, they're gonna go

0:44:27.120 --> 0:44:29.799
<v Speaker 2>back to I think this is just racist, but the

0:44:29.840 --> 0:44:31.560
<v Speaker 2>cop goes, yeah, they're gonna go back to live in

0:44:31.560 --> 0:44:33.160
<v Speaker 2>a tent in the desert, and he wanted to bring

0:44:33.160 --> 0:44:35.680
<v Speaker 2>her with him. And so, you know, I found the boyfriend.

0:44:35.719 --> 0:44:38.200
<v Speaker 2>I roughed him up a little bit and he said,

0:44:38.239 --> 0:44:40.279
<v Speaker 2>you can shoot me. I will never tell. And he

0:44:40.360 --> 0:44:42.719
<v Speaker 2>sat on it for two nights and nothing. No, you know,

0:44:42.760 --> 0:44:43.600
<v Speaker 2>she never showed up.

0:44:43.640 --> 0:44:43.920
<v Speaker 1>Nothing.

0:44:44.239 --> 0:44:46.239
<v Speaker 2>Munch walks into a dark ass office with the whole

0:44:46.239 --> 0:44:49.120
<v Speaker 2>gang in Cabot and the final lab report the blood

0:44:49.160 --> 0:44:51.000
<v Speaker 2>on the stones was an a Fisa, but the other

0:44:51.200 --> 0:44:55.080
<v Speaker 2>wasn't Tarsi, and the blood is actually really similar to Nafisa,

0:44:55.120 --> 0:44:58.440
<v Speaker 2>which means it was a family member. The brother, Jalil

0:44:59.040 --> 0:45:02.759
<v Speaker 2>A Mirr, just turned twenty one, graduated from NYU lucky him,

0:45:02.760 --> 0:45:06.279
<v Speaker 2>great education. He lives with his parents and he is

0:45:06.320 --> 0:45:09.360
<v Speaker 2>no longer a student. The phone rings, Benson answers and

0:45:09.520 --> 0:45:11.759
<v Speaker 2>while she's talking, cab its like, fuck yeah, that means

0:45:11.800 --> 0:45:14.200
<v Speaker 2>his immunity expire the moment he turns twenty one, he

0:45:14.320 --> 0:45:15.920
<v Speaker 2>is no longer under.

0:45:15.840 --> 0:45:17.160
<v Speaker 1>Like the diplomat code.

0:45:17.320 --> 0:45:20.560
<v Speaker 2>Benson hangs up the phone and announces that unfortunately and

0:45:20.600 --> 0:45:23.560
<v Speaker 2>Ifisa died ten minutes ago. And we're at a doorman

0:45:23.640 --> 0:45:26.920
<v Speaker 2>building and the doorman starts spilling as well, and he's like,

0:45:26.960 --> 0:45:29.920
<v Speaker 2>she was here Tuesday night. He didn't realize it was

0:45:29.960 --> 0:45:32.560
<v Speaker 2>even her because she wasn't wearing the get up. He

0:45:32.600 --> 0:45:35.120
<v Speaker 2>never saw her leave. But he gets off at eleven,

0:45:35.239 --> 0:45:38.480
<v Speaker 2>so maybe the night guy. But the brother did come out,

0:45:38.680 --> 0:45:41.040
<v Speaker 2>and so the and then he's like, oh, that bastard

0:45:41.040 --> 0:45:44.279
<v Speaker 2>treats me like his personal slave. He asked me to

0:45:44.320 --> 0:45:46.440
<v Speaker 2>bring up you know, at eight o'clock. He asked me

0:45:46.480 --> 0:45:49.000
<v Speaker 2>to bring up a big ass shopping car upstairs. And

0:45:49.000 --> 0:45:50.560
<v Speaker 2>they go, did you do it? He goes, that fucker

0:45:50.560 --> 0:45:53.520
<v Speaker 2>hasn't tipped me in four years. No fucking way he should.

0:45:53.560 --> 0:45:56.640
<v Speaker 2>He needs to come downstairs. And then he never exited

0:45:56.640 --> 0:45:59.080
<v Speaker 2>from the front, so he probably took the garage. So

0:45:59.120 --> 0:46:01.080
<v Speaker 2>then they're into the park and the dad screams, I

0:46:01.120 --> 0:46:03.640
<v Speaker 2>told you to leave us alone. She says, sir, your

0:46:03.719 --> 0:46:06.840
<v Speaker 2>daughter passed away and you don't even care. And he screams,

0:46:06.920 --> 0:46:09.239
<v Speaker 2>get out, and then we say, and we know your

0:46:09.280 --> 0:46:12.000
<v Speaker 2>son took out the garbage, you sick freak. Did you

0:46:12.080 --> 0:46:14.920
<v Speaker 2>watch the knife go into your daughter? And he says

0:46:15.080 --> 0:46:17.640
<v Speaker 2>she was a whore like you, and the mom stands

0:46:17.640 --> 0:46:19.920
<v Speaker 2>in the background, and the mom finally screams she was

0:46:19.960 --> 0:46:23.600
<v Speaker 2>your daughter. Then says that Julie's on the way home

0:46:23.800 --> 0:46:26.719
<v Speaker 2>to Afghanistan on a plane, and he screams at her

0:46:26.760 --> 0:46:29.840
<v Speaker 2>in Farsi, and then he screams that he is protected

0:46:29.880 --> 0:46:32.160
<v Speaker 2>by some convention and arresting him as a violation of

0:46:32.200 --> 0:46:37.160
<v Speaker 2>international law. Sabler says, Lol, your son's twenty one. You're done, bitch.

0:46:37.480 --> 0:46:39.239
<v Speaker 2>So then Munch and Fingo get his ass on the

0:46:39.320 --> 0:46:41.239
<v Speaker 2>plane and he gets up and says, I'm proud I

0:46:41.320 --> 0:46:44.680
<v Speaker 2>killed her. She deserved to die. He's a cocky, rich

0:46:44.760 --> 0:46:46.799
<v Speaker 2>diplomat kid, like you know what I mean. He just

0:46:46.800 --> 0:46:48.719
<v Speaker 2>thinks he can get away with everything. And then of

0:46:48.760 --> 0:46:50.799
<v Speaker 2>course some high up person is mad at Kragan in

0:46:50.840 --> 0:46:53.120
<v Speaker 2>Cabot and taking the side of these losers over a

0:46:53.200 --> 0:46:56.719
<v Speaker 2>dead woman, and Cabot's like, this is out of your hands,

0:46:56.719 --> 0:46:58.800
<v Speaker 2>so shut the fuck up, and he doesn't believe it

0:46:58.800 --> 0:47:01.280
<v Speaker 2>will win. In Core and people mad and YadA YadA,

0:47:01.360 --> 0:47:04.720
<v Speaker 2>the confession won't work, and Cabot goes, bitch, it stays

0:47:04.760 --> 0:47:08.480
<v Speaker 2>in because it was an excited remark, like it has

0:47:08.520 --> 0:47:10.040
<v Speaker 2>to stay and it doesn't matter if it was before

0:47:10.040 --> 0:47:14.160
<v Speaker 2>the Miranda writes, and then this nobody starts slowly getting

0:47:14.239 --> 0:47:16.760
<v Speaker 2>up for Kragan's desks at desk and goes, I suggest

0:47:16.840 --> 0:47:19.640
<v Speaker 2>that you can reconsider your position, and she goes and

0:47:19.719 --> 0:47:22.040
<v Speaker 2>why would I want to do that? And on his

0:47:22.120 --> 0:47:25.040
<v Speaker 2>way out, he goes to save your own skin, and

0:47:25.120 --> 0:47:27.480
<v Speaker 2>she actually cares loser, you know what I mean, Like

0:47:27.560 --> 0:47:28.840
<v Speaker 2>she'll go to the fucking congo.

0:47:29.040 --> 0:47:31.480
<v Speaker 1>I just I hate the brass. Okay.

0:47:31.560 --> 0:47:34.560
<v Speaker 2>So Craigan is yelling at Stabler for the write up,

0:47:34.640 --> 0:47:36.400
<v Speaker 2>like I need the rite up hurriyap.

0:47:36.239 --> 0:47:37.200
<v Speaker 1>Type faster.

0:47:38.480 --> 0:47:41.920
<v Speaker 2>Because the commissioner's pissed because the dad says he was

0:47:41.920 --> 0:47:44.440
<v Speaker 2>harassed and Benson's like, we did not fucking harass him,

0:47:44.760 --> 0:47:46.560
<v Speaker 2>and Stabler says, well, back home he would have been

0:47:46.600 --> 0:47:49.120
<v Speaker 2>a fucking hero because of this. And so now we're

0:47:49.120 --> 0:47:51.640
<v Speaker 2>in the judge's chambers and they're arguing about if the

0:47:51.680 --> 0:47:54.800
<v Speaker 2>confession stays in. The judge says yes, an excited utterance

0:47:55.640 --> 0:47:58.160
<v Speaker 2>with a plane of look like a planeload of witnesses

0:47:58.360 --> 0:48:00.680
<v Speaker 2>is in and this is a thick must stash judge,

0:48:00.680 --> 0:48:02.960
<v Speaker 2>if you're wondering, And he's been in eighteen episodes of

0:48:03.080 --> 0:48:08.799
<v Speaker 2>SVU as Judge Allen Riddendor written whatever maybe French. So

0:48:09.040 --> 0:48:11.680
<v Speaker 2>in that case, he's changing his plea to not guilty

0:48:12.120 --> 0:48:14.160
<v Speaker 2>by reason of mental disease or defect.

0:48:14.200 --> 0:48:15.360
<v Speaker 1>It's so fucking annoying.

0:48:15.719 --> 0:48:18.160
<v Speaker 2>Also, I love that you're admitting your religion as a disease,

0:48:18.440 --> 0:48:19.960
<v Speaker 2>you know, like that's pretty.

0:48:19.760 --> 0:48:22.520
<v Speaker 1>Amazing, or just that they're ready for it. They don't

0:48:22.520 --> 0:48:23.360
<v Speaker 1>even take a second.

0:48:23.360 --> 0:48:26.239
<v Speaker 3>They're just like, oh, so that's out mental disease, you know,

0:48:26.400 --> 0:48:29.440
<v Speaker 3>like you were ready for him to just be not

0:48:29.480 --> 0:48:31.239
<v Speaker 3>get like have that confession thrown out.

0:48:31.440 --> 0:48:33.319
<v Speaker 2>Yeah, And so he didn't know what he was doing.

0:48:33.440 --> 0:48:35.520
<v Speaker 2>Killing his you know, killing his sister was wrong.

0:48:35.560 --> 0:48:36.080
<v Speaker 1>He didn't get in.

0:48:36.200 --> 0:48:39.080
<v Speaker 2>Cabots like, ignorance of the law is not an affirmative defense.

0:48:39.719 --> 0:48:41.800
<v Speaker 2>And the defense says he told the cops he was

0:48:41.840 --> 0:48:42.799
<v Speaker 2>proud of what he did.

0:48:42.880 --> 0:48:44.960
<v Speaker 1>Does that sound sane to you? And Cabot says, this

0:48:45.000 --> 0:48:45.560
<v Speaker 1>is bullshit.

0:48:45.880 --> 0:48:50.319
<v Speaker 2>Judge goes, listen, let's have a psychiatric evaluation.

0:48:50.800 --> 0:48:52.360
<v Speaker 1>So we're at Rikers and it's JK.

0:48:52.480 --> 0:48:55.640
<v Speaker 2>Simmons baby, and he's going to talk to this monster

0:48:55.680 --> 0:48:59.000
<v Speaker 2>in a jumpsuit, and this guy compares himself to Abraham.

0:48:59.239 --> 0:49:01.200
<v Speaker 1>It's like, oh my god, you're all sick.

0:49:02.440 --> 0:49:05.479
<v Speaker 2>He sighs and says, I can't talk about this, and JK.

0:49:05.520 --> 0:49:08.960
<v Speaker 2>Simmons pushes him, can't or won't. He starts talking about nightmares.

0:49:09.000 --> 0:49:11.520
<v Speaker 2>He started having it eight years old because his grandfather

0:49:11.640 --> 0:49:15.120
<v Speaker 2>slit his aunt's throat and his father made him watch

0:49:16.160 --> 0:49:20.120
<v Speaker 2>very Richard Ramirez she cheated on her husband. And he's

0:49:20.200 --> 0:49:22.799
<v Speaker 2>just following the rules. And Simmons is telling Cabot in

0:49:22.800 --> 0:49:25.040
<v Speaker 2>the office late at night that he saw this as

0:49:25.040 --> 0:49:27.440
<v Speaker 2>a rite of passage to manhood, to honor.

0:49:27.880 --> 0:49:30.279
<v Speaker 1>But JK. Simmons thinks that he knows what he did

0:49:30.360 --> 0:49:30.680
<v Speaker 1>was wrong.

0:49:30.719 --> 0:49:33.640
<v Speaker 2>And Cabot's worried that the jury like might not see

0:49:33.680 --> 0:49:35.920
<v Speaker 2>it and that they're gonna get confused, and Simmons goes,

0:49:35.960 --> 0:49:38.640
<v Speaker 2>We'll get a fucking jury together that's not gonna be confused.

0:49:39.040 --> 0:49:41.919
<v Speaker 2>So we're at jury selection and it's not going well.

0:49:41.960 --> 0:49:45.680
<v Speaker 2>Cabot asks to approach the bench and basically the defense

0:49:45.800 --> 0:49:48.600
<v Speaker 2>is dismissing anyone that is a woman or a Jew,

0:49:48.920 --> 0:49:53.680
<v Speaker 2>so I guess we would not be on that jury's double.

0:49:54.200 --> 0:49:56.520
<v Speaker 2>And he's like, you can't stack. You can't let her

0:49:56.560 --> 0:50:01.080
<v Speaker 2>stack the jury with women. It's insane. And the judge

0:50:01.120 --> 0:50:04.320
<v Speaker 2>is like, fuck you and goes and agrees with Cabots.

0:50:04.320 --> 0:50:05.560
<v Speaker 1>So I'm really really happy.

0:50:06.320 --> 0:50:08.840
<v Speaker 2>So now we're at trial and it's Munch is on

0:50:08.920 --> 0:50:11.040
<v Speaker 2>the stand and the parents are in the stands.

0:50:11.480 --> 0:50:12.560
<v Speaker 1>Munch explained that.

0:50:13.160 --> 0:50:16.200
<v Speaker 2>This motherfucker got up, smiled, confessed he was proud of

0:50:16.200 --> 0:50:18.240
<v Speaker 2>what he did, and he thought that she deserved to die.

0:50:18.560 --> 0:50:21.239
<v Speaker 2>Cabot sits down, and now it's the defense's turn and

0:50:21.280 --> 0:50:23.239
<v Speaker 2>he's like, since he was so proud and smiling, does

0:50:23.280 --> 0:50:26.480
<v Speaker 2>it I mean like that he's not sane and there's

0:50:26.520 --> 0:50:30.120
<v Speaker 2>an objection he's not a doctor. And then he asked

0:50:30.160 --> 0:50:32.799
<v Speaker 2>how many people have smiled at you as you arrest them?

0:50:32.800 --> 0:50:35.399
<v Speaker 2>And Munch goes one and Munch isn't happy to give

0:50:35.440 --> 0:50:36.280
<v Speaker 2>him this information.

0:50:36.600 --> 0:50:37.080
<v Speaker 1>Now JK.

0:50:37.200 --> 0:50:40.000
<v Speaker 2>Simmons is on the stand and he explains that this

0:50:40.520 --> 0:50:45.600
<v Speaker 2>Julias shows signs of severe trauma, night terror and night terrors,

0:50:45.680 --> 0:50:48.000
<v Speaker 2>but they do not make him not understand the difference

0:50:48.040 --> 0:50:50.360
<v Speaker 2>between right or wrong. So the defense is trying to

0:50:50.400 --> 0:50:53.560
<v Speaker 2>compare this to a home invasion, and basically they're saying,

0:50:53.600 --> 0:50:57.400
<v Speaker 2>even like, if murder is morally wrong, if someone like

0:50:57.560 --> 0:50:59.560
<v Speaker 2>breaks into your home, you get to kill someone to

0:50:59.560 --> 0:51:03.879
<v Speaker 2>protect your family, and Scota JK. Simmons character is like, uh,

0:51:03.960 --> 0:51:08.279
<v Speaker 2>Juliel's sister wasn't threatening to kill him, And the lawyer says, yeah,

0:51:08.280 --> 0:51:12.560
<v Speaker 2>but those actions would destroy his life if like, because

0:51:12.840 --> 0:51:15.160
<v Speaker 2>this you know, dishonor and you lose all this family

0:51:15.200 --> 0:51:17.080
<v Speaker 2>stuff and no one wants to fuck with you anymore,

0:51:17.480 --> 0:51:19.840
<v Speaker 2>and much keeps saying it's not a valid comparison, like

0:51:19.880 --> 0:51:21.880
<v Speaker 2>I'm not going to give it to this, and so

0:51:21.960 --> 0:51:24.680
<v Speaker 2>now it's time for the professor. So they talk honor

0:51:24.760 --> 0:51:27.319
<v Speaker 2>killings with the professor, and like the defense really thinks

0:51:27.360 --> 0:51:29.200
<v Speaker 2>he's going to be able to get a professor and

0:51:29.239 --> 0:51:33.520
<v Speaker 2>it's like, no, you're gonna get got motherfucker fat chance loser,

0:51:34.080 --> 0:51:36.200
<v Speaker 2>and I'm very annoyed. But it's a lot of talk

0:51:36.200 --> 0:51:39.400
<v Speaker 2>about honor tradition. So then the lawyer asks, so is

0:51:39.440 --> 0:51:42.319
<v Speaker 2>it reasonable my client may have come up in this

0:51:42.400 --> 0:51:46.840
<v Speaker 2>world to accept honor killing as necessary to survive, And

0:51:47.000 --> 0:51:50.759
<v Speaker 2>ASUF responds, well, he may have accepted it, but I

0:51:50.880 --> 0:51:55.560
<v Speaker 2>hardly think that it is reasonable. Slammedom and like the

0:51:55.640 --> 0:51:57.640
<v Speaker 2>lawyer knows he got got he gives him such a

0:51:57.680 --> 0:52:01.319
<v Speaker 2>dirty look. So now the killers on the stand and

0:52:01.360 --> 0:52:04.200
<v Speaker 2>basically says, I had to do it. The only thing

0:52:04.320 --> 0:52:07.000
<v Speaker 2>I would change about any of this is what Nefisa

0:52:07.160 --> 0:52:10.719
<v Speaker 2>did to us. She was arranged to be with someone else,

0:52:10.800 --> 0:52:13.879
<v Speaker 2>and being with another man was not her decision to make.

0:52:14.520 --> 0:52:17.040
<v Speaker 2>Cabot says, when you dumped your sister body she was

0:52:17.080 --> 0:52:20.040
<v Speaker 2>half naked, why, he says, to shame her the way

0:52:20.080 --> 0:52:23.800
<v Speaker 2>she shamed us. And then she asks about the stones

0:52:24.000 --> 0:52:26.000
<v Speaker 2>and he said, that's what we do to whoores in

0:52:26.040 --> 0:52:30.040
<v Speaker 2>my country. Cabot asks, so you're proud of what you did,

0:52:30.080 --> 0:52:32.879
<v Speaker 2>and he says yes. So she's like, okay, then why

0:52:32.920 --> 0:52:35.759
<v Speaker 2>did you run away? He looks at his dad and

0:52:35.800 --> 0:52:38.279
<v Speaker 2>then asks what do you mean? And she says, you're

0:52:38.280 --> 0:52:40.640
<v Speaker 2>a man, aren't you? A man doesn't run away. A

0:52:40.680 --> 0:52:43.920
<v Speaker 2>man faces the consequences of his actions. He says, I'm

0:52:43.920 --> 0:52:45.960
<v Speaker 2>not afraid, and Cabot's like, you were arrested on a

0:52:45.960 --> 0:52:46.919
<v Speaker 2>plane running away.

0:52:47.000 --> 0:52:49.960
<v Speaker 1>Does that sound honorable to you? He starts stuttering.

