1 00:00:01,760 --> 00:00:04,760 Speaker 1: Hey, discos, need a little more disgrace Land in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast. It comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,920 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,960 --> 00:00:33,559 Speaker 1: a little thing we like to call the after party. 6 00:00:33,920 --> 00:00:35,920 Speaker 1: This is the show after the show, the party after 7 00:00:35,920 --> 00:00:37,720 Speaker 1: the party, the bridge to gave from one full episode 8 00:00:37,760 --> 00:00:40,920 Speaker 1: of Disgraceland to the other, the backyard to dig into 9 00:00:40,960 --> 00:00:44,240 Speaker 1: the dirt. On this bonus episode, we are talking about 10 00:00:44,440 --> 00:00:48,440 Speaker 1: Winona Rider. We are previewing the coming episode on van Halen, 11 00:00:48,520 --> 00:00:51,519 Speaker 1: Part two on van Halen, actually talking about the Hollywood 12 00:00:51,560 --> 00:00:53,760 Speaker 1: Land a minute with Tim Allen, and we get into 13 00:00:53,800 --> 00:00:58,160 Speaker 1: your voicemails, text DMS emails and as always, a whole 14 00:00:58,280 --> 00:01:02,400 Speaker 1: lot of Rosie. Al Right, Discos, let's get into it 15 00:01:13,480 --> 00:01:17,600 Speaker 1: all right. This week's full episode of Disgraceland on Winona 16 00:01:17,680 --> 00:01:20,360 Speaker 1: Rider is hopefully unlike anyone on a writer's story that 17 00:01:20,360 --> 00:01:22,520 Speaker 1: you've heard before. I'd never heard it anyway before we 18 00:01:22,560 --> 00:01:26,160 Speaker 1: get into producing it. I'm talking more about Winona's drive 19 00:01:26,640 --> 00:01:32,160 Speaker 1: to solve a real life true crime more than I'm 20 00:01:32,200 --> 00:01:36,160 Speaker 1: talking about Winona being caught up in her own true crime. 21 00:01:36,200 --> 00:01:39,640 Speaker 1: Now that's if you count shoplifting as a true crime, 22 00:01:39,640 --> 00:01:44,440 Speaker 1: which I know is a stretch. Anyway, that aside this story, 23 00:01:44,560 --> 00:01:46,000 Speaker 1: like I said, we hope it's one that you haven't 24 00:01:46,040 --> 00:01:48,880 Speaker 1: heard about Winona before, and we hope you dig. Winona 25 00:01:49,640 --> 00:01:53,559 Speaker 1: is a tricky subject to cover. Incidentally, she's the last 26 00:01:53,600 --> 00:01:55,800 Speaker 1: non musician that we're covering in the disgrace Sand Feed, 27 00:01:55,840 --> 00:01:59,520 Speaker 1: and eventually Winona will take her rightful place in the 28 00:01:59,520 --> 00:02:02,600 Speaker 1: Hollywood Land Feed alongside all of the other non musicians 29 00:02:02,600 --> 00:02:04,960 Speaker 1: that we covered in this past year in our icon series, 30 00:02:05,480 --> 00:02:07,880 Speaker 1: and from now on, once again, Disgraceline will be one 31 00:02:07,960 --> 00:02:11,280 Speaker 1: hundred percent music. All right, But back to Winona Ryders. 32 00:02:11,360 --> 00:02:16,080 Speaker 1: She's she's interesting, of course, Okay interesting in this context. 33 00:02:16,160 --> 00:02:18,120 Speaker 1: I'm saying this because, like I said before, she's tough 34 00:02:18,120 --> 00:02:22,040 Speaker 1: to cover. She's an actress, yes, but she's also pretty 35 00:02:22,120 --> 00:02:25,760 Speaker 1: rock and roll and always has been. And we didn't 36 00:02:25,760 --> 00:02:29,200 Speaker 1: get into Winona's connection to music in this full episode 37 00:02:29,240 --> 00:02:31,520 Speaker 1: that we just released a couple of days ago, which 38 00:02:31,560 --> 00:02:33,760 Speaker 1: is kind of a miss on our part, but that's 39 00:02:33,800 --> 00:02:37,560 Speaker 1: what we have after parties for. So if you grew 40 00:02:37,639 --> 00:02:40,160 Speaker 1: up like I did in the nineteen eighties and in 41 00:02:40,200 --> 00:02:42,560 Speaker 1: the nineteen nineties, and even if you grew up in 42 00:02:42,560 --> 00:02:46,519 Speaker 1: the odds as well, you know that Winona Ryder has 43 00:02:46,919 --> 00:02:50,520 Speaker 1: great taste in music. And you can tell this, of course, 44 00:02:50,600 --> 00:02:53,360 Speaker 1: not only from the t shirts that she wears, but 45 00:02:53,400 --> 00:02:56,840 Speaker 1: by the men that she has dated. I don't know 46 00:02:56,880 --> 00:03:00,560 Speaker 1: about you, guys, but I've never really dated anybody seriously 47 00:03:00,600 --> 00:03:04,760 Speaker 1: who had bad taste in music. I've dated a couple 48 00:03:04,760 --> 00:03:09,919 Speaker 1: of musicians to disastrous ends. I wouldn't I wouldn't recommend that. 49 00:03:10,320 --> 00:03:12,200 Speaker 1: Being a musician, I can say that, I think with 50 00:03:12,240 --> 00:03:17,760 Speaker 1: a little more full throatedness than others can. My wife, however, 51 00:03:18,400 --> 00:03:20,600 Speaker 1: and most of the women i've I've most of the 52 00:03:20,600 --> 00:03:22,880 Speaker 1: women I've dated, have had good music, good taste in music. 53 00:03:22,960 --> 00:03:27,799 Speaker 1: My wife has incredible taste in music. And she not 54 00:03:27,840 --> 00:03:31,640 Speaker 1: only has great taste, she has kind of this, uh, 55 00:03:31,680 --> 00:03:33,359 Speaker 1: which I love about her, this sort of fuck you 56 00:03:33,400 --> 00:03:35,440 Speaker 1: attitude about it, which if you don't like what I like, 57 00:03:35,560 --> 00:03:37,600 Speaker 1: I don't care, and I don't have to like everything 58 00:03:37,640 --> 00:03:40,280 Speaker 1: you like. I know that sounds obvious, but in a 59 00:03:40,280 --> 00:03:42,480 Speaker 1: lot of couple of dynamics that's not That's not the way. 60 00:03:42,520 --> 00:03:45,320 Speaker 1: And I really like being called out for instance, I've 61 00:03:45,320 --> 00:03:47,480 Speaker 1: said this before, my wife hates Pearl Jam. I don't 62 00:03:47,480 --> 00:03:50,000 Speaker 1: mind Pearl Jam despite the shit I give Pearl Jam 63 00:03:50,040 --> 00:03:53,200 Speaker 1: on this on the show, and she's constantly giving me 64 00:03:53,240 --> 00:03:57,760 Speaker 1: shit about it. She's constantly checking my my sort of 65 00:03:57,840 --> 00:04:02,000 Speaker 1: like Hipper than thou gen X attitude toward music that 66 00:04:02,080 --> 00:04:07,240 Speaker 1: I just give off without really trying. And she's you know, 67 00:04:07,320 --> 00:04:09,440 Speaker 1: she likes like three to eleven and doesn't care that. 68 00:04:09,480 --> 00:04:12,960 Speaker 1: I think that's the lamest thing in the world. A 69 00:04:13,040 --> 00:04:15,400 Speaker 1: LIT video will come on, She'll be like, fuck, yeah, Lit. 70 00:04:15,400 --> 00:04:17,479 Speaker 1: This reminds me of when I was young, which I 71 00:04:17,520 --> 00:04:20,440 Speaker 1: can't stand lit, but you know, she's into it. I 72 00:04:20,440 --> 00:04:22,120 Speaker 1: know I'm not selling her as having good taste, but 73 00:04:22,120 --> 00:04:24,560 Speaker 1: I'm just saying she has her own, her own north 74 00:04:24,600 --> 00:04:27,359 Speaker 1: Star when it comes to music, and she's turned me 75 00:04:27,440 --> 00:04:30,000 Speaker 1: on to plenty of great music. I say all this 76 00:04:30,080 --> 00:04:33,279 Speaker 1: because we could tell that Winona Ryder had great taste 77 00:04:33,279 --> 00:04:35,760 Speaker 1: in music growing up. And it wasn't, like I said, 78 00:04:35,800 --> 00:04:37,480 Speaker 1: just about the T shirts. It was about the men 79 00:04:37,520 --> 00:04:40,440 Speaker 1: that she dated. Of course, there was Johnny Depp, who, 80 00:04:40,520 --> 00:04:43,320 Speaker 1: in addition to being a great actor, is also a musician, 81 00:04:43,800 --> 00:04:46,159 Speaker 1: and I think he considers himself and always has first 82 00:04:46,200 --> 00:04:49,440 Speaker 1: and foremost a musician. We'll get into more of that 83 00:04:49,480 --> 00:04:52,080 Speaker 1: when we do the Johnny Depp episode of Hollywood Land. 84 00:04:52,400 --> 00:04:55,520 Speaker 1: That's end of the story. Winona, of course, in addition 85 00:04:55,600 --> 00:04:59,880 Speaker 1: to dating Johnny Depp, also dated Dave Perner from Soul Asylum. 