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Speaker 1: So um, if you notice I'm still wearing glasses because

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Speaker 1: I have not got out the context. And I always

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Speaker 1: think of this conversation Will, that you and I had

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Speaker 1: and maybe Daniel you were there was at a convention

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Speaker 1: where so I love my automatris. I can walk there.

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Speaker 1: It's in my neighborhood. He's a jazz musician. He's like you,

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Speaker 1: but like he's also letting me down, like the office

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Speaker 1: is not calling me about my contact that I remember, Will,

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Speaker 1: I was complaining about my dentist. You remember this conversation

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Speaker 1: I had, like my local dentist that I went to

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Speaker 1: and I really loved her, but she was horrible and

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Speaker 1: you really get a new dentist. And I was like,

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Speaker 1: but I'm loyal, Like she's my local dentist and we

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Speaker 1: have these great conversation's like yeah, but if she messes

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Speaker 1: your mouth up, leaver her. I was like, but I

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Speaker 1: want to support my local dentist. You're like your local dentist,

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Speaker 1: like she's leaving tools in your mouth and she did,

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Speaker 1: like she was horrible. Like I realized, like I would

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Speaker 1: never have enough nova kings. I'd like feel everything and

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Speaker 1: I always like I need another shot, or like whatever,

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Speaker 1: I just like constantly dentist. Yeah, I have a friend

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Speaker 1: who's a dentist, um and I remember him telling me

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Speaker 1: once like people people would get really attached to him,

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Speaker 1: and so like if they went through a divorce, it

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Speaker 1: would be he would like get in the middle of divorces,

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Speaker 1: like people would like claim him, and like not they

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Speaker 1: would find out that like the person that they divorced

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Speaker 1: was still going to him, and they'd be upset with him.

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Speaker 1: And he's like, I'm a dentist, dude, Like I can't

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Speaker 1: help you. But it's so weird you're mentioning this because

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Speaker 1: last week Sue and I had a sit down looking

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Speaker 1: at each other, going, we need a new dentist. Really,

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Speaker 1: we can't. We've been with the same guy for years.

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Speaker 1: You went to this guy too, right, this is the

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Speaker 1: same remember right, I thought he was great. Remember how

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Speaker 1: his office was twenty years ago, same office, same stuff.

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Speaker 1: Do you need a little spice in your I mean,

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Speaker 1: I mean, I mean there's been no there's been no

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Speaker 1: upgrades in the equipment from years ago. So he's still

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Speaker 1: putting like one leg on the seat next to you

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Speaker 1: as he's scraping your teeth, and and there's friends of

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Speaker 1: ours going like, you know, they've got like some water

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Speaker 1: stuff and like water now. Literally last week first made

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Speaker 1: fun of Danielle in our home for doing the exact

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Speaker 1: things so does where she's like, I gotta go to

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Speaker 1: the optometrist, so better cosco um. And then that's what

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Speaker 1: I said to It was like, awesome, you get samples

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Speaker 1: and pere uh and then um that we did the

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Speaker 1: same thing. We got get your exactly changed. Um. So yeah,

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Speaker 1: it was that whole thing, but we did the same

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Speaker 1: exact thing. It's it's funny. It's funny person. Once you

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Speaker 1: make a choice and find somebody you like, it's hard

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Speaker 1: to change. Like that's why I finally I did change

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Speaker 1: the dentist. But I'm not going to change the automic.

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Speaker 1: I'm just too in love with the guy. I'll just

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Speaker 1: wear glasses, you know, maybe, even though I hate it,

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Speaker 1: I'll just do it. Just we Welcome to Pond meets World.

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Speaker 1: I'm daniel Fishel, I'm Rider Strong. I am Wilfred ll So.

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Speaker 1: Today we are recapping season one, episode twenty one, Boy

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Speaker 1: Meets Girl. It originally aired May six. I will not

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Speaker 1: remind you that that's one day after my birthday. The

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Speaker 1: synatis is that Corey feels pressured to jump start his

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Speaker 1: romantic life after being forced to sit through an educational

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Speaker 1: film and puberty and learning that Sean has a date.

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Speaker 1: This was a really good episode. It's a great episode.

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Speaker 1: This is one of my favorite episodes we've watched so far.

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Speaker 1: Ye well, it's one of the best episodes of the show.

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Speaker 1: I think, and I thought, and I still believe that

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Speaker 1: this was the last episode we filmed. It had to be,

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Speaker 1: because I want one of the last things the memories

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Speaker 1: that I have is the three of us, And that's

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Speaker 1: the last scene we did in front of the audience

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Speaker 1: because we pre taped the next scene, which was me

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Speaker 1: in the hallway. Yeah so or then there's two scenes

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Speaker 1: after that we had pre taped. So I believe that

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Speaker 1: because that was the end of the entire season. Was

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Speaker 1: the three of us looking at each other in front

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Speaker 1: of the audience and me saying we have a confirmed

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Speaker 1: date and having so much fun. And I remember hugging

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Speaker 1: each other and being like, that's it. This might be

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Speaker 1: the end of you know. It has such a feeling

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Speaker 1: of yeah, so, this had to have been the last

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Speaker 1: episode we filmed. I remember it being the last episode

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Speaker 1: because I remember thinking, whoa, we just ended the season

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Speaker 1: with my character being like a set up, big part

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Speaker 1: for what's to come, possibly if there's anything to come,

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Speaker 1: and not to give you bigger not to give you

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Speaker 1: bigger hair, Danielle. But you killed it in this episode,

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Speaker 1: you know what I thought? I was absolutely terrible in

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Speaker 1: the scene with We'll get to it. But I wrote

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Speaker 1: some stuff, but boy was I ever telegrap laughing some

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Speaker 1: real telegraphing. Um. But it was directed by David Trainer.

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Speaker 1: Was written by Jeanette could teach us Burley? I hope

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Speaker 1: I said that right? Um? She also wrote the Boys

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Speaker 1: to Mensa episode? Interesting? Also, you know Boys to Mensa

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Speaker 1: is a fantastic episode. To episode is a fantastic episode.

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Speaker 1: Where did she go? Why would she have not been?

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Speaker 1: Why would she not have stuck around? Why? This is

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Speaker 1: clearly a person you should be saying, Oh my gosh,

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Speaker 1: you clearly have a great voice for the show. So

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Speaker 1: we only had three women on staff. We had Susan

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Speaker 1: Astelle Jensen Sason was a writer slash producer, and then

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Speaker 1: this woman and then April Kelly. After this season two

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Speaker 1: of them left. Yeah, right, Erica Montalfel, Laura Reynolds, Patty

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Speaker 1: car I'm trying to think of can you think of

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Speaker 1: other women that were on the staff, like actually on

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Speaker 1: the staff Karen McCain writers, Oh as writers, Yeah, Susan yeah,

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Speaker 1: Susan yeah. So four or five that I can think

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Speaker 1: of over seven years, and I'm sure we're missing some.

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Speaker 1: I'm sure we are missing some. We're going to get

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Speaker 1: into the middle seasons and be like, oh my god,

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Speaker 1: of course she was on staff, but it wasn't a

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Speaker 1: ton No, definitely not so for guest cast. In this episode,

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Speaker 1: we have Briann O'Donnell as Hillary. She makes her return.

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Speaker 1: We remembered her so vividly when we saw her the

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Speaker 1: first time. And then we have Gazelle mackenzie as a

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Speaker 1: narrator voice and Gil Stratton Jr. As TV announcer. So

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Speaker 1: I don't think Gil Stratton is the is the voice

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Speaker 1: of the Telegram. Yeah, I think that's Chris Kire's voice.

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Speaker 1: It sounded familiar and I feel like we used to

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Speaker 1: quote that line in Years to Come Telegram, you know,

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Speaker 1: and I swear I heard it. I was like, I

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Speaker 1: remember that reading and I think it's because credit for it.

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Speaker 1: So I wonder if did you also hear that after

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Speaker 1: his episode, after christ Is on our episode, a whole

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Speaker 1: bunch of people went to the Christmas Store and he

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Speaker 1: was like, everybody's hitting me up on my Instagram and

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Speaker 1: so cool to hear that. Thank you, guys, thank you.

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Speaker 1: I know we do we we have to go, yeah,

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Speaker 1: but thank you everybody for for going and visiting Chris.

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Speaker 1: That's really yes. Thank you all all of you for

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Speaker 1: being so supportive of all of our guests. We so

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Speaker 1: appreciate you, guys giving them as much love as we

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Speaker 1: feel for all of them, And so thank you because

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Speaker 1: everybody always feels so welcomed by you, and it really

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Speaker 1: means a lot to us. Very cool. So we start

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Speaker 1: the episode in Phoenie's classroom. The classes watching a video

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Speaker 1: about puberty. Corey says the movie is rated H for herl.

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Speaker 1: Phoene says the video explains how their bodies will change.

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Speaker 1: Corey continues to mock it, and Sean does another armpit

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Speaker 1: fart and set yeah, he I don't understand how this developed,

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Speaker 1: but it's a thing. Could you have you talked about

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Speaker 1: it this last time? Could you not do the sound?

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Speaker 1: Could you actually not make the sound? I think it

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Speaker 1: was probably just too complicated, right, because I would have

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Speaker 1: had to get under four shirts, right, how do you

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Speaker 1: do you get all the way down there under it

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Speaker 1: and make enough of a sound. We didn't have law

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Speaker 1: of mics on. We had like boom mics, and then

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Speaker 1: a boom would have needed to get close enough that

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Speaker 1: we could really hear it. And I think also it's

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Speaker 1: just kind of another bit that the two boys have

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Speaker 1: where you know what's coming. I put my hand under here,

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Speaker 1: and you make the sound. It's just us being You

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Speaker 1: didn't even make You didn't even fake the sound like

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Speaker 1: with your mouth, like like you didn't do it yourself

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Speaker 1: well in previous times when you've done this, it says

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Speaker 1: that it was a raspberry that you blew this time.

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Speaker 1: In the captions, it says p b F f T.

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Speaker 1: It says, yeah, that's that's the old animation way of

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Speaker 1: doing It's like the old text Tex avery kind of

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Speaker 1: kind of thing. Yeah. Well, Topanga says she welcomes puberty

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Speaker 1: and compares it to a caterpillar turning into a butterfly.

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Speaker 1: Corey says, hormones turn a guy's face into Creators are

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Speaker 1: us and I immediately thought of writers, saying that he

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Speaker 1: remembers feeling like based on writing in the show that

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Speaker 1: having that Jackney, Yeah, it's like made you extra insecure.

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Speaker 1: There is Sean drops his pencil and then he bumps

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Speaker 1: hands with the girl next to him, the female writer.

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Speaker 1: She looks so much like you. She's so cute too,

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Speaker 1: but she's so cute, cute, cute. They also pushed her

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Speaker 1: desk like two feet so like she's in the background

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Speaker 1: of Lee's shots you can see her off to the right,

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Speaker 1: like clearly, like not in line with the rest of

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Speaker 1: they know, which why did they just move all the desks?

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Speaker 1: I also love though there's something too. It's like the

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Speaker 1: part of you goes like, what has she been sitting

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Speaker 1: there the whole time? And we just never noticed her?

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Speaker 1: And that's the point, is that he's never noticed that

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Speaker 1: she's been sitting there the whole time, Like she's been

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Speaker 1: there the entire series as far as we're concerned, and

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Speaker 1: this is the first time we noticed her because it's

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Speaker 1: the first time Sean notices her. I thought that was cool. Yeah,

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Speaker 1: And you guys bump hands and it's almost like you

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Speaker 1: get electrocuted. You pull your hands back, like this is

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Speaker 1: one of the This is probably the first time I

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Speaker 1: was actually impressed with my acting. That is an amazing,

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Speaker 1: cool little like. It was so believable the way I

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Speaker 1: pulled away from her and stared. I was like, wow,

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Speaker 1: that felt like a real moment. I was like, wow,

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Speaker 1: that was that was a good reaction. So I was yea,

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Speaker 1: of all the things we've watched this entire season, I

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Speaker 1: was finally like, oh, a little writer, Yeah, it was natural.

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Speaker 1: It was It was really very It's a predictable moment,

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Speaker 1: but it felt real as opposed to like I didn't

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Speaker 1: like the laugh scene. Later I was like, stop, like

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Speaker 1: it just didn't remember the laugh scene. Later I remember it,

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Speaker 1: but I didn't like the performance as much. Whereas this

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Speaker 1: performance felt so authentic. Um, yeah, it was as authentic

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Speaker 1: as a sixth grader making a George Burns joke. Because

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Speaker 1: that the old George Burns joke. My friends and I

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Speaker 1: used to talk about that we were eleven all the

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Speaker 1: time too. He was such a topic of conversation. George Burns.

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Speaker 1: I don't even remember for that. I don't even remember

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Speaker 1: that line. We'll have to get when we get to that.

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Speaker 1: You can point it out. Corey makes it George Burns joke,

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Speaker 1: and it was like, wow, okay, yeah, Corey's talking about

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Speaker 1: how he's going to dodge hormones during all this and

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Speaker 1: says Sean is with him, and then we realized Seawan

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Speaker 1: is definitely not with him, and he is still totally

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Speaker 1: phased by the female he's now in love with. And

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Speaker 1: then we tried the hot well, they tried the hot again,

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Speaker 1: tried the hot again. That's that didn't stick either. I

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Speaker 1: think I was gone. This is probably the last we

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Speaker 1: tried it, because again you're the only ones that are highing.

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Speaker 1: And then we're in the school cafeteria Shawn sees his

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Speaker 1: new love interest again and I'm sorry, hold on, but

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Speaker 1: the hob became part of our handshake. Actually, yes, so

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Speaker 1: we started part of the handshake before all this, but

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Speaker 1: the actual just looking at each other and just going ha.

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Speaker 1: But I wonder if Ben and I put it in

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Speaker 1: our handshake because we had already done it on the show.

