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Speaker 1: It's the number one show. I've been waiting for the

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Speaker 1: show I've been no about.

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Speaker 2: Not just to get on it, Pete, I've been waiting

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Speaker 2: for the show Mini has in before he existed.

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Speaker 1: What up y'all is? Joe cracked the dawn?

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Speaker 3: You know it is your boy, Jayda. This is the

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Speaker 3: Joe and Jayden Show. Every show legendary, every show iconic.

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Speaker 3: I know I tell y'all that, but this particular show

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Speaker 3: is on another level.

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Speaker 1: You know what I mean?

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Speaker 3: You see the roster sogna in the back roster sign

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Speaker 3: Mango tree, Mango tree, no further duel use and gentlemen,

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Speaker 3: give it up for our brother DJ Khali.

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Speaker 1: It we the bash mat before we even start.

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Speaker 2: Congratulations to the number one show, this show right here.

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Speaker 2: Not only was I excited to get on the show,

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Speaker 2: all my brothers, your family, but this is the number

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Speaker 2: one show.

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Speaker 1: Ya heard it first. No, it's not about when he

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Speaker 1: said something. You got to understand.

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Speaker 2: This the number one show for a lot of reasons,

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Speaker 2: because not only do you represent hip hop every time

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Speaker 2: I see y'all to y'all's chemistry is just unbelievable. But

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Speaker 2: I do want to say this, my brother Joe ain't capping,

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Speaker 2: all right, listen, and I ain't laughing. My brother Joe

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Speaker 2: ain't capping, and I ain't laughing.

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Speaker 1: I don't want to.

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Speaker 2: I don't even want to get into his stories because

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Speaker 2: you know what I'm saying. That's if he want to

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Speaker 2: tell his stories, that's Joe krap. But he ain't capping.

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Speaker 1: Listen.

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Speaker 4: We got Cuban Jaya. You see his shirt right there.

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Speaker 4: He got that good, Louis, Louis, Why you vetter.

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Speaker 1: He came with that? I don't know.

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Speaker 4: It's a lot of weed behind the scenes. I'm drinking

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Speaker 4: on topless Joe. I don't go topless all the time.

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Speaker 4: Oh man, on topless Joe. I'm fresh with Puerto Rico.

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Speaker 4: Try out to the baldies out there.

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Speaker 2: Listen, let me tell you somebody this Puerto Rico, Yo, Joe,

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Speaker 2: when I tell you bad Bunny has, Can we be honest?

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Speaker 2: It's probably my top three show I ever been to

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Speaker 2: in my life, and I'm gonna be even I even

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Speaker 2: want to be even more honest. It's really my favorite show.

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Speaker 2: But I'm gonna say top three because you know, I

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Speaker 2: just experienced it and I don't want to neglect the

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Speaker 2: other two great ones that I've been in.

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Speaker 1: The man coming out like Frank Sinatra. Then he got

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Speaker 1: like narration, then he got like Broadway filming there.

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Speaker 2: Then the man going to a turn up that's unbelievable.

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Speaker 2: Then he go into some live instruments that's like from God.

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Speaker 1: Hold on.

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Speaker 2: The sound system might be the best sound system ever

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Speaker 2: heard of my life. It sounds better than the records.

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Speaker 2: Sab Savi spianard the Spaniard. You know, Savi throw the Spaniard.

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Speaker 2: So everything in Spanish. I just said in Spanish. I

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Speaker 2: know Spanish, but I don't know all Spanish.

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Speaker 1: Spanish. Nobody listen.

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Speaker 2: I didn't want to leave, even if I didn't understand

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Speaker 2: what he was saying.

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Speaker 1: I'm going next week.

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Speaker 2: The man performed like on the Holy Mountain, m after

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Speaker 2: the Holy Mountain. Then he goes Casita, that's where we

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Speaker 2: be at, and then it's a whole nother vibe. Then

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Speaker 2: he get on the roof and it's it's a whole

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Speaker 2: other energy.

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Speaker 1: But now now I'm gonna be real with you.

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Speaker 2: I usually go to concerts, I come support and show

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Speaker 2: love because I love love music.

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Speaker 1: But I didn't wanna to leave. Sorry, that's Puerto Rico.

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Speaker 1: I got tickets next week? Are you going? Yeah, I'm going.

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Speaker 1: Smartest thing he ever did, and you bought Iqua. I'm boughdy.

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Speaker 1: You know.

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Speaker 2: I was over there screaming Big Pun forever they know.

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Speaker 2: I was out there seeing graffiti of Joe and Pun.

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Speaker 1: I said, all right, go ahead, sorry because I just

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Speaker 1: I'm fresh from Puerto Rico. So you gotta understand. It's like,

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Speaker 1: you know, first from every island in the universe.

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Speaker 2: I love to go to the Caribbean, That's what I do.

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Speaker 2: But you know, when it comes down, bought Equa and

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Speaker 2: Puerto Rico, you know. Joey Krack, Now, this is my brother,

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Speaker 2: that's like my blood. You've seen the posts I post

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Speaker 2: up the other day. Don't get it twisted? Yeah yeah,

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Speaker 2: don't nae, mister Joe and Jada, don't you ever get

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Speaker 2: it twisted?

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Speaker 1: You'll care? No no, no, no no no no no

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Speaker 1: no no nah.

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Speaker 2: I love Joey krat but I love my brother jadakiss too.

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Speaker 2: Both of y'all been there for me from day one.

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Speaker 2: I appreciate y'all. Joey Craig, you already knows it's different. No, no, no, no,

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Speaker 2: please let me. This is Joe and Jada. It's different.

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Speaker 2: I love you, brother, I love you to the highest two.

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Speaker 2: But I wanted to get to ask you. Can I

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Speaker 2: ask you a question, maybe one or two.

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Speaker 4: You've been in many rap beefs us in Fat Joe,

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Speaker 4: he sent beef. Yes, Jada, Beanie, you put them together.

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Speaker 2: I'm the first one to put Jada and Beanie on

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Speaker 2: a record when Beanie came out of jail. I had

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Speaker 2: Jada and Bean's on a record and talking like a different.

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Speaker 1: Type of talk.

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Speaker 2: I'm the one that was behind the scenes where Ross

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Speaker 2: and Young Jeezy was going at it.

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Speaker 1: Because Ross my brother. You know that. Everybody know that.

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Speaker 1: But I got love for Jez.

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Speaker 2: That's my brother too, A real one like me, gonna

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Speaker 2: always say we gotta come together, we gotta stick together.

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Speaker 2: We can never let nobody divide and conquerors. I'm the

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Speaker 2: one that helped put that back together. Joe and Joe.

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Speaker 1: I mean Ross and Jesus Jesus as Jez and ask Ross. Now,

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Speaker 1: don't ask me, Let me ask you a question. With

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Speaker 1: all this beef.

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Speaker 2: Going on, that was I survived the Fat Joe fifty beef.

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Speaker 1: That's a big beef.

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Speaker 2: Listen said when they going at it fat Joe and

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Speaker 2: fifty cent going at it all that, But Joe, we're

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Speaker 2: gonna keep it real. I'm the one out of the

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Speaker 2: crew that always says, Joe, we don't need that, we

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Speaker 2: need to come together, we don't need that. We need love,

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Speaker 2: we need positivity. And at the same time, it's not

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Speaker 2: as that we don't want to slow up the money.

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Speaker 4: No, but did you try that with this nuclear bomb

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Speaker 4: that went on?

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Speaker 1: With?

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Speaker 3: Like?

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Speaker 4: Because I know the sixth God was always your brother,

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Speaker 4: he supported me. I love Drake, Ross is your day one.

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Speaker 4: I love, Ross is your brother. I love what did

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Speaker 4: that feel like when the whole world's fighting each other?

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Speaker 2: And what it feels like is that I didn't get

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Speaker 2: in that energy. There's two energies. I'm not going to

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Speaker 2: get in hate. Ask me a question, how do you

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Speaker 2: deal with Hey?

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Speaker 1: Please? Can you ask me how do you deal with Hey? Brother?

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Speaker 1: I don't.

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Speaker 2: And then when you speak about all those great legends

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Speaker 2: that you just talked about from Drake, my brother, future Drake, who.

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Speaker 1: Else you name? Ross? Ross?

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Speaker 2: Those are my brothers. If you question, you can't question

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Speaker 2: my friendship. How it's impossible. Ain't nobody like motherfucking DJ

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Speaker 2: Cavitt shoe. You know that shoe. You know, take your

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Speaker 2: glasses off, let them see you know that Superno that okay,

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Speaker 2: So no, no, You know what I'm saying is when

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Speaker 2: it comes to me, not only I'm going to tell

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Speaker 2: my brothers, we got to represent love even when shit

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Speaker 2: gets A lot of this shit is a misunderstanding and

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Speaker 2: a lot of not communication, Okay. And that's what it

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Speaker 2: be about, lack of communication and misunderstanding. When it come

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Speaker 2: down to DJ call, I'm the one that's going to

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Speaker 2: try to fix it. I don't want no trophy, I

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Speaker 2: don't want no promotion. I do a lot of shit

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Speaker 2: behind the scenes. At the end of the day is

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Speaker 2: I love my brothers, and my brothers know that. I

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Speaker 2: guarantee you they know that. That's what I'm about. So

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Speaker 2: you couldn't squash this one. I would love to squash it.

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Speaker 2: So it's still up. So I don't use the word could.

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Speaker 2: Everything's possible with God, okay. And I believe in God

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Speaker 2: and I role with God. They ain't believe in us.

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Speaker 1: God did and be ready for Alama God, And that's

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Speaker 1: the world of God.

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Speaker 2: So this is the world of God. Guess what, oh

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Speaker 2: matter of fact, thank you guys for coming to the

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Speaker 2: Holy Ground. This is the cattle residence, the Holy Ground.

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Speaker 1: You know what I'm saying.

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Speaker 2: That's what it's about, yo, Joe, take it how you

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Speaker 2: want to take it. I'm about unity, peace, love, and

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Speaker 2: when it comes down to music, Jada, I'm a collaborator.

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Speaker 1: M hmm. That's what I do. I don't rap now.

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Speaker 1: If I wrap it be a fucking problem because ain't

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Speaker 1: nobody gonna outwork me. Chad it right on my rhymes.

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Speaker 1: I start tomorrow. I show them how to do this

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Speaker 1: ship because I ain't gonna stop. Just being honest, No, I.

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Speaker 4: Know that, but lem ain't on the top floor when

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Speaker 4: it when it talk for where you with them?

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Speaker 1: Hot for? To make my stocks go? What the beards go?

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Speaker 1: Don't play. Nothing can stop me up all the way up.

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Speaker 1: You know what I'm saying. If you want me to

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Speaker 1: stop it, sining, if I stop it right now, no, no,

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Speaker 1: she can't know. Just keep all this ship. This is

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Speaker 1: I understand. You know nobody's stopping this sin Yo. I

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Speaker 1: didn't say edit nothing. I just said, Jamie, if you

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Speaker 1: want me to stop, you let me know, cause you

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Speaker 1: gotta say keep going, keep going, yo. Listen kind of

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Speaker 1: this what I'm saying right, it's the number one show.

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Speaker 1: I've been waiting for the show.

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Speaker 2: You know, I've been with nobody, not just to get

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Speaker 2: on it, Pete, I've been waiting for this show men

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Speaker 2: he has in before it existed.

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Speaker 1: Y'are not het what I'm saying, Like Justin Baber said,

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Speaker 1: this ain't clocking me. You You think I'm just picking

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Speaker 1: you up because we got cameras here. I'm bigging you

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Speaker 1: up because I love y'all. Y'all deserve it, and this

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Speaker 1: the fucking number one show and I'm not taking that

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Speaker 1: away from nobody.

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Speaker 2: What I'm saying is when I see that ship pop

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Speaker 2: on the ground, I get excited. When you talk about

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Speaker 2: what's the best albums and what's the best collapsed and

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Speaker 2: what's the best features, how many Jada features they had,

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Speaker 2: and then Jada, you know, throwing a tab and Joe

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Speaker 2: telling amazing stories.

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Speaker 1: Thinking that cat.

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Speaker 3: I'm like, they think that's cat.

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Speaker 1: You know you're want to sell it.

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Speaker 4: When I said I wanted to sign Joey Badass.

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Speaker 1: Ladies, apologize, thank you, thank you.

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Speaker 3: He really was gonna son Joey Bedless, I got several

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Speaker 3: dems of static smoke, visit kids that ain't no cap

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Speaker 3: We gotta apologize.

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Speaker 1: I got up, brother, that's real because you know call

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Speaker 1: it God. Bless you, Thank you brother, God, bless your family.

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Speaker 1: Thank you.

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Speaker 4: You live a life that Benny would dream of living.

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Speaker 4: How do you keep touch with reality? Because you got

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Speaker 4: to understand the viewers and the people have the answer

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Speaker 4: for you.

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Speaker 2: God is reality. That's the problem. Everybody trying to know

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Speaker 2: what's reality. Keep it a rid keep it God, keep

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Speaker 2: it God.

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Speaker 1: Understand that. No no, no no no, overstand that. Over that's

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Speaker 1: the reality to me. I know that. But let me

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Speaker 1: just tell you because you've just said something before that

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Speaker 1: you said family's right in life.

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Speaker 2: I can speak for myself. I dreamed and it was

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Speaker 2: a goal to have a family. When you met me,

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Speaker 2: I was grinding for my family without a family, m

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Speaker 2: meaning asking you know what I mean, aside of the

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Speaker 2: line and my wife. That's how focused I was when

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Speaker 2: you met me.

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Speaker 1: You know that. You know when they say yo, you

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Speaker 1: gotta work. That's my favorite.

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Speaker 2: Thing is to outwork everyone. So my job is to

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Speaker 2: protect my kids and my wife. That's my job, and

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Speaker 2: that's the job, and that's my life. So when you

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Speaker 2: asked me a question like that.

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Speaker 1: That's all I gotta tell you? What else you want

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Speaker 1: me to tell you? See, I view everything as inspiration.

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Speaker 1: So when I see you from island to island on plane,

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Speaker 1: your own plane, this that I looked at everything as inspiration.

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Speaker 2: They told me I couldn't fly so away and got

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Speaker 2: a globe with sixty five. They said I could never fly,

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Speaker 2: and I was scared to fly. When the side was born,

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Speaker 2: I flew immediately. God said, calla, here's a side. You're

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Speaker 2: fearless now, yo, Joe. This to Joe and Jada.

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Speaker 1: I've been waiting for this. I've been watching you.

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Speaker 4: Give back to everybody, not taking credit for it, but

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Speaker 4: just giving back, giving back to all communities and everything.

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Speaker 4: How important is it for you to give back to

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Speaker 4: the people, because I'm sure y'all walked the show.

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Speaker 2: Ever since I knew what life was, I've been giving back.

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Speaker 2: When I was broke, I was giving back and I'm

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Speaker 2: always gonna give back. We've been giving back from day one.

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Speaker 2: That's what we do. If you see it, man, bless up.

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Speaker 2: If you don't bless up through my blessings and more success,

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Speaker 2: we started a foundation Coach Chef Melissa. You know I

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Speaker 2: hate a lot. That's that lobster with the caviar. Come,

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Speaker 2: here's just a lobster with the caviar. That chef Melissa,

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Speaker 2: here's it just cheflica. People talk about hit records anthem.

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Speaker 1: Yeah this because y'all. Number one thing that Calin has

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Speaker 1: is he has a nine for ten. Every one of

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Speaker 1: his team members are so fighter and important.

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Speaker 4: He ain't just got a chef. He got the best

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Speaker 4: chef in the world, Chef Melissa, and she urg and

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Speaker 4: feeds if it's thirty of all of us, if she

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Speaker 4: takes care of all of us. Hey, yo, listen, my sisters,

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Speaker 4: my kids, my family, we love you, Melissa.

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Speaker 1: What you got lobster rows? You know what time it is?

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Speaker 1: We late? Nice? She's still out here representment, so she

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Speaker 1: knew Jaya was coming. Thanks so much. Let me here.

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Speaker 3: I just want to throw some words out to you

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Speaker 3: and see what what they mean to you.

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Speaker 1: You know what I mean branded? Everything you promote, we

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Speaker 1: branded is number one. An't look branded. We the best coconuts.

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Speaker 2: Go to wedbest dot com and you just self a coconut.

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Speaker 2: But you think it's a game, y'all tripping y'all out

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Speaker 2: here thinking shit is cool. The game change. You know,

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Speaker 2: it's back to the basics. It's back to passing out flyers.

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Speaker 2: Talk to me about whoever neglect whoever neglected radio played

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Speaker 2: themselves because it's back to radio. Y'all out here thinking

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Speaker 2: shit is cool, It's not. It's back to the hustle.

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Speaker 2: It's who outwork everybody, But you gotta work smart. I

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Speaker 2: was just telling my team today, I was like, Yo,

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Speaker 2: the game change. The world moving so fast that they

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Speaker 2: see a losion that starts a collision.

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Speaker 1: It's moving so fast.

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Speaker 2: I'm telling them, Yo, when it moved that fast, it's

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Speaker 2: back to the basics. I don't care how big you are,

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Speaker 2: Jada Joe. I don't give a fuck how big you are.

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Speaker 2: You gotta work because the fans not only do they

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Speaker 2: got love and they show us love and they do

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Speaker 2: so much beautiful things by supporting our music and our brands.

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Speaker 2: But there's so much shit going on that the shit

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Speaker 2: ain't poking. That shit lasts for a day or two.

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Speaker 2: So it's back to the basics. So now the fans

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Speaker 2: gotta see you work. They gotta see you sweat, they

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Speaker 2: gotta see you put in that groundwork. It's back to

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Speaker 2: them big pun fat Joe stickings.

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Speaker 1: Hey, listen, you know what I'm saying. If you saw

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Speaker 1: I don't know if you saw Cardi b Tabel Tooler

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Speaker 1: to hit the streets and she went on one twenty

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Speaker 1: fifth through the CDs on the map with the inside.

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Speaker 1: Josh sent that to the freaking goofy talking about yo,

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Speaker 1: non nice show.

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Speaker 4: I said that to this, she said, how much you

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Speaker 4: want me to go back to the streets. I'm on

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Speaker 4: one twenty five. Yeah, I loved it. When I seen

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Speaker 4: that shit, I was so excited. First of all, shout

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Speaker 4: out to Cardi b. She on that Alama God too

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Speaker 4: and she going crazy. Shout out to Cardi b b

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Speaker 4: X in the building. She's coming on the show real soon.

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Speaker 4: I gonna have reals. The number one show. Everybody coming

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Speaker 4: on the show. Were killing these dudes. Number one, this

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Speaker 4: shit out of control. We number one, non controversial.

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Speaker 1: You know what I mean by the show, Jason, Chuck, Jayda,

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Speaker 1: hold on, hold on, Joe, I'm sorry. I've ain't got nothing.

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Speaker 1: I got counted on. You know, I'm gonna talk forever.

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Speaker 1: This is Jada Less.