86 00:05:00,400 --> 00:05:02,760 Speaker 1: She dated I didn't know this until recently. She dated 87 00:05:02,800 --> 00:05:06,599 Speaker 1: Paige Hamilton from Helmet. That's crazy to me, I don't know, 88 00:05:06,640 --> 00:05:09,920 Speaker 1: because Page just feels like such a regular, non Hollywood 89 00:05:09,920 --> 00:05:12,720 Speaker 1: type guy. Not that Dave Perner's Hollywood, but he was 90 00:05:12,880 --> 00:05:15,800 Speaker 1: a much bigger rockstar than Page Hamilton was. I guess 91 00:05:15,839 --> 00:05:18,400 Speaker 1: I love that Winoda dated Page Hamilton. She also dated 92 00:05:18,520 --> 00:05:22,919 Speaker 1: Beck and she dated Ryle o' kylie guitarist Blake Senate, 93 00:05:22,960 --> 00:05:25,080 Speaker 1: which makes sense to me now that I read this, 94 00:05:25,160 --> 00:05:27,279 Speaker 1: because the one and only time I saw one on 95 00:05:27,279 --> 00:05:29,440 Speaker 1: a writer in person, it was backstage at Ryle o' 96 00:05:29,480 --> 00:05:33,200 Speaker 1: kylie's last show at the Greek Theater in Los Angeles, 97 00:05:33,240 --> 00:05:35,640 Speaker 1: which I had the privilege of going to and somehow 98 00:05:35,640 --> 00:05:38,560 Speaker 1: getting backstage. I don't exactly remember how, but I was 99 00:05:38,600 --> 00:05:42,080 Speaker 1: totally starstruck when I saw Winona, which I don't usually get, 100 00:05:42,600 --> 00:05:45,599 Speaker 1: but I mean, such a huge part of my childhood. 101 00:05:45,960 --> 00:05:49,719 Speaker 1: Win on a Rider, man, gosh, just like oh, she 102 00:05:49,839 --> 00:05:53,880 Speaker 1: was the coolest, the absolute coolest, like sitting alone on 103 00:05:53,960 --> 00:05:57,400 Speaker 1: the mountaintop of cool coolness in the nineteen nineties. Anyways, 104 00:05:57,400 --> 00:06:01,320 Speaker 1: And I'm trying to think of what other young starlet. 105 00:06:02,000 --> 00:06:05,320 Speaker 1: I don't mean young like age wise, I mean youth culture. 106 00:06:05,360 --> 00:06:07,800 Speaker 1: I mean, like, you know, when I say starlet, I like, 107 00:06:07,839 --> 00:06:11,240 Speaker 1: you know, Julia Roberts is a starlet. Nicole Kidman's a starlet. 108 00:06:11,240 --> 00:06:14,279 Speaker 1: But that's not what I mean. They're they're they're not 109 00:06:14,520 --> 00:06:17,279 Speaker 1: of this generation. They were of I guess the nineties 110 00:06:17,279 --> 00:06:21,320 Speaker 1: generation when Noona was. I can't come up they were 111 00:06:21,560 --> 00:06:25,040 Speaker 1: when Nicole Kidman and Julia Roberts were nowhere near as 112 00:06:25,080 --> 00:06:27,800 Speaker 1: cool as Went on a Rider. They had their attributes, 113 00:06:27,839 --> 00:06:31,040 Speaker 1: for sure, But who was as cool as Ona in 114 00:06:31,040 --> 00:06:32,839 Speaker 1: the nineties. I don't know, Drew Barrymore, I don't think so. 115 00:06:32,920 --> 00:06:35,320 Speaker 1: Win Ona had her own thing, her completely, completely, her 116 00:06:35,400 --> 00:06:38,240 Speaker 1: own thing. She was just totally symbolic of what it 117 00:06:38,240 --> 00:06:42,039 Speaker 1: meant to be cool in the nineties. I think I 118 00:06:42,040 --> 00:06:45,200 Speaker 1: wouldn't admit it, admitted that then that's how cool I was. 119 00:06:47,000 --> 00:06:50,960 Speaker 1: But now just Winoda looked at she talked it. She 120 00:06:51,040 --> 00:06:53,440 Speaker 1: clearly thought it. Based on our episode that we just 121 00:06:53,480 --> 00:06:57,039 Speaker 1: gave you, I had girlfriends. When I think about it, 122 00:06:57,080 --> 00:07:00,240 Speaker 1: I had girlfriends that were like Winona knockoffs. They did 123 00:07:00,279 --> 00:07:03,279 Speaker 1: their hair like Wanona, they dressed like Wanona. That's sort 124 00:07:03,320 --> 00:07:05,960 Speaker 1: of I'm not saying they copied Wenona's sense of humor, 125 00:07:06,000 --> 00:07:08,240 Speaker 1: that sly sense of humor, but that was the aesthetic 126 00:07:08,320 --> 00:07:11,840 Speaker 1: that was part of the cultural that was the cultural moment, 127 00:07:11,880 --> 00:07:13,360 Speaker 1: that was part of the mentality that we were all 128 00:07:13,440 --> 00:07:16,120 Speaker 1: going through in the middle of Generation X, as we 129 00:07:16,120 --> 00:07:19,200 Speaker 1: were consuming culture and trying to emulate it. I think 130 00:07:19,240 --> 00:07:21,080 Speaker 1: we overlook what I'm getting at here is I think 131 00:07:21,080 --> 00:07:24,880 Speaker 1: we overlook Winona Ryders' impact on culture beyond, of course, 132 00:07:24,960 --> 00:07:27,200 Speaker 1: the men she dated. That's not the point I'm trying 133 00:07:27,240 --> 00:07:29,880 Speaker 1: to make. I'm trying to make the point that she 134 00:07:30,000 --> 00:07:32,400 Speaker 1: wasn't dating no slubs. She was too cool for that. 135 00:07:32,760 --> 00:07:36,120 Speaker 1: But I'm trying to think of actresses from other eras 136 00:07:36,760 --> 00:07:39,720 Speaker 1: who represented their eras in the same way that Winona 137 00:07:39,800 --> 00:07:43,960 Speaker 1: did the nineties. Maybe Daryl Hannah in the nineteen eighties, 138 00:07:44,000 --> 00:07:47,640 Speaker 1: maybe Olivia Newton John in the seventies. You go back 139 00:07:47,680 --> 00:07:50,920 Speaker 1: further to the nineteen sixties, you start talking about Raquel 140 00:07:50,960 --> 00:07:54,360 Speaker 1: Welch and Bridget Bardow, and I don't know those those 141 00:07:54,400 --> 00:07:58,120 Speaker 1: actresses didn't seem to have a grip on culture in 142 00:07:58,160 --> 00:08:03,840 Speaker 1: the same way that Winona did. Cool rock Star Boyfriend's aside, again, 143 00:08:03,920 --> 00:08:10,680 Speaker 1: Winnona's nineteen nineties filmography is a murderer's row of cool 144 00:08:10,840 --> 00:08:14,240 Speaker 1: as just the coolest movie roles. I mean, come on, 145 00:08:14,560 --> 00:08:18,480 Speaker 1: Mermaids and Edward Scissorhands in nineteen ninety and yes, I 146 00:08:18,480 --> 00:08:22,080 Speaker 1: had the Mermaids soundtrack on cassette. Then you got Jim 147 00:08:22,120 --> 00:08:25,120 Speaker 1: Jermush's Night on Earth in ninety one. Martin scorsesees The 148 00:08:25,320 --> 00:08:28,760 Speaker 1: Age of Innocence in ninety one as well, which, okay, 149 00:08:28,960 --> 00:08:30,640 Speaker 1: you know, sure, I didn't see this until about two 150 00:08:30,680 --> 00:08:34,160 Speaker 1: years ago, but it's still Wanona with Martin Scorsese. Pretty 151 00:08:34,200 --> 00:08:39,400 Speaker 1: much right after Goodfellas, she did Dracula the Crucible, Woody 152 00:08:39,440 --> 00:08:43,800 Speaker 1: Allen's Celebrity, which is underrated, by the way, and uh 153 00:08:44,760 --> 00:08:46,560 Speaker 1: not one of my favorite movies, but I know people 154 00:08:46,600 --> 00:08:49,840 Speaker 1: love Girl Interrupted. And then I mean, at the end 155 00:08:49,840 --> 00:08:53,840 Speaker 1: of the eighties you have Heathers and Beetlejuice, which precedes 156 00:08:53,880 --> 00:08:56,960 Speaker 1: that incredible list. I just gave you. That's an amazing 157 00:08:57,120 --> 00:09:01,679 Speaker 1: run for any actor. It's incredible and no wonder we 158 00:09:01,720 --> 00:09:05,440 Speaker 1: were all smitten with Winona. Was there anyone cooler in 159 00:09:05,480 --> 00:09:09,000 Speaker 1: the nineties than Wanona? I don't know anyway, I hope 160 00:09:09,040 --> 00:09:10,559 Speaker 1: you dug the episode. Go check it out. It's the 161 00:09:10,600 --> 00:09:13,080 Speaker 1: one that comes just before this yere bonus episode, this 162 00:09:13,200 --> 00:09:16,560 Speaker 1: after party episode of Disgraceland. We had a rewind episode 163 00:09:16,600 --> 00:09:19,000 Speaker 1: coming up right afterwards. This week, we're going back to 164 00:09:19,000 --> 00:09:22,560 Speaker 1: the nineties again, the Notorious Big in our rewind slot. 165 00:09:22,600 --> 00:09:25,560 Speaker 1: It's a two parter and we programmed it here because 166 00:09:26,200 --> 00:09:30,320 Speaker 1: the Ditty trial is starting on May fifth. I think 167 00:09:30,360 --> 00:09:33,079 Speaker 1: that date is still going to hold. We shall see. 168 00:09:33,720 --> 00:09:36,560 Speaker 1: So if you want a primer on the special brand 169 00:09:36,600 --> 00:09:39,560 Speaker 1: of bad boy nineties madness, and you can't go wrong 170 00:09:39,600 --> 00:09:44,040 Speaker 1: with these Biggie Small's episodes, which essentially get into who 171 00:09:44,280 --> 00:09:49,439 Speaker 1: I think killed the Notorious Big, Christopher Wallace. I had 172 00:09:49,480 --> 00:09:51,920 Speaker 1: to be cagy about it in the episode. I couldn't 173 00:09:51,920 --> 00:09:55,520 Speaker 1: just come out outright and say it, you know. I 174 00:09:55,520 --> 00:09:57,720 Speaker 1: hope someday we get to the truth of this. I 175 00:09:57,720 --> 00:10:00,600 Speaker 1: think it's crazy that we're not there yet. I have 176 00:10:00,679 --> 00:10:05,040 Speaker 1: this real kind of like low key burning yearning desire 177 00:10:06,120 --> 00:10:10,800 Speaker 1: to have these these these ditty revelations that I hope 178 00:10:10,800 --> 00:10:13,439 Speaker 1: are coming with this trial. I hope we get some 179 00:10:13,480 --> 00:10:16,520 Speaker 1: sort of insight into Biggie's death and into Tupac's death 180 00:10:16,559 --> 00:10:19,120 Speaker 1: as well. Not sure if that's going to happen, but 181 00:10:19,240 --> 00:10:22,160 Speaker 1: I am crossing my fingers. So check out the notorious 182 00:10:22,200 --> 00:10:24,720 Speaker 1: big episodes that are in the rewind spot. You will 183 00:10:24,720 --> 00:10:28,160 Speaker 1: not be disappointed. They're produced in a really great way, 184 00:10:28,200 --> 00:10:30,120 Speaker 1: and I think you're going to find it fascinating. If 185 00:10:30,120 --> 00:10:33,040 Speaker 1: you have questions on who killed Christopher Wallace, I want 186 00:10:33,040 --> 00:10:35,000 Speaker 1: to talk about it in a more in depth manner. 