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Speaker 1: I think that's probably what happened, is that the catch

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Speaker 1: phrase influenced real life hand shake Ben, which then became

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Speaker 1: part of the show. So it was like, yeah, I

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Speaker 1: never thought about that, but yeah, we were doing the

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Speaker 1: ha in reference probably to what we had done, and

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Speaker 1: I don't know whichever first episode we did the and

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Speaker 1: which The funny thing is that if you guys were

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Speaker 1: incorporating it into your handshake, it must have met you

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Speaker 1: guys actually liked it, so it didn't feel like it

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Speaker 1: wasn't working. It was something you guys enjoyed. And then

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Speaker 1: so yeah, I mean, it definitely works in the handshake,

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Speaker 1: so I guess as long as it stuck around in substration,

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Speaker 1: that's fine. So Sean sees his new love interest and

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Speaker 1: he asks Corey, how do you ask a girl out?

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Speaker 1: And in this moment, we see Lee digging through a

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Speaker 1: giant briefcase. I mean a giant briefcase. It is huge,

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Speaker 1: and in the background, Dusty is They're chugging the red

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Speaker 1: fruit punch drink and I could smell it and I

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Speaker 1: couldn't while I was watching the episode. And that's where

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Speaker 1: we can't hurt from the sugar burn. He's in a

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Speaker 1: gutter somewhere, just covered in red drink because that's all

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Speaker 1: it was by Red Drake, like a Dusty's on it again. Uh,

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Speaker 1: this is one of my favorite lines of the entire season.

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Speaker 1: The easy You've opened the door and you ask her

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Speaker 1: to get out. Yeah, how do you ask a girl out? Easy?

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Speaker 1: You open the door and say get out, you're bothering me.

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Speaker 1: So funny and like, you know, we talked about how

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Speaker 1: the show at this point is walking. Obviously, this whole

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Speaker 1: episode is about walking that line between like, you know,

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Speaker 1: being a kid who is interested in girls and being

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Speaker 1: a kid who's like just not there yet, and that

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Speaker 1: line is gets right to the heart of it, and

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Speaker 1: it's hysterical and yeah and per this is how it

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Speaker 1: works in every you know, I can only speak from

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Speaker 1: the mail side, but for every friend group, there was

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Speaker 1: always one that was faster with it fit with dating

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Speaker 1: with girl, and then it was everybody kind of either.

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Speaker 1: You went back and forth from this morbid curiosity of

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Speaker 1: wanting to know what it was like too. I don't

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Speaker 1: come on, We're just supposed to go camping, man, Like,

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Speaker 1: I don't want to talk about this, And so it

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Speaker 1: was it was very real. Again, this this kind of

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Speaker 1: writing where there always is one or two that are

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Speaker 1: just faster than everybody else. It makes sense that it's

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Speaker 1: Sean too, makes total sense that it's Sean of course. Yeah,

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Speaker 1: well this actually kind of becomes a big part of

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Speaker 1: the show. Actually you're saying, it makes sense that it's Sean,

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Speaker 1: but because of this episode in part you know what,

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Speaker 1: it's just the the initial like Sean being girl crazy

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Speaker 1: and and and chasing girls and carrying about girls and

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Speaker 1: being in love, like all of that was really not

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Speaker 1: established until now. This is the episode that kind of

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Speaker 1: did it, and of course also established this one of

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Speaker 1: the central tensions of Boy Meats World, which is can

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Speaker 1: friendship survive a romantic relationship? Like can to two guys

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Speaker 1: stay friends when one of them is in love or

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Speaker 1: the other falls in love with something? You know, like

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Speaker 1: that's that like, which is such a to me, Like

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Speaker 1: I don't know, Like I'm kind of over that as

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Speaker 1: a female, I just don't think it's that big of

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Speaker 1: a deal. But we really milked that, like Boy Meets

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Speaker 1: World played that that like love triangle between a romance

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Speaker 1: and a romance constantly. It was. It makes total sense

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Speaker 1: though then why the kind of dynamic of Eric changed too,

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Speaker 1: because they couldn't have Sean become girl crazy and become

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Speaker 1: girl crazy. It was like it's got to be one

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Speaker 1: or the other. And and Sean brought more tension to

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Speaker 1: what you're talking about the relationship with Corey if they

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Speaker 1: went that way. So it's like, well, now what do

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Speaker 1: we do with Eric? So do you think Eric talks

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Speaker 1: about girls at all in the second season? He does,

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Speaker 1: because second season was if memory serves, and it's hazy

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Speaker 1: for a second season. I remember the start, but I

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Speaker 1: remember coming back all of a sudden, Eric is very preppy.

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Speaker 1: Jason is in more episodes, and it is kind of

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Speaker 1: about the girls because I think we do like this

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Speaker 1: is like the Nancy Kerrigan skating stuff off and you

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Speaker 1: know there it is still girl. I think one of

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Speaker 1: the episodes season four, no a kid, because wasn't the

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Speaker 1: It was right after the Olympics, which were in the Yeah,

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Speaker 1: that's when Nancy Kerrigan Tanya Harding thing happened was before

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Speaker 1: the Olympics, and then we we had her on the show.

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Speaker 1: So that was This was second season. David Kendall, Right,

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Speaker 1: Kendall fourth, third or fourth season. Maybe he did. I

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Speaker 1: could totally be wrong. I mean, I could totally be wrong.

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Speaker 1: It could absolutely have come third or fourth season. But

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Speaker 1: there's still kind of Eric girl crazy and then we

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Speaker 1: won't talk about it now, but we'll get to the

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Speaker 1: episode where Eric changed and became totally stupid, and I

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Speaker 1: can remember exactly when, exactly what. Um, so we'll point

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Speaker 1: it out when and it's not it's not like, oh

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Speaker 1: that was subtle. It's like, oh, that's where it happened. Um,

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Speaker 1: so we'll be able to see it. But yeah, this

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Speaker 1: is where Sean starts to be the girl crazy one. Yeah, well,

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Speaker 1: Sean clarifies, he means asking a girl on a date,

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Speaker 1: and Corey says Eric uses the shotgun approach and just

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Speaker 1: dials random numbers until he gets a yes. Mincus is

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Speaker 1: listening in on their pathetic conversation and asks if they

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Speaker 1: need some advice from a seasoned veteran. Pathetic was Mincus's word,

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Speaker 1: not my own word, and he then pulls out Perky

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Speaker 1: magazine magazine. I want a copy of this magazine. It's

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Speaker 1: not a real magazine. I remember the magazines the way

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Speaker 1: they looked, and uh, I remember Perky Magazine. Yeah, I

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Speaker 1: wish I would have stolen one. Um. He says it's

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Speaker 1: his research material. Corey is still grossed out by girls,

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Speaker 1: but Seawan says he'll borrow the magazine from Mincas for

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Speaker 1: a couple of days, and Corey says that magazine is

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Speaker 1: everything they don't want to know, and Sean pretends to

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Speaker 1: agree but puts the magazine in his back pocket pocket.

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Speaker 1: And then the girl from class walks up and says

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Speaker 1: hi to Sean, and he awkwardly laughs, and she asks

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Speaker 1: him out to the movies and he says yes, but

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Speaker 1: then just keeps laughing very awkwardly, where he tells Sean

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Speaker 1: to stop laughing, but Sean can't, and it's feeling very weird.

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Speaker 1: I remember this scene and you doing the laugh so well,

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Speaker 1: and I remember how uncomfortably long you had to do

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Speaker 1: it for yes, And it feels like that that's why

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Speaker 1: I was watching. I guess, I don't know, definitely, like

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Speaker 1: I could tell that I was losing energy, like this

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Speaker 1: is this joke is going on too long, like we're

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Speaker 1: losing breath. There wasn't really that much going on in between,

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Speaker 1: and it was like the same. It's a very it's

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Speaker 1: a very funny thing that you can't stop laughing. But

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Speaker 1: if it were half the the amount of time, it

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Speaker 1: would have been perfect. It's have just gone out on

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Speaker 1: me going like I don't know, I can't stop exactly.

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Speaker 1: I feel very weird, feel very weird. But instead it's

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Speaker 1: like he keeps talking to me. I keep just you know,

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Speaker 1: they just I wonder if that just happened because it

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Speaker 1: went well, and then they kept adding to it and

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Speaker 1: stressing a little rider out and then that became part

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Speaker 1: of it. Yeah. I like that he asked him out. Yeah,

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Speaker 1: it's like trying to figure out how how how do

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Speaker 1: you ask a girl out? And she just watched Want

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Speaker 1: to the movies? I think, yeah, it's great. Yeah. So

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Speaker 1: we're in Corey and Eric's room. Sean is telling Eric

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Speaker 1: all about his dabs snuck into the movies and we

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Speaker 1: were we worked together all the time. We've been telling

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Speaker 1: people for years. We did one scene together and we

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Speaker 1: last so we couldn't do we worked together all the time.

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Speaker 1: Apparently No, I mean I didn't remember that. Yeah, but

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Speaker 1: I I felt like, just watching this, it felt really cool,

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Speaker 1: Like it felt really comfortable for all characters to be

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Speaker 1: having this conversation. Yeah. So they snuck into the movies

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Speaker 1: and then they split the cost of popcorn, which Eric loves.

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Speaker 1: He thinks she's a real keeper and she was down

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Speaker 1: for an illegal act and then she was down to

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Speaker 1: split the popcorn. And then Corey comes in and asks

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Speaker 1: what they're doing. And Eric says, do you mind? Me

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Speaker 1: and Sean are talking? Corey asks if Sean forgot about

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Speaker 1: their basketball game, and Sean admits that he did. He

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Speaker 1: lost track of time. Eric says, they're talking about guy

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Speaker 1: stuff and like basically please leave. And it's pretty mean,

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Speaker 1: pretty mean from an older brother too. I think it's

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Speaker 1: very real, but it's very but it's it's like, oh man,

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00:20:04,480 --> 00:20:06,680
Speaker 1: that's harsh, you know. Yeah, it is very real though,

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Speaker 1: I mean absolutely, yeah, yeah, because you're talking to his

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Speaker 1: best friend, you know. Yeah. No, I've had moments like

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Speaker 1: that where it's because I've had I have two older brothers,

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Speaker 1: so there's there were times where it was like you're

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Speaker 1: not ready for the can you just go? And it's

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Speaker 1: like crushes you a little bit. Yeah you're not You're

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Speaker 1: not there yet. So yeah, I thought it was very real.

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Speaker 1: Eric asks Sean what they watched at the movies, and

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Speaker 1: Shawn says, like, we watched the movie, and then when

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Speaker 1: Eric starts to ask if they were making out, Shawn says, no,

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Speaker 1: we threw maltballs at people's heads for two hours, which

390
00:20:39,359 --> 00:20:42,800
Speaker 1: is very cute. Morgan runs in and waves Eric's keys

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Speaker 1: in his face, saying she needs to get a Mother's

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Speaker 1: Day gift and Corey needs to get one too. Now alone,

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00:20:47,760 --> 00:20:50,480
Speaker 1: Sean tells Corey they should go play basketball, but Corey

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Speaker 1: says he should hang with Hillary. You can tell he's

395
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Speaker 1: very hurt. And Shawan says it's always him and Corey

396
00:20:56,000 --> 00:21:05,560
Speaker 1: and nothing has changed, and then we optical flipp Sean

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00:21:05,720 --> 00:21:08,120
Speaker 1: avoids sitting with Corey. He says, I'm gonna go sit

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Speaker 1: with Hillary. And Corey is drinking apple juice, not the

399
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Speaker 1: red drink. Why does Corey get glass Martinelli's apple juice

400
00:21:17,320 --> 00:21:19,680
Speaker 1: and the rest of us are stuck with red drink?

401
00:21:21,160 --> 00:21:25,719
Speaker 1: Said something that getting in education in the entire school.

402
00:21:26,760 --> 00:21:30,240
Speaker 1: So there's that as well. Can we talk very briefly

403
00:21:30,600 --> 00:21:39,400
Speaker 1: about the enormous mustard and ketchup jars behind him? It's

404
00:21:39,440 --> 00:21:42,480
Speaker 1: like we it's like we're at a football stadium. Seriously,

405
00:21:42,720 --> 00:21:48,400
Speaker 1: It's like there's their nine gallon mushroom room mustard, mustard

406
00:21:48,400 --> 00:21:52,960
Speaker 1: and ketchup, huge mustard and ketchup behind him. Pretty much

407
00:21:53,359 --> 00:21:56,679
Speaker 1: I did not notice, but all right, yeah I saw

408
00:21:56,720 --> 00:21:59,760
Speaker 1: it too. Corey runs over to Mankas to ask about

409
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Speaker 1: his research and how do you get a girl to

410
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Speaker 1: how do you how to get a girl to go

411
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Speaker 1: out with you. Minca says the number one thing girls

412
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Speaker 1: want is shared interest and number two is a sense

413
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Speaker 1: of humor. Corey isn't sure who he should ask out

414
00:22:11,720 --> 00:22:13,359
Speaker 1: and makes us. Mincas tells him just go for the

415
00:22:13,359 --> 00:22:16,840
Speaker 1: first thing in address, and then after passing some girls

416
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Speaker 1: in for address, ye, Corey looking for address and seeing

417
00:22:22,040 --> 00:22:25,040
Speaker 1: to Panga is the first girl he sees with address,

418
00:22:25,280 --> 00:22:27,679
Speaker 1: and he asks what's interesting in her life, and she

419
00:22:27,760 --> 00:22:30,359
Speaker 1: says that mercury is in retrograde, which is just causing

420
00:22:30,400 --> 00:22:33,720
Speaker 1: general chaos in the universe. I remember this line so well.

421
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Speaker 1: Do you remember that, Daniel, You didn't remember this line?