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Speaker 2: When you came on the show and said when Jada

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Speaker 2: came on the show. If I'm not mistaken, I don't

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Speaker 2: know word for word. This is how I love. The

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Speaker 2: show is super different and real. You said, ain't nobody

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Speaker 2: talking about styles? No, when you laid the law down

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Speaker 2: before the show started, as Joe, I told him that,

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Speaker 2: I said, I love it because ain't nothing like brother

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Speaker 2: going and keeping it real. Ain't nothing like it. They

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Speaker 2: ain't nothing like it because it's fucking rare. Ain't nothing

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Speaker 2: like why is it rare?

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Speaker 1: Ain't nothing true brotherhood in this business? And Shoe, you

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Speaker 1: love this ship? You don't love this?

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Speaker 4: I loved this octopus out she just made no.

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Speaker 1: I never seen a man. I love a show so much.

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Speaker 1: You know the man. I love the man transition like like, Yo,

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Speaker 1: this is Joe Crack. Listen the man so professional talking

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Speaker 1: to me. I said, I never seen no man so

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Speaker 1: focused like the well tell you the war by the

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Speaker 1: four Pistol. You see this ship right, so Crack, you

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Speaker 1: never seen No. I can't take it now. The man

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Speaker 1: is so profession shit with it when listening. Shit, that

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00:19:02,600 --> 00:19:05,679
Speaker 1: was unbelievable. Because go ahead, I'm sorry, Joe.

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Speaker 4: Because nowadays it's so much fuckery going on in this world,

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Speaker 4: not just this industry that when you see.

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Speaker 1: People keep it real with each other, you can't believe it.

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Speaker 1: And all they doing is being men, real women. If

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Speaker 1: you stay solid and you represent your brother, they look

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Speaker 1: at it like what it's a miracle that you guys,

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Speaker 1: you know, keep it real with each other.

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Speaker 4: Why has that been a race? You know, we're going

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Speaker 4: through some shit in this world.

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Speaker 1: You know it's Joe and Jada. Yeah, no, no, no, no,

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Speaker 1: no no, no, this out.

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Speaker 2: Joke, tam, it's Jada kiss in fact Joe Joey Krat Right,

349
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Speaker 2: don't get it.

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Speaker 1: Listen, guys, guys, wake up. You know what I'm saying.

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Speaker 2: You know when they say authentic and you know, everybody

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Speaker 2: want to keep it real and everybody know the real

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Speaker 2: this and that Jada kissing Joey.

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Speaker 1: Krat Yeah, I tell them, guys, just say just a

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Speaker 1: show like yo, Like this ain't just records.

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Speaker 2: These guys have have unbelievable legendary history that we love

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Speaker 2: and respect.

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Speaker 4: You know what I've told Jada, people are thanking me

359
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Speaker 4: so much every day because this guy has been their

360
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Speaker 4: favorite rapper.

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Speaker 1: They never heard him talk. They're like, I can't believe

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Speaker 1: this guy talks No.

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Speaker 4: Your fans never knew your true person. That they knew

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Speaker 4: your music, they never seen you talk. They come up

365
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Speaker 4: to me every day. Yo, he's so funny. He's there,

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Speaker 4: he's that thank you for making them.

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Speaker 2: Talk, Yo, Joe, I agree with you, Jadya Listen, he's

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Speaker 2: not lying.

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Speaker 1: So I know you. You my brother.

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Speaker 2: You always could have smiled on my face and made

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Speaker 2: me laugh when I come to Yon because you make me.

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Speaker 1: Feel like I'm at home when we recall records.

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Speaker 2: There's so many legendary stories I have with you, and

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Speaker 2: out of all little stories, you always kept the show

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Speaker 2: one hundred so real trusts.

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Speaker 1: Not many like you. You know what I'm saying.

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Speaker 2: And then when you're doing this show, I knew you

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Speaker 2: would only do a type of show like this if

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Speaker 2: you was besides somebody that was one of the realist

380
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Speaker 2: that ever did it. I'm just being honest, and that's

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Speaker 2: what I said before this, I said, this is Joe

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Speaker 2: and Jada.

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Speaker 1: I knew that Jay who was like a kissing Joey Krack.

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Speaker 1: I knew that Jada don't like talking like it's not

385
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Speaker 1: play ourselves. I knew Jada don't like talking. I walked

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Speaker 1: them into a room the first day we shot. See yo, Jada,

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Speaker 1: I don't know what your finances is. That a lot

388
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Speaker 1: of money though I ain't gonna got a lot. No, No,

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Speaker 1: you got at Listen, Jada, your brown paper dad d

390
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Speaker 1: Jada is a brown paperback legend. You don't laughing about

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Speaker 1: Joe is real.

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Speaker 2: You know people I know that brought brown paper out

393
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Speaker 2: to Jadakiss When you said, when you said how.

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Speaker 1: Many feet is he gotten?

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Speaker 2: He had a smile because you know, brown bags came

396
00:22:06,000 --> 00:22:09,960
Speaker 2: through your crew, laughing because you love a brown paper bag.

397
00:22:10,440 --> 00:22:11,920
Speaker 1: But when we made your.

398
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Speaker 2: Solen brown paper bag, I was disappointed.

399
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Speaker 1: In myself and then put you on it.

400
00:22:15,800 --> 00:22:19,640
Speaker 3: No, it was the mad That's one of the maddest moments.

401
00:22:20,600 --> 00:22:25,520
Speaker 3: I feel like I supposed to be. Imagine him on

402
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Speaker 3: brown paper bat.

403
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Speaker 4: He would have went I tell him, I go like that, Yeah,

404
00:22:29,359 --> 00:22:31,560
Speaker 4: he would have went crazy. Try I tell him like

405
00:22:31,640 --> 00:22:33,960
Speaker 4: this And see your Jada, I don't know what your

406
00:22:34,000 --> 00:22:35,000
Speaker 4: finances are.

407
00:22:35,480 --> 00:22:38,119
Speaker 1: I know you're doing great. I'm doing great.

408
00:22:39,160 --> 00:22:44,399
Speaker 4: We have an opportunity in this show right here to

409
00:22:44,520 --> 00:22:49,560
Speaker 4: get the super bag, and that means it's going to

410
00:22:49,600 --> 00:22:53,240
Speaker 4: get huncomfortable. Sometimes it's gonna get whatever. But we gotta

411
00:22:53,320 --> 00:22:57,760
Speaker 4: stand on our ground and we gotta go all out.

412
00:22:58,119 --> 00:23:00,320
Speaker 4: We can't play. You know, I started it off the

413
00:23:00,359 --> 00:23:04,920
Speaker 4: first I came out boot boot, the JB seats the distance.

414
00:23:04,960 --> 00:23:08,040
Speaker 4: I started shooting at everybody to see who wanted the

415
00:23:08,119 --> 00:23:13,440
Speaker 4: drama right quick. Everybody said, Joe, this podcast, chill podcast.

416
00:23:14,080 --> 00:23:17,840
Speaker 1: But I told Jay to Yo, we got no choice.

417
00:23:17,920 --> 00:23:18,680
Speaker 1: Let me think singing.

418
00:23:20,320 --> 00:23:24,400
Speaker 4: The reason why we love TNT it's because Charles Barkley

419
00:23:25,000 --> 00:23:25,879
Speaker 4: is a Hall of Famer.

420
00:23:25,920 --> 00:23:28,280
Speaker 1: I'll go down your throat like Barkley.

421
00:23:28,800 --> 00:23:32,800
Speaker 4: You got se Quill O'Neill, most dominant player in the NBA.

422
00:23:32,840 --> 00:23:36,760
Speaker 4: You got Kenny Smith. The point is people want people

423
00:23:36,800 --> 00:23:41,600
Speaker 4: who really played the game from the bottom to the top,

424
00:23:42,240 --> 00:23:47,879
Speaker 4: has seen everything across the world. My man, Top five,

425
00:23:48,000 --> 00:23:51,800
Speaker 4: dead or live, we'll talk. And then you got Joe Crack,

426
00:23:51,880 --> 00:23:57,160
Speaker 4: whatever that means to you. Right together, I knew all

427
00:23:57,240 --> 00:24:01,200
Speaker 4: these guys was in trouble. Everybody trouble said it because

428
00:24:01,240 --> 00:24:02,960
Speaker 4: the authenticity is too real.

429
00:24:04,200 --> 00:24:06,960
Speaker 1: How you gonna out talk us? Sue Crack, you said

430
00:24:07,000 --> 00:24:09,120
Speaker 1: it perfect, Jada.

431
00:24:09,200 --> 00:24:11,880
Speaker 2: That's what I was trying to tell you, And that's

432
00:24:11,880 --> 00:24:15,320
Speaker 2: why this show is special because not just me, but.

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Speaker 1: I could speak I would think. I can speak for

434
00:24:17,480 --> 00:24:20,920
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435
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436
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437
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438
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467
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00:26:08,920 --> 00:26:10,479
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00:26:10,640 --> 00:26:16,040
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470
00:26:16,200 --> 00:26:18,880
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471
00:26:22,080 --> 00:26:25,320
Speaker 1: What about DJ Caller? What could he do? Now? You're

472
00:26:25,359 --> 00:26:29,720
Speaker 1: filthy rich, if you're hop skipping to jump every country,

473
00:26:30,320 --> 00:26:32,080
Speaker 1: if you go to a bad money show, you on

474
00:26:32,119 --> 00:26:35,840
Speaker 1: stage with him, You CrowdSurf in the fucking football game?

475
00:26:36,680 --> 00:26:38,280
Speaker 1: What else could you do? Now?

476
00:26:38,560 --> 00:26:41,520
Speaker 4: What are you trying to prove? What else can you do?

477
00:26:41,680 --> 00:26:43,280
Speaker 4: I'm not trying to add on to.

478
00:26:43,320 --> 00:26:46,080
Speaker 2: The world because you've done so much, Joe Crack, I'm

479
00:26:46,080 --> 00:26:49,159
Speaker 2: not trying to prove nothing. My only competition is me.

480
00:26:50,640 --> 00:26:52,840
Speaker 2: I'm working on the fourteenth album Alima.

481
00:26:52,960 --> 00:26:56,480
Speaker 1: God. Some people can't make it past their first album

482
00:26:56,880 --> 00:27:00,439
Speaker 1: to have a career. Yeah. Now only do I love music.

483
00:27:01,800 --> 00:27:03,439
Speaker 1: I remember coming as a kid.

484
00:27:04,200 --> 00:27:06,320
Speaker 2: I had to be at least seven eight years old

485
00:27:06,320 --> 00:27:10,400
Speaker 2: when I fell in love with music. Around ten or eleven,

486
00:27:10,480 --> 00:27:13,200
Speaker 2: I had to know, like, yo, this shit is serious.

487
00:27:13,640 --> 00:27:18,680
Speaker 2: Twelve thirteen, I said, this is my life, so hip

488
00:27:18,720 --> 00:27:22,520
Speaker 2: hop my life, and it changed my life, and it's

489
00:27:22,520 --> 00:27:26,440
Speaker 2: done so much for my life, but also throughout my career.

490
00:27:26,640 --> 00:27:29,480
Speaker 2: I knew I was going to be an entrepreneur. I

491
00:27:29,560 --> 00:27:31,960
Speaker 2: knew I was going to make music. I knew I

492
00:27:32,000 --> 00:27:34,320
Speaker 2: would be a DJ. I knew I would be a producer.

493
00:27:34,359 --> 00:27:36,400
Speaker 2: I knew i'd be an artist. I knew I would

494
00:27:36,440 --> 00:27:38,800
Speaker 2: be a music ezech. I knew that I was one

495
00:27:38,840 --> 00:27:40,640
Speaker 2: day going to be a part of music.

496
00:27:40,640 --> 00:27:41,800
Speaker 1: History, right.

497
00:27:42,400 --> 00:27:44,399
Speaker 2: I don't know how what I was going to do

498
00:27:44,480 --> 00:27:46,640
Speaker 2: as far as like, you know, when the albums came.

499
00:27:47,240 --> 00:27:51,879
Speaker 1: I remember dropping the first album. Joe I came to you.

500
00:27:51,880 --> 00:27:53,800
Speaker 2: You know, we had many talks on the swimming pool

501
00:27:54,920 --> 00:27:57,639
Speaker 2: I think I was convincing you about put eminem on

502
00:27:57,720 --> 00:27:58,280
Speaker 2: lean back.

503
00:27:59,080 --> 00:28:00,280
Speaker 1: I was telling them like, He's like.

504
00:28:00,280 --> 00:28:03,040
Speaker 2: Yo, I told him put eminem on lean back, and

505
00:28:03,080 --> 00:28:03,680
Speaker 2: he was like, Yo.

506
00:28:03,560 --> 00:28:04,280
Speaker 1: Okay, we can't.

507
00:28:04,600 --> 00:28:07,000
Speaker 2: I'm like, I thought we couldn't get I was like, yo,

508
00:28:07,600 --> 00:28:11,000
Speaker 2: I'm like, the fuck he talking about is Joey Krack.

509
00:28:12,000 --> 00:28:16,119
Speaker 4: That's when I really knew the power of callent so

510
00:28:16,240 --> 00:28:20,639
Speaker 4: call it's relentless, determined. I mean I heard stories of

511
00:28:20,720 --> 00:28:23,960
Speaker 4: you getting guys on records where you climbed over their

512
00:28:24,160 --> 00:28:25,000
Speaker 4: benching gate.

513
00:28:25,119 --> 00:28:25,359
Speaker 1: Yes.

514
00:28:25,920 --> 00:28:32,440
Speaker 3: Facts, one of the most consistent, relentless Yes, knocked down

515
00:28:32,560 --> 00:28:33,960
Speaker 3: your door knob.

516
00:28:34,280 --> 00:28:40,240
Speaker 1: Yes, Sally, he needs his verse. Yo, listen in the mundy.

517
00:28:40,360 --> 00:28:43,840
Speaker 1: But kiss hold On came out of the cineratd he

518
00:28:43,920 --> 00:28:49,000
Speaker 1: goes beyond. But Joe hold On, I'm god he said

519
00:28:49,000 --> 00:28:51,840
Speaker 1: that because first of all, that's facts. Hold On. I'm

520
00:28:51,840 --> 00:28:53,400
Speaker 1: always here for you. No, no, no, no.

521
00:28:53,240 --> 00:28:57,120
Speaker 2: No reason why I'm saying that is because even when

522
00:28:57,120 --> 00:29:00,880
Speaker 2: it's not my record. Remember on a lot of my

523
00:29:00,920 --> 00:29:05,880
Speaker 2: brother Ross's albums with him and Pooch, and I remember

524
00:29:05,920 --> 00:29:09,800
Speaker 2: how to get Jada kiss on. Maybach Music one of

525
00:29:09,840 --> 00:29:13,560
Speaker 2: the Mayba one of the may Back music parts and

526
00:29:14,200 --> 00:29:16,400
Speaker 2: Ross like, yo, we need kiss on there. I was like, yo,

527
00:29:17,040 --> 00:29:19,680
Speaker 2: we reached out a kiss. Kiss automatically that y'all got you.

528
00:29:20,280 --> 00:29:22,200
Speaker 2: I'm in New York City. The problem is we gotta

529
00:29:22,240 --> 00:29:24,960
Speaker 2: turn in the album. I called him. We got to

530
00:29:24,960 --> 00:29:28,840
Speaker 2: turn the album. The next day, I'm lighting up kiss

531
00:29:28,880 --> 00:29:32,040
Speaker 2: his phone like no weather, people around doing.

532
00:29:32,040 --> 00:29:34,680
Speaker 1: Nobody can get jail. Listen, listen, this's sen not Dada Kiss,

533
00:29:34,720 --> 00:29:35,200
Speaker 1: same day.

534
00:29:35,320 --> 00:29:42,960
Speaker 2: Listen down on me, not just Jada kiss everybody. Finally

535
00:29:43,000 --> 00:29:44,880
Speaker 2: I got the message the kiss. He's like, Yo, come

536
00:29:44,920 --> 00:29:46,600
Speaker 2: to Yonkers studio.

537
00:29:47,280 --> 00:29:51,320
Speaker 1: Kiss. Did I show up? Well? D Block poled up

538
00:29:51,360 --> 00:29:54,479
Speaker 1: a d block played the record? Kiss? You know what

539
00:29:54,600 --> 00:29:57,800
Speaker 1: he do? Light one up? Let that music play? You

540
00:29:57,840 --> 00:30:00,800
Speaker 1: did it? Hey? Continue to I'm just telling you the

541
00:30:00,840 --> 00:30:02,800
Speaker 1: truth because I got to make sh it up if

542
00:30:02,800 --> 00:30:05,080
Speaker 1: you want me to make first I got from Jady Kiss,

543
00:30:05,080 --> 00:30:08,120
Speaker 1: I had to chase. Oh no, no lying again. Listen

544
00:30:08,480 --> 00:30:11,959
Speaker 1: listen lying and the man not only no, I'll give

545
00:30:12,040 --> 00:30:15,160
Speaker 1: him Rolex. You get me, he's lying. The man not

546
00:30:15,320 --> 00:30:16,240
Speaker 1: only delivered.

547
00:30:17,080 --> 00:30:19,959
Speaker 2: I left the studio, went to the mastering studio, mastered

548
00:30:20,040 --> 00:30:26,480
Speaker 2: the album, and the rest was history. You know, Jada kiss.

549
00:30:26,880 --> 00:30:29,480
Speaker 2: You know anytime I called him for a cold album.

550
00:30:29,920 --> 00:30:35,800
Speaker 2: Not only did he blessed the album, he always, always, always,

551
00:30:35,840 --> 00:30:39,280
Speaker 2: always always got me.

552
00:30:40,080 --> 00:30:42,840
Speaker 1: And I'm forever grapeful for that brother, forever. You know

553
00:30:42,880 --> 00:30:47,880
Speaker 1: what it is. Charlie pulled up to the block. Charlie Pistol,

554
00:30:48,920 --> 00:30:49,680
Speaker 1: the whole crew.

555
00:30:49,920 --> 00:30:53,080
Speaker 3: They're gonna full up middle of the street, opped on

556
00:30:53,240 --> 00:30:55,760
Speaker 3: dirt bikes.

557
00:30:55,760 --> 00:31:00,200
Speaker 1: I missed that one. Now, who's telling you kids? Yeah,

558
00:31:00,400 --> 00:31:01,720
Speaker 1: I was like this superhero.

559
00:31:01,920 --> 00:31:05,719
Speaker 3: They he made people's lives that when I see them

560
00:31:05,760 --> 00:31:06,560
Speaker 3: to this day.

561
00:31:06,360 --> 00:31:11,640
Speaker 1: They like, thank you for brilliant DJ called to the block. Now,

562
00:31:11,680 --> 00:31:12,120
Speaker 1: I love that.

563
00:31:12,160 --> 00:31:14,440
Speaker 2: I had so much fun. I forgot we was we was,

564
00:31:14,520 --> 00:31:16,240
Speaker 2: you know, shooting the video, Like.

565
00:31:16,920 --> 00:31:18,280
Speaker 1: Well, it was so much fun.

