1 00:00:05,160 --> 00:00:07,720 Speaker 1: Hey, this is Annie and Samantha and welcome to stuff 2 00:00:07,720 --> 00:00:18,799 Speaker 1: I've never told you protection of iHeart Radio, and it 3 00:00:18,960 --> 00:00:23,600 Speaker 1: is time for another happy hour, which as always means 4 00:00:23,840 --> 00:00:27,840 Speaker 1: drink responsibly if you decide to do so, and also 5 00:00:27,920 --> 00:00:32,600 Speaker 1: whatever you're doing, do responsibly listening to this podcast. We're 6 00:00:32,640 --> 00:00:35,760 Speaker 1: speaking of very quick content. Warning. I don't think we're 7 00:00:35,760 --> 00:00:37,720 Speaker 1: going to get into any details, but you know it's 8 00:00:37,800 --> 00:00:40,720 Speaker 1: just a warning. Um, we're we are going to talk 9 00:00:40,720 --> 00:00:43,239 Speaker 1: about some sexual assault stuff. I think today we're going 10 00:00:43,280 --> 00:00:46,400 Speaker 1: to be digging into some tropes from the nineties, so 11 00:00:46,479 --> 00:00:48,479 Speaker 1: that might give you a taste of what we're going 12 00:00:48,520 --> 00:00:52,600 Speaker 1: to discuss. Uh, Samantha, what are you sipping on? So? 13 00:00:52,920 --> 00:00:57,920 Speaker 1: I am making a play on figs because we in 14 00:00:58,080 --> 00:01:01,240 Speaker 1: my new house have a job giant fig tree in 15 00:01:01,360 --> 00:01:04,160 Speaker 1: my backyard and they're now blooming and we are quite 16 00:01:04,200 --> 00:01:07,600 Speaker 1: excited about this. So we picked several figs, so I 17 00:01:07,680 --> 00:01:09,319 Speaker 1: try to see if I can make like a fig 18 00:01:09,360 --> 00:01:13,280 Speaker 1: type of gin and tonic lessons learn. I need more 19 00:01:13,280 --> 00:01:16,280 Speaker 1: fig But if you wonder what, it's very sweet. M 20 00:01:16,959 --> 00:01:18,720 Speaker 1: I didn't realize how sweet they were, and they're just 21 00:01:18,840 --> 00:01:22,080 Speaker 1: nice and very delicious. But so I put a metal 22 00:01:22,160 --> 00:01:24,040 Speaker 1: fig with basil, because we all have a little thing 23 00:01:24,040 --> 00:01:27,800 Speaker 1: of basil and I love herbs and everything with some 24 00:01:28,080 --> 00:01:31,200 Speaker 1: gave it. Don't judge me for the gave. We've had 25 00:01:31,240 --> 00:01:32,600 Speaker 1: it for a while. I need to use it up. 26 00:01:32,800 --> 00:01:36,760 Speaker 1: Won't buy it again. And muddled it up together and 27 00:01:36,800 --> 00:01:40,960 Speaker 1: then added gin, shook it up, put it in my drunk, 28 00:01:41,319 --> 00:01:44,960 Speaker 1: added some uh tonic water because I couldn't figure out 29 00:01:45,000 --> 00:01:46,720 Speaker 1: what exactly I wanted. I might have to play with 30 00:01:46,760 --> 00:01:50,240 Speaker 1: that a bit um. But yeah, and now I have 31 00:01:50,440 --> 00:01:53,600 Speaker 1: a fig gin and tonic with basil, so it has 32 00:01:53,600 --> 00:01:56,400 Speaker 1: to be something different, I guess. And delicious, you have 33 00:01:56,560 --> 00:01:58,920 Speaker 1: definitely mixed it up with this one, and you've got 34 00:01:58,960 --> 00:02:01,760 Speaker 1: a lot of fresh ingredients. I'm very jealous. I canta 35 00:02:01,760 --> 00:02:04,400 Speaker 1: figure it out. What what you do again? I am drinking. 36 00:02:05,240 --> 00:02:09,839 Speaker 1: As I told you, Samantha, I had some very kind 37 00:02:09,880 --> 00:02:13,600 Speaker 1: friends who hung out with me recently, and uh they 38 00:02:13,639 --> 00:02:15,960 Speaker 1: went to buy me drinks because it was the anniversary 39 00:02:16,000 --> 00:02:18,840 Speaker 1: of my father's death and I drink vodka on that day, 40 00:02:18,840 --> 00:02:20,520 Speaker 1: and they drank all my vodka. I love you all. 41 00:02:20,560 --> 00:02:22,600 Speaker 1: I didn't judge you, but anyway, they went to go 42 00:02:22,720 --> 00:02:27,280 Speaker 1: replenish my stock and they came back with an assortment 43 00:02:27,320 --> 00:02:32,320 Speaker 1: of drinks that I associate with like early drinking as 44 00:02:32,360 --> 00:02:35,720 Speaker 1: and they don't match very well. But one of those 45 00:02:35,720 --> 00:02:38,040 Speaker 1: things they got was actually not