422
00:22:36,600 --> 00:22:38,560
Speaker 1: Oh my god, I think I swear we used to

423
00:22:38,600 --> 00:22:44,480
Speaker 1: say that for years, And yeah, yeah, I wasn't surprising

424
00:22:44,480 --> 00:22:46,560
Speaker 1: to me that t Banga talked about mercury being in retrograde,

425
00:22:46,560 --> 00:22:48,800
Speaker 1: but I didn't. I didn't remember the whole line, and

426
00:22:48,840 --> 00:22:50,480
Speaker 1: I didn't remember saying it for years. But now that

427
00:22:50,480 --> 00:22:52,280
Speaker 1: you say that, I kind of remember every one of

428
00:22:52,280 --> 00:22:55,080
Speaker 1: your lines from this episode. It's so funny. This is

429
00:22:55,080 --> 00:22:57,560
Speaker 1: a very important episode, Like I remember being super aware

430
00:22:57,600 --> 00:22:59,159
Speaker 1: of what weird. I guess it's just because it was

431
00:22:59,200 --> 00:23:11,200
Speaker 1: the last one we did. Yeah, yeah. So Corey tells

432
00:23:11,200 --> 00:23:12,960
Speaker 1: her a joke and she doesn't really get it. He

433
00:23:13,040 --> 00:23:15,520
Speaker 1: asks if she wants to go to bob Stoop Checks

434
00:23:15,560 --> 00:23:21,800
Speaker 1: Burger World after sports sporting goods. Yeah. Man, So when

435
00:23:21,840 --> 00:23:23,520
Speaker 1: we do a pop up Chubbies, we have to have

436
00:23:23,600 --> 00:23:26,639
Speaker 1: like a pop up Bob Stupid Checks everything else exactly.

437
00:23:26,800 --> 00:23:28,920
Speaker 1: It'll be our version of Costco. It'll just be Bob

438
00:23:28,960 --> 00:23:35,680
Speaker 1: Stupid Check and you can get everything. Chubby Stupid Checks

439
00:23:36,040 --> 00:23:38,480
Speaker 1: or Chubbies is the pop up and Bob stoop Checks

440
00:23:38,560 --> 00:23:44,720
Speaker 1: runs our merch department March March Yeah. To Panka says

441
00:23:44,760 --> 00:23:47,399
Speaker 1: she's a vegetarian. Corey says, of course. The plan is

442
00:23:47,440 --> 00:23:50,040
Speaker 1: to meet at Burger World and then walk over to

443
00:23:50,119 --> 00:23:53,520
Speaker 1: International House of Salads and to Panka gleefully yells, I

444
00:23:53,600 --> 00:23:58,000
Speaker 1: love eye Hoss. That made me laugh out loud. That's great,

445
00:23:58,240 --> 00:24:01,680
Speaker 1: it's great. I love eyehs So they planned to meet

446
00:24:01,680 --> 00:24:04,120
Speaker 1: at for thirty and to Penga says it's a date,

447
00:24:04,240 --> 00:24:06,600
Speaker 1: and Corey is now terrified he's going on a date.

448
00:24:06,640 --> 00:24:08,800
Speaker 1: Here's the thing of all the things. Why did the

449
00:24:08,840 --> 00:24:11,000
Speaker 1: stick out to me? I don't know, but they're meeting

450
00:24:11,000 --> 00:24:13,760
Speaker 1: at five thirty, and my first thought was So is

451
00:24:13,800 --> 00:24:15,840
Speaker 1: that a late lunch or an early dinner or you

452
00:24:15,960 --> 00:24:20,200
Speaker 1: just having a salad as a snack? What's going on here? Question?

453
00:24:20,280 --> 00:24:23,200
Speaker 1: Time is four thirty to eat? All right? But also

454
00:24:23,200 --> 00:24:26,119
Speaker 1: why aren't they just meeting after school? Like like Seawan

455
00:24:26,200 --> 00:24:28,040
Speaker 1: and his date just met at the lockers, right, She's like,

456
00:24:28,040 --> 00:24:29,320
Speaker 1: I'll see at the lockers and then we'll go to

457
00:24:29,359 --> 00:24:32,760
Speaker 1: the movies, Whereas like they needed time for Corey to

458
00:24:32,800 --> 00:24:38,359
Speaker 1: go home canceling. So it's also ho when I hosped

459
00:24:38,359 --> 00:24:41,520
Speaker 1: by around five thirty gets really packed? True? You want

460
00:24:41,520 --> 00:24:44,400
Speaker 1: to be I want to get there early? Yeah, doors

461
00:24:44,440 --> 00:24:47,920
Speaker 1: open at four one, and you really want to get

462
00:24:47,920 --> 00:24:50,640
Speaker 1: there early? Icebergs gone? Do you really want to get

463
00:24:50,640 --> 00:24:53,639
Speaker 1: there early? We want to get will we want to

464
00:24:53,640 --> 00:25:01,880
Speaker 1: get O good? Eye House is any good? They only

465
00:25:01,920 --> 00:25:05,480
Speaker 1: serve butter Lettus. By it the way, a number of

466
00:25:05,560 --> 00:25:09,600
Speaker 1: types of lettuce at Eye House. That's like saying International

467
00:25:10,119 --> 00:25:12,840
Speaker 1: Pancakes only serves one type of pancake. That doesn't make

468
00:25:12,880 --> 00:25:16,000
Speaker 1: it any international house better lettuce? Really is? You, guys?

469
00:25:16,040 --> 00:25:17,800
Speaker 1: I did have a salad not that long ago, and

470
00:25:17,840 --> 00:25:20,080
Speaker 1: I specifically bought butter Lettus thinking of both of you,

471
00:25:20,119 --> 00:25:21,440
Speaker 1: and I was like, yeah, Why have I been eating

472
00:25:21,480 --> 00:25:24,320
Speaker 1: any other lettuce? Yeah, there's no other lettuce. It's the best.

473
00:25:24,440 --> 00:25:26,399
Speaker 1: I mean, arugola is still really great and adds a

474
00:25:26,400 --> 00:25:28,000
Speaker 1: little bit of a spice, but it can't be your

475
00:25:28,000 --> 00:25:30,800
Speaker 1: only Let us in a saltad. Romane is good. It's

476
00:25:30,840 --> 00:25:35,159
Speaker 1: fine romane and compared to a butter, it depends what

477
00:25:35,160 --> 00:25:36,640
Speaker 1: you're going to do with it. You make a burger,

478
00:25:36,680 --> 00:25:38,760
Speaker 1: you want a nice crunch of iceberg right there on

479
00:25:38,800 --> 00:25:45,240
Speaker 1: your on your burger. That's true because we do listen,

480
00:25:45,280 --> 00:25:47,080
Speaker 1: I'll let you both make me a burger and then

481
00:25:47,080 --> 00:25:51,359
Speaker 1: we'll just decide here. Okay, so we're in the Matthews kitchen.

482
00:25:51,400 --> 00:25:54,560
Speaker 1: Amy comes downstairs smiling, and Alan asks what she knows

483
00:25:54,600 --> 00:25:57,080
Speaker 1: that he doesn't, and she tells him Corey is going

484
00:25:57,080 --> 00:26:00,360
Speaker 1: on his first date. Alan says dating wasn't always great

485
00:26:00,400 --> 00:26:03,040
Speaker 1: for him while growing up, and Amy says she loved dating.

486
00:26:03,119 --> 00:26:12,119
Speaker 1: She talked to eight guys a night, okay, Amy, go off. Yeah, Hey,

487
00:26:13,280 --> 00:26:17,679
Speaker 1: she was proposed to at least twice. Yeah. That was

488
00:26:17,680 --> 00:26:21,159
Speaker 1: also a generational thing because I remember growing up, my

489
00:26:21,200 --> 00:26:24,200
Speaker 1: mom used to tell me that they like you would

490
00:26:24,240 --> 00:26:26,760
Speaker 1: date a number of different people, and that's literally just

491
00:26:26,800 --> 00:26:29,480
Speaker 1: what it was. It was just dating. It wasn't anything torrid,

492
00:26:29,560 --> 00:26:32,439
Speaker 1: but there would be you weren't committing to one person.

493
00:26:32,480 --> 00:26:34,680
Speaker 1: You would always have a number of people that you

494
00:26:34,720 --> 00:26:36,320
Speaker 1: were dating. That was the proper way to do it

495
00:26:36,320 --> 00:26:38,520
Speaker 1: back in the day. I know. I remember having that

496
00:26:38,600 --> 00:26:41,080
Speaker 1: conversation with my mom, and my mom telling me, like, Danielle,

497
00:26:41,359 --> 00:26:44,200
Speaker 1: you're really like you focus all your energy on one

498
00:26:44,240 --> 00:26:46,160
Speaker 1: person and then if that person is not the right person,

499
00:26:46,200 --> 00:26:48,160
Speaker 1: think of all the amazing people you may have missed

500
00:26:48,160 --> 00:26:50,159
Speaker 1: out on. You have to keep your options open. And

501
00:26:50,200 --> 00:26:53,760
Speaker 1: I just didn't understand that as and you focused on

502
00:26:53,840 --> 00:26:58,080
Speaker 1: Lance and it just, I mean way to do that.

503
00:26:58,080 --> 00:27:00,280
Speaker 1: That wasn't pick I don't know what you're rob miss

504
00:27:01,280 --> 00:27:02,960
Speaker 1: That's interesting, I ever thought about that. I'm the same

505
00:27:02,960 --> 00:27:05,920
Speaker 1: way like I was always like you're my girlfriend. Were together,

506
00:27:06,280 --> 00:27:08,960
Speaker 1: like even in third grade or whatever one where we

507
00:27:09,000 --> 00:27:10,639
Speaker 1: talked to each other, but it was like we started

508
00:27:10,720 --> 00:27:13,520
Speaker 1: going out, right, you go with somebody too. And I

509
00:27:13,520 --> 00:27:15,840
Speaker 1: guess previous generations that wasn't as much of a thing.

510
00:27:16,200 --> 00:27:18,240
Speaker 1: Just kind of like hang out and be dating and

511
00:27:19,000 --> 00:27:21,000
Speaker 1: multiple people, and that was the way it was. It

512
00:27:21,040 --> 00:27:23,480
Speaker 1: was totally normal. It was it wasn't sexual it was

513
00:27:23,520 --> 00:27:25,840
Speaker 1: just you would be You would go to dinners with people,

514
00:27:25,960 --> 00:27:29,520
Speaker 1: you go on group dates. You just it's sort of why.

515
00:27:29,640 --> 00:27:31,560
Speaker 1: It's the same way you go to different stores and

516
00:27:31,600 --> 00:27:36,600
Speaker 1: you have different markets for different things and different but

517
00:27:36,720 --> 00:27:39,600
Speaker 1: you were a costco dater. You totally were a costco.

518
00:27:40,240 --> 00:27:42,320
Speaker 1: You met a girl, you got that, you got the

519
00:27:42,680 --> 00:27:46,199
Speaker 1: gold card and you and then he made sure he

520
00:27:46,320 --> 00:27:50,920
Speaker 1: made her ring exactly. He did not go to bomb

521
00:27:50,960 --> 00:27:55,520
Speaker 1: stupid Check's way world. He did not. Can we talk

522
00:27:55,640 --> 00:28:02,400
Speaker 1: very briefly about Rusty pouring coffee into a giant milk glass? Oh? Yeah,

523
00:28:02,520 --> 00:28:04,919
Speaker 1: go back and watch. He has a milk glass, a

524
00:28:05,080 --> 00:28:09,320
Speaker 1: full on tall tumbler of milk glass that he walks

525
00:28:09,320 --> 00:28:12,080
Speaker 1: over to the coffee pot and fills up to the

526
00:28:12,119 --> 00:28:15,560
Speaker 1: top with coffee from the coffee thing that then Amy

527
00:28:15,640 --> 00:28:18,040
Speaker 1: goes over and grabs a mug and fills a mug

528
00:28:18,080 --> 00:28:20,440
Speaker 1: from the same thing. I'm sitting there watching like what

529
00:28:20,560 --> 00:28:23,760
Speaker 1: how is nobody saying anything like that? Business man you know,

530
00:28:23,960 --> 00:28:26,480
Speaker 1: just just did it one day with a paper cup,

531
00:28:26,520 --> 00:28:27,760
Speaker 1: and then they were like, oh, we gotta give him

532
00:28:27,760 --> 00:28:29,800
Speaker 1: a cup. Here, here's a cup, and he just did.

533
00:28:30,000 --> 00:28:32,119
Speaker 1: And then when he brings it to the table, there's

534
00:28:32,160 --> 00:28:34,000
Speaker 1: nothing in it, and then they cut back and there's

535
00:28:34,040 --> 00:28:37,640
Speaker 1: giant ice cubes in it. So now he's suddenly made

536
00:28:37,800 --> 00:28:40,600
Speaker 1: iced coffee. It is the weirdest thing. It's the weirdest

537
00:28:40,600 --> 00:28:42,440
Speaker 1: actor business where I was just like, is he why

538
00:28:42,520 --> 00:28:44,160
Speaker 1: is he holding a milk? Oh, that's a coffee? What

539
00:28:44,280 --> 00:28:46,720
Speaker 1: the hell is going on? Wow? I will go to

540
00:28:46,760 --> 00:28:50,200
Speaker 1: rewatch just for the coffee scene. Coffee scene, so Amy says,

541
00:28:50,200 --> 00:28:53,160
Speaker 1: Corey seems excited to take out to Panga, and Alan says,

542
00:28:53,240 --> 00:28:56,560
Speaker 1: to Panga, he always teases her. And then it's like,

543
00:28:57,680 --> 00:29:00,960
Speaker 1: I love that line. I love that because was it's true? Right?