566
00:31:18,760 --> 00:31:22,960
Speaker 2: And Shoeburn not mean it's that Jady Kiss blessed me

567
00:31:23,440 --> 00:31:26,480
Speaker 2: besides my albums. I reached out to Kiss one time

568
00:31:26,640 --> 00:31:29,280
Speaker 2: to bless me for my Jordan's commercial.

569
00:31:29,680 --> 00:31:30,840
Speaker 1: Oh you know what I'm.

570
00:31:30,680 --> 00:31:34,040
Speaker 2: Saying, Yeah, he blessed me with that. You're saying, you

571
00:31:34,080 --> 00:31:36,200
Speaker 2: know what Joe Man like being on this show. You're saying,

572
00:31:36,280 --> 00:31:38,640
Speaker 2: y'all two brothers. I can, I can the whole show.

573
00:31:38,640 --> 00:31:41,239
Speaker 2: I can just dedicate me praising y'all. First of all

574
00:31:41,320 --> 00:31:45,440
Speaker 2: y'all to hip hop kings, to hip hop legends, and

575
00:31:45,680 --> 00:31:47,920
Speaker 2: not only I love you, everybody love you.

576
00:31:48,480 --> 00:31:51,320
Speaker 4: I really want to ask you question that's on my mind,

577
00:31:51,640 --> 00:31:54,120
Speaker 4: but I know you're not going to answer it. Don't

578
00:31:54,240 --> 00:31:57,600
Speaker 4: ask because what what's the biggest check you ever got

579
00:31:57,640 --> 00:31:58,200
Speaker 4: in your life?

580
00:31:58,240 --> 00:32:00,640
Speaker 1: Oh?

581
00:32:00,880 --> 00:32:04,120
Speaker 4: No, oholl say yeah you got him singing that yo

582
00:32:04,200 --> 00:32:06,440
Speaker 4: yo yo, what's the biggest check?

583
00:32:06,640 --> 00:32:10,360
Speaker 1: You know? What's so beautiful about that question that none

584
00:32:10,480 --> 00:32:13,520
Speaker 1: was ever given to me? I know that. No, no, no,

585
00:32:13,560 --> 00:32:16,200
Speaker 1: I'm going to answer. Okay, none was ever given.

586
00:32:16,680 --> 00:32:18,320
Speaker 4: Let me give you, Let me give you a let

587
00:32:18,360 --> 00:32:20,800
Speaker 4: me give you a reference. One day I did a deal.

588
00:32:21,080 --> 00:32:25,160
Speaker 4: I made a million dollars. I ran over here to

589
00:32:25,280 --> 00:32:27,920
Speaker 4: tell him so bad. I came sat down, like, you know,

590
00:32:28,000 --> 00:32:30,320
Speaker 4: I maybe a deal for a million dollars.

591
00:32:30,680 --> 00:32:31,560
Speaker 1: So I sat right here.

592
00:32:31,640 --> 00:32:33,320
Speaker 4: He sat next to me, and I was like, when

593
00:32:33,320 --> 00:32:35,120
Speaker 4: I was about to tell your calendar, cand of just.

594
00:32:35,040 --> 00:32:40,360
Speaker 1: Say yoh, they just left. I said, oh truth based

595
00:32:40,360 --> 00:32:41,760
Speaker 1: commercial five million in my.

596
00:32:41,920 --> 00:32:44,920
Speaker 4: Uh in my bathroom right here.

597
00:32:44,920 --> 00:32:48,000
Speaker 1: I didn't even have to leave the house. I was like, oh,

598
00:32:48,080 --> 00:32:51,680
Speaker 1: whole say, can you see?

599
00:32:52,880 --> 00:32:55,280
Speaker 4: This was the moment I've been waiting for to tell y'all,

600
00:32:55,320 --> 00:32:56,800
Speaker 4: I just made a million and some shit.

601
00:32:56,880 --> 00:32:59,960
Speaker 1: He said, man, just pay five million, brushing my tea.

602
00:33:00,680 --> 00:33:04,560
Speaker 1: They just left. I sat back, I said, Yo. At

603
00:33:04,560 --> 00:33:07,960
Speaker 1: that point, I was, I'm terrified to tell you whatever.

604
00:33:08,120 --> 00:33:11,560
Speaker 2: I'm I'm gonna be honest with you, man, Like it's

605
00:33:11,600 --> 00:33:13,640
Speaker 2: not about the number amount that we made you.

606
00:33:13,720 --> 00:33:16,000
Speaker 1: I'm saying, what's the check? What's it a check?

607
00:33:16,320 --> 00:33:22,520
Speaker 4: What's the biggest check that you looked at and you said, hallelujah,

608
00:33:22,960 --> 00:33:24,000
Speaker 4: we good?

609
00:33:24,400 --> 00:33:24,720
Speaker 1: You know what?

610
00:33:24,880 --> 00:33:29,640
Speaker 2: The biggest thing that I love about being an overcomer,

611
00:33:30,600 --> 00:33:34,160
Speaker 2: you know, just keep it real. We're overcoming, super Jada,

612
00:33:34,240 --> 00:33:37,680
Speaker 2: kiss your overcomer, Joey Crack, you're overcome, O rich DJ Shod,

613
00:33:37,760 --> 00:33:40,320
Speaker 2: I'm an overcomer. If it was up to them, they

614
00:33:40,320 --> 00:33:45,600
Speaker 2: would want us broke, miserable, unhappy. They would want us

615
00:33:45,600 --> 00:33:47,560
Speaker 2: instead of being right here. They would want us to

616
00:33:48,080 --> 00:33:51,040
Speaker 2: you know, just they don't want that's for us.

617
00:33:51,520 --> 00:33:52,640
Speaker 1: No, no, how sad.

618
00:33:52,760 --> 00:33:55,960
Speaker 2: But you know what, the best things people ain't the

619
00:33:56,080 --> 00:33:56,640
Speaker 2: best things ever?

620
00:33:56,680 --> 00:33:59,680
Speaker 1: Different, my blessed how sad? Is it a success?

621
00:34:00,280 --> 00:34:04,880
Speaker 4: There's people out there they are really upset that we

622
00:34:05,040 --> 00:34:07,719
Speaker 4: worked taughd and God blessed us to be successful.

623
00:34:07,720 --> 00:34:09,920
Speaker 1: But tell you does that ever bother you? Because I

624
00:34:09,960 --> 00:34:12,000
Speaker 1: tell us, I tell you where it doesn't bother me.

625
00:34:12,400 --> 00:34:16,920
Speaker 1: That I take care of my mother and father, my

626
00:34:17,040 --> 00:34:21,479
Speaker 1: wife and my kids, and if my brothers that I love,

627
00:34:21,600 --> 00:34:24,320
Speaker 1: that's with me forever. I'm right here.

628
00:34:26,640 --> 00:34:30,000
Speaker 2: That don't bother me. And that's what it's about. You

629
00:34:30,000 --> 00:34:31,680
Speaker 2: know what I'm saying. It's not about how much you make.

630
00:34:33,040 --> 00:34:39,160
Speaker 2: It's a feeling that is undescribable. When I talk to

631
00:34:39,200 --> 00:34:42,520
Speaker 2: my mother and my mother and I know that I'm

632
00:34:42,560 --> 00:34:44,319
Speaker 2: taking care of my mother or father and they ain't

633
00:34:44,320 --> 00:34:45,440
Speaker 2: got to pay for nothing.

634
00:34:46,239 --> 00:34:48,600
Speaker 1: When I see my kids.

635
00:34:49,320 --> 00:34:52,040
Speaker 2: Go to dream All we live in Miami, go to

636
00:34:52,120 --> 00:34:54,879
Speaker 2: dream All to play with Ninja kids for the day

637
00:34:54,920 --> 00:34:57,719
Speaker 2: and come back home the same day and make it

638
00:34:57,760 --> 00:35:02,440
Speaker 2: the school man, what a blessing. You know how it

639
00:35:02,520 --> 00:35:05,400
Speaker 2: feels when my son wake up and say, Yo, I want.

640
00:35:05,320 --> 00:35:10,359
Speaker 1: To it's done. That's what it's about, Joe.

641
00:35:10,480 --> 00:35:13,840
Speaker 2: That number of man, what you're talking about, it's no

642
00:35:14,000 --> 00:35:19,239
Speaker 2: limits when God bless you, because I'm not stopping mmm.

643
00:35:20,360 --> 00:35:24,919
Speaker 1: And when you're in Miami, let's go shopping. I can't

644
00:35:25,000 --> 00:35:30,640
Speaker 1: go shopping. The best your courtiney seventh with him, I

645
00:35:30,680 --> 00:35:33,680
Speaker 1: can't go shopping shop. Lit's just kiss. I can't go

646
00:35:33,800 --> 00:35:37,640
Speaker 1: shopping with another fact your chest guy here something he

647
00:35:37,920 --> 00:35:40,640
Speaker 1: would rub me to fucking be miserable. Every jacket. I

648
00:35:40,760 --> 00:35:43,839
Speaker 1: wasn't shopping with him. Man, I like what. I don't

649
00:35:43,840 --> 00:35:46,520
Speaker 1: want to stop. I'm walking out with a scarf. You

650
00:35:46,560 --> 00:35:48,879
Speaker 1: can stop it. No no, no, no no, she can't

651
00:35:48,880 --> 00:35:51,440
Speaker 1: stop it. Kelly, leave it. Don't listen.

652
00:35:51,480 --> 00:35:53,720
Speaker 4: Tell you the one day he says, your joke, bring

653
00:35:53,760 --> 00:35:56,200
Speaker 4: your money right, we're gonna shop it.

654
00:35:56,600 --> 00:35:59,600
Speaker 1: I come a dethel bag of money. He come with one.

655
00:36:00,120 --> 00:36:03,600
Speaker 1: We go over there. Every store we walk in, he

656
00:36:03,719 --> 00:36:06,759
Speaker 1: grabbed the flyes Jack. I need this, I needed this.

657
00:36:06,920 --> 00:36:10,600
Speaker 1: I'm looking. I'm walking out with a scarf, a fucking handkerchief.

658
00:36:11,000 --> 00:36:14,640
Speaker 1: I'm not your Keller. I cannot go shop, Joe, Joe,

659
00:36:14,800 --> 00:36:18,040
Speaker 1: You're pulling everything out here, Joe krat. They called the lion,

660
00:36:18,160 --> 00:36:24,320
Speaker 1: they call us Miami dolphin. Yo. Kiss you think your kiss?

661
00:36:24,560 --> 00:36:25,560
Speaker 1: That's one thing they take.

662
00:36:25,640 --> 00:36:28,960
Speaker 2: They take my kindness for weakness, because you know I'm

663
00:36:29,040 --> 00:36:32,520
Speaker 2: kind and kiss. You know I got loved. But a

664
00:36:32,520 --> 00:36:35,880
Speaker 2: lot of people take our kindness for weakness.

665
00:36:36,280 --> 00:36:37,480
Speaker 1: You could listen.

666
00:36:38,800 --> 00:36:41,600
Speaker 2: I want you to take it for greatness. I want

667
00:36:41,640 --> 00:36:44,000
Speaker 2: you to take it for motivation. I want you to

668
00:36:44,040 --> 00:36:46,799
Speaker 2: take it for inspiration. I want you to take it

669
00:36:46,840 --> 00:36:50,200
Speaker 2: so you know you could do it. I've heard Joe

670
00:36:50,280 --> 00:36:52,160
Speaker 2: say and I heard many of the great say it,

671
00:36:52,320 --> 00:36:56,200
Speaker 2: and I'm gonna say it every time I seen somebody win.

672
00:36:57,040 --> 00:36:59,680
Speaker 2: Real hustles respect real hustlers, and they show love the

673
00:36:59,719 --> 00:37:04,200
Speaker 2: other and they let him know it's possible. Remember, I

674
00:37:04,280 --> 00:37:05,959
Speaker 2: was the kid in the back seat of a Joe

675
00:37:06,040 --> 00:37:11,480
Speaker 2: Crack Escalade UKN bands in a Lexus Crack and an

676
00:37:11,600 --> 00:37:12,800
Speaker 2: mb MPV.

677
00:37:13,239 --> 00:37:17,840
Speaker 1: I think I named all your whips. You did yao.

678
00:37:18,800 --> 00:37:20,319
Speaker 2: So I just want you to know he was there

679
00:37:20,360 --> 00:37:23,640
Speaker 2: when I get I was in the winge so to

680
00:37:23,680 --> 00:37:27,960
Speaker 2: see my brother not only beat an icon, Fat Joe

681
00:37:27,960 --> 00:37:29,000
Speaker 2: and Big Pun.

682
00:37:30,160 --> 00:37:31,480
Speaker 1: So how all your relationships?

683
00:37:31,480 --> 00:37:34,279
Speaker 2: I was there with the con Rolls recorded is still

684
00:37:34,320 --> 00:37:37,640
Speaker 2: not a player. I'll tell you a story. The main

685
00:37:37,719 --> 00:37:39,680
Speaker 2: record is still not playing. Me and Joe Crack came

686
00:37:39,719 --> 00:37:42,279
Speaker 2: to the studio and be pun with Joe Crack was like, Yo,

687
00:37:42,360 --> 00:37:43,600
Speaker 2: we gotta go to the studio. I'm in New York

688
00:37:43,640 --> 00:37:47,719
Speaker 2: visiting Joe. I was staying in Brownsville. God bless my

689
00:37:47,800 --> 00:37:53,200
Speaker 2: man passed away. Bugsy, God bless him, and Joe's like, Yo,

690
00:37:53,360 --> 00:37:55,000
Speaker 2: I'm gonna pick you up. I'm like, I gave him

691
00:37:55,000 --> 00:37:56,480
Speaker 2: the adderge I'm in Browns, but he's, yo, what are

692
00:37:56,480 --> 00:37:59,480
Speaker 2: you doing in Browns? So I ended up meeting in

693
00:37:59,480 --> 00:38:02,239
Speaker 2: the city, and we go to the city to meet

694
00:38:02,280 --> 00:38:05,560
Speaker 2: Big Punt. He come in the studio, Big Pun sitting

695
00:38:05,640 --> 00:38:08,240
Speaker 2: on a chair like this, you know, in the studio,

696
00:38:08,320 --> 00:38:12,719
Speaker 2: like the lounge, and he got a little nickelbags all

697
00:38:12,760 --> 00:38:17,080
Speaker 2: over the table and he rolling up a blunt Joe

698
00:38:17,160 --> 00:38:19,239
Speaker 2: crap walk in the studio, you know, Joe grating the

699
00:38:19,320 --> 00:38:21,400
Speaker 2: dawn at that time, No, still the dawn.

700
00:38:21,440 --> 00:38:26,000
Speaker 1: But I love his growth. You gotta, you gotta, you

701
00:38:26,040 --> 00:38:27,960
Speaker 1: gotta always bigger.

702
00:38:27,680 --> 00:38:30,239
Speaker 2: Man for his growth, because at that time it was

703
00:38:30,280 --> 00:38:34,839
Speaker 2: like John Gotti mm hmm. The man walking in the

704
00:38:34,840 --> 00:38:39,960
Speaker 2: studio gets fun of a big check, gives him a

705
00:38:40,080 --> 00:38:44,800
Speaker 2: check a check, and that says, see the Lexus outside

706
00:38:44,880 --> 00:38:51,560
Speaker 2: shords and my lion right. He recorded still not a Player,

707
00:38:52,920 --> 00:38:56,960
Speaker 2: but didn't record the final version. Steve Rifkin and everybody

708
00:38:56,960 --> 00:38:59,080
Speaker 2: from the label kept calling Joe and Pun like, yo,

709
00:38:59,080 --> 00:39:00,239
Speaker 2: what's up when we get in this record?

710
00:39:00,280 --> 00:39:04,760
Speaker 1: When we get a single? One get rigid remix remixed.

711
00:39:04,760 --> 00:39:05,480
Speaker 1: I'm glad you said that.

712
00:39:05,520 --> 00:39:10,680
Speaker 2: The remix and Pun weighing the booth and freestyle just

713
00:39:10,719 --> 00:39:14,200
Speaker 2: talking mad craziness like yo, the label this and this

714
00:39:14,280 --> 00:39:15,839
Speaker 2: and that and this and that they're trying to this

715
00:39:15,880 --> 00:39:18,400
Speaker 2: and that the man did like a free style, just

716
00:39:18,440 --> 00:39:20,640
Speaker 2: so like at that time, people wanted to know if

717
00:39:20,640 --> 00:39:23,600
Speaker 2: you was working, they paying for studio time and all that,

718
00:39:24,520 --> 00:39:28,600
Speaker 2: and who produced the record was. I forgot the name

719
00:39:28,640 --> 00:39:31,000
Speaker 2: of the producier, but big them up. I remember you

720
00:39:31,040 --> 00:39:33,680
Speaker 2: know the record Minnesota. But I just loved it.

721
00:39:33,640 --> 00:39:34,240
Speaker 1: Because I got.

722
00:39:36,040 --> 00:39:38,600
Speaker 2: I gotta see Pun in his rare form, And I'll

723
00:39:38,600 --> 00:39:40,279
Speaker 2: never forget because that's when one of the what was

724
00:39:40,320 --> 00:39:44,120
Speaker 2: the beat that Clue had that didn't come out? That

725
00:39:44,280 --> 00:39:47,880
Speaker 2: was just so uh it was a beat that Clue

726
00:39:47,920 --> 00:39:51,319
Speaker 2: had they gave you that day yard Pun heard it

727
00:39:51,400 --> 00:39:53,080
Speaker 2: and he whipped it down.

728
00:39:54,360 --> 00:39:57,600
Speaker 4: You know, you people can't see this house right, but

729
00:39:57,760 --> 00:40:03,560
Speaker 4: this is fucking we in like Frank Sinatra's house and

730
00:40:03,640 --> 00:40:08,520
Speaker 4: some ship whatever Jackie GLEASEI Sami whoever the motherfuckers ran Miamla.

731
00:40:09,080 --> 00:40:13,440
Speaker 4: We're in the Milio Stephan's house here, and so many

732
00:40:13,480 --> 00:40:17,840
Speaker 4: times I came over here to see Calli and calib

733
00:40:17,880 --> 00:40:18,360
Speaker 4: be like this.

734
00:40:18,640 --> 00:40:21,879
Speaker 1: He look at me. He go, no, no, I swear

735
00:40:21,920 --> 00:40:22,560
Speaker 1: to guy. He's just.

736
00:40:25,840 --> 00:40:31,080
Speaker 4: I'm proud of you, you fat Joe. You're doing big things,

737
00:40:32,080 --> 00:40:38,320
Speaker 4: but nothing like you walking in with big punt. Yeah,

738
00:40:38,800 --> 00:40:40,839
Speaker 4: break that down for us, because he told me this,

739
00:40:40,880 --> 00:40:43,399
Speaker 4: and I'd be like, yo, Pump, I mean, like, call

740
00:40:43,440 --> 00:40:45,640
Speaker 4: it what you want me to do with He'd be like, yo,

741
00:40:46,080 --> 00:40:46,880
Speaker 4: you and pun.