0:52:50.320 --> 0:52:52.960
<v Speaker 2>He accuses her of twisting what he's saying, and the

0:52:53.000 --> 0:52:56.000
<v Speaker 2>other guy tries to subject, but Cabot keeps going and goes,

0:52:56.040 --> 0:52:57.480
<v Speaker 2>you keep looking at your dad to tell him what

0:52:57.560 --> 0:53:00.239
<v Speaker 2>to do? Does he tell you what to do? Did

0:53:00.280 --> 0:53:02.680
<v Speaker 2>your dad tell you what to do? And then you know,

0:53:02.760 --> 0:53:05.680
<v Speaker 2>object but that objection does get sustained. We can whatever,

0:53:06.160 --> 0:53:09.040
<v Speaker 2>And then he was scared. And then she continues like

0:53:09.120 --> 0:53:10.839
<v Speaker 2>he was scared of spending the rest of his life

0:53:10.880 --> 0:53:13.239
<v Speaker 2>in American prison because he knew what we did he

0:53:13.280 --> 0:53:15.560
<v Speaker 2>did was wrong, and he tries to deny it, but

0:53:15.560 --> 0:53:18.040
<v Speaker 2>it's not working. But he responds, no, I did it

0:53:18.080 --> 0:53:21.320
<v Speaker 2>for my family's honor. And the dad looks so fucking annoyed,

0:53:22.360 --> 0:53:25.120
<v Speaker 2>like that this blonde who got him? And so then

0:53:25.280 --> 0:53:29.120
<v Speaker 2>Kraigan Office their slumber party recap vibes they're all hanging out.

0:53:29.200 --> 0:53:32.759
<v Speaker 2>Cabot is scared that the jury's buying the bullshit, So

0:53:33.160 --> 0:53:33.719
<v Speaker 2>what do we do?

0:53:33.800 --> 0:53:34.399
<v Speaker 1>What do we do?

0:53:34.520 --> 0:53:37.560
<v Speaker 2>And Sailor says, it's not about culture, it's about the father.

0:53:38.040 --> 0:53:41.080
<v Speaker 2>Everyone is scared of the father, and Benson says, except

0:53:41.120 --> 0:53:43.480
<v Speaker 2>for one person, Miss is a mirror and they're like,

0:53:43.520 --> 0:53:45.160
<v Speaker 2>she's not gonna give up her son or go against

0:53:45.200 --> 0:53:46.839
<v Speaker 2>her husband, and Benson goes, she already has.

0:53:47.160 --> 0:53:48.560
<v Speaker 1>She told us he was on the plane.

0:53:48.920 --> 0:53:52.160
<v Speaker 2>So Finn says, if she testifies, she sentencing herself to

0:53:52.239 --> 0:53:55.759
<v Speaker 2>death and he is the reason her daughter is dead

0:53:55.800 --> 0:53:58.719
<v Speaker 2>and she wants justice for her memory. Benson argues, and

0:53:58.760 --> 0:54:00.279
<v Speaker 2>Finn is like, we can't ask her to do this

0:54:00.360 --> 0:54:03.040
<v Speaker 2>unless we're ready to protect her. Craigan says, we are

0:54:03.120 --> 0:54:06.160
<v Speaker 2>ready twenty four to seven, but please do not cross

0:54:06.239 --> 0:54:09.239
<v Speaker 2>any diplomatic lines. Benson is talking to the mom and

0:54:09.239 --> 0:54:11.560
<v Speaker 2>Stabler as standing further back in the room. The mom

0:54:11.680 --> 0:54:13.359
<v Speaker 2>is like, I already lost my daughter and I don't

0:54:13.360 --> 0:54:16.239
<v Speaker 2>want to lose Jaliel too. She's like, you don't get it,

0:54:16.280 --> 0:54:18.200
<v Speaker 2>and Benson is like, no, we get it for sure.

0:54:18.239 --> 0:54:21.640
<v Speaker 2>But Nafisa was like the ticket home. He promised her

0:54:21.680 --> 0:54:23.960
<v Speaker 2>to the Tally Band, didn't he, And when she was

0:54:24.000 --> 0:54:27.120
<v Speaker 2>sleeping with someone else, he had Jaliel kill her. And

0:54:27.120 --> 0:54:31.040
<v Speaker 2>then Finn pops out of nowhere like you do not

0:54:31.160 --> 0:54:33.520
<v Speaker 2>see him at all. It's like he's crouching in a

0:54:33.560 --> 0:54:37.080
<v Speaker 2>magic show and his head just pops out from behind Benson.

0:54:37.160 --> 0:54:39.839
<v Speaker 1>It is wild, and he goes.

0:54:40.120 --> 0:54:42.000
<v Speaker 2>We can protect you, and she goes, I don't want

0:54:42.040 --> 0:54:44.600
<v Speaker 2>your protection. I want my daughter, She cries, This is

0:54:44.640 --> 0:54:47.320
<v Speaker 2>so sad, but she is on the stand now. Fisa

0:54:47.560 --> 0:54:49.840
<v Speaker 2>came home to be with us. My husband asked her

0:54:49.840 --> 0:54:51.799
<v Speaker 2>if she was still a virgin, and she wasn't. I

0:54:51.800 --> 0:54:54.040
<v Speaker 2>don't understand why she wouldn't lie.

0:54:54.200 --> 0:54:58.799
<v Speaker 1>I don't know. Yeah, like you know, your dad's a psychopath.

0:55:00.600 --> 0:55:04.640
<v Speaker 3>Yeah, maybe she thought if I say that I've slept

0:55:04.640 --> 0:55:06.600
<v Speaker 3>with this man, they'll let me marry this man because

0:55:06.640 --> 0:55:08.240
<v Speaker 3>he is still part of the culture.

0:55:08.280 --> 0:55:12.840
<v Speaker 1>But he's just not a person that she was promised to.

0:55:13.440 --> 0:55:16.480
<v Speaker 1>I don't know. I don't know why she didn't just lie.

0:55:16.760 --> 0:55:20.040
<v Speaker 2>Yeah, but or like if she wasn't, that means she

0:55:20.080 --> 0:55:22.320
<v Speaker 2>couldn't be married off, Like you're right, maybe that would

0:55:22.320 --> 0:55:23.440
<v Speaker 2>be her ticket to freedom.

0:55:23.600 --> 0:55:26.319
<v Speaker 1>Like if they can't do that, I don't know. So

0:55:26.640 --> 0:55:27.120
<v Speaker 1>he hit her.

0:55:27.239 --> 0:55:29.719
<v Speaker 2>She fell, and while she talks, the dad just looks

0:55:29.760 --> 0:55:33.520
<v Speaker 2>forward with an expression just shark guys, straight ahead, and

0:55:33.880 --> 0:55:36.000
<v Speaker 2>you know, on the stand, she continues. When Juliel tried

0:55:36.040 --> 0:55:38.239
<v Speaker 2>to help her, the husband said, let her lie there,

0:55:38.280 --> 0:55:41.200
<v Speaker 2>like she lies there with her American boyfriend. Then her

0:55:41.280 --> 0:55:44.160
<v Speaker 2>husband got a knife from the kitchen and Jalil begged

0:55:44.239 --> 0:55:46.560
<v Speaker 2>him not to, and the dad points his evil eyes

0:55:46.600 --> 0:55:49.400
<v Speaker 2>towards his wife talking, and then the husband told Jalil

0:55:49.520 --> 0:55:51.759
<v Speaker 2>to kill her for our honor, and it's like, you're

0:55:51.840 --> 0:55:55.640
<v Speaker 2>just a murderer, Like you're not, like I kill her

0:55:55.680 --> 0:55:58.080
<v Speaker 2>to prove his manhood, and he stabbed her. The mom

0:55:58.160 --> 0:56:00.640
<v Speaker 2>is crying, Jalil is crying a little and looking down.

0:56:00.840 --> 0:56:04.759
<v Speaker 2>Finally he's ashamed, and they they took her away and

0:56:04.800 --> 0:56:07.600
<v Speaker 2>she's crying on the stand and a woman, a woman

0:56:07.760 --> 0:56:12.200
<v Speaker 2>juror reads the verdict and guilty, guilty of murder. Bye bitch.

0:56:12.440 --> 0:56:14.879
<v Speaker 2>But the dad is gone. So Cabot calls the cab

0:56:15.120 --> 0:56:17.040
<v Speaker 2>the captain to let him know about the conviction. But

0:56:17.080 --> 0:56:19.120
<v Speaker 2>also he's like, listen, the dad wasn't there. He does

0:56:19.160 --> 0:56:22.040
<v Speaker 2>not miss the second of this trial until today. So

0:56:22.080 --> 0:56:24.279
<v Speaker 2>the cops are back to the door guy building, and

0:56:24.400 --> 0:56:26.359
<v Speaker 2>the door guy's like, oh, the dad left last night

0:56:26.360 --> 0:56:28.680
<v Speaker 2>in a limo, but the wife wasn't with him. They

0:56:28.760 --> 0:56:31.720
<v Speaker 2>run upstairs. She's on the bed dead, covered in blood.

0:56:32.440 --> 0:56:36.279
<v Speaker 2>Benson and Stabler look at each other and that's unfortunately

0:56:36.280 --> 0:56:36.800
<v Speaker 2>dick wolf.

0:56:37.000 --> 0:56:40.319
<v Speaker 3>So I just don't get why right after her testimony

0:56:40.680 --> 0:56:41.759
<v Speaker 3>they would have arrested him.

0:56:41.840 --> 0:56:43.799
<v Speaker 1>Why was he allowed to leave? Like what you know

0:56:43.800 --> 0:56:47.279
<v Speaker 1>what I mean? Like she just testified that he was.

0:56:47.880 --> 0:56:51.319
<v Speaker 2>Uh, Like like, I wonder if it's diplomat shit.

0:56:51.400 --> 0:56:52.400
<v Speaker 1>Again, I don't know.

0:56:52.440 --> 0:56:54.880
<v Speaker 3>Because he was a full accessory to a murder, like

0:56:54.920 --> 0:56:55.640
<v Speaker 3>to say, do it?

0:56:55.719 --> 0:56:56.359
<v Speaker 1>Do it right?

0:56:56.560 --> 0:57:00.000
<v Speaker 2>Like people have been put to death for less. Like Okay,

0:57:00.080 --> 0:57:03.480
<v Speaker 2>I just google quickly. Why are diplomats given immunity? This

0:57:03.560 --> 0:57:06.560
<v Speaker 2>immunity ensures that diplomats are able to conduct their duties

0:57:06.600 --> 0:57:09.840
<v Speaker 2>and activities efficiently without being subject to oppression or reprisal

0:57:09.920 --> 0:57:10.920
<v Speaker 2>from any entity in.

0:57:10.880 --> 0:57:11.880
<v Speaker 1>The receiving state.

0:57:13.160 --> 0:57:16.960
<v Speaker 2>Oh like that you like you can't frame them for anything,

0:57:17.160 --> 0:57:19.760
<v Speaker 2>or like if your enemies or a contrary.

0:57:19.640 --> 0:57:22.320
<v Speaker 3>Because you could invite somebody over. Yeah, I guess you

0:57:22.320 --> 0:57:24.600
<v Speaker 3>could invite someone to your country and then like fully

0:57:24.800 --> 0:57:25.600
<v Speaker 3>throw them in jail.

0:57:25.880 --> 0:57:29.400
<v Speaker 2>Well yeah, it's The Vienna Convention on Diplomatic Relations, which

0:57:29.440 --> 0:57:33.960
<v Speaker 2>most countries have ratified, offers diplomats acting as officials of

0:57:34.000 --> 0:57:38.640
<v Speaker 2>state almost total protection from subjectal subjection to criminal, administrative,

0:57:38.640 --> 0:57:40.880
<v Speaker 2>and civil laws belonging to the country in which the

0:57:40.880 --> 0:57:44.280
<v Speaker 2>diplomatic mission is located. I just don't understand why, like

0:57:44.400 --> 0:57:48.760
<v Speaker 2>rape and murder can't be exempt they I.

0:57:49.360 --> 0:57:52.600
<v Speaker 1>Yeah, that feels wild. It says what happened.

0:57:52.600 --> 0:57:54.440
<v Speaker 2>I mean, these are just like basic Google stuff, So

0:57:54.480 --> 0:57:57.600
<v Speaker 2>I'm sorry, but what happens if the diplomat commits a crime? However,

0:57:57.640 --> 0:58:00.320
<v Speaker 2>this is not universal, and diplomats have been processed, get it,

0:58:00.400 --> 0:58:03.120
<v Speaker 2>and jailed for crimes committed outside the country they're credited to.

0:58:03.880 --> 0:58:07.040
<v Speaker 2>But diplomats are exempt from being prosecuted by the state

0:58:07.080 --> 0:58:09.560
<v Speaker 2>and open court when they're suspected to be the guilty

0:58:09.600 --> 0:58:12.040
<v Speaker 2>of a car crime. I mean, we'll have to go

0:58:12.520 --> 0:58:16.800
<v Speaker 2>dig deeper into this because it is interesting. Yeah, all right,

0:58:16.840 --> 0:58:19.120
<v Speaker 2>I'll go to Reddit. This will be in the language

0:58:19.120 --> 0:58:23.720
<v Speaker 2>I understand. All right, Well, I can't wait to learn

0:58:23.720 --> 0:58:35.479
<v Speaker 2>about honor killings. Kara, We'll be right back. So, okay,

0:58:35.560 --> 0:58:36.000
<v Speaker 2>we're back.

0:58:36.520 --> 0:58:37.560
<v Speaker 1>And at first when.

0:58:37.360 --> 0:58:40.800
<v Speaker 3>They find the victim in this episode, they do bring

0:58:40.880 --> 0:58:42.520
<v Speaker 3>up wild things like I touched on before, and that

0:58:42.600 --> 0:58:45.800
<v Speaker 3>is a reference to the case of Trisha Maylee aka

0:58:45.880 --> 0:58:48.240
<v Speaker 3>the Central Park jogger and what became known as the

0:58:48.280 --> 0:58:50.960
<v Speaker 3>Central Park five case. But there is another sbu more

0:58:51.000 --> 0:58:53.280
<v Speaker 3>closely related to that, so we will cover that another time.

0:58:53.800 --> 0:58:57.320
<v Speaker 3>Episode is based on the practice of honor killings, which

0:58:57.320 --> 0:59:01.680
<v Speaker 3>we've obviously been discussing, which is when a family when

0:59:01.720 --> 0:59:03.560
<v Speaker 3>someone in a family is killed by a family member

0:59:03.640 --> 0:59:05.720
<v Speaker 3>or by someone the family has enlisted to kill on

0:59:05.760 --> 0:59:08.360
<v Speaker 3>their behalf. It is a crime most often perpetrated on

0:59:08.400 --> 0:59:11.680
<v Speaker 3>women by male family members, as we can you know, suppose,

0:59:12.320 --> 0:59:14.480
<v Speaker 3>and if a woman is believed to have acted in

0:59:14.480 --> 0:59:17.040
<v Speaker 3>a way that would taint her family's name or status,

0:59:17.080 --> 0:59:19.400
<v Speaker 3>she can face violent punishment that often ends in death.

0:59:19.720 --> 0:59:24.400
<v Speaker 3>According to Amnesty International, quote unquote, honor crime is rooted

0:59:24.400 --> 0:59:26.800
<v Speaker 3>in a global culture of discrimination against women and the

0:59:26.800 --> 0:59:29.560
<v Speaker 3>deeply rooted belief that women are objects and commodities, not

0:59:29.640 --> 0:59:32.720
<v Speaker 3>human beings entitled to dignity and rights equal to those

0:59:32.760 --> 0:59:36.920
<v Speaker 3>of men. Women's bodies particularly are considered the repositories of

0:59:36.960 --> 0:59:39.720
<v Speaker 3>family honor and under the control and responsibility of her family,

0:59:39.800 --> 0:59:43.520
<v Speaker 3>especially her male relatives, and large sections of society share

0:59:43.560 --> 0:59:46.360
<v Speaker 3>traditional conceptions of family honor and approve of quote honor

0:59:46.440 --> 0:59:49.040
<v Speaker 3>killings that preserve that honor. End quote end of the

0:59:49.040 --> 0:59:52.600
<v Speaker 3>full quote. So women can be targeted for having an

0:59:52.600 --> 0:59:55.080
<v Speaker 3>extra marital affair or engaging in any kind of sexual

0:59:55.120 --> 0:59:58.000
<v Speaker 3>behavior before marriage, but also for divorcing, even if it's

0:59:58.000 --> 0:59:58.920
<v Speaker 3>an abusive husband.

0:59:59.320 --> 1:00:01.040
<v Speaker 1>Or for being a of sexual assault.

1:00:01.080 --> 1:00:04.000
<v Speaker 3>We have seen that in other episodes, the episode Night

1:00:04.080 --> 1:00:07.240
<v Speaker 3>that we cover at our live shows. Sometimes there is

1:00:07.280 --> 1:00:11.320
<v Speaker 3>a woman who in the Muslim faith, whose brother you know,

1:00:11.680 --> 1:00:14.280
<v Speaker 3>is not he beats the shit out of Diane Neal

1:00:14.320 --> 1:00:17.680
<v Speaker 3>because he exposed that his sister had been sexually assaulted.

1:00:18.160 --> 1:00:22.240
<v Speaker 3>Women who have been sexually assaulted in these in places

1:00:22.240 --> 1:00:25.160
<v Speaker 3>where honor killings are common, cannot only expect police and

1:00:25.240 --> 1:00:28.280
<v Speaker 3>judges to humiliate them and not investigate crimes against them,

1:00:28.560 --> 1:00:31.160
<v Speaker 3>but they must now also fear their fathers, brothers, and

1:00:31.520 --> 1:00:34.919
<v Speaker 3>sons who now must avenge the family's honor by murdering them.

1:00:35.040 --> 1:00:38.200
<v Speaker 3>What's fucked up too that I learn is that much

1:00:38.280 --> 1:00:42.200
<v Speaker 3>like in this episode, they often enlist minors, younger boys

1:00:42.240 --> 1:00:44.160
<v Speaker 3>to carry out these crimes because they know they'll have

1:00:44.200 --> 1:00:47.360
<v Speaker 3>the easiest legal repercussions, if any at all. You know,

1:00:47.480 --> 1:00:49.520
<v Speaker 3>it's like, oh, he's seventeen, what are we going to do?

1:00:49.600 --> 1:00:49.800
<v Speaker 2>You know?

1:00:50.040 --> 1:00:52.400
<v Speaker 3>Like and Julia in this case was twenty one, but

1:00:52.480 --> 1:00:55.280
<v Speaker 3>had just been on the other side of his immunity protection.

1:00:55.560 --> 1:00:58.640
<v Speaker 3>So according to the World Health Organization in twenty twelve,

1:00:58.680 --> 1:01:01.120
<v Speaker 3>it was estimated that around five thousand murders occur each

1:01:01.200 --> 1:01:05.000
<v Speaker 3>year worldwide in the name of honor, but I could

1:01:05.000 --> 1:01:08.320
<v Speaker 3>not find a more recent statistic about that they are.

1:01:08.680 --> 1:01:10.919
<v Speaker 3>Honor killings are widely reported in regions throughout the Middle

1:01:10.960 --> 1:01:22.560
<v Speaker 3>East and South Asia, but also Bangladesh, Brazil, Canada, Ecuador, Egypt, India, Iran, Iraq, Israel, Italy, Jordan, Morocco, Pakistan, Sweden, Syria, Turkey, Uganda,

1:01:22.640 --> 1:01:25.880
<v Speaker 3>United Kingdom, and the United States. They in Jordan in

1:01:25.960 --> 1:01:29.280
<v Speaker 3>nineteen ninety nine, honor killings accounted for one third of

1:01:29.320 --> 1:01:32.320
<v Speaker 3>the murders of women in Jordan. And so this Jordanian

1:01:32.800 --> 1:01:36.520
<v Speaker 3>journalist and human rights activist named Rana Husseini exposed honor

1:01:36.600 --> 1:01:40.080
<v Speaker 3>killings in Jordan around that time, and it was only

1:01:40.120 --> 1:01:42.000
<v Speaker 3>a couple of years before this episode came out, So

1:01:42.240 --> 1:01:44.960
<v Speaker 3>that was like big reporting where she sort of brought

1:01:44.960 --> 1:01:46.320
<v Speaker 3>this to the forefront. It was sort of like a

1:01:47.400 --> 1:01:48.840
<v Speaker 3>cultural secret before that.

1:01:49.040 --> 1:01:53.520
<v Speaker 2>While I'm also curious if this is like ancient stuff

1:01:53.720 --> 1:01:56.920
<v Speaker 2>or if this is Taliban stuff that like came in

1:01:56.960 --> 1:02:01.480
<v Speaker 2>after revolution, you know, like I do wonder if says, oh, well,

1:02:01.480 --> 1:02:03.840
<v Speaker 2>we used to do it thousands of years ago, or

1:02:04.120 --> 1:02:07.080
<v Speaker 2>because you know, so much of the stuff going on

1:02:07.160 --> 1:02:09.720
<v Speaker 2>there was not happening in the seventies, you know, like

1:02:09.880 --> 1:02:13.840
<v Speaker 2>women wearing mini skirts. So I am so curious if

1:02:13.880 --> 1:02:17.280
<v Speaker 2>this is ancient or just some new, fucked up rewording

1:02:17.320 --> 1:02:17.840
<v Speaker 2>of things.