544
00:29:01,040 --> 00:29:03,560
Speaker 1: Like you always like you tease or you make fun

545
00:29:03,600 --> 00:29:06,560
Speaker 1: of the person that you have. Now I know you've

546
00:29:06,600 --> 00:29:09,240
Speaker 1: been I know to Panga has been to the house before.

547
00:29:10,160 --> 00:29:14,120
Speaker 1: But have Amy and Allan ever actually said the name

548
00:29:14,160 --> 00:29:17,080
Speaker 1: to Panga before. I was wondering if this is the

549
00:29:17,120 --> 00:29:19,720
Speaker 1: first time they've uttered the word, because they made it

550
00:29:19,760 --> 00:29:21,960
Speaker 1: sound like they know exactly who you are. You've obviously

551
00:29:22,120 --> 00:29:24,360
Speaker 1: talked about a lot, and I'm wondering how they ever

552
00:29:24,480 --> 00:29:27,160
Speaker 1: actually said the name to Pango before? Was this the

553
00:29:27,160 --> 00:29:30,520
Speaker 1: first time? I'm trying to think Amy definitely was in

554
00:29:30,560 --> 00:29:35,840
Speaker 1: the scene with Topanga, right when she muscles away brownies. Yeah,

555
00:29:35,960 --> 00:29:37,920
Speaker 1: and we know that Alan knows of them because they

556
00:29:37,920 --> 00:29:42,560
Speaker 1: played the softball tournament. Again, Yeah, they know of Jedediah.

557
00:29:42,600 --> 00:29:48,120
Speaker 1: But has he I'm curious and I don't think this

558
00:29:48,200 --> 00:29:50,360
Speaker 1: is the moment when it's like she becomes part of

559
00:29:50,360 --> 00:29:52,160
Speaker 1: the That's what I mean. That's what it hit me.

560
00:29:52,600 --> 00:29:55,160
Speaker 1: Where it was like it wasn't because they easily could

561
00:29:55,160 --> 00:29:57,040
Speaker 1: have been to Pango, what kind of name is that? Oh,

562
00:29:57,120 --> 00:29:59,040
Speaker 1: she's this hippie girl in my school. Who but it's

563
00:29:59,160 --> 00:30:01,200
Speaker 1: but it wasn't. It was oh, to Panga, like we

564
00:30:01,280 --> 00:30:05,280
Speaker 1: know exactly and that it changed the it lets you

565
00:30:05,320 --> 00:30:07,760
Speaker 1: know that, No, this is they know exactly who she is.

566
00:30:07,760 --> 00:30:10,600
Speaker 1: She's been part of their life growing up, and he

567
00:30:10,640 --> 00:30:13,440
Speaker 1: knows the dad. And so that's what hit me was, Okay,

568
00:30:13,480 --> 00:30:15,920
Speaker 1: they're saying it like they know exactly who she is. Yeah,

569
00:30:16,000 --> 00:30:18,000
Speaker 1: you're right. It feels a little bit like when we

570
00:30:18,000 --> 00:30:19,760
Speaker 1: were like, is this the first time Sean's ever been

571
00:30:19,760 --> 00:30:22,360
Speaker 1: in their house? And that you know, and then when

572
00:30:22,440 --> 00:30:23,960
Speaker 1: you pick up the phone and they're talking to your

573
00:30:23,960 --> 00:30:26,200
Speaker 1: mom like it does it felt very much like, oh,

574
00:30:26,240 --> 00:30:30,400
Speaker 1: I'm in the Matthews family universe, not just the Corey

575
00:30:30,480 --> 00:30:32,800
Speaker 1: Shawn's school universe. Right, That's what it felt like to

576
00:30:32,840 --> 00:30:34,640
Speaker 1: me when they were talking about you was okay, So

577
00:30:34,720 --> 00:30:37,719
Speaker 1: to Panga's part of this, and they're already planning if

578
00:30:37,720 --> 00:30:39,440
Speaker 1: we get picked up to make her a much bigger

579
00:30:39,480 --> 00:30:41,440
Speaker 1: part of the show. That's what all went through my head,

580
00:30:42,120 --> 00:30:45,880
Speaker 1: just with that one conversation about Topanga in the kitchen. Yeah,

581
00:30:46,000 --> 00:30:48,480
Speaker 1: so Corey walks in and Amy says this date is

582
00:30:48,520 --> 00:30:50,680
Speaker 1: going to be wonderful, and Alan says, this is the

583
00:30:50,720 --> 00:30:53,680
Speaker 1: stupidest thing you've ever done. Corey says, ever since they

584
00:30:53,680 --> 00:30:57,120
Speaker 1: watched that Puberty movie at school, everyone has been acting weird.

585
00:30:57,880 --> 00:31:01,080
Speaker 1: And Amy then realizes that Cory asked out to Panga

586
00:31:01,080 --> 00:31:03,440
Speaker 1: to keep up with Sean and says that that's not

587
00:31:03,560 --> 00:31:06,920
Speaker 1: very fair to to Panga. I also love though, how Alan,

588
00:31:07,480 --> 00:31:13,960
Speaker 1: it's the same movie that hasn't been done anything. And

589
00:31:14,000 --> 00:31:16,040
Speaker 1: I didn't even realize that I stole this for the

590
00:31:16,040 --> 00:31:18,200
Speaker 1: Girl Meet Toiled episode that I wrote, which is they

591
00:31:18,200 --> 00:31:21,480
Speaker 1: watch a an old video about asking somebody out to

592
00:31:21,480 --> 00:31:23,200
Speaker 1: go to a dance that I did the voice over for.

593
00:31:23,680 --> 00:31:25,720
Speaker 1: I was like me, you know, meet Billy. Billy is

594
00:31:25,720 --> 00:31:27,440
Speaker 1: going to ask out Sally to the day and we

595
00:31:27,520 --> 00:31:28,920
Speaker 1: did this whole kind of thing, and I was like, oh,

596
00:31:28,960 --> 00:31:33,160
Speaker 1: I guess I subconsciously stole this from Boy because it

597
00:31:33,280 --> 00:31:35,760
Speaker 1: is you would always watch these movies that were from

598
00:31:36,000 --> 00:31:40,760
Speaker 1: the fifties about you know, oh, you're ever changing body, Wow,

599
00:31:40,800 --> 00:31:43,080
Speaker 1: where's that odor coming from? Like that kind of thing,

600
00:31:43,600 --> 00:31:45,840
Speaker 1: and it's it never changed. I love how Alan brings

601
00:31:45,880 --> 00:31:47,880
Speaker 1: that up, because my my parents would say the same thing,

602
00:31:47,880 --> 00:31:50,959
Speaker 1: like they're still showing that same one. I watched the

603
00:31:51,000 --> 00:31:53,600
Speaker 1: bar for driving the Driving classes was a movie called

604
00:31:53,600 --> 00:31:56,600
Speaker 1: Blood on the Asphalt and then would constantly show that

605
00:31:56,640 --> 00:31:58,880
Speaker 1: and it never changed and it was like they showed

606
00:31:58,920 --> 00:32:01,480
Speaker 1: it for generation. Yeah. I love how they're doing it

607
00:32:01,480 --> 00:32:03,720
Speaker 1: with I mean, they really tell you what the movie

608
00:32:03,800 --> 00:32:07,320
Speaker 1: is about in the title. Yes, exciting me. I don't

609
00:32:07,320 --> 00:32:13,800
Speaker 1: need to have more details about horrible. Yeah. So yeah,

610
00:32:13,840 --> 00:32:16,120
Speaker 1: Amy says that doesn't really feel fair to to Panga,

611
00:32:16,200 --> 00:32:18,440
Speaker 1: and then he says, you know what, honesty with women,

612
00:32:18,480 --> 00:32:21,040
Speaker 1: Honesty is always the best policy. Corey calls to Panga

613
00:32:21,080 --> 00:32:23,720
Speaker 1: to be totally honest with her, and then he tells

614
00:32:23,720 --> 00:32:26,040
Speaker 1: her he has the flu, coughs into the phone, and

615
00:32:26,120 --> 00:32:28,400
Speaker 1: he hangs up on her. Hold on, hold on, Why

616
00:32:28,640 --> 00:32:30,840
Speaker 1: does he walk all the way into the other room

617
00:32:30,960 --> 00:32:33,840
Speaker 1: when there is a phone directly behind him in the kitchen,

618
00:32:33,920 --> 00:32:37,120
Speaker 1: because he's got a cord phone right there. I was like, Oh,

619
00:32:37,160 --> 00:32:39,120
Speaker 1: we gotta we gotta get him away from the parents.

620
00:32:39,160 --> 00:32:41,480
Speaker 1: So we gotta get him away from the parents so

621
00:32:41,480 --> 00:32:43,360
Speaker 1: we can lie in the other room and then can

622
00:32:43,480 --> 00:32:45,520
Speaker 1: we talk about I think we've mentioned it briefly, but

623
00:32:45,880 --> 00:32:50,080
Speaker 1: then hanging up phones all season has actors I wrote

624
00:32:50,280 --> 00:32:53,080
Speaker 1: bad phone at every time he doesn't hit a button,

625
00:32:53,360 --> 00:32:55,400
Speaker 1: but he puts the antenna down. Even when the antenna

626
00:32:55,480 --> 00:32:58,360
Speaker 1: hasn't been up. He does the exact same move every time.

627
00:32:58,400 --> 00:33:00,719
Speaker 1: It's like it's like a weird nervous tick. He just

628
00:33:00,760 --> 00:33:03,360
Speaker 1: can't figure out how to deal with the phone. Also, guys,

629
00:33:03,480 --> 00:33:07,640
Speaker 1: he has to pangas phone number memorized, right, He just

630
00:33:07,640 --> 00:33:10,720
Speaker 1: wakes up the phone, hits he hits a few numbers,

631
00:33:10,800 --> 00:33:13,720
Speaker 1: and then he's on the phone with I do I

632
00:33:13,760 --> 00:33:16,520
Speaker 1: do remember every everybody's phone number memorize in my own town,

633
00:33:16,680 --> 00:33:18,760
Speaker 1: like I knew everybody in my class, and I still

634
00:33:18,800 --> 00:33:22,320
Speaker 1: to this day can recite like phone numbers people I

635
00:33:22,320 --> 00:33:24,440
Speaker 1: grew up with me. I can do that too. Yeah.

636
00:33:24,520 --> 00:33:27,440
Speaker 1: But but the thing is so Ben is so good

637
00:33:27,920 --> 00:33:31,120
Speaker 1: as Corey, so good until you put a phone in

638
00:33:31,160 --> 00:33:34,040
Speaker 1: his hands. He so one of my favorite things. He

639
00:33:34,120 --> 00:33:38,000
Speaker 1: was like highest Panga there, Yes, No, I did mean physically, hey,

640
00:33:38,080 --> 00:33:43,800
Speaker 1: Topanga like rush and the phone, anybody else, like give

641
00:33:43,840 --> 00:33:46,120
Speaker 1: it a second? Is she is? She just standing there

642
00:33:46,120 --> 00:33:48,200
Speaker 1: waiting for the phone to go and then it's like

643
00:33:48,680 --> 00:33:50,440
Speaker 1: I'm sick by click and it's like, no, you didn't

644
00:33:50,480 --> 00:33:55,360
Speaker 1: hang up, you numbers. Like when we did the batting episode,

645
00:33:55,400 --> 00:33:57,120
Speaker 1: he's on the phone like four times. At each time

646
00:33:57,200 --> 00:33:59,880
Speaker 1: he's just not pulling the antenna up but putting it down,

647
00:34:00,000 --> 00:34:01,720
Speaker 1: not putting a button to turn it on. You know,

648
00:34:01,760 --> 00:34:12,360
Speaker 1: It's like it's just not be not the best phone actor.

649
00:34:13,440 --> 00:34:16,520
Speaker 1: So uh, We're in the living room. Corey is throwing

650
00:34:16,760 --> 00:34:20,160
Speaker 1: laundry into the laundry basket, practicing his basketball shot when

651
00:34:20,200 --> 00:34:22,760
Speaker 1: there's a knock at the door and it's Topanga. Corey

652
00:34:22,840 --> 00:34:25,000
Speaker 1: quickly pretends he's sick and she gives him a D

653
00:34:25,320 --> 00:34:28,560
Speaker 1: A T to detoxify his aura. And I remember everything

654
00:34:28,600 --> 00:34:31,839
Speaker 1: about this thermis and the way it felt and the

655
00:34:31,880 --> 00:34:35,399
Speaker 1: tea and I remember all of this. The best scene, well,

656
00:34:35,520 --> 00:34:38,399
Speaker 1: arguably the best scene in the in the seven years

657
00:34:38,440 --> 00:34:42,200
Speaker 1: of the show, in my opinion, it's up. No. I

658
00:34:42,239 --> 00:34:45,319
Speaker 1: am telling you from everything from the run throughs. I

659
00:34:45,360 --> 00:34:50,160
Speaker 1: remember watching you block this scene. I remember watching the

660
00:34:50,200 --> 00:34:53,000
Speaker 1: rehearsals of this scene. I remember it killing it hold

661
00:34:53,280 --> 00:34:56,600
Speaker 1: run through actually really, because what I remember is that

662
00:34:56,640 --> 00:34:59,680
Speaker 1: it really came alive on tape night that too. I

663
00:35:00,040 --> 00:35:03,360
Speaker 1: under if it went through major changes until the last minute,

664
00:35:03,400 --> 00:35:06,400
Speaker 1: because I remember it being sort of a live wire event,

665
00:35:06,560 --> 00:35:09,960
Speaker 1: like I remember us all watching it the monitor kind

666
00:35:09,960 --> 00:35:12,120
Speaker 1: of feeling like is this working? And I wonder if

667
00:35:12,160 --> 00:35:15,320
Speaker 1: that's because it changed drastically a last minute, like something happened.