187 00:10:35,679 --> 00:10:37,920 Speaker 1: Hit me up, Hit me up, you know where to 188 00:10:38,000 --> 00:10:41,000 Speaker 1: hit me up Patreon, hit me up on Instagram, email me, 189 00:10:41,480 --> 00:10:44,360 Speaker 1: I'm around to talk Biggie, all right, listen, coming up 190 00:10:44,400 --> 00:10:48,480 Speaker 1: after that on Tuesday, Next Tuesday, we've got our or 191 00:10:48,559 --> 00:10:52,200 Speaker 1: this next Tuesday coming Yeah, we've got our two part 192 00:10:52,240 --> 00:10:55,160 Speaker 1: episode on van Halen. Now you didn't expect us to 193 00:10:55,200 --> 00:10:58,240 Speaker 1: just release one Van van Halen episode, did you. There 194 00:10:58,240 --> 00:11:02,240 Speaker 1: are way to any insane Van Halen stories to tell, 195 00:11:02,720 --> 00:11:04,440 Speaker 1: and you're getting it all here and just grace Anne, 196 00:11:04,440 --> 00:11:06,720 Speaker 1: and you're getting it differently than you will anywhere else 197 00:11:07,040 --> 00:11:08,880 Speaker 1: you might have noticed. We don't tell these stories the 198 00:11:08,880 --> 00:11:11,120 Speaker 1: same way everyone else does. We don't give you the 199 00:11:11,120 --> 00:11:13,560 Speaker 1: paint bye numbers take on these artists. We give you 200 00:11:13,600 --> 00:11:16,600 Speaker 1: the stuff you likely never heard before unless you go 201 00:11:16,640 --> 00:11:18,040 Speaker 1: as deep as we do. And I know some of 202 00:11:18,040 --> 00:11:20,280 Speaker 1: you do, and I love that about you. But still 203 00:11:20,559 --> 00:11:23,200 Speaker 1: we give you our own take on these artists, no 204 00:11:23,280 --> 00:11:25,200 Speaker 1: matter the research, and it's always from the heart. And 205 00:11:25,200 --> 00:11:27,360 Speaker 1: I know you guys appreciate it, and I appreciate you 206 00:11:27,440 --> 00:11:31,000 Speaker 1: for it. Anyways, Van Halen brings us to next week's 207 00:11:31,080 --> 00:11:32,800 Speaker 1: question of the Week. When you're listening to the Part 208 00:11:32,800 --> 00:11:34,880 Speaker 1: two episode of Van Hallen, I want you to be 209 00:11:34,920 --> 00:11:38,200 Speaker 1: thinking about the mount Rushmore of Guitar Players. We talked 210 00:11:38,200 --> 00:11:40,640 Speaker 1: about this before, we did not settle it. I think 211 00:11:40,760 --> 00:11:42,880 Speaker 1: I think I did a real on Van Halen, and 212 00:11:42,920 --> 00:11:46,120 Speaker 1: that's what prompted this conversation we were having on Instagram 213 00:11:46,360 --> 00:11:49,240 Speaker 1: and did real on Eddie. Excuse me, but I want 214 00:11:49,240 --> 00:11:51,680 Speaker 1: to get into it in a bigger way here with 215 00:11:51,800 --> 00:11:54,679 Speaker 1: the whole podcast audience. I want to know who you 216 00:11:54,760 --> 00:11:59,280 Speaker 1: think deserves to be on the mount Rushmore of Guitar Players, 217 00:11:59,360 --> 00:12:00,600 Speaker 1: and I want you you know, let me know if 218 00:12:00,679 --> 00:12:02,720 Speaker 1: Eddie van Halen deserves to be I think you know 219 00:12:02,760 --> 00:12:05,480 Speaker 1: how I feel on this and if Eddie does or doesn't. 220 00:12:05,559 --> 00:12:09,160 Speaker 1: Who are the four guitars that are up there? Okay, 221 00:12:09,200 --> 00:12:11,040 Speaker 1: you only get to choose four, and I want to 222 00:12:11,040 --> 00:12:13,160 Speaker 1: know if Eddie van Halen has major list let me know. 223 00:12:13,280 --> 00:12:15,280 Speaker 1: Six one seven, nine h six six sixty three eight 224 00:12:15,400 --> 00:12:18,920 Speaker 1: voicemail and text at Disgrace lam pod on the socials 225 00:12:19,240 --> 00:12:21,360 Speaker 1: to give me your answer on the question of the week. 226 00:12:21,400 --> 00:12:23,880 Speaker 1: You may hear your answer and next week's after party. 227 00:12:24,559 --> 00:12:26,560 Speaker 1: When we get into the voicemails, we get into the text, 228 00:12:26,559 --> 00:12:28,160 Speaker 1: we get into the dms. I'm gonna take a quick 229 00:12:28,160 --> 00:12:31,040 Speaker 1: break right now, but as always I'll be hanging with 230 00:12:31,120 --> 00:12:34,199 Speaker 1: you on the telephone on the other side with your voicemails, 231 00:12:34,200 --> 00:12:55,120 Speaker 1: text and dms. All right, Apple podcast listeners, just a 232 00:12:55,160 --> 00:12:58,120 Speaker 1: reminder if you don't have your auto downloads turned on 233 00:12:58,400 --> 00:13:01,480 Speaker 1: in your Apple podcast app, please make sure you do that. 234 00:13:01,480 --> 00:13:03,960 Speaker 1: We do not miss any episodes of Disgrace, Sam. You 235 00:13:03,960 --> 00:13:06,320 Speaker 1: don't miss the full episodes. You know, miss the after parties. 236 00:13:06,320 --> 00:13:08,840 Speaker 1: You don't miss the rewinds. You get everything, all right. 237 00:13:09,280 --> 00:13:11,560 Speaker 1: Six one seven nine oh six six six three eight. 238 00:13:11,600 --> 00:13:12,840 Speaker 1: You know where I'm at him in the phone with 239 00:13:12,880 --> 00:13:14,800 Speaker 1: this one across the hall. I'm hanging on the telephone. 240 00:13:14,960 --> 00:13:16,800 Speaker 1: You want to send me a voicemail or a text, 241 00:13:17,120 --> 00:13:19,040 Speaker 1: this is the place to do it. And the way 242 00:13:19,080 --> 00:13:21,360 Speaker 1: to do it again is six one seven nine oh 243 00:13:21,400 --> 00:13:22,760 Speaker 1: six six six three eight. 244 00:13:23,040 --> 00:13:23,439 Speaker 2: All right. 245 00:13:23,520 --> 00:13:26,559 Speaker 1: Let's hear from Miguel in the eight one three. 246 00:13:27,559 --> 00:13:30,200 Speaker 2: Hey, Jake, what's up. It's Miguel of Tampa. 247 00:13:30,400 --> 00:13:35,520 Speaker 3: You're talking about bands that or people from bands that 248 00:13:35,960 --> 00:13:37,680 Speaker 3: went from one band to another and. 249 00:13:38,480 --> 00:13:43,360 Speaker 2: Had a better or at least impactful career with them both. 250 00:13:43,360 --> 00:13:44,880 Speaker 3: And one of the ones that I first think of 251 00:13:45,080 --> 00:13:49,640 Speaker 3: is Tim Armstrong and Matt Freeman from Operation IVY going 252 00:13:49,720 --> 00:13:52,760 Speaker 3: on to form Rampid, And like I said, I'm not 253 00:13:52,840 --> 00:13:57,839 Speaker 3: saying better but impactful still, So yeah, that's all I got, 254 00:13:57,960 --> 00:13:58,520 Speaker 3: all right, Jake? 255 00:13:58,679 --> 00:14:01,800 Speaker 1: Later mell Gael, you are so right on, man. I 256 00:14:01,840 --> 00:14:04,080 Speaker 1: can't believe I blew that one. I loved Operation IVY 257 00:14:04,280 --> 00:14:10,640 Speaker 1: growing up, had that cassette sound system. Gonna, what's you say, 258 00:14:10,679 --> 00:14:15,480 Speaker 1: scientist do won't end it? I can't remember. But Tim 259 00:14:15,559 --> 00:14:19,960 Speaker 1: Armstrong goes on to make Ranted after Operation IVY. Just incredible. 260 00:14:20,200 --> 00:14:23,560 Speaker 1: All right, Let's hear from Travis in the nine to Oh. 261 00:14:24,600 --> 00:14:28,120 Speaker 2: Hey, Jake, this is Travis from Cape Florol, Florida. Awesome 262 00:14:28,440 --> 00:14:31,800 Speaker 2: episode of Chris Cornell Sound Garden. So for your question, 263 00:14:31,920 --> 00:14:36,080 Speaker 2: I gotta say I am a huge, huge fan of Slash. 