742
00:40:47,560 --> 00:40:49,279
Speaker 1: Now you've seen me in.

743
00:40:49,360 --> 00:40:52,560
Speaker 2: Price, You've seen that you kiss. You're part of that era.

744
00:40:52,680 --> 00:40:56,240
Speaker 2: You seen the Joe and Punt era. And I just remember,

745
00:40:56,440 --> 00:40:58,960
Speaker 2: remember I'm the kid in the back seat. You know,

746
00:40:59,040 --> 00:41:01,880
Speaker 2: Joe loved me so much much. He really had a hundred.

747
00:41:01,960 --> 00:41:03,719
Speaker 2: You know you always say a hundred guys with him.

748
00:41:04,040 --> 00:41:07,120
Speaker 2: I know you want to throw the towel and all that. Okay, listen,

749
00:41:07,120 --> 00:41:09,360
Speaker 2: if it ain't a hundred, it got to be seventy

750
00:41:09,400 --> 00:41:12,799
Speaker 2: five thirty super snipers.

751
00:41:12,880 --> 00:41:15,439
Speaker 1: I'm gonna be real with you. It was special, bro.

752
00:41:16,440 --> 00:41:18,360
Speaker 2: Okay, I can tell you that what I'm saying is

753
00:41:18,400 --> 00:41:23,440
Speaker 2: Joe and Pine. I'm so blessed in my career to

754
00:41:23,640 --> 00:41:28,040
Speaker 2: see that, to witness the birth. I remember Joe telling

755
00:41:28,080 --> 00:41:32,280
Speaker 2: me he played me the twins. He played me Twins,

756
00:41:32,280 --> 00:41:35,640
Speaker 2: who was in a Lexus in front of Fifth Avenue

757
00:41:35,640 --> 00:41:38,200
Speaker 2: in South Beach, in front of a front of club

758
00:41:38,280 --> 00:41:42,400
Speaker 2: Cream and he played me Twins and he's like, Yo,

759
00:41:42,440 --> 00:41:46,200
Speaker 2: this is for a mixtape. I couldn't believe he told

760
00:41:46,239 --> 00:41:48,239
Speaker 2: me it was. That's how focused I was back in

761
00:41:48,280 --> 00:41:51,000
Speaker 2: them days. The mixtape was the hottest shit in the world.

762
00:41:52,000 --> 00:41:53,960
Speaker 2: I was showing them. I can't believe you saying this

763
00:41:54,000 --> 00:41:59,040
Speaker 2: is for a mixtape. I said, this took one. That's

764
00:41:59,040 --> 00:42:02,480
Speaker 2: how focused I want us. And by the way, mixtape

765
00:42:02,640 --> 00:42:05,759
Speaker 2: was the one. I'm just trying to show you how

766
00:42:07,040 --> 00:42:07,840
Speaker 2: I was thinking.

767
00:42:08,200 --> 00:42:10,759
Speaker 1: Your brain was progress. Joe.

768
00:42:11,000 --> 00:42:12,719
Speaker 2: Not only had you know blessed me to have a

769
00:42:12,719 --> 00:42:15,080
Speaker 2: relationship with Pun, but Pun used to come to Miami.

770
00:42:15,760 --> 00:42:16,640
Speaker 1: He came to Miami.

771
00:42:16,640 --> 00:42:20,760
Speaker 2: He went to bless him Man Homer drive.

772
00:42:20,640 --> 00:42:23,040
Speaker 1: Down to Marc to Miami in the van and playing

773
00:42:23,080 --> 00:42:23,760
Speaker 1: his music.

774
00:42:24,520 --> 00:42:28,320
Speaker 3: Pun was on promo to All Together, his first album,

775
00:42:28,440 --> 00:42:31,319
Speaker 3: with my first album, we did. We went all over

776
00:42:31,440 --> 00:42:34,239
Speaker 3: the world, they go, We did things, Dominion together, We

777
00:42:34,280 --> 00:42:35,319
Speaker 3: did Man.

778
00:42:35,400 --> 00:42:38,640
Speaker 1: We was on Mad Flights together. Kiss the Man.

779
00:42:38,719 --> 00:42:42,120
Speaker 2: Punk came down to Miami to play me the album

780
00:42:42,200 --> 00:42:44,960
Speaker 2: and I'm gonna tell you the story. He said Catt

781
00:42:44,960 --> 00:42:48,040
Speaker 2: to meet me at wet Willis. We go to wet Willie's.

782
00:42:48,040 --> 00:42:51,200
Speaker 2: I jump into the van. You know, wet Willis at

783
00:42:51,200 --> 00:42:55,800
Speaker 2: that time was ship. The man popped the doors open.

784
00:42:56,880 --> 00:43:01,600
Speaker 2: There's a band. It's me and it's Pun, and the

785
00:43:01,719 --> 00:43:04,160
Speaker 2: man had a big ts hain like this.

786
00:43:05,280 --> 00:43:07,040
Speaker 1: Hold on. He plays me.

787
00:43:08,719 --> 00:43:16,840
Speaker 2: The Battle with Jady kissing, Big Pun look on Everything

788
00:43:16,880 --> 00:43:21,640
Speaker 2: I Love. He plays me in front of people, the

789
00:43:21,680 --> 00:43:24,840
Speaker 2: Battle Kits with Jayda and funny. He plays me that

790
00:43:24,920 --> 00:43:29,320
Speaker 2: whole album. And I'm listening to a ship. Who thought

791
00:43:29,320 --> 00:43:29,520
Speaker 2: of that?

792
00:43:29,840 --> 00:43:33,960
Speaker 1: You and Pun acting like y'all was battling on a record. No,

793
00:43:34,080 --> 00:43:37,920
Speaker 1: he played me that. I don't know of him Greenland somebody.

794
00:43:38,440 --> 00:43:44,560
Speaker 1: He played me that. No, I'm glad on everything because.

795
00:43:46,280 --> 00:43:49,319
Speaker 4: For years he kept telling me, because because as far

796
00:43:49,360 --> 00:43:52,880
Speaker 4: as I know, there is no more big punk music. First,

797
00:43:53,000 --> 00:43:56,400
Speaker 4: Joe Kraft knows there is no more big punk music

798
00:43:56,520 --> 00:44:00,799
Speaker 4: like New versus Ship like that. And he kept telling me, Yeah,

799
00:44:01,080 --> 00:44:05,640
Speaker 4: so there's a joint Jada and fucking Pun.

800
00:44:06,200 --> 00:44:10,520
Speaker 1: Pun played it for me. It never came out. Jada

801
00:44:12,239 --> 00:44:13,160
Speaker 1: on Everything I Love?

802
00:44:13,200 --> 00:44:18,279
Speaker 2: He playing for me. Hold on, you know, I'll never forget.

803
00:44:18,560 --> 00:44:21,640
Speaker 2: I drove from Miami. That's when I was doing the

804
00:44:21,719 --> 00:44:24,759
Speaker 2: Luke Show on ninety nine Jams, and every Friday we

805
00:44:24,800 --> 00:44:25,880
Speaker 2: would do a world Premiere.

806
00:44:26,400 --> 00:44:31,360
Speaker 1: I remember world Premier like everything that was hot before

807
00:44:31,480 --> 00:44:32,080
Speaker 1: it was hot.

808
00:44:33,600 --> 00:44:35,400
Speaker 2: And I drove all the way from Miami in New

809
00:44:35,480 --> 00:44:38,280
Speaker 2: York and I went to Pun's house. He had his house,

810
00:44:38,680 --> 00:44:41,279
Speaker 2: and I gotta keep it real with you. I don't

811
00:44:41,320 --> 00:44:43,719
Speaker 2: know why y'all think Joe Kappen. The man Pun had

812
00:44:43,719 --> 00:44:48,600
Speaker 2: a hundred people around his house and like at least

813
00:44:48,640 --> 00:44:49,520
Speaker 2: fifty people in it.

814
00:44:49,760 --> 00:44:51,160
Speaker 1: He was going to jail for a thousands.

815
00:44:51,160 --> 00:44:54,319
Speaker 2: No, listen, I'm sing here, died I ja listen way

816
00:44:54,400 --> 00:44:58,560
Speaker 2: in the house and I'm trying to find the dat,

817
00:44:59,000 --> 00:45:04,120
Speaker 2: trying to find the da. I had Pun freestyle over

818
00:45:04,280 --> 00:45:11,080
Speaker 2: Biggie Victory from top to bottom. When he got done freestyling,

819
00:45:12,000 --> 00:45:16,080
Speaker 2: with all due respect, God bless my brother. When the

820
00:45:16,160 --> 00:45:22,040
Speaker 2: beat shut off, the man took a nap. I never

821
00:45:22,080 --> 00:45:24,239
Speaker 2: seen nothing like it in my life. He just got

822
00:45:24,239 --> 00:45:29,399
Speaker 2: done ripping it down. Legendary. And when the bee faded out,

823
00:45:29,840 --> 00:45:34,960
Speaker 2: took a nap. No, you gotta understand, I'm sitting in

824
00:45:34,960 --> 00:45:40,520
Speaker 2: the living room like no, he getting busy. So after

825
00:45:40,560 --> 00:45:43,200
Speaker 2: you wake up with chow me talking. First of all,

826
00:45:43,200 --> 00:45:46,319
Speaker 2: I couldn't believe I was in Pun's house. I never

827
00:45:46,360 --> 00:45:50,600
Speaker 2: forget it. My brother Nasty, he has to die because

828
00:45:50,640 --> 00:45:52,440
Speaker 2: I give him all my dashs back in the days

829
00:45:53,000 --> 00:45:56,359
Speaker 2: we're trying to find it. I had him rhyme from

830
00:45:56,400 --> 00:46:00,520
Speaker 2: the beginning of victory to end of victory.

831
00:46:01,120 --> 00:46:04,719
Speaker 1: Imagine how that shit sounded, beig fun. How could you

832
00:46:04,840 --> 00:46:07,320
Speaker 1: lose it? I am I saying this loss.

833
00:46:08,120 --> 00:46:12,720
Speaker 2: I'm saying my brother Nasty being lazy because he got everything.

834
00:46:12,800 --> 00:46:16,480
Speaker 2: That man right there, if there's a buffet, he's showing up.

835
00:46:17,960 --> 00:46:22,520
Speaker 4: That's my brother, now, Nasty. You know, Nasty's a great guy.

836
00:46:22,640 --> 00:46:24,560
Speaker 4: You know when I met Kali, tell me you love

837
00:46:24,600 --> 00:46:24,839
Speaker 4: this shit?

838
00:46:24,920 --> 00:46:26,360
Speaker 1: Right? I met Kali?

839
00:46:27,360 --> 00:46:31,480
Speaker 4: What was the New Music seminar Recipeace Clark's Seminar Clark

840
00:46:31,520 --> 00:46:32,400
Speaker 4: Can't had a battle?

841
00:46:32,760 --> 00:46:36,200
Speaker 2: Clark K had a battle in and Who for Us?

842
00:46:36,320 --> 00:46:38,640
Speaker 2: My man that won the freestyle battle on New Year

843
00:46:38,680 --> 00:46:42,680
Speaker 2: and Seminar with the Trade Your Man Loved Him Pumped

844
00:46:43,800 --> 00:46:48,880
Speaker 2: Supernatural super Supernatural one. The Supernatural won the freestyle battle.

845
00:46:49,120 --> 00:46:52,280
Speaker 2: Clark K had a DJ battle. I met Joey Krack

846
00:46:52,600 --> 00:46:56,120
Speaker 2: in front of New Music Seminar Outside I had a

847
00:46:56,280 --> 00:47:01,719
Speaker 2: The Flow Joe album, Wowyl Nyl you know Joey Crack

848
00:47:01,800 --> 00:47:04,319
Speaker 2: at that time, even if he was happy, he had

849
00:47:04,560 --> 00:47:09,160
Speaker 2: a grill like this, so you didn't understand if it

850
00:47:09,200 --> 00:47:11,560
Speaker 2: was if he's gonna hurt you or if he's just

851
00:47:11,640 --> 00:47:14,279
Speaker 2: being like So when I met him, he was like, Yo,

852
00:47:14,360 --> 00:47:19,160
Speaker 2: how you got that vital? Because what album wasn't out yet?

853
00:47:19,400 --> 00:47:22,160
Speaker 2: And I was I ain't gonna lie. I was scared shitness,

854
00:47:22,640 --> 00:47:25,560
Speaker 2: I can't lie. I was like, Yo, this is a promo.

855
00:47:26,920 --> 00:47:28,560
Speaker 1: You know what I'm saying. I got to connect. I

856
00:47:28,560 --> 00:47:31,560
Speaker 1: didn't want to reveal the connect it says you know,

857
00:47:31,640 --> 00:47:34,400
Speaker 1: it's all love now. And he asked, you know, ship

858
00:47:34,440 --> 00:47:36,319
Speaker 1: hop what was his name? It was Rock and Soul.

859
00:47:38,239 --> 00:47:40,120
Speaker 1: The record Soul gave it to me.

860
00:47:40,520 --> 00:47:43,080
Speaker 2: It was they always held They always held certain promos

861
00:47:43,080 --> 00:47:46,200
Speaker 2: for me when I come in town, Like you know

862
00:47:46,200 --> 00:47:49,279
Speaker 2: what I mean, I always keep my relationships at a

863
00:47:49,400 --> 00:47:52,200
Speaker 2: high key. So even though I wasn't from New York,

864
00:47:52,239 --> 00:47:54,280
Speaker 2: when I come to Rock and Soul, they always had

865
00:47:54,320 --> 00:47:57,400
Speaker 2: my my my Ship on the side. And there was

866
00:47:57,440 --> 00:47:59,799
Speaker 2: a Joey Crack album. He's like, Yo, how you got that?

867
00:48:00,160 --> 00:48:02,400
Speaker 2: You know, I'm not trying to tell on the TV.

868
00:48:02,440 --> 00:48:03,920
Speaker 1: And this is around the time we used to beat

869
00:48:04,000 --> 00:48:05,080
Speaker 1: up the bootlegs and.

870
00:48:05,400 --> 00:48:07,520
Speaker 2: So you know, it was a sticky time bootlegg in

871
00:48:07,640 --> 00:48:09,680
Speaker 2: and all that. And you know, I was like, yo,

872
00:48:09,680 --> 00:48:13,000
Speaker 2: I'm a fan. Boomom boom. And we build a relationship

873
00:48:13,040 --> 00:48:14,960
Speaker 2: from that day on. And I'll never forget. He came

874
00:48:15,000 --> 00:48:18,759
Speaker 2: to Orlando with Pun and they had like a red bat.

875
00:48:18,800 --> 00:48:20,320
Speaker 2: Matter of fact, there's a peat those pictures that he

876
00:48:20,400 --> 00:48:23,040
Speaker 2: post up with the red BMW the convertible.

877
00:48:23,480 --> 00:48:28,520
Speaker 1: That is. I met Joey Crack months before that.

878
00:48:30,480 --> 00:48:32,279
Speaker 2: And he came to Orlando and there was a show

879
00:48:32,320 --> 00:48:35,400
Speaker 2: with Shaq and Knives and they got pictures of that.

880
00:48:36,000 --> 00:48:37,840
Speaker 2: You know, when they talk about that thing, I always

881
00:48:38,000 --> 00:48:39,040
Speaker 2: comment on the comments.

882
00:48:39,080 --> 00:48:42,279
Speaker 1: I was there. Yeah, ain't that crazy? Now? Now?

883
00:48:42,400 --> 00:48:44,239
Speaker 4: Now, shit come up and you gotta see ya. I

884
00:48:44,320 --> 00:48:45,680
Speaker 4: was there, you remember, I was.

885
00:48:46,440 --> 00:48:48,640
Speaker 1: I was here. I was a baby, but I was

886
00:48:48,719 --> 00:48:50,120
Speaker 1: embracing this greatness.

887
00:48:50,120 --> 00:48:54,000
Speaker 2: I gotta see Bizmarquee, Joey Crack and Pun and all

888
00:48:54,000 --> 00:48:56,399
Speaker 2: these great Remember I'm a little kid just in love

889
00:48:56,440 --> 00:49:01,720
Speaker 2: with hip hop. I was djaying clubs and halls before

890
00:49:01,719 --> 00:49:06,440
Speaker 2: I was able to try right. You know, I was

891
00:49:06,480 --> 00:49:09,880
Speaker 2: passing out flyers at twelve years old to parties I

892
00:49:09,920 --> 00:49:10,880
Speaker 2: wanted you to come out to.

893
00:49:12,080 --> 00:49:23,399
Speaker 1: I'm not making this up. Top five Miami anthems, Top

894
00:49:23,440 --> 00:49:30,440
Speaker 1: five Miami anything from trick Daddy? Which one I mean

895
00:49:30,520 --> 00:49:37,920
Speaker 1: too many? Is? Motherfucker? Know that one? What the number

896
00:49:37,960 --> 00:49:40,480
Speaker 1: one is? Motherfucker wan to know? On? That's my favorite,

897
00:49:40,520 --> 00:49:44,319
Speaker 1: That's my favorite. That's what that's that's what mount my mother.

898
00:49:45,040 --> 00:49:48,960
Speaker 1: Hold on, that's I can't forget Uncle Luke, any one

899
00:49:49,080 --> 00:49:53,600
Speaker 1: of them, anyone birthday, all them. And then of course

900
00:49:53,719 --> 00:50:00,640
Speaker 1: Rose Rose Road is in fucking to Rose hustling, and

901
00:50:00,680 --> 00:50:05,319
Speaker 1: then I mean it's it's hustling. It's more than time.

902
00:50:09,040 --> 00:50:12,560
Speaker 2: Hold hold on, hold on, d J cont and I'm

903
00:50:12,600 --> 00:50:19,719
Speaker 2: so hood rush More, j call board raised rush More,

904
00:50:20,160 --> 00:50:23,719
Speaker 2: kiss you kiss you know my humble. I'm humble, but

905
00:50:23,800 --> 00:50:28,160
Speaker 2: I'm very confident. See people get humble and competent confused.

906
00:50:29,239 --> 00:50:33,399
Speaker 2: I'm humble because every day I pray. Every day I'm

907
00:50:33,440 --> 00:50:37,359
Speaker 2: giving thanks with the camera on and when it's off,

908
00:50:39,040 --> 00:50:42,960
Speaker 2: God is the Great. Hard is God, and that's what

909
00:50:43,000 --> 00:50:49,840
Speaker 2: I'm this will light. But I'm confident, Yo, kiss crap.

910
00:50:51,480 --> 00:50:54,160
Speaker 2: Ain't nobody ever doing like a d J cant.

911
00:50:56,200 --> 00:50:59,280
Speaker 1: We can get down to work album.

912
00:50:59,640 --> 00:51:07,480
Speaker 2: My adlog is several greatest hits, not one greatst hits,

913
00:51:07,560 --> 00:51:13,759
Speaker 2: several different parts of greatest hits. I could talk to

914
00:51:13,760 --> 00:51:18,960
Speaker 2: you hours and hours about anthems that we all was

915
00:51:19,040 --> 00:51:22,240
Speaker 2: a part of, grew up on, or a time marker

916
00:51:22,280 --> 00:51:23,480
Speaker 2: in their in their light.