alcoholic. But it's like 46 00:02:38,120 --> 00:02:42,280 Speaker 1: this fancy lemonade from Italy. I mixed that with some 47 00:02:42,440 --> 00:02:47,239 Speaker 1: vodka and some sparkling water and it's quite refreshing, freshing 48 00:02:47,919 --> 00:02:52,480 Speaker 1: like a good lemonade. Yeah, essentially that's what it is. Yes, 49 00:02:52,800 --> 00:02:55,200 Speaker 1: Oh my gosh, I've recently learned, and I would love 50 00:02:55,240 --> 00:02:57,919 Speaker 1: for listeners to write this in. We did lemonade as 51 00:02:57,960 --> 00:03:00,000 Speaker 1: a topic on Savor, the other podcast I do read, 52 00:03:00,720 --> 00:03:05,440 Speaker 1: and apparently lemonade is not a very big deal outside 53 00:03:05,440 --> 00:03:08,200 Speaker 1: of the South in the United States, So I would 54 00:03:08,280 --> 00:03:11,880 Speaker 1: love if people wrote it. I mean, it's some yeah, 55 00:03:12,000 --> 00:03:14,000 Speaker 1: I feel like that's a very Southern thing. But also 56 00:03:14,040 --> 00:03:17,320 Speaker 1: it has a kid child things, so I wonder if 57 00:03:17,320 --> 00:03:23,880 Speaker 1: that's part of it. It's not very sophisticated, fa you know, 58 00:03:24,320 --> 00:03:28,320 Speaker 1: and outside of South, you guys to be sophisticated. Is 59 00:03:28,360 --> 00:03:31,840 Speaker 1: this your Southern because I have one without having to 60 00:03:31,919 --> 00:03:35,680 Speaker 1: do one, so detending like I'm Southern building is not me. 61 00:03:36,040 --> 00:03:39,680 Speaker 1: I can't do that. I can't do a Southern accent either. 62 00:03:40,400 --> 00:03:43,440 Speaker 1: I got called into an audition once where they're like, 63 00:03:43,480 --> 00:03:45,480 Speaker 1: we want your Southern excent. And what I've discovered is 64 00:03:45,520 --> 00:03:47,839 Speaker 1: what they what they meant is they want their very 65 00:03:47,920 --> 00:03:51,240 Speaker 1: over the top Southern accent that exists in TV. He's 66 00:03:51,280 --> 00:03:55,240 Speaker 1: an actually reality Well you've heard us. Uh what movie 67 00:03:55,240 --> 00:03:58,040 Speaker 1: were we watching that? I kept getting worse and worse 68 00:03:58,680 --> 00:04:05,400 Speaker 1: x NT Yes, I hope so yes, So that was 69 00:04:05,440 --> 00:04:07,600 Speaker 1: real bad um because yeah, they're supposed to be be in Texas, 70 00:04:07,600 --> 00:04:12,240 Speaker 1: and of course Texas accent is different from uh Southeast accents. 71 00:04:12,600 --> 00:04:15,360 Speaker 1: Every accent is different. We know this, uh deep South 72 00:04:15,680 --> 00:04:20,720 Speaker 1: accent is different from Antebellum accents. Like it's it's vary um. 73 00:04:21,040 --> 00:04:25,720 Speaker 1: But yeah, it gets worse when we try truth truth. 74 00:04:26,920 --> 00:04:31,359 Speaker 1: I am currently trying to cast Samantha among other people 75 00:04:31,520 --> 00:04:34,880 Speaker 1: in our spenty fiction series, and there's there's a part 76 00:04:34,920 --> 00:04:37,400 Speaker 1: of me that would like revel and being like, do 77 00:04:37,480 --> 00:04:44,000 Speaker 1: your your best worst Southern accent, I mean, knives out 78 00:04:44,080 --> 00:04:48,920 Speaker 1: disagree as well well all of Walking Dead as well. Yes, 79 00:04:49,080 --> 00:04:54,679 Speaker 1: oh my gosh, yes, yes, no offense to the English. 80 00:04:54,720 --> 00:04:58,640 Speaker 1: I'm sure the English really hate when Americans, specifically Southern Americans, 81 00:04:58,640 --> 00:05:01,880 Speaker 1: are trying to do English accents. But like having English 82 00:05:01,920 --> 00:05:07,320 Speaker 1: actors due Southern accents as a whole different conversation. Yeah, 83 00:05:07,680 --> 00:05:11,320 Speaker 1: it was what happens with X. Yes, that frequently happens, um. 84 00:05:11,360 --> 00:05:14,640 Speaker 1: And as someone who once did a whole monologue and 85 00:05:14,680 --> 00:05:19,120 Speaker 1: what I thought was great British accent, I apologize. And yes. 86 00:05:19,200 --> 00:05:23,320 Speaker 1: Also also yeah, I feel like also the show True Blood, 87 00:05:23,680 --> 00:05:29,320 Speaker 1: so many English actors trying to do in New Orleans accented. 