1:02:18.400 --> 1:02:21.960
<v Speaker 3>I do think it goes back, but you know, like,

1:02:22.160 --> 1:02:24.840
<v Speaker 3>but then there's always there's modernity, and then there's cycles

1:02:24.880 --> 1:02:27.280
<v Speaker 3>where things sway back to the ancient again. You know,

1:02:27.360 --> 1:02:29.720
<v Speaker 3>people are like, that's not you know, what we were

1:02:29.720 --> 1:02:32.000
<v Speaker 3>meant to be doing. So I do think it goes back.

1:02:32.080 --> 1:02:35.360
<v Speaker 3>But you know, this journalist like risked her fucking life.

1:02:35.440 --> 1:02:37.440
<v Speaker 3>She totally knew that she was going to be a target.

1:02:37.720 --> 1:02:40.480
<v Speaker 3>She wrote all these reports about about honor killings, launched

1:02:40.480 --> 1:02:43.480
<v Speaker 3>a campaign to get them stopped. She was threatened, accused

1:02:43.480 --> 1:02:46.480
<v Speaker 3>of being anti Islam, anti family, anti Jordan, but Queen

1:02:46.560 --> 1:02:50.080
<v Speaker 3>nor the Queen of Jordan, really cared about this cause.

1:02:50.120 --> 1:02:53.360
<v Speaker 3>And then the incoming king, King Hassan, voiced the need

1:02:53.400 --> 1:02:56.360
<v Speaker 3>to protect women in his opening address to parliament. So

1:02:57.080 --> 1:03:00.880
<v Speaker 3>Jordan did end up passing some honor killing law. And

1:03:01.160 --> 1:03:04.959
<v Speaker 3>she's responsible, really, that journalist, for exposing the truth about

1:03:04.960 --> 1:03:07.240
<v Speaker 3>all this and starting the movement. But what I was

1:03:07.240 --> 1:03:09.600
<v Speaker 3>reading is that even in countries like Jordan, where laws

1:03:09.600 --> 1:03:12.280
<v Speaker 3>of been passed to stop honor killings and honor crime.

1:03:12.600 --> 1:03:15.480
<v Speaker 3>They are often not enforced and in many many countries

1:03:15.520 --> 1:03:17.640
<v Speaker 3>there's actually like no punishment for the crimes at all.

1:03:18.280 --> 1:03:21.920
<v Speaker 3>So that's the general overview, as if we didn't really

1:03:22.000 --> 1:03:23.800
<v Speaker 3>get that from the SBU episode. Just giving a little

1:03:23.800 --> 1:03:26.200
<v Speaker 3>bit more context, and now I'm going to talk about

1:03:26.280 --> 1:03:28.160
<v Speaker 3>a case that's going to make us all very sad.

1:03:29.000 --> 1:03:33.120
<v Speaker 3>So this episode is likely based on a specific honor killing,

1:03:33.320 --> 1:03:37.320
<v Speaker 3>the murder of Palestina. Her nickname was Tina Issa as

1:03:37.360 --> 1:03:40.440
<v Speaker 3>the last name. Tina was the youngest of seven children

1:03:40.480 --> 1:03:44.040
<v Speaker 3>growing up in Saint Louis, Missouri. Her father's Zion was

1:03:44.320 --> 1:03:47.600
<v Speaker 3>a Muslim Palestinian and her mother, Maria Lisa, was actually

1:03:47.600 --> 1:03:50.880
<v Speaker 3>a Brazilian and a Roman Catholic, and it was not

1:03:51.080 --> 1:03:54.920
<v Speaker 3>until Maria was married to zign and already pregnant with

1:03:54.960 --> 1:03:56.840
<v Speaker 3>his child, that he let her know she was his

1:03:56.880 --> 1:03:59.880
<v Speaker 3>second wife. Not like I'm divorced and you're my second wife,

1:04:00.000 --> 1:04:01.400
<v Speaker 3>but I have you're my second wife.

1:04:01.440 --> 1:04:02.120
<v Speaker 1>I have two wives.

1:04:02.600 --> 1:04:04.640
<v Speaker 3>His religious beliefs told him that that was none of

1:04:04.640 --> 1:04:06.600
<v Speaker 3>her business and he would tell her when she needed

1:04:06.640 --> 1:04:09.760
<v Speaker 3>to know. She was pretty upset by that. But what

1:04:09.760 --> 1:04:12.560
<v Speaker 3>can she do. She's married and she's pregnant. So they

1:04:12.600 --> 1:04:17.120
<v Speaker 3>move all around with these children, either in North Carolina, Jersey,

1:04:17.160 --> 1:04:21.400
<v Speaker 3>Puerto Rico, back to Brazil. In nineteen eighty Zion became

1:04:21.480 --> 1:04:25.120
<v Speaker 3>a naturalized US citizen, and in nineteen eighty six they

1:04:25.120 --> 1:04:28.240
<v Speaker 3>came to Saint Louis, where the father started like owning

1:04:28.240 --> 1:04:31.000
<v Speaker 3>and operating a grocery store. And that's when Tina would

1:04:31.000 --> 1:04:33.320
<v Speaker 3>have been around fourteen. And this is around the time

1:04:33.720 --> 1:04:36.880
<v Speaker 3>that Tina's once close relationship with her father really started

1:04:36.880 --> 1:04:41.160
<v Speaker 3>to you know, fade, because she began to experience American culture.

1:04:41.280 --> 1:04:44.240
<v Speaker 3>She listened to rap and rock music. She played soccer

1:04:44.280 --> 1:04:46.240
<v Speaker 3>and tennis, even though her dad didn't want or two.

1:04:46.560 --> 1:04:48.560
<v Speaker 3>One thing I read said she made the cheerleading squad.

1:04:48.720 --> 1:04:50.120
<v Speaker 3>I don't know if her parents let her do that.

1:04:50.200 --> 1:04:53.520
<v Speaker 3>But she wanted to take aeronautical engineering courses. She wanted

1:04:53.520 --> 1:04:56.400
<v Speaker 3>to become a pilot, and her father wanted to arrange

1:04:56.400 --> 1:04:58.720
<v Speaker 3>a marriage for her with a guy from the West Bank,

1:04:58.760 --> 1:05:03.040
<v Speaker 3>which is you know, paralleling some of the episode issues

1:05:03.080 --> 1:05:07.959
<v Speaker 3>as well. So, okay, so you hear a lot about

1:05:08.000 --> 1:05:10.640
<v Speaker 3>her older sisters. She's one of seven. She has three

1:05:10.640 --> 1:05:12.840
<v Speaker 3>older sisters, so there must be three brothers somewhere, but

1:05:12.880 --> 1:05:15.280
<v Speaker 3>we don't. I just they're not really talked about in

1:05:15.320 --> 1:05:17.160
<v Speaker 3>a lot of the research that I did. Her three

1:05:17.160 --> 1:05:19.760
<v Speaker 3>older sisters are in their twenties and they're all married

1:05:20.200 --> 1:05:22.600
<v Speaker 3>off to you know, men within their culture, and they

1:05:22.640 --> 1:05:27.040
<v Speaker 3>do not like her lifestyle. They don't like they've all

1:05:27.080 --> 1:05:28.960
<v Speaker 3>they've all gotten married, they've left the house, but they

1:05:28.960 --> 1:05:31.280
<v Speaker 3>don't like, you know, how baby sister is acting.

1:05:31.920 --> 1:05:33.960
<v Speaker 1>And she is the only daughter at home at this point.

1:05:34.560 --> 1:05:37.840
<v Speaker 3>At one point, the mother and the sisters, Tina went

1:05:37.880 --> 1:05:39.800
<v Speaker 3>to prom, and the mother and the sisters went and

1:05:39.840 --> 1:05:41.960
<v Speaker 3>like tracked her down and like pulled her out of

1:05:42.000 --> 1:05:43.080
<v Speaker 3>the prom and she was crying.

1:05:43.080 --> 1:05:44.240
<v Speaker 1>It was like a very you know.

1:05:44.840 --> 1:05:47.560
<v Speaker 3>I remember like hearing about kids randomly in high school

1:05:47.560 --> 1:05:49.720
<v Speaker 3>that like weren't allowed to go to dances, and like

1:05:49.840 --> 1:05:52.720
<v Speaker 3>I read, I remember someone's parents showing up and being like,

1:05:52.720 --> 1:05:54.280
<v Speaker 3>you're not allowed to be at this dance, but I

1:05:54.280 --> 1:05:55.240
<v Speaker 3>can't remember who it was.

1:05:55.480 --> 1:06:00.200
<v Speaker 2>And I just remember one friend and she was a

1:06:00.240 --> 1:06:02.040
<v Speaker 2>Syrian but her mom did not want her on our

1:06:02.040 --> 1:06:07.040
<v Speaker 2>basketball team. So she played for two years but then

1:06:07.480 --> 1:06:10.520
<v Speaker 2>told to get out, was not allowed to She would

1:06:10.520 --> 1:06:12.160
<v Speaker 2>work at the bank and then we would go visit

1:06:12.240 --> 1:06:13.920
<v Speaker 2>her because that was the only way we could hang

1:06:13.960 --> 1:06:16.000
<v Speaker 2>out because she came from such a strict family, so

1:06:16.040 --> 1:06:17.040
<v Speaker 2>we would go to the bank to.

1:06:17.000 --> 1:06:17.520
<v Speaker 4>Talk to her.

1:06:17.560 --> 1:06:19.400
<v Speaker 1>Oh my gosh, that's what.

1:06:19.880 --> 1:06:23.440
<v Speaker 2>But then she said, but she was allowed to hang

1:06:23.440 --> 1:06:27.080
<v Speaker 2>out with people from church, and like some of those

1:06:27.120 --> 1:06:29.880
<v Speaker 2>girls are whores, you know what I mean, like the

1:06:29.920 --> 1:06:32.320
<v Speaker 2>idea that the church girls were the good girls. And

1:06:32.320 --> 1:06:34.000
<v Speaker 2>so she would hang out with this one girl who

1:06:34.040 --> 1:06:36.720
<v Speaker 2>was like really I just remember she was just like

1:06:36.760 --> 1:06:39.680
<v Speaker 2>really pretty and awesome. But so they would go hang

1:06:39.720 --> 1:06:42.600
<v Speaker 2>out and the mom was like, oh, well, she's from church,

1:06:42.680 --> 1:06:44.520
<v Speaker 2>but really they were out there making out.

1:06:45.920 --> 1:06:47.720
<v Speaker 1>Totally. Yeah, church girls.

1:06:48.040 --> 1:06:50.680
<v Speaker 2>But I didn't go to dances, but that's because I

1:06:50.840 --> 1:06:52.800
<v Speaker 2>was at the movies every Friday with my parents.

1:06:53.000 --> 1:06:55.600
<v Speaker 1>So I think they would have loved for me to

1:06:55.760 --> 1:06:59.480
<v Speaker 1>go to a dance. Dude, did did they did? You

1:06:59.520 --> 1:07:01.080
<v Speaker 1>just didn't act. You were like, I'd rather go to

1:07:01.120 --> 1:07:01.680
<v Speaker 1>the movie.

1:07:02.120 --> 1:07:06.760
<v Speaker 2>We just went to the movies every Friday for at least, so.

1:07:06.720 --> 1:07:08.280
<v Speaker 3>If anything came up on a Friday, you were like,

1:07:08.360 --> 1:07:09.360
<v Speaker 3>can't go into the movies.

1:07:09.800 --> 1:07:11.880
<v Speaker 2>I didn't even think about it. I knew the dances

1:07:11.880 --> 1:07:16.080
<v Speaker 2>were happening. But I had plans, right, I got plans.

1:07:15.760 --> 1:07:18.480
<v Speaker 3>Because after the movie, I'm going to see a movie

1:07:18.480 --> 1:07:21.760
<v Speaker 3>that's probably wildly agent appropriate for me. Yeah, because after

1:07:21.760 --> 1:07:25.040
<v Speaker 3>the movies, we would then hit up TJ Max Amazing Savings.

1:07:25.080 --> 1:07:28.360
<v Speaker 2>We'd go to Dominix, which is like the grocery store. Yeah,

1:07:28.440 --> 1:07:30.760
<v Speaker 2>I'd get some briers. Listen, we had this.

1:07:30.520 --> 1:07:32.600
<v Speaker 1>This is a full Friday night. We have a traditions.

1:07:32.680 --> 1:07:32.840
<v Speaker 4>You know.

1:07:33.480 --> 1:07:35.720
<v Speaker 3>I had to do Rosie's heritage project with her. I

1:07:35.720 --> 1:07:38.080
<v Speaker 3>can see what your heritage project would be showing the

1:07:38.120 --> 1:07:40.920
<v Speaker 3>Friday night. Wait, I want to see the heritage project.

1:07:41.000 --> 1:07:43.720
<v Speaker 3>Oh girl, you're gonna be embarrassed for us. It's just

1:07:43.760 --> 1:07:45.960
<v Speaker 3>like whiteness everywhere. But I will take there is a

1:07:45.960 --> 1:07:47.680
<v Speaker 3>picture of the kids with the manora, and I will

1:07:47.720 --> 1:07:49.880
<v Speaker 3>take uh photo of it and send it to you.

1:07:50.040 --> 1:07:50.720
<v Speaker 1>Okay, dare have it.

1:07:52.240 --> 1:07:56.760
<v Speaker 3>But here's the thing about Tina. She's also an honor student. Okay,

1:07:56.800 --> 1:07:59.400
<v Speaker 3>she moved there at fourteen and was like learning English.

1:07:59.480 --> 1:08:02.600
<v Speaker 3>But she's doing so good in school, Like she's I

1:08:02.600 --> 1:08:04.840
<v Speaker 3>don't know the fact that like we just can't see

1:08:04.880 --> 1:08:08.200
<v Speaker 3>like these women as like fully formed people. She's a

1:08:08.240 --> 1:08:10.960
<v Speaker 3>smart person. But it's like, no, she's just like a

1:08:11.000 --> 1:08:15.040
<v Speaker 3>body who represents my family. The one of the detectives

1:08:15.040 --> 1:08:19.160
<v Speaker 3>who worked on her case, Harry Heger, said, quote her

1:08:19.160 --> 1:08:21.240
<v Speaker 3>close friends told us that she often came to school

1:08:21.240 --> 1:08:23.120
<v Speaker 3>with bruises and welts, and that she had been physically

1:08:23.160 --> 1:08:25.400
<v Speaker 3>abused by her parents. At one point, she had hot

1:08:25.439 --> 1:08:28.360
<v Speaker 3>coffee thrown at her end quote. So her home life

1:08:28.400 --> 1:08:31.920
<v Speaker 3>is not good in the States, but she does love friend,

1:08:31.960 --> 1:08:34.120
<v Speaker 3>she has friends, she seems like she's doing.

1:08:33.920 --> 1:08:34.599
<v Speaker 1>Well in school.

1:08:35.200 --> 1:08:37.320
<v Speaker 3>And then her parents found out that she had been

1:08:37.320 --> 1:08:40.599
<v Speaker 3>in a relationship with an African American guy named Cliff Walker.

1:08:41.120 --> 1:08:44.320
<v Speaker 3>He was twenty, she was sixteen, and they were furious,

1:08:44.520 --> 1:08:46.880
<v Speaker 3>not only because he is outside of their faith, but

1:08:46.920 --> 1:08:50.320
<v Speaker 3>also the father was extremely racist against black people because

1:08:50.360 --> 1:08:53.080
<v Speaker 3>he thought that Palestinian business owners in.

1:08:53.080 --> 1:08:55.559
<v Speaker 1>The US were being targeted by black criminals. That was

1:08:55.640 --> 1:08:56.479
<v Speaker 1>his thought.

1:08:56.680 --> 1:09:00.000
<v Speaker 3>So what's wild, too, is the women in the family

1:09:00.120 --> 1:09:02.400
<v Speaker 3>were not permitted to date outside their faith, even though

1:09:02.400 --> 1:09:04.719
<v Speaker 3>the father is Muslim and the mother is Roman Catholic.

1:09:05.520 --> 1:09:10.599
<v Speaker 3>So what you know this the hypocrisy abounds. Obviously, they

1:09:10.600 --> 1:09:13.559
<v Speaker 3>were also furious that she was taking a job at Wendy's.

1:09:13.560 --> 1:09:15.439
<v Speaker 3>They had said she wasn't allowed to. It's like it's

1:09:15.520 --> 1:09:17.560
<v Speaker 3>unclear whether she told them that she actually.

1:09:17.280 --> 1:09:17.880
<v Speaker 1>Took the job.

1:09:18.360 --> 1:09:20.760
<v Speaker 3>And because they the only job she was permitted to

1:09:20.800 --> 1:09:22.719
<v Speaker 3>take was to be working at the family grocery store.

1:09:23.320 --> 1:09:27.639
<v Speaker 3>So apparently her father was making calls to other family members,

1:09:27.680 --> 1:09:30.439
<v Speaker 3>also complaining about how she was bringing shame to the

1:09:30.439 --> 1:09:32.639
<v Speaker 3>family and that she had to die. All this stuff.

1:09:33.040 --> 1:09:35.960
<v Speaker 3>There is a book called Guarding the Secrets written by

1:09:36.000 --> 1:09:39.120
<v Speaker 3>Ellen Harris, and it's a book completely about the murder,

1:09:39.439 --> 1:09:41.720
<v Speaker 3>and in it she wrote that quote the problem was

1:09:41.760 --> 1:09:44.759
<v Speaker 3>that Tina thought of herself as American or hyphenated American,

1:09:44.880 --> 1:09:48.160
<v Speaker 3>not as arab end quote. So a lot of mirroring

1:09:48.240 --> 1:09:50.960
<v Speaker 3>to what's happening with the FISA in the episode. So

1:09:51.880 --> 1:09:54.559
<v Speaker 3>she's been dating it's nineteen eighty nine. She's been dating

1:09:54.560 --> 1:09:57.599
<v Speaker 3>Cliff since January. On November sixth of nineteen eighty nine,

1:09:57.640 --> 1:10:00.000
<v Speaker 3>her boyfriend Cliff is walking her home after her first

1:10:00.120 --> 1:10:02.479
<v Speaker 3>day of work at Wendy's. She's on like a night shift.

1:10:02.640 --> 1:10:06.559
<v Speaker 3>She gets home around midnight, her mother yells, where were you, bitch,

1:10:06.840 --> 1:10:09.080
<v Speaker 3>her father calls her a she devil, and then her

1:10:09.120 --> 1:10:11.439
<v Speaker 3>father says to her, quote do you know that this

1:10:11.520 --> 1:10:14.559
<v Speaker 3>is the last day, tonight, you're going to die. And

1:10:14.600 --> 1:10:18.479
<v Speaker 3>then she says, what huh, And he says, you're going

1:10:18.520 --> 1:10:22.160
<v Speaker 3>to die tonight. And then Tina's mother held her down

1:10:22.400 --> 1:10:25.639
<v Speaker 3>while her father stabbed her with a boning knife six times.

1:10:26.240 --> 1:10:27.800
<v Speaker 3>One of her lungs, her liver, and her heart were

1:10:27.880 --> 1:10:31.280
<v Speaker 3>severely damaged in the attack. And the reason we know

1:10:31.439 --> 1:10:33.519
<v Speaker 3>all of the detailed conversations.

1:10:33.000 --> 1:10:36.720
<v Speaker 2>Hold on, hold on, I don't understand how this Brazilian

1:10:36.760 --> 1:10:40.519
<v Speaker 2>Catholic woman became so radicalized in this way to hold

1:10:40.560 --> 1:10:41.320
<v Speaker 2>her daughter down.

1:10:41.720 --> 1:10:45.960
<v Speaker 1>She did, She just did. Like this man, I don't know,

1:10:46.120 --> 1:10:47.760
<v Speaker 1>I don't know. I would have it that the.

1:10:47.800 --> 1:10:50.679
<v Speaker 2>Religion has to be an excuse for the murderous race,

1:10:50.760 --> 1:10:52.559
<v Speaker 2>like this is a psychopath that could have found.

1:10:52.320 --> 1:10:53.080
<v Speaker 1>Any reason to murder.

1:10:53.200 --> 1:10:58.000
<v Speaker 2>Like there's no way. I'm like, I'm devastated right now.