917
00:51:25,560 --> 00:51:27,680
Speaker 1: Don't get a twisted this DJ callwick.

918
00:51:28,480 --> 00:51:31,680
Speaker 2: My confidence level not only is at a high level,

919
00:51:32,000 --> 00:51:35,719
Speaker 2: it's facts. It's different when it's at a high level.

920
00:51:35,719 --> 00:51:40,359
Speaker 1: When it's facts. God, my humble news receipts my humbleness

921
00:51:42,520 --> 00:51:49,080
Speaker 1: all glory to God, said Alamba God, no God want

922
00:51:49,120 --> 00:51:52,360
Speaker 1: mean what does Alama of God mean? Alam in Arabic

923
00:51:52,440 --> 00:51:56,560
Speaker 1: means world, Alum Alim means world, world of God. This

924
00:51:56,680 --> 00:51:57,720
Speaker 1: is world of God.

925
00:51:58,160 --> 00:52:00,319
Speaker 2: The reason why I named my Alma Alama God only

926
00:52:00,400 --> 00:52:02,360
Speaker 2: is my son name Alim of God.

927
00:52:03,200 --> 00:52:05,240
Speaker 1: You know I thought about it coming off of God,

928
00:52:05,360 --> 00:52:09,480
Speaker 1: did I said, Man, you know what.

929
00:52:11,040 --> 00:52:13,600
Speaker 2: I'd to remind people not only they adn't believe in us,

930
00:52:13,600 --> 00:52:16,120
Speaker 2: that God did. And I felt like when I said that,

931
00:52:16,360 --> 00:52:19,120
Speaker 2: it resonated with the world and they oversteal what I

932
00:52:19,200 --> 00:52:23,160
Speaker 2: was saying. That's why that song had was so impactful,

933
00:52:24,360 --> 00:52:29,160
Speaker 2: and the album was impactful. Five nominations are the Grammys.

934
00:52:29,200 --> 00:52:31,840
Speaker 2: We ain't win one, but we won in real life,

935
00:52:32,719 --> 00:52:34,480
Speaker 2: and God will and we will win one.

936
00:52:34,600 --> 00:52:36,400
Speaker 1: Top five moments.

937
00:52:37,320 --> 00:52:38,960
Speaker 4: You know, I was there when you We was in

938
00:52:39,080 --> 00:52:41,480
Speaker 4: Noble and we heard a little beat. You recorded it,

939
00:52:41,560 --> 00:52:44,360
Speaker 4: and the next thing I knew, two days later you

940
00:52:44,440 --> 00:52:48,359
Speaker 4: have Beyonce singing that shite. Top five moments that blew

941
00:52:48,400 --> 00:52:51,040
Speaker 4: your mind and you maybe it was easy coming in here.

942
00:52:51,120 --> 00:52:54,840
Speaker 4: What what's the top five moments? It blew your mind

943
00:52:54,880 --> 00:52:56,880
Speaker 4: and you was like, is this happening?

944
00:52:56,960 --> 00:53:00,480
Speaker 1: What are you talking about? What recording something that? It was?

945
00:53:00,520 --> 00:53:05,399
Speaker 1: Actually Zooma shot the Noble because Nobles. I love Noble.

946
00:53:05,440 --> 00:53:07,600
Speaker 1: I got the Noble Sushi sneakers. It was Zooma.

947
00:53:07,880 --> 00:53:09,840
Speaker 2: It was Zooma, and I heard his record player was

948
00:53:09,880 --> 00:53:12,840
Speaker 2: in the private room, and I was like, this shit crazy.

949
00:53:12,880 --> 00:53:16,600
Speaker 2: So I just ambit. I'm there with you, ran bit

950
00:53:17,600 --> 00:53:19,520
Speaker 2: And the next day I went home, looped it up,

951
00:53:20,200 --> 00:53:24,000
Speaker 2: got with the team and we made Shining, Shine It

952
00:53:24,120 --> 00:53:28,799
Speaker 2: Shine It, present it to jay Z and Beyonce. And

953
00:53:28,840 --> 00:53:30,840
Speaker 2: I'll never forget because I went to see jay Z

954
00:53:30,960 --> 00:53:33,000
Speaker 2: and I brought my own speak at the end, and

955
00:53:33,040 --> 00:53:34,360
Speaker 2: I was like, I need to have a meeting with you.

956
00:53:34,400 --> 00:53:37,440
Speaker 2: And one thing I love about Jigga if he love you,

957
00:53:38,440 --> 00:53:41,080
Speaker 2: the man is accessible me.

958
00:53:41,080 --> 00:53:43,280
Speaker 1: And you asked in like as big as.

959
00:53:43,080 --> 00:53:48,440
Speaker 2: He is nine out ten, if you got love and respect,

960
00:53:49,520 --> 00:53:52,600
Speaker 2: you can have a meeting with him. Shot a meeting

961
00:53:52,640 --> 00:53:54,239
Speaker 2: with him, and I remember I was like, yo, I

962
00:53:54,239 --> 00:53:55,600
Speaker 2: played him a bunch of beats and I was like,

963
00:53:55,680 --> 00:53:59,520
Speaker 2: yd knew my album and I played him shining instrumental.

964
00:54:00,760 --> 00:54:03,120
Speaker 2: I'm like, Yo, I need you on this and he

965
00:54:03,239 --> 00:54:03,640
Speaker 2: was like this.

966
00:54:03,760 --> 00:54:06,600
Speaker 1: Look. I remember turning it down. I was like, yo,

967
00:54:06,640 --> 00:54:08,800
Speaker 1: but I need you and I need the Queen on this.

968
00:54:09,520 --> 00:54:12,600
Speaker 2: He looked at me like it was crazy not being honest.

969
00:54:13,920 --> 00:54:15,560
Speaker 2: You war me lot of you. I can lie to you.

970
00:54:15,760 --> 00:54:17,879
Speaker 2: I So I was like, yo, I need the Queen

971
00:54:17,920 --> 00:54:20,640
Speaker 2: on this too. So when I'm leaving, he's like, YO,

972
00:54:20,719 --> 00:54:22,879
Speaker 2: leave me the it's too many great stories will hold,

973
00:54:23,200 --> 00:54:26,560
Speaker 2: but that particular story, He's like, leave me with that joint.

974
00:54:27,000 --> 00:54:28,440
Speaker 2: He ain't say he gonna get the Queen on it.

975
00:54:28,520 --> 00:54:32,080
Speaker 2: He't say nothing. That same day, I had to now

976
00:54:32,440 --> 00:54:35,880
Speaker 2: do something for ESPN. I think it was at the Barkleys,

977
00:54:36,520 --> 00:54:39,040
Speaker 2: and it was like I did something like you know

978
00:54:39,080 --> 00:54:39,840
Speaker 2: what I'm saying.

979
00:54:41,520 --> 00:54:44,520
Speaker 1: On stage. It was on TV whatever that situation was at.

980
00:54:44,360 --> 00:54:46,799
Speaker 2: That time, and he was there and he had a

981
00:54:47,080 --> 00:54:49,960
Speaker 2: I think he was honoring Lebron or something. So we

982
00:54:50,040 --> 00:54:55,080
Speaker 2: bumping each other again and when I see him, he's like, yo, no,

983
00:54:55,160 --> 00:54:56,240
Speaker 2: I played that with the Queen.

984
00:54:57,120 --> 00:55:00,600
Speaker 1: You know me, I'm trying to keep it cool. I'm

985
00:55:00,640 --> 00:55:04,279
Speaker 1: trying to keep it cool. So I'm like, it's love,

986
00:55:05,320 --> 00:55:07,920
Speaker 1: you know, I'm just keeping it cool. So I'm legal.

987
00:55:08,600 --> 00:55:10,279
Speaker 2: I get to the car, I'm telling on my team

988
00:55:10,320 --> 00:55:12,840
Speaker 2: like yo's jiggen to say, you play it for Beyonce.

989
00:55:14,080 --> 00:55:17,719
Speaker 2: So later on, hours after that, the man Jiggers sent

990
00:55:17,840 --> 00:55:22,600
Speaker 2: me a picture of him in the jet like the

991
00:55:23,120 --> 00:55:29,759
Speaker 2: sunrise through the jet window, you know me and be

992
00:55:29,920 --> 00:55:30,880
Speaker 2: listening to this joint.

993
00:55:32,000 --> 00:55:33,680
Speaker 1: I'm looking at my text like this, look.

994
00:55:35,520 --> 00:55:37,000
Speaker 2: You know that ship when you look at your phone,

995
00:55:37,040 --> 00:55:39,880
Speaker 2: you trying to see somebody around like you're like, look,

996
00:55:40,280 --> 00:55:45,279
Speaker 2: you're like this, so boom. A few days later, there's

997
00:55:45,280 --> 00:55:48,080
Speaker 2: a Rock Nation brunch in La I think it might

998
00:55:48,080 --> 00:55:51,000
Speaker 2: have been like the first one, if not the first

999
00:55:51,080 --> 00:55:51,759
Speaker 2: or second one.

1000
00:55:53,120 --> 00:55:55,880
Speaker 1: So I walk in the brunch. You know, he just

1001
00:55:55,920 --> 00:55:56,799
Speaker 1: sent me that pick.

1002
00:55:57,200 --> 00:55:59,160
Speaker 2: A few days there me, you know, I can't I

1003
00:55:59,200 --> 00:56:02,839
Speaker 2: ain't I gotta do the consistency, you know, because I'm like, yo,

1004
00:56:02,880 --> 00:56:07,480
Speaker 2: let me not fuck this up. Let me breathe, let

1005
00:56:07,520 --> 00:56:11,080
Speaker 2: her breathe. So I'm walking in the brunch. As soon

1006
00:56:11,120 --> 00:56:14,520
Speaker 2: as I see hor He's like, yo, come to the crib.

1007
00:56:14,520 --> 00:56:17,120
Speaker 1: After the Rock Nation brunch, I wanted to hear something,

1008
00:56:18,480 --> 00:56:20,560
Speaker 1: and he told me keep your head high through this

1009
00:56:20,640 --> 00:56:24,160
Speaker 1: whole brunch. Walk around here with your head eye.

1010
00:56:25,440 --> 00:56:27,840
Speaker 2: When we do a lot of you for the man Toba,

1011
00:56:28,760 --> 00:56:30,600
Speaker 2: he said, walk around his bunch with your head off.

1012
00:56:34,840 --> 00:56:35,920
Speaker 1: I'm in a black.

1013
00:56:35,680 --> 00:56:40,920
Speaker 2: Leather walk around that motherfucker's so relaxed, so at ease.

1014
00:56:42,920 --> 00:56:45,960
Speaker 2: As soon as the brunch is overund his crib and

1015
00:56:46,000 --> 00:56:53,480
Speaker 2: he played me Shining and God is Great and I

1016
00:56:53,520 --> 00:56:56,120
Speaker 2: started that record off and I said, I've been working

1017
00:56:56,160 --> 00:56:57,200
Speaker 2: my whole life for this.

1018
00:56:58,640 --> 00:57:01,520
Speaker 1: That's how I started the record off. Go to Apple Music,

1019
00:57:01,520 --> 00:57:02,839
Speaker 1: Spotify right now. That's true.

1020
00:57:05,200 --> 00:57:08,000
Speaker 2: That's just one story. Don't forget. I got him on

1021
00:57:08,120 --> 00:57:09,560
Speaker 2: God did I gotts?

1022
00:57:09,800 --> 00:57:17,480
Speaker 1: He's keys him and sorry he wouldn't even go on

1023
00:57:17,560 --> 00:57:18,360
Speaker 1: the God.

1024
00:57:19,880 --> 00:57:21,640
Speaker 2: You know, it's crazy, guse when I wanted to see

1025
00:57:21,840 --> 00:57:24,760
Speaker 2: kiss on Yankas you know, God, that just the album

1026
00:57:24,920 --> 00:57:28,040
Speaker 2: just dropped that week, and I filmed the video with

1027
00:57:28,120 --> 00:57:30,760
Speaker 2: him that week that you know, because I went to

1028
00:57:30,760 --> 00:57:31,560
Speaker 2: New York for the promotion.

1029
00:57:31,680 --> 00:57:33,120
Speaker 1: I wanted to film the video with that week.

1030
00:57:33,280 --> 00:57:36,480
Speaker 2: The album was like two days old, and Kiss was

1031
00:57:36,560 --> 00:57:39,240
Speaker 2: on the block with his whole crew, and we had

1032
00:57:39,280 --> 00:57:41,520
Speaker 2: God that Pete was there. We had God That played

1033
00:57:41,520 --> 00:57:45,720
Speaker 2: and Kiss was reciting his bars the whole verse, word

1034
00:57:45,760 --> 00:57:48,520
Speaker 2: for word. The whole block was have it on camera,

1035
00:57:49,440 --> 00:57:51,440
Speaker 2: pull it up, somebody Jamie sent him. Somebody go on

1036
00:57:51,480 --> 00:57:55,000
Speaker 2: my Instagram and find it and try it just came

1037
00:57:55,040 --> 00:57:59,800
Speaker 2: out right the God this story I wanted to play

1038
00:57:59,800 --> 00:58:04,640
Speaker 2: in my whole album, and I played him Drake No Secret.

1039
00:58:06,000 --> 00:58:08,600
Speaker 2: That's how my arm starts on God did So. I

1040
00:58:08,640 --> 00:58:10,640
Speaker 2: play him No Secret, and then it goes into God

1041
00:58:10,680 --> 00:58:14,160
Speaker 2: did So. When he heard No Secret, he was fobbing,

1042
00:58:15,120 --> 00:58:19,040
Speaker 2: you know, on the head, started doing this and then boom.

1043
00:58:19,000 --> 00:58:22,680
Speaker 1: God that came in. And then when that came in,

1044
00:58:22,720 --> 00:58:24,120
Speaker 1: you know, I hit him when to talk? You know

1045
00:58:24,160 --> 00:58:27,920
Speaker 1: that talk? You can't you Joe Jada am I did

1046
00:58:27,960 --> 00:58:30,640
Speaker 1: I hit him with a talk. They don't believe in that.

1047
00:58:30,680 --> 00:58:33,520
Speaker 1: It breaks my heart. They don't believe in that. Great

1048
00:58:33,720 --> 00:58:35,840
Speaker 1: you could be over there hating him being a fuck boy.

1049
00:58:36,000 --> 00:58:38,560
Speaker 2: You could be over here in Miami grabbing a mango

1050
00:58:38,600 --> 00:58:41,920
Speaker 2: off the Holy ground tree. They said, you want to

1051
00:58:41,960 --> 00:58:44,840
Speaker 2: be a fuck boy, you could be over here and

1052
00:58:44,880 --> 00:58:49,320
Speaker 2: breaking love more love, more life, more blessings. So remember

1053
00:58:49,360 --> 00:58:55,480
Speaker 2: he hearing that and a rose come in you like this,

1054
00:58:58,040 --> 00:59:02,360
Speaker 2: Then the hook come in you like. That's when the

1055
00:59:02,520 --> 00:59:05,680
Speaker 2: Asus Spade started doing this type of ship. Other man

1056
00:59:05,720 --> 00:59:08,640
Speaker 2: started doing I'm not making this out. I have this

1057
00:59:08,720 --> 00:59:10,720
Speaker 2: on film, I have this on pictures.

1058
00:59:10,720 --> 00:59:15,000
Speaker 1: I habit. He started doing this. I forgot a hold on. Sorry.

1059
00:59:15,880 --> 00:59:21,960
Speaker 1: Then little Wayne come in. Mhmm, you like by the time,

1060
00:59:22,040 --> 00:59:27,040
Speaker 1: he already like this. Look. Then I left the open purse.

1061
00:59:28,480 --> 00:59:30,160
Speaker 1: I might as well pop that bottle.

1062
00:59:29,920 --> 00:59:31,360
Speaker 2: And I said this, lo look I kept doing this

1063
00:59:31,400 --> 00:59:36,080
Speaker 2: on him, look like pointing him like that's you you got,

1064
00:59:36,120 --> 00:59:37,000
Speaker 2: that's where you come in.

1065
00:59:38,720 --> 00:59:41,520
Speaker 1: So he like this. I see him freestyle in his head.

1066
00:59:41,960 --> 00:59:44,160
Speaker 1: He loving it. But I continue. I didn't.

1067
00:59:44,240 --> 00:59:47,120
Speaker 2: I don't stop the music. I continue playing in the album.

1068
00:59:47,720 --> 00:59:51,280
Speaker 2: M you gotta pull that God be back again. I

1069
00:59:51,360 --> 00:59:55,800
Speaker 2: was like looking at Jamie and everybody was like, yeah,

1070
00:59:57,720 --> 00:59:59,520
Speaker 2: I'm in there, like look at the pictures, go back

1071
00:59:59,520 --> 01:00:01,400
Speaker 2: and guess you I'm in there like this. Now look

1072
01:00:02,080 --> 01:00:07,240
Speaker 2: myself myself. When he said bring it back, now he

1073
01:00:07,320 --> 01:00:11,000
Speaker 2: is man, the man. The man starts flowing the first

1074
01:00:11,000 --> 01:00:15,840
Speaker 2: four bars of the verse. Then he tells Lennyes, come here,

1075
01:00:16,680 --> 01:00:21,360
Speaker 2: whispering in Lennys his ears the promise I'm right here.

1076
01:00:21,680 --> 01:00:23,600
Speaker 1: So when he got his hand right here, I see

1077
01:00:23,600 --> 01:00:32,640
Speaker 1: what he's saying. He says, tell Guru, set up studio something.

1078
01:00:32,680 --> 01:00:35,960
Speaker 2: It's gonna get done that night. When I leave, he's like, yo,

1079
01:00:36,040 --> 01:00:37,800
Speaker 2: send me this song, this song, this song. He told

1080
01:00:37,840 --> 01:00:41,280
Speaker 2: me to send like five songs. So now I'm confused.

1081
01:00:42,160 --> 01:00:46,040
Speaker 2: I send him five songs. But I'm happy. You know

1082
01:00:46,120 --> 01:00:50,479
Speaker 2: you're gonna get something going. Something happened. A few days later,

1083
01:00:50,480 --> 01:00:53,240
Speaker 2: he's like, your calin Lenny Books studio.

1084
01:00:53,640 --> 01:01:00,240
Speaker 1: Blah blah blah. You know, I replied, so fast, been done. Yah.

1085
01:01:00,760 --> 01:01:02,960
Speaker 2: The whole time, I'm like, please, God, tell me the

1086
01:01:02,960 --> 01:01:05,800
Speaker 2: studio is available. Because he picked a certain studio I've

1087
01:01:05,800 --> 01:01:06,800
Speaker 2: put been done.

1088
01:01:07,240 --> 01:01:10,080
Speaker 1: It was this New York studio. Yes, New York, it's

1089
01:01:10,120 --> 01:01:10,560
Speaker 1: New York.

1090
01:01:10,880 --> 01:01:14,760
Speaker 2: Right hours later, No, no, no, let me keep it more honest.