264 00:14:36,320 --> 00:14:37,680 Speaker 2: I might get a little bit of hate for this, 265 00:14:37,840 --> 00:14:42,800 Speaker 2: but now appetite for destruction, use your illusion. One two 266 00:14:42,840 --> 00:14:46,240 Speaker 2: of the best rock albums ever in my opinion. However, 267 00:14:46,960 --> 00:14:51,040 Speaker 2: Slash has done more on the collaboration end and the 268 00:14:51,120 --> 00:14:55,280 Speaker 2: solo end than he did with Guns n' Roses, and 269 00:14:55,920 --> 00:14:59,680 Speaker 2: he just put out some phenomenal, phenomenal stuff since he 270 00:14:59,760 --> 00:15:04,080 Speaker 2: left Guns and Elysis. Again. Might get a little heat 271 00:15:04,080 --> 00:15:06,880 Speaker 2: for that, but that's I'm sticking to it. A huge 272 00:15:06,920 --> 00:15:10,480 Speaker 2: fan of Slash, love your show, keep up the great work. 273 00:15:10,720 --> 00:15:12,520 Speaker 2: Rock roll Uh. 274 00:15:12,120 --> 00:15:15,480 Speaker 1: Love this take. I can't. I can't totally go there 275 00:15:15,520 --> 00:15:20,360 Speaker 1: with you on it, though, because nothing Slash did after 276 00:15:20,440 --> 00:15:24,720 Speaker 1: Guns and Roses was as culturally impactful as Guns of Roses. 277 00:15:24,800 --> 00:15:28,800 Speaker 1: Maybe Velvet Revolver, I guess comes the closest. And I understand. 278 00:15:29,080 --> 00:15:31,160 Speaker 1: I know his solo stuff is really good. I know 279 00:15:31,360 --> 00:15:34,840 Speaker 1: people love it, people freak out about it, So I 280 00:15:34,880 --> 00:15:39,040 Speaker 1: see where you're coming from, you know, It's just tough though. 281 00:15:39,120 --> 00:15:40,920 Speaker 1: It's tough to go all the way there with you 282 00:15:41,000 --> 00:15:43,520 Speaker 1: because of like I said, Guns and Roses were just 283 00:15:43,560 --> 00:15:45,920 Speaker 1: I mean, you know they were. They were just incredibly 284 00:15:46,840 --> 00:15:50,200 Speaker 1: important culturally in the in the nineties. They were just 285 00:15:50,480 --> 00:15:53,440 Speaker 1: the biggest band, biggest rock band around until Nirvana came. 286 00:15:53,960 --> 00:15:56,000 Speaker 1: And you know, one thing, it just reminded me of 287 00:15:56,040 --> 00:15:58,720 Speaker 1: the like we're talking about. We got this Van Hallin 288 00:15:58,720 --> 00:16:01,160 Speaker 1: episode coming up, and we're talking great guitarist Slash. I 289 00:16:01,160 --> 00:16:04,360 Speaker 1: don't feel like it's enough heat as the great guitarist 290 00:16:04,360 --> 00:16:07,720 Speaker 1: in the conversation with the greats. And maybe maybe some 291 00:16:07,760 --> 00:16:10,320 Speaker 1: guitar players out there have good reason for for not 292 00:16:10,440 --> 00:16:16,160 Speaker 1: thinking so. But I think Slash's style is pretty signature. 293 00:16:16,720 --> 00:16:19,480 Speaker 1: I think he's a beast of a guitar player. I 294 00:16:19,480 --> 00:16:22,360 Speaker 1: think he could play different styles if he cared to. 295 00:16:22,960 --> 00:16:25,120 Speaker 1: And Travis, you probably know better than most because you're 296 00:16:25,200 --> 00:16:27,200 Speaker 1: up on his solo stuff. He's just he's one of 297 00:16:27,200 --> 00:16:30,680 Speaker 1: those guys. Is he top four? Mount Rushmore? I don't know. 298 00:16:30,960 --> 00:16:32,920 Speaker 1: Call me back, let me know what you think, all right, 299 00:16:32,960 --> 00:16:35,160 Speaker 1: Travis six one seven nine six six six three eight 300 00:16:35,400 --> 00:16:39,320 Speaker 1: voicemail and text five to three to oho Zach from 301 00:16:39,440 --> 00:16:45,640 Speaker 1: Sack Zach from Sack, I'm guessing that's Sacramento. Zach's writing 302 00:16:45,640 --> 00:16:47,720 Speaker 1: in as well about Tim Armstrong going on to be 303 00:16:47,720 --> 00:16:50,000 Speaker 1: an Operation ivy. I really left this one just I 304 00:16:50,080 --> 00:16:51,960 Speaker 1: left this one hanging out there, all right. Three h 305 00:16:52,040 --> 00:16:53,960 Speaker 1: two writes in in relation to her Win on a 306 00:16:54,040 --> 00:16:57,560 Speaker 1: Rider episode, Hey definitely Drew, Barrymore and Win on a 307 00:16:57,600 --> 00:17:01,920 Speaker 1: Rider over Heather Graham, Winoda and Drew have definitely outlasted Heather. 308 00:17:02,280 --> 00:17:04,879 Speaker 1: Where is Heather? Now? Where'd she go? Did you know 309 00:17:04,920 --> 00:17:08,360 Speaker 1: that she dated adam Ant for a while? Heather Graham? 310 00:17:08,920 --> 00:17:12,199 Speaker 1: Heather Graham dated adam Ant. That can't be true. Come on, 311 00:17:12,359 --> 00:17:14,119 Speaker 1: someone said I should do an adam An episode or 312 00:17:14,119 --> 00:17:16,159 Speaker 1: disgrace sand should I six one seven nine? I was 313 00:17:16,200 --> 00:17:18,120 Speaker 1: six six six three eight? Let me know, all right? 314 00:17:18,200 --> 00:17:20,280 Speaker 1: Doug writes in from the five to one three Jake 315 00:17:20,359 --> 00:17:23,600 Speaker 1: Doug from the five one three STP is great, not 316 00:17:23,840 --> 00:17:27,880 Speaker 1: a poser, not contrived. He died from heroin what's more? 317 00:17:27,920 --> 00:17:31,920 Speaker 1: Grunge on that note, maybe pro Jams is a contrived band. 318 00:17:34,400 --> 00:17:36,840 Speaker 1: I don't agree, but I love this logic. It's dark, 319 00:17:37,000 --> 00:17:39,280 Speaker 1: but I love it. Five one three goes on right 320 00:17:40,200 --> 00:17:42,840 Speaker 1: and Geese what do you hear that I don't? I 321 00:17:42,840 --> 00:17:45,600 Speaker 1: can tell this. I can tell this, dude, Doug is 322 00:17:45,640 --> 00:17:48,600 Speaker 1: being very very charitable to me right now. He's holding back. 323 00:17:48,880 --> 00:17:51,400 Speaker 1: He wants to kill me for liking Geese, and he's 324 00:17:51,440 --> 00:17:54,120 Speaker 1: being very polite. Doug. I appreciate, he says. And Geese question, Mark, 325 00:17:54,160 --> 00:17:56,320 Speaker 1: what do you hear that I don't? They opened for 326 00:17:56,400 --> 00:17:59,640 Speaker 1: GVF last year and they were the worst band I've 327 00:17:59,720 --> 00:18:02,240 Speaker 1: ever heard. Maybe they suck live and I need to 328 00:18:02,240 --> 00:18:03,920 Speaker 1: give them a second chance. Maybe I need to start 329 00:18:04,000 --> 00:18:12,120 Speaker 1: questioning your usually impeccable taste. Okay, first of all, they 330 00:18:12,119 --> 00:18:14,760 Speaker 1: could have sucked live. I don't. I don't. I don't 331 00:18:14,800 --> 00:18:17,919 Speaker 1: doubt that some bands have bad nights. Some bands it 332 00:18:17,960 --> 00:18:20,720 Speaker 1: takes them a long, long long time to become a 333 00:18:20,760 --> 00:18:23,119 Speaker 1: good live band. Now, I will tell you. I went 334 00:18:23,200 --> 00:18:26,080 Speaker 1: on YouTube prior to reading this a couple weeks ago, 335 00:18:26,119 --> 00:18:29,440 Speaker 1: as in a Geese hole, and I saw a lot 336 00:18:29,480 --> 00:18:32,720 Speaker 1: of bad live Geese. Okay, a lot of bad, like 337 00:18:32,920 --> 00:18:38,760 Speaker 1: embarrassingly bad. However, there is some great live Geese as well, 338 00:18:38,800 --> 00:18:40,800 Speaker 1: and it's clearly just a thing of them taking time 339 00:18:40,800 --> 00:18:43,680 Speaker 1: to get their live shit together. There's a rolling stone 340 00:18:44,520 --> 00:18:48,160 Speaker 1: studio like live in studio thing that Geese did where 341 00:18:48,200 --> 00:18:52,240 Speaker 1: they're just they're hitting on every level. Fantastic. Check that out. 342 00:18:53,400 --> 00:18:55,560 Speaker 1: Maybe that'll change your mind. What I'm hearing that you 343 00:18:55,640 --> 00:19:01,399 Speaker 1: don't is the irreverence, the weirdness, the youth. It's all 344 00:19:02,880 --> 00:19:07,160 Speaker 1: fresh and exciting to me, and it is the perfect 345 00:19:07,200 --> 00:19:09,840 Speaker 1: meld of being steeped in rock and roll tradition but 346 00:19:09,880 --> 00:19:12,840 Speaker 1: not sounding like anything that I've heard before. So there 347 00:19:12,880 --> 00:19:15,480 Speaker 1: you go. I think I just salvaged my quote unquote 348 00:19:15,520 --> 00:19:19,159 Speaker 1: usually impeccable taste, Doug, I hope. So anyways, Oh and 349 00:19:19,240 --> 00:19:22,880 Speaker 1: what I'm hearing that