1:10:58.040 --> 1:11:01.280
<v Speaker 2>I know it's the most horrible. But here's what's wild.

1:11:01.920 --> 1:11:05.160
<v Speaker 3>The reason we know all the detailed conversation that they

1:11:05.160 --> 1:11:07.320
<v Speaker 3>had right before she died, the reason I can quote

1:11:07.360 --> 1:11:10.080
<v Speaker 3>exactly what was said before they died, is because her

1:11:10.120 --> 1:11:12.719
<v Speaker 3>father's Zion at the time of her murder was under

1:11:12.720 --> 1:11:15.959
<v Speaker 3>investigation by the FBI because they thought he was involved

1:11:16.120 --> 1:11:19.360
<v Speaker 3>in illegal activities on behalf of the Palestine Liberation Organization

1:11:19.439 --> 1:11:23.360
<v Speaker 3>the PLO. So the home was bugged and audio of

1:11:23.400 --> 1:11:25.240
<v Speaker 3>the entire murder was recorded.

1:11:25.479 --> 1:11:26.719
<v Speaker 1>There is a tape of the killing.

1:11:26.760 --> 1:11:29.080
<v Speaker 3>It is seven minutes long, and on it you can

1:11:29.160 --> 1:11:31.840
<v Speaker 3>hear her father, who after he murdered her, shouting in

1:11:31.880 --> 1:11:35.519
<v Speaker 3>Arabic to her die quickly, die quickly in response to

1:11:35.560 --> 1:11:37.920
<v Speaker 3>his daughter, like pleading for her life and she's begging

1:11:37.920 --> 1:11:38.760
<v Speaker 3>her mother to help her.

1:11:38.800 --> 1:11:40.559
<v Speaker 1>It's like, it's horrific, It's horrific.

1:11:40.960 --> 1:11:43.120
<v Speaker 3>He also admitted on the stand at his trial that

1:11:43.160 --> 1:11:45.479
<v Speaker 3>he put his foot on his daughter's mouth to quiet

1:11:45.560 --> 1:11:46.840
<v Speaker 3>her while she was dying.

1:11:47.400 --> 1:11:48.880
<v Speaker 1>The mother did not testify.

1:11:49.640 --> 1:11:52.639
<v Speaker 3>It is also unclear whether the FBI could have prevented

1:11:52.720 --> 1:11:55.400
<v Speaker 3>the killing, because the FBI refuses to discuss the tapes.

1:11:55.439 --> 1:11:57.479
<v Speaker 3>They just kind of handed them over to prosecutors. But

1:11:57.520 --> 1:11:59.600
<v Speaker 3>you know, the FBI has all this protection and they

1:11:59.600 --> 1:12:02.519
<v Speaker 3>can do it the fuck they want. But apparently he

1:12:02.560 --> 1:12:05.160
<v Speaker 3>had been having many conversations with his older daughters that

1:12:05.200 --> 1:12:08.479
<v Speaker 3>were begging him to discipline Tina, and they overheard him

1:12:08.479 --> 1:12:10.800
<v Speaker 3>talking to his daughter Soriyah, who was twenty four at

1:12:10.840 --> 1:12:13.160
<v Speaker 3>the time. She suggested, why don't you lock her in

1:12:13.200 --> 1:12:16.400
<v Speaker 3>the basement and proposed hiring quote a black guy who's

1:12:16.439 --> 1:12:19.240
<v Speaker 3>always in trouble end quote to kill her. But Zein

1:12:19.280 --> 1:12:21.920
<v Speaker 3>said he couldn't have a stranger quote do my job.

1:12:22.479 --> 1:12:24.920
<v Speaker 3>So his daughter suggests, why don't we get someone else

1:12:24.960 --> 1:12:28.759
<v Speaker 3>to kill my little sister, and then zion says, that's

1:12:28.840 --> 1:12:32.000
<v Speaker 3>my job. Like, I mean, the brainwashing going around the

1:12:32.160 --> 1:12:35.840
<v Speaker 3>entire family is so wild like and the FBI says

1:12:35.880 --> 1:12:37.800
<v Speaker 3>it didn't take any action even though it heard these

1:12:37.880 --> 1:12:41.680
<v Speaker 3>kinds of conversations because Zin often made empty threats. They

1:12:41.720 --> 1:12:45.760
<v Speaker 3>could have called ACS anonymously and said there is a

1:12:45.840 --> 1:12:48.720
<v Speaker 3>violence happening in this home against this teenager, but they

1:12:48.720 --> 1:12:53.280
<v Speaker 3>did not. And so the parents claim that zion Isa

1:12:53.680 --> 1:12:56.519
<v Speaker 3>killed Tina in defense after she threatened them with a

1:12:56.600 --> 1:12:59.160
<v Speaker 3>knife and demanded five thousand dollars, like they made up

1:12:59.200 --> 1:13:01.479
<v Speaker 3>this full thing, because there is a tape of the

1:13:01.600 --> 1:13:05.080
<v Speaker 3>entire thing. They claimed that she maybe was drinking or

1:13:05.120 --> 1:13:07.400
<v Speaker 3>on drugs and that she had defied them by dating

1:13:07.439 --> 1:13:08.519
<v Speaker 3>someone they disapproved of.

1:13:08.920 --> 1:13:10.559
<v Speaker 1>And it's like, yeah, I'm.

1:13:10.400 --> 1:13:12.519
<v Speaker 3>Sure this honor student coming home from her job at

1:13:12.520 --> 1:13:14.400
<v Speaker 3>midnight just decided to grab a knife and ask for

1:13:14.439 --> 1:13:17.960
<v Speaker 3>five k. Like the story does not work. Tina Issa

1:13:18.120 --> 1:13:21.360
<v Speaker 3>was buried at Sacred Heart Cemetery and Flora sent Missouri,

1:13:21.400 --> 1:13:24.560
<v Speaker 3>where her family gave no notice of the funeral, specifically

1:13:24.560 --> 1:13:26.120
<v Speaker 3>so that the boyfriend could not attend.

1:13:26.840 --> 1:13:29.360
<v Speaker 1>She was buried in a wedding dress.

1:13:29.479 --> 1:13:33.040
<v Speaker 3>And also not that it matters, but the boyfriend says

1:13:33.040 --> 1:13:38.679
<v Speaker 3>they never slept together, so it's like they just murdered

1:13:38.680 --> 1:13:40.559
<v Speaker 3>her for no not that there was a reason, even

1:13:40.600 --> 1:13:42.880
<v Speaker 3>if they did, but even in their minds, their reason

1:13:42.920 --> 1:13:45.800
<v Speaker 3>was incorrect. On October twenty fifth of nineteen ninety one,

1:13:45.840 --> 1:13:48.519
<v Speaker 3>they were convicted of first degree murder. The jury deliberated

1:13:48.560 --> 1:13:50.640
<v Speaker 3>for less than four hours. On December twentieth, they were

1:13:50.680 --> 1:13:53.840
<v Speaker 3>sentenced to death by lethal injection. They did not give

1:13:53.880 --> 1:13:57.479
<v Speaker 3>a fuck and they were not remorseful. Maria told the judge, quote,

1:13:57.640 --> 1:14:00.519
<v Speaker 3>my daughter was very disrespectful and very rebellius. We should

1:14:00.560 --> 1:14:02.400
<v Speaker 3>not have to pay for our lot, with our lives

1:14:02.439 --> 1:14:03.479
<v Speaker 3>for something she did.

1:14:04.840 --> 1:14:05.519
<v Speaker 1>End quote.

1:14:05.800 --> 1:14:08.760
<v Speaker 3>So when you ask how she's like radicalized, I mean

1:14:08.800 --> 1:14:13.040
<v Speaker 3>she's just absolutely radicalized, Like no remorse after sitting in

1:14:13.120 --> 1:14:16.880
<v Speaker 3>jail for two years waiting trial, and now you're going

1:14:16.880 --> 1:14:19.640
<v Speaker 3>to like, the jury has convicted you, and you're just

1:14:19.720 --> 1:14:22.880
<v Speaker 3>still like so brainwashed that what you did was correct

1:14:22.920 --> 1:14:27.200
<v Speaker 3>and in line with your faith. The judge, Judge Charles A. Shaw, said, quote,

1:14:27.200 --> 1:14:29.400
<v Speaker 3>culture is no excuse for murder. I see no reason

1:14:29.400 --> 1:14:33.120
<v Speaker 3>to deviate from the jury's recommendation end quote. And in

1:14:33.160 --> 1:14:37.080
<v Speaker 3>April of nineteen ninety three, the father was actually indicted

1:14:37.080 --> 1:14:39.920
<v Speaker 3>by the FBI in connection with his terrorist activities within

1:14:39.960 --> 1:14:44.559
<v Speaker 3>the Abu Nidal organization. Federal prosecutors accused him of killing Tina,

1:14:44.720 --> 1:14:48.400
<v Speaker 3>partly because he feared she could expose his ano activities,

1:14:48.880 --> 1:14:51.000
<v Speaker 3>but then those charges were later dropped because he was

1:14:51.040 --> 1:14:55.160
<v Speaker 3>already on death row for his daughter's murder. Sadly, this

1:14:55.200 --> 1:14:59.519
<v Speaker 3>motherfucker died of complications of diabetes only you know, six

1:14:59.600 --> 1:15:02.960
<v Speaker 3>years in his sentence in nineteen ninety seven. His wife,

1:15:03.360 --> 1:15:06.679
<v Speaker 3>her death sentence was eventually commuted to life imprisonment without parole.

1:15:07.040 --> 1:15:09.880
<v Speaker 3>She died in April of twenty fourteen from natural causes

1:15:09.880 --> 1:15:10.719
<v Speaker 3>at the age of seventy.

1:15:10.920 --> 1:15:12.719
<v Speaker 1>So they are both gone from this earth.

1:15:12.880 --> 1:15:15.800
<v Speaker 2>My thing is like, why come to America? Then, Like

1:15:15.840 --> 1:15:19.559
<v Speaker 2>you're saying everything here is terrible, yet you're coming here,

1:15:19.720 --> 1:15:22.240
<v Speaker 2>go like go live somewhere else.

1:15:23.160 --> 1:15:24.800
<v Speaker 3>Well, yeah, it's the thing. They had moved all they

1:15:24.800 --> 1:15:26.720
<v Speaker 3>had moved from America. They'd been in I mean, well

1:15:26.720 --> 1:15:28.400
<v Speaker 3>Puerto Rico was part of the States, but like they'd

1:15:28.439 --> 1:15:30.720
<v Speaker 3>been in Brazil, Like she had family in Brazil. That's

1:15:30.720 --> 1:15:33.320
<v Speaker 3>where they met the parents. It's like, go go somewhere

1:15:33.320 --> 1:15:35.200
<v Speaker 3>else if you think that this culture. But I think

1:15:35.280 --> 1:15:38.840
<v Speaker 3>they would have so different. So I don't mean to

1:15:40.840 --> 1:15:42.000
<v Speaker 3>not even compare the two.

1:15:42.120 --> 1:15:45.519
<v Speaker 2>But my mom and I Kumil's movie The Big Sick.

1:15:46.200 --> 1:15:49.839
<v Speaker 2>There's like a scene where he's arguing with his parents,

1:15:49.840 --> 1:15:51.680
<v Speaker 2>and my mom I remember talking about it after she

1:15:51.720 --> 1:15:56.080
<v Speaker 2>saw the movie, because he tells his parents like you

1:15:56.280 --> 1:15:59.000
<v Speaker 2>moved to this kind like let me live as an

1:15:59.040 --> 1:16:00.280
<v Speaker 2>like let me live here.

1:16:00.320 --> 1:16:03.840
<v Speaker 1>You moved here for my freedom, right, let me be free?

1:16:03.880 --> 1:16:06.400
<v Speaker 2>Like why do you want me to still do arranged

1:16:06.400 --> 1:16:09.360
<v Speaker 2>marriage and do this old school shit like let me live?

1:16:10.040 --> 1:16:13.080
<v Speaker 2>And I just remember that, Like, you know, my parents

1:16:13.160 --> 1:16:15.880
<v Speaker 2>have always they knew they didn't have a chance. But

1:16:17.720 --> 1:16:20.120
<v Speaker 2>and this is different. I think this is sociopath Like

1:16:20.160 --> 1:16:22.519
<v Speaker 2>these are psychopath lers. If it wasn't her, they would

1:16:22.520 --> 1:16:25.760
<v Speaker 2>have killed someone. Like I just don't feel like it,

1:16:26.000 --> 1:16:28.519
<v Speaker 2>like the judge said, culture is no excuse for murder.

1:16:28.560 --> 1:16:31.320
<v Speaker 2>I don't think this is the culture like I do

1:16:32.560 --> 1:16:34.760
<v Speaker 2>think you have to have this rage in you.

1:16:35.000 --> 1:16:35.840
<v Speaker 1>I don't know.

1:16:36.880 --> 1:16:39.680
<v Speaker 3>And since, honestly, since this episode came out, there's been

1:16:39.680 --> 1:16:42.000
<v Speaker 3>a couple of other like high profile ones, like there

1:16:42.120 --> 1:16:44.920
<v Speaker 3>was a girl that was her dad ran her over

1:16:44.960 --> 1:16:48.000
<v Speaker 3>with a car and killed her, Like you know, there's

1:16:48.160 --> 1:16:50.280
<v Speaker 3>there have been a few others in the States.

1:16:50.439 --> 1:16:50.640
<v Speaker 4>You know.

1:16:50.920 --> 1:16:53.599
<v Speaker 2>That's why I feel even strange bringing up the Big

1:16:53.680 --> 1:16:56.120
<v Speaker 2>Sick because it is just like a comedy, you know,

1:16:56.200 --> 1:16:56.559
<v Speaker 2>it is.

1:16:56.960 --> 1:16:59.760
<v Speaker 3>No no, but this is a moment and that is

1:16:59.800 --> 1:17:03.439
<v Speaker 3>all of it. Moment in the about what we're talking about.

1:17:03.600 --> 1:17:04.880
<v Speaker 3>Why from these the.

1:17:04.840 --> 1:17:09.320
<v Speaker 2>Whole idea as like an immigrant is you come to

1:17:09.439 --> 1:17:13.920
<v Speaker 2>America for freedoms that you do not have where you are. Yeah,

1:17:14.000 --> 1:17:17.760
<v Speaker 2>So then I don't understand why you would continue to

1:17:18.040 --> 1:17:21.480
<v Speaker 2>not give the freedom to your kids.

1:17:21.840 --> 1:17:24.280
<v Speaker 1>Yeah, I don't know.

1:17:24.560 --> 1:17:26.479
<v Speaker 2>And I'm not saying throw away your culture and belief

1:17:26.600 --> 1:17:29.760
<v Speaker 2>certain everything, but it is confusing to me.

1:17:30.680 --> 1:17:34.280
<v Speaker 3>Yeah, And I mean, honestly, the Wikipedia page on honor

1:17:34.360 --> 1:17:36.759
<v Speaker 3>killings at the bottom just has like two dozen victims

1:17:36.800 --> 1:17:39.559
<v Speaker 3>of those are just notable cases, you know, those are

1:17:39.640 --> 1:17:42.600
<v Speaker 3>usually people that were living in places like where it

1:17:42.640 --> 1:17:45.439
<v Speaker 3>would be you know, not as common, and so like

1:17:45.920 --> 1:17:49.200
<v Speaker 3>media attention was brought to it, but I don't know,

1:17:49.560 --> 1:17:54.559
<v Speaker 3>it's uh yeah.

1:17:52.960 --> 1:17:58.160
<v Speaker 2>And I'm also curious what portion of like the population

1:17:58.680 --> 1:18:02.599
<v Speaker 2>of these countries adheres to this and how much of

1:18:02.640 --> 1:18:04.880
<v Speaker 2>it is well this is pre nine to eleven, but

1:18:05.040 --> 1:18:07.000
<v Speaker 2>like how much of this is.

1:18:08.400 --> 1:18:09.920
<v Speaker 1>Stirred up by Islamophobia?

1:18:10.040 --> 1:18:11.800
<v Speaker 2>Like I have no idea, Like I think about this

1:18:11.840 --> 1:18:15.760
<v Speaker 2>with general mutilation like too, but I but they're both.

1:18:15.800 --> 1:18:17.719
<v Speaker 1>Even if it's a small amount, it's a bad thing.

1:18:18.400 --> 1:18:22.559
<v Speaker 2>Yeah, yeah, But I'm curious do we take honor killings

1:18:22.600 --> 1:18:25.639
<v Speaker 2>to be scared of brown people, like, oh, look at them,

1:18:25.720 --> 1:18:29.400
<v Speaker 2>they're backwards or is it like you said, a few

1:18:29.439 --> 1:18:33.519
<v Speaker 2>doesen't you know? Like like I just don't and I

1:18:33.600 --> 1:18:35.400
<v Speaker 2>just don't know how You're like living in a country

1:18:35.400 --> 1:18:36.920
<v Speaker 2>and then all of a sudden, the tally but like

1:18:36.960 --> 1:18:39.320
<v Speaker 2>the government changes and suddenly you're in a burka, Like

1:18:39.320 --> 1:18:43.759
<v Speaker 2>what the fuck? Yeah, it's scary, but this is happening

1:18:43.840 --> 1:18:45.920
<v Speaker 2>to women in our country right now, where like one

1:18:46.000 --> 1:18:48.920
<v Speaker 2>day you can have a miscarriage and go to a

1:18:48.960 --> 1:18:50.519
<v Speaker 2>hospital and then one day the.

1:18:50.560 --> 1:18:55.920
<v Speaker 1>Next day, you can't, you'll be prosecuted, So I you know,

1:18:56.120 --> 1:18:56.759
<v Speaker 1>does it happen?

1:18:56.800 --> 1:19:00.720
<v Speaker 2>So I just it's it's just too big, honestly for

1:19:00.840 --> 1:19:04.599
<v Speaker 2>me to even be It makes me so sad.

1:19:05.960 --> 1:19:09.720
<v Speaker 3>Yeah, yeah, this is a really sad like this like

1:19:09.920 --> 1:19:11.720
<v Speaker 3>was a girl who was also.

1:19:11.560 --> 1:19:14.240
<v Speaker 2>Just thinking about her, like thinking about her as her

1:19:14.240 --> 1:19:16.800
<v Speaker 2>mom holds you down and your dad is stabbing you.

1:19:17.320 --> 1:19:20.880
<v Speaker 3>And that like and that they just never could even

1:19:20.880 --> 1:19:22.920
<v Speaker 3>show remort like that is like so like that when

1:19:22.920 --> 1:19:25.680
<v Speaker 3>you were talking about like being sociopaths. It's like they

1:19:25.720 --> 1:19:30.080
<v Speaker 3>couldn't even later say we were caught up and you

1:19:30.120 --> 1:19:32.439
<v Speaker 3>know we've had time to think about our actions.

1:19:32.479 --> 1:19:35.920
<v Speaker 1>Our daughter is dead. No there's no remorse. Well that's

1:19:35.960 --> 1:19:37.840
<v Speaker 1>also probably self preservation too.

1:19:38.720 --> 1:19:39.280
<v Speaker 4>Yeah.

1:19:40.000 --> 1:19:41.280
<v Speaker 1>Yeah, this one is fucked.

1:19:41.320 --> 1:19:45.240
<v Speaker 3>But I will say we have an amazing guest that's

1:19:45.280 --> 1:19:49.800
<v Speaker 3>going to really bring this back, this whole episode, because

1:19:49.800 --> 1:19:52.320
<v Speaker 3>we had an amazing conversation with this actor.

1:19:52.880 --> 1:20:02.759
<v Speaker 1>So stay right there, okay, our.

1:20:02.600 --> 1:20:05.599
<v Speaker 3>Guests today, I'll get a get for both of us.

1:20:05.680 --> 1:20:07.720
<v Speaker 3>We are we're so excited to get him. He is

1:20:07.760 --> 1:20:11.479
<v Speaker 3>a prolific actor. He was a Daily show correspondent for

1:20:11.560 --> 1:20:15.599
<v Speaker 3>a decade and he is also a main cast member

1:20:15.640 --> 1:20:17.280
<v Speaker 3>on a show that my husband and I are obsessed

1:20:17.280 --> 1:20:19.559
<v Speaker 3>with called Evil, which you can catch the new season

1:20:19.600 --> 1:20:22.719
<v Speaker 3>coming out very soon on Paramount Plus, and past seasons

1:20:22.720 --> 1:20:25.360
<v Speaker 3>are on Paramount Plus as well as Netflix. He's been

1:20:25.400 --> 1:20:28.919
<v Speaker 3>on every major TV show, including for us a very special.