88 00:05:29,760 --> 00:05:32,960 Speaker 1: Oh no, indeed, Amantha, And this is coming from a 89 00:05:33,000 --> 00:05:37,599 Speaker 1: place of love, which is where this episode is coming from. Actually, yes, 90 00:05:37,800 --> 00:05:40,120 Speaker 1: So I did want to ask you because we are 91 00:05:40,240 --> 00:05:44,680 Speaker 1: going to be talking about some nineties tropes in here. Um, Samantha, 92 00:05:44,720 --> 00:05:49,640 Speaker 1: what's your favorite nineties accessory that's no longer? Oh I 93 00:05:49,680 --> 00:05:53,240 Speaker 1: was see now I'm trying to remember because I will 94 00:05:53,320 --> 00:05:57,760 Speaker 1: hit to the late nineties because that was my coming 95 00:05:57,800 --> 00:06:03,280 Speaker 1: into my own fashion year. So butterfly clips, which have 96 00:06:03,440 --> 00:06:06,080 Speaker 1: come back I've seen, um as well as do you 97 00:06:06,120 --> 00:06:09,919 Speaker 1: remember the little spiky band headband things that if you 98 00:06:10,040 --> 00:06:12,360 Speaker 1: put it back, it looks like it makes your hair 99 00:06:12,400 --> 00:06:15,960 Speaker 1: streak and then it kind of poofs up. I forgot 100 00:06:16,000 --> 00:06:18,839 Speaker 1: whether it was like the stretchy bands, but it's plastic 101 00:06:19,200 --> 00:06:23,920 Speaker 1: and it's all just like sharp comb looking ones. I 102 00:06:23,960 --> 00:06:27,240 Speaker 1: loved those two things. They made me feel glamorous without 103 00:06:27,279 --> 00:06:30,720 Speaker 1: having to feel glamorous. The butterfly clips when you just 104 00:06:30,839 --> 00:06:32,880 Speaker 1: rolled it on top of your head and put little clips. 105 00:06:33,080 --> 00:06:38,680 Speaker 1: I wore that as a prom Do do you have 106 00:06:38,720 --> 00:06:42,280 Speaker 1: a picture? I'm sure I do. I'm not sure, but yes, 107 00:06:42,400 --> 00:06:45,240 Speaker 1: I'm sure I do. It's also during the time of 108 00:06:45,400 --> 00:06:50,120 Speaker 1: corset dresses, so I loved loved those because as a 109 00:06:50,160 --> 00:06:52,280 Speaker 1: thick girl with thick legs, and I was trying to 110 00:06:52,360 --> 00:06:54,400 Speaker 1: hide them. Not only where I was I able to 111 00:06:54,440 --> 00:06:57,599 Speaker 1: like suck it in with the corset dress, but it 112 00:06:57,680 --> 00:07:02,279 Speaker 1: fluffed out with too or whatever, and it was space spinny, 113 00:07:02,320 --> 00:07:05,120 Speaker 1: princess like that was it was, and it was light 114 00:07:05,240 --> 00:07:11,440 Speaker 1: yellow that was very spring with butters lovely. I would 115 00:07:11,440 --> 00:07:12,800 Speaker 1: have loved that to you, to be honest, I'm not 116 00:07:12,840 --> 00:07:17,240 Speaker 1: even being Jesus's absolutely something I would have loved. I 117 00:07:17,280 --> 00:07:20,240 Speaker 1: also loved the butterfly clips. I was discussing with my 118 00:07:20,360 --> 00:07:23,480 Speaker 1: friends the other day. I went through a big Claire's 119 00:07:23,480 --> 00:07:27,440 Speaker 1: phase and I would just like save up money and 120 00:07:27,480 --> 00:07:29,560 Speaker 1: go to Claire's and I would get like the lip 121 00:07:29,600 --> 00:07:31,720 Speaker 1: gloss that had like the stars and hearts in it, 122 00:07:32,120 --> 00:07:35,280 Speaker 1: which was so uncomfortable, but like that I can have 123 00:07:35,320 --> 00:07:39,720 Speaker 1: sticky things. M Well, I mean the discussion we're having, 124 00:07:39,760 --> 00:07:43,080 Speaker 1: I feel like the nineties fashion was all about being uncomfortable. 125 00:07:43,800 --> 00:07:46,160 Speaker 1: You've got like a spiky head band, You've got that 126 00:07:46,280 --> 00:07:51,640 Speaker 1: bracelet that was yeah, slat basis for genius. But you 127 00:07:51,640 --> 00:07:55,600 Speaker 1: know they also had the skater pants. That's true. That 128 00:07:55,720 --> 00:07:58,160 Speaker 1: was very very like the bigger the better. It was 129 00:07:58,240 --> 00:08:01,240 Speaker 1: ridiculous and hilarious. They also had air walks, which we 130 00:08:01,400 --> 00:08:03,200 Speaker 1: just I just talked about my partner. He's like, I've 131 00:08:03,200 --> 00:08:04,280 Speaker 1: never had that as a kid. I was like, I 132 00:08:04,320 --> 00:08:06,440 Speaker 1: don't think I did either. I think I borrowed my 133 00:08:06,520 --> 00:08:09,280 Speaker 1: friends who had everything. But those were the most comfortable, 134 00:08:09,640 --> 00:08:13,000 Speaker 1: ridiculously clown looking shoes that I was like, yeah, this 135 00:08:13,080 --> 00:08:18,960 Speaker 1: is these are amazing timber as well. Yeah, the nineties 136 00:08:19,040 --> 00:08:25,720 Speaker 1: was an interesting fashion time. Overalls there are also as overalls. 