you're not, I think is three 350 00:19:22,920 --> 00:19:27,359 Speaker 1: D Country, the twenty twenty three full length. Check that out, Doug, 351 00:19:27,440 --> 00:19:29,399 Speaker 1: and listen to it from start to finish and let 352 00:19:29,440 --> 00:19:31,520 Speaker 1: me know what you think. All right, guys, real quick 353 00:19:31,560 --> 00:19:32,840 Speaker 1: before we move on to the next part of this 354 00:19:32,880 --> 00:19:34,560 Speaker 1: Afro party, I want to I want to let you 355 00:19:34,600 --> 00:19:38,080 Speaker 1: know this thing we just did. We had our representatives 356 00:19:38,080 --> 00:19:42,760 Speaker 1: who work for us. They did a data analysis of 357 00:19:42,960 --> 00:19:48,520 Speaker 1: our audience of you guys, and they largely went based 358 00:19:48,560 --> 00:19:51,680 Speaker 1: on what they could learn from our social media following, 359 00:19:52,200 --> 00:19:56,239 Speaker 1: and what they came back with I feel like was 360 00:19:56,720 --> 00:19:58,680 Speaker 1: kind of accurate, not as accurate as I would like 361 00:19:58,720 --> 00:20:01,560 Speaker 1: it to be. But basically what they're saying is, you 362 00:20:01,640 --> 00:20:05,600 Speaker 1: guys are mostly between the ages of twenty five and 363 00:20:05,640 --> 00:20:12,720 Speaker 1: fifty five. You skew slightly more female than male, more 364 00:20:12,760 --> 00:20:17,160 Speaker 1: of you are college educated than not. You make slightly 365 00:20:17,600 --> 00:20:21,960 Speaker 1: more money than most Americans do. You're and whatever. That 366 00:20:22,000 --> 00:20:26,359 Speaker 1: stuff is less interesting to me than the following you 367 00:20:26,440 --> 00:20:29,239 Speaker 1: are into. So they can they can gauge you know 368 00:20:29,280 --> 00:20:32,879 Speaker 1: what you're into for music and what you're into. You 369 00:20:32,920 --> 00:20:35,359 Speaker 1: know what kind of celebrities you follow, what your general 370 00:20:35,359 --> 00:20:36,480 Speaker 1: interests are. 371 00:20:37,000 --> 00:20:37,400 Speaker 4: And. 372 00:20:38,720 --> 00:20:41,879 Speaker 1: So you guys are more than any other music. You're 373 00:20:41,920 --> 00:20:45,480 Speaker 1: into alternative slash rock. Okay, and I guess that's just 374 00:20:45,520 --> 00:20:50,040 Speaker 1: defined as however social media defines it celebrities that you're 375 00:20:50,040 --> 00:20:55,760 Speaker 1: really into. Carrie Brownstein from Portlandia. Ryan Adams was another one. 376 00:20:56,600 --> 00:21:01,399 Speaker 1: The author Brad Meltzer, who I've never read before, So 377 00:21:01,200 --> 00:21:04,880 Speaker 1: I found that to be interesting. You're heavily into tattoos, 378 00:21:05,240 --> 00:21:11,239 Speaker 1: you like beer, and generally speaking, you're into Americana, So 379 00:21:11,600 --> 00:21:15,439 Speaker 1: I thought, okay, maybe, sure, yeah, I get it. I 380 00:21:15,480 --> 00:21:18,600 Speaker 1: see where they're coming from. But I talk to you 381 00:21:18,600 --> 00:21:21,840 Speaker 1: guys every week. I hear from you here on voicemail 382 00:21:21,840 --> 00:21:26,200 Speaker 1: and text, and I don't think this is totally accurate. 383 00:21:26,480 --> 00:21:28,280 Speaker 1: If I had a guess, I would say that you 384 00:21:28,400 --> 00:21:31,600 Speaker 1: are slightly more male than female. I think they nailed 385 00:21:31,640 --> 00:21:37,320 Speaker 1: the age, income, all that stuff. Top cities, however they mentioned, 386 00:21:37,359 --> 00:21:40,480 Speaker 1: I should mention this are New York City, Los Angeles, Boston, 387 00:21:40,640 --> 00:21:44,400 Speaker 1: Austin in that order, but I think that's just reflective 388 00:21:44,400 --> 00:21:47,280 Speaker 1: of how big those cities are compared to others. I 389 00:21:47,320 --> 00:21:49,919 Speaker 1: know you guys are all over the place. I hear it. 390 00:21:49,960 --> 00:21:52,720 Speaker 1: I mean, look, I was this texting with somebody from Oklahoma, 391 00:21:53,040 --> 00:21:55,760 Speaker 1: another from Cape Coral, Florida. I know you're all over 392 00:21:55,800 --> 00:21:59,960 Speaker 1: the place, but I'm more interested in, like the muse 393 00:22:00,280 --> 00:22:02,720 Speaker 1: side of things, the television and film side of things. 394 00:22:02,760 --> 00:22:07,200 Speaker 1: What you're into. I want to know what your interests are, 395 00:22:08,200 --> 00:22:10,000 Speaker 1: if you could be so kind. I don't want to 396 00:22:10,040 --> 00:22:11,640 Speaker 1: do a survey or anything like that, but just hit 397 00:22:11,640 --> 00:22:13,360 Speaker 1: me up six point seven nine O six sixty sixty 398 00:22:13,359 --> 00:22:16,160 Speaker 1: three and tell me about yourselves. Tell me what you're 399 00:22:16,200 --> 00:22:19,840 Speaker 1: into for music, and be general you don't be you 400 00:22:19,840 --> 00:22:21,399 Speaker 1: don't have to be super specific about it. You can 401 00:22:21,440 --> 00:22:23,840 Speaker 1: be general about it. You know, are you more into 402 00:22:23,880 --> 00:22:26,639 Speaker 1: alternative than you are into classic rock. Are you more 403 00:22:26,680 --> 00:22:30,240 Speaker 1: into punk than you are into alternative? Are you more 404 00:22:30,280 --> 00:22:33,320 Speaker 1: whatever it is? There's no right or wrong answer. I 405 00:22:33,560 --> 00:22:36,560 Speaker 1: think they're accurate. I think you guys are on the 406 00:22:36,640 --> 00:22:42,560 Speaker 1: sort of gen X alternative slash classic rock with a 407 00:22:42,600 --> 00:22:45,800 Speaker 1: heavy interest in punk. I think that's generally speaking, who 408 00:22:45,840 --> 00:22:49,120 Speaker 1: you guys are. I think I think you pride yourself. 409 00:22:49,520 --> 00:22:51,080 Speaker 1: There's no way to tell this, but I think you 410 00:22:51,160 --> 00:22:56,880 Speaker 1: pride yourself on your knowledge of music history and culture 411 00:22:57,000 --> 00:23:00,560 Speaker 1: and celebrity history and culture. And I think you pride 412 00:23:00,560 --> 00:23:03,680 Speaker 1: yourself on knowing a little bit more than the average 413 00:23:03,680 --> 00:23:06,240 Speaker 1: bear when it comes to these topics, and you like 414 00:23:06,280 --> 00:23:09,199 Speaker 1: sharing these topics with other people, which tells me that 415 00:23:09,280 --> 00:23:13,560 Speaker 1: you're not only curious, you're also smart, which you know. 416 00:23:13,760 --> 00:23:17,120 Speaker 1: Whether you're college educated or not, that doesn't matter. You're 417 00:23:17,200 --> 00:23:20,320 Speaker 1: curious and smart. I know that about you, and no 418 00:23:21,040 --> 00:23:24,240 Speaker 1: demographic testing machine is going to tell me otherwise, not 419 00:23:24,280 --> 00:23:27,080 Speaker 1: that it is, but again, I want to know. I 420 00:23:27,080 --> 00:23:30,560 Speaker 1: guess the question is this, what is your favorite style 421 00:23:30,600 --> 00:23:33,959 Speaker 1: of music, who are your favorite artists, what are your 422 00:23:33,960 --> 00:23:37,080 Speaker 1: favorite movies? Who are your favorite actors and actresses? And 423 00:23:37,280 --> 00:23:43,320 Speaker 1: generally speaking, what are you into? Car shows? IPA's tattoos, 424 00:23:43,720 --> 00:23:45,960 Speaker 1: that sort of thing. What's the big kind of general 425 00:23:46,040 --> 00:23:49,120 Speaker 1: thing that you guys are into flea marketing and teeking. 426 00:23:49,119 --> 00:23:50,720 Speaker 1: I don't think it's those things, but I'm throwing out 427 00:23:50,720 --> 00:23:53,280 Speaker 1: some other examples. Hit me back and let me know 428 00:23:53,359 --> 00:23:55,600 Speaker 1: I'd really really appreciated six point seven nine h six 429 00:23:55,680 --> 00:23:57,720 Speaker 1: six six three eight, because the more I can nail 430 00:23:57,760 --> 00:24:00,840 Speaker 1: this down, the more I can figure out what to 431 00:24:00,880 --> 00:24:03,680 Speaker 1: give you guys for content. And we're trying to figure 432 00:24:03,720 --> 00:24:05,840 Speaker 1: out not only our programming slate for the rest of 433 00:24:05,880 --> 00:24:08,960 Speaker 1: this year and next year right now, I'm also which 434 00:24:09,000 --> 00:24:11,640 Speaker 1: is easier to do than this other thing I'm about 435 00:24:11,640 --> 00:24:13,520 Speaker 1: to talk about. I'm also trying to figure out I've 436 00:24:13,520 --> 00:24:15,520 Speaker 1: got some opportunities to do some big projects. I'm trying 437 00:24:15,520 --> 00:24:17,000 Speaker 1: to figure out what I want to do and how 438 00:24:17,040 --> 00:24:18,639 Speaker 1: I want to do it in the next few years. 