1:20:29.000 --> 1:20:31.320
<v Speaker 3>He was the sad Mac computer guy on Sex and

1:20:31.360 --> 1:20:34.200
<v Speaker 3>the City. But you know him today as Hanford University

1:20:34.240 --> 1:20:39.759
<v Speaker 3>instructor Professor Husseini. Please enjoy our wonderful conversation with Asif

1:20:39.800 --> 1:20:41.200
<v Speaker 3>monby Awesif.

1:20:41.240 --> 1:20:44.080
<v Speaker 1>Thank you so much for being here. We're excited to have.

1:20:44.000 --> 1:20:46.839
<v Speaker 2>You to talk about a show from two thousand.

1:20:47.200 --> 1:20:51.840
<v Speaker 1>Yes, to talk about a show you did over twenty

1:20:51.880 --> 1:20:54.240
<v Speaker 1>years twenty four years ago.

1:20:54.120 --> 1:20:56.760
<v Speaker 3>Which I'm sure you have a crystal clear memory of

1:20:57.120 --> 1:20:59.559
<v Speaker 3>and we are here to explore that.

1:21:00.560 --> 1:21:06.000
<v Speaker 4>You know. It's yeah, Surprisingly, I do have a very

1:21:06.000 --> 1:21:08.840
<v Speaker 4>clear memory of it. I don't I haven't watched. I

1:21:08.840 --> 1:21:10.040
<v Speaker 4>haven't watched the episode.

1:21:10.160 --> 1:21:12.439
<v Speaker 1>And it's a hard one to watch. It's a sad one.

1:21:12.680 --> 1:21:14.479
<v Speaker 4>A hard is it a sad one? I seem to

1:21:14.680 --> 1:21:15.679
<v Speaker 4>where it's a sad one.

1:21:15.880 --> 1:21:18.879
<v Speaker 2>It's one that I it took me forever to rewatch

1:21:18.920 --> 1:21:20.680
<v Speaker 2>because I just knew that I was going to be

1:21:20.760 --> 1:21:21.200
<v Speaker 2>so sad.

1:21:22.479 --> 1:21:24.400
<v Speaker 4>I do remember that. I remember that I had a

1:21:24.479 --> 1:21:27.080
<v Speaker 4>go tea. I remember I had a go tea in

1:21:27.160 --> 1:21:31.000
<v Speaker 4>it and I spoke with an accent. And do you

1:21:31.040 --> 1:21:33.519
<v Speaker 4>remember that I did. I do remember that. But you

1:21:33.560 --> 1:21:35.839
<v Speaker 4>know I did so many law and orders.

1:21:36.160 --> 1:21:37.800
<v Speaker 1>Yes, you've been on four.

1:21:37.960 --> 1:21:39.559
<v Speaker 3>We talked to a lot of people that have done

1:21:39.600 --> 1:21:43.479
<v Speaker 3>the three, like the Holy Trinity of like original recipe, SVU,

1:21:43.520 --> 1:21:46.920
<v Speaker 3>criminal Intent. But you've also done trial by jury, which

1:21:47.080 --> 1:21:50.000
<v Speaker 3>was short lived. So for you to be a a

1:21:50.200 --> 1:21:52.640
<v Speaker 3>quattro is pretty impressive.

1:21:52.800 --> 1:21:55.920
<v Speaker 4>And I went from and I went from you know,

1:21:56.120 --> 1:22:02.000
<v Speaker 4>starting off as a hot dog vendor all the way

1:22:02.080 --> 1:22:04.599
<v Speaker 4>to trial by jury, which is the last one I did.

1:22:05.000 --> 1:22:07.559
<v Speaker 4>When I was the judge, I was I felt like,

1:22:07.600 --> 1:22:10.759
<v Speaker 4>I feel like I made my parents proud.

1:22:10.880 --> 1:22:13.719
<v Speaker 1>You know, you were a judge. That's a judge.

1:22:13.760 --> 1:22:18.920
<v Speaker 4>I was a young Indian conservative judge at the time.

1:22:19.160 --> 1:22:24.120
<v Speaker 4>This was you know, pre Bobby Jindall, so, uh, it

1:22:24.200 --> 1:22:27.280
<v Speaker 4>was it was pre Nikki Haley, you know. So it

1:22:27.360 --> 1:22:30.840
<v Speaker 4>was sort of like, what is that a thing? And

1:22:30.880 --> 1:22:34.320
<v Speaker 4>now I'm like, oh, that's a thing, that's a real thing. Yeah.

1:22:34.640 --> 1:22:38.200
<v Speaker 4>Pre vivek Ramaswami, you know, yes, he was. He was

1:22:38.240 --> 1:22:40.840
<v Speaker 4>sort of vivek ramaswami ish a little bit.

1:22:41.320 --> 1:22:42.280
<v Speaker 1>I don't know who that is.

1:22:42.600 --> 1:22:43.360
<v Speaker 4>I don't know who that is.

1:22:43.560 --> 1:22:46.679
<v Speaker 3>He's the guy that just ran for president. I'm sure

1:22:46.680 --> 1:22:51.280
<v Speaker 3>you've seen him on your Instagram. He was like conservative conservative,

1:22:51.400 --> 1:22:53.840
<v Speaker 3>like loves Trump and Elon.

1:22:53.720 --> 1:22:57.799
<v Speaker 4>Conservative has has this has a sort of like uh

1:22:58.280 --> 1:23:01.320
<v Speaker 4>a hairdo that sort of starts like at the very

1:23:01.320 --> 1:23:03.479
<v Speaker 4>top of his head and then just keeps going up

1:23:03.760 --> 1:23:04.200
<v Speaker 4>kind of thing.

1:23:04.320 --> 1:23:07.000
<v Speaker 3>And young people are like young Republicans are like, we're

1:23:07.000 --> 1:23:08.519
<v Speaker 3>gonna go for him because he knows how to use

1:23:08.520 --> 1:23:10.559
<v Speaker 3>social media because he's like, I think, only in his

1:23:10.640 --> 1:23:11.960
<v Speaker 3>thirties or forties or something.

1:23:12.200 --> 1:23:15.360
<v Speaker 4>He's like, uh, he's yeah, he's it's just new Google

1:23:15.400 --> 1:23:16.760
<v Speaker 4>and you'll see.

1:23:16.840 --> 1:23:17.679
<v Speaker 1>No, I was gonna say.

1:23:17.680 --> 1:23:21.599
<v Speaker 2>Scrolling through your IMDb, not so much in the Law

1:23:21.600 --> 1:23:23.480
<v Speaker 2>and Order Universe, but a lot of doctors.

1:23:23.800 --> 1:23:24.639
<v Speaker 1>You've played a lot of.

1:23:25.200 --> 1:23:29.320
<v Speaker 4>Well look at my face. Yeah, so are you when

1:23:29.360 --> 1:23:33.200
<v Speaker 4>you have this, when you have this much melanin what

1:23:33.360 --> 1:23:34.480
<v Speaker 4>happens in Hollywood?

1:23:34.680 --> 1:23:36.160
<v Speaker 1>Are you good with all the medical lingo?

1:23:36.320 --> 1:23:38.240
<v Speaker 4>Like when you get to set, now you know what

1:23:38.400 --> 1:23:43.240
<v Speaker 4>I actually uh yeah, it's so funny, Like I literally

1:23:43.360 --> 1:23:49.519
<v Speaker 4>played I've played so many doctors. I never got into

1:23:49.600 --> 1:23:51.280
<v Speaker 4>like the but I there was. There was a couple

1:23:51.320 --> 1:23:53.600
<v Speaker 4>of moments when one time I was a doctor on

1:23:53.880 --> 1:23:56.599
<v Speaker 4>a soap opera. I forget which one it was. It

1:23:56.640 --> 1:23:59.280
<v Speaker 4>was maybe it was Young and the Restless or or

1:23:59.400 --> 1:24:02.640
<v Speaker 4>one of those. And they were just like, we're just

1:24:02.680 --> 1:24:04.800
<v Speaker 4>going to use your name, and I was like, what

1:24:04.840 --> 1:24:06.240
<v Speaker 4>do you mean And they were like, we'll just call

1:24:06.280 --> 1:24:09.760
<v Speaker 4>you doctor Monvie. And I was like okay. And then

1:24:09.800 --> 1:24:11.240
<v Speaker 4>first of all, I was like, wait, should I call

1:24:11.280 --> 1:24:13.200
<v Speaker 4>my agent? Did I get more money for that or something?

1:24:13.240 --> 1:24:13.439
<v Speaker 2>You know?

1:24:13.760 --> 1:24:15.760
<v Speaker 4>And then they were like, which is gonna do? So

1:24:15.920 --> 1:24:19.479
<v Speaker 4>in the show, they're just like paging doctor Monvie, paging

1:24:19.520 --> 1:24:23.519
<v Speaker 4>Doctor Monvie. And I literally was like, oh my god,

1:24:23.640 --> 1:24:27.719
<v Speaker 4>this is my mother has to watch this. It's gonna

1:24:27.760 --> 1:24:29.000
<v Speaker 4>be like her dream, you know.

1:24:28.960 --> 1:24:29.800
<v Speaker 1>It gets to hear it.

1:24:29.920 --> 1:24:32.880
<v Speaker 2>Yeah, So you were killing it in New York because

1:24:32.920 --> 1:24:34.479
<v Speaker 2>also you're in Sex and the City.

1:24:35.000 --> 1:24:36.840
<v Speaker 1>You were in all the hip shows in New York

1:24:36.960 --> 1:24:37.439
<v Speaker 1>in the city.

1:24:37.439 --> 1:24:40.000
<v Speaker 4>That was all the all the hip shows, the ohs,

1:24:40.200 --> 1:24:43.200
<v Speaker 4>the Law and Orders, the Sex and the Cities, the uh.

1:24:43.600 --> 1:24:48.559
<v Speaker 4>I was even on New York Undercover. Oh I was.

1:24:49.280 --> 1:24:51.640
<v Speaker 4>I was on every show that was shooting in New

1:24:51.720 --> 1:24:53.120
<v Speaker 4>York for a while, you know. I mean that's what

1:24:53.160 --> 1:24:55.040
<v Speaker 4>you did when you're a young actor in New York,

1:24:55.200 --> 1:24:59.599
<v Speaker 4>just trying to get your health insurance paid for sure,

1:24:59.840 --> 1:25:03.120
<v Speaker 4>just do like all the guest spots and stuff on

1:25:03.880 --> 1:25:06.200
<v Speaker 4>every show that's shooting. And I never went out to

1:25:06.360 --> 1:25:08.599
<v Speaker 4>LA So it was always working in New York.

1:25:08.800 --> 1:25:11.840
<v Speaker 3>You know, do you remember like getting because it, like

1:25:11.920 --> 1:25:14.360
<v Speaker 3>according to your IMDb like it sort of looks like

1:25:14.479 --> 1:25:17.360
<v Speaker 3>original recipe. Law in Order, like the Dick Wolf Universe

1:25:17.560 --> 1:25:20.280
<v Speaker 3>was kind of some of your first jobs. So do

1:25:20.320 --> 1:25:23.080
<v Speaker 3>you ever being like, oh, it's happening well?

1:25:23.160 --> 1:25:29.919
<v Speaker 2>And The Cosby Mysteries.

1:25:28.360 --> 1:25:32.320
<v Speaker 4>Was, Oh yeah, I did The Cosby Mysteries. That was

1:25:32.360 --> 1:25:35.840
<v Speaker 4>a short lived show where Bill Cosby.

1:25:35.880 --> 1:25:44.040
<v Speaker 2>Played a criminologist, criminologist the guy who And I, oh yeah,

1:25:44.560 --> 1:25:45.599
<v Speaker 2>I like what I mean.

1:25:45.680 --> 1:25:47.040
<v Speaker 1>I loved Bill Cosby's stuff.

1:25:47.080 --> 1:25:50.240
<v Speaker 4>You know what's crazy about that is like now everything

1:25:50.280 --> 1:25:52.479
<v Speaker 4>we know about Bill Cosby. You know. It was like

1:25:53.280 --> 1:25:55.760
<v Speaker 4>he asked, so I was doing the scene with him.

1:25:55.880 --> 1:25:57.479
<v Speaker 4>I don't know, we're talking about Lawn Order, but we

1:25:57.479 --> 1:26:00.120
<v Speaker 4>can talk about this he was, He said to me,

1:26:01.040 --> 1:26:03.720
<v Speaker 4>I was playing his cab driver. There you go. That

1:26:03.840 --> 1:26:06.240
<v Speaker 4>was another round. That was another part that I did

1:26:06.280 --> 1:26:10.200
<v Speaker 4>a lot a ken the face, right, so doctors and

1:26:10.240 --> 1:26:14.439
<v Speaker 4>cab drivers. But I was playing his cab driver. And

1:26:14.479 --> 1:26:16.280
<v Speaker 4>I remember like, there are a bunch of lines that

1:26:16.320 --> 1:26:21.040
<v Speaker 4>we had back and forth, and he said, uh, why

1:26:21.040 --> 1:26:24.600
<v Speaker 4>don't you just you know, after that they rehearsed it.

1:26:24.640 --> 1:26:25.880
<v Speaker 4>Then he said, why do you just come back to

1:26:25.920 --> 1:26:30.360
<v Speaker 4>my trailer and we will we'll run lines. And I

1:26:30.439 --> 1:26:34.479
<v Speaker 4>was like, oh great, you know, and uh so I

1:26:34.600 --> 1:26:37.040
<v Speaker 4>went back to his trailer and he was just like

1:26:37.080 --> 1:26:39.519
<v Speaker 4>hanging out in his trailer and I just remember it

1:26:39.560 --> 1:26:43.760
<v Speaker 4>was like my first brush with like sort of superstardom,

1:26:44.120 --> 1:26:47.719
<v Speaker 4>you know, like and I remember this so distinctly. He

1:26:47.880 --> 1:26:51.840
<v Speaker 4>was he had an assistant. I forget her name, let's

1:26:51.920 --> 1:26:56.160
<v Speaker 4>just call her Jennifer Jen and and uh and he said,

1:26:56.320 --> 1:26:58.599
<v Speaker 4>uh and I'm gonna do a bad Bill Cosby right now.

1:26:58.600 --> 1:27:03.160
<v Speaker 4>He was like he was like Jen Earlier today, I

1:27:03.320 --> 1:27:07.479
<v Speaker 4>was watching Kujo, the movie Kujo, and now this was

1:27:07.560 --> 1:27:11.080
<v Speaker 4>remember this was like before like you know, you could

1:27:11.120 --> 1:27:13.240
<v Speaker 4>just get a movie whenever you wanted it right, like

1:27:13.320 --> 1:27:16.240
<v Speaker 4>you had to, you know, you could get a movie

1:27:16.400 --> 1:27:18.520
<v Speaker 4>like they had Blockbuster. You had to go to Blockbuster

1:27:18.640 --> 1:27:22.080
<v Speaker 4>and get a VHS to get the movie right. So

1:27:22.280 --> 1:27:26.320
<v Speaker 4>I remember Bill Cosby saying I was watching Kujo earlier

1:27:26.320 --> 1:27:28.320
<v Speaker 4>and I didn't get to finish watching it because I

1:27:28.360 --> 1:27:33.760
<v Speaker 4>had to come to work. Can you call HBO and

1:27:33.960 --> 1:27:37.120
<v Speaker 4>just tell them that Bill Cosby would like a copy

1:27:37.160 --> 1:27:41.160
<v Speaker 4>of the movie Kujo and if they could just send

1:27:41.200 --> 1:27:44.559
<v Speaker 4>it over. He's like, I was watching it on HBO.

1:27:44.840 --> 1:27:47.760
<v Speaker 1>Truly a knew definition of home box office, Like.

1:27:49.600 --> 1:27:52.880
<v Speaker 4>He was literally fitting it like a homebox Yes. I

1:27:53.000 --> 1:27:56.600
<v Speaker 4>was like, holy shit, like you can do that, Like

1:27:56.640 --> 1:28:00.000
<v Speaker 4>when you're that famous, you could do that.

1:28:00.200 --> 1:28:03.120
<v Speaker 2>What has been the coolest flex that you've been able

1:28:03.160 --> 1:28:06.000
<v Speaker 2>to do? Or like a moment where you've used your

1:28:06.040 --> 1:28:07.760
<v Speaker 2>success to get out?

1:28:07.880 --> 1:28:11.240
<v Speaker 4>You know what, Whenever I try to flex, it just backfires.

1:28:12.360 --> 1:28:15.519
<v Speaker 4>Like I never I stopped trying to flex. I mean

1:28:15.560 --> 1:28:17.519
<v Speaker 4>I used to do the whole like I'm on a

1:28:17.560 --> 1:28:20.439
<v Speaker 4>TV show, you know, like I'm I tried to one time.

1:28:21.479 --> 1:28:25.360
<v Speaker 4>I think I tried to. Uh, there was a there

1:28:25.400 --> 1:28:31.360
<v Speaker 4>was a birthday party at some fancy schmancy like hotel

1:28:31.479 --> 1:28:34.200
<v Speaker 4>here in New York where you had to like, you know,

1:28:34.439 --> 1:28:39.240
<v Speaker 4>try to get in and and I had brought a

1:28:39.280 --> 1:28:41.920
<v Speaker 4>cupcakes and they wouldn't let me bring the cupcakes in.

1:28:42.320 --> 1:28:43.960
<v Speaker 4>This is so stupid, and I don't let me bring

1:28:44.000 --> 1:28:46.960
<v Speaker 4>the cupcakes in. So I was like, I literally this

1:28:47.000 --> 1:28:51.080
<v Speaker 4>is so embarrassing, I literally said, because I was the

1:28:51.360 --> 1:28:52.920
<v Speaker 4>guy was being a total asshole. He was like, you

1:28:52.960 --> 1:28:54.640
<v Speaker 4>can't and I was like, no, the cupcakes for my

1:28:54.680 --> 1:28:57.840
<v Speaker 4>friend who had her birthday. And I brought cupcakes, you know,

1:28:57.840 --> 1:28:59.800
<v Speaker 4>because I was put candles in the cupcakes like a

1:28:59.800 --> 1:29:02.880
<v Speaker 4>little joking. She's like, you can't bring cupcakes, can't bring

1:29:02.920 --> 1:29:05.960
<v Speaker 4>them in? And I was like, I was like, do

1:29:06.000 --> 1:29:08.960
<v Speaker 4>you know who I am? I literally did the do

1:29:09.040 --> 1:29:11.080
<v Speaker 4>you know who I am? I'm on And that was

1:29:11.080 --> 1:29:12.439
<v Speaker 4>when I was on the Daily Show and I was

1:29:12.439 --> 1:29:14.400
<v Speaker 4>like and I tried it, and I felt like a

1:29:14.439 --> 1:29:16.840
<v Speaker 4>complete asshole. I was like because the guy was like,

1:29:17.120 --> 1:29:19.760
<v Speaker 4>I do and you can't bring them in. And I

1:29:19.840 --> 1:29:23.439
<v Speaker 4>was like, okay, well, I'm glad, thank you so much,

1:29:23.479 --> 1:29:26.360
<v Speaker 4>and I like, she pishly put the cupcakes down and

1:29:26.439 --> 1:29:30.280
<v Speaker 4>walked in. But yeah, never you know, if it happens

1:29:30.320 --> 1:29:34.760
<v Speaker 4>where somebody recognizes me and they give me like you know,

1:29:34.800 --> 1:29:37.920
<v Speaker 4>I get the VIP entrance or whatever on the table

1:29:38.160 --> 1:29:41.120
<v Speaker 4>or something, then great, but I try not to do

1:29:41.200 --> 1:29:44.960
<v Speaker 4>that because it's just it's just it's so embarrassing when

1:29:45.000 --> 1:29:47.800
<v Speaker 4>it doesn't work, you know, when when you try to

1:29:48.000 --> 1:29:48.840
<v Speaker 4>flex like that.

1:29:49.400 --> 1:29:52.479
<v Speaker 3>Yeah, I feel like we need to get a little

1:29:52.479 --> 1:29:54.640
<v Speaker 3>bit back to the to the to the SVU of it,

1:29:54.680 --> 1:29:56.280
<v Speaker 3>even though we have other things we want to talk

1:29:56.320 --> 1:29:58.720
<v Speaker 3>to you about. I wanted to know because I ran

1:29:58.760 --> 1:30:02.679
<v Speaker 3>across this clip of you PBS talking about being asked

1:30:02.720 --> 1:30:07.920
<v Speaker 3>to do accents by casting directors, and like, I was

1:30:07.960 --> 1:30:10.000
<v Speaker 3>just wondering, because you do that in this episode.

1:30:10.360 --> 1:30:11.120
<v Speaker 1>But at the time that.