1091
01:01:14,880 --> 01:01:18,840
Speaker 2: The man texteds, say, your book studio, your calling book

1092
01:01:18,840 --> 01:01:21,760
Speaker 2: studio for this time, but I only have an hour

1093
01:01:22,000 --> 01:01:27,760
Speaker 2: because I got to catch the helicopter to the Hamptons problem.

1094
01:01:27,840 --> 01:01:31,360
Speaker 2: And He's like on the group text, tell Lenny, tell Guru,

1095
01:01:31,640 --> 01:01:37,320
Speaker 2: make sure he's there. I had Lenny aside, Yeah, whatever

1096
01:01:37,360 --> 01:01:40,120
Speaker 2: Grover needs, we have to pick him up, bring him there.

1097
01:01:42,960 --> 01:01:44,240
Speaker 1: Lot. Do you asked Lenny.

1098
01:01:45,760 --> 01:01:49,400
Speaker 2: Hours? It was like hours in that day. He face

1099
01:01:49,480 --> 01:01:54,640
Speaker 2: times me and he got the FaceTime to the speaker.

1100
01:01:55,840 --> 01:01:56,920
Speaker 1: And I hear the verse.

1101
01:01:58,360 --> 01:02:01,640
Speaker 2: The problem is after it went twelve bars, I heard

1102
01:02:01,720 --> 01:02:06,000
Speaker 2: sixteen in twenty four and twenty four. The problem is

1103
01:02:06,040 --> 01:02:09,160
Speaker 2: I thought that the one was here because it kept going,

1104
01:02:10,280 --> 01:02:13,919
Speaker 2: So I'm confused. I'm not Curency like a hundred bar verse.

1105
01:02:14,800 --> 01:02:17,840
Speaker 2: So I'm like losing my mind on the FaceTime. But

1106
01:02:17,920 --> 01:02:19,880
Speaker 2: I'm also like, yo, tell Gruel to sending it so

1107
01:02:19,920 --> 01:02:23,000
Speaker 2: I can do my thing to it. So Grul texted me,

1108
01:02:23,080 --> 01:02:25,240
Speaker 2: sends me the files immediate and immediately I'm in the

1109
01:02:25,240 --> 01:02:27,680
Speaker 2: studio with my engineer at one and I'm blending it

1110
01:02:27,920 --> 01:02:31,400
Speaker 2: and I'm like making the focals and certain beach trucks.

1111
01:02:31,120 --> 01:02:32,480
Speaker 1: I'm going crazy.

1112
01:02:32,520 --> 01:02:36,200
Speaker 2: I'm I'm changing the beat now, I got drops, I'm

1113
01:02:36,440 --> 01:02:39,479
Speaker 2: leveling out the vocals certain echoes gotta breed here.

1114
01:02:40,360 --> 01:02:42,600
Speaker 1: I'm in my mode. I sent it back to it

1115
01:02:42,720 --> 01:02:44,760
Speaker 1: right away. God Didn't.

1116
01:02:44,920 --> 01:02:47,480
Speaker 2: That was a God Did moment, and I never forget

1117
01:02:47,480 --> 01:02:49,360
Speaker 2: because right after that, I think, I think, like two

1118
01:02:49,400 --> 01:02:52,720
Speaker 2: three days I did the Drink Champs interview, and I

1119
01:02:52,760 --> 01:02:55,400
Speaker 2: was just sitting an all time high with so much

1120
01:02:55,440 --> 01:02:58,080
Speaker 2: confidence before my album came out, because I knew I

1121
01:02:58,120 --> 01:03:00,120
Speaker 2: had a whole verse, but now that I can oh

1122
01:03:00,320 --> 01:03:02,960
Speaker 2: verse like something that I've been screaming out to the

1123
01:03:02,960 --> 01:03:05,640
Speaker 2: world saying they ain't believing as God did. And I

1124
01:03:05,680 --> 01:03:08,520
Speaker 2: got hold on a record called God Did, and he

1125
01:03:08,600 --> 01:03:12,480
Speaker 2: starts off his verse and saying, oh did oh did

1126
01:03:13,760 --> 01:03:16,960
Speaker 2: you trying to say kiss and crack? So you got

1127
01:03:17,040 --> 01:03:20,360
Speaker 2: to remember y'all used to this type of ship. Nah,

1128
01:03:20,400 --> 01:03:21,520
Speaker 2: we ain't you crack?

1129
01:03:21,680 --> 01:03:23,480
Speaker 1: You know what I'm saying. I'm a fan of want.

1130
01:03:23,360 --> 01:03:25,920
Speaker 4: Shit that Grammys with you with the bubblegum ship on

1131
01:03:26,000 --> 01:03:28,960
Speaker 4: you speaking of the Grammys, and my suit was speaking

1132
01:03:28,960 --> 01:03:29,680
Speaker 4: of the Grammys.

1133
01:03:29,800 --> 01:03:29,920
Speaker 1: Yo.

1134
01:03:30,040 --> 01:03:33,200
Speaker 4: Listen, guys, y'all gotta give it up already or he

1135
01:03:33,320 --> 01:03:37,400
Speaker 4: comes to the fashion. You have been annihilated and destroyed

1136
01:03:37,440 --> 01:03:41,320
Speaker 4: on this show. Here, this is Cuban kiss. He has

1137
01:03:41,360 --> 01:03:45,680
Speaker 4: the guia Veda Louis Vauton shit, and this is the

1138
01:03:45,920 --> 01:03:50,520
Speaker 4: brown chocolate brown check with the fucking leather. That's a

1139
01:03:50,520 --> 01:03:55,240
Speaker 4: different kind of leather. That's a god, that's a different level.

1140
01:03:56,160 --> 01:03:59,600
Speaker 1: Yeah, I got those, but you can't come with no

1141
01:03:59,680 --> 01:04:00,520
Speaker 1: bull now you.

1142
01:04:00,480 --> 01:04:06,240
Speaker 4: Can, he yo ky yo calling man, stay shipping on

1143
01:04:06,320 --> 01:04:10,040
Speaker 4: these people over here. Man, these guys are dizzy. We

1144
01:04:10,240 --> 01:04:13,520
Speaker 4: got them flabby is sick. And then they got to

1145
01:04:13,560 --> 01:04:17,480
Speaker 4: reinvent their whole podcast whatever because our ship, we just

1146
01:04:17,680 --> 01:04:22,680
Speaker 4: aren't a storytelling and man, we paint the pictures so

1147
01:04:22,920 --> 01:04:26,240
Speaker 4: clear and I see them they starting to adjust.

1148
01:04:26,680 --> 01:04:29,840
Speaker 1: Look even you adjust, so you get dated. Right.

1149
01:04:29,880 --> 01:04:31,840
Speaker 4: So there was the round phone that they made a

1150
01:04:31,960 --> 01:04:36,200
Speaker 4: cell phone. They they made FaceTime, They had the big TV.

1151
01:04:36,920 --> 01:04:39,960
Speaker 4: They didn't make the flat spirit ass on it with

1152
01:04:40,040 --> 01:04:43,880
Speaker 4: the fat ass on it. And now there's a new podcast.

1153
01:04:43,960 --> 01:04:47,040
Speaker 4: Couse that Joe Jaya, I'm almost over the Rookie of

1154
01:04:47,040 --> 01:04:49,120
Speaker 4: the Year, Ready.

1155
01:04:48,920 --> 01:04:54,560
Speaker 1: To say, Joe, just that episode. We still I'm telling you,

1156
01:04:54,720 --> 01:04:56,880
Speaker 1: we better than everybody I know. But I want to

1157
01:04:56,880 --> 01:04:58,440
Speaker 1: be real with you because I want you to give

1158
01:04:58,480 --> 01:04:58,920
Speaker 1: them up.

1159
01:05:00,840 --> 01:05:04,240
Speaker 2: Kiss crack crack kiss, as much as they don't want

1160
01:05:04,320 --> 01:05:04,720
Speaker 2: us to win.

1161
01:05:04,760 --> 01:05:07,200
Speaker 1: That's a fact. As much as they don't want us

1162
01:05:07,240 --> 01:05:11,240
Speaker 1: to win, you can't, you gotta be might be.

1163
01:05:12,000 --> 01:05:13,720
Speaker 2: Yeah, No, as much as they don't want us to win,

1164
01:05:15,120 --> 01:05:17,520
Speaker 2: I want to remind both of all three of us

1165
01:05:17,720 --> 01:05:21,040
Speaker 2: and everybody that's watching. As much as they don't want

1166
01:05:21,160 --> 01:05:26,200
Speaker 2: us to win, there's actually more that want us to win.

1167
01:05:27,000 --> 01:05:34,400
Speaker 2: M You know, unfortunately we get inspired by they don't

1168
01:05:34,440 --> 01:05:37,560
Speaker 2: want us to win. So that's why you hear Crack

1169
01:05:38,080 --> 01:05:41,320
Speaker 2: passionately saying we the number one, and I'm telling you

1170
01:05:41,360 --> 01:05:47,240
Speaker 2: the number one because again we humble, but we confident.

1171
01:05:47,800 --> 01:05:53,320
Speaker 2: And if you're speaking authentic as Joe and Jada, you

1172
01:05:53,360 --> 01:05:54,280
Speaker 2: can't question that.

1173
01:05:54,320 --> 01:05:58,600
Speaker 1: Deserving the culture. You can't this this is the culture,

1174
01:05:58,840 --> 01:06:03,960
Speaker 1: but this is the culture. Let that go, Let it

1175
01:06:04,040 --> 01:06:07,200
Speaker 1: go over your head for real. This is the This

1176
01:06:07,400 --> 01:06:10,520
Speaker 1: is the culture. But this is hating the culture. Man.

1177
01:06:11,000 --> 01:06:14,200
Speaker 2: What I'm saying is, but I want to remind us

1178
01:06:14,640 --> 01:06:20,720
Speaker 2: because sometimes after rhyme around myself, there's more love than

1179
01:06:20,800 --> 01:06:21,400
Speaker 2: this hate.

1180
01:06:22,000 --> 01:06:25,200
Speaker 1: Hate is just loud and annoying.

1181
01:06:27,040 --> 01:06:32,840
Speaker 2: But real hustlers, true hustlers, always big each other up.

1182
01:06:33,280 --> 01:06:35,800
Speaker 1: You know that when you see another real hustler, a

1183
01:06:35,920 --> 01:06:40,520
Speaker 1: real dawn, you never you taught me something there.

1184
01:06:40,560 --> 01:06:42,840
Speaker 4: I never thought about it. You gave me a point

1185
01:06:42,960 --> 01:06:46,640
Speaker 4: in the map of the world. The world's so big.

1186
01:06:47,720 --> 01:06:51,280
Speaker 2: The world's so big, and when they hate, believe it

1187
01:06:51,400 --> 01:06:53,960
Speaker 2: or not, it's this much out of the whole world.

1188
01:06:54,600 --> 01:06:57,120
Speaker 2: And I realized that in life. Throughout my career, I

1189
01:06:57,160 --> 01:07:00,560
Speaker 2: was like, yo, I hate, it's small. The hate is loud,

1190
01:07:02,320 --> 01:07:05,400
Speaker 2: you know what I'm saying, and the love is massive.

1191
01:07:07,280 --> 01:07:08,120
Speaker 1: And when I learned.

1192
01:07:07,960 --> 01:07:10,720
Speaker 2: Throughout my career, you know, when it comes down to hate,

1193
01:07:11,080 --> 01:07:14,920
Speaker 2: me personally, I want can speak for Catholic calt I

1194
01:07:14,960 --> 01:07:20,080
Speaker 2: don't deal with it. I'm too busy raising my kids,

1195
01:07:20,720 --> 01:07:26,520
Speaker 2: feeding my family, and work my dreams, the goals and

1196
01:07:26,560 --> 01:07:31,040
Speaker 2: bring it to life. I'm busy, no on everything I love.

1197
01:07:31,120 --> 01:07:35,880
Speaker 2: I'm business. When I wake up in the morning, I'm busy.

1198
01:07:37,480 --> 01:07:43,560
Speaker 2: I pray all day and I work and outwork. Everyone

1199
01:07:43,720 --> 01:07:47,400
Speaker 2: that's me. I can't speak for everybody else. But when

1200
01:07:47,400 --> 01:07:50,160
Speaker 2: it comes down to love and hate, you're gonna have love.

1201
01:07:50,240 --> 01:07:53,919
Speaker 2: Without love, there's gonna be hate, and without hate, there's

1202
01:07:53,960 --> 01:07:57,560
Speaker 2: going to be loved. You know, it's a life and life.

1203
01:07:57,560 --> 01:08:02,120
Speaker 2: It's like it's like if you choose good or you

1204
01:08:02,200 --> 01:08:06,040
Speaker 2: choose evil. Me personally, I choose loving good. What do

1205
01:08:06,120 --> 01:08:09,480
Speaker 2: you what are you doing? What do you do? I'm

1206
01:08:09,520 --> 01:08:13,080
Speaker 2: just not I'm just not soft. I'm not gonna blink.

1207
01:08:13,960 --> 01:08:17,080
Speaker 2: I'm not on a French. Yes, I have some brothers

1208
01:08:17,120 --> 01:08:19,400
Speaker 2: of mine that love me, and they the realist, you know,

1209
01:08:19,479 --> 01:08:23,320
Speaker 2: Joey Krat and I could speak a hundred other names,

1210
01:08:23,720 --> 01:08:27,080
Speaker 2: but just in my bloodline, you know what I'm saying.

1211
01:08:27,240 --> 01:08:32,840
Speaker 2: I'm always gonna be righteous, but I'm not salt. Because

1212
01:08:32,880 --> 01:08:34,639
Speaker 2: some people take righteousness for salt.

1213
01:08:35,240 --> 01:08:36,120
Speaker 1: I don't know why.

1214
01:08:37,280 --> 01:08:39,360
Speaker 2: And when they when they test me with the softness,

1215
01:08:39,600 --> 01:08:41,240
Speaker 2: I hit them with the righteousness.

1216
01:08:46,439 --> 01:08:49,200
Speaker 4: Listen, I look at pictures of us, right, because you

1217
01:08:49,320 --> 01:08:50,439
Speaker 4: got a bunch in this house.

1218
01:08:50,479 --> 01:08:55,520
Speaker 1: We got a bunch of my house. And I'm not confused.

1219
01:08:56,280 --> 01:08:59,840
Speaker 1: I know who I am. And so the people could

1220
01:08:59,840 --> 01:09:03,080
Speaker 1: say cap all they want. They ain't know. They never

1221
01:09:03,120 --> 01:09:05,200
Speaker 1: heard of Fat Joe getting played in their life.

1222
01:09:06,200 --> 01:09:08,479
Speaker 4: They never heard of one of their favorite rappers playing

1223
01:09:08,520 --> 01:09:11,320
Speaker 4: Fat Joe on playing with Fat Joe in their life.

1224
01:09:12,000 --> 01:09:14,400
Speaker 4: But when I look at these pictures, I always there's

1225
01:09:14,439 --> 01:09:16,240
Speaker 4: times I ask God, I.

1226
01:09:16,080 --> 01:09:18,960
Speaker 1: Said, because it man, it's who he is.

1227
01:09:19,680 --> 01:09:23,240
Speaker 4: He's truly righteous, really about his family it's about his community.

1228
01:09:23,720 --> 01:09:27,840
Speaker 1: He's about our love and peace. I hear his ship

1229
01:09:27,880 --> 01:09:30,599
Speaker 1: with nobody that from day one though. I know that,

1230
01:09:31,680 --> 01:09:34,840
Speaker 1: and Joe you know that, but I don't let jaykiss.

1231
01:09:35,120 --> 01:09:36,960
Speaker 2: I know you speaking of them because me, everybody know

1232
01:09:37,040 --> 01:09:38,679
Speaker 2: me and you brothers, we're blid.

1233
01:09:38,800 --> 01:09:41,439
Speaker 1: Listen, Crack, I love you. I thank you.

1234
01:09:41,560 --> 01:09:45,200
Speaker 2: Thank you for believing me, thank you for me telling you.

1235
01:09:45,200 --> 01:09:47,840
Speaker 2: You gave me my first record deal. Thank you, nold

1236
01:09:47,840 --> 01:09:51,120
Speaker 2: On Joe. If I need a loan, it's too much

1237
01:09:51,120 --> 01:09:54,479
Speaker 2: you've done for me. Answer the question if I need

1238
01:09:54,520 --> 01:09:56,679
Speaker 2: a loan, can I come to you one day? Shure

1239
01:09:56,720 --> 01:09:57,200
Speaker 2: will here.

1240
01:09:57,200 --> 01:09:59,960
Speaker 1: You know it's a recession, but I got you the recess.

1241
01:10:00,000 --> 01:10:03,080
Speaker 1: This ship is in my hel yo, that's the bullship. No,

1242
01:10:03,280 --> 01:10:05,880
Speaker 1: Rich is a recession, you know that. No. No, somebody

1243
01:10:05,920 --> 01:10:07,599
Speaker 1: asked me the other day for a little bad because

1244
01:10:08,720 --> 01:10:12,280
Speaker 1: half the bag because it's a gas. There, I'm there.

1245
01:10:12,560 --> 01:10:15,679
Speaker 1: You know we're honest. Listen, that's the gas. Listen.

1246
01:10:15,960 --> 01:10:27,320
Speaker 5: But kiss kiss ship, Chada.

1247
01:10:27,120 --> 01:10:31,080
Speaker 1: Kiss cop five. Have I been like that from day one?

1248
01:10:31,880 --> 01:10:34,160
Speaker 1: Since you know how to switch?

1249
01:10:34,200 --> 01:10:34,360
Speaker 3: You know?

1250
01:10:34,479 --> 01:10:36,880
Speaker 1: No? No, no, Crack, this is different. You different.

1251
01:10:36,920 --> 01:10:41,439
Speaker 2: Everybody know mean you brother? Chada Kiss top five. Have

1252
01:10:41,560 --> 01:10:46,280
Speaker 2: I been like that from day one? Facts facts, you know, Chada.

1253
01:10:46,360 --> 01:10:48,080
Speaker 2: Kids ain't gonna say facts just to say fast.

1254
01:10:48,880 --> 01:10:51,160
Speaker 1: You know. The man gonna do a flag, Yeah, gonna

1255
01:10:51,160 --> 01:10:54,360
Speaker 1: do a hole hand up in the sky. The man

1256
01:10:54,560 --> 01:11:03,040
Speaker 1: like you, I'm saying, like you, Yo, you get the reddit.

1257
01:11:03,439 --> 01:11:05,720
Speaker 1: Can I get a loan one day if I need it?

1258
01:11:06,040 --> 01:11:08,920
Speaker 2: But show you making I don't need no Loane, I

1259
01:11:08,960 --> 01:11:09,559
Speaker 2: don't need.

1260
01:11:09,439 --> 01:11:11,400
Speaker 1: It, but I want to hear it my richest. Want

1261
01:11:11,439 --> 01:11:14,040
Speaker 1: to put you do it, show you my richest, fred

1262
01:11:15,120 --> 01:11:17,879
Speaker 1: I just wanted to have to tell you my richest.