668
00:35:15,320 --> 00:35:17,359
Speaker 1: I feel like it was a rewrite or something, because

669
00:35:17,800 --> 00:35:21,960
Speaker 1: I don't remember. I just remember it. I don't remember changing.

670
00:35:22,160 --> 00:35:26,160
Speaker 1: I remember that what happened on show night is everyone

671
00:35:26,280 --> 00:35:31,239
Speaker 1: being shocked at how totally invested the audience was, and

672
00:35:31,280 --> 00:35:33,440
Speaker 1: they were maybe that's what it was, and that that

673
00:35:33,520 --> 00:35:35,279
Speaker 1: was the feeling. Is kind of like during the week

674
00:35:35,320 --> 00:35:37,680
Speaker 1: it was like, oh, that's a cute scene, and then

675
00:35:37,760 --> 00:35:42,719
Speaker 1: on the show night being like, people are electrified by

676
00:35:42,719 --> 00:35:45,480
Speaker 1: this relationship and there's something it was like a buzz.

677
00:35:45,800 --> 00:35:48,960
Speaker 1: It was truly electricity about the scene. That. I don't

678
00:35:49,000 --> 00:35:52,120
Speaker 1: think anybody anticipated. I think everyone thought that's a fine scene,

679
00:35:52,160 --> 00:35:54,160
Speaker 1: it's cute. There's this cute moment where I think it

680
00:35:54,239 --> 00:35:57,640
Speaker 1: was leading up to them hands touching. The hands touching

681
00:35:57,680 --> 00:35:59,640
Speaker 1: will be the big moment, but actually all the little

682
00:35:59,640 --> 00:36:03,719
Speaker 1: moments before then we're also perfect. And it was I

683
00:36:03,760 --> 00:36:06,640
Speaker 1: remember being like writer said, we're standing around all of

684
00:36:06,719 --> 00:36:09,920
Speaker 1: us are around the monitor at that point watching it happen,

685
00:36:10,200 --> 00:36:12,839
Speaker 1: and Michael turned when when the handshake does, when the

686
00:36:12,920 --> 00:36:15,520
Speaker 1: touching does happen, which we'll get into, Michael turned to

687
00:36:15,600 --> 00:36:18,640
Speaker 1: somebody and said, this is the show. I remember. I'll

688
00:36:18,640 --> 00:36:21,120
Speaker 1: never forget how he said this is the show. So

689
00:36:21,280 --> 00:36:23,759
Speaker 1: it was that moment. That's why I think it's such

690
00:36:23,760 --> 00:36:26,680
Speaker 1: an important I mean not just for Corey and Topanga,

691
00:36:26,719 --> 00:36:28,879
Speaker 1: but for the whole show. It was just so well.

692
00:36:28,960 --> 00:36:31,920
Speaker 1: But I mean, this is the whole show became right.

693
00:36:31,920 --> 00:36:34,719
Speaker 1: I mean, like this is the central relationship of boy

694
00:36:34,719 --> 00:36:38,120
Speaker 1: Mean's world. Like this is how Corey becomes a man, right,

695
00:36:38,160 --> 00:36:41,920
Speaker 1: It's like his love for Topanga is his education, is

696
00:36:42,000 --> 00:36:44,880
Speaker 1: his growth, and it's you know, because of the success

697
00:36:44,880 --> 00:36:47,040
Speaker 1: of this scene, the two of you were just it's

698
00:36:47,120 --> 00:36:50,360
Speaker 1: a perfect scene. I mean every every beat lands perfectly.

699
00:36:50,520 --> 00:36:53,400
Speaker 1: It's so funny. It's it's i mean, think about it, wonderful.

700
00:36:53,719 --> 00:36:57,080
Speaker 1: If this scene did not work at all, it was

701
00:36:57,120 --> 00:36:59,759
Speaker 1: just kind of another scene that came and went topanga.

702
00:37:00,120 --> 00:37:03,160
Speaker 1: He could have just been another person would be trying

703
00:37:03,200 --> 00:37:06,919
Speaker 1: the classroom, a new character for a girlfriend. Next, bring

704
00:37:07,040 --> 00:37:09,560
Speaker 1: somebody else in. But it worked so well. And I

705
00:37:09,920 --> 00:37:14,160
Speaker 1: my grandfather, who is about to turn years old, so

706
00:37:14,239 --> 00:37:16,360
Speaker 1: he would have been sixty eight at the time that

707
00:37:16,360 --> 00:37:19,920
Speaker 1: we were doing this, or maybe sixty nine, and he

708
00:37:20,200 --> 00:37:22,640
Speaker 1: was there for the taping, and he loves to tell

709
00:37:22,640 --> 00:37:26,160
Speaker 1: me the story that during this scene, at one point, Michael,

710
00:37:26,200 --> 00:37:28,280
Speaker 1: you know, Michael always stood really close to the monitors,

711
00:37:28,480 --> 00:37:30,719
Speaker 1: and at one point during the scene we we finished it,

712
00:37:30,760 --> 00:37:33,160
Speaker 1: and Michael touched my face and said, what a fine,

713
00:37:34,480 --> 00:37:37,760
Speaker 1: that's cool. Isn't that cool? My grandfather, because my grandfather

714
00:37:37,800 --> 00:37:39,880
Speaker 1: watched it happen, you know, like he was sitting in

715
00:37:39,880 --> 00:37:42,719
Speaker 1: the audience but could see the monitors. And my grandfather,

716
00:37:42,760 --> 00:37:45,320
Speaker 1: of course is like my number one fan, just the biggest,

717
00:37:45,400 --> 00:37:47,640
Speaker 1: you know, and so he was, you know, my grandfather

718
00:37:47,719 --> 00:37:49,440
Speaker 1: was like, oh my gosh, this is the greatest thing

719
00:37:49,440 --> 00:37:53,560
Speaker 1: that ever happened. And to see Michael comment and compliment

720
00:37:53,600 --> 00:37:56,680
Speaker 1: me like that and acknowledge that just you know, and

721
00:37:56,719 --> 00:37:58,319
Speaker 1: so he was so excited to tell us guess what

722
00:37:58,360 --> 00:38:00,360
Speaker 1: he said about you. And so that was that's the

723
00:38:00,440 --> 00:38:03,200
Speaker 1: very that's a sweet moment. And then it took two

724
00:38:03,280 --> 00:38:06,000
Speaker 1: years to make you a regular. Yeah, you just got guest.

725
00:38:08,719 --> 00:38:12,759
Speaker 1: I'm telling you. My mom swears that I was all

726
00:38:13,160 --> 00:38:15,200
Speaker 1: that in the first season. They did make me a

727
00:38:15,239 --> 00:38:18,200
Speaker 1: series regular. I just wasn't credited, but I know I

728
00:38:19,239 --> 00:38:22,600
Speaker 1: did not become a serious Jennifer's control. We can bring

729
00:38:22,680 --> 00:38:25,440
Speaker 1: Judy Savage on. I remember negotiations, like we had the

730
00:38:25,480 --> 00:38:27,440
Speaker 1: same agent, and it was a big deal that they

731
00:38:27,480 --> 00:38:29,759
Speaker 1: did not make you a regular or even guarantee a

732
00:38:29,760 --> 00:38:32,680
Speaker 1: certain amount of episodes. Maybe maybe you got, you know,

733
00:38:33,040 --> 00:38:35,840
Speaker 1: nine out of thirteen or some guarantee my second season.

734
00:38:35,880 --> 00:38:38,080
Speaker 1: But I remember you were not a regular until season

735
00:38:38,120 --> 00:38:40,839
Speaker 1: three or four, and it was a big deal and ridiculously,

736
00:38:41,160 --> 00:38:44,960
Speaker 1: we should have Judy Savage on. We could. Yeah, I

737
00:38:45,000 --> 00:38:47,680
Speaker 1: had lunched her three years ago. It was great. Oh

738
00:38:47,719 --> 00:38:49,080
Speaker 1: my gosh, let's please do that. I want to have

739
00:38:49,120 --> 00:38:52,279
Speaker 1: Judy Savage on. Okay, So to Penga says, now, this

740
00:38:52,360 --> 00:38:54,600
Speaker 1: is the scene where as much as we just complimented me.

741
00:38:54,960 --> 00:38:58,320
Speaker 1: I am so bad in this scene. I am telegraphing

742
00:39:00,040 --> 00:39:03,239
Speaker 1: a very thing everything. I don't either. I thought you're

743
00:39:03,360 --> 00:39:07,080
Speaker 1: great in this hang up. I'm sorry if I bothered

744
00:39:07,080 --> 00:39:11,000
Speaker 1: you with the tea. I just wanted to make sure

745
00:39:09,520 --> 00:39:14,759
Speaker 1: it's really a real pouty like she just wanted to

746
00:39:14,800 --> 00:39:23,280
Speaker 1: make show you were okay girl, little girl terrible. Thanks

747
00:39:24,239 --> 00:39:28,719
Speaker 1: workshop that. So I walked to the door and then

748
00:39:28,760 --> 00:39:32,080
Speaker 1: she's like, okay, you know. Corey says, okay, I'm not sick.

749
00:39:32,160 --> 00:39:33,680
Speaker 1: He just isn't ready to go on a date. And

750
00:39:33,719 --> 00:39:36,840
Speaker 1: she says, well, that's okay. Jedediah and Chloe have always

751
00:39:36,840 --> 00:39:39,239
Speaker 1: told me to listen to my inner voice. It'll let

752
00:39:39,239 --> 00:39:42,479
Speaker 1: you know what's true for you. And then he says, yeah,

753
00:39:42,600 --> 00:39:44,520
Speaker 1: you know, they've also told me the same thing, but

754
00:39:44,560 --> 00:39:46,960
Speaker 1: the planets weren't swirling around my head. And then I

755
00:39:47,080 --> 00:39:50,040
Speaker 1: start to look sorry, we blew past the worst joke

756
00:39:50,120 --> 00:39:54,319
Speaker 1: of the entire season. I'm not Jim sucks. It's like

757
00:39:54,400 --> 00:39:57,680
Speaker 1: the dumbest joke. I thought you were going to make

758
00:39:57,719 --> 00:40:01,400
Speaker 1: an assassination a bunch of It's like, oh my god,

759
00:40:02,120 --> 00:40:04,960
Speaker 1: that's like, well, you're a very good point. The Lincoln

760
00:40:05,000 --> 00:40:10,440
Speaker 1: is Lincoln assassination worse than bunch of jokes? Is like, what? What? Where? Who's?

761
00:40:10,560 --> 00:40:16,439
Speaker 1: What's a Lincoln assassination? Best before the Lincoln too soon?

762
00:40:16,719 --> 00:40:20,840
Speaker 1: I mean, like, what what's happening with that? What eleven

763
00:40:20,960 --> 00:40:26,080
Speaker 1: year old throws out a random Lincoln assassination? Daniels red

764
00:40:26,080 --> 00:40:33,239
Speaker 1: GELOPI cowboy, cowboy exactly? What the hell is that? A Lincoln? As? Yeah?

765
00:40:33,520 --> 00:40:40,720
Speaker 1: Sing gotcha? Alright, enjoy the play, Mr President, that's funny.

766
00:40:40,880 --> 00:40:43,000
Speaker 1: A bunch of jim is bunch oft your real thing

767
00:40:43,080 --> 00:40:45,319
Speaker 1: or the big makeup. I think it made it up

768
00:40:45,360 --> 00:40:46,920
Speaker 1: just to be able to make the joke I've never

769
00:40:46,960 --> 00:40:49,759
Speaker 1: heard of. Okay, I'm looking this up now, look it

770
00:40:49,800 --> 00:40:53,080
Speaker 1: up please. But then here's another terrible moment for my acting.

771
00:40:53,120 --> 00:40:55,439
Speaker 1: When I'm about to leave again and you can tell

772
00:40:55,480 --> 00:40:58,959
Speaker 1: that I'm stalling because I tap my finger on the door.

773
00:40:59,120 --> 00:41:02,960
Speaker 1: Knop is a real thing. It's a type of grip too.

774
00:41:03,640 --> 00:41:05,040
Speaker 1: All right, So do you take it back? Do you

775
00:41:05,080 --> 00:41:11,040
Speaker 1: love the joke? Now? It's hysterical, it's so clever. I

776
00:41:11,080 --> 00:41:15,960
Speaker 1: love it so much. So like James Madison, what like

777
00:41:16,080 --> 00:41:23,920
Speaker 1: what you can tell doesn't want to said? It's not

778
00:41:23,920 --> 00:41:28,600
Speaker 1: even a good president? Okay, Mr James poke, like, what

779
00:41:28,600 --> 00:41:36,960
Speaker 1: what the hell are you doing? Who's so Pana doesn't

780
00:41:36,960 --> 00:41:39,439
Speaker 1: want to go? She taps her finger on the door.

781
00:41:39,719 --> 00:41:43,160
Speaker 1: She tells she's I'm thinking. I'm like doing thinking face.

782
00:41:43,320 --> 00:41:46,279
Speaker 1: And then I turn around and I say, can I

783
00:41:46,360 --> 00:41:50,000
Speaker 1: ask you a personal question? Why are there socks all

784
00:41:50,000 --> 00:41:53,160
Speaker 1: over the floor? Which so I had a little bit

785
00:41:53,160 --> 00:41:55,799
Speaker 1: of a problem with this. I'm stalling because I don't

786
00:41:55,840 --> 00:41:57,759
Speaker 1: want to leave, and then I turn around and ask

787
00:41:57,800 --> 00:42:01,080
Speaker 1: a perfectly natural question, why do socks all over your floor?