137 00:08:26,280 --> 00:08:28,080 Speaker 1: You saw me wear a pair recently because I saw 138 00:08:28,120 --> 00:08:31,120 Speaker 1: my friend Marissa, Hello Marissa, she wore some and I 139 00:08:31,160 --> 00:08:33,280 Speaker 1: was like, yes, I want to wear them. Yes, you 140 00:08:33,360 --> 00:08:39,200 Speaker 1: were very cute. Uh Flannel. Flannel was huge, Oh my god. 141 00:08:39,240 --> 00:08:41,719 Speaker 1: That was the era of me wearing three layers all 142 00:08:41,760 --> 00:08:45,199 Speaker 1: the time, and one of it had oversized, unbluntant flannel 143 00:08:45,240 --> 00:08:49,360 Speaker 1: shirts because I was cool like that. I'm not me too. 144 00:08:50,240 --> 00:08:53,120 Speaker 1: I loved the flannel and I was made fun of 145 00:08:53,120 --> 00:08:56,760 Speaker 1: in middle school because I would wear many layers frequently 146 00:08:56,800 --> 00:08:58,280 Speaker 1: and I had a friend stand up for me once 147 00:08:58,280 --> 00:09:00,160 Speaker 1: and she was like, that's what she's comfortable with, that 148 00:09:00,240 --> 00:09:02,880 Speaker 1: you leave her be. I still think about that. Thank you, 149 00:09:02,920 --> 00:09:10,640 Speaker 1: Elizabeth her sticking up with my quite eclectic fashion. I 150 00:09:10,760 --> 00:09:14,400 Speaker 1: have to say. I have to say also highways of 151 00:09:14,480 --> 00:09:33,280 Speaker 1: jeans very popular. Okay, all of this I so recently, 152 00:09:33,480 --> 00:09:37,599 Speaker 1: I was on this podcast called Tossed Popcorn, which is 153 00:09:37,640 --> 00:09:41,400 Speaker 1: about movies and watching the a F I best, the 154 00:09:41,400 --> 00:09:44,520 Speaker 1: one top movies. Uh they they watched through them and 155 00:09:44,559 --> 00:09:47,040 Speaker 1: they have things called minipops. So I was a mini 156 00:09:47,080 --> 00:09:50,559 Speaker 1: pop guest and I came up pretty hard against movies 157 00:09:50,600 --> 00:09:54,920 Speaker 1: from the eighties, which I like to make the point, 158 00:09:54,960 --> 00:09:56,680 Speaker 1: there are plenty of eighties movies that I love, but 159 00:09:56,679 --> 00:10:00,559 Speaker 1: I feel like if you miss the nostalgia factor of 160 00:10:00,640 --> 00:10:04,960 Speaker 1: some of them, then you missed it. Um and yeah, 161 00:10:05,000 --> 00:10:07,600 Speaker 1: and there are plenty of like eighties things that I like. 162 00:10:07,679 --> 00:10:09,760 Speaker 1: Like I like eighties music a lot of times, like 163 00:10:09,760 --> 00:10:12,520 Speaker 1: eighties style a lot of times. And then in that 164 00:10:12,640 --> 00:10:16,800 Speaker 1: I contradicted myself because I said, like, the most overrated 165 00:10:16,840 --> 00:10:18,840 Speaker 1: movie that I could think of was Top Gun and 166 00:10:18,840 --> 00:10:21,200 Speaker 1: then the most underrated was Returned the Jedi, and they're 167 00:10:21,200 --> 00:10:25,600 Speaker 1: both from the eighties, so whatever. But but I was 168 00:10:25,640 --> 00:10:28,959 Speaker 1: thinking about that, and uh, in lieu of that episode 169 00:10:28,960 --> 00:10:30,920 Speaker 1: coming out, I would just want to be clear that, like, 170 00:10:31,040 --> 00:10:36,320 Speaker 1: the nineties are extremely problematic too when it comes to movies. 