1:30:11.080 --> 1:30:12.640
<v Speaker 3>You did this episode, it was like what it was

1:30:12.640 --> 1:30:15.639
<v Speaker 3>two thousand, so I don't know, were you still like, oh, yeah,

1:30:15.640 --> 1:30:17.120
<v Speaker 3>I'm down to do any accent, But do you do

1:30:17.200 --> 1:30:17.719
<v Speaker 3>that today?

1:30:18.000 --> 1:30:20.640
<v Speaker 1>Like what you know, what's your what's your feeling on

1:30:20.640 --> 1:30:21.040
<v Speaker 1>that now?

1:30:21.080 --> 1:30:23.320
<v Speaker 4>It was always it was always the feeling of like,

1:30:23.600 --> 1:30:28.040
<v Speaker 4>you know, you go in and my friends Sukina Jeoffrey

1:30:28.040 --> 1:30:29.880
<v Speaker 4>and I came up well, she came up with it,

1:30:29.920 --> 1:30:32.160
<v Speaker 4>and then I sort of started using it. And another bit,

1:30:32.320 --> 1:30:36.040
<v Speaker 4>which was this term called p tanking, which was like

1:30:36.160 --> 1:30:39.880
<v Speaker 4>basically it's the sound of the Indian accent to the

1:30:40.040 --> 1:30:43.679
<v Speaker 4>non Indian ear. And it basically is like protank, protect, protect, protect, protect,

1:30:43.720 --> 1:30:47.120
<v Speaker 4>protect protect right. So she and we'd always have this

1:30:47.120 --> 1:30:48.960
<v Speaker 4>thing where we go into an audition and then we

1:30:49.040 --> 1:30:50.760
<v Speaker 4>come on and then they We'll be like, are they

1:30:50.800 --> 1:30:53.479
<v Speaker 4>asking to p tank? Yeah? Yeah, they asked me to partank,

1:30:53.960 --> 1:30:56.920
<v Speaker 4>you know. And it was always inevitable that you go

1:30:57.040 --> 1:30:59.160
<v Speaker 4>in and then they ended the cast and director something.

1:30:59.200 --> 1:31:01.679
<v Speaker 4>You'd be like, you know what, maybe maybe just try

1:31:01.760 --> 1:31:04.840
<v Speaker 4>can we just do one take with the accent? And

1:31:04.880 --> 1:31:06.719
<v Speaker 4>you knew that if you did it with the accent,

1:31:07.200 --> 1:31:09.479
<v Speaker 4>they were always going to use the accent. You know,

1:31:09.880 --> 1:31:12.920
<v Speaker 4>that was what it was going to be. So yeah,

1:31:12.960 --> 1:31:15.200
<v Speaker 4>I never had a problem with doing the accent. I mean, look,

1:31:15.200 --> 1:31:17.920
<v Speaker 4>I had to pay the bills, so I did whatever

1:31:17.960 --> 1:31:21.840
<v Speaker 4>I needed to do. But sometimes it felt like, you know,

1:31:22.080 --> 1:31:25.439
<v Speaker 4>I always felt that it was sort of one of

1:31:25.479 --> 1:31:30.240
<v Speaker 4>those things where the accent became sort of in of itself, like, oh,

1:31:30.360 --> 1:31:32.360
<v Speaker 4>it's just funny to have, you know, if it was

1:31:32.400 --> 1:31:34.880
<v Speaker 4>a comedy, like for example, like oh it's just funny

1:31:35.200 --> 1:31:37.120
<v Speaker 4>if they're talking with an Indian if he said with

1:31:37.200 --> 1:31:39.280
<v Speaker 4>Indian accent, you know, or it led a level, it

1:31:39.320 --> 1:31:41.160
<v Speaker 4>gave it a level of authenticity in fact, there was

1:31:41.200 --> 1:31:46.760
<v Speaker 4>one show I did called Ed remember that shows about

1:31:46.800 --> 1:31:50.439
<v Speaker 4>the bowling Alley? Yeah, and I got into a huge

1:31:51.080 --> 1:31:54.800
<v Speaker 4>the director who I liked and really respected and stuff,

1:31:54.840 --> 1:31:57.280
<v Speaker 4>but I got into this huge debate with him about it.

1:31:57.760 --> 1:31:59.800
<v Speaker 4>And it was awkward because everybody on set was sort

1:31:59.840 --> 1:32:02.320
<v Speaker 4>of like okay, and I was like, why am I

1:32:02.360 --> 1:32:04.599
<v Speaker 4>doing an accent? You know? And he was like, well,

1:32:04.760 --> 1:32:06.880
<v Speaker 4>because you know, I was like, this guy is an

1:32:06.880 --> 1:32:10.320
<v Speaker 4>American guy who's coming here to buy this bowling alley.

1:32:10.640 --> 1:32:14.120
<v Speaker 4>He's like a rich American dude. He happens to be Indian,

1:32:14.160 --> 1:32:16.519
<v Speaker 4>but he's Indian American, you know, He's not like why

1:32:16.560 --> 1:32:18.320
<v Speaker 4>would he have an accent? Like is there a reason

1:32:18.360 --> 1:32:21.439
<v Speaker 4>for him? And I couldn't get a straight answer about

1:32:21.439 --> 1:32:23.880
<v Speaker 4>the accent, you know, And it was actually ultimately I

1:32:23.880 --> 1:32:26.679
<v Speaker 4>forget the actor's name, the lead actor on that show

1:32:27.240 --> 1:32:31.120
<v Speaker 4>for ultimately John Cavanaugh, right, So you know, I think

1:32:31.160 --> 1:32:33.000
<v Speaker 4>he was like, look if he doesn't want to do that,

1:32:33.160 --> 1:32:37.240
<v Speaker 4>you know, and ultimately like I didn't do it, because yeah,

1:32:37.280 --> 1:32:39.400
<v Speaker 4>he sort of did a little bit. Yeah, and I

1:32:39.439 --> 1:32:41.240
<v Speaker 4>at least that's how I remember it. Maybe that I'm

1:32:41.280 --> 1:32:44.080
<v Speaker 4>making that up, but anyway, like it was, it was

1:32:44.080 --> 1:32:47.720
<v Speaker 4>one of those things where he became sort of an

1:32:47.800 --> 1:32:50.800
<v Speaker 4>awkward conversation that I was forced to have, you know,

1:32:50.880 --> 1:32:53.960
<v Speaker 4>and that was I think what was sometimes unfortunate about

1:32:54.040 --> 1:32:57.559
<v Speaker 4>those situations where if you pushed back on the accent,

1:32:57.640 --> 1:33:00.439
<v Speaker 4>you were sort of being difficult, you know, and it

1:33:00.479 --> 1:33:02.439
<v Speaker 4>was like, why can't you just do the accent? And

1:33:03.160 --> 1:33:05.400
<v Speaker 4>for so many brown actors, including myself, it was like

1:33:05.439 --> 1:33:07.840
<v Speaker 4>it was like, well, explain to me, why why if

1:33:07.840 --> 1:33:10.040
<v Speaker 4>this guy is fresh off the boat and coming And

1:33:10.080 --> 1:33:12.760
<v Speaker 4>I have no problem because a billion people that have

1:33:12.880 --> 1:33:15.800
<v Speaker 4>that accent, so it's totally fine, But just give me

1:33:15.840 --> 1:33:18.080
<v Speaker 4>a legitimate reason why he would have an accent If

1:33:18.080 --> 1:33:21.400
<v Speaker 4>he's an American, he's born and raised here, why does

1:33:21.479 --> 1:33:23.679
<v Speaker 4>these have an action? You know? And that was and

1:33:23.680 --> 1:33:30.479
<v Speaker 4>and so sometimes that was you know, it forced. That's

1:33:30.520 --> 1:33:32.519
<v Speaker 4>where I sort of resented the idea that it forced

1:33:32.600 --> 1:33:36.840
<v Speaker 4>us to have to police that, you know, ourselves sometimes

1:33:36.880 --> 1:33:40.640
<v Speaker 4>and it put us in a situation which was, you know,

1:33:41.640 --> 1:33:45.040
<v Speaker 4>sort of being the sort of difficult, the problem child,

1:33:45.160 --> 1:33:48.519
<v Speaker 4>you know, in those situations. But you know, yeah, I

1:33:48.560 --> 1:33:51.200
<v Speaker 4>did a lot of characters that had accents, and then

1:33:51.240 --> 1:33:54.960
<v Speaker 4>I started in fact, the Daily Show was one of

1:33:55.000 --> 1:33:58.920
<v Speaker 4>the first major jobs I got. I remember when I

1:33:58.960 --> 1:34:03.479
<v Speaker 4>got the Daily Show and I said to John do

1:34:03.479 --> 1:34:06.720
<v Speaker 4>you want me to do an accent? And and he

1:34:06.800 --> 1:34:11.080
<v Speaker 4>was like no, no, what And I was just like

1:34:11.120 --> 1:34:12.560
<v Speaker 4>it was such a breath of fresh I was like,

1:34:12.600 --> 1:34:17.200
<v Speaker 4>whoa wow, I'm not really you know, because and in

1:34:17.240 --> 1:34:20.280
<v Speaker 4>that case, it actually didn't even make sense because I

1:34:20.360 --> 1:34:24.479
<v Speaker 4>was playing actual reporter from the Middle East in my

1:34:24.560 --> 1:34:27.000
<v Speaker 4>first ever time I did the Daily Show. I was

1:34:27.040 --> 1:34:29.720
<v Speaker 4>playing but they were like do and so logically it

1:34:29.720 --> 1:34:31.800
<v Speaker 4>didn't really make sense. But I was so relieved because

1:34:31.800 --> 1:34:33.719
<v Speaker 4>I was just like, I don't have to do an accent.

1:34:33.760 --> 1:34:36.680
<v Speaker 4>That's amazing, you know, Like I can just be I

1:34:36.680 --> 1:34:39.280
<v Speaker 4>can just talk like an American and and just talk

1:34:39.360 --> 1:34:39.920
<v Speaker 4>like myself.

1:34:40.000 --> 1:34:42.200
<v Speaker 3>And so it's so wild if they made you, like

1:34:42.240 --> 1:34:44.280
<v Speaker 3>what if John Oliver is just faking that accent?

1:34:44.320 --> 1:34:47.360
<v Speaker 4>I know. I hate to tell you. I hate to

1:34:47.400 --> 1:34:49.559
<v Speaker 4>tell you no. I used to that was a joke

1:34:49.600 --> 1:34:51.040
<v Speaker 4>of mine. You know, they'd be like, can you do

1:34:51.040 --> 1:34:53.160
<v Speaker 4>an accent? I'd be like, yeah, I can do Irish,

1:34:53.360 --> 1:34:57.920
<v Speaker 4>I can do Scottish. Which one do you want? I

1:34:57.960 --> 1:34:58.839
<v Speaker 4>can do London?

1:35:00.320 --> 1:35:01.920
<v Speaker 1>Do you have any like? I know, it was like

1:35:01.960 --> 1:35:02.720
<v Speaker 1>twenty four years ago.

1:35:02.760 --> 1:35:04.479
<v Speaker 3>Do you have any like memories of being on this

1:35:04.560 --> 1:35:06.479
<v Speaker 3>college campus and doing this walking down?

1:35:06.560 --> 1:35:10.120
<v Speaker 1>Yeah, I do so hard. It was all those stairs.

1:35:10.240 --> 1:35:13.479
<v Speaker 4>It was filmed up filmed up at Columbia. Yeah, it

1:35:13.560 --> 1:35:16.040
<v Speaker 4>was filmed up at Columbia on the campus up there.

1:35:16.880 --> 1:35:19.200
<v Speaker 4>And then I was in, you know, I had had

1:35:19.600 --> 1:35:24.559
<v Speaker 4>my My my memory of it is that I had

1:35:24.600 --> 1:35:28.479
<v Speaker 4>been on Law and Order a couple of years before,

1:35:30.000 --> 1:35:34.040
<v Speaker 4>and I had a really very sort of traumatic experience

1:35:34.240 --> 1:35:39.519
<v Speaker 4>because I for whatever reason that day and this was

1:35:39.560 --> 1:35:42.280
<v Speaker 4>not normal for me. I had this huge I was

1:35:42.320 --> 1:35:44.200
<v Speaker 4>sitting on this I was playing this cab driver. I

1:35:44.240 --> 1:35:47.000
<v Speaker 4>was on the stand and I had all this dialogue

1:35:47.040 --> 1:35:50.400
<v Speaker 4>and I could not get through this dialogue, Like it

1:35:50.479 --> 1:35:52.920
<v Speaker 4>was really embarrassing, Like I was having a really hard

1:35:52.920 --> 1:35:54.720
<v Speaker 4>time with it, to the point where I was like

1:35:55.960 --> 1:35:58.719
<v Speaker 4>having to pace the sides down below the thing because

1:35:58.960 --> 1:36:00.840
<v Speaker 4>and they were and they I could see they were

1:36:00.880 --> 1:36:04.320
<v Speaker 4>getting stressed out because this guest star was and I

1:36:04.560 --> 1:36:07.439
<v Speaker 4>was like, oh my god. And I was a young actor.

1:36:07.600 --> 1:36:10.200
<v Speaker 4>I was just for whatever reason, I hadn't had my

1:36:10.840 --> 1:36:13.840
<v Speaker 4>you know, coffee enough coffee or that morning or whatever.

1:36:13.880 --> 1:36:15.720
<v Speaker 4>I don't know what was going on for me. But

1:36:15.800 --> 1:36:19.800
<v Speaker 4>I could not get through the dialogue without messing it up,

1:36:19.960 --> 1:36:23.479
<v Speaker 4>and so they kept going back, kept going back, and

1:36:23.520 --> 1:36:27.080
<v Speaker 4>so I was really had this kind of PTSD, and

1:36:27.160 --> 1:36:30.479
<v Speaker 4>I thought, I'm never going to get hired again, Like

1:36:30.600 --> 1:36:32.599
<v Speaker 4>Dick Wolf is never going to hire me. Because they

1:36:32.640 --> 1:36:34.920
<v Speaker 4>even were like, hey, you gout, you are right, you know,

1:36:34.920 --> 1:36:36.439
<v Speaker 4>because they hadn't had me on the show before. They

1:36:36.439 --> 1:36:38.960
<v Speaker 4>were like okay, you know, and they were like, maybe

1:36:39.160 --> 1:36:42.320
<v Speaker 4>you know, I take ten and go sit down and relax.

1:36:42.439 --> 1:36:44.800
<v Speaker 4>And they thought I was nervous. And then that makes

1:36:44.800 --> 1:36:47.679
<v Speaker 4>you more nervous, you know, when you when when when

1:36:47.760 --> 1:36:50.800
<v Speaker 4>you already are feeling the pressure of the entire room

1:36:50.880 --> 1:36:54.680
<v Speaker 4>and hundreds of extras and the crew.

1:36:54.439 --> 1:36:57.320
<v Speaker 2>And then the coddling. I feel like then they like

1:36:57.479 --> 1:36:59.479
<v Speaker 2>coddle you a little extra, and then you feel like.

1:37:00.160 --> 1:37:01.960
<v Speaker 4>You feel like all eyes are on you, and so.

1:37:02.080 --> 1:37:05.519
<v Speaker 3>Now paying attention, Yeah, this is the actor's recurring nightmare.

1:37:05.640 --> 1:37:06.560
<v Speaker 1>What you're describing?

1:37:06.680 --> 1:37:09.800
<v Speaker 4>Yeah, yeah, then I'm sitting in the witness stand, So

1:37:09.840 --> 1:37:14.040
<v Speaker 4>it's it's also physically kind of all the folks it

1:37:14.120 --> 1:37:17.680
<v Speaker 4>boxed in and the focus on me, and so I

1:37:17.800 --> 1:37:20.000
<v Speaker 4>was having and my count is supposed to be nervous,

1:37:20.040 --> 1:37:23.800
<v Speaker 4>so it played well because I was genuinely nervous, but

1:37:24.520 --> 1:37:26.200
<v Speaker 4>I was having a really hard time. But then so

1:37:26.520 --> 1:37:29.960
<v Speaker 4>when I got this gig for this episode, I was

1:37:30.000 --> 1:37:35.519
<v Speaker 4>so relieved that they were they hired me again because

1:37:35.520 --> 1:37:37.479
<v Speaker 4>I was like, they're never gonna got it.

1:37:38.120 --> 1:37:39.320
<v Speaker 1>You were so prepared.

1:37:40.000 --> 1:37:42.680
<v Speaker 4>I was so prepared on this one. I was like,

1:37:42.720 --> 1:37:45.840
<v Speaker 4>I want them to know that I know my shit,

1:37:45.960 --> 1:37:47.680
<v Speaker 4>you know what I mean? Like, so I showed up

1:37:48.040 --> 1:37:52.040
<v Speaker 4>like super prepared, and so I just remember doing the

1:37:52.080 --> 1:37:59.720
<v Speaker 4>scene with Murska Hargate and Christopher Maloney and just like

1:38:00.720 --> 1:38:04.080
<v Speaker 4>the whole time like I'm doing the lines, but I'm

1:38:04.479 --> 1:38:07.519
<v Speaker 4>in my head, I'm just like nailing it. I'm nailing

1:38:07.600 --> 1:38:12.400
<v Speaker 4>it good.

1:38:14.280 --> 1:38:16.800
<v Speaker 2>And it's tough because there was a walking talk and

1:38:16.840 --> 1:38:17.760
<v Speaker 2>those are.

1:38:17.280 --> 1:38:20.479
<v Speaker 4>The walking talk and those are hard. You know. Yeah,

1:38:20.560 --> 1:38:20.840
<v Speaker 4>then you.

1:38:20.880 --> 1:38:23.080
<v Speaker 3>Haven't had to go back into the stand, so you

1:38:23.160 --> 1:38:26.040
<v Speaker 3>must have been really having the memories come back there too.

1:38:26.240 --> 1:38:29.200
<v Speaker 4>Yeah. I was having all that. So that episode actually

1:38:29.479 --> 1:38:32.679
<v Speaker 4>was kind of just reaffirmed to me that like, oh, Okay,

1:38:32.720 --> 1:38:34.599
<v Speaker 4>I know what I'm doing. Yeah, don't you know?

1:38:34.640 --> 1:38:37.080
<v Speaker 3>Well you said you didn't, you said you didn't watch

1:38:37.080 --> 1:38:39.840
<v Speaker 3>the episode, but like you know, you do you get

1:38:39.880 --> 1:38:42.759
<v Speaker 3>like the general plot of it is like this girl

1:38:42.800 --> 1:38:44.600
<v Speaker 3>has been killed by her brother and it's sort of

1:38:44.640 --> 1:38:47.679
<v Speaker 3>like an honor killing, and your role is to sort

1:38:47.680 --> 1:38:52.719
<v Speaker 3>of like explain these cultural like norms. And I mean,

1:38:53.000 --> 1:38:55.280
<v Speaker 3>just from what I read about you online, you grew

1:38:55.360 --> 1:38:58.559
<v Speaker 3>up in a Muslim family, correct, So like was that

1:38:58.760 --> 1:39:02.960
<v Speaker 3>was there anything were you like this is dramatized or

1:39:03.000 --> 1:39:05.479
<v Speaker 3>this is like were you because like, for me as

1:39:05.520 --> 1:39:07.439
<v Speaker 3>a viewer, this was like the first time I'd heard

1:39:07.439 --> 1:39:09.600
<v Speaker 3>of this concept, you know, in two thousand and I

1:39:09.680 --> 1:39:11.400
<v Speaker 3>was a much younger person. I had never heard of

1:39:11.439 --> 1:39:14.479
<v Speaker 3>this concept of like honor killings, you know, and so

1:39:15.240 --> 1:39:17.320
<v Speaker 3>like I was wondering if you as like a Muslim

1:39:17.360 --> 1:39:20.560
<v Speaker 3>actor portraying this kind of like not you know, I

1:39:20.600 --> 1:39:22.160
<v Speaker 3>don't know what. I don't know how to word this

1:39:22.320 --> 1:39:24.519
<v Speaker 3>not the most flattering part of the you know.

1:39:24.720 --> 1:39:25.400
<v Speaker 4>I mean, look, I.

1:39:25.360 --> 1:39:27.920
<v Speaker 5>Think that I think that that at that time, as

1:39:27.960 --> 1:39:31.800
<v Speaker 5>a young brown actor, there was always a kind of reductiveness,

1:39:31.840 --> 1:39:34.040
<v Speaker 5>you know, whether it was your Indian ness or your

1:39:34.120 --> 1:39:37.120
<v Speaker 5>muslimness or whatever, there was a kind of reductiveness to

1:39:37.120 --> 1:39:37.959
<v Speaker 5>turn it into.