788
00:42:01,120 --> 00:42:03,279
Speaker 1: I thought I could have come up with something that

789
00:42:03,320 --> 00:42:07,279
Speaker 1: was actually anyway. It was terrible acting, just all that's

790
00:42:07,280 --> 00:42:10,200
Speaker 1: all I care about. I was terrible question. I have

791
00:42:10,239 --> 00:42:12,759
Speaker 1: a question, do you think by this point were you

792
00:42:12,800 --> 00:42:14,960
Speaker 1: playing it this way? Or do you think by this

793
00:42:15,040 --> 00:42:20,480
Speaker 1: point Topanga has a crush on Corey? Okay? So that's

794
00:42:20,520 --> 00:42:22,600
Speaker 1: what I was trying to remember. I do remember this

795
00:42:22,680 --> 00:42:25,640
Speaker 1: scene very well, and I do think I was getting

796
00:42:25,760 --> 00:42:30,600
Speaker 1: notes about and I don't know it wasn't telling me

797
00:42:30,680 --> 00:42:34,560
Speaker 1: hey telegraph more, but I do think they wanted it

798
00:42:34,600 --> 00:42:39,040
Speaker 1: to be obvious that Topanga had also received her telegram,

799
00:42:39,280 --> 00:42:42,959
Speaker 1: that there was the energy of um that it wasn't

800
00:42:43,000 --> 00:42:45,840
Speaker 1: just what was happening to the boys. Obviously, the girl asked,

801
00:42:45,920 --> 00:42:48,960
Speaker 1: you know, Brianna asked wright or out, Hillary asked writer out.

802
00:42:49,280 --> 00:42:51,640
Speaker 1: And I think they definitely wanted to make it clear

803
00:42:51,960 --> 00:42:58,160
Speaker 1: that Topango was there because she also was kind of interesting. Yeah,

804
00:42:58,680 --> 00:43:01,440
Speaker 1: and they've also already kissed, right, We can't forget that

805
00:43:01,520 --> 00:43:03,600
Speaker 1: when we first met to Panka, they did kiss, and

806
00:43:03,680 --> 00:43:08,440
Speaker 1: she instigates that the way the way she did she

807
00:43:08,520 --> 00:43:11,000
Speaker 1: did the kiss though, was kind of it was almost

808
00:43:11,000 --> 00:43:13,360
Speaker 1: like an experiment for Topanga where it was like, wouldn't

809
00:43:13,360 --> 00:43:15,520
Speaker 1: it be funny if your first kiss was when you

810
00:43:15,640 --> 00:43:17,880
Speaker 1: looked awkward? And it's my first kiss too, And it

811
00:43:17,920 --> 00:43:19,879
Speaker 1: didn't seem to come from a place of I've got

812
00:43:19,880 --> 00:43:22,360
Speaker 1: a big crush on you so much as like I did,

813
00:43:22,400 --> 00:43:25,359
Speaker 1: come from a place of maturity what she was doing,

814
00:43:25,400 --> 00:43:28,480
Speaker 1: and she was more mature than I already established that

815
00:43:28,520 --> 00:43:30,520
Speaker 1: she had started having feelings because she had a crush

816
00:43:30,520 --> 00:43:35,440
Speaker 1: on Eric, right, right. So Topanga's telegram arrived for sure,

817
00:43:36,040 --> 00:43:39,440
Speaker 1: and I think in the scene, I just really wanted

818
00:43:39,440 --> 00:43:42,960
Speaker 1: everyone to know because I did not I did not

819
00:43:43,000 --> 00:43:48,400
Speaker 1: play anything subtle. Uh. So then we walk over to

820
00:43:48,640 --> 00:43:51,360
Speaker 1: the laundry basket, and Corey is going to show to

821
00:43:51,440 --> 00:43:53,560
Speaker 1: Panga how to throw socks into the laundry basket, and

822
00:43:53,600 --> 00:43:58,759
Speaker 1: she noticed notices his ninja turtle Andy's great underwear. Do

823
00:43:58,800 --> 00:44:02,000
Speaker 1: you have those? I would get those, and I don't

824
00:44:02,000 --> 00:44:04,480
Speaker 1: do the tidy whitey kind of things that would be weird,

825
00:44:05,800 --> 00:44:09,040
Speaker 1: but a ninja turtle one, I'll do Ninja turtle all day. Yeah,

826
00:44:09,040 --> 00:44:11,480
Speaker 1: I'll get I'll go get a ninja turtle, probably Raphael,

827
00:44:11,600 --> 00:44:14,759
Speaker 1: but I would wear Donna Tella's to Okay, okay, I

828
00:44:14,800 --> 00:44:17,040
Speaker 1: bet they're probably all four ninja turtles. I don't think

829
00:44:17,040 --> 00:44:19,920
Speaker 1: they make them individually. I would bet you do anything.

830
00:44:19,960 --> 00:44:23,279
Speaker 1: They make them individually. You have sails at Pod Meets

831
00:44:23,280 --> 00:44:26,960
Speaker 1: World Show email dot com. Which turtle, which turtle? You

832
00:44:27,000 --> 00:44:30,560
Speaker 1: tell us which turtle we are? Which turtles, which turtles

833
00:44:30,560 --> 00:44:33,520
Speaker 1: will which turtles? Do you like that idea? Yeah, because

834
00:44:33,520 --> 00:44:37,160
Speaker 1: I actually have a preference, your preference. I'm not gonna

835
00:44:37,200 --> 00:44:40,400
Speaker 1: say I wanted our audience. Let me know. I actually,

836
00:44:40,440 --> 00:44:41,719
Speaker 1: you know, don't even know what it means. I just

837
00:44:41,760 --> 00:44:43,360
Speaker 1: I think it was because I played and I actually

838
00:44:43,440 --> 00:44:46,239
Speaker 1: played this recently, the the Teenage Ninja Turtles video game,

839
00:44:46,320 --> 00:44:48,920
Speaker 1: like the arcade. They have it at a couple of

840
00:44:49,040 --> 00:44:50,480
Speaker 1: arcades that I've been to with my son and we

841
00:44:50,520 --> 00:44:54,240
Speaker 1: play it together, and I have my turtle fair interesting,

842
00:44:54,280 --> 00:44:56,959
Speaker 1: what turtle is? I don't wear the underwear. Well, okay,

843
00:44:57,000 --> 00:44:59,400
Speaker 1: then you're only doing it yet childish. Go get it

844
00:44:59,400 --> 00:45:11,160
Speaker 1: at Costco. You can buy him in bulk. So Corey

845
00:45:11,239 --> 00:45:14,400
Speaker 1: makes a basket and does all the color commentary for it,

846
00:45:14,440 --> 00:45:16,439
Speaker 1: and it's great. It's another one of those great bend

847
00:45:16,480 --> 00:45:19,360
Speaker 1: showcases where he kind of runs around and does the

848
00:45:19,360 --> 00:45:23,000
Speaker 1: color commentary, makes a basket, and then again in the

849
00:45:23,040 --> 00:45:26,879
Speaker 1: most terrible acting, I say, I could never do that.

850
00:45:27,280 --> 00:45:31,520
Speaker 1: It's just truly terrible. And Corey then though it's not

851
00:45:31,880 --> 00:45:35,080
Speaker 1: so bad for being such a wonderful scene, I am

852
00:45:35,080 --> 00:45:38,080
Speaker 1: truly terrible in it. I'm gonna I'm gonna, yes, can

853
00:45:38,120 --> 00:45:41,840
Speaker 1: we crack a little bit of a door open? And yes. Danielle,

854
00:45:41,960 --> 00:45:46,000
Speaker 1: you are a fabulous actor. You have you are. Like

855
00:45:46,160 --> 00:45:48,839
Speaker 1: working with you on Girl Meets World, I had such

856
00:45:48,880 --> 00:45:51,880
Speaker 1: a revelation of like how good you are, how funny

857
00:45:51,920 --> 00:45:55,760
Speaker 1: you are, how much you understand. But back then, Backtory,

858
00:45:56,040 --> 00:45:58,759
Speaker 1: I don't think you were very good. It's amazing that

859
00:45:58,840 --> 00:46:01,120
Speaker 1: the scene works and I want to be honest about it, like,

860
00:46:01,160 --> 00:46:03,960
Speaker 1: I don't think you're you're doing like a monotone delivery.

861
00:46:04,000 --> 00:46:06,919
Speaker 1: You just kind of like showing up and modeling the scene. Yes,

862
00:46:06,960 --> 00:46:09,440
Speaker 1: it's still work because the scene as well risen great.

863
00:46:09,719 --> 00:46:12,080
Speaker 1: But no, no, I don't think Danielle learned to act

864
00:46:12,160 --> 00:46:16,560
Speaker 1: un till much later. Maybe maybe I didn't want I

865
00:46:16,560 --> 00:46:19,120
Speaker 1: watched it for LA. I want to be honest about that.

866
00:46:19,160 --> 00:46:21,359
Speaker 1: I think you are an incredible actor, but you did

867
00:46:21,360 --> 00:46:24,280
Speaker 1: not know how to act back the natural. It doesn't

868
00:46:24,280 --> 00:46:27,319
Speaker 1: feel real. There's nothing relaxed. It feels like you were

869
00:46:27,360 --> 00:46:31,640
Speaker 1: being told how to deliver lines. You're delivering them. You're

870
00:46:31,719 --> 00:46:34,319
Speaker 1: a puppet doing the thing, and it's work, not the

871
00:46:34,360 --> 00:46:36,960
Speaker 1: same thing as acting. Oh by the way, for the record,

872
00:46:37,000 --> 00:46:38,719
Speaker 1: before I came on to Girl Meets World, I would

873
00:46:38,719 --> 00:46:41,200
Speaker 1: like to verify that writer and I actually had a

874
00:46:41,200 --> 00:46:44,359
Speaker 1: conversation here was like I never realized how good Danielle is.

875
00:46:44,760 --> 00:46:47,840
Speaker 1: So I can terrify that conversation that he said that

876
00:46:47,880 --> 00:46:50,680
Speaker 1: to me before I even got there. He's like so good,

877
00:46:51,120 --> 00:46:53,160
Speaker 1: He's like I did not realize how funny and everything

878
00:46:53,160 --> 00:46:55,160
Speaker 1: he was, So yes, I can I can verify that's

879
00:46:55,160 --> 00:46:56,960
Speaker 1: the real thing. That's so nice. I wasn't going to

880
00:46:57,000 --> 00:46:59,239
Speaker 1: feel bad about myself even if you didn't say that,

881
00:46:59,280 --> 00:47:01,000
Speaker 1: But that's very nice. No, but it's true. In this

882
00:47:01,040 --> 00:47:04,520
Speaker 1: scene especially, it's really on display because it is a

883
00:47:04,600 --> 00:47:08,720
Speaker 1: very long scene. And um in the you know, first

884
00:47:08,760 --> 00:47:12,400
Speaker 1: episode with Topango where I'm I'm weird, that's the point

885
00:47:12,440 --> 00:47:14,320
Speaker 1: of it, and so some of it, you know, works

886
00:47:14,400 --> 00:47:18,839
Speaker 1: more man in this scene, it feels so uncomfortable. Watch

887
00:47:18,880 --> 00:47:23,600
Speaker 1: it again. I mean, I know, yeah, exactly, the scene

888
00:47:23,600 --> 00:47:27,640
Speaker 1: still works. It's it's functioning. I'm just yeah, like functioning

889
00:47:27,719 --> 00:47:31,040
Speaker 1: in spite of what I'm doing. It is working anyway,

890
00:47:31,080 --> 00:47:35,640
Speaker 1: not because of so yeah, it's I mean, which is

891
00:47:35,640 --> 00:47:39,760
Speaker 1: how you know what I mean? Often you were watching

892
00:47:39,840 --> 00:47:43,600
Speaker 1: kid actors deliver lines like that's not the same thing

893
00:47:43,640 --> 00:47:46,319
Speaker 1: as being an actor, right, like and like will like

894
00:47:46,400 --> 00:47:47,919
Speaker 1: you know, you talk about how you learn to act.

895
00:47:48,040 --> 00:47:49,880
Speaker 1: By the end of the season, you're in control of

896
00:47:49,920 --> 00:47:53,120
Speaker 1: the scenes, You're in control of your delivery. You're making choices.

897
00:47:53,640 --> 00:47:56,680
Speaker 1: I don't think I'm watching a young actress make any choices.

898
00:47:56,719 --> 00:48:00,120
Speaker 1: I am watching somebody with you. You're like set a

899
00:48:00,200 --> 00:48:02,560
Speaker 1: tone and how you deliver your lot, and you're doing it,

900
00:48:02,600 --> 00:48:04,279
Speaker 1: and it's fine. That totally works, but that's not the

901
00:48:04,280 --> 00:48:07,359
Speaker 1: same thing as being a real actor. Like I thought.