171 00:10:36,400 --> 00:10:38,480 Speaker 1: I think they were problematic in a different way. There 172 00:10:38,480 --> 00:10:42,160 Speaker 1: are similarities but also differences. A part of this is 173 00:10:42,200 --> 00:10:45,400 Speaker 1: also from an argument I had with my brother's fiance, 174 00:10:45,559 --> 00:10:48,920 Speaker 1: who was like, the nineties are so great in the 175 00:10:48,960 --> 00:10:53,800 Speaker 1: eighties basically suck, which whatever, But I was like, let's 176 00:10:53,840 --> 00:10:57,240 Speaker 1: hold on now. I feel like there's still some issues 177 00:10:57,280 --> 00:10:59,959 Speaker 1: in the nineties. Um. And we have talked about this 178 00:11:00,080 --> 00:11:03,720 Speaker 1: before when we talked about like Britney Spears, Um. I 179 00:11:03,760 --> 00:11:07,040 Speaker 1: think we cut the Lindsay Lohan bit eventually, but we 180 00:11:07,080 --> 00:11:09,160 Speaker 1: did have a bit about Lindsay Lohan as well and 181 00:11:09,160 --> 00:11:13,200 Speaker 1: our treatment, our toxic treatment of women from that time. 182 00:11:14,640 --> 00:11:18,679 Speaker 1: But I also just to be clear, I do love 183 00:11:18,720 --> 00:11:21,240 Speaker 1: a lot of like nineties shows and nineties movies. But 184 00:11:21,280 --> 00:11:24,640 Speaker 1: I do think there was a very specific form of 185 00:11:24,679 --> 00:11:29,360 Speaker 1: toxicity in the nineties because, as we've discussed, that was 186 00:11:29,440 --> 00:11:34,440 Speaker 1: when there was like third wave feminism, um, and we 187 00:11:34,440 --> 00:11:39,760 Speaker 1: were seeing you know, happy which is unhappy witches and 188 00:11:39,880 --> 00:11:42,920 Speaker 1: vampires and vampires, layers and all this stuff. But it 189 00:11:43,000 --> 00:11:47,680 Speaker 1: still seemed to come in this idea of women have 190 00:11:47,800 --> 00:11:50,839 Speaker 1: to look a certain way, often involving crop tops, tight 191 00:11:50,880 --> 00:11:53,960 Speaker 1: crop tops, and jeans, which is if you want to 192 00:11:53,960 --> 00:11:56,640 Speaker 1: wear that, fine, But I felt like it was very 193 00:11:56,720 --> 00:12:01,760 Speaker 1: put upon women, and also just I was watching these 194 00:12:02,080 --> 00:12:06,400 Speaker 1: nineties horror movies and so many of them were the 195 00:12:06,520 --> 00:12:10,120 Speaker 1: woman due to her sexuality, which I think is a 196 00:12:10,200 --> 00:12:13,160 Speaker 1: commentary on oh you want to be sexual, well, then 197 00:12:13,679 --> 00:12:16,560 Speaker 1: you're going to get a stalker, you're going to get 198 00:12:16,600 --> 00:12:19,600 Speaker 1: somebody trying to kill you, You're going to bring some 199 00:12:19,880 --> 00:12:24,800 Speaker 1: negative thing onto you by being this feminist sexual woman. 200 00:12:25,040 --> 00:12:27,080 Speaker 1: So it felt like a very big backlash to me 201 00:12:27,600 --> 00:12:31,319 Speaker 1: a lot of the stuff I was watching of feminism. 202 00:12:31,360 --> 00:12:35,000 Speaker 1: I don't know if you have a similar experience, you know, 203 00:12:35,080 --> 00:12:37,480 Speaker 1: I think, yeah, I would agree to a certain extent 204 00:12:37,559 --> 00:12:39,400 Speaker 1: for sure, that it felt like it was trying to 205 00:12:39,440 --> 00:12:42,640 Speaker 1: regress back into being like Okay, you can't be this 206 00:12:42,720 --> 00:12:44,880 Speaker 1: with these other going to be the backlash. I feel 207 00:12:44,880 --> 00:12:47,640 Speaker 1: like I always saw them for me, they were always secondary. 208 00:12:47,960 --> 00:12:50,800 Speaker 1: Even in the movies that they're supposed to be stars of, 209 00:12:51,160 --> 00:12:54,400 Speaker 1: there were secondary and because they're trying to find that relationship. 210 00:12:54,640 --> 00:12:58,040 Speaker 1: So for wo men it could be redemption or you know, 211 00:12:58,160 --> 00:13:00,560 Speaker 1: father figures. For women, it was mainly like, um, it's 212 00:13:00,559 --> 00:13:03,600 Speaker 1: always gonna be about finding a partner a man, always 213 00:13:03,600 --> 00:13:06,920 Speaker 1: a man, and or they're dying so therefore they have 214 00:13:07,040 --> 00:13:09,400 Speaker 1: to be avenged and all you see is a memories 215 00:13:09,760 --> 00:13:13,760 Speaker 1: and or yeah, they're spinsters all their life, and who 216 00:13:14,080 --> 00:13:16,880 Speaker 1: has to get attained by a man? That's what I 217 00:13:16,880 --> 00:13:19,959 Speaker 1: feel like. I remember Clueless was one of them because 218 