439 00:24:19,000 --> 00:24:21,440 Speaker 1: And having a better idea of who you guys are 440 00:24:22,240 --> 00:24:24,400 Speaker 1: will help me make those decisions and help the rest 441 00:24:24,400 --> 00:24:26,480 Speaker 1: of us here at Double Elvis as well. Plus it's 442 00:24:26,520 --> 00:24:28,199 Speaker 1: just another way to get to know you guys, and 443 00:24:28,240 --> 00:24:30,400 Speaker 1: that's always fun, all right. So six one seven nine 444 00:24:30,400 --> 00:24:32,919 Speaker 1: oh six six six three eight voicemail and text email 445 00:24:33,000 --> 00:24:35,199 Speaker 1: just graslimpod at gmail dot com. We want to do 446 00:24:35,200 --> 00:24:37,399 Speaker 1: it that way and let me know what your favorite 447 00:24:37,400 --> 00:24:41,920 Speaker 1: style of music is, who your favorite musicians are, what 448 00:24:42,000 --> 00:24:44,639 Speaker 1: types of movies and actors and actresses you love, and 449 00:24:44,760 --> 00:24:48,560 Speaker 1: generally speaking, what are you guys into Now? I know 450 00:24:48,600 --> 00:24:51,080 Speaker 1: you're into Robin Williams because we got into our easter 451 00:24:51,160 --> 00:24:54,320 Speaker 1: egg question last last week and I got so many 452 00:24:54,359 --> 00:24:56,680 Speaker 1: responses from you guys. I'm going to play a voicemail 453 00:24:56,720 --> 00:24:59,520 Speaker 1: response here with the answer because it came in quick, 454 00:24:59,680 --> 00:25:03,639 Speaker 1: it came in fast. The question was what did Robin 455 00:25:03,680 --> 00:25:09,199 Speaker 1: Williams in our Hollywood Land episode. The easter egg was 456 00:25:09,359 --> 00:25:12,720 Speaker 1: what did Robin Williams get from the prostitute when he 457 00:25:12,760 --> 00:25:15,520 Speaker 1: turned twenty one? And the answer comes from the five 458 00:25:15,640 --> 00:25:16,120 Speaker 1: seven three. 459 00:25:16,800 --> 00:25:20,040 Speaker 4: Hello to all of the good people at Disgraceland. I 460 00:25:20,119 --> 00:25:22,760 Speaker 4: was calling in reference to your Easter rag from the 461 00:25:22,880 --> 00:25:26,560 Speaker 4: Robin Williams episode that just had come out on Hollywood Land. 462 00:25:26,920 --> 00:25:32,000 Speaker 4: I do believe that the prostitute gave Robin Williams a refund, 463 00:25:32,240 --> 00:25:37,919 Speaker 4: a refund for his services. Yes, that's the correct answer. 464 00:25:38,680 --> 00:25:40,680 Speaker 4: Thanks for everything you guys love the show. 465 00:25:41,320 --> 00:25:45,000 Speaker 1: Yes, five seven three, you are correct. A refund is 466 00:25:45,040 --> 00:25:48,239 Speaker 1: the answer Robin Williams. That's what Rob Williams got from 467 00:25:48,240 --> 00:25:50,919 Speaker 1: the prostitute when he turned twenty one. All right, so 468 00:25:51,000 --> 00:25:53,160 Speaker 1: for the Easter Egg this week, guys, it's the Tim 469 00:25:53,200 --> 00:25:56,840 Speaker 1: Allen episode of hollywood Land. The question is what football 470 00:25:56,880 --> 00:26:01,000 Speaker 1: game did Tim Allen not go to? What football game 471 00:26:01,040 --> 00:26:04,000 Speaker 1: did Tim Allen not go to? Head over to hollywood Land, 472 00:26:04,320 --> 00:26:06,480 Speaker 1: dive into that Tim Allen episode, find the answer. Hit 473 00:26:06,520 --> 00:26:08,560 Speaker 1: me at six month seven nine six six six three eight, 474 00:26:08,720 --> 00:26:10,680 Speaker 1: leave me a voicemail, send me a text with your answer, 475 00:26:10,760 --> 00:26:12,439 Speaker 1: or be the first to post on Instagram. When we 476 00:26:12,440 --> 00:26:15,439 Speaker 1: pose this question again, the Easter egg answer is in 477 00:26:15,520 --> 00:26:18,400 Speaker 1: the Tim Allen episode of hollywood Land. What football game 478 00:26:18,440 --> 00:26:21,280 Speaker 1: did Tim Allen not go to? And if you have 479 00:26:21,440 --> 00:26:25,240 Speaker 1: not heard this Tim Allen episode, you're going to want 480 00:26:25,280 --> 00:26:28,399 Speaker 1: to It is not, I promise you, it is not 481 00:26:28,520 --> 00:26:31,199 Speaker 1: the Tim Allen that you think you know. Again the 482 00:26:31,240 --> 00:26:35,199 Speaker 1: Easter egg question what football game did Tim Allen not 483 00:26:35,560 --> 00:26:38,280 Speaker 1: go to? Which brings us nicely into our sports rant 484 00:26:38,440 --> 00:26:41,960 Speaker 1: for this week. I'm a big baseball fan. You guys 485 00:26:42,000 --> 00:26:44,720 Speaker 1: know this. I'm a big, big Red Sox fan. I'm 486 00:26:44,720 --> 00:26:47,080 Speaker 1: more into the season this year than I've been in 487 00:26:47,119 --> 00:26:49,920 Speaker 1: the past few seasons. I think it's partially because my kids. 488 00:26:49,960 --> 00:26:52,240 Speaker 1: But anyways, we get the MLB app. That's where we 489 00:26:52,280 --> 00:26:56,160 Speaker 1: watch our games. And I gotta say, the MLB app. 490 00:26:56,640 --> 00:26:58,640 Speaker 1: If you guys, anyone has it, get in touch, let 491 00:26:58,640 --> 00:27:01,399 Speaker 1: me know your experiences. But my experience is that the 492 00:27:01,520 --> 00:27:04,560 Speaker 1: MLB app is a piece of steaming hot garbage. It 493 00:27:04,600 --> 00:27:07,520 Speaker 1: barely works when I wanted to work. It didn't work 494 00:27:07,560 --> 00:27:09,480 Speaker 1: on Opening Day. How does that? I mean, come on 495 00:27:09,760 --> 00:27:14,360 Speaker 1: opening day. I'm watching the game this weekend and I'm 496 00:27:14,359 --> 00:27:17,520 Speaker 1: sitting there and the thing just it's constantly hung up. 497 00:27:17,760 --> 00:27:21,000 Speaker 1: It's constantly loading and loading and loading and loading, and 498 00:27:21,080 --> 00:27:24,560 Speaker 1: I cannot get what the hell. I restarted my Wi Fi. 499 00:27:24,920 --> 00:27:27,239 Speaker 1: I did though, I closed the app. I logged in, 500 00:27:27,320 --> 00:27:29,639 Speaker 1: I logged out. It's still loading and loading and loading 501 00:27:29,680 --> 00:27:33,480 Speaker 1: and loading. Finally, I'm like, screw this. I put the 502 00:27:33,520 --> 00:27:36,400 Speaker 1: game the audio on on the app on my phone, 503 00:27:36,440 --> 00:27:38,199 Speaker 1: not as opposed to the video on the app of 504 00:27:38,240 --> 00:27:42,520 Speaker 1: my television. I tune in and Jared Durant Steals Home, 505 00:27:42,720 --> 00:27:46,720 Speaker 1: Steals Home, and I missed it. I missed it. I 506 00:27:47,000 --> 00:27:51,400 Speaker 1: missed it. You know how often home plate is stolen? 507 00:27:52,040 --> 00:27:52,240 Speaker 4: You know? 508 00:27:52,480 --> 00:27:54,199 Speaker 1: I mean we've been waiting for Jared. I know he 509 00:27:54,200 --> 00:27:55,679 Speaker 1: did it once, but it was a double steal. It 510 00:27:55,680 --> 00:27:59,080 Speaker 1: doesn't count. This is a straight up guys pitching the 511 00:27:59,160 --> 00:28:03,119 Speaker 1: ball to home and Jared Durant takes off, beats the 512 00:28:03,200 --> 00:28:06,280 Speaker 1: throw and scores and I missed it because the freaking 513 00:28:06,480 --> 00:28:11,160 Speaker 1: MLB app man. Come on, It's gotta be a better way. Honestly, 514 00:28:11,160 --> 00:28:12,639 Speaker 1: I think I should just go straight out of you. 515 00:28:13,080 --> 00:28:15,000 Speaker 1: I think I should just I should listen to the 516 00:28:15,840 --> 00:28:19,000 Speaker 1: radio broadcast every night, and I should I should score 517 00:28:19,040 --> 00:28:21,520 Speaker 1: the game. I should get one of those baseball scoring pads, 518 00:28:22,080 --> 00:28:24,320 Speaker 1: and I should sit in my chair, my old man chair, 519 00:28:24,840 --> 00:28:27,280 Speaker 1: poor glass of bourbon, and that should be it. I 520 00:28:27,280 --> 00:28:29,679 Speaker 1: should just give up on the video component. We have 521 00:28:29,880 --> 00:28:33,440 Speaker 1: all this new digital media and ways to deliver it, 522 00:28:33,920 --> 00:28:37,000 Speaker 1: and yet is it Are we a Are we better off? 523 00:28:37,080 --> 00:28:40,520 Speaker 1: I don't know. Anyways, that's my sports rant. I want 524 00:28:40,520 --> 00:28:42,440 Speaker 1: you guys to feel my pain. That's why I'm giving 525 