902
00:48:07,400 --> 00:48:10,080
Speaker 1: I thought that the kind of monotone delivery and everything

903
00:48:10,120 --> 00:48:13,400
Speaker 1: I thought worked really well against Ben's big color comment

904
00:48:13,480 --> 00:48:17,440
Speaker 1: totally does. To Writer's point, it does sound. And what

905
00:48:17,760 --> 00:48:20,000
Speaker 1: I said at the start of recapping the scene was

906
00:48:20,040 --> 00:48:22,680
Speaker 1: I remember the scene very well, and what I remember

907
00:48:22,760 --> 00:48:25,680
Speaker 1: is getting a lot of notes. I remember a lot

908
00:48:25,680 --> 00:48:27,680
Speaker 1: of notes, and so it feels as though very much

909
00:48:27,760 --> 00:48:32,320
Speaker 1: I was spoon fed just say it like this and

910
00:48:32,320 --> 00:48:34,640
Speaker 1: and telegraph this, and I don't know. I'm not blaming

911
00:48:34,640 --> 00:48:37,359
Speaker 1: my performance on other people. I just do remember there

912
00:48:37,400 --> 00:48:40,120
Speaker 1: being a lot of back and forth about what I

913
00:48:40,200 --> 00:48:42,280
Speaker 1: was supposed to be doing and how I was supposed

914
00:48:42,280 --> 00:48:45,080
Speaker 1: to be feeling and what was going on, and whether

915
00:48:45,200 --> 00:48:47,759
Speaker 1: or not I just wasn't nailing it and that's why

916
00:48:47,800 --> 00:48:50,040
Speaker 1: my performance is bad, or if I nailed what they

917
00:48:50,080 --> 00:48:51,800
Speaker 1: were telling me to do, and that's why it feels

918
00:48:51,800 --> 00:48:54,160
Speaker 1: spoon fed. I don't know, but I got to go

919
00:48:54,200 --> 00:48:55,880
Speaker 1: back and watch it again as an I guess I

920
00:48:55,880 --> 00:48:57,759
Speaker 1: watched it as a total fan because I love the

921
00:48:57,800 --> 00:48:59,520
Speaker 1: scene so much, so I didn't Maybe I was just

922
00:48:59,560 --> 00:49:01,040
Speaker 1: OBLIVI to it, but I want to go back and

923
00:49:01,040 --> 00:49:04,320
Speaker 1: watch it again. Yeah, so Corey, Corey makes a basket

924
00:49:04,360 --> 00:49:06,160
Speaker 1: and then I say, I could never do that, and

925
00:49:06,200 --> 00:49:08,920
Speaker 1: Corey does the color commentary for me, and instead of

926
00:49:08,960 --> 00:49:12,000
Speaker 1: moving around the house, I just totally stand there. And

927
00:49:12,040 --> 00:49:15,120
Speaker 1: then he says and slam dunk and I just walked

928
00:49:15,280 --> 00:49:17,400
Speaker 1: very politely to the front of the laundry basket and

929
00:49:17,440 --> 00:49:20,719
Speaker 1: place it in the basket. And I say, look, we

930
00:49:20,800 --> 00:49:23,200
Speaker 1: both made a basket the best line of the sand,

931
00:49:23,280 --> 00:49:27,439
Speaker 1: so give it. So then we um we play one

932
00:49:27,440 --> 00:49:31,600
Speaker 1: on one and I easily make a basket, which, if

933
00:49:31,680 --> 00:49:35,719
Speaker 1: I'm not mistaken, I made the basket every single time.

934
00:49:35,840 --> 00:49:38,360
Speaker 1: I think too, I think you did. I never missed.

935
00:49:38,520 --> 00:49:43,040
Speaker 1: I think, yeah, I never missed, which really wasn't hard.

936
00:49:43,160 --> 00:49:46,000
Speaker 1: Let's be honest. But what a fine, What a fine?

937
00:49:46,360 --> 00:49:49,880
Speaker 1: She can make basket? She every Now let's give her

938
00:49:49,960 --> 00:49:56,919
Speaker 1: ulysses s grant joke and see if she can oh man.

939
00:49:57,120 --> 00:50:00,480
Speaker 1: And then Poury into Pangahi five and I coward lee,

940
00:50:00,480 --> 00:50:02,680
Speaker 1: shoot my eyes to the to our hands, and Corey

941
00:50:02,800 --> 00:50:06,359
Speaker 1: does the awkward Sean laugh and he realizes in that

942
00:50:06,400 --> 00:50:09,440
Speaker 1: moment he has gotten his puberty telegram. He covers his

943
00:50:09,480 --> 00:50:11,440
Speaker 1: mouth he's shocked, which I thought was the end of

944
00:50:11,480 --> 00:50:13,440
Speaker 1: the scene. I actually thought that that was the way

945
00:50:13,440 --> 00:50:15,360
Speaker 1: it was going to end, and so I was interested

946
00:50:15,400 --> 00:50:17,120
Speaker 1: to see that it went on and it should have

947
00:50:17,200 --> 00:50:19,400
Speaker 1: kind of yeah, but it kindly should have ended. I

948
00:50:19,400 --> 00:50:22,120
Speaker 1: felt the same thing because it seems like a tight button.

949
00:50:22,400 --> 00:50:24,640
Speaker 1: But then I also really like the scene that follows

950
00:50:24,640 --> 00:50:27,160
Speaker 1: with them. It's it feels like another scene, but it's

951
00:50:27,160 --> 00:50:30,320
Speaker 1: a nice one because it's it's actually connecting and actually,

952
00:50:30,960 --> 00:50:32,600
Speaker 1: you know, getting all. I don't know, it was cool

953
00:50:32,600 --> 00:50:39,759
Speaker 1: it is. But now, so okay, script wise, how long

954
00:50:39,800 --> 00:50:40,960
Speaker 1: do you think this scene would have been? This is

955
00:50:40,960 --> 00:50:42,799
Speaker 1: probably a ten or eleven page scene, wouldn't you think.

956
00:50:45,400 --> 00:50:48,040
Speaker 1: I mean, that's that's it's basically an entire act. It's

957
00:50:48,080 --> 00:50:51,120
Speaker 1: the entire It's a huge long scene for a fifty

958
00:50:51,160 --> 00:50:55,120
Speaker 1: page script. When twelve pages or so is one scene,

959
00:50:55,200 --> 00:50:59,080
Speaker 1: that's that's incredible. Yeah, amazing. So Corey asks to Panga

960
00:50:59,120 --> 00:51:00,840
Speaker 1: what he should get his mom her Mother's Day, and

961
00:51:00,880 --> 00:51:02,920
Speaker 1: to Penga says he can never go wrong with something

962
00:51:02,960 --> 00:51:05,200
Speaker 1: from the heart, and then he makes a joke and

963
00:51:05,280 --> 00:51:07,640
Speaker 1: she leans back into him says, you're killing me. Corey

964
00:51:07,920 --> 00:51:10,920
Speaker 1: and I love that that moment is like because it's

965
00:51:10,920 --> 00:51:12,880
Speaker 1: a very non to Panga thing to say, it's actually

966
00:51:12,880 --> 00:51:15,839
Speaker 1: a very Corey thing to say, and so for her

967
00:51:15,880 --> 00:51:18,480
Speaker 1: to say it, it felt just natural. It felt like

968
00:51:18,520 --> 00:51:21,319
Speaker 1: an evolution of the character. They're getting closer to each

969
00:51:21,360 --> 00:51:24,520
Speaker 1: other and personality. It was just great. You're sitting, you're

970
00:51:24,560 --> 00:51:27,200
Speaker 1: leaning back on his hand right right, yeah, like kind

971
00:51:27,200 --> 00:51:29,160
Speaker 1: of on his arm almost like he awkwardly has his

972
00:51:29,280 --> 00:51:31,120
Speaker 1: arm a little bit around me that it's just behind

973
00:51:31,160 --> 00:51:33,400
Speaker 1: my back, and so us touching in that way is

974
00:51:33,440 --> 00:51:36,520
Speaker 1: what makes him do the awkward little laugh. Again, was

975
00:51:36,640 --> 00:51:39,160
Speaker 1: Ben uncomfortable and do you remember if he was uncomb

976
00:51:39,360 --> 00:51:41,640
Speaker 1: know how uncomfortably was during the scene in the hallway originally?

977
00:51:41,719 --> 00:51:44,120
Speaker 1: Was he still uncomfortable around me? Was that kind of

978
00:51:44,640 --> 00:51:48,479
Speaker 1: nothing like the hallway? So sure we were both kind

979
00:51:48,480 --> 00:51:50,720
Speaker 1: of you know, awkward, but it was it was actually

980
00:51:50,800 --> 00:51:52,719
Speaker 1: just really fun. You know. It was Ben's one of

981
00:51:52,760 --> 00:51:56,040
Speaker 1: Ben's favorite things, basketball and and he got to really

982
00:51:56,080 --> 00:51:59,320
Speaker 1: like kind of control and dominate and then he you

983
00:51:59,360 --> 00:52:01,760
Speaker 1: guys were getting great laughs, Like I remember, the energy

984
00:52:01,840 --> 00:52:04,719
Speaker 1: was so fun, like it was there was just the

985
00:52:04,800 --> 00:52:08,239
Speaker 1: first like spontaneous clapping from the audience side that when

986
00:52:08,239 --> 00:52:14,799
Speaker 1: she slammed it was on his exit after the when

987
00:52:14,840 --> 00:52:17,719
Speaker 1: he showed up kind of drunk or disheveled in the right.

988
00:52:17,840 --> 00:52:20,640
Speaker 1: He got spontaneous applause on his exit, so that might

989
00:52:20,640 --> 00:52:23,920
Speaker 1: have been the first one. Yeah, okay, okay. So then

990
00:52:23,960 --> 00:52:26,720
Speaker 1: we are in the Matthews backyard. Corey is doing school

991
00:52:26,760 --> 00:52:30,200
Speaker 1: work in the backyard and Eric and Shawn are there.

992
00:52:30,360 --> 00:52:38,319
Speaker 1: Eric is in the leather jacket leather Richard jack. It

993
00:52:38,400 --> 00:52:42,480
Speaker 1: looks shiny and new too. I feel like there was

994
00:52:42,520 --> 00:52:45,000
Speaker 1: more wear and tear on it. I guess that was

995
00:52:45,120 --> 00:52:50,040
Speaker 1: when I wor when I know. I guess whether your yeah,

996
00:52:50,080 --> 00:52:51,719
Speaker 1: because it does look like a brand new that it

997
00:52:51,800 --> 00:52:55,440
Speaker 1: was almost like that's not the jacket it is. So

998
00:52:55,600 --> 00:52:58,160
Speaker 1: Eric asks how Sean's date went. It was his second

999
00:52:58,239 --> 00:53:00,800
Speaker 1: date with Hillary, but Sean admits it's probably his last.

1000
00:53:01,400 --> 00:53:04,600
Speaker 1: Sean says he's a thirteen year old burnout, and Corey says,

1001
00:53:04,640 --> 00:53:07,600
Speaker 1: maybe it's just mercury. In retrospect, that's something to Panga

1002
00:53:07,680 --> 00:53:10,880
Speaker 1: filled him in on, and Eric and Shawan tease Corey

1003
00:53:10,960 --> 00:53:12,840
Speaker 1: for being on a date with Topanga on the couch,

1004
00:53:13,239 --> 00:53:15,640
Speaker 1: and even though Corey thinks it was nothing, Eric and

1005
00:53:15,680 --> 00:53:18,800
Speaker 1: Seawan explained how him hanging out with Topanga was a date.

1006
00:53:19,120 --> 00:53:21,680
Speaker 1: And you guys remember the scene very well. Oh yeah,

1007
00:53:21,880 --> 00:53:26,239
Speaker 1: it was the last scene we felt and scene we

1008
00:53:26,320 --> 00:53:28,120
Speaker 1: ever did. I mean, we didn't know we were picked

1009
00:53:28,160 --> 00:53:30,839
Speaker 1: up for season two, yet there was a chance that

1010
00:53:30,880 --> 00:53:32,719
Speaker 1: this was it. This was the last we were going

1011
00:53:32,760 --> 00:53:34,600
Speaker 1: to see each other, last we're gonna work together. I

1012
00:53:34,600 --> 00:53:36,640
Speaker 1: mean that was we were done as far as we

1013
00:53:36,719 --> 00:53:39,000
Speaker 1: I just remember enjoying the scene. I think it was

1014
00:53:39,239 --> 00:53:41,719
Speaker 1: in part because it was like other times when the

1015
00:53:41,719 --> 00:53:44,000
Speaker 1: three of us were in scenes, it was like we're

1016
00:53:44,040 --> 00:53:46,359
Speaker 1: in story, we're stressed out, we're dealing with a high

1017
00:53:46,400 --> 00:53:49,000
Speaker 1: jink situation, and this was just like us chatting, like

1018
00:53:49,120 --> 00:53:52,400
Speaker 1: just like three characters, guy talking. Yeah, And like I

1019
00:53:52,440 --> 00:53:55,640
Speaker 1: remember feeling older doing this scene, Like I remember maybe

1020
00:53:55,680 --> 00:53:57,040
Speaker 1: it was just because Will was older and we got

1021
00:53:57,040 --> 00:53:58,759
Speaker 1: to work with him, and but we just I just

1022
00:53:58,800 --> 00:54:01,560
Speaker 1: remember owning the scene being like, yeah, this is fun

1023
00:54:01,600 --> 00:54:04,760
Speaker 1: and the object matter is we're entering a new phase

1024
00:54:04,800 --> 00:54:07,480
Speaker 1: of life. Yeah, it was excited. It was like, well

1025
00:54:07,520 --> 00:54:10,799
Speaker 1: kind of together experience is cool. Like I could talk

1026
00:54:10,840 --> 00:54:12,680
Speaker 1: to you know, Eric could talk to Sean because he

1027
00:54:12,719 --> 00:54:14,799
Speaker 1: was on his level already. And now we can talk

1028
00:54:14,840 --> 00:54:17,120
Speaker 1: to Corey too, because you like Daniel saying you got

1029
00:54:17,120 --> 00:54:22,480
Speaker 1: your telegram telegram telegraph d D D Puberty, so that

1030
00:54:22,520 --> 00:54:25,080
Speaker 1: you got that, and now it's like we can all

1031
00:54:25,120 --> 00:54:27,319
Speaker 1: have these conversations. It was it was fun. This was

1032
00:54:27,320 --> 00:54:30,120
Speaker 1: a cool scene. So then we are in the school

1033
00:54:30,120 --> 00:54:34,120
Speaker 1: hallway and Corey makes sure he clarifies to Topanga wearing

1034
00:54:34,160 --> 00:54:38,279
Speaker 1: a great dress I remember loving just uh, we just

1035
00:54:38,360 --> 00:54:40,480
Speaker 1: want to clarify we were not on a date at

1036
00:54:40,480 --> 00:54:43,000
Speaker 1: his house and to Penga says she's not into labels,

1037
00:54:43,000 --> 00:54:45,280
Speaker 1: but Corey wants to make sure it is not labeled

1038
00:54:45,320 --> 00:54:47,479
Speaker 1: a date. To pengas, that's fine, it wasn't a date,

1039
00:54:48,080 --> 00:54:50,759
Speaker 1: and then she walks off and Corey follows her and says, hey,

1040
00:54:50,840 --> 00:54:53,240
Speaker 1: your idea for a poem from my mom for Mother's

1041
00:54:53,320 --> 00:54:56,520
Speaker 1: Day was really great. She cried. Corey says that Topanga

1042
00:54:56,560 --> 00:54:58,520
Speaker 1: seems to know a lot about women, and she says, well,

1043
00:54:58,560 --> 00:55:00,640
Speaker 1: I'm going to grow up to be one, and then

1044
00:55:00,680 --> 00:55:04,440
Speaker 1: she fixes his collar and walks off, and Corey defensively

1045
00:55:04,480 --> 00:55:07,560
Speaker 1: messes up his collar again, but then smiles, thinks better

1046
00:55:07,640 --> 00:55:10,200
Speaker 1: of it, and returns it back down and the rest

1047
00:55:10,280 --> 00:55:15,280
Speaker 1: is history and the almost no Bill Daniels in this episode.