00:13:19,960 --> 00:13:21,839 Speaker 1: I did love it, but it was kind of that 219 00:13:21,960 --> 00:13:25,520 Speaker 1: like finding that perfect match that was for a whole deal. 220 00:13:25,720 --> 00:13:28,760 Speaker 1: The movies like uh even the Matrix, like She Takes 221 00:13:28,800 --> 00:13:32,200 Speaker 1: a back Seat seven was one of those as well, 222 00:13:32,280 --> 00:13:35,760 Speaker 1: Like I remember that clearly good will hunting was that 223 00:13:35,840 --> 00:13:38,880 Speaker 1: competition that you talked about, Like that was always just 224 00:13:39,679 --> 00:13:44,480 Speaker 1: secondary to me, And and it was even the ones 225 00:13:44,480 --> 00:13:49,120 Speaker 1: that they were supposed to start, and it still was like, yeah, 226 00:13:49,200 --> 00:13:52,880 Speaker 1: they don't really exist for being an individual person. Yeah, 227 00:13:53,200 --> 00:13:57,200 Speaker 1: and to reiterate if I haven't, there are plenty of 228 00:13:57,240 --> 00:13:59,200 Speaker 1: like nineties movies I love, and there are plenty of 229 00:13:59,200 --> 00:14:01,360 Speaker 1: things that we like and are problematic. We know who 230 00:14:01,360 --> 00:14:03,760 Speaker 1: they are. But I just feel like it was a 231 00:14:03,800 --> 00:14:11,960 Speaker 1: specific type of like faux feminism where male writers and directors, 232 00:14:12,400 --> 00:14:16,280 Speaker 1: we're tapping into this movement and we're like, okay, well 233 00:14:16,960 --> 00:14:19,600 Speaker 1: put you know, a woman front and center. But by 234 00:14:19,680 --> 00:14:22,800 Speaker 1: being front and center, they were kind of taking this 235 00:14:22,960 --> 00:14:28,800 Speaker 1: messaging of oh, it's empowering for her to want to 236 00:14:28,920 --> 00:14:31,520 Speaker 1: dress this way and do this thing and find this 237 00:14:31,560 --> 00:14:35,240 Speaker 1: man because she's a woman, which can be true, but 238 00:14:35,280 --> 00:14:37,640 Speaker 1: I feel like they were just doing it as a 239 00:14:37,760 --> 00:14:41,480 Speaker 1: front to continue to do what they had been doing 240 00:14:42,240 --> 00:14:47,360 Speaker 1: under like the the pretend. Oh but I can check 241 00:14:47,400 --> 00:14:51,400 Speaker 1: that feminist checkbox, right, I've we've done the thing, and 242 00:14:51,440 --> 00:14:54,880 Speaker 1: then you know, I just there's something about it that 243 00:14:54,920 --> 00:14:57,120 Speaker 1: I was watching it. I'm like, I don't think this 244 00:14:57,280 --> 00:15:00,640 Speaker 1: is as empowering as you think it was. Right, Well, 245 00:15:00,640 --> 00:15:03,960 Speaker 1: like absolutely, Reese Weatherspoon would have been the top tier 246 00:15:04,040 --> 00:15:07,800 Speaker 1: of the nineties. Girl in Fear was her growing up 247 00:15:07,800 --> 00:15:10,480 Speaker 1: movie for sure, Although have you ever seen Men in 248 00:15:10,520 --> 00:15:12,800 Speaker 1: the Moon? I have but I literally only remember the 249 00:15:12,800 --> 00:15:17,960 Speaker 1: part where she's kissing her hands. Yeah, of course you do, um, 250 00:15:18,000 --> 00:15:21,080 Speaker 1: but yes, uh that so that was her first movie 251 00:15:21,520 --> 00:15:24,880 Speaker 1: from what I remember, I think like first or second movie. UM, 252 00:15:25,000 --> 00:15:28,760 Speaker 1: and she was coming from being you know, it was 253 00:15:28,840 --> 00:15:33,720 Speaker 1: the coming of age for her. Um. But like she 254 00:15:33,840 --> 00:15:36,520 Speaker 1: had to strip that off to be because also she 255 00:15:36,600 --> 00:15:38,880 Speaker 1: was very cute and cute see, so they were trying 256 00:15:38,880 --> 00:15:41,440 Speaker 1: to kind of make her see be seen as sexual, 257 00:15:41,760 --> 00:15:44,320 Speaker 1: which we've talked about before. You have to fit these 258 00:15:44,360 --> 00:15:46,400 Speaker 1: categories in order to fit the mold. And if you 259 00:15:46,440 --> 00:15:48,000 Speaker 1: get too old, you're not going to have a career 260 00:15:48,000 --> 00:15:50,720 Speaker 1: because that if you can't hit that mold, you're gonna 261 00:15:50,720 --> 00:15:53,880 Speaker 1: miss out. So I found that