1:39:37.840 --> 1:39:41.599
<v Speaker 4>Like you know TV drama. You know, so Muslims were

1:39:41.600 --> 1:39:44.559
<v Speaker 4>sort of portrayed, as you know, and this was before

1:39:44.920 --> 1:39:47.559
<v Speaker 4>nine to eleven, you know, and you know, as you know,

1:39:48.200 --> 1:39:52.000
<v Speaker 4>Americans discovered Islam after nine to eleven, so you know,

1:39:52.320 --> 1:39:56.559
<v Speaker 4>and so then things became you know, then you had

1:39:56.600 --> 1:39:59.000
<v Speaker 4>shows like twenty four and other shows which were really

1:39:59.040 --> 1:40:04.040
<v Speaker 4>exploiting that kind of Islamophobia that then. So this was

1:40:04.080 --> 1:40:09.040
<v Speaker 4>sort of pre the prevailing Islamophobia that existed after nine

1:40:09.080 --> 1:40:12.120
<v Speaker 4>to eleven where it made it. Then there were things

1:40:12.120 --> 1:40:15.360
<v Speaker 4>where I was incredibly uncomfortable, like after nine to eleven,

1:40:15.479 --> 1:40:19.479
<v Speaker 4>Like I got scripts for movies and stuff where it

1:40:19.520 --> 1:40:22.920
<v Speaker 4>was literally like just Muslims, like they were like the

1:40:22.920 --> 1:40:25.679
<v Speaker 4>beginning first scene of the movie was like a bunch

1:40:25.720 --> 1:40:29.280
<v Speaker 4>of Muslims praying while the towers were falling down behind them,

1:40:29.360 --> 1:40:31.040
<v Speaker 4>and it was this whole thing, and I was just

1:40:31.080 --> 1:40:34.000
<v Speaker 4>like I can't, I can't do this. You know. There

1:40:34.040 --> 1:40:37.320
<v Speaker 4>was a movie actually called that actually did get made.

1:40:37.360 --> 1:40:41.480
<v Speaker 4>It was called Hidalgo and it was with Vigo Mortensen,

1:40:42.200 --> 1:40:46.320
<v Speaker 4>and it was a movie about this desert horse race

1:40:46.400 --> 1:40:51.280
<v Speaker 4>and this American horse rider, this cowboy who goes to

1:40:51.439 --> 1:40:55.160
<v Speaker 4>Arabia and runs in this desert horse race, and the

1:40:55.240 --> 1:41:00.080
<v Speaker 4>American Mustang horse beats all the Arabian horses. And this

1:41:00.120 --> 1:41:03.640
<v Speaker 4>movie was being made in two thousand and two, like

1:41:03.840 --> 1:41:06.599
<v Speaker 4>right after nine to eleven, just as we were about

1:41:06.640 --> 1:41:09.320
<v Speaker 4>to go to war with Iraq and go into Afghanistan.

1:41:09.320 --> 1:41:12.280
<v Speaker 4>And I remember like reading the script and I was like, Oh,

1:41:12.320 --> 1:41:16.760
<v Speaker 4>this whole movie is just basically like a parent like

1:41:17.560 --> 1:41:20.600
<v Speaker 4>basically just the war. It's just like because there was

1:41:20.640 --> 1:41:24.519
<v Speaker 4>literally a line in the movie where I said, in

1:41:24.560 --> 1:41:28.880
<v Speaker 4>the context of this film, Vigo Mortenson's girlfriend says, go

1:41:29.000 --> 1:41:34.880
<v Speaker 4>kick some arab ass cowboy. And this was like right

1:41:34.960 --> 1:41:36.720
<v Speaker 4>on the eve of as we were about to go

1:41:36.760 --> 1:41:39.640
<v Speaker 4>into Afghanistan, and I remember like I was like, I

1:41:39.680 --> 1:41:42.800
<v Speaker 4>can't audition for this movie, Like I can't, I can't

1:41:42.800 --> 1:41:44.400
<v Speaker 4>go into this, Like I'm not going to be in

1:41:44.439 --> 1:41:46.439
<v Speaker 4>a movie that has the line go kick some arab

1:41:46.479 --> 1:41:50.400
<v Speaker 4>ass cowboy, you know. And so you know, so this

1:41:50.520 --> 1:41:53.360
<v Speaker 4>was sort of before all of that, and so it

1:41:53.439 --> 1:41:56.519
<v Speaker 4>was it wasn't uncommon that this is the kind of

1:41:56.560 --> 1:42:00.400
<v Speaker 4>stuff that was portrayed on American television and you know,

1:42:00.479 --> 1:42:05.280
<v Speaker 4>about Muslims and Islam and stuff in the context of

1:42:05.320 --> 1:42:08.320
<v Speaker 4>like not knowing that much about it for most Americans,

1:42:08.400 --> 1:42:12.200
<v Speaker 4>you know, right, but it wasn't at that time for

1:42:12.520 --> 1:42:16.400
<v Speaker 4>Brown actors. At least for me. It didn't ring all

1:42:16.400 --> 1:42:18.280
<v Speaker 4>the bells of like I can't do this, you know

1:42:18.280 --> 1:42:19.680
<v Speaker 4>what I mean? At that time, it was like this

1:42:19.720 --> 1:42:20.760
<v Speaker 4>is what it is. You know.

1:42:21.280 --> 1:42:23.519
<v Speaker 3>I feel like we have to let you go soon,

1:42:23.760 --> 1:42:26.639
<v Speaker 3>but I really we cannot leave let you go without

1:42:26.640 --> 1:42:30.439
<v Speaker 3>talking about evil because I am, yes, I am an

1:42:30.479 --> 1:42:33.000
<v Speaker 3>evil head. My husband and I I don't like horror

1:42:33.080 --> 1:42:35.559
<v Speaker 3>stuff that much. My HU was like, watch this show

1:42:35.560 --> 1:42:38.200
<v Speaker 3>with me, and did it come out during the pandemic.

1:42:38.240 --> 1:42:41.000
<v Speaker 3>I think we started watching it more in the pandemic.

1:42:41.600 --> 1:42:44.720
<v Speaker 4>It came out, It came out prior to the pandemic.

1:42:44.760 --> 1:42:49.719
<v Speaker 4>It came out actually in twenty nineteen was the first season,

1:42:50.439 --> 1:42:53.479
<v Speaker 4>and then and then twenty two and then we took

1:42:53.479 --> 1:42:55.320
<v Speaker 4>a break and it was you know, there was Yeah.

1:42:55.800 --> 1:42:58.840
<v Speaker 2>Well, co star Michael Emerson plays a real freak in

1:42:58.880 --> 1:42:59.680
<v Speaker 2>one episode of US.

1:43:00.040 --> 1:43:04.519
<v Speaker 4>Oh yes, well he's been around, It's been around for

1:43:04.520 --> 1:43:07.040
<v Speaker 4>a long time. He's so great, you know, a bad guy.

1:43:07.080 --> 1:43:09.320
<v Speaker 4>He's one of my favorite actors.

1:43:09.680 --> 1:43:11.320
<v Speaker 3>And by the way, he did say he would do

1:43:11.360 --> 1:43:13.800
<v Speaker 3>our podcast. We've been having a hard time de nailing

1:43:13.880 --> 1:43:15.760
<v Speaker 3>him down. So if you see him on a press see

1:43:15.840 --> 1:43:20.479
<v Speaker 3>him press, tell him we're cool, but tell me about

1:43:20.520 --> 1:43:23.759
<v Speaker 3>like the doing Evil and like the final season.

1:43:23.760 --> 1:43:25.759
<v Speaker 1>I'm we're devastated. It's the final season.

1:43:25.840 --> 1:43:28.439
<v Speaker 3>My husband and I he says, you're My husband says

1:43:28.439 --> 1:43:29.800
<v Speaker 3>you're his favorite character.

1:43:29.520 --> 1:43:32.400
<v Speaker 1>On Evil because you really are. For people that don't

1:43:32.439 --> 1:43:35.040
<v Speaker 1>watch Evil, start watching Evil.

1:43:35.120 --> 1:43:38.200
<v Speaker 3>But you are a little bit of like the comic relief,

1:43:38.320 --> 1:43:40.759
<v Speaker 3>Like you know, you're sort of this team of people

1:43:40.800 --> 1:43:46.320
<v Speaker 3>that investigate, you know, religiously paranormal happenings, but you're kind.

1:43:46.120 --> 1:43:47.040
<v Speaker 1>Of like the skeptic.

1:43:47.200 --> 1:43:50.160
<v Speaker 3>That's like, I know, I can explain why this happened

1:43:50.160 --> 1:43:52.000
<v Speaker 3>in like a technological way, like you're.

1:43:51.880 --> 1:43:54.960
<v Speaker 1>The tech guy. Yeah, right, exactly, I'm describing it correctly.

1:43:55.200 --> 1:43:57.800
<v Speaker 4>Yeah, that's totally right. And I think, you know, I'm

1:43:57.840 --> 1:44:00.479
<v Speaker 4>the the tech guy. I'm sort of like a little

1:44:00.479 --> 1:44:02.880
<v Speaker 4>bit like of a macguy vertype character, like I can

1:44:02.920 --> 1:44:05.840
<v Speaker 4>sort of do everything. You know, it's very unlike me

1:44:05.960 --> 1:44:09.240
<v Speaker 4>in real life. But he's great. I love Ben and

1:44:09.320 --> 1:44:11.479
<v Speaker 4>just talking about you know, the idea of like Ben

1:44:11.600 --> 1:44:14.479
<v Speaker 4>was originally written as a white guy. He wasn't written

1:44:14.880 --> 1:44:17.920
<v Speaker 4>as an Indian guy or a South Asian character at all.

1:44:18.280 --> 1:44:21.640
<v Speaker 4>And when I met the Kings. Funny enough, I was

1:44:21.720 --> 1:44:26.759
<v Speaker 4>doing this is This Way Up when I auditioned for Evil,

1:44:27.560 --> 1:44:30.479
<v Speaker 4>and I actually auditioned for it when I was in

1:44:30.520 --> 1:44:34.479
<v Speaker 4>London doing This Way Up. And so then I came

1:44:34.520 --> 1:44:37.120
<v Speaker 4>to New York, I met the Kings and they just

1:44:37.360 --> 1:44:39.840
<v Speaker 4>liked me, you know, and thank god they did. And

1:44:39.840 --> 1:44:43.439
<v Speaker 4>it's just been like such a great experience. And again,

1:44:43.520 --> 1:44:45.800
<v Speaker 4>he's the kind of character that I never got to play,

1:44:45.840 --> 1:44:47.280
<v Speaker 4>you know, Like we talked about like the fact I

1:44:47.280 --> 1:44:49.040
<v Speaker 4>played a lot of doctors, have played a lot of characters,

1:44:49.040 --> 1:44:51.280
<v Speaker 4>but I've never gotten to play a guy who wears

1:44:51.360 --> 1:44:54.080
<v Speaker 4>work boots and drives a pickup truck and can like

1:44:54.520 --> 1:44:56.760
<v Speaker 4>fix shit, you know what I mean, just like that guy,

1:44:56.880 --> 1:44:59.720
<v Speaker 4>you know, like and so we we brown people often

1:44:59.760 --> 1:45:03.800
<v Speaker 4>get Brown men often get to be de sexualized, you know,

1:45:03.840 --> 1:45:06.880
<v Speaker 4>we get to be like cerebral or whatever, you know,

1:45:06.920 --> 1:45:10.360
<v Speaker 4>whereas Ben is actually you know. And then he's had

1:45:10.400 --> 1:45:11.519
<v Speaker 4>relationships and.

1:45:11.400 --> 1:45:12.160
<v Speaker 1>It's been great.

1:45:12.240 --> 1:45:14.960
<v Speaker 4>You know, I've had like a real character who like

1:45:15.560 --> 1:45:19.120
<v Speaker 4>has a life and is multi dimensional, and so he's

1:45:19.160 --> 1:45:21.960
<v Speaker 4>been great. And also like just to play with the

1:45:22.080 --> 1:45:25.479
<v Speaker 4>Kings and they're such good writers and get to do

1:45:25.560 --> 1:45:27.880
<v Speaker 4>all this kind of horror stuff, which is a genre

1:45:27.920 --> 1:45:30.679
<v Speaker 4>that I had never really done before, you know, and

1:45:30.880 --> 1:45:32.440
<v Speaker 4>to play with monsters.

1:45:32.680 --> 1:45:36.400
<v Speaker 3>Yeah, it's really great when your character, when your character

1:45:36.439 --> 1:45:40.439
<v Speaker 3>gets scared, it's really fun to watch because you're always like,

1:45:40.800 --> 1:45:42.920
<v Speaker 3>I can explain what this is. But then there's some

1:45:43.040 --> 1:45:45.479
<v Speaker 3>episodes where you get really freaked the fuck out and

1:45:45.560 --> 1:45:46.280
<v Speaker 3>it's so.

1:45:46.360 --> 1:45:49.680
<v Speaker 4>Fun to It's kind of great when Ben is like

1:45:49.800 --> 1:45:52.360
<v Speaker 4>comes up against like, I can't explain this now, like

1:45:52.400 --> 1:45:55.120
<v Speaker 4>you know, because he thinks he's always certain. He's so

1:45:55.360 --> 1:45:57.840
<v Speaker 4>in a certainty about like I can explain stuff, and

1:45:57.880 --> 1:46:00.000
<v Speaker 4>then when he can't, it's really kind of great because

1:46:00.120 --> 1:46:02.600
<v Speaker 4>you see the whole thing like, well, what the you know.

1:46:03.760 --> 1:46:07.439
<v Speaker 4>He's just been such a ride to play that and

1:46:07.720 --> 1:46:10.639
<v Speaker 4>also working with you know, like you said, Michael Emerson,

1:46:10.680 --> 1:46:14.960
<v Speaker 4>who's so amazing, and Katcha and my Culture and all

1:46:15.000 --> 1:46:17.880
<v Speaker 4>those you know, it's just been just a dream job

1:46:18.000 --> 1:46:21.160
<v Speaker 4>to get to work with those guys. They're all so good.

1:46:21.320 --> 1:46:23.240
<v Speaker 4>And Christine Lottie.

1:46:22.960 --> 1:46:26.080
<v Speaker 1>And Christine Lottie, Oh, she's so good.

1:46:26.160 --> 1:46:26.439
<v Speaker 4>It is.

1:46:26.640 --> 1:46:29.080
<v Speaker 1>She's an sv girl. She's so good in it.

1:46:29.080 --> 1:46:30.639
<v Speaker 4>And Andrew and Martin.

1:46:31.439 --> 1:46:33.840
<v Speaker 2>It's like, truly, I think I might become an evil

1:46:33.880 --> 1:46:36.000
<v Speaker 2>head you had intrigued.

1:46:36.160 --> 1:46:39.240
<v Speaker 3>It's so good on our Paramount Plus when you log in,

1:46:39.280 --> 1:46:42.080
<v Speaker 3>you know, like my kid's icon is Paw Patrol. Our

1:46:42.320 --> 1:46:44.880
<v Speaker 3>icon the adult is Andrew Martin as the nun and Evil.

1:46:44.920 --> 1:46:47.719
<v Speaker 3>Oh yes, that's how we log into our Paramount Plus.

1:46:47.760 --> 1:46:49.960
<v Speaker 4>Like we love that he is so great. And I

1:46:50.000 --> 1:46:53.320
<v Speaker 4>know Andrew because I did Oklahoma with her in two

1:46:53.360 --> 1:46:56.880
<v Speaker 4>thousand and two on Broadway like years ago. So I

1:46:56.920 --> 1:46:59.120
<v Speaker 4>worked with Andrew Martin back in the day. And then

1:46:59.320 --> 1:47:01.880
<v Speaker 4>to have her come back and Young Evil has been

1:47:01.920 --> 1:47:04.120
<v Speaker 4>such a treat, you know, and we get we get

1:47:04.160 --> 1:47:09.200
<v Speaker 4>such great guest stars. Yeah, well like some amazing people. Yeah,

1:47:09.280 --> 1:47:12.000
<v Speaker 4>come in and out, you know, and uh, it's been great.

1:47:12.080 --> 1:47:17.320
<v Speaker 4>It's I'm sad that it's over, you know, it's it's

1:47:17.360 --> 1:47:19.519
<v Speaker 4>just creatively, it's just been a lot of fun to

1:47:19.640 --> 1:47:21.479
<v Speaker 4>do and such great stories.

1:47:21.800 --> 1:47:24.559
<v Speaker 1>What a career did Yeah? Do you have anything?

1:47:24.880 --> 1:47:26.439
<v Speaker 4>Do you broad still going?

1:47:26.479 --> 1:47:28.760
<v Speaker 2>I'm still going yeah, yeah, yeah, I know.

1:47:30.560 --> 1:47:32.680
<v Speaker 3>Else you want our listeners to keep an eye out

1:47:32.680 --> 1:47:35.519
<v Speaker 3>for beside the final season of Evil that's coming out

1:47:35.520 --> 1:47:36.640
<v Speaker 3>on Paramount Plus.

1:47:36.840 --> 1:47:40.519
<v Speaker 4>I mean there's nothing like right now, I'm actually getting

1:47:40.520 --> 1:47:45.320
<v Speaker 4>ready to do a play this fall. Uh in l

1:47:45.400 --> 1:47:54.000
<v Speaker 4>A at the The Deaf Playhouse with Rain Wilson. Do

1:47:54.080 --> 1:47:57.720
<v Speaker 4>you are you in l great? So? Uh Yeah, it's

1:47:57.760 --> 1:47:59.240
<v Speaker 4>called Waiting for Goodell.

1:48:00.040 --> 1:48:02.920
<v Speaker 1>Reading for Good And I mean, who hasn't read that?

1:48:03.240 --> 1:48:04.000
<v Speaker 4>Right? Well?

1:48:04.040 --> 1:48:04.559
<v Speaker 1>I haven't.

1:48:04.960 --> 1:48:08.080
<v Speaker 3>Well, I mean like when you when you're a theater major,

1:48:08.240 --> 1:48:09.480
<v Speaker 3>you like have to reader.

1:48:09.680 --> 1:48:12.880
<v Speaker 4>Go go slowgo Vivekramswami. Then you're waiting for good.

1:48:13.920 --> 1:48:16.920
<v Speaker 3>Oh my gosh, thank you so so much us if

1:48:16.920 --> 1:48:18.720
<v Speaker 3>this was so fun, this is gonna be a great

1:48:18.720 --> 1:48:21.519
<v Speaker 3>palate cleanser for our episode after Yeah, we talk about

1:48:21.680 --> 1:48:23.920
<v Speaker 3>you know, honor killings and you know.

1:48:23.920 --> 1:48:25.120
<v Speaker 4>People, thank you.

1:48:29.080 --> 1:48:32.400
<v Speaker 2>Obsessed with him, I mean for such a sad episode,

1:48:32.439 --> 1:48:34.880
<v Speaker 2>I just feel like, no better guests, no better guest.

1:48:35.000 --> 1:48:37.000
<v Speaker 2>It was a joy to speak to him. I'm like, yeah,

1:48:37.280 --> 1:48:39.800
<v Speaker 2>I was taken away. Well, he was so interesting in

1:48:39.880 --> 1:48:42.600
<v Speaker 2>so many different ways, and like he just had so

1:48:42.680 --> 1:48:43.200
<v Speaker 2>much to say.

1:48:43.240 --> 1:48:44.080
<v Speaker 1>And I don't know if that's like.

1:48:44.040 --> 1:48:47.640
<v Speaker 2>The comedian element of him or what, but he just

1:48:48.120 --> 1:48:49.760
<v Speaker 2>we didn't have to drag anything out of him, and

1:48:49.760 --> 1:48:53.360
<v Speaker 2>it's just like interesting, amazing. Not that an other guests

1:48:53.400 --> 1:48:55.200
<v Speaker 2>aren't great, but he is my number one guest at

1:48:55.200 --> 1:48:59.759
<v Speaker 2>this point. Sorry, and of course Lou Diamond Phillips, It's awesome.

1:49:00.120 --> 1:49:00.559
<v Speaker 1>Lou Diamon.

1:49:03.360 --> 1:49:06.160
<v Speaker 3>Yeah, he was so fun to talk to and uh

1:49:06.439 --> 1:49:09.680
<v Speaker 3>love love smart a variety of topics.

1:49:10.120 --> 1:49:10.559
<v Speaker 4>Yeah.