1263
01:11:17,920 --> 01:11:22,240
Speaker 1: Young Damn, Kelly, you don't answer the question trauma, be

1264
01:11:22,280 --> 01:11:25,280
Speaker 1: your guy. Tell let me ask that question. Let me

1265
01:11:25,320 --> 01:11:27,639
Speaker 1: ask you a question. Hold up, So I look at

1266
01:11:27,640 --> 01:11:30,559
Speaker 1: the picture, Damn, and I look at I know who

1267
01:11:30,560 --> 01:11:35,760
Speaker 1: I am, and I'm a reformed gangster, and I'm a

1268
01:11:35,840 --> 01:11:38,080
Speaker 1: god lover, a god fearer.

1269
01:11:38,400 --> 01:11:42,800
Speaker 2: Cassey Center, sorry cause he said all that. You know,

1270
01:11:42,880 --> 01:11:47,360
Speaker 2: I know Joey Krack. I know Joey Crack, I know

1271
01:11:47,520 --> 01:11:52,640
Speaker 2: Don Carter Gina, I know the stories that some of

1272
01:11:52,720 --> 01:11:53,599
Speaker 2: y'all think it's cat.

1273
01:11:54,920 --> 01:11:55,639
Speaker 1: You know what I'm saying.

1274
01:11:55,920 --> 01:11:59,720
Speaker 2: What I'm saying is that through all that he is

1275
01:11:59,760 --> 01:12:03,599
Speaker 2: the nicest. Okay, how can I say this if.

1276
01:12:03,439 --> 01:12:08,120
Speaker 1: He's your friend, if that's the key word, If he's

1277
01:12:08,160 --> 01:12:15,120
Speaker 1: your friend. When he's your friend, he's all in. You know,

1278
01:12:15,200 --> 01:12:17,680
Speaker 1: write that down. I can tell you. What does I'm

1279
01:12:17,720 --> 01:12:20,400
Speaker 1: gonna tell you, but I can strangers. Now, I don't

1280
01:12:20,439 --> 01:12:22,640
Speaker 1: know that his friend will tell you that. When I

1281
01:12:22,640 --> 01:12:26,880
Speaker 1: say all in, through the good, through the trials and tribulations,

1282
01:12:27,479 --> 01:12:28,360
Speaker 1: through anything.

1283
01:12:29,200 --> 01:12:35,320
Speaker 2: He shows up, no, no, no, no kiss. When I say

1284
01:12:35,360 --> 01:12:40,160
Speaker 2: show up, not an inspiration motivation? Yo, I love you,

1285
01:12:40,240 --> 01:12:42,480
Speaker 2: I got you. I'm praying for you.

1286
01:12:42,520 --> 01:12:48,920
Speaker 1: No no, no, no, no no no show up. Kiss, look

1287
01:12:48,960 --> 01:12:58,120
Speaker 1: at me, show up, show up, show up? No show up?

1288
01:12:58,240 --> 01:12:59,840
Speaker 1: Sure again?

1289
01:13:00,120 --> 01:13:03,920
Speaker 4: Anybody, he's a beautiful man, he's anybody.

1290
01:13:04,000 --> 01:13:07,240
Speaker 1: He's a beauty. You're killing You're jelly beautiful. They're yelling

1291
01:13:07,320 --> 01:13:09,680
Speaker 1: against anybody. What I'm trying to tell you is that

1292
01:13:09,760 --> 01:13:12,840
Speaker 1: it would be guys. I just mean somebody. Curious things.

1293
01:13:12,880 --> 01:13:16,400
Speaker 1: You ever seen anybody like let's people. I don't know

1294
01:13:16,920 --> 01:13:18,840
Speaker 1: it's what we're doing here, but I see a side.

1295
01:13:18,920 --> 01:13:22,720
Speaker 2: Say, I see Joe friends with somebody that a sneakerhead,

1296
01:13:23,400 --> 01:13:28,040
Speaker 2: a jeweler, a rapper, h a family man. If he's

1297
01:13:28,080 --> 01:13:31,760
Speaker 2: your friend. You don't know the definition of a friend

1298
01:13:31,800 --> 01:13:34,040
Speaker 2: that you meet Joey Kraft. And I'm not saying this

1299
01:13:34,120 --> 01:13:37,360
Speaker 2: because I'm on the Joey and Jody Joey at Jada Shaw.

1300
01:13:37,400 --> 01:13:40,400
Speaker 2: I cannot say that because of that. You're saying because

1301
01:13:40,439 --> 01:13:43,600
Speaker 2: he says something early is rare to see true brotherhood

1302
01:13:45,200 --> 01:13:48,800
Speaker 2: fat you know saying me, I'm always salute the brotherhood.

1303
01:13:49,479 --> 01:13:53,280
Speaker 3: What's the song with fucking Meek Mill and me and

1304
01:13:53,400 --> 01:13:56,160
Speaker 3: scar Face and John Legend and Akon and.

1305
01:13:58,439 --> 01:14:01,120
Speaker 1: You know that? So that's all you gained the you

1306
01:14:01,280 --> 01:14:02,519
Speaker 1: gained the jails with that.

1307
01:14:03,560 --> 01:14:08,040
Speaker 2: So that record car never Surrender, Ever Surrendered, Tader Kiss,

1308
01:14:08,080 --> 01:14:17,760
Speaker 2: Meek Mill, Acon, Anthony, Anthony hamiltonbody else, Scarface. Let's have

1309
01:14:17,880 --> 01:14:20,960
Speaker 2: scar Face, John Legend, all these people on one record.

1310
01:14:21,720 --> 01:14:23,760
Speaker 2: I never forget making that because I was on my

1311
01:14:23,840 --> 01:14:27,280
Speaker 2: Kusi Jones ship and I was just cutting everybody's vocals

1312
01:14:27,280 --> 01:14:31,479
Speaker 2: and later on I would just put it together. But

1313
01:14:31,680 --> 01:14:35,720
Speaker 2: that particular record, I had grown men come up to me,

1314
01:14:36,680 --> 01:14:39,880
Speaker 2: grown men come up some of the realest guys like

1315
01:14:40,080 --> 01:14:42,840
Speaker 2: Joey Krat come up to me and say, Yo, your

1316
01:14:42,880 --> 01:14:45,760
Speaker 2: brother Calvin. You know, I cried tears when I heard

1317
01:14:45,840 --> 01:14:50,720
Speaker 2: that back. I cried tears when I heard that bad

1318
01:14:52,240 --> 01:14:54,640
Speaker 2: when I play that now when I throw it for

1319
01:14:54,680 --> 01:14:58,280
Speaker 2: a throwback, and I think about making that collab and

1320
01:14:58,479 --> 01:15:01,640
Speaker 2: call and kiss and and Anthony Hamilton the film is

1321
01:15:01,720 --> 01:15:05,960
Speaker 2: part in Africa, and John Legend the film is part

1322
01:15:06,000 --> 01:15:09,000
Speaker 2: in New York, and you film your part in Yonkers,

1323
01:15:09,120 --> 01:15:12,280
Speaker 2: and you know in Harlem, and yeah, in Harlem. Rue

1324
01:15:12,600 --> 01:15:14,599
Speaker 2: I was there in Harlem with the Black may Box.

1325
01:15:15,080 --> 01:15:17,559
Speaker 2: At that time, I think being Meth was starting to

1326
01:15:17,640 --> 01:15:21,759
Speaker 2: ring off right all this Me and mik and Ross

1327
01:15:23,040 --> 01:15:26,479
Speaker 2: in Atlanta, was in Atlanta with a hundred behind us

1328
01:15:26,479 --> 01:15:30,040
Speaker 2: with a kon singing the hook, but that particular Scarface

1329
01:15:31,120 --> 01:15:36,040
Speaker 2: doing his hook his versus Houston. Even Face Mob told

1330
01:15:36,040 --> 01:15:40,120
Speaker 2: me yo that verse, he said like it put tears

1331
01:15:40,160 --> 01:15:43,840
Speaker 2: in his eyes saying that verse. You know what I'm

1332
01:15:43,840 --> 01:15:46,439
Speaker 2: saying like because you know, you know how you say

1333
01:15:47,080 --> 01:15:50,040
Speaker 2: some people think shit is cat and some shit, you know,

1334
01:15:50,080 --> 01:15:52,200
Speaker 2: some shit is no cap lay with me if you

1335
01:15:52,320 --> 01:15:54,160
Speaker 2: think you know what I'm saying like that music first

1336
01:15:54,160 --> 01:15:58,560
Speaker 2: of all, the music, the soulful, the feeling and the lyrics,

1337
01:15:58,720 --> 01:16:02,920
Speaker 2: but you have so basically is saying love all but

1338
01:16:03,120 --> 01:16:03,840
Speaker 2: trust fuel.

1339
01:16:06,040 --> 01:16:07,280
Speaker 1: You know what I'm saying. You know, when I was

1340
01:16:07,320 --> 01:16:08,360
Speaker 1: making Alima God.

1341
01:16:08,680 --> 01:16:11,280
Speaker 2: The original name for Alamah God was two named before

1342
01:16:11,280 --> 01:16:13,720
Speaker 2: it became Alama God. And I'll be careful with my

1343
01:16:13,800 --> 01:16:17,439
Speaker 2: titles because I lived my titles, so how to be careful.

1344
01:16:18,000 --> 01:16:20,720
Speaker 2: At first, it was called Love All Trust Fuel, and

1345
01:16:20,800 --> 01:16:22,439
Speaker 2: I was starting to make an album. I was in

1346
01:16:22,479 --> 01:16:26,400
Speaker 2: a dark place, saw the record started sounding dark, so

1347
01:16:26,479 --> 01:16:27,639
Speaker 2: I snapped out quick.

1348
01:16:27,680 --> 01:16:29,479
Speaker 1: I'm like, yo, yo, yo, I only won two or

1349
01:16:29,520 --> 01:16:31,960
Speaker 1: three of those joints right guard.

1350
01:16:32,200 --> 01:16:34,559
Speaker 2: So I changed the title quick and I called it

1351
01:16:34,680 --> 01:16:35,719
Speaker 2: all Glory to God.

1352
01:16:36,600 --> 01:16:39,000
Speaker 1: The world's dark right now, so I ended up calling

1353
01:16:39,000 --> 01:16:40,040
Speaker 1: it all Glory to God.

1354
01:16:40,520 --> 01:16:42,120
Speaker 2: And then my wife was like, yo, you made an

1355
01:16:42,120 --> 01:16:43,479
Speaker 2: album called Father a Sade.

1356
01:16:44,040 --> 01:16:45,920
Speaker 1: You know you got a rep Alama like you right?

1357
01:16:47,479 --> 01:16:50,639
Speaker 2: And I had the album called Glory to God, and

1358
01:16:50,720 --> 01:16:51,280
Speaker 2: I was like, you know.

1359
01:16:51,240 --> 01:16:55,120
Speaker 4: What's gonna be called Alama God, Special Kid, Alarm Man.

1360
01:16:55,840 --> 01:16:56,960
Speaker 1: So you understand, you know what I'm saying.

1361
01:16:57,000 --> 01:16:59,160
Speaker 2: If you think about you know, if anybody want to

1362
01:16:59,160 --> 01:17:00,640
Speaker 2: take time and look at the tied us from the

1363
01:17:00,640 --> 01:17:03,560
Speaker 2: beginning of my album to where I'm at now, you

1364
01:17:04,720 --> 01:17:06,479
Speaker 2: look at my life at that time, you know I

1365
01:17:06,560 --> 01:17:07,519
Speaker 2: lived that title.

1366
01:17:09,439 --> 01:17:13,400
Speaker 4: Let me ask you a question, right simple because somebody

1367
01:17:13,560 --> 01:17:17,920
Speaker 4: you know, we brought up top five DJs and I'm

1368
01:17:18,040 --> 01:17:24,519
Speaker 4: sorry because my brother is so wealthy. You know I

1369
01:17:24,520 --> 01:17:26,679
Speaker 4: can hire a DJ. I throw this now, or though

1370
01:17:27,080 --> 01:17:28,120
Speaker 4: you could throw it down.

1371
01:17:30,720 --> 01:17:33,840
Speaker 1: Throwing the flash. I don't know what that saying sorry

1372
01:17:33,960 --> 01:17:39,960
Speaker 1: ship like that in the flag shout throwing it? What else?

1373
01:17:40,200 --> 01:17:42,679
Speaker 1: Your kids? That's what you like. I don't say.

1374
01:17:42,720 --> 01:17:45,160
Speaker 4: I'm gonna say something we usually don't do. Talk me

1375
01:17:45,280 --> 01:17:50,200
Speaker 4: out the scenes, but CALLI tore my ear off because

1376
01:17:50,200 --> 01:17:53,320
Speaker 4: when I said top five DJs, he was like, yo,

1377
01:17:53,360 --> 01:17:58,360
Speaker 4: I'm a DJ, a real DJ, the whip and nobody

1378
01:17:58,439 --> 01:18:01,479
Speaker 4: knows more than me how much Calid riffs there on

1379
01:18:01,479 --> 01:18:05,200
Speaker 4: the show. But he's so rich, right, So I'm like

1380
01:18:05,200 --> 01:18:07,640
Speaker 4: a DJ I can hire. I can't hire cal It

1381
01:18:08,280 --> 01:18:12,000
Speaker 4: and so. But I caught backlash from other DJs. They

1382
01:18:12,000 --> 01:18:14,960
Speaker 4: were like, no, Calin is a real DJ, you need

1383
01:18:14,960 --> 01:18:15,800
Speaker 4: to include him.

1384
01:18:16,320 --> 01:18:22,640
Speaker 1: Who's your top five DJs of all time? Man? No politics?

1385
01:18:23,240 --> 01:18:24,200
Speaker 1: Who do you enjoy?

1386
01:18:27,120 --> 01:18:32,960
Speaker 2: I would say Kid Kapri, Funk Master, Flex, Clark Kent

1387
01:18:35,920 --> 01:18:37,599
Speaker 2: and the reason why I say, first of all those

1388
01:18:37,600 --> 01:18:40,320
Speaker 2: three are the one of some of the greatest DJs.

1389
01:18:40,760 --> 01:18:44,880
Speaker 2: I have a personal personal stories with all three of them.

1390
01:18:44,920 --> 01:18:46,880
Speaker 2: You know what I'm saying, because I looked up to

1391
01:18:46,920 --> 01:18:48,680
Speaker 2: him as an idol, you know what I'm saying. So

1392
01:18:49,040 --> 01:18:52,840
Speaker 2: definitely Kid could pre funk flex kr Klint had have

1393
01:18:52,960 --> 01:18:55,400
Speaker 2: amazing stories with all of them. And then I would

1394
01:18:55,439 --> 01:19:00,160
Speaker 2: have to say premiere mmmm, and I would have have

1395
01:19:00,200 --> 01:19:05,160
Speaker 2: to say, uh, it's crazy, because like I want to

1396
01:19:05,160 --> 01:19:07,280
Speaker 2: throw like a certain mix SAVEE DJ out there.

1397
01:19:07,680 --> 01:19:09,880
Speaker 1: There was so many at that time that I loved.

1398
01:19:10,240 --> 01:19:11,479
Speaker 1: So it was like sn s.

1399
01:19:12,000 --> 01:19:17,680
Speaker 2: Clue and it was like ron g DA and it

1400
01:19:17,760 --> 01:19:21,400
Speaker 2: was like but I just remember like SNS premiere and

1401
01:19:21,560 --> 01:19:24,759
Speaker 2: ONYX this is the way we walk in New Dog.

1402
01:19:25,439 --> 01:19:26,439
Speaker 1: Remember that ONX all.

1403
01:19:26,800 --> 01:19:30,720
Speaker 2: I remember it premiering that changed my life, that particular song,

1404
01:19:30,720 --> 01:19:32,040
Speaker 2: if you go back to that tape, the way he

1405
01:19:32,120 --> 01:19:36,000
Speaker 2: premiered that and his voice. So like SNS started turning

1406
01:19:36,000 --> 01:19:41,000
Speaker 2: into like the Street. You know, that's when it's when

1407
01:19:41,080 --> 01:19:45,240
Speaker 2: when Jigga and Pack and Biggie started coming. So the

1408
01:19:45,400 --> 01:19:48,920
Speaker 2: so the music and DJ started changing and you started

1409
01:19:48,960 --> 01:19:52,120
Speaker 2: seeing the street come out of it. You know, you

1410
01:19:52,160 --> 01:19:55,519
Speaker 2: had your boom back and you had your before I

1411
01:19:55,680 --> 01:19:59,000
Speaker 2: let go, and then you then the top billing and

1412
01:19:59,000 --> 01:20:02,000
Speaker 2: and the Arab President. But then when sn S came,

1413
01:20:02,040 --> 01:20:04,760
Speaker 2: he started coming with like this is the way we

1414
01:20:04,840 --> 01:20:05,880
Speaker 2: walk in New York.

1415
01:20:06,120 --> 01:20:08,320
Speaker 1: You know, like you know, you just started getting gangster.

1416
01:20:08,640 --> 01:20:11,519
Speaker 1: You know, am I am I last I exchanged my

1417
01:20:11,560 --> 01:20:12,160
Speaker 1: whole career.

1418
01:20:12,479 --> 01:20:14,760
Speaker 2: So that last one is so many I don't have

1419
01:20:15,160 --> 01:20:18,880
Speaker 2: I can't particular name it. There's so many because even

1420
01:20:19,000 --> 01:20:22,760
Speaker 2: like the Double R mixtape with the Bland, remember that.

1421
01:20:22,800 --> 01:20:26,040
Speaker 1: You vote brood Brother pro double R. Remember that Boos

1422
01:20:26,120 --> 01:20:29,599
Speaker 1: Brothers and Smooth You remember all them niggas had something

1423
01:20:29,760 --> 01:20:35,320
Speaker 1: going that she voted bro double All that was great recipes,

1424
01:20:35,439 --> 01:20:37,240
Speaker 1: my brother, my brother. But then you had like a

1425
01:20:37,360 --> 01:20:41,240
Speaker 1: jam Hey, that was so legendary. Then you had a

1426
01:20:41,320 --> 01:20:42,120
Speaker 1: DJ scratch.

1427
01:20:42,200 --> 01:20:44,200
Speaker 2: So the fifth one is always fucked up on me

1428
01:20:44,360 --> 01:20:46,600
Speaker 2: because you got a scratch that was cutting who ha

1429
01:20:47,120 --> 01:20:52,400
Speaker 2: public Enemy on ep M D Records. You know ship

1430
01:20:52,479 --> 01:20:55,599
Speaker 2: that I'm like, what the fuck right? You know, it's

1431
01:20:55,640 --> 01:20:58,280
Speaker 2: so many. Then you got Terminator acts on Rebel as

1432
01:20:58,320 --> 01:21:01,000
Speaker 2: a pause, you know, seeing that it's so much ship.