00:28:42,520 --> 00:28:45,120 Speaker 1: you this. Okay, I'll be back in the flash Hollywood 526 00:28:45,120 --> 00:28:59,080 Speaker 1: man a minute. Okay, we are back, and you know 527 00:28:59,120 --> 00:29:00,720 Speaker 1: what time it is. It's time the hollywoodlam min. It 528 00:29:00,720 --> 00:29:02,280 Speaker 1: brought to you by the Hollywood Lamp Podcast. Don't know 529 00:29:02,280 --> 00:29:04,320 Speaker 1: what the Hollywood Lamp podcast is. Well, The Hollywood Lamp 530 00:29:04,320 --> 00:29:06,480 Speaker 1: Podcast is hosted about yours truly worry. Every week I 531 00:29:06,520 --> 00:29:08,600 Speaker 1: tell you a story from the annex of Hollywood and 532 00:29:08,640 --> 00:29:10,960 Speaker 1: true crime. And right now there are over forty episodes 533 00:29:11,000 --> 00:29:13,280 Speaker 1: waiting for you to bench. Episodes on Charlie Sheen, David 534 00:29:13,360 --> 00:29:15,840 Speaker 1: Lynn trot and Williams, Danny Treyhill, John Waters, Steph Queen, 535 00:29:15,880 --> 00:29:18,960 Speaker 1: merrilmn Roe, Drew Barrymore, Jane Fonda, and most recently, the 536 00:29:19,080 --> 00:29:24,480 Speaker 1: very talented and funny Tim Allen. Here's a clip. Only 537 00:29:24,520 --> 00:29:28,120 Speaker 1: a month earlier, Michigan state legislators had passed a new 538 00:29:28,200 --> 00:29:31,040 Speaker 1: law that made possession with intent to distribute over six 539 00:29:31,160 --> 00:29:34,680 Speaker 1: hundred and fifty grams of cocaine or heroin punishable by 540 00:29:34,720 --> 00:29:39,480 Speaker 1: a mandatory life sentence no possibility of parole. The only 541 00:29:39,520 --> 00:29:42,200 Speaker 1: other crime in the state with an equally harsh penalty 542 00:29:42,560 --> 00:29:45,280 Speaker 1: was murder. It was the toughest drug law in the 543 00:29:45,360 --> 00:29:49,800 Speaker 1: United States. Six hundred and fifty grams just under a 544 00:29:49,840 --> 00:29:52,960 Speaker 1: pound and a half. That was the exact amount that 545 00:29:53,040 --> 00:29:55,560 Speaker 1: Tim had in the Adidas gym bag that he brought 546 00:29:55,600 --> 00:29:58,480 Speaker 1: to the setup with the undercover cops at the Kalamazoo 547 00:29:58,520 --> 00:30:02,480 Speaker 1: County Airport, and now sitting on a cold metal bench 548 00:30:02,520 --> 00:30:05,280 Speaker 1: against the wall of a holding cell in jails, surrounded 549 00:30:05,320 --> 00:30:08,000 Speaker 1: by men who are far more grizzly and hardened than 550 00:30:08,040 --> 00:30:11,840 Speaker 1: he could ever be in his wildest dreams. Tim worried 551 00:30:11,920 --> 00:30:15,280 Speaker 1: he'd get busted again, and this time it would be 552 00:30:15,320 --> 00:30:18,600 Speaker 1: his head, his face, and Jesus Christ, maybe even worse. 553 00:30:19,320 --> 00:30:22,640 Speaker 1: He'd heard the stories about the inside what happens when 554 00:30:22,720 --> 00:30:25,440 Speaker 1: men do what they have to do simply to survive. 555 00:30:26,200 --> 00:30:29,040 Speaker 1: Half of the dudes here were certifiable. Just say one 556 00:30:29,080 --> 00:30:33,920 Speaker 1: wrong thing, one wrong word, and your word gone. All right, Guys, 557 00:30:33,960 --> 00:30:38,200 Speaker 1: make sure you are subscribed to Hollywoodland on Apple Podcasts, Spotify, 558 00:30:38,520 --> 00:30:40,479 Speaker 1: or wherever you get your podcast. Next week is our 559 00:30:40,560 --> 00:30:43,479 Speaker 1: episode on Will Smith. You're not gonna want to miss that. 560 00:30:43,720 --> 00:30:46,320 Speaker 1: You can email me disgrace landpod at gmail dot com 561 00:30:46,360 --> 00:30:48,760 Speaker 1: on any topic you like. This one comes from Justin 562 00:30:48,840 --> 00:30:51,640 Speaker 1: Moore just says hey, letter from a fan, Jake. I 563 00:30:51,680 --> 00:30:53,280 Speaker 1: wanted to reach out and thank you for the wonderful 564 00:30:53,320 --> 00:30:55,840 Speaker 1: podcast from Disgraceland and hollywood Land. You have a great 565 00:30:55,920 --> 00:30:58,520 Speaker 1: voice to listen to, great production value on your show. 566 00:30:58,560 --> 00:31:01,040 Speaker 1: Is my favorite is when you refer to songs or 567 00:31:01,120 --> 00:31:03,440 Speaker 1: old sayings as a slice of cheese. I now try 568 00:31:03,440 --> 00:31:06,440 Speaker 1: to work that lingo into my conversations for fun. Thanks 569 00:31:06,480 --> 00:31:08,960 Speaker 1: for making my workday less shitty. Keep up the good work. Cheers, 570 00:31:09,120 --> 00:31:12,720 Speaker 1: Justin slash JMO slash Justin, Thank you so much for 571 00:31:12,760 --> 00:31:15,000 Speaker 1: the email. Appreciate you. You get to watch out for 572 00:31:15,000 --> 00:31:18,920 Speaker 1: those slices of cheese. They'll come back on you. Fill 573 00:31:19,040 --> 00:31:23,600 Speaker 1: our rights in Ween message suck, Please consider doing some 574 00:31:23,680 --> 00:31:27,000 Speaker 1: research on Ween. I hated them bad when I discovered 575 00:31:27,000 --> 00:31:29,960 Speaker 1: them on Beavis and butt heead a age twelve, but 576 00:31:30,040 --> 00:31:32,560 Speaker 1: after I was reintroduced to them following the Mallus tour, 577 00:31:32,640 --> 00:31:35,840 Speaker 1: I fell in love. I really regret skipping this concert 578 00:31:35,840 --> 00:31:38,239 Speaker 1: because they broke up for a few years, and now 579 00:31:38,320 --> 00:31:40,400 Speaker 1: I'm the biggest fan. They make excellent music. I think 580 00:31:40,400 --> 00:31:42,280 Speaker 1: Mickey's probably one of the best guitars of all time. 581 00:31:42,520 --> 00:31:45,080 Speaker 1: Aaron is no sluge either. They ended their tour and 582 00:31:45,080 --> 00:31:47,520 Speaker 1: definitely now and we'll probably stay that way. And I 583 00:31:47,560 --> 00:31:49,040 Speaker 1: know there are some stories I just don't know where 584 00:31:49,040 --> 00:31:50,680 Speaker 1: to look. Plus, this would be a great episode in 585 00:31:50,720 --> 00:31:53,200 Speaker 1: your style. I love Ween, I love love love them, 586 00:31:53,200 --> 00:31:54,960 Speaker 1: and I would love to do an episode on them 587 00:31:55,240 --> 00:31:57,520 Speaker 1: I have to find some sort of crime angle. But 588 00:31:58,680 --> 00:32:00,880 Speaker 1: too bad that they couldn't just borrow some Weezer shit, 589 00:32:01,040 --> 00:32:03,840 Speaker 1: because I think there's a Weezer episode coming guys ween 590 00:32:03,880 --> 00:32:08,120 Speaker 1: Weezer anyhow, at some point, thanks Phil Disgrace sandpod at 591 00:32:08,120 --> 00:32:09,640 Speaker 1: gmail dot com. You guys want to get in touch, 592 00:32:09,720 --> 00:32:11,120 Speaker 1: you guys want to leave a review for us, we 593 00:32:11,120 --> 00:32:13,400 Speaker 1: would appreciate it. You can head over an Apple Podcasts, 594 00:32:13,440 --> 00:32:15,000 Speaker 1: you can head over to Spotify. You can leave a 595 00:32:15,000 --> 00:32:17,520 Speaker 1: review for Disgrace and there helps the show with Discovery. 596 00:32:17,560 --> 00:32:20,160 Speaker 1: Each week I read a couple of the reviews here 597 00:32:20,560 --> 00:32:22,440 Speaker 1: and then I go ahead and I, uh, if you 598 00:32:22,440 --> 00:32:25,080 Speaker 1: guys get in touch, I'll send you some merch. It's 599 00:32:25,120 --> 00:32:29,080 Speaker 1: that easy. Rumspringer two thousand on Spotify right said Chester 600 00:32:29,120 --> 00:32:32,440 Speaker 1: Bennington episode would be cool. We share a birthday. I 601 00:32:32,480 --> 00:32:34,920 Speaker 1: played your board a episode to someone to explain why 602 00:32:35,000 --> 00:32:41,040 Speaker 1: I am the way I am. Rumspringer writes that, in 603 00:32:41,040 --> 00:32:45,640 Speaker 1: relation to our Chris Cornell episode, I understand the connection 604 00:32:45,760 --> 00:32:50,840 Speaker 1: between Chris Cornell, sorry my dog's freaking out and Chester Bennington, 605 00:32:50,920 --> 00:32:53,920 Speaker 1: and we are doing a Chester Bennington episode Rubspringer, two thousand, 606 00:32:54,200 --> 00:32:57,040 Speaker 1: So you have nothing to fear. Mile high mo Over 607 00:32:57,080 --> 00:32:59,600 Speaker 1: on Apple podcast writes five stars Jaking the Double Elvis 608 00:32:59,600 --> 00:33:01,880 Speaker 1: Crew four like Voltron, and he just happens to be 609 00:33:01,920 --> 00:33:05,120 Speaker 1: the head. Jake's storytelling skills or second to none. It's 610 00:33:05,160 --> 00:33:07,280 Speaker 1: a dying skill and he's running with the embers. The 611 00:33:07,320 --> 00:33:10,120 Speaker 1: music is tremendous. You don't even notice it's on licensed 612 00:33:10,160 --> 00:33:12,520 Speaker 1: it's so good. It definitely sets a vibe. And the 613 00:33:12,600 --> 00:33:15,480 Speaker 1: writers they pull out unheard stories about artists I thought 614 00:33:15,480 --> 00:33:18,000 Speaker 1: I knew front to back. This podcast still amazes me 615 00:33:18,040 --> 00:33:19,600 Speaker 1: and for many years of listening, I got both my 616 00:33:19,720 --> 00:33:22,200 Speaker 1: kids hooked on it. My son and I are Patreon members. 