1:49:10.680 --> 1:49:14.320
<v Speaker 2>Nice, But well, I'm sorry. So I do have a

1:49:14.360 --> 1:49:16.599
<v Speaker 2>soul Cycle thing. So there's a comedian I was chatting

1:49:16.600 --> 1:49:18.720
<v Speaker 2>with him. He likes soul Cycle as well, but he

1:49:18.800 --> 1:49:21.040
<v Speaker 2>has a big issue with them because they don't He

1:49:21.120 --> 1:49:23.880
<v Speaker 2>took off his shirt once and he was scolded and

1:49:23.920 --> 1:49:29.080
<v Speaker 2>they said, sorry, shirts on nipples covered, and you know,

1:49:29.160 --> 1:49:31.080
<v Speaker 2>the mesh didn't field good. Like we kept kind of

1:49:31.200 --> 1:49:32.599
<v Speaker 2>I was like, maybe you could take a shirt and

1:49:32.640 --> 1:49:35.080
<v Speaker 2>tie it in, do a belly shirt. Like we were

1:49:35.120 --> 1:49:38.920
<v Speaker 2>just brainstorming what to do because I told him, I'm like,

1:49:39.000 --> 1:49:40.120
<v Speaker 2>I cycle in a bra.

1:49:40.400 --> 1:49:41.880
<v Speaker 1>Like if I had to wear a shirt, I would

1:49:41.880 --> 1:49:43.000
<v Speaker 1>be miserable.

1:49:43.280 --> 1:49:45.559
<v Speaker 2>It is so hot in there. I do not want

1:49:45.560 --> 1:49:47.040
<v Speaker 2>to wear a shirt. So I understand a man not

1:49:47.040 --> 1:49:49.479
<v Speaker 2>wanting to wear a shirt. So I keep sending him

1:49:49.560 --> 1:49:52.280
<v Speaker 2>like different nipple covers and like different kind of like

1:49:52.760 --> 1:49:57.880
<v Speaker 2>obviously super homoerotic, like little garter nipple cover sports bras

1:49:57.920 --> 1:50:02.040
<v Speaker 2>that are gender neutral, and I'm just trying to find

1:50:02.120 --> 1:50:04.439
<v Speaker 2>him a way to cover nipples and still be able

1:50:04.479 --> 1:50:07.439
<v Speaker 2>to cycle. But I also maybe with the so I

1:50:07.520 --> 1:50:09.200
<v Speaker 2>just I know that I wouldn't want to wear a shirt.

1:50:09.920 --> 1:50:14.320
<v Speaker 3>Yes, no, me neither. I mean I wear like wicking

1:50:14.560 --> 1:50:17.360
<v Speaker 3>tank tops that are you know whatever. But but it's

1:50:17.360 --> 1:50:20.360
<v Speaker 3>interesting because it's like, I guess, if they say a

1:50:20.439 --> 1:50:22.080
<v Speaker 3>man can take a shirt off, then can a woman

1:50:22.120 --> 1:50:22.800
<v Speaker 3>take their shirt off?

1:50:22.800 --> 1:50:25.240
<v Speaker 1>Because that's only fair to me for sure.

1:50:25.280 --> 1:50:27.759
<v Speaker 2>But your titties bounce, Like if you are a woman

1:50:27.800 --> 1:50:29.920
<v Speaker 2>who I need to be titties out at soul cycle,

1:50:30.320 --> 1:50:31.719
<v Speaker 2>you are a full maniac.

1:50:32.520 --> 1:50:34.000
<v Speaker 1>Yeah, you are a maniac.

1:50:34.800 --> 1:50:37.360
<v Speaker 2>There's so much up and down, like I just can't

1:50:37.360 --> 1:50:41.400
<v Speaker 2>even imagine. But if anyone has any you know, tiny

1:50:41.439 --> 1:50:45.240
<v Speaker 2>little nipple cover things to do? Yeah, oh wait, did

1:50:45.240 --> 1:50:48.080
<v Speaker 2>I get tell you? I got tickets to Broadway? Oh Mary.

1:50:49.880 --> 1:50:52.680
<v Speaker 3>So I had breakfast with my friend yesterday and she

1:50:52.760 --> 1:50:54.320
<v Speaker 3>was like, well, if you could extend your trip, I'm

1:50:54.360 --> 1:50:56.559
<v Speaker 3>going tomorrow and I think my husband's probably gonna bail

1:50:56.600 --> 1:50:57.760
<v Speaker 3>on me for work, and.

1:50:57.720 --> 1:51:00.920
<v Speaker 2>I'm well, it's off right here. Well it's gonna be

1:51:01.000 --> 1:51:01.400
<v Speaker 2>on Broadway.

1:51:01.680 --> 1:51:03.880
<v Speaker 3>Yes, tickets for the last of the current run. And

1:51:03.920 --> 1:51:05.599
<v Speaker 3>then I tried, but it.

1:51:05.600 --> 1:51:07.639
<v Speaker 2>Was wild because I was sitting with a few friends

1:51:07.680 --> 1:51:09.080
<v Speaker 2>and I was like, fuck, I'm not gonna be able

1:51:09.120 --> 1:51:11.160
<v Speaker 2>to see it off Broadway. I bet it'll be on Broadway.

1:51:11.200 --> 1:51:13.080
<v Speaker 2>I just have to be patient. Then next morning I

1:51:13.080 --> 1:51:14.440
<v Speaker 2>woke up tickets were available.

1:51:15.120 --> 1:51:18.800
<v Speaker 1>You are incredible. I want to go so badly.

1:51:19.160 --> 1:51:21.920
<v Speaker 3>I want to go, But also my sister's fucking going,

1:51:22.000 --> 1:51:26.400
<v Speaker 3>like everyone's going, I'm dying. Anyway, everybody goes see Cola Scola.

1:51:26.240 --> 1:51:29.280
<v Speaker 1>In O Mary. We're not being paid to say that.

1:51:29.600 --> 1:51:32.760
<v Speaker 2>No, but it's a twelve week It's a twelve week

1:51:32.920 --> 1:51:36.640
<v Speaker 2>run starting towards the end of June. I believe, so

1:51:37.320 --> 1:51:40.679
<v Speaker 2>your August trip could coincide with certain Broadway days.

1:51:40.720 --> 1:51:43.559
<v Speaker 3>Oh that's a good call. I didn't know it was

1:51:43.600 --> 1:51:46.680
<v Speaker 3>so long. It's a twelve week run. I thought it

1:51:46.680 --> 1:51:48.800
<v Speaker 3>went until late July. So I was like, oh, I'm

1:51:48.840 --> 1:51:50.720
<v Speaker 3>not gonna make Maybe it's eight week, but I really

1:51:50.720 --> 1:51:52.639
<v Speaker 3>think it's a twelve week round. No, okay, I'm googling

1:51:52.640 --> 1:51:54.800
<v Speaker 3>it right after we get off here. Okay, all right,

1:51:54.880 --> 1:51:57.840
<v Speaker 3>post morning. For this episode, we did a fucking episode

1:51:57.840 --> 1:52:00.880
<v Speaker 3>called girl Dishonored and then an episode called I Mean

1:52:01.600 --> 1:52:04.200
<v Speaker 3>Tough subject matter In both episodes.

1:52:04.439 --> 1:52:06.519
<v Speaker 2>Uh yeah, is that what we've been doing just talking

1:52:06.560 --> 1:52:09.040
<v Speaker 2>about nipple covers and soul cycle to please not talk

1:52:09.080 --> 1:52:11.679
<v Speaker 2>about honor killings and the sadness that brings us.

1:52:11.720 --> 1:52:13.760
<v Speaker 1>So that we don't have to like do a roundup

1:52:13.800 --> 1:52:14.960
<v Speaker 1>of what we talked about today.

1:52:15.080 --> 1:52:17.640
<v Speaker 2>Yeah, the dead displayed out mother, No one could have

1:52:17.640 --> 1:52:20.720
<v Speaker 2>helped her. I I mean, but at that point, do

1:52:20.760 --> 1:52:23.120
<v Speaker 2>you even want to live? No, no offense should want

1:52:23.160 --> 1:52:25.240
<v Speaker 2>to live. You'll get through it, but.

1:52:25.280 --> 1:52:25.720
<v Speaker 1>It's just.

1:52:27.240 --> 1:52:30.880
<v Speaker 2>Yeah, it's it's so tough. I mean, what my mars

1:52:30.880 --> 1:52:32.680
<v Speaker 2>are made out of. And that's the whole thing of

1:52:32.760 --> 1:52:36.320
<v Speaker 2>like you know, maso hierarchy of needs. You can obviously

1:52:36.360 --> 1:52:38.720
<v Speaker 2>be upset and frustrated and sad about your life where

1:52:38.760 --> 1:52:41.240
<v Speaker 2>like things not working out or working out, but like overall,

1:52:41.439 --> 1:52:46.000
<v Speaker 2>just like the gratefulness I feel to be alive here

1:52:46.040 --> 1:52:48.840
<v Speaker 2>today in New York, I don't know, it's just like

1:52:49.000 --> 1:52:52.840
<v Speaker 2>horrible to think, like one one little turn in the

1:52:52.880 --> 1:52:56.799
<v Speaker 2>cosmos and you're fucking getting murdered by your family because

1:52:56.920 --> 1:52:57.599
<v Speaker 2>you want to fuck.

1:52:57.760 --> 1:53:00.479
<v Speaker 3>I mean, it's or or you're you've been a tact

1:53:00.560 --> 1:53:02.720
<v Speaker 3>I mean, like it's not even about your wants all

1:53:02.760 --> 1:53:04.960
<v Speaker 3>the time. It's just like you represent the honor of

1:53:05.000 --> 1:53:07.080
<v Speaker 3>your family, whether you like it or not, and whatever

1:53:07.160 --> 1:53:09.720
<v Speaker 3>happens to you, or choices you make or not, or

1:53:09.800 --> 1:53:12.120
<v Speaker 3>choices you don't make, it all reflects just back on

1:53:12.160 --> 1:53:14.840
<v Speaker 3>your family. You're just a mirror for your family. And

1:53:14.880 --> 1:53:17.200
<v Speaker 3>that's it. Like you don't really exist as your own

1:53:17.640 --> 1:53:20.280
<v Speaker 3>person in a lot of ways, at least in the

1:53:21.560 --> 1:53:25.360
<v Speaker 3>I think in the types of families that would you know,

1:53:25.439 --> 1:53:28.160
<v Speaker 3>condone an honor killing. You know, I'm obviously not saying that,

1:53:28.280 --> 1:53:30.800
<v Speaker 3>like in a full culture it's like that, but you know,

1:53:31.560 --> 1:53:35.720
<v Speaker 3>like these people in the real case were not at

1:53:35.760 --> 1:53:40.160
<v Speaker 3>all remorseful. They think what they did was perfectly fine.

1:53:40.320 --> 1:53:44.000
<v Speaker 3>And just the hypocrisy. You married out of your religion, sir,

1:53:44.400 --> 1:53:48.200
<v Speaker 3>your wife was a Catholic, but yet and like and

1:53:48.320 --> 1:53:51.320
<v Speaker 3>yet you know your daughter cannot have any kind of

1:53:51.680 --> 1:53:53.320
<v Speaker 3>grace ugh.

1:53:53.240 --> 1:53:57.479
<v Speaker 2>And the Catholic I mean, it's it's it's maniacs hiding

1:53:57.520 --> 1:54:00.600
<v Speaker 2>behind some sort of tradition, religion or not. I put it,

1:54:01.360 --> 1:54:03.879
<v Speaker 2>it's not like that dad in the show was a killer.

1:54:04.200 --> 1:54:07.680
<v Speaker 2>This way was a fucking cold blooded killer in the

1:54:07.680 --> 1:54:09.360
<v Speaker 2>real case, like they all are you know what I mean?

1:54:09.520 --> 1:54:12.440
<v Speaker 1>Like, yeah, these are killers.

1:54:12.200 --> 1:54:15.320
<v Speaker 3>And the dad just in the episode just got away

1:54:15.720 --> 1:54:20.280
<v Speaker 3>off he goes fucked. Anyway, let's make this a quick one.

1:54:20.400 --> 1:54:21.880
<v Speaker 3>I can't to do good.

1:54:22.000 --> 1:54:24.960
<v Speaker 2>Cabot killed it in the courtroom, and so did the professor.

1:54:25.080 --> 1:54:27.280
<v Speaker 2>So that was like some cool moments.

1:54:27.720 --> 1:54:31.280
<v Speaker 3>Yes, yeah, And I do feel like, as I said,

1:54:31.320 --> 1:54:33.320
<v Speaker 3>like the first time I ever heard about this kind

1:54:33.360 --> 1:54:34.880
<v Speaker 3>of thing was on this show. Like, so I do

1:54:34.960 --> 1:54:38.680
<v Speaker 3>think this show like is what like always is trying

1:54:38.720 --> 1:54:39.080
<v Speaker 3>to bring.

1:54:39.400 --> 1:54:40.560
<v Speaker 1>They don't always hit them all.

1:54:40.640 --> 1:54:43.680
<v Speaker 2>I've been holding the microphone while looking at my microphone

1:54:43.720 --> 1:54:50.080
<v Speaker 2>stand for this whole time. I cannot believe I just

1:54:50.120 --> 1:54:53.040
<v Speaker 2>didn't put it in this hole. But next I cannot

1:54:53.080 --> 1:54:55.080
<v Speaker 2>believe it. It does look like I'm holding an oscar?

1:54:55.160 --> 1:54:57.880
<v Speaker 2>Did you hear that? Kate Winslet keeps the oscar in

1:54:57.920 --> 1:55:00.839
<v Speaker 2>her bathroom so people can do acceptance speech the bathroom

1:55:00.880 --> 1:55:02.760
<v Speaker 2>in the mirror that feeling self conscious.

1:55:03.120 --> 1:55:03.800
<v Speaker 1>I love that.

1:55:04.160 --> 1:55:06.000
<v Speaker 2>And she says she can tell who does it because

1:55:06.000 --> 1:55:08.040
<v Speaker 2>they come out with their face a little flushed or

1:55:08.160 --> 1:55:13.400
<v Speaker 2>like it takes extra long to get out after they flush.

1:55:13.440 --> 1:55:15.600
<v Speaker 2>But I think that's cool because who wouldn't want to

1:55:15.600 --> 1:55:16.560
<v Speaker 2>hold an oscar into.

1:55:16.400 --> 1:55:17.960
<v Speaker 1>A little speech? I love it.

1:55:18.520 --> 1:55:20.480
<v Speaker 2>I love it, And I'm sure she has a cleaning

1:55:20.480 --> 1:55:22.520
<v Speaker 2>person that comes probably twice a week at least.

1:55:22.600 --> 1:55:23.960
<v Speaker 1>I mean, she's wealthy.

1:55:24.280 --> 1:55:26.240
<v Speaker 3>I'm sure those oscars are getting wiped down on the

1:55:26.280 --> 1:55:29.520
<v Speaker 3>regular for sure. Yeah, no fingerprints on those babies. But yeah,

1:55:29.520 --> 1:55:31.600
<v Speaker 3>all I was gonna say was like this show like

1:55:31.680 --> 1:55:34.160
<v Speaker 3>told me what even the concept of honor killing was Like.

1:55:34.160 --> 1:55:36.360
<v Speaker 3>I feel like this show has introduced a lot of

1:55:36.400 --> 1:55:41.880
<v Speaker 3>like tough subject matter that's very varied, and even though

1:55:41.880 --> 1:55:44.280
<v Speaker 3>they don't always hit the mark exactly and some stuff

1:55:44.280 --> 1:55:46.520
<v Speaker 3>doesn't hold up, I do like appreciate that they're always

1:55:46.520 --> 1:55:49.120
<v Speaker 3>trying to incorporate these kind of things treatment of women

1:55:49.440 --> 1:55:51.360
<v Speaker 3>all over the world, you know, into the show.

1:55:53.360 --> 1:55:55.200
<v Speaker 1>Let's move on to what would Sister Peg Do?

1:55:55.720 --> 1:55:57.760
<v Speaker 3>What was Ster Peg Do was our weekly segment where

1:55:57.800 --> 1:56:01.560
<v Speaker 3>we direct you towards an organization, a book, a blog

1:56:01.600 --> 1:56:03.480
<v Speaker 3>and articles something to give you more info about what.

1:56:03.480 --> 1:56:04.360
<v Speaker 1>We talked about today.

1:56:04.880 --> 1:56:09.480
<v Speaker 3>And for this week, our episode obviously focuses on a

1:56:09.600 --> 1:56:14.200
<v Speaker 3>victim who is originally from Palestine, and we've been following

1:56:14.400 --> 1:56:17.920
<v Speaker 3>the conflict in Palestine for the last few months and

1:56:18.200 --> 1:56:20.760
<v Speaker 3>we've been really really impressed by all the work that's

1:56:20.760 --> 1:56:24.680
<v Speaker 3>been done by World Central Kitchen, founded by chef Jose

1:56:24.800 --> 1:56:27.880
<v Speaker 3>Andres in twenty ten. World Central Kitchen's mission is to

1:56:27.920 --> 1:56:31.600
<v Speaker 3>provide fresh meals in response to humanitarian, climate and community crises.

1:56:32.080 --> 1:56:35.040
<v Speaker 3>Andre says, quote, when people are hungry, send in cooks,

1:56:35.080 --> 1:56:38.840
<v Speaker 3>not tomorrow today, end of quote. At the time of

1:56:38.880 --> 1:56:41.680
<v Speaker 3>this recording, they have resumed their aid in Gaza, so

1:56:42.040 --> 1:56:44.760
<v Speaker 3>we are happy to point you guys to them if

1:56:44.800 --> 1:56:47.680
<v Speaker 3>you can donate. Throughout the history of the organization, they

1:56:47.680 --> 1:56:50.440
<v Speaker 3>have prepared over three hundred and fifty million meals worldwide.

1:56:50.560 --> 1:56:53.200
<v Speaker 3>I believe we talked to Jamie gray Hyder about them

1:56:53.240 --> 1:56:55.440
<v Speaker 3>as well. I think she may have volunteered with them

1:56:55.440 --> 1:56:59.000
<v Speaker 3>a little bit. But to donate or volunteer, head over

1:56:59.040 --> 1:57:02.680
<v Speaker 3>to w c K org and that will be posted

1:57:03.560 --> 1:57:06.040
<v Speaker 3>in our stories the day the episode comes out, as

1:57:06.040 --> 1:57:09.400
<v Speaker 3>well as Saved Forever in our WWSPD highlight.

1:57:09.280 --> 1:57:12.480
<v Speaker 2>And next week we'll be doing the episode Resilience from

1:57:12.560 --> 1:57:14.400
<v Speaker 2>season four, episode ten.

1:57:14.720 --> 1:57:17.120
<v Speaker 1>We'll see you then. We are so grateful for all

1:57:17.160 --> 1:57:27.520
<v Speaker 1>of you for listening and until next time. Bye.

1:57:30.360 --> 1:57:32.560
<v Speaker 2>That's messed up as an exactly right production.

1:57:32.960 --> 1:57:35.040
<v Speaker 3>If you have compliments you'd like to give us or

1:57:35.120 --> 1:57:37.360
<v Speaker 3>episodes you'd like us to cover, shoot us an email

1:57:37.400 --> 1:57:40.120
<v Speaker 3>it That's Messed uppod at gmail dot com.

1:57:40.320 --> 1:57:43.480
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:57:43.680 --> 1:57:46.600
<v Speaker 2>and on Twitter at Messed Up Pod, and follow us

1:57:46.600 --> 1:57:49.520
<v Speaker 2>personally at Karaklank and at glitter Cheese.

1:57:49.840 --> 1:57:52.520
<v Speaker 3>As always, please see our show notes for sources and

1:57:52.560 --> 1:57:53.200
<v Speaker 3>more information.

1:57:53.640 --> 1:57:56.640
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

1:57:56.760 --> 1:58:00.280
<v Speaker 2>and our associate producer Christina Chamberlain, and to our.

1:58:00.200 --> 1:58:03.680
<v Speaker 3>Mixer John Bradley and our guest booker Patrick Cottner, and to.

1:58:03.760 --> 1:58:06.879
<v Speaker 2>Henry Kaperski for our theme song and Carly gen Andrews

1:58:06.920 --> 1:58:07.680
<v Speaker 2>for our artwork.

1:58:07.840 --> 1:58:11.640
<v Speaker 3>Thank you to our executive producers Georgia Hardstart, Karen Kilgarriff,

1:58:11.720 --> 1:58:14.280
<v Speaker 3>Daniel Kramer, and everybody at Exactly Right Media.

1:58:15.320 --> 1:58:16.120
<v Speaker 1>Dun dun