1048
00:55:15,280 --> 00:55:18,239
Speaker 1: This is the first episode with almost no Phoenie. Does

1049
00:55:18,280 --> 00:55:20,520
Speaker 1: he have anything today? Went in the beginning in the

1050
00:55:20,520 --> 00:55:23,080
Speaker 1: beginning in the classroom when they show the video videos,

1051
00:55:23,719 --> 00:55:31,279
Speaker 1: that's it had finals, he had he had this week

1052
00:55:33,280 --> 00:55:35,799
Speaker 1: and there Bill Daniels aged a t. So it's like,

1053
00:55:35,840 --> 00:55:37,759
Speaker 1: how many of the forty eight states can you name?

1054
00:55:38,480 --> 00:55:41,400
Speaker 1: You know that that kind of thing. Someday we go

1055
00:55:41,480 --> 00:55:44,560
Speaker 1: to the moon. How long will it take to get there? Um? Yeah,

1056
00:55:44,760 --> 00:55:47,960
Speaker 1: just dan the we're the parents. Yeah, the parents had

1057
00:55:47,960 --> 00:55:53,120
Speaker 1: a scene, right they they that's included. Yeah, that's not fair.

1058
00:55:53,120 --> 00:55:55,279
Speaker 1: I'm sorry. I can't now think of anything but Bill

1059
00:55:55,320 --> 00:55:57,520
Speaker 1: taking finals, like just sitting in the classroom with the

1060
00:55:57,600 --> 00:56:02,680
Speaker 1: number two pencil for everybody who doesn't know. By the way,

1061
00:56:02,680 --> 00:56:04,399
Speaker 1: for that inside joke which we've talked about, I think

1062
00:56:04,440 --> 00:56:07,480
Speaker 1: briefly is whenever Eric had his own episode, it was

1063
00:56:07,520 --> 00:56:10,359
Speaker 1: because Ben had finals that week. It was a part

1064
00:56:10,400 --> 00:56:12,799
Speaker 1: of Ben's contract. If I remember that he got a

1065
00:56:12,800 --> 00:56:16,160
Speaker 1: week off to do finals for school, because it was

1066
00:56:16,200 --> 00:56:25,799
Speaker 1: always an it must have been. Uh so, then our

1067
00:56:25,840 --> 00:56:28,760
Speaker 1: button is in the school hallway. Sean says to Corey

1068
00:56:28,840 --> 00:56:32,000
Speaker 1: that Minkus was right again, but this time it was

1069
00:56:32,040 --> 00:56:34,960
Speaker 1: about girls. Corey and Sean made it through their first

1070
00:56:35,000 --> 00:56:37,319
Speaker 1: dates and they're still friends, which is cool and that

1071
00:56:37,360 --> 00:56:39,719
Speaker 1: will always be the case. They say they're going to

1072
00:56:39,800 --> 00:56:43,040
Speaker 1: stick together no matter what they face. And then Hillary

1073
00:56:43,080 --> 00:56:46,759
Speaker 1: and Topango walk by saying Hi, Sean. Hi. Corey and

1074
00:56:46,840 --> 00:56:50,240
Speaker 1: the boys jump up, say Cia, and they go running

1075
00:56:50,280 --> 00:56:53,399
Speaker 1: after the girls. There's the whole tension of boy meets

1076
00:56:53,400 --> 00:56:55,640
Speaker 1: World established in one scene. We're going to do this

1077
00:56:55,719 --> 00:57:00,440
Speaker 1: a lot. That's the end of our episode. It was good.

1078
00:57:00,520 --> 00:57:02,440
Speaker 1: That was a good episode. It was a really good episode.

1079
00:57:02,640 --> 00:57:05,440
Speaker 1: It was a great episode except for every moment with me.

1080
00:57:05,719 --> 00:57:12,640
Speaker 1: But still it still worked, which is like Ter said,

1081
00:57:12,800 --> 00:57:16,440
Speaker 1: it is really really amazing because imagine if I had

1082
00:57:16,480 --> 00:57:19,120
Speaker 1: been good, what could it have been? Had I been good?

1083
00:57:19,240 --> 00:57:25,760
Speaker 1: I don't know, but boy, oh boy, guys, on I

1084
00:57:25,960 --> 00:57:30,520
Speaker 1: was Comfy the Wolf. I was watching it like I

1085
00:57:30,560 --> 00:57:34,080
Speaker 1: am sweating. I'm sweating now talking about it. That was bad.

1086
00:57:36,080 --> 00:57:37,760
Speaker 1: Ye watch it again. I'm telling you you will be

1087
00:57:37,760 --> 00:57:41,440
Speaker 1: on Comfy now. Go watch go watch Alan Philip a

1088
00:57:41,560 --> 00:57:46,880
Speaker 1: giant glass milk glass with hot coffee for some reason. Well,

1089
00:57:46,920 --> 00:57:49,360
Speaker 1: thank you guys for being here with us. You can

1090
00:57:49,400 --> 00:57:51,480
Speaker 1: follow us on Instagram pod Meats World Show. You can

1091
00:57:51,520 --> 00:57:53,760
Speaker 1: email us at pod Meats World Show at gmail dot

1092
00:57:53,760 --> 00:57:59,520
Speaker 1: com and we have merch merch pod Meats World Show

1093
00:57:59,680 --> 00:58:03,360
Speaker 1: dot com. Um. Our next episode that we will be

1094
00:58:03,360 --> 00:58:07,200
Speaker 1: recapping is season one, episode twenty two, I Dream of Pheenie.

1095
00:58:07,360 --> 00:58:12,440
Speaker 1: It's the season one finale. It season one guys. I

1096
00:58:12,480 --> 00:58:15,880
Speaker 1: know you guys. Okay, so here's the math. Okay, Well,

1097
00:58:15,880 --> 00:58:19,400
Speaker 1: first of all, let me tell you it aired, which

1098
00:58:19,440 --> 00:58:23,000
Speaker 1: is um, nine days after my birthday. That is two

1099
00:58:23,000 --> 00:58:27,760
Speaker 1: months and two days. And it's not an eleven. It's

1100
00:58:30,160 --> 00:58:32,800
Speaker 1: five and one and three together and that is you

1101
00:58:32,960 --> 00:58:38,360
Speaker 1: nine and then the one. Uh no, but um, what

1102
00:58:38,440 --> 00:58:42,800
Speaker 1: was I gonna say? I don't know. Thank you for

1103
00:58:42,840 --> 00:58:47,640
Speaker 1: reminding me. The math is we have been Our show

1104
00:58:47,720 --> 00:58:50,320
Speaker 1: has now been on for almost pond Meats World has

1105
00:58:50,360 --> 00:58:53,680
Speaker 1: been on for almost six months, which means we only

1106
00:58:53,720 --> 00:58:55,680
Speaker 1: have three years left and we will have done if

1107
00:58:55,720 --> 00:58:58,080
Speaker 1: we stay on this space, we will in three years

1108
00:58:58,440 --> 00:59:01,960
Speaker 1: have covered all seven seasons of Boy Meets World. Now

1109
00:59:02,320 --> 00:59:04,400
Speaker 1: we could pick up the pace. We could do less

1110
00:59:04,440 --> 00:59:09,280
Speaker 1: interviews and more recaps. We could just do more recaps.

1111
00:59:09,480 --> 00:59:10,920
Speaker 1: There are tons of things we could do if we

1112
00:59:10,960 --> 00:59:12,680
Speaker 1: want to if we want to speed the process up.

1113
00:59:14,560 --> 00:59:18,520
Speaker 1: I'm okay with it. I think, I think, I mean,

1114
00:59:18,600 --> 00:59:20,960
Speaker 1: I'm again. We we have also talked about are we

1115
00:59:20,960 --> 00:59:23,200
Speaker 1: going to start the new podcast about the We're going

1116
00:59:23,240 --> 00:59:24,960
Speaker 1: to be the re listen of the first season of

1117
00:59:24,960 --> 00:59:27,000
Speaker 1: this podcast, right, Well, that's what we're going to do

1118
00:59:27,000 --> 00:59:28,960
Speaker 1: with this podcast is over. We're going to do the

1119
00:59:29,120 --> 00:59:31,920
Speaker 1: re listen, gonna go back to the re listen of

1120
00:59:31,960 --> 00:59:34,680
Speaker 1: what like, Oh my god, I didn't even said that

1121
00:59:35,240 --> 00:59:38,240
Speaker 1: this happened that first time that we were doing this podcast.

1122
00:59:38,320 --> 00:59:43,600
Speaker 1: Ye forgot all about Shady mellon that. It's crazy. We've

1123
00:59:43,600 --> 00:59:46,720
Speaker 1: done a lot of unpacking them. It's been a lot

1124
00:59:46,800 --> 00:59:51,600
Speaker 1: of these is large which before we ever started the show,

1125
00:59:51,760 --> 00:59:54,680
Speaker 1: writer made a joke in our group chat about bringing

1126
00:59:54,680 --> 00:59:58,920
Speaker 1: on a therapist. I do think it would be really funny.

1127
00:59:58,920 --> 01:00:00,520
Speaker 1: I don't know if it's in season two. I don't

1128
01:00:00,520 --> 01:00:03,280
Speaker 1: know if it's in season three, but we should bring

1129
01:00:03,360 --> 01:00:09,959
Speaker 1: on a child psychologist to talk to us about about

1130
01:00:10,120 --> 01:00:13,360
Speaker 1: there's the therapist in Hollywood who specializes in child actors too.

1131
01:00:14,080 --> 01:00:18,080
Speaker 1: There's a lot of experience. There's a fan who listens,

1132
01:00:18,320 --> 01:00:21,560
Speaker 1: who's already reached out to us, who's a therapist or

1133
01:00:21,680 --> 01:00:23,840
Speaker 1: just a fan, because that's two totally different things. A

1134
01:00:23,960 --> 01:00:27,280
Speaker 1: therapist who wants to come on and who has said

1135
01:00:27,520 --> 01:00:29,560
Speaker 1: they've picked up on some things based on parts of

1136
01:00:29,560 --> 01:00:33,040
Speaker 1: our personality. Where we talk about our personal lives. Can

1137
01:00:33,720 --> 01:00:35,880
Speaker 1: they want to talk about where they think maybe some

1138
01:00:35,960 --> 01:00:38,520
Speaker 1: of it stems from well, obviously, I'm going to be

1139
01:00:40,280 --> 01:00:46,600
Speaker 1: therapist couch. I love them. By the end, we're not

1140
01:00:46,600 --> 01:00:49,479
Speaker 1: going to be speaking to each other. It's like, I can't.

1141
01:00:49,560 --> 01:00:51,600
Speaker 1: I can't anymore with you. I can't do this anymore.

1142
01:00:51,920 --> 01:00:55,040
Speaker 1: I also think we should bring on a U a

1143
01:00:55,200 --> 01:01:00,400
Speaker 1: phone acting coach. Oh okay, just teaches phone acting. I

1144
01:01:00,400 --> 01:01:02,760
Speaker 1: think that would be nineties phone acts. I bet you

1145
01:01:02,840 --> 01:01:07,080
Speaker 1: Chris Kayer can can can come although he didn't help

1146
01:01:07,080 --> 01:01:11,680
Speaker 1: Ben obviously, so really let us down there. Oh man,

1147
01:01:11,800 --> 01:01:16,120
Speaker 1: A therapy session actually sounds like horribly fun. I know

1148
01:01:16,240 --> 01:01:19,120
Speaker 1: we'll have to do it. We'll do it anyway. Well,

1149
01:01:19,600 --> 01:01:24,720
Speaker 1: send us out. We love you all. Pod dismissed. Pod

1150
01:01:24,720 --> 01:01:27,200
Speaker 1: meets World is an I heart podcast produced and hosted

1151
01:01:27,200 --> 01:01:30,640
Speaker 1: by Daniel Fishel Wilford, l and Ryder Strong. Executive producers,

1152
01:01:30,680 --> 01:01:33,560
Speaker 1: Jensen Carpet and Amy Sugarman, Executive in charge of Production,

1153
01:01:33,640 --> 01:01:37,800
Speaker 1: Daniel Romo, producer and editor, Tara sup Box producer, Jackie Rodriguez,

1154
01:01:37,840 --> 01:01:40,440
Speaker 1: engineer and Boy Meets World super fan Easton Allen. Our

1155
01:01:40,520 --> 01:01:42,880
Speaker 1: theme songs by Kyle Morton of Typhoon and You can

1156
01:01:42,880 --> 01:01:45,520
Speaker 1: follow us on Instagram at Pod Meets World Show or

1157
01:01:45,880 --> 01:01:48,440
Speaker 1: email us at Pod Meets World Show at gmail dot

1158
01:01:48,520 --> 01:01:49,320
Speaker 1: com