617 00:33:22,320 --> 00:33:24,440 Speaker 1: All I can say is thank you, Team Double Elvis, 618 00:33:24,560 --> 00:33:28,080 Speaker 1: don't stop Mylehei Mo great review, thank you, We appreciate it. 619 00:33:28,080 --> 00:33:31,720 Speaker 1: Thanks for spreading the disco gospel of Disgraceland. This episode 620 00:33:31,760 --> 00:33:34,360 Speaker 1: is nearing its end, but the after party is going 621 00:33:34,400 --> 00:33:37,400 Speaker 1: to continue for all of you All Access members. Guys, 622 00:33:37,720 --> 00:33:40,360 Speaker 1: all Access, it doesn't take a lot. It's five bucks 623 00:33:40,360 --> 00:33:42,600 Speaker 1: a month and we really appreciate it. And what you 624 00:33:42,600 --> 00:33:44,760 Speaker 1: guys get is ad free listening. You get an extra 625 00:33:44,840 --> 00:33:47,600 Speaker 1: full exclusive episode of disgrace Land every month, and you 626 00:33:47,640 --> 00:33:49,080 Speaker 1: get a little bit more of the after party, which 627 00:33:49,080 --> 00:33:50,800 Speaker 1: we're going to deliver to you right now. Okay, just 628 00:33:50,840 --> 00:34:14,800 Speaker 1: go to disgracelandpod dot com slash membership. All right, guys, 629 00:34:14,840 --> 00:34:17,000 Speaker 1: we are back listen this week. I don't know what happened, 630 00:34:17,040 --> 00:34:19,560 Speaker 1: but we didn't talk that much about artists who we've 631 00:34:19,560 --> 00:34:23,359 Speaker 1: covered previously in Disgraceland here in this episode. That's rare. 632 00:34:23,480 --> 00:34:26,040 Speaker 1: It usually just comes up organically. So I'm gonna lay 633 00:34:26,080 --> 00:34:27,919 Speaker 1: on you some of my faves here that we don't 634 00:34:27,960 --> 00:34:31,840 Speaker 1: mention enough. Okay, and the Matt's gonna have the links 635 00:34:31,840 --> 00:34:33,759 Speaker 1: and the episode information in the show notes so you 636 00:34:33,800 --> 00:34:35,360 Speaker 1: can check them out. We did a two parter on 637 00:34:35,400 --> 00:34:38,719 Speaker 1: Willie Nelson that I feel like we don't talk about enough. 638 00:34:38,760 --> 00:34:40,279 Speaker 1: That's available for you. I know there's a lot of 639 00:34:40,320 --> 00:34:42,399 Speaker 1: Willie Nelson fans out there. We also did a two 640 00:34:42,440 --> 00:34:46,719 Speaker 1: parter on Lou Reed plus an additional full episode on 641 00:34:46,760 --> 00:34:49,640 Speaker 1: the Velvet Underground. Those are available for you as well. 642 00:34:49,960 --> 00:34:54,400 Speaker 1: Skip James one of the most incredible blues musicians of 643 00:34:54,560 --> 00:34:57,360 Speaker 1: all time. If you like blues, if you're interested in 644 00:34:57,440 --> 00:35:00,400 Speaker 1: learning more about the blues, check out the Skip James episode. 645 00:35:00,440 --> 00:35:05,720 Speaker 1: It has one of the most painful, violent, excruciating scenes 646 00:35:05,760 --> 00:35:08,560 Speaker 1: we've ever depicted in any of our episodes is in 647 00:35:08,640 --> 00:35:11,400 Speaker 1: the Skip James episode. It's a real life thing that 648 00:35:11,440 --> 00:35:13,880 Speaker 1: happened to him. It's something that, for whatever reason, does 649 00:35:13,920 --> 00:35:15,439 Speaker 1: not get mentioned in the history of music. I don't 650 00:35:15,480 --> 00:35:18,799 Speaker 1: understand why not, but it should. It's fucking crazy, and 651 00:35:18,840 --> 00:35:21,160 Speaker 1: that is available for you. In the Skip James episode, 652 00:35:21,840 --> 00:35:24,480 Speaker 1: someone brought up Guns and Roses on the text of voicemail. 653 00:35:24,640 --> 00:35:28,080 Speaker 1: We have two Guns and Roses episodes as well. Those 654 00:35:28,080 --> 00:35:30,839 Speaker 1: episodes were very hard to write. You know why. I'm 655 00:35:30,840 --> 00:35:33,759 Speaker 1: gonna tell you why. It's not easy for us to 656 00:35:33,800 --> 00:35:36,520 Speaker 1: depict little inside disgrace in here. It's not easy for 657 00:35:36,640 --> 00:35:42,799 Speaker 1: us to depict or to dramatize live shows. And one 658 00:35:42,840 --> 00:35:45,040 Speaker 1: of these Guns and Roses episodes nearly drove me nuts 659 00:35:45,040 --> 00:35:46,320 Speaker 1: to trying to put this together. But I think we 660 00:35:46,760 --> 00:35:48,440 Speaker 1: came out on the other side, okay. And I think 661 00:35:48,480 --> 00:35:50,920 Speaker 1: you're gonna dig those episodes. Matt's gonna have all those 662 00:35:51,000 --> 00:35:53,759 Speaker 1: episodes available for you in the show notes. You can 663 00:35:53,800 --> 00:35:57,959 Speaker 1: find them in our archive of one hundred in our 664 00:35:58,080 --> 00:36:01,120 Speaker 1: gosh one hundred and where we at two hundred and 665 00:36:01,120 --> 00:36:04,400 Speaker 1: thirty plus episodes at this point. It's a big archive. 666 00:36:04,520 --> 00:36:07,240 Speaker 1: Get into it, especially your new listeners. All right, let's recap, 667 00:36:07,280 --> 00:36:09,520 Speaker 1: shall we. Number one, My other podcast, Hollywoodland, is alive 668 00:36:09,560 --> 00:36:11,520 Speaker 1: and kicking over in the Hollywoodland feeds. So make sure 669 00:36:11,520 --> 00:36:15,040 Speaker 1: you're subscribed and following Hollywoodland on Apple Podcasts, Spotify or 670 00:36:15,040 --> 00:36:16,719 Speaker 1: wherever you get your podcasts, and get ready for our 671 00:36:16,800 --> 00:36:19,800 Speaker 1: upcoming Hollywoodland episode on Phil Hartman, but only after you 672 00:36:19,840 --> 00:36:22,000 Speaker 1: get caught up on our recent episode on Tim Allen. 673 00:36:22,080 --> 00:36:24,480 Speaker 1: Number two right now in your Disgrace Sland feed, our 674 00:36:24,560 --> 00:36:28,160 Speaker 1: episode on Winna Rider number three coming tomorrow, our rewind 675 00:36:28,200 --> 00:36:31,600 Speaker 1: episode of the Notorious Big that's a two parter. Next week, 676 00:36:31,640 --> 00:36:35,280 Speaker 1: another two parter in our new episode slot on Van Halen. 677 00:36:35,400 --> 00:36:37,600 Speaker 1: So make sure you subscribe to Disgrace sand Number four. 678 00:36:37,680 --> 00:36:39,719 Speaker 1: Merch winners, get in touch. You know who you are. 679 00:36:39,800 --> 00:36:42,799 Speaker 1: Number five. Remember, no one cares about preserving the true 680 00:36:42,800 --> 00:36:44,160 Speaker 1: spirit of rock and roll more than you do. And 681 00:36:44,239 --> 00:36:47,120 Speaker 1: well that's a disgrace, all right, and honor of this 682 00:36:47,120 --> 00:36:50,040 Speaker 1: week's subject on Nona Rider, This is me reading you 683 00:36:50,400 --> 00:36:53,400 Speaker 1: the billboard charts and the day reality bites hit theaters 684 00:36:53,440 --> 00:36:58,680 Speaker 1: on February eighth, nineteen ninety four. Number one, The Power 685 00:36:58,680 --> 00:37:02,880 Speaker 1: of Love Selene dar On last week one peak position 686 00:37:03,239 --> 00:37:07,839 Speaker 1: one weeks on Chart thirteen, number two. All for Love 687 00:37:08,239 --> 00:37:13,359 Speaker 1: Brian Adams, Rod Stewart and Sting last week to peak 688 00:37:13,360 --> 00:37:18,440 Speaker 1: position one weeks on Chart thirteen, number three, The sign 689 00:37:18,840 --> 00:37:22,440 Speaker 1: Ace of Bass last week number five weeks peap position 690 00:37:22,800 --> 00:37:28,760 Speaker 1: three weeks on chart number four. Breathe Again Tony Braxton 691 00:37:29,280 --> 00:37:35,040 Speaker 1: last a peak position three weeks on chart number five. 692 00:37:35,280 --> 00:37:39,200 Speaker 1: What a Man Salt Peppa featuring en Vogue last week 693 00:37:39,239 --> 00:37:43,720 Speaker 1: six peak position five weeks on Chart five, and number 694 00:37:43,760 --> 00:37:54,240 Speaker 1: six here last week. Quit talking and start mixing.