1433
01:21:01,439 --> 01:21:04,280
Speaker 2: So that fifth one is tough for me because it's

1434
01:21:04,360 --> 01:21:07,080
Speaker 2: just like, you know, I really love it. But you know, Joe,

1435
01:21:07,360 --> 01:21:08,800
Speaker 2: I noticed you tell a lot of stories, but you

1436
01:21:08,840 --> 01:21:11,280
Speaker 2: don't tell them. Some of them DJ cattle stories, a

1437
01:21:11,439 --> 01:21:15,240
Speaker 2: cal coming up in the club and demolishing the fucking place.

1438
01:21:16,000 --> 01:21:18,720
Speaker 4: Listen, I know that I used to fight being meth

1439
01:21:18,840 --> 01:21:22,439
Speaker 4: and Miami trying to get in your club, like we

1440
01:21:22,600 --> 01:21:27,120
Speaker 4: used to be online, trying to bum rush because there was.

1441
01:21:27,160 --> 01:21:29,160
Speaker 1: This club out here. What was the club at me?

1442
01:21:30,360 --> 01:21:33,280
Speaker 1: What was the club that was? You had the room

1443
01:21:33,600 --> 01:21:36,080
Speaker 1: and we had club crave that got crazy to yeah,

1444
01:21:36,080 --> 01:21:38,120
Speaker 1: I know, but you had a rising. You had a

1445
01:21:38,280 --> 01:21:41,679
Speaker 1: room in there that morning on the whole room.

1446
01:21:41,960 --> 01:21:44,640
Speaker 2: When I played Young Jeezy, I'm the I'm one of

1447
01:21:44,720 --> 01:21:46,240
Speaker 2: the first to play Young Jez.

1448
01:21:46,880 --> 01:21:50,360
Speaker 1: That's Jeeze. I'll never forget the old.

1449
01:21:52,880 --> 01:21:56,400
Speaker 2: The whole club down and Young Jeezy before he was

1450
01:21:56,479 --> 01:22:00,639
Speaker 2: Young Jeezy, and Fab was in the club with him too,

1451
01:22:02,640 --> 01:22:04,880
Speaker 2: and Meat and everybody in the club, the whole place

1452
01:22:05,520 --> 01:22:08,400
Speaker 2: I'll never forget. Because my room was like, you're gonna

1453
01:22:08,439 --> 01:22:09,880
Speaker 2: pay a lot of money get in that room.

1454
01:22:10,520 --> 01:22:12,479
Speaker 1: And I remember, let's explain that it was a big

1455
01:22:12,600 --> 01:22:15,920
Speaker 1: club in Calor had a room for everybody. Knew at

1456
01:22:16,000 --> 01:22:16,320
Speaker 1: two in.

1457
01:22:16,360 --> 01:22:19,599
Speaker 4: The morning, go to college room, he's gonna start DJing

1458
01:22:20,160 --> 01:22:25,240
Speaker 4: at that point, remember Wold Thrust and peace, everybody you

1459
01:22:25,479 --> 01:22:27,920
Speaker 4: know from everywhere in America.

1460
01:22:27,720 --> 01:22:31,680
Speaker 1: And we're trying to get in that room and it

1461
01:22:31,800 --> 01:22:35,800
Speaker 1: was b at ft A prime. I never looked at

1462
01:22:35,880 --> 01:22:40,719
Speaker 1: you play it the hustling, hustling, hustle for wait hours hours,

1463
01:22:41,920 --> 01:22:44,120
Speaker 1: just what you say, yards.

1464
01:22:43,920 --> 01:22:47,320
Speaker 2: I played hustling hours on the radio and hustling hours

1465
01:22:47,360 --> 01:22:51,559
Speaker 2: in the club for hours. One record that Rick.

1466
01:22:51,479 --> 01:22:53,759
Speaker 1: Was hustling, hustling, hustling.

1467
01:22:54,320 --> 01:22:56,800
Speaker 2: I never forget, but I remember Gizi and the whole

1468
01:22:56,880 --> 01:23:00,800
Speaker 2: BMF be in that club, Prevade and they hand me

1469
01:23:00,880 --> 01:23:03,600
Speaker 2: a vinyl, a white label, and it was geez. I

1470
01:23:03,600 --> 01:23:07,080
Speaker 2: don't know who Jizi was at that time. I think

1471
01:23:07,160 --> 01:23:11,960
Speaker 2: fab was there, and it was like me, whoever, these

1472
01:23:12,000 --> 01:23:14,240
Speaker 2: are my people. They always showed me love and they

1473
01:23:14,280 --> 01:23:18,160
Speaker 2: supported all my parties, and they're like, YO, want you

1474
01:23:18,240 --> 01:23:21,200
Speaker 2: to play this vinyl. You know it's doing vinyl still

1475
01:23:21,560 --> 01:23:24,000
Speaker 2: without a question. These people always showed me love. They

1476
01:23:24,040 --> 01:23:26,559
Speaker 2: come to all my parties. I'm not even I ain't

1477
01:23:26,880 --> 01:23:27,320
Speaker 2: listen to it.

1478
01:23:27,520 --> 01:23:33,479
Speaker 1: I went threw it on. When I tell you, the

1479
01:23:33,560 --> 01:23:35,599
Speaker 1: whole place exploded.

1480
01:23:36,240 --> 01:23:39,000
Speaker 2: On one play off of one the first ten seconds

1481
01:23:39,000 --> 01:23:42,519
Speaker 2: of the record, the place exploded. I played it cheesy

1482
01:23:42,600 --> 01:23:46,559
Speaker 2: right exploded, and then Gizi came to the DJ boot

1483
01:23:47,720 --> 01:23:49,760
Speaker 2: showed me love and they grabbed the mic and he

1484
01:23:49,840 --> 01:23:53,200
Speaker 2: jumped on top of the bar the bar. They started

1485
01:23:53,200 --> 01:23:57,280
Speaker 2: performing that shit and Fave started performing. And you know,

1486
01:23:57,360 --> 01:23:59,840
Speaker 2: ever since that day, me and Jizi had a relationship.

1487
01:24:00,360 --> 01:24:03,040
Speaker 2: But it's just you know, back in them days, you know,

1488
01:24:03,120 --> 01:24:06,880
Speaker 2: we ain't have the Instagram and Twitter and all that shit,

1489
01:24:06,960 --> 01:24:10,479
Speaker 2: So it was it was about you going city to city,

1490
01:24:10,840 --> 01:24:16,760
Speaker 2: but it was also about building relationship, but making these

1491
01:24:16,880 --> 01:24:21,280
Speaker 2: moments that people would never forget. You know what I'm saying,

1492
01:24:21,560 --> 01:24:22,760
Speaker 2: That's what hip hop is about.

1493
01:24:22,960 --> 01:24:23,160
Speaker 1: Y'all.

1494
01:24:23,200 --> 01:24:26,280
Speaker 2: Remember being a club Puerto Rican Parade, Puerto Rican Parade

1495
01:24:26,320 --> 01:24:28,680
Speaker 2: in New York City. Joe took me there. I don't

1496
01:24:28,680 --> 01:24:31,400
Speaker 2: know what club it was, but the VIP was glass.

1497
01:24:31,880 --> 01:24:35,120
Speaker 2: They had like a glass all glass. And we all

1498
01:24:35,160 --> 01:24:41,240
Speaker 2: have had Big Pun and my deepest performing prodigy ripping

1499
01:24:41,320 --> 01:24:42,120
Speaker 2: it down.

1500
01:24:42,360 --> 01:24:45,759
Speaker 1: Kiss. Like I'm talking about, people hanging off the speaker

1501
01:24:46,479 --> 01:24:49,040
Speaker 1: and then Joe and Pun come out of nowhere and

1502
01:24:49,080 --> 01:24:52,280
Speaker 1: performed Twins. And I'm the little kid right there by

1503
01:24:52,320 --> 01:24:56,120
Speaker 1: the speaker just watching the ship and I'm like, what

1504
01:24:56,360 --> 01:24:57,479
Speaker 1: the fuck is this?

1505
01:24:58,880 --> 01:25:04,280
Speaker 2: I'm watching Priday, Prodigy, Mom deep big pun, Joey crack

1506
01:25:05,560 --> 01:25:06,320
Speaker 2: punk pooing.

1507
01:25:06,200 --> 01:25:13,599
Speaker 1: Up and what was that? Bends the bends and they

1508
01:25:13,640 --> 01:25:15,840
Speaker 1: got an interview where he looks you go which one? Oh?

1509
01:25:15,920 --> 01:25:19,200
Speaker 1: I said? Pray one? That Ben Joe just and nah Yo,

1510
01:25:19,280 --> 01:25:19,800
Speaker 1: I'm in there.

1511
01:25:19,880 --> 01:25:23,559
Speaker 2: I'm on the side hanging off a speaker watching Prodigy

1512
01:25:23,680 --> 01:25:26,200
Speaker 2: and Mom didn't have it performance shook one and then

1513
01:25:26,280 --> 01:25:28,280
Speaker 2: Joey's cracking them coming out of twins.

1514
01:25:30,840 --> 01:25:35,839
Speaker 1: Check this out. This ain't that. That, ain't this cracking

1515
01:25:36,040 --> 01:25:43,639
Speaker 1: kiss baby callage rich, super rich and won't give me ship.

1516
01:25:43,880 --> 01:25:45,920
Speaker 1: I had enough choice to make some money, boy, because

1517
01:25:45,920 --> 01:25:48,920
Speaker 1: he's guys here. I got a choice to hustle. Now

1518
01:25:49,000 --> 01:25:51,480
Speaker 1: you're kind to let me get one of them stones

1519
01:25:54,240 --> 01:25:56,479
Speaker 1: to ay and code because I call this. You got

1520
01:25:56,560 --> 01:25:57,840
Speaker 1: name everything I call this.

1521
01:25:58,320 --> 01:26:00,960
Speaker 2: I couldn't make my mind up because it's so many

1522
01:26:01,000 --> 01:26:03,080
Speaker 2: different stone and different shapes.

1523
01:26:02,840 --> 01:26:07,080
Speaker 1: And different you crack. It's so many different cuts.

1524
01:26:08,080 --> 01:26:12,880
Speaker 4: I mean, guy, you know, Kelly, you don't call the

1525
01:26:12,960 --> 01:26:15,480
Speaker 4: guy Hong Kong's Mon's Golian.

1526
01:26:16,360 --> 01:26:21,439
Speaker 1: You know he's an allegend, He's somewhere, he's alive. Kung

1527
01:26:21,560 --> 01:26:26,519
Speaker 1: Moolian yo yo. They go crazy, right, here's a guy.

1528
01:26:26,640 --> 01:26:32,200
Speaker 1: You got me my goalie. This show has it's it's

1529
01:26:32,360 --> 01:26:33,800
Speaker 1: took in the life of his own.

1530
01:26:34,720 --> 01:26:37,200
Speaker 4: So it's my birthday and for my birthday, they give

1531
01:26:37,240 --> 01:26:41,439
Speaker 4: me a twelfth pack of diapepties and two pass of

1532
01:26:41,479 --> 01:26:47,599
Speaker 4: Galazi baghol danzi Yo. It's out of control. What's going

1533
01:26:47,680 --> 01:26:51,120
Speaker 4: on here? But it's a bat that you love this ship,

1534
01:26:51,200 --> 01:26:51,720
Speaker 4: right Yo.

1535
01:26:52,600 --> 01:26:53,640
Speaker 1: What's crazy is.

1536
01:26:55,360 --> 01:27:00,600
Speaker 4: Hong Kong's Mongolian. We made this guy household name, but

1537
01:27:00,720 --> 01:27:02,519
Speaker 4: they don't know that's what we do. You just gave

1538
01:27:02,640 --> 01:27:05,760
Speaker 4: the chain a name called we can't make our mind.

1539
01:27:05,880 --> 01:27:10,240
Speaker 1: It's just called I Got Maya, and this call called

1540
01:27:10,360 --> 01:27:17,040
Speaker 1: Miami Miami Dolphins, Miamy Dolphins. Listen, man, we went top this.

1541
01:27:18,400 --> 01:27:24,439
Speaker 1: I'm not confused with shi Yo. This is Joe and Jada.

1542
01:27:24,880 --> 01:27:26,639
Speaker 1: They said, you know what I love about the Joe

1543
01:27:26,680 --> 01:27:29,080
Speaker 1: and Jada show. You usually got to chase him to

1544
01:27:29,160 --> 01:27:32,040
Speaker 1: do something. What's I'm gonna be real shit, I'm gonna

1545
01:27:32,080 --> 01:27:34,200
Speaker 1: be really we want to get on this young crack kiss.

1546
01:27:34,200 --> 01:27:38,759
Speaker 1: I'm gonna be really true. This is true on everything

1547
01:27:38,840 --> 01:27:39,160
Speaker 1: I love.

1548
01:27:40,040 --> 01:27:43,200
Speaker 2: I only can do things that's gonna inspire me and

1549
01:27:43,360 --> 01:27:48,040
Speaker 2: motivate me, and I feel an energy that I know

1550
01:27:48,320 --> 01:27:51,120
Speaker 2: that God bless them when I see this show. I'm

1551
01:27:51,280 --> 01:27:55,320
Speaker 2: telling you not because you'all my brothers, and thank you

1552
01:27:55,400 --> 01:27:59,120
Speaker 2: for rapping hip hop and loving it so much, because

1553
01:27:59,120 --> 01:28:01,800
Speaker 2: this ship, this would out your guests on that this

1554
01:28:01,960 --> 01:28:04,840
Speaker 2: is shit y'all talking about. And the way y'all producers

1555
01:28:04,880 --> 01:28:08,479
Speaker 2: are throwing up the clips and sertain songs and the

1556
01:28:08,560 --> 01:28:13,680
Speaker 2: other day y'all doing here we Go again again, it

1557
01:28:13,800 --> 01:28:16,680
Speaker 2: made me immediately find a picking throp here we Go

1558
01:28:16,920 --> 01:28:19,479
Speaker 2: and yeah, like I'm like, yo, these guys are so

1559
01:28:19,680 --> 01:28:20,600
Speaker 2: on point.

1560
01:28:22,000 --> 01:28:24,280
Speaker 1: And what said hip hop? You know, I could be

1561
01:28:24,400 --> 01:28:25,839
Speaker 1: somebody and be like yo, love.

1562
01:28:25,920 --> 01:28:28,680
Speaker 2: Or I can tell you how I feel. You know

1563
01:28:28,720 --> 01:28:30,920
Speaker 2: what I'm saying because I'm never not going to be

1564
01:28:31,040 --> 01:28:34,200
Speaker 2: the fan, you know what I'm saying. Yeah, I got

1565
01:28:34,240 --> 01:28:36,880
Speaker 2: a relationship with Jada Kiss. Yeah, Joey Krack, I have

1566
01:28:36,960 --> 01:28:40,080
Speaker 2: a relationship with y'all my brothers. Don't get twisted. That's

1567
01:28:40,120 --> 01:28:45,720
Speaker 2: fucking Jade to Kiss, that's Joey Crack. Yes, theay my brothers. Yes,

1568
01:28:45,840 --> 01:28:48,840
Speaker 2: they got me and I got them too, But don't

1569
01:28:48,880 --> 01:28:52,640
Speaker 2: get twisted. Before I met them, these were my idols.

1570
01:28:52,920 --> 01:28:56,719
Speaker 2: Like you know, I have many idols. You gotta understand

1571
01:28:56,840 --> 01:29:00,640
Speaker 2: like this is special and kiss when I see you

1572
01:29:00,760 --> 01:29:03,799
Speaker 2: on this show. And Joe said it perfectly in the beginning,

1573
01:29:05,400 --> 01:29:08,880
Speaker 2: we never got a chance to know the personality, right,

1574
01:29:09,240 --> 01:29:11,799
Speaker 2: you know, we knew about Top five and stray bars

1575
01:29:11,920 --> 01:29:12,840
Speaker 2: coming for your neck.

1576
01:29:13,840 --> 01:29:15,000
Speaker 1: That's sad, you know what I'm saying.

1577
01:29:15,040 --> 01:29:17,120
Speaker 2: But I knew the personality because I know you as

1578
01:29:17,160 --> 01:29:19,240
Speaker 2: a friend and as a brother, I can reach out

1579
01:29:19,280 --> 01:29:21,519
Speaker 2: to you and we family, you know what I'm saying.

1580
01:29:22,160 --> 01:29:24,320
Speaker 1: But I knew. The fans didn't know what I knew.

1581
01:29:24,840 --> 01:29:26,120
Speaker 1: I knew. They ain't know what I knew.

1582
01:29:26,320 --> 01:29:29,200
Speaker 2: Yes, they love you and they got you. They respect you,

1583
01:29:29,680 --> 01:29:31,599
Speaker 2: but they ain't know what I knew and what Joe knew.

1584
01:29:32,160 --> 01:29:38,760
Speaker 2: But guess what now they know to trade this crack.

1585
01:29:38,920 --> 01:29:42,880
Speaker 1: And the thing is that everybody watching this show know

1586
01:29:43,080 --> 01:29:45,479
Speaker 1: that about you, and you too crap.

1587
01:29:45,920 --> 01:29:49,720
Speaker 2: You always been somebody that gonna make people smile, and

1588
01:29:49,840 --> 01:29:55,000
Speaker 2: it saying, but exactly, don't get twisted a lot of

1589
01:29:55,000 --> 01:29:58,439
Speaker 2: these people. And no disrespect when I say this, Please

1590
01:29:58,479 --> 01:30:01,080
Speaker 2: don't respect because you know I no, I'm not gonna

1591
01:30:01,080 --> 01:30:01,479
Speaker 2: say it there.

1592
01:30:01,520 --> 01:30:04,200
Speaker 1: Listen, there's a god, I say, there's a comedian. I'm

1593
01:30:04,240 --> 01:30:06,600
Speaker 1: Alway's name, I keep me posting them. You can't do that.

1594
01:30:06,920 --> 01:30:11,880
Speaker 1: Is this dude that he be going and Joe which yeah,

1595
01:30:12,280 --> 01:30:16,960
Speaker 1: when Jesus met Moses true stories to see. I've seen that.

1596
01:30:17,120 --> 01:30:21,720
Speaker 1: Let's split the sea. I've seen that, my brother. I

1597
01:30:21,840 --> 01:30:25,280
Speaker 1: love everything you do. Keep doing it. You're inspiring me

1598
01:30:25,520 --> 01:30:31,040
Speaker 1: more to tell the most incredible stories. It's a lot

1599
01:30:31,120 --> 01:30:33,120
Speaker 1: of stories you eat. It's a problem.

1600
01:30:34,479 --> 01:30:38,120
Speaker 4: It's a lot of stories we haven't heard yet. Ship

1601
01:30:38,280 --> 01:30:41,560
Speaker 4: just click and I go crazy. But thank you and

1602
01:30:41,680 --> 01:30:44,160
Speaker 4: everybody who's been supporting the show. My brother DJ.

1603
01:30:44,160 --> 01:30:48,320
Speaker 1: Khaled, the one and know only how live in the buildings.

1604
01:30:48,840 --> 01:30:51,840
Speaker 1: I can kiss. Yeah,