interesting. But yeah, she's 262 00:15:53,880 --> 00:15:57,080 Speaker 1: definitely one of those actresses as well, although we know 263 00:15:57,160 --> 00:15:59,720 Speaker 1: who she is and how amazing her repertoire is and 264 00:15:59,760 --> 00:16:02,360 Speaker 1: like her her skills and abilities and we know it 265 00:16:02,400 --> 00:16:06,880 Speaker 1: goes beyond that, but it does set up especially young 266 00:16:06,920 --> 00:16:09,040 Speaker 1: women at that point in time. But I was trying 267 00:16:09,120 --> 00:16:11,200 Speaker 1: to look through as you were talking about this, the 268 00:16:11,560 --> 00:16:15,360 Speaker 1: uh top ten movies, and so a recent list came 269 00:16:15,360 --> 00:16:18,600 Speaker 1: out from on Parade with a top ten nineties movies 270 00:16:18,880 --> 00:16:20,960 Speaker 1: and honestly, it's not as bad as I thought it 271 00:16:21,000 --> 00:16:24,440 Speaker 1: would be. Of course, as a predictable pulp fiction who 272 00:16:24,960 --> 00:16:27,480 Speaker 1: we know whom A Therman's character is almost the beginning 273 00:16:27,480 --> 00:16:30,240 Speaker 1: of the pixie manic girl. That what we see later 274 00:16:30,240 --> 00:16:33,560 Speaker 1: in the two thousands, which we've talked about before. But 275 00:16:33,600 --> 00:16:36,320 Speaker 1: like we have the movie Silence of the Lambs, which 276 00:16:36,360 --> 00:16:40,600 Speaker 1: Jodie Foster plays this very different character that we don't 277 00:16:40,680 --> 00:16:44,320 Speaker 1: typically see in these gritty movies, but she becomes a 278 00:16:44,360 --> 00:16:48,880 Speaker 1: herold like her own heroin in this movie is like, okay, 279 00:16:48,960 --> 00:16:53,160 Speaker 1: that stacks up differently. We see al Fargo, which I 280 00:16:53,200 --> 00:16:57,720 Speaker 1: forgot about, and she like she's a different character altogether 281 00:16:57,880 --> 00:17:02,040 Speaker 1: in general. Darmage like she just kind of has her 282 00:17:02,080 --> 00:17:04,760 Speaker 1: own role in this and she they defied it, which 283 00:17:04,760 --> 00:17:06,720 Speaker 1: is why it won so many awards at that point 284 00:17:06,720 --> 00:17:09,080 Speaker 1: in time. But yeah, I don't remember, Like, yeah, I 285 00:17:09,119 --> 00:17:12,280 Speaker 1: did define but they had to be almost a sexual 286 00:17:12,800 --> 00:17:17,800 Speaker 1: or masculine character. Yeah. I found that fascinating of course, 287 00:17:17,840 --> 00:17:20,280 Speaker 1: as as we know. But then they also had another 288 00:17:20,280 --> 00:17:22,520 Speaker 1: one outside of the pulp fiction, as we talked about 289 00:17:22,560 --> 00:17:28,320 Speaker 1: Titanic and her character in general, like the whole whispy fighting, 290 00:17:28,440 --> 00:17:32,439 Speaker 1: like she's exactly what you're talking about. She's trying to 291 00:17:32,440 --> 00:17:35,360 Speaker 1: be independent, but she can't be independent. But because she's independent, 292 00:17:35,440 --> 00:17:42,639 Speaker 1: she becomes uh an old maid but has a very 293 00:17:42,760 --> 00:17:44,760 Speaker 1: nice necklace that she throws into the ocean for some 294 00:17:44,920 --> 00:18:00,320 Speaker 1: unknown reason and ridiculous reason. Yeah, we should talk about that. Yeah, 295 00:18:07,400 --> 00:18:09,800 Speaker 1: many strides were made in the nineties, but it felt 296 00:18:09,840 --> 00:18:14,840 Speaker 1: like it was still only within these parameters. You can, 297 00:18:16,119 --> 00:18:18,879 Speaker 1: but you can't be all of these things, right. It 298 00:18:18,960 --> 00:18:21,080 Speaker 1: was a very slow moving forward and there was a 299 00:18:21,160 --> 00:18:24,520 Speaker 1: lot of toxic stuff that we've talked about where it 300 00:18:24,680 --> 00:18:28,439 Speaker 1: felt very I mean, Britney Spears was a great example 301 00:18:28,480 --> 00:18:35,440 Speaker 1: of you have to be the innocent, innocent like childlike Madonna, 302 00:18:35,480 --> 00:18:38,680 Speaker 1: I guess, or the whore like you. You can't be there, 303 00:18:38,680 --> 00:18:42,600 Speaker 1: and it felt very just a lot of the clothing choices, 304 00:18:42,640 --> 00:18:44,600 Speaker 1: which again, if that's your choice and you want to 305 00:18:44,640 --> 00:18:46,600 Speaker 1: wear it, then I'm all for it. But it did 306 00:18:46,640 --> 00:18:48,720 Speaker 1: feel like a lot of stuff we saw in the 307 00:18:48,800 --> 00:18:53,000 Speaker 1: nineties was very tailored to the male gaze. And also, 308 00:18:53,119 --> 00:18:56,280 Speaker 1: like like you said, I mean, I was recently stunned 309 00:18:56,280 --> 00:18:59,280 Speaker 1: by that interview with um Laura Dern. I didn't know 310 00:18:59,359 --> 00:19:03,280 Speaker 1: she was three in Drassic Park and he was like 311 00:19:03,359 --> 00:19:07,159 Speaker 1: forty five plus, like that age difference. Like I remember 312 00:19:07,160 --> 00:19:11,640 Speaker 1: watching Entrapment with Katherine c To Jones and Sean Connery 313 00:19:11,680 --> 00:19:18,320 Speaker 1: and being like as a as a young person, like no, right, no, Well, 314 00:19:18,800 --> 00:19:20,760 Speaker 1: is it during the nineties that we see the tropes 315 00:19:20,760 --> 00:19:22,760 Speaker 1: of like the women hooking up with the both the 316 00:19:22,800 --> 00:19:25,320 Speaker 1: father and the son or has that always been a thing? 317 00:19:25,320 --> 00:19:27,399 Speaker 1: I can't remember because I'm thinking about also like the 318 00:19:27,520 --> 00:19:31,360 Speaker 1: later as you talked about Sean Connery, the later series 319 00:19:31,520 --> 00:19:35,640 Speaker 1: in Indiana Jones where Sean Connery father and the woman 320 00:19:35,800 --> 00:19:39,240 Speaker 1: character is checking them both like it's just like and 321 00:19:39,280 --> 00:19:41,040 Speaker 1: I remember seeing that as a twist on all the 322 00:19:41,040 --> 00:19:44,680 Speaker 1: things like why is this always a thing? Right? That's 323 00:19:44,680 --> 00:19:48,600 Speaker 1: a good question. I feel like we've opened a lot 324 00:19:48,640 --> 00:19:53,800 Speaker 1: of boxes for future episodes, and I yeah, I mean 325 00:19:53,800 --> 00:19:56,240 Speaker 1: there's so many nineties movies I love, and some of 326 00:19:56,240 --> 00:19:58,960 Speaker 1: we've talked about on our feminist movie Friday, like The Mummy. 327 00:19:59,000 --> 00:20:02,159 Speaker 1: But I just was after I did that episode, and 328 00:20:02,200 --> 00:20:05,719 Speaker 1: I was thinking about the eighties and nineties, and there's 329 00:20:06,080 --> 00:20:10,520 Speaker 1: plenty of things left to unpack then and still now, 330 00:20:11,359 --> 00:20:14,640 Speaker 1: right and still now, And it felt like a very 331 00:20:14,640 --> 00:20:18,760 Speaker 1: particular brand of like you can have this much women, 332 00:20:18,840 --> 00:20:22,720 Speaker 1: but only this much, and then we're going to sell 333 00:20:22,760 --> 00:20:26,840 Speaker 1: it as something that's very feminis and empowering. Anyway, it's 334 00:20:26,880 --> 00:20:29,119 Speaker 1: just been on my mind and I'm sure we'll return 335 00:20:29,200 --> 00:20:34,040 Speaker 1: to this in the future, but in the meantime, cheers, cheers, yes, 336 00:20:34,320 --> 00:20:37,280 Speaker 1: and to you listeners. As always, if you have any 337 00:20:37,359 --> 00:20:41,160 Speaker 1: suggestions for future topics or movies or whatever we should cover, 338 00:20:41,680 --> 00:20:43,600 Speaker 1: please let us know. You can email as a stuff 339 00:20:43,600 --> 00:20:45,200 Speaker 1: and your mom Stuff at I hurt me dot com. 340 00:20:45,359 --> 00:20:47,080 Speaker 1: You can find us on Twitter at mom Stuff podcast 341 00:20:47,200 --> 00:20:49,239 Speaker 1: or an Instagram stuff I've never told you. Thanks. It's 342 00:20:49,240 --> 00:20:52,080 Speaker 1: always to our super producer Christina. Thank you Christina, and 343 00:20:52,200 --> 00:20:56,000 Speaker 1: cheers and cheers and thanks to you for listening stuff 344 00:20:56,000 --> 00:20:57,480 Speaker 1: and I told you his protection. But I hear radio 345 00:20:57,480 --> 00:20:59,920 Speaker 1: for more podcast my Heart Radio. You can just radio app, 346 00:21:00,000 --> 00:21:02,000 Speaker 1: have a podcast or whatever. You listen to your favorite shops, 347 00:21:13,040 --> 